Podcasts about sing me back home

"Neil Young's 2024 Tour with Crazy Horse: A Legendary Performance"Larry Mishkin discusses the creation of the song "The Music Never Stopped" by Bob Weir and John Perry Barlow. Weir explains his collaborative process with Barlow, where they developed lyrics together over the phone, inspired by Barlow's description of a scene from Wyoming. Weir also reflects on the importance of lyrical and musical cohesion, and the song's debut and history of performances, including at venues like the Great American Music Hall and the Palladium. The discussion transitions to Neil Young's recent tour with Crazy Horse, highlighting the band's performance and Young's energy despite his age. He also mentions upcoming events and concludes with a focus on the Grateful Dead's performance of "St. Stephen" and other songs from 47 years ago. Grateful DeadApril 30, 1977  (47 years ago, tomorrow)PalladiumNYCGrateful Dead Live at The Palladium on 1977-04-30 : Free Download, Borrow, and Streaming : Internet ArchiveAudience Tape This is another good show from 1977, but the recording quality is actually not bad considering this is an audience recording.  Since then the show has been commercially released as the first volume of the Grateful Dead Download Series if you want to hear the crisper soundboard recording.Highlights from this show are the first set Mississippi Half Step and even Looks Like Rain is played with a passion that is moving even if the song always is not. In the second set, the Dead start off with a Scarlet Begonias>Fire on the Mountain (pretty good), swing into a fun mid-set Good Lovin (common for that time, but for the last 15 years, it was almost always a set closer as an alternative to Sugar Mag) or an encore tune (send everyone home with a smile), Friend of the Devil , Estimated Prophet.  And then they blow the doors off the place with a St. Stephen>Not Fade Away>Stella Blue>St. Stephen sandwich that must be heard in full to be truly appreciated.  It's pretty awesome to hear Stella Blue transition back into the St. Stephen, an unusual pairing to say the least. Close with a Saturday Night and then yet another 1977 Terrapin Stationencore.   INTRO:                                 Music Never Stopped                                                Track #2                                                0:00 – 1:26                 Hunter Weir tune, released on Blues For Allah (Sept. 1,1975). Bob:  As a lyricist I'm glacially slow. I can generally get the job done, but it takes too damned long. So I like to work with people who have a little more facility with that—you know, John Barlow, Garrett Grant, Robert Hunter.Or I may have a general notion of the color of the rhythm and the harmonic or melodic development, and I'll sit with a guy and we just fire blank verse at each other until we start to corner that color—and then often the song will fall right out of the sky. Other times, I may have no notion of where the song wants to go, in which case I'll let whoever I'm working with surprise me. . . .“The Music Never Stopped” is a song that we wrote over the telephone. I had this business going [plays opening guitar riff, Example 13 below]. So I played this over the phone to John, and he just started spitting stuff at me. The first line came out, “There's mosquitoes on the river / Fish are rising up like birds.” He was living in Wyoming at the time on a ranch, and he started describing a situation that I'd seen with him, where it was late summer on a dry year and things were hot and kind of dull and dead.So where are we going to take this? Well, first I figured the verse is going to have to be twice as long as I originally figured, because if you're starting with an image that thick, you have to get into some detail about it. “It's been hot for seven weeks now / Too hot to even speak now / Did you hear what I just heard?” That last line came after some deliberation. It's a pregnant line, sort of like a leading tone in a harmonic development.The success of the endeavor, if you're working with a lyricist, depends on how closely the lyric marries the music. With Barlow or Gerrit Graham or whoever, there's a lot of back and forth. I guess I get to be the decider, because the words are going to have to come from my lips. And so I have to be able to tell the story.I have to be that character, because my job is to get the hell out of the way and let the character tell the story, musically and lyrically. When I'm standing in front of the microphone, I may look like me, but I'm not.If the character arrives with a really defined face and features, then it's easy for me to do my job.Fun version because almost always a first set closer and here it is opening the show.  Love that.            236 times            First:  August 13, 1975 at Great American Music Hall, San Francisco, CA, USA            Last:  June 28, 1995 at The Palace of Auburn Hills                      The Palladium:  The Palladium (originally called the Academy of Music) was a movie theatre, concert hall, and finally nightclub in New York City. It was located on the south side of East 14th Street, between Irving Place and Third Avenue.Designed by Thomas W. Lamb, it was built in 1927 across the street from the site of the original Academy of Music established by financier Moses H. Grinnell in 1852. Opened as a deluxe movie palace by movie mogul William Fox, the academy operated as a cinema through the early 1970s.Beginning in the 1960s, it was also utilized as a rock concert venue, particularly following the June 1971 closure of the Fillmore East. It was rechristened the Palladium on September 18, 1976, with the Band live radio broadcast,[1] and continued to serve as a concert hall into the following decade.In 1985, the Palladium was converted into a nightclub by Steve Rubell and Ian Schrager, after their success with Studio 54. Japanese architect Arata Isozaki redesigned the building's interior for the club.[2]Peter Gatien owned and operated the club from 1992 until 1997.The Palladium closed in August 1997 following its purchase by New York University.[3] In August 1998, the building was demolished in order to build a twelve-story residence hall that students affectionately referred to as Palladium HalThe Dead also played there when it was called the Academy of Music in a series of seven shows on their way to Europe for the '72 tour.  One of the those shows, the entire March 28, 1972 performance plus selections from March 25, 1972 and March 27, 1972 were released as Dick's Picks Vol. 30This five night Palladium run, of which today's show was the second, is famous for a lot of reasons including the part of 1977 when the Dead put together a string of some of their best shows ever, peaking on May 8, 1977, just over one week later, at Barton Hall in Ithaca, NY.  All five of these shows are well played, great tunes, and a very grooving feel that you can still pick up off of the CD or down load 47 years later.  I had most of these shows on tape and wore them out from so much playing.  Love that they previously released this show as Download Series Vol. 1 and the new Dave's Picks release, No. 50!!, is the May 3, 1977 show including some extra songs from the next night as well as the annual Dave's Picks Bonus Disc that is even more songs from the May 4th show).  If you are not listening to Dave's Picks, you are missing out on quality recordings of some of the best shows ever.How hot was the band, check out this extended jam at the end of ½ Step, the second to last song of the first set (ending with a great Promised Land) and be sure to listen for Jerry and Keith going back and forth throughout this clip:                                             SHOW No. 1:                    Mississippi ½ Step                                                Track #11                                                7:06 – 9:29 Garcia/Huner tune released on Wake of the Flood in 1973.  Also live versions included on Steal Your Face, Dick's Picks Vol. 1, Without a Net and who knows how many other Dick's/Dave's Picks releases, etc.  If you want to hear it, you can find it, easily. First performed July 16, 1972 at Dillon Stadium in Hartford, Connecticut. Followed "Me and My Uncle" and led into "Sing Me Back Home," which closed out the first set. A staple of the repertoire ever since. 236 times (exact same as Music Never stopped!)First:  July 16, 1972 at Dillon Stadium, Hartford, CT, USALast:  July 6, 1995 at Riverport Amphitheater Maryland Heights, MO Music News: Neil Young Tour  SHOW No. 2:                    St. Stephen                                                Track #1                                                              0:00 – 1:49 Blah Blah Blah, everyone knows about St. Stephen.  Dead's Fluffhead apparently.  Because of its true melodic nature and strong lyrics, it existed long outside and after the end of Primal Dead.  Still only played a total of 187 times:                 First:  May 24, 1968 at National Guard Armory, St. Louis, MO, USA            Last:  October 31, 1983 at Marin Veteran's Memorial Auditorium, San RafaelBut post Dead hiatus year, they started making song sandwiches often based around this song.  This four song sandwich at the end of the show is so good that I had to feature all of it at the expense of some other really great tunes like Bertha, Peggy O, Looks Like Rain, Promised Land, and any tune in the second set.  This sandwich is just too cool to ignore or not give it proper due. Here is the first layer change: SHOW No. 3:                    St. Stephen>Not Fade Away                                                St. Stephen                                                Track #19                                                4:10 – end                                                INTO                                                Not Fade Away                                                Track #20                                                0:00 – 1:15 Great switch out of St. Stephen and into an amazing opening jam of NFA. I wanted to try and catch the opening lyrics but the jam went on for almost 4 minutes which is too long even for these extended clips. MJ News Check out this next transition that they pull off seamlessly: SHOW No. 4:                    Not Fade Away>Stella Blue                                                Not Fade Away                                                Track #20                                                14:15 – end                                                INTO                                                Stella Blue                                                Track #21                                                0:00 – 1:30 Beautiful how they downshift on cue from the raucous NFA into the gentle and beautiful ballad mode required for Stella Blue.  Jerry's voice is so strong and clear.  Really a treat. Not even getting to the last tune of the encore today.  Not enough time but had to close out the episode with the final sandwich transition, from Stella back into an immediate upbeat St. Stephen that is so strong I told Dan we could not edit out any of it!  What a great (almost ending) to such a great show.   Deadheads walked out knowing there were still 3 more to go!  Like going to bed and already being told the next day is a snow day! Thank you all for listening.  Please be sure to join us next week when I am joined by Rob Bleetstein of Grateful Dead Radio (show host), Pearl Jam radio and he is also the Curator for the New Riders of the Purple Sage.  He is joining us to discuss, among other things, the newly released NRPS live album “Hempsteader”.  If you haven't heard it yet, check it out.  I'm looking forward to hearing from Rob how this was all put together and what the NRSP are up to these days. Also, a Birthday shoutout to very good buddy, Sam who is turning old tomorrow.  At his age, the actual number doesn't matter but we love him anyway. ENCORE:                            Stella Blue>St Stephen                                                Stella Blue                                                Track #21                                                7:50 – end                                                INTO                                                St. Stephen                                                Track #22                                                Start - end .Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast

MERLE HAGGARD, WHO over six decades composed and performed one of the greatest repertoires in country music, capturing the American condition with his stories of the poor, the lost, the working class, heartbroken and hard-living, lived for 79 years. In American and country music, few artists loomed larger. Haggard's career spanned 38 Number One country hits, and his rough hard-edged style influenced country and rock & roll artists from Waylon Jennings and Gram Parsons to Jamey Johnson and Eric Church. As a songwriter, Willie Nelson called him “one of the best.” “Merle Haggard has always been as deep as deep gets,” Bob Dylan told Rolling Stone in 2009. “Totally himself. Herculean.Even too big for Mount Rushmore. No superficiality about him whatsoever. He definitely transcends the country genre. If Merle had been around Sun Studio in Memphis in the Fifties, Sam Phillips would have turned him into a rock & roll star, one of the best.”Haggard didn't have to look far for material. His greatest songs – the Depression-era poverty described in “Hungry Eyes,” the prison diaries “Sing Me Back Home” and “Mama Tried,” the hard-living anthems like “I Think I'll Just Stay Here and Drink” and “Back to the Barrooms” – were all taken from the pages of his own life. He was born April 6th, 1937 near Bakersfield, California, two years after his family moved west from Oklahoma during the great dust bowl migration.Haggard's father found work on the railroad, playing fiddle in roadhouse bands on the side, and bought the family a $500 boxcar house. When Haggard was nine, he lost his father to a stroke, setting him on a path of what he called “illegal motion.” A year later, he hopped his first train with a friend, riding for 18 hours until getting caught. “I tried to explain [to my mother] that anybody could ride with a pass; it took a man to ride the way we had,” he said.

In this week's episode of 36 From The Vault, we visit 1971 for the very first time since Dick's Picks Vol. 2, for a very special set of shows, unheard of by any fan until 2005. Featuring the complete shows from 8/7/71 in San Diego, CA and 8/24/71 in Chicago, IL, along with snippets of 8/6/71 in Hollywood, CA, it's a fascinating peek into the evolving nature of The Dead on the cusp of their 1972 renaissance period.Disc One features the complete first set from 8/24 + the “Truckin'” Set II Opener. Disc One is highlighted by a brilliant “Hard To Handle,” making its Dick's Picks debut. On Disc Two we hear a tight take on “China Cat Sunflower -> I Know You Rider” plus a stunning “Sing Me Back Home.” The highlight might very well be the incredible jam out of “Going Down The Road Feelin' Bad” which then segues into “Johnny B Goode.”Disc Three picks up the thread in Chicago and features a gorgeous cut of Pigpen's “Empty Pages,” alongside a still-in-progress “Brown-Eyed Women.” Later, “Not Fade Away -> GDTRFB -> NFA” shines in the fusion between country jammin' and punkish psychedelia. Disc Four closes the set with a segment from the 8/6 show in Hollywood and features some of the only improv of the set in the way of “The Other One -> Me & My Uncle -> The Other One.” A haunting “Morning Dew” leads to a 25min “Lovelight” closer which shines a light on the wonders of Pigpen in the twilight of his life. 36 from the Vault is a production of Osiris Media. It is edited, produced and mastered by Brian Brinkman. All music composed by Amar Sastry, unless otherwise noted. Logo design by Liz Bee Art & Design. The executive producer of 36 from the Vault is RJ Bee. ---We're thrilled to be sponsored by Grady's Cold Brew. Use Promo Code: VAULT for 20% off your first orderVisit Sunset Lake CBD and use promo code VAULT for 20% off your purchase---Please consider reviewing this podcast on Apple Podcasts, or wherever you get your podcasts. We invite you to listen to Dick's Picks Vol. 36 in anticipation of our SERIES FINALE episode which will drop on Monday, August 15! See acast.com/privacy for privacy and opt-out information.

Rick Rees, Michael Hoberman, Carrie and Michael Kline created this radio piece in 1993 for WFCR, Public Radio of Western New England. Michael Kline recorded the interviews and musical sessions that make up this production while serving as folklorist for the Pioneer Valley Folklore Society. With funding the Mass Foundation for the Humanities, we were required to write and read a somewhat analytical-sounding narration that follows an otherwise seamless flow of voices and music, as newer and older groups of immigrants discuss and play examples of a living, changing music, carried from other lands, preserved and evolved in the Connecticut River Valley.

Recorded on July 4th, the twins discuss their recent back-to-back shows in Myrtle Beach and go deep about growing up in Coconut Grove, Florida - with side trips about fireworks, Bob Dylan shows, cats, cycling adventures, twins and more - including another tune from the archive. SHOW NOTES: 0:00 - "A Different Light" by Chris Yale - Original Reflector version 3:54 - Greetings and about the song / Ian Talcroft / Stare Cat Sound Glendale, CA 5:41 - Back-to-back gigs / Cats at Chris' house / The fox (for real) outside Roger's place / "Fleabag" / Phoebe Waller-Bridge 8:08 - The Old Bull and Bush Myrtle Beach / LuLu's North Myrtle Beach / Schlepping our P.A. 10:00 - St. Hugh School Coconut Grove / Katie Casey, "That's a bunch of baloney" / The English New Yorker / Potential soccer riot 12:11 - Fireworks we had as kids / Bottle rocket battles / The cannons / "The Gat" / Our blank guns / "Sing Me Back Home" 17:22 - Death row and capital punishment / "Jail or 'Nam" / Compulsory military service 18:32 - Pineapples and swingers 20:08 - Psychic pain / "Grasping the heel" / More about twins / the twin neighbor kid 21:31 - 2340 Tigertail Court, our childhood home in Coconut Grove / Crabs / The sinkhole / Buried treasure / The 1920s land boom in and around Miami / Our brother sold the house 23:44 - About Coconut Grove / Jim Morrison obscenity / The Doors / Dinner Key Auditorium / Biscayne Bay / Dixie Highway / "The Hippie Place" / Lum's / Coconut Grove Pharmacy / Eskill's Clog Shop / Grove Folk Facebook Page / Dad's coffee houses / Briarwood Singers / Revisiting the Grove / Mercy Hospital / Vizcaya / MontyTrainer's / 1920s hurricane / Coral Gables / Silver Bluff / Silver Bluff Elementary / Hurricane Carter 28:56 - Bob Dylan / "Rolling Thunder Revue" / Dylan and Tom Petty at Irvine Meadows / Dylan and Willie Nelson in Myrtle Beach / Dylan at the Greek Theatre Los Angeles / G.E. Smith 32:30 - "Echo in the Canyon" / Laurel Canyon 33:00 - Chris' bicycling adventures over Laurel Canyon and to San Diego with David Valentine and Jim Alden 36:07 - Roger freaked out Miles (Chris' toddler grandson) / Rubber Ducky Shark / Elijah (Chris' older grandson) 28:23 - Parting shots / "Only Yesterday" / Bruce Tegner / Wallace Stegner / Stegosaurus / California Blonde amp (SWR) / When freebase became crack

Part 2 of my interview with Jeff Malinowski of The Stolen Faces plus set 2 of his phenomenal set. Set 2 features a sick hour plus long bombardment of awesomeness from The Lyceum in London 5/26/72 Truckin>Other One>Drumz>Other One>Morning Dew>OtherOne>Sing Me Back Home.....so good! Check it out and tell your friends. You can find us on Twitter @HeadyJamsPodcast or on Facebook HeadyJams: A Grateful Podcast. Enjoy! Scarlet Begonias> Fire On The Mountain 4/24/78 Normal IL Estimated Prophet 5/25/77 The Mosque Richmond VA Eyes of the World 3/29/90 Nassau Coliseum Uniondale NY Truckin> Other One> Drumz> Other One> Morning Dew> OtherOne> Sing Me Back Home 5/26/72 The Lyceum London England One More Saturday Night 46/72 Frankfurt Germany E: Ripple from Reckoning

For a long Labor Day weekend I think this week's Deadpod provides a perfect soundtrack - the second set from the band's smoking performance on August 24th, 1972 at the Berkeley Community Theater in Berkeley CA. Each of these standards are played most excellently. In addition we are treated to a true pinnacle of improvisational excellence with the 'Dark Star>Morning Dew'. I would have thought they'd close out after that but rather than that they rev it back up with a hot 'Sugar Magnolia', 'Ramble on Rose' and 'Greatest Story'. Sing Me Back Home is sweet as always. While they close the set with a 'One More Saturday Night' (on a Thursday) they return with a most excellent 'Uncle John's Band' encore - a song that should have seen that spot more often.     Grateful Dead Berkeley Community Theatre Berkeley, CA 8/24/72 - Thursday   Two Mississippi Half-Step Uptown Toodeloo [6:50] Mexicali Blues [3:21] Brown Eyed Women [4:43] Truckin' [9:01] Dark Star [27:14] > Morning Dew [13:00] Sugar Magnolia [7:52] Ramble On Rose [6:19] Greatest Story Ever Told [5:17] Sing Me Back Home [9:55] One More Saturday Night [4:30] Encore Uncle John's Band [7:11]   You can listen to this week's Deadpod here: http://traffic.libsyn.com/deadshow/deadpod083118.mp3   I hope you have a safe and fun Labor Day weekend..

January 1958, 1968: Sinatra, Duane Eddy, Merle Haggard, Byrds, Blue Cheer, Dr. John, Aretha Franklin, Velvet Underground, Kaleidoscope, Gordon Lightfoot, Tjh Mahal

This week's Deadpod takes us back to the early days of 1971, to a performance that was before a small crowd at Davis Gymnasium on the Bucknell University Campus in Lewisburg PA on April 14th, 1971. This is a wonderful tape, despite a little static here and there.. it has by and large excellent sound and the band is really energized. There's a great mix of rocking numbers like 'Truckin' and 'China Cat' along with quieter ballads like 'Me & Bobby McGee' and 'Sing Me Back Home'. I love how clearly I can hear Phil's thundering bass on 'Bertha'!  A true treat here is one of the rare performances of 'I Second That Emotion' (only played 6 times) that happens here in set 1. (There is some dispute about the setlist order - Deadbase 50 puts it in set 2, I've left it in its traditional 1st set slot here).   thanks to Jim H for the suggestion -  remember I'm always happy to take requests!   Grateful Dead Davis Gym - Bucknell University Lewisburg, PA 4/14/71 - Wednesday One Truckin' ; Deal ; Me And Bobby McGee ; Next Time You See Me ; Bertha ; Playing In The Band ; Sing Me Back Home ; Me And My Uncle ; China Cat Sunflower > I Know You Rider ; I Second That Emotion ; Casey Jones   You can listen to this week's Deadpod here: http://traffic.libsyn.com/deadshow/deadpod111017.mp3   Thank you for listening and for your support!          

On episode 43 the Back Porch brings you The Kernal.  We sit down with Joe Garner, the man behind the red suit, to discuss his inspirations, his goings on and his latest release "Light Country".  If you haven't heard of him and you are the type of country music fan I am, older country, you'll want to give this episode a good listen.  While it is country music at it's core, his sound shows influences of americana, rock and gospel.  Give your ears a break from all that's heavy and take a small dose of "Light Country" via The Kernal.

Here is the second set from the band's performance on July 25th, 1972 at the Paramount Theater in Portland Oregon. I think its a great performance to hear during these 'Days Between' as it showcases the band at one of the peak times of their career. Check out the rousing 'Greatest Story Ever Told' and the unusually languid 'China Cat->I Know You Rider' that follows. The Other One and the jams around it are the stars here however. I'm happy that this one includes a fine 'Wharf Rat'.. while the ballads during this period didn't match the intensity of the later years, it still holds a special place when I'm thinking about Jer.        Grateful Dead Paramount Theatre Portland, OR 7/25/72 - Tuesday   Two He's Gone [8:46] ; Greatest Story Ever Told [5:15] (6) ; China Cat Sunflower [6:38] > I Know You Rider [4:55] (7) ; Mexicali Blues [3:25] ; (8) Truckin' [11:58] > The Other One Jam [1:12] > Drums [3:02] > The Other One [27:11] > Wharf Rat [10:56] (9) ; Sugar Magnolia ; Sing Me Back Home [9:34] ; Not Fade Away [5:31] > Goin' Down The Road Feeling Bad [7:22] > Not Fade Away [3:02] (10)   You can listen to this week's Deadpod here:  http://traffic.libsyn.com/deadshow/deadpod080417.mp3   Love is Real, Not Fade Away   thanks Jerry 

This week's Deadpod features the second set from the excellent performance the band gave us from March 24th, 1973 at the Spectrum in Philadelphia PA. This performance is solid throughout, Jerry's vocals are spot on, and the entire band is on the top of their game. This set contains one of the great jams ever, coming out of Truckin' and through to the Dark Star. The China->Rider is no slouch either. Settle back and be transported..     Grateful Dead The Spectrum Philadelphia, PA 3/24/73 - Saturday   Two [1:27:42] ; The Promised Land [2:58] ; China Cat Sunflower [8:16] > I Know You Rider [5:16] ; Big River [4:17] ; Stella Blue [7:26] ; Me And My Uncle [2:51] ; He's Gone [3:42] > Truckin' [31:57] > Spanish Jam > Dark Star [4:02] > Sing Me Back Home [9:50] > Sugar Magnolia [7:07] Encore Johnny B. Goode [3:39]   You can listen to this week's Deadpod here: http://traffic.libsyn.com/deadshow/deadpod072117.mp3   Your support keeps the Deadpod alive. thank you my friends.       Be kind whenever possible. It is always possible.  Dalai Lama

It begins! Your host, Jonathan, introduces the podcast and jumps right into the music. Deadheads know that Spring time means Spring Tour and this episode launches with some Spring tour music from the earlier years of The Grateful Dead. We hope you enjoy this mix of songs and jams. Thanks for listening! Please follow us on Twitter: @BrokedownPod, or Facebook.   1968-03-03 Haight St, San Francisco, CA - Viola Lee Blues 1970-05-01 Alfred College, Alfred, NY Wake Up Little Susie, New Speedway Boogie, Cold Jordan, Uncle John’s Band 1973-03-24 - The Spectrum, Philadelphia, PA He’s Gone, Truckin’ > Jam > Spanish Jam > Space > Dark Star > Sing Me Back Home  

This week the Deadpod returns to the second set of the band's performance in Oklahoma City Oklahoma on November 14th, 1972. I think you'll enjoy their performance here as they bring the crowd well executed versions of some great songs.    The highlight of this 1hour 41 minute set is probably the 'He's Gone'->'Truckin'->'The Other One'->'Sing Me Back Home' combination that occurs in the middle of set 2. Listen closely and you'll hear some interesting interplay as they try to decide which song to go into next. I think you'll enjoy the unique 'Uncle John's Band' as well..    Grateful Dead Oklahoma City Music Hall Oklahoma City, OK  11/14/72 - Tuesday   Two Greatest Story Ever Told [5:15] ; Brown Eyed Women [4:12] ; Me And My Uncle [2:58]  ; Deal [4:26] ; Me And Bobby McGee ; He's Gone [15:18] > Truckin' [8:25] > The Other One [15:57] > Sing Me Back Home [9:57] ; Sugar Magnolia ; Uncle John's Band ; One More Saturday Night    You can listen to this week's Deadpod here:   http://traffic.libsyn.com/deadshow/deadpod120216.mp3     My sincere thanks to those kind folks whose support makes the Deadpod possible.. and to each of you who enjoy listening!           

Episode 007 - March 2015 Set 3After Midnight->Eleanor Rigby Jam->After MidnightMidnight MoonlightCorinaThrowing StonesFoolish HeartRamble On RoseComes A TimeSing Me Back HomeMorning Dew->Good Lovin'->La Bamba->Good Lovin'

Synopsis Dr. Jack Gallagher, one of Marietta, Montana's most eligible bachelors, hasn't been serious about a woman since his wife died five years ago. He's been content to date occasionally, practice medicine and raise his teenage daughter. Then happily divorced former fashion model, Maya Parrish, moves back to Marietta, with her own teenaged daughter in tow forcing Jack to rethink his casual dates only rule. Maya, Jack's high school girlfriend and almost fiancée, may have broken his heart the night of their high school graduation, but the moment Jack and Maya meet again, all the sizzle and sparks, and then some, come rushing back. Maya is ready to give love a second try. Jack isn't sure he can take that chance again. He knows how quickly happiness can be ripped away, leaving heartbreak in its place.   Can a mad, passionate affair last or will it burn itself out as quickly as it began? Excerpt Marietta had grown, of course, but it was still a small town, with that lovely small town flavor. Of course, there was also the “everyone knows everything about you and your business” angle of living in a small town, but that seemed a small price to pay for such a great place to raise her child. Marietta was a beautiful place, situated to the north of Paradise Valley, in between the Absaroka Mountains and the Gallatin Range. Copper Mountain rose to the west of town, lending dignity and majesty to the view with its purple and white peaks, and the green of the Evergreens and spots of yellow where the Aspens had only just started to turn. There was only one possible fly in the ointment. One tiny little thing she was worried about. Living in the same town as Jack Gallagher again. Dr. Jack Gallagher now. Along with the mountains and her family, she’d left Jack behind when she left Marietta to pursue her modeling career, in Dallas, Texas. Jack Gallagher. Her almost fiancé, whom she’d almost jilted at the altar, the night of their high school graduation. # Maya had plenty of time before she needed to worry about seeing Jack again. Right now, she was driving to the high school with her daughter in tow. Some bright soul had decided the Spirit Club should have a party shortly after school started, so that all the students and parents could get to know each other. The same bright soul had also decided to make it a potluck supper. Maya had volunteered to make her famous Death by Chocolate dessert. It was always a crowd pleaser. Not to mention, it was one of few desserts Maya knew how to make. She asked Carmen to help her carry everything in, since she not only had the glass compote full of the dessert, but also various bags of paper plates, napkins, and plastic cutlery. So much for that promise. Maya hadn’t even turned off the car before Carmen dashed off to see some friends. “Carmen, wait,” Maya called, watching her daughter’s retreating back. Typical, she thought. Determined to make only one trip, Maya balanced the heavy dish in one hand and the bags in the other and headed for the gym doors. Holding the compote carefully, she reached with her other hand for the double wide doors just as they swung open. She jumped back to avoid being smacked by them, losing her precarious grip on everything, including the dessert. “Da—darn it!” she yelled, just in time to see her beautiful masterpiece slide right out of her hands and land upside down on the door ma

Logic is about understanding reality in a non-contradictory way and how can we see things for what they are. Metaphysical Laws 1.Identity 2.Causality 3.Non-Contradiction Topic: Larken Rose joins us to discuss his book, The Most Dangerous Superstition, and the logical fallacy called argumentum ad verecundiam (appeal to authority). This fallacy often lays the groundwork for many additional logical and rhetorical missteps in debate. This is an edited version the 9-6-12 live show. School Sucks is live on the Liberty Radio Network and UStream Thursdays at 10pm EST. Co-Hosts: Cory Bumper Music: "Sing Me Back Home" Merle Haggard Look Closer: The Appeal To Authority (Defined) http://yourlogicalfallacyis.com/appeal-to-authority Genetic Fallacy (defined) http://www.fallacyfiles.org/genefall.html Logical Fallacies Basics http://onegoodmove.org/fallacy/toc.htm Ayn Rand Lexicon http://aynrandlexicon.com/ POLITICAL DEBATE CONTRACT http://edu-lu-tion.com/resources/political_debate_contract http://TragedyandHope.com http://www.tragedyandhope.com/ Trivium http://www.triviumeducation.com/trivium/

This week's Deadpod takes us back to some early "primal" Dead, back to the Winterland Arena in the fall of 1967. While we don't have all of this show, I think you'll enjoy how tight and well played these songs are. The band is clearly listening to each other and hitting on all cylinders. Pay attention to the lyrics used here on "The Other One". This show's a blast.. afterwards, I've included a cut from the Europe 72 vol 2 CD, the fabulous "Sing Me Back Home" from the last show of the tour.. I'm supposed to be getting some more copies of this from Rhino and plan to offer up another contest for them, I just want to have them in hand before I start to promise anything.. hope you enjoy it!!! Grateful DeadOctober 22, 1967Winterland Arena, San Franscisco, CA 1. Morning Dew2. New Potato Caboose3. It Hurts Me, Too4. Cold, Rain, & Snow5. Lovelight//6. Beat it on Down the Line7. Cryptical Envelopment >8. The Other One >9. Cryptical Envelopment From Europe 72, Vol 2: "Sing Me Back Home" You can listen to this week's Deadpod http://traffic.libsyn.com/deadshow/deadpod100711.mp3">here:http://traffic.libsyn.com/deadshow/deadpod100711.mp3">http://traffic.libsyn.com/deadshow/deadpod100711.mp3 Thanks for listening and for your SUPPORT!You can send a donation via the Donate button to the right of the page to keep the Deadpod rolling...

I realize that I've been playing alot of early 70s Dead the last month or so and I plan on changing that up next week, but I just couldn't let that 1st set I played last week from 12/31/72 be orphaned - so I'm putting out the second set this week. Its distinguished not only for the fine ensemble playing characteristic of the time but by the presence of David Crosby on the 'Other One' and 'Morning Dew' - I think you'll be able to hear his playing.. I hope you enjoy this and forgive me for perhaps over-mining this period of GD history - there's of course a ton of other interesting periods to explore and we'll move to another next week... Grateful DeadSunday December 31st, 1972Winterland Arena, San Francisco, CAset 2//The Promised Land  Mississippi Half-Step//Big RiverSugaree   Truckin'  >The Other One >Drums >The Other One> Morning DewSugar Magnolia  Sing Me Back Home  Johnny B. Goode   encores: Uncle John's Band One More Saturday Night you can listen to this week's Deadpod here: http://traffic.libsyn.com/deadshow/deadpod010711.mp3       One More Saturday Night

This week we get to listen to the final part of the Dead's performance on April 27th, 1971 at the Fillmore East, NYC., NY. This includes a wonderful "Sing Me Back Home" and a classic Pigpen Lovelight.. I'm sure you'll enjoy it...  Grateful Dead - April 27, 1971Fillmore East - New York, NY Johnny B. Goode Sing Me Back Home Uncle John's Band Turn On Your Lovelight   In addition, because this didn't seem quite enough for a Deadpod , I decided to begin a set suggested by one of my wonderful listeners, 4/3/82 from Norfolk VA - we'll only get to hear the first part of set 1, but I think this is a unique show, and its fun to hear this early 80s Dead sound.. I hope you agree!  Grateful Dead - April 3, 1982Scope - Norfolk, VA Alabama Getaway ->Greatest Story Ever ToldThey Love Each OtherMe And My Uncle ->Big River   You can listen to this week's Deadpod here: http://media.libsyn.com/media/deadshow/deadpod040210.mp3 Have a wonderful weekend my friends, as always thanks for listening and for your support..