Podcasts about Telugu

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Send us a textCinemondo reacts to Rebel Saab Lyrical!  The RajaSaab is an upcoming Indian Telugu-language romantic horror comedy film written and directed by Maruthi, and produced by People Media Factory and IVY Entertainment.The film stars Prabhas, alongside Sanjay Dutt, Nidhhi Agerwal, Malavika Mohanan (in her Telugu film debut), Riddhi Kumar.Support the show

You're a Spirit being living in a world of the unseen. Jesus lives in you, and the Spirit can fill you completely—so fear changes, and what you fear today can disappear as you walk with God, whose life is eternal. Healing and love reside inside you; seek Him with all your heart and you will find Him (Jer 29:13; Deut 6:5). The more you walk in the Spirit, the more the spiritual realm becomes real. You are being transformed into His image (2 Cor 3:18), entrusted with the ministry of glory by mercy.The Spirit Realm Is Your Real World | Prophet Ezekiah FrancisWatch in English https://youtube.com/live/o9MgOVdjBxsWatch in Tamil (தமிழ்) https://youtube.com/live/PrEv8OxppAgWatch in Hindi (हिंदी) https://youtube.com/live/5NNPd8FhDHMWatch in Telugu (తెలుగు) https://youtube.com/live/CHWCdAqZfxwWatch in Malayalam (മലയാളം) https://youtube.com/live/lH3LCuArZpkWatch in Kannada (ಕನ್ನಡ) https://youtube.com/live/8Rp9UmXT4TY

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In this Telugu podcast episode, social activist Sunitha Krishnan; a Padma Shri awardee, co-founder of Prajwala Foundation, one of world's largest anti-trafficking shelters that rescues, rehabilitates and reintegrates victims into society, speaks about one of the darkest yet most urgent realities of our time, preventing child sexual abuse, human trafficking, and cyber-enabled exploitation.What happens when child sexual abuse and human trafficking move online, demand creates supply, and society looks away? This conversation with Sunitha Krishnan forces us to confront what most choose not to see.She takes us through the journey behind a landmark legal fight that contributed to the creation of India's National Cyber Crime Reporting Portal, and explains why the correct term is not child pornography but CSAM (Child Sexual Abuse Material). Sunitha breaks down how language matters, how misnaming the crime hides accountability, and why recognizing CSAM is crucial to protecting children.The conversation exposes how trafficking and abuse have shifted into digital spaces, from social media and dating apps to encrypted platforms like Telegram, where organized networks trade thousands of child abuse videos for small amounts of money. She explains how demand fuels supply, how coded language operates in brothels and online markets, and how technology has silently enabled trafficking networks to scale and globalize abuse. Drawing from her findings in India, the United States, and Europe, she reveals how content produced in India circulates worldwide.The episode dives deep into secondary victimization, where survivors are blamed, silenced, or retraumatized by legal procedures, institutional failures, and social attitudes. Sunitha discusses brutal cases involving children, the psychology of sexual violence, abuse that goes beyond sexual intent, and how unresolved trauma can perpetuate cycles of harm. She also speaks about the abuse of boys, shifting societal tolerance levels, and the dangers of normalizing exploitation.Sunitha shares personal experiences of threats, attacks, and backlash for challenging powerful systems, including her advocacy in the Supreme Court, her anger during critical hearings, and campaigns such as #ShameTheRapist. She reflects on her book I Am What I Am, including the chapter that begins with questioning God, and the resilience required to continue despite stigma and labels imposed by society.The episode also sheds light on survivor rehabilitation through the Prajwala Foundation, children born in red-light areas, transition centers, education, dignity-based recovery, and long-term reintegration. From missing-child golden hour drills and funding realities to why men must speak against demand and why we must invest in boys as much as we protect girls, this conversation asks deeply uncomfortable but necessary questions.Intense, honest, and deeply human, this episode is not meant to shock, it is meant to wake us up.This episode stands as a powerful reminder of why child safety, women's rights, cyber crime prevention, and social justice demand our attention on urgent notice.

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Versatility built her, consistency elevated her. ❤️In this inspiring episode of Toshila Podcast, RJ Toshila reflects on the incredible journey of legendary actress Ramya Krishnan a true icon of Tamil and Telugu cinema.Long before Padayappa became a cultural milestone, Ramya Krishnan had already laid a strong foundation through powerful performances, diverse roles, and unwavering discipline.Her career is a masterclass in patience, passion, and wholehearted commitment to the craft of acting.This episode is a reminder that when you consistently show up with openness and dedication, the universe responds with greater opportunities. Success may take time, but consistency always finds its moment.

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Acknowledge Him in all your ways and He will lead you. Delight yourself in the Lord, and He will grant the desires of your heart.The Holy Spirit is your helper and friend, living in you forever, Christ lives in you, so the Holy Spirit is with you always.Life with the Holy Ghost | Prophet Ezekiah Francis | Supernatural Life in Christ Seminar, HyderabadWatch in English https://youtube.com/live/rsdXR1C__wYWatch in Tamil (தமிழ்) https://youtube.com/live/9d-P6LB65LcWatch in Hindi (हिंदी) https://youtube.com/live/C-4HE7FVWyYWatch in Telugu (తెలుగు) https://youtube.com/live/Wpn4YvGNRgoWatch in Malayalam (മലയാളം) https://youtube.com/live/ziSZgvFbk8UWatch in Kannada (ಕನ್ನಡ) https://youtube.com/live/rpqo_1xbNjM

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Life, Culture and Current Events from a Biblical Perspective with Neil Johnson.Your support sends the gospel to every corner of Australia through broadcast, online and print media: https://vision.org.au/donateSee omnystudio.com/listener for privacy information.

రుచికరమైన వంటలు, ముఖ్యంగా మన అమ్మమ్మల కాలం నాటి ప్రాచీన తెలుగు రుచులు అంటే ఎవరికి ఇష్టం ఉండదు చెప్పండి? హైదరాబాద్‌లో పుట్టి, ఇప్పుడు అమెరికాలో ఉంటూ, తన వీడియోలతో Instagram Influencerగా లక్షలాది మంది ఫాలోవర్స్‌ను సంపాదించుకున్న మన "America Bathakani" గారు... మరుగున పడిపోతున్న మన సంస్కృతి, వంటకాల ఘుమఘుమలను ప్రపంచానికి పరిచయం చేస్తున్నారు. ఆమె తన పుట్టిన ఊరి విశేషాలు, చిన్ననాటి జ్ఞాపకాలు, మరియు అమెరికాలో ఉంటూ తెలుగు వంటలను ఇంతలా ప్రాచుర్యంలోకి ఎలా తెచ్చారు? వంటి ఎన్నో విషయాలను ఈ పాడ్కాస్ట్ లో మనతో పంచుకుంటున్నారు. తప్పక వినండి! అస్సలు మిస్ అవ్వకండి. From Hyderabad to the USA, Instagram influencer America Bathakani is reviving traditional Telugu and grandmother-style recipes for a global audience. In this podcast, she shares her roots, childhood memories, and how she kept Telugu cuisine and culture alive while living abroad. #TALRadioTelugu #AmericaBathakani #TeluguCuisine #TraditionalRecipes #GrandmaRecipes #FoodPodcast #IndianFoodLovers #CulturalRoots #TeluguCulture #InstagramInfluencer #DesiFoodStories #TALRadio #TouchALifeFoundation

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#Raktakanneru #nagabhushana #mrradha #telugumovie Join KiranPrabha as he takes you on a fascinating journey through the legendary stage play Raktakanneru, a trend-setting Tamil drama that began in 1949 and went on to create theatrical history. Originally produced and performed by the iconic M.R. Radha, the play ran for hundreds of shows and became a cultural phenomenon of its time. Discover how this theatrical masterpiece evolved—first into a 1954 Tamil film, then a 1956 Telugu dubbed version—and how veteran actor C. Nagabhushanam brought the Telugu stage adaptation (written by Palagummi Padmaraju) to life, brilliantly recreating M.R. Radha's magic for new audiences. In this talk show, you'll hear:

We have officially launched Global Sermons with 46 languages—an entirely new service for our broadcasters on SermonAudio that facilitates translating sermons from any language into any other language using the latest in Artificial Intelligence technology. In this video, we take a very high-level overview of how Global Sermons works and the kind of safeguards we have implemented to achieve the highest levels of quality control in translation. The real beauty of Global Sermons is that translations can go from any language to any language. So that a sermon preached in Spanish could be enjoyed by a man in China, or a sermon preached in Telugu could be enjoyed by a man in France. It's an incredible time to be alive. Learn more here https://www.sermonaudio.com/news/globalsermons Support us here: sermonaudio.com/vault

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You'll discover how Scripture can burn in your heart as you grow your inner man. Learn to resist the devil, let the Spirit give life—not the letter—and live by every word that proceeds from God's mouth. Stay focused on your calling, keep pressing for more, and watch God take care of the rest as you touch others with what flows from your Spirit.Stay Focused on Your Calling! | Prophet Ezekiah Francis | Supernatural Life in Christ Seminar, Hyderabad (English - Telugu)Watch in Englishhttps://youtube.com/live/bB0MkFEcMZEWatch in Tamil (தமிழ்) https://youtube.com/live/ms0-fCWS0NAWatch in Hindi (हिंदी) https://youtube.com/live/MPw-7RzduDEWatch in Telugu (తెలుగు) https://youtube.com/live/k1zyI1NVbBMWatch in Malayalam (മലയാളം) https://youtube.com/live/hqVqRRha3HwWatch in Kannada (ಕನ್ನಡ) https://youtube.com/live/93MZepwYgaY

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#MSRamaRao #Sundaradasu #TeluguSinger #TeluguMusicLegend #DevotionalSongs #HanumanChalisaTelugu #SundaraKandaSongs #BhaktiGeetalu M. S. Rama Rao (Moparthi Seetha Rama Rao) was a legendary Indian singer and composer, primarily celebrated for his immense contribution to Telugu music. Born on July 3, 1921, his initial career flourished in Tollywood between 1944 and 1964, where he sang for numerous films, showcasing his versatility as a vocalist. He is most famously known for composing and singing the immensely popular Telugu version of the Hanuman Chalisa. Beyond the Hanuman Chalisa, he gained widespread fame for setting to music and singing the Telugu narrations of various sections of the Ramayana, including the Bala Kanda and Sundara Kanda. Even decades after his passing in 1992, his recordings are revered and continue to be played in homes and temples, solidifying his permanent place as a pioneer of devotional music. KiranPrabha narrates the interesting life journey of Sri. M.S. Rama Rao in this episode.

Send us a textVARANASI to the WORLD Reaction! Telugu | Mahesh Babu | Priyanka Chopra | SS Rajamouli | Cinemondo! #varanasi #varanastrailer ##varanasitrailerreaction #ssrajamouli #trailerreaction Kathy and Mark react to Varanasi To the World! Varanasi (stylised as Vāranāsi) is an upcoming Indian Telugu-language action-adventure film directed by S. S. Rajamouli, who co-wrote the screenplay with V. Vijayendra Prasad. T the film stars Mahesh Babu, Priyanka Chopra and Prithviraj Sukumaran. Rajamouli conceived the film as a globetrotting action adventure rooted in Indian cultural themes, drawing inspiration from the structure and emotional tone of classic adventure cinema. #varanasi #varanasitrailer#varanasitrailerreaction #varansitotheworld#ssrajamouli #maheshbabu #priyankachopra#mmkeeravaani#trailer#trailerreaction#globetrotter#globetrottereventSupport the show

You are a new creation in Christ, filled with the Holy Spirit. See Him in you, shine from the inside out, and let living water pour from your heart as you walk from glory to glory.The Glory in You Will Only Increase! | Prophet Ezekiah Francis | Supernatural Life in Christ Seminar, HyderabadWatch in Englishhttps://youtube.com/live/mn1HlX4kcpkWatch in Tamil (தமிழ்) https://youtube.com/live/mpFoET9H0n8Watch in Hindi (हिंदी) https://youtube.com/live/mOiSZiSOzL8Watch in Telugu (తెలుగు) https://youtube.com/live/IVbZROdPsEoWatch in Malayalam (മലയാളം) https://youtube.com/live/emD05vv2KNsWatch in Kannada (ಕನ್ನಡ) https://youtube.com/live/1XCdfbGs56c

Stop Worrying—Start Thanking. You'll replace anxiety with prayer and gratitude, guided by God's Word. Learn to pray with thanksgiving (Philippians 4:6-7; 1 Thessalonians 5:18), wield the sword of the Spirit (Ephesians 6:17), and sing through trials to find peace and victory—even in the valley (Jonah 2:9-10; Acts 16:25).Stop Worrying- Start Thanking! | Prophet Ezekiah FrancisWatch in English https://youtube.com/live/8fy4fh4AfQ0Watch in Tamil (தமிழ்) https://youtube.com/live/tPNOcwNm3b0Watch in Hindi (हिंदी) https://youtube.com/live/owoDIVFIqHkWatch in Telugu (తెలుగు) https://youtube.com/live/46CERom288QWatch in Malayalam (മലയാളം) https://youtube.com/live/-pMsUmg6_MYWatch in Kannada (ಕನ್ನಡ) https://youtube.com/live/HxBibg7AqNs

Let me admit up front that I like Rishab Shetty. A lot. I'd probably go see anything he makes, and I wish him well, because he is an actor with terrific presence. To be honest, I was blown away by his performance in Kantara, both as protagonist and director/writer. I had no idea about the bhoota-kola of Tulunadu, although I have seen the similar theyyam of nearby Malabar, and was suitably impressed.Therefore I was disappointed and underwhelmed by the prequel Kantara Chapter 1, for a variety of reasons. I understand this is not the universal reaction to the prequel: in particular, young people I spoke with liked the esthetics, the special effects, the big budget production, and the expansive canvas of the spice trade, a large kingdom, and good cast including veteran Jayaram as the weary king, and Rukmini Vasanth as a suitably gorgeous but sinister princess.But to me it came across as an untidy mishmash of various genres, with the principal purpose of creating a franchise: surely we can expect Chapter 2, Chapter 3 and so on. I don't begrudge Rishab Shetty and his producer their success, especially as the original Kantara was a sleeper success on a tiny budget.Warning: spoilers ahead.My problems were manifold. The first was that the original Kantara hit me with the force of a hurricane, when the coming-of-age tale of the wild-boar-hunting-and-carousing Shiva takes a sudden and unexpected turn and he becomes, reluctantly, the bhoota-kola oracle, taking on the role of his father who disappeared, and his cousin who was murdered.It was a revelation: a moment when a man turns into the Divine, in a wholly believable and entirely autochthonous, Dharmic tradition, a celebration of the presence of benign powers all around, a manifestation of a pantheistic world-view. It was one of the few recent films that powerfully put across a wholly Hindu perspective, which unfortunately is unusual in India.As a child, I remember devotional and patriotic films in Malayalam, which engendered a certain affection for the traditions of one's forefathers. And often the story-lines, from well-known literary works, were rooted in the local milieu. Over time, this has been dissipated, and replaced by unremarkable films that are technically quite good, but for lack of a better word, lack ‘soul'.In general, this has been true of the dominant Hindi/Urdu language films as well: the narrative is some kind of a global, ‘liberal', westernized, ‘modernized' and deracinated tale, where in particular Hindus get short shrift. For example, a recent, highly-rated Malayalam film mined Kottarathil Sankunny's Aithihya-mala, but turned the protagonists into people of other religions. There was another named 19th Century in which the recently-invented (in the 2010s) fiction of a ‘breast-tax' on lower-caste women was turned into ‘fact'.This sort of digestion of, and worse, denigration of, native tradition has been true of Hindi/Urdu films for a long time as has been amply and devastatingly recorded by the efforts of ‘Gems of Bollywood' on twitter. Therefore it is refreshing when a few films offer a Hindu point of view, eg. Kantara, Bahubali, or the shatteringly powerful Baramulla. This is one reason I am loath to criticize Rishab Shetty too much, but I do have my own complaints.One is that the Kantara Chapter 1 seems like a mish-mash of various ideas, borrowed from various sources. The origin myth of the hero Berme, where he appears as an abandoned child on a bed of leaves (and the presence of the computer-generated white tiger) may be a nod to the Sabarimala legend: Lord Ayyappa is a foundling, and he is sent on an errand to fetch tiger's milk by the evil queen who hopes that he will die in that quest.Then there is the battle of the good vs bad, which reminded me of the battle scenes from Bahubali, and indeed the dark-skinned barbarians from that film got a reprise here with the black-cowled evil sorcerer Kadapa tribe. And I wondered in passing if the very name ‘Kadapa' was a reference to the Telugu stronghold of the proselytizing Christian Reddys.Then there is the untidy story of the port city that the Kantara folks want access to, so they can sell spices to white people with no middleman. They also dragged in a superfluous white trader. Yes, the West Coast has been trading with the Middle East and points west for millennia via the Spice Route, but that seems irrelevant to the deep-forest-dwelling Kantara villagers.In addition, there were cliched memes about slavery (of tribals) and exploitation by the rich and powerful. These came across as nods to the prevailing dogma of woke victim narratives. The remarkable thing is that slavery was virtually unknown among Hindus: the first textual and/or epigraphic examples of slavery in India were by a Christian church in Kerala (the Tarisapalli copperplate, 849CE) and during the Muslim invasions.The characters were also hit and miss. There were the picaresque companions from the original film, including a vidushaka type who was silly in the original, but annoying here; so was the prince's kinkara. Neither of them added much to the film, and could easily have been written out. The prince was so typecast from the moment you laid eyes on him – clearly a dissolute, useless fellow – that you knew he was going to be dispatched summarily.I did like the princess. She was apparently born with paralysis in her hands and legs, and she was handed over to the sorcerer Kadapas, who cured her, but also (it is implied) turned her into a wily seductress, whose efforts to distract the hero (Berme) from his quest were, fortunately, futile. The old king was rather good, too. Rishab Shetty impresses as always with his physical presence, as well as his signature primal roar.I missed the glowing varaha and the superb Varaha-roopam song which was so electric in the original Kantara. (I hear there were some copyright claims from a band in Kerala, but it baffles me that an old traditional song or tune could be copyrighted by some upstart.) There was a little piglet in one scene, but that was not enough. The VFX of the Brahma-rakshas was unsatisfying, and should have been left to the viewer's imagination.All in all, the prequel was a disappointment after the original Kantara, which was refreshingly unpretentious: it did not preach, nor did it explain – it just was, and it forced you to accept the reality of the demigods Panjurli and Guliga. In effect, you went into an alternate reality, along with the bhoota-kola dancer. There was no such staggering insight in the prequel Kantara Chapter 1. If you were expecting a spiritual high, as I was, you'd be disappointed.If on the other hand, you were looking for light entertainment on a big canvas, you'd be just fine.Thus my dilemma about the prequel: yes, it does tell a Hindu tale, and I once again wish Rishabh Shetty the best, but I wish it had left me feeling spiritually moved as the original did.1200 words, 16 Nov 2025The AI-based Malayalam podcast on this by notebookLM from Google. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit rajeevsrinivasan.substack.com/subscribe

Send us a textKathy, Mark and Burk react to the teaser for Baahubali: The Eternal War – Part 1 , an upcoming Indian Telugu-language 3D animated epic mythological film produced by Shobu Yarlagadda and Prasad Devineni under Arka Media Works and directed by Ishan Shukla from a screenplay by Scott Mosier. The music is composed by M. M. Keeravani. The film expands the universe of the Baahubali saga and is presented by its creator S. S. Rajamouli.Support the show

Abhay chats with actor and artist Sriya Reddy as they explore various themes including the fearlessness required in acting, the importance of discipline, and the celebration of women's achievements in sports and film. Sriya shares her insights on maintaining authenticity in her roles, the significance of personal growth, and the impact of kindness in everyday interactions. They discuss her role as Geetha in the film They Call Him OG and the evolving landscape of the film industry, particularly regarding women's representation and the challenges they face. The conversation emphasizes the importance of living in the moment and the misconceptions surrounding the film industry, while also celebrating diversity and the power of storytelling. Sriya is a powerhouse performer whose journey from acclaimed VJ to standout actress has redefined what it means to bring depth and complexity to every role. Audiences know her for unforgettable films like Salaar and her fierce, nuanced portrayals in They Call Him OG. (0:00 - 2:16) Introduction(2:16) Part 1 - Sports and its impact, discipline and balance(16:42) Part 2 - anchors and buoys, adapting to change, women in film(33:12) Part 3 - film industry, activism, legacy(46:45) ConclusionFor anyone interested in the Hanuman Chalisa, here is a great outline of the lyrics and meaning:https://www.artofliving.org/in-en/culture/reads/hanuman-chalisa-lyrics-meaning

How does mythology change when we look at them through women's lives?In this episode, Tara chats with P. Lalita Kumari, also known as Volga, one of the most influential feminist voices in Indian literature, and Purnima Rao, the translator of On the Banks of the Pampa, Volga's retelling of Shabari's story from the Ramayana.Volga shares how the idea for Shabari's story first took shape, reflecting on the many women in mythology whose voices have been silenced. She talks about nature, womanhood, and the connection she sees between the two. Purnima speaks about the process of translating Volga's lyrical Telugu prose into English while preserving its essence.Volga also explores her journey as a reader and poet, the challenges of writing as a feminist in the 80s, and how storytelling became her weapon. Purnima discusses her shift from tech to writing, the hurdles of setting up an independent Telugu publishing house, and the need to fill gaps in the literary ecosystem.Together, they look ahead to their upcoming projects, and to Volga's return to contemporary narratives.Tune in to dive into their creative process and literary brilliance.Books mentioned in the episode:Yashodhara: A Novel by VolgaSwetcha by VolgaLiberation Of Sita by VolgaNa Maate Tupaki Toota (in Telugu) by Mallu SwarajyamPainting mentioned in the episode:The Great Departure (Mahabhinishkramana) ‘Books and Beyond with Bound' is the podcast where Tara Khandelwal and Michelle D'costa uncover how their books reflect the realities of our lives and society today. Find out what drives India's finest authors: from personal experiences to jugaad research methods, insecurities to publishing journeys. Created by Bound, a storytelling company that helps you grow through stories. Follow us @boundindia on all social media platforms.

Ezekiel's prophesy to dry bones becomes your invitation to speak life to the dead places—prophesy to yourself, your family, your church. You'll learn to partner with God, trusting the process from hiding to showing, until revival breaks out in you and those around you.Speak Life and See the Miracle Unfold | Prophet Ezekiah Francis ​Watch in English https://youtube.com/live/dm73BCSgg-IWatch in Tamil (தமிழ்) https://youtube.com/live/uuwQzl2X5L8Watch in Hindi (हिंदी) https://youtube.com/live/x5oasO7SH-AWatch in Telugu (తెలుగు) https://youtube.com/live/iXxHyOTV1GcWatch in Malayalam (മലയാളം) https://youtube.com/live/2shj8k47A90Watch in Kannada (ಕನ್ನಡ)https://youtube.com/live/4hGig-xWG1g

The Telugu blabbercast you can take anywhere. NTFTP brings funny, relatable, no-filter conversations about culture, everyday life, tech, trends, and everything in between—made for Telugu listeners, from Gen Z to Boomers, we welcome you all. If you like casual banter, humour, and real talk with friends, you'll feel right at home here.We film for YouTube, but this audio-only feed is tuned for on-the-go listening—lightweight, commute-friendly, and bandwidth-friendly.Follow/Subscribe on this app to get new episodes automatically.Rate & review (5★ if we earned it!) - this seriously boosts discoverability.Share an episode with one friend who'll vibe with TLV.⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter/X⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube (full videos + Pentaverse live streams)⁠⁠⁠⁠⁠⁠New episodes every MondayPentaverse live streams Sundays 7 PM IST on YouTubeEnjoy the show—మా బ్లాబర్కాస్ట్, మీ ఈయర్‌బడ్స్‌లో!

You have something to offer. God asks what you have for the miracle—bring it, and watch Him multiply. Use What You Have — God Will Multiply It! | Prophet Ezekiah Francis ​Watch in English https://youtube.com/live/2HdB3Hg6S3AWatch in Tamil (தமிழ்) https://youtube.com/live/76NOolUNe-0Watch in Hindi (हिंदी) https://youtube.com/live/Vnw0g6E_bKEWatch in Telugu (తెలుగు) https://youtube.com/live/2y2k6-WCeJkWatch in Malayalam (മലയാളം) https://youtube.com/live/qMOrBHuc-ysWatch in Kannada (ಕನ್ನಡ) https://youtube.com/live/5ETjM7Fruo4

In this Telugu podcast episode, we had one of our amazing conversations with Suma Kanakala, most commonly revered as  the queen of Telugu television, iconic anchor, actress, and household name who has hosted over 2000+ shows. She sat down with us for a  rare and unfiltered conversation. Known for her wit, spontaneity, and unmatched energy, Suma opens up like never before about her journey from Doordarshan serials to becoming Telugu TV's most celebrated female host.She shares how her unexpected entry began in the 1990s, her early serials like Geetanjali (the first Telugu show shot in the US), and how Avakkayara changed her life in 2006. Suma recalls her iconic Star Mahila days, shooting five episodes in a single day, and how a non-prime-time show became one of the most successful Telugu programs ever.The conversation turns emotional as she reflects on the paradox of fame, the cost of being Suma Kanakala, and how she manages to stay kind and composed amid criticism, rumors, and intense public life. She shares how she finds balance between her public persona and private peace, revealing stories from her Palakkad roots to her life in Hyderabad.From handling divorce rumors and creative burnout to dealing with on-stage pressure during events like Khaidi No.150, Andhrawala, and OG, Suma opens up about surviving exhaustion, emotional breakdowns, and near-death moments at stampede-prone events.She talks about parenting, women's career restarts, and how family support kept her grounded. Her stories about being 8 months pregnant during a pre-release event, facing period pain, and still performing show her strength as a working woman in the media.Suma also discusses her long association with Swarabhishekam, heartfelt memories with SP Balasubrahmanyam, and how years of heavy makeup affected her health. She dives into topics like beauty standards, financial independence, and how she stays relevant despite changing trends.With humor and honesty, she reveals fun memories from Ravi Teja's trailer event, fan wars, and Rajiv Kanakala's influence on her life. She opens up about their relationship, his accident, and her NGO and welfare work that reflect her compassion beyond the camera.Suma credits her success to her presence of mind, discipline, and theatre background, saying she still observes newcomers and evolves constantly. As she talks about language, matriarchy, and Kerala traditions, it's clear that Suma Kanakala is not just an entertainer but a symbol of resilience, reinvention, and grace. 

Send us a textKathy and Ramesh react to the trailer for The Raja Saab, an upcoming Indian Telugu-language romantic horror comedy film written and directed by Maruthi, and produced by People Media Factory and IVY Entertainment. The film stars Prabhas, alongside Sanjay Dutt, Nidhhi Agerwal, Malavika Mohanan (in her Telugu film debut), Riddhi Kumar.Support the show

Do you hear God's voice? Learn how God speaks to you—calling you by name, guiding you with His eye, and even speaking through dreams. When He whispers peace, comfort, and encouragement, you'll know His path and follow it, not the noise around you (John 10:27; Isa 1:3; Ps 32:8-9). Don't be like a horse or mule—let Him lead you today.Can You Hear God's Voice? | Prophet Ezekiah Francis | Berachah Prophetic Ministries – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – Watch in English https://youtube.com/live/SJP4Rsn4T4EWatch in Tamil (தமிழ்) https://youtube.com/live/oVE0vWy6_P0Watch in Hindi (हिंदी) https://youtube.com/live/yVWk22YvF2sWatch in Telugu (తెలుగు) https://youtube.com/live/2zEBohs5VsgWatch in Malayalam (മലയാളം) https://youtube.com/live/gIZQL5pQRncWatch in Kannada (ಕನ್ನಡ) https://youtube.com/live/9Jz9H2nmGFQ

Hi everyone, thanks for listening. Drop a line or two about the episode! Ram Gopal Varma's Shiva (1989) is a tremendous action drama. Everybody from Ashutosh Gowariker to S. S. Rajamouli to Anurag Kashyap to Sandeep Reddy Vanga count Shiva among their personal favorites. RGV is back on the pod for a deep dive of his stunning debut film. If you enjoy the podcast, do consider supporting the show: https://www.buzzsprout.com/257788/supportFeedback/comments/questions: loveofcinemasf@gmail.comCredits:Produced and hosted by: Himanshu Joglekar (@loveofcinemasf8)Editor: Devika JoglekarMusic: Nakul AbhyankarCopyrights © Love of Cinema 2025Support the showIf you liked the episode and found value, please considering supporting the show. Your support will help me continue making good content for fans of Indian cinema everywhere across the world: https://www.buzzsprout.com/257788/support

The Telugu blabbercast you can take anywhere. NTFTP brings funny, relatable, no-filter conversations about culture, everyday life, tech, trends, and everything in between—made for Telugu listeners, from Gen Z to Boomers, we welcome you all. If you like casual banter, humour, and real talk with friends, you'll feel right at home here.We film for YouTube, but this audio-only feed is tuned for on-the-go listening—lightweight, commute-friendly, and bandwidth-friendly.Follow/Subscribe on this app to get new episodes automatically.Rate & review (5★ if we earned it!) - this seriously boosts discoverability.Share an episode with one friend who'll vibe with TLV.⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter/X⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube (full videos + Pentaverse live streams)⁠⁠⁠⁠⁠New episodes every MondayPentaverse live streams Sundays 7 PM IST on YouTubeEnjoy the show—మా బ్లాబర్కాస్ట్, మీ ఈయర్‌బడ్స్‌లో!

The Telugu blabbercast you can take anywhere. NTFTP brings funny, relatable, no-filter conversations about culture, everyday life, tech, trends, and everything in between—made for Telugu listeners, from Gen Z to Boomers, we welcome you all. If you like casual banter, humour, and real talk with friends, you'll feel right at home here.We film for YouTube, but this audio-only feed is tuned for on-the-go listening—lightweight, commute-friendly, and bandwidth-friendly.Follow/Subscribe on this app to get new episodes automatically.Rate & review (5★ if we earned it!) - this seriously boosts discoverability.Share an episode with one friend who'll vibe with TLV.⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠Twitter/X⁠⁠⁠⁠⁠⁠⁠⁠YouTube (full videos + Pentaverse live streams)⁠⁠⁠⁠New episodes every MondayPentaverse live streams Sundays 7 PM IST on YouTubeEnjoy the show—మా బ్లాబర్కాస్ట్, మీ ఈయర్‌బడ్స్‌లో!

Send us a textThey Call Him OG is an upcoming Indian Telugu-language action crime film written and directed by Sujeeth. Produced by D. V. V. Danayya under DVV Entertainment, the film stars Pawan Kalyan in the titular role, alongside Emraan Hashmi (in his Telugu film debut), Priyanka Mohan, Arjun Das, Sriya Reddy and Prakash Raj.Support the show