Arts centre in Banff, Alberta, Canada
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In this episode of the Ideas on Stage podcast we spoke with Patricia Ryan Madson. Patricia Ryan Madson is a world authority on improvising in everyday life. She is the author of IMPROV WISDOM: Don't Prepare, Just Show Up. Her book has been translated into nine languages. Patricia is a professor Emerita from Stanford University where she taught since 1977. In their Drama Department she served as the head of the undergraduate acting program and developed the improvisation program. In 1998 she was the winner of the Lloyd W. Dinkelspiel Award for Outstanding Innovation in Undergraduate Education at Stanford. She is a frequent speaker for business and educational groups. Her corporate clients have included: IDEO, Google, Gap Inc.'s Executive Leadership Team, The Lucille and David Packard Foundation, the Banff Centre for Leadership, Sun Microsystems Japan Division, Apple Computers, Adobe Systems, and Price Waterhouse. In this episode, we talked about how the principles of improvisation can help you become a more engaging presenter, and communicate with greater authenticity and impact. What You'll Learn:- How to balance preparation with being fully present- How improvisation can make you a better speaker – even if you fear public speaking- Why performance anxiety is really about self-focus – and how shifting your attention can help- How to handle mistakes during a presentation - A simple way to start using improv today to improve your communication skills instantlyWe hope you enjoy it! ———————Patricia Ryan Madson:Book: Improv Wisdom: Don't Prepare, Just Show Up Website: www.improvwisdom.com Blog: www.improvwisdom.blogspot.com Email: improvwisdom@gmail.com Recommended books: Constructive Living by David K. ReynoldsImpro: Improvisation and the Theatre by Keith Johnstone ———————IDEAS ON STAGE RESOURCES Books: ‘Confident Presenter' (https://www.ideasonstage.com/resources/confident-presenter-book/) and ‘Business Presentation Revolution' (https://www.ideasonstage.com/business-presentation-revolution/book/)The Confident Presenter Scorecard: https://ideasonstage.com/score Free Web Class: https://www.ideasonstage.com/uk/masterclass Free Mini-Course: https://bit.ly/confident-presenter-mini-course
Navigating Grief May collapse make us all kinder and kinned…. Caroline welcomes the return of Eiren Caffall, author of “the Mourner's Bestiary,” And now, her novel, “All the Water in the World,' “The World As it Was” “The World As It Is” And the World that is coming for all of us…. Eiren Caffall is a writer and musician. Her work on loss, oceans, and extinction has appeared in Orion, Writer's Digest, Guernica, The Los Angeles Review of Books, Literary Hub, Al Jazeera, The Rumpus, and the anthology Elementals: Volume IV. Fire, (The Center for Humans and Nature, 2024). She received a 2023 Whiting Creative Nonfiction Grant, a Social Justice News Nexus fellowship, and residencies at the Banff Centre, Millay Colony, Hedgebrook, and Ragdale. Her books include her memoir The Mourner's Bestiary (Row House Publishing, 2024) and her novel All the Water in the World (St. Martin's Press, 2025). *Woof*Woof*Wanna*Play?!?* · www.CoyoteNetworkNews.com · The Visionary Activist Show on Patreon The post The Visionary Activist Show – Navigating Grief appeared first on KPFA.
Rachel is a teacher from Toronto. Her students didn't even know she was a writer — until she won the 2024 CBC Poetry prize. Her poem, Palimpsest County, is inspired by Ontario landscapes and speaks to colonialism, climate change, and how our responsibility to protect the natural world is a key part of reconciliation. Rachel talks to Mattea Roach about approaching reconciliation as a non-Indigenous person and how her job inspired her winning poem.The CBC Poetry Prize is one of three literary prizes that CBC Books offers for aspiring Canadian writers. The CBC Nonfiction Prize is open right now. You could win $6,000 from the Canada Council for the Arts, a writing residency at the Banff Centre for Arts and Creativity, and have your work published by CBC. Head to CBCBooks.ca for all the details.
Eiren Caffall joins Let's Talk Memoir for a conversation about her generational experience of loss, coming out of the shadows about having an ill body, how polycystic kidney disease (PKD) has shaped her and her family's life, writing about the collapse of ecosystems in the Atlantic ocean, seamlessly weaving in narrative, historical, lyrical, scientific, and metaphorical threads, allowing our children to weigh in on stories that involve them, feeling all the places we're still wounded, depicting mother-daughter relationships with complexity, the umpteenth draft, form as key, holding two things in mind at once, reframing and understanding family dynamics, and her new memoir The Mourner's Bestiary. Also in this episode: -remembering wonder and beauty in the face of destruction -idosyncratic craft structures -where we are in our stories Books mentioned in this episode: -Shapes of Native Nonfiction Edited by Elissa Washuta and Theresa Warbuton -Meander Spiral Explode: Design and Pattern in Narrative by Jane Allison -Landmarks by Robert Mcfarlane Eiren Caffall is a writer and musician. Her award-winning memoir, The Mourner's Bestiary, will be published by Row House Publishing in October 2024. Her novel, All the Water in the World will be published by Saint Martin's Press in 2025. An excerpt of her memoir will appear in Elementals: Volume IV. Fire forthcoming in 2024 from The Center for Humans and Nature. Her work on loss and nature, oceans and extinction has appeared in Guernica, The Los Angeles Review of Books, Literary Hub, Al Jazeera, The Rumpus, and three record albums. She received a Whiting Foundation Creative Nonfiction Grant in 2023 for The Mourner's Bestiary, a Social Justice News Nexus fellowship in environmental journalism at Northwestern University's Medill School of Journalism, and a Frontline: Environmental Reportage residency at the Banff Centre for the Arts. She has been awarded residencies at Millay Colony for the Arts, MacDowell Colony (waitlisted), Hedgebrook, and Ragdale. She has guest lectured at UCLA, University of Chicago, and other universities across America, taught creative writing for The Chicago Humanities Festival, taught a memoir body and place week-long masterclass for Story Studio in Chicago, and mentored graduate students at The School of the Art Institute of Chicago. Her work has been adapted into the award-winning short film Becoming Ocean, which screened at film festivals across the United States and in Amsterdam and Morocco. Connect with Eiren: Website: www.eirencaffall.com Instagram: https://www.instagram.com/eirencaffall/ X: www.x.com/eirencaffall Substack: https://eirencaffall.substack.com Ronit's Upcoming Online 10-week Memoir Course with the University of Washington: https://www.pce.uw.edu/courses/memoir-writing-finding-your-story Ronit's writing has appeared in The Atlantic, The Rumpus, The New York Times, Poets & Writers, The Iowa Review, Hippocampus, The Washington Post, Writer's Digest, American Literary Review, and elsewhere. Her memoir WHEN SHE COMES BACK about the loss of her mother to the guru Bhagwan Shree Rajneesh and their eventual reconciliation was named Finalist in the 2021 Housatonic Awards Awards, the 2021 Indie Excellence Awards, and was a 2021 Book Riot Best True Crime Book. Her short story collection HOME IS A MADE-UP PLACE won Hidden River Arts' 2020 Eludia Award and the 2023 Page Turner Awards for Short Stories. She earned an MFA in Nonfiction Writing at Pacific University, is Creative Nonfiction Editor at The Citron Review, and teaches memoir through the University of Washington's Online Continuum Program and also independently. She launched Let's Talk Memoir in 2022, lives in Seattle with her family of people and dogs, and is at work on her next book. More about Ronit: https://ronitplank.com Subscribe to Ronit's Substack: https://substack.com/@ronitplank Follow Ronit: https://www.instagram.com/ronitplank/ https://www.facebook.com/RonitPlank https://bsky.app/profile/ronitplank.bsky.social Background photo credit: Photo by Patrick Tomasso on Unsplash Headshot photo credit: Sarah Anne Photography Theme music: Isaac Joel, Dead Moll's Fingers
Michelle Samour a multi-media artist whose work explores the intersections between science, technology, and the natural world, as well as the socio-political repercussions of redefining borders and boundaries. Samour has been a Scholar-in-Residence at the Tufts European Center in Talloires, France; and an Artist-in-Residence at Haystack Mountain School of Crafts in Maine; The Banff Centre in Canada; and at other institutions. Samour's has exhibited her work at the deCordova Sculpture Park and Museum in Lincoln, Massachussetts; the Museum of Modern Art in Strasbourg, France; and the Kohler Art Center in Sheboygan, WI; and at many other venues. Her work has been featured in Surface Design Journal, FiberArts, and Hand Papermaking, and is included in public and private collections. Samour is Professor Emerita of the School of the Museum of Fine Arts (SMFA) at Tufts University where she taught historical and contemporary approaches to working with handmade paper and pulp.
Paula Murray studied science at the University of Ottawa, Canada, ceramics at Sheridan College, and completed two residencies at the Banff Centre before embarking on a successful career. Elected to the Royal Canadian Academy of Arts (2006) and the International Academy of Ceramics (2017), she has received several Canada Council and CALQ grants for her distinctive work. Paula's full-time studio practice is inspired by her close relationship with nature and the years spent sailing between Canada and South America while raising her two children. Her ongoing study of spiritual writings inspires many of the themes explored in her work. https://ThePottersCast.com/1086
Born in 1975, I fell in love with reading and with sailing at a young age. I had two dreams in life: to write a novel and to sail around the world. In 2009, I finally completed my first novel. My seventh published work, WOOL, became an international bestseller and has been translated into nearly 40 languages. My career as a writer has taken me all around the world; I've met amazing readers everywhere I go, and I've seen some extraordinary places. Now I'm embarking on a journey to complete my second dream, that of sailing around the world. This website is a history of both of those dreams. His website is HughHowey.com. ROBERT J. SAWYER Bestselling Author, Writers of the Future Judge – Biography Dr. Robert J. Sawyer, called “the dean of Canadian science fiction” by The Ottawa Citizen, has won all three of the science fiction field's top honors for best novel of the year, the Hugo, the Nebula and the John W. Campbell Memorial Award, as well as eleven Canadian Science Fiction and Fantasy Awards (Auroras). The ABC TV series Flash Forward was based on his novel of the same name. Maclean's: Canada's Weekly Newsmagazine says, “By any reckoning, Sawyer is among the most successful Canadian authors ever.” Sawyer's novels are top-ten mainstream bestsellers in Canada. His twenty-three novels include Frameshift, Factoring Humanity, Calculating God, Wake and the Neanderthal Parallax trilogy: Hominids, Humans, Hybrids. He's often seen on TV, including such programs as Rivera Live with Geraldo Rivera, Canada AM and Saturday Night at the Movies, and he's a frequent science commentator for Discovery Channel Canada, CBC Newsworld and CBC Radio. Sawyer holds an honorary doctorate from Laurentian University and has taught writing at the University of Toronto, Ryerson University, Humber College, the National University of Ireland and the Banff Centre. He edits Robert J. Sawyer Books, the science fiction imprint of Red Deer Press. He was born in Ottawa in 1960, and now lives near Toronto with his wife, poet Carolyn Clink. He has served as a judge since 2005. “The list of past winners and runners-up reads like a Who's Who of the last quarter century of the SF/F field. And the physical anthologies—packed with brilliant stories and thoughtful essays, all wonderfully illustrated by the artist winners—is always a joy to behold: a terrific book, and a terrific launch to the careers of the latest batch of the very best new writers in the field.” —Robert J. Sawyer Find out more at: www.sfwriter.com
The Art of Grief – Hope and wonder in the face of environmental collapse… PART 2: Grief Artfully Expressed becomes a Sacrament of Kinship Caroline re-welcomes last week's guest Eiren Caffall, science writer with the soul of a poet, the author of “The Mourner's Bestiary” “Lyrical reports from the apocalypse” “The Mourner's Bestiary is a meditation on grief and survival told through the stories of animals in two collapsing marine ecosystems—the Gulf of Maine and the Long Island Sound—and the lives of a family facing a life-threatening illness on their shores. The Gulf of Maine is the world's fastest-warming marine ecosystem, and the Long Island Sound has been the site of conservation battles that predict the necessary dedications ahead for the Gulf. Eiren Caffall carries a family legacy of two hundred years of genetic kidney disease, raising a child who may also. The Mourner's Bestiary braids environmental research with a memoir of generational healing, and the work it takes to get there for the human and animal lives caught in tides of loss.” Eiren Caffall is a writer and musician based in Chicago. Her writing on loss and nature, oceans and extinction has appeared in Guernica, The Los Angeles Review of Books, Literary Hub, Al Jazeera, The Rumpus, and the anthology Elementals: Volume IV Fire, forthcoming in 2024 from The Center for Humans and Nature. She received a 2023 Whiting Award in Creative Nonfiction, a Social Justice News Nexus fellowship, and residencies at the Banff Centre, Millay Colony, MacDowell Colony (waitlisted), Hedgebrook, and Ragdale. Her novel, All the Water in the World, is slated for release by St. Martin's Press in early 2025. ErinCaffall.com Caroline W. Casey · www.CoyoteNetworkNews.com · Patreon The post The Visionary Activist Show – The Art of Grief appeared first on KPFA.
On Episode 296 of the Enormocast, we rebroadcast an interview that was recorded live at the Banff Mountain Film Festival with alpinist and Canadian legend, Barry Blanchard. Barry showed up at the Banff Centre at 9:45am and brought the fire and the wisdom of 50 years in the game. Barry's feted exploits range from his … Continue reading "Enormocast 296: Barry Blanchard Live in Banff"
Author and illustrator Julia Kuo discusses her picture book Luminous: Living Things That Light Up the Night, which won the 2024 Floyd's Pick Book Award. She shines a light on bioluminescence, the mysteries of the open ocean, squids and glowworms and jellyfish, illustration career paths, her journey to becoming an author, and the art of making our own light. Julia Kuo is the author and illustrator of Let's Do Everything and Nothing and Luminous. She is the illustrator of many picture and specialty books, including The Next Scientist, When Love Is More Than Words, and the bestselling Rise. Julia has created editorial illustrations for publications such as The New York Times, The Wall Street Journal, and The Economist. She has taught at Columbia College Chicago and at her alma mater, Washington University in St. Louis. Julia has been an artist-in-residence twice at the Banff Centre for the Arts and a 2019-2021 fellow with the Gray Center for Arts and Inquiry at the University of Chicago. Page Count is produced by Ohio Center for the Book at Cleveland Public Library. For full show notes and an edited transcript of this episode, visit the episode page. To get in touch, email ohiocenterforthebook@cpl.org (put “podcast” in the subject line) or follow us on Instagram, Twitter, or Facebook.
In this episode, artists Meghann Riepenhoff and Penelope Umbrico chat with MoCP curator, Kristin Taylor. The two artists discuss their backgrounds and shared interests in experimenting and pushing the indexical qualities of photography, as well as the work of Alison Rossiter and Joanne Leonard.Meghann Riepenhoff is most well-known for her largescale cyanotype prints that she creates by collaborating with ocean waves, rain, ice, snow, and coastal shores. She places sheets of light-sensitized paper in these water elements, allowing nature to act as the composer of what we eventually see on the paper. As the wind driven waves crash or the ice melts, dripping across the surface of the coated paper, bits of earth sediment like sand and gravel also become inscribed on the surface. The sun is the final collaborator, with its UV rays developing the prints and reacting with the light sensitizing chemical on the paper to draw out the Prussian blue color. These camera-less works harness the light capturing properties of photographic processes, to translate, in her words, “the landscape, the sublime, time, and impermanence.” Rieppenhoff's work has been featured in exhibitions at the High Museum of Art, the Museum of Fine Arts Boston, the Denver Art Museum, the Portland Museum of Art, Crystal Bridges Museum of Art, among many others. Her work is held in the collections of the High Museum of Art, the Museum of Fine Arts Houston, Harvard Art Museum, Amon Carter Museum of American Art, and the San Francisco Museum of Modern Art. She has published two monographs: Littoral Drift + Ecotone and Ice with Radius Books and Yossi Milo Gallery. She was an artist in residence at the Banff Centre for the Arts and the John Michael Kohler Center for the Arts, was an Affiliate at the Headlands Center for the Arts, and was a 2018 Guggenheim Fellow.Penelope Umbrico examines the sheer volume and ubiquity of images in contemporary culture. She uses various forms of found imagery—from online picture sharing websites to photographs in books and mail order catalogs—and appropriates the pictures to construct large-scale installations. She states: "I take the sheer quantity of images online as a collective archive that represents us—a constantly changing auto-portrait." In the MoCP permanent collection is a piece titled 8,146,774 Suns From Flickr (Partial) 9/10/10. It is an assemblage of numerous pictures that she found on the then widely used image-sharing website, Flickr, by searching for one of its most popular search terms: sunset. She then cropped the found files and created her own 4x6 inch prints on a Kodak Easy Share printer. She clusters the prints into an enormous array to underscore the universal human attraction to capture the sun's essence. The title references the number of results she received from the search on the day she made the work: the first version of the piece created in 2007 produced 2,303,057 images while this version from only three years later in 2010 produced 8,146,774 images. Umbrico's work has been featured in exhibitions around the world, including MoMA PS1, NY; Museum of Modern Art, NY; MassMoCA, MA; San Francisco Museum of Modern Art, CA; Milwaukee Art Museum, WI; The Photographers' Gallery, London; Daegu Photography Biennale, Korea; Gallery of Modern Art, Brisbane Australia; among many others, and is represented in museum collections around the world. She has received numerous awards, including a Guggenheim Fellowship; Sharpe-Walentas Studio Grant; Smithsonian Artist Research Fellowship; New York Foundation of the Arts Fellowship; Anonymous Was a Woman Award. Her monographs have been published by Aperture NYC and RVB Books Paris. She is joining us today from her studio in Brooklyn, NY.
171 Nadine kicks off a new season by announcing the big projects she's been working on behind the scenes. She also shares an in-depth recap of her recent women's writing retreat in CA. In this conversation with retreat participant and podcast producer, Michelle Redo, Nadine shares top tips for hosting intentional gatherings that foster deep connection with yourself and others. If you've ever wanted to bring women together for a profoundly moving experience, this is your go-to guide. Covered in this episode:-Her must-have retreat-planning checklists-The kick-off conversation that will set the tone for your gathering -How to welcome participants to make them feel held and supported-The itinerary structure that will cultivate time for creativity and self care-The little touches that make a big impact-The key activities that lead to self-discovery and group bonding -How to collaborate with others in order to sustain your energy as a host-Michelle's experience as a participant and the moments that had the biggest impactAbout Michelle:Michelle Redo is a podcaster, independent audio producer and writer. She is the creator and host of the Daring to Tell podcast - a place where writers read and talk about memoir and personal essay. And she works with authors to who wish to narrate their own audiobooks. Michelle is also the audio producer for Heart of the Story.Michelle has been published in Brevity Blog, The Sun Readers Write, and won the Finalist Award in the 2021 Readers Write Personal Essay Competition for her essay called The Wonder, which she read on Daring to Tell. Her appearance on the And So, She Left podcast received numerous awards and was noted by the 2023 International Women's Podcast Award Nomination for the Moment of Touching Honesty Category.Before becoming a freelancer in 2020, she spent more than thirty years as an award-winning audio producer for WGBH Radio in Boston, has been requested to speak to aspiring voiceover students, and has taught audio production at the Banff Centre, Banff, Canada.About Nadine:Learn more about Nadine's online women's writing community here.Nadine Kenney Johnstone is a holistic writing coach who helps women develop and publish their stories. She has helped the writers in her community develop and publish countless books and hundreds of essays in places like The New York Times, Vogue, The Sun, The Boston Globe, Longreads, and more. Her infertility memoir, Of This Much I'm Sure, was named book of the year by the Chicago Writer's Association. Her latest book, Come Home to Your Heart, is an essay collection and guided journal that helps readers tap into their inner wisdom and fall back in love with themselves. Her articles and interviews have appeared in Cosmo, Authority, Good Grit, OnSite Journal, MindBodyGreen, HERE, Urban Wellness, Natural Awakenings, Chicago Magazine, and more. Nadine is the podcast host of
In this episode, I have an enriching conversation with visual artist Emily Weiner. We delve into her captivating work, exploring themes like the archetypes of the collective unconscious, Carl Jung, and Joseph Campbell. We discuss the relationship between universal archetypal spaces and painting, highlighting how art serves as a medium to express symbolic ideas that are often challenging to articulate. Emily shares her creative process, from the initial stages of her paintings to the intricate creation of her ceramic frames. Our discussion spans various topics, including the intersection of spiritual identity and artistic identity, and the profound connections between personal experiences and universal truths. We also touch upon the influence of Jungian psychology and mythology on her work, and how these elements provide a structured framework for symbolism. Weiner's journey is fascinating, from her academic background to her role as a curator at Vanderbilt University, where she curated a show that explored symbols and archetypes. This experience further validated her approach to art, blending scholarly insights with intuitive creativity. We also explore the impact of family and personal life on her artistic practice, and how her experiences as a parent have shaped her perspective and work. Emily's work is a beautiful balance of objective and subjective components of the unconscious reality we all inhabit. Her use of symbols, color palettes, and compositions invites viewers to connect with deeper layers of meaning and universal truths. This conversation is a deep dive into the spiritual and creative processes that drive her art, offering listeners a glimpse into the mind of a truly insightful artist. ----------------------------- www.emilyweiner.com @emilyweiner Emily Weiner (b. 1981 in Brooklyn, New York) is an American painter living and working in Nashville, TN. She received a BA from Barnard College, Columbia University, and her MFA from The School of Visual Arts in New York City.Select solo and group exhibitions include KÖNIG GALERIE, Berlin, Germany (2024); Red Arrow Gallery, Nashville, USA (2024); Entrée, Bergen, Norway (2023); Kunsthall Grenland, Porsgrunn, Norway (2023); Huxley-Parlour, London, UK (2023); Andrea Festa Fine Art, Rome, Italy (2023); Whitespace Gallery, Atlanta, USA (2023); Pentimenti, Philadelphia, USA (2023); Wespace, Shanghai, China (2022), Gerdarsafn Museum, Kopavogur, Iceland (2017); and Soloway Gallery, Brooklyn, NY (2016). She has been a Visiting Artist/Scholar at the American Academy in Rome; Artist Resident at The Cooper Union, New York, NY; and Artist-in-Residence at The Banff Centre, Canada. She was a winner of the Hopper Prize (2022), an awardee of the Current Art Fund through The Andy Warhol Foundation for the Visual Arts (2021), and a nominee for the Joan Mitchell Fellowship (2022 and 2023). Her paintings are included in the permanent collections of the Pennsylvania Academy of Fine Arts, Philadelphia, USA, and Kunsthall Grenland in Porsgrunn, Norway. See More from Martin Benson *To stay up on releases and content surrounding the show check out my instagram *To contribute to the creation of this show, along with access to other exclusive content, consider subscribing for $0.99/month on Instagram (Link above) Credits: Big Thanks to Matthew Blankenship of The Sometimes Island for the podcast theme music! --- Support this podcast: https://podcasters.spotify.com/pod/show/martin-l-benson/support
David Anaya Maya was born in Bogot. D.C., raised in rural Colombia, and currently lives and works in New York City. After graduating as ‘Maestroʼ from Los Andes University in 2004, Anaya Maya has shown their work internationally and has explored an extensive range of materials, mediums and concepts. As an artist, curator, writer, teacher and art collective organizer, Anaya Maya has expanded seminal interconnections between peoples, bodies, identities, species, and ecosystems. They have been awarded with fellowships and residencies in Colombia, The Banff Centre in Canada, The Drawing Center in New York, and the New York Foundation for the Arts. Four of their drawings are part of the collection of the Leslie Lohman Museum of Art. Providentia installation, High Noon “Kikuyu,” 2023, oil on linen reinforced with epoxy resin, 10” x 7.5” “Coat of Arms,” 2023, oil and bronze powder on linen reinforced with epoxy resin, 10” x 17” x 2" “National Flower,” 2023, oil paint on dried linseed oil reinforced with epoxy resin, 1.25” x 1.75”
Who else but innovative City of Victoria Artist-In-Residence Kemi Craig would find links between Afrofuturism, west African free divers' traditional spiritual practice of Orisha, and the spirits of captives drowned in the west African slave trade? In work encompassing immersive, multi-sensory, site-specific installations and performances, this innovative dancer, filmmaker, multi-media creator and performance artist creates analog and digital work deeply rooted in themes of anti-oppression and social justice. Since getting her start in film at Cinevic Society of Independent Filmmakers, Kemi has participated in artist's residency programs with CineVic, the Banff Centre for Arts and Creativity, and Dance Victoria, and guest curated the Art Gallery of Greater Victoria's programming series Blueprints for the Afrofuture. Currently, she is the City of Victoria Artist-In-Residence. Referred to in this episode:Music group Drexciya: https://open.spotify.com/album/7bBx5uPv2YgRIAFyXBWhEV About Kemi:Website: https://www.kemicraig.comInstagram: http://www.instagram.com/kemi.craigFacebook: https://www.facebook.com/kemi.craigIMDb: https://www.imdb.com/name/nm3008707/Kemi's projects:Afroquatics: https://aggv.ca/exhibits/afroquatics/Blueprints for the Afrofuture: https://www.youtube.com/watch?v=U654RmSSLU4UVic talk: https://gatewaytoart.uvic.ca/2024/02/05/artists-talk-kemi-craig/What Home Means to Youhttps://www.victoria.ca/city-government/news/free-super-8-film-screening-what-home-means-you-0Subscribe to catch the latest episodes of Push In on Apple Podcasts:https://apple.co/2S5WB7q Podcast Production Team:· Technical Director: Paul Ruta· Sound Editor: Michael Korican· Host, Researcher & copywriter: Joyce Kline· Co-Producers: Joyce Kline, Michael Korican, Paul Ruta
On this episode of The Power of Love Show we welcome special guest, Kathy Wagner. Kathy Wagner is the mother of three grown children, including her son Tristan who died from fentanyl poisoning in August 2017. Since that time, Kathy has actively advocated for improved access to quality addiction recovery services and was a peer support group facilitator for Healing Hearts Canada. Her interviews have appeared on CBC's The National, the Vancouver Sun and many local newspapers and radio shows. Kathy has published personal essays in the New York Times as well as the Globe and Mail, and was awarded a position at the Banff Centre for the Arts summer writing retreat in 2019. She is an experienced public speaker and has presented to large audiences at numerous conferences in a professional capacity. Kathy's wish is to bring hope to parents who are lost in the darkness of their child's addiction or are struggling with a child's drug-related death. Kathy's memoir, ‘Here With You', is the powerful story of a mother's struggle to save her son from addiction— and the strength and hope for change that she found in her grief. She currently lives in the Metro Vancouver area. Learn More About Kathy: Instagram: @KWagnerWrites Facebook: K Wagner Writes • https://www.facebook.com/kwagnerwrite... Book: ‘Here With You: A Memoir of Love, Family, and Addiction‘ • https://a.co/d/06ASyjKJ Learn More About DDJF: Website: DDJF.org Instagram: @DeeDeeJacksonFoundation Facebook: Dee Dee Jackson Foundation LinkedIn: Dee Dee Jackson Foundation X: @DDJFoundation Leave a podcast review: Apple Podcasts: https://podcasts.apple.com/us/podcast/the-power-of-love-show/id1282931846 Spotify Podcasts: https://open.spotify.com/show/6X6zGAPmdReRrlLO0NW4n6?si=koXehESfSrSwA-zWi2vf-w Can't make the live-stream? You can always watch our interviews later on YouTube or Facebook! Prefer to listen as a podcast? Click here: https://podcasts.apple.com/us/podcast/the-power-of-love-show/id1282931846 Subscribe to our YouTube channel: https://www.youtube.com/watch?v=2-Nd1HTnbaI Like Our Facebook Page: https://www.facebook.com/884355188308946/ Join the Dee Dee Jackson Facebook Group: https://www.facebook.com/groups/1500933326745571 Visit the DDJF official website: http://www.ddjf.org/ Donate to DDJF (501c3): https://www.flipcause.com/hosted_widget/hostedWidgetHome/MTIxODI3 Check Out DDJF Merch: https://my-store-10253433.creator-spring.com/?# Follow us on Instagram: @DeeDeeJacksonFoundation • https://instagram.com/deedeejacksonfoundation?utm_medium=copy_link --- Support this podcast: https://podcasters.spotify.com/pod/show/thepowerofloveshow/support
Laura Lewis is a queer visual artist originally from Kjipuktuk (Halifax, Nova Scotia) currently based in Treaty 1 Territory (Winnipeg, Manitoba, Canada). Her conceptual figurative painting practice explores philosophical questions concerning psychosexuality, the multiplicities of self, and nuances of the human condition.Lewis graduated in 2018 with a combined degree from NSCAD and the School of Art, University of Manitoba BFA Honours program. She is the founder and facilitator of Critical Painting Perspectives, presented by Mentoring Artists for Women's Art. She has participated in artist residencies at the Banff Centre for the Arts and Creativity, and in Civita Castellana, Italy. We uncover how her disciplined athletic background continues to fuel the intensity and dedication in her art, while she challenges historical narratives by spotlighting contemporary perspectives from marginalized communities. Scaling artistic heights, Laura reveals the trials and triumphs of creating immersive, large-format paintings, including a poignant nude self-portrait exploring themes of vulnerability, queerness, and identity. We dive into her Critical Painting Perspectives workshops, designed to foster rich discussions among women and gender minorities about contemporary painting. Celebrating the milestones of her career, we highlight her features in Border Crossings and her upcoming exhibitions at Modern Fuel and Gallery 1CO3. Finally, Laura offers invaluable advice for aspiring artists on the importance of passion, community engagement, and the dynamic efforts required to sustain an art career. Don't miss out on this enlightening conversation with a truly inspiring artist.Laura's Instagram Connect with us:Madison Beale, HostCroocial, ProductionBe a guest on The Artalogue Podcast
This recording from April 11, 2024. Signum MA student Timothy Francis will present his thesis “Administrative Art as Genre in Kafka, Tooker, and Ravn” and respond to questions from the audience in an interactive Thesis Theater. The discussion will be facilitated by Timothy's thesis supervisor, Dr. Gabriel Schenk. Abstract This thesis explores bureaucracy through the works of three artists working in different media: prose, visual art, and bureaucracy itself as a medium. Rooted in an understanding of what constitutes bureaucracy and administration and previous works on the subject, it seeks to explore what might constitute bureaucratic art and what the aims of such an art might be. Building upon existing literature and prior artistic explorations of bureaucracy and their analyses, this thesis aims to understand bureaucratic art and unravel its significance and potential impacts. The works are considered individually and collectively, offering multifaceted insights from different perspectives. By navigating the labyrinth of bureaucratic structures and creative interpretation, this thesis endeavors to shed light on the intersections between bureaucracy and artistry, ultimately paving the way for a deeper appreciation and comprehension of administrative or bureaucratic art. About the Presenter Timothy Francis is a recovering bureaucrat, former public accountant in tax law, and sometimes musician who applies his collaborative and creative lenses outside of the public sector and has been Composer-in-Residence at the Banff Centre for the Arts developing and exploring creative collaborative frameworks for performers, lyricists, and composers. His compositions have been performed worldwide including at the Bregenzer Festspiele by the Vienna Symphony, Carnegie Hall by the New York Pops and the Berlin Film Festival. At Signum University, as a Language and Literature Master's student, his focus has been on discovering works old and new, and exploring various critical lenses, approaches, and their applications. Highlights include the opportunity to read ancient texts in their original language, and focus on areas of interest including semiotics, translation, and adaptation. About Signum Thesis Theaters Each of our master's students writes a thesis at the end of their degree program, exploring a topic of their choice. The Thesis Theater is their opportunity to present their research to a general audience, and answer questions. All are welcome to attend! Registration is open for the Summer 2024 semester! Classes begin Monday, April 29th. To view our upcoming courses: https://signumuniversity.org/degree-p.... Learn about Signum University's mission, leadership and more: https://signumuniversity.org/about/. Want to enjoy Signum's educational offerings? Start here! https://signumuniversity.org/non-degr....
In this episode of The People Teaching People Podcast, we are joined by Meg Wilcox. Meg loves a great story. Her earliest audio memories are from when she was only 4 or 5 years old, listening to CBC Radio in her dad's art studio. While he painted big sweeping landscapes, she would divide her page into frames to make her own comic strip-like stories -- one frame just wasn't enough! In hindsight, it probably isn't too surprising that Meg ended up a journalist. She spent many years travelling the country as a radio host, producer and reporter with the CBC, CKUA, and the Banff Centre. Now, she teaches audio storytelling, podcasting, and media freelance in the Journalism and Digital Media program at Mount Royal University in Calgary. She is also co-director of the Community Podcast Initiative -- a place to encourage and explore storytelling and community connection while amplifying and supporting voices that are under-represented and misrepresented in traditional media. Meg is an award-winning podcaster, and in 2020 she was one of Avenue Magazine's Top 40 under 40. Her first book is called The New Journalist's Guide to Freelancing, and it's out now via Broadview Press. Listen in as we talk about: 3:51 Meg's journey in becoming a journalist 8:49 Key learning experiences as a journalist 11:05 The importance of being curious 14:17 Creating a safe space for learning 15:54 Developing and teaching a podcasting course 21:19 Meg's PhD studies with the University of Glasgow 26:22 Meg's collaboration with Inside Out Theatre 29:44 The role of podcasting in education now and in the future 38:17 Indigenous voices, knowledge, and expertise in podcasting 46:10 The Community Podcast Initiative 49:42 Meg's book: The New Journalist's Guide to Freelancing 55:28 Meg's words of wisdom Connect with Meg: Websites: Meg Wilcox: http://www.megwilcox.com/ The Community Podcast Initiative: https://thepodcaststudio.ca/ Instagram: @meghw @communitypodyyc Twitter: @meghw Book: The New Journalist's Guide to Freelancing: Building Your Career in the New Media Landscape Podcast: Community Podcast Initiative (CPI) Podcast Connect with Tiana: Website: https://tianafech.com LinkedIn: Tiana Fech Instagram: @tianafech Facebook: @tianafech Book: Online Course Creation 101: A step-by-step guide to creating your first online course Today's episode is produced by VOLT Productions, a full-service podcast production agency helping creators and entrepreneurs launch, grow and monetize their shows. You can learn more about the agency's founder Simona, their work and their team by going to www.voltproductions.co. KEY LEARNING EXPERIENCES AS A JOURNALIST “Journalists have to be curious. Without curiosity and wanting to look at things from other people's points of view, you can't translate that to an audience.” Meg emphasizes the paramount importance of expertise, facts, and context within the realms of journalism, particularly in an era burgeoning with misinformation and disinformation. She highlights the shift in journalism towards acknowledging not just academic experts but also individuals with lived experiences, underlining the richness this diversity brings to understanding stories. Engaging with a broad spectrum of experts, Meg underscores the continuous learning and enriching encounters that journalism facilitates as well as the expertise required in crafting informed narratives. Furthermore, Meg reflects on the unique allure of live radio broadcasts, stressing the irreplaceable experience of real-time conversations and the organic, compelling nature of such interactions. She underscores the significance of collaboration and the human element in creating meaningful content, celebrating the magic of live or minimally edited broadcasts in connecting with the audience. These live exchanges are important not only in disseminating news but also in offering diverse perspectives and insights, thereby enriching the listener's experience and understandi...
Ian Kowalski Ian (he/him) is a graduate of the Performing Arts program at O'Neill Collegiate and Vocational Institute and the Media Production Program at Toronto Met University (fka Ryerson). As a lifelong performer and lover of the arts, he is passionate about creating a platform for artists to express themselves as authentically as possible in telling impactful stories that change our perception of what is possible with theatre. Select acting credits include Peter in Peter Pan the Musical (The LOT), Tobias in Sweeney Todd (Ember Island Players), Lumiere in Beauty and the Beast (O'Neill CVI) and Will Bloom in Big Fish (RMTC). Behind the scenes, he has directed Cumulus (UBC Brave New Play Rites Festival), Fun Home (Bowtie Productions), directed and produced several short films and has worked in the art department for multiple films on the Hallmark Channel. Taylor Long Hi, my name is Taylor. I'm a Toronto-based photographer, videographer, editor, and director of photography. Originally from Halifax, NS, I have a background in opera and musical theatre and performed on the east coast before discovering a passion for photography and videography. Recent highlights include a three-week intensive at the Banff Centre for Arts and Creativity, working with Academy-award nominated director Atom Egoyan on the Canadian Opera Company's digital production of Bluebeard's Castle, and working as DOP on the COC/Against the Grain Theatre co-production of Mozart's Requiem. Randy (Lei) Chang is a Toronto based performer who's credits include: Merrily We Roll Along, Ordinary Days and A Perfect Bowl of Pho
Classical music is pervasive and ubiquitous and yet for many people, it is difficult to connect with. We met one classical pianist who makes it her mission to connect with audiences and bring her joy of classical music to the masses. She is the extraordinary Jeeyoon Kim. a multi-hyphenate musician-author-blogger-podcaster-educator-and-performer. Our Athletes and the Arts founder Randy Dick caught up with Jeeyoon recently and he's here with her on our show today.For more on Jeeyoon, go to https://www.jeeyoonkim.comInstagram @jeeyoonkimpianistX: @jeeyoon_pianistFor Athletes and the Arts, go to www.athletesandthearts.comBio: Award-winning classical pianist Jeeyoon Kim has delighted audiences across the United States and the world with her combination of sensitive artistry, ‘consummate musicianship, impeccable technique, and engaging and innovative concert experiences.' (New York Classical Review)From the start of her career, beginning with her celebrated 2016 debut album, 10 More Minutes, Jeeyoon has thrilled classical music fans with her artful performances. Through her unique performance presentations, Jeeyoon has connected with concert attendees decidedly younger than the average by engaging in musical conversations from the stage. Her second album and concert project, Over. Above. Beyond., further stretched the mold for classical piano performances by collaborating with New York-based artist Moonsub Shin. Jeeyoon's collaboration with the artist delivered a multimedia experience that was also captured in an award-winning music video. Kim's following project titled, 시음/si-úm/, began during her 2020 residency at the Banff Centre for Arts and Creativity for their 'Concert in the 21st Century' program. This concert project incorporates poetry and black and white photography. Jeeyoon's dedication to pushing the boundaries of traditional classical music to connect with a new audience has inspired a dedicated and passionate fanbase that defies conventional wisdom.Jeeyoon began studying the piano when she was just four years old, and her love of music propelled her through her undergraduate studies in piano performance in her native Korea. After moving to the United States, she received her Master of Music and Doctor of Musical Arts in Piano Performance with Distinction from Indiana University's renowned Jacobs School of Music.In pursuit of a deeper understanding of music education, she earned a second master's degree in piano pedagogy from Butler University, where she concurrently served as a faculty member. As a testament to Jeeyoon's abilities as an educator, she was recognized with the 'Top Music Teacher Award' from Steinway & Sons for three consecutive years, from 2016 to 2018.Jeeyoon is an author, educator, public speaker, podcaster, and award-winning performer. In 2021, she published her first book, Whenever You're Ready, offering readers a personal glimpse into her life. This self-help book in a concert-style structure shares wisdom and insights gained from Jeeyoon's musical experiences. After a successful reception throughout North America and Europe, the book was published in South Korea in 2022. The book, translated into Korean by the author herself, has made it to the top 3 best sellers in South Korea in the self-help category. Jeeyoon Kim currently resides in San Diego. Between a busy concert touring schedule, she happily practices her piano daily, maintains a studio full of dedicated piano students, and surfs each morning at sunrise.
This week, the world lost an amazing light of a human: Diane Ragsdale. This episode is a previously lost and unreleased conversation that host Tim Cynova recorded with Diane at the Banff Centre in February 2020, a few weeks before the world shut down for the global pandemic... and they promptly forgot they even recorded this conversation together.Originally intended to be titled, "Investing in Personal and Professional Growth," the conversation explores Diane's thoughts on the role of the arts and artists in society, the role arts management and leadership programs can and should play, and how we can craft our own learning and development plan. It also includes a few clips they thought would eventually be left on the cutting room floor.Sending love and strength to Diane's family and friends, students and colleagues who are located all over the world.GUEST BIO:DIANE RAGSDALE is Director of the MA in Creative Leadership, an online master's program that welcomed its first cohort in summer 2022 and for which she additionally has an appointment as Faculty and Scholar. After 15 years working years working within and leading cultural institutions and another several years working in philanthropy at The Andrew W. Mellon Foundation in NYC, she made the shift to academia and along the way became a widely read blogger, frequent speaker and panelist, published author, lecturer, scholar, and advisor to a range of nonprofit institutions, government agencies, and foundations on a wide range of arts and culture topics.Diane joins MCAD from both Banff Centre for Arts & Creativity, where she served as Faculty and Director of the Cultural Leadership Program, and Yale University where she is adjunct faculty and leads an annual four-week workshop on Aesthetic Values in a Changed Cultural Context. She was previously an assistant professor and program director at The New School in New York, where she successfully built an MA in Arts Management and Entrepreneurship in the School of Performing Arts and launched a new graduate minor in Creative Community Development in collaboration with Parsons School of Design and the Milano School of Policy, Management and Environment. Diane is a doctoral candidate at Erasmus University Rotterdam where she was a lecturer in the Cultural Economics MA program from 2011–15. She continues to work on her dissertation as time permits. Her essay “Post-Show” was recently published in the Routledge Companion to Audiences and the Performing Arts (2022); and a teaching case that she developed from her doctoral research on the relationship between the commercial and nonprofit theater in America–currently titled “Margo Jones: bridging divides to craft a new hybrid logic for theater in the US”–will be published in the forthcoming Edward Elgar handbook, Case Studies in Arts Entrepreneurship. Diane holds an MFA in Acting & Directing from University of Missouri-Kansas City and a BS in Psychology and BFA in Theater from Tulane University. She was part of Stanford University's inaugural Executive Program for Nonprofit Arts Leaders, produced in partnership with National Arts Strategies. She holds a certificate in Mediation and Creative Conflict Resolution from the Center for Understanding in Conflict.HOST:TIM CYNOVA (he/him) is the CEO of Work Shouldn't Suck, an HR and org design firm helping organizations dust off their People policies, practices, and offerings to co-create workplaces where everyone can thrive. He is a certified Senior Professional in Human Resources (SPHR) and a trained mediator, and serves on the faculty of Minneapolis College of Art & Design, the Hollyhock Leadership Institute (Cortes Island, Canada), and The New School (New York City) teaching courses in Strategic HR, Co-Creating Inclusive Workplaces, and...
News of the Week Our commitment to featuring a diversity of subject matter experts and experienced voices, not to mention bringing the Slow Flowers Summit to an unforgettable location, will continue for 2024. And for the first time, we're hosting an international Summit at Banff Centre for Arts & Creativity in Banff, Alberta, Canada. Please […] The post Episode 642: Debra Prinzing Reflects on Slow Flowers Society’s 2023 Year in Review appeared first on Slow Flowers Podcast with Debra Prinzing.
Joelle Dietrick's paintings, drawings, and animations explore infrastructure, particularly housing, and its manipulation by automated, global economic systems. Her work has been shown at the Museum of Contemporary Art Jacksonville, Transitio_MX in Mexico City, TINA B Festival in Prague and Venice, Museum of Contemporary Art Chicago, MCA San Diego, Long March Space Beijing, ARC Gallery Chicago, Soho20 New York, and MPG Contemporary Boston. She has attended residencies at MacDowell, Künstlerhaus Salzburg, Anderson Ranch, the Virginia Center for the Creative Arts, Banff Centre for the Arts, and the School of the Visual Arts and received grants and fellowships from the National Endowment for the Arts, University of California, Florida State University, the Deutscher Akademischer Austauschdienst (DAAD), and Fulbright U.S. Scholar Program. Joelle completed a BFA in Painting at Penn State and an MFA in Visual Arts from the University of California, San Diego. She was born in Pennsylvania and teaches at Davidson College outside of Charlotte, North Carolina.
A conversation about the native plants and sustainable land care practices of the Canadian prairies and grasslands Last Friday, November 10th, we held a virtual members meet-up to introduce the just-announced Slow Flowers Summit in 2024. We shared the dates — June 23-25, 2024 — the venue, beautiful Banff Centre for Arts & Creativity in […] The post Episode 636: Slow Flowers Summit heads to Canada in 2024. Meet Becky Feasby, Latifa Pelletier-Ahmed, and Lourdes Still appeared first on Slow Flowers Podcast with Debra Prinzing.
In this episode, Jen and Dyana chat with journalist/author James Edward Mills. He is the author of the book "The Adventure Gap: Changing the Face of the Outdoors" which chronicles the first all-African American summit attempt on Denali, the highest point in North America. He is a contributor to National Geographic Magazine, a Fellow of the Mountain & Wilderness Writing Program at the Banff Centre in Alberta, Canada, and a recipient of the Paul K. Petzoldt Award for Environmental Education. As a freelance journalist and an independent media producer with a career spanning over 20 years, he specializes in sharing stories about outdoor recreation, environmental conservation, acts of charitable giving, and practices of sustainable living. He has worked in the outdoor industry since 1989 as a guide, outfitter, independent sales representative, writer, and photographer and recently is the co-writer and co-producer of the documentary film "An American Ascent.”Connect with James Edward Mills Instagram - @joytripproject The Joy Trip Project - https://joytripproject.com/about-joy-trip-project/Purchase "The Adventure Gap: Changing the Face of the Outdoors" Where to find and support Bush & Banter: Follow Bush & Banter on Instagram: @bushandbanter Visit Bush & Banter's website: www.bushandbanter.com Join Bush & Banter's Patreon community: patreon.com/bushandbanter E-mail Bush & Banter: bushandbanter@gmail.com Follow Dyana on Instagram: @dyanacarmella Follow Jennifer on Instagram: @thewhimsicalwoman
There has been turmoil at the Banff Centre for Arts and Creativity, and it recently came to the public's attention when the Alberta government dismissed the entire board in late October. The whirlwind drama started with the search for a new CEO, which led to arguments of conflict of interest and allegations of bullying and harassment.Today, The Globe's Alanna Smith and Josh O'Kane, who have been covering this story, explain what led to this moment, and tell us about the battle for the future of the Banff Centre.Questions? Comments? Ideas? Email us at thedecibel@globeandmail.com
Time for another weekly roundup of Alberta politics! The Banff Centre is embroiled in scandal (again)! We learn how much the Alberta Government is willing to pay for a prime website address! Take Back Alberta continues with some major drama! There's pension problems aplenty, Albertans got SCREWED on Smith's Turkish TyleNot and more! Plus our regular segment "Stuff Smith Said", and we host our weekly open mic! Plus we now have merch that's available at www.abpoli.ca, including a fall lineup! As always, if you appreciate the kind of content that we're trying to produce here at The Breakdown, please consider signing up as a monthly supporter at our Patreon site at www.patreon.com/thebreakdownab. If you're listening to the audio version of our podcast, please consider leaving us a review and a rating, and don't forget to like and follow us on Facebook, Twitter, Instagram and Threads!
Gabrielle Lamb is a choreographer and 2020 Guggenheim Fellow, is based in NYC, where she directs Pigeonwing Dance, described by The New Yorker as “eccentric…playful…curious”. Her work has also been presented by the American Ballet Theatre Incubator, the New York Choreographic Institute, the MIT Museum, BalletX, the Juilliard School, the Royal Winnipeg Ballet, Ballet Collective, Whim W'HIM, Jacob's Pillow, and Dance on Camera at Lincoln Center. She has won fellowships and competitions at Hubbard Street Dance Chicago, Milwaukee Ballet, and the Banff Centre, as well as the S&R Foundation's Washington Award and a Princess Grace Award. A native of Savannah, GA, she trained at the Boston Ballet School and was a longtime soloist at Les Grands Ballets Canadiens, later performing with Morphoses/The Wheeldon Company and Pontus Lidberg Dance in NYC. She has been lauded by DANCE Magazine as “a dancer of stunning clarity who illuminates the smallest details—qualities she brings to the dances she makes, too." www.pigeonwingdance.com
“This particular residency was a thematic one, and the theme was titled Meeting for Teas. So it drew artists curators and thinkers from all over. We all had this time and space to sit with Tea independently, sit with Tea communally, and talk about tea in all the different ways, including decolonizing as an aspect of tea and tea culture. And I couldn't stop crying the first two weeks when I was there, and I didn't even really know what I was crying about. To a certain degree, I kind of did, because the day that I received news that I've been accepted was the same day my Nai Nai passed away.” Mimi Young, née Lin, is a Taiwanese Canadian animist spirit medium, Tea devotée, writer, and the founder of Ceremonie. Mimi's work lies at the intersection of animacy and re-animation, intuition and creativity, using symbolic interpretation and ancient Chinese wisdom practices to commune with the Unseen and invite new possibilities during times of uncertainty and change. In this podcast episode, Mimi shares excerpts from her limited edition artist's book, A Tea Stronger Than Death: Poems of Hurt and Healing While On Sacred Buffalo Guardian Mountain. “Created during the 5-week thematic residency, Meeting For Teas, held at the Banff Centre for Arts + Creativity, located on the side of Sacred Buffalo Guardian Mountain, this collection of poems and illustrations of grey-scaled cyanotypes (sun prints) is both prayer and journey through light, shadow, and verse, giving honour to the painful and healing moments of locating oneself over and over again, with Tea, the departed, and the more-than-human.” She also has an upcoming sliding scale 6-week transformational writing series titled UGLY WORDS. Learn more about Mimi Young at https://shopceremonie.com/ Follow her on IG @shopceremonie This episode was edited by Nina Maria Iniestra De La Riva and comes to you with the support of Erika Mai T. Apuli from Earth Rooted Assistants. Your support means so much! If you enjoy this episode, please take a moment to rate and review. Follow Mum on Instagram @mumthepod. Visit TripwithEllen.com to learn more about Ellen's Death/Rebirth private mentorship and medicine journey programs. Listeners receive a 10% discount if they mention Mum during their discovery call. Scholarships are awarded on a first-come-first-served basis. Payment plans available. Join the Medicine Membership to join our monthly virtual medicine ceremony and integration circle. Access a growing library of journeys and meditations facilitated by Ellen.
On this episode of Below the Radar, Charlotte Gill, author of the books Ladykiller and Eating Dirt, sits down with Am Johal to explore her latest book, Almost Brown, which shares her experience growing up as a mixed-race child in a multi-cultural/religious household. Charlotte describes the family dynamics that led her Punjabi father to marry her English mother and become estranged from his father, and in turn, the process that led Charlotte to becoming estranged from her own father. The episode ends on a meaningful conversation about how mixed identities narratives have changed across generations, and how the language to discuss those identities have evolved. Full episode details: https://www.sfu.ca/vancity-office-community-engagement/below-the-radar-podcast/episodes/219-charlotte-gill.html Read the transcript: https://www.sfu.ca/vancity-office-community-engagement/below-the-radar-podcast/transcripts/219-charlotte-gill.html Resources: Charlotte Gill: https://charlottegill.com/about/ Almost Brown: https://charlottegill.com/almost-brown/ Ladykiller: Stories: https://charlottegill.com/ladykiller/ Eating Dirt: Deep Forests, Big Timber, and Life with the Tree-Planting Tribe: https://charlottegill.com/eating-dirt/ Bio: Charlotte Gill is the author of Eating Dirt, a national bestseller that won the B.C. National Award for Canadian Nonfiction. Her previous book, Ladykiller, was a Governor General's Award nominee. Charlotte is the Rogers Communications Chair in Literary Journalism at the Banff Centre as well as faculty in the MFA program in creative nonfiction at the University of King's College. Her latest book, Almost Brown, a mixed-race family memoir, is published by Penguin Random House. Cite this episode: Chicago Style Johal, Am. “Almost Brown — with Charlotte Gill.” Below the Radar, SFU's Vancity Office of Community Engagement. Podcast audio, September 19, 2023. https://www.sfu.ca/vancity-office-community-engagement/below-the-radar-podcast/episodes/219-charlotte-gill.html.
Links, Bios & Support InfoBooks & Selected Projects by Moheb SolimanHOMES (Coffee House Press, 2021)We're Back! Also ReferencedLorine NiedeckerGabrielle Octavia RuckerCecily Nicholson, Wayside SangDavid ByrneWalt WhitmanEtheridge KnightMoheb Soliman is an interdisciplinary poet from Egypt and the Midwest who's presented work at literary, art, and public spaces in the US, Canada, and abroad with support from the Joyce Foundation, Banff Centre, Minnesota State Arts Board, and diverse other institutions. He has degrees from The New School for Social Research and University of Toronto and lives in Minneapolis, Minnesota, where he was Program Director for the Arab American lit and film organization Mizna before receiving a multi-year Tulsa Artist Fellowship and this year a Milkweed Editions fellowship. His debut poetry collection HOMES (Coffee House Press, 2021), explores nature, modernity, identity, belonging, and sublimity through the site of the Great Lakes bioregion / borderland. Moheb has been a finalist for the Minnesota Book Awards, Heartland Booksellers Award, and others, and was showcased in Ecotone's annual indie press shortlist and the Poets & Writers annual 10 debut poets feature. See more of his work at www.mohebsoliman.info.In honor of this episode, Commonplace's partner org will donate $250 to the Alliance for the Great Lakes, chosen by Moheb Soliman. The Alliance for the Great lakes is a nonpartisan nonprofit working across the region to protect our most precious resource: the fresh, clean, and natural waters of the Great Lakes.Please support Commonplace by becoming a patron here!Sign up for “Reading with Rachel” the newest course in The Commonplace School for Embodied Poetics.
Jones Lecturer Georgina Beaty reads “Shelter Seekers,” a story from her recent debut collection The Party is Here, and talks about writing the climate crisis and experimenting with form. Georgina Beaty is the author of the short story collection The Party is Here (Freehand Books, 2021). Her fiction has appeared in New England Review, The Walrus, The New Quarterly, The Fiddlehead, PRISM, and elsewhere. As an actor and playwright, she's worked with theatres across Canada and internationally. A 2020-2022 Stegner Fellow in fiction, she holds an MFA from the University of British Columbia, has been supported by fiction residencies at MacDowell and The Banff Centre, and was a screenwriting resident at the Canadian Film Centre. She's currently a Jones Lecturer in Creative Writing at Stanford University.
Jones Lecturer Georgina Beaty reads “Shelter Seekers,” a story from her recent debut collection The Party is Here, and talks about writing the climate crisis and experimenting with form. Georgina Beaty is the author of the short story collection The Party is Here (Freehand Books, 2021). Her fiction has appeared in New England Review, The Walrus, The New Quarterly, The Fiddlehead, PRISM, and elsewhere. As an actor and playwright, she's worked with theatres across Canada and internationally. A 2020-2022 Stegner Fellow in fiction, she holds an MFA from the University of British Columbia, has been supported by fiction residencies at MacDowell and The Banff Centre, and was a screenwriting resident at the Canadian Film Centre. She's currently a Jones Lecturer in Creative Writing at Stanford University.
Emily Weiner is a painter living and working in Nashville, TN. She received her BA from Barnard College, Columbia University (2003) and her MFA in Fine Arts at the School of Visual Arts in New York City (2011). She is represented by Red Arrow Gallery in Nashville, TN and has exhibited work at Whitespace Gallery (Atlanta, GA); Kunsthall Grenland (Porsgrunn, Norway); Wespace (Shanghai, China); David Lusk Gallery (Nashville, TN); Gerdarsafn Museum (Kopavogur, Iceland); LeRoy Neiman Gallery, Columbia University (New York); CULT (San Francisco); Soloway (Brooklyn), and Grizzly Grizzly (Philadelphia). Emily has been a Visiting Artist at the American Academy in Rome; Residency Co-Leader at Watershed Center for the Ceramic Arts, Newcastle, Maine; Artist Teacher-Resident at The Cooper Union, New York, NY; Artist-in-Residence at The Banff Centre, Canada; and Resident at Camac Art Center in France. She is a adjunct faculty at Watkins College of Art, Belmont University; and was previously Associate Adjunct Professor in Painting at Pratt Institute in Brooklyn and faculty in Visual and Critical Studies at The School of Visual Arts in NYC. Past curatorial projects include Soloway Gallery, The Willows NYC, and Vanderbilt University Gallery. Emily's work as an artist and curator has received press in The New York Times, The New Yorker, Artforum, Artsy, the BBC, New American Paintings, ArtNews, Domus (Italy), and The Brooklyn Rail, among other publications and media platforms.She is a winner of the Fall 2022 Hopper Prize and a 2022 nominee for the Joan Mitchell Fellowship.
In this episode I chat with award winning, super cool, fun to hang out with inspirational author, writer, storyteller, Katherena Vermette. Katherena, a Red River Métis (Michif) writer from Treaty 1 territory, the heart of the Métis Nation. She has worked in poetry, novels, children's literature, and film. Her first book, North End Love Songs, also her debut novel won the Governor General's Literary Award for poetry, and her debut novel, The Break, was a finalist for the Rogers Writers' Trust Fiction Prize and the Governor General's Literary Award for fiction. Her most recent novel, The Strangers, is another must-read! I welcome our listeners to our conversation, as Katherena shares beautiful and intriguing stories about her life as a writer, mother, mentor and much more. It was truly an incredible experience to sit and share space with Katherena Vermette at the Banff Centre for Arts, in Blackfoot territory, where we met! To Learn more about Katherena's work visit: https://katherenavermette.com/• If this episode made you reflect + relate + reimagine + smile, please share it with your circle so that others can enjoy this beautiful story. Connect with Talks With A Fox Podcast Community at:· Website:https://talkswithafoxpodcast.buzzsprout.com/· IG:https://www.instagram.com/talkswithafoxpodcast/· FB:https://www.facebook.com/talkswithafoxpodcast/· YouTube: https://www.youtube.com/channel/UCO9x9w6TZAVJsefuus0RfuwThank you for connecting with us and for being part of the Talks With A Fox Podcast family! We love to hear from you when you write a review AND when you leave a 5-star rating - you help me to continue creating meaningful content and provide a safe space for Indigenous voices and communities.Hand to Heart, Andrea + Talks With A Fox Podcast Team
In this episode, we explore unlimited paid time off policies: what they are, what they aren't, and items to consider when implementing this type of approach to PTO.Katrina Donald takes over hosting duties and turns the interviewee's microphone unusually in Tim Cynova's direction as they discuss Paid Time Off and his experience transitioning an organization to an Unlimited Paid vacation day policy.Katrina Donald based in Treaty 7 Territory, Katrina (she/her) is the principal consultant at ever-so-curious. She believes that listening and sensemaking practices bring us into community, reveal pathways forward, encourage and embolden us, and allow for greater impact. Her approach is relational and developmental; she works in partnership with people and organizations to co-design inclusive, collaborative and continuously emerging evaluation and HR strategies.She holds a Bachelor of Arts degree from the University of Manitoba and a Masters Certificate in Organization Development and Change from the Canadian Organization Development Institute (CODI) and the Schulich Executive and Education Centre (SEEC) at York University. She is a mother, wife, daughter, sister, systems thinker, developmental evaluator, program designer, and a Registered Professional Recruiter (RPR). She's committed to showing up for her own ongoing learning and to building workplaces that are actively anti-racist, praxis-centered and humble as they work through the prickly bramble of change. Learn more on LinkedIn.Tim Cynova, SPHR (he/him) is the Principal of Work. Shouldn't. Suck., an HR and org design consultancy helping to reimagine workplaces where everyone can thrive. He is a certified Senior Professional in Human Resources (SPHR) and a trained mediator, and has served on the faculty of Minneapolis College of Art & Design, the Banff Centre for Arts & Creativity (Banff, Canada) and The New School (New York City) teaching courses in People-Centric Organizational Design, and Strategic HR. In 2021, he concluded a 12-year tenure leading Fractured Atlas, a $30M, entirely virtual non-profit technology company and the largest association of independent artists in the U.S., where he served in both the Chief Operating Officer and Co-CEO roles (part of a four-person, shared, non-hierarchical leadership team), and was deeply involved in its work to become an anti-racist, anti-oppressive organization since they made that commitment in 2013. Earlier in his career, Tim was the Executive Director of The Parsons Dance Company and of High 5 Tickets to the Arts in New York City, had a memorable stint with the Cincinnati Symphony Orchestra, was a one-time classical trombonist, musicologist, and for five years in his youth he delivered newspapers for the Evansville, Indiana Courier-Press. Learn more on LinkedIn.
Get books and see more here: http://karenswain.com/tanis-helliwell/ Today we discuss with Tanis Helliwell her latest Book; The Leprechaun's Story. Tanis Helliwell has seen and heard elementals, angels, and master teachers in other dimensions since she was a child. She is the author of many books, an Inspirational speaker, presenting at many conferences around the world. Tanis was a faculty member of the Banff Centre for Leadership for over 20 years, has taught and trained in the corporate world, and been a consultant to business, universities, medical organisations and government. In 2000, she founded the International Institute for Transformation, which offers programs to assist individuals in becoming conscious creators, working with the spiritual laws that govern our world. Books include; * Good Morning Henry: an in-depth journey with the body intelligence. * High Beings of Hawaii: encounters with mystical ancestors. * Hybrids: so you think you are human. * Summer with the Leprechauns: a true story. * Pilgrimage with the Leprechauns: a true story of a mystical tour of Ireland. * Decoding Your Destiny: Keys to humanity's spiritual transformation. * Manifest Your Soul's Purpose. * Embraced by Love: Poems. Her books have been translated into 8 languages. https://www.tanishelliwell.com/ Appreciate KAren's work Awakening Consciousness? THANK YOU for your Support. Share the love on this link https://www.paypal.me/KArenASwain. THANK YOU for SHARING these conversations, we present them to you completely FREE with NO Ads! Please spread the LOVE and Wisdom. Visit KAren's website here https://karenswain.com/ Follow us on all our platforms https://linktr.ee/KArenSwain JOIN our Facebook group https://www.facebook.com/groups/AwakeningEmpowermentNetwork/
In this episode, podcast co-hosts Tim Cynova and Lauren Ruffin discuss recent pay transparency law changes that require companies to disclose pay ranges, as well as the laws' potential to shift power and information sharing in workplaces. They explore the importance of clearly defining job requirements and the benefits of fixed-tier compensation to ensure equal – if not entirely *equitable* – pay. Lauren addresses the issues of location-based pay adjustments and speculates that increased transparency may lead to more organizations unionizing. Tim highlights the ongoing reevaluation of work's value and the need for businesses to adapt to Long COVID by creating more inclusive and equitable environments. They end the episode with a cliffhanger and agree to revisit this topic as the laws' effects become clearer.Lauren Ruffin (she/her) is a thinker, designer, & leader interested in building strong, sustainable, anti-racist systems & organizations. She's into exploring how we can leverage new technologies to combat racial and economic injustice. She frequently participates in conversations on circular economies, social impact financing, solidarity movements, and innovative, non-extractive financing mechanisms. Lauren is an Associate Professor of Worldbuilding and Visualizing Futures at Arizona State University and a co-founder of CRUX, an immersive storytelling cooperative that collaborates with Black artists as they create content in virtual reality and augmented reality (XR). Lauren was co-CEO of Fractured Atlas, the largest association of independent artists in the United States. In 2017, she started Artist Campaign School, a new educational program that has trained 74 artists to run for political office to date. Lauren has served on the governing boards of Black Innovation Alliance, Black Girls Code, and Main Street Phoenix Cooperative, and on the advisory boards of ArtUp and Black Girl Ventures. She graduated from Mount Holyoke College with a degree in Political Science and obtained a J.D. from the Howard University School of Law. Learn more on LinkedIn.Tim Cynova (he/him) is the Principal of Work Shouldn't Suck, an HR and org design consultancy helping to reimagine workplaces where everyone can thrive. He is a certified Senior Professional in Human Resources (SPHR) and a trained mediator, and has served on the faculty of Minneapolis College of Art & Design, the Banff Centre for Arts & Creativity (Banff, Canada) and The New School (New York City) teaching courses in People-Centric Organizational Design, and Strategic HR. In 2021, he concluded a 12-year tenure leading Fractured Atlas, a $30M, entirely virtual non-profit technology company and the largest association of independent artists in the U.S., where he served in both the Chief Operating Officer and Co-CEO roles (part of a four-person, shared, non-hierarchical leadership team), and was deeply involved in its work to become an anti-racist,...
In part 2 of this episode, Alan shared anecdotes of working with world-class dancers and choreographers at New York City Ballet, including the legendary choreographer Jerome Robbins. Throughout his 28-year career as a soloist for the ballet company and with their chamber group called “Moves,” he has performed concerti and solo repertoire in prominent concert venues worldwide. Mr. Moverman holds a master's from The Juilliard School and a doctorate from SUNY Stony Brook University. He has been an artist-fellow at the Banff Centre for Arts and Creativity. As a musician for dance, he has worked closely with the most celebrated choreographers, such as Alexei Ratmansky, Jerome Robbins, Justin Peck, and more.
For this episode, I'm taking you, TPP friends and listeners, exclusively on a quick trip to NYC's famous Lincoln Center, and more specifically, the backstage of the David H. Koch Theater -- home to one of the most celebrated ballet companies in the world, New York City Ballet! I was privileged to interview Dr. Alan Moverman, a New York City Ballet Piano Soloist. Throughout his 28-year career as a soloist for the ballet company and with their chamber group called “Moves,” he has performed concerti and solo repertoire in prominent concert venues worldwide. Mr. Moverman holds a master's from The Juilliard School and a doctorate from SUNY Stony Brook University. He has been an artist-fellow at the Banff Centre for Arts and Creativity. As a musician for dance, he has worked closely with the most celebrated choreographers, such as Alexei Ratmansky, Jerome Robbins, Justin Peck, and more. In the first half of this episode, we covered topics as follows:
A resonating Blind Shovel, this one with multi-faceted musician Mingjia Chen. We discuss the relationship between drawing and music, true rest, mark-making as musical inspiration, and much more.Mingja is a Beijing-born and LA-based musician who has lectured at the University of Toronto, and taught private lessons at the Humber College of Music, from where she holds a Bachelor of Music. She is an alumnus of the Banff Centre's International Workshop in jazz and contemporary music, and a recipient of Ontario Arts Council grants, Toronto Arts Council grants, and the 2018 Oscar Peterson Prize. Whe is currently pursuing her masters in composition at the University of Southern California. Mingjia's links:www.mingjiamusic.comHeader image: Meg Moon, "Mingjia Chen", 2022
Margo is joined by cultural leader, oral historian and documentarian Mi'Jan Celie Tho-Biaz, Ed.D. who shares narratives of personal transformation and community change.To say this historian's own history is distinguished is an understatement: Mi'Jan curated and hosted Unfinished Network's first 2022 public salon on the theme of multiracial democracy, with CNN's Van Jones and MSNBC's Maria Teresa Kumar. She also designed and led the Gloria Steinem Initiative's public policy digital storytelling pilot at Smith College, and served as a New Mexico Humanities Council Scholar. Mi'Jan has held Visiting Scholar appointments at Columbia University and New York University and served as faculty in the Cultural Leadership program at The Banff Centre in Canada. Currently Mi'Jan serves as faculty with Omega Institute, co-host for the National Art Education Association's podcast, as well as principal oral historian and public art curator for Policy Link's California BIPOC Liberation Stories Project. She works with communities across the themes of sovereignty, transformation, liberation, healing and love. Margo and Mi'Jan discuss: What it means to be an oral historian What her work and creative practice looks like California BIPOC liberation stories How she designs her year Out of body experiences she would have during keynote storytelling The art of slowing down and why it became critical to her practice The intersectionality of creative and spiritual practices Mi'Jan is best known for connecting with audiences through her visionary, story-rich talks at a range of institutions, from Carnegie Hall to the Institute of American Indian Arts to SXSW. Her goal? To make the historical contemporary and personal, while surfacing the marginalized stories that need to be heard. Connect with Mi'Jan: www.mijancelie.comakers/mijan-celie-tho-biaz/ Mi'jan's Monthly Newsletter Bimonthly Professional Development Interview Series: National Art Education Association's Connected Arts Networks 8-part podcast series: www.freshspeakers.com/spe https://www.eomega.org/people/mijan-celie-tho-biaz
Pauline Holdstock is an award-winning Canadian author, originally from the UK. She writes literary fiction, essays, and poetry. Her novels have been published in the UK, the US, Brazil, Portugal, Australia, and Germany. In Canada, her work has been shortlisted for a number of awards, including the Best First Novel Award, the Commonwealth Writers' Prize and the Scotiabank Giller Prize. Pauline's essays and book reviews appear in Canada's national newspapers and have been broadcast on CBC radio. Pauline has served on faculty of the Victoria School of Writing, the University of Victoria, and the Banff Centre for the Arts. She lives on Vancouver Island. http://paulineholdstock.com/Local Books Feature: The Principal ChroniclesDavid Garlick is a retired educator who spent fourteen years of his thirty-three year career as a high school principal. His long-suffering wife has no idea what he does to cause the incidents he writes about that always seem to happen to him, but he must do 'something.' She's been saying this for more than thirty-two years. They live together in Windsor, Ontario. He has been denied entry into the National Curmudgeon Club, because he always gives the neighbour kids' balls back when they're kicked over his fence. Availability: The print book is available at: FriesenPressAmazonBarnes & Noble And the eBook is available at: KoboGoogle PlayNookApple Books
The youngest of six children, Lisa Cupolo grew up in the Honeymoon Capital of the World: Niagara Falls, Canada. At thirteen, she was diagnosed with Juvenile Rheumatoid Arthritis, and spent much of her teens and twenties battling illness. She has spoken about how this trial was actually one of the blessings of her life, because it led her to writing. She learned to escape, creating stories when reality got difficult, and she imagined herself living the lives of her characters, and in the real world, she became an observer. Always a spiritual seeker, Lisa has a BA in philosophy from The University of Western Ontario. In her second year, her single mother put a second mortgage on their suburban home so Lisa could study in Nice, France. That changed everything. She spent the next decade in Europe and her health improved dramatically. She completed a graduate degree in Portrait Photography from The London Institute in England and worked a stint as a paparazzi photographer in London and published celebrity photos in Hello Magazine and The Daily Telegraph and travel shots with Dorling Kindersley and Thomas Cook travel guidebooks. She continued to dream of being a writer.Back in Canada, her professional life turned toward championing artists, as a photo editor at a stock agency in Toronto and at the Banff Centre for the Arts supporting visual artist residencies. She spent a year in Kisumu, Kenya working at an orphanage and traveling in east Africa and eastern Europe. After reading Carol Shield's novel, "Unless," Lisa knew she had to pursue her passion for writing and was offered an entry level job at HarperCollins back in Toronto. While there, she wrote in the early mornings before work. In time, she became a literary publicist and represented some of her favorite writers: Elmore Leonard, Neil Gaiman, Lionel Shriver, Helen Humphreys, among others, and threw some terrific literary parties with Brick Magazine. When she met her husband, writer Richard Bausch, Lisa moved to Memphis, Tennessee, where they had their daughter Lila. She completed an MFA in fiction at the University of Memphis and began publishing stories and finished her novel. They now live in Southern California and Lisa is at work on a memoir and teaches creative writing at Chapman University. For more information on Writers on Writing and additional writing tips, visit our Patreon page. To listen to past interviews, visit our website. (Recorded in December 2022) Host: Barbara DeMarco-BarrettCo-Host: Marrie StoneMusic and sound design: Travis Barrett
A conversation with Canadian stage director and artistic director of Against the Grain Theatre, artistic director of Edmonton Opera and Program Director for Opera at the Banff Centre, Joel Ivany - www.atgtheatre.com
Meg Matich is a poet and translator in Reykjavik. She earned her Master's of Fine Arts from Columbia University and has received support for her work from the Banff Centre, PEN America, and the Fulbright Commission, and she is a frequent collaborator with Reykjavik UNESCO and a friend of UNESCO Lviv. Meg is the author of the poetry chapbook COLD (2022 Eulalia Books). Among other projects, Meg has collaborated with poet Magnús Sigurðsson on an anthology of Icelandic poetry, translated a book of essays in honor of former President Vigdís Finnbogadóttir, and translated the 2021 novel Magma. Meg is one of a few immigrants in the Icelandic Writers' Union and considers that membership quintessential to her life in Iceland. Meg's Most Recent Book She Translated If you haven't already, I highly recommend listening to the podcast episode I did with the Auður Jónsdóttir, author of Quake. Questions I Asked Meg Matich During the Interview You were born and raised in the US, what inspired you to move to Iceland? What has your experience been like living in Iceland? You are poet, which is awesome. Where do you get ideas for your poetry? You have translated many poems, a book of essays in honor of the former president Vigdís Finnbgadóttir, and the book Magma, just to name a few. What is your process when you are translating? You are one of the few immigrants in the Icelandic Writer's Union. Was it difficult to get into? What advice do you have for people that want to be translators? What advice do you have for people who want to move to another country? What is your favorite Icelandic word or phrase? Meg Matich mentioned meeting Kári Stefánsson, an Icelandic pioneer in human genetics that I interviewed some years ago. Click here to listen to that fascinating interview with him. Share This Post Facebook Email Twitter Þakka þér kærlega fyrir að hlusta og sjáumst fljótlega Let's Be Social Youtube Tiktok Instagram Facebook
Nada Alic is a writer in Los Angeles. Her debut story collection BAD THOUGHTS is out July 12, 2022 (Vintage). From 2014-2016 she collaborated with artist, Andrea Nakhla on an art and fiction book series called “Future You,” featured in Urban Outfitters, Cool Hunting, The Rumpus and elsewhere. In 2019, her short story, “The Intruder” was shortlisted for the CBC Short Story Prize. That summer, Nada attended the Banff Centre for the Arts writing residency. In 2020, She received a literary grant from the Canada Council for the Arts. Previously, Nada was an editorial director and community manager for brands such as Etsy, Society6, Gap Inc and Athleta. For nearly a decade, she championed independent artists by creating opportunities to help them grow. Through education and partnerships with non-profits like Planned Parenthood, Girlschool and PS ARTS, she advocated for the growth, well-being and recognition of artists from all disciplines. You can find out more about her work on her website: http://www.nadaalic.com/ OR On her Twitter: @nadaalic Intro beats by God'Aryan
I get slightly dizzy thinking about trumpeter Dave Douglas' creative output. He is a performer, a recording artist whose release record is prolific, an educator (including a ten-year stint as artistic director of the Workshop in Jazz and Creative Music at The Banff Centre in Canada), and a pioneer of artist-run labels with Greenleaf Music which is nearly 20 years old. His musical collaborations are many and varied, including revered artists like Joe Lovano, Linda May Han Oh, Bill Frisell, and vocalist Aoife O'Donovan. We talk about his 2022 albums "Secular Psalms" and "Overcome", his outlook on recording and juggling several projects simultaneously, and his advice for musicians pitching record labels. Show Notes: Tracklisting: - Arrival - We Shall Overcome (feat. Fay Victor) - Pythagoras (with Sound Prints) - We Believe - Hermits and Pilgrims Find Dave's music at: https://greenleafmusic.com/ Festival of New Trumpet Music Website Theme music by The Respect Sextet Follow The Jazz Session on Twitter, Instagram and Facebook Subscribe to The Jazz Session's YouTube Channel Support The Jazz Session by becoming a member at Patreon. For $5 a month you'll get a weekly bonus episode called Track of the Week, plus early access to every show. For $10 a month you get all that plus an extra monthly bonus episode of “The Insider”, a spin-off interview series where Nicky chats to jazz industry insiders (broadcasters, artist agents, label heads, journalists) about the nuts and bolts of the business.
I get slightly dizzy thinking about trumpeter Dave Douglas' creative output. He is a performer, a recording artist whose release record is prolific, an educator (including a ten-year stint as artistic director of the Workshop in Jazz and Creative Music at The Banff Centre in Canada), and a pioneer of artist-run labels with Greenleaf Music which is nearly 20 years old. His musical collaborations are many and varied, including revered artists like Joe Lovano, Linda May Han Oh, Bill Frisell, and vocalist Aoife O'Donovan. We talk about his 2022 albums "Secular Psalms" and "Overcome", his outlook on recording and juggling several projects simultaneously, and his advice for musicians pitching record labels. Show Notes: Tracklisting: - Arrival - We Shall Overcome (feat. Fay Victor) - Pythagoras (with Sound Prints) - We Believe - Hermits and Pilgrims Find Dave's music at: https://greenleafmusic.com/ Festival of New Trumpet Music Website Theme music by The Respect Sextet Follow The Jazz Session on Twitter, Instagram and Facebook Subscribe to The Jazz Session's YouTube Channel Support The Jazz Session by becoming a member at Patreon. For $5 a month you'll get a weekly bonus episode called Track of the Week, plus early access to every show. For $10 a month you get all that plus an extra monthly bonus episode of “The Insider”, a spin-off interview series where Nicky chats to jazz industry insiders (broadcasters, artist agents, label heads, journalists) about the nuts and bolts of the business.