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As a speaker, Ed is respected and sought after throughout the world. In the well-known Toastmasters world, Ed won the coveted Toastmasters International 2000 World Championship of Public Speaking, finishing ahead of 354,000 members from 141 countries. To date, he has spoken professionally in all 50 states, 24 countries and on five continents.Ed's success in business has spanned more than two decades. For 14 years, he was a successful national account executive selling over $500 million in products and services to corporations and entrepreneurs throughout the United States. He co-created two business units that produced over $1.25 billion in revenue.Ed became the Training Executive for the Denver Rocky Mountain News where he established a training department with over 27 programs and 1,100 employee-attendees annually. In 2001, Ed led a transition team to merge the 145-year-old “Rocky” with its 125-year-old rival, The Denver Post, in a deal that involved more than 5,000 people.www.edtate.comSupport the show (https://www.patreon.com/labanditchburn?fan_landing=true)
JT & Looney squeeze out of OJ for more podcast ratings, giving you the latest on his life. (The Denver Rocky Mountain News once called Looney "The world's foremost authority on the OJ Simpson Trial." ) PLUS they break down, shake & bake, sauces & toss Super Bowl LV.
In this episode Mark interviews international bestselling and award winning science-fiction author Robert J. Sawyer about his latest novel release and the multiple ways he has split his IP (Intellectual Property) to optimize his income as a writer. Long-time listeners might remember Rob from Episode 4 (January 26, 2018) of the podcast, which focused on author branding. Prior to the interview, Mark shares comments from recent episodes and a personal update. He also shares a word about this episode's sponsor. You can learn more about how you can get your work distributed to retailers and library systems around the world at starkreflections.ca/Findaway. During their conversation, Mark and Rob talk about: Rob's history as a writer, including his first short story published in 1980 and first novel published in 1990 The 3-way split rights on Rob's previous novel, Quantum Night (2 Publishers, and Rob self-publishing) What Rob learned from dipping his toe into indie publishing Quantum Night four years ago, and how he applied those learnings to the publication of The Oppenheimer Alternative The story about the title of his previous novel: Quantum Night VS The Zombie Philosopher The timing of Rob's latest novel with the 75th Anniversary of The Manhattan Project and the first use of Nuclear weapons in war The decisions Rob made for the print rights of his latest novel related to wanting solid bookstore distribution The split rights selling of the rights of Rob's novel, in print, to two different publishers in Canada and the United States Rob's control of the eBook rights, audiobook rights, film & TV rights The fact that Rob is still waiting on the "advance" payment from his Canadian publisher for a book that was released almost two months ago Rob's negotiation with his US publisher regarding the book's advance - and how that back and forth negotiation resulted in a situation where Rob maintained his eBook rights in lieu of an advance How it took two months of sales of the eBook (that Rob holds the rights to) in order to earn more than what the advance on the book would have been The direct involvement on the design of the book's cover, both for the edition Rob is publishing as well as the one published by his Canadian publisher The research involved in writing his latest novel, which included purchasing over 100 different books about the people behind The Manhattan Project How The Manhattan Project was the most secret project that humanity had taken on at that point in history and how it was almost the most recorded project - meaning there was plenty of recorded dialogue transcripts that Rob was able to use to write realistic dialogue (both word-for-word actual dialogue - about 20% of it was verbatim from transcripts - as well as for creating authentic dialogue of the scenes that Rob invented/imagined) The debate and origin of the terms sci-fi VS SF as short for Science Fiction How Rob likes to think of The Oppenheimer Alternative not as an alternative history novel, but as a Secret History Novel, and how the story is based on a string of events, evidence, and speculation about something else actually happening that hadn't been revealed or uncovered during that time period The importance of how writing this novel had to be a huge challenge that Rob looked forward to tackling The selling of the audiobook rights to Recorded Books The changes that happened in the lead up and launch of this book (and the planned book tour) due to Covid-19 Rob's use of Patreon for his most dedicated/passionate fans A new exclusive audio project that Rob is currently negotiating related to a radio drama style project (which brings him back to his roots as a former radio person) After the podcast Mark reflects on Rob's recognition of the power that he holds as the IP creator, and the many inventive ways he has split his rights. Links of Interest: Robert J. Sawyer's Website Wide for the Win (Pre-Order) Wide for the Win Submission Form Episode 4 - Optimizing Your Author Brand with Robert J. Sawyer Episode 144 - 10 Tips for Winning with Wide Publishing Episode 143 - Unstoppable Goals with HB Lyne Mark's Canadian Werewolf Series This Time Around (Book 0) A Canadian Werewolf in New York (Book 1) Stowe Away (Book 1.5) Fear and Longing in Los Angeles (Book 2) Bakka Phoenix Books Words Worth Books Bibliofic Designs Findaway Voices Patreon for Stark Reflections Robert J. Sawyer — called “the dean of Canadian science fiction” by The Ottawa Citizen and “just about the best science-fiction writer out there these days” by The Denver Rocky Mountain News — is one of only eight writers in history (and the only Canadian) to win all three of the science-fiction field's top honors for best novel of the year. Rob — who holds honorary doctorates from the University of Winnipeg and Laurentian University — has taught writing at the University of Toronto, Ryerson University, Humber College, and The Banff Centre. The introductory, end, and bumper music for this podcast (“Laser Groove”) was composed and produced by Kevin MacLeod of www.incompetech.com and is Licensed under Creative Commons: By Attribution 3.0
Robert J. Sawyer is one of only eight writers in history — and the only Canadian — to win all three of the world's top Science Fiction awards for best novel of the year: the Hugo, the Nebula, and the John W. Campbell Memorial Award (the full list of such winners: Paolo Bacigalupi, David Brin, Arthur C. Clarke, Joe Haldeman, Frederik Pohl, Kim Stanley Robinson, Robert J. Sawyer, and Connie Willis), and he's the first author in thirty years to receive a Lifetime Achievement Aurora Award. Rob is also an award-winning scriptwriter and an in-demand keynote speaker.Sawyer's work frequently explores the intersection between science and religion, with rationalism frequently winning out over mysticism especially Far-Seer, The Terminal Experiment, Calculating God, and the three volumes of the Neanderthal Parallax [Hominids, Humans, and Hybrids]Sawyer often explores the notion of copied or uploaded human consciousness, mind uploading, most fully in his novel Mindscan, but also in Flashforward, Golden Fleece, The Terminal Experiment, "Identity Theft", "Biding Time", and "Shed Skin". His interest in consciousness studies is also apparent in Wake, which deals with the spontaneous emergence of consciousness in the infrastructure of the World Wide Web. His interest in quantum physics, and especially quantum computing, inform the short stories "You See But You Do Not Observe"(a Sherlock Holmes pastiche) and "Iterations," and the novels Factoring Humanity and Hominids. SETI, the Search for Extraterrestrial Intelligence, plays a role in the plots of Golden Fleece, Factoring Humanity, Mindscan, Rollback, the novelette "Ineluctable," and the short stories "You See But You Do Not Observe" and "Flashes." Sawyer gives cosmology a thorough workout in his far-future Starplex. Sawyer has won both Canada's top SF award (the Prix Aurora Award) and its top mystery-fiction award (the Arthur Ellis Award) for his 1993 short story "Just Like Old Times."[20] Illegal Alien is a courtroom drama with an extraterrestrial defendant; Hominids puts one Neanderthal on trial by his peers for the apparent murder of another Neanderthal; Mindscan has the rights of uploaded consciousnesses explored in a Michigan probate court; and Golden Fleece, Fossil Hunter, The Terminal Experiment, Frameshift, and Flashforward are all, in part, murder mysteries. You may have watched the 2009 TV series Flash Forward a phenomenal series on ABC. I brought Robert Sawyer on because his writing brings us to the nexus between consciousness and science. (And I am a big fan!) “Robert J. Sawyer is just about the best science fiction writer out there these days.” —Denver Rocky Mountain News “Robert J. Sawyer is by any measure one of the world's leading (and most interesting) science-fiction writers.” —The Globe and Mail “Robert J. Sawyer is a writer of boundless confidence and bold scientific extrapolation.” —The New York Times “Robert J. Sawyer is the science fiction genre's northern star — in fact, one of the hottest SF writers anywhere. By any reckoning Sawyer is among the most successful Canadian authors ever.” —Maclean's: Canada's Weekly Newsmagazine Robert has a new book out on the secret history of Robert Oppenheimer you can pre order a copy here. https://www.amazon.com/Oppenheimer-Alternative-Robert-J-Sawyer-ebook/dp/B084H26X5S/ Check out Robert's website here https://www.sfwriter.com/For coaching – https://www.advancedsuccessinstitute.com For all episodes of the Reality Revolution – https://www.therealityrevolution.com Like us on Facebook https://www.facebook.com/RealityRevolutionPodcast/ Join our facebook group The Reality Revolution https://www.facebook.com/groups/403122083826082/ Subscribe to my Youtube channel https://www.youtube.com/channel/UCOgXHr5S3oF0qetPfqxJfSw Contact us at media@advancedsuccessinsitute.com #robertsawyer #sciencefiction #AI #oppenheimer
We're back and we missed you! This episode, Kayla explores the defunct rebirthing therapy and how it lead to the tragic death of 10-year-old Candace Newmaker. Now you be safe out there, apple tits. Sources: Crowder, C., & Lowe, P. (2000, October 29). Her name was Candace: Promises broken, a killing in therapy, a life erased. Denver Rocky Mountain News. https://culteducation.com/group/1115-rebirthing/17893-her-name-was-candace.html Rebirthing breathwork international—Leonard orr. https://www.rebirthingbreathwork.com Singer, M. T., & Lalich, J. (1996). “Crazy” therapies: What are they?, do they work? (pp. 23–45). Jossey-Bass. Follow us on Instagram and Twitter @biopsychpod, and find us on Facebook too! Music by JayMan at https://bit.ly/2uWO2jO This podcast is powered by Pinecast.
07/22/2019 America Under Attack- The Threats Imposed By Debt, Socialism, Bureaucracy, Corporate Monopolism & Illegal Immigration What if they left? Tina Griego is a Free-Lance reporter for the Denver Post. She writes some really good stuff and she is a strong advocate for LEGAL Immigration. Not Democratic, not Republican, not liberal, and not conservative. What if 20 Million Illegal Aliens Vacated America? Just the facts by a good reporter! I, Tina Griego, journalist for the Denver Rocky Mountain News have written a column titled, "Mexican Visitors' Lament." I interviewed Mexican journalist Evangelina Hernandez while visiting Denver last week. Hernandez said, "Illegal aliens pay rent, buy groceries, buy clothes. What happens to your country's economy if 20 million people go away?" Hmmm, I thought, what would happen? So I did my due diligence, buried my nose as a reporter into the FACTS I found below It's a good question..it deserves an honest answer. Over 80% of Americans demand secured borders. What would happen if all 20 million or more vacated America? This may surprise you! In California, if 3.5 million illegal aliens moved back to Mexico, it would leave an extra $10.2 billion to spend on overloaded school systems, bankrupt hospitals and overrun prisons. It would leave highways cleaner, safer and less congested. Everyone could understand one another as English became the dominant language again. It means 12,000 gang members would vanish out of Denver alone. Colorado would save more than $20 million in prison costs, and the terror that those 7,300 alien criminals set upon local citizens. Denver Officer Don Young and hundreds of Colorado victims would not have suffered death, accidents, rapes and other crimes by illegals. Denver Public Schools would not suffer a 67% dropout/flunk rate because of thousands of illegal alien students speaking 41 different languages. Denver's 4% unemployment rate would vanish as our working poor would gain jobs at a living wage. In Chicago, Illinois, 2.1 million illegals would free up hospitals, schools, prisons and highways for a safer, cleaner and more crime-free experience. If 20 million illegal aliens returned 'home,' the U.S. economy would return to the Rule of Law. Employers would hire legal American citizens at a living wage. Everyone would pay their fair share of taxes because they wouldn't be working off the books. That would result in an additional $401 billion in IRS income taxes collected annually, and an equal amount for local, state and city coffers. No more confusion in American schools that now must contend with over 100 languages that degrade the educational system for American kids. Our overcrowded schools would lose more than two million illegal alien kids at a cost of billions in ESL and free breakfasts and lunches. We would lose 500,000 illegal criminal alien inmates at a cost of more than $1.6 billion annually. That includes 15,000 MS-13 gang members who distribute $130 billion in drugs annually and would vacate our country. In cities like L.A., 20,000 members of the '18th Street Gang' would vanish from our nation. No more Mexican forgery gangs for ID theft from Americans! No more foreign rapists and child molesters! America's economy is drained. Taxpayers are harmed. Employers get rich. Over $80 billion annually wouldn't return to the aliens' home countries by cash transfers. Illegal migrants earned half that money untaxed, which further drains America's economy which currently suffers a $20 trillion debt. $20 trillion debt!!! At least 400,000 anchor babies would not be born in our country, costing us $109 billion per year per cycle. At least 86 hospitals in California, Georgia and Florida would still be operating instead of being bankrupt out of existence because illegals pay nothing via the EMTOLA Act. Americans wouldn't suffer thousands of TB and hepatitis cases rampant in our country - brought in by illegals unscreened at our borders. Our cities would see 20 million less people driving, polluting and grid locking our cities' greenhouse gasses. Over one million of Mexico's poorest citizens now live inside and along our border from Brownsville, Texas, to San Diego, California, in what the New York Times called, 'colonias' or new neighborhoods. Trouble is, those living areas resemble Bombay and Calcutta where grinding poverty, filth, diseases, drugs, crimes, no sanitation and worse. They live without sewage, clean water, streets, roads, electricity, or any kind of sanitation. The New York Times reported them to be America's new ' Third World ' inside our own country. Within 20 years, at their current growth rate, they expect 20 million residents of those colonias. (I've seen them personally in Texas and Arizona; it's sickening beyond anything you can imagine.) We already invite a million people into our country legally/annually, more than all other countries combined- with growing anarchy at our borders. It's time to stand up for our country, our culture, our civilization and our way of life. Interesting statistics below! Here are 13 reasons illegal aliens should vacate America, and I hope they are forwarded over and over again until they are read so many times that the reader gets sick of reading them: 1. $14 billion to $22 billion dollars are spent each year on welfare to illegal aliens (that's Billion with a 'B') 2. $7.5 billion dollars are spent each year on Medicaid for illegal aliens. 3. $12 billion dollars are spent each year on primary and secondary school education for children here illegally and they still cannot speak a word of English. $27 billion dollars are spent each year for education for the American-born children of illegal aliens, known as anchor babies. 4. $3 Million Dollars 'PER DAY' is spent to incarcerate illegal aliens. That's $1.2 Billion a year. 5. 28% percent of all federal prison inmates are illegal aliens. 6. $190 billion dollars are spent each year on illegal aliens for welfare & social services by the American taxpayers. 7 . $200 billion dollars per year in suppressed American wages are caused by the illegal aliens. 8. The illegal aliens in the United States have a crime rate that's two and a half times that of white non-illegal aliens. In particular, their children are going to make a huge additional crime problem in the US. 9 . During the year 2005, there were 8 to 10 MILLION illegal aliens that crossed our southern border with as many as 19,500 illegal aliens from other terrorist countries. Over 10,000 of those were middle-eastern terrorists. Millions of pounds of drugs, cocaine, meth, heroin, crack, guns, and marijuana crossed into the U.S. from the southern border. 10. The National Policy Institute, estimates that the total cost of mass deportation would be between $206 and $230 billion, or an average cost of between $41 and $46 billion annually over a five year period. 11. In 2006, illegal aliens sent home $65 BILLION in remittances back to their countries of origin, to their families and friends. 12. The dark side of illegal immigration: Nearly one million sex crimes are committed by illegal immigrants in the United States! Total cost - a whopping $538.3 BILLION DOLLARS A YEAR! And we don't need a wall? If this doesn't bother YOU, then just delete the message. Otherwise, forward this to everyone YOU know. xx DO POLITICIANS JUST NOT GET IT? ***************************************************** EXCUSE ME FOR USING LOGIC HERE: I was thinking: If only 11 million people have Obama-Care, how will 24 million people die if it is repealed? Will an additional 13 million people be randomly shot? I was thinking: If Donald Trump deleted all of his emails, wiped his server with Bleachbit and destroyed all of his phones with a hammer, would the Mainstream Media suddenly lose all interest in the story and declare him innocent? I was thinking: If women do the same job for less money, why do companies hire men to do the same job for more money? I was thinking: If you rob a bank in a sanctuary city, is it illegal or is it just an undocumented withdrawal? I was thinking: Each ISIS attack now is a reaction to Trump policies, but all ISIS attacks during Obama's term were due to climate change and a plea for jobs. I was thinking: We should stop calling them all 'Entitlements'. Welfare, Food Stamps, WIC, ad nausea are not entitlements. They are taxpayer-funded handouts, and shouldn't be called entitlements at all. No one is ENTITLED to them. Social Security and Veterans Benefits, on the other hand, ARE entitlements because the people receiving them ARE entitled to them. They were earned and paid for by the recipients. I was thinking: If Liberals don't believe in biological gender, then why did they march for women's rights ? I was thinking: How did the Russians get Debbie Wasserman Schultz and the DNC to steal the Primary from Bernie Sanders? How did Russia get Donna Brazile to leak debate questions to Hillary Clinton in advance of the debates? I was thinking: Why is it that Democrats think super delegates are fine, but they have a problem with the Electoral College? I was thinking: If Hillary's speeches cost $250,000 an hour, how come no one shows up to her free ones? I was thinking: The DNC is mad at Russia because they 'think' the Russians are trying to manipulate our election by exposing that the DNC is manipulating our election. I was thinking: If Democrats don't want foreigners involved in our elections, why do they think it's all right for illegals to vote?
In the second chapter of the series "Deadly Therapy" a young girl who grows up in an unstable home is placed up for adoption. Her adoptive mother finds her behavior problematic and has her undergo a new and controversial therapy - with tragic results. Several resources were used to research this episode including: Her Name was Candace by Carla Crowder and Peggy Lowe for Denver Rocky Mountain News, Oct. 29, 2000 https://culteducation.com/group/1115-rebirthing/17893-her-name-was-candace.html Seeking Child’s Love, A Child’s Life is Lost by Barry Siegel for the Los Angeles Times, Feb. 4, 2001 https://www.latimes.com/archives/la-xpm-2001-feb-04-mn-21072-story.html Links from this episode: www.singleparentadvocate.org www.doorofhope.us www.adoptuskids.org www.togetherwerise.org https://store.23skidoovintage.com https://www.facebook.com/events/493288214744272/ Today's Sponsor: Warby Parker - www.warbyparker.com/ONCE for a free Home Try-On kit.
Mark chats with Canadian Science Fiction writer Robert J. Sawyer. Sawyer is one of only eight writers in history — and the only Canadian — to win all three of the world's top Science Fiction awards for best novel of the year: the Hugo, the Nebula, and the John W. Campbell Memorial Award (the full list of such winners: Paolo Bacigalupi, David Brin, Arthur C. Clarke, Joe Haldeman, Frederik Pohl, Kim Stanley Robinson, Robert J. Sawyer, and Connie Willis). In their conversation, Mark and Rob talk about: The fact that Rob was the very first science fiction writer in the world to have a website (sfwriter.com) which has grown to over 1 million words of text and more than 800 documents since it launched in 1995, including documents about the craft and business of writing and publishing The text-heavy nature of Rob's website and how he still manually codes his website in HTML The SEO involved in the creation of the SFWriter website using the three main key words: “science fiction writer” and how that has led to Rob being on the first page of search results for those in the media looking to talk to a sci-fi writer for various commentary on events (example, anniversary of the moon landing, cloning, the death of a famous science fiction writer, etc) How optimizing his brand and SEO has led to just under 1000 radio and television interviews The way that Rob's novels are typically grounded in real-life scientific research, such as his latest novel, Quantum Night, which is about psychopathy and what might happen if a psychopathy were to get into the office of the President of the United States The way Rob was able to pivot in the marketing of the book after Donald J. Trump became the US President The brilliantly supportive way that Rob's US audiobook publisher (Audible) worked quickly to resolve the issue of a few funny incorrect pronunciations that a US narrator made with a couple of “Canadian” words Advice for authors regarding dividing up your IP by format as well as by territory and how the aggregate of the sale of rights of each unique division adds up to far more than a single “world rights” offer would typically be How Rob used KDP (Kindle Direct Publishing) and KWL (Kobo Writing Life) and other direct to retailer and distribution platforms to publish to iBooks, Nook and other markets using the rights that he did not sell to a publisher (ie, direct selling an “international edition” of a book like QUANTUM NIGHT where publishers only purchased Canadian and US rights) How each new format that emerges for a book enlarges the audience, rather than cannibalizes upon the previous format editions The ABC Television program (FlashForward) which was based on Rob's 1999 novel of the same name and details about his involvement with that experience The approved changes in the television adaptation (which includes changing the “flash forward” from 21 years to 6 months) that helped to make the story more palatable for a US network television audience yet retained the important theme of “fate VS freewill” How a scene in that novel, published in 1999 had a scene which predicted the existence of the Espresso Book Machine, which can print and bind a paperback in about 15 minutes right inside a bookstore The changes within publishing since Rob's first novel was published in 1990 The different royalties received on the self-published version (70%) VS the traditionally published version (17.5%) of Rob's novel Quantum Night and a reflection on the time most likely spent by the author and by the publisher on a single book (typically a 12:1 ratio) and how that changes the perspective of the 3:1 split in the publisher's favor A teaser for Rob's next novel about the Manhattan Project, which will be celebrating its 75th anniversary in 2020 and how that ties in to Rob's marketing plans for the book and himself The figure Rob has in mind for selling the Canadian, American and British rights to a publisher and, if his agent isn't able to secure those numbers, his plans to release it independently The odds that a book will never be made into a movie, including stats on how only 3 out of the 53 novels that have so far won the Nebula Award (often seen as the “best science-fiction novel” of the year) have been made into movies (They were: Dune, Ender's Game and Flowers for Algernon) The approximate 16 years that Rob's Nebula Award winning novel The Terminal Experiment has been optioned for film rights (but with no film ever having been made so far) After the interview, Mark reflects upon two elements from the conversation. First he looks at the manner by which Rob has acted as a linchpin within the writing and publishing community, mentoring other writers, assisting beginners and always looking to connect people together. Then he explores the way that, when Rob is talking about one of his novels, he focuses on the high level concept that makes people think or makes people want to engage, rather than a "blow by blow" of the plot details. He encourages writers to look for a similar thing in their own work. This podcast was sponsored by Findaway Voices – a company that gives authors and publishers everything they need to create professionally-narrated audiobooks and reach listeners in more than 170 countries through the world's largest audiobook distribution network Links of Interest: Robert J. Sawyer's Website Rob on Twitter Rob's Facebook Author Page The "How to Write" section of Rob's website Misc links to media Coverage of Rob Video of Rob's launch of WATCH at McMaster University Robert J. Sawyer — called "the dean of Canadian science fiction" by The Ottawa Citizen and "just about the best science-fiction writer out there these days" by The Denver Rocky Mountain News — is one of only eight writers in history (and the only Canadian) to win all three of the science-fiction field's top honors for best novel of the year. Rob — who holds honorary doctorates from the University of Winnipeg and Laurentian University — has taught writing at the University of Toronto, Ryerson University, Humber College, and The Banff Centre. The music for this podcast (“Laser Groove”) was composed and produced by Kevin MacLeod of www.incompetech.com and is Licensed under Creative Commons: By Attribution 3.0
Episode 93 includes a series of short interviews that KWL Director, Mark Lefebvre conducted at the 2017 When Words Collide conference in Calgary, Alberta. Mark speaks with authors Robert J. Sawyer and C.C. Humphreys as well as marketing consultant Mickey Mikkelson about digital publishing, global eBook pricing, author promotion strategies and successful author readings. Robert J. Sawyer Robert J. Sawyer — called "the dean of Canadian science fiction" by The Ottawa Citizen and "just about the best science-fiction writer out there these days" by The Denver Rocky Mountain News — is one of only eight writers in history (and the only Canadian) to win all three of the science-fiction field's top honors (the Hugo Award, the Nebula Award and The John W. Campbell Memorial Award) for best novel of the year. Rob talks about how he sold the North American rights for his twenty-third novel, Quantum Night, to Penguin Random House, but retained the rest of world rights and took advantage of Kobo Writing Life to publish the international eBook edition of the book. (Link to the book in UK used) He shares the wisdom of lower eBook prices, comparing his own global sales of the title at $4.99 USD version the $18.99 price point that Penguin Random House set. WATCH THE FULL VIDEO INTERVIEW WITH ROB Mickey Mikkelson (Creative Edge Publicity) Creative Edge Publicity specializes in arranging events such as book signings, library or school presentations, or any event related to the arts in general. They represent many book events including When Words Collide and have a strong belief and advocate for the independent and traditional artist. In his role at Creative Edge supporting authors with their marketing efforts, Mickey shares some of the things his company does helping both traditionally published and self-published authors. Mickey offers advice on what authors should consider before approaching a marketing team for support for their efforts and the fact that there is always a unique approach for each individual author. WATCH THE FULL VIDEO INTERVIEW WITH MICKEY C.C. Humphreys Chris (C.C.) Humphreys has acted all over the world and appeared on stages ranging from London's West End to Hollywood's Twentieth Century Fox. He has written ten historical novels, including the most recent Plague and Fire. Tales of religious fundamentalist serial killers set against the wild events of 1665 to 1666, London, Plague won Canada's Crime Writers' Association Best Crime Novel Award, the Arthur Ellis in 2015. In the Summer of 2016, both novels spent five weeks in the Globe and Mail Top Ten Bestseller list. Along with being a bestselling author, Chris is also a stage, film and television actor, who shares some tips for writers on doing public readings of their work. He suggests that an author's goal in doing a reading should be to really engage with that audience and also to remember that the audience is there to “love” and cheer for the author's success. He also suggests selecting a passage that is active and character driven as well as modulating the tone of their voice throughout the reading. WATCH THE FULL VIDEO INTERVIEW WITH CHRIS Mark then talks about the concept of authors taking full advantage of both traditional publishing and independent publishing opportunities, going into a full breakdown of the revenues earned from a single short story of less than 900 words. "Almost" the story in question, appeared in several self-published collections but also is contained in Bumps in the Night, One Hand Screaming and the Crimes, Capers & Rule-Breakers Bundle. but he also sold non-exclusive reprint rights to the story to McGraw-Hill Ryerson for their iLit program. Based on the fact that the professional rate for a short fiction rates is typically somewhere in the $0.05 to $0.6 per word range for most writers, Mark calculates what the per word earnings for this story have been, landing somewhere between $0.40 and $1.15 per word depending on the various income streams for that story. Ultimately, a story whose original pro fiction rate sale would have been approximately $44.00 ended up earning more than $1000. Of course, this is only a single short story, but as part of a larger strategy with plenty of other assets in play, consider how that might add up for authors who take full advantage of exploiting their rights and exploring all options available for earning money on their writing. (See the original blog details here) Links of Interest: Robert J. Sawyer's eBooks on Kobo Robert J. Sawyer's audiobooks on Kobo (Listen for FREE with Kobo Audiobooks trial) Robert J. Sawyer's website (SFWriter.com) C.C. Humphrey's eBooks on Kobo C.C. Humphrey's website Creative Edge Publicity website When Words Collide Website If you enjoy this podcast and would like to automatically download episodes as they go live – even before the show notes are posted to the Kobo Writing Life website – subscribe to the RSS feed via your favourite pod-capturing platform (such as iTunes) using this link: RSS feed for Kobo Writing Life Podcast.
Bruce Cameron began his writing career as a humor columnist for the Denver Rocky Mountain News. Sadly, the Rocky went out of business, but he says that was not his fault. He is a Benchley award winner for humor and was the 2011 NSNC Newspaper Columnist of the Year. His novel A Dog’s Purpose spent 52 weeks on the NY Times best-seller list and DreamWorks has developed it into a film currently playing at theaters across the country. What you'll learn in this podcast: The amazing story of how A Dog's Purpose became such a huge hit The true message of the book and of our dogs What prompted the writing of A Dog's Purpose
Join Hugo and Nebula Award-winner Robert J. Sawyer for a talk about his many hard science fiction novels, the FlashForward TV series based on his novel, his current WWW Trilogy and what he's got in the works for the future. Robert J. Sawyer - called "the dean of Canadian science fiction" by The Ottawa Citizen and "just about the best science-fiction writer out there these days" by The Denver Rocky Mountain News - is one of only eight writers in history (and the only Canadian) to win all three of the science-fiction field's top honors for best novel of the year: - the World Science Fiction Society's Hugo Award, which he won in 2003 for his novel Hominids; - the Science Fiction and Fantasy Writers of America's Nebula Award, which he won in 1996 for his novel The Terminal Experiment; - and the John W. Campbell Memorial Award, which he won in 2006 for his novel Mindscan. Rob is also the only writer in history to win the top SF awards in the United States, China, Japan, France, and Spain. In addition, he's won an Arthur Ellis Award from the Crime Writers of Canada as well as eleven Canadian Science Fiction and Fantasy Awards ("Auroras"). The ABC TV series FlashForward is based on his novel of the same name.