Podcast appearances and mentions of Virginia Nicholson

The acclaimed Spanish auteur Pedro Almodovor talks about this new film The Room Next Door, which won the top prize at the Venice Film Festival the Golden Lion and stars Tilda Swinton as a woman dying of cancer who enlists her friend Julianne Moore to help her end her life at a time of her choosing.The Bloomsbury Group of writers and thinkers that included the likes of Virginia Woolf, Clive Bell and John Maynard Keynes has enduring appeal, so as a new exhibition at the MK Gallery in Milton Keynes opens to explore the life and legacy of Vanessa Bell, Virginia's sister, her granddaughter the writer Virginia Nicholson and the show's curator Anthony Spira talk about what made this circle of lovers and friends so unique.Playwright Richard Bean had a smash in the West End with his smash hit farce One Man, Two Guvnors, starring James Corden. Now he talks about his new play Reykjavik which is now on at the Hampstead Theatre and explores the British fishing trawler industry, which like coal, was once a mass employer of men and had a terrible safety record. Presenter: Samira Ahmed Producer: Ruth Watts

In All the Rage: Power, Pain, Pleasure: Stories from the Frontline of Beauty 1860-1960 (Pegasus Book, 2024) richly detailed account, Virginia Nicholson provides a richly detailed account to take us to the Frontline of Beauty to reveal the power, the pain and the pleasure involved in adorning the female body. At the heart of this history is the female body. The century-span between the crinoline and the bikini witnessed more mutations in the ideal western woman's body shape than at any other period. Who determines which shape is currently 'all the rage'? Looking at how custom, colour, class and sex fit into the picture, this book also charts how the advances made by feminism collided with the changing shape of desirability. Here are the 'New Women' who discovered freedom by bobbing their hair; the boyish, athletic 'Health and Beauty' ladies in black knickers; and starlets in bohemian beachwear. Among the first to experience true women's liberation were the early adopters of trousers. Encompassing two world wars and a revolution in women's rights, All the Rage tells the story of western female beauty from 1860 to 1960, chronicling its codes, its contradictions, its lies, its highs - and its underlying power struggle. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In All the Rage: Power, Pain, Pleasure: Stories from the Frontline of Beauty 1860-1960 (Pegasus Book, 2024) richly detailed account, Virginia Nicholson provides a richly detailed account to take us to the Frontline of Beauty to reveal the power, the pain and the pleasure involved in adorning the female body. At the heart of this history is the female body. The century-span between the crinoline and the bikini witnessed more mutations in the ideal western woman's body shape than at any other period. Who determines which shape is currently 'all the rage'? Looking at how custom, colour, class and sex fit into the picture, this book also charts how the advances made by feminism collided with the changing shape of desirability. Here are the 'New Women' who discovered freedom by bobbing their hair; the boyish, athletic 'Health and Beauty' ladies in black knickers; and starlets in bohemian beachwear. Among the first to experience true women's liberation were the early adopters of trousers. Encompassing two world wars and a revolution in women's rights, All the Rage tells the story of western female beauty from 1860 to 1960, chronicling its codes, its contradictions, its lies, its highs - and its underlying power struggle. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

In All the Rage: Power, Pain, Pleasure: Stories from the Frontline of Beauty 1860-1960 (Pegasus Book, 2024) richly detailed account, Virginia Nicholson provides a richly detailed account to take us to the Frontline of Beauty to reveal the power, the pain and the pleasure involved in adorning the female body. At the heart of this history is the female body. The century-span between the crinoline and the bikini witnessed more mutations in the ideal western woman's body shape than at any other period. Who determines which shape is currently 'all the rage'? Looking at how custom, colour, class and sex fit into the picture, this book also charts how the advances made by feminism collided with the changing shape of desirability. Here are the 'New Women' who discovered freedom by bobbing their hair; the boyish, athletic 'Health and Beauty' ladies in black knickers; and starlets in bohemian beachwear. Among the first to experience true women's liberation were the early adopters of trousers. Encompassing two world wars and a revolution in women's rights, All the Rage tells the story of western female beauty from 1860 to 1960, chronicling its codes, its contradictions, its lies, its highs - and its underlying power struggle. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

In All the Rage: Power, Pain, Pleasure: Stories from the Frontline of Beauty 1860-1960 (Pegasus Book, 2024) richly detailed account, Virginia Nicholson provides a richly detailed account to take us to the Frontline of Beauty to reveal the power, the pain and the pleasure involved in adorning the female body. At the heart of this history is the female body. The century-span between the crinoline and the bikini witnessed more mutations in the ideal western woman's body shape than at any other period. Who determines which shape is currently 'all the rage'? Looking at how custom, colour, class and sex fit into the picture, this book also charts how the advances made by feminism collided with the changing shape of desirability. Here are the 'New Women' who discovered freedom by bobbing their hair; the boyish, athletic 'Health and Beauty' ladies in black knickers; and starlets in bohemian beachwear. Among the first to experience true women's liberation were the early adopters of trousers. Encompassing two world wars and a revolution in women's rights, All the Rage tells the story of western female beauty from 1860 to 1960, chronicling its codes, its contradictions, its lies, its highs - and its underlying power struggle. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology

In All the Rage: Power, Pain, Pleasure: Stories from the Frontline of Beauty 1860-1960 (Pegasus Book, 2024) richly detailed account, Virginia Nicholson provides a richly detailed account to take us to the Frontline of Beauty to reveal the power, the pain and the pleasure involved in adorning the female body. At the heart of this history is the female body. The century-span between the crinoline and the bikini witnessed more mutations in the ideal western woman's body shape than at any other period. Who determines which shape is currently 'all the rage'? Looking at how custom, colour, class and sex fit into the picture, this book also charts how the advances made by feminism collided with the changing shape of desirability. Here are the 'New Women' who discovered freedom by bobbing their hair; the boyish, athletic 'Health and Beauty' ladies in black knickers; and starlets in bohemian beachwear. Among the first to experience true women's liberation were the early adopters of trousers. Encompassing two world wars and a revolution in women's rights, All the Rage tells the story of western female beauty from 1860 to 1960, chronicling its codes, its contradictions, its lies, its highs - and its underlying power struggle. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices

In All the Rage: Power, Pain, Pleasure: Stories from the Frontline of Beauty 1860-1960 (Pegasus Book, 2024) richly detailed account, Virginia Nicholson provides a richly detailed account to take us to the Frontline of Beauty to reveal the power, the pain and the pleasure involved in adorning the female body. At the heart of this history is the female body. The century-span between the crinoline and the bikini witnessed more mutations in the ideal western woman's body shape than at any other period. Who determines which shape is currently 'all the rage'? Looking at how custom, colour, class and sex fit into the picture, this book also charts how the advances made by feminism collided with the changing shape of desirability. Here are the 'New Women' who discovered freedom by bobbing their hair; the boyish, athletic 'Health and Beauty' ladies in black knickers; and starlets in bohemian beachwear. Among the first to experience true women's liberation were the early adopters of trousers. Encompassing two world wars and a revolution in women's rights, All the Rage tells the story of western female beauty from 1860 to 1960, chronicling its codes, its contradictions, its lies, its highs - and its underlying power struggle. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

In All the Rage: Power, Pain, Pleasure: Stories from the Frontline of Beauty 1860-1960 (Pegasus Book, 2024) richly detailed account, Virginia Nicholson provides a richly detailed account to take us to the Frontline of Beauty to reveal the power, the pain and the pleasure involved in adorning the female body. At the heart of this history is the female body. The century-span between the crinoline and the bikini witnessed more mutations in the ideal western woman's body shape than at any other period. Who determines which shape is currently 'all the rage'? Looking at how custom, colour, class and sex fit into the picture, this book also charts how the advances made by feminism collided with the changing shape of desirability. Here are the 'New Women' who discovered freedom by bobbing their hair; the boyish, athletic 'Health and Beauty' ladies in black knickers; and starlets in bohemian beachwear. Among the first to experience true women's liberation were the early adopters of trousers. Encompassing two world wars and a revolution in women's rights, All the Rage tells the story of western female beauty from 1860 to 1960, chronicling its codes, its contradictions, its lies, its highs - and its underlying power struggle. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/book-of-the-day

Join Katie & Allie as they talk about All the Rage with Virginia Nicholson

                                                             Welcome To Hotel BohemiaEccentric. Rebellious. Amoral, quite often. But bohemianism was, maybe still is, about much more than just frightening the horses.The writer Virginia Nicholson recently told the Today programme that "in a sense, we are all bohemians today".But what is a bohemian, how do you spot one, and might you be a boho, too?"Bohemian" was originally a term with pejorative undertones given to Roma gypsies, commonly believed by the French to have originated in Bohemia, in central Europe.The Oxford English Dictionary's definition mentions someone "especially an artist, literary man, or actor, who leads a free, vagabond, or irregular life, not being particular as to the society he frequents, and despising conventionalities generally".But the connotation rapidly became a romantic one. From its birth in Paris in the 1850s, and the huge success of Murgier's play Scenes de la vie de Boheme, the ethic spread rapidly.Gypsy clothes became all the fashion, sparking a style which lives on today through lovers of boho-chic like Sienna Miller and Kate Moss. And artists and poets from Baudelaire to van Gogh characterised bohemian ideals.Its foundations in the Romantic movement of the 19th Century imbued bohemians with an almost quasi-religious sense of purpose.In Puccini's opera La Boheme, the poet Rodolfo and his friends do not shiver in their Parisian garret where Mimi's hand is famously frozen merely because of their poverty. Theirs, as Rodolfo has it, is a higher, if more sensual, calling.I am a poet!What's my employment? Writing.Is that a living? Hardly.I've wit though wealth be wanting,Ladies of rank and fashionAll inspire me with passion;In dreams and fond illusions,Or castles in the air,Richer is none on earth than I.Although steeped in its French roots, the bohemian ideal transferred easily to many countries and cultures.In Britain, the pre-Raphaelite Brotherhood and the aesthetic movement of the 19th Century imbued bohemianism with a dangerous, dashing, social cachet. Later, the exploits of the Bloomsbury group - one of whom was Nicholson's grandmother, Vanessa Bell - thrust it into the cultural limelight.Across the Atlantic, poets and writers like Jack Kerouac, William S Burroughs and Paul Bowles led their own offshoot. And the playwright Arthur Miller's prose conjures the musty essence of that temple of American bohemia, Manhattan's Chelsea Hotel, where "there are no vacuum cleaners, no rules and shame"."Everyone has a view of what the bohemian is," says Nicholson. "The bohemian is an outsider, defines themselves as an outsider and is defined by the world as an outsider... A lot of people regard them as subversive, elitist and possibly just a little bit immature."Bohemians were typically urban, liberal in outlook, but with few visible political passions and, above all, creative. Though critical of organised religion, they were keen - witness the pre-Raphaelites and Oscar Wilde - to defend and explore the religious spirit.Above all, they defied the constrictions of hearth and home and the false morality which they believed underpinned it.In essence, bohemianism represented a personal, cultural and social reaction to the bourgeois life. And, once the latter was all but swept away by the maelstrom that was the 1960s, the former was doomed, too.UNTIL NOW!!!!&a

Naturdokumentärernas nestor, britten David Attenborough, har hunnit bli 94 år och i dag är det premiär för "A life on our Planet" - en film som blickar tillbaka på en 60 år lång karriär. "A life on our planet", är en ny och kanske den sista dokumentären om och med David Attenborough. Vilken är egentligen hans hemlighet? Hur kommer det sig att han i sex decennier lyckats trollbinda publiken, oavsett om han berättat om termitmyrornas byggteknik eller koalornas sexliv? P1 Kultur gästas av vetenskapsjournalisten Henrik Ekman som arbetat många år på SVT med naturfilm. Han har varit "David Attenboroughs svenska röst", vad ger han för förklaring till Attenboroughs stora inflytande? Och vad gillar han den nya dokumentären, som Attenborough själv kallar för en självbiografi? Dessutom medverkar kulturredaktionens filmkritiker Saman Bakhtiari, som följt David Attenboroughs arbete genom åren. TUKTAD NATUR En bransch som lite otippat blomstrat under pandemin är handelsträdgårdarna, som vittnar om en närmast dubblerad omsättning jämfört med en vanlig vår. Om man inte kan eller vill stoppa händerna i jorden kan man i alla fall läsa om trädgårdar och i dag kommer Nina Asarnoj till P1 Kultur för att berätta om två nya trädgårdsböcker som kommit på svenska: "Charleston. Hem och trädgård i Bloomsburygruppens anda" av Quentin Bell och Virginia Nicholson med fotografier av Gavin Kingcome och "Författarens trädgård. Brittiska författares trädgårdar" av Jackie Bennett med fotografier av Richard Hanson. TEATER I CORONA-EPIDEMINS TID I mars, när pandemin slog till på allvar i Sverige, hade Teater Galeasen i Stockholm precis haft premiär på pjäsen "Irakisk Kristus". Teatern fick slå igen och har inte öppnat sedan dess. Nu arbetar man med den ryska dramatikern Mikhail Durnenkovs pjäs," Är det krig än?" som kommer att visas på Galeasens Youtubekanal om några veckor. Gunnar Bolin har träffat regissören Natalie Ringler, teaterchef Sophia Artin och skådespelaren Kardo Mirza för ett samtal om den inställda "Irakisk Kristus", den nya uppsättningen och att arbeta med teater i corona-epidemins tid. MÅNDAGENS OBS-ESSÄ Förmågan att tänka hypotetiskt utgör förutsättningen för mycket av det vi betraktar som människans stora bedrifter. Kanske är det en av de saker som mer än andra gör oss till människor. Det är samtidigt en orsak till vår stora oro. Författaren Helena Granström reflekterar över detta predikament i ljuset av det paranoida geniet Kurt Gödels öde. Programledare: Gunnar Bolin Producent: Maria Götselius

Regina Marler, Sarah Milroy with Virginia Nicholson | Vanessa Bell was a pivotal figure in the 20th Century British art world. In this session, Regina Marler - editor of The Selected Letters of Vanessa Bell - and Sarah Milroy - curator of a recent Vanessa Bell exhibition at Dulwich Picture Gallery in London, discussed the painter with her granddaughter, Virginia Nicholson.

Virginia Nicholson and Frye Gaillard with Regina Marler What happens when two notable social historians get together to discuss one of the most formative decades of the 20th Century? Lots of laughter, for one, but also numerous insights into the differences and similarities between the United States and the United Kingdom during the 1960s. Were they, truly, swingin’? Listen to find out.

Author Virginia Nicholson talks to TRE's Selina Mackenzie

*EXTENDED EPISODE* Vanessa Bell’s portrait is on display in Room 31 at the National Portrait Gallery. Painted by her lover and life partner Duncan Grant somewhere around 1918, it shows her in an easy, contemplative pose, wearing a floral red dress and holding a pale pink rose. The creative talent of Bell is often overshadowed by that of her sister, Virginia Woolf, and other members of the Bloomsbury Group, to which she belonged. More recently, her work has been reappraised and reconsidered, celebrated for its experimental, often radical force and raw sensuality. On a brisk Autumn day, Laura Barton heads to Charleston, the country home of the Bloomsbury Group, where the furniture and walls are still covered in Bell’s designs. There she meets the curator Dr Darren Clarke, head gardener Fiona Dennis, and Bell’s granddaughter, the writer Virginia Nicholson. Charleston Farmhouse is open to the public from Wednesday to Sunday, 10-5pm. Image: Vanessa Bell by Duncan Grant. Oil on canvas, circa 1918. © National Portrait Gallery, London.

Virginia Nicholson talks about her new book How Was It For You?, which explores how some of the radical changes of the decade shaped the lives of women from different backgrounds. historyextra.com/podcasts See acast.com/privacy for privacy and opt-out information.

The 1960s were an exciting time. The pill was invented in 1961, and for women everywhere it meant a newfound set of sexual freedoms; no longer did sex have to remain within the confines of marriage. However, the 1960s have for too long been characterised wrongfully by a surface layer of glamour and nostalgia that normally shapes its depiction in the media. While some loved the 1960s, many women were sexually objectified, and many were the victims of sexual assault. Virginia Nicholson, a brilliant historian of the 1950s, has tackled the 1960s, and brings some of her own personal experiences to bear. She talks to Dan to help explain some of the complexities of this decade, and to add nuance to our understanding of the 1960s. All of the books discussed in the History Hit podcast are available at History Hit books. We'd love it if you supported what we do by using our affiliate link: https://books.historyhit.com/For ad free versions of our entire podcast archive and hundreds of hours of history documentaries, interviews and films, signup to History Hit TV. Use code 'pod3' at checkout. Producer: Peter Curry See acast.com/privacy for privacy and opt-out information.

The 1960s were an exciting time. The pill was invented in 1961, and for women everywhere it meant a newfound set of sexual freedoms; no longer did sex have to remain within the confines of marriage. However, the 1960s have for too long been characterised wrongfully by a surface layer of glamour and nostalgia that normally shapes its depiction in the media. While some loved the 1960s, many women were sexually objectified, and many were the victims of sexual assault. Virginia Nicholson, a brilliant historian of the 1950s, has tackled the 1960s, and brings some of her own personal experiences to bear. She talks to Dan to help explain some of the complexities of this decade, and to add nuance to our understanding of the 1960s. All of the books discussed in the History Hit podcast are available at History Hit books. We'd love it if you supported what we do by using our affiliate link: https://books.historyhit.com/For ad free versions of our entire podcast archive and hundreds of hours of history documentaries, interviews and films, signup to History Hit TV. Use code 'pod3' at checkout. Producer: Peter Curry See acast.com/privacy for privacy and opt-out information.

The Sexual Revolution liberated a generation, but did it do as much for women as it did for men? Virginia Nicholson joins us for a conversation about the impact that decade had. It's said that dogs are man's best friend - but, we talk to two women whose lives have been transformed by their canine companions. Sabrina Cohen-Hatton joined the fire service at 18. She is now one of the most senior firefighters in the UK and is looking at decision-making in the most difficult situations. And, Katy Bourne is the Police and Crime Commissioner for Sussex. She talks about how her direct experience of stalking led her to get her own force inspected. We hear about how stalking cases should be investigated and how victims can be supported. Presenter: Jenni Murray Producer: Ruth Watts Interviewed guest: Virginia Nicholson Interviewed guest: Theresa Edwards Interviewed guest: Rosalyn St Pierre Interviewed guest: Emily Dean Interviewed guest: Kate Spicer Interviewed guest: Sabrina Cohen-Hatton Interviewed guest: Katy Bourne

Old MG helps Mike Porky Parry get stuck into the latest works from his gargantuan book collection including: How Was It For You?: Women, Sex, Love and Power in the 1960s by Virginia Nicholson, The Case for Trump by Victor Davis Hanson, the latest release centred around King Henry VI, and Arabs: A 3,000 Year History of Peoples, Tribes and Empires by Tim Mackintosh-Smith on the latest (highly informative) edition of On the Record...

When a renowned writer or artist dies, those left behind can find themselves in an ethical quandary - should work that is unfinished or incomplete be kept private or is there a public interest in revealing it to the world? Hunter Davies's wife, the author Margaret Forster, passed away last year, and left behind a substantial amount of unpublished writing. Hunter shares his story with us in the studio, and Virginia Woolf's great-niece and advisor to the Woolf estate, Virginia Nicholson, also joins us to discuss the issue.TV writer and part-time emergency room doctor Dan Sefton talks about his latest TV drama Trust Me, starring the future Doctor Who, Jodie Whittaker. A psychological thriller about a nurse who takes drastic measures after losing her job, the four-part BBC series examines the many facets and layers of telling lies.The new Charlize Theron action spy thriller Atomic Blonde is not for the faint-hearted. Set in Berlin in the final days of the Cold War, the film features numerous very physical fight sequences - its director is a former stuntman and it shows. But does this approach offer more style than substance, threatening a good storyline? And with more and more of these movies fronted by women, are female action heroes becoming as bankable as their male counterparts? Film critic Anna Smith joins us to discuss.For Front Row's Queer Icons series, the Irish writer Colm Toibin nominates The Married Man by Edmund White.Presenter John Wilson Producer Rebecca Armstrong.

In a specially recorded edition of Start the Week Andrew Marr is at the Charleston Festival with Grayson Perry, Virginia Nicholson, Faramerz Dabhoiwala and Janice Galloway. As the home of Vanessa Bell, Virginia Nicholson's grandmother, Charleston was a by-word for sexual freedom and the Bohemian lifestyle. But Dabhoiwala insists that far from the 1920s being the time of real sexual revolution, that honour goes to the 18th century, the origin of our modern attitudes to sex. Janice Galloway brings the story up-to-date as she relives her adolescence in small town Scotland in the 1970s. And the celebrated potter Grayson Perry explores changing social attitudes in relation to taste: the choices people make in the things they buy and wear, and uses these details of modern life to create six tapestries, called 'The Vanity of Small Differences'. Producer: Katy Hickman.

Melvyn Bragg and guests discuss the 19th century Parisian philosophy of life lived for art. In 1848 the young Parisian Henri Murger wrote of his bohemian friends: Their daily existence is a work of genius…they know how to practise abstinence with all the virtue of an anchorite, but if a slice of fortune falls into their hands you will see them at once mounted on the most ruinous fancies, loving the youngest and prettiest, drinking the oldest and best, and never finding sufficient windows to throw their money out of. Then, when their last crown is dead and buried...they go poaching on all the callings that have any connection with art, hunting from morn till night that wild beast called a five franc piece. Bohemianism meant a life lived for art, it meant sexual liberation and freedom from social constraint, but it also meant dodging the landlord and burning your poems to stay warm. How did the garret-philosophy of the Parisian Latin Quarter take over the drawing rooms of Bloomsbury and Chelsea, and why did a French war with necessity emerge as a British life-style as art? With Hermione Lee, Goldsmiths' Professor of English Literature at the University of Oxford and biographer of Virginia Woolf; Virginia Nicholson, author of Among the Bohemians: Experiments in Living 1900-1939; Graham Robb, writer and biographer of Balzac, Victor Hugo and Rimbaud.

Melvyn Bragg and guests discuss the 19th century Parisian philosophy of life lived for art. In 1848 the young Parisian Henri Murger wrote of his bohemian friends: Their daily existence is a work of genius…they know how to practise abstinence with all the virtue of an anchorite, but if a slice of fortune falls into their hands you will see them at once mounted on the most ruinous fancies, loving the youngest and prettiest, drinking the oldest and best, and never finding sufficient windows to throw their money out of. Then, when their last crown is dead and buried...they go poaching on all the callings that have any connection with art, hunting from morn till night that wild beast called a five franc piece. Bohemianism meant a life lived for art, it meant sexual liberation and freedom from social constraint, but it also meant dodging the landlord and burning your poems to stay warm. How did the garret-philosophy of the Parisian Latin Quarter take over the drawing rooms of Bloomsbury and Chelsea, and why did a French war with necessity emerge as a British life-style as art? With Hermione Lee, Goldsmiths' Professor of English Literature at the University of Oxford and biographer of Virginia Woolf; Virginia Nicholson, author of Among the Bohemians: Experiments in Living 1900-1939; Graham Robb, writer and biographer of Balzac, Victor Hugo and Rimbaud.

Melvyn Bragg and guests discuss the 19th century Parisian philosophy of life lived for art. In 1848 the young Parisian Henri Murger wrote of his bohemian friends: Their daily existence is a work of genius…they know how to practise abstinence with all the virtue of an anchorite, but if a slice of fortune falls into their hands you will see them at once mounted on the most ruinous fancies, loving the youngest and prettiest, drinking the oldest and best, and never finding sufficient windows to throw their money out of. Then, when their last crown is dead and buried...they go poaching on all the callings that have any connection with art, hunting from morn till night that wild beast called a five franc piece. Bohemianism meant a life lived for art, it meant sexual liberation and freedom from social constraint, but it also meant dodging the landlord and burning your poems to stay warm. How did the garret-philosophy of the Parisian Latin Quarter take over the drawing rooms of Bloomsbury and Chelsea, and why did a French war with necessity emerge as a British life-style as art? With Hermione Lee, Goldsmiths' Professor of English Literature at the University of Oxford and biographer of Virginia Woolf; Virginia Nicholson, author of Among the Bohemians: Experiments in Living 1900-1939; Graham Robb, writer and biographer of Balzac, Victor Hugo and Rimbaud.

-Guest speaker: Eddan Katz, Project Lead: Artificial Intelligence & Machine Learning at World Economic Forum. -Boston Dynamics, is an engineering and robotics design company with origins from MIT. -Sudo Room, is an open membership hackerspace based in Oakland. -Virginia Nicholson, is an analytics specialist and cloud customer engineer at Google. -Tara Chklovski is the CEO of Technovation. -Memorial Sloan Kettering, specializes in immunotherapy and surgery. -Canadian based CIFAR, convenes extraordinary minds to address questions facing science and humanity.