Podcast appearances and mentions of ted hearne

Our guest is artist Allison Semmes. One of Allison's latest achievements is that she is part of the Barry Manilow/Bruce Sussman musical Harmony. She portrays the artist and activist icon Josephine Baker. Allison Semmes is a multi-genre singer/songwriter and Broadway actress. She studied vocal performance as a coloratura soprano at the University of Illinois Champaign Urbana, then musical theater at New York University where she received her Master's in Music. Broadway & National Tour credits include Motown the Musical (Diana Ross U/S), Book of Mormon (Swing, Nabulungi U/S) & Motown the Musical (Diana Ross), and The Color Purple (Squeak). Other Theatre credits include Little Shop of Horrors (Kennedy Center), A Wonderful World (Miami New Drama), Shout Sister Shout (Seattle Rep), OoBlaDee: Bebop Musical. She has recorded and written with Stevie Wonder (2020), performed with Erykah Badu & BK Philharmonic in Ted Hearne's "You're Causing Quite the Disturbance" at BAM, and Kurt Elling's "The Big Blind", a noir jazz musical with Dee Dee Bridgewater at Jazz at the Lincoln Center Learn more about your ad choices. Visit megaphone.fm/adchoices

Pulitzer Nominated composer, Ted Hearne talks about his epic work “Farming”, a hybridized piece written for a 24 piece choir with text taken from William Penn correspondence, a Jeff Bezos speech, the Uber Eats Twitter feed and more. Dr. Sarah Taber joins us for a conversation about the impacts of settler colonialism on modern day agriculture, the romantic myth of the American family farm and more!

From sumptuous feasts to the standard stew, food plays an important role in flavoring a lot of speculative fiction. But how do the people living in your invented world think about their food? What's their relationship to eating, mealtime, and their cultural delicacies? Guest Chana Porter joins us to discuss food culture and all the wonderful things it can communicate! In this episode, we consider elements of scarcity and abundance: How does a relationship to food change if it's always available versus if it's harder to come by? If you could take a pill to sustain your basic caloric needs, would you do that instead of eating? We also explore the intersection of food and status. Are the people who make food possible -- agricultural workers, cooks, wait staff -- honored in your society? Or do they get forgotten? Is there a sliding scale of food respectability? And what does how people eat, when they eat, with whom they eat as communicate status?   [Transcript TK] Our Guest: Chana Porter is a novelist, playwright, teacher, MacDowell fellow, and cofounder of The Octavia Project, a STEM and writing program for girls and trans and nonbinary youth that uses speculative fiction to envision greater possibilities for our world. Her debut novel The Seep was an ABA Indie Next Pick, Open Letters Best Science Fiction & Fantasy Book of 2020, a 2021 Lambda Literary Award Finalist, and a Times (UK) Best Sci-fi Book of 2021. As a playwright, her work has been produced and developed at New Georges, Playwrights Horizons, Cherry Lane, Dixon Place, Target Margin, and many more. She was writer-in-residence at The Catastrophe Theatre in Houston, Texas from 2017-2019. Chana is currently adapting Ursula K. Le Guin's The Dispossessed into an opera with the composer Ted Hearne. She lives in Los Angeles. Pronouns: she/they

Hailed by The Guardian as “a cellist of power and grace,” Grammy Award-nominated cellist Seth Parker Woods announces the world premiere recording of his multimedia concert tour-de-force, Difficult Grace – featuring works by Fredrick Gifford, Coleridge-Taylor Perkinson, Monty Adkins, Nathalie Joachim, Alvin Singleton, and Ted Hearne.Difficult Grace Tracklist 1. Fredrick Gifford (b. 1972) – Difficult Grace* [6:24] 2. Coleridge-Taylor Perkinson (1932–2004) – ”Calvary Ostinato” from Lamentations: Black/Folk Song Suite [3:25] 3. Monty Adkins (b. 1972) – Winter Tendrils* [10:23] 4. Nathalie Joachim (b. 1983) – The Race: 1915* [7:07] 5. Alvin Singleton (b. 1940) – Argoru II [12:15] 6. Nathalie Joachim – Dam Mwen Yo [5:29]         Nathalie Joachim, voiceNote: only the first 6 tracks are played on this broadcast.  The remaining tracks are not played due to explicit language.     Ted Hearne (b. 1982) –   (edited for explicit language)          7.  free  (edited for explicit language (1) [1:45]          8. A Wedding, or What We Unlearned from Descartes [5:15]          9. free (edited for explicit language) (2) [2:59]          10. The Lion Tamer's Daughter vs. the Ledge [4:16]          11. After We Ruin [2:18]                Ted Hearne, voice and electronicsTT: 61:47Help support our show by purchasing this album  at:Downloads (classicalmusicdiscoveries.store) Classical Music Discoveries is sponsored by Uber. @CMDHedgecock#ClassicalMusicDiscoveries #KeepClassicalMusicAlive#LaMusicaFestival #CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans#CMDGermanOperaCompanyofBerlin#CMDGrandOperaCompanyofBarcelonaSpain#ClassicalMusicLivesOn#Uber Please consider supporting our show, thank you!Donate (classicalmusicdiscoveries.store) staff@classicalmusicdiscoveries.com This album is broadcasted with the permission of Katy Salomon representing Primo Artists.

Award-winning visual and performance artist Rachel Perry challenges every excuse you may have for not stepping towards your creative dreams. She attended art school at 36 while raising a first grader -- not the most practical time to begin an intense program of study -- and her work is now exhibited in collections around the world. You are not too old and it is not too late! Check out Rachel's work here.Twitter: @racyperryInstagram: @rachelperrystudioA preview of her collaboration with composer Ted Hearne and director Daniel Fish In Your Mouth; text by Dorothea Lasky Other resources:The Unknown Craftsman by Soetsu YanagiThe Relationship Between Use and Beauty artwork by Tricia Rose Burt 

Maren Montalbano began her vocal career with the San Francisco Girls Chorus at age seven, and has been singing ever since. A graduate of both New England Conservatory of Music and Tufts University, Ms. Montalbano can be heard in three GRAMMY Award-winning albums: John Adams' Pulitzer Prize-winning work, On the Transmigration of Souls (2005), and Gavin Bryars' The Fifth Century (2018), and Lansing McLoskey's Zealot Canticles (2019), on which she is a featured soloist. She recorded Douglas Cuomo's opera Arjuna's Dilemma with Anonymous 4 members Susan Hellauer and Jacqueline Horner, which was released in 2008 to critical acclaim.  She appears on over a dozen commercial recordings, including Alice Parker's Listen Lord and The Family Reunion, Kile Smith's Vespers, Lewis Spratlan's Hesperus is Phosphorus, and Ted Hearne's Sound from the Bench. In the past five years, Ms. Montalbano has been a guest artist with Lyric Fest, Choral Arts Philadelphia, Network for New Music and Piffaro, the Renaissance Band. When she performed the modern premiere of Destinos vencen finezas, a 17th century zarzuela by Juan Francisco de Navas, with Philadelphia's Baroque orchestra, Tempesta di Mare, her dramatic interpretation was hailed as “pure, suave and sensuous” (Philadelphia Inquirer, March 2015). When she premiered the role of Andy Warhol #2 in Andy: a POPera (Bearded Ladies Cabaret and Opera Philadelphia), the Broad Street Review called her singing “impeccable.” Her debut album, Sea Tangle: Songs from the North, featuring all women composers and performers, was released in December 2016. During the pandemic of 2020-21, Ms. Montalbano turned to the digital world. She wrote, produced, and starred in an interactive digital one-woman show called The Bodice Ripper Project, which had its world premiere at the Philadelphia Fringe Festival, and she started a podcast of the same name. Other pandemic world premiere projects include David Lang's in nature (The Crossing/Warren Miller Performing Arts Center), Pete Wyer's Spring Street Opera (American Opera Projects), and the release of six different commercial albums with various collaborators. The 2021-22 season features Ms. Montalbano in more world premieres, both live and digital, from a podcast musical by Jennifer Rosenfeld to a work by Lansing McLoskey honoring the 100th anniversary of James Joyce's Ulysses. Ms. Montalbano lives in New Jersey and sings professionally throughout a wide geographic area with such groups as Opera Company of Philadelphia, Trio Eos, and The Crossing. She is passionate about keeping artists employed doing what they do best. Ms. Montalbano currently studies voice with Julianne Baird.

durée : 01:00:13 - Ted Hearne est dans la "Place" ! - par : Thomas Vergracht - Il est des compositeurs qui accomplissent une fantastique carrière dans leur pays. A 38 ans, l’américain Ted Hearne jouit déjà d’une belle réputation et de commandes prestigieuses. Il vient de composer avec le poète et rapper Saul Williams un oratorio intitulé "Place". - réalisé par : Claire Lagarde

Today, Robert Geary, founding Artistic Director of both http://voltisf.org/ (Volti SF) and the https://www.piedmontchoirs.org/ (Piedmont East Bay Children’s Choir), as well as Artistic Director for the http://www.sfchoral.org/site/ (San Francisco Choral Society), stops by the show for a virtual chat about how the diverse membership of his organizations have responded to COVID with a particular focus on producing visual media that goes beyond the virtual choir. We also discuss the advent of the new music scene in the bay area in the 70’s, and talk shop about some new and exciting composers.  Music Excerpts https://open.spotify.com/track/5XTt9kMdiUEF3rwsl2jbCd?si=_WH1I84hQ1CDCkci7mL03g (Klavierstuck V, Work No. 4), by Karlheinz Stockhausen https://open.spotify.com/track/2ZjWTT1Z8E8WhrhL3T0IhN?si=7y3n2nC0QwKf4pU5p1t4AQ (Canticum Sacrum), by Igor Stravinsky, performed by the http://sfsymphony.org (San Francisco Symphony) https://open.spotify.com/track/3QCfUr1mpOx3Y9QnvjMBTx?si=wJG-cgXFT5-MQzAskvA4HA (Sound from the Bench: (Ch)oral argument), by http://www.tedhearne.com/ (Ted Hearne) https://www.youtube.com/watch?v=xi72jlYNMkI&feature=youtu.be (it sounds like all my dreams), by https://www.annehege.com/ (Anne Hege) https://www.dclaymusic.com/singingpuzzles (Singing Puzzles), by https://www.dclaymusic.com/ (Danny Clay) https://www.youtube.com/watch?v=5OfLLFWt4Wk&feature=emb_logo (Ave Maria), Robert Parsons, arr. by http://www.joelchapmanmusic.com (Joel Chapman) https://www.youtube.com/watch?v=ebxvVJwGWek (Quatre Couches) from Suite for Voice and Electronics, by http://www.pamelaz.com/ (Pamela Z ) Theme Song: https://music.apple.com/us/album/mr-puffy/1457011536?i=1457011549 (Mr. Puffy) by Avi Bortnik, arr. by Paul Kim. Performed by http://www.dynamicjazz.dk/ (Dynamic)

We celebrate a string of palindromic dates - 1/20/21 to 1/29/21 - with music written in palindromic form. Music by Martha Horst, Ben Johnston, Frank J. Oteri, Andrew Norman, Ted Hearne, Joseph Schwantner and Bela Bartok.

Sophia Byrd is a senior in the U of I Lyric Theatre program and is one of the performers on Place  by composer Ted Hearne and Librettist/Poet Saul Williams. Place is nominated for GRAMMY awards in Best Chamber Music/Small Ensemble Performance (Ted Hearne, Steven Bradshaw, Sophia Byrd, Josephine Lee, Isaiah Robinson, Sol Ruiz, Ayanna Woods and Place Orchestra) and Best Contemporary Classical Composition (Ted Hearne, composer).Sophia ByrdTed Hearne's PlaceLyric Theatre at IllinoisReggie Chapman, "Cranes in the Sky" (Solange)

Rising w/ The Crossing Track List 1. David Lang (b. 1957) – protect yourself from infection (2019) [5:30] 2. Joby Talbot (b. 1971) – Lost Forever (2000) [3:46] 3. Ēriks Ešenvalds (b. 1977) – Translation (2016) [4:25] 4. Dieterich Buxtehude (1637-1707) – IV. Ad latus from Membra Jesu nostri, BuxWV 75 (1680) [8:10] 5. Paul Fowler (b. 1978) – First Pink (2016) [3:54] 6. David Lang – I. our land with peace from the national anthems (2014) [5:17] 7. Alex Berko (b. 1995) – Lincoln (2018) [5:45] 8. David Lang – IV. keep us free from the national anthems (2014) [4:09] 9. Ted Hearne (b.1982) – What it might say (2016) [4:34] 10. Dieterich Buxtehude – II. Ad genua from Membra Jesu nostri, BuxWV 75 (1680) [8:00] 11. Ēriks Ešenvalds – Earth Teach Me Quiet (2013) [7:18] 12. Santa Ratniece (b. 1977) – Horo horo hata hata (2008) [10:02] Purchase the music (without talk) for only $2.99 at: http://www.classicalsavings.com/store/p1112/Rising.html Your purchase helps to support our show! Classical Music Discoveries is sponsored by La Musica International Chamber Music Festival and Uber. @khedgecock #ClassicalMusicDiscoveries #KeepClassicalMusicAlive #LaMusicaFestival #CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans #CMDGermanOperaCompanyofBerlin #CMDGrandOperaCompanyofBarcelonaSpain #ClassicalMusicLivesOn #Uber Please consider supporting our show, thank you! http://www.classicalsavings.com/donate.html staff@classicalmusicdiscoveries.com

Playlist: Hirofumi Matsuzawa, Ensemble 20/21 - Tune in to the Kaleidoscope of lifeEnsemble Made In Canada - PetroglyphsShaw Pong Liu, Sarah Bob - Never has Been YetNadia Boulanger, Cyrille Dubois, Tristan Raes - Les Heures ClairesTed Hearne, Ashley Bathgate - DaVZ23BzMHOJuliana Hall, Nadine Benjamin, Nicole Panizza - In ReverenceClaude Champagne, Elaine Keillor - Prelude et FiligraneBrian Current, Czech National Symphony Orchestra - Seven Heavenly HallsJan Jarvlepp, Moravian Philharmonic - Camerata Music

Westminster Choir conductor Joe Miller and Marjorie Herman discuss the repertoire and theme of the Westminster Choir's January 2019 tour program titled Half Acre.Taking its title from Dan Messé's lyrical song Half Acre, the program includes choral masterworks ranging from Claudio Monteverdi’s Hor che’l ciel e la terra to Ted Hearne’s thought-provoking Consent to Ēriks Ešenvalds’ evocative Long Road, as well as American folk songs and spirituals.

Ryan continues his conversation with Los Angeles based Filipino composer Saunder Choi. In this episode they delve more deeply into the question of what constitutes an authentic cultural exchange. Saunder makes the case for more fully exploring a culture by going beyond the well-known folk or patriotic songs, and looking to their contemporary poetry and stories. Listen: Highlight to Tweet: “Explore music from other countries that are not folk songs.” -Saunder Choi Show Notes: Culture shock, moving to the US, and being an immigrant composer. (cultural exchange through music) Why musical hybrids are interesting Music, social justice, and why mixing the two is inevitable. Choral music of Asia and why conductors should go past programming on folk songs of that region. (Globalization hazzuh!) Bio: Saunder Choi is an emerging LA based Filipino composer. his works been performed, programmed, recorded and read by the USC Thornton Symphony, Boston Philharmonic Youth Orchestra, Philippine Madrigal Singers, the Crossing Choir, the LA Master Chorale, USC Chamber Singers, Peninsula Women’s Chorus, Kalistos Chamber Orchestra and the Oregon Bach Festival Composers Symposium Chorus. He has been commissioned by the L.A. Choral Lab, Andrea Veneracion International Choral Festival, Salt Lake Choral Artists, SYC Ensemble Singers of Singapore, Choral Arts Initiative, University of the East Chorale, University of Visayas Chorale, etc. As an arranger and orchestrator, Saunder has written Tony Award-winner Lea Salonga, the ABS-CBN Philharmonic Orchestra, Maestro Gerard Salonga, the Tim Janis American Christmas Carol Show at Carnegie Hall, Ballet Philippines, and the Hong Kong production of Pippin. As a vocalist, he sung in groups such as the Philippine Madrigal Singers, LA Choral Lab, Tonality, C3LA, USC Chamber Singers, Boston Choral Ensemble, Lore Vocal Ensemble, etc. He also serves as the choir director at St. Matthew’s Lutheran Church in North Hollywood and teaching artist for Pacific Chorale. Saunder holds composition degrees from USC Thornton School of Music (MM) and Berklee College of Music (BM), where his primary teachers include Ted Hearne, Donald Crockett, and Andrew List. Resources/links Mentioned: Philippine Madrigal Singers Choral Arts Initiative Saunder Choi Saunder Choi on Facebook Choir Nation group on Facebook Email Patreon - Support the podcast! Sponsored by: Sight Reading Factory (Use promo code “NINJA” at checkout for 10 free student accounts!) My Music Folders (Use promo code “NINJA” at checkout for “last column” or best pricing - usually reserved for bulk purchases only!)

Los Angeles based Filipino composer Saunder Choi was raised in a Chinese family, and his diverse cultural background is informing his voice as an emerging choral composer. Saunder’s motive in composition is to use music to facilitate cultural exchange, telling stories that people might not otherwise hear. Ryan and Saunder discuss Philippine choral culture, family business dynamics, dead white guys, and what it was like to be an immigrant during the 2016 election in this first episode of a two-part series. Listen: Highlight to Tweet: “More and more people are composing pieces...that are not settings of poetry by dead white guys.” -Saunder Choi Show Notes: Choral Arts Initiative 5th anniversary concert will premiere of 5 new works by southern California composers, including a new piece by Saunder. Saunder had to make a hard decision to pursue composition in the US, against the expectations that he would remain in the Philippines and help run the family business. After many tours with the Philippine Madrigal Singers performing folk songs from their respective countries, Saunder began to realize that choral music should go beyond folk songs, and reflect the stories of living people. In response to the 2016 election, Saunder reflected heavily on his status as an immigrant in the US. That awareness is infused into his recent works. Bio: Saunder Choi is an emerging LA based Filipino composer. his works been performed, programmed, recorded and read by the USC Thornton Symphony, Boston Philharmonic Youth Orchestra, Philippine Madrigal Singers, the Crossing Choir, the LA Master Chorale, USC Chamber Singers, Peninsula Women’s Chorus, Kalistos Chamber Orchestra and the Oregon Bach Festival Composers Symposium Chorus. He has been commissioned by the L.A. Choral Lab, Andrea Veneracion International Choral Festival, Salt Lake Choral Artists, SYC Ensemble Singers of Singapore, Choral Arts Initiative, University of the East Chorale, University of Visayas Chorale, etc. As an arranger and orchestrator, Saunder has written Tony Award-winner Lea Salonga, the ABS-CBN Philharmonic Orchestra, Maestro Gerard Salonga, the Tim Janis American Christmas Carol Show at Carnegie Hall, Ballet Philippines, and the Hong Kong production of Pippin. As a vocalist, he sung in groups such as the Philippine Madrigal Singers, LA Choral Lab, Tonality, C3LA, USC Chamber Singers, Boston Choral Ensemble, Lore Vocal Ensemble, etc. He also serves as the choir director at St. Matthew’s Lutheran Church in North Hollywood and teaching artist for Pacific Chorale. Saunder holds composition degrees from USC Thornton School of Music (MM) and Berklee College of Music (BM), where his primary teachers include Ted Hearne, Donald Crockett, and Andrew List. Resources/links Mentioned: Philippine Madrigal Singers Choral Arts Initiative Saunder Choi Choir Nation group on Facebook Email Patreon - Support the podcast! Sponsored by: Sight Reading Factory (Use promo code “NINJA” at checkout for 10 free student accounts!) My Music Folders (Use promo code “NINJA” at checkout for “last column” or best pricing - usually reserved for bulk purchases only!)

Recorded in the midst of the worldwide shock and mourning, this episode departs just a bit from the approach we’ve taken so far in Liquid Music Playlist. In the second part of the conversation, “hip hop’s poet laureate” (CNN), Saul Williams, talks extensively about his intimate experiences with the “divine communicator” Prince Rogers Nelson and the enormous impact Prince had on musicians, artists, and listeners alike. Williams begins the interview with insights into his multimedia work MartyrLoserKing, hacking as performance art, and “music as the weapon of the future” (Fela Kuti) as well as his Liquid Music Series performance with the Mivos Quartet, which included the premieres of two brand-new commissions by Jace Clayton and Ted Hearne (co-commissioned with the Givens Foundation for African American Literature). “There are so many people growing up now with manufactured sound – with manufactured artists – with manufactured careers – manufactured ideas wrapped in plastic and sold to you. Prince never allowed that to touch the essence of what he created. Because he understood creation and he understood the potentiality and the power of music and of art itself. And so, if there is any lesson that we can learn from Prince, it’s to continue to let our middle fingers go up to the industry, to the manufacturing of ideas and realize that that divine independence that connects us as human beings – to life, to this planet, to the whole, to the spirit, to love – that we have to continue to investigate that though sound, through voice, through heart, through rhythm, through guitar, through all this stuff, and we cannot let whoever these moguls are get in the way of musical freedom.” – Saul Williams PLAYLIST: 1. Saul Williams: Groundwork from MartyrLoserKing 2. Williams: Horn of the Clock-Bike from MartyrLoserKing 3. Thomas Kessler: Said the Shotgun to the Head – Saul Williams, WDR Symphony Orchestra/Jonathan Stockhammer 4. Kessler: NGH WHT – Saul Williams, Mivos Quartet (unreleased) 5. Prince: God from The Hits/The B-Sides 6. Prince & the Revolution: Sometimes it Snows in April from Parade (Music from Under the Cherry Moon) Special thanks to McNally Smith College of Music for their support.

If you're a composer and you at least partially acknowledge the musical history that came before you, you're left in a tough position. How can you even put pen to paper when so much profound music already exists? Do you disregard it? Build upon it? Scrawl graffiti on its pages or bow in reverence? In this episode we hear music that does a little bit of each in three movements from the solo piano suite Parlour Diplomacy by Brooklyn-based composer Ted Hearne. The composer is joined by pianist-composer Timo Andres for whom the piece was written. They discuss the anxiety of manipulating source material by Johannes Brahms, and compositionally speaking, how to disassociate completely. Special thanks to Ted Hearne and Timo Andres for their use of "Excerpts from Parlour Diplomacy".

Robert is a composer and pianist living in Brooklyn, NY. He co-founded the Sleeping Giant composer collective and co-directs the Fast Forward Austin music festival. You can listen to more of his music at http://www.roberthonstein.com/In our conversation we talk about the importance of staying involved in a new music scene, the delicate balance of collaborations, and being stylistically flexible depending on the circumstances of a commission. The first piece played on this recording was part of a project done by Sleeping Giant and contains music from both Ted Hearne and Robert Honstein.

Philip is a composer living in New York. The piece played in this podcast uses what he calls non-linear feedback system. He is also part of duo called R We Who R We with Ted Hearne who is mentioned in the beginning of this interview.We talk about his life as a jazz guitarist in Charleston and the idea of self-sabotage during an improvisation. You can listen to more of Philip’s music at http://www.prwhite.net/

Greetings! I've been quite busy, to say the least.  Finished up my employment with the U.S. Census, purchased my books for school which starts in a couple of weeks and have started my reading in the glorious field of Speech/Language Pathology.  (A recommended course of action for those, like myself, have been out of the world of graduate academia since the 80's.) Arguably, more important, attending two wonderful shows at MASS MOCA featuring the Bang On A Can Summer Music Festival (http://bangonacan.org/summer_festival).  First was a celebration of International George Crumb Day which featured an afternoon gallery performance of "Music for a Summer Evening (Makrokosmos III)" for 2 pianos and 2 percussionists, followed by a concert performance which included Crumb's string quartet, "Black Angels". The following weekend was the 6 hour Bang On A Can Marathon.  Highlights for me included performances of:  Tom Johnson's, "Narayana's Cows",  Ted Hearne's, "Katrina Ballads",  Michael Gordon's. "Yo, Shakespeare", and Steve Reich's, "Double Sextet".  Should you have the opportunity to attend, it would certainly be worth your time.  (Here is a listing of the full summer festival performance schedule:  http://bangonacan.org/summer_festival/performance_calendar ) As always, please tell your friends about "Pushing The Envelope", the more subscribers, the merrier. (Don't forget to check us out on Facebook and MySpace.) Until next time, Take care, Joel Now onto this week's playlist: Episode 12:  Pushing The Envelope Podcast (6-17-10) Birds & Machines (machine suite) /Gen Ken Montgomery / Birds & Machines (1980 - 1989) / Pogus Productions (2010) http://www.pogus.com Track 1 / Green Flem / Unstable Hairy Back Melodies (2009) http://www.myspace.com/imgreenflem hommage / K. Leimer / degraded certainties / Palace of Lights (2010) http://www.palaceoflights.com Chole and the Pirates /  Soft Machine / NDR Jazz Workshop / Cuneiform Records (2010) http://www.cuneiformrecords.com Beautiful Pea Green Boat / Laurie Anderson / Bright Red Warner Brothers (1994) http://www.laurieanderson.com/projects/ Homespun (topophilia) / Alexander Baker / Deep Wireless 7: Radio Art Compilation New Adventures In Sound Art (2010) http://www.naisa.ca Where Is Home? / Viv Corringham / Deep Wireless 7: Radio Art Compilation New Adventures In Sound Art (2010) http://www.naisa.ca Barugon / Murder Lengendre / Collection Spine Punch Music (2009) http://www.myspace.com/murderlegendre (Re)Bound /Gray Code / Floating Point / Circumvention Music (2010) http://www.circumventionmusic.com Leaves Again / Jake Herzog / Patterns / Buckyball Records (2010) http://www.buckyballmusic.com Fades, Dissolves, Fizzles (1995) / Charles Dodge / A Retrospective (1977 - 2009) / New World Records (2010) http://www.newworldrecords.org My Dad Makes Robots / Jack Curtis Dubowsky  / Vocal Music / De Stijl Music http://www.destijlmusic.com The Super Thing / Devo / New Traditionalists Warner Bros. http://www.clubdevo.com/ Ashtray Man / Blue Sausage / Flight Of The Solstice Queens /  Zero Moon (2010) http://bluesausageinfant.com/ R.P.F. In Tuva (to Richard Feynman) / Gregg Bendian / Definite Pitch Aggregate Music (1994) http://www.greggbendian.com/page.cfm?content=disc_detail&id=13