Podcasts about french cinema

Jackie and Greg wait for important test results for Agnès Varda's CLEO FROM 5 TO 7. Topics of discussion include Varda's style, how she compares to her Nouvelle Vague contemporaries, the film's mix of realism and fantasy, and its reverberating influence on cinema.#14 on Sight & Sound's 2022 "The Greatest Films of All Time" list.  https://www.bfi.org.uk/sight-and-sound/greatest-films-all-timeCheck us out on Instagram: instagram.com/sceneandheardpodCheck us out at our official website: sceneandheardpod.comGraphic Design: Molly PintoMusic: Andrew CoxEditing: Greg KleinschmidtGet in touch at hello@sceneandheardpod.comSupport the showSupport the show on Patreon: patreon.com/SceneandHeardPodorSubscribe just to get access to our bonus episodes: buzzsprout.com/1905508/subscribe

The latest from Arts24's Eve Jackson in Cannes: Kristen Stewart makes her directorial debut with "The Chronology of Water", a bold adaptation of Lidia Yuknavitch's memoir, premiering a buzzed-about Chanel look. We sit down with Diane Kruger to talk about Amrum, a haunting post-war drama directed by Fatih Akin.

John Maytham is joined by acclaimed French journalist Coline Clavaud Mégevand, a contributor to Le Monde and La Déferlante, to unpack the landmark court ruling that found iconic French actor Gérard Depardieu guilty of sexual assault. Presenter John Maytham is an actor and author-turned-talk radio veteran and seasoned journalist. His show serves a round-up of local and international news coupled with the latest in business, sport, traffic and weather. The host’s eclectic interests mean the program often surprises the audience with intriguing book reviews and inspiring interviews profiling artists. A daily highlight is Rapid Fire, just after 5:30pm. CapeTalk fans call in, to stump the presenter with their general knowledge questions. Another firm favourite is the humorous Thursday crossing with award-winning journalist Rebecca Davis, called “Plan B”. Thank you for listening to a podcast from Afternoon Drive with John Maytham Listen live on Primedia+ weekdays from 15:00 and 18:00 (SA Time) to Afternoon Drive with John Maytham broadcast on CapeTalk https://buff.ly/NnFM3Nk For more from the show go to https://buff.ly/BSFy4Cn or find all the catch-up podcasts here https://buff.ly/n8nWt4x Subscribe to the CapeTalk Daily and Weekly Newsletters https://buff.ly/sbvVZD5 Follow us on social media: CapeTalk on Facebook: https://www.facebook.com/CapeTalk CapeTalk on TikTok: https://www.tiktok.com/@capetalk CapeTalk on Instagram: https://www.instagram.com/ CapeTalk on X: https://x.com/CapeTalk CapeTalk on YouTube: https://www.youtube.com/@CapeTalk567 See omnystudio.com/listener for privacy information.

The likes of Robert De Niro, Tom Cruise and Scarlett Johansson will be descending on the south of France for the glitziest date on the movie calendar, the Cannes Film Festival. In our Cannes Chronicle, our culture editor Eve Jackson tells about the most anticipated films and names expected on the red carpet, including a gay romance with Paul Mescal, a documentary about U2's Bono and the new and last instalment of "Mission: Impossible". But first, Eve brings us reaction to the guilty verdict in the sexual assault trial of French cinema icon Gérard Depardieu.

"The Incredible Story of One of French Cinema's Greatest Films"Transcription : https://www.patreon.com/posts/127683169?pr=truePour soutenir mon travail

Michel Leclerc has never shied away from delicate social topics and the French director has now managed to inject humour into the issue of sexual assault in "Not all men, but…". Critic Perrine Quennesson tells us why his gamble has paid off and why entertaining performances from Léa Drucker and Benjamin Lavernhe bring levity to a heavy subject. We also hear about Régis Wargnier's long-awaited feature "La Réparation", a family mystery set between France and Taiwan which unites a stellar cast. Meanwhile, filmmaker Lawrence Valin marks himself out as a rising talent with "Little Jaffna", a thriller set in Paris's Tamil community. Plus, Femen co-founder Oxana Shachko is the subject of a moving biopic which pays tribute to her courage and activism as part of the feminist pressure group.

"He said you're a real Film Nerd." "What's a Film Nerd?" On this episode, BK & Jack catch the French New Wave via its most iconic film! Join them on a journey through the history of French Cinema from the Lumieres to Cahiers, the formation of the New Wave movement on both banks of the Senne, how an unexpected classic flew by the seat of its pants throughout the production, and so much more!The Film Nerds want all or nothing, and they've got it all in this episode!

Jackie and Greg travel through time for Chris Marker's LA JETÉE from 1963. Topics of discussion include its undefinable mood, its stature as one of the most famous short films ever made, and why Marker was one of the most resourceful filmmakers of his generation.#50 on Sight & Sound's 2012 "The 100 Greatest Films of All Time" list.https://www.bfi.org.uk/sight-and-sound/polls/greatest-films-all-time-2012#67 on Sight & Sound's 2022 "The Greatest Films of All Time" list.  https://www.bfi.org.uk/sight-and-sound/greatest-films-all-timeCheck us out on Instagram: instagram.com/sceneandheardpodCheck us out at our official website: sceneandheardpod.comGraphic Design: Molly PintoMusic: Andrew CoxEditing: Greg KleinschmidtGet in touch at hello@sceneandheardpod.comSupport the showSupport the show on Patreon: patreon.com/SceneandHeardPodorSubscribe just to get access to our bonus episodes: buzzsprout.com/1905508/subscribe

Join critic Emma Jones and presenter Eve Jackson for this week's arts24 film show, where we dive into Mike Leigh's latest film "Hard Truths", celebrating his impressive 53-year career. Plus, we discuss Netflix's gritty "Banger" starring Vincent Cassel, and the highly anticipated Minecraft Movie featuring Jack Black and Jason Momoa. 

We kick off this edition of arts24 with a look at the world's oldest moving images, courtesy of France's Lumière Brothers, in Thierry Frémaux's documentary "Lumière! The Adventure Continues". Next, get ready for the musical adaptation of the Oscar-winning classic "Midnight Cowboy", which is hitting London's Southwark theatre soon. Plus, discover Alain Chabat's new 3D animated Asterix series and a stylish Snoopy exhibition in Paris marking the Peanuts gang's 75th anniversary.

This week we're excited to present a conversation from the 20205 edition of the just-concluded Rendez-vous with French Cinema with Being Maria cast members Matt Dillon and Anamaria Vartolomei. Being Maria is now in select theaters, courtesy of Kino Lorber. Actors don't choose roles,” actor Daniel Gélin (Yvan Attal) tells his daughter Maria Schneider (Anamaria Vartolomei). “Roles choose them!” After her galvanizing performance as a young woman seeking out an illegal abortion in Audrey Diwan's Happening (ND/NF 2022), Vartolomei delivers another indelible portrait of a woman in extremis with writer-director Jessica Palud's second feature, moving beyond Schneider's encounter with director Bernardo Bertolucci on the set of Last Tango in Paris, during the shoot of the infamous “get the butter” scene (which the actress repeatedly identified as a violation of her consent), to contemplate the actress's larger life and legacy. The shoot itself is meticulously reconstructed—featuring a remarkable turn by Matt Dillon as Schneider's significantly more famous costar and scene partner, Marlon Brando—in order to contextualize the private and public fallout from Schneider's equally iconic and traumatizing breakout performance. Palud was herself an assistant director for Bertolucci at age 19 (the same age Schneider was during the production of Last Tango) and brings a welcome eye for complexity to an unsparing, compassionate reframing of a much-discussed incident—rooted firmly in the perspective of the actress at its center. This conversation was moderated by FLC Assistant Programmer Madeline Whittle.

Ep. 306: Olivier Assayas on his film Suspended Time, personal filmmaking, and recent favorites Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. This weekend, Rendez-Vous with French Cinema presents the latest Olivier Assayas film, Suspended Time—a thoughtful and funny chronicle set in the French countryside during pandemic lockdown. Set in Assayas's parents' house, it's about much more, circling his relationship with his rock critic brother—whom he isolated with, along with their partners—and the feelings of reckoning with mortality and the past that are stirred up. I spoke with Assayas when Suspended Time originally premiered in Berlin about fictionalizing his experience, the introspection of the pandemic, the directors that influenced him, his recent viewing, and where his Irma Vep series fit into all of this. Vincent Macaigne (also in the Irma Vep series) and Micha Lescot co-star as the brothers Assayas. Suspended Time screens March 14 and 16 at Film at Lincoln Center as part of Rendez-Vous with French Cinema 2025. Please support the production of this podcast by signing up at: rapold.substack.com Photo by Steve Snodgrass

Critic Perrine Quennesson takes us through the latest releases in the world of French cinema, with two family stories that transport us to convincing versions of France in the 1960s and 1990s. “My Mother, God, And Sylvie Vartan” tells the story of a devoted mother, played by Leïla Bekhti, who is prepared to move mountains for her son. Meanwhile “Queen Mom” charts an immigrant family's experience as they come up against stereotypes about North Africans and attempt to overcome the obstacles planted in their path; the film also offers a comical and fantastical take on one of the bogeymen of French history classes. A volcano on the brink of eruption in Guadeloupe distils social and political tensions in “Magma” and we discuss Thierry Frémaux's love letter to the Lumière brothers, as he documents the birth of cinema and its modern conventions. 

This week we're excited to present a conversation with Film at Lincoln Center Assistant Programmer Madeline Whittle, as she discusses the films featured in the 2025 edition of Rendez-Vous with French Cinema. Unifrance and Film at Lincoln Center present the 30th edition of Rendez-Vous with French Cinema, running from March 6 to March 16. Get tickets at filmlinc.org/rdv. This celebrated festival offers a dynamic showcase of contemporary French filmmaking, featuring an array of 23 films by both emerging voices—some selected as part of Unifrance's 10 to Watch 2025 Program, a yearly initiative honoring a new generation of directors and actors who contribute to the vitality of French creation—and seasoned directors that tackle relevant and enduring themes. This selection of North American, U.S., and New York premieres celebrates the energy, innovation, and range of French cinema. The conversation was moderated by Erik Luers, FLC's Digital Marketing Manager.

From "Mercato", a thriller showing us behind the scenes of French football with Jamel Debbouze, to a rural drama about motocross enthusiasts called "Block Pass", in this edition of arts24 with Eve Jackson and critic Perrine Quennesson we're looking at the best French-language films of the moment.

Chaque dimanche dans "Face Cam", retrouvez une interview de Camille Diao face à face avec un ou une invité(e).Cette semaine, c'est Judith Godrèche. Un an après avoir révélé publiquement les violences sexuelles et physiques subies durant son adolescence, la comédienne devenue icône féministe fait le bilan. Elle se confie sur les conséquences de cette prise de parole sur son travail et sur sa vie.Judith Godrèche est actrice, scénariste, réalisatrice. Sa dernière série est Icon of French Cinema, disponible en VOD. Le dernier film qu'elle a réalisé est “Moi Aussi”Face Cam est disponible chaque semaine sur france·tv, en podcast et sur la chaîne YouTube de C Ce Soir.

She captivated audiences with performances in films like "Attenberg", which won her best actress at the Venice Film Festival, "Alps" and "The Lobster" from Greek director Yorgos Lanthimos, and "Assassin's Creed". Now, French actress Ariane Labed is making her directorial debut with "September Says" – a gothic, suspense-filled exploration of sisterhood. She speaks to culture editor Eve Jackson about adapting Daisy Johnson's novel "Sisters", the importance of showing female messiness on screen, and her combat for gender equality and real cultural change within the French film industry.

Each year one of the highlights of the French calendar in Australia is the Alliance Française French Film Festival which commences with the gala opening night of the 36th festival at Melbourne's Astor Theatre on March 5th. But it is not only here in Oz that French film is popular. 2024 was a record breaking year for attendance at the cinema in France, with a higher percentage of the population going to see a film there than in the US. I loved chatting to the fabulous people at the Alliance Française who are responsible for putting together the festival this year:Frédéric Alliod - AFFFF25 CEO & Artistic DirectorMarie-Hélène Predhom - Alliance Française Melbourne General ManagerSara Harrington - Alliance Française Event ManagerFrench cinema is so much more than a cliché... it's quirky, fun & intelligent. Generally French films have a wonderful depth and the 42 films in this year's AFFFF25 are no exception! There are more than 5,500 screenings across the country in the 2025 festival with regional towns now benefitting from some AFFFF25 action!Go to the LFF website for the links to the movies mentioned in this podcast chat, or just tune into to our great discussion about French film culture.**Louise Prichard is the host of the Loulabelle's FrancoFiles podcast.**Other Loulabelle's links:FrancoFile Fix on YouTubeLoulabelle's FrancoFiles Spotify Playlist Loulabelle's FrancoFiles InstagramLoulabelle's FrancoFiles website

FRANCE 24 meets the musicians behind the Oscar-nominated soundtrack for "Emilia Perez", as the French film establishes itself in pole position at the upcoming Academy Awards. While the musical has been applauded at many international film festivals, director Jacques Audiard has come under fire in Mexico for his portrayal of drug cartels and failing to cast more Mexican actors. And, we hear more from Chinese artists drawing up their own rules, as a group show in Paris shines a light on contemporary talents coming out of the country. Finally, we take a stroll through the Dolce Vita inspirations of fashion duo Dolce & Gabbana, as the iconic Italian fashion house shows off its visual universe in an exhibition in Paris. 

The French-made, Spanish-language musical "Emilia Perez" leads the Oscars race with 13 nominations, making history as the most nominated non-English-language film ever. FRANCE 24's Culture Editor Eve Jackson tells us more about French director Jacques Audiard's film and the other frontrunners.

FRANCE 24's Culture Editor Eve Jackson co-hosted the the Lumières awards, France's equivalent of the Golden Globes, on Monday night in Paris. She tells us about French gangster transgender musical "Emilia Perez" picking up five awards, including best director for France's Jacques Audiard.

From Houda Benyamina's feminist take on "The Three Musketeers" in "All For one", to a morality tale in the French mountains in "How to Make a Killing" with French star Franck Dubosc and the animated sea story "A Boat in the Garden", film critic Perrine Quennesson gives us her French film picks of the moment.

Jackie and Greg are joined by Jackson Cooper, Executive Director of AGFA (American Genre Film Archive) for Jacques Tati's PLAYTIME from 1967. Topics of discussion include the film as an explosion of Where's Waldo? on 70mm, how Tati distances himself from the M. Hulot character in the film, the personal and financial toll it took on him to bring it to screen, and why it endures and continues to ascend the Sight & Sound list each decade.#43 on Sight & Sound's 2012 "The 100 Greatest Films of All Time" list.https://www.bfi.org.uk/sight-and-sound/polls/greatest-films-all-time-2012#23 on Sight & Sound's 2022 "The Greatest Films of All Time" list.  https://www.bfi.org.uk/sight-and-sound/greatest-films-all-timeGet more of Jackson Cooper: https://jcooperarts.comCheck us out on Instagram: instagram.com/sceneandheardpodCheck us out at our official website: sceneandheardpod.comGraphic Design: Molly PintoMusic: Andrew CoxEditing: Greg KleinschmidtGet in touch at hello@sceneandheardpod.comSupport the showSupport the show on Patreon: patreon.com/SceneandHeardPodorSubscribe just to get access to our bonus episodes: buzzsprout.com/1905508/subscribe

For better or worse, Bertrand Bonello's The Beast is one of the most memorable movies of 2024. A discombobulating sci-fi trip through time that stars Lea Seydoux and George Mackay, it explodes the kernel of loneliness at the center of Henry James' 1903 novella - The Beast in the Jungle - into something much more...perplexing.

French director Michel Hazanavicius decided that an animated feature was the best approach for his latest film, which follows the trajectory of a baby thrown from a train headed for Auschwitz. Film critic Emma Jones tells us why the fairy-tale tone of "The Most Precious of Cargoes" adds to its poignancy, and why this fable is worth telling many decades later. We also discover an up-and-coming talent in French filmmaker Agathe Riedinger, as her Cannes début "Wild Diamond" impresses with its timely subject matter and specifically female insight. Plus we learn more about musician Pharrell Williams, as his life is rendered in Lego form in the documentary "Piece by Piece", while Afghan women tell their own story in "Bread and Roses", a courageous account of life under the Taliban.

The Ethnographic Optic: Jean Rouch, Chris Marker, Alain Resnais, and the Turn Inward in 1960s French Cinema (Indiana UP, 2024) traces the surprising role of ethnography in French cinema in the 1960s and examines its place in several New Wave fictions and cinéma vérité documentaries during the final years of the French colonial empire. Focusing on prominent French filmmakers Jean Rouch, Chris Marker, and Alain Resnais, author Laure Astourian elucidates their striking pivot from centering their work on distant lands to scrutinizing their own French urban culture. As awareness of the ramifications of the shrinking empire grew within metropolitan France, these filmmakers turned inward what their similarly white, urban, bourgeois predecessors had long turned outward toward the colonies: the ethnographic gaze. Featuring some of the most canonical and best-loved films of the French tradition, such as Breathless and La Jetée, this is an essential book for readers interested in national identity and cinema. Here's the link to Astourian's essay on Jean Rouch's Moi, Un Noir discussed in the podcast.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The Ethnographic Optic: Jean Rouch, Chris Marker, Alain Resnais, and the Turn Inward in 1960s French Cinema (Indiana UP, 2024) traces the surprising role of ethnography in French cinema in the 1960s and examines its place in several New Wave fictions and cinéma vérité documentaries during the final years of the French colonial empire. Focusing on prominent French filmmakers Jean Rouch, Chris Marker, and Alain Resnais, author Laure Astourian elucidates their striking pivot from centering their work on distant lands to scrutinizing their own French urban culture. As awareness of the ramifications of the shrinking empire grew within metropolitan France, these filmmakers turned inward what their similarly white, urban, bourgeois predecessors had long turned outward toward the colonies: the ethnographic gaze. Featuring some of the most canonical and best-loved films of the French tradition, such as Breathless and La Jetée, this is an essential book for readers interested in national identity and cinema. Here's the link to Astourian's essay on Jean Rouch's Moi, Un Noir discussed in the podcast.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

The Ethnographic Optic: Jean Rouch, Chris Marker, Alain Resnais, and the Turn Inward in 1960s French Cinema (Indiana UP, 2024) traces the surprising role of ethnography in French cinema in the 1960s and examines its place in several New Wave fictions and cinéma vérité documentaries during the final years of the French colonial empire. Focusing on prominent French filmmakers Jean Rouch, Chris Marker, and Alain Resnais, author Laure Astourian elucidates their striking pivot from centering their work on distant lands to scrutinizing their own French urban culture. As awareness of the ramifications of the shrinking empire grew within metropolitan France, these filmmakers turned inward what their similarly white, urban, bourgeois predecessors had long turned outward toward the colonies: the ethnographic gaze. Featuring some of the most canonical and best-loved films of the French tradition, such as Breathless and La Jetée, this is an essential book for readers interested in national identity and cinema. Here's the link to Astourian's essay on Jean Rouch's Moi, Un Noir discussed in the podcast.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

The Ethnographic Optic: Jean Rouch, Chris Marker, Alain Resnais, and the Turn Inward in 1960s French Cinema (Indiana UP, 2024) traces the surprising role of ethnography in French cinema in the 1960s and examines its place in several New Wave fictions and cinéma vérité documentaries during the final years of the French colonial empire. Focusing on prominent French filmmakers Jean Rouch, Chris Marker, and Alain Resnais, author Laure Astourian elucidates their striking pivot from centering their work on distant lands to scrutinizing their own French urban culture. As awareness of the ramifications of the shrinking empire grew within metropolitan France, these filmmakers turned inward what their similarly white, urban, bourgeois predecessors had long turned outward toward the colonies: the ethnographic gaze. Featuring some of the most canonical and best-loved films of the French tradition, such as Breathless and La Jetée, this is an essential book for readers interested in national identity and cinema. Here's the link to Astourian's essay on Jean Rouch's Moi, Un Noir discussed in the podcast.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

The Ethnographic Optic: Jean Rouch, Chris Marker, Alain Resnais, and the Turn Inward in 1960s French Cinema (Indiana UP, 2024) traces the surprising role of ethnography in French cinema in the 1960s and examines its place in several New Wave fictions and cinéma vérité documentaries during the final years of the French colonial empire. Focusing on prominent French filmmakers Jean Rouch, Chris Marker, and Alain Resnais, author Laure Astourian elucidates their striking pivot from centering their work on distant lands to scrutinizing their own French urban culture. As awareness of the ramifications of the shrinking empire grew within metropolitan France, these filmmakers turned inward what their similarly white, urban, bourgeois predecessors had long turned outward toward the colonies: the ethnographic gaze. Featuring some of the most canonical and best-loved films of the French tradition, such as Breathless and La Jetée, this is an essential book for readers interested in national identity and cinema. Here's the link to Astourian's essay on Jean Rouch's Moi, Un Noir discussed in the podcast.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

The Ethnographic Optic: Jean Rouch, Chris Marker, Alain Resnais, and the Turn Inward in 1960s French Cinema (Indiana UP, 2024) traces the surprising role of ethnography in French cinema in the 1960s and examines its place in several New Wave fictions and cinéma vérité documentaries during the final years of the French colonial empire. Focusing on prominent French filmmakers Jean Rouch, Chris Marker, and Alain Resnais, author Laure Astourian elucidates their striking pivot from centering their work on distant lands to scrutinizing their own French urban culture. As awareness of the ramifications of the shrinking empire grew within metropolitan France, these filmmakers turned inward what their similarly white, urban, bourgeois predecessors had long turned outward toward the colonies: the ethnographic gaze. Featuring some of the most canonical and best-loved films of the French tradition, such as Breathless and La Jetée, this is an essential book for readers interested in national identity and cinema. Here's the link to Astourian's essay on Jean Rouch's Moi, Un Noir discussed in the podcast.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/french-studies

In this episode, host Dr Pasquale Iannone previews the 32nd French Film Festival UK in the company of its co-founder and director Richard Mowe.Pasquale and Richard look back at the festival's beginnings in the early 1990s before exploring the 2024 programme which includes a diverse range of titles from France, Belgium, Switzerland and beyond. New titles mentioned include Toni (Nathan Ambrosioni), Boléro (Anne Fontaine), The Marching Band (Emmanuel Courcol), One Year, One Night (Isaki Lacuesta) and Dog on Trial (Laetitia Dosch). Also discussed are the shorts and classics strands.The French Film Festival runs across the UK in various venues throughout November an December. Full information is available on their website www.frenchfilmfestival.org.uk.

Gilles Lellouche's take on the euphoria of teen romance was savaged by the press at the Cannes Film Festival, but critic Emma Jones tells us why "Beating Hearts" won her over by capturing the intensity of first love. We also discuss the dark undercurrents in Romanian drama "Three Kilometres to the End of the World" and check out the talent on the red carpet at the Lumière Festival in Lyon. Plus, Disney's most famous fawn gets the live action treatment in French director Michel Fessler's "Bambi: The Story of a Life in the Woods".

Bonjour! Welcome to The Movie Passport, a podcast series about world cinema. In this episode, Duncan (Valkyrist), Abby (Daceymormont), Stephanie (gsdg), Alex (Lucky Charms), and Jock (MunroJock) travel to the country of France to discuss the following films: 13:43 – Eyes … Continue reading →

It was a low-budget, erotic film that became the most successful French movie of the time. "Emmanuelle" went on to be the symbol of the sexual liberation and free love of the 1970s. Fifty years after Just Jaeckin's softcore movie first became a global phenomenon, a remake is being released with some big changes. Directed by a woman, award-winning director Audrey Divan has moved the action from Thailand to Hong Kong and the sensual character exploring her sexual desires is played by Noémie Merlant. Film critic Perrine Quennesson and erotic literature specialist and author of "Emmanuelle Arsan", Camille Moreau join Eve Jackson to talk about whether having a female behind the camera frees this iconic sex symbol from the male gaze. They also discuss how the 1974 film plays in a post #MeToo era.

On this episode, host Dr Pasquale Iannone is joined by Dr Sarah Artt (Lecturer in English and Film at Edinburgh Napier University) to discuss her new book Quiet Pictures: Women and Silence in Contemporary British and French Cinema (Bloomsbury, 2024).In the book, Sarah draws on the work of Lynne Ramsay, Joanna Hogg, Lucile Hadžihalilović and Céline Sciamma to explore the different uses of silence which, according to Sarah, leads to new ways of looking, staring, and gazing.  Sarah and Pasquale discuss the use of silence in film more broadly as well as the idea of silence as a ‘feminist aesthetic'.

This week we're excited to present a conversation with Red Island director Robin Campillo from the 2024 edition of Rendez-Vous with French Cinema. Rendez-Vous and NYFF veteran Robin Campillo, whose 2017 period drama BPM: Beats Per Minute reconstructed and celebrated ACT UP's legacy of AIDS activism in France during the 1990s, once again draws on personal history with his latest film, reaching back further to evoke a sumptuously visualized 1970s childhood spent with his military family on Madagascar. Growing up on one of the last remaining French colonial bases on the island, young Thomas (Charlie Vauselle) keeps a curious and observant eye on the adults around him, not least his parents (Nadia Tereszkiewicz and Quim Guterriez). Bonding with young Suzanne (Cathy Pham) over the Fantômette comic books, Thomas's imagination and observational powers grow even as the world around him is about to die. Making striking use of a child's perspective, Campillo's carefully observed drama of a lost world is lyrical and clear-eyed in equal measure. This conversation was moderated by FLC Vice President of Programming Florence Almozini.

Inspired by a true story, "Ghost Trail" introduces us to the clandestine groups tracking down Syrian war criminals in Europe. Director Jonathan Millet joins us to talk about how he constructed an espionage film with amateur spies at its centre, and we discuss the long road to justice for the millions of Syrians devastated by the horrors of 13 years of war. Film critic Lisa Nesselson also takes us through Kevin Costner's passion project, "Horizon", as the first chapter of his four-part epic opens in French cinemas. Plus we get a rundown of the best road movies on show at the Cinémathèque Française.

Join us in this special episode as we celebrate the 500th installment of the "Join Us in France" travel podcast! Annie and Elyse reflect on their journey from the very first episode to this significant milestone, sharing their favorite moments and the evolution of the podcast. They also dive into a fun and insightful discussion about French cinema, highlighting popular films such as "Amélie," "La Vie en Rose," "Midnight in Paris," and more. Discover how these films capture the essence of France's culture, history, and stunning landscapes. Whether you're a long-time listener or new to the podcast, this episode is packed with nostalgia, laughter, and plenty of movie recommendations to inspire your next trip to France. Thank you for being part of our journey! Tune in and celebrate with us as we look back on our incredible journey and forward to many more episodes to come! Table of Contents for this Episode Happy Aniversary! 500 podcast episodes Today on the podcast Podcast supporters The Magazine segment Annie and Elyse Evolution of the podcast Deciding what content to cover Podcast-adjacent communities Lessons learned Trip Reports Are a Vital Part of this Podcast Challenges we've had to Overcome Looking forward Films you should watch before a Trip to France Language exposure in movies Come to France as you are A Good Year An American in Paris Amélie Poulain Moulin Rouge movies La La Land Midnight in Paris (2011) The Da Vinci Code (2006) French Kiss Paris Can Wait (2016) Monte Carlo (2011) Ratatouille Is Paris Burning? (1960) The Longest Day Marie Antoinette by Sofia Coppola (2006) La Reine Margot (1994) The Three Musketeers Jean de Florette and Manon des Sources Murder Mystery 2 Mrs. Harris goes to Paris Ballerina (2016) A Monster in Paris Rugrats in Paris (2001) A Cat in Paris (2010) The Hunchback of Notre Dame The Aristocats Historical films about war and revenge, uh, pre revolution The Count of Monte Cristo, 2002 Napoleon, 2003 All Quiet on the Western Front, 2022 Dunkirk, 2017 Hugo, 2011 Chocolat, 2000 Inception Taken, 2008 La Vie en Rose, 2007 Funny Face, 1957 Julie and Julia, 2009 Paris Je t'aime, 2007 C'était un rendez vous TV Series Untouchables La Haine Le Ballon Rouge Napoleon, 2023 The Day of the Jackal, 1973 Diva, 1981 Just Paris Before Sunset, 2004 Thank you Patrons! To Swim or not to Swim Extension to line 14 of the Paris Metro Next week on the Podcast Copyright More episode about French culture #500Episodes, #FrenchCinema, #TravelPodcast, #JoinUsInFrance, #ParisMovies, #Celebrating500, #FranceOnFilm, #TopFrenchMovies, #PodcastMilestone, #ExploreFrance

Italian actress Monica Bellucci and French-Iranian filmmaker Marjane Satrapi talk about their dark comedy "Dear Paris", which is set in the French capital and follows a flurry of charming characters confronting death. Also on the programme: the video games to look out for over the summer, including "Assassin's Creed", "Call of Duty" and "Star Wars"; plus Colombia's underwater art gallery created to save the coral under threat from climate change.

Jackie and Greg get in bed with Jean-Pierre Léaud for Jean Eustache's THE MOTHER AND THE WHORE from 1973. Topics of discussion include the film's runtime, its autobiographical nature, the subversive casting of Léaud, and its frank depiction of sex and the bohemian lifestyle in France post-May 1968. #59 on Sight & Sound's 2012 "The 100 Greatest Films of All Time" list.https://www.bfi.org.uk/sight-and-sound/polls/greatest-films-all-time-2012#104 on Sight & Sound's 2022 "The Greatest Films of All Time" list.  https://www.bfi.org.uk/sight-and-sound/greatest-films-all-timeCheck us out on Instagram: https://www.instagram.com/sceneandheardpodCheck us out at our official website: https://www.sceneandheardpod.comJoin our weekly film club: https://www.instagram.com/arroyofilmclubJP Instagram/Twitter: jacpostajGK Instagram: gkleinschmidtGraphic Design: Molly PintoMusic: Andrew CoxEditing: Greg KleinschmidtGet in touch at hello@sceneandheardpod.comSend us a Text Message.Support the Show.Support the show on Patreon: patreon.com/SceneandHeardPodorSubscribe just to get access to our bonus episodes: buzzsprout.com/1905508/subscribe

It's that place where once a year, high art and hustlers rub elbows, a place for icon worshipers and insurgents, old legends and young upstarts…Welcome to the French Riviera resort of Cannes and the 77th film festival that bears its name… the first one since French actress and director Judith Godrèche went back on her personal story – her filmmaker's mistress at age 14 – and sparked a MeToo reckoning in French cinema.  Cannes' not always been ahead of the curve. This year though, it's premiering Godrèche's short film about sexual violence and organizers picked as jury president Greta Gerwig, director of the smash feminist hit Barbie. How in synch with the times can a festival… and an industry be?We'll raise the curtain on a Cannes that's always in search of the right balance between the socially relevant and good old fashion star power… a festival that will showcase the new film by Mohammad Rasoulof who had to flee Iran to present his new feature and what may be the last hurrah at 85 for two-time Golden Palm winner Francis Ford Coppola. What will this year's festival say about the state of movies and the state of our world?Produced by Alessandro Xenos, Guillaume Gougeon and Imen Mellaz. 

Acclaimed French director Justine Triet joins Tom to discuss her latest film, “Anatomy of a Fall,” which just won an Oscar for best original screenplay. Set against the backdrop of a courtroom, the film puts the intimate details of a marriage on trial when a woman is charged with the murder of her husband after he falls to his death in their home.

This week we're excited to present a conversation with The Animal Kingdom director Thomas Cailley and The Pod Generation director Sophie Barthes as they discuss their playful, up-to-the-minute experiments with genre and the use of speculative fiction to examine political realities and probe timeless emotional truths. This conversation was moderated by FLC Assistant Programmer Madeline Whittle with interpretation by Nicholas Elliott. Thomas Cailley, whose 2014 breakout feature Love at First Fight charmed audiences with its invigorating fusion of the rom-com and coming-of-age genres, returned to Rendez-Vous with French Cinema with this year's Opening Night selection, The Animal Kingdom, in which a darkly imaginative sci-fi premise gives way to a thoughtful study of fatherhood. When mankind is plagued with a mysterious infection that selectively mutates the bodies of ordinary people into animal hybrids, a widower and his teenage son must fight to survive in Cailley's darkly imaginative exploration of a human ecosystem undergoing inexplicable—but potentially liberating—transformation. The Animal Kingdsom is in select theaters now, courtesy of Magnolia Pictures.

This week we're excited to present a conversation with Little Girl Blue director Mona Achache, producer Laetitia Gonzalez, and lead actress Marion Cotillard as they discuss the 2024 Rendez-Vous with French Cinema selection with FLC Assistant Programmer Madeline Whittle. The lives and legacies of three generations of extraordinary women artists are unpacked in Mona Achache's César-nominated hybrid documentary. Achache, herself an accomplished writer and filmmaker, turns her gaze on her mother, Carole—a writer, photographer, and actress, and the daughter of novelist and screenwriter Monique Lange (goddaughter of William Faulkner). Carole's myriad professional achievements notwithstanding, her private life was indelibly marked by predatory behavior she experienced at the hands of those close to her, including family friend Jean Genet. Marion Cotillard brilliantly embodies Carole across a series of hauntingly resonant reconstructions that, alongside a generous archive of video, photography, and personal writing, create a rounded portrait of a troubled but outstandingly creative mind. Achache blurs the line between truth and fiction, producing a work as fittingly unsettling and unforgettable as her mother's own story.

Le 21 décembre dernier, la chaîne Arte met en ligne sur son site « Icon of French Cinema », une mini-série de 6 épisodes écrite et réalisée par Judith Godrèche. Dans cette fiction, largement inspirée de sa vie d'actrice, on suit une ancienne icône du cinéma français exilée à Los Angeles, qui revient à Paris pour relancer sa carrière en France. Une œuvre largement autobiographique, entrecoupée de flashbacks de ses débuts où, alors très jeune adolescente, elle se retrouve sous la coupe d'Eric, un réalisateur quadragénaire violent.Dans les semaines qui suivent, des journalistes font le rapprochement entre ce personnage d'Eric et deux réalisateurs français, Benoît Jacquot et Jacques Doillon, avec qui Judith Godrèche a tourné à ses débuts. Dans un premier temps, elle refuse de le reconnaître publiquement. Puis, après un long cheminement, elle décide finalement de s'exprimer publiquement sur le sujet, avant de porter plainte début février contre Benoît Jacquot, pour « viols avec violences sur mineur de moins de 15 ans commis par personne ayant autorité ». Pour Code source, Catherine Balle et Renaud Baronian, journalistes spécialistes cinéma au service culture du Parisien, racontent le long cheminement de l'actrice qui lui a permis de dénoncer publiquement les réalisateurs Benoît Jacquot et Jacques Doillon.Écoutez Code source sur toutes les plates-formes audio : Apple Podcast (iPhone, iPad), Google Podcast (Android), Amazon Music, Podcast Addict ou Castbox, Deezer, Spotify.Crédits. Direction de la rédaction : Pierre Chausse - Rédacteur en chef : Jules Lavie - Reporter : Ambre Rosala - Production : Barbara Gouy et Raphaël Pueyo - Réalisation et mixage : Pierre Chaffanjon - Musiques : François Clos, Audio Network - Archives : Arte, Youtube, INA, Canal+, France Inter. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

This week's episode is Part 2 of my conversation with filmmaker and ceramicist Madelynn De La Rosa. It's been 3 years since she came over to record last and this conversation centered around all she learned in the last year. Recorded just before the holidays, she talks about how some of the biggest changes she's made in her life have begun as New Year's resolutions. In this second half, we talk about: how internal work can lead to external life changes, fear of being ordinary, her film recs, q&a from listeners, and more. If you missed Part 1, we discussed shadow work, learning to be gentler on yourself, gene keys, Abraham Hicks, spiritual principles that have helped us, and learning to not be too dogmatic about any of it. Let us know if you listen!Show notes:- Listen to Part 1 with Maddie here- A couple spots left in my one-on-one Creative Clinic: book a free half-hour session with me here to see if it's a good fit- The TALK KIT is coming soon: sign up for the waitlist- My annual New Years journaling workshop & all of the Let It Out Kits- Learn more about Creative Underdogs/In Process here | sign up for the waitlist- Find Madelynn on the Web | Instagram | YouTube | Substack- Films mentioned:Tales of HoffmanThe Red Shoes- Subscribe to our Substack to get show notes + essays, etc. sent to your inbox- Instagram me: @letitouttt or I'm @katiedalebout If you liked this episode, try out from the archive:Episode 325: Intentionality, Beauty, Film, and Change with Madelynn De La Rosa

This week filmmaker and ceramicist Madelynn De La Rosa returns! It's been 3 years since she came over to record last and this conversation centered around all she learned in the last year. Recorded just before the holidays, she talks about how some of the biggest changes she's made in her life have begun as New Year's resolutions. I'm breaking this into two parts: in this one we talk about shadow work, learning to be gentler on yourself, gene keys, Abraham Hicks, spiritual principles that have helped us, and learning to not be too dogmatic about any of it. Next week: how internal work can lead to external life changes, fear of being ordinary, her film recs and more. Let us know if you listen. Show notes:- A couple spots left in my one-on-one Creative Clinic: book a free half-hour session with me here to see if it's a good fit- My annual New Years journaling workshop & all of the Let It Out Kits- Find Madelynn on the Web | Instagram | YouTube | Substack- Films mentioned:Tales of HoffmanThe Red Shoes- Subscribe to our Substack to get show notes + essays, etc. sent to your inbox- Instagram me: @letitouttt or I'm @katiedalebout If you liked this episode, try out from the archive:Episode 325: Intentionality, Beauty, Film, and Change with Madelynn De La Rosa

Halle and Alison talk trenches and tragedies to ruin Eyes Without A Face.Follow @ruinedpodcast on Instagram and Twitter for show updates!Check out @theradiopoint and @crookedmedia for more original content!

Before we went our separate ways, we all got together in Jan's room to talk about our time at PAX West, some Starfield talk, and just having a good time!This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/5928697/advertisement