Podcasts about cultural theory

This discussion is with Amber Jamilla Musser, a professor of English and Africana studies at the CUNY Graduate Center. She writes and researches at the intersections of race, sexuality, and aesthetics. She is the author of Sensational Flesh: Race, Power, and Masochism (NYU Press, 2014), Sensual Excess: Queer Femininity and Brown Jouissance (NYU Press, 2018), and Between Shadows and Noise: Sensation, Situatedness, and the Undisciplined (Duke University Press, 2024). 

This discussion is with Philip Janzen, an Assistant Professor in the Department of History at the University of Florida. He studies the cultural and intellectual histories linking Africa and the Caribbean. He is the author of An Unformed Map: Geographies of Belonging between Africa and the Caribbean, published by Duke University Press in 2025. His research has also appeared in the American Historical Review, The Journal of African History, and the Journal of Social History.

This episode includes discussions of suicide within the historical contexts of slavery, colonization, and empire. Please listen with care and be mindful of your well-being as you engage with this episode. If you or someone you know is in crisis or struggling, you are not alone. Support is available through the National Suicide and Crisis Lifeline at 988, or by texting TALK to 741741 to reach the Crisis Text Line. Thank you and please make sure to take care of yourself.This discussion is with Dr. Doyle D. Calhoun, University Assistant Professor of Francophone Postcolonial Studies in the Faculty of Modern and Medieval Languages and Linguistics at the University of Cambridge and a Fellow of Peterhouse. He is the author of (Duke University Press, 2024) and, with Cheikh Thiam, the co-editor of Senegalese Transmediations: Literature, New Media, and Audiovisual Cultures (Yale French Studies nos. 144/145, Yale University Press, 2025). With Alioune Fall and Cheikh Thiam, he is the translator and editor of Senghor: Essential Writings on African Aesthetics and Philosophy (Duke University Press, forthcoming). He has published widely on the literatures and cinemas of West Africa and the Caribbean. He is the recipient of the Malcom Bowie Prize from the Society of French Studies, the William R. Parker Prize from the MLA, the Ralph Cohen Prize from New Literary History, and the Vivien Law Prize from the Henry Sweet Society.In today's conversation, we discuss his latest monograph, The Suicide Archive: Reading Resistance in the Wake of French Empire where he charts a long history of suicidal resistance to French colonialism and neocolonialism, from the time of slavery to the Algerian War for Independence to the “Arab Spring.” Dr. Calhoun offers a new way of writing about suicide, slavery, and coloniality in relation to literary history.

This discussion is with Dr. Therí A. Pickens received her undergraduate degree in Comparative Literature from Princeton University (P'05) and her PhD in Comparative Literature from UCLA (2010).  She is a poet-scholar who focuses on Arab American Studies, Black Studies, Comparative Literature, and Disability Studies.In today's conversation, we discuss her debut poetry collection What Had Happened Was, where she addresses topics ranging from Black life, popular culture, and history to individual encounters with emotion, love, and chronic disability.

ORIGINALLY RELEASED Feb 12, 2020 In this episode, Jon Greenaway and Brenden Leahy return to the show and join Breht to explore the life, thought, and revolutionary legacy of Antonio Gramsci—the Italian Marxist theorist who redefined how we understand power, ideology, and resistance. We break down Gramsci's key concepts, including cultural hegemony, the role of organic intellectuals, and the importance of building counter-hegemonic institutions. We also examine his fierce opposition to Italian fascism, his imprisonment by Mussolini, and how his prison notebooks continue to offer critical insights for revolutionary struggle today. This is an accessible yet deep dive into one of the most original Marxist thinkers of the 20th century—essential listening for anyone serious about strategy, ideology, and the long war of position. Find Jon's show (@HorrorVanguard) here: https://www.patreon.com/horrorvanguard Check out Brenden's punk band No Thanks here: https://no-thanks.bandcamp.com/ ---------------------------------------------------- Support Rev Left and get access to bonus episodes: www.patreon.com/revleftradio Make a one-time donation to Rev Left at BuyMeACoffee.com/revleftradio Follow, Subscribe, & Learn more about Rev Left Radio HERE Outro Beat Prod. by flip da hood

This discussion is with Dr. Jessie Cox, an Assistant Professor of Music at Harvard University. Active as a composer, drummer, and scholar, his work thematizes questions at the intersection of black studies, music/sound studies, and critical theory. From Switzerland, with roots in Trinidad and Tobago, Dr. Cox thinks through questions of race, migration, national belonging, and our relation to the planet and the cosmos. His first monograph, the topic of this conversation, Sounds of Black Switzerland: Blackness, Music, and Unthought Voices (Duke UP, 2025) addresses how thinking with blackness and experimental musical practices might afford the opening of new discourses, such as thematizing Black Swiss Life. Dr. Cox makes music about the universe and our future in it. Through avant-garde classical, experimental jazz, and sound art, he has devised his own strand of musical science fiction, one that asks where we go next. Taking Afrofuturism as a core inspiration, he uses music to imagine unthought futures, asking questions about existence and the ways we make spaces habitable. 

This discussion is with Dr. Devin Bryson and Dr. Molly Enz.  Dr. Bryson is a professor of French and Francophone studies and Gender and Women's studies in the global studies program at Illinois College. He has published work in Research in African Literatures, the Journal of the African Literature Association, Black Camera, and African Studies Review. His research focuses on the cultural, cinematic, and literary practices and products from Francophone Africa, especially Senegal, and how those practices and products circulate locally and globally to reconfigure conceptualizations of African people, spaces, and relations. Dr. Enz is a distinguished professor of French and global studies at South Dakota State University. Her research focuses on Francophone literature and cinema from West Africa and the Caribbean. She has published articles in Black Camera, African Studies Quarterly, the Journal of the African Literature Association, Contemporary French and Francophone Studies, the French Review, and Nineteenth-Century French Studies. In Projections of Dakar: (Re)Imagining Urban Senegal through Cinema, the discussion for this conversation, Dr. Bryson and Dr. Enz illustrate how Senegalese filmmakers reimagine Africa as a place that will lead to a better future for its inhabitants.

This discussion is with Dr. Jody Benjamin, a social and cultural historian of western Africa with expertise in the period between 1650 and 1850. He received his PhD in African and African American Studies at Harvard University in 2016. His research is informed by a methodological concern to center the diverse experiences and perspectives of Africans in ways that transcend the limitations of the colonial archive. His first book, the topic for this discussion, The Texture of Change: Dress, Self-Fashioning and History in Western Africa, 1700-1850 (Ohio University Press New African History Series, 2024), explores questions of state-making, social hierarchy and self-making across parts of Mali, Senegal and Guinea through the lens of textiles and dress in a context shaped by an emergent global capitalism, slavery, and colonialism. Prof. Benjamin's scholarship interrogates the multiple connections between west African, African diaspora and global histories through the lens of material culture, technology, labor, gender and race in order to reshape how historians think about western Africa's role in the history of global capitalism and its connections to contemporary questions of global inequality. Prior to Howard University, Dr. Benjamin taught at the University of California, Riverside. From 2021-2023, he was the Principal Investigator for a Mellon Sawyer Seminar, “Unarchiving Blackness” exploring archival practices in African and African Diaspora Studies. Dr. Benjamin's work has also been supported by the National Endowment for the Humanities (NEH), the University of California Regents, University of California Humanities Research Initiative (UCHRI), the Hellman Fellows Fund, and the John Carter Brown Library at Brown University.

This discussion is with Dr. Sandhya Shukla is associate professor of English and American Studies at the University of Virginia,where she is also an affiliate faculty member of the Carter G. Woodson Institute for African American and African Studies. She is the author of India Abroad: Diasporic Cultures of Postwar America and England (Princeton University Press, 2003), and a co-editor of Imagining Our Americas: Toward a Transnational Frame (Duke University Press, 2007). Her work has appeared in academic publications such as American Quarterly, symploke, and Annual Review of Anthropology, as well as the news-oriented The Conversation. In this discussion, we explore her most recent work Cross-Cultural Harlem: Reimagining Race and Place (Columbia University Press, 2024). Dr. Shukla argues that cosmopolitanism and racial belonging need not be seen as contradictory. Cross-Cultural Harlem offers a vision of sustained dialogue to respond to the challenges of urban transformations and to affirm the future of Harlem as actual place and global symbol.

This discussion is with Dr. Laura Helton, a historian who writes about collections and how they shape our world. She is an Associate Professor of English and History at the University of Delaware, where she teaches African American literature, book history, archival studies, and public humanities. Her interest in the social history of archives arose from her earlier career as an archivist. She is a Scholar-Editor of “Remaking the World of Arturo Schomburg,” a collaborative digital project with Fisk University and the Schomburg Center for Research in Black Culture. Her writing chronicles the emergence of African diasporic archives in the United States and, more broadly, asks how information practices–material acts of collecting, collation, and cataloging–scaffold literary and historical thought. Her first book, the topic of this discussion, Scattered and Fugitive Things: How Black Collectors Created Archives and Remade History, was published by Columbia University Press in April 2024. It won the Arline Custer Memorial Book Prize from the Mid-Atlantic Regional Archives Conference and was a finalist for the 2025 Book Prize from the Association for the Study of African American Life and History. In this conversation, we discuss the stories of Black collectors and the social life of collecting. Helton showcase Black collecting as a radical critical tradition that reimagines past, present, and future. 

This is John Drabinski and you're listening to Conversations in Atlantic Theory, a podcast dedicated to books and ideas generated from and about the Atlantic world. In collaboration with the Journal of French and Francophone Philosophy, these conversations explore the cultural, political, and philosophical traditions of the Atlantic world, ranging from European critical theory to the black Atlantic to sites of indigenous resistance and self-articulation, as well as the complex geography of thinking between traditions, inside traditions, and from positions of insurgency, critique, and counternarrative.Today's conversation is with Mary Hicks, Associate Professor in the Department of History at the University of Chicago, where she teaches the history of the Black Atlantic and Latin America. Her research has been published in Slavery & Abolition, Journal of Global Slavery, and a number of collections on slavery, the Atlantic world, and the meaning of Black history. She is the author of Captive Cosmopolitans: Black Mariners and the World of Atlantic Slavery, 1721-1835, published by University of North Carolina Press in 2025 and the occasion for our conversation today. In this discussion, we explore the adventurous and curious character of archival research, the complexity of telling historical stories, and the significance of Captive Cosmopolitans for thinking about contemporary Black life.

This is Fatima Seck and you're listening to Conversations in Atlantic Theory, a podcast dedicated to books and ideas generated from and about the Atlantic world. In collaboration with the Journal of French and Francophone Philosophy, these conversations explore the cultural, political, and philosophical traditions of the Atlantic world, ranging from European critical theory to the black Atlantic to sites of indigenous resistance and self-articulation, as well as the complex geography of thinking between traditions, inside traditions, and from positions of insurgency, critique, and counternarrative.Today's discussion is with Souleymane Bachir Diagne, who teaches in the Departments of Philosophy and French at Columbia University. He is the author of a number of books on the history of logic, comparative philosophy, and the legacy of life philosophy in the francophone African tradition. In this conversation, we discuss his new book Open to Reason: Muslim Philosophers in Conversation with the Western Tradition, which examines the place of reason and rationality in the Islamic philosophical practices in Western Africa from the medieval period forward.

Todd McGowan joins the show once again, this time to discuss his newest book "Pure Excess: Capitalism and the Commodity". Together, he and Breht discuss commodity fetishism, the tensions between Marxism and psychoanalysis, what a critique of the subjective aspects of capitalism offers anti-capitalist politics, the "superstructural malaise" of late capitalism, Desire and Lack, capitalism's death drive, how to resist becoming a neoliberal subject, and much more.  "Drawing on psychoanalytic theory, McGowan shows how the production of commodities explains the role of excess in the workings of capitalism. Capitalism and the commodity ensnare us with the image of the constant fulfillment of our desires―the seductive but unattainable promise of satisfying a longing that has no end. To challenge this system, McGowan turns to art, arguing that it can expose the psychological mechanisms that perpetuate capitalist society and reveal the need for limits. Featuring lively writing and engaging examples from film, literature, and popular culture, Pure Excess uncovers the hidden logic of capitalism―and helps us envision a noncapitalist life in a noncapitalist society." Check out all our other episodes with Todd HERE Check out Todd's podcast Why Theory? on your preferred podcast app! Outro Song: I Want to Work Less by Grand Commander ----------------------------- Support Rev Left and get access to bonus episodes: www.patreon.com/revleftradio Make a one-time donation to Rev Left at BuyMeACoffee.com/revleftradio Follow RLR on IG HERE Learn more about Rev Left HERE

This is John Drabinski and you're listening to Conversations in Atlantic Theory, a podcast dedicated to books and ideas generated from and about the Atlantic world. In collaboration with the Journal of French and Francophone Philosophy, these conversations explore the cultural, political, and philosophical traditions of the Atlantic world, ranging from European critical theory to the black Atlantic to sites of indigenous resistance and self-articulation, as well as the complex geography of thinking between traditions, inside traditions, and from positions of insurgency, critique, and counternarrative.Today's discussion is with Benjamin Barson, who teaches in the Department of Music at Bucknell University in Lewisburg, Pennsylvania. He is a practicing saxophone player who has worked with Fred Ho and other musicians dedicated to merging musical practice with radical politics. In addition to a number of musical pieces, journal and other publications, he is the author of Brassroots Democracy: Maroon Ecologies and the Jazz Commons, published by Wesleyan University Press in 2025. In this conversation, we explore the origins of the project, its wide historical and political vision, and the place of brass brand music in political mobilizations past, present, and future.

This discussion is with Dr. Bryan Sinche, a Professor and Chair of English at the University of Hartford. He has written more than twenty essays and reviews which appear in journals such as American Literary History, African American Review, ESQ, Legacy, and Biography and in collections published by Basic Books, Cambridge University Press, and the University of Wisconsin Press. He is also the editor of two books: The Guide for Teachers accompanying the third edition of the Norton Anthology of African American Literature (2014) and the first scholarly edition of Appointed: An American Novel (2019, co-edited with Eric Gardner). In this conversation, we discuss his latest monograph, Published by the Author: Self-Publication and Nineteenth-Century African American Literature, published by the University of North Carolina Press in 2024, where he discusses the hidden history of African American self-publication and offers new ways to understand the significance of publication as a creative, reformist, and remunerative project. 

This discussion is with Professor Jenny Shaw, an Associate Professor of History at the University of Alabama where she teaches classes in the histories of the Caribbean, the Atlantic World, Comparative Slavery & Emancipation, and Early Modern Black Britain. She is the author of Everyday Life in the Early English Caribbean: Irish, Africans, and the Construction of Difference (University of Georgia Press, 2013) and she has published in Past & Present, The William & Mary Quarterly, and Slavery & Abolition. In this conversation we discuss her latest monograph, The Women of Rendezvous: A Transatlantic Story of Family and Slavery published by the University of North Carolina Press in 2024. We discuss the transatlantic story about five women who birthed children by the same prominent Barbados politician and enslaver. Shaw centers the experiences of the women and their children, intertwining the microlevel relationships of family and the macrolevel political machinations of empire to show how white supremacy and racism developed in England and the colonies. 

This discussion is with Dr. Nana Osei-Kofi,  (she/her) a Professor Emerita of Women, Gender, and Sexuality Studies in the School of Language, Culture, and Society at Oregon State University. Her research centers on two primary lines of inquiry focused on justice and the politics of difference. One line examines structural shifts in higher education to promote equity and access, emphasizing curriculum transformation, change leadership, faculty recruitment, retention, and development. The second line explores the experiences and conditions faced by people of African descent in Europe, with a focus on Sweden. In this conversation we discuss her most recent publication, AfroSwedish Places of Belonging, published by Northwestern University Press in 2024. In this work, she grapples with AfroSwedishness in relation to processes and experiences of racialization, imagination of self, and notions of belonging, agency, and kinship.

Rina Arya is a Professor of Critical and Cultural Theory at the University of Hull, UK. She started her academic career working on the role of the sacred in death of God culture, especially in the paintings of Francis Bacon and writings of Georges Bataille, resulting in her acclaimed book "Francis Bacon: Painting in a Godless World". Her work on Bacon led to research in abjection where she wrote a number of articles and books on the subject, notably "Abjection and Representation." Rina is completing her next book on the cultural appropriation of Hinduism.​ In this conversation, Rina and I explored the areas of intersection between contemporary art and theology, focusing on theological aesthetics, embodiment, abjection, and the role of materiality in religious practices. We also discussed how contemporary artists engage with religious motifs, the impact of digital culture on spiritual experiences, and the importance of contemplative spaces in art. Additionally, we spoke about the evolving nature of religious expression in art and considered the potential for interfaith dialogue through artistic practices.

Episode #94 In this episode of the Awakened Heart Podcast, I sit down with Sean Bw Parker to dive into the complex world of cultural theory, exploring how universities shape societal values, and how groupthink and cancel culture have evolved. We discuss the role of feminism today, shifts in the political landscape, and why individualism and freedom of expression are crucial. We also touch on justice reform, the importance of truth in society, and the unique challenges young people face in navigating these issues. Throughout, we emphasize the need for open dialogue and the courage to speak one's truth in an increasingly polarized world. With over eight books, six albums, and a TEDx talk to his name, Sean's work spans cultural theory, art, media critique, and justice reform. For ten years, he lived in Istanbul, immersing himself in the music and culture scene, where he wrote for Time Out Istanbul and Louder Than War and taught English and cultural studies. Sean brings a centrist libertarian perspective, often tackling controversial topics like cancel culture, media, justice reform, and the nuances within progressive ideologies. His latest book, A Delicate Balance of Reason – Adventures In The Culture Wars, explores these issues in depth and was released this May, with an Audible version coming soon. Sean's thoughtful approach and diverse experiences make him the perfect guest for an eye-opening discussion today. Takeaways Cultural theory analyzes societal narratives beyond individual stories. Universities often promote a left-leaning agenda that influences students. Groupthink can lead to cancel culture and suppression of dissenting voices. Feminism is divided on issues related to gender identity and women's rights. The political landscape is shifting towards populism and individualism. Art and creativity are essential for expressing individual perspectives. Truth and honesty are crucial in navigating societal challenges. Justice reform is needed to address miscarriages of justice. The younger generation is malleable and needs guidance in critical thinking. Living with an awakened heart means embracing truth and individuality. Chapters 00:00 Introduction and Background 02:59 Understanding Cultural Theory 05:51 The Rise of Cancel Culture 09:34 The Influence of Left-Leaning Ideologies 12:21 The Impact on Society and Education 16:24 The Role of Media and Propaganda 20:12 Censorship and Thought Police 22:42 Preserving Individual Freedoms 27:31 The Need for Feminists to Stand Up for Marginalized Women 33:07 The Threat to Individual Freedoms in the Cultural Wars 45:01 The Importance of Objectivity in the Justice System 50:46 The Power of Art in Reflecting and Challenging Societal Norms 56:56 end screen podcast 17.4 sec.mp4 Connect with Sean: X Delicate Balance of Reason Saatchi Art page Let's Connect! Website Instagram  Facebook Youtube Rumble Keywords Cultural Theory, Cancel Culture, Groupthink, Feminism, Political Landscape, Individualism, Freedom of Expression, Justice Reform, Truth, Awakened Heart

On this Halloween, Jon Greenaway returns to the show to discuss his new book "Capitalism: A Horror Story (Gothic Marxism and the Dark Side off the Radical Imagination)".  What does it mean to see horror in capitalism? What can horror tell us about the state and nature of capitalism? Blending film criticism, cultural theory, and philosophy, Capitalism: A Horror Story examines literature, film, and philosophy, from Frankenstein to contemporary cinema, delving into the socio-political function of the monster, the haunted nature of the digital world, and the inescapable horror of contemporary capitalist politics. Revitalizing the tradition of Romantic anticapitalism and offering a “dark way of being red”, Capitalism: A Horror Story argues for a Gothic Marxism, showing how we can find revolutionary hope in horror- a site of monstrous becoming that opens the door to a Utopian future. Check out Jon's Substack HERE Check out and Support the Horror Vanguard Podcast HERE ------------------------------------------------------------------- Support Rev Left HERE Follow RLR on IG HERE

You're listening to Conversations in Atlantic Theory, a podcast dedicated to books and ideas generated from and about the Atlantic world. In collaboration with the Journal of French and Francophone Philosophy, these conversations explore the cultural, political, and philosophical traditions of the Atlantic world, ranging from European critical theory to the black Atlantic to sites of indigenous resistance and self-articulation, as well as the complex geography of thinking between traditions, inside traditions, and from positions of insurgency, critique, and counternarrative.Today's discussion is with with Professor Jason Allen-Paisant, a Jamaican writer, multi-award-winning poet, Professor of Critical Theory and Creative Writing at University of Manchester and Associate Editor of Callaloo Literary Journal. In this conversation, we discuss his monograph Engagements with Aimé Césaire: Thinking with Spirits, published by Oxford University Press in May 2024. In this conversation, Professor Allen-Paisant explores how Césaire's work articulates for him a way in which poetry eliminates borders between the self and the external world and introduces what he calls, ‘pedagogies of participation', ‘pedagogies of thinking with spirits' to allow for the embrace and co-existence of multiple truths and ways of living and being.  

You're listening to Conversations in Atlantic Theory, a podcast dedicated to books and ideas generated from and about the Atlantic world. In collaboration with the Journal of French and Francophone Philosophy, these conversations explore the cultural, political, and philosophical traditions of the Atlantic world, ranging from European critical theory to the black Atlantic to sites of indigenous resistance and self-articulation, as well as the complex geography of thinking between traditions, inside traditions, and from positions of insurgency, critique, and counternarrative.Today's discussion is with Dr. Kathleen Spanos and Sinclair Emoghene. In this conversation, Sinclair and Dr. Spanos present a framework for dance practitioners and researchers working in diverse dance cultures to navigate academia and the professional dance field. The framework is based on the idea of “cultural confluences,” conjuring up an image of bodies of water meeting and flowing into and past one another, migrating through what they refer to as the mainstream and non-mainstream. Through an analysis of language, aesthetic values, spaces, creative processes, and archival research practices, the book offers a collaborative model for communicating the value that marginalized dance communities bring to the field.Learn more at www.danceconfluences.com and follow them on Instagram @danceconfluences.  

In this episode, Dr. Kashunda McGriff talks about Relational Cultural Theory. RCT is a theory rooted in feminist and social justice that recognizes how people grow in and through connection. Dr. McGriff shares her experience as a counselor and professor using RCT as a conceptual framework for helping others.   For more on our guests, links from the conversation, and APA citation for this episode visit https://concept.paloaltou.edu/resources/the-thoughtful-counselor-podcast  The Thoughtful Counselor is created in partnership with Palo Alto University's Division of Continuing & Professional Studies. Learn more at concept.paloaltou.edu  

What you do as an artist is crucial. Do not abandon that for a desire to serve a kind of utilitarian purpose of ‘I'm gonna make sure people know more'. The faith in knowing more is the siren song of our society that constantly sees us leaping off of the vessel that can carry us through this, with this belief that we can suddenly transform society because we can provide information. Decorating climate policy with the arts is not transformative. What you know how to do as an artist is so fundamentally important.David Maggs defines his work as an attempt to integrate the core capacities of the arts with larger social challenges, sustainability, health, social justice, community development, etc. David grew up in Corner Brook, Newfoundland and spent much of his developmental years as a classical pianist. In 2002, he founded Gros Morne Summer Music (now Camber Arts) and continues to be active in cultural production and cultural theory. My first conversation with David was e30 maggs – art and the world after this recorded during an outdoors COVID era walk on March 25, 2021 in Vancouver. We talked about artistic capacity, sustainability, value propositions, disruption and recovery, including his Art and the World After This paper for Metcalf Foundation.Since then David has become Metcalf Fellow on Arts and Society, where he nurtures and supports the desire in Canada's arts sector to both move with, and shape ongoing patterns of transformative societal change. David and I were co-founders of SCALE along with Anjali Appadurai. Anthony Garoufalis-Auger, Kendra Fanconi, Judi Pearl and Robin Sokoloski in 2021 and have been corresponding ever since, including my March 16, 2024 posting on a calm presence david maggs' art and the climate crisis.Our second conversation focused on being and transformation. For example :My argument is that we are intuiting the ability of art to work at the level of being, to engage with transformative change. But what happens is we live in a culture that is so structured around problem solving at the level of information and knowledge that as soon as we think, OK, yes. course art has something really important to do with this, then, immediately, instead of allowing the arts to pull climate discourse into the realm of being, climate discourse pulls art into the realm of knowing. And it becomes a tool for knowing rather than something that allows us to start to engage with ourselves at the level of being.David also talks about the cultural gap in the climate crisis which he defines as ‘the difference between the imperative of transformation at the level of being and a particular society's capacity to do so. Ours is really low.'David's recommended reading is the work of Richard Powers and Don McKay's Vis à vis.  *END NOTES FOR ALL EPISODESHere is a link for more information on season 5. Please note that, in parallel with the production of the conscient podcast and it's francophone counterpart, balado conscient, I publish a Substack newsletter called ‘a calm presence' which are 'short, practical essays for those frightened by the ecological crisis'. To subscribe (free of charge) see https://acalmpresence.substack.com. You'll also find a podcast version of each a calm presence posting on Substack or one your favorite podcast player.Also. please note that a complete transcript of conscient podcast and balado conscient episodes from season 1 to 4 is available on the web version of this site (not available on podcast apps) here: https://conscient-podcast.simplecast.com/episodes.Your feedback is always welcome at claude@conscient.ca and/or on conscient podcast social media: Facebook, X, Instagram or Linkedin. I am grateful and accountable to the earth and the human labour that provided me with the privilege of producing this podcast, including the toxic materials and extractive processes behind the computers, recorders, transportation systems and infrastructure that made this production possible. Claude SchryerLatest update on April 2, 2024

A SPECIAL EPISODE TODAY! Sam Ginn discusses with Hans Ulrich Gumbrecht, Pierre Cassou-Noguès, Jan Söffner and our students on the topic of “EMERGENCE” Sam Ginn, Founder and CEO of Vetspire, Hans Ulrich Gumbrecht, internationally renowned literary and cultural theorist from Stanford University, Pierre Cassou-Noguès, French philosopher and writer and Jan Söffner, professor of cultural theory and analysis at Zeppelin University are in these following episodes of the podcast talking about the four topics of Emergence, Alignment and Coexistence, whereby one podcast episode will cover one topic. The discussion format stems from Giovanni Boccaccios Decameron: Each of the four speakers presents their own topic, on which they speak as the “king” of this round. Following the king's speech, each of the three remaining speakers also give a short impulse on his topic. Thereafter the round is opened up for mutual questions, including also the audience, in this case the students of our course. The overall topic in this first episode will be: Emergence, by Sam Ginn _______________________________ THEORETICAL BACKGROUND OF THE PODCAST SEMINAR: "What is called thinking?" The question Martin Heidegger asked in his lecture of 1951/52 reads like a counter-question to the one Alan Turing had asked a year earlier in his essay Computing Machinery and Intelligence: "Can a machine think?“ Both ways of asking the same question are more relevant today than ever before. The attempt to define ‘thinking' by the Turing Test has sort of „programmed“ computer development in such a way that software seems to be able to perform more and more human thinking without having developed a consciousness or what Heidegger called a Da-Sein (being there). But is AI therefore really thinking? Or vice versa: Is the human consciousness still needed under these conditions? And what for?The course was dedicated to the comparison and interplay of artificial and human intelligence, addressing the latest theories and newest software solutions. It was designed as a podcast seminar to which proven experts in the field were invited.  In this new podcast, renowned experts in the field of AI will be invited as guests to talk with Jan Söffner (Zeppelin University). The podcast makes a course of ten sessions available to a broader public. _______________________________ Enjoy listening to this episode! We are looking forward to your feedback, suggestions and comments: Either as a direct message via Instagram: @welle20radio at: https://www.instagram.com/welle20studio/ Or simply by using the comments function in the podcast app.   "Luft zum Denken: Artificial Intellegence and Human Intellegence. Sam Ginn, Hans Ulrich Gumbrecht, Pierre Cassou-Noguès and Jan Söffner on “Emergence”. Episode 5" is a cooperation between Welle20 and the Chair of Cultural Theory and Analysis at Zeppelin University Friedrichshafen Content and Preparation: Prof. Dr. Jan Söffner Executive Production: Chiara Keßel A Welle20 Podcast  

In this episode of the Such a Nightmare podcast, hosts Katherine Troyer and Toni Tresca put a coin in the pinball machine to discuss 2021's Willy's Wonderland. Episode Highlights: We talk about how Nicholas Cage is the reason for the season and, hands down, the best part of this film. We explore the film's brilliant practical effects with the puppets/animatronics. Katherine shares how the film builds on the carnivalesque aspects of the suspension of normality, the carnival king, the ambivalent nature of fire and laughter, and dualism of images. We discuss the lovely performances of the adult actors, but lament the teenage characters and how their scenes--which take us out of Willy's Wonderland--pull down the narrative. Ultimately, as Toni puts it, while the film might not have hit all the notes...we'd love to grab a beer with the fascinating and clever filmmakers.   A Dose of Scholarship: For more on the carnivalesque, check out Mikhail Bakhtin's "Carnival and the Carnivalesque" in John Storey's 1998 Cultural Theory and Popular Culture. And be sure to check out the essay Toni referenced: Clark Collis's "'Nic Cage is into reptiles...': The insane, behind-the-scenes story of Willy's Wonderland."   This podcast episode first aired on April 5, 2024. Shout-out to Jackson O'Brien; thank you for editing this episode! ALL LINKS  Twitter/Instagram: @NightmarePod1; YouTube: Such a Nightmare;  Email: suchanightmare.pod@gmail.com; Website: suchanightmare.com

The most exhaustive mapping of contemporary literary theory to date, Jeffrey R. Di Leo's book Contemporary Literary and Cultural Theory: An Overview (Bloomsbury, 2023) offers a comprehensive overview of the current state of the field of contemporary literary theory. Examining 75 key topics across 15 chapters, it provides an approachable and encyclopedic introduction to the most important areas of contemporary theory today. Proceeding broadly chronologically from early theory all the way through to postcritique, Di Leo masterfully unpacks established topics such as psychoanalysis, structuralism and Marxism, as well as newer topics such as trans* theory, animal studies, disability studies, blue humanities, speculative realism and many more. Featuring accessible discussion of the work of foundational theorists such as Lacan, Derrida and Freud as well as contemporary theorists such as Haraway, Braidotti and Hayles, it offers a magisterial examination of an enormously rich and varied body of work. Arnab Dutta Roy is Assistant Professor of World Literature and Postcolonial Theory at Florida Gulf Coast University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The most exhaustive mapping of contemporary literary theory to date, Jeffrey R. Di Leo's book Contemporary Literary and Cultural Theory: An Overview (Bloomsbury, 2023) offers a comprehensive overview of the current state of the field of contemporary literary theory. Examining 75 key topics across 15 chapters, it provides an approachable and encyclopedic introduction to the most important areas of contemporary theory today. Proceeding broadly chronologically from early theory all the way through to postcritique, Di Leo masterfully unpacks established topics such as psychoanalysis, structuralism and Marxism, as well as newer topics such as trans* theory, animal studies, disability studies, blue humanities, speculative realism and many more. Featuring accessible discussion of the work of foundational theorists such as Lacan, Derrida and Freud as well as contemporary theorists such as Haraway, Braidotti and Hayles, it offers a magisterial examination of an enormously rich and varied body of work. Arnab Dutta Roy is Assistant Professor of World Literature and Postcolonial Theory at Florida Gulf Coast University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

The most exhaustive mapping of contemporary literary theory to date, Jeffrey R. Di Leo's book Contemporary Literary and Cultural Theory: An Overview (Bloomsbury, 2023) offers a comprehensive overview of the current state of the field of contemporary literary theory. Examining 75 key topics across 15 chapters, it provides an approachable and encyclopedic introduction to the most important areas of contemporary theory today. Proceeding broadly chronologically from early theory all the way through to postcritique, Di Leo masterfully unpacks established topics such as psychoanalysis, structuralism and Marxism, as well as newer topics such as trans* theory, animal studies, disability studies, blue humanities, speculative realism and many more. Featuring accessible discussion of the work of foundational theorists such as Lacan, Derrida and Freud as well as contemporary theorists such as Haraway, Braidotti and Hayles, it offers a magisterial examination of an enormously rich and varied body of work. Arnab Dutta Roy is Assistant Professor of World Literature and Postcolonial Theory at Florida Gulf Coast University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

The most exhaustive mapping of contemporary literary theory to date, Jeffrey R. Di Leo's book Contemporary Literary and Cultural Theory: An Overview (Bloomsbury, 2023) offers a comprehensive overview of the current state of the field of contemporary literary theory. Examining 75 key topics across 15 chapters, it provides an approachable and encyclopedic introduction to the most important areas of contemporary theory today. Proceeding broadly chronologically from early theory all the way through to postcritique, Di Leo masterfully unpacks established topics such as psychoanalysis, structuralism and Marxism, as well as newer topics such as trans* theory, animal studies, disability studies, blue humanities, speculative realism and many more. Featuring accessible discussion of the work of foundational theorists such as Lacan, Derrida and Freud as well as contemporary theorists such as Haraway, Braidotti and Hayles, it offers a magisterial examination of an enormously rich and varied body of work. Arnab Dutta Roy is Assistant Professor of World Literature and Postcolonial Theory at Florida Gulf Coast University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

THE MOST IMPORTANT INFO IN ADVANCE:  In this new podcast on artificial intelligence and human intelligence, renowned experts in the field of AI will be invited as guests to talk with Jan Söffner (Zeppelin University). The podcast makes a course of ten sessions available to a broader public. After an approximately 60-minute interview with the guest in part 1, part 2 is a 30-minute follow-up discussion and Q&A session with the students. For background information on the topic, just scroll down a little. _______________________________ IN THIS EPISODE: Today's guest in our Welle20 Studio: Larry Stapleton. A senior academic and international consultant in advanced information systems, organisational culture and business at Waterford Institute of Technology and founder of “Knew Futures” explains the recent developments in AI. _______________________________ CONTENT BACKGROUND OF THE PODCAST SEMINAR:"What is called thinking?" The question Martin Heidegger asked in his lecture of 1951/52 reads like a counter-question to the one Alan Turing had asked a year earlier in his essay Computing Machinery and Intelligence: "Can a machine think?“ Both ways of asking the same question are more relevant today than ever before. The attempt to define ‘thinking' by the Turing Test has sort of „programmed“ computer development in such a way that software seems to be able to perform more and more human thinking without having developed a consciousness or what Heidegger called a Da-Sein (being there). But is AI therefore really thinking? Or vice versa: Is the human consciousness still needed under these conditions? And what for?The course was dedicated to the comparison and interplay of artificial and human intelligence, addressing the latest theories and newest software solutions. It was designed as a podcast seminar to which proven experts in the field were invited.  _______________________________ Enjoy listening to this episode! We are looking forward to your feedback, suggestions and comments: Either as a direct message via Instagram: @welle20radio at: https://www.instagram.com/welle20studio/ Or simply by using the comments function in the podcast app. "Luft zum Denken: Artificial Intellegence and Human Intellegence. Episode 4: Larry Stapleton" is a cooperation between Welle20 and the Chair of Cultural Theory and Analysis at Zeppelin University Friedrichshafen Content and Preparation: Prof. Dr. Jan Söffner Executive Production: Chiara Keßel A Welle20 Podcast

You're listening to Conversations in Atlantic Theory, a podcast dedicated to books and ideas generated from and about the Atlantic world. In collaboration with the Journal of French and Francophone Philosophy, these conversations explore the cultural, political, and philosophical traditions of the Atlantic world, ranging from European critical theory to the black Atlantic to sites of indigenous resistance and self-articulation, as well as the complex geography of thinking between traditions, inside traditions, and from positions of insurgency, critique, and counternarrative.Today's discussion is with Joshua Myers, Associate Professor of Afro American Studies at Howard University in Washington, D.C.  In addition to a number articles in scholarly journals and popular intellectual venues, he has written three books: We Are Worth Fighting For: A History of the Howard University Student Protest of 1989, published with New York University Press in 2019, Cedric Robinson: The Time of the Black Radical Tradition, published with Polity Press in 2021, and the book that occasions our conversation today: Of Black Study, published with Pluto Press in 2023.

You're listening to Conversations in Atlantic Theory, a podcast dedicated to books and ideas generated from and about the Atlantic world. In collaboration with the Journal of French and Francophone Philosophy, these conversations explore the cultural, political, and philosophical traditions of the Atlantic world, ranging from European critical theory to the black Atlantic to sites of indigenous resistance and self-articulation, as well as the complex geography of thinking between traditions, inside traditions, and from positions of insurgency, critique, and counternarrative.Today's discussion is with Autumn Womack, Associate Professor in the Department of English at Princeton University, where she teaches and writes on 19th and early 20th century African American literature and cultural history and where she has worked as part of the curatorial team at the Toni Morrison Papers project. She is the author of numerous articles in scholarly journals as well as popular intellectual venues including LA Review of Books, The Paris Review, and The Times Literary Supplement. Autumn is the author of the book The Matter of Black Living: The Aesthetic Experiment of Racial Data, 1880-1930, which is the occasion for our conversation that follows. The book was published by University of Chicago Press in 2022 and was the winner of the Modern Language Association's William Sanders Scarborough Prize in 2023.

Social cultural theory states that language is a tool to help solve problems, regulate our emotions, and communicate. It is a tool to help figure things out, explain things to students and for students to use to work through problems, and construct meaning. Want to learn more? Join Becky Chism and host, Michelle Olah as they walk us through what social cultural theory looks like in the world language classroom. Bio Rebecca (Becky) Chism, Ph.D. is an associate professor of foreign language pedagogy and pedagogy coordinator in the department of Modern and Classical Language Studies at Kent State University in Kent, Ohio. She teaches undergraduate and graduate courses in second and foreign language teaching methods and approaches. Her researcher interests include best practices in teaching, pre- and in-service teacher preparation, and computer-mediated communication. https://www.kent.edu/mcls/rebecca-chism Visit the Language Lounge on Twitter - https://twitter.com/langloungepod Connect with Michelle - https://twitter.com/michelleolah Have a comment or question? Leave a voicemail at (207) 888-9819 or email podcast@waysidepublishing.com Produced by Wayside Publishing - https://waysidepublishing.com Mentions Dr. Victoria Gilbert Kagan Cooperative Learning Structures, Spencer Kagan Stephen Krashen https://www.google.com/search?gs_ssp=eJzj4tLP1TcwrTBINioxYPTiLy5JLchIzVPILkosBtIAgfIJgw&q=stephen+krashen&rlz=1C1GCEA_enUS1047US1047&oq=stephan+kra&aqs=chrome.4.69i57j0i512l2j46i512j46i10i433i512j0i512l3j46i175i199i512j0i10i512.111808462j0j15&sourceid=chrome&ie=UTF-8 Lev Vygotsky https://www.simplypsychology.org/vygotsky.html

In this episode of the Speaking Out of Place podcast, Professor David Palumbo-Liu interviews Cynthia Franklin about her new book, Narrating Humanity: Life Writing and Movement Politics from Palestine to Mauna Kea. Taking on pivotal historical moments like the murder of George Floyd and the emergence of #BlackLivesMatter, the on-going struggle of the Palestinian people against the ethno-nationalist Zionist state, and the fight for Indigenous rights in Hawai'i, Franklin asks the question, what requirements to people have to meet in order to fit into the human narrative? And what are the possibilities of creating alternate stories of the human that can accommodate individuals who identify more as members of political collectives, and also narratives that exceed the normative category of the human? This powerful book asks fundamental questions about the relationship between art and activism.“I posit narrated humanity as a lens through which to study how narratives participate in struggles to conceive human being beyond juridical and narrative humanity.”Cynthia G. Franklin is Professor of English at the University of Hawai'i, and coeditor of the journal Biography. She is the author of Narrating Humanity: Life Writing and Movement Politics from Palestine to Mauna Kea (2023), Academic Lives: Memoir, Cultural Theory and the University Today and Writing Women's Communities: The Politics and Poetics of Contemporary Multi-Genre Anthologies. She has coedited special issues of Biography including “Life in Occupied Palestine” and “Personal Effects: The Testimonial Uses of Life Writing.” For the past ten years, Cynthia has been on the Organizing Collective of the US Campaign for the Academic and Cultural Boycott of Israel (USACBI) and she is a founding member and faculty advisor of Students and Faculty for Justice in Palestine at UH (SFJP@UH). She serves on the Editorial Collective for the newly established initiative EtCH (Essays in the Critical Humanities).https://english.hawaii.edu/faculty/cynthia-franklin/www.palumbo-liu.com https://speakingoutofplace.com https://twitter.com/palumboliu?s=20

Today we talk with Cynthia Franklin about her new book, Narrating Humanity: Life Writing and Movement Politics from Palestine to Mauna Kea. Taking on pivotal historical moments like the murder of George Floyd and the emergence of #BlackLivesMatter, the on-going struggle of the Palestinian people against the ethno-nationalist Zionist state, and the fight for Indigenous rights in Hawai'i, Franklin asks the question, what requirements to people have to meet in order to fit into the human narrative?  And what are the possibilities of creating alternate stories of the human that can accommodate individuals who identify more as members of political collectives, and also narratives that exceed the normative category of the human? This powerful book asks fundamental questions about the relationship between art and activism.Cynthia G. Franklin is Professor of English at the University of Hawai'i, and coeditor of the journal Biography. She is the author of Narrating Humanity: Life Writing and Movement Politics from Palestine to Mauna Kea (2023), Academic Lives: Memoir, Cultural Theory and the University Today and Writing Women's Communities: The Politics and Poetics of Contemporary Multi-Genre Anthologies. She has coedited special issues of Biography including “Life in Occupied Palestine” and “Personal Effects: The Testimonial Uses of Life Writing.” For the past ten years, Cynthia has been on the Organizing Collective of the US Campaign for the Academic and Cultural Boycott of Israel (USACBI) and she is a founding member and faculty advisor of Students and Faculty for Justice in Palestine at UH (SFJP@UH). She serves on the Editorial Collective for the newly established initiative EtCH (Essays in the Critical Humanities).

In this episode of the Speaking Out of Place podcast, Professor David Palumbo-Liu interviews Cynthia Franklin about her new book, Narrating Humanity: Life Writing and Movement Politics from Palestine to Mauna Kea. Taking on pivotal historical moments like the murder of George Floyd and the emergence of #BlackLivesMatter, the on-going struggle of the Palestinian people against the ethno-nationalist Zionist state, and the fight for Indigenous rights in Hawai'i, Franklin asks the question, what requirements to people have to meet in order to fit into the human narrative? And what are the possibilities of creating alternate stories of the human that can accommodate individuals who identify more as members of political collectives, and also narratives that exceed the normative category of the human? This powerful book asks fundamental questions about the relationship between art and activism.“I posit narrated humanity as a lens through which to study how narratives participate in struggles to conceive human being beyond juridical and narrative humanity.”Cynthia G. Franklin is Professor of English at the University of Hawai'i, and coeditor of the journal Biography. She is the author of Narrating Humanity: Life Writing and Movement Politics from Palestine to Mauna Kea (2023), Academic Lives: Memoir, Cultural Theory and the University Today and Writing Women's Communities: The Politics and Poetics of Contemporary Multi-Genre Anthologies. She has coedited special issues of Biography including “Life in Occupied Palestine” and “Personal Effects: The Testimonial Uses of Life Writing.” For the past ten years, Cynthia has been on the Organizing Collective of the US Campaign for the Academic and Cultural Boycott of Israel (USACBI) and she is a founding member and faculty advisor of Students and Faculty for Justice in Palestine at UH (SFJP@UH). She serves on the Editorial Collective for the newly established initiative EtCH (Essays in the Critical Humanities).https://english.hawaii.edu/faculty/cynthia-franklin/www.palumbo-liu.com https://speakingoutofplace.com https://twitter.com/palumboliu?s=20

In this episode of the Speaking Out of Place podcast, Professor David Palumbo-Liu interviews Cynthia Franklin about her new book, Narrating Humanity: Life Writing and Movement Politics from Palestine to Mauna Kea. Taking on pivotal historical moments like the murder of George Floyd and the emergence of #BlackLivesMatter, the on-going struggle of the Palestinian people against the ethno-nationalist Zionist state, and the fight for Indigenous rights in Hawai'i, Franklin asks the question, what requirements to people have to meet in order to fit into the human narrative? And what are the possibilities of creating alternate stories of the human that can accommodate individuals who identify more as members of political collectives, and also narratives that exceed the normative category of the human? This powerful book asks fundamental questions about the relationship between art and activism.“I posit narrated humanity as a lens through which to study how narratives participate in struggles to conceive human being beyond juridical and narrative humanity.”Cynthia G. Franklin is Professor of English at the University of Hawai'i, and coeditor of the journal Biography. She is the author of Narrating Humanity: Life Writing and Movement Politics from Palestine to Mauna Kea (2023), Academic Lives: Memoir, Cultural Theory and the University Today and Writing Women's Communities: The Politics and Poetics of Contemporary Multi-Genre Anthologies. She has coedited special issues of Biography including “Life in Occupied Palestine” and “Personal Effects: The Testimonial Uses of Life Writing.” For the past ten years, Cynthia has been on the Organizing Collective of the US Campaign for the Academic and Cultural Boycott of Israel (USACBI) and she is a founding member and faculty advisor of Students and Faculty for Justice in Palestine at UH (SFJP@UH). She serves on the Editorial Collective for the newly established initiative EtCH (Essays in the Critical Humanities).https://english.hawaii.edu/faculty/cynthia-franklin/www.palumbo-liu.com https://speakingoutofplace.com https://twitter.com/palumboliu?s=20

In this episode of the Speaking Out of Place podcast, Professor David Palumbo-Liu interviews Cynthia Franklin about her new book, Narrating Humanity: Life Writing and Movement Politics from Palestine to Mauna Kea. Taking on pivotal historical moments like the murder of George Floyd and the emergence of #BlackLivesMatter, the on-going struggle of the Palestinian people against the ethno-nationalist Zionist state, and the fight for Indigenous rights in Hawai'i, Franklin asks the question, what requirements to people have to meet in order to fit into the human narrative? And what are the possibilities of creating alternate stories of the human that can accommodate individuals who identify more as members of political collectives, and also narratives that exceed the normative category of the human? This powerful book asks fundamental questions about the relationship between art and activism.“I posit narrated humanity as a lens through which to study how narratives participate in struggles to conceive human being beyond juridical and narrative humanity.”Cynthia G. Franklin is Professor of English at the University of Hawai'i, and coeditor of the journal Biography. She is the author of Narrating Humanity: Life Writing and Movement Politics from Palestine to Mauna Kea (2023), Academic Lives: Memoir, Cultural Theory and the University Today and Writing Women's Communities: The Politics and Poetics of Contemporary Multi-Genre Anthologies. She has coedited special issues of Biography including “Life in Occupied Palestine” and “Personal Effects: The Testimonial Uses of Life Writing.” For the past ten years, Cynthia has been on the Organizing Collective of the US Campaign for the Academic and Cultural Boycott of Israel (USACBI) and she is a founding member and faculty advisor of Students and Faculty for Justice in Palestine at UH (SFJP@UH). She serves on the Editorial Collective for the newly established initiative EtCH (Essays in the Critical Humanities).https://english.hawaii.edu/faculty/cynthia-franklin/www.palumbo-liu.com https://speakingoutofplace.com https://twitter.com/palumboliu?s=20

This is a long and boring answer to the first question on my PhD qualifying exams at Yale University from this past Spring. I used the new ElevenLabs AI to turn the answer into an audiobook quality thing. This was the question: Your attempt to develop a new “Sociology of Nature” raises questions—both old and new—about the relationship between society and nature. How was this relationship thought about in classical sociology, and where does the study of this relationship stand today?  

Truth Summit - 20 Truth Tellers - 20 Truths: June 12 to 23, 2023Truth-tellers are her passion. The Truth Summit is her venue.The question: who are these amazing people? Those who are hell bent to expose the official narrative: about the injections, about Communist infiltration, about the crimes of the educators, about the ionized sky, about 9/11, about MK Ultra, about the economic system, about the global predators.Our guest on RichardGage911:UNLEASHED! is Elsa Schieder, PhD, Psychology, Sociology, Cultural Theory. She interviews Truth Warriors. How did they get to become the people they are? Perceiving what so many deny — speaking out when so many stay silent — facing denigration — carrying on and on and on. Even as a child she loved reading about people who dared. But now it's a mission talking to real life heroes and sharing their very personal stories.And yes, these people are to her, some of the biggest heroes of our time — though almost certainly they would deny that they are heroes.Use whatever term you like. The reality — instead of going along, they explored the evidence and spoke out about the evidence, often faced vilification and denunciation.They cared enough, were driven enough, dared enough, to put in huge amounts of time and effort to bring out truth, in this world of toxic narratives.Who are these people? Were they special in some way from childhood on, that they would care so passionately about their various truths?There are characteristics that many of them share. But rather than being special from childhood on, what stands out to her is that they chose to go with something that called to them, rather than going along with the mainstream.She was moved by the story of my own “awakening” — in which I was hit with information about 9/11 that turned my understanding of the world upside down. I had to face the deeper meaning in what I had learned about 9/11.Yes, the truths matter. But why? She says, its because these people care about people - care to warn, care to inform, care to protect, to enlighten. In other words, what would it matter, how the World Trade buildings collapsed — except that we the people, were lied to, deceived, betrayed — except that we the people, are in horrific danger - and because the truth tellers care, they are warning and informing us, as much as they can [against our own cognitive dissonance.] My sense is that they fuel the hero within each of us. MARK YOUR CALENDAR — JUNE 20-23: Interviews with 20 truth tellers at the TRUTH SUMMIT. Who are some of these amazing people? We live in a world where nothing we hear can be trusted. So who are these truth tellers interviewed for the Truth Summit? One thing: they each care about very different truths. From Communist infiltration, to the contamination of the blood of the unvaxxed as well as the vaxxed. From the deliberate crimes of the educators, to political ponerology (the study of the forces of evil in politics). Welcome to the Truth Summit.

King's College professor Richard Ned Lebow discusses his vast body of work on international politics. He talks about his cultural theory of international politics, Thucydides, realism, deterrence, Russia and the causes of the Ukraine war, and hegemonic stability theory, among other topics. Show NotesRichard Ned Lebow bioRichard Ned Lebow, The Quest For Knowledge in International Relations (Cambridge, UK: Cambridge University Press, 2022).Richard Ned Lebow, A Cultural Theory of International Relations(Cambridge, UK: Cambridge University Press, 2009).Richard Ned Lebow, Why Nations Fight: Past and Future Motives for War (Cambridge, UK: Cambridge University Press, 2010).Richard Ned Lebow, Avoiding War, Making Peace (Cham, Switzerland: Palgrave Macmillan, 2017).Robert Jervis, Richard Ned Lebow, and Janice Gross Stein, Psychology and Deterrence (Baltimore, MD: Johns Hopkins University Press, 1989).Richard Ned Lebow, Between Peace and War: The Nature of International Crisis (Baltimore, MD: Johns Hopkins University Press, 2981).Simon Reich and Richard Ned Lebow, Good-Bye Hegemony! Power and Influence in the Global System (Ithaca, NY: Cornell University Press, 2014). Hosted on Acast. See acast.com/privacy for more information.

Melvyn Bragg and guests discuss Virginia Woolf's highly influential essay on women and literature, which considers both literary history and future opportunity. In 1928 Woolf gave two lectures at Cambridge University about women and fiction. In front of an audience at Newnham College, she delivered the following words: “All I could do was offer you an opinion upon one minor point - a woman must have money and a room of her own if she is to write fiction; and that, as you will see, leaves the great problem of the true nature of woman and the true nature of fiction unsolved”. These lectures formed the basis of a book she published the following year, and Woolf chose A Room Of One's Own for its title. It is a text that set the scene for the study of women's writing for the rest of the 20th century. Arguably, it initiated the discipline of women's history too. With Hermione Lee Emeritus Professor of English Literature at the University of Oxford Michele Barrett Emeritus Professor of Modern Literary and Cultural Theory at Queen Mary, University of London and Alexandra Harris Professor of English at the University of Birmingham Producer Luke Mulhall

Melvyn Bragg and guests discuss Virginia Woolf's highly influential essay on women and literature, which considers both literary history and future opportunity. In 1928 Woolf gave two lectures at Cambridge University about women and fiction. In front of an audience at Newnham College, she delivered the following words: “All I could do was offer you an opinion upon one minor point - a woman must have money and a room of her own if she is to write fiction; and that, as you will see, leaves the great problem of the true nature of woman and the true nature of fiction unsolved”. These lectures formed the basis of a book she published the following year, and Woolf chose A Room Of One's Own for its title. It is a text that set the scene for the study of women's writing for the rest of the 20th century. Arguably, it initiated the discipline of women's history too. With Hermione Lee Emeritus Professor of English Literature at the University of Oxford Michele Barrett Emeritus Professor of Modern Literary and Cultural Theory at Queen Mary, University of London and Alexandra Harris Professor of English at the University of Birmingham Producer Luke Mulhall

This week, the fellas chat with Austrian philosopher Robert Pfaller, Professor of Philosophy and Cultural Theory at the University of Art and Design in Linz, and a founding member of a Vienna based psychoanalysis research group. We're talking Illusions without Owners, Interpassivity, delegated enjoyment, What Life is Worth Living For and of course the sexual practices of The Church of Jesus Christ of Latter-day Saints. Will is in Paris, Peter is enjoying live music interpassively and Michael is subject to a gag order. To hear the rest of our discussion head to our PATREON for PART TWO, Discord access and many more episodes! Thank you to everyone for all of your support! WEBSITE INSTAGRAM TWITTER YOUTUBE

Alright, this week we're speaking with the Austrian philosopher Robert Pfaller, Professor of Philosophy and Cultural Theory at the University of Art and Design in Linz and a founding member of a Vienna based psychoanalysis research group. We're talking Illusions without Owners, Interpassivity, delegated enjoyment, What Life is Worth Living For and of course the sexual practices of The Church of Jesus Christ of Latter-day Saints. Will is in Paris, Peter is enjoying live music interpassively and Michael is subject to a gag order. To hear the rest of our discussion head to our PATREON and stay tuned for PART TWO! Thank you to everyone for all of your support! WEBSITE INSTAGRAM TWITTER YOUTUBE

Dr. Michael W. Hurt is a photographer and professor living, shooting, and researching in Seoul. He received his doctorate from UC Berkeley's Department of Comparative Ethnic Studies. He also started Korea's first street fashion blog in 2006 and published the first English language book about Korean Fashion in 2009. He researches youth, street fashion, and digital subcultures in Seoul while lecturing on Cultural Theory and Art History. His present research focuses on using the camera to access and document emergent digital subcultures in Korea, including the political economy of the “pay model” on Korean Instagram, Seoul's drag underground, and the youth-centric LGBTQ movement in Korea. Our conversation focused on 90s fashion and culture, street photography, women as subjects/objects of fashion, heroin chic and 퇴폐미, Korean feminism, cultural appropriation, 부캐 vs 본캐, and Korean Studies as an academic field. Michael's Instagram: https://www.instagram.com/seoulstreetstudios/ Michael's magazine: https://medium.com/seoulacious-magazine 9 minute: https://www.instagram.com/9minuite/   Discussion Outline 0:00 Early Days: Jeju in the 1990s 15:00 90s vibes and street culture 26:35 Street photography 39:00 Women as the subject and object of fashion 52:20 Photo editing vs reality: ethnography 59:24 Heroin chic and 퇴폐미 1:12:00 School girl concepts and smoking 1:22:40 Korean models and prices 1:36:13 Korean feminism 1:40:04 9 minute (구분) 1:48:36 Cultural appropriation 2:02:52 Korean Studies and Academia 2:14:45 부캐 vs 본캐 2:27:13 The perfect Confucian scholar 2:30:34 Hallyu: dead or alive? 2:35:15 Misunderstandings on Korea 2:36:50 The LGBTQ community in Korea 2:42:45 Race in Korea   Korea Deconstructed by David Tizzard ▶ Get in touch: datizzard@swu.ac.kr ▶ Support us on Patreon: https://www.patreon.com/user?u=62047873 ▶ Watch us on Youtube: /davidtizzard  ▶ Listen on iTunes: https://podcasts.apple.com/co/podcast...  ▶ Listen on podcasts: https://koreadeconstructed.libsyn.com...  ▶ Music by me haha (big thanks to Lee Hyunjung for the vox) 

Adam Rosen has edited a series of essays about the greatest bad/good film ever, The Room. A cult phenomenon (I've personally attended one of its Los Angeles Rocky Horror Picture Show style screenings), this movie is objectively problematic, but subjectively extraordinarily entertaining. It is surreal, earnest, hilarious, nonsensical, confusing, and just straight up great. Adam and I discuss buying the film from what is likely Tommy Wiseau's alter ego Raoul, how the movie is the film version of your first time having sex, Adam's personal relationship with the actor who played Chris R, and what he's learned from watching the film 20 times. The book is "You Are Tearing Me Apart, Lisa!: The Year's Work on The Room, the Worst Movie Ever Made (The Year's Work: Studies in Fan Culture and Cultural Theory)" - available on Amazon: https://www.amazon.com/dp/product/0253062721?ie=UTF8&linkCode=as2&tag=indiunivpres-20 You can also find Adam's website here: https://www.adammrosen.com/Come to Watch This Tonight as your podcast for best movie recommendations. You can reach out to me @BenamorDan (Twitter), watch_this_tonight (Instagram), and @watchthistonightpodcast or join our Facebook group.If you enjoy the show, the absolute best way to support it is to take 25 seconds on any iPhone and write a 5-star review on Apple Podcasts. That's the best way to help the show out. Please mention a movie or TV show you'd like me to cover, and I will.Thanks for listening.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/5626962/advertisement

Ep.129 features Myrtis Bedolla. She is the owner and founding director of Galerie Myrtis, an emerging blue-chip gallery and art advisory specializing in twentieth and twenty-first-century American art with a focus on primary and secondary works created by African American artists. Bedolla possesses over 30 years of experience as a curator, gallerist, and art consultant. She provides professional curatorial services, lectures, and educational programming to corporate, civic, and arts organizations. Established in 2006, the mission of Galerie Myrtis is to utilize the visual arts to raise awareness for artists who deserve recognition for their contributions in artistically portraying our cultural, social, historical, and political landscapes; and to recognize art movements that paved the way for freedom of artistic expression. Bedolla's curated The Afro-Futurist Manifesto: Blackness Reimagined, currently on view at the 59th Venice Biennale in Venice, Italy, until November 27, 2022. The exhibit, hosted by Personal Structures, pays tribute to the resiliency, creativity, and spirituality that have historically sustained Black people. In September 2022, Bedolla collaborated with Christie's NY to bring diversity and equity to the art world. The relationship is highlighted in the NY Times article Christie's and a Baltimore Gallery to Sell Work by Black Artists by Robin Pogrebin and Artnet News editorial A Black-Owned Baltimore Gallery Aims to Change the Game by Partnering Directly with Christie's by Vittoria Benzine. In June 2020, Bedolla gained national press in the New York Times article Black Gallerists Press Forward Despite a Market That Holds Them Back, by Robin Pogrebin and the self-authored article Why My Blackness is not a Threat to your Whiteness for Cultured Magazine in July 2020. Bedolla holds a Bachelor of Science degree in Business Administration from the University of Maryland, University College, received her curatorial training at the Maryland Institute College of Art in Baltimore, Maryland, and earned online certificates in Cultural Theory for Curators and Curatorial Procedures from the Node Center for Curatorial Studies, Berlin, Germany. Board appointments: Association of Art Museum Curators & AAMC Foundation Trustee; University of Maryland Global Campus, Arts Program Chair; and the Municipal Art Society of Baltimore City Board. Professional memberships: ArtTable; and the Association of African American Museums (AAAM). Image courtesy photographer Grace Roselli, “Pandora's BoxX Project” Galerie https://galeriemyrtis.net/ NYTimes https://www.nytimes.com/2020/06/21/arts/design/art-basel-black-owned-galleries.html https://www.nytimes.com/2022/09/14/arts/design/christies-baltimore-gallery-black-artists.html Baltimore Beat https://baltimorebeat.com/baltimores-galerie-myrtis-beautiful-and-the-damned/ Artnet https://news.artnet.com/market/galerie-myrtis-christies-sale-partnership-2176802 Christies https://www.christies.com/about-us/press-archive/details?PressReleaseID=10623&lid=1 Smithsonian https://www.smithsonianmag.com/smithsonian-institution/how-black-men-changed-the-world-180979710/ Washington Post https://www.washingtonpost.com/magazine/2022/02/08/painter-who-surrounds-her-black-subjects-with-gold/ Culture Type https://www.culturetype.com/2020/06/10/on-view-renaissance-noir-curated-by-myrtis-bedolla-at-uta-artist-space/ New York Public Library https://www.nypl.org/blog/2022/06/29/tribute-afrofuturist-deity-schomburg-center-artist-educator-m-scott-johnson Bmore Art https://bmoreart.com/2022/05/parallels-and-meaningful-difference-activating-the-renaissance.html Artlyst https://artlyst.com/features/eight-best-collateral-events-59th-venice-biennale-lee-sharrock/ Issuu https://issuu.com/patriciaandrews-keenan/docs/pigment_international_magazine_2022_layout Art Critique https://www.art-critique.com/en/2019/07/smithsonian-highlights-men-of-colour-in-new-exhibition/

Courtney & Chris Margolin sit down with Rita Mookerjee of Honey Literary to discuss all things passions, process, pitfalls, and poetry! Rita Mookerjee is an Assistant Teaching Professor in the Women's and Gender Studies Program at Iowa State University. Her research interests include postcolonial women's literature, food studies, and queer theory. She holds a PhD in Literature from Florida State University. In 2019-2020, she was a Fulbright Fellow to Jamaica. Her critical work has been featured in the Routledge Companion of Literature and Food, the Bloomsbury Handbook to Literary and Cultural Theory, and the Bloomsbury Handbook of Twenty-First Century Feminist Theory. Her poetry is featured in Juked, Aaduna, New Orleans Review, Sinister Wisdom, and the Baltimore Review. She is the author of the chapbook Becoming the Bronze Idol (Bone & Ink Press, 2019). Currently, Rita is the Assistant Poetry Editor of Split Lip Magazine and a poetry staff reader for [PANK]. She is the Poetry Editor and Sex, Kink, and the Erotic Editor for Honey Literary. Find More on The Poetry Question. Purchase merchandise at the TPQ Store. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app