Podcasts about Leonora Carrington

About Tere Derbez Tere Derbez was born in Mexico City, has her art studio at San Miguel de Allende, Guanajuato, and Scottsdale, Arizona; since she was a child, she has showed her love for painting. As a teenager she began her studies at the Institute of Fine Arts of San Luis Potosí, where she cultivated a deep friendship with teacher Raúl Gamboa, a contemporary of Diego Rivera, David Alfaro Siqueiros, and Rufino Tamayo, and from whom she learned the basics of drawing and the secrets of painting, and whom Tere Derbez considers her mentor.  However, her interest in painting and writing never ceases. Since 1995, she has dedicated her full time to her passion; painting and writing, always looking for new forms and techniques of expression. Her painting style leads towards surrealism, having Remedios Varo and Leonora Carrington as role models. She describes herself as a passionate woman who loves all her experiences, recognizing that in the face of people, essentially in their eyes, their soul is reflected. She believes that at this time Mexico needs a new stream of artists that need support to be able to dedicate themselves fully to the creation of their works.  As a writer, she writes weekly in two newspapers in Mexico: El Sol de San Luis y Del Bajio, and monthly in Hominis Magazine. She has written two books of poems, and the novel «El Ángel de Sofía». She also has a foundation called «El Ángel de Sofía», which is focused on helping young people and adults from marginalized areas, to help to realize their dreams of life by promoting education, art and sports. The foundation puts special attention on the area of mental health. Tere currently collaborates in the Huasteca Potosina and the Sierra Tarahumara as well as in San Luis Potosí, where a Cultural Program was started and a «Cultural and Arts Center» was created in an abandoned market.  Episode Notes  00:00 Intro  07:12 Lesson 1: Life starts with family, and it ends with you  10:45 Lesson 2: How to overcome difficulties in life as a single parent  16:07 Lesson 3: Not everything that shines is made of gold  18:03 Lesson 4: Seven jobs will bring you 9 misfortunes  20:29 Lesson 5: Don't expect anything from anyone  23:45 Affiliate Break  24:35 Lesson 6: Don't control, let it go  29:14 Lesson 7: Love is all you need  32:38 Lesson 8: Learn how to use your energy  36:45 Lesson 9: How to love your life as you grow older  40:39 Lesson 10: The importance of Mindfulness   

Charlie Porter is a writer, fashion critic and curator. He has written for the Financial Times, the Guardian, The New York Times, GQ, amongst others, and has been described as one of the most influential fashion journalists of his time.Books mentioned: The Gentrification of the Mind by Sarah Schulman, The Hearing Trumpet by Leonora Carrington

"Worldbuilding Through Memory and Myth: Elias Hernandez on Storytelling, Surrealism, and the Legacy of Conflict" In this immersive episode of What's My Thesis?, host Javier Proenza welcomes artist and educator Elias Hernandez, whose deeply narrative visual practice draws from Latin American surrealism, video game aesthetics, and inherited stories of displacement and resilience. A recent MFA graduate from USC and collaborator with cult streetwear label Brain Dead, Hernandez charts a complex universe in his paintings—populated by star-bearing knights, sentient castles, and time-traveling wizards—where memory, mythology, and trauma are rendered in fantastical allegory. Born in Mountain View and raised between the Bay Area and Sunnyvale, Hernandez reflects on a childhood steeped in card games like Magic: The Gathering, which sparked his fascination with visual storytelling. These early interests evolved into a practice that explores “the burden and blessing” of cultural inheritance—from Salvadoran family histories shaped by civil war to folkloric Catholic imagery and Latin American feminist surrealism. In conversation, Hernandez discusses how drawing, teaching, and game-inspired worldbuilding intersect in his creative process. His paintings act as sequential mythologies—each one building upon the last—presenting a nonlinear, symbolic narrative of a hero's journey infused with biblical allusions, cosmic cults, and archetypes of good and evil. These compositions resist linear interpretation, instead inviting viewers into a slow unfolding of meaning that echoes oral tradition and pre-Columbian storytelling. As Hernandez explains, his work is not overtly political, yet it is politicized by its very existence within American contemporary art spaces. Drawing from artists like Otto Dix, Diego Rivera, and Leonora Carrington, his practice embodies a transhistorical dialogue where surrealist aesthetics and contemporary iconography converge—memes, murals, and medieval allegory colliding in a uniquely generational vision. Highlights include: How early exposure to fantasy media and tabletop gaming shaped his narrative sensibility The role of inherited trauma in the creative act and character development Reflections on his time as a bilingual educator in Oakland and the visual languages of immigrant youth A detailed breakdown of his fictional universe, including moon-worshipping cults and star-forging armor The spiritual dimensions of drawing and ceramics as ritual practices Insight into Central American cultural erasure and mythological reimaginings Hernandez's work transcends medium and genre, bridging pop culture with ancient cosmology, and positioning painting as a vehicle for complex identity expression and speculative folklore. This episode is an invitation into the mind of a worldbuilder—one who channels collective memory into realms where the past haunts, empowers, and transforms. Follow Elias Hernandez on Instagram @eliasxhernandez and visit his website at www.eliashernandez.art. Listen now and subscribe to What's My Thesis? on your favorite podcast platform. If you enjoyed this episode, leave a five-star review and support the show on Patreon for early access and bonus content. #EliasHernandez #LatinArt #SurrealistPainting #WorldbuildingArt #ContemporaryArtPodcast #WhatsMyThesis #ArtAndIdentity #FantasyArt #CivilWarMemory #MagicTheGatheringArt #USCArt #BraindeadCollab

Monica Pareschi"Inverness"Polidoro Editorewww.alessandropolidoroeditore.itC'è, nell'incontro con l'altro, una paura antica, uno spavento continuamente ricercato e fuggito. Incontri sbagliati, mancati. Incontri fatali, o intravisti.Baci velenosi. Bambine dai difetti repellenti. Addii dati in maniera fredda e intollerabile. Amori ricambiati in parte e scambiati per eterne maledizioni scolastiche.Monica Pareschi torna alla narrativa dopo il suo esordio di circa 10 anni fa. Un'opera contundente, corrosiva – ricorda la malizia fantastica di Leonora Carrington e il film Stoker di Park chan-Wook – fondata sui sentimenti più nascosti, sulle piccolezze mostruose, vitree, che tutti noi coviamo mentre amiamo e mentre odiamo.Monica Pareschi è autrice di È di vetro quest'aria, Italic Pequod, 2014. Traduce narrativa per le maggioricase editrici italiane. Ha tradotto e curato, tra gli al-tri, Thomas Hardy, Charlotte e Emily Brontë, Shirley Jackson, Doris Lessing, James Ballard, Bernard Malamud, Paul Auster, Nel 2020, per la sua traduzione di Wuthering Heights, ha vinto il Premio InternazionaleVon Rezzori e il Premio Letteraria e, nel 2023, il Premio Fondazione Capalbio per la traduzione di Piccole cose da nulla di Claire Keegan. Insegna traduzione letteraria all'Università Cattolica.IL POSTO DELLE PAROLEascoltare fa pensarewww.ilpostodelleparole.itDiventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.

Tras el parón por nuestros tres especiales de Hallowwen, Navidad y San Valentín, nuestros amigos se preparan para afrontar la segunda parte de la temporada. Pues bien, la calma dura poco, Legión vueive a desaparecer y a saber donde está. ¿Se avecina viaje?Como viene siendo habitual, en Martes de Terror celebramos marzo como el mes dedicado a la autora de genero. Para este primer martes, nuestras dos primeras rosas negras serán para Leonora Carrington por la obra Conejos Blancos, y para Louisa Baldwin con el relato Cómo él abandonó el hotel. En el apartado musical también tendrá aroma fenenino, regresan a Martes de Terror las diosas «Thundermother», para presentar el single de su nuevo album.Si te gusta nuestro trabajo y quieres contribuir a nuestro crecimiento, puedes apoyarnos con un donativo en PaypalSíguenos enFacebookInstagramThreadsTiktoko en la web https://www.luxferreaudios.com/martes-de-terror/Conviértete en un seguidor de este podcast: https://www.spreaker.com/podcast/martes-de-terror--4855782/support.

Nos hemos encontrado en la Exposición "1924 : otros surrealismos" ( Fundación Mapfre / Madrid) a Remedios Varo . Nació en Anglés (Girona)  en 1908, fue de las primeras mujeres y de las más jóvenes en entrar en la Real Academia de Bellas Artes de San Fernando en Madrid junto a otros grandes como Pîcasso, Dalí o Maruja Mallo. Fue una moderna, una mujer sofisticada. Se unió pronto a los surrealistas, primero a los logicofobistas catalanes y tras la guerra civil, como pareja del poeta francés Benjamin Péret, entra de lleno en el círculo de André Bretón en París. Allí conoce a una persona clave en su vida posterior que será la compañera de generación Leonora Carrington. La llegada de los nazis a Francia le hace huir de nuevo vía Marsella y Marruecos destino México. Es en México donde, juntos a otros exiliados europeos, donde  encuentra su sitio , aunque pasó también unos años junto a su madre y su hermano en Venezuela. En el país del Orinoco hizo los míticos carteles para la farmacéutica Bayern que son ya parte de su obra. Pero volvió a México donde estaban todos sus amigos y amigas, especialmente Leonora Carrington con la que compartía todo. Y es en la década de los 50, cuando se casa con el austriaco Walter Gruen, el gran momento de Remedios Varo, cuando se puede dedicar exclusivamente a la pintura al tener una seguridad económica. Son sus años de mayor producción hasta su temprana muerte en 1963. Se convierte en la artista consentida de México. Sus exposiciones tenían más éxito en México que las de Frida Khalo. Sus mundos mágicos y su calidad artística llegaron mucho al público. Sus obras ya se pueden ver en los grandes museos del mundo, aunque a su país de nacimiento, España, siguen llegando con cuenta gotas. Remedios Varo está considerada uno de los grandes nombres del arte surrealista. Hoy hemos viajado su vida con la ayuda de Estrella De Diego, comisaria de la exposición de la Fundación Mapfre  "1924: otros surrealismos"  ,  las gestoras culturales e historiadoras Teresa Arcq y Alma Reza, el periodista experto en arte Pablo Ortiz de Zárate "el artesano" , Albert Roura , concejal de turismo de Anglés (Girona) , Vicenç Batalla, corresponsal de la SER en Francia, y Alejandra Rohr y Pepe Rubio, guionista de Hoy por Hoy (Cadena SER). 

Estrella de Diego Otero experta en artistas del Surrealismo es la comisaria de la exposición "1924 Otros Surrealismos" en la Fundación Mapfre que podrás visitar hasta el 11 de mayo donde podrás explorar mundos mágicos a partir de la piedra filosofal, mundos oníricos, misticismos, pesadillas. Temáticas que inspiraban desde el inconsciente a artistas como Gala, Remedios Varo, Maruja Mallo, Leonora Carrington u otros menos conocidos como Toyen. 

Quisiera haber sido bióloga, genetista, médica o científica. Pero al final fue periodista, aunque eso es lo que siempre fue, desde que era una niñita preguntona.A ella no le van a contar: se lanza a donde haya que lanzarse, para averiguar de primera mano lo que le interesa. Y luego se pone a escribir como una loca, sin poder pensar en nada más, sin dormir, hasta que logra darle forma a lo que contiene su curiosidad y su conocimiento.Francisco Toledo, Juan Soriano, Octavio Paz, Lola Olmedo, Leonora Carrington, Shimon Pérez, su entrañable amigo Lorenzo Servitje… La lista de sus entrevistados es enorme. Claro que no nos caben en este episodio los cientos de anécdotas que acumula.Se la pasa vaciando su talento en papel para narrar al mundo y también vaciándose de amores, volcada en detalles para la gente que quiere, que es muchísima y siempre suma más.No sé qué gana en ella, si lo talentosa o lo generosa. Siento que hay un empate. ¿Cuántas personas de tonos distintos nos vamos a topar en el camino? ¿Cuántos retos saturadísimos? ¿Cuántos escenarios y oportunidades luminosas? ¿Cuáles son los matices de nuestro talento único? Las vidas y carreras de las mujeres que aquí presento tienen miles de colores, como Comex.Para esta temporada vamos a usar las paletas recién lanzadas de Color Life Trends 2025. ¡Juguemos el juego del color! Dejemos que sus efectos impacten nuestros entornos y materialicen nuestros sueños y visiones.

Hello Wonderful Readers,Last week, I interviewed Camilla Sievers, founder of Qi Health. Qi is a Traditional Chinese Medicine (TCM) company that creates personalized blends of natural herbs to solve various problems in women's health.Camilla was inspired to create her company from her journey using TCM to relieve her persistent period cramps and other symptoms. Now, her team has built a seamless digital experience to help people access one of the oldest medical systems in the world.I hope you enjoy our conversation! Feel free to reach out to Camilla on Instagram or LinkedIn to share your healing stories.Check out her interview in Entrepreneur!I hope you have a shamelessly sexy weekend

Linda Troeller's self-portraits are compiled into a luscious tour de force of womanhood, identity and aging.Troeller utilizes her relationship with the camera to understand herself and a woman's place in the world across decades. Her history traverses that of a beauty contestant, potential lawyer, photojournalism student, model, muse, photo teacher, photographer, provocateur and activist. With conviction, insight and wisdom Troeller celebrates and generously shares her embodied strength and fragility. In this conversation, Lindadiscusses, among other things:Universalizing the personalProvocation aka myth-bustingThe circular relationship of punctumLinda-nessSelf-portraiture, performance and installation Exploring internal and external ageismSacred water explorationsBook decisions - ie: including titlesSequencing, process and collaboration Ghost Ranch, Leonora Carrington, Sophie Calle and Carolee SchneemanReferenced in the episode:Healing Waters FilmMuseum of Sex ExhibitionChelsea HotelErotic Lives of WomenOrgasmTBWLeica Gallery Exhibition - LAMade of Rivers by Emory HallChico Hot SpringsNeither Give Not Take Away - Sophie Calle at Arles

Date With A Debut is a podcast hosted by writer Nick Wasiliev: shining a light on debut authors, their incredible books, and their journeys to publication. For the twentieth episode of series two, Nick sits down with Lauren Crozier, author of The Best Witch in Paris. They discuss the book, winning the Text Prize, creating magical worlds in real life locations, the importance of belonging and self-discovery, and more. BOOKS: Debut Feature: The Best Witch in Paris by Lauren Crozier: https://booktopia.kh4ffx.net/POjRoY Other Books Mentioned: The Hearing Trumpet by Leonora Carrington: https://booktopia.kh4ffx.net/VxaAn3 Pig Tales by Marie Darrieussecq: https://bit.ly/4fvgvyk I Capture the Castle by Dodie Smith: https://booktopia.kh4ffx.net/Dy0OYn PRODUCTION NOTES: Host: Nick Wasiliev Guest: Lauren Crozier Editing & Production: Nick Wasiliev Podcast Theme: ‘Chill' by Sakura Hz Production Code: 2:20 Episode Number: #33 Additional Credits: Dani Vee (Words & Nerds), Maddy Corbel (The Text Publishing Company) © 2024 Nick Wasiliev and Breathe Art Holdings ‘Date With A Debut' is a Words and Nerds and Breathe Art Podcasts co-production recorded and edited on Awabakal Country, and we pay our respects to all elders past and present.

O surrealismo por uma das suas praticantes mais rebeldes num romance de extrema ironia e crítica social. 

Robert Shehu-Ansell is a publisher, curator and independent scholar. Through his publishing company Fulgur Press he has represented esoteric artists in book form since 1992. These books are exquisitely produced, highly collectible, and deeply magical. From grimoires to artist monographs to tarot decks, everything Fulgur publishes is meticulously crafted with eye towards elegance and deluxe beauty. Their most recent publication is the first English language edition of Surrealist founder André Breton's visionary 1957 art survey, Magic Art (L'Art Magique). They've also published the work of such art mages as Austin Osman Spare, Leonora Carrington, Ithell Colquhoun, and Jesse Bransford, to name but a few, and they have conducted numerous symposiums and exhibitions about occult art. Robert is also the publisher of several series publications, including Black Mirror and Abraxas Journal, which has been described as ‘today's pre-eminent voice for the serious study of occult and esoteric expression.' Robert has been interviewed for such varied outlets as the BBC Culture Show, Dazed and Confused, and Boing Boing, and as an experienced public speaker, he also lectures on esoteric art of the 20th century, with a specific focus on Austin Osman Spare. On this episode, Robert discusses the delights and challenges of publishing a legendary occult art survey, the magic of Surrealism, and how he came to specialize in talismanic books. Pam also talks about her magical excursion to England, and answers a listener question about following the Wheel of the Year down under.Our sponsors for this episode are Open Sea Design Co., BetterHelp, Black Phoenix Alchemy Lab, ZOUZ Incense, and Mithras Candle.We also have print-on-demand merch like Witch Wave shirts, sweatshirts, totes, stickers, and mugs available now here, and all sorts of other bewitching goodies available in the Witch Wave shop.And if you want more Witch Wave, please consider supporting us on Patreon to get access to detailed show notes, bonus Witch Wave Plus episodes, Pam's monthly online rituals, and more! That's patreon.com/witchwave

I'm happy to be back!In this special episode of Day of the Dead

¡Estoy feliz de estar de vuelta!En este episodio especial de Día de Muertos

Remedios Varo, nació en España pero hizo de México su lugar en el mundo y por eso es una de las invitadas de honor a nuestra serie. Es conocida por sus obras surrealistas que combinan elementos de misticismo, ciencia y fantasía. Sus pinturas, como "Creación de las aves", presentan mundos oníricos y figuras femeninas enigmáticas. Aquí hablaremos de la relación que existe entre la alquimia y lo fantástico en el impresionante mundo artístico que creó Notas del episodio: Este episodio fue traído a ustedes gracias a Boston Scientific  Hechos y frases de la vida de Remedios Varo Surrealismo y Psicoanálisis en la obra de Remedios Varo Los artistas del exilio español Remedios Varo y su vida en México El Orinoco, la tristeza y la exploración de Remedios Varo en Venezuela La amistad de Remedios Varo y Leonora Carrington: vidas en paralelo ¡Síguenos en nuestras Redes Sociales!  Facebook: / dianauribe.fm Instagram:   / dianauribef.  . Twitter: https://twitter.com/dianauribe.fm?lan... Pagina web: https://www.dianauribe.fm TikTok: https://www.tiktok.com/@dianauribe.fm... LinkedIn: https://www.linkedin.com/in/diana-uri...        

Send us a textDAVID QUANTICKTHE HYENA KICKSTARTER SPECIAL. In this episode of the Carlisle Cult Cinema Club Presents, PD sits down with Emmy Award-winning writer David Quantick to discuss the Kickstarter for his latest novel, THE HYENA. Join us as David shares insights into the intriguing world of Deborah Parkinson!THE HYENA is the story of an artist called Deborah Parkinson. She was a surrealist who grew up in pre-WW2 Plymouth where her dad ran a pub, then she ran away to Paris where she met Dali and Picasso and Frida Kahlo, and fell in love with a mysterious artist called Marius.When war came, she followed Max Ernst and Leonora Carrington to Mexico, where she hung out with Kahlo again, and met Leon Trotsky. Implicated in Trotsky's murder, she fled back to Plymouth to deal with the death of her family in the Blitz.In her later years, she settled down with a family, resolved some issues in New York, and nearly died in an old people's home.  Nearly.So check the kickstarter link below and go and give David a hand to get his latest Novel released. https://www.kickstarter.com/projects/davidquantick/the-hyena/pledge/new?clicked_reward=falseYou can watch now on our YouTube Channelhttps://youtube.com/@CarlisleCultCinemaClub?si=0WSWvdtBGgXzEhwtListen Direct here on our Websitehttps://thecarlislecultcinemacast.buzzsprout.comOr Catch it on the Following Platforms.============== SPOTIFY. 

I am so excited to say that my guest on the GWA Podcast is the writer, critic, and author, Merve Emre. Currently the Shapiro-Silverberg Professor of Creative Writing and Criticism at Wesleyan University – and the Director of the Shapiro Center for Creative Writing and Criticism – Emre is also the acclaimed and award-winning author of numerous books. These include Paraliterary: The Making of Bad Readers in Postwar America; The Personality Brokers (selected as one of the best books of 2018 by the New York Times, and others); The Ferrante Letters (winner of the 2021 PROSE award for literature). A holder of prizes in Literary Criticism, Emre is also a contributing writer to The New Yorker, where she has written extensively on art and literature, from Leonora Carrington to Susan Sontag. But! The reason why we are speaking to Emre today is because she is also an ardent expert on Virginia Woolf and the wider Bloomsbury Group, having authored the stunningly beautiful – and informative – The Annotated Mrs. Dalloway, a book that brings alive Woolf's life and words, and contextualises the radical and pioneering lives of those in the Bloomsbury Group in the most effervescent ways. So today on the podcast, we are going to be discussing the sisters at the centre of this movement: Vanessa Bell and Virginia Woolf, women who were born into a Victorian society in London but who broke free of all traditions, who formed languages, both artistic and literary, that paved the way of modernism and modernist thinking in the UK and beyond. We are going to be delving into their life and work: looking at how they informed each other and visualised or put into words the world from their distinct and radical perspectives. Merve's book: https://www.waterstones.com/book/the-annotated-mrs-dalloway/merve-emre/virginia-woolf/9781631496769 Charleston Trust: https://www.charleston.org.uk/?gad_source=1&gclid=Cj0KCQjw99e4BhDiARIsAISE7P857bJ_t36EZCN2JGBsJDUlVSxga42Bmq66SzIuCslkje6DXQsi94AaAmYZEALw_wcB Mrs Dalloway's Party: https://www.theguardian.com/books/2024/oct/05/discovered-a-lost-possible-inspiration-for-virginia-woolfs-mrs-dalloway -- THIS EPISODE IS GENEROUSLY SUPPORTED BY THE LEVETT COLLECTION: https://www.famm.com/en/ https://www.instagram.com/famm_mougins // https://www.merrellpublishers.com/9781858947037 Follow us: Katy Hessel: @thegreatwomenartists / @katy.hessel Sound editing by Nada Smiljanic Music by Ben Wetherfield

Today I'm joined by author Judika Illes to chat about her newest book (and all the other things she's contributed to the witchcraft community!) Let us know - who is your favorite cinematic witch? WITCHES: A COMPENDIUM is a concise compendium of witches through the ages, from earliest prehistory to some of the most significant modern practitioners, Witches explores who and what is a witch. Also included are an exploration of the sacred and the profane, the myths and misconceptions of witchcraft, a travel guide for the witch curious, and introductions to practicing witches of today.  Witches explores what a witch is and the different ways to be one. Judika Illes presents the history, mysteries, and diverse natures of witches from around the world. Featuring a who's who ranging from famous—or infamous—historical witches such as Tituba, Sybil Leek, Aleister Crowley, Isobel Gowdie, and Countess Erzsebet Báthory (widely known as the Blood Countess) to popular literary, cinematic, and TV witches such as Endora, the Scarlet Witch, Melisandre, Storm, Agatha Harkness, and the Wicked Witch of the West, Witches also offers travel tips for witches and a guide to the tools of the trade such as brooms, wands, cauldrons, and mirrors. This celebration of witches and witchcraft also features: Sacred witches such as Baba Yaga, Lilith, Isis, Hekate, Diana, Circe, and Yemaya Familiars and creatures closely associated with witchcraft including cats, bats, crows, owls, and foxes Art witches like Moina Mathers, Vali Myers, Rosaleen Norton, Leonora Carrington, and Cameron Different schools of witchcraft including green witchery, kitchen witchery, Wicca, and Hekatean Witchcraft The various things witches do from divination to spirit working to spell-casting Judika Illes is a lifelong student, lover, and practitioner of the magical arts. She is the author of numerous books devoted to spells, spirits, and witchcraft, including Encyclopedia of Spirits, as well as Pure Magic, Daily Magic, Encyclopedia of Witchcraft, Encyclopedia of Mystics, Saints, and Sages, and Magic When You Need It. She has been a professional tarot card reader for over three decades and is a certified aromatherapist. A native New Yorker, Judika teaches in the US and internationally, live and virtually. Follow her on Instagram @judikailles and on Facebook at www.facebook.com/AuthorJudikaIlles/. --- Support this podcast: https://podcasters.spotify.com/pod/show/witch-wednesdays/support

Abrangendo mais de 40 anos de excepcional efervescência criativa, entre 1924 e 1969, a exposição “Surrealismo” no Centro Pompidou de Paris comemora o centenário do movimento que começou com a publicação do Manifesto Surrealista de André Breton. Cerca de 500 pinturas, esculturas, desenhos, textos, filmes e documentos de artistas como Salvador Dali, Miró, René Magritte, Max Ernst e Dora Maar, incluindo muitos empréstimos excepcionais, estão expostos em uma área de 2.200 m². As obras revelam até que ponto esse movimento artístico, que nasceu em 1924 em torno de poetas como André Breton e se espalhou pelo mundo, foi visionário e permanece contemporâneo em seu desejo de não apenas transformar a relação entre os seres humanos e a natureza, mas lançando um olhar crítico e político sobre seu próprio tempo.Reproduzindo a forma de um labirinto, formato de predileção e projeção dos surrealistas, a mostra gira em torno de uma cena central na qual é apresentado o manuscrito original do "Manifesto Surrealista", documento valioso emprestado excepcionalmente para o ocasião da Biblioteca Nacional da França.Cronológico e temático, o percurso segue figuras literárias que inspiraram diretamente o Movimento Surrealista, como Lautréamont, Lewis Carroll e o Marquês de Sade, e também mitologias e temas que alimentaram o movimento, como a pedra filosofal, a floresta, a noite, o erotismo, o inconsciente. A cenografia brinca com a ilusão de ótica, tão cara aos surrealistas.O desafio surrealista a um modelo de civilização baseado apenas na racionalidade técnica e o interesse do movimento por culturas que conseguiram preservar o princípio de um mundo unificado (a cultura dos índios Turahumara, descoberta por Antonin Artaud, e a dos Hopis, estudada por André Breton) atestam sua modernidade.  Segundo Marie Sarré, co-curadora com Didier Ottinger, vice-diretor do Museu Nacional de Arte Moderna da França, “mais do que um dogma estético ou um formalismo, o surrealismo é uma filosofia que, por mais de 40 anos, reuniu homens e mulheres que acreditavam em uma relação diferente com o mundo”. O pôster da exposição apresenta uma criatura estranha, um monstro antropomórfico, com roupas largas e coloridas, faixas de tecido torcidas em todas as direções, terminando em mãos que lembram as garras de uma ave de rapina. No centro, na altura do busto, um abismo de sombras se abre. Logo acima, uma cabeça assustadora com uma mandíbula longa e desdentada. E um título que soa como uma ironia, “O Anjo do Lar”, uma obra de Max Ernst, pintada no auge da Guerra Civil Espanhola em 1937, ano em que Guernica foi bombardeada. Ela também é conhecida como “O triunfo do surrealismo” e é um lembrete de que o surrealismo sempre triunfa.Marie Serré dá mais detalhes sobre a exposição: "É essencial lembrar da preferência dos surrealistas pelas artes populares. Muito cedo eles questionaram completamente essa hierarquia entre as Belas Artes e as artes chamadas populares. Seu modelo não são as exposições de museu, são as festas regionais, o trem fantasma, o parque de diversões. Era necessário sublinhar isso fazendo os visitantes da mostra no Centro Pompidou adentrarem o espaço da exposição através desta enorme boca que reproduz o Cabaré do Inferno, que ficava na Praça Clichy, em Paris, logo atrás do ateliê de André Breton, que os surrealistas tinham o hábito de frequentar", explica.A exposição não escapa, no entanto, ao olho crítico dos franceses, como ressalta Françoise, uma aposentada que veio direito de Grenoble (leste) para ver a mostra no Pompidou. "A exposição foi feita de maneira muito interessante, por temas, mas ela é muito grande. Fica difícil apreciar tudo, ela acaba saturando o olhar da gente em um determinado momento". Ela manda um recado para os visitantes que ainda não conferiram a exposição em Paris."É melhor escolher um horário com menos gente, porque é realmente difícil ter acesso às obras", avisa.Já o brasileiro Bruno Damasco gostou da experiência. "Passamos por essa exposição com artistas mais das décadas de 1930, 40 e 50, como Salvador Dali, Miró, trabalhos fortes e que são boas referências, tanto de artistas famosos como de alguns que eu não conhecia, da Alemanha e da Suécia, bem bonito, gostei. Não conhecia ainda esse espaço, tinha visitado apenas os museus mais clássicos de Paris", contou.A mostra valoriza as muitas mulheres que participaram do Movimento Surrealista, com obras de Leonora Carrington, Remedios Varo, Ithell Colquhoun, Dora Maar, Dorothea Tanning e outras, e reflete ao mesmo tempo a expansão mundial do Surrealismo, apresentando artistas internacionais como Tatsuo Ikeda (Japão), Helen Lundeberg (Estados Unidos), Wilhelm Freddie (Dinamarca) e Rufino Tamayo (México), entre outros.A exposição "Surrealimo" fica em cartaz do Centro Pompidou de Paris até o dia 13 de janeiro de 2025.

Artist and sculptor Permindar Kaur moves between the Black British Arts Movement, the Young British Artists (YBAs), and Barcelona in the 1990s, exploring the ambiguities of Indian and South Asian cultural identities, Nothing is Fixed is an idea that has grown from ⁠Permindar Kaur's 2022 exhibition at The Art House in Wakefield⁠. For their latest, in Southampton, the artist brings together the public and the private, transforming the various gallery spaces into bedrooms of a home. Beds, chairs, tables, and teddy bears - ambiguous, often unsettling, domestic objects - populate the space, as well as never-before-shown works on paper, which underline the role of drawing in their sculptural practice. Born in Britain to Sikh parents of Indian heritage, Permindar is often exhibited in the context of the Black British Arts Movement, showing with leading members of Blk Art Group like Eddie Chambers. The artist also describes their wider interactions with the ⁠YBAs, exhibitions in Japan, and influences from their formative years of practice in Barcelona, Spain, Canada, and Sweden. We discuss encounters with artists like Mona Hatoum and Eva Hesse, Helen Chadwick and Félix González-Torres, and more surrealist storytellers like Leonora Carrington and Paula Rego, alongside the material-focussed practices of Arte Povera. We trouble the category of ‘British Asian artists', exploring Permindar's work with and within particular Indian and Punjabi diasporic communities in Nottingham, Sheffield, and Glasgow, in Scotland. With series like Turbans, Permindar describes how their practice has changed over time, navigating questions of identity, representation, and the binary of non-/Western/European art practices. They share their research on a site-specific public sculpture for Southampton's yearly Mela Festival, a long-established event which represents, rather than ‘reclaims' space for, different South Asian cultures - and lifelong learning, from younger artists. Permindar Kaur: Nothing is Fixed ran at John Hansard Gallery in Southampton until September 2024, closing with the launch of an exhibition book of the same name, supported by Jhaveri Contemporary in Mumbai. Sculpture in the Park is on view at Compton Verney in Warwickshire until 2027. Kaur also presented work in A Spirit Inside, an exhibition of works from the Women's Art Collection and the Ingram Collection, at Compton Verney until September 2024. Bloomberg New Contemporaries 2024 opens in venues across Plymouth on 28 September 2024, and travels to the Institute of Contemporary Arts (ICA) in London from 15 January 2025. For more, you can read my article in gowithYamo. Hear curator Griselda Pollock, from ⁠Medium and Memory (2023)⁠ at HackelBury Fine Art in London: pod.link/1533637675/episode/37a51e9fab056d7b747f09f6020aa37e Read into Jasleen Kaur's practice, and the Turner Prize 2024, in gowithYamo: gowithyamo.com/blog/jasleen-kaur-interview And other artists connected to Glasgow, including Alia Syed (instagram.com/p/C--wHJsoFp6/?img_index=1), and ⁠Ingrid Pollard, in the episode from Carbon Slowly Turning (2022)⁠ at MK Gallery in Milton Keynes, the Turner Contemporary in Margate, and Tate Liverpool, and Invasion Ecology (2024): pod.link/1533637675/episode/4d74beaf7489c837185a37d397819fb8. For more about toys and unsettling ‘children's stories', hear Sequoia Danielle Barnes on Br'er Rabbit and the Tar Baby (2024) at Edinburgh Sculpture Workshop: pod.link/1533637675/episode/2b43d4e0319d49a76895b8750ade36f8 And listen out for more from Bloomberg New Contemporaries 2024 - coming soon. PRODUCER: Jelena Sofronijevic. Follow EMPIRE LINES on Instagram: ⁠instagram.com/empirelinespodcast⁠ And Twitter: ⁠twitter.com/jelsofron/status/1306563558063271936⁠ Support EMPIRE LINES on Patreon: ⁠patreon.com/empirelines

Ospite della 122° puntata di Illuminismo Psichedelico – andata in scena al WAO Festival venerdì 16 agosto 2024 – è stata Denise de Gouges, psiconauta, esperta di relazioni internazionali e studiosa di scienze sociali. Durante la puntata si è parlato del rapporto delle donne con la psichedelia, osservando come queste possano differire per ragioni fisiologiche (per esempio per le influenze di ormoni, feromoni e fenomeno del “contact high”) quanto sociali. C'è ancor oggi una sproporzione in ambito psichedelico nel contributo di uomini e donne, come dimostra ad esempio la classifica di Psychedelic Invest delle 100 persone più influenti nella psichedelia nel 2021, in cui troviamo solo 17 donne. Dal 2008 The Women's Visionary Council prova infatti a dare una risposta alla mancanza di visibilità delle voci femminili nell'ambito psichedelico. La puntata è stata anche un'occasione per passare in rassegna il ruolo di alcune donne nella storia della psichedelia, partendo da figure “mitiche” come María Sabina, Valentina Pavlovna e Amanda Feilding, passando per Ann Shulgin, Susi Ramstein e Cynthia Palmer fino ad arrivare a personaggi mitologici, come Eva e Santa Teresa D'Avila oppure a grandi artiste, tra cui Elsa Morante, Leonora Carrington, Anaïs Nin e molte altre.

I am so excited to say that my guest on the GWA Podcast is the esteemed writer and novelist, Chloe Aridjis, speaking on her friend, LEONORA CARRINGTON! Born in New York City, raised in the Netherlands and then Mexico City, Aridjis is a writer of numerous award-winning books, including three novels: Book of Clouds, Asunder, and Sea Monsters. Aridjis is also the author of numerous books and essays, including an A–Z profile on the artist we are very excitingly discussing today: Leonora Carrington, the great late British-born painter, who ran away to Paris in her teens before escaping Europe at the outbreak of the Second World War, and settling in Mexico City in the 40s, where she lived until her death in 2011. And it was in Mexico City that Aridjis got to know the surrealist, who she had tea with on Sundays and noted their extroardnary conversations that she published in, among others, Tea and Creatures with Leonora Carrington: A Photo Essay… a beautiful piece that looks at their friendship. In 2015, Aridjis went on to co-curate a major exhibition of Carrington's work at Tate Liverpool, affirming her as one of the greatest and most relevant artists to today's world. This episode is going to be slightly different to usual, as back in 2019 – for one of our first ever podcast episodes – we discussed the life of Leonora Carrington with her biographer cousin, Joanna Moorhead. We also discussed Carrington briefly with writer Deborah Levy – so do check those out. But! Today I couldn't be more excited to be delving into Arjidis's memories with the artist, uncovering the mystical symbolism that populates her work – from vegetables to cats, eggs to giants, cauldrons to kitchens, underworlds to hybridised figures – her friendships, character, and of course her paintings and writings, too. LINKS: PAINTINGS DISCUSSED –– Giantess, c.1947: https://www.artbook.com/blog-featured-image-leonora-carrington.html Green Tea, 1942: https://www.moma.org/collection/works/297568 And Then We Saw the Daughter of the Minotaur, 1953: https://www.moma.org/collection/works/393384?artist_id=993&page=1&sov_referrer=artist The Magical World of the Maya, 1963: https://maria-cristina.medium.com/great-art-the-magical-world-of-the-maya-by-leonora-carrington-interpretation-and-analysis-b642f8d04cf0 Self Portrait, 1937: https://www.metmuseum.org/art/collection/search/492697 Chloe's exhibition: https://www.tate.org.uk/whats-on/tate-liverpool/leonora-carrington -- THIS EPISODE IS GENEROUSLY SUPPORTED BY THE LEVETT COLLECTION: https://www.famm.com/en/ https://www.instagram.com/famm.mougins // https://www.merrellpublishers.com/9781858947037 Follow us: Katy Hessel: @thegreatwomenartists / @katy.hessel Sound editing by Nada Smiljanic Music by Ben Wetherfield

Comenzaremos el programa hablando del proyecto de ley de seguridad fronteriza que ha fracasado por segunda vez en el Senado estadounidense; y del apoyo de la comunidad intelectual de México a la candidata presidencial Claudia Sheinbaum. Hablaremos también del pronóstico para esta temporada de huracanes; y por último, de Brasil, recientemente elegido sede de la Copa Mundial Femenina de Fútbol 2027.    Para nuestra sección Trending in Latin America les tenemos dos temas muy interesantes. Hablaremos de la nueva novela de la escritora Julia Álvarez, El cementerio de los cuentos sin contar. Cerraremos la emisión hablando de un cuadro de Leonora Carrington adquirido por el Museo de Arte Latinoamericano de Buenos Aires. - Proyecto de ley para la frontera vuelve a tropezar en el Senado estadounidense - Los intelectuales dividen su apoyo entre los candidatos en México - Advertencias en la región por la llegada de la temporada de huracanes - Brasil será anfitrión de la Copa Mundial Femenina 2027 - Julia Álvarez regresa con una de las novelas más esperadas del año - El Museo de Arte Latinoamericano de Buenos Aires adquiere una joya del surrealismo

Plus Microsoft Announces AI PCs (subscribe in the links below) Get a free 20-page AI explainer: AI FROM ZERO plus these stories and more, delivered to your inbox, every weekday. Subscribe to our newsletter at https://aidaily.us  Like this? Get AIDAILY, delivered to your inbox, every weekday. Subscribe to our newsletter at https://aidaily.us Did AI Just Pass the Turing Test? A UC San Diego study reveals that GPT-4 was mistaken for a human 54% of the time in five-minute text-based conversations, compared to ELIZA's 22%. The study highlights the importance of socio-emotional persuasiveness over factual or logical reasoning in distinguishing human-like intelligence. As AI advances, balancing its benefits and risks, particularly in mitigating fraud and deception, becomes crucial. Microsoft Announces AI-Enhanced Copilot+ PCs At its Build developer conference, Microsoft unveiled Copilot+ PCs, integrating generative AI deeply into Windows 11. These PCs feature dedicated NPUs, boosting AI experiences like Recall, which helps users find past content. Starting at $999, these devices offer enhanced battery life and performance. Microsoft also launched new Surface devices and partnerships, including with Meta and Khan Academy. Humane is looking for a buyer after the AI Pin's underwhelming debut Startup Humane seeks a buyer, valuing itself at $750 million to $1 billion despite the AI Pin's poor reviews. The $699 wearable AI device, criticized for slow responses and inconsistent performance, runs on Humane's CosmOS. Investors include OpenAI's Sam Altman. Potential buyers like Amazon and Apple remain uncertain. Stanford Study: AI Transparency Improves, But Secrecy Remains A Stanford University reassessment found slight improvements in AI transparency since October. Major AI developers like OpenAI, Google, and Meta scored higher on the Foundation Model Transparency Index, averaging 58 out of 100, up from 37. Despite progress, significant secrecy remains in areas like copyrights, personal data, and downstream impacts. Novelist Mauro Javier Cardenas Uses AI to Boost Literary Creativity Mauro Javier Cárdenas' novel "American Abductions" integrates AI into both its narrative and creation. Cárdenas trained an AI model using Leonora Carrington's prose to enhance his storytelling. While some view AI as a threat to authors, Cárdenas sees it as a tool to elevate literary craft, pushing boundaries and fostering creativity. AI Model Enhances Breast Cancer Metastasis Detection, Reducing Need for Biopsies Researchers at UT Southwestern Medical Center developed an AI model using MRI to detect axillary metastasis in breast cancer, potentially reducing invasive biopsies. The AI model identified metastasis with 95% accuracy and could avoid 51% of unnecessary biopsies. This advancement, validated on 350 patients, promises improved clinical outcomes and reduced patient stress and expense. Students Aren't Writing Well Anymore. Can AI Help? New data reveals that 50% of U.S. eighth graders struggle with long-form writing. Declining writing skills are linked to infrequent writing practice, with overburdened teachers unable to grade frequent assignments. AI tools like ThinkCirca and ChatGPT offer real-time feedback and targeted support, potentially improving students' writing skills despite concerns about AI-assisted cheating. --- Send in a voice message: https://podcasters.spotify.com/pod/show/aidaily/message

'When you look at your parents or grandparents it's hard to imagine them as young lovers full of adventure' Conjuring up an extraordinary tale and extra depths to the famous photographer, Lee Miller, Ami Bouhassane shares her grandmothers love letters, held in the Lee Miller's Archives.Episode 19 – Bonus episode – And they all lived happily ever after?In this episode we find out what happened next to the characters in Roland and Lee's love letters as the series comes to an end.This series explores the 300 pages of love letters written between the iconic photographer Lee Miller and the Surrealist artist Roland Penrose during their courtship. Starting just a few days after they first met in June 1937 at a fancy dress party in Paris, the letters continue for 2 years charting their love, their friends such as Man Ray, Picasso, Leonora Carrington, Max Ernst, Nusch and Paul Eluard, their adventures, the build up of world war II, some scandals and a lot of fun. Subscribe to support the Lee Miller Archives and Farleys and listen to other podcast series featuring Lee Miller's writing: www.patreon.com/leemillerarchivesGuest Speakers: Antony Penrose (son of Lee Miller and Roland Penrose and Co-Director of Lee Miller Archives), Hilary Roberts (Independent Curator, formerly senior curator of photography at Imperial War Museums, London), Hussein Omar (lecturer on Modern global history, University college Dublin) and Sam Bardaouil (Founder & curator of ArtReorientated). Lee Miller's letters read and presented by Ami Bouhassane Roland Penrose's letters read by Adam Grayson Music composed by David Cullen Series Producer: Tolly Robinson All content © Lee Miller Archives, England 2024. All rights reserved. www.leemiller.co.uk Hosted on Acast. See acast.com/privacy for more information.

1941 – Leonora Carrington llega a Lisboa, donde conocería al poeta y diplomático mexicano Renato Leduc. Ella, apasionada, se enamoró del mexicano que salía todas las mañanas y regresaba por la noche. Ella pintaba un rato, después lloraba, después lo echaba de menos y le escribía cartas como esta en que bramaba por él ya casados y viviendo en Nueva York. Un espacio de Bárbara Espejo.

'When you look at your parents or grandparents it's hard to imagine them as young lovers full of adventure' Conjuring up an extraordinary tale and extra depths to the famous photographer, Lee Miller, Ami Bouhassane shares her grandmothers love letters, held in the Lee Miller's Archives.Episode 18 – All my love to youIn this episode Roland and Lee's love letters draw to an end, and the outbreak of war nears, but what will they decide to do? 'Darling, I'm drinking quantities of gin and lime, mad with rage because you haven't answered my wire about Man and I wanted so much to see him. I feel like getting off here and going across France but I can't afford it.....'.' wrote Lee Miller to Roland Penrose, London 7th June 1939 This series explores the 300 pages of love letters written between the iconic photographer Lee Miller and the Surrealist artist Roland Penrose during their courtship. Starting just a few days after they first met in June 1937 at a fancy dress party in Paris, the letters continue for 2 years charting their love, their friends such as Man Ray, Picasso, Leonora Carrington, Max Ernst, Nusch and Paul Eluard, their adventures, the build up of world war II, some scandals and a lot of fun. Subscribe to support the Lee Miller Archives and Farleys and listen to other podcast series featuring Lee Miller's writing: www.patreon.com/leemillerarchivesGuest Speakers: Antony Penrose (son of Lee Miller and Roland Penrose and Co-Director of Lee Miller Archives), Hilary Roberts (Independent Curator, formerly senior curator of photography at Imperial War Museums, London), Hussein Omar (lecturer on Modern global history, University college Dublin) and Sam Bardaouil (Founder & curator of ArtReorientated). Lee Miller's letters read and presented by Ami Bouhassane Roland Penrose's letters read by Adam Grayson Music composed by David Cullen Series Producer: Tolly Robinson All content © Lee Miller Archives, England 2024. All rights reserved. www.leemiller.co.uk Hosted on Acast. See acast.com/privacy for more information.

Novo and Alexandra (IG alexandra_parsons) discuss the life, times, and works of Leonora Carrington, a woman that not only became a feminist icon, but became known as one of the last surrealists, focusing on her biography, her art, style, and aesthetic, how there was a touch of the macabre and the occult in her pieces, a critique of selected works, and how she reminds us that we should all try to follow our own bliss. This Episode is brought to you by: Liquid I.V - the category-winning hydration brand fueling your well-being! Liquid I.V. not only acts as a hydration and energy multiplier, but with the right product, also aids in sleep. So go to liquid-iv.com and use promo code: artofthebeholder to get 20% off your next order, and get more fuel for life's adventures. Short Story "Post Meridiem" - follow entropy sessions character Lydia, one of the lead madams of an Anonymous House, as she manages the ups and downs of a very unique hospitality market, one that specializes in the most sinful of pleasures only the underbelly of society can really offer; you can find “Post Meridiem” on Amazon ⁠⁠⁠⁠⁠⁠⁠⁠⁠here⁠⁠⁠⁠⁠⁠⁠⁠⁠ in all major ebook formats. Novella “Adul(ter)ation” – Now available as an Audiobook ⁠⁠⁠⁠⁠⁠⁠⁠⁠here⁠⁠⁠⁠⁠⁠⁠⁠⁠ - follow adult entertainer Jessica Amber Star as she embarks on a journey that will change her life forever…She not only finds herself in the industry, but figures out a way to transform herself and eventually become…reborn…find out how in Adul(ter)ation, which can be found on Amazon in all major formats. Novel "The Entropy Sessions" - a tale of loss, love, and madness, and our past, present, and future relationships with technology - find it ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠here⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ - in paperback, as an ebook on Amazon, or as an audiobook through Audible. Zencastr - our go-to tool to record our podcast with multiple guests remotely. With Zencastr, you can record separate audio and video tracks, and it's all backed up on a secured cloud so you never lose your hard work. It's reliable, easy to use, and there's nothing to download. So go to ⁠⁠⁠⁠⁠⁠⁠⁠⁠zencastr.com⁠⁠⁠⁠⁠⁠⁠⁠⁠ and use promo code: artofthebeholder, and get 30% off your first three months with a PRO account. Thank you for listening. You can check out more at novodeproductions.com, please consider supporting us with a donation, and if you'd like to be on the show, you can contact us at novodemedia@gmail.com. Main resource: wikipedia. --- Support this podcast: https://podcasters.spotify.com/pod/show/artofthebeholder/support

'When you look at your parents or grandparents it's hard to imagine them as young lovers full of adventure' Conjuring up an extraordinary tale and extra depths to the famous photographer, Lee Miller, Ami Bouhassane shares her grandmothers love letters, held in the Lee Miller's Archives.Episode 17 – Marco PoloIn this episode Roland and Lee's adventures in Egypt together end and again they become separated by oceans... but is their future together more certain? 'I have no news only the old guess what? To which you know the answer. I miss you more that ever, the Siwa trip was the final proof to me that I love you insatiably – every moment was superb and every moment since I left you on the quay intolerable.' wrote Roland Penrose aboard the Marco Polo to Lee Miller, Cairo 19th March 1939 This series explores the 300 pages of love letters written between the iconic photographer Lee Miller and the Surrealist artist Roland Penrose during their courtship. Starting just a few days after they first met in June 1937 at a fancy dress party in Paris, the letters continue for 2 years charting their love, their friends such as Man Ray, Picasso, Leonora Carrington, Max Ernst, Nusch and Paul Eluard, their adventures, the build up of world war II, some scandals and a lot of fun. Subscribe to support the Lee Miller Archives and Farleys and listen to other podcast series featuring Lee Miller's writing: www.patreon.com/leemillerarchivesGuest Speakers: Antony Penrose (son of Lee Miller and Roland Penrose and Co-Director of Lee Miller Archives), Hilary Roberts (Independent Curator, formerly senior curator of photography at Imperial War Museums, London), Hussein Omar (lecturer on Modern global history, University college Dublin) and Sam Bardaouil (Founder & curator of ArtReorientated). Lee Miller's letters read and presented by Ami Bouhassane Roland Penrose's letters read by Adam Grayson Music composed by David Cullen Series Producer: Tolly Robinson All content © Lee Miller Archives, England 2024. All rights reserved. www.leemiller.co.uk Hosted on Acast. See acast.com/privacy for more information.

'When you look at your parents or grandparents it's hard to imagine them as young lovers full of adventure'Conjuring up an extraordinary tale and extra depths to the famous photographer, Lee Miller, Ami Bouhassane shares her grandmothers love letters, held in the Lee Miller's Archives.Episode 16 – Art and LibertyIn this episode Lee forges stronger links with an important surrealist group in Cairo and she finds out that Roland will visit her in Egypt.' Darling, I've delayed writing, and now I'm afraid that it will not reach you in time - - - it goes without saying, that I'm absolutely thrilled about your arrival --- it couldn't be better arranged that you come with folklore intentions and to join that English woman - - - - as if you want to, it will give me endless opportunities to be with you if you want me to be, of course and if she is agreeable to the idea. ' Lee Miller wrote to Roland Penrose in London, 23-27th January 1939This series explores the 300 pages of love letters written between the iconic photographer Lee Miller and the Surrealist artist Roland Penrose during their courtship. Starting just a few days after they first met in June 1937 at a fancy dress party in Paris, the letters continue for 2 years charting their love, their friends such as Man Ray, Picasso, Leonora Carrington, Max Ernst, Nusch and Paul Eluard, their adventures, the build up of world war II, some scandals and a lot of fun.Subscribe to support the Lee Miller Archives and Farleys and listen to other podcast series featuring Lee Miller's writing: www.patreon.com/leemillerarchives Guest Speakers: Antony Penrose (son of Lee Miller and Roland Penrose and Co-Director of Lee Miller Archives), Hilary Roberts (Independent Curator, formerly senior curator of photography at Imperial War Museums, London), Hussein Omar (lecturer on Modern global history, University college Dublin) and Sam Bardaouil (Founder & curator of ArtReorientated). Lee Miller's letters read and presented by Ami Bouhassane Roland Penrose's letters read by Adam Grayson Music composed by David Cullen Series Producer: Tolly Robinson All content © Lee Miller Archives, England 2024. All rights reserved. www.leemiller.co.uk Hosted on Acast. See acast.com/privacy for more information.

Programa 47: El tío Howard y la prima Leonora. Grabado el día 16 de marzo de 2024. 02:50 "Escribir contra los hombres. Cartas I", de H. P. Lovecraft 01:27:59 "Cuentos completos", de Leonora Carrington 02:00:17 "Memorias de Abajo", de Leonora Carrington

'When you look at your parents or grandparents it's hard to imagine them as young lovers full of adventure' Conjuring up an extraordinary tale and extra depths to the famous photographer, Lee Miller, Ami Bouhassane shares her grandmothers love letters, held in the Lee Miller's Archives.Episode 15 - It seems Mad that we should not be togetherIn this episode Lee is still travelling whilst Roland is now back in London touring Picasso's Guernica painting around the UK.'I took some quite startling pictures in Syria - - - -Palmyra, Balbeck - - - Djerash - - - Krack - - -Sergiopolis - - - the Euphrates and the Tigris - - - to say nothing of Homs, Hama, Alep, Damascus - - - Antioch and all the great empty spaces - - - but as usual I'm too indolent to do anything about them . . . . and they are stuck away, un-filed like my Romanian and Greek pictures. Altho I bought an enlarger, I don't think that I'll ever get around to using it.' Lee Miller wrote to Roland Penrose in London, 6th January 1939This series explores the 300 pages of love letters written between the iconic photographer Lee Miller and the Surrealist artist Roland Penrose during their courtship. Starting just a few days after they first met in June 1937 at a fancy dress party in Paris, the letters continue for 2 years charting their love, their friends such as Man Ray, Picasso, Leonora Carrington, Max Ernst, Nusch and Paul Eluard, their adventures, the build up of world war II, some scandals and a lot of fun. Subscribe to listen to other podcast series featuring Lee Miller's writing: www.patreon.com/leemillerarchives Guest Speakers: Antony Penrose (son of Lee Miller and Roland Penrose and Co-Director of Lee Miller Archives), Hilary Roberts (Independent Curator, formerly senior curator of photography at Imperial War Museums, London), Hussein Omar (lecturer on Modern global history, University college Dublin) and Sam Bardaouil (Founder & curator of ArtReorientated).Lee Miller's letters read and presented by Ami Bouhassane Roland Penrose's letters read by Adam Grayson Music composed by David Cullen Series Producer: Tolly Robinson All content © Lee Miller Archives, England 2024. All rights reserved. www.leemiller.co.uk Hosted on Acast. See acast.com/privacy for more information.

With his brand new collection, THE WEREWOLF AT DUSK and Other Stories (Liveright), David Small brings us a trio of stories about the beast within (that is, within the heart, within the psyche, and within the body politic). We talk about the on-and-off 40-year history of this collection, the themes of transformation and aging that suffuse these stories, and the schism in Leonora Carrington's estate that nearly derailed the whole project. We get into the the challenges of adapting prose fiction into comics, his move from graphic novels (think Stitches and Home After Dark) to short stories, why he's come to love drawing digitally, and just how bad most surrealist fiction can be. We also discuss the decline in kids' books, our respective life changes from 2020's COVID check-in, his Truman Capote kick, how we deal with monstrous artists, how hard he has to work to make his drawings look like they were done in 15 seconds, and a lot more. • More info at our site • Support The Virtual Memories Show via Patreon or Paypal and via our e-newsletter

Karches, Norawww.deutschlandfunk.de, Büchermarkt

Karches, Norawww.deutschlandfunk.de, Büchermarkt

For the 23rd episode of "Reading the Art World," host Megan Fox Kelly speaks with Joanna Moorhead, the author of "Surreal Spaces: The Life and Art of Leonora Carrington," published by Princeton University Press."Surreal Spaces" tells the dramatic story of an artist who lived life on her own terms in a way that was radically modern for the 1930s, 1940s and later, and the book reveals how her life and art are inextricably entwined.Leonora Carrington (1917–2011) is one of the vanguards in the history of women artists and the history of Surrealism. Challenging the conventions of her time, Carrington abandoned family, society, and her home in England to embrace new experiences and to forge a unique artistic style in Europe and the Americas. Leading readers on a personal journey across Britain, Ireland, France, Italy, Spain, Portugal, the United States, and Mexico, "Surreal Spaces" describes the places and experiences that would become etched in Carrington's memory and be echoed, sometimes decades later, in her art and writing.Author Joanna Moorhead's career spans decades in the world of journalism. She is a regular contributor to The Guardian, The Observer, The Times (London), The Art Newspaper and many others. In her art writing, Joanna has cultivated a unique expertise for unraveling the mysteries behind artists' lives and their work, which led her to the heart of surrealist art, where she meticulously uncovered the fascinating story of Leonora Carrington, who also happens to be her distant cousin. "Reading the Art World" is a live interview and podcast series with leading art world authors hosted by art advisor Megan Fox Kelly. The conversations explore timely subjects in the world of art, design, architecture, artists and the art market, and are an opportunity to engage further with the minds behind these insightful new publications. Megan Fox Kelly is an art advisor and past President of the Association of Professional Art Advisors who works with collectors, estates and foundations. For more information, visit meganfoxkelly.com and subscribe to our new posts at the bottom of our Of Interest page. Follow us on Instagram: @meganfoxkellyPurchase "Surreal Spaces: The Life and Art of Leonora Carrington" at Princeton University Press and at Barnes & Noble and at specialty art bookstores.Music composed by Bob Golden.

In this episode, originally recorded at Sotheby's in London, award-winning singer-songwriter Celeste is joined by Sotheby's Helena Newman for a conversation about female surrealist artists, including Leonor Fini and Leonora Carrington, and the profound impact that their work – and the surrealism movement more broadly – has had on design and culture over the decades.  To see the works discussed in this episode, or to watch an extended version of this talk, visit https://www.sothebys.com/en/series/sothebys-talks/contemporary-conversations-surrealism?locale=en  And, to step further into the world of Sotheby's, you can visit any of our galleries around the world; they're open to the public. For more information, visit sothebys.com. Learn more about your ad choices. Visit podcastchoices.com/adchoices

John J. Miller is joined by Joanna Moorhead to discuss Leonora Carrington's book, 'The Hearing Trumpet.'

Hello, listeners! I've got a special surprise for you this week. I've been waiting to share this amazing conversation that I enjoyed recently with expat and author Joanna Moorhead about her fantastic new biography, Surreal Spaces: The Life and Art of Leonora Carrington. The British-born artist and writer Leonora Carrington (1917–2011) is one of the vanguards in the history of women artists and the history of Surrealism. The interests of this visionary—feminism, ecology, the arcane and the mystical, the interconnectedness of everything—are now shared by many. Challenging the conventions of her time, Carrington abandoned family, society, and England to embrace new experiences and forge a unique artistic style in Europe and the Americas. In this evocative illustrated biography, writer and journalist Joanna Moorhead traces her cousin's footsteps, exploring the artist's life, loves, friendships, and work. Leading readers on a personal journey across Britain, Ireland, France, Italy, Spain, Portugal, the United States, and Mexico, Surreal Spaces describes the places and experiences that would become etched in Carrington's memory and be echoed, sometimes decades later, in her art and writing—whether her grandmother's kitchen with its giant stove; a remote Cornish hideaway where she holidayed with Max Ernst, Lee Miller, and Man Ray; the Left Bank of Paris; an asylum in Santander, Spain; New York, where she lived among other European exiles; or Mexico City, her final sanctuary. “Houses are really bodies,” Carrington wrote in her novella The Hearing Trumpet. “We connect ourselves with walls, roofs and objects just as we hang on to our livers, skeletons, flesh and blood streams.” Featuring photographs, drawings, and paintings of the spaces that so richly influenced Carrington's work, Surreal Spaces is an intimate and vivid portrait of a fascinating artist. About the author: Joanna Moorhead is a British journalist and author whose critically acclaimed memoir, The Surreal Life of Leonora Carrington, chronicles her relationship with Carrington, her cousin. Moorhead writes for the Guardian, the Observer, the Times (London), and many other publications. Please enjoy this bonus episode, featuring my discussion with Joanna. Be sure to grab your copy of Surreal Spaces from Bookshop.org, below. If you prefer Amazon, that link is below as well. Please SUBSCRIBE and REVIEW our show on Apple Podcasts and FOLLOW on Spotify Instagram / Facebook / YouTube Buy Surreal Spaces here! Want to advertise/sponsor our show? We have partnered with AdvertiseCast to handle our advertising/sponsorship requests. They're great to work with and will help you advertise on our show. Please email sales@advertisecast.com or click the link below to get started. https://www.advertisecast.com/ArtCuriousPodcast Learn more about your ad choices. Visit podcastchoices.com/adchoices

“Las ciudades también se expresan con los personajes que las habitan. El domicilio conocido es el punto de encuentro, sitios referenciales por quienes habitaron esas casas que hoy nos cuentan, en sus habitaciones, sus historias” señala Sergio Almazán en este recorrido por las casas más famosas de la Ciudad de México. La icónica casa azul de Frida Kahlo, la casa-estudio de Diego Rivera, la casa Rivas Mercado, anclada en uno de los populares barrios de la ciudad, la casa de Leonora Carrington, la de Octavio Paz y muchas otras, que nos dan fe del paso de sus ilustres personajes en la historia de la CDMX. Escucha las historias de las residencias y sus habitantes, el legado que le han heredado a la Ciudad de México. Escucha El Cocodrilo con Sergio Almazán todos los sábados de 16:00 a 17:00 horas y los jueves de 22 a 23 horas. Por MVS 102.5 FM.See omnystudio.com/listener for privacy information.

“I think that she would have given — to anyone who had been lucky enough to spend time with her — was just this thirst for curiosity.”  Surreal Spaces is Joanna Moorhead's in-depth and personal biography of her own long-lost cousin, Surrealist artist Leonora Carrington. Moorhead joins us to talk about uncovering the truth about her famous relative, Carrington's eventful life and career, the importance of highlighting women artists and more with guest host, Allie Ludlow. This episode of Poured Over was hosted by Allie Ludlow and mixed by Harry Liang.          Follow us here for new episodes Tuesdays and Thursdays (with occasional Saturdays).      Featured Books (Episode):  Surreal Spaces: The Life and Art of Leonora Carrington by Joanna Moorhead The Story of Art Without Men by Katy Hessel 

Claire joins us to discuss utilizing Tarot, research, and the friendship between Remedios Vera and Leonora Carrington. Get your copy here: https://bookshop.org/a/5676/9781668006559 Help support our podcast, buy us a coffee: https://ko-fi.com/winewomenwordspodcast

Despite being among the most-celebrated surrealists of the last century, British born artist Leonora Carrington is still overlooked as compared to her male counterparts, some of whom were close friends and collaborators. One surrealist was even her husband for a time—the famous painter Max Ernst. But over the years, more and more people are coming to know Carrington's work. The 2022 Venice Biennale was named after one of her books, titled The Milk of Dreams, about which curator Cecilia Alemani said "it describes a magical world where life is constantly re-envisioned through the prism of the imagination, and where everyone can change, be transformed, and become something or someone else." This kind of a liberated self was a cornerstone of Carrington's outlook on the world and a key to understanding the fascinating images she created. Her life story is one of world building. Dissatisfied with her well-to-do family's vision for her future, Carrington sought freedom through boundary-pushing art. After being kicked out of schools she eventually fell in with the Surrealists in Paris in the 1930s, who shared her thinking about art making and also how to live. But a dark era was dawning in Europe, and ultimately Carrington ended up in a mental asylum where she underwent a brutal treatment. And so she left Europe, her family, and everything behind her, and eventually landed in Mexico, where she found the liberation that she was searching for. She'd spend the rest of her days there, and she would become a national treasure. In many ways, she never looked back. If you look at Carrington's paintings, there is a constant haunting from both her youth and the rooms, spaces, and landscapes of Europe. Though totally estranged for decades from her family in Europe, one day, a family member came knocking on her door. It was a cousin, Joanna Moorhead, who had heard by chance of Carrington and went to tracke her down in Mexico City. Moorhead, a journalist whose writing has appeared in The Guardian and The Observer, among other titles, came to know Carrington very well over long nights and days of talking, and she wrote a book in 2017 called The Surreal Life of Leonora Carrington that chronicles her relationship with her cousin and her cousin's life and achievements in art. Moorhead has returned in more ways than one to Carrington's world since the artist died in 2011. Her newest book, out on August 22nd, delves into those spaces that defined Carrington's life and her paintings. Called Surreal Spaces, The Life and Art of Leonora Carrington, the book is a result of Moore's careful study of Carrington's intricate works. This week on the podcast, Europe editor Kate Brown speaks to Joanna about the places that formed and informed the work of such an important artist.

"A CORNETA" é um clássico da literatura fantástica, um marco do surrealismo e um livro extraordinário. A influência da mitologia celta, de criaturas mágicas, da cultura pré-hispânica e do tarô tornam a obra de Leonora Carrington subversiva e ousada. Para conversar sobre esse livro audacioso e revolucionário, a jornalista e crítica literária Gabriela Mayer participa de um bate-papo com Fabiane Secches, que traduziu a obra para o português.

You can support the podcast at our Patreon, where we post exclusive content every week: https://www.patreon.com/vanessa23carl Your support is greatly appreciated! Rendering Unconscious episode 242. This episode also available at Youtube: https://youtu.be/7t1XIoIryHM Emmalea Russo is a writer and astrologer. Her poetry and writings on film and visual art have appeared in many venues including Artforum, BOMB, Granta, Compact, and Los Angeles Review of Books. She is the author of several books of poetry, most recently Confetti (2022). Emmalea regularly teaches classes independently on poetry, cinema, and the occult. She has also taught a range of courses at institutions such as Northeastern University, Global Center for Advanced Studies, The Home School, Saint Peter's University, Melbourne School of Continental Philosophy, Miskatonic Institute of Horror Studies, and elsewhere. Her website is https://emmalearusso.com Follow her at Instagram: https://www.instagram.com/emmalea.russo/ ALCHEMY OF THE WORD is a new and ongoing project and the culmination of years of research. It takes the form of 4 video recordings on the seven original planets and their corresponding metals and alchemical processes through the lens of the creative process. Music by CONTAIN. Sources include ancient, Medieval, and Renaissance alchemists and philosophers (Paracelsus, Basil Valentine, Nicolas Flamel) major western alchemical manuscripts (Rosarium Philosophorum, Donum Dei, Twelve Keys of Basil Valentine, Splendor Solis) as well as artists, writers, poets, and astrologers including Carl Jung, Julia Kristeva, Demetra George, Liz Greene, Emily Dickinson, Gerard Manley Hopkins, Albrecht Durer, Anne Carson, Remedios Varo, and Leonora Carrington. Purchase now and you'll receive the entire project on May 13. https://emmalearusso.com/alchemy-of-the-word Join us Sunday, May 14th, Join us for The Uncanny in Cinema: Ingmar Bergman's Hour of the Wolf (1968), An Illustrated Online Lecture with Carl Abrahamsson: https://www.morbidanatomy.org/events-tickets/the-uncanny-in-cinema-ingmar-bergmans-hour-of-the-wolf-1968-an-illustrated-online-lecture-with-carl-abrahamsson Beginning September 10th via Morbid Anatomy Museum, live via zoom – Harnessing the Magic and Creative Power of the Cut-up Method a la William Burroughs, David Bowie, Genesis P-Orridge, Led by Dr. Vanessa Sinclair and Carl Abrahamsson: https://www.morbidanatomy.org/classes/harnessing-the-magic-and-creative-power-of-the-cut-up-method-a-la-william-burroughs-david-bowie-genesis-p-orridge-dr-vanessa-sinclair-and-carl-abrahamsson Visit http://psychartcult.org Rendering Unconscious Podcast is hosted by Dr. Vanessa Sinclair, a psychoanalyst based in Sweden, who works with people internationally: www.drvanessasinclair.net Follow Dr. Vanessa Sinclair on social media: Twitter: https://twitter.com/rawsin_ Instagram: https://www.instagram.com/rawsin_/ TikTok: https://www.tiktok.com/@drvanessasinclair23 Visit the main website for more information and links to everything: www.renderingunconscious.org The song at the end of the episode is “A singular poetic vision” from the album Disciplined by Order by Vanessa Sinclair and Pete Murphy. Available at Bandcamp. https://petemurphy.bandcamp.com All music at Swedish independent record label Highbrow Lowlife Bandcamp page is name your price. Enjoy! https://highbrowlowlife.bandcamp.com Music also available to stream via Spotify & other streaming platforms. Many thanks to Carl Abrahamsson, who created the intro and outro music for Rendering Unconscious podcast. https://www.carlabrahamsson.com Image: ALCHEMY OF THE WORD

Our story for this episode comes from our friends at the Dead Ladies Show NYC, which is organized and hosted by Molly O'Laughlin Kemper with Sheila Enright.  Photographer, professional eccentric and guinea pig lover JR Pepper tells the tale of artist Leonor Fini, a glamorous, passionate iconoclast (and cat lover) with a brilliant creative mind who was fiercely independent — at a time when women were allowed to be muses, not painters. Fini is often called a Surrealist, but she didn't consider herself one of their group due to their misogynistic attitudes, which included viewing women as either a childlike muse or femme fatale. Her paintings utilized the female gaze, and often featured catlike and other creatures inspired by Fini's own appearance, accompanied by languid men. Leonor Fini's life was as rule-breaking as her art; she had many lovers, and spent much of her life living in a happy throuple — along with about 20 cats.  DLS co-founder Katy Derbyshire joins producer/host Susan Stone to introduce this episode's featured Dead Lady.  For more on Leonor Fini, please visit our episode notes at:  https://deadladiesshow.com/2023/04/13/podcast-62-leonor-fini/ For DLS NYC info and tickets, sign up to their newsletter here: https://tinyletter.com/DeadLadiesShowNYC or follow them on Instagram @deadladiesnyc Find JR Pepper on Instagram @girlduality  and listen to her talk about Mae West here: https://deadladiesshow.com/2022/08/17/podcast-56-mae-west/ Our episode on surrealist Leonora Carrington is here: https://deadladiesshow.com/2018/01/25/podcast-5-leonora-carrington/ Our theme music is “Little Lily Swing” by Tri-Tachyon https://freemusicarchive.org/music/Tri-Tachyon/the-kleptotonic-ep/little-lily-swing Thanks for listening! We'll be back with a new episode next month. **** The Dead Ladies Show is a series of entertaining and inspiring talks about women who achieved amazing things against all odds, presented live in Berlin and beyond. This podcast is based on that series. Because women's history is everyone's history. The Dead Ladies Show was founded by Florian Duijsens and Katy Derbyshire. The podcast is created, produced, edited, and presented by Susan Stone. Don't forget, we have a Patreon! Thanks to all of our current supporters! Please consider supporting our transcripts project and our ongoing work: www.patreon.com/deadladiesshowpodcast If you prefer to make a one-time donation, here's the link: paypal.me/dlspodcast  

Ben Luke talks to Marguerite Humeau about her influences—from writers to film-makers, musicians and, of course, other artists—and the cultural experiences that have shaped her life and work.Humeau was born in 1986 in the French city of Cholet, near Nantes, and lives in London. She creates extraordinary sculptural environments in which the scientific and the speculative are fused. She acknowledges the perilous present state of the planet and the future of humanity while exploring histories of life on earth across millennia, drawing on mainstream and fringe scientific theory, science fiction and various cultural phenomena, to create dramatic tableaux that are hugely distinctive in their visual language and subject matter. She asks fundamental questions about the world we inhabit and the meaning of human existence. She discusses her early love of the painting of Marlene Dumas, her awe at the work of Pierre Huyghe and how Nina Simone is an ongoing role model. She also reflects on her fascination with Leonora Carrington and the musicians Angel Bat Dawid and Bendik Giske. Plus, she gives insight into her studio life and answers our usual questions, including the ultimate: “What is art for?”Marguerite Humeau: meys, White Cube Bermondsey, London, until 14 May; Orisons, Black Cube, San Luis Valley, Colorado, 24 June-June 2025. Hosted on Acast. See acast.com/privacy for more information.

THIS WEEK on the GWA Podcast, for the very special 100th EPISODE, we interview art historian and leading curator of Surrealist and feminist art in Mexico and beyond, Tere Arcq on REMEDIOS VARO! Born in Spain, and raised in a strict Catholic schooling – from which she rebelled – Varo, in 1937, moved to Paris to join the Surrealists. After the outbreak of the Spanish Civil War and unable to return to her home country, Varo, by 1941, escaped to Mexico. It was here where she found refuge, befriending the likes of Leonora Carrington and Kati Horna, and made the most extraordinary and meticulous paintings. Often exploring alchemy and magic, her paintings tend to focus on a single, isolated figure in an otherworldly realm. With striking features – allegedly based on her own looks – her protagonists, often female, appear like hybridised creatures. One of my favorites is (image 1) – The Call, from 1961, presents a woman, holding a pestle and mortar, walking through a corridor of tree-like figures who meditavely loom by the side, emphasising the sounds of silence, an aura of mystery, and the idea of practising something in secret! Whenever I see a painting by Remedios Varo, I feel transfixed by their mystical and metaphysical atmosphere. They are meticulously rendered - almost renaissance-like - works of these women who seem to be trapped in towers, on a quest to reach a higher state of consciousness or living in another surrealist world. They are at once haunting, mesmeric, glowing and magical. A professor in art history based in Mexico City, Tere Arcq has been the Chief Curator of the Museum of Modern Art in Mexico and has curated exhibitions on women surrealists around the world. In 2012 she curated In Wonderland: The Adventures of Women Surrealists LACMA in addition to exhibitions at the National Museum of Fine Arts in Quebec and here in the UK where she was a co-curator of the 2010 exhibition Surreal Friends: Leonora Carrington, Remedios Varo and Kati Horna at Pallant House gallery. With more curatorial projects in the pipeline, very excitingly, Tere is a co-curator of the upcoming retrospective at the Chicago Art Institute for summer 2023 on the artist we are very excitingly talking about today, the Surrealist Remedios Varo.  -- 2021 New York Times: https://www.nytimes.com/2021/09/24/obituaries/remedios-varo-overlooked.html  NMWA biography: https://nmwa.org/art/artists/remedios-varo/  2000 New York Times on her scientific interest: https://www.nytimes.com/2000/04/11/science/scientific-epiphanies-celebrated-on-canvas.html  Artnews: https://www.artnews.com/feature/who-is-remedios-varo-and-why-is-she-important-1234574762/  Website with all her works: https://totallyhistory.com/remedios-varo-paintings/ Guardian review of Pallant House exhibitions Surreal Friends with Leonora Carrington and Kati Horna https://www.theguardian.com/lifeandstyle/2010/jun/18/surrealist-muses-who-roared-mexico Eyes on the table (1938) https://totallyhistory.com/remedios-varo-paintings/ Harmony (1956)https://usaartnews.com/auctions/the-mystical-scene-by-spanish-surrealist-remedios-varo-set-a-world-record The Juggler (The Magician), (1956)https://www.moma.org/collection/works/291307 Audio guide: https://www.moma.org/audio/playlist/296/3792 Celestial Pablum (1958) https://brooklynrail.org/2017/10/criticspage/Hidden-Figures  Triptych: Towards the Tower (1961) Embroidering the Earth's Mantle (1961) The Escape (1962)https://www.gallerywendinorris.com/artists-collection/remedios-varo https://www.nytimes.com/2021/09/24/obituaries/remedios-varo-overlooked.html -- ENJOY! Follow us: Katy Hessel: @thegreatwomenartists / @katy.hessel Research assistant: Viva Ruggi Sound editing by Nada Smiljanic Artwork by @thisisaliceskinner Music by Ben Wetherfield https://www.thegreatwomenartists.com/ -- THIS EPISODE IS GENEROUSLY SUPPORTED BY CHRISTIES: www.christies.com