Podcasts about north hollywood

In this solo episode, Dee Kei gets honest about something nobody in the audio world really wants to say out loud — talent is the most common thing in this industry, and it's rarely what separates the engineers who are thriving from the ones who are struggling. After years of working alongside incredibly gifted mixers who can't keep the lights on, and watching others with average ears build sustainable careers, the pattern is clear: the gap isn't in the DAW.Dee breaks down the real reasons talented engineers stay stuck — from waiting until they feel "ready," to undercharging out of insecurity, to treating their craft like a hobby instead of a business. He talks about the trap of being busy without being strategic, what it actually takes to build a referral pipeline, and why isolation might be the most career-limiting thing a mixer can do.This one is a mindset episode, but it's also practical. Every point has a fix — and none of them require you to get better at mixing.SUBSCRIBE TO OUR PATREON FOR EXCLUSIVE CONTENT!⁠SUBSCRIBE TO YOUTUBE⁠Join the ‘Mixing Music Podcast' Discord!HIRE DEE KEIHIRE LU⁠HIRE JAMES⁠Find Dee Kei and Lu on Social Media:Instagram: @DeeKeiMixes @MasteredbyLu @JamesParrishMixesTwitter: @DeeKeiMixes @MasteredbyLuThe Mixing Music Podcast is sponsored by ⁠Izotope⁠, ⁠Antares (Auto Tune)⁠, Sweetwater, ⁠Plugin Boutique⁠, ⁠Lauten Audio⁠, ⁠Filepass⁠, & ⁠Canva⁠The Mixing Music Podcast is a video and audio series on the art of music production and post-production. Dee Kei, Lu, and James are professionals in the Los Angeles music industry having worked with names like Odetari, 6arelyhuman, Trey Songz, Keyshia Cole, Benny the Butcher, carolesdaughter, Crying City, Daphne Loves Derby, Natalie Jane, charlieonnafriday, bludnymph, Lay Bankz, Rico Nasty, Ayesha Erotica, ATEEZ, Dizzy Wright, Kanye West, Blackway, The Game, Dylan Espeseth, Tara Yummy, Asteria, Kets4eki, Shaquille O'Neal, Republic Records, Interscope Records, Arista Records, Position Music, Capital Records, Mercury Records, Universal Music Group, apg, Hive Music, Sony Music, and many others.This podcast is meant to be used for educational purposes only. This show is filmed and recorded at Dee Kei's private studio in North Hollywood, California. If you would like to sponsor the show, please email us at ⁠deekeimixes@gmail.com⁠.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

In this episode, Dee Kei breaks down how he actually thinks about mixing vocals — and it's probably not what you'd expect. Before touching a plugin, an EQ, or a compressor, the most important step is understanding the intention behind the song. Is it a club banger or an intimate bedroom record? A polished pop vocal or something raw that's supposed to feel that way? Dee explains why blindly applying mixing techniques without reading context is the number one mistake engineers at every level make.From there, he dives into the fundamentals: how low-mids shape intimacy versus energy, why most beginners over-de-ess their vocals, when heavy compression works in your favor and when it fights the song, and how vocal placement in the mix is determined by the density and genre of the track. He also gets real about something not enough people talk about — the rise of intentionally "rough" sounding mixes that are racking up streams, and what that means for how you serve your clients.Whether you're a bedroom producer mixing your first song or a working engineer looking to sharpen your instincts, this episode will shift how you approach every vocal session.SUBSCRIBE TO OUR PATREON FOR EXCLUSIVE CONTENT!⁠SUBSCRIBE TO YOUTUBE⁠Join the ‘Mixing Music Podcast' Discord!HIRE DEE KEIHIRE LU⁠HIRE JAMES⁠Find Dee Kei and Lu on Social Media:Instagram: @DeeKeiMixes @MasteredbyLu @JamesParrishMixesTwitter: @DeeKeiMixes @MasteredbyLuThe Mixing Music Podcast is sponsored by ⁠Izotope⁠, ⁠Antares (Auto Tune)⁠, Sweetwater, ⁠Plugin Boutique⁠, ⁠Lauten Audio⁠, ⁠Filepass⁠, & ⁠Canva⁠The Mixing Music Podcast is a video and audio series on the art of music production and post-production. Dee Kei, Lu, and James are professionals in the Los Angeles music industry having worked with names like Odetari, 6arelyhuman, Trey Songz, Keyshia Cole, Benny the Butcher, carolesdaughter, Crying City, Daphne Loves Derby, Natalie Jane, charlieonnafriday, bludnymph, Lay Bankz, Rico Nasty, Ayesha Erotica, ATEEZ, Dizzy Wright, Kanye West, Blackway, The Game, Dylan Espeseth, Tara Yummy, Asteria, Kets4eki, Shaquille O'Neal, Republic Records, Interscope Records, Arista Records, Position Music, Capital Records, Mercury Records, Universal Music Group, apg, Hive Music, Sony Music, and many others.This podcast is meant to be used for educational purposes only. This show is filmed and recorded at Dee Kei's private studio in North Hollywood, California. If you would like to sponsor the show, please email us at ⁠deekeimixes@gmail.com⁠.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Kyle brings on Greg Hoey to tell the stories of the Hollywood Bandit and the 1997 North Hollywood shootout at the Bank of America on Laurel Canyon.Check out Greg Hoey on You Gonna Eat That Crust? And the Pizza Bones True Crime Podcasts.

Valley of Fire Records released "Judge Jackson: Chapter One," marking the 10th anniversary of the passing of guitarist and co-founder Lee Jackson. This release commemorates the beginnings of the band's history and the vibrant stories from the creatively rich compound known as The Junkyard in North Hollywood, CA. Additionally, the lyric video for the song "Knucklehead" was unveiled on the same day.Long before their music featured in a Super Bowl, NASCAR race, and collaborations with an Oscar winner (notably, Billy Bob Thornton), Judge Jackson established themselves as the soundtrack to many people's lives. The origins of Judge Jackson date back to 1995, when vocalist and lyricist Todd McTavish, who had moved from Canada where he once played in a band with Shania Twain as a backup vocalist, partnered with guitarist and songwriter Lee Jackson in Los Angeles. Together with bassist Ryan Rogers and drummer Chris Pendleton, they diligently performed in the local club circuit, gradually cultivating a devoted local following. By 1998, the band released its debut album, followed shortly by a second CD, titled "8068."The initial CD releases have been out of print for years; however, these 18 songs are now being re-released digitally in 2026. The tracks have been remastered by producer Tim Narducci for Valley of Fire Records, with the first release being the fan favorite and bike rally anthem, “Knucklehead,” on January 1, 2026, coinciding with the 5th anniversary of Valley of Fire Records. This remastered collection features 18 songs that are now available on all digital and streaming platforms. We invite you to join us in celebrating the life and music of Lee Jackson.Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-like-it-s-live--4113802/support.

Hey Dude, I celebrate the long and winding journey of my old friend writer/producer Tom Purcell, who booked the ultimate celebrity for the grand finale of The Late Show with Stephen Colbert at the Ed Sullivan Theater. QUOTE: "...he's only my third favorite Beatle." CAST: Stephen Colbert, Jimmy Fallon, The Roots, Jimmy Kimmel, David Letterman, Adam Carolla, Ray Oldhafer, Marc Maron, Ed Sullivan, Tom Purcell, David Cross, Bob Odenkirk, Dan Klass, Stan Hillas, Jamie Kennedy, Leonardo DiCaprio, John Leguizamo, Jim Morrison, The Doors, David Letterman, Paul McCartney, The Beatles, Elvis Presley, Jon Batiste, Elvis Costello, Paul Shaffer, Achilles, Taylor Swift, John Lennon, George Harrison, Ringo Starr LOCATIONS: Hollywood, Hollywood Walk of Fame, North Hollywood, North Hollywood High School, Upfront Comedy Showcase, New York City, Ed Sullivan Theater, Chicago, Second City PROPS: "Unbuckled", The Late Show, Tonight Show, Jimmy Kimmel Live, Podcast Hall of Fame, Ed Sullivan Show, Mr. Show with Bob and David, Jamie Kennedy Experiment, Scream, Romeo + Juliet, Late Night with David Letterman, Hello Goodbye, Odyssey, Illiad, Star Wars, Rubber Soul, Sgt. Pepper, White Album SOUNDS: plane,  Laguna Sawdust Cowbell Chimes  (more cowbell), birds  PHOTO: "Tom Purcell the Coyote" shot with my iPhone XS RECORDED: May 30, 2026  in "The Cafe" under the flight path of the Hollywood Burbank Airport in Burbank, California GEAR: Zoom H1 XLR with Sennheiser MD 46 microphone. TOTAL RUNNING TIME: 23:08 FILE SIZE: ~ 23 MB GENRES: storytelling, personal storytelling, personal journal, journal, personal narrative, audio, audio blog, confessional  HYPE: "It's a beatnik kinda literary thing in a podcast cloak of darkness." Timothy Kimo Brien (cohost on Podwrecked and host of Create Art Podcast) DISCLAIMER/WARNING: Proudly presented rough, raw and ragged. Seasoned with salty language and ideas. Not for most people's taste. Please be advised.

In Episode 375 of the Mixing Music Podcast, Dee Kei and James break down a tier list for client acquisition in the music industry, inspired by a video from Panorama Mixing and Mastering. They discuss what actually works for getting mixing and production clients, what sounds good in theory but rarely converts, and why repeat clients and word of mouth still dominate almost everything else.The conversation covers networking events, Instagram outreach, YouTube, educational content, spec mixes, referrals, local music scenes, label relationships, free work, websites, paid ads, and cold DMs. Along the way, Dee Kei and James share personal stories from their own careers, including what helped them grow, what failed completely, and how different strategies change depending on your city, pricing, and stage of career.The bigger takeaway is that most successful audio careers are built less on “hacks” and more on trust, consistency, relationships, and staying active long enough for momentum to compound. This is a practical episode for mixers, producers, and engineers trying to figure out where to actually spend their time and energy. SUBSCRIBE TO OUR PATREON FOR EXCLUSIVE CONTENT!⁠SUBSCRIBE TO YOUTUBE⁠Join the ‘Mixing Music Podcast' Discord!HIRE DEE KEIHIRE LU⁠HIRE JAMES⁠Find Dee Kei and Lu on Social Media:Instagram: @DeeKeiMixes @MasteredbyLu @JamesParrishMixesTwitter: @DeeKeiMixes @MasteredbyLuThe Mixing Music Podcast is sponsored by ⁠Izotope⁠, ⁠Antares (Auto Tune)⁠, Sweetwater, ⁠Plugin Boutique⁠, ⁠Lauten Audio⁠, ⁠Filepass⁠, & ⁠Canva⁠The Mixing Music Podcast is a video and audio series on the art of music production and post-production. Dee Kei, Lu, and James are professionals in the Los Angeles music industry having worked with names like Odetari, 6arelyhuman, Trey Songz, Keyshia Cole, Benny the Butcher, carolesdaughter, Crying City, Daphne Loves Derby, Natalie Jane, charlieonnafriday, bludnymph, Lay Bankz, Rico Nasty, Ayesha Erotica, ATEEZ, Dizzy Wright, Kanye West, Blackway, The Game, Dylan Espeseth, Tara Yummy, Asteria, Kets4eki, Shaquille O'Neal, Republic Records, Interscope Records, Arista Records, Position Music, Capital Records, Mercury Records, Universal Music Group, apg, Hive Music, Sony Music, and many others.This podcast is meant to be used for educational purposes only. This show is filmed and recorded at Dee Kei's private studio in North Hollywood, California. If you would like to sponsor the show, please email us at ⁠deekeimixes@gmail.com⁠.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

*** Content Warning: gun violence ***When Larry Phillips Junior and Emil Mătăsăreanu entered the North Hollywood branch of the Bank of America on February 28 1997, no one could have predicted the chaos that was about to ensue. What followed was 44 minutes of pure mayhem.---Casefile Archives is a series of special bonus releases revisiting the earliest years of the show. The re-run episodes have been completely edited, polished, re-recorded and freshly produced from start to finish to match our current production standards. They are not complete rewrites - our goal wasn't to alter the cases or reshape the writing, but to preserve the original storytelling while giving the production the refinement it didn't have when we started the show back in 2016. Where appropriate, updates have been added, but the core structure and storytelling remain faithful to the originals. Because of this, these re-releases may sound a little different to our recent episodes, but they allow us to bring some of the earliest episodes up to the technical quality listeners expect today.---Narration – Anonymous HostResearch & writing – Anonymous Host & Elsha McGill Production & music – Mike MigasAudio editing – Anthony TelferSign up for Casefile Premium:Apple PremiumSpotify PremiumPatreonFor all credits and sources, please visit https://casefilepodcast.com/casefile-archives-11-north-hollywood-shootout Hosted on Acast. See acast.com/privacy for more information.

Follow EMM everywhere  @EMMINREALLIFE  Join us on Patreon!: https://www.patreon.com/CCTVPOPSFollow us on social media: https://linktr.ee/cctvpopsGo check out Vizzcast in NYC for your podcasting, broadcast and content creation needs! Book at ⁠https://vizzcast.com⁠ EMM has spent a decade building one of the most ambitious independent pop universes out there!For this POP 101, Chantel Nicole is joined by recurring guest host Jasmine Stephen (producer at The Kelly Clarkson Show) for an in-person sit-down with self-made alt-pop visionary EMM, recorded in NYC the day of her Brooklyn stop on the Dumb World Tour. Over 200 million streams, 80 tour dates, four conceptual album eras, and zero major label calling the shots. EMM is the kind of artist the industry doesn't quite know how to categorize - and that's exactly the point.We take a guided tour through her universe: growing up in an evangelical household with classical-musician parents in Traverse City, Michigan, moving to NYC alone at 16, and building her 2016 debut Burning In The Dark from a North Hollywood apartment with nothing but a laptop, a mic, and a keyboard. Then the gemstone trilogy - EMERALD, RUBY, and SAPPHIRE - that built her independent empire chapter by chapter. And finally BLACK DIAMOND, the 2025 villain pivot where EMM stopped trying to please the industry and leaned all the way into feminist rage, John the Baptist imagery, and a pop universe the algorithm was never built for.References:“Freedom” MV https://www.youtube.com/watch?v=seBAAcEcp6U&pp=ygULZW1tIGZyZWVkb20%3D “END” MV https://youtu.be/WqH-G4D0LEk?si=mbO7OeCGNV6q2y_i “THANK YOU FOR RUINING MY LIFE” Visualizer https://www.youtube.com/watch?v=ibzBzS6_0OE&pp=ygUhZW1tIHRoYW5rIHlvdSBmb3IgcnVpbmluZyBteSBsaWZl “DUMB” Visualizer https://www.youtube.com/watch?v=IYRq_THhcuk&pp=ygUIZW1tIGR1bWLSBwkJBAsBhyohjO8%3D “EAT MY ACID” Visualizer https://www.youtube.com/watch?v=m9ttIDq-coE&pp=ygUPZW1tIGVhdCBteSBhY2lk “THANK YOU FOR RUINING MY LIFE” Cockroach Version https://www.youtube.com/watch?v=DoEMqTeSQTM&pp=ygUNZW1tIGNvY2tyb2FjaA%3D%3D

In Episode 373 of the Mixing Music Podcast, Dee Kei sits down with multi-platinum mixer Austin Seltzer to talk about the real-world habits that separate professional mixers from amateurs.They dive into major label workflows, quality control, revision culture, stem prep, client communication, pricing, managers, points, mixing for indie artists vs major artists, and why sending a mix too early can hurt your career. Austin also shares practical advice on systems, professionalism, politics in the music industry, and how treating every mix like a major release can completely change your trajectory.This episode is packed with honest insight for engineers, producers, and mixers trying to level up both creatively and professionally.SUBSCRIBE TO OUR PATREON FOR EXCLUSIVE CONTENT!⁠SUBSCRIBE TO YOUTUBE⁠Join the ‘Mixing Music Podcast' Discord!HIRE DEE KEIHIRE LU⁠HIRE JAMES⁠Find Dee Kei and Lu on Social Media:Instagram: @DeeKeiMixes @MasteredbyLu @JamesParrishMixesTwitter: @DeeKeiMixes @MasteredbyLuThe Mixing Music Podcast is sponsored by ⁠Izotope⁠, ⁠Antares (Auto Tune)⁠, Sweetwater, ⁠Plugin Boutique⁠, ⁠Lauten Audio⁠, ⁠Filepass⁠, & ⁠Canva⁠The Mixing Music Podcast is a video and audio series on the art of music production and post-production. Dee Kei, Lu, and James are professionals in the Los Angeles music industry having worked with names like Odetari, 6arelyhuman, Trey Songz, Keyshia Cole, Benny the Butcher, carolesdaughter, Crying City, Daphne Loves Derby, Natalie Jane, charlieonnafriday, bludnymph, Lay Bankz, Rico Nasty, Ayesha Erotica, ATEEZ, Dizzy Wright, Kanye West, Blackway, The Game, Dylan Espeseth, Tara Yummy, Asteria, Kets4eki, Shaquille O'Neal, Republic Records, Interscope Records, Arista Records, Position Music, Capital Records, Mercury Records, Universal Music Group, apg, Hive Music, Sony Music, and many others.This podcast is meant to be used for educational purposes only. This show is filmed and recorded at Dee Kei's private studio in North Hollywood, California. If you would like to sponsor the show, please email us at ⁠deekeimixes@gmail.com⁠.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

“Now you know why they call me Dirty Harry, every dirty job that comes along.”Just as audiences didn't know how much they needed Dirty Harry until he showed up on a movie screen in 1971, residents of Los Angeles had no idea how much they needed Spencer Pratt until they saw him face off against two of the leading candidates for Mayor of Los Angeles, Karen Bass and Nithya Raman.Bass and Raman couldn't even answer simple questions, like whether illegal immigrants should be able to vote or whether there should be homeless encampments outside elementary schools. And every time the camera cut to Pratt, his reaction was always the same: “ You have got to be kidding me.”He spoke truths no one in the Democratic Party ever could or would because they don't have to. They are never asked hard questions they don't already have answers to, and they are never challenged as directly as they were by Spencer Pratt.They're also protected by the legacy media, by Hollywood, by late-night comedy. As long as they properly virtue signal and obey the rules of Woketopia, no one ever holds them accountable for the problems in a city overrun by crime, drugs, and homelessness. Until now.Pratt wiped up the floor with Bass and Raman, so much so that they have now dropped out of a debate by the League of Women Voters that would have been held on May 13th. Now, it's been canceled because someone, somewhere, told them they'd do better if they employed the Biden basement strategy: stay out of sight and let the system win the election. The Democrats and Hollywood have the same problem. They can't tell the truth. Just as in 1971, when Dirty Harry sliced through the pretense like a hot knife through ice cream, so too has Spencer Pratt gotten our attention with his innovative campaign and simple, common-sense messaging, in an entertaining, imaginative way. True, AI might be the beginning of the end, but the way Pratt uses it has expanded the possibilities. With the help of Charles Curran, whose studio is responsible for many of these, we can now see how useful AI can be for creating an effective, viral campaign ad without the heavy lift of an entire production company and millions of dollars in campaign funds. This is AI at a grassroots level, but in its own way, it's also artful commentary, the kind we never see aimed at the Left.AI, now in Pratt's hands, poses an unpredictable threat to the opposition, who will figure it out soon enough. It is also a threat to Hollywood for the same reasons. It doesn't have to be politically correct or rely on partisan celebrities to approve of the messaging. AI also cuts through the noise, like Dirty Harry, like Spencer Pratt, because it represents freedom at a time of extremely oppressive micro-managing over all culture, and film especially.Dirty Harry was politically incorrect, but it told the truth at a time when most people were too afraid to talk about the soft-on-crime policies in the wake of the counterculture revolution. Too many rapes and serial killers on the rise, too many hippies, the Zodiac killer, the Manson murders - crime was everywhere, yet the culture of the time wasn't exactly tuned in. If critics in the 1970s thought Dirty Harry was fascist, as Pauline Kael did, ordinary Americans - Nixon's Silent Majority - felt seen.And now, residents of Los Angeles, many of them too poor to afford homes in the gated communities of the rich and famous who fund Mayor Karen Bass, might feel seen in the passionate messaging of Spencer Pratt. His voice is urgent in a time of complacency. He sees the problems the Left ignores. He speaks the truth when everyone else parrots the comforting lies. Los Angeles has been neglected for far too long, with the wildfires that burned down Pratt's home becoming the tipping point. It was time for someone to rise up and say enough is enough. They don't know how to deal with a shooting star like Pratt. When the Democrats try to dismiss him as a fame-hungry reality star, he hits them with something moving and undeniable. It's true that Pratt was the enfant terrible of a mid-aughts reality show called The Hills. Not exactly the kind of leader people who shop at Erewon after doing hot yoga on La Brea have in mind for a leader. But his sincerity shines through. This is personal, and we can feel it. He says Bass has the unions and the money, but he has the moms. He has Democrats and Conservatives backing him. They call him MAGA, but he really isn't. He is the first politician who is genuinely attempting to run a non-partisan campaign and actually reach across the aisle, which is exactly the hero America needs right now, not just in LA, but everywhere. It's hard not to be won over by Spencer Pratt because he is so sincere. All of that manic bluster from the old days of The Hills has clearly been transformed by the trauma of his house burning down in a fire that the city should have been more prepared for, to put it mildly. He is campaigning like he means it, projecting the kind of urgency many Los Angeles residents feel every day as they watch their government do nothing to change things. Why has no one ever even bothered asking these questions? Because they are too afraid. The problems in LA have been ignored for far too long. The street takeovers that terrorize the working-class parts of the city.Random attacks of violence:Crime and drugs in parks that should be safe for families. And of course, the 70,000+ homeless population, only a small percentage of which choose to be sheltered. Whether you pay money or give food or try to help the people on the street, it almost always comes back to the same hard truth: they are mostly wild things of the street who do not want to follow the rules of shelters, either because they don't allow pets or they don't allow drugs and alcohol, or they can't be inside anywhere without burning the place down. And there are so many rich people in LA willing to give them money. Why would they give it up? And this you are not even allowed to think or say, lest you be condemned as heartless.There are decent people in LA, people I know, who have spent their lives devoted to trying to help. They want the story to be that many of them can't afford to live in a country run by billionaires. But the truth is harder to face. The truth is that many of them should not be on the streets because they're a harm to themselves or to others. The truth is that many of them are extremely mentally ill or lifelong drug addicts.It's so bad now that reports have emerged that addicts are testing dogs to see if the drugs are safe. The dogs are chained. The dogs are fighting. The dogs are starving. For every dog that's well taken care of, there are far more that are being horrifically abused, and Spencer Pratt cares enough to talk about it. A Tale of Two CitiesLos Angeles is two cities. In one, the wealthy make movies and drive through their protected, gated parking lots, then retreat to their homes in gated communities in the hills. Sunset Boulevard is a showcase for that mask of extreme wealth, like Malibu, Beverly Hills, and the Platinum Triangle.Spencer Pratt's home was in the wealthy enclave of the Pacific Palisades, which burned to rubble during the wildfires. By all rights, he should be protecting the wealthy, who were his neighbors. He's a guy who went to Crossroads, after all, the school where celebrities send their kids. That isn't what he's doing. He's speaking now for the everyday resident of the city, whether rich or poor. He wants to clean up the streets. He wants to fix what's broken. He wants the streets, parks, and schools to be safe for kids and families, and he wants to save the dogs. Do we hear any of the Democrats talking about this?In 2009, a 17-year-old named Lily Burk drove to downtown LA to run an errand for her mother and to practice her driving. She attended one of those expensive private schools in North Hollywood and had a promising future. She was abducted by a registered sex offender with a rap sheet who'd left a treatment facility that day. He demanded that she get him money from the ATM, but she only had a credit card. He smashed her face against the dashboard and slit her throat. Half an hour later, he was drinking beer and smoking crack on Skid Row before the police even found Burk's body.I remember that story. I remember how awkward it was to talk about because the perp was black and Burk was white. But for me, it was a wakeup call, and I instilled in my daughter the message: do not be a guilty liberal. Protect yourself. Be afraid, no matter what. But it was a secret that passed between us, one we could never say out loud. That is what it is like to live as a progressive in LA. The problem of crime and homelessness in LA is like the problem of illegal immigration. No one talks about those who are murdered, but that is the baseline of what American citizens deserve. These are crimes that could have been prevented if only we could tell the truth and our politicians had listened. Dirty Harry was a hit. Audiences were hungry for his brand of justice, where the bad guys get what's coming to them because Harry Callahan cuts through the bureaucracy and enacts his own brand of justice. America, then as now, was shifting away from the wild days of the hippie revolution and toward a more secure, safer America by 1980, with Ronald Reagan. Dirty Harry was only the beginning. Spencer Pratt might not win. LA is as blue as it gets. I don't live there anymore. I wish I did, just so I could vote for him. But in a way, it doesn't really change what his presence in politics has meant to so many of us - especially those of us in California who know the game and have gotten so sick of playing it. We need more heroes who can speak the truth. Spencer Pratt has arrived just in time. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.sashastone.com/subscribe

In Episode 372 of the Mixing Music Podcast, Dee Kei and Lu talk about how mix engineers build real confidence. They break down the difference between results-based confidence, where your confidence depends on client approval, clean revisions, or a perfect session, and a deeper confidence built through preparation, experience, systems, and consistency.The conversation covers revision notes, rejected mixes, stressful sessions, client communication, professional workflows, branding, practice, and why confidence cannot come only from good outcomes. Dee Kei and Lu also discuss faith, fear, imposter syndrome, clear conscience, and how staying calm under pressure helps clients trust you more.This episode is for engineers, producers, and creatives who want to build lasting confidence without relying on validation, luck, or every mix going perfectly. SUBSCRIBE TO OUR PATREON FOR EXCLUSIVE CONTENT!⁠SUBSCRIBE TO YOUTUBE⁠Join the ‘Mixing Music Podcast' Discord!HIRE DEE KEIHIRE LU⁠HIRE JAMES⁠Find Dee Kei and Lu on Social Media:Instagram: @DeeKeiMixes @MasteredbyLu @JamesParrishMixesTwitter: @DeeKeiMixes @MasteredbyLuThe Mixing Music Podcast is sponsored by ⁠Izotope⁠, ⁠Antares (Auto Tune)⁠, Sweetwater, ⁠Plugin Boutique⁠, ⁠Lauten Audio⁠, ⁠Filepass⁠, & ⁠Canva⁠The Mixing Music Podcast is a video and audio series on the art of music production and post-production. Dee Kei, Lu, and James are professionals in the Los Angeles music industry having worked with names like Odetari, 6arelyhuman, Trey Songz, Keyshia Cole, Benny the Butcher, carolesdaughter, Crying City, Daphne Loves Derby, Natalie Jane, charlieonnafriday, bludnymph, Lay Bankz, Rico Nasty, Ayesha Erotica, ATEEZ, Dizzy Wright, Kanye West, Blackway, The Game, Dylan Espeseth, Tara Yummy, Asteria, Kets4eki, Shaquille O'Neal, Republic Records, Interscope Records, Arista Records, Position Music, Capital Records, Mercury Records, Universal Music Group, apg, Hive Music, Sony Music, and many others.This podcast is meant to be used for educational purposes only. This show is filmed and recorded at Dee Kei's private studio in North Hollywood, California. If you would like to sponsor the show, please email us at ⁠deekeimixes@gmail.com⁠.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

This week we are chatting with Ailish Hill! You probably know her as host of the One Movement community dance classes that happen 2nd and 4th Fridays at Evolution Studios in North Hollywood (for free!). But did you know she moved to LA at 18 to pursue the dance industry? She did the Millennium summer intensive before that and was so grateful a door opened right away for her to move here officially. She was also so grateful for Millennium's unlimited monthly membership at $99 a month! She got signed soon after and was performing and going on auditions. But through a series of events including moving away for a bit and coming back, God led her to a new way of dancing: with her church, One LA. Ailish knew nothing of "dance ministry" and never would have thought she'd end up leading one. But now, here she is, 10+ years later, heading up One Movement where she choreographs for church performances and classes. She also brings in amazing teachers and encourages so many people to grow in their dance abilities as well as their faith. Tune in to the full episode to hear all the details along with what Ailish is still hoping for in her life and dance journey.Follow our dance journeys on Instagram:@geturgruvon@DanceJourneyPodcast@TracyinLA

In Episode 371 of the Mixing Music Podcast, Dee Kei and Lu have a more relaxed, reflective conversation about life, creativity, and staying inspired in audio. Dee Kei talks about moving through different phases as an engineer, from early excitement, to getting lost in technical details, to eventually trying to reconnect the emotional side of music with a deeper technical curiosity.They discuss gear research, learning from other engineers, Atmos and surround mixing, studio upgrades, creative plateaus, and the desire to fall back in love with mixing after feeling stuck. The conversation also opens up into fatherhood, having a third child, balancing family with a creative career, contentment versus complacency, and why responsibility can sometimes create more purpose instead of limiting ambition.This episode is part audio reflection, part life update, and part creative reset for anyone trying to stay curious, authentic, and motivated in a long-term music career.SUBSCRIBE TO OUR PATREON FOR EXCLUSIVE CONTENT!⁠SUBSCRIBE TO YOUTUBE⁠Join the ‘Mixing Music Podcast' Discord!HIRE DEE KEIHIRE LU⁠HIRE JAMES⁠Find Dee Kei and Lu on Social Media:Instagram: @DeeKeiMixes @MasteredbyLu @JamesParrishMixesTwitter: @DeeKeiMixes @MasteredbyLuThe Mixing Music Podcast is sponsored by ⁠Izotope⁠, ⁠Antares (Auto Tune)⁠, Sweetwater, ⁠Plugin Boutique⁠, ⁠Lauten Audio⁠, ⁠Filepass⁠, & ⁠Canva⁠The Mixing Music Podcast is a video and audio series on the art of music production and post-production. Dee Kei, Lu, and James are professionals in the Los Angeles music industry having worked with names like Odetari, 6arelyhuman, Trey Songz, Keyshia Cole, Benny the Butcher, carolesdaughter, Crying City, Daphne Loves Derby, Natalie Jane, charlieonnafriday, bludnymph, Lay Bankz, Rico Nasty, Ayesha Erotica, ATEEZ, Dizzy Wright, Kanye West, Blackway, The Game, Dylan Espeseth, Tara Yummy, Asteria, Kets4eki, Shaquille O'Neal, Republic Records, Interscope Records, Arista Records, Position Music, Capital Records, Mercury Records, Universal Music Group, apg, Hive Music, Sony Music, and many others.This podcast is meant to be used for educational purposes only. This show is filmed and recorded at Dee Kei's private studio in North Hollywood, California. If you would like to sponsor the show, please email us at ⁠deekeimixes@gmail.com⁠.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

In Episode 370 of the Mixing Music Podcast, Dee Kei and Lu continue their true-or-false format and dig into even more of the beliefs, myths, and gray areas that shape music production and audio careers. This round covers everything from whether you should mix and master your own music, to whether analog gear is really better, whether Pro Tools still matters, and whether networking outweighs skill.They also get into social media, working for free early in your career, standing out in a crowded industry, perfectionism, arrangement vs mix importance, and what actually makes a great mixer. One of the strongest themes in the episode is that audio is never just technical. Great mixing is also about psychology, emotion, decision-making, and understanding how to help artists feel confident in what they are making.This is a sharp, practical episode for engineers, producers, and artists who want more nuance than the usual black-and-white advice. SUBSCRIBE TO OUR PATREON FOR EXCLUSIVE CONTENT!⁠SUBSCRIBE TO YOUTUBE⁠Join the ‘Mixing Music Podcast' Discord!HIRE DEE KEIHIRE LU⁠HIRE JAMES⁠Find Dee Kei and Lu on Social Media:Instagram: @DeeKeiMixes @MasteredbyLu @JamesParrishMixesTwitter: @DeeKeiMixes @MasteredbyLuThe Mixing Music Podcast is sponsored by ⁠Izotope⁠, ⁠Antares (Auto Tune)⁠, Sweetwater, ⁠Plugin Boutique⁠, ⁠Lauten Audio⁠, ⁠Filepass⁠, & ⁠Canva⁠The Mixing Music Podcast is a video and audio series on the art of music production and post-production. Dee Kei, Lu, and James are professionals in the Los Angeles music industry having worked with names like Odetari, 6arelyhuman, Trey Songz, Keyshia Cole, Benny the Butcher, carolesdaughter, Crying City, Daphne Loves Derby, Natalie Jane, charlieonnafriday, bludnymph, Lay Bankz, Rico Nasty, Ayesha Erotica, ATEEZ, Dizzy Wright, Kanye West, Blackway, The Game, Dylan Espeseth, Tara Yummy, Asteria, Kets4eki, Shaquille O'Neal, Republic Records, Interscope Records, Arista Records, Position Music, Capital Records, Mercury Records, Universal Music Group, apg, Hive Music, Sony Music, and many others.This podcast is meant to be used for educational purposes only. This show is filmed and recorded at Dee Kei's private studio in North Hollywood, California. If you would like to sponsor the show, please email us at ⁠deekeimixes@gmail.com⁠.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Hey Dude, an old flyer for a show I did back in my NoHo Arts District days, leads to a serious questioning about whether GenX is really my generation.  QUOTE: "[To a] person born in 1980. Hey, what did you think of the 70s?" CAST: Ming Ming, R2-D2, Ken Dougherty, Dan Klass, David Letterman, Spalding Gray, Brother Theodore, Elayne Boosler LOCATIONS: NoHo Arts District, SoHo, Performance Garage, New York City, Hollywood, North Hollywood, North Hollywood High School,  PROPS: GenX Singles, Late Night with David Letterman, Star Wars, Star Wars Generation, True Detective, Pulp Fiction, Story Salon, Swimming to Cambodia, Karaoke SOUNDS: crows, footsteps, gravel  Laguna Sawdust Cowbell Chimes  (more cowbell), birds, planes, wind PHOTO: "Lance Sex Flyer" shot with my iPhone XS RECORDED: April 18, 2026  in "The Cafe" under the flight path of the Hollywood Burbank Airport in Burbank, California GEAR: Zoom H1 XLR with Sennheiser MD 46 microphone. TOTAL RUNNING TIME: 22:31 FILE SIZE: ~ 20 MB GENRES: storytelling, personal storytelling, personal journal, journal, personal narrative, audio, audio blog, confessional  HYPE: "It's a beatnik kinda literary thing in a podcast cloak of darkness." Timothy Kimo Brien (cohost on Podwrecked and host of Create Art Podcast) DISCLAIMER/WARNING: Proudly presented rough, raw and ragged. Seasoned with salty language and ideas. Not for most people's taste. Please be advised.

Tim Conway Jr. Hour 2 (4.15)

In Episode 369 of the Mixing Music Podcast, Dee Kei and Lu take a true-or-false format and use it to unpack some of the biggest myths and half-truths in music, mixing, and the audio industry. What starts with a Discord question about whether clients should ever receive a mix you are not proud of turns into a bigger conversation about taste, service, flexibility, and what great engineers actually do.They dig into whether natural talent is required to become great at music, whether a mix that sounds good in mono sounds good everywhere, whether subs should always be mono, whether success is measured by streams, whether artists can really make a living from Spotify, and whether you have to move to LA to make it in music. They also touch on reference tracks, client expectations, and how personal ego can distort the way people think about careers and craft.This is a fun but honest episode that mixes hot takes with real nuance, especially for engineers, producers, and artists trying to think more clearly about success, taste, and what actually matters in music. SUBSCRIBE TO OUR PATREON FOR EXCLUSIVE CONTENT!⁠SUBSCRIBE TO YOUTUBE⁠Join the ‘Mixing Music Podcast' Discord!HIRE DEE KEIHIRE LU⁠HIRE JAMES⁠Find Dee Kei and Lu on Social Media:Instagram: @DeeKeiMixes @MasteredbyLu @JamesParrishMixesTwitter: @DeeKeiMixes @MasteredbyLuThe Mixing Music Podcast is sponsored by ⁠Izotope⁠, ⁠Antares (Auto Tune)⁠, Sweetwater, ⁠Plugin Boutique⁠, ⁠Lauten Audio⁠, ⁠Filepass⁠, & ⁠Canva⁠The Mixing Music Podcast is a video and audio series on the art of music production and post-production. Dee Kei, Lu, and James are professionals in the Los Angeles music industry having worked with names like Odetari, 6arelyhuman, Trey Songz, Keyshia Cole, Benny the Butcher, carolesdaughter, Crying City, Daphne Loves Derby, Natalie Jane, charlieonnafriday, bludnymph, Lay Bankz, Rico Nasty, Ayesha Erotica, ATEEZ, Dizzy Wright, Kanye West, Blackway, The Game, Dylan Espeseth, Tara Yummy, Asteria, Kets4eki, Shaquille O'Neal, Republic Records, Interscope Records, Arista Records, Position Music, Capital Records, Mercury Records, Universal Music Group, apg, Hive Music, Sony Music, and many others.This podcast is meant to be used for educational purposes only. This show is filmed and recorded at Dee Kei's private studio in North Hollywood, California. If you would like to sponsor the show, please email us at ⁠deekeimixes@gmail.com⁠.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

In Episode 368 of the Mixing Music Podcast, Dee Kei and Lu tackle a question that comes up constantly: how do you maintain work-life balance while building a serious music career, especially with a spouse, kids, and the uncertainty that comes with creative work?With Dee Kei preparing for the birth of his third child, the conversation becomes a personal one. He breaks down the biggest misconception around balance, which is the idea that it is some permanent state you eventually arrive at. Instead, the episode explores work-life balance as something fluid, imperfect, and constantly changing based on your season of life, your values, your relationships, and your responsibilities.They also get into boundaries, flexibility, commitment, marriage, career ambition, and how family can shape motivation rather than destroy it. This is a thoughtful episode for anyone trying to navigate music, purpose, relationships, and the reality of building a meaningful life without waiting for things to feel perfectly stable. SUBSCRIBE TO OUR PATREON FOR EXCLUSIVE CONTENT!⁠SUBSCRIBE TO YOUTUBE⁠Join the ‘Mixing Music Podcast' Discord!HIRE DEE KEIHIRE LU⁠HIRE JAMES⁠Find Dee Kei and Lu on Social Media:Instagram: @DeeKeiMixes @MasteredbyLu @JamesParrishMixesTwitter: @DeeKeiMixes @MasteredbyLuThe Mixing Music Podcast is sponsored by ⁠Izotope⁠, ⁠Antares (Auto Tune)⁠, Sweetwater, ⁠Plugin Boutique⁠, ⁠Lauten Audio⁠, ⁠Filepass⁠, & ⁠Canva⁠The Mixing Music Podcast is a video and audio series on the art of music production and post-production. Dee Kei, Lu, and James are professionals in the Los Angeles music industry having worked with names like Odetari, 6arelyhuman, Trey Songz, Keyshia Cole, Benny the Butcher, carolesdaughter, Crying City, Daphne Loves Derby, Natalie Jane, charlieonnafriday, bludnymph, Lay Bankz, Rico Nasty, Ayesha Erotica, ATEEZ, Dizzy Wright, Kanye West, Blackway, The Game, Dylan Espeseth, Tara Yummy, Asteria, Kets4eki, Shaquille O'Neal, Republic Records, Interscope Records, Arista Records, Position Music, Capital Records, Mercury Records, Universal Music Group, apg, Hive Music, Sony Music, and many others.This podcast is meant to be used for educational purposes only. This show is filmed and recorded at Dee Kei's private studio in North Hollywood, California. If you would like to sponsor the show, please email us at ⁠deekeimixes@gmail.com⁠.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

In Episode 367 of the Mixing Music Podcast, Lu holds it down solo while Dee Kei takes time with his growing family, and uses the episode to demystify some of the most common myths in audio. He moves through recording, mixing, mastering, and broader industry misconceptions, tackling topics like expensive gear, recording levels, fixing things in the mix, room acoustics, clipping, plugin counts, reference tracks, headphones, loudness, presets, Auto-Tune, and more.Rather than overcomplicating things, Lu keeps the episode practical and direct. The message throughout is that context matters, good judgment matters, and a lot of the “rules” people repeat in audio are either outdated, oversimplified, or flat-out wrong. This is a fast, useful episode for engineers, producers, and artists who want clearer thinking and fewer myths in their workflow. SUBSCRIBE TO OUR PATREON FOR EXCLUSIVE CONTENT!⁠SUBSCRIBE TO YOUTUBE⁠Join the ‘Mixing Music Podcast' Discord!HIRE DEE KEIHIRE LU⁠HIRE JAMES⁠Find Dee Kei and Lu on Social Media:Instagram: @DeeKeiMixes @MasteredbyLu @JamesParrishMixesTwitter: @DeeKeiMixes @MasteredbyLuThe Mixing Music Podcast is sponsored by ⁠Izotope⁠, ⁠Antares (Auto Tune)⁠, Sweetwater, ⁠Plugin Boutique⁠, ⁠Lauten Audio⁠, ⁠Filepass⁠, & ⁠Canva⁠The Mixing Music Podcast is a video and audio series on the art of music production and post-production. Dee Kei, Lu, and James are professionals in the Los Angeles music industry having worked with names like Odetari, 6arelyhuman, Trey Songz, Keyshia Cole, Benny the Butcher, carolesdaughter, Crying City, Daphne Loves Derby, Natalie Jane, charlieonnafriday, bludnymph, Lay Bankz, Rico Nasty, Ayesha Erotica, ATEEZ, Dizzy Wright, Kanye West, Blackway, The Game, Dylan Espeseth, Tara Yummy, Asteria, Kets4eki, Shaquille O'Neal, Republic Records, Interscope Records, Arista Records, Position Music, Capital Records, Mercury Records, Universal Music Group, apg, Hive Music, Sony Music, and many others.This podcast is meant to be used for educational purposes only. This show is filmed and recorded at Dee Kei's private studio in North Hollywood, California. If you would like to sponsor the show, please email us at ⁠deekeimixes@gmail.com⁠.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Most people think real estate development is just construction. It's not. The real game starts years before a shovel hits the ground and that's where fortunes are made or lost.In this episode, Mikey Taylor and Michael Michalov break down the complete development cycle from raw land to stabilized asset. They cover how to assess whether buying or building makes sense for your situation, the entitlement process that can take years and cost hundreds of thousands before you build anything, how to work with cities to avoid expensive dead ends, the capital stack breakdown on a real development deal, and why they believe Southern California's difficulty is potentially an investment advantage.They also get into a heated debate about when value is actually “realized” in development  and share the real numbers on a North Hollywood project tracking from a targeted $9.5M cost to $17M projected stabilized value.Whether you're considering your first development deal or deciding between buying stabilized assets and building from scratch, this episode gives you the operator-level framework.#RealEstateDevelopment #WealthBuilding #RealEstateInvesting Timestamps:0:00 — Buy vs. Build: Two completely different paths01:47 — When buying beats building (and vice versa)03:35 — The biggest mistake beginner developers make?06:08 — How to gauge city appetite before you could risk capital08:12 — Tying up property under contract during entitlements10:45 — Architects, engineers, and the entitlement process14:26 — Capital stack breakdown: the $10M example17:06 — The “realized value” debate (heated)21:11 — Why Southern California may be one of the hardest markets25:14 — The single greatest risk in real estate development?28:13 — Final framework: when to buy, when to build, when to waitThis content is for informational purposes only, is not offered as investment advice and should not be deemed as investment advice, and reflects the opinions and projections of COMMUNE as of the date of publication, which are subject to change without notice at any time subsequent to the date of issue. COMMUNE does not represent or warrant that the information presented in this message is accurate, current, or complete or that the estimates, opinions, projections or assumptions made in the message will prove to be accurate or realized.Certain statements reflect projections or expectations of future financial or economic performance of the project.  Such “forward-looking” statements are based on various assumptions, which assumptions may not prove to be correct.  Accordingly, there can be no assurance that such assumptions and statements will accurately predict future events or the project's actual performance. Past performance is not an indication of future results.This content does not constitute an offer to invest and such offer will only be made by means of an offering document that should be carefully reviewed before determining whether to invest. As with any investment there is a risk of loss, including up to the amount of investment.Neither this message nor its contents should be construed as legal, tax, investment, or other advice.  Individuals are urged to consult with their own tax, legal, and investment advisers before making any investment decision.

Most people will never buy a piece of real estate not because they don't have the money, but because nobody ever sat them down and walked them through every single step of the process.In this episode, we pull back the curtain on a real deal: a 37-unit multifamily building in North Hollywood, California. From the first back-of-the-napkin math to the moment the title transfers, we break down the entire acquisition step by step, number by number, decision by decision.We cover the pre-offer analysis, how to build credibility with brokers when new to investing, the four pillars of due diligence often overlooked, two real financing scenarios comparing the trade-off between leverage and margin, and why operating the asset rather than only finding it can influence potential returns.Whether you're evaluating your first deal or refining your process on your tenth, this episode provides an educational perspective.This content is for informational purposes only, is not offered as investment advice and should not be deemed as investment advice, and reflects the opinions and projections of COMMUNE as of the date of publication, which are subject to change without notice at any time subsequent to the date of issue. COMMUNE does not represent or warrant that the information presented in this message is accurate, current, or complete or that the estimates, opinions, projections or assumptions made in the message will prove to be accurate or realized.Certain statements reflect projections or expectations of future financial or economic performance of the project.  Such “forward-looking” statements are based on various assumptions, which assumptions may not prove to be correct.  Accordingly, there can be no assurance that such assumptions and statements will accurately predict future events or the project's actual performance. Past performance is not an indication of future results.This content does not constitute an offer to invest and such offer will only be made by means of an offering document that should be carefully reviewed before determining whether to invest. As with any investment there is a risk of loss, including up to the amount of investment.Neither this message nor its contents should be construed as legal, tax, investment, or other advice.  Individuals are urged to consult with their own tax, legal, and investment advisers before making any investment decision.

Friend of the show John DiResta is getting a kidney transplant today. We wish him all the best for speedy recovery. Mark and Nicole welcomed NYPD officer turned sitcom star turned reality TV star John Diresta to the lighter side of the dark side.John grew up in Queens and did some NYC bonding with Mark. He talked about his days in the homeless division or Uber before there was Uber as he puts it, working as a transit cop which meant phone calls in the middle of the night to identify bodies run over by trains. He was always funny and pursued stand-up comedy with permission from his wife in exchange for conceiving a 3rd child. He talks about how he got a sitcom on UPN entitles DiResta, only to have it follow a slave themed sitcom and be the lowest rated show in prime time. He also signed the worst management deal in the history of show business. He recovered to star in Miss Congeniality with Sandra Bullock, 15 Minutes with Robert DeNiro and How to Lose a Guy in 7 Days with Matthew McConaughey and then went broke. He recovered by restoring lost treasures he found on the streets of his home in North Hollywood and having 3 reality shows with his brother Jimmy DiResta. This only scratches the surface of all the great stories in this hilarious episodeThis podcast is sponsored byEddie by GiddyFDA Class II medical device built to treat erectile dysfunction and performance unpredictability. Eddie is specifically engineered to promote firmer and longer-lasting erections by working with the body's physiology.Get rock hard erections the natural way again.Using promo code DARKMARK20, you can save 20% on your Eddie purchase, and you and your partner will be chanting incantations of ecstasy together faster than you can say “REDRUM.”Go to buyeddie.com/DarkMark for 20% off your purchase using code DARKMARK20 today.Raze Energy DrinksGo to https://bit.ly/2VMoqkk and put in the coupon code DMS for 15% off the best energy drinks. Zero calories. Zero carbs. Zero crash

HEY GUYS! DJ Qualls and Kelly Blackheart are back with chaotic honesty, filthy jokes, and sharp takes on everything from pop culture to geopolitics. This episode starts relaxed — tattoos, White Claws, and museum day trips — then careens into conspiracy theory debunks, war anxiety, AI paranoia, and Hollywood drama. Expect profanity, absurd dream confessions, deeply petty personal stories, and a healthy dose of "why is the world like this?" Delivered with the chemistry of two friends who will happily roast each other and make you feel better about your own life choices. What you'll get in this episode: - Hilarious Friday the 13th flash tattoo tales and why people still do the 13 deals. - LA life updates: Getty Villa visits, Magic: The Gathering detours, and weird North Hollywood adventures. - A breakdown of the “false flag” panic, how media cycles fuel fear, and why the hosts are low-key freaking out about escalation. - Heated talk about the human cost of war, displaced civilians, and frustration at where public money goes. - Deep dives into MAGA fallout, public deconversions, and why “I changed my mind” isn't a get-out-of-accountability free card. - Ben Shapiro eyebrow conspiracy, far-right grooming scandals, and why accusations sometimes reveal more than they hide. - AI skepticism: Sam Altman, stolen datasets, biased answers, and ChatGPT going off-script. - Movie segment: Scream 7 review — casting drama, fired actors, the Frankenstein script, and whether 4D is worth it. - Dream confessions (yes, the host dreamed about multiple women) and a surprisingly candid vasectomy chat. - Travel and booze plans: the Mother's Ruin bar crawl challenge, travel logistics, and the dream flight-jacket reward. - Real-life grift horror: Servpro billing nightmare, missing items, and the psychological drain of bureaucracy. - Patreon notes, where to join live happy hours, and how small support keeps the chaos alive. Support & Extras: - Join our Patreon for ad-free episodes, early video releases, bonus content, and monthly live happy hours: Patreon.com/loadedpod - Email the show: loadedpod@gmail.com — we read emails, shout out funny ones, and sometimes roast your takes. Chapters (expanded): 00:00 — Intro jingle & show open: pour a drink and settle in 00:25 — Host banter & Friday the 13th tattoos: flash deals, $13 nostalgia vs modern prices 01:30 — Weekend recap: friends in town, Getty Villa trip, sushi & Magic: The Gathering detours 03:40 — Tattoo anecdotes & house party DNA jokes: crumbling furniture, ramen, and questionable guests 04:40 — Media panic & false-flag chatter: ABC report, Iran missile claims, drones, and misinformation mechanics 07:30 — War anxiety & troop fears: parallels to Russia/Ukraine, building future conflict cycles 09:00 — Debunking rumors: stolen drones timeline, unverified tips, and how narratives spread 1 1:00 — Human cost & hypocrisy: Gaza rebuilding, stadium promises, and where public funds go 14:30 — MAGA deconstruction: former supporters publicly leaving, accountability vs instant forgiveness 17:30 — Right-wing theater: Ben Shapiro eyebrow stunt, grooming scandals, and internet outrage culture 20:30 — AI & data theft: Sam Altman, open-source debates, model training ethics, and real bias examples 24:00 — ChatGPT personal run-in: biased responses, defense mechanisms, and digital trust issues 26:30 — Movie break: Scream 7 casting drama — Melissa Barrera, Jenna Ortega, Neve Campbell, and production fallout 28:30 — Scream 7 review: pacing, AI subplot critique, 4D experience, and nostalgia for the original twist 31:00 — Patreon pitch: tiers, perks, early access, and how to join live happy hours 32:30 — Dreams & sex confessions: checklist fantasies, gay-dream humor, and what dreams might mean 34:30 — Vasectomy talk: fears, recovery stories, and anatomy laughs (seminal vesicles cameo) 37:30 — Travel plans: Mother's Ruin bar crawl challenge, costs, flight logistics, and the coveted jacket 40:00 — Grift brainstorming: joking about profiteering, the art of the grift (tongue-in-cheek) 42:30 — Servpro nightmare: missing watch, $26k bill, storage chaos, and dealing with corporate stonewalling 46:30 — Burnout & bureaucracy: why small fights exhaust people, scams vs survival, and fighting back 48:54 — Sign-off & outro jingle: thanks, Patreon love, and next-episode tease   Suggested Tags: entertainment podcast, comedy podcast, political commentary, pop culture podcast, DJ Qualls podcast, Kelly Blackheart podcast, Friday the 13th tattoos, Getty Villa, Iran news talk, false flag discussion, war commentary, MAGA deconstruction, Ben Shapiro eyebrows, AI ethics, ChatGPT bias, Scream 7   Hashtags: #Podcast #Comedy #Politics #Entertainment #Scream7 #AI #FalseFlag #Friday13 #MovieReview #Dreams #Vasectomy #Patreon #Servpro #MothersRuin #PopCulture Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

In Episode 366 of the Mixing Music Podcast, Dee Kei and Lu talk about what the first five years of an audio career really look like. From saying yes to everything, trying different lanes, and learning on the fly, to dealing with low pay, long hours, self-doubt, burnout, and the pressure to figure things out, this episode is a realistic look at the early stage of building a life in music.They break down the value of experimentation, humility, relationships, gear obsession, learning through mistakes, and why your path will probably look different from everyone else's. The bigger message is that there is no single blueprint for making it in music, but staying curious, staying open, and actually enjoying the process matters more than most people realize. SUBSCRIBE TO OUR PATREON FOR EXCLUSIVE CONTENT!⁠SUBSCRIBE TO YOUTUBE⁠Join the ‘Mixing Music Podcast' Discord!HIRE DEE KEIHIRE LU⁠HIRE JAMES⁠Find Dee Kei and Lu on Social Media:Instagram: @DeeKeiMixes @MasteredbyLu @JamesParrishMixesTwitter: @DeeKeiMixes @MasteredbyLuThe Mixing Music Podcast is sponsored by ⁠Izotope⁠, ⁠Antares (Auto Tune)⁠, Sweetwater, ⁠Plugin Boutique⁠, ⁠Lauten Audio⁠, ⁠Filepass⁠, & ⁠Canva⁠The Mixing Music Podcast is a video and audio series on the art of music production and post-production. Dee Kei, Lu, and James are professionals in the Los Angeles music industry having worked with names like Odetari, 6arelyhuman, Trey Songz, Keyshia Cole, Benny the Butcher, carolesdaughter, Crying City, Daphne Loves Derby, Natalie Jane, charlieonnafriday, bludnymph, Lay Bankz, Rico Nasty, Ayesha Erotica, ATEEZ, Dizzy Wright, Kanye West, Blackway, The Game, Dylan Espeseth, Tara Yummy, Asteria, Kets4eki, Shaquille O'Neal, Republic Records, Interscope Records, Arista Records, Position Music, Capital Records, Mercury Records, Universal Music Group, apg, Hive Music, Sony Music, and many others.This podcast is meant to be used for educational purposes only. This show is filmed and recorded at Dee Kei's private studio in North Hollywood, California. If you would like to sponsor the show, please email us at ⁠deekeimixes@gmail.com⁠.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

I stood in the corner of our tiny shack atop a mountain in Topanga and waited for my brother to come home. He would be there any minute and would see his beloved black lab mix, Cinder, dead under a sheet in the front yard. We'd been out riding that afternoon. My mom was on our quarterhorse Teddybear. My younger sister and I rode the twin stallion ponies, Pumpkin (mine) and Fireball (hers). It was summer. We were riding to Topanga Elementary to play in an empty schoolyard. Cinder came along. It was always hot, but that day, it was baking, and we were not prepared. All of a sudden, Cinder collapsed. My mother, in a panic, ordered my sister and me to ride our ponies to the school and bring back water. Maybe we could save her, we thought. When we finally got to the school, we scoured the trash cans and found empty milk cartons. We rinsed them, filled them, then galloped back, Pony Express-style, to where my mom was waiting. But it was too late. Cinder was gone.I don't remember much else about that day, except what happened to my brother later, when he came home. I'd never seen my tough, strong older brother cry. That was my first lesson in the unique grief of losing a dog. They call them “soul dogs” or “heart dogs” on Reddit. It's that connection you have with a special dog that will never be matched by any other. I have always hated how the internet flattens things into group ideas, but in this case, they were right. I had to let go of my soul dog, Jack, and I'll never be the same.Mind you, I didn't want to. I rationalized it many times. I even almost took him to the hospital and asked them to cut him open, remove the large cancerous mass inside of him, give him kidney dialysis, and chemo. Something, anything to keep him alive. Needles, hospital room, strangers, bright lights. That would not have been for Jack. That was for me. I couldn't do that to him.People have said, “You gave him such a happy life,” and I tried. But how do you measure the happiness of a dog? To me, Jack wanted more than anything to be free. Free of the leash. Free of doing only what I wanted him to do. Free to have maybe found a mate one time instead of having that possibility taken off the table. Free to roam, most of all, through the hills and the fields.I could not give that to him. The best I could do was make a situation for a dog with the urge to roam slightly less terrible. Oh, I suppose I could have never gotten him in the first place, waited for the ideal owner, like a rancher to pick him up. I don't know if I was Jack's ideal owner or not. I just know that he was my soul dog, for better or worse.You don't choose dogs. They choose you. I'd pulled into a gas station near the Four Corners of Utah, Colorado, Arizona, and New Mexico en route to the Telluride Film Festival in 2014 when I looked down, and there was a furry little wolfen creature, redheaded, with bright green eyes staring up at me, and was that a smile? He already knew how to ask for food, and I was happy to oblige. Only I didn't want to just feed the dog. I wanted to rescue him. I don't know why, exactly. It felt like a calling. He was redheaded, like my pony Pumpkin. He had green eyes like mine. But it was his sweet disposition that meant it was love at first sight, even if I didn't know it yet.I told my daughter and her friend, both named Emma, to go get some dog food because we were taking this dog. When I turned around, he had crawled away and hidden under a trailer, but a woman pulled him out and handed him to me. That sealed Jack's fate, to be rescued by city girls. Jack wasn't going to be my dog at first. My daughter's friend wanted him, but her parents said no. That night, as the girls hung out in their basement room and I was cooking a roast chicken, I heard little feet tap-tap-tapping up the stairs, and there he was again, smiling up at me, wanting food. Okay, little pup, I thought, I guess I'm a dog person now.“Don't take him if you can't keep him,” my younger sister warned. I knew what she meant. She'd thought I'd abandon Jack if some guy wanted me to, as I'd done once before when I was too stupid to know better. The dog went to my mom, who doted on her, but still. It sent the message that I couldn't be trusted with a dog. We had three cats already, but dogs weren't allowed in our apartment in North Hollywood. When they found out, I was ordered to get rid of Jack. So we split to Burbank. I also broke up with a boyfriend over my dog. Sorry, I made my choice, and there was no going backFour years later, we finally adopted a friend for him because he hated being alone, and my daughter Emma was leaving for college. We had a hard time choosing and were about to leave the shelter when a volunteer came out, holding a tiny, terrified terrier-poodle mix. She'd been there two weeks, and no one wanted her. How could we say no? It felt like another kind of calling.Her name was Pippa, but we changed it to Luna, and though she looks desperately sad in that photo, she bloomed, and Jack and Luna became a happy, bonded pair, and the three of us were inseparable until the day Jack died. Thursday, March 19, 2026. But that's not to say Jack was easy. He wasn't. I didn't train him properly because I never wanted to change his personality. I didn't want an obedient dog. I wanted this dog. But that meant he could be quite obstinate when he wanted to go in a different direction from me. It got worse as he got older, when he became a grumpy old dog. He would pull just to pull, and much of the time I'd give in, except when I couldn't, and sometimes I couldn't.He also could not eat his food in a bowl like other dogs. It had to be on a flat surface, and he would scatter the kibble all across the floor before lying down to eat it. Yes, I spoiled him, and responsible dog owners would not approve.It could have been worse. He could be a growler or a biter, but this dog did not have an aggressive bone in his body. He was sweet and gentle, the nicest dog I've ever met. He made friends with everyone, dogs, cats, and people.I don't think it really occurred to him what his life would be like until he got older. But I think once he figured it out that this was really it, a life on a leash, walking through neighborhoods, occasionally running free, I think he got grumpier, more obstinate, and he pulled on his leash harder, and it became a battle of wills. Sometimes I was angry and annoyed at him. Now those moments come flooding back with an enormous sense of guilt. How could I have ever thought of being annoyed at him for even one second? Maybe I'm projecting. Maybe he never figured it out. Maybe he never thought about it. He just knew he was frustrated with how much pain he was in and with how limited his life had become, and there was nothing I could do to change that for him or fix it.I always wished he could speak. I always wanted to talk to him, “Remember when I found you at the Four Corners? Remember how much you loved running in the sand at the beach? Remember rolling in the snow? Remember the motels and the road trips? Remember how you liked to chase the ball? Remember driving into a blizzard? Remember getting stranded in the sand after I took a wrong turn and how we had to be towed out?Remember how you would wimper when we drove to the airport to pick up my daughter Emma because you were so happy to see her? Remember how you herded us and we all had to leave the apartment at the same time, or you would keep looking for the one that was missing.Remember all the friends you made in every neighborhood we lived in? Remember the horse we used to feed that wanted to be friends with you because everyone wanted to be friends with you.Where would you like to go today? The park? The field? The hills? And I know what his answer would be. He would wag his tail and be ready to go. When he could no longer jump into the car, I got him stairs. When the stairs became too hard, I got him a ramp. Where does it hurt, Jack? Tell me where the pain is. Tell me where to check. Tell me when you need to go to the vet. Talk to me. But all he could do was signal to me with his body, his behavior, and his eyes, and I was not paying close enough attention. There's the guilt again. Could I have helped him if we'd caught it sooner? I don't know. Our long walks through town and our hikes began to slow down last year, and he could only make it around the block. Then, just this past week, he could barely make it down the street, and then, barely from the car to the front door.It was one of the hardest things I've ever had to do, making the call to end his life. It was time for him to go, and I knew I had to grim up and face the music. He'd gone off his food for two weeks. He threw up even baby food, and then he couldn't keep down water. He could barely breathe.I would hear him wretching in the middle of the night and find him stuck under the table, his body completely cold, and I kept thinking any minute he would take his last breath, but he somehow held on.Jack turned into a different dog in the last moments of his life, and for some reason, this breaks my heart the most. Gone was the willful, obstinate, slightly annoying dog who sometimes made our daily walks frustrating. In his weakened state, he went wherever I wanted him to go. He came when I called him. Every night, almost, he disappeared into the back yard because he knew he was dying. And every night I went outside with a flashlight to call him back in, and he would come, just like a normal dog. He was doing it for me, I realize now, even at his own expense.Everywhere I look, there is Jack. The green grass that I know he would want to roll in. The rib bones, I know, he would want to chew. The drives I know he would want to take. The dog beds I bought that still sit untouched in a pile on the patio. And the gravel that he could never pass without lying down in. This is grief. This is what it means to lose a soul dog. I know I loved him too much. I was prepared for almost everything except saying goodbye. I want to tell you everything about him, to remember everywhere we went and every cute thing he ever did, like how, when he signaled to me that he couldn't get off the couch to get a drink of water, I would lift the bowl for him. When the droplets hit his paw, he had to gently clean them off. I don't know why, but that one thing he's always done crushes my heart.I can't possibly tell you of our adventures together, how close we were, and how hard it is now for Luna to walk alone. She lies down near Jack's spot because she still senses his presence, as do I. I keep smelling his fur, which might sound weird, but I loved how Jack smelled. It was like the smell of a baby. You recognize it. I did not want to let him go. I wanted to be selfish and keep him around until he died on his own, but my younger sister, who once warned me not to take him if I could not keep him, told me that he's shown up for me, and now it's time for me to show up for him. Holding him, petting him, brushing him because I'd been doing that every day for a week, and then saying goodbye to him as the poison was injected into his beautiful, tiny, spotted paw, then waiting for his heart to stop felt like falling into a deep well - into a world without color, without joy. My soul dog was my constant companion for 12 too-short years. Now I try to see his soul - which was never mine - as finally free.I still think I hear him, especially at night. I hear his panting or his breathing, how he would sigh, letting out all his air, before he settled in to sleep. I would hear him pacing and circling before he lay down. I always knew where he was. And he was never far.I pray that he visits me in my dreams. I pray that he's the first thing I see when I get to Heaven.Run, my beautiful dog, my precious heart, my Happy Jack, my Buddy. Be obstinate and annoying. Be your perfect, wonderful self because now you are finally free. // This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.sashastone.com/subscribe

In Episode 365 of the Mixing Music Podcast, Dee Kei and James sit down with mixing engineer Andrew Law to talk about immersive audio, Dolby Atmos, and how Andrew built a career around spatial mixing. He shares how his path took him from traditional recording work into TV, film, podcasting, Amazon Music, and eventually Grammy-nominated Atmos mixing.The conversation breaks down what actually makes a strong Atmos mix, how Andrew approaches beds, objects, binaural settings, and playback, and why hearing Atmos on a real speaker system can completely change how artists feel about the format. He also explains practical ways beginners can start learning Atmos without a full room build, along with thoughts on workflow, clients, and where immersive audio may be headed next.Along the way, Andrew also talks about career pivots, working both freelance and in-house, networking, and how his unusual background, from sports to studio life, shaped the way he navigates the music industry. This is a great episode for anyone curious about Atmos, spatial audio, and the evolving future of mixing. andrewlawmixing.comSUBSCRIBE TO OUR PATREON FOR EXCLUSIVE CONTENT!⁠SUBSCRIBE TO YOUTUBE⁠Join the ‘Mixing Music Podcast' Discord!HIRE DEE KEIHIRE LU⁠HIRE JAMES⁠Find Dee Kei and Lu on Social Media:Instagram: @DeeKeiMixes @MasteredbyLu @JamesParrishMixesTwitter: @DeeKeiMixes @MasteredbyLuThe Mixing Music Podcast is sponsored by ⁠Izotope⁠, ⁠Antares (Auto Tune)⁠, Sweetwater, ⁠Plugin Boutique⁠, ⁠Lauten Audio⁠, ⁠Filepass⁠, & ⁠Canva⁠The Mixing Music Podcast is a video and audio series on the art of music production and post-production. Dee Kei, Lu, and James are professionals in the Los Angeles music industry having worked with names like Odetari, 6arelyhuman, Trey Songz, Keyshia Cole, Benny the Butcher, carolesdaughter, Crying City, Daphne Loves Derby, Natalie Jane, charlieonnafriday, bludnymph, Lay Bankz, Rico Nasty, Ayesha Erotica, ATEEZ, Dizzy Wright, Kanye West, Blackway, The Game, Dylan Espeseth, Tara Yummy, Asteria, Kets4eki, Shaquille O'Neal, Republic Records, Interscope Records, Arista Records, Position Music, Capital Records, Mercury Records, Universal Music Group, apg, Hive Music, Sony Music, and many others.This podcast is meant to be used for educational purposes only. This show is filmed and recorded at Dee Kei's private studio in North Hollywood, California. If you would like to sponsor the show, please email us at ⁠deekeimixes@gmail.com⁠.Support this podcast at — https://redcircle.com/mixing-music-music-production-audio-engineering-and-music/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Raven was born in 1949 in North Hollywood, CA. Released at five days old to the delivering doctor and his wife, she has no idea where she went or when her adoptive parents got her. Raised in Balboa, CA, she always knew she was adopted because she was told her mother had died, giving birth to her. This story left Raven anxious, guilty, and fearful throughout her growing-up years- that others would die, and she would be alone. Her adoption into the family was difficult, unloving, and emotionally abusive by her adoptive mother. Though her dad loved her, being 47 years old, his generation didn't really know how to show love. At 16, Raven was sent away to an island in British Columbia to live with strangers for 13 months and to attend 11th grade. Out of sight, out of mind. When she was in her early 30s, her oldest adoptive brother shared with her that her biological mother hadn't died when she was born. This news left her in shock and numb… talk about being thrown into a deep fog! Though Raven's whole life history was about death, lies, abandonment, lack of trust, she's gone on to find she has a deep desire, after the death of her husband, to sit with the dying.~ that it's important and a gift, that we make death as meaningful as birth. At 77, she's still learning who she is and works at Home Health and Hospice as a Remote Patient Monitoring Technician. A job she loves. Season 12 Book: The Adoption Paradox by Jean Kelly Widner EVENTBRITE LINK - AUSTIN, TEXAS - LIVE PODCAST EVENT: 4/17 & 4/18 2206! Sign up to be part of our mailing list and receive upcoming details about our April 17th & 18th Live Podcast Event in Austin, Texas! Thank you to our Patreons! Join at the $10 level and be part of our monthly ADOPTEE CAFE community. The next meeting will be Saturday, April 11th, at 1 pm ET. RESOURCES for Adoptees: Adoptees Connect Adoptee Mentoring Society Gregory Luce and Adoptee Rights Law Fireside Adoptees Facebook Group Dr. Liz Debetta: Migrating Toward Wholeness Movement Moses Farrow - Trauma therapist and advocate National Suicide Prevention Lifeline – 1-800-273-8255 OR Dial or Text 988. Kristal Parke Because She Is Adopted Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Interview Date: March 1st, 2026Episode Summary:Ayesha Orange joins the Business of Dance to share her incredible journey from a late-starting dancer to one of the most versatile performers in the commercial dance world. Starting as a cheerleader in California, Ayesha discovered dance at 17 and trained under legendary choreographer Marguerite Derricks at Tremaine Studios. Despite feeling behind technically, she pushed through self-doubt and quickly found herself working professionally, landing early credits including the film Austin Powers and touring internationally in the musical Fame.Her career exploded as she toured the world with Earth, Wind & Fire and performed alongside major artists including Mariah Carey, Usher, Pink, and Jennifer Hudson. Ayesha shares behind-the-scenes stories from award shows, music videos, and television appearances, revealing the realities of working with artists and choreographers at the highest level of the industry. Now working frequently as an associate choreographer and movement director, Ayesha discusses the transition from performer to creative collaborator. She opens up about confidence struggles, the importance of intuition, the realities of career highs and lows, and the power of simply showing up. Her advice for the next generation of dancers highlights resilience, relationships, and the mindset needed to build a sustainable career in the dance industry.Show notes:0:00 – Welcome and introduction to Ayesha Orange4:05 – Ayesha's career highlights and early credits7:14 – Touring with Earth, Wind & Fire memories9:20 – Starting dance at 17 through cheerleading11:35 – Training under Marguerite Derricks at Tremaine15:52 – Deciding dance would become her career19:03 – Alex Magno and key early mentorships21:54 – First major job touring Fame in Germany22:54 – Joining Earth, Wind & Fire world tour28:20 – Favorite choreographers and creative process32:55 – Working with Pink and artist professionalism 39:10 – Confidence struggles early in career 50:31 – Memorable AMA performance story1:11:38 – Navigating career highs and dry spells1:39:10 – Business advice: relationships and intuitionBiography:AYESHA ORANGE is a prolific Dancer, Choreographer, and Movement Director with a career spanning nearly 30 years across the commercial and theatrical landscapes. Known as a versatile "chameleon" of movement, Ayesha's reputation is built on her ability to execute any style and help bring any creative vision to life, regardless of the scale or medium.Her journey began at 17 under the mentorship of Marguerite Derricks, training at the iconic Tremaine's studio in North Hollywood. By 19, she had already secured her first film (Austin Powers: International Man of Mystery), her first stage appearance at the Academy Awards, and her first professional residency. Her early career saw her touring Germany in Fame: The Musical and spending three years on a world tour with the legendary Earth, Wind & Fire.As a performer, Ayesha has graced stages from Madison Square Garden to Caesars Palace, appearing with icons including Mariah Carey, Usher, Pink, and Jennifer Hudson. Her extensive credits include over 20 films, 40 music videos, and 60 television shows, including the Oscars, AMAs, and VMAs. Transitioning into leadership, she has served as an Associate Choreographer for global stars like Rihanna, The Weeknd, Sia, and Selena Gomez.From 2023 to 2025 Ayesha served as the Rehearsal Director for the Los Angeles Contemporary Dance Company (LACDC), where she bridges the gap between creative vision and technical execution. From world tours to burlesque, and from performing on-camera to guiding artists through their own movement language, Ayesha remains a foundational force in the dance community.Connect on Social Media:https://www.instagram.com/aorange/

In Episode 364 of the Mixing Music Podcast, Dee Kei and Lu revisit one of the most common pieces of advice in mixing: “mix fast.” While trusting your instincts and avoiding overthinking can be powerful, the guys explore the nuance behind when slowing down actually leads to better results.They discuss the value of the “next day listen,” how fresh ears can reveal problems you missed the night before, and why building extra time into your schedule can improve both your mixes and your revision process. From there, the conversation dives into practical ways to slow down intentionally, including detailed automation, vocal rides, automating effects and parallel compression, and taking the time to properly dial in EQ and compressor settings.The episode also highlights the importance of referencing and making intentional decisions rather than letting plugins or presets determine the direction of a mix. The core message is simple: instinct and speed are valuable, but great mixes often come from knowing when to pause, listen carefully, and refine the details.SUBSCRIBE TO OUR PATREON FOR EXCLUSIVE CONTENT!⁠SUBSCRIBE TO YOUTUBE⁠Join the ‘Mixing Music Podcast' Discord!HIRE DEE KEIHIRE LU⁠HIRE JAMES⁠Find Dee Kei and Lu on Social Media:Instagram: @DeeKeiMixes @MasteredbyLu @JamesParrishMixesTwitter: @DeeKeiMixes @MasteredbyLuThe Mixing Music Podcast is sponsored by ⁠Izotope⁠, ⁠Antares (Auto Tune)⁠, Sweetwater, ⁠Plugin Boutique⁠, ⁠Lauten Audio⁠, ⁠Filepass⁠, & ⁠Canva⁠The Mixing Music Podcast is a video and audio series on the art of music production and post-production. Dee Kei, Lu, and James are professionals in the Los Angeles music industry having worked with names like Odetari, 6arelyhuman, Trey Songz, Keyshia Cole, Benny the Butcher, carolesdaughter, Crying City, Daphne Loves Derby, Natalie Jane, charlieonnafriday, bludnymph, Lay Bankz, Rico Nasty, Ayesha Erotica, ATEEZ, Dizzy Wright, Kanye West, Blackway, The Game, Dylan Espeseth, Tara Yummy, Asteria, Kets4eki, Shaquille O'Neal, Republic Records, Interscope Records, Arista Records, Position Music, Capital Records, Mercury Records, Universal Music Group, apg, Hive Music, Sony Music, and many others.This podcast is meant to be used for educational purposes only. This show is filmed and recorded at Dee Kei's private studio in North Hollywood, California. If you would like to sponsor the show, please email us at ⁠deekeimixes@gmail.com⁠.Support this podcast at — https://redcircle.com/mixing-music-music-production-audio-engineering-and-music/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

The_Sheriff_Of_North_Hollywood

In Episode 363 of the Mixing Music Podcast, Dee Kei and Lu take a deep dive into how mixing and recording have evolved from the 1950s to today. Starting with mono recordings, ribbon mics, and engineers in lab coats, they trace the journey through multitrack tape, Neve and SSL consoles, gated reverb in the 80s, the rise of Pro Tools in the 90s, the loudness wars of the 2000s, and the bedroom production boom of the 2010s.They break down how technological shifts shaped the sound of each era, from Frank Sinatra's room-driven performances to Led Zeppelin's tape saturation, Michael Jackson's SSL precision, and the hyper-loud masters of Metallica and early 2000s pop and hip hop. The conversation also explores how Napster disrupted the industry, how streaming rebuilt it, and why today's music economy is more democratized than ever.The episode closes with a forward-looking discussion on AI, Atmos, spatial audio, and whether music is truly declining or simply evolving again. Along the way, Dee Kei challenges common analog myths, including the hidden digital processing inside many classic vinyl records.If you care about how technology shapes creativity, why records sound the way they do, and where mixing is headed next, this is a must-listen episode.SUBSCRIBE TO OUR PATREON FOR EXCLUSIVE CONTENT!⁠SUBSCRIBE TO YOUTUBE⁠Join the ‘Mixing Music Podcast' Discord!HIRE DEE KEIHIRE LU⁠HIRE JAMES⁠Find Dee Kei and Lu on Social Media:Instagram: @DeeKeiMixes @MasteredbyLu @JamesParrishMixesTwitter: @DeeKeiMixes @MasteredbyLuThe Mixing Music Podcast is sponsored by ⁠Izotope⁠, ⁠Antares (Auto Tune)⁠, Sweetwater, ⁠Plugin Boutique⁠, ⁠Lauten Audio⁠, ⁠Filepass⁠, & ⁠Canva⁠The Mixing Music Podcast is a video and audio series on the art of music production and post-production. Dee Kei, Lu, and James are professionals in the Los Angeles music industry having worked with names like Odetari, 6arelyhuman, Trey Songz, Keyshia Cole, Benny the Butcher, carolesdaughter, Crying City, Daphne Loves Derby, Natalie Jane, charlieonnafriday, bludnymph, Lay Bankz, Rico Nasty, Ayesha Erotica, ATEEZ, Dizzy Wright, Kanye West, Blackway, The Game, Dylan Espeseth, Tara Yummy, Asteria, Kets4eki, Shaquille O'Neal, Republic Records, Interscope Records, Arista Records, Position Music, Capital Records, Mercury Records, Universal Music Group, apg, Hive Music, Sony Music, and many others.This podcast is meant to be used for educational purposes only. This show is filmed and recorded at Dee Kei's private studio in North Hollywood, California. If you would like to sponsor the show, please email us at ⁠deekeimixes@gmail.com⁠.Support this podcast at — https://redcircle.com/mixing-music-music-production-audio-engineering-and-music/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Listen and subscribe to Money Making Conversations on iHeartRadio, Apple Podcasts, Spotify, www.moneymakingconversations.com/subscribe/ or wherever you listen to podcasts. New Money Making Conversations episodes drop daily. I want to alert you, so you don’t miss out on expert analysis and insider perspectives from my guests who provide tips that can help you uplift the community, improve your financial planning, motivation, or advice on how to be a successful entrepreneur. Keep winning! Two-time Emmy and Three-time NAACP Image Award-winning, television Executive Producer Rushion McDonald interviewed Sauda Johnson McNeal. To highlight Sauda Johnson McNeal’s journey from a successful law career to filmmaking. To discuss her new film “Love the Skin You’re In”, its themes, production process, and personal significance. To inspire entrepreneurs and creatives to pursue their passions while balancing purpose and practicality. Key Takeaways Career Transition & Dual Roles Sauda started as an actor, realized the instability, and pursued law for financial security. Maintains dual careers: education attorney and filmmaker, blending purpose (helping youth) and passion (storytelling). Film Details Title: Love the Skin You’re In. Themes: Self-love, family healing, caretaking, and African-American experiences. Cast includes Wendy Raquel Robinson, Marla Gibbs, and Oba Babatundé. Release: Limited theatrical run (Dec 17–23 in North Hollywood), streaming planned for February 2026 (Black History Month). Production Challenges Unexpected permit issues caused shutdowns. Tight 4-week shooting schedule due to budget constraints. Importance of leveraging relationships and calling in favors for casting and resources. Personal Connection Story inspired by Sauda’s own struggles with self-worth during college. Emphasizes therapy, faith, and support systems in overcoming self-doubt. Entrepreneurial Insight First project was self-financed; future plans include raising private equity for films. Goal: Maintain creative control while expanding opportunities for others. Impact & Audience Takeaway Encourages self-acceptance and repairing family relationships. Resonates with men on fatherhood and emotional presence. Highlights the underappreciated role of caretakers. Notable Quotes On purpose and passion:“My purpose is to help young people. My passion is this filmmaking business.” On self-love:“Love the skin you’re in is about total self-acceptance regardless of where you are on your journey.” On overcoming fear:“Film is unpredictable… I said, okay, the other fears—do it anyway.” On family relationships:“We are not promised tomorrow… Fix these family relationships if they’re possible to be fixed.” On entrepreneurial mindset:“I absolutely would like to use other people’s money… but keep creative control.” #SHMS #STRAW #BESTSupport the show: https://www.steveharveyfm.com/See omnystudio.com/listener for privacy information.

Listen and subscribe to Money Making Conversations on iHeartRadio, Apple Podcasts, Spotify, www.moneymakingconversations.com/subscribe/ or wherever you listen to podcasts. New Money Making Conversations episodes drop daily. I want to alert you, so you don’t miss out on expert analysis and insider perspectives from my guests who provide tips that can help you uplift the community, improve your financial planning, motivation, or advice on how to be a successful entrepreneur. Keep winning! Two-time Emmy and Three-time NAACP Image Award-winning, television Executive Producer Rushion McDonald interviewed Sauda Johnson McNeal. To highlight Sauda Johnson McNeal’s journey from a successful law career to filmmaking. To discuss her new film “Love the Skin You’re In”, its themes, production process, and personal significance. To inspire entrepreneurs and creatives to pursue their passions while balancing purpose and practicality. Key Takeaways Career Transition & Dual Roles Sauda started as an actor, realized the instability, and pursued law for financial security. Maintains dual careers: education attorney and filmmaker, blending purpose (helping youth) and passion (storytelling). Film Details Title: Love the Skin You’re In. Themes: Self-love, family healing, caretaking, and African-American experiences. Cast includes Wendy Raquel Robinson, Marla Gibbs, and Oba Babatundé. Release: Limited theatrical run (Dec 17–23 in North Hollywood), streaming planned for February 2026 (Black History Month). Production Challenges Unexpected permit issues caused shutdowns. Tight 4-week shooting schedule due to budget constraints. Importance of leveraging relationships and calling in favors for casting and resources. Personal Connection Story inspired by Sauda’s own struggles with self-worth during college. Emphasizes therapy, faith, and support systems in overcoming self-doubt. Entrepreneurial Insight First project was self-financed; future plans include raising private equity for films. Goal: Maintain creative control while expanding opportunities for others. Impact & Audience Takeaway Encourages self-acceptance and repairing family relationships. Resonates with men on fatherhood and emotional presence. Highlights the underappreciated role of caretakers. Notable Quotes On purpose and passion:“My purpose is to help young people. My passion is this filmmaking business.” On self-love:“Love the skin you’re in is about total self-acceptance regardless of where you are on your journey.” On overcoming fear:“Film is unpredictable… I said, okay, the other fears—do it anyway.” On family relationships:“We are not promised tomorrow… Fix these family relationships if they’re possible to be fixed.” On entrepreneurial mindset:“I absolutely would like to use other people’s money… but keep creative control.” #SHMS #STRAW #BESTSee omnystudio.com/listener for privacy information.

In Episode 362 of the Mixing Music Podcast, hosts Dee Kei and Lu start with a wild weekend recap that includes long work hours, live sound chaos, and a massive rally in downtown Los Angeles. Dee Kei shares how he went from one gig to another while traffic was locked up, and even ended up unintentionally marching with a protest on the way to the next event. He describes the scale of the rally setup, including flying dozens of line arrays to cover an enormous crowd, and then later connects that experience to one of the core themes of the episode: fundamentals matter more than fancy gear.The main conversation is sparked by a viral-style audio story: a blind listening test where people could not reliably tell the difference between audio passed through standard copper wire, a banana, or wet mud. Dee Kei and Lu use the article as a jumping-off point to talk about how easy it is for audio culture to become obsessed with mysticism, status, and expensive objects rather than results. They point out that even when engineers care deeply about details, most listeners respond to vibe, emotion, and impact, not the mythology around cables, converters, or obscure technical flexes.From there, the episode expands into a bigger discussion about anti-intellectualism in the Zen sense, not anti-intelligence. The idea is that practical experience, experimentation, and real listening should take priority over rigid theories, cheat sheets, and secondhand rules. They talk about how knowing everything about a compressor on paper is not the same as using it well in context, and how taste and emotional translation are often more important than technical trivia. They connect this to why AI may automate some low-stakes, background-music needs, but will not fully replace the human judgment behind great mixing and music made for music's sake.The guys also get into the social side of the industry, including how insecurity can show up as a need to prove people wrong, and how being “the smartest person in the room” does not matter if you make everyone miserable. They share stories about people who are technically knowledgeable but communicate with a defensive, correcting energy that makes others want to exit the conversation. Dee Kei frames it as a lack of contentment and an obsession with being right instead of being useful.Later, they bring the conversation back to growth and practice: why daily reps matter, how to get better by accelerating mistake-making, and why it helps to mix for real people with opinions rather than only practicing in a vacuum. They talk about practical ways to practice recording and mixing when you do not have a studio, like using rehearsal spaces, booking an affordable studio day, or working with local bands in exchange for experience. Dee Kei also emphasizes a simple principle he has said before: if you want to get good, start mixing faster and start making decisive choices with intention.To close, they reflect on humility, responsibility, and long-term improvement, including an example of how top performers stay grounded under pressure, plus a nuanced comparison of how gratitude can be framed differently in American versus Japanese culture. The episode ends with a reminder to focus on the craft over the distractions, keep it fun, and keep learning.SUBSCRIBE TO OUR PATREON FOR EXCLUSIVE CONTENT!⁠SUBSCRIBE TO YOUTUBE⁠Join the ‘Mixing Music Podcast' Discord!HIRE DEE KEIHIRE LU⁠HIRE JAMES⁠Find Dee Kei and Lu on Social Media:Instagram: @DeeKeiMixes @MasteredbyLu @JamesParrishMixesTwitter: @DeeKeiMixes @MasteredbyLuThe Mixing Music Podcast is sponsored by ⁠Izotope⁠, ⁠Antares (Auto Tune)⁠, Sweetwater, ⁠Plugin Boutique⁠, ⁠Lauten Audio⁠, ⁠Filepass⁠, & ⁠Canva⁠The Mixing Music Podcast is a video and audio series on the art of music production and post-production. Dee Kei, Lu, and James are professionals in the Los Angeles music industry having worked with names like Odetari, 6arelyhuman, Trey Songz, Keyshia Cole, Benny the Butcher, carolesdaughter, Crying City, Daphne Loves Derby, Natalie Jane, charlieonnafriday, bludnymph, Lay Bankz, Rico Nasty, Ayesha Erotica, ATEEZ, Dizzy Wright, Kanye West, Blackway, The Game, Dylan Espeseth, Tara Yummy, Asteria, Kets4eki, Shaquille O'Neal, Republic Records, Interscope Records, Arista Records, Position Music, Capital Records, Mercury Records, Universal Music Group, apg, Hive Music, Sony Music, and many others.This podcast is meant to be used for educational purposes only. This show is filmed and recorded at Dee Kei's private studio in North Hollywood, California. If you would like to sponsor the show, please email us at ⁠deekeimixes@gmail.com⁠.Support this podcast at — https://redcircle.com/mixing-music-music-production-audio-engineering-and-music/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Party On The Pipes, St. Louis 2026 Start Name Artist Album Year Comments Two Hearts In Three Quarter Time Donna Parker Powerhouse [DPP 101-A] 1985 4-42 Wurlitzer, Paramount Music Palace, Indianapolis, IN 2:00 Almost Like Being In Love Ashley Miller Showtime [Command RS 881 SD] 1963 4-36 Wurlitzer, Paramount Theatre, New York; last commercial recording made on Paramount; ABC reissue in 1972 5:49 Why Did I Kiss That Girl? Bob Mitchell Bob Mitchell's Theatre Organ Favorites [Cassette] 4-30 Kimball, St. James' Episcopal Church, Wilshire Blvd., Los Angeles 7:58 Hopelessly Devoted To You David Ashby Concert: Wurlitzer Building, DeKalb, IL 5-65 Wurlitzer, Wurlitzer Building, DeKalb, IL; origin Our Lady of Victory Basilica, Lackawanna, NY; Proctors Theater, Troy, NY; Radio Station WCCO, Minneapolis, MN; recorded by Christopher Camalick 12:28 Whispering Arnold Loxam Blackpool Magic - Music For Dancing [CDGRS 1215] 1988 3-14 Wurlitzer, Tower Ballroom, Blackpool 16:46 I Only Have Eyes For You Joseph Seal The Mighty Wurlitzer [Castle CD] 3-12 Wurlitzer plus grand piano, Musical Museum, Brentford, Middx; ex-Regal, Kingston-upon-Thames (2445 seats); CD released 1992 20:41 Bring Your Kisses To Me Barry Baker For The Very First Time 1995 4-36 Wurlitzer, Ronald Wehmeier Residence, Cincinnati, OH 23:22 If There is Someone Lovelier Than You Bill Field Downey Ice Rink 27:00 I Love You (And Don't You Forget It) Steve Schlesing Paramount 341 30:03 Don't Take Your Love From Me Bob Ralston Concert: Keystone Oaks High School 2007-09-15 2007 3-19 Wurlitzer, Keystone Oaks High School, Dormont, PA 33:04 When Your Lover Has Gone Buddy Cole Buddy Cole Remembered [Doric DO 1421] 1980 3-27 Wurlitzer-Morton, Buddy Cole Studio, Gentry Ave., North Hollywood (3-17 Wurlitzer Ex United Artists Theatre, Los Angeles & 3-9 Robert Morton from Capitol Theatre, Marshalltown, Iowa) 36:46 Kiss Me, Honey Honey, Kiss Me Phil Kelsall Come Dancing At The Tower Ballroom [Grasmere GRCD 50] 1992 3-14 Wurlitzer, Tower Ballroom, Blackpool 38:49 When You Tell Me That You Love Me Nicholas Martin, Ian Darlington Wurlitzer Wonderland, Vol 3 [Sovereign SOV012CD] 1992 3-19 Wurlitzer, Turner's Musical Merry-Go-Round; Ian Darlington, Yamaha keyboard 43:21 Love Me Or Leave Me Stephen Vincent Yamaha EL90 with Paramount 450 2018 47:26 A Kiss In The Dark; I'm Confessin' (That I Love You) Dave Wickerham Party On The Pipes, St. Louis 2024 - Fox Theatre 2024 4-36 Wurlitzer, Fox Theatre, St. Louis, MO; Party On The Pipes 2024-04-15 57:37 Lover Charlie Balogh Spectacular! [OSP ERB 106] 2000 4-78 Wurlitzer, Organ Stop Pizza, Mesa AZ

It’s a wild ride from a rebellious hot dog machine (on National Hot Dog Day, no less!) to Bellio’s marathon commutes—nothing like her early radio days. We break down major California job hits as E. & J. Gallo Winery shutters a Napa Valley facility and Frito-Lay closes its Inland Empire plant. Plus, a 30-foot whale washes up in Newport Beach, Bellio defends her gas station sushi obsession, KFI’s transmitter “has no chill,” and once again, cars are underwater in North Hollywood.See omnystudio.com/listener for privacy information.

It’s Timmy Time, and the show takes a heartfelt moment to remember Rev. Jesse Jackson, the civil rights leader who carried the movement forward for decades after Dr. King, and has died at 84. Then it’s a scary local rescue: an EV slams into a pole in North Hollywood, and a man is pulled from the car. Plus, weather nerd heaven — forecast trackers are calling for a midnight deluge (12:10–12:55am), winds up to 45 mph, and Wrightwood finally seeing snow… which turns into a full-on ski nostalgia segment, including today’s lift-ticket sticker shock (Mountain High sample pricing shows $99 half-day / $119 weekday adult, and Mammoth sample online pricing lists $189 adult). And of course: Mark’s throwback to taking his little brother skiing — and the legendary ski outfitsSee omnystudio.com/listener for privacy information.

A powerful storm slams Southern California, dumping heavy rain and turning streets into rivers. We track the worst flooding — from stranded drivers in North Hollywood to businesses battling water on Melrose in the Fairfax district — and Angel checks in with real-time road conditions. Plus, the storm hits Altadena, raising fresh concerns about runoff and debris flow risk near the Eaton Fire burn scar area.See omnystudio.com/listener for privacy information.

In Episode 361 of the Mixing Music Podcast, hosts Dee Kei and Lu start with some Super Bowl talk and quickly pivot into a bigger conversation about obsession, creativity, and what actually drives high-level engineers to improve. Dee Kei shares a recent clip he saw from a well-known mixer talking about working extreme hours early on, and how an unhealthy level of obsession can sometimes be part of why people eventually earn enough skill, stability, and confidence to relax later.From there, the episode becomes a deep mindset discussion about craft. Dee Kei argues that great work tends to create money as a consequence, not as a starting motivation, and that when money becomes the primary goal, it can de-incentivize the kind of care and curiosity that lead to truly great records. He uses a story about giving his young son an allowance and watching how the introduction of money changed the child's relationship to making art. The broader point is that creative work is different than typical product-based entrepreneurship, because art has no built-in finish line and its value is often subjective.They also talk about the difference between loving music and loving the identity of being a producer or engineer. Dee Kei suggests that real obsession is not something you force. It is an alignment that shows up naturally in how you spend your time, what you want to learn, and how much you care even when conditions are not ideal. He shares a C.S. Lewis quote about how favorable conditions never arrive, and why the people who achieve the most are the ones who keep learning and working even when life is inconvenient.Lu adds a practical anchor to the conversation with a reminder that fundamentals beat trendy techniques. Whether you are mixing, recording, or working live sound, focusing on the basics of sound capture, decision-making, and working within limitations is what consistently produces results. They also touch on loudness briefly, including the idea of getting competitively loud while still feeling dynamic, plus how tools like clippers can be used creatively when the foundation of the mix is already solid.The episode wraps with a short story about a Japanese sword parable that illustrates diminishing returns and restraint, tying back to the idea that technical mastery alone is not the point. The bigger goal is making meaningful art with intention, curiosity, and integrity, without reducing the whole process to profit, ego, or external validation.SUBSCRIBE TO OUR PATREON FOR EXCLUSIVE CONTENT!⁠SUBSCRIBE TO YOUTUBE⁠Join the ‘Mixing Music Podcast' Discord!HIRE DEE KEIHIRE LU⁠HIRE JAMES⁠Find Dee Kei and Lu on Social Media:Instagram: @DeeKeiMixes @MasteredbyLu @JamesParrishMixesTwitter: @DeeKeiMixes @MasteredbyLuThe Mixing Music Podcast is sponsored by ⁠Izotope⁠, ⁠Antares (Auto Tune)⁠, Sweetwater, ⁠Plugin Boutique⁠, ⁠Lauten Audio⁠, ⁠Filepass⁠, & ⁠Canva⁠The Mixing Music Podcast is a video and audio series on the art of music production and post-production. Dee Kei, Lu, and James are professionals in the Los Angeles music industry having worked with names like Odetari, 6arelyhuman, Trey Songz, Keyshia Cole, Benny the Butcher, carolesdaughter, Crying City, Daphne Loves Derby, Natalie Jane, charlieonnafriday, bludnymph, Lay Bankz, Rico Nasty, Ayesha Erotica, ATEEZ, Dizzy Wright, Kanye West, Blackway, The Game, Dylan Espeseth, Tara Yummy, Asteria, Kets4eki, Shaquille O'Neal, Republic Records, Interscope Records, Arista Records, Position Music, Capital Records, Mercury Records, Universal Music Group, apg, Hive Music, Sony Music, and many others.This podcast is meant to be used for educational purposes only. This show is filmed and recorded at Dee Kei's private studio in North Hollywood, California. If you would like to sponsor the show, please email us at ⁠deekeimixes@gmail.com⁠.Support this podcast at — https://redcircle.com/mixing-music-music-production-audio-engineering-and-music/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Members of the SWAT team confront the remaining robber and finally end the North Hollywood Shootout. Elements of the 44-minute gunbattle spark immediate controversy, and the event accelerates major changes in police departments across America. Go to Surfshark.com/infamous or use code INFAMOUS at checkout to get 4 extra months of Surfshark VPN! Thanks to our sponsor, Quince! Use this link for Free Shipping and 365-day returns: Quince.com/infamousamerica Thanks to our sponsor, Rocket Money! Use this link to start saving today: RocketMoney.com/InfamousA Join Black Barrel+ for ad-free episodes and bingeable seasons: blackbarrel.supportingcast.fm/join   Apple users join Black Barrel+ for ad-free episodes, bingeable seasons and bonus episodes. Click the Black Barrel+ banner on Apple to get started with a 3-day free trial.   On YouTube, subscribe to INFAMOUS+ for ad-free episodes and bingeable seasons: hit “Join” on the Legends YouTube homepage.   For more details, please visit www.blackbarrelmedia.com. Our social media pages are: @blackbarrelmedia on Facebook and Instagram, and @bbarrelmedia on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices

Super Bowl Sunday vibes with Conway — he hit Stephen Cloobeck’s party and ended up sitting next to Congressman Eric Swalwell. Michael Monks checks in with a tease: a big announcement is coming tomorrow at 4pm. Monks stays on for more L.A. City Hall heat — City Councilmember Nithya Raman jumps into the L.A. mayor’s race, plus the ongoing mess of Los Angeles streetlights being out across the city. And a scary local update to close: a teen was shot in North Hollywood. See omnystudio.com/listener for privacy information.

The shootout moves into a residential neighborhood, and the LAPD organizes the rescue of injured officers and civilians. One of the robbers makes his final stand, and the other struggles to continue his escape. Thanks to our sponsor, Quince! Use this link for Free Shipping and 365-day returns: Go to Surfshark.com/infamous or use code INFAMOUS at checkout to get 4 extra months of Surfshark VPN! Quince.com/InfamousAmerica Thanks to our sponsor, Rocket Money! Use this link to start saving today: RocketMoney.com/InfamousA Join Black Barrel+ for ad-free episodes and bingeable seasons: blackbarrel.supportingcast.fm/join   Apple users join Black Barrel+ for ad-free episodes, bingeable seasons and bonus episodes. Click the Black Barrel+ banner on Apple to get started with a 3-day free trial.   On YouTube, subscribe to INFAMOUS+ for ad-free episodes and bingeable seasons: hit “Join” on the Legends YouTube homepage.   For more details, please visit www.blackbarrelmedia.com. Our social media pages are: @blackbarrelmedia on Facebook and Instagram, and @bbarrelmedia on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Episode 359 of the Mixing Music Podcast, Dee Kei sits down in Shibuya, Tokyo with Eric from Blackcat Whitecat Music, a music agency working across advertising, film, TV series, games, and publishing. The conversation offers a rare inside look at how brands and agencies actually choose music, and what producers need to understand if they want to land real commercial placements.Eric breaks down how music is sourced for advertising in Japan, including how creative decisions are made, why relationships matter more than cold pitches, and how Japanese and Western expectations around sync, licensing, and royalties can differ. He explains the concept of “tie-ups,” upfront fees, and why some advertising music deals function very differently than traditional backend royalty models.They also get into practical pitching advice for producers and composers, including what makes an outreach email worth opening, why personalization matters, and how professionalism, reliability, and communication often outweigh raw talent. Eric shares his strong stance on not delivering full stems at the final stage, explaining how protecting the approved mix helps preserve the original creative intent.The episode explores cross-cultural communication, Japanese business etiquette, and the role of trust when working with clients. They also discuss AI in advertising music, where automation may increase, and why taste, branding, human judgment, and imperfection still hold real value.This episode is a must-listen for producers, composers, and engineers interested in sync, advertising, international music work, and building sustainable creative careers through relationships rather than hype. The episode closes with a recap on outreach, research, and telling a clear story when you pitch, along with a direct contact point for producers who want to reach out: info@bwcatmusic.comSUBSCRIBE TO OUR PATREON FOR EXCLUSIVE CONTENT!⁠SUBSCRIBE TO YOUTUBE⁠Join the ‘Mixing Music Podcast' Discord!HIRE DEE KEIHIRE LU⁠HIRE JAMES⁠Find Dee Kei and Lu on Social Media:Instagram: @DeeKeiMixes @MasteredbyLu @JamesParrishMixesTwitter: @DeeKeiMixes @MasteredbyLuThe Mixing Music Podcast is sponsored by ⁠Izotope⁠, ⁠Antares (Auto Tune)⁠, Sweetwater, ⁠Plugin Boutique⁠, ⁠Lauten Audio⁠, ⁠Filepass⁠, & ⁠Canva⁠The Mixing Music Podcast is a video and audio series on the art of music production and post-production. Dee Kei, Lu, and James are professionals in the Los Angeles music industry having worked with names like Odetari, 6arelyhuman, Trey Songz, Keyshia Cole, Benny the Butcher, carolesdaughter, Crying City, Daphne Loves Derby, Natalie Jane, charlieonnafriday, bludnymph, Lay Bankz, Rico Nasty, Ayesha Erotica, ATEEZ, Dizzy Wright, Kanye West, Blackway, The Game, Dylan Espeseth, Tara Yummy, Asteria, Kets4eki, Shaquille O'Neal, Republic Records, Interscope Records, Arista Records, Position Music, Capital Records, Mercury Records, Universal Music Group, apg, Hive Music, Sony Music, and many others.This podcast is meant to be used for educational purposes only. This show is filmed and recorded at Dee Kei's private studio in North Hollywood, California. If you would like to sponsor the show, please email us at ⁠deekeimixes@gmail.com⁠.Support this podcast at — https://redcircle.com/mixing-music-music-production-audio-engineering-and-music/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

The robbery escalates. Dr. Jorge Montes, a dentist whose office is across the street from Bank of America, helps Detective John Krulac and Officer James Zboravan. Robbers Larry Phillips and Emil Matasareanu continue the shootout and their slow escape. Officer Martin Whitfield's situation becomes critical. Members of the SWAT team race through the city to the scene of the robbery. And the first news helicopter arrives to broadcast the shootout to the nation in real time. Thanks to our sponsor, Quince! Use this link for Free Shipping and 365-day returns: Quince.com/InfamousAmerica Thanks to our sponsor, Rocket Money! Use this link to start saving today: RocketMoney.com/InfamousA Join Black Barrel+ for ad-free episodes and bingeable seasons: blackbarrel.supportingcast.fm/join   Apple users join Black Barrel+ for ad-free episodes, bingeable seasons and bonus episodes. Click the Black Barrel+ banner on Apple to get started with a 3-day free trial.   On YouTube, subscribe to INFAMOUS+ for ad-free episodes and bingeable seasons: hit “Join” on the Legends YouTube homepage.   For more details, please visit www.blackbarrelmedia.com. Our social media pages are: @blackbarrelmedia on Facebook and Instagram, and @bbarrelmedia on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Episode 358 of the Mixing Music Podcast, hosts Dee Kei and Lu do a loose “New Year, New Goals” conversation focused on real, practical upgrades for working engineers, both technical and career-related. They start with the career side: how easy it is to get comfortable when work is steady, and why that comfort can quietly turn into less outreach, fewer in-person hangs, and slower networking. The guys talk about rebuilding the habit of showing up, saying hi, staying visible, and keeping relationships warm, even when you do not feel desperate for the next client. On the technical side, Dee Kei shares a simple but powerful listening habit for 2026: mixing at lower monitor volume more intentionally. He describes how turning the monitors down can instantly reveal vocal level problems and balance issues, especially when comparing what a limiter is doing to your drums and mix shape. They also get into the challenge of mixing a live performance EP to sound as close to the studio record as possible, including the reality of trying to make live drums feel more like samples. From there, the conversation turns into “skill stacking” and education. They talk about learning tools you may not personally prefer, simply because certain environments demand them, like Pro Tools in many studio workflows or Digico consoles in a lot of festival and live sound situations. They discuss the idea of getting Digico certified, what high-end live consoles are built for (including redundancy features), and why expanding your toolset can help you scale into bigger gigs. They also explore an unexpectedly practical idea: taking community college courses for cheap, from Pro Tools and recording classes to music business, marketing, and even basic economics and personal finance. The point is not chasing a degree, it is staying sharp, learning from experienced teachers, and intentionally investing in growth without going into debt. They wrap the episode by encouraging listeners to choose a technical goal for the year and keep it front of mind, plus a few fun side tangents that are very on brand.SUBSCRIBE TO OUR PATREON FOR EXCLUSIVE CONTENT!⁠SUBSCRIBE TO YOUTUBE⁠Join the ‘Mixing Music Podcast' Discord!HIRE DEE KEIHIRE LU⁠HIRE JAMES⁠Find Dee Kei and Lu on Social Media:Instagram: @DeeKeiMixes @MasteredbyLu @JamesParrishMixesTwitter: @DeeKeiMixes @MasteredbyLuThe Mixing Music Podcast is sponsored by ⁠Izotope⁠, ⁠Antares (Auto Tune)⁠, Sweetwater, ⁠Plugin Boutique⁠, ⁠Lauten Audio⁠, ⁠Filepass⁠, & ⁠Canva⁠The Mixing Music Podcast is a video and audio series on the art of music production and post-production. Dee Kei, Lu, and James are professionals in the Los Angeles music industry having worked with names like Odetari, 6arelyhuman, Trey Songz, Keyshia Cole, Benny the Butcher, carolesdaughter, Crying City, Daphne Loves Derby, Natalie Jane, charlieonnafriday, bludnymph, Lay Bankz, Rico Nasty, Ayesha Erotica, ATEEZ, Dizzy Wright, Kanye West, Blackway, The Game, Dylan Espeseth, Tara Yummy, Asteria, Kets4eki, Shaquille O'Neal, Republic Records, Interscope Records, Arista Records, Position Music, Capital Records, Mercury Records, Universal Music Group, apg, Hive Music, Sony Music, and many others.This podcast is meant to be used for educational purposes only. This show is filmed and recorded at Dee Kei's private studio in North Hollywood, California. If you would like to sponsor the show, please email us at ⁠deekeimixes@gmail.com⁠.Support this podcast at — https://redcircle.com/mixing-music-music-production-audio-engineering-and-music/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Eric Sklar, The Duke of Sports, joins the show as we mark the 20th anniversary of Kobe Bryant’s iconic 81-point game. We also break down the NFL Playoffs, ongoing head coaching changes, and tackle the viral 49ers injury conspiracy theory, with experts debunking claims linking injuries to Levi’s Stadium’s electric substation. The crew gets nostalgic discussing whether you ever called into a radio station just to hear your voice played back, and how talk radio shaped childhoods for many listeners and their parents. The show then turns serious with two troubling stories of attacks and robberies inside laundromats, including incidents in North Hollywood and NoHo. We close with an emotional look at the North Hollywood case, where a laundromat owner’s wife was assaulted during an attempted robbery, leaving a family shaken and small business owners on edge. See omnystudio.com/listener for privacy information.

When the robbery becomes frustrating, Larry Phillips begins the North Hollywood Shootout. Officers in multiple locations withstand gunfire from illegally modified fully automatic assault rifles and they struggle to fight back with the handguns and shotguns. Civilians and officers suffer injuries; the LAPD rushes to respond to the threat; and the robbers begin their getaway. Thanks to our sponsor, Quince! Use this link for Free Shipping and 365-day returns: Quince.com/InfamousAmerica Thanks to our sponsor, Rocket Money! Use this link to start saving today: RocketMoney.com/InfamousA Join Black Barrel+ for ad-free episodes and bingeable seasons: blackbarrel.supportingcast.fm/join   Apple users join Black Barrel+ for ad-free episodes, bingeable seasons and bonus episodes. Click the Black Barrel+ banner on Apple to get started with a 3-day free trial.   On YouTube, subscribe to INFAMOUS+ for ad-free episodes and bingeable seasons: hit “Join” on the Legends YouTube homepage. Learn more about your ad choices. Visit megaphone.fm/adchoices

Episode 357 of the Mixing Music Podcast tackles a topic most engineers avoid saying out loud: using substances while mixing, recording, or working live sound. Prompted by a Discord listener question, Dee Kei and Lu break down caffeine, weed, alcohol, psychedelics, and harder drugs through a practical lens, not a moral one.They talk about the difference between feeling more creative versus actually making better decisions, why weed and alcohol can change your mindset without improving your output, and how reliance (even on “normal” stuff like caffeine) can expose deeper issues with impulse control. DK also uses Japan as a real-world counterexample to the idea that drugs are required for creativity, and argues that long-term success in music is driven less by “genius” and more by conscientiousness, reliability, and professionalism.They also cover the career side of the issue: high-level sessions require someone to “drive the ship,” labels and managers value efficiency, and substance use on the job can quietly turn you into a liability even if you think you're fine. Bottom line: if you choose to partake, understand the risks, keep it responsible, and do not let it steal your hearing, your focus, or your reputation.SUBSCRIBE TO OUR PATREON FOR EXCLUSIVE CONTENT!⁠SUBSCRIBE TO YOUTUBE⁠Join the ‘Mixing Music Podcast' Discord!HIRE DEE KEIHIRE LU⁠HIRE JAMES⁠Find Dee Kei and Lu on Social Media:Instagram: @DeeKeiMixes @MasteredbyLu @JamesParrishMixesTwitter: @DeeKeiMixes @MasteredbyLuThe Mixing Music Podcast is sponsored by ⁠Izotope⁠, ⁠Antares (Auto Tune)⁠, Sweetwater, ⁠Plugin Boutique⁠, ⁠Lauten Audio⁠, ⁠Filepass⁠, & ⁠Canva⁠The Mixing Music Podcast is a video and audio series on the art of music production and post-production. Dee Kei, Lu, and James are professionals in the Los Angeles music industry having worked with names like Odetari, 6arelyhuman, Trey Songz, Keyshia Cole, Benny the Butcher, carolesdaughter, Crying City, Daphne Loves Derby, Natalie Jane, charlieonnafriday, bludnymph, Lay Bankz, Rico Nasty, Ayesha Erotica, ATEEZ, Dizzy Wright, Kanye West, Blackway, The Game, Dylan Espeseth, Tara Yummy, Asteria, Kets4eki, Shaquille O'Neal, Republic Records, Interscope Records, Arista Records, Position Music, Capital Records, Mercury Records, Universal Music Group, apg, Hive Music, Sony Music, and many others.This podcast is meant to be used for educational purposes only. This show is filmed and recorded at Dee Kei's private studio in North Hollywood, California. If you would like to sponsor the show, please email us at ⁠deekeimixes@gmail.com⁠.Support this podcast at — https://redcircle.com/mixing-music-music-production-audio-engineering-and-music/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

After two armored car robberies, Larry Phillips and Emil Matasareanu graduate to bank robberies. They have an arsenal of high-powered weapons at their disposal, and they show no fear of confrontation with police. They execute two successful robberies . . . and then enter a Bank of America location in North Hollywood on February, 28, 1997, and everything goes wrong. Thanks to our sponsor, Quince! Use this link for Free Shipping and 365-day returns: Quince.com/InfamousAmerica Thanks to our sponsor, Rocket Money! Use this link to start saving today: RocketMoney.com/InfamousA Join Black Barrel+ for ad-free episodes and bingeable seasons: blackbarrel.supportingcast.fm/join   Apple users join Black Barrel+ for ad-free episodes, bingeable seasons and bonus episodes. Click the Black Barrel+ banner on Apple to get started with a 3-day free trial.   On YouTube, subscribe to INFAMOUS+ for ad-free episodes and bingeable seasons: hit “Join” on the Legends YouTube homepage.   For more details, please visit www.blackbarrelmedia.com. Our social media pages are: @blackbarrelmedia on Facebook and Instagram, and @bbarrelmedia on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices

In the 1990s, Los Angeles was the reigning bank robbery capital of the world. As two young men from Pasadena became increasingly disgruntled, they gravitated toward armed robbery. One wanted wealth and status. The other wanted a sense of belonging. They found a fast road to national infamy. Thanks to our sponsor, Quince! Use this link for Free Shipping and 365-day returns: Quince.com/InfamousAmerica Thanks to our sponsor, Rocket Money! Use this link to start saving today: RocketMoney.com/InfamousA Join Black Barrel+ for ad-free episodes and bingeable seasons: blackbarrel.supportingcast.fm/join   Apple users join Black Barrel+ for ad-free episodes, bingeable seasons and bonus episodes. Click the Black Barrel+ banner on Apple to get started with a 3-day free trial.   On YouTube, subscribe to INFAMOUS+ for ad-free episodes and bingeable seasons: hit “Join” on the Legends YouTube homepage.   For more details, please visit www.blackbarrelmedia.com. Our social media pages are: @blackbarrelmedia on Facebook and Instagram, and @bbarrelmedia on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices