Podcasts about Jack Kerouac

Episode 204: On The Road by Kathryn Borel Jr This month's dead pilot is On the Road, Kathryn Borel Jr.'s daring reimagining of Jack Kerouac's iconic novel. Instead of trying to recreate a literary classic beat for beat, Kathryn takes its spirit and builds something entirely her own. It's exactly the kind of ambitious swing we love celebrating on Dead Pilots Society.   Kathryn's credits include Rush, American Dad!, Anne with an E, and Kung Fu, and she's currently working on Damon Lindelof's upcoming limited series The Chain. She's also the author of the memoir Corked.   The cast features Kelly Marie Tran (The Last Jedi, Raya and the Last Dragon), Zosia Mamet (Girls, Laid), Rebecca Pidgeon (Euphoria, State and Main), and Brian McElhaney of BriTANicK (Pizza Movie).   Video of the live table read is available exclusively to Maximum Fun members. Become a member for as little as $5 a month at maximumfun.org/join.   And don't forget to check out Andrew's documentary Born Innocent: The Redd Kross Story at  https://www.reddkrossfilm.com/ Help support this show and unlock bonus content! Become a member at https://maximumfun.org/joindeadpilots

Frågan tycks inte längre vara om utan när vi kommer till Mars. Maria Küchen funderar över vad som får oss att bryta upp och söka nya världar. På jorden såväl som i rymden. Lyssna på alla avsnitt i Sveriges Radios app. ESSÄ: Detta är en text där skribenten reflekterar över ett ämne eller ett verk. Åsikter som uttrycks är skribentens egna. Först sänd: 2017-02-06.År 2031 ger sig den första besättningen astronauter av från jorden. Ett år senare slår de sig ner på Mars. Åtminstone enligt planerna som presenteras av Mars-ONE, ett holländskt företag som redan har plockat ut kandidater till besättningen.Det hela avfärdas av vissa som ett PR-jippo. Andra tar projektet Mars-ONE på fullt allvar. Frågan tycks inte längre vara OM människan en dag landar på Mars, utan vilka som gör det först.NASA vill sända astronauter till Mars innan 2030-talet är över, i samarbete med bland rymdstationen ISS, privata företag och Kinas rymdfart. Andra människan på månen, astronauten Buzz Aldrin, stödjer projektet helhjärtat. I dag är han över åttio år men pigg och alert, och ses ofta bära en T-shirt med texten GET YOUR ASS TO MARS.Och det privata rymdföretaget SpaceX meddelar att man vill sända iväg sin första bemannade rymdfarkost mot Mars redan 2024. SpaceX grundare, den excentriske och visionäre miljardären Elon Musk, vill se en koloni på Mars med en miljon invånare inom hundra år. Själva ändamålet med att grunda SpaceX, säger han, var att göra människan till en multiplanet species, en art som lever på många planeter.Det låter rätt galet. Kan det verkligen genomföras, och i så fall, vad ska det vara bra för? Varför kolonisera rymden? Varför stannar vi inte bara där vi är och vårdar den enda planet vi faktiskt har?Vi ger oss av för att vi kan och för att vi vill – och för att vi måste.Tvånget att färdas genom rymderna betonas gärna i fiktioner: diktsviten Aniara; teveserien Månbas Alpha; David Bowies sång Space Oddity som finns på en LP från 1969, året för den första månlandningen. Rymdskeppets besättning har förlorat kontakten med jorden och är hänvisad till en färd mot det okända, utan hopp om återvändo eller räddning. Det blir metaforen för en mänsklighet som tappat kontakten med sitt ursprung, och måste underkasta sig en högteknologisk civilisation som människan har skapat men inte längre är herre över.SF-fiktioner som Star Trek betonar i stället kunskapen och viljan. Där speglas en mänsklighet på väg framåt, inte bara tekniskt och geografiskt utan också etiskt ­– en mänsklighet som försöker förstå och respektera sig själv genom att se andra, antingen de nu är vulkaner eller klingoner eller besättningsmedlemmar med olika ursprung.Jag får rysningar av Star Trek-seriens valspråk, inte bara för rymdens skull utan för det urmänskliga i uppdraget: to explore strange new worlds; to seek out new life and new civilizations; to boldly go where no one has gone before. Jag får rysningar av både lust och avsmak: av skönheten i det och av ekot från historien, ett eko från kolonialismen.Att ge sig av med full insikt om att man aldrig kommer tillbaka, det har människor gjort sen urminnes tider. Från början var vi nomader. Vi vaknade varje morgon och lämnade platsen där vi hade sovit för att aldrig återvända. På jägar- och samlartiden, då ingick knappast individualismen och individens rätt till fria val i människans berättelse om sig själv. Individualismen är ny, och kanske är den fortfarande rätt så provinsiell. Den har uppstått och odlats i västerlandet under några hundra år, och individualismens utveckling har gått hand i hand med kolonialismen. Kolonisering av mars innebär att unga, välutbildade, äventyrliga och fertila människor frivilligt fattar individuella beslut att lämna jorden för att inte återvända. På nåt vis blir ju detta juvelen i den västerländska individualismens krona – en individualism som bejakar handlingskraft och styrka, men inte har lika mycket plats för det ömtåliga och stillsamma.Frivilliga mars-pionjärer finns det förvånansvärt gott om. Mars-ONE har idag ett startfält på hundra kandidater. Där finns Ritika från Indien, Sandra från Brasilien, Sadegh från Iran och så vidare, men de flesta är européer och amerikaner.De vill inte stanna kvar där de befinner sig. Inte heller jägar- och samlartidens nomader stannade kvar där de befann sig. Vi hade ännu inte börjat odla något, så jorden band oss inte. Vi bröt upp, ständigt, men på jägar- och samlartiden var vi inga djärva marsresenärer eller romantiska poor lonesome cowboys i silhuett mot solnedgången. Vårt kontinuerliga uppbrott var inte som till exempel i On The Road av Jack Kerouac. On the road är en rätt så tidstypisk västerländsk nittonhundratalsgestaltning av individens, oftast mannens, flykt från ansvar och sammanhang. På jägar- och samlartiden däremot, då bröt vi upp för att vi behövde samla mat för dagen.Vi fortsatte för att vi måste, då som nu. Att stanna kvar var inte ett alternativ, säger en del människor som på vinst och förlust har flytt från outhärdliga förhållanden i sina hemländer. Människan har fötter, inte rötter, säger andra.Vi strävar kanske mot Mars för att vi inte riktigt längre får plats på en alltmer överbefolkad och förödd jord, och vi strävar som sagt mot Mars för att vi kan och vill, ja ”vi” och ”vi”. De högteknologiska västerländska planerna på att kolonisera Mars är förstås ett projekt för ett fåtal, och det hela kanske förblir en Startrek-aktig dröm bara, men, drömmen om något annat där ute, något okänt som vi ännu bara kan fantisera om, den är en allmänmänsklig drivkraft. Åtminstone i vissa lägen.En stor del av Sveriges befolkning bröt upp från jorden de kände, utan återvändo, för mindre än tvåhundra år sen. Och vikingarna, de norska vikingarna! Som koloniserade Färöarna, Orkneyöarna, Shetlandsöarna, Island, Grönland och fortsatte ända till Nordamerika!Jag har en storslagen inre bild av hur dessa modiga vikingar gav sig ut från norska kusten, ut över ett okänt hav, utan att ens veta om det fanns något där ute. Men fullt så filmiskt var det nog inte på riktigt att fara från Norge till Island, inte ens för de första pionjärerna. Island lär ha upptäckts av misstag. En norrman vid namn Nadodd sägs ha seglat vilse när han skulle ta sig från Norge till Färöarna på åttahundratalet och hamnade i stället mycket längre åt nordväst.Nadodd följdes av andra, av familjer och hushåll som hade tröttnat på att lyda under det framväxande norska kungaväldet, eller behövde mark att bruka, eller ville ha mer mark fast de kanske inte behövde det. Färden mellan Norge och Island tog som snabbast tre dygn, så några marsfärder var det knappast frågan om. Snart uppstod två tämligen väl trafikerade trader: eyalei∂, ”övägen” och ”úthafslei∂”, havsvägen. Övägen gick från Norge via Shetland eller Orkney, vidare till Färöarna och så till Island. Havsvägen gick som namnet antyder rakt ut över havet.I dag finns liknande leder i luftrummet. De transatlantiska luftlederna mellan Europa och USA är rena motorvägarna med tät flygtrafik. Och SpaceX grundare Elon Musk målar upp bilder av en liknande tät skytteltrafik så småningom mellan jorden och Mars.I hans planer ingår ett enormt rymdskepp som kan ta hundra personer åt gången, ett slags rymdens Amerikabåt om man så vill. Och redan 2024 är det alltså tänkt att en första mindre besättning rymdvikingar ger sig av till Mars – inte av misstag som när Nadodd råkade hitta Island, de har en färdplan. Och de kommer inte att upptäcka en plats som vi inte redan har sett i teleskop och via satelliter. Men att stanna kvar här på jorden är kanske då inte längre ett alternativ.Maria Küchen, författare och kulturskribent

In this interview, we speak with Laura B. McGrath, an Assistant Professor of English at Temple University and the author of Middlemen: Literary Agents and the Making of American Fiction (Princeton University Press, 2026). Her writings have appeared in the Los Angeles Review of Books and The Atlantic. Middlemen rewrites literary history from the perspective of one of its most important but least visible figures: the literary agent. Chronicling the story of agents in the United States from the 1950s to today, Laura McGrath uncovers their critical role in the making of American literature. From the famed three-martini lunch to the Frankfurt Book Fair, Middlemen takes readers behind the scenes to show how agents influence what we read. Along the way, it explains why many debut novelists never publish another book, why agents champion short story collections even though they sell poorly, how agents advocate for writers of color in a system that values whiteness, and why there are so many New York novels. Weaving together original archival research, data analysis, and interviews with scores of agents and other publishing professionals, Middlemen demonstrates that agents—eighty percent of whom are in fact women—are much more than “middlemen.” As intermediaries between author and publisher, agents act as advocates, matchmakers, negotiators, and tastemakers, and they must balance artistic values with the commercial imperatives of publishing conglomerates. The book describes the decisive role agents have played in celebrated novels—from Jack Kerouac's On the Road to Colson Whitehead's The Intuitionist—but also in the creation of entire literary categories like the debut novel, the story collection, postmodernism, multiethnic fiction, and world literature. Featuring profiles of agents past and present such as Sterling Lord, Lynn Nesbit, Candida Donadio, Marie Brown, and Andrew Wylie, along with perspectives from agents at all stages of their careers, Middlemen is an entertaining and eye-opening account of how literary fiction—and the literary canon—is made. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In this interview, we speak with Laura B. McGrath, an Assistant Professor of English at Temple University and the author of Middlemen: Literary Agents and the Making of American Fiction (Princeton University Press, 2026). Her writings have appeared in the Los Angeles Review of Books and The Atlantic. Middlemen rewrites literary history from the perspective of one of its most important but least visible figures: the literary agent. Chronicling the story of agents in the United States from the 1950s to today, Laura McGrath uncovers their critical role in the making of American literature. From the famed three-martini lunch to the Frankfurt Book Fair, Middlemen takes readers behind the scenes to show how agents influence what we read. Along the way, it explains why many debut novelists never publish another book, why agents champion short story collections even though they sell poorly, how agents advocate for writers of color in a system that values whiteness, and why there are so many New York novels. Weaving together original archival research, data analysis, and interviews with scores of agents and other publishing professionals, Middlemen demonstrates that agents—eighty percent of whom are in fact women—are much more than “middlemen.” As intermediaries between author and publisher, agents act as advocates, matchmakers, negotiators, and tastemakers, and they must balance artistic values with the commercial imperatives of publishing conglomerates. The book describes the decisive role agents have played in celebrated novels—from Jack Kerouac's On the Road to Colson Whitehead's The Intuitionist—but also in the creation of entire literary categories like the debut novel, the story collection, postmodernism, multiethnic fiction, and world literature. Featuring profiles of agents past and present such as Sterling Lord, Lynn Nesbit, Candida Donadio, Marie Brown, and Andrew Wylie, along with perspectives from agents at all stages of their careers, Middlemen is an entertaining and eye-opening account of how literary fiction—and the literary canon—is made. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In this interview, we speak with Laura B. McGrath, an Assistant Professor of English at Temple University and the author of Middlemen: Literary Agents and the Making of American Fiction (Princeton University Press, 2026). Her writings have appeared in the Los Angeles Review of Books and The Atlantic. Middlemen rewrites literary history from the perspective of one of its most important but least visible figures: the literary agent. Chronicling the story of agents in the United States from the 1950s to today, Laura McGrath uncovers their critical role in the making of American literature. From the famed three-martini lunch to the Frankfurt Book Fair, Middlemen takes readers behind the scenes to show how agents influence what we read. Along the way, it explains why many debut novelists never publish another book, why agents champion short story collections even though they sell poorly, how agents advocate for writers of color in a system that values whiteness, and why there are so many New York novels. Weaving together original archival research, data analysis, and interviews with scores of agents and other publishing professionals, Middlemen demonstrates that agents—eighty percent of whom are in fact women—are much more than “middlemen.” As intermediaries between author and publisher, agents act as advocates, matchmakers, negotiators, and tastemakers, and they must balance artistic values with the commercial imperatives of publishing conglomerates. The book describes the decisive role agents have played in celebrated novels—from Jack Kerouac's On the Road to Colson Whitehead's The Intuitionist—but also in the creation of entire literary categories like the debut novel, the story collection, postmodernism, multiethnic fiction, and world literature. Featuring profiles of agents past and present such as Sterling Lord, Lynn Nesbit, Candida Donadio, Marie Brown, and Andrew Wylie, along with perspectives from agents at all stages of their careers, Middlemen is an entertaining and eye-opening account of how literary fiction—and the literary canon—is made. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

In this interview, we speak with Laura B. McGrath, an Assistant Professor of English at Temple University and the author of Middlemen: Literary Agents and the Making of American Fiction (Princeton University Press, 2026). Her writings have appeared in the Los Angeles Review of Books and The Atlantic. Middlemen rewrites literary history from the perspective of one of its most important but least visible figures: the literary agent. Chronicling the story of agents in the United States from the 1950s to today, Laura McGrath uncovers their critical role in the making of American literature. From the famed three-martini lunch to the Frankfurt Book Fair, Middlemen takes readers behind the scenes to show how agents influence what we read. Along the way, it explains why many debut novelists never publish another book, why agents champion short story collections even though they sell poorly, how agents advocate for writers of color in a system that values whiteness, and why there are so many New York novels. Weaving together original archival research, data analysis, and interviews with scores of agents and other publishing professionals, Middlemen demonstrates that agents—eighty percent of whom are in fact women—are much more than “middlemen.” As intermediaries between author and publisher, agents act as advocates, matchmakers, negotiators, and tastemakers, and they must balance artistic values with the commercial imperatives of publishing conglomerates. The book describes the decisive role agents have played in celebrated novels—from Jack Kerouac's On the Road to Colson Whitehead's The Intuitionist—but also in the creation of entire literary categories like the debut novel, the story collection, postmodernism, multiethnic fiction, and world literature. Featuring profiles of agents past and present such as Sterling Lord, Lynn Nesbit, Candida Donadio, Marie Brown, and Andrew Wylie, along with perspectives from agents at all stages of their careers, Middlemen is an entertaining and eye-opening account of how literary fiction—and the literary canon—is made.

In this interview, we speak with Laura B. McGrath, an Assistant Professor of English at Temple University and the author of Middlemen: Literary Agents and the Making of American Fiction (Princeton University Press, 2026). Her writings have appeared in the Los Angeles Review of Books and The Atlantic. Middlemen rewrites literary history from the perspective of one of its most important but least visible figures: the literary agent. Chronicling the story of agents in the United States from the 1950s to today, Laura McGrath uncovers their critical role in the making of American literature. From the famed three-martini lunch to the Frankfurt Book Fair, Middlemen takes readers behind the scenes to show how agents influence what we read. Along the way, it explains why many debut novelists never publish another book, why agents champion short story collections even though they sell poorly, how agents advocate for writers of color in a system that values whiteness, and why there are so many New York novels. Weaving together original archival research, data analysis, and interviews with scores of agents and other publishing professionals, Middlemen demonstrates that agents—eighty percent of whom are in fact women—are much more than “middlemen.” As intermediaries between author and publisher, agents act as advocates, matchmakers, negotiators, and tastemakers, and they must balance artistic values with the commercial imperatives of publishing conglomerates. The book describes the decisive role agents have played in celebrated novels—from Jack Kerouac's On the Road to Colson Whitehead's The Intuitionist—but also in the creation of entire literary categories like the debut novel, the story collection, postmodernism, multiethnic fiction, and world literature. Featuring profiles of agents past and present such as Sterling Lord, Lynn Nesbit, Candida Donadio, Marie Brown, and Andrew Wylie, along with perspectives from agents at all stages of their careers, Middlemen is an entertaining and eye-opening account of how literary fiction—and the literary canon—is made. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

In this interview, we speak with Laura B. McGrath, an Assistant Professor of English at Temple University and the author of Middlemen: Literary Agents and the Making of American Fiction (Princeton University Press, 2026). Her writings have appeared in the Los Angeles Review of Books and The Atlantic. Middlemen rewrites literary history from the perspective of one of its most important but least visible figures: the literary agent. Chronicling the story of agents in the United States from the 1950s to today, Laura McGrath uncovers their critical role in the making of American literature. From the famed three-martini lunch to the Frankfurt Book Fair, Middlemen takes readers behind the scenes to show how agents influence what we read. Along the way, it explains why many debut novelists never publish another book, why agents champion short story collections even though they sell poorly, how agents advocate for writers of color in a system that values whiteness, and why there are so many New York novels. Weaving together original archival research, data analysis, and interviews with scores of agents and other publishing professionals, Middlemen demonstrates that agents—eighty percent of whom are in fact women—are much more than “middlemen.” As intermediaries between author and publisher, agents act as advocates, matchmakers, negotiators, and tastemakers, and they must balance artistic values with the commercial imperatives of publishing conglomerates. The book describes the decisive role agents have played in celebrated novels—from Jack Kerouac's On the Road to Colson Whitehead's The Intuitionist—but also in the creation of entire literary categories like the debut novel, the story collection, postmodernism, multiethnic fiction, and world literature. Featuring profiles of agents past and present such as Sterling Lord, Lynn Nesbit, Candida Donadio, Marie Brown, and Andrew Wylie, along with perspectives from agents at all stages of their careers, Middlemen is an entertaining and eye-opening account of how literary fiction—and the literary canon—is made. Learn more about your ad choices. Visit megaphone.fm/adchoices

Pour donner le top départ des vacances, Allora prend la route avec un écrivain voyageur, amoureux de l'Italie : Pierre Adrian.Cap sur le Nord-Ouest italien, des collines du Piémont aux rivages de la Ligurie, en passant par la Lombardie. Ce territoire il le raconte dans le récit littéraire qui introduit « Le Grand Tour - Voyage hédoniste en Italie / Nord-Ouest » (Éditions Michelin), une nouvelle collection qui réinvente l'esprit des grands voyages du XVIIIᵉ au XIXᵉ siècles. Plus qu'un guide, chaque volume est une invitation à découvrir une Italie intime, racontée par un auteur ou une autrice qui la connaît de l'intérieur, entre récit personnel, itinéraires choisis et adresses inspirantes.Si Pierre Adrian connaît si bien le Piémont, c'est parce qu'il l'a d'abord découvert en compagnie de Cesare Pavese. En suivant les traces du célèbre écrivain italien, il lui a consacré un récit, « Hôtel Roma », faisant du voyage un prolongement de la littérature. Un procédé qu'il avait déjà exploré quelques années auparavant avec « La Piste Pasolini », consacré aux paysages intimes de Pier Paolo Pasolini. Au fond, Pierre Adrian semble avoir cartographié l'Italie à partir de la littérature, et de toutes ces voix qui ont résonné en lui.Cette Italie littéraire irrigue également ses romans, comme « Les Bons Garçons », qui nous plonge dans la Rome des années 1970. Rome, justement, est devenue sa ville d'adoption. Installé dans la capitale italienne depuis cinq ans, il a également été pensionnaire de la Villa Médicis en 2023-2024. Dans cet épisode, il nous fait entrer dans les coulisses de cette institution mythique, et nous partage cette expérience qui a bouleversé sa vie.De Turin à Rome, embarquez pour une nouvelle escapade estivale. Buon viaggio !· L'univers de Pierre Adrian : Poursuivez le voyage dans l'Italie du Nord-Ouest de Pierre Adrian avec le guide « Le Grand Tour - Voyage hédoniste en Italie Nord-Ouest » (Ed. Michelin). Retrouvez également ses récits et romans : « La Piste Pasolini » (2015), « Des âmes simples » (2017), « Les Bons Garçons » (2020), « Que reviennent ceux qui sont loin » (2022), « Hotel Roma » (2024). Et aussi « Le rêve inachevé de Jack Kerouac » (2026). · Les inspirations italiennes de Pierre Adrian :La citation de Federico Fellini sur Rome : « Giacché Roma è una madre, ed è la madre ideale, perché indifferente… Ti accoglie quando vieni, ti lascia andare quando vai. » (Rome est une mère, et la mère idéale, parce qu'elle est indifférente. Elle t'accueille quand tu viens, elle te laisse partir quand tu t'en vas.) Corriere della Sera (1972)Les écrivains turinois : Cesare Pavese, Carlo Levi, Italo Calvino, Natalia Ginzburg... toute cette génération d'écrivains réunie autour de la maison d'édition Einaudi.Le poème « Les mers du sud » de Cesare PaveseVisiter l'Hotel Roma & sa chambre n°49, où Cesare Pavese passa sa dernière nuit (Piazza Carlo Felice 60, Turin).Les œuvres de Cesare Pavese à (re)découvrir chez Gallimard : « Travailler fatigue », « Le Métier de vivre », « Le Bel Été », « La Plage » et « La Lune et les Feux ».Le film « Femmes entre elles » (1955) de Michelangelo Antonioni.Le restaurant l'Ultima Spiaggia (Corso Chieri 149, Turin).Le livre « Saintes Pierres de Rome - 20 flâneries depuis la Villa Médicis » (Ed. Jonglez) écrit à la Villa Médicis (à retrouver à la librairie de la Villa Médicis).Conçu, réalisé et présenté par Claire PlantinetMontage Générique : François PraudMixage épisode : Mattéo FévrierMusique : Happy Clapping Cinematic Score / PaBlikMM / Envato ElementsPortrait cover © Mathilde PoisCréation visuelle : Thomas Jouffrit · Remerciements : à l'Hôtel Grand Amour pour l'enregistrement de cet épisode.Adresse : 18 Rue de la Fidélité, 75010 Paris / Téléphone : 01 44 16 03 30@hotelsamourparis / Site Internet · Archives épisodes :© Extraits BA « Femmes entre elles » (1955) Real. Michelangelo Antonioni, YouTube Silvia - La mia Paris, Pixabay Atlas Audio, Leberch, Dmitrii Kolesnikov. Retrouvez allora sur Instagram @allora.lepodcast ! Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

With special guest Longinus the boys review a Troegs Graffiti Highway Mosaic IPA and take a deep dive into Jack Kerouac's On the Road, one of the defining novels of the Beat Generation.We talk through the plot, the major characters like Sal Paradise and Dean Moriarty, and the larger ideas behind Kerouac's world: freedom, authenticity, rebellion, conformity, jazz, the open road, and the moral chaos that often comes with living for pure experience. Along the way, we explore the relationship between the Beat movement and the later hippie movement, Kerouac's writing style, the role of bebop jazz, the rise of the American highway culture, and whether On the Road is really a novel, a travelogue, or something in between.If you've ever wondered why On the Road became such an important American book—or what the Beat Generation was actually searching for—this conversation is for you.In this episode:* Troegs Graffiti Highway single-hop Mosaic IPA review* A summary and discussion of Jack Kerouac's On the Road* Who Dean Moriarty was and why he matters* The meaning of the Beat Generation* Kerouac, Allen Ginsberg, William S. Burroughs, and the Beat ethos* Freedom, spontaneity, authenticity, and the rejection of conformity* The connection between Beat culture, hippies, Ken Kesey, and the Merry Pranksters* Jazz, highways, postwar America, and the romance of the road* Why On the Road is both exhilarating and morally unsettlingIf you enjoy conversations about books, literature, culture, philosophy, religion, history, and beer, subscribe and join us for more episodes of Beer and Conversation with Pigweed and Crowhill.#JackKerouac #OnTheRoad #BeatGeneration #BeerAndConversation #BookDiscussion #AmericanLiterature #Beatniks #AllenGinsberg #WilliamSBurroughs #KenKesey #LiteraryPodcast #BookTube #ClassicLiterature #PigweedAndCrowhill

Followed by spoken-word poetry from Dreaming Bear, Ram Dass and Uma Reed explore how the union of Bhakti and Vedanta leads to unchanging bliss and eternal awareness.Recorded in 2008 at Studio Maui, this mini-series features Ram Dass and guests from his satsang. Check out the first two episodes of this mini-series on episodes 245 and 255 of the Be Here Now Network's Guest Podcast.Help us celebrate 10 years of Be Here Now Network and support the next chapter of Ram Dass Here and Now. Gifts are matched dollar for dollar through June 30. Learn more and give here: BHNN 10th Birthday FundraiserToday's podcast is brought to you by BetterHelp. Give online therapy a try at betterhelp.com/beherenow and get on your way to being your best self.In this episode, Uma Reed and Ram Dass share insights on:Weaving together the paths of Bhakti and Vedanta Connecting to our blissful nature and a joy that is unchangingRam Dass's mushroom trip at Tim Leary's house: seeing the roles vs. the soulStripping everything away until you are pure awareness and loveSpoken word with Dreaming BearLoving all of each other the way we love our belovedGiving yourself permission to become wild and undomesticatedAbout Uma Reed:Uma was first exposed to Hindu devotional chanting in the early 1970s, while studying meditation and spiritual practices with Ram Dass and various other teachers. Kirtan was a practice that touched her deeply, and as a devotee of Neem Karoli Baba, she often participated in kirtan gatherings with fellow devotees, as well as in other ashrams and spiritual communities. For years she held kirtan in her home, and for the past dozen years or so, she has led kirtan formally in yoga studios, spiritual centers, and retreat settings. She has taught workshops and led kirtan on numerous retreats and in satsang with Ram Dass and other spiritual teachers in the U.S. and abroad.About Dreaming Bear: Dreaming Bear is a master word-smith delivering his fervent message with extraordinary verbal dexterity and relevance. He's a nomadic bard, a hip mystic and modern-language Sufic style philosopher-poet. If you'd like to experience a living combination of Spaulding Gray, Rumi, Jack Kerouac, Robin Williams, Shel Silverstein, Michael Talbot and Thich Nhat Hanh, you owe it to yourself to see Dreaming Bear. The foundation for Dreaming Bear's work as a transformational epic orator and poetic storyteller is deeply attuned to the natural world. His work as a university teacher/researcher was further defined by years spent living 'off the grid'. While in a deep communion with what the Hawaiians call the a'ina, or life force of the land, he began to take his artistry to a new level and developed many of the works that have proven to be inspiring to so many. Find out more about Nature's Poet Laureate by reading a book of his poetry. “You will always exist. Isn't that reassuring? You always exist.” –Ram DassSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In March 2000, 23-year-old Leah Roberts packed her white Jeep Cherokee, withdrew thousands of dollars, and left North Carolina on a cross-country road trip inspired by Jack Kerouac. Five days after she was last seen in Bellingham, Washington, a couple jogging along a remote logging road near Mount Baker found her Jeep wrecked at the bottom of an embankment. Leah wasn't inside. There was no blood and no sign of injury. Her belongings were still in the car, including $2,500 in cash and a family heirloom. Blankets had been stuffed into the broken windows, as if someone had used the Jeep for shelter after the crash. Years later, a forensic examination revealed the starter motor had been tampered with, raising the possibility the crash was staged. Witnesses recalled seeing Leah at a Bellingham restaurant shortly before she vanished, possibly speaking with a man whose identity has never been confirmed. More than two decades later, no arrests have been made and Leah has never been found. Was it foul play in the Washington wilderness, or did Leah walk away from her old life? What really happened to Leah Roberts remains unanswered. Do you have a theory? Let us know in the comments. #TrueCrimeRecaps #LeahRoberts #MissingPerson #UnsolvedMystery #ColdCase #MountBaker #Bellingham #RoadTripMystery #Disappearance Learn more about your ad choices. Visit megaphone.fm/adchoices

The Andy Riesmeyer Show Hour 4 (6.12) Let’s get some more Solo to Solo in with our musical listeners from throughout the Greater Los Angeles area. Andy welcomes in-studio guest Woodrow “Packman” Landfair — former NCAA baseball champion, globe-trotting surfer, and the unofficial mayor of Manhattan Beach’s El Porto. Packman, who sold all his stuff to ride a motorcycle across all 48 states, shares epic stories from his journey and his new book “Road Journals: 48 States. One Ride,” a modern-day Jack Kerouac adventure. See omnystudio.com/listener for privacy information.

The Andy Riesmeyer Show Hour 2 (6.12) In the 7PM hour, Andy Riesmeyer welcomes in-studio guest Woodrow “Packman” Landfair — former NCAA baseball champion, world surfer, and the unofficial mayor of Manhattan Beach’s El Porto neighborhood. Packman, who sold all his possessions to ride a motorcycle across America, talks about his latest book “Road Journals: 48 States. One Ride,” living like a modern-day Jack Kerouac while running his local surf shop and slinging surfboards and booze. The conversation then spirals into total chaos as listeners passionately debate the best way to cut sandwiches, complete with the crew hilariously trying (and failing) at Philadelphia and Pittsburgh accents. The hour finishes with a look at why some women in New York are choosing to live with nuns to escape insane rents, plus Crozier recounting the time he went undercover as a twink in Hugh Grant land. See omnystudio.com/listener for privacy information.

Ffilm 1 funud a 55 munud a wnaed gan Peter Finnemore yn 2005 yw Tailspin.  Mae'r ffilm yn dangos golygfa wledig gyda'r hwyr tua diwedd yr hydref lle mae dyn sy'n gwisgo dillad cuddliw gwyrdd nad ydyn nhw'n ei ffitio yn cerdded yn glocwedd o gwmpas coelcerth fawr yn y gornel dde isaf. Mae'r dyn yn oedi ac yn plygu i gynnau tân gwyllt tenau ar ffurf tiwb ar ffon, gan godi i ddal y tân gwyllt fel tortsh o'i flaen a cherdded i ganol y lle. Mae'r tân gwyllt ffyrnig tebyg i dortsh yn pallu'n raddol yn fwg eiddil nes iddo ffrwydro yng ngwacter yr awyr las feddal. Mae gwreichion euraidd yn hedfan y tu ôl iddo, gan fflachio ar gyflymder aruthrol nes i liw aur disglair ffrwydro mewn chwa o fwg. Cyn gynted ag y daw i ben, mae ffrwydrad euraidd arall yn tarfu ar yr awyr dywyll, gan barhau am 30 eiliad nes i'r mwg olaf wasgaru. Mae'r gyfres o ffrwydradau tân gwyllt yn awyr yr hwyr yn dwyn i gof ffaglau gofid i liniaru ynysu gwledig. Mae'r tân gwyllt yma'n estyniad o bresenoldeb bydol y corff. Mae'r dyn yn cerdded yn ôl tuag at y tân ac yn taflu'r tân gwyllt gwag arno. Mewn perthynas â'r gwaith hwn, mae Finnemore yn aml yn dyfynnu llinellau enwog Jack Kerouac o On the Road.  “The only people for me are the mad ones, the ones who are mad to live, mad to talk, mad to be saved, desirous of everything at the same time, the ones who never yawn or say a commonplace thing, but burn, burn, burn like fabulous yellow Roman candles exploding like spiders across the stars and in the middle you see the blue centerlight pop and everybody goes ‘Awww!'” Mae'r gwaith hwn yn rhan o'r gyfres Zen Gardener.

Tailspin is a film by Peter Finnemore, made in 2005, duration 1 minute and 55 seconds. The film depicts a late autumn evening countryside scene with a man dressed in ill-fitting green army camouflage clothing in the bottom right, walking clockwise around a large roaring bonfire. The man stops and bends down to light a thin tube-shaped firework on a stick, arising holding the firework like a torch in front of him, walking into the centre of the space. The fiery torch-like firework peters to wispy smoke until it erupts into the emptiness of soft dark blue clear sky. Golden sparks fly behind, flickering at dizzying speed until a smattering of fizzing sparkling effervescent gold explodes into a puff of smoke. As soon as it's over there is another golden eruption disrupting the night sky, this display continues for 30 seconds until the last bellow of smoke disperses. The repeating series of firework explosions into the evening sky is evocative of distress flares to alleviate rural isolation. The firework here becomes an extension of the body's temporal presence. The man walks back towards the fire and throws the emptied firework onto it. In relation to this work Finnemore often quote's Jack Kerouac's famous lines from On the Road. “The only people for me are the mad ones, the ones who are mad to live, mad to talk, mad to be saved, desirous of everything at the same time, the ones who never yawn or say a commonplace thing, but burn, burn, burn like fabulous yellow Roman candles exploding like spiders across the stars and in the middle you see the blue centerlight pop and everybody goes ‘Awww!'” This work is part of the Zen Gardener series.

durée : 00:45:28 - La 20e heure - par : Eva Bester - Après avoir marché sur les traces de Pier Paolo Pasolini, Pierre Adrian s'attaque à une autre figure mythique : Jack Kerouac. L'écrivain suit les traces du poète américain lors de son passage en Bretagne dans une quête intime, entre mémoire, littérature et désir de retrouver l'esprit du voyage. - réalisation : Lola Costantini, Céline Villegas, Fanny Leroy, Franck Olivar, Juliette Lorphelin, Anaïs Boucher - invités : Pierre Adrian Écrivain Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Before she wrote the novel, before the residency, before the ninety thousand words that became her debut — Shasta Grant was a little girl in New Hampshire being raised by her grandparents, carrying questions about her mother that she didn't yet have language for. She didn't know then that those questions would one day find their form on the page. She didn't know she'd spend years writing shorter and shorter stories until fiction had compressed itself into flash, then sit down in a house in Orlando that once belonged to Jack Kerouac and finally let something large and long and true come through. She didn't know she was writing toward herself. But she was.Shasta is the author of When We Were Feral, a debut literary novel set in 1990s New Hampshire about three girls — Maggie and her friends — searching for answers about their missing mothers. It is a novel about friendship in its most primal form, about the particular cruelty and fierce loyalty that live side by side in female adolescence, and about what it means to grow up in the absence of a mother's presence. The book was born from a short story, expanded through a three-month writing residency where Shasta wrote a thousand words a day and didn't plan anything — just followed the girls where they led. The adult timeline she originally wrote got cut in revision, because, as she puts it, everything she loved about the book was in that child timeline. The longing. The wildness. The unresolved ache at the center of it all. Shasta grew up in the world she built in this novel, and she set it in 1990s New Hampshire because she still holds a longing for that place and that time — a longing the book finally gave her permission to explore. Writing it, she discovered something she hadn't expected: how many unresolved feelings she still held about her own mother and the particular wound of maternal abandonment.This episode is for anyone who has ever circled around a childhood wound in their adult life without fully looking at it — and for every reader who grew up in the 1990s and felt the complicated, electric tension of female friendship before they had words for it. It is for the writer who thinks they only know how to write short things, who needs to hear that the long story is in there waiting. And it is for anyone who has ever needed a novel that doesn't look away from what girlhood actually felt like — not the polished version, but the feral one.

Marcus Aurelius Anderson sits down with bestselling author and creative legend Steven Pressfield in Santa Monica for a wide-ranging conversation centered on Pressfield's new historical fiction novel, The Arcadian. The two explore the novel's ancient mercenary protagonist Telamon, the philosophy of resistance, the role of vulnerability in transformation, and what it means to keep doing the work — even after losing everything in a wildfire. Episode Highlights: 9:55 — The Magical Horse and the Hope of ReleasePressfield unpacks the inciting incident of The Arcadian — Telamon spotting a horse he recognizes from the year 70 AD bearing the brand of the 10th Roman Legion. The horse, appearing 1,400 years later, becomes a symbol of potential redemption and drives the entire story forward. 10:35 — Westerns, Vulnerable Characters, and Human TransformationPressfield reveals that The Arcadian is structurally a Western — like Unforgiven or Shane — and explains why the genre's conventions (a man of violence, a lawless landscape, a vulnerable character) are the perfect vehicle for stories about overcoming emotional isolation and finding humanity. 28:38 — Resistance, the LA Fires, and the Work That Saves You Pressfield opens up about losing his home in the 2025 LA wildfires, including a 40-year-old handwritten copy of the Empedocles quote. He reflects on how devotion to the work — and an acorn from Thermopylae returned by a Special Forces friend — helped hold him together. Steven Pressfield is one of the most influential American authors of the past three decades. Best known for The War of Art, Gates of Fire, and The Legend of Bagger Vance, Pressfield has built a body of work that spans historical fiction, nonfiction on creativity, and screenwriting. A former Marine and advertising copywriter, he spent years living in a Chevy van before finally breaking through as a writer. His concept of "Resistance" — the internal force that blocks creative work — has become a touchstone for artists, entrepreneurs, and warriors worldwide. His newest novel, The Arcadian, was released May 26, 2025. He publishes a weekly blog, Writing Wednesdays, at StevenPressfield.com. Learn more about the gift of Adversity and my mission to help my fellow humans create a better world by heading to www.marcusaureliusanderson.com. There you can take action by joining my ANV inner circle to get exclusive content and information.See omnystudio.com/listener for privacy information.

In March 2000, twenty-three-year-old Leah Roberts packed her white Jeep Cherokee and drove west.No warning. No clear destination.Nine days later, her Jeep was found wrecked in the woods near Mount Baker, Washington.Her belongings were still inside.Leah was gone.And the crash scene left behind more questions than answers.Source Material:https://www.whatcomcounty.us/292/Missing-Leah-Robertshttps://namus.nij.ojp.gov/case/MP150https://unsolved.com/gallery/leah-roberts/https://charleyproject.org/case/leah-toby-robertshttps://tv.apple.com/us/episode/soul-searcher/umc.cmc.uftebyn0o05ihpa7npt0qcg2https://storiesoftheunsolved.com/2023/09/14/leah-roberts/https://www.trace-evidence.com/leah-robertshttps://crimejunkiepodcast.com/missing-leah-roberts/https://en.wikipedia.org/wiki/Disappearance_of_Leah_Robertshttps://youtu.be/byCI5p1vZBs?si=H9TQUFBL0umnMEXbhttps://youtu.be/X8oGoa7Jt94?si=yrBjEt_PPq6WkRlHMusic Credit:1. CAN'T SLEEPMusic from #Uppbeat (free for Creators!):https://uppbeat.io/t/locran/cant-sleepLicense code: HAVIXRYL3KM0XULJ 2. LIGHTLESS DAWNMusic from #Uppbeat (free for Creators!):https://uppbeat.io/t/kevin-macleod/lightless-dawnLicense code: PFYUGTZVDWOCBNLK3. SOLVING THE CRIME2021-09-06_-_Solving_The_Crime_-_David_Fesliyan.mp3 Connect with us: killerhearttohearts@gmail.comFollow us on: Tik TokFollow us on: InstagramLike us on: FacebookFollow us on: Twitter

How do we know what we think we know? Are our opinions our own, or are they conditioned by external influences? What helps to balance opposing views? How important are such questions to yoga – both philosophically and practically?This podcast explores some of the voices in my head. It was inspired by a recent conversation about the Yoga Sūtra on my year-long course, The Path of Knowledge. There are also ingredients from Gavin Flood, a colleague at the Oxford Centre for Hindu Studies, plus an essay on tensions between scholars and practitioners.That article cites writing by C. W. Huntington, Jr. – particularly Māyā, a novel he describes as “a first person narrative rooted in the literary tradition of Henry Miller, Thomas Merton, Jack Kerouac, and Carlos Castaneda”, and his last book, What I Don't Know About Death. It also draws on Robert M. Pirsig's Zen and the Art of Motorcycle Maintenance (about which more here, in a BBC broadcast).

Jack Kerouac's birthday takes Nick Hennegan back to 1950's  America and a celebration of the Beat Poets. www.BohemianBritain.com  

Sarah actually thought Harry Styles was funny on SNL this weekend. Can Zach Bryan read the Jack Kerouac scroll he just bought? Sam Smith ate his way through The Bay - including Sarah's neighborhood! THE famous Pink Floyd guitar just sold for big bucks. Happy National Panda Day! Jane Fonda was protesting the Paramount and Warner Brothers merger at The Oscars. Human brains are prone to distractions - don't be too hard on yourself. Is it worth being in the Guinness Book of World Records if THIS is what you have to do?! And, When Did That Happen?

Hour 1: Don't forget to wear your green tomorrow! Access Hollywood has been cancelled. Mario Lopez is gonna need a new gig. Buzzfeed is reportedly bleeding money. A heatwave? In March?! Vinnie is still ruminating on Friday's Bad Advice. Here's why so many Californians are moving to Reno. Slumberstitions are helping you sleep. To top sheet or not to top sheet - that is the question. Hour 2: Were the Oscars funny? Here are the big winners of the night, including which of our gang had the best predictions. Paul Thomas Anderson and ‘One Battle After Another' beat ‘Sinners.' Amy Madigan got her flowers for ‘Weapons' after a long career. Spring is about to be sprung. A shocking number of GenZ men have traditional views. Fremont, you might see the new Doordash Dot in the bike lane. (51:47) Hour 3: Has the Savannah Guthrie case gone cold? Sarah has a sketchy update from the sheriff's department. Those cameras in your doorway don't seem to be catching crooks. Susan is hoping Bob wants to slow down on the partying soon. Rebel Wilson's PR team is up to no good. The Razzies named the worst entertainment of the year. Larry David is at it again with ‘Life, Larry, and The Pursuit of Unhappiness' - a new sketch comedy show satirizing US history. Get your March Madness brackets done before it's too late. Embarrassment is uniquely human. Target says they're phasing out toys. (1:31:41) Hour 4: Sarah actually thought Harry Styles was funny on SNL this weekend. Can Zach Bryan read the Jack Kerouac scroll he just bought? Sam Smith ate his way through The Bay - including Sarah's neighborhood! THE famous Pink Floyd guitar just sold for big bucks. Happy National Panda Day! Jane Fonda was protesting the Paramount and Warner Brothers merger at The Oscars. Human brains are prone to distractions - don't be too hard on yourself. Is it worth being in the Guinness Book of World Records if THIS is what you have to do?! And, When Did That Happen? (2:14:00)

Notes and Links to Adolfo Guzman Lopez's Work   Adolfo Guzman-Lopez has been a reporter at LAist 89.3, the Los Angeles NPR affiliate since 2000. He reported and hosted Imperfect Paradise: The Forgotten Revolutionary, a true crime podcast looking into the death in 1994 of Chicano college activist Oscar Gomez. He has reported on L.A. politics, education, art, museums and other topics. His stories have also aired and published nationally on NPR, The Washington Post, and other media. His awards include the LA Press Club's “Radio Journalist of the Year.” He was born in Mexico City, grew up in Tijuana and San Diego, and lives in Long Beach. Buy California Southern: writing from the road, 1992-2025   Listen to Adolfo's “The Forgotten Revolutionary” Podcast Series   KPCC/LAist Article about Adolfo's Visit to Pete's Classroom, 2012   KPCC/Laist OnRamp Article about Adolfo being referenced on The Simpsons At about 2:20, Pete and Adolfo talk about the wonderful experience Adolfo provided for Pete's students during a 2012 class visit At about 5:15, Adolfo recounts great stories and lessons learned (especially “collective voice”) from time with The Taco Shop Poets At about 9:00, Adolfo gives background on growing up in San Diego and Tijuana, "bicultural and bilingual” At about 11:30, Pete and Adolfo reflect on the book as “a road trip book” At about 13:30, Adolfo discusses what he recently learned about earlier family immigrants to the US At about 15:40, the two discuss of National City and San Diego in discussing the wonderful “binaries” that Mike Sonksen compliments in blurbs for the book At about 20:50, Adolfo describes the “sadness” in the writing of Jack Kerouac and connections to ideas of “home” for himself and Kerouac At about 23:10, Pete and Adolfo shout out Tim Hernández and his great work with Mañana Means Heaven At about 24:00, “The Spine of Califas,” the book's first poem, is discussed, and Adolfo discusses the “personification” of the border At about 27:50, Pete highlights the POV and “myriad stories” in a poem about  At about 28:40, Adolfo responds to Pete's questions about poems that focus on the border crossing and questions from immigration authorities  At about 29:40, Adolfo explains a dynamic phrase he uses-”milquetoast bilingualism" and how he played with language, especially with regards to “proper” Spanish and English At about 34:55, Adolfo reads some of his work, meditating on ideas of possessions, tangible and not At about 38:00, The two discuss “SanDiegotijuana” and its “negative definitions” and Adolfo reflects on the “set of feelings” that differ depending on where he is At about 41:00, Adolfo reflects on his “footprints still [being] wet” in San Diego and its implications  At about 43:40, Pete compliments Adolfo's work in tracing the histories, military and not, of San Diego and LA At about 47:00, Adolfo responds to Pete's asking about his poem(s) about Pacific Beach Junior High School  At about 48:55, Adolfo expands on his word play, especially using various permutations of “Sal” and talks about adopting Jewish religious practices and writing about a meaningful story from the Torah At about 53:25, Adolfo responds to Pete's questions about “The Words I've Lost” and ideas of remembered and forgotten language At about 55:45, The two discuss gentrification as a topic in the poetry collections, particularly in San Diego At about 1:00:25, Adolfo recounts the story behind his poem on the opening of the National City Library  At about 1:03:40, ideas of “passing the baton” and transitions between immigrant communities and migrant communities are discussed  At about 1:06:20, Adolfo reads the poem “Prudence” At about 1:07:45, Adolfo talks about writing in response/in honor of Ginsberg and Chicano/a history  At about 1:10:35, Adolfo talks about the Chicano Student Movement, which he covered for his podcast, “The Forgotten Revolutionary” At about 1:11:50, Adolfo talks about continuing various movements, and how he has written a “sequel(s) for “The Movement” poem At about 1:14:00, Adolfo responds to Pete's questions about the term Chicano and its changing meanings At about 1:18:00, Adolfo reflects At about 1:20:30, Adolfo reflects on continuing activism and misogyny within activist circles  At about 1:24:10, Adolfo expands on writing and a changed viewpoint on life after a horrible injury caused by police at a protest At about 1:26:40, Pete shouts out “Those Winter Sundays” in highlighting Adolfo's strong ending with a question At about 1:27:40, Adolfo expands on a poem that highlights the building of the LA Philharmonic  At about 1:31: 30, Pete highlights a favorite poem in the collection, “Trucks” and shares a little Italian bone to pick with Adolfo At about 1:35:15, Pete compares Adolfo's “Trucks” and love for home to Hemingway's “Old Man at the Bridge” At about 1:37:30, Shifra Goldman and her mentorship and activism are referenced, as well as the “Tercera Caida”   At about 1:39:00, Adolfo reflects on dreams and their impact on writing and learning  At about 1:41:10, Adolfo reflects on how he was cognizant of tone at the end of the collection, and he reads “The Treaty” At about 1:43:00, Adolfo shares how he ended “The Treaty” with a reference to the Treaty of Guadalupe Hidalgo      You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow Pete on IG, where he is @chillsatwillpodcast, or on Twitter, where he is @chillsatwillpo1. You can watch other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both the YouTube Channel and the podcast while you're checking out this episode.       Pete is very excited to have one or two podcast episodes per month featured on the website of Chicago Review of Books. The audio will be posted, along with a written interview culled from the audio. His conversation with Jeff Pearlman, a recent guest, is up now at Chicago Review.     Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl      Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting Pete's one-man show, DIY podcast and extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content!    This month's Patreon bonus episode features an exploration of formative and transformative writing for children, as Pete surveys wonderful writers on their own influences.    Pete has added a $1 a month tier for “Well-Wishers” and Cheerleaders of the Show.     This is a passion project, a DIY operation, and Pete would love for your help in promoting what he's convinced is a unique and spirited look at an often-ignored art form.    The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.     Please tune in for Episode 328 with Tom Junod, ESPN senior writer who has written some of the most enduring and widely read longform journalism of the last 30 years.    He joined ESPN in 2016 and has specialized in deeply reported stories on subjects ranging from Muhammad Ali's funeral to Tom Brady's desire to play forever. He has been nominated for an Emmy for his work on “The Hero of Goodall Park,” an E60 program on the ancient secrets that were revealed when a car drove on a baseball field in Maine during a Babe Ruth League game in 2018.     In a 2022 piece, “Untold,” he and ESPN investigative reporter Paula Lavigne spent nearly two years uncovering the horrific crimes of Todd Hodne, a  Penn State football player who in the late 1970's terrorized State College PA, and Long Island, NY, as a serial sexual predator.    Before coming to ESPN, Junod wrote for GQ and Esquire, where he won two National Magazine Awards and was a finalist for the award a record 11 times. For Esquire's 75th Anniversary, the editors of the magazine selected his 9/11 story “The Falling Man' as one of the seven top stories in Esquire's history. In 2019, his story on beloved children's TV host Fred Rogers, “Can You Say…Hero?,” served as the basis for the movie “A Beautiful Day in The Neighborhood,” starring Tom Hanks and Matthew Rhys.    His work has been widely anthologized in collections including The Best American Magazine Writing, the Best American Sports Writing, the Best American Political Writing, the Best American Crime Writing, and the Best American Food Writing.    The episode airs on March 10 or thereabouts, Pub Day for In the Days of My Youth I Was Told What It Means to Be a Man: A Memoir.    Please go to ceasefiretoday.org, and/or https://act.uscpr.org/a/letaidin to call your congresspeople and demand an end to the forced famine and destruction of Gaza and the Gazan people.

Award winning novelist, Colum McCann joins Brendan to discuss the songs that have formed the soundtrack to his life, including Ray Charles' ‘Hit the Road, Jack' and Colm Mac Con Iomaire's ‘The Minbar of Saladin'. He also tracks his literary childhood, his 9/11 novel and his attempt to emulate Jack Kerouac by cycling across America.

Claudette Fette, Ph. D., is an occupational therapist focused on supporting youth, families, and people living with mental illness. She teaches about mental health at Texas Woman's University School of Occupational Therapy and continues to be active supporting mental health initiatives at local, state and national levels. She has written about mental health for professional journals and contributed to books on the subject. She currently serves on advisories for the National Family Support Technical Assistance Center and the Advancing School Mental Health conference.No Saints Here presents Claudette Fette and her son Aaron's experiences as a cautionary tale while offering better alternatives based on Claudette's years as a scholar and therapist. They share their hard lessons to encourage us to reject ignorance and accelerate the development of a smarter, healthier culture for generations to follow.Aaron Fette lived with mental illness all his life. At age 15, he envisioned himself as a modern-day Jack Kerouac, living an adventure on the road that he would chronicle in his writing. Instead, after numerous ineffective interventions, he found himself fleeing from paranoid delusions that drove him from city to city. As a victim of abuse, a drug addict and alcoholic, and as a survivor of the US justice system, Aaron's story offers a unique perspective on some of the thorniest issues in our society today. He died of an opioid overdose in a homeless encampment under Interstate 35 in Fort Worth, Texas, on April 2, 2017. His mother, Claudette, now an occupational therapist and college professor, weaves her son's story into an examination of the critical crossroads in education, mental health and the judicial system — and offers families in crisis a guide for navigating the often-arcane services. Find Dr. Claudette Fette: Facebook: @claudettefetteInstagram: @claudette.fetteBluesky: @claudettefette.bsky.social

Jack Kerouac published “On the Road” in 1957, and it became the defining novel of the Beat Generation. Today, a new documentary explores the book's legacy.

Erin Somers discusses with Ivan six things which should be better known. Erin Somers is a reporter and news editor at Publishers Lunch. Her first novel, Stay Up with Hugo Best was a Vogue Best Book of the Year in 2019. Her writing has appeared in the New Yorker, Paris Review, New York Times Book Review, New Republic, New York Magazine, Atlantic, Esquire, GQ, Best American Short Stories and many other publications. She has been the recipient of an Emerging Writer Fellowship from the NYC Centre for Fiction, a fellowship from the Millay Colony, and was a 2020 finalist for a National Magazine Award. She lives in New York's Hudson Valley with her family. Her new novel is The Ten Year Affair, which is available at https://uk.bookshop.org/p/books/the-ten-year-affair-erin-somers/7940888?ean=9781837264568&next=t. The record Entrance Music by Okonski https://okonski.bandcamp.com/album/entrance-music The author Max Apple https://www.nytimes.com/2008/01/20/books/review/Hodgman-t.html The film 101 Reykjavik https://www.theguardian.com/film/News_Story/Critic_Review/Observer_review/0,,501343,00.html This recording of October in the Railroad Earth by Jack Kerouac and Stephen Allen https://www.youtube.com/watch?v=-hjPZpaXNsw The Codex Seriphinianus https://en.wikipedia.org/wiki/Codex_Seraphinianus Colony Pizza in Fairfield County, Connecticut https://colonygrill.com/ This podcast is powered by ZenCast.fm

Send us a text“Queen of the Dunes” Hazel Hawthorne was a Cape Cod legend who wrote about The Road nearly two decades before her one-time tenant, Jack Kerouac. A uniquely feminine precursor to Beat literature, her novel Salt House captures Bohemian life amid the sand dunes of Provincetown. Though largely dismissed upon its 1934 publication, the book has been re-plucked from obscurity thanks to a new reissue by Provincetown Arts Press. Guests Allison Bass-Riccio and Livia Tenzer join us to discuss the almost transcendental effect Hawthorne's life and writing has on those who continue to discover her.Mentioned in this episode:Salt House by Hazel HawthorneProvincetown ArtsTour the Dunes of ProvincetownPeaked Hill Trust Writing ResidencyThree Women by Hazel HawthorneEdmund WilsonMary Heaton VorseEugene O'NeillThe Provincetown PlayersOn the Road by Jack KerouacFinding Hazel Hawthorne podcast by Inka LeismaLost Ladies of Lit Episode No. 150 on Elizabeth SmartSupport the showFor episodes and show notes, visit: LostLadiesofLit.comSubscribe to our substack newsletter. Follow us on instagram @lostladiesoflit. Email us: Contact — Lost Ladies of Lit Podcast

HOLY DENVER In 2009, at the height of the economic crash, Elizabeth Zwelland loses her prestigious Manhattan publishing job in the fallout from Bernie Madoff's Ponzi scheme. Forced to move to Colorado, the home of her Beat-poet father, she takes a minimum-wage job at an indie bookstore, shelving the very books she once edited. Bitter and adrift, Elizabeth scorns her coworkers and customers—until a shocking confrontation forces her to reckon with herself. Her journey takes her through the shadows of the Columbine shooting and JonBenét Ramsey case, leading to an awakening forged in hardship and a deepening connection to the city Jack Kerouac once called Holy Denver. TOPICS OF CONVERSATION About the Book: Holy Denver – An introduction to the novel, its second-edition release, and the story of a woman forced to rebuild her life after the 2008 financial crash. Loss, identity, and starting over – How the sudden loss of career, home, and status exposes resentment and forces a personal reckoning. Unlikable protagonists and emotional honesty – Why beginning with a deeply flawed main character makes meaningful transformation possible. Privilege, class, and intellectual armor – How education and status become shields that distance people from empathy and connection. Family legacy, neglect, and the Beat Generation – Growing up in the shadow of a famous poet father and grappling with inherited creative identity. Compassion, shame, and self-forgiveness – Confronting harmful behavior and learning to change with honesty and empathy. What's Next for Florence Wetzel – Backlist re-releases, AI-narrated audiobooks, and an upcoming novel set in Crete. ABOUT THE AUTHOR Florence Wetzel was born in Brooklyn, NY. She writes in different genres, including the memoir Sara My Sara: A Memoir of Friendship and Loss. Her novels include the thriller The Woman Who Went Overboard; the Swedish mystery The Grand Man; and Dashiki: A Cozy Mystery. She has also authored horror short stories, a book of poems and memoir essays, and co-authored jazz clarinetist Perry Robinson's autobiography. Aspasia is her latest novel, published in July 2025.  You can learn more about Florence Wetzel and her work at https://linktr.ee/FlorenceWetzel

Bienvenidos un episodio muy especial del podcast dianauribe.fm Hoy abrimos el archivo de la memoria y viajamos hacia atrás en el tiempo para compartir con ustedes un retropodcast, un episodio rescatado de aquella etapa previa a 2018 que guarda intacta su fuerza y su sentido. Les presentamos "Historias de Carretera", un episodio que explora cualquier  ruta no solo como un trayecto físico, sino como una profunda búsqueda espiritual. Para las generaciones de mediados del siglo XX, el asfalto se convirtió en el escenario del cambio, la rebeldía y el autodescubrimiento. A través de los ritmos del blues, el country y el rock 'n' roll, analizamos cómo el cine y la música transformaron al viajero errante en un héroe moderno. Este capítulo nos recuerda que, en estas "historias de carretera", el destino es secundario; lo verdaderamente transformador y esencial es el camino que se recorre. Y por supuesto que en esta época de viajes, saludamos a cada persona viajera que se encuentre en tránsito por cualquier carretera demundo Notas del episodio: Este episodio fue traído a ustedes gracias a MUBI, MUBI es una plataforma de cine curada a mano donde podrás descubrir una película nueva todos los días.            Ingresa a mubi.com/dianauribe y obtén un mes gratis de películas en MUBI. Historia de la legendaria "Ruta 66", el camino que da origen a todos los caminos estadounidenses Un mapa para seguir a Jack Kerouac en su viaje por "On the road" La historia de un himno que es a su vez canción, película y manifiesto "Born to be wild" Janis Joplin y su amor de carretera "Me and Bobby Mcgee" Infaltable en cualquier antología de canciones inspiradas en la carretera aquí está "The Passenger" de Iggy Pop  Sigue mis proyectos en otros lugares:  YouTube ➔ youtube.com/@DianaUribefm  Instagram ➔ instagram.com/dianauribe.fm Facebook ➔ facebook.com/dianauribe.fm Sitio web ➔ dianauribe.fm Twitter ➔ x.com/DianaUribefm  LinkedIn ➔ www.linkedin.com/in/diana-uribe    Gracias de nuevo a nuestra comunidad de patreon por apoyar la producción de este episodio. Si quieres unirte, visita www.dianauribe.fm/comunidad  

SEGMENTS | Greek Orthodox Epiphany in Tarpon Springs | Florida in The French Revolution | Bob Kealing on Jack Kerouac in Florida

Send us a textFairfax criminal lawyer Jonathan Katz was invigorated early on by entertaining others, including performing magic shows for children's birthday parties and performing musically, including with improvisational music. That helped make criminal defense a natural destination on Jon Katz's path, with the spontaneity required of the work, and the engaging, performing and entertaining involved on the road of persuasion. Jon recently looked up what his fellow college alum Stephen Engel was up to, and found that that for decades Steve has been writing for and producing television comedy. With persuasive storytelling being a big part of criminal defense, Jon invited Steve to interview on the Beat the Prosecution podcast, to discuss the story development and storytelling process, engaging the audience, and dealing with the overall creative process. Steve Engel has been a writer for such television series as Big Bang Theory, Mad About You, A.N.T. Farm, and Dream On. His interest in writing scripts goes back many decades. Steve and two other students led a class on comedy that Jon selected when entering college, which introduced Jon to such great writings as A Confederacy of Dunces, Catch-22, and Portnoy's Complaint. Jack Kerouac's On The Road -- of course not a humor piece, but with humorousness therein -- remains among Jon's favorite books, and underlines the virtual limitlessness of human imagination and wordsmithing. Steve talks about keeping the audience's attention, avoiding unnecessary ad-libbing, and working as a team to produce entertainment. One of the most risky things about criminal defense can be to put the defendant on the witness stand, where the accused does not have a script for what is to happen during cross examination, but only tips from their lawyer -- and the defendant's hunches -- about what might be asked. Nonetheless, good script writing and acting can help inform trial lawyers how to keep the audience interested enough so that the attorney's message gets persuasively conveyed, and not drowned out by other noise and ideas happening in the courtroom. Steve started as a lawyer, and has some ideas for lawyers' courtroom presentations. In the courtroom, the jury or judge will write the ending to the story. That is part of the thrill of victory and agony of defeat of trials. This episode is also available on YouTube at https://youtu.be/avQDPrT3JQw.  This podcast with Fairfax, Virginia criminal / DUI lawyer Jon Katz is playable on all devices at podcast.BeatTheProsecution.com. For more information, visit https://KatzJustice.com or contact us at info@KatzJustice.com, 703-383-1100 (calling), or 571-406-7268 (text). If you like what you hear on our Beat the Prosecution podcast, please take a moment to post a review at our Apple podcasts page (with stars only, or else also with a comment) at https://podcasts.apple.com/us/podcast/beat-the-prosecution/id1721413675

I recited the Jack Kerouac short story "Home At Christmas" Suzanne's Band 'Falling Falling Falling" www.suzannesband.com The Wildwoods "Echoes Of Evergreen" www.thewildwoodsband.com Jamie Kent "The Christmas Tree House" www.jamiekent.comWormburner "The Bells Of St. Ignatius" www.wormburnerband.comEllis Paul "Sometimes Trouble Is Good" - 55 www.ellispaul.com Sam Robbins "What Kind Of Faith Are You Praying In?" - Bigger Than In Between www.samrobbinsmusic.com Shanna In A Dress "Everything & Nothing" - Robot www.shannainadress.comKevin Daniel "Don't Tell The Devil" - The Life and Adventures Of Kevin Daniel www.thekevindaniel.com The Matthew Show "If I Don't Come Home For Christmas" www.thematthewshow.com Chandra "Christmas Hugs" www.listentochandra.com Slow Owls "Counting Down To Christmas" Kevin Beadles "Santa Sleighs It Every Time" www.kevinbeadles.com

In 1968, Jack Kerouac called Canadian poet bill bissett one of the greats. At the time, bill was an icon of the counterculture movement in Vancouver. Fast-forward six decades, and he remains one of Canada's most influential and prolific poets and artists. Now in his late 80s, bill has authored more than 70 books of poetry — his latest, “th book uv lost passwords 1,” came out earlier this fall. bill sits down with Tom Power to talk about his pioneering work in concrete poetry and sound poetry, and his rejection of conventional spelling and punctuation. Plus, he reads a couple pieces from his new collection.

One of the themes of the Lean Out podcast is the Sexual Revolution — and weighing its benefits and drawbacks, both for women and for men. Today on the show, we are going back to the period that led into that historical moment, to a bohemian movement of art and travel and sexual experimentation, but also of destruction and dysfunction and family tragedies. We're talking about the Beat Generation. Our guest on today's program has written the introduction to a reissue of an astonishingly good book that explores all of this, written by Jack Kerouac's daughter Jan. Amanda Fortini is an American magazine writer and Substacker. She's a columnist at County Highway and a frequent contributor to T: The New York Times Style Magazine. She's joins me to talk about the 1981 novel Baby Driver by Jan Kerouac.You can find Tara Henley on Twitter at @TaraRHenley, and on Substack at tarahenley.substack.com

 Former Colts Owner Jim Irsay's Memorabilia Collection is Up for AuctionHis guitar collection alone is valued at over One BILLION Dollars This collection is largely known for its vast selection of musical instruments -  often dubbed "The Greatest Guitar Collection on Earth” , which is estimated to be worth over $1 billion and includes instruments previously owned by -Bob Dylan, John Lennon, Miles Davis, Jimi Hendrix, and David Gilmour. Items also in the collection include:A 1963 Gretsch 6120 Country Gentleman, used by John Lennon on The Beatles' 1966 single "Paperback Writer"Lennon's 1964 Rickenbacker Rose Morris Model 1996, used during The Beatles' 1964 Christmas tour. Ringo Starr's first Ludwig drum kit used with The Beatles while touring Europe in 1963And Ringo's drum kit he played on the Ed Sullivan showMuhammad Ali's "Rumble in the Jungle" championship belt-rocking chair used by President John F. Kennedy at the white house- include Jackie Robinson's baseball bat from the 1953 season -Movie MemorabiliaA Wilson volleyball, used during the filming of Cast Away (2000)-a "golden ticket" from Willy Wonka & the Chocolate Factory (1971)-Al Pacino's shooting script used during production of Scarface (1983)-Sylvester Stallone's early working script notebook for the film Rocky (1976-Jack Kerouac's original manuscript of "On the Road -Hunter S Thompson's Chevrolet, -The saddle used for Secretariat's Triple Crown run -documents handwritten by George Washington, Abraham Lincoln and Thomas Jefferson, -The original manuscript of the Alcoholics Anonymous 'Big Book'.-And a more-than-200-year-old copy of the Declaration of Independence   To subscribe to The Pete McMurray Show Podcast just click here

1:44:13 – Frank in New Jersey, plus the Other Side. Topics include: Card table spaceship, contract bridge, Shadow Ticket by Thomas Pynchon,Sheepshead, the other city, dimensions, Cycling Frog Margarita, other worlds, Ancient Lights by Davis Grubb, Ancientighra, lost Jack Kerouac story found, World’s Smallest Boombox, Grateful Dead 6/10/73, and much more… plus the Other Side (at 1:03:38)… […]

The legendary composer, arranger, musician and penny whistle player, David Amram, will be in conversation with Academy Award documentary filmmaker Barbara Kopple at the Woodstock Film Festival on Sunday, 10/19 12 noon. The venue is the Kleinert/James Art Center, 34 Tinker St, Woodstock. David Amram started his professional life in music as a French Hornist in the National Symphony Orchestra (Washington, D.C.) in 1951. After serving in the US Army from 1952-54, he moved to New York City in 1955 and played French horn in the legendary jazz bands of Charles Mingus, Dizzy Gillespie, Lionel Hampton and Oscar Pettiford. In 1957, he created and performed in the first ever Jazz/Poetry readings in New York City with novelist Jack Kerouac, a close friend with whom Amram collaborated artistically for over 12 years. Since the early 1950s, he has traveled the world extensively, working as a musician and a conductor in over thirty-five countries including Cuba, Kenya, Egypt, Pakistan, Israel, Latvia and China. He also regularly crisscrosses the United States and Canada.He composed the scores for many films including Pull My Daisy (1959), Splendor In The Grass (1960) and The Manchurian Candidate (1962). He composed the scores for Joseph Papp's Shakespeare In The Park from 1956-1967 and premiered his comic opera 12th Night with Papp's libretto in 1968. He also wrote a second opera, The Final Ingredient, An Opera of the Holocaust, for ABC Television in 1965. From 1964-66, Amram was the Composer and Music Director for the Lincoln Center Theatre and wrote the scores for Arthur Miller´s plays After The Fall (1964) and Incident at Vichy (1966). Appointed by Leonard Bernstein as the first Composer In Residence for the New York Philharmonic in 1966, he is now one of the most performed and influential composers of our time. For tickets & details: https://woodstockfilmfestival.org/2025-all-events?eventId=68c4216f81b8e06c5bb8c1fc

hotliterati.comOn the Road Reading Guide: https://hotliterati.com/products/on-the-road-reading-guideOn the Road Book Club Kit:

Philip Connors grew up on a farm in Minnesota, studied journalism, and got a job at the Wall Street Journal. But after the September 11 attacks and the death of his brother, he left New York behind and took a job as a fire lookout in the Gila National Forest in New Mexico. Following in the footsteps of other fire lookout writers, poets, and philosophers, like Gary Snyder, Jack Kerouac, and Jack Loeffler, he wrote his first book, Fire Season, in 2011. Since then he written three more books, the latest of which, The Mountain Knows the Mountain, incorporates poetry — particularly haiki — to engage both playful and profound ways of looking at the natural world and the state of our society.

SEASON 2 - EPISODE 160 - Mark Friedberg - Production Designer In this extended (and funny) episode of the Team Deakins Podcast, we speak with production designer Mark Friedberg (CAUGHT STEALING, JOKER, THE UNDERGROUND RAILROAD). A native New Yorker, it wasn't until returning to the city after Jack Kerouac-ing around the country that Mark (and his dog) first found work in the film industry as a driver for the Woody Allen production team. Mark was eventually let out of the van, and, throughout our conversation, he reveals how he thought through many of the challenges in his long and impressive career as a designer. Mark is also a staple in Barry Jenkins' (Season 2, Episode 156) stable of collaborators, and we learn how Mark's daughter convinced her father to break his own rules to initially meet with the director. We also discuss technology's place in Mark's design process, and he shares why he rehired the millennial gamers who built MUFASA's Africa to digitally visualize the sets of JOKER: FOLIE À DEUX before physically constructing them.  - Recommended Viewing: THE ICE STORM - This episode is sponsored by Sandstorm & Aputure

Like many hip youngsters of my generation, at some point in my twenties I got Jazz-pilled by Beat literature, with writers like Jack Kerouac and Allen Ginsberg name-dropping bop-era musicians like Miles Davis, Thelonious Monk, John Coltrane, Charlie Parker, and many more, sending me to Limewire to download mp3s of 1950s and 1960s Jazz. In recent years, my casual appreciation has turned into a more intense investigation of music history and practice, particularly after discovering “The Grape,” a Jazz club in my neighborhood that's overflowing with colorful characters and musical adventure. My guest today is one of those characters: Monte Montgomery is a multi-instrumentalist, former touring funk guitarist, and all around hip music dude. In this conversation, he shares highlights from his decades in music, from playing funk with a group of Black GIs on a military base in Germany at the age of 17, to entertaining celebrities and insanely rich people on the Beverly Hills philanthropic event circuit, to his current gig holding court on piano, guitar, and drums every Tuesday night at The Grape. Check out my new ‘90s music podcast/video series with John Lombardo, 120 MONTHS: https://substack.com/@120months Listen to our special News Trap episode on the 20th anniversary of Hurricane Katrina with Justin Rogers-Cooper: https://www.patreon.com/posts/news-trap-8-30-w-137726055  Subscribe to the Nostalgia Trap Patreon for FREE to get updates on all our podcasts, videos, and writing:  patreon.com/nostalgiatrap    

“No endeavor to write a travel book is ever lost, since it gives you a useful perspective on (and intensified attention to) the reality of the travel experience itself. When embraced mindfully, the real-time experience of a journey is invariably its truest reward.” –Rolf Potts In this episode of Deviate, Rolf touches on nine lessons from attempting to write a (never finished) van-life vagabonding memoir at age 23, including: On Pilgrims in a Sliding World (1:00) Lesson #1: No work is lost (and “failure” has lessons to teach) On the author as a character (6:30) Lesson #2: “Show, don't tell” is still good narrative advice On depicting other people (14:30) Lesson #3: Travel books require reporting (not just recollecting) On recounting dialogues (22:30) Lesson #4: Be true to what was said (but make sure it serves a broader purpose) On veering from the truth (32:30) Lesson #5: The truth tends to work better than whatever you might make up On depicting places (39:30) Lesson #6: “Telling details” are better than broad generalizations about a place On neurotic young-manhood (48:30) Lesson #7: Balance narrative analysis with narrative vulnerability The seeds of Vagabonding (1:01:30) Lesson #8: Over time, we write our way into what we have to say The journey was the point (1:06:30) Lesson #9: In the end, taking the journey counts for more than writing it Books mentioned: The Geto Boys, by Rolf Potts (2016 book) Vagabonding, by Rolf Potts (2003 book) The Anxiety of Influence, by Harold Bloom (1973 book) On the Road, by Jack Kerouac (1957 book) The Catcher in the Rye, by J.D. Salinger (1951 book) Epic of Gilgamesh (12th century BCE Mesopotamian epic) Don Quixote, by Miguel de Cervantes (17th century novel) The Travels of Sir John Mandeville (14th century travelogue) True History, by Lucian of Samosata (2nd century novella) Three Cups of Tea, by Greg Mortenson (21st century memoir) Marco Polo Didn't Go There, by Rolf Potts (2008 book) Labels: A Mediterranean Journal, by Evelyn Waugh (1930 book) Essays, poems, and short stories mentioned "The Mystical High Church of Luck," by Rolf Potts (1998 essay) "Greenland is Not Bigger Than South America", by Rolf Potts (1998 essay) “The Faces,” by Robert Creeley (1983 poem) "Reflection and Retrospection," by Phillip Lopate (2005 essay) "Why so much travel writing is so boring," by Thomas Swick (2001 essay) "10 Rules of Writing," by Elmore Leonard (2001 essay) "In the Penal Colony," by Franz Kafka (1919 short story) Places and events mentioned People's Park (activist park in Berkeley) 924 Gilman Street (punk-rock club in Berkeley) Alphabet City (neighborhood New York City's East Village) Brentwood (Los Angeles neighborhood) 1994 Northridge earthquake Panama City Beach (Florida spring-break city) Gainesville (Florida college town) Athens (Georgia college town) Big Sur (coastal region of California) Humboldt Redwoods State Park (park in California) Other links: "Van Life before #VanLife" (Deviate episode) Paris Writing Workshops (Rolf's annual creative writing classes) Picaresque (prose genre) Roman à clef (fictionalized novel about real-life events) "Jumping freight trains in the Pacific NW" (Deviate episode) "Telling travel stories, with Andrew McCarthy" (Deviate episode) "Rolf Potts: The Vagabond's Way" (Ari Shaffir's Skeptic Tank podcast) "A personal history of my grunge-bandwagon band" (Deviate episode) Gettysburg Address (Abraham Lincoln speech) José Ortega y Gasset (Spanish philosopher) Jack Handey (American humorist known for "Deep Thoughts" jokes) Laurel Lee (American memoirist) The Deviate theme music comes from the title track of Cedar Van Tassel's 2017 album Lumber. Note: We don't host a “comments” section, but we're happy to hear your questions and insights via email, at deviate@rolfpotts.com.

“No endeavor to write a travel book is ever lost, since it gives you a useful perspective on (and intensified attention to) the reality of the travel experience itself. When embraced mindfully, the real-time experience of a journey is invariably its truest reward.” –Rolf Potts In this episode of Deviate, Rolf touches on nine lessons from attempting to write a (never finished) van-life vagabonding memoir at age 23, including: On Pilgrims in a Sliding World (1:00) Lesson #1: No work is lost (and “failure” has lessons to teach) On the author as a character (6:30) Lesson #2: “Show, don't tell” is still good narrative advice On depicting other people (14:30) Lesson #3: Travel books require reporting (not just recollecting) On recounting dialogues (22:30) Lesson #4: Be true to what was said (but make sure it serves a broader purpose) On veering from the truth (32:30) Lesson #5: The truth tends to work better than whatever you might make up On depicting places (39:30) Lesson #6: “Telling details” are better than broad generalizations about a place On neurotic young-manhood (48:30) Lesson #7: Balance narrative analysis with narrative vulnerability The seeds of Vagabonding (1:01:30) Lesson #8: Over time, we write our way into what we have to say The journey was the point (1:06:30) Lesson #9: In the end, taking the journey counts for more than writing it Books mentioned: The Geto Boys, by Rolf Potts (2016 book) Vagabonding, by Rolf Potts (2003 book) The Anxiety of Influence, by Harold Bloom (1973 book) On the Road, by Jack Kerouac (1957 book) The Catcher in the Rye, by J.D. Salinger (1951 book) Epic of Gilgamesh (12th century BCE Mesopotamian epic) Don Quixote, by Miguel de Cervantes (17th century novel) The Travels of Sir John Mandeville (14th century travelogue) True History, by Lucian of Samosata (2nd century novella) Three Cups of Tea, by Greg Mortenson (21st century memoir) Marco Polo Didn't Go There, by Rolf Potts (2008 book) Labels: A Mediterranean Journal, by Evelyn Waugh (1930 book) Essays, poems, and short stories mentioned "The Mystical High Church of Luck," by Rolf Potts (1998 essay) "Greenland is Not Bigger Than South America", by Rolf Potts (1998 essay) “The Faces,” by Robert Creeley (1983 poem) "Reflection and Retrospection," by Phillip Lopate (2005 essay) "Why so much travel writing is so boring," by Thomas Swick (2001 essay) "10 Rules of Writing," by Elmore Leonard (2001 essay) "In the Penal Colony," by Franz Kafka (1919 short story) Places and events mentioned People's Park (activist park in Berkeley) 924 Gilman Street (punk-rock club in Berkeley) Alphabet City (neighborhood New York City's East Village) Brentwood (Los Angeles neighborhood) 1994 Northridge earthquake Panama City Beach (Florida spring-break city) Gainesville (Florida college town) Athens (Georgia college town) Big Sur (coastal region of California) Humboldt Redwoods State Park (park in California) Other links: "Van Life before #VanLife" (Deviate episode) Paris Writing Workshops (Rolf's annual creative writing classes) Picaresque (prose genre) Roman à clef (fictionalized novel about real-life events) "Jumping freight trains in the Pacific NW" (Deviate episode) "Telling travel stories, with Andrew McCarthy" (Deviate episode) "Rolf Potts: The Vagabond's Way" (Ari Shaffir's Skeptic Tank podcast) "A personal history of my grunge-bandwagon band" (Deviate episode) Gettysburg Address (Abraham Lincoln speech) José Ortega y Gasset (Spanish philosopher) Jack Handey (American humorist known for "Deep Thoughts" jokes) Laurel Lee (American memoirist) The Deviate theme music comes from the title track of Cedar Van Tassel's 2017 album Lumber. Note: We don't host a “comments” section, but we're happy to hear your questions and insights via email, at deviate@rolfpotts.com.

Since its publication in 1957, Jack Kerouac's iconic novel On the Road has inspired millions to head for the highways and live life to its fullest. In this episode, Jacke talks to filmmaker Ebs Burnough about his new documentary Kerouac's Road: The Beat of a Nation, which interweaves stories of modern-day travelers with those influenced by or connected to the legendary author. PLUS Steven Belletto, editor of The Cambridge Companion to Jack Kerouac and The Cambridge Companion to the Beats, stops by to discuss his choice for the last book he will ever read. Additional listening: 644 Jack Kerouac (with Steven Belletto) 619 Fred Waitzkin on Kerouac, Hemingway, and His New Novel 339 Jack Kerouac Special Announcement: The History of Literature Podcast Tour is happening in May 2026! Act now to join Jacke and fellow literature fans on an eight-day journey through literary England in partnership with ⁠John Shors Travel⁠. Find out more by emailing jackewilsonauthor@gmail.com or masahiko@johnshorstravel.com, or by contacting us through our website ⁠historyofliterature.com⁠. Or visit the ⁠History of Literature Podcast Tour itinerary⁠ at ⁠John Shors Travel⁠. The music in this episode is by Gabriel Ruiz-Bernal. Learn more at ⁠gabrielruizbernal.com. Help support the show at ⁠patreon.com/literature ⁠or ⁠historyofliterature.com/donate ⁠. The History of Literature Podcast is a member of Lit Hub Radio and the Podglomerate Network. Learn more at ⁠thepodglomerate.com/historyofliterature. Learn more about your ad choices. Visit megaphone.fm/adchoices

Summer is the season for road trips, and also for road trip stories. Jack Kerouac's “On the Road” may be the most famous example in American literature — but there are lots of other great road trip books, so this week the Book Review's staff critics Dwight Garner, Alexandra Jacobs and Jennifer Szalai presented readers with a list of 18 of their favorites. On this episode of the podcast they chat with host Gilbert Cruz about the project, their picks and the top-down, wind blown, carefree appeal of the road trip narrative as a genre.Books discussed in this episode:“On the Road,” by Jack Kerouac“Sing, Unburied, Sing,” by Jesmyn Ward“Lost Children Archive,” by Valeria Luiselli“I Am Homeless if This Is Not My Home,” by Lorrie Moore“Tramps Like Us," by Joe Westmoreland“Driving Mr. Albert,” by Michael Paterniti“Gypsy: A Memoir," by Gypsy Rose Lee“The Dog of the South,” by Charles Portis“All Fours,” by Miranda July“Hearts,” by Hilma Wolitzer“The Pigeon Tunnel: Stories From My Life,” by John le Carré“Machine Dreams,” by Jayne Anne Phillips“Lonesome Dove,” by Larry McMurtry“Lolita,” by Vladimir Nabokov“The Grapes of Wrath,” by John Steinbeck“The Price of Salt,” by Patricia Highsmith Unlock full access to New York Times podcasts and explore everything from politics to pop culture. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify.

A CLASSIC ROCKER FINDS OUT HE HAS A LOVE CHILD FROM THE 80's, some insane Movies announced and A wild list of celebrities and how they caught their significant others cheating… it's like celebs are just like us guys!CRAP ON FRIDAY Rick Moranis has been gone way too long. Even those new "Ghostbusters" movies didn't lure him back to Hollywood. But I am quite excited to announce that he WILL return to once again play Dark Helmet in "Spaceballs 2"!!! Bill Pullman will return as the hero Lone Starr, too. And Mel Brooks will be back as Yogurt . . . and, presumably . . . President Skroob. (He played both characters in the original.) Josh Gad co-wrote the script, and he's expected to be in it, too. Pullman's son Lewis Pullman has also been cast, along with Keke Palmer . . . but there's no word who they're playing. There's also no word on any other returning cast members. Obviously, John Candy, Joan Rivers, and Dick Van Patten won't be back, since they're no longer with us. Mel released the first teaser yesterday. There's no footage, since filming hasn't begun yet. It starts with a text crawl that makes fun of all the "Star Wars" prequels, sequels, sequels to the prequels, prequels to the sequels, and TV spin-offs. Then it lists all the "Dune", "Jurassic Park", "Avatar", and Marvel movies, plus DC's TWO attempts to start a cinematic universe . . . and just about every other overdone franchise you can name. Then, after a quick appearance from Mel, we get a shot of Rick Moranis' cracked helmet, and the tagline: "The Schwartz Awakens in 2027." Which sounds like a possible title but it's spaceballs and mel brooks so it could be anything. Here is Mel making his announcement. Jerry Seinfeld Proposes ‘Live-Action Sequel' to 'Bee Movie'Jerry Seinfeld has people buzzin' with this idea!The comedic genius posted about the possibility of a “live-action sequel” to his 2007 animated hit Bee Movie.“Bee Movie, which came out nearly 20 years ago, is #4 on Netflix,” he wrote on Instagram showing a hand holding a tennis ball with a honey bee on it. The next slide was the movie's poster, an image of Seinfeld's character Barry B. Benson similarly straddling a tennis ball.“Today, my friend Spike Feresten, one of the writers on the film, was playing tennis and this happened."He continued, “Clearly a sign. Time for a live-action sequel..?" DreamWorks' Bee Movie, which Seinfeld produced, co-wrote, and starred in along with Renée Zellweger, has become a cult favorite since its release.Bee Movie also featured the voices of Matthew Broderick, John Goodman, Chris Rock, Kathy Bates, Megan Mullally, Oprah Winfrey, and several celebrities appearing as animated versions of themselves, including Larry King, Ray Liotta, and Sting.Saint Louis' own Nelly and Ashanti are putting their lives on TV for all to see. They announced an upcoming reality show called Nelly & Ashanti: We Belong Together.A show synopsis says Nelly and Ashanti "rekindle their love, navigate the ups and downs of being newlyweds and new parents, and juggle their careers."The eight-episode series will air on Peacock starting June 26th.A DNA Test Connects Billy Idol To A Son He Didn't Know He HadDetails on the lovechild Billy Idol didn't know he had until a few years ago have surfaced.Idol's daughter, Bonnie, shared in the new doc, 'Billy Idol Should Be Dead', "My husband just surprised me with a DNA test as a Christmas present [a few years ago]. Then a few weeks later, I get the results back on the app and open it and I'm like, who is this? This Brant. His info reads, 'New York, 1985, looking for my biological dad.' I was like, ‘What?'"Brant, Idol's lovechild, grew up believing his dad was someone else until a different DNA questioned his mother's claims about his father. After confronting his mom, she told Brant, "Well, it's pretty crazy, but back in the day, we broke up and I actually spent a weekend with Billy Idol."Fans have done the math and calculate that Brant was conceived during Idol's wildly successful 1984 'Rebel Yell' tour.Idol has whole-heartedly accepted Brant as family, saying, "I really enjoyed being a dad. I always wanted a boy and a girl, and I finagled my way into a boy and a girl. I actually had a son that I didn't realize, who I fathered on the Rebel Yell tour without knowing it. So I somehow finagled this as well."Brant was at Idol's Walk of Fame ceremony back in 2023.Prime Video Will Soon Show Double The AdsAmazon Prime Video is about to double the number of commercials shown per hour on its ad-supported membership level. An Adweek report got the news from an Amazon spokesperson about the amount of commercials going to "four to six minutes per hour" from the two to three minutes that Prime users are used to. In 2024, subscribers who had ad-free access were forced to pay an extra $3 a month to maintain the status. Jay-Z Loses $1 Million NBA Finals Bet Jay-Z is out $1 million after losing a bet on the NBA Finals. Jay placed a bet prior to the series, banking on the Oklahoma City Thunder to win the championship in five games. After Wednesday night's Thunder loss to the Indiana Pacers, OKC can't win the series unless they do it in six or seven games. Jay-Z would have won $3.5 million if the bet had cashed in. With a net worth of $2.5 billion, we're sure Jay-Z will be alright. Ok you guys remember Spinal Tap? The Album cover debate with the label and why it became an all black cover or as Nigel would say NONE MORE BLACK? It was because the original had a woman on all fours with a dog leash on and it was deemed sexist…. To which Nigel replies “Whats wrong with being sexy? Well get this, Sabrina Carpenter announced her new album yesterday, and it's causing a lot of controversy. It's called "Man's Best Friend", and the cover has Sabrina on all fours, in front of a man who's pulling a handful of her hair. A women's advocacy group in Scotland called it "regressive", saying it reduces women to, quote, "pets, props, and possessions," and promotes "an element of violence and control." Sabrina's fans are defending it as SATIRE, and a commentary on how badly women are treated. And some are pointing out that the first single, "Manchild", actually makes FUN of men. HERE IS A CLIP OF THATMeanwhile, in the new "Rolling Stone" cover story, Sabrina talks about being criticized for the sexual imagery in her stage show. She says, quote "It's always so funny to me when people complain. They're like, 'All she does is sing about this.' But those are the songs that you've made popular. Clearly you love sex. You're obsessed with it." She adds, quote, "I truly feel like I've never lived in a time where women have been picked apart more, and scrutinized in every capacity. I'm not just talking about me. I'm talking about every female artist that is making art right now." Pope Leo isn't even the most famous guy in his family. The "New York Times" researched his family tree, and found out that he's related to a bunch of celebrities. The link is an ancestor from about six generations back. He name was Louis Boucher de Grandpre, and he was born in Quebec.And because of him, Leo is distant cousins with Justin Bieber, Justin Trudeau, Angelina Jolie, Hillary Clinton, Jack Kerouac, and Madonna. It's interesting that Leo would be related to Madonna, given that the Catholic Church has condemned her several times . . . most famously when she released her "Like a Prayer" video in 1989. A few years ago, Madonna reached out to Pope Francis, asking to meet with him to discuss "important matters." She told him, quote, "I've been ex-communicated 3 times. It doesn't seem fair." If you've ever wondered how the creators of "Friends" came up with the character of Joey Tribbiani . . . we might just have the answer this morning. Joey Lawrence claims Matt LeBlanc's character was based on HIS character Joey Russo from "Blossom". Lawrence says, quote, "Joey Russo was so successful that when they were creating 'Friends', they wanted a 25-year-old version of that." Supposedly, Matt's character wasn't even originally called Joey, but they changed it because the "Blossom" character was so successful. Joey even claims that Matt was sent to tapings of "Blossom" where he would, quote, "sit up in the audience with a yellow notepad and take notes on how I portrayed Joey Russo." He says they wanted Matt to bring the "innocence" of Joey Russo to Joey Tribbiani, so the character could, quote, "get away with his womanizing." I guess the Grammys were sick of hearing about whether Beyoncé deserved to win Best Country Album for "Cowboy Carter". So, they just announced a major change. For next year's Grammys, the award formally known as Best Country Album will now be called Best Contemporary Country Album . . . and they will also be adding a new category: Best Traditional Country Album. There's a lot to unpack here. And one year after Beyoncé wins makes the timing of this all the more clickbait-y. According to the Grammy website, "traditional country music", quote, "adheres to the more traditional sound structures of the country genre, including rhythm and singing style, lyrical content, as well as traditional country instrumentation such as acoustic guitar, steel guitar, fiddle, banjo, mandolin, piano, and live drums." Where "contemporary country music", quote, "remains reminiscent and relevant to the legacy of country music's culture, while also engaging in more contemporary music forms." Someone tweeted, "Morgan Wallen and Post Malone better not be in the traditional country category at the Grammys, because in what world are they traditional country?" Wait, hold up. When Morgan collaborated with Alvin and the Chipmunks, that wasn't traditional country??New in Theaters: "How to Train Your Dragon", "Materialists", and "The Life of Chuck" There's nothing like a good breakup story. Here are seven times a celebrity found out their partner was cheating in an unconventional way: 1. Demi Moore learned that Ashton Kutcher was having an affair in 2011, from a Google Alert. When she called him on it, he admitted it right away. Her response was, quote, "Are you [effing] kidding me?" 2. Britney Spears started dating lawyer David Lucado in 2012. But in 2014, her father found out there was paparazzi footage of David kissing another woman. He bought it to prevent it from being released, and Britney broke it off. 3. Kourtney Kardashian dumped Scott Disick in 2008, after finding texts on his phone from a contact called, quote, "my wife." They did the on-and-off thing until 2015, when photos emerged of Scott with another woman in France. 4. Elizabeth Hurley found out Hugh Grant was cheating on her in 1995, when he got arrested for GETTING IT ON with Sunset Boulevard prostitute Divine Brown in his car. They didn't break up until 2000, and they're still friends. 5. Laura Dern found out Billy Bob Thornton was being unfaithful when the news broke that he had ELOPED with Angelina Jolie in 2000. She was away making a movie, and she never saw it coming. 6. Eva Longoria's marriage to NBA star Tony Parker ended in 2010, after she found inappropriate texts with another woman on his phone. 7. This one's ancient history, but it was a HUGE tabloid story back in the day: In 1958, actress Debbie Reynolds was missing her husband, Eddie Fisher, because he was supposedly away on tour. So she decided to give her friend Elizabeth Taylor a call . . . and who answered Liz's phone? Eddie FREAKIN' Fisher. (!!!) Eddie left Debbie and married Liz, but that only lasted five years.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Darkness Radio Presents: Jim Morrison, Secret Teacher Of The Occult w/ Musician/Poet/Author, Paul Wyld! The groundbreaking 1960s band The Doors, named for Aldous Huxley's The Doors of Perception, achieved incredible acclaim and influence, ultimately serving as a key group in the development of psychedelic and progressive rock. At the center of it all was complex front man Jim Morrison, who died in 1971 at only 27. Yet, as author Paul Wyld reveals, despite Morrison's reputation as a lewd, drunken performer, he was a full- fledged mystical, shamanic figure, a secret teacher of the occult who was not merely central to the development of rock music, but to the growth of the Western esoteric tradition as a whole. Wyld looks at the mystical works that inspired Morrison, including Kurt Seligmann's The Mirror of Magic, Colin Wilson's The Outsider, and the writings of Nietzsche and Jack Kerouac. Drawing on Morrison's lyrics and poems, his intimate writings, and the recollections of friends like photographer Paul Ferrara and Doors keyboard player Ray Manzarek, the author makes the case that Morrison was not simply a superficial dabbler in the occult but an actual secret teacher transmitting knowledge through the golden thread stretching back to Egypt and Thoth-Hermes. On Today's Darkness Radio, we talk with Paul about Morrison's journey before the Doors, what events shaped his life to make him set out on an esoteric journey.  We discuss the parallels between the movie Lawrence of Arabia and Morrison's journey and why he  may have taken cues from that movie on his spiritual journey.  We also discuss significant spiritual highpoint's of Morrison's life, his tragic end, and much more! Get your copy of "Jim Morrison, Secret Teacher of the Occult..." here: https://www.amazon.com/exec/obidos/ASIN/B0CSBTKRBH?tag=simonsayscom Find out more about Paul Wyld here:  https://paulwyld.com/ Find out where we are going to be in your area, check out our store, and subscribe to the podcast here:  https://www.darknessradioshow.com/ Are you looking for the best darned smoked prime rib in the Twin Cities, mouth watering Brisket, good live entertainment,  or are in search of the Wing King?  Look no further than Jellybean and Julia's in Coon Rapids, MN.!  https://jellybeanandjulias.com/ #paranormal  #supernatural  #metaphysical  #paranormalpodcasts  #darknessradio  #timdennis #jimmorrison #paulwyld #jimmorrisonsecretteachwroftheoccult #ajourneytotheotherside #thedoors #thelizardking #shaman #thedoorsofperception #jackkerouac #lawrenceofarabia #lsd #reptiles #collectiveconsciousness #neardeathexperience #ghosts  #spirits  #spectres #hauntings #heaven #hell #realms #demons #angels #theology #spiritguides