Podcast appearances and mentions of Marie NDiaye

Gëschter Donneschdeg Owend huet d'Schrëftstellerin Marie NDiaye hiren neien Text "Ma chérie" zesumme mat der Improvisatiounsmusekerin Christine Wodrascka ënner der Regie vum Denis Cointe am TNL virgelies. Am Kader vun dësem Projet, deen dank dem TNL an dem IPW op Lëtzebuerg koum, huet de Jeff Schinker sech mat der franséischer Schrëftstellerin ënnerhalen, déi net just mam Prix Goncourt an dem Prix Femina ausgezeechent gouf, mee och rezent mat hirem Roman "La Sorcière" op der Shortlist vum International Booker Prize stoung. Am Extrait aus hirem laange Gespréich geet et ëm den Text "Ma chérie", ëm international Unerkennung, mee och ëm d'Gefore vun der KI an d'politesch a kulturell Situatioun am Frankräich.

"Trois femmes puissantes" heescht dee mam Prix Goncourt ausgezeechente Roman vun der Schrëftstellerin Marie NDiaye, déi nächst Woch zu Lëtzebuerg ass – an dräi staark an determinéiert Fraen, déi géint hiert Ëmfeld musse struewelen, stinn och am Zentrum vun eisen dräi Filmer vun der Woch. Am Grousse Kino rezenséieren d'Vesna Andonovic, d'Emma Hizette, d'Kerstin Thalau an de Jeff Schinker dem Steven Spielberg säi Blockbuster “Disclosure Day”, der Johanna Moder hire (vläicht) iwwernatierleche Thriller “Mother's Baby” an der Leyla Bouzid hiren “A voix basse”.

Our bodies and brains are radically transformable, mutable and plastic. From the neuroplasticity of the brain to the epigenetic malleability of our bodies and of all organic life, the work of the contemporary French philosopher Catherine Malabou invites us to consider our plasticity as both a creative resource and an ethical challenge. Catherine Malabou and Contemporary French Literature and Film: Witnessing Plasticity (Edinburgh UP, 2026) brings Malabou's philosophy into dialogue with contemporary literature and film. It reads conceptions of plasticity and neuroplasticity in Malabou through the mutant bodies of Leos Carax's films; the shape-shifting bodies of Marie Darrieussecq's novels and theatre; the terrifying, traumatic metamorphoses depicted in the fiction of Marie NDiaye; and the anarchic sexualities and identities celebrated in the cinema and writing of Alain Guiraudie. It argues that, in different ways, Malabou's philosophy and literary and filmic texts develop modes of bearing witness to plasticity which can supplement, challenge and extend scientific understandings of biological plasticity, constituting ethical and creative sites of exploration. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Our bodies and brains are radically transformable, mutable and plastic. From the neuroplasticity of the brain to the epigenetic malleability of our bodies and of all organic life, the work of the contemporary French philosopher Catherine Malabou invites us to consider our plasticity as both a creative resource and an ethical challenge. Catherine Malabou and Contemporary French Literature and Film: Witnessing Plasticity (Edinburgh UP, 2026) brings Malabou's philosophy into dialogue with contemporary literature and film. It reads conceptions of plasticity and neuroplasticity in Malabou through the mutant bodies of Leos Carax's films; the shape-shifting bodies of Marie Darrieussecq's novels and theatre; the terrifying, traumatic metamorphoses depicted in the fiction of Marie NDiaye; and the anarchic sexualities and identities celebrated in the cinema and writing of Alain Guiraudie. It argues that, in different ways, Malabou's philosophy and literary and filmic texts develop modes of bearing witness to plasticity which can supplement, challenge and extend scientific understandings of biological plasticity, constituting ethical and creative sites of exploration. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Our bodies and brains are radically transformable, mutable and plastic. From the neuroplasticity of the brain to the epigenetic malleability of our bodies and of all organic life, the work of the contemporary French philosopher Catherine Malabou invites us to consider our plasticity as both a creative resource and an ethical challenge. Catherine Malabou and Contemporary French Literature and Film: Witnessing Plasticity (Edinburgh UP, 2026) brings Malabou's philosophy into dialogue with contemporary literature and film. It reads conceptions of plasticity and neuroplasticity in Malabou through the mutant bodies of Leos Carax's films; the shape-shifting bodies of Marie Darrieussecq's novels and theatre; the terrifying, traumatic metamorphoses depicted in the fiction of Marie NDiaye; and the anarchic sexualities and identities celebrated in the cinema and writing of Alain Guiraudie. It argues that, in different ways, Malabou's philosophy and literary and filmic texts develop modes of bearing witness to plasticity which can supplement, challenge and extend scientific understandings of biological plasticity, constituting ethical and creative sites of exploration. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

Our bodies and brains are radically transformable, mutable and plastic. From the neuroplasticity of the brain to the epigenetic malleability of our bodies and of all organic life, the work of the contemporary French philosopher Catherine Malabou invites us to consider our plasticity as both a creative resource and an ethical challenge. Catherine Malabou and Contemporary French Literature and Film: Witnessing Plasticity (Edinburgh UP, 2026) brings Malabou's philosophy into dialogue with contemporary literature and film. It reads conceptions of plasticity and neuroplasticity in Malabou through the mutant bodies of Leos Carax's films; the shape-shifting bodies of Marie Darrieussecq's novels and theatre; the terrifying, traumatic metamorphoses depicted in the fiction of Marie NDiaye; and the anarchic sexualities and identities celebrated in the cinema and writing of Alain Guiraudie. It argues that, in different ways, Malabou's philosophy and literary and filmic texts develop modes of bearing witness to plasticity which can supplement, challenge and extend scientific understandings of biological plasticity, constituting ethical and creative sites of exploration. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Our bodies and brains are radically transformable, mutable and plastic. From the neuroplasticity of the brain to the epigenetic malleability of our bodies and of all organic life, the work of the contemporary French philosopher Catherine Malabou invites us to consider our plasticity as both a creative resource and an ethical challenge. Catherine Malabou and Contemporary French Literature and Film: Witnessing Plasticity (Edinburgh UP, 2026) brings Malabou's philosophy into dialogue with contemporary literature and film. It reads conceptions of plasticity and neuroplasticity in Malabou through the mutant bodies of Leos Carax's films; the shape-shifting bodies of Marie Darrieussecq's novels and theatre; the terrifying, traumatic metamorphoses depicted in the fiction of Marie NDiaye; and the anarchic sexualities and identities celebrated in the cinema and writing of Alain Guiraudie. It argues that, in different ways, Malabou's philosophy and literary and filmic texts develop modes of bearing witness to plasticity which can supplement, challenge and extend scientific understandings of biological plasticity, constituting ethical and creative sites of exploration. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/french-studies

Our bodies and brains are radically transformable, mutable and plastic. From the neuroplasticity of the brain to the epigenetic malleability of our bodies and of all organic life, the work of the contemporary French philosopher Catherine Malabou invites us to consider our plasticity as both a creative resource and an ethical challenge. Catherine Malabou and Contemporary French Literature and Film: Witnessing Plasticity (Edinburgh UP, 2026) brings Malabou's philosophy into dialogue with contemporary literature and film. It reads conceptions of plasticity and neuroplasticity in Malabou through the mutant bodies of Leos Carax's films; the shape-shifting bodies of Marie Darrieussecq's novels and theatre; the terrifying, traumatic metamorphoses depicted in the fiction of Marie NDiaye; and the anarchic sexualities and identities celebrated in the cinema and writing of Alain Guiraudie. It argues that, in different ways, Malabou's philosophy and literary and filmic texts develop modes of bearing witness to plasticity which can supplement, challenge and extend scientific understandings of biological plasticity, constituting ethical and creative sites of exploration. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode, we begin a three-part series on the movements of a novel, starting with the opening. Not just the first line or even the first chapter, but that early stretch where a book begins to take shape, sets the tone, introduces its concerns, and makes its promises to the reader.What do we look for in an opening movement? What helps us trust a book? And how do great openings draw us in? We talk about some of our favorite examples and consider how novels teach us how to read them from the very start.2026 Novella Book ClubWe have announced the four novellas we will be reading for The Mookse and Gripes Novella Book Club in 2026!* January: Daisy Miller, by Henry James* April: An Episode in the Life of a Landscape Painter, by César Aira* July: The Hour of the Star, by Clarice Lispector* September: Prelude, by Katherine MansfieldDiscussions will be hosted at The Mookse and the Gripes Discord (see below!).We've got some fantastic author-focused episodes lined up for the foreseeable future, and we want to give you plenty of time to dive in if you'd like to read along with us. These episodes come around every ten episodes, and with our bi-weekly release schedule, you'll have a few months to get ready for each. Here's what we have in store:* Episode 135: William Faulkner* Episode 145: Elizabeth Taylor* Episode 155: Naguib Mahfouz* Episode 165: Annie Ernaux* Episode 175: Henry JamesThere's no rush—take your time, and grab a book (or two, or three) so you're prepared for these as they come!Join the Mookse and the Gripes on DiscordWant to share your thoughts on these upcoming authors or anything else we're discussing? Join us over on Discord! It's the perfect place to dive deeper into the conversation—whether you're reading along with our author-focused episodes or just want to chat about the books that are on your mind.We're also just about to read the second novella book club book of 2026: An Episode in the Life of a Landscape Painter, by César Aira, translated by Chris Andrews. It's a fantastic book, and we'd love to have you join the discussion. It's a great space to engage with fellow listeners, share your insights, and discover new perspectives on the books you're reading.ShownotesWhat are we reading?* Paul: My Friends, by Hisham Matar* Trevor: The Witch, by Marie NDiaye, translated by Jordan StumpOther books mentioned:* A Month in Sienna, by Hisham Matar* Rosie Carp, by Marie NDiaye, translated by Tamsin Black* All My Friends, by Marie NDiaye, translated by Jordan Stump* Self-Portrait in Green, by Marie NDiaye, translated by Jordan Stump* My Heart Hemmed In, by Marie NDiaye, translated by Jordan Stump* Ladivine, by Marie NDiaye, translated by Jordan Stump* The Cheffe: A Cook's Novel, by Marie NDiaye, translated by Jordan Stump* Vengeance Is Mine, by Marie NDiaye, translated by Jordan Stump* Three Strong Women, by Marie NDiaye, translated by John Fletcher* Finnegans Wake, by James Joyce* Paradise Lost, by John Milton* The Divine Comedy, by Dante* If on a winter's night a traveler . . ., by Italo Calvino, translated by William Weaver* David Copperfield, by Charles Dickens* Austerlitz, by W.G. Sebald, translated by Anthea Bell* Piranesi, by Susanna Clarke* Villette, by Charlotte Bronte* The Portrait of a Lady, by Henry James* Great Expectations, by Charles Dickens* The Outsider, by Stephen King* Pedro Páramo, by Juan Rulfo* Don Quixote, by Miguel Cervantes* The Unconsoled, by Kazuo Ishiguro* The Magic Mountain, by Thomas Mann* The Comforters, by Muriel Spark* Memento Mori, by Muriel Spark* The Ballad of Peckham Rye, by Muriel Spark* An Episode in the Life of a Landscape Painter, by César Aira, translated by Chris Andrews* The Literary Conference, by César Aira, translated by Chris Andrews* The Namesake, by Jhumpa Lahiri* The Sound and the Fury, by William Faulkner* Creativity, Inc.: Overcoming the Unseen Forces That Stand in the Way of True Inspiration, by Ed CatmullThe Mookse and the Gripes Podcast is a bookish conversation hosted by Paul and Trevor. Every other week, we explore a bookish topic and celebrate our love of reading. We're glad you're here, and we hope you'll continue to join us on this literary journey!A huge thank you to those who help make this podcast possible! If you'd like to support us, you can do so via Substack or Patreon. Subscribers receive access to periodic bonus episodes and early access to all new episodes. Plus, each supporter gets their own dedicated feed, allowing them to download episodes a few days before they're released to the public. We'd love for you to check it out! This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit mookse.substack.com/subscribe

Welcome to One Bright Book! Join our hosts Rebecca, Frances, and Dorian as they discuss THE WOMEN OF BREWSTER PLACE by Gloria Naylor and chat about their current reading. For our next episode, we will discuss OPEN SECRETS: STORIES by Alice Munro, weighing the value of her work against what we have recently learned of her personal life. We would love to have you read along with us, and join us for our conversation coming to you in May. Want to support the show? Visit us at Bookshop.org or click on the links below and buy some books! Books mentioned: The Women of Brewster Place by Gloria Naylor Linden Hills by Gloria Naylor The Men of Brewster Place by Gloria Naylor The Color Purple by Alice Walker Instead of a Letter by Diana Athill Transcendence for Beginners: Life Writing and Philosophy by Clare Carlisle There's Always This Year: On Basketball and Ascension by Hanif Abdurraqib The Wax Child by Olga Ravn, translated from the Dutch by Martin Aitken The Remembered Soldier by Anjet Daanje, translated from the Dutch by David McKay The Duke by Matteo Melchiorre, translated from the Italian by Antonella Lettieri The Witch by Marie Ndiaye, translated from the French by Jordan Stump Bury Our Bones in the Midnight Soil by V. E. Schwab Mother Mary Comes to Me by Arundhati Roy The Palm House by Gwendoline Riley An Awfully Big Adventure by Beryl Bainbridge Nonesuch by Francis Spufford Sakina's Kiss by Vivek Shanbhag, translated from the Kannada by Srinath Perur Open Secrets: Stories by Alice Munro A Marsh Island by Sarah Orne Jewett, with an afterword from the One Bright Book crew. Buy our book! Support the show by buying a copy of Sarah Orne Jewett's A Marsh Island, with an afterword by us. Further resources and links are available on our website at onebrightbook.com. Browse our bookshelves at Bookshop.org. Comments? Write us at onebrightmail at gmail Find us on Bluesky at https://bsky.app/profile/onebrightbook.bsky.social Frances: https://bsky.app/profile/nonsuchbook.bsky.social Dorian: https://bsky.app/profile/ds228.bsky.social Rebecca: https://bsky.app/profile/ofbooksandbikes.bsky.social Dorian's blog: https://eigermonchjungfrau.blog/ Rebecca's newsletter: https://readingindie.substack.com/ Our theme music was composed and performed by Owen Maitzen. You can find more of his music here: https://soundcloud.com/omaitzen.  

Writer Robert MacFarlane on the world underground as a new documentary, Underland, inspired by his award-winning book of the same name is released in cinemas.Dancer and choreographer Meryl Tankard on creating a new work, Echoes of '78, which pairs the original dancers of a work created by German choreographer Pina Bausch with their younger selves.Singer Hak Baker and journalist Ludovic Hunter-Tilney on the evolving nature of the protest song plus a live performance from Hak of his song Windrush Baby.Translator and judge Sophie Hughes on the International Booker Prize shortlist 2026 which was announced today. The Nights Are Quiet in Tehran by Shida Bazyar, translated by Ruth Martin She Who Remains by Rene Karabash, translated by Izidora Angel The Director by Daniel Kehlmann, translated by Ross Benjamin On Earth As It Is Beneath by Ana Paula Maia, translated by Padma Viswanathan The Witch by Marie NDiaye, translated by Jordan Stump Taiwan Travelogue by Yáng Shuāng-zǐ, translated by Lin KingArtist Glen Baxter remembered.Presenter: Tom Sutcliffe Producer: Ekene Akalawu

Welcome to One Bright Book! Join our hosts Frances, Dorian, and Rebecca as they discuss ORLANDO by Virginia Woolf and chat about their current reading. For our next episode, we will discuss THE WOMEN OF BREWSTER PLACE by Gloria Naylor, a choice Rebecca has made based upon some love Hanif Abdurraqib shared for the novel in a recent podcast. We would love to have you read along with us, and join us for our conversation coming to you in April. Want to support the show? Visit us at Bookshop.org or click on the links below and buy some books! Books mentioned: Orlando by Virginia Woolf The Waves by Virginia Woolf To the Lighthouse by Virginia Woolf A Room of One's Own by Virginia Woolf Jacob's Room by Virginia Woolf Three Guineas by Virginia Woolf Harriet Hume by Rebecca West The Phantom Tollbooth by Norton Juster Wax Child by Olga Ravn, translated from the Danish by Martin Aiken The Witch by Marie Ndiaye, translated from the French by Jordan Stump The Remembered Soldier by Anjet Daanje, translated from the Dutch by David McKay Women Without Men by Shahrnush Parsipur, translated from the Persian by Faridoun Farrokh Taiwan Travelogue by Shuang-zi Yang, translated from the Mandarin Chinese by Lin Ling Small Comfort by Ia Genberg, translated from the Swedish by Kira Josefsson There Is No Antimemetics Division by qntm Vampires of El Norte by Isabel Canas Trouble Maker: The Fierce, Unruly Life of Jessica Mitford by Carla Kaplan Shattered: A Memoir by Hanif Kureishi The Life and Opinions of Tristram Shandy, Gentleman by Laurence Stern Baldwin: A Love Story by Nicholas Boggs The Women of Brewster Place by Gloria Naylor Read Rohan Maitzen on Orlando at her blog Novel Readings. Further resources and links are available on our website at onebrightbook.com. Browse our bookshelves at Bookshop.org. Comments? Write us at onebrightmail at gmail Find us on Bluesky at https://bsky.app/profile/onebrightbook.bsky.social Frances: https://bsky.app/profile/nonsuchbook.bsky.social Dorian: https://bsky.app/profile/ds228.bsky.social Rebecca: https://bsky.app/profile/ofbooksandbikes.bsky.social Dorian's blog: https://eigermonchjungfrau.blog/ Rebecca's newsletter: https://readingindie.substack.com/ Our theme music was composed and performed by Owen Maitzen. You can find more of his music here: https://soundcloud.com/omaitzen.

Our guest for today is Jordan Stump.Jordan Stump has translated many authors into English from French, including Marie Redonnet, Eric Chevillard, and Honoré de BalzacHis translation of Jardin des Plantes by Claude Simon won the 2001 French-American Foundation translation prize, and was named a Chevalier (Knight) in the Order of Arts and Letters for his work by the French government 2006.His English language translations of works by Marie NDiaye have been nominated for the International Booker Prize twice. Ladivine was longlisted for the prize in 2016, and The Witch was longlisted in 2026.* For your Valuable feedback on this Episode - Please click the link below.https://tinyurl.com/4zbdhrwrHarshaneeyam on Spotify App –https://harshaneeyam.captivate.fm/onspotHarshaneeyam on Apple App – https://harshaneeyam.captivate.fm/onapple*Contact us - harshaneeyam@gmail.com***Disclaimer: The views and opinions expressed by Interviewees in interviews conducted by Harshaneeyam Podcast are those of the Interviewees and do not necessarily reflect the official policy or position of Harshaneeyam Podcast. Any content provided by Interviewees is of their opinion and is not intended to malign any religion, ethnic group, club, organization, company, individual, or anyone or anything.This podcast uses the following third-party services for analysis: Podtrac - https://analytics.podtrac.com/privacy-policy-gdrp

The full scale invasion of Ukraine began four years ago today. Ukraine Unbroken is an evening of five new plays written in response to the war. David Edgar talks about his, Five Day War, which imagines the puppet government waiting to move in when Kviv falls, and the other dramas. Between the plays Ukrainian musician Mariia Petrovska sings and plays the bandura. She talks about her involvement and the bandura, the national instrument that was once banned. And Mariia plays and sings live in the studio.As Oscar-winning British cinematographer Sir Roger Deakins looks back at his career through his visual memoir Reflections: On Cinematography, he talks to Samira about his practical and inventive approach to working on many iconic films such as 1984, O Brother Where Art Thou, 1917, tackling sci fi on Bladerunner 2049 and Bond with Skyfall. The government has announced the introduction of new legisation to introduce monitoring by Ofcom of streaming services. Front Row explores the implcations of this.And we consider the novels selected for the International Booker Prize longlist, announced today with writer and head judge Natasha Brown. The books in contention are: The Nights Are Quiet in Tehran by Shida Bazyar, translated from German by Ruth Martin We Are Green and Trembling by Gabriela Cabezón Cámara, translated from Spanish by Robin Myers The Remembered Soldier by Anjet Daanje, translated from Dutch by David McKay The Deserters by Mathias Énard, translated from French by Charlotte Mandell Small Comfort by Ia Genberg, translated from Swedish by Kira Josefsson She Who Remains by Rene Karabash, translated from Bulgarian by Izidora Angel The Director by Daniel Kehlmann, translated from German by Ross Benjamin On Earth As It Is Beneath by Ana Paula Maia, translated from Portuguese by Padma Viswanathan The Duke by Matteo Melchiorre, translated from Italian by Antonella Lettieri The Witch by Marie NDiaye, translated from French by Jordan Stump Women Without Men by Shahrnush Parsipur, translated from Persian by Faridoun Farrokh The Wax Child by Olga Ravn, translated from Danish by Martin Aitken Taiwan Travelogue by Yáng Shuāng-zǐ, translated from Mandarin Chinese by Lin KingPresenter: Samira Ahmed Producer: Julian May

Welcome to One Bright Book! Join our hosts Dorian, Rebecca, and Frances as they discuss their most anticipated books of 2026 with Sam Sacks, prominent book critic for The Wall Street Journal, writing the weekly "Fiction Chronicle," and a founding editor of Open Letters Monthly. For our next episode, we will discuss The Way We Live Now by Anthony Trollope. We would love to have you read along with us, and join us for our conversation coming to you in late January. Want to support the show? Visit us at Bookshop.org or click on the links below and buy some books! Books mentioned: The Disappearing Act by Maria Stepanova, translated from the Russian by Sasha Dugdale In Memory of Memory by Maria Stepanova, translated from the Russian by Sasha Dugdale Opus Siniestra by Leonora Carrington On the Calculation of Volume, Book IV by Solvej Balle, translated from the Danish by Sophia Hersi Smith and Jennifer Russell Incompleteness: New and Selected Essays, 1999-2023 by Amit Chaudhuri In Other Rooms, Other Wonders by Daniyal Mueenuddin This Is Where the Serpent Lives by Daniyal Mueenuddin Now I Surrender by Alvaro Enrique, translated from the Spanish by Natasha Wimmer You Dreamed of Empires by Alvaro Enrique, translated from the Spanish by Natasha Wimmer The Palm House by Gwendoline Riley My Phantoms by Gwendoline Riley First Love by Gwendoline Riley Ambivalence by Brian Dillon Transcendence for Beginners by Clare Carlisle Animal Joy by Nuar Alsadir Here Where We Live Is Our Country by Molly Crabapple Down Time by Andrew Martin Early Work by Andrew Martin Cool for America by Andrew Martin On Morrison by Namwali Serpell The Witch by Marie Ndiaye, translated from the French by Jordan Stump That Time of Year by Marie Ndiaye, translated from the French by Jordan Stump Twenty Minutes of Silence by Helene Bessette, translated from the French by Kate Briggs Lilli Is Crying by Helene Bessette, translated from the French by Kate Briggs The Queen of Swords by Jazmina Barrera, translated from the Spanish by Christina MacSweeney The Week of Colors by Elena Garro, translated from the Spanish by Megan McDowell Nonesuch by Francis Spufford Cahokia Jazz by Francis Spufford The Child That Books Built: A Life in Reading by Francis Spufford The Ministry of Time by Kaliane Bradley A Marsh Island by Sarah Orne Jewett The Way We Live Now by Anthony Trollope Further resources and links are available on our website at onebrightbook.com. Browse our bookshelves at Bookshop.org. Comments? Write us at onebrightmail at gmail Find us on Bluesky at https://bsky.app/profile/onebrightbook.bsky.social Frances: https://bsky.app/profile/nonsuchbook.bsky.social Dorian: https://bsky.app/profile/ds228.bsky.social Rebecca: https://bsky.app/profile/ofbooksandbikes.bsky.social Dorian's blog: https://eigermonchjungfrau.blog/ Rebecca's newsletter: https://readingindie.substack.com/ Our theme music was composed and performed by Owen Maitzen. You can find more of his music here: https://soundcloud.com/omaitzen.

In this episode of Lit with Charles, I speak with Ben Pester, author of the novel The Expansion Project.Blending corporate satire with surrealism, The Expansion Project follows Tom, who brings his daughter Hen to Capmeadow Business Park for “Bring Your Daughter to Work Day.” When Hen vanishes without a trace, Tom's reality begins to unravel. Decades later, an unnamed Archivist pieces together the story from the ruins of the mysterious “Expansion Project.”We discuss Ben's approach to structure, surrealism, and storytelling, and the books that have influenced his creative process.If you enjoyed this episode, please leave a review and follow me on Instagram @litwithcharles.Ben Pester's four books were:Way Far Away, by Evelio Rosero (2024)Sweet Home, by Wendy Erskine (2018)Something Happened, by Joseph Heller (1974)Self Portrait in Green, by Marie Ndiaye (2005)

This week, we discuss two films dealing with colonialism in Africa. The first is Cobra Verde, directed by Werner Herzog and starring Klaus Kinski, in their fifth and final collaboration. Based upon Bruce Chatwin's 1980 novel The Viceroy of Ouidah, the film depicts the life of a fictional slave trader who travels to the West African kingdom of Dahomey. The second is White Material, directed by Claire Denis and co-written with Marie NDiaye. The film stars Isabelle Huppert as Maria Vial, a struggling French coffee producer in an unnamed French-speaking African country who decides to stay at her coffee plantation in spite of an erupting civil war. Timestamps What we've been watching (00:00:30) – Alan Partridge: Alpha Papa, Alan Partridge: Welcome to the Places of My Life, Alan Partridge's Scissored Isle, Barry season four, Robot Dreams Cobra Verde (00:14:20) White Material (00:42:50) Coin toss (01:08:25)   Links Instagram - @callitfriendopodcast @munnywales @andyjayritchie   Letterboxd – @andycifpod @fat-tits mcmahon   Justwatch.com – streaming and rental links - https://www.justwatch.com

Dans son nouveau roman Le bon Denis, l'autrice Marie NDiaye raconte un pan de son enfance... et l'absence d'un père.   Comment raconter une enfance ? Beaucoup d'écrivains et d'écrivaines revisitent cette période de leur vie dans leurs livres.  L'enfance de la narratrice est marquée par le départ du père du foyer familial. On lui a toujours dit que c'était lui qui était parti, mais un jour, sa mère qui révèle que c'est elle qui l'a quitté... Elle a alors rencontré un homme, Denis, employé de ménage dans l'établissement dans lequel elle travaille. Une incarnation de la bonté, qui aurait pris soin de la narratrice comme si c'était sa propre fille. Avec quatre récits, la narratrice part sur les traces de sa mémoire... Elle donne ainsi une existence à son père.  Quand on pense faire une autobiographie non fictive, on n'est pas nécessairement plus juste que lorsqu'on est très conscient de faire une autobiographie légèrement fictive. Les trous de ma mémoire, je les remplis avec une fiction qui ressemble à ce que j'imaginerais être dans les trous. Marie NDiaye   Invitée :  Marie NDiaye, auteure née en 1967 dans le Loiret. Elle a commencé à écrire vers l'âge de 16 ou  7 ans… Prix Femina pour Rosie Carpe en 2001 et lauréate du prix Goncourt pour Trois femmes puissantes en 2009.  Programmation musicale : L'artiste Yamé avec le titre Shoot. 

Dans son nouveau roman Le bon Denis, l'autrice Marie NDiaye raconte un pan de son enfance... et l'absence d'un père.   Comment raconter une enfance ? Beaucoup d'écrivains et d'écrivaines revisitent cette période de leur vie dans leurs livres.  L'enfance de la narratrice est marquée par le départ du père du foyer familial. On lui a toujours dit que c'était lui qui était parti, mais un jour, sa mère qui révèle que c'est elle qui l'a quitté... Elle a alors rencontré un homme, Denis, employé de ménage dans l'établissement dans lequel elle travaille. Une incarnation de la bonté, qui aurait pris soin de la narratrice comme si c'était sa propre fille. Avec quatre récits, la narratrice part sur les traces de sa mémoire... Elle donne ainsi une existence à son père.  Quand on pense faire une autobiographie non fictive, on n'est pas nécessairement plus juste que lorsqu'on est très conscient de faire une autobiographie légèrement fictive. Les trous de ma mémoire, je les remplis avec une fiction qui ressemble à ce que j'imaginerais être dans les trous. Marie NDiaye   Invitée :  Marie NDiaye, auteure née en 1967 dans le Loiret. Elle a commencé à écrire vers l'âge de 16 ou  7 ans… Prix Femina pour Rosie Carpe en 2001 et lauréate du prix Goncourt pour Trois femmes puissantes en 2009.  Programmation musicale : L'artiste Yamé avec le titre Shoot. 

Parei, Inka www.deutschlandfunkkultur.de, Lesart

Parei, Inka www.deutschlandfunkkultur.de, Lesart

Entretien mené par Sylvie Tanette Dans cet autoportrait romanesque, Marie NDiaye propose quatre variations autour d'un événement essentiel de sa biographie : le départ brutal de son père sénégalais après sa naissance en France. Autour de ce point de bascule, Marie NDiaye tisse quatre histoires : la première met en scène sa mère à la mémoire défaillante qui se souvient, puis elle suit l'histoire de la jeunesse de ses parents. Le troisième temps est un monologue retraçant les vraies raisons du départ de son père. Enfin, dans le dernier mouvement, la narratrice a rendez-vous avec un père inconnu qui n'est pas celui qu'elle avait imaginé… Le bon Denis est un livre envoûtant. Il révèle une Marie NDiaye enfantine, malicieuse, surprenante. On y reconnaît à chaque page son visage, son sourire, sa timidité teintée d'insolence et de douceur. De liberté aussi. À lire – Marie NDiaye, Le bon Denis, Mercure de France, 2025.

durée : 00:54:57 - Le grand atelier - par : Vincent Josse - "Le Bon Denis", dernier livre de Marie Ndiaye, est l'histoire d'une fille à la recherche son père, à la fois une quête et une enquête. Avec elle, la cinéaste Claire Denis. Elles ont co-signé le film "White Material", en 2010, avec Isabelle Huppert dans le rôle principal. - invités : Marie Ndiaye, Claire Denis - Marie NDiaye : Romancière et dramaturge, Claire Denis : Réalisatrice - réalisé par : Lucie Lemarchand

durée : 00:05:50 - "Le Bon Denis" de Marie NDiaye

durée : 00:48:24 - Le Masque et la Plume - par : Rebecca Manzoni - La mémoire d'un père absent ; le portrait sombre d'un ancien président ; une passion livresque marquée par un passé d'abus ; quatre amies confrontées à leurs rêves et à la réalité ; une nouvelle vie en Finistère, des rencontres et une bibliothèque. - invités : Blandine Rinkel, Laurent CHALUMEAU, Jean-Marc Proust, Patricia Martin - Blandine Rinkel : Écrivaine et musicienne, Laurent Chalumeau : Journaliste rock, scénariste, dialoguiste, romancier, Jean-Marc Proust : Auteur et critique (Slate), Patricia Martin : Journaliste, critique littéraire et productrice chez France Inter - réalisé par : Guillaume Girault

durée : 00:18:31 - L'interview de 9h20 - par : Léa Salamé - À 9h20, l'écrivaine Marie Ndiaye est l'invitée de Léa Salamé. Elle publie "Le Bon Denis" (Mercure de France). - invités : Marie Ndiaye - Marie NDiaye : Romancière et dramaturge

durée : 02:58:38 - Le 7/10 - par : Nicolas Demorand, Léa Salamé, Sonia Devillers, Anne-Laure Sugier - Les invités de la Matinale de France Inter ce lundi 7 avril 2025 sont : Stéphane Séjourné / Plateau Eco : Eric Heyer x Julia Cagé x Shahin Vallée / Débat RN / Marie Ndiaye / Mouna Soualem

durée : 00:18:31 - L'interview de 9h20 - par : Léa Salamé - À 9h20, l'écrivaine Marie Ndiaye est l'invitée de Léa Salamé. Elle publie "Le Bon Denis" (Mercure de France). - invités : Marie Ndiaye - Marie NDiaye : Romancière et dramaturge

Ecoutez Les livres ont la parole avec Antoine Leiris du 05 avril 2025.Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Cette semaine, la Grande Librairie donne la parole aux femmes : romancières, philosophe et comédienne interrogent et redéfinissent les relations entre les sexes avec Anouk Grinberg, Manon Garcia, Camille Kouchner, Marie NDiaye et Deborah Levy.

Cette semaine, la Grande Librairie donne la parole aux femmes : romancières, philosophe et comédienne interrogent et redéfinissent les relations entre les sexes avec Anouk Grinberg, Manon Garcia, Camille Kouchner, Marie NDiaye et Deborah Levy.

Et si, au lieu de se fixer des objectifs toujours plus ambitieux, on se fixait de faire simplement assez bien? Et si le perfectionnisme était vraiment un défaut professionnel ? Dans cet épisode, la journaliste Camille Jourdan rencontre Alain, fabricant de globes terrestres, dont la rigueur et le perfectionnisme sont inhérents à son métier d'artisan de luxe. Elle interroge aussi son amie Sophie, consultante, qui tente de faire les choses parfaitement tout le temps, et dont l'expérience de la maternité a remis ce fonctionnement en question. Finalement, la philosophe franco-américaine Marina Van Zuylen évoque les bienfaits et les risques liés au perfectionnisme dans le travail, et fait appel aux enseignements de la philosophie pour revaloriser le “assez bien”. Pour aller plus loin : Le livre “Les vertus minuscules” de la philosophe Marine Van Zuylen aux éditions FlammarionLe livre “La fille de la supérette” de Sayaka Murata aux éditions FolioLe livre “La Chef” de Marie NDiaye aux éditions GallimardEmotions (au travail) est un podcast produit par Louie Media. Camille Jourdan a écrit et tourné cet épisode. Le montage et la réalisation sonore sont de Louis Jaubart. Le mix a été fait par le studio La Fugitive. Louise Hemmerlé est la chargée de production de Travail (en cours), accompagnée d'Elsa Berthault.Cet épisode a été diffusé pour la première fois le 19 février 2024, sous le titre «Sortir du perfectionnisme, comment apprendre à faire "assez bien"». Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

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Jo discovers one of the most fascinating books of all time with Extraterrestrial Languages by Daniel Oberhaus, while Charlotte issues her verdict on whether Lional Shriver's We Need to Talk About Kevin lives up to its good reputation. Beloved critic Lovia Gyarkye then joins to assess the complex, beguiling mother-daughter dynamics at work in Marie NDiaye's Ladivine.Lovia Gyarkye is a critic at The Hollywood Reporter based in New York. Send questions, requests, recommendations, and your own thoughts about any of the books discussed today to readingwriterspod at gmail dot com. Charlotte's most recent book is An Honest Woman: A Memoir of Love and Sex Work. Learn more at charoshane.comJo co-edits The Stopgap and their writing lives at jolivingstone.com. Hosted on Acast. See acast.com/privacy for more information.

An analysis of social mobility in contemporary French literature that offers a new perspective on figures who move between social classes. Social climbers have often been the core characters of novels. Their position between traditional tiers in society makes them touchstones for any political and literary moment, including our own. Morgane Cadieu's study looks at a certain kind of social climber in contemporary French literature whom she calls the parvenant. Taken from the French term parvenu, which refers to one who is newly arrived, a parvenant is a character who shuttles between social groups. A parvenant may become part of a new social class but devises literary ways to come back, constantly undoing any fixed idea of social affiliation. Focusing on recent French novels and autobiographies, On Both Sides of the Tracks: Social Mobility in Contemporary French Literature (U Chicago Press, 2024) speaks powerfully to issues of emancipation and class. Cadieu offers a fresh critical look at tales of social mobility in the work of Annie Ernaux, Kaoutar Harchi, Michel Houellebecq, Édouard Louis, and Marie NDiaye, among others, shedding fascinating light on upward mobility today as a formal, literary problem. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

An analysis of social mobility in contemporary French literature that offers a new perspective on figures who move between social classes. Social climbers have often been the core characters of novels. Their position between traditional tiers in society makes them touchstones for any political and literary moment, including our own. Morgane Cadieu's study looks at a certain kind of social climber in contemporary French literature whom she calls the parvenant. Taken from the French term parvenu, which refers to one who is newly arrived, a parvenant is a character who shuttles between social groups. A parvenant may become part of a new social class but devises literary ways to come back, constantly undoing any fixed idea of social affiliation. Focusing on recent French novels and autobiographies, On Both Sides of the Tracks: Social Mobility in Contemporary French Literature (U Chicago Press, 2024) speaks powerfully to issues of emancipation and class. Cadieu offers a fresh critical look at tales of social mobility in the work of Annie Ernaux, Kaoutar Harchi, Michel Houellebecq, Édouard Louis, and Marie NDiaye, among others, shedding fascinating light on upward mobility today as a formal, literary problem. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

An analysis of social mobility in contemporary French literature that offers a new perspective on figures who move between social classes. Social climbers have often been the core characters of novels. Their position between traditional tiers in society makes them touchstones for any political and literary moment, including our own. Morgane Cadieu's study looks at a certain kind of social climber in contemporary French literature whom she calls the parvenant. Taken from the French term parvenu, which refers to one who is newly arrived, a parvenant is a character who shuttles between social groups. A parvenant may become part of a new social class but devises literary ways to come back, constantly undoing any fixed idea of social affiliation. Focusing on recent French novels and autobiographies, On Both Sides of the Tracks: Social Mobility in Contemporary French Literature (U Chicago Press, 2024) speaks powerfully to issues of emancipation and class. Cadieu offers a fresh critical look at tales of social mobility in the work of Annie Ernaux, Kaoutar Harchi, Michel Houellebecq, Édouard Louis, and Marie NDiaye, among others, shedding fascinating light on upward mobility today as a formal, literary problem. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

An analysis of social mobility in contemporary French literature that offers a new perspective on figures who move between social classes. Social climbers have often been the core characters of novels. Their position between traditional tiers in society makes them touchstones for any political and literary moment, including our own. Morgane Cadieu's study looks at a certain kind of social climber in contemporary French literature whom she calls the parvenant. Taken from the French term parvenu, which refers to one who is newly arrived, a parvenant is a character who shuttles between social groups. A parvenant may become part of a new social class but devises literary ways to come back, constantly undoing any fixed idea of social affiliation. Focusing on recent French novels and autobiographies, On Both Sides of the Tracks: Social Mobility in Contemporary French Literature (U Chicago Press, 2024) speaks powerfully to issues of emancipation and class. Cadieu offers a fresh critical look at tales of social mobility in the work of Annie Ernaux, Kaoutar Harchi, Michel Houellebecq, Édouard Louis, and Marie NDiaye, among others, shedding fascinating light on upward mobility today as a formal, literary problem. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

An analysis of social mobility in contemporary French literature that offers a new perspective on figures who move between social classes. Social climbers have often been the core characters of novels. Their position between traditional tiers in society makes them touchstones for any political and literary moment, including our own. Morgane Cadieu's study looks at a certain kind of social climber in contemporary French literature whom she calls the parvenant. Taken from the French term parvenu, which refers to one who is newly arrived, a parvenant is a character who shuttles between social groups. A parvenant may become part of a new social class but devises literary ways to come back, constantly undoing any fixed idea of social affiliation. Focusing on recent French novels and autobiographies, On Both Sides of the Tracks: Social Mobility in Contemporary French Literature (U Chicago Press, 2024) speaks powerfully to issues of emancipation and class. Cadieu offers a fresh critical look at tales of social mobility in the work of Annie Ernaux, Kaoutar Harchi, Michel Houellebecq, Édouard Louis, and Marie NDiaye, among others, shedding fascinating light on upward mobility today as a formal, literary problem. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/french-studies

To close out Women In Translatjon month, we're thrilled to be joined by poet and translator Robin Myers. We chat about the art of translation and the importance of providing access to and for wide a range of voices. And we each share three translated books written by women that we think you should know about. What did you read this year during #WITMonth?ShownotesBooks* The Brush, by Eliana Hernández-Pachón, translated by Robin Myers* The Forgery, by Ave Barrera, translated by Robin Myers and Ellen Jones* Restoration, by Ave Barrera, translated by Robin Myers and Ellen Jones* Metamorphoses, by Emanuele Coccia, translated by Robin Mackay* Texas: The Great Theft, by Carmen Boullosa, translated by Samantha Schnee* Invisible Cities, by Italo Calvino, translated by William Weaver* Minor Detail, by Adania Shibli, translated by Elizabeth Jaquette* Lojman, by Ebru Owen, translated by Aron Aji and Selin Gökçesu* Umami, by Laia Jufresa, translated by Sophie Hughes* A Change of Time, by Ida Jensen, translated by Martin Aitken* Ladivine, by Marie Ndiaye, translated by Jordan Stump* Nostalgia Doesn't Flow Away Like Riverwater, by Irma Pineda, translated by Wendy Call* Paul Celan and the Trans-Tibetan Angel, by Yoko Tawada, translated by Susan Bernofsky* Ti Amo, by Hanne Ørstavik, translated by Martin Aitken* We Are Green and Trembling, by Gabriela Cabezón Cámara, translated by Robin Myers* A Strange Adventure, by Eva Forest, translated by Robin Myers* Sister Deborah, by Scholastique Mukasonga, translated by Mark Polizzotti* Canoes, by Maylis de Kerangal, translated by Jessica Moore* Stay with Me, by Hanne Ørstavik, translated by Martin AitkenOther Links* Poem Per Diem, Robin Myer's Substack* Women in Translation WebpageThe Mookse and the Gripes Podcast is a book chat podcast. Every other week Paul and Trevor get together to talk about some bookish topic or another. We hope you'll continue to join us!Many thanks to those who helped make this possible! If you'd like to donate as well, you can do so on Substack or on our Patreon page. These subscribers get periodic bonus episode and early access to all episodes! Every supporter has their own feed that he or she can use in their podcast app of choice to download our episodes a few days early. Please go check it out! This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit mookse.substack.com/subscribe

Parei, Inka www.deutschlandfunkkultur.de, Lesart

Parei, Inka www.deutschlandfunkkultur.de, Lesart

Parei, Inka www.deutschlandfunkkultur.de, Lesart

Parei, Inka www.deutschlandfunkkultur.de, Lesart

Parei, Inka www.deutschlandfunkkultur.de, Lesart

In this episode, we discuss Vengeance Is Mine by Marie NDiaye, translated from the French by Jordan Stump. Highlights:

Souvent, le perfectionnisme est une affaire de confiance en soi : faute de réussir à se satisfaire de son propre travail, on cherche toujours à l'améliorer. Cet épisode que vous écoutez, est-il jamais vraiment terminé ? Est-ce qu'il n'y a pas encore moyen de l'améliorer ? Ce texte que vous lisez, si je repasse dessus 10 fois, 100 fois, est-ce qu'une faute va soudain me sauter aux yeux ? Voilà que le temps passe, que la fatigue s'accumule, et que nos attentes personnelles sont de plus en plus extravagantes et hors de portée. Et si le perfectionnisme était vraiment un défaut professionnel ? Et dans ce cas, comment s'en défaire ? Dans cet épisode, la journaliste Camille Jourdan rencontre Alain, fabricant de globes terrestres, dont la rigueur et le perfectionnisme sont inhérents à son métier d'artisan de luxe. Elle interroge aussi son amie Sophie, consultante, qui tente de faire les choses parfaitement tout le temps, et dont l'expérience de la maternité a remis ce fonctionnement en question. Finalement, la philosophe franco-américaine Marina Van Zuylen évoque les bienfaits et les risques liés au perfectionnisme dans le travail, et fait appel aux enseignements de la philosophie pour revaloriser le “assez bien”. Pour aller plus loin : Le livre “Les vertus minuscules” de la philosophe Marine Van Zuylen aux éditions FlammarionLe livre “La fille de la supérette” de Sayaka Murata aux éditions FolioLe livre “La Chef” de Marie NDiaye aux éditions GallimardEmotions (au travail) est un podcast produit par Louie Media. Camille Jourdan a écrit et tourné cet épisode. Le montage et la réalisation sonore sont de Louis Jaubart. Le mix a été fait par le studio La Fugitive. Louise Hemmerlé est la chargée de production d'Emotions (au travail), accompagnée d'Elsa Berthault. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Souvent, le perfectionnisme est une affaire de confiance en soi : faute de réussir à se satisfaire de son propre travail, on cherche toujours à l'améliorer. Cet épisode que vous écoutez, est-il jamais vraiment terminé ? Est-ce qu'il n'y a pas encore moyen de l'améliorer ? Ce texte que vous lisez, si je repasse dessus 10 fois, 100 fois, est-ce qu'une faute va soudain me sauter aux yeux ? Voilà que le temps passe, que la fatigue s'accumule, et que nos attentes personnelles sont de plus en plus extravagantes et hors de portée. Et si le perfectionnisme était vraiment un défaut professionnel ? Et dans ce cas, comment s'en défaire ? Dans cet épisode, la journaliste Camille Jourdan rencontre Alain, fabricant de globes terrestres, dont la rigueur et le perfectionnisme sont inhérents à son métier d'artisan de luxe. Elle interroge aussi son amie Sophie, consultante, qui tente de faire les choses parfaitement tout le temps, et dont l'expérience de la maternité a remis ce fonctionnement en question. Finalement, la philosophe franco-américaine Marina Van Zuylen évoque les bienfaits et les risques liés au perfectionnisme dans le travail, et fait appel aux enseignements de la philosophie pour revaloriser le “assez bien”. Pour aller plus loin : Le livre “Les vertus minuscules” de la philosophe Marine Van Zuylen aux éditions FlammarionLe livre “La fille de la supérette” de Sayaka Murata aux éditions FolioLe livre “La Chef” de Marie NDiaye aux éditions GallimardEmotions (au travail) est un podcast produit par Louie Media. Camille Jourdan a écrit et tourné cet épisode. Le montage et la réalisation sonore sont de Louis Jaubart. Le mix a été fait par le studio La Fugitive. Louise Hemmerlé est la chargée de production de Travail (en cours), accompagnée d'Elsa Berthault. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

This second bonus episode of the podcast is a conversation that Rebecca and Frances recently had with writer and translator, Anton Hur. We are excited to share that Anton is the first guest we have had on One Bright Book! His insights into translation and the role of the translator were direct and honest, revealing both surprises and calls for action to improve the landscape of the craft. Books mentioned: Toward Eternity by Anton Hur Cursed Bunny by Bora Chung, translated from the Korean by Anton Hur Love in the Big City by Sang Young Park, translated from the Korean by Anton Hur Tomb of Sand by Geetanjali Shree, translated from the Hindi by Daisy Rockwell Jennifer Croft original work and translations The Long Form by Kate Briggs Counterweight by Djuna, translated from the Korean by Anton Hur Beyond the Story: 10 Year Record of BTS by Kang Myeong, translated from the Korean by Anton Hur in collaboration with Claire Richards and Slin Jung Indeterminate Inflorescence by Lee Seong-bok, translated from the Korean by Anton Hur White Cat, Black Dog: Stories by Kelly Link Vengeance is Mine by Marie NDiaye, translated from the French by Jordan Stump That Time of Year by Marie NDiaye, translated from the French by Jordan Stump The Annual Banquet of the Gravediggers' Guild by Mathias Énard, translated from the French by Frank Wynne Visit us online at onebrightbook.com. Browse our bookshelves at Bookshop.org. Comments? Write us at onebrightmail at gmail Find us on Twitter at @pod_bright Frances: @nonsuchbook Dorian: @ds228 Rebecca: @ofbooksandbikes Dorian's blog: https://eigermonchjungfrau.blog/ Rebecca's newsletter: https://readingindie.substack.com/ Our theme music was composed and performed by Owen Maitzen. You can find more of his music here: https://soundcloud.com/omaitzen.

durée : 00:29:39 - À voix nue - par : Caroline Broué - Le désir de théâtre remonte à l'adolescence pour Nicole Garcia. De ses débuts à Nanterre au monologue de Royan écrit par Marie Ndiaye pour elle, elle raconte son amour de la scène. - invités : Nicole Garcia Actrice, réalisatrice, scénariste