Podcast appearances and mentions of Gordon Lightfoot

What's your most loved and least favorite song on Bob Dylan's Highway 61 Revisited?! Dan chose Zimmerman's acclaimed sixth album for us to rank in this fun episode about a world class wordsmith and his out-of-tune guitar. We hit the guest ranker jackpot getting singer/songwriters Lloyd Cole and the Old 97's Rhett Miller to chime in with their most and least loved songs on the album. Listen at WeWillRankYouPod.com, Apple, Spotify and Desolation Row. Follow us and weigh in with your favorites on Facebook, Instagram & Threads and Twitter @wewillrankyoupod.SPOILERS/FILE UNDER: Joan Baez, bahhhhs, Ballad of a Thin Man, Beastie Boys, the Beatles, Blonde on Blonde, Mike Bloomfield, blues, Bringing It All Back Home, Johnny Cash, Champaign, Illinois, Lloyd Cole, the Commotions, Desolation Row, Bob Dylan, Steve Earle, From a Buick 6, folk music, folk rock, going electric, Grateful Dead, Paul Griffin, harmonica, Jimi Hendrix Experience, Highway 61 Revisited, It Takes a Lot to Laugh, It Takes a Train to Cry, Juarez, Mister Jones, Judas, Just Like Tom Thumb's Blues, Al Kooper, Bruce Langhorne, Sam Lay, Gordon Lightfoot, Like a Rolling Stone, lyrics, Charlie McCoy, Meet Me In The Morning, Milk Cow Blues, Rhett Miller, Newport Folk Festival, Old 97s, out of tune guitar, Queen Jane Approximately, rap, Rolling Stone magazine, Rue Morgue Avenue, siren whistle, tack piano, Tombstone Blues, Violent Femmes, Wilco, wordsmith, 1965.US: http://www.WeWillRankYouPod.com wewillrankyoupod@gmail.comNEW! Host tips: Venmo @wewillrankyoupodhttp://www.facebook.com/WeWillRankYouPodhttp://www.instagram.com/WeWillRankYouPodhttps://www.threads.net/@WeWillRankYouPodhttp://www.twitter.com/WeWillRankYouPo http://www.YourOlderBrother.com(Sam's music page) http://www.YerDoinGreat.com (Adam's music page)https://open.spotify.com/user/dancecarbuzz (Dan's playlists)

Soft Rock er nærmest en uudtømmelig kilde af rock og pop perler fra i sær 70'erne. I dag kommer du i selskab med Cat Stevens, Carol King, Gordon Lightfoot, Grateful Dead, Fleetwood Mac og mange flere. Jeg lægger for med en lidt glemt kunstner Bruce Hornesby og hans store gennembruds sang ”That's The Way It … Læs videre "Soft Rock 3:"

"There's battle lines being drawnNobody's right if everybody's wrongYoung people speaking' their mindsGetting so much resistance from behindIt's time we stopHey, what's that sound?Everybody look - what's going down?"I know what that Sound is, please join me and I'll share it with you on this week's Whole 'Nuther Thing on KXFM 104.7. Joining us are Warren Zevon, XTC, T Bone Burnette, The Doors, Jean Luc Ponty, Van Morrison, Bob Dylan, Tears For Fears, Jeff Beck, Gordon Lightfoot, Janis Ian, The Byrds, Crosby Stills, Nash & Young, Fleetwood Mac, Eric Burdon & The Animals, Simon & Garfunkel, Joni Mitchell, Jefferson Airplane, Led Zeppelin, John Prine, Buffalo Springfield and others.

Chocolate Yoddah reads Gordon Lightfoot's classic song.Follow Me On TikTokhttps://www.tiktok.com/@chocolate_yoddahGet Uncensored Content On Patreonhttps://www.patreon.com/ThePersistentRumorFacebookhttps://www.facebook.com/ThePersistentRumorInstagramhttps://www.instagram.com/ThePersistentRumorTwitterhttps://twitter.com/PersistentRumorOriginal theme music written, produced, and performed by Chocolate Yoddah

X101's John Harrison speaks with bassist and leader of The Lightfoot Band, Rick Haynes about the band's upcoming concert in Homer and his relationship with Gordon Lightfoot. Don’t miss the[Read More...] The post Rick Haynes, Leader of the Lightfoot Band, Joins X101 Ahead of Show at Center for the Arts of Homer appeared first on X101 Always Classic - WXHC.com.

This week on RITY... The mini theme is Celestial Navigation... Plus, from "Seven League Boots" to "Southern Cross": The story behind the final Top 20 hit for Crosby, Stills & Nash... Music from a band that shares their name with the Irish-American gangster, Jack "Legs" Diamond... Deep cuts from Blodwyn Pig, Robert Fripp, Zebra, Rodriguez, Sharon Jones, Paul Westerberg, Gordon Lightfoot, and more! For info on the show, visit reelinwithryan.com

Eric unveils his latest long-term musical stunt—an elaborate plot to rig his Spotify Wrapped. What started as a rebellion against bad algorithmic assumptions has spiraled into a daily ritual of obscure 90s jams, folksy earworms, and trolling his daughter with Gordon Lightfoot. Todd listens in with a mix of admiration and mild confusion.Hooked on Hook: Eric plays “Hook” by Blues Traveler every day to guarantee it takes the top spot in December.Sundown Showdown: Gordon Lightfoot's “Sundown” is not going down without a fight, much to Lainee's despair.The Way It Goes: A third contender enters the ring—Fastball's “The Way”—and things get even weirder.No Cheats Allowed: Eric lays down strict rules—no repeat-playlist loops. This rigged Wrapped is going to be honest manipulation.Real-Life Streets of Rage: After surviving a cheer competition alone, Eric invents a new game: How to navigate large crowds with as little human interaction as possible.Mascot Mayhem: Somehow, it all ends with the boys planning a fake high school, complete with school spirit and Snow Lions.An episode full of completely unnecessary dedication, 90s nostalgia, and two grown men who really just want to make each other laugh.

Brian and Ed talk about the Detroit Tigers assistant GM sending unsolicited dick picks, Hakeem Olajuwon, Val Kilmer, Gordon Lightfoot, Shaq vs Ben Simmons, Shilo Sanders, the "Tetas" Rangers, Jessica Simpson drinking snake sperm and more.#SportsPodcast #SportsTalk #SportsNews #AthleteInterviews #SportsFans #SportsCommunity #SportsDebate #SportsChat#FanOpinions #SportsTrivia #SportsMemes #SportsHighlights #BehindTheScenes #PodcastLife #Podcasting #PodcastersOfInstagram #PodcastCommunity #PodcastRecommendation #PodcasterLifeSupport this podcast at — https://redcircle.com/the-baller-lifestyle-podcast/exclusive-content

A companion piece to Radio Rewind, join Dustin as he spins some 45s of songs from the Billboard Hot 100 this week in 1965 & 1975. One hour of hits from the 60s & 70s to enjoy before the gang returns on Friday with your normal dose of Radio Rewind hits.  This week we enjoy some singles from The Supremes, Gordon Lightfoot, Rolling Stones, The Who, and more.

In this week's episode, we chat with Spencer Shewen, the Artistic Director of the Mariposa Folk Festival. Spencer takes us through his journey into the music festival scene, sharing his experiences with both Riverfest Elora and the legendary Mariposa Folk Festival. He offers a behind-the-scenes look at programming the Mariposa festival lineup, sharing his perspectives on how folk music encompasses a wide range of genres beyond traditional definitions and how that shapes his booking decisions. He also provides valuable insights for emerging artists seeking opportunities. The discussion wraps with a glimpse into this summer's 65th anniversary of Mariposa, with a stacked bill of both returning and new artists.This year's Mariposa Folk Festival takes place July 4-6th in Orillia, Ontario - get your tickets here.Find Mariposa Folk Festival online:WebsiteInstagramTikTokAbout Spencer ShewenEntrusted with the role of Artistic Director of the fabled Mariposa Folk Festival since the fall of 2023, Spencer Shewen is looking forward to an exciting 2025 season, where Mariposa will celebrate it's 65th edition! At the same time, he continues as Creative Director of Riverfest Elora, where he has played an integral role in guiding the festival since 2013. Two of Ontario's most celebrated festivals! Spencer also sits on the Board of Directors for the Elora Centre for the Arts. Previously, he has held seats on the boards of the River & Sky Festival, the Halifax Pop Explosion, the Hillside Festival, and CFRU 93.3FM. He has also worked as Artistic Director for Waterstock (2017) and 100 Mile Riot (2012, 2013), curated the Fortnight Music Series (2007–2016), and acted as label manager for SunnyLane Records (2005–2008), among many other adventures. Mariposa, founded in 1961, has hosted icons like Joni Mitchell, Leonard Cohen, and Gordon Lightfoot. The 2025 festival takes place July 4–6 at Tudhope Park in Orillia. Riverfest Elora, set for August 15–17, is known for its diverse lineups, including performances by City and Colour, Carly Rae Jensen and the Violent Femmes . Spencer is honoured to have a leadership role at both festivals, and to have the opportunity to help create unforgettable experiences for all who attend!______________If you're interested in submitting questions for our upcoming episodes, be sure to follow Folk Canada on Instagram where we will be posting our upcoming guests.Tune in to the latest episodes of the Refolkus Podcast, featuring the latest music releases from Folk Canada members as well as some of our special guests, now broadcasting on CKCU FM 93.1 in Ottawa, CKUW 95.9 FM in Winnipeg and CFBX 92.5 FM in Kamloops.Presented by Folk CanadaHosted by Rosalyn DennettProduced by Kayla Nezon and Rosalyn DennettMixed by Jordan Moore of The Pod CabinTheme music “Amsterdam” by King CardiacArtwork by Jaymie Karn

The season three finale of The Way Home provides many answers but poses future questions for fans to ponder while awaiting the recently announced season four. Aptly titled after the Gordon Lightfoot song, If You Could Read My Mind, we have fun seeing what we got right and what we got wrong about season three. Join us at the table see how you did!

On November 9th, 1975, the ore freighter, Edmund Fitzgerald, once known as the "Queen of the Great Lakes" left the Burlington Railroad Loading Dock No 1, in Superior, WI.  Loaded with over 26,000 tons of iron ore, "Big Fitz" was to arrive at Zug Island, MI 46 hours later, as it had done many times over. As recalled in Gordon Lighfoot's famous song, "The Wreck of the Edmund Fitzgerald," the ship never completed the journey, ending up on the bottom of Lake Superior, taking her crew of 29 men with her.  Scott and Mickey discuss the Fitzgerald, the ship's beginnings all the way to her tragic end, as well as Wisconsin's many connections to the most famous shipwreck in Great Lake's history.    Facebook Twitter Website Email us:  badgerbizarre@outlook.com   Opening Trailer: Ed Gein Sound Byte : "Hard Copy" - Paramount Domestic/CBS Televsion Frank Lloyd Wright and Jeffery Dahmer Sound Byte - WISN 12 News - Milwaukee, WI Jeffery Dahmer Quotes: "Inside Edition"  - King World/CBS Television/CBS Media   Attribution for Music: Trailer: Composer: Adam Phillip Zwirchmayr https://www.pond5.com/ Intro: https://pixabay.com/ Outro: Composer: Viacheslav Sarancha  https://www.pond5.com/     Attribution for logo design: Red Claw Scratch Photo     Sources:   Duluth News Tribune - Archives Great Lakes Shipwreck Museum Green Bay Press Gazette - Archives Lightfoot, Gordon - "The Wreck of the Edmund Fitzgerald" - Utilized via Fair Use Doctrine MacInnis, Joseph - "Fitzgerald's Storm" Mixter, Ric - The Edmund Fitzgerald Exploration Lecture Series Stonehouse, Frederick - "The Wreck of the Edmund Fitzgerald"   Pleaae visit our Sponsors: FrameMakers            

Interview with Steve Traina about his new book La Cave.  Steve took time off from childhood activities just long enough to start and run a small business, help raise six kids, and perform various other adult activities. It was just a phase. In his spare time he also managed craft a 30-plus year career as a minor league and college D1 umpire, and fit in an ongoing 22 years as the on-air host of the music history show Steve's Folk Radio Show on WRUW-FM 91.1 in Cleveland. Now that he can form a baseball team with his nine grandchildren, he realized the foolishness of it all and, between grandfatherly duties, reverted to his childhood dream of sitting around reading and writing. In these pursuits he is guided by his ever-vigilant editor Ethel the Very Large Cat.   About the La Cave Book : In a dingy basement music club in inner-city Cleveland, something incredible happened, and kept happening throughout the ‘60s. Except it didn't just “happen.” It was created by a slightly-built visionary named Stanley Kain, and he named this happening “La Cave.” Stan's vision was the future and its language was written in musical notation, fueled by post-adolescent angst amidst a backdrop of the military draft, war, race riots, and social upheaval in general. For a buck, maybe two, suburban kids, college students and other young adults could absorb the wisdom of their elders – future musical Hall of Famers, still unknown, perched behind guitars, mere feet away on a tiny stage, dispensing that wisdom with a 4/4 beat. Performers like The Velvet Underground, Neil Young, Gordon Lightfoot, Moby Grape, The Fugs and countless others were the professors of this new ideology. Mix in political drama, street theater, psychedelic drugs and cheap beer, and you have a microcosm of 1960s America. You have La Cave. History was made nightly, and was it ever fun!   https://www.lacavebook.com/   Steve's info steve-traina 

Brrr... it's time for everyone's favorite season to have its day in court on the Good Music Show. Today we discuss two albums that make us think of winter.We start with Danny's pick which continues his trend of finding a song that deals with a season, and making the case why the album its on also represents that season. When he heard Song for a Winter's Night by Gordon Lightfoot - a legendary folk singer-songwriter from Canada - he thought it was the perfect non-Christmas song. This album is half new recordings of Gordon's catalog and half compilation of his Warner hits. Though a variety of seasons and weather are represented here, the warmness of both Gord's voice and the production by Lenny Waronker are a perfect sonic stand-in for a crackling fire for those cold, lonely winter months (or in Danny's case, days)Then we talk about an album that to Julius represents the sadness and introspection often brought on by winter. "The Velvet Rope" is a peak in a run of excellent albums by Janet Jackson, who unfortunately doesn't get talked about enough in today's pop ecosystem. We compare this album to current trends in pop, as well as praise the impeccable production by Jimmy Jam and Terry Lewis. Janet's experience at the time of making this album results in many songs dealing with extreme emotions and allows for the listener to experience validation and catharsis through the energetic and crisp production. Now is the time to appreciate what Janet accomplished, despite anything that may have overshadowed her art.Songs featured in this episode:Canadian Railroad Trilogy (from "The Way I Feel" and "Gord's Gold")SundownOld Dan's RecordsGot 'Til It's GoneGot 'TIl It's Gone (Ummah Jay Dee's Revenge Mix)Go DeepMy NeedSend us a text message!You can follow us here: Instagram Twitter Tiktok Send us a message, we'd love to hear from you! Email is thegmspod at gmailLeave us a rating and review if you want to!Thanks for listening!

Brian Epstein and Albert Grossman were two of the most important managers in the history of rock music. Brian was of course the manager of The Beatles and was their guiding force taking them from a scruffy Liverpool existence to the top of the entertainment world. He went on to manage a number of the British Invasion stars including Gerry and the Pacemakers, Billy J. Kramer and the Dakotas, Cilla Black and the Moody Blues. Albert Grossman was the hard charging manager of Bob Dylan and a number of other artists who were an integral part of the folk music scene in the 1960s including Peter Paul and Mary, Janis Joplin, The Band, Odetta, Gordon Lightfoot and Richie Havens.---------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!For more information and other episodes of the podcast click here. To subscribe to the podcast click here.To subscribe to our weekly Follow Your Dream Podcast email click here.To Rate and Review the podcast click here.“Dream With Robert”. Click here.—----------------------------------------ROBERT'S SINGLES:“LOVELY GIRLIE” is Robert's new single. It's a fun, Old School, rock/pop tune with 3-part harmony. It's been called “Supremely excellent!”, “Another Homerun for Robert!”, and “Love that Lovely Girlie!”Click HERE for All Links—----------------------------------“THE RICH ONES ALL STARS” is Robert's single featuring the following 8 World Class musicians: Billy Cobham (Drums), Randy Brecker (Flugelhorn), John Helliwell (Sax), Pat Coil (Piano), Peter Tiehuis (Guitar), Antonio Farao (Keys), Elliott Randall (Guitar) and David Amram (Pennywhistle).Click HERE for the Official VideoClick HERE for All Links—----------------------------------------“SOSTICE” is Robert's single with a rockin' Old School vibe. Called “Stunning!”, “A Gem!”, “Magnificent!” and “5 Stars!”.Click HERE for all links.—---------------------------------“THE GIFT” is Robert's ballad arranged by Grammy winning arranger Michael Abene and turned into a horn-driven Samba. Praised by David Amram, John Helliwell, Joe La Barbera, Tony Carey, Fay Claassen, Antonio Farao, Danny Gottlieb and Leslie Mandoki.Click HERE for all links.—-------------------------------------“LOU'S BLUES”. Robert's Jazz Fusion “Tone Poem”. Called “Fantastic! Great playing and production!” (Mark Egan - Pat Metheny Group/Elements) and “Digging it!” (Peter Erskine - Weather Report)!Click HERE for all links.—----------------------------------------“THE RICH ONES”. Robert's sublime, atmospheric Jazz Fusion tune. Featuring guest artist Randy Brecker (Blood Sweat & Tears) on flugelhorn. Click HERE for all links.—---------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com 

In this episode we discuss our Top 5 Gordon Lightfoot songs with Brad Gibsonhttps://music.apple.com/us/playlist/gordon-lightfoot/pl.u-jV896vpC5DWpL

“Yeah, so I started writing songs for speakers to walk on stage to their own song, and then when they had their sizzle reel, people would hear their song again. And then if they went to a training, you know, they would hear the song again. And so there was this audio consistency that also had the effect of lifting the person, the speaker themselves. They would say to me, you know, ‘When I walk on stage to my own song, it's like, I don't show up small. This is who I have to be to walk on stage to like, mind switch, I'm ready to fly.' Right? And they're, you know, they are making their brand. People are walking out of there with their song stuck in their head, not a Katy Perry song.” – Lowry Olafson This episode's guest is a professional songwriter who has toured the globe, released nine albums, and led over six hundred songwriting sessions with more than 15,000 speakers, entrepreneurs, and businesses. He helps his clients make a bigger dent in the universe by creating their own signature song to build trust, authority, and connection – and to make their message literally unforgettable.His name is Lowry Olafson, and he's created something called a SongBrand. We'll be talking about how businesses and individuals can use a SongBrand, and how his background has led to a unique form of songwriting that allows his clients to communicate their truth with the world.As always, if you have questions for my guest, you're welcome to reach out through the links in the show notes. If you have questions for me, visit audiobrandingpodcast.com where you'll find a lot of ways to get in touch. Plus, subscribing to the newsletter will let you know when the new podcasts are available and what the newest audio chats will be about. If you're getting some value from listening, the best ways to show your support are to share this podcast with a friend and leave an honest review. Both those things really help – and I'd love to feature your review on future podcasts. (0:00:00) - The Power of Sound BrandingOur conversation starts with a look back at Lowry's earliest memories of sound and what drew him to a career in music. “My earliest memory of making my own music,” he says, “was, as maybe a three-year-old, on the prairies and uh, listening to the meadowlarks and trying to imitate them, whistling, trying to imitate them.” We talk about some of the musicians who most influenced him, such as Joni Mitchell and Gordon Lightfoot, and how he's helping bring sonic branding down from commercial jingles to a more personal level. “It used to be that the only people that could afford to do this,” he says, “were the big people that, you know, had big advertising, big advertising budgets, and TV and radio and stuff. But the fact is, your average coach is using music in all kinds of ways.”(0:12:51) - Creating Personalized Power SongsLowry discusses his process for creating a personal audio brand for a client, and how he collaborates with them to come up with just the right sound. “We start to nuance it,” he explains, “and change a word here and there and do things like that, until we really feel like we've nailed it and they love it, and I love it too.” He shares an example of a client's audio theme, “Make Medicare Simple,” and talks about his work with industries as far-ranging as retirement coaches and meditation guides. “We have a strategy meeting,” he tells us, “and talk about how we're going to implement it because I want to make sure these songs get used, and that they're always finding new ways to use their song.”(0:17:49) - Inspiring Branding Through MusicAs the first half of our conversation concludes, Lowry

Welcome to the Good Music Show - we have more episodes planned for Season 2 and we'd like to share the music we'll be talking about in advance!Here is the rundown:Winter"Gord's Gold" - Gordon Lightfoot"The Velvet Rope" - Janet Jackson2024 Year in Review - 2 Part Episode: Albums and Songs"Passage du Desir" - Johnny Blue Skies"Imaginal Disk" - Magdalena BayDanny's Songs: Spotify - Apple Music - YoutubeJulius's Songs: Spotify - Apple Music - YoutubeTiny Desk ConcertsDanny's Picks: Classic - Hidden GemJulius's Picks: Classic - Hidden GemFirst Listens"Tonight's the Night" - Neil Young"The Idiot" - Iggy PopPlaylist: X FilesDanny's Playlist: Spotify - Apple Music - YoutubeJulius's Playlist: Spotify - Apple Music - YoutubeSend us a text message!You can follow us here: Instagram Twitter Tiktok Send us a message, we'd love to hear from you! Email is thegmspod at gmailLeave us a rating and review if you want to!Thanks for listening!

This week, Eric and Josh discuss: a giant snowfall, PWHL, Barbarella, Casablanca, Gordon Lightfoot, ELO, Bob Dylan, Roger Corman's Fantastic Four, Tom Green, and more! They also mention the movies screening the week of Friday February 21 - Thursday February 27: I'm Still Here, Universal Language, The Rocky Horror Picture Show, Babygirl, Blue Velvet, Saturday Night Sinema, Flow, and True Romance! Plus, special rental presentations: Green Border, Road Trip & other short films, and The Women's Adventure Film Tour!

In this episode of Watch-alongs, we're breaking down the newest episode of Severance, "Trojan's Horse." Dave and Cody are joined by Dan Carroll, a Geek of the Round Table and self-proclaimed Severance superfan, as they dive into the mysterious and sometimes baffling twists of this mind-bending series. From whistling to Gordon Lightfoot's "The Wreck of the Edmund Fitzgerald" to Swedish kings and their Gråkappan, this episode has it all—cerebral intrigue, elongated cruise voyages, and some heavy reintegration drama.The trio discusses the implications of Mark's reintegration, the troubling effects it's having on his mental and emotional state, and the strange characters of Lumon, including the enigmatic Ms. Huang. Cody & Dave get into some wild Kier-spiracies, including a brand new one (yes, we're talking aliens). They also dig into the growing conflict within the team and the surprising humor that often sneaks into this otherwise intense show.Join the conversation, hear the theories, and get ready for more mysteries as we continue watching this show unfold one episode at a time.https://linktr.ee/PopCulturePastorPod

Despite there being about 60 minutes missing from this movie, and at times it showed - Reanimated had a good time in Salem's Lot. Between a great cast, some fantastic editing and creepy Gordon Lightfoot songs, this really was a fun time. 

This episode of Famous Lost Words is dedicated to legendary Canadian broadcaster John Donabie, who passed away a few days ago. John’s interviews have been prominently featured on Famous Lost Words and he also joined us on a couple of occasions to share his incredible stories. And great broadcaster and a wonderful man, John Donabie will be missed. For this, the last episode of season 10, we have quite a collection of artists. First up is a rather feisty 1988 interview with Canadian legend Gordon Lightfoot. We already have lots of Lightfoot content in the archives, which we put together for our tribute to him upon his passing in 2023 – one of our most listened to episodes. But we came across this 1988 interview just a few days ago – and it’s a good one. Gord is looking back on his career as he approaches his 50th birthday. But Lightfoot is pretty spirited in this chat with Gord James. Next up is a fascinating chat with Todd Rundgren. We’re date stamping these clips at about 1979 as Todd talks about his solo music, his work with the band Utopia and his fascination with new technology, including the early days of music videos. This guy’s mind never stops. Then we have an early ‘80s chat with Pat Benatar as she chats with broadcaster Ingrid Schumacher about life on the road and the price of fame. Plus, we have a special bonus cut as Pat ponders her long-term influence on other aspiring musicians. And we finish up with some Cool Song Facts, and we run the gamut here – with information spanning centuries, from Beethoven to Paul Simon to Earth Wind & Fire. Famous Lost Words, hosted by Christopher Ward and Tom Jokic, is heard in more than 100 countries worldwide and on radio stations across Canada, including Newstalk 1010 Toronto, CJAD 800 Montreal, 580 CFRA Ottawa, AM 800 CKLW Windsor, 610 CKTB St Catharines, CFAX Victoria, AM1150 Kelowna and 91x in Belleville. It is in the Top 20% of worldwide podcasts based on the number of listeners in the first week.

In this 1632nd episode of Toronto Mike'd, Mike chats with famed photographer John Rowlands about photographing the Beatles, David Bowie, the Rolling Stones, the Who, Rush, Kiss, Sam Cooke, Linda Ronstadt, Jimi Hendrix, Bob Dylan, Gordon Lightfoot, Glen Campbell, Leonard Cohen, and Elvis Presley. Bob Klanac, author of Shooting Stars, Telling Tales: Behind the Lens of John Rowlands, co-hosts! Toronto Mike'd is proudly brought to you by Great Lakes Brewery, Palma Pasta, Ridley Funeral Home, and RecycleMyElectronics.ca. If you would like to support the show, we do have partner opportunities available. Please email Toronto Mike at mike@torontomike.com

"It's nature's way of telling you something's wrongIt's nature's way of telling you in a songIt's nature's way of receiving you, It's nature's way of retrieving youIt's nature's way of telling youSomething's wrong"Those of us in Southern California can certainly relate to this...Please join me this afternoon on this weeks Super Sounds Of The 70's. Joining us are Dire Straits, Gordon Lightfoot, The James Gang, Eric Clapton, Fleetwood Mac, Led Zeppelin, Hall  & Oates, Seatrain, Ellen McIllwaine, Ten Years After, Traffic, Jethro Tull, The Band, Small Faces, Doobie Brothers, Eagles, Kinks, Grateful Dead, The Who, Rolling Stones, Janis Joplin, Tufano & Giamerese, Beatles, Bob Dylan, Jackson Browne and Spirit...

Episode: 3305 An inland shipping port expands our vision of seaports.  Today, an inland seaport.

"I pulled my harpoon out of my dirty red bandanaI was playing soft while Bobby sang the bluesWindshield wipers slapping time, holding Bobby's hand in mine .We sang every song that driver knew.."Let's singalong together, please join us on this year's 1st  musical journey back to the 70's. Hitching a ride are Spooky Tooth, Eric Burdon & War, Little Feat, Tower Of Power, Steve Miller Band, Peter Frampton, Savoy Brown, Foreigner, Marshall Tucker Band, Humble Pie, Fleetwood Mac, Gordon Lightfoot, Rolling Stones, Allman Brothers, Jethro Tull, The Kinks, Lynyrd Skynyrd, The Police, Doobie Brothers, Earth Wind & Fire and Janis Joplin...

So, the U.S. President-to-be threatened to annex us. Not cool. On this week's TLDR, we look at the stats and ask how our home and native land stacks up against our neighbor to the south. And, we turn the tables and consider which U.S. state(s) could make a nice addition to Canada's ten provinces. Finally, we get grilled, as Stacey Grenrock-Woods, the creative genius behind the TLDR newsletter's FOMO index, quizzes the team on the last twelve months of news.This episode was hosted by Devin Friedman, business reporter Sarah Rieger and former hedgefunder Matthew Karasz. Follow us on other platforms, or subscribe to our weekly newsletter: linkin.bio/tldrThe TLDR Podcast is offered by Wealthsimple Media Inc. and is for informational purposes only. The content in the TLDR Podcast is not investment advice, a recommendation to buy or sell assets or securities, and does not represent the views of Wealthsimple Financial Corp or any of its other subsidiaries or affiliates. Wealthsimple Media Inc. does not endorse any third-party views referenced in this content. More information at wealthsimple.com/tldr.

Steve Paikin is back, and he has a new book about former prime minister John Turner, as well as a wonderful story about having dinner with the late Gordon Lightfoot. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this conclusion to the story of the Edmund Fitzgerald, we return to the icy waters of Lake Superior to explore the theories and lingering mysteries surrounding its tragic sinking. Without a distress signal or survivors, the ship's disappearance left behind a haunting legacy of unanswered questions. Was it the crushing force of rogue waves, a structural failure, or a perilous encounter with the shallow waters of Six Fathom Shoal that brought down the mighty freighter? Guided by Gordon Lightfoot's haunting ballad, we reflect on how his unforgettable lyrics gave voice to the lost crew and transformed the tragedy into a timeless legend. Along the way, we'll examine eerie discoveries at the wreck site—like the massive ghostly silhouette of the ship resting on the lakebed—and unravel the details that continue to captivate. Discover how the ship's story lives on and why it still resonates nearly 50 years later. This episode is best enjoyed after listening to: Episode 193 – The Wreck of the Edmund Fitzgerald “The Wreck of the Edmund Fitzgerald” was written and performed by Gordon Lightfoot and originally released on the album Summertime Dream in 1976. Copyright © 1976 by Early Morning Music, Ltd. This podcast uses the song under the principles of fair use for educational, analytical, and commentary purposes.

Gordon Lightfoot's haunting ballad, The Wreck of the Edmund Fitzgerald, is more than a song—it's a legend. Through vivid storytelling, Lightfoot immortalizes the tragic sinking of the massive freighter and its crew during a relentless November storm on Lake Superior. Nearly 50 years later, the mystery of what truly happened still lingers, while the song continues to captivate listeners with its chilling narrative and emotional depth. In this episode, we use Lightfoot's ballad as our guide to explore the history and legacy of the most well-known wreck on the Great Lakes. If you enjoyed this episode, you might also like: Episode 164 – What Happened to the Mary Celeste? Episode 123 – Update: The Ghost Ship of Niagara Falls "The Wreck of the Edmund Fitzgerald" was written and performed by Gordon Lightfoot and originally released on the album Summertime Dream in 1976. Copyright © 1976 by Early Morning Music, Ltd. This podcast uses the song under the principles of fair use for educational, analytical, and commentary purposes.

"I found me on a street and starin' at a wallIf it hadn't have been for MandyHer promise up above meWell I wouldn't be here at allSo if you're travellin' in the skyDon't be surprised if someone said HiI'm Mandy fly me"Please join me and Mandy on this weeks musical journey. Coming aboard with us are Be Bop Deluxe, David Bowie, Flash, Humble Pie, The Rolling Stones, Elvis Costello, Wings, The Pretenders, Bad Company, Pat Metheny, Kansas, Janis Ian, James Taylor, Emerson, Lake & Palmer, The Police, Joni Mitchell, Aerosmith, Cat Stevens, The B-52's, Gordon Lightfoot, Joe Jackson, The Faces and 10CC..

National take a hike day. Entertainment from 2022. US Capitol moved from Philadelphia to Washington D.C., Suez Cannal opened, Computer Mouse invented, 1st party fraternity formed. Todays birthdays - Rock Hudson, Toto, Martin Scorsese, Danny DeVito, Gordon Lightfoot, Stephen Root, Mary Elizabeth Mastrantonio, Ronnie DeVoe, Rachel McAdams, Isaac Hanson. Augeste Rodin died.Intro - Pour some sugar oln me - Def Leppard     http://defleppard.com/Take a hike song - Jeff AltAnti-hero - Taylor SwiftYou Proof - Moran WallenBirthdays - in da club - 50 Cent      https://en.wikipedia.org/wiki/50_CentSundown - Gordon LightfootPoison - Bell Biv DeVoeMMMBop - HansonExit - It's not love - Dokken     http://dokken.net/Follow Jeff Stampka at cooolmedia.co,  facebook   linkedIn

In this special episode the boys are drinking BRW-SKI lager because everywhere around us were sold out of the Edmund Fitzgerald Great Lake Porter. We talk about the History of the boat, its last voyage, and the legendary song by Gordon Lightfoot.

The Wreck of the Edmund Fitzgerald Every year around this time, I do a show about an enduring maritime tragedy: the sinking of the ore carrier Edmund Fitzgerald on Lake Superior on Nov. 10, 1975. The incident, where the ship was lost in a storm and all hands perished, is emblematic of the risks all mariners take when they go to sea, and of the grief endured by their loved ones on land - waiting for those who never return home. Today and every year on the show, we honor those lost at sea by commemorating this tragedy. This show features Gordon Lightfoot's iconic song about the tragedy, which is a factual account of what happened. We'll take a look at what happened aboard the FItzgerald that led her her demise on an icy night on the big lake.

Post-Halloween zoom! The Notes: Episode 469 (nice)! The sexiest episode! Come get your holiday live show on, 12/20 at Blade & Timber! Applebee's continues to pay the price for crossing us! Happy 9 years of Deucing (11/1/2015 to 11/3/2024)! Stop putting your fingers on your mother's balls! We are pro-big hat and anti-choker, we don't try to hide from the issues here! A little quick election talk! Quick sports corner! The Mahomes that keeps on giving! The Ballad of George Brett Shitting His Pants! Be the Gordon Lightfoot you want to see in the world! It started out Roman but ended up Ottoman! Cinnamon roll dreams! Jaq would drive to Albuquerque to get Will to stop talking about cinnamon rolls! Does Will have a cinnamon roll alibi!? Robert Stack ending! See us live! Live holiday show, 12/20, 7pm drinks, 7:30pm show, at Blade and Timber in downtown LFK! See a show, get a Christmas gift from Will's garage! Contact Us! Follow Us! Love Us! Email: doubledeucepod@gmail.com Twitter & Instagram: @doubledeucepod Facebook: www.facebook.com/DoubleDeucePod/ Patreon: patreon.com/DoubleDeucePod Also, please subscribe/rate/review/share us! We're on Apple, Android, Libsyn, Stitcher, Google, Spotify, Amazon, Radio.com, RadioPublic, pretty much anywhere they got podcasts, you can find the Deuce! Podcast logo art by Jason Keezer! Find his art online at Keezograms! Intro & Outro featuring Rob Schulte! Check out his many podcasts! Brought to you in part by sponsorship from Courtney Shipley, Official Superfans Stefan Rider and Amber Fraley, and listeners like you! Join a tier on our Patreon! Advertise with us! If you want that good, all-natural focus and energy, our DOUBLEDEUCE20 code still works at www.magicmind.com/doubledeuce for 20% off all purchases and subscriptions. Check out the Lawrence Times's 785 Collective at https://lawrencekstimes.com/785collective/ for a list of local LFK podcasts including this one!  

Kenny Omega. Wayne Gretzky. Carrie-Anne Moss. Shoresy. These are just some of the icons that Canada has given us over the years, a land steeped in a rich history of maple syrup, professional wrestling, hockey, and Toronto doubling for every major American city in movies and TV shows. Andrew is joined by returning guest and Canadian extraordinaire Warren Hayes (The Mr. Warren Hayes Show) as they delve into some of Canada's finest musical acts, including The Tragically Hip, Rush, Gordon Lightfoot, Alannah Myles, Robert Charlebois, Joni Mitchell, The Tea Party, Alanis Morissette, Barenaked Ladies, and many more. Hit a flip piledriver and enjoy some universal healthcare as we celebrate all things musically Canuck!Theme song: "Hemispheres" by Silent PartnerFollow Music of the Mat on Twitter: @MusicoftheMatSubscribe to Warren on YouTube: Youtube.com/@MrWarrenHayesAll VOW podcasts, articles, previews, and reviews: VoicesofWrestling.comJoin the VOW Discord to discuss Music of the Mat and other shows/topics: VoicesofWrestling.com/DiscordDonate to Music of the Mat and other VOW podcasts: VoicesofWrestling.com/DonateAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Grayson Capps is an intuitive songwriter, but on his latest album — his seventh to date — he backtracks to his earliest influences with an affecting set of covers that he became enamored with early on. Titled Heartbreak, Misery & Death, the album finds the Alabama based artist culling classic tracks from the likes of Gordon Lightfoot, Jerry Jeff Walker, Doc Watson, and Randy Newman while apply his own Southern Gothic verve and vitality that's become a keynote touchstone of his music over the course of his career. While the title may seem somewhat intimidating, it aptly describes the themes shared in these songs and the inherent emotions that stirred Grayson even in his youth. Grayson discusses the origin of his inspiration in his chat with Lee and Billy on this current edition of My Backstage Pass. It's an insightful conversation and one that offers a full explanation of the track Grayson took in formulating his career. In other words, it's a discussion that's well worth witnessing. Learn more about Grayson at https://graysoncapps.com Podcast producer/cohost Billy Hubbard is an Americana Singer/Songwriter and former Regional Director of A&R for a company that published a Grammy winning song. Billy is also a signed artist with Spectra Music Group and co-founder of the iconic venue "The Station" in East TN. Billy's album was released by Spectra Records n Oct 2023. Learn more about Billy at http://www.BillyHubbard.comHost Lee Zimmerman is a freelance music writer whose articles have appeared in several leading music industry publications. Lee is a former promotions representative for ABC and Capital Records and director of communications for various CBS affiliated television stations. Lee recently authored the book "Thirty Years Behind The Glass" about legendary producer and engineer Jim Gains. Support the showIf you'd like to support My Backstage Pass you can make a donation to Billy & Lee's coffee fund at this link https://www.buymeacoffee.com/MyBackstagePassMy Backstage Pass is sponsored by The Alternate Root Magazine! Please subscribe to their newsletter, read the latest music reviews and check out their weekly Top Ten songs at this link http://www.thealternateroot.com

"We were born before the windAlso younger than the sunEre the bonnie boat was won as we sailed into the mysticHark, now hear the sailors crySmell the sea and feel the skyLet your soul and spirit fly into the mystic"Let's sail  into the Mystic together on this weeks Super Sounds Of The 70's. Joining us are The Stooges, T. Rex, Hall & Oates, Wings, Nilsson, Yes, Poco, Joe Walsh, Don McLean, King Crimson, Elton John, The Rolling Stones, Doobie Brothers, Gordon Lightfoot, Billy Joel, Bob Dylan, The Beatles, Loggins & Messina, Genesis, The Moody Blues, Youngbloods and Van Morrison.

Pink Floyd's Catalog Sale: A New EraIn this episode of the Deadhead Cannabis Show, Larry Michigan explores the rich history of the Grateful Dead's music, focusing on a specific concert from 1980. He discusses the significance of various songs, including 'Iko Iko' and 'Me and Bobby McGee', while also reflecting on the impact of Chris Christopherson's songwriting. The conversation shifts to current events in the music and cannabis industries, including Pink Floyd's catalog sale and the ongoing challenges faced by the hemp industry. Larry emphasizes the importance of medical marijuana legalization and shares insights on how cannabis enhances the music experience. He concludes with personal strain recommendations and highlights record sales in legal marijuana states. TakeawaysThe Grateful Dead's acoustic sets were a significant part of their live performances.Audience tapes capture the energy of live shows better than soundboard recordings.Chris Christopherson's 'Me and Bobby McGee' remains a classic, showcasing the intersection of music and storytelling.Pink Floyd's recent catalog sale reflects the changing dynamics in the music industry.The Betty Boards represent a pivotal moment in Grateful Dead tape trading history.The hemp industry faces legal challenges that could impact small businesses.A majority of chronic pain patients support the legalization of medical marijuana.Cannabis enhances the enjoyment of music, as confirmed by recent studies.Record sales in legal marijuana states are reaching new heights, indicating a thriving market.Personal strain recommendations can enhance the cannabis experience for users. Chapters00:00Introduction and Context of the Grateful Dead's Music04:50Exploring 'Iko Iko' and Audience Tapes10:42The Significance of 'Monkey and the Engineer'15:24Remembering Chris Christopherson and 'Me and Bobby McGee'22:31Pink Floyd's Catalog Sale to Sony Music28:15The Mystery of the Betty Boards54:16Current Issues in the Hemp Industry01:08:10Support for Medical Marijuana Legalization01:15:50The Impact of Marijuana on Music Enjoyment01:21:09Record Sales in Legal Marijuana States01:25:53Strain Recommendations and Personal Experiences Grateful DeadOctober 7, 1980 (44 years ago)Warfield TheaterSan Francisco, CAGrateful Dead Live at Warfield Theater on 1980-10-07 : Free Download, Borrow, and Streaming : Internet Archive Part of 23 show run in late September to the end of October, 1980 split between the Warfield (September 27th – October 14th) and Radio City Music Hall in NYC (October 22 – 31st)   Each show opened with an acoustic set followed by two full electric sets.  These were the last shows where the Dead played acoustic sets.  Songs from all of these concerts were pulled for the two related Dead double album releases, Reckoning (acoustic music, released April 1, 1981- the Band's sixth live album and 17th overall) and Dead Set (electric music, released August 26, 1981, the Band's seventh live album and 18th overall).  Today's episode is broken up into three acoustic numbers from this show and then three electric numbers. INTRO:                     Iko Iko                                    Track #1                                    0:00 – 1:37 "Iko Iko" (/ˈaɪkoʊˈaɪkoʊ/) is a much-coveredNew Orleans song that tells of a parade collision between two tribes of Mardi Gras Indians and the traditional confrontation. The song, under the original title "Jock-A-Mo", was written and released in 1953 as a single by James "Sugar Boy" Crawford and his Cane Cutters but it failed to make the charts. The song first became popular in 1965 by the girl groupthe Dixie Cups, who scored an international hit with "Iko Iko" released in March, 1965. In 1967, as part of a lawsuit settlement between Crawford and the Dixie Cups, the trio were given part songwriting credit for the song.  A permanent part of the Dead's  repertoire since first played in May, 1977 in St. Louis, almost by accident out of and back into a Not Fade Away.  The intro, one verse and back to NFA.  Overtime, became a tune that was not frequently played, usually once, maybe twice, a tour, but whenever it was played it created a party atmosphere out of whatever the mood had been prior to its playing.  Perfect song for Jerry with the call and response chorus that everyone joined in on.  The song that “fastened my seatbelt on the bus” when I saw it for the first time at my second show ever in Syracuse in 1982 with good buddy Mikey.  Once you hear it live, you are always looking for it at future shows. I love this song as do many Deadheads.  But getting to hear it played acoustically is a real treat and a great way to open this “hometown” show.  Jerry played it right up until the end. Played:  185 timesFirst:  May 15, 1977 at St. Louis Arena, St. Louis, MO, USALast:  July 5, 1995 at Riverport Amphitheatre, Maryland Heights, MO, USA SHOW No. 1:         Monkey And The Engineer                                    Track #4                                    0:48 – 2:25 Jesse Fuller tune Jesse Fuller (March 12, 1896 – January 29, 1976) was an American one-man band musician, best known for his song "San Francisco Bay Blues".  Starting in the 1950's after a number of non-music related jobs, Fuller began to compose songs, many of them based on his experiences on the railroads, and also reworked older pieces, playing them in his syncopated style. His one-man band act began when he had difficulty finding reliable musicians to work with: hence, he became known as "The Lone Cat". Starting locally, in clubs and bars in San Francisco and across the bay in Oakland and Berkeley, Fuller became more widely known when he performed on television in both the Bay Area and Los Angeles. In 1958, at the age of 62, he recorded an album, released by Good Time Jazz Records.[3] Fuller's instruments included 6-string guitar (an instrument which he had abandoned before the beginning of his one-man band career), 12-string guitar, harmonica, kazoo, cymbal (high-hat) and fotdella. He could play several instruments simultaneously, particularly with the use of a headpiece to hold a harmonica, kazoo, and microphone. In the summer of 1959 he was playing in the Exodus Gallery Bar in Denver. Bob Dylan spent several weeks in Denver that summer, and picked up his technique of playing the harmonica by using a neck-brace from Fuller.[ Monkey And The Engineer was played by the pre-Dead group Mother McCree's Uptown Jug Champions in 1964. The song was performed by the Grateful Dead in acoustic sets in 1969, 1970, 1980 and 1981. Also performed by Bob Weir with Kingfish. A fun tune that is perfect for kids as well.  Good one to get them hooked into the Dead on! Played:  38 timesFirst:  December 19, 1969 at Fillmore West, San Francisco, CA, USALast: February 12, 1989 at Great Western Forum, Inglewood, CA, USA  MUSIC NEWS:                         Intro Music:           Me and Bobby McGee                                                            Kris Kristofferson - Me And Bobby McGee (1979) (youtube.com)                                                            0:00 – 1:27 "Me and Bobby McGee" is a song written by American singer-songwriter Kris Kristofferson and originally performed by Roger Miller. Fred Foster shares the writing credit, as Kristofferson wrote the song based on a suggestion from Foster.[1] Foster had a bit of a crush on Barbara "Bobbie" McKee who was a secretary on Nashville's music row. When he pitched the title to Kristofferson, he misheard the name as "Me and Bobby McGee," and the name stuck. Kristofferson found inspiration for his lyrics from a film, 'La Strada,' by Fellini, and a scene where Anthony Quinn is going around on this motorcycle and Giulietta Masina is the feeble-minded girl with him, playing the trombone. He got to the point where he couldn't put up with her anymore and left her by the side of the road while she was sleeping," Kristofferson said.  A posthumously released version by Janis Joplin topped the Billboard Hot 100 in 1971, making the song the second posthumously released No. 1 single in U.S. chart history after "(Sittin' On) The Dock of the Bay" by Otis Redding. Gordon Lightfoot released a version that reached number 1 on the Canadian country charts in 1970. Jerry Lee Lewis released a version that was number 1 on the country charts in December 1971/January 1972 as the "B" side of "Would You Take Another Chance on Me". Billboard ranked Joplin's version as the No. 11 song for 1971. Janis Joplin recorded the song for inclusion on her Pearl album only a few days before her death in October 1970. Singer Bob Neuwirth taught it to her while Kristofferson was in Peru filming The Last Movie with Dennis Hopper.[5] Kristofferson did not know she had recorded the song until after her death. The first time he heard her recording of it was the day after she died.[6]Record World called it a "perfect matching of performer and material."[7] Joplin's version topped the charts to become her only number one single; her version was later ranked No. 148 on Rolling Stone's 2004 list of The 500 Greatest Songs of All Time. In 2002, the 1971 version of the song by Janis Joplin on Columbia Records was inducted into the Grammy Hall of Fame. The song is the story of two drifters, the narrator and Bobby McGee. The pair hitch a ride from a truck driver and sing as they drive through the American South before making their way westward. They visit California and then part ways, with the song's narrator expressing sadness afterwards. Due to the singer's name never being mentioned and the name "Bobby" being gender-neutral (especially in America), the song has been recorded by both male and female singers with only minor differences in the lyrical content. Me And Bobby McGee was first performed by the Grateful Dead in November 1970. It was then played well over 100 times through to October 1974. The song returned to the repertoire for three performances in 1981 after which it was dropped for good.  Sung by Weir.    RIP Kris Kristofferson Kris Kristofferson, the iconic country music singer-songwriter and accomplished Hollywood actor, passed away peacefully at his home in Maui, Hawaii, at the age of 88. The family has not disclosed the cause of death. It was confirmed that Kristofferson was surrounded by loved ones during his final moments. In a statement, the family shared: "It is with a heavy heart that we share the news our husband/father/grandfather, Kris Kristofferson, passed away peacefully on Saturday, Sept. 28 at home. We're all so blessed for our time with him. Thank you for loving him all these many years, and when you see a rainbow, know he's smiling down at us all." Tributes poured in from across the entertainment world and fans as the news of Kris Kristofferson's death spread. Barbra Streisand, his co-star in A Star Is Born, praised him as a "special” and “charming" in a post on X. Dolly Parton, who collaborated with Kristofferson, shared on X, "What a great loss. I will always love you, Dolly." Kristofferson's career was nothing short of extraordinary. He achieved stardom as both a country music artist and a successful actor. Throughout his prolific career, Kristofferson earned numerous accolades. These include three Grammy Awards and an induction into the Country Music Hall of Fame in 2004. Additionally, he was nominated for an Academy Award in 1985 for Best Original Song for Songwriter. In 1971, Janis Joplin, who had dated Kristofferson, had a number one hit with "Me and Bobby McGee" from her posthumous album Pearl. It stayed on the number-one spot on the charts for weeks.  In 2021, after releasing his final album, The Cedar Creek Sessions, in 2016, Kristofferson announced his retirement from music. His legacy as a musician, actor, and cultural icon leaves a profound impact on both industries. He is survived by his wife, Lisa, his children, and his grandchildren.  Pink Floyd sells song rights (Rolling Stone Magazine) After years of in-fighting and near-agreements, Pink Floyd have finally reached a deal to sell the rights to their recorded music catalog to Sony Music, according to the Financial Times.The deal is reported to be worth around $400 million and also includes the rights to the band's name and likenesses. That means, along with gaining full control over Pink Floyd's music, Sony will have the crucial rights for most things Pink Floyd-related, from merch to movies. A rep for Sony Music declined to comment. A source confirmed the veracity of the details to Rolling Stone. In an interview with Rolling Stone in August, Gilmour confirmed that the band was “in discussion” about a potential catalog sale, with the guitarist adding he was tired of the continued in-fighting and “veto system” that has resulted in animosity and delayed reissues over petty issues like liner notes.   “To be rid of the decision-making and the arguments that are involved with keeping it going is my dream,” Gilmour said of a catalog sale. “If things were different… and I am not interested in that from a financial standpoint. I'm only interested in it from getting out of the mud bath that it has been for quite a while.” With the Sony deal in place, the label — and not the band — will now bear the responsibility for the next Pink Floyd release, a 50th-anniversary edition of Wish You Were Here that is expected to arrive in 2025. The Sony deal comes 18 months after Pink Floyd made traction on a $500 million agreement to sell their music, only for more bickering between band mates to make the deal “basically dead,” as sources told Variety in March 2023. The Sony deal only includes Pink Floyd's recorded music catalog, which allows for the band to keep its largely Waters-penned publishing catalog and retain ownership of now-apropos lyrics like “Money/It's a crime/Share it fairly, but don't take a slice of my pie” and “We call it riding the gravy train.” What happened to the Betty Boards In May 1986, a storage auction took place in California's Marin County that would altogether change the nature of Grateful Dead tape trading, the group's distribution of its live recordings and, ultimately, the Dead's place in the Library of Congress' National Recording Registry. An advertisement in a local paper drew in a few dozen curious parties anticipating the range of memorabilia and household items that typically become available through the auction of lockers that had fallen into arrears due to lack of payments.  Among the items up for auction that day were hundreds of reel-to-reel soundboard tapes of the Grateful Dead originally recorded by Betty Cantor-Jackson during a golden age between 1971-80. The Betty Boards, as copies of these recordings became known, eventually found their way into the collections of longstanding Deadheads and newbies alike, ending some aspects of a tape-trading hierarchy by which certain individuals lorded over their collections, denying access to those who were unfamiliar with the secret handshake. The appearance and subsequent dissemination of these recordings became a source of fascination and speculation for Deadheads in 1986 and the questions have only compounded over the years: How did the tapes fall into the auction? Who won them? How and why were they initially distributed? Are there more recordings that have yet to make it into circulation? And jumping ahead to the present, where are those tapes today? Just what has become of the Bettys? What can be said with certainty is that a new cache of tapes has been unearthed and a plan is underway by Dark Star Orchestra guitarist Rob Eaton, who has painstakingly restored many of the boards, to complete the job and then facilitate their return to the band. Eaton hopes that a series of official releases might follow that will also yield a small royalty to the woman who recorded the reels and then lost them due to her own financial hardship, even if Deadheads owe her a debt of gratitude. Before the auction, before the boards, there was Betty. Betty Cantor was still in her teens when she began setting up mics and helping to record sound at San Francisco venues— first at the Avalon Ballroom and then, the Carousel (the latter during the Grateful Dead's brief stab at venue management in 1968). She worked alongside Bob Matthews, initially assisting with setups during the recording of the Dead's Anthem of the Sun. A true pioneer, as a woman staking her claim in a patriarchal business, she partnered with Matthews into the early 1970s to produce and engineer live multi- track recordings (she had a hand or two in Live/Dead) as well as studio efforts (Aoxomoxoa and Workingman's Dead). While she worked for other artists during this period, she maintained a close relationship with the Grateful Dead, catalyzed by her marriage to crew member Rex Jackson, who would die a few years later in an auto accident. (The philanthropic Rex Foundation is named in his honor.) “My late husband started recording on the road when he was on the equipment crew,” Cantor Jackson explains. “He and I purchased our own gear and tape. I recorded whenever I could get to the gigs. I recorded the Grateful Dead frequently when they were at home venues, I recorded any and all Jerry Garcia Band gigs I could get to for years, in all its configurations, as well as other bands I liked whenever I could. In those days, bands were cool and happy about me getting a feed. Rex was killed in a car accident in ‘76. In ‘77 and ‘78, I was put on Grateful Dead road crew salary, taping and handling Bobby's stage setup.” She later began a romantic relationship with Dead keyboardist Brent Mydland but, after that ended, she sensed that she had been frozen out. “Brent and I split up after a few years, with the last year spent in the studio working on his solo project. This put me in the category of the dreaded ‘ex.' I didn't think that could apply to me, but he was a band member. Everyone was paranoid of me being around, so I no longer had access to my studio or the vault.” Trying times followed. In 1986, she found herself in a dire financial predicament and forced out of her home. “All my things were moved to storage facilities. Unable to foot the bill at the storage center, Cantor-Jackson forfeited the rights to her worldly possessions. She remembers contacting the Grateful Dead office to inform them of the situation, but the group took no action, resulting in a public auction of Cantor-Jackson's personal assets, which included more than 1,000 reel-to-reel tapes—mostly Grateful Dead recordings, along with performances by Legion of Mary, Kingfish, Jerry Garcia Band, Old and In The Way, the Keith and Donna Band, and New Riders of The Purple Sage. The majority of the 1,000-plus reels that have come to be known as the Betty Boards were acquired by three principals, none of whom were fervid Deadheads at the time. The first of these individuals set his tapes aside in a storage locker where they remain to this day. A second, who was more interested in the road cases that held the tapes, left them to rot in his barn for a decade. The final party was a couple with a particular interest in progressive rock, who nonetheless held an appreciation for the performances captured on tape. So while some tapes unquestionably were scattered to the wind, following the four- hour event and a second auction for a final lot of tapes held a few weeks later, the three prime bidders each held hundreds of reels. While two of the winning bidders had no plans for the tapes, within a few months the couple decided that they would place the music in circulation. This was our way of getting new material into circulation and also breaking the hierarchy of those collectors who held on to prime shows for themselves. Initially, we started transferring the tapes to VHS Hi-Fi on our own, but soon realized what a daunting task this was going to be. So we reached out to one of our trading buddies who we knew had connections in the Dead trading community. From there, he gathered together what was later to become known as the ‘Unindicted Co-conspirators,' who put in a massive archiving effort to back up the tapes and distribute them.” The individual they selected as their point person was Ken Genetti, a friend and longtime Deadhead. “I went into their house, and I opened up this closet and they had all the stuff arranged on a shelf in order,” Genetti reflects. “For me, it was like King Tut's tomb. I knew immediately what they had when I looked in there. The first thing I saw was Port Chester, N.Y., Feb. 18, 1971, an incredible show which was Mickey [Hart]'s last concert for many years and I said, ‘You've got to be kidding me!' Then I saw Kezar Stadium, San Francisco, Calif., ‘73, my favorite concert I ever went to. I pulled it out and I went, ‘Holy shit!'” They explain: “We had sought to keep the operation as low key as possible because of the potential for a backlash. It wasn't until someone contacted the Grateful Dead office and offered them a copy of the tapes that we knew it was only a matter of time before we would be hearing from their lawyers. When we did hear from them, there was a bit of back and forth between their lawyers and our lawyer, but the bottom line was we had purchased the tapes legally and owned them but didn't own the rights to the music contained on them. Therefore, we could not sell the music on them, which was never our intent anyway. That pretty much left us at a stalemate and, not wanting to stir up any more issues with the Grateful Dead office, is also why we avoided re-digitizing the tapes.” In late 1995, Eaton received a call from a high-school teacher who had purchased one of the lots predominantly for the road cases that held the tapes. The teacher now hoped to sell the reels and wanted Eaton to assess them. In a cluttered barn, Eaton discovered a grimy, mold-infested collection. This might have been the end of the story, but the Betty Boards have proven to be the gift that keeps on giving. The teacher never found a buyer for the tapes—his asking price was a million dollars—and two years ago, facing monetary struggles and fearing that that the bank might foreclose on his home, he contacted Eaton once again to see if he would be willing to take custody of the tapes. The teacher also explained that he had discovered another 50 reels while cleaning out the barn. Emboldened by success with this latest batch, Eaton set a new goal for himself: “I had this dream to try to reclaim all of this music and archive it properly so that it's there for generations to come in the best possible form.” Emboldened by success with this latest batch, Eaton set a new goal for himself: “I had this dream to try to reclaim all of this music and archive it properly so that it's there for generations to come in the best possible form.” So through a chain of contacts, he eventually located the couple. While completing his work on the couple's reels, Eaton began researching the original auction, hoping to identify the third individual who had purchased the Bettys. He eventually found him, and in January 2014, the pair entered into discussions about this final batch of tapes, which Eaton hopes to restore. What then? Eaton has a plan that he already has set in motion. “What I'd love to see done—in a perfect world—is I think all the tapes need to go back to the vault,” he says. “I think the people that have purchased these tapes should be compensated. I don't think we're talking huge sums of money but enough to make them relinquish the tapes back to the Grateful Dead. They should be part of the collection. Another thing that's important is if these tapes do get back to the vault, Betty should get her production royalty on anything that gets released, which is completely reasonable. Those were her tapes; those weren't the Dead's tapes. I'd love to see Betty get her due.”  SHOW No. 2:         Heaven Help The Fool                                    Track #6                                    1:30 – 3:10Heaven Help the Fool is the second solo album by Grateful Deadrhythm guitaristBob Weir, released in 1978. It was recorded during time off from touring, in the summer of 1977, while Grateful Dead drummer Mickey Hart recovered from injuries sustained in a vehicular accident. Weir returned to the studio with Keith Olsen, having recorded Terrapin Station with the producer earlier in the year. Several well-known studio musicians were hired for the project, including widely used session player Waddy Wachtel and Toto members David Paich and Mike Porcaro. Only "Salt Lake City" and the title track were played live by the Grateful Dead, the former in its namesake location on February 21, 1995,[1] and the latter in an instrumental arrangement during their 1980 acoustic sets.[2] Despite this, Weir has continued to consistently play tracks from the album with other bands of his, including RatDog and Bobby Weir & Wolf Bros. "Bombs Away" was released as a single and peaked at number 70 on the Billboard Hot 100, becoming his only solo song to make the chart.[3] The album itself stalled at number 69, one spot behind his previous album, Ace. The title track was written by Bobby and John Barlow.  While a staple at Bob shows with the Midnights, Rob Wasserman, Rat Dog, Wolf Bros., etc., the Dead only played it during these Warfield/Radio City and only as an instrumental arrangement. Played:  17 timesFirst:  September 29, 1980 at The Warfield, San Francisco, CA, USALast:  October 31, 1980 at Radio City Music Hall, New York, NY, USA Now the electric tunes from today's show: SHOW No. 3:         Cold, Rain & Snow                                    Track #10                                    0:00 – 1:30 "Rain and Snow", also known as "Cold Rain and Snow" (Roud 3634),[1] is an American folksong and in some variants a murder ballad.[2] The song first appeared in print in Olive Dame Campbell and Cecil Sharp's 1917 compilation English Folk Songs from the Southern Appalachians, which relates that it was collected from Mrs. Tom Rice in Big Laurel, North Carolina in 1916. The melody is pentatonic. Campbell and Sharp's version collected only a single verse: Lord, I married me a wife,She gave me trouble all my life,Made me work in the cold rain and snow.Rain and snow, rain and snow,Made me work in the cold rain and snow.  In 1965, Dillard Chandler recorded a graphic murder ballad version of the song that ends with the wife being shot by the husband. According to the liner notes on Chandler's album, Chandler learned the song from Berzilla Wallin, who said that the song related to a murder that had occurred in Madison County, North Carolina: Well, I learned it from an old lady which says she was at the hanging of – which was supposed to be the hanging, but they didn't hang him. They give him 99 long years for the killing of his wife... I heard the song from her in 1911. She was in her 50s at that time. It did happen in her girlhood... when she was a young girl... She lived right here around in Madison County. It happened here between Marshall and Burnsville; that's where they did their hanging at that time – at Burnsville, North Carolina. That's all I know, except they didn't hang the man.'[2] Subsequent performances have elaborated a variety of additional verses and variants beyond the single verse presented by Campbell and Sharp. Several verses consistently appear. Some sources for lyrics that appear in some later versions may be from Dock Boggs's 1927 song "Sugar Baby" (Roud 5731),[1] another lament of a henpecked husband, which may have contributed a line about "red apple juice".[4] A British folksong, The Sporting Bachelors (Roud 5556),[1] contains similar themes, but was collected in the 1950s.[2][5] Earlier possible precursors include a series of broadside ballads on the general subject of "Woeful Marriage"; one frequently reprinted nineteenth-century example begins with the words "On Monday night I married a wife", (Roud 1692).[1][6] These British antecedents mostly share common themes and inspirations; the song originated in the local tradition of Big Laurel, Madison County, and relate to a nameless murderer who committed the crime at some time between the end of the Civil War and the end of the nineteenth century. A recent origin is also suggested by the relatively limited number of variations on the tune; most performances use the Campbell-Sharp melody as written.[2] Despite the apparent violence of the lyrics, women feature prominently in the oral tradition of the song. It was collected from "Mrs. Tom Rice", and sung by Berzilla Wallin, who learned it from "an old lady" who remembered the murder trial the song was about. The song is closely associated with the Grateful Dead; a studio version appeared on their first album The Grateful Dead (1967), and the song was a standard part of the Dead's repertoire throughout their career. They would often open with the song, or perform it early in the first set.[2] Unlike Chandler's recording, in the Dead's version of the lyrics the husband generally laments his mistreatment at his greedy wife's hands, but does not kill her. The lyrics from the Grateful Dead's version were adapted from an earlier recording by Obray Ramsey. Played:  249 timesFirst:  May 5, 1965 at Magoo's Pizza Parlor, Menlo Park, CA, USALast:  June 19, 1995 at Giants Stadium, East Rutherford, NJ, USA  MJ NEWS:  Hemp Industry Advocates Ask Court To Halt California's Ban On Products With Any ‘Detectable Amount' Of THC Amid Legal Challenge2.      Most Pain Patients And Doctors Support Legalizing Medical Marijuana And Having Insurance Companies Cover The Cost, AMA Study Shows3.      Marijuana Enhances Enjoyment Of Music, New Study Finds, Confirming What Every Stoner Already Knows4.      Six U.S. States Report Setting New Monthly Marijuana Sales Records M.J. Strains:           Blackwater – an indica marijuana strain made by crossing Mendo Purps with San Fernando Valley OG Kush.  The strain offers effects that start out mellow but will eventually melt down through your entire body for a classic head to toe euphoric high.  A sweet grape aroma that blends well with subtle undertones of lemon and pine.  MMJ uses include for relieving symptoms associated with chronic pain, appetite loss and MS.  Recommended for late night consumption as it can cause mental cloudiness and detract from productivity.                      NYSD – this classic strain is sativa leaning, created by Soma Seeds in Amsterdam, a staple for stoners since its inception in 1997.  Its name is inspired by the tragic events in NYC on September 11, 2001.  It is a product of crossbreeding Mexican sativa and Afghani landrace strains.  Has a unique aroma and taste that sets it apart from the crowd.                       Pure Gas - a hybrid cross of E85 and OG Kush. The parent strains are carefully chosen for their complex terpene profiles and effects. The OG Kush is known for its lemon-pine-fuel taste and an aroma of fuel, skunk, and spice. Additionally, its high-THC content provides a potentially heavy-hitting experience that shines through in the Pure Gas strain. As far as THC level in Pure Gas, it is one of our higher testers and definitely a high-potency strain. Smoking Pure Gas might bring effects similar to that of the OG Kush. The strain may be a creeper, meaning its effects may sneak up on you, so we recommend trying a little at a time, especially if you're new to smoking. Users may experience a deep body relaxation and cerebral high. The strain is definitely one that might activate your munchies, so make sure you have your favorite snack on hand. The overall effects of the Pure Gas strain might make it perfect for a movie night with friends, pre-dinner smoke sessions, and just hanging out. For users who suffer from appetite loss, the strain may help stimulate your hunger.  SHOW No. 4:         Loser                                    Track #12                                    4:13 – 6:13 David Dodd:  The song seems covered in the Americana dust of so many songs from this period of Hunter's and Garcia's songwriting partnership. Abilene, whether in Texas or Kansas, is a dusty cowtown—at the time in which the song seems to be set, the cattle outnumbered the human inhabitants by a factor of tens. It's easy to see the scene Hunter so casually sets, of a broken-down gambler in a saloon, with a dirt street outside full of armed cowpokes. Appearing, as it does, on Garcia, the song seems to pair naturally with the other gambling song on the album, “Deal.” It could be sung by the same character on a different day, in fact. And it fits in, as I mentioned, with a whole suite of songs that might be set in the same generic America of the late 19th or early 20th centuries: “Brown-Eyed Women,” “Jack Straw,” “Mister Charlie,” “Tennessee Jed,” “Cumberland Blues,” “Candyman,” and others, as well as certain selected covers, such as “Me and My Uncle,” and “El Paso.” Those songs share certain motifs, and among them are the various accoutrements of a gambler's trade, whether dice or cards. Money plays a role—and, in the case of “Loser,” the particular money mentioned helps place the song chronologically. Gold dollar coins were minted from 1849 (the Gold Rush!) to 1889. They were tiny little coins. I have one, and it is amazingly small—between 13 and 15 mm in diameter. “All that I am asking for is ten gold dollars…” C'mon! They're tiny little things. In fact, originally, the line was “one gold dollar,” but that changed at some point to the “ten” The crowning glory of the song, as in many other Garcia/Hunter compositions, is the bridge.The song culminates in this cry of hopefulness: “Last fair deal in the country, Sweet Susie, last fair deal in the town. Put your gold money where your love is, baby, before you let my deal go down—go down.” (It's noted that “Sweet Susie” was dropped at some point, but then, occasionally, brought back. I think it was an optional decoration to the line. Alex Allan, in his Grateful Dead Lyric and Song Finder site, notes that “Sweet Susie” rarely appears after 1972, but that it's sung in performances in 1974 and 1979.) Almost always played as a first set Jerry ballad. This version might have been the high point of this show.  So nicely played and sung by Jerry. Played:  353First:  February 18, 1971 at Capitol Theatre, Port Chester, NY, USALast:  June 28, 1995 at the Palace of Auburn Hills, MI  OUTRO:                   Good Lovin'                                    Track #27                                    3:25 – 5:04 "Good Lovin'" is a song written by Rudy Clark and Arthur Resnick that was a #1 hit single for the Young Rascals in 1966. The song was first recorded by Lemme B. Good (stage name of singer Limmie Snell) in March 1965 and written by Rudy Clark. The following month it was recorded with different lyrics by R&B artists The Olympics, produced by Jerry Ragovoy; this version reached #81 on the Billboard Pop Singles chart. The tale has been told that Rascal Felix Cavaliere heard The Olympics' recording on a New York City radio station and the group added it to their concert repertoire, using the same lyrics and virtually the same arrangement as The Olympics' version. Co-producer Tom Dowd captured this live feel on their 1966 recording, even though the group did not think the performance held together well. "Good Lovin'" rose to the top of the Billboard Pop Singles chart in the spring of 1966 and represented the Young Rascals' first real hit. "Good Lovin'" is one of The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll, and was ranked #333 on Rolling Stone's 500 Greatest Songs of All Time list.[4] Writer Dave Marsh placed it at #108 in his 1989 book The Heart of Rock and Soul: The 1001 Greatest Singles Ever Made, saying it is "the greatest example ever of a remake surpassing the quality of an original without changing a thing about the arrangement." A popular version was by the Grateful Dead, who made it a workhorse of their concert rotation, appearing almost every year from 1969 on.[6] It was sung in their early years during the 1960s and early 1970s by Ron "Pigpen" McKernan and later by Bob Weir. The Weir rendition was recorded for the group's 1978 Shakedown Street album and came in for a good amount of criticism: Rolling Stone said it "feature[d] aimless ensemble work and vocals that Bob Weir should never have attempted."[7] On November 11, 1978, the Grateful Dead performed it on Saturday Night Live. Typically, at least by the time I started seeing them, usually played as a second set closer or late in the second set. As good buddy AWell always said, “if they play Good Lovin, everyone leaves with a smile on their face.”  Can't argue with that. Played:  442First:  May 5, 1965 at Magoo's Pizza Parlor, Menlo Park, CA, USALast:  June 28, 1995 at The Palace of Auburn Hills, Auburn Hills, MI, USA Easy fast on Yom Kippur .Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast

Season Ten of Famous Lost Words is coming soon! - You're days away from hearing Robert Plant take pot shots at just about everyone, including himself.   - You'll hear the unusual story of how an 11-year-old was directly responsible for the first big hit by Tom's favourite band.  – We have Lindsey Buckingham talking about his solo career, Fleetwood Mac, and Stevie Nicks  – A blues legend reveals his ingenious strategy in dealing with an unruly crowd.  – Roger Hodgson remembers the height of Supertramp's popularity and the pain of their breakup  – You'll hear Gordon Lightfoot in the feistiest interview from the archives. – We'll also have Cool Song Facts, plus a two-part special on ‘70s rock, featuring the likes of Foreigner, Styx, Boston, ELO, Pink Floyd and many more. – And of course, we can't forget about “When Rock Stars Attack”, when ego-driven musicians rail at the unfairness of being popular and well-paid. - We'll also celebrate the 40th anniversary of MuchMusic – which is pretty handy since Christopher is the original Much VeeJay!  And we'll recruit at least one Much veteran to help us out! Famous Lost Words, hosted by Christopher Ward and Tom Jokic, is heard in more than 100 countries worldwide and on radio stations across Canada, including Newstalk 1010 Toronto, CJAD 800 Montreal, 580 CFRA Ottawa, AM 800 CKLW Windsor, 610 CKTB St Catharines, CFAX Victoria, AM1150 Kelowna and 91x in Belleville.  It is in the Top 20% of worldwide podcasts based on the number of listeners in the first week.  

PLUS: A new NHL series shines a light on the league – and its relationship with Amazon; how Greenland sharks live up to 500 years and what that might mean for cancer research; how Gordon Lightfoot beat Janis Joplin to a #1 hit with Kris Kristofferson's Me and Bobby McGee; and Riffed from the Headlines, our weekly musical news quiz.

Seph Custer is a singer, songwriter, and multi-instrumentalist from Southwest Virginia. For his first 7 years in music, his career revolved around playing lead guitar, banjo, slide and mandolin for numerous rock, americana, blues, punk, alternative, and traditional bands. With a desire to combine his love for a wide range of music, and a shortage of musicians to perform the required parts, Seph embraced the role of front-man for the first time in 2014. Since then, he's fined tuned his sound over the course of two studio albums and over 1,200 live performances, combining his diverse music taste with his skill set from several instruments; all delivered with only vocals and a modified guitar. Seph Custer delivers high energy solo performances utilizing techniques from guitar, mandolin and bass to create a soundscape on a single instrument that rivals some 3-piece bands: no looping or pre-recorded tracks required. Seph has been featured in The Floyd Country Store's annual tribute concerts, covering Bob Dylan, Gordon Lightfoot, Carole King, and Paul Simon. In 2015, Seph's music was so well received at Callaway Brewing Company, they named a small batch German Wheat Ale "Sepheweissen." Seph Custer & The Papa Tom Band were included in Floydfest's 2017 “Artists on the Rise” competition. In 2018, he became a member of Brackish Water Jamboree playing mandolin, joined them on tour, and performed alongside them in the “Rockn' to Lockn” competition. His first solo album, 'Where You Are' was released on January 19th, 2016. 'Where You Are' consists of 8 tracks, including 3 songs with violinist Laurel Brooke. It has been featured on 101.5 The Valley's Music Place, The Roanoke Times, and on various blogs online. 'Where You Are' was recorded, mixed, and mastered at Windfall Studios by Dave Fason in December of 2015. Seph's sophomore album, 'Beginning to End' features 12 original songs, touching on many genres; Americana, Funk, Bluegrass, Singer-Songwriter, Folk, Blues, Old-Time, and Rock, all performed with only guitar and vocals. 'Beginning to End' was recorded live on November 1st at Windfall Studios - engineered, mixed and mastered by Dave Fason, all on site. It was released worldwide on November 18th, 2017. As well as being a performer and composer, Seph teaches acoustic & electric guitar, mandolin, banjo, ukulele, bass, violin, slide guitar, lap steel, dobro, and music theory.

On this episode Tim & Josh discuss bluegrass music news, Josh Williams plays an old Gordon Lightfoot song and we have a great conversation with Randall Deaton. Randall Deaton's affinity for making music was apparent from early on, but it was his dedication and devotion that inspired him to form his record label, Lonesome Day Records, and strive to make an indelible mark on the music industry.Randall and Lonesome Day Records have made a triumphant return after a nearly 10 year hiatus. The label's first release since 2015, Silver Bullet Bluegrass is an exceptional tribute to legendary rocker Bob Seger, brought to fruition by an all-star lineup of Bluegrass singers and players. Gary Nichols, Tim Shelton, Shonna Tucker, Bo Bice, Tim Stafford, Bill Taylor, and Larry Cordle are among the artists who contributed vocals to the record. Merging the indelible melodies Bob Seger is famous for with a Bluegrass interpretation is a unique concept, yet both Seger and Bluegrass possess the power of authenticity and inspiring engagement. One might say the two were made for each other.

Send us a Text Message.This week on The Waffle Zone:1. Things get Bizarre!2. Sweating Bullets3. Texting the show, Cameo and Patreon!4. A musical tour of Australia5. Matt Spews6. 667. Bloodied Hopes8. Uli Jon Roth era Scorpions9. A Poster Acronym?10. Gordon Lightfoot talk11. Metal Kevin Never Stops!Join Kirsty & Steve in the Facebook Group!https://www.facebook.com/groups/849540069613204Follow us on Twitter @UncleSteveRockEmail the show- IronMaidenPodcast@gmail.comSupport the Show.

Join me this month as we explore covers of the great Canadian songwriters, Neil Young, Leonard Cohen and Gordon Lightfoot.For more info and tracklisting, visit: https://thefaceradio.com/iron-leg-radio/Tune into new broadcasts of Iron Leg Radio Show, LIVE, the First Sunday from 8 - 10 PM EST / 1 - 3 AM GMT.(Monday)//Dig this show? Please consider supporting The Face Radio: http://support.thefaceradio.com Support The Face Radio with PatreonSupport this show http://supporter.acast.com/thefaceradio. Join the family at https://plus.acast.com/s/thefaceradio. Hosted on Acast. See acast.com/privacy for more information.

This episode of Side Projects sees the return of Steve Dawson and Mark Mallman. They join me to discuss song structure. We go over some basic terms and structures that are typical and atypical. We talk about songs like The Wreck Of The Edmunds Fitzgerald by Gordon Lightfoot, Don't Stop Believin' by Journey, Stairway To Heaven by Led Zeppelin, and others. Is a successful song necessarily a GOOD song? Are streaming services, algorithms, & metrics changing pop song structures? Does the music delivery system (records, CD's, streaming) play a part in the song structure that's popular within that system? Steve studies the structure of a Taylor Swift song and Steve and Mark discuss where song structure might be headed in the future. Wrap up talking about Steve's new album, which was recorded live, and Mark's book, new music he's writing, and how this conversation has inspired him. Go to stevedawsonmusic.com or Pravda Records to grab his new album. Follow him @stevedawso on Instagram. Follow Mark Mallman @markmallman on Instagram, TikTok, and X. Follow us @PerformanceAnx on Instagram and X. Grab merch at performanceanx.threadless.com. Send money for coffee at ko-fi.com/performanceanxiety. And now get ready to know everything you wanted to know about song structures on Performance Anxiety on the Pantheon Podcast Network. Learn more about your ad choices. Visit megaphone.fm/adchoices

Studio B, Isabel Hillman, David and Lisa now bicoastal, Lisa is famous and elusive, Los Angeles, Bill Murray as Frequent Flyer, Gordon Lightfoot, Daryl not happy with David and Lisa spending time in Los Angeles, In Los Angeles, Daryl feels like Woody Allen in Annie Hall, Los Angeles feels foreign, Working off the list of things Milo loved, Eli Hartman recently added new things to the list, Standing invitation to all with connections to Milo to join Milo Time, Milo's love for games, music, and drafts, Milo and friends filling out brackets for anything and everything, First name/Last Name, Car trips with the boys, Traveling with the boys and beholden to radio stations to find music to listen to, Z100, Q104.3, KRock, WLIR, WBAB, Rihanna, Beyonce, Katie Perry, Ed Sheeran, Philip Phillips, Gwen Stefani, Taylor Swift, Drake, Drafting artists and compiling the number of listens for each artist, Toyota Prius GPS, Milo as scorekeeper, Debates over featured performers, Exciting as the trip was winding down, Florence + The Machine, Pop radio stations all played from the same playlists, Do radio stations even exist anymore, Sirius radio, Sirius radio very repetitive, Sirius radio algorithms, Thanks again to Isabel  

This episode of Side Projects sees the return of Steve Dawson and Mark Mallman. They join me to discuss song structure. We go over some basic terms and structures that are typical and atypical. We talk about songs like The Wreck Of The Edmunds Fitzgerald by Gordon Lightfoot, Don't Stop Believin' by Journey, Stairway To Heaven by Led Zeppelin, and others. Is a successful song necessarily a GOOD song? Are streaming services, algorithms, & metrics changing pop song structures? Does the music delivery system (records, CD's, streaming) play a part in the song structure that's popular within that system? Steve studies the structure of a Taylor Swift song and Steve and Mark discuss where song structure might be headed in the future. Wrap up talking about Steve's new album, which was recorded live, and Mark's book, new music he's writing, and how this conversation has inspired him. Go to stevedawsonmusic.com or Pravda Records to grab his new album. Follow him @stevedawso on Instagram.Follow Mark Mallman @markmallman on Instagram, TikTok, and X. Follow us @PerformanceAnx on Instagram and X. Grab merch at performanceanx.threadless.com. Send money for coffee at ko-fi.com/performanceanxiety. And now get ready to know everything you wanted to know about song structures on Performance Anxiety on the Pantheon Podcast Network. Learn more about your ad choices. Visit megaphone.fm/adchoices

Listener suggestions are rated on the Yachtski Scale, with songs by Lisa Dal Bello, Gordon Lightfoot, Ronney Abramson.

-It's a Football Facts Monday…what does Bill have for us today?-Also, SONG OF THE DAY (sponsored by Sartor Hamann Jewelers): "If You Could Read My Mind" - Gordon Lightfoot (1970)Show sponsored by GANA TRUCKINGAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy