American science fiction and fantasy writer
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5 episodes with Paolo Bacigalupi
9 episodes with Paolo Bacigalupi
6 episodes with Paolo Bacigalupi
3 episodes with Paolo Bacigalupi
3 episodes with Paolo Bacigalupi
2 episodes with Paolo Bacigalupi
2 episodes with Paolo Bacigalupi
2 episodes with Paolo Bacigalupi
2 episodes with Paolo Bacigalupi
Paolo Bacigalupi is an internationally bestselling author of speculative fiction. He has won the Hugo, Nebula, World Fantasy, John W. Campbell and Locus Awards, as well as being a finalist for the National Book Award and a winner of the Michael L. Printz Award for Excellence in Young Adult Literature. Paolo's work often focuses on questions of sustainability and the environment, most notably the impacts of climate change. He has written novels for adults, young adults, and children, and his new book is Navola. Learn more about your ad choices. Visit megaphone.fm/adchoices
Academics from everywhere experiment, collaborate, and even interpret our stories of "This one time at Burning Man."In this episode, Stuart talks with people from Burning Nerds, an annual gathering of academics in Black Rock City. They keep it light, though; not too many unnecessarily fancy words. Dr Jukka-Pekka Heikkilä shares about the Open Strategy management technique used by Burning Man Project that gives more power to the people. Bryan Yazell and Patricia Wolf of University of Southern Denmark report on using Flash Fiction in BRC to develop a new subgenre of sci-fi called climate fiction (‘cli-fi'), stories that are less dystopian, even less utopian, more protopian (fancy word) about society that improves over time, rather than transcending all it's problems or descending into dysfunction.Professor Matt Zook of University of Kentucky extols the unique aspects of Black Rock City, from materiality to temporality, to being a place apart. He and Stuart explore the interplay between digital and physical spaces, and what about community actually makes it good.Then Jukka-Pekka Heikkilä returns to reveal how the Burning Stories project, now in its 6th year of tracking tales, is now a cultural repository, and is training a gifted AI on how Burners be Burning.jukkapekka.comsdu.dk/en/persons/yazellsdu.dk/en/persons/pawogeography.as.uky.edu/users/zookburningman.org/programs/philosophical-center/academicsregionals.burningman.org/european-leadership-summitburning-stories.comkk.org/thetechnium/protopiasdu.dk/en/paca-at-burning-man-festival-2024 LIVE.BURNINGMAN.ORG
This week, host Jason Jefferies is joined by award winning author Paolo Bacigalupi, who discusses his new novel Navola, which is published by our friends at Alfred A. Knopf Publishers. Topics of conversation include the intersection of The Godfather and Game of Thrones, items with mythological powers, dragon eyes, Renaissance Italy, doubting one's parents, reliable narrators, servants, and much more. Copies of Navola can be purchased here from Page 158 Books in Wake Forest, NC.
Most writers either have or will have a failed or abandoned book project—or two, or three, or four—over the course of their lifetimes. The more you write, the more crisis moments you'll face. It can be hard to come back from those moments, which is why this week's episode with Paolo Bacigalupi is so encouraging. He shares with us his journey back from the edge of despair, having lost all motivation to write—and how he found his way to his latest book, Navola. This inspiring episode closes out our fifth season, and includes tips for world-building and wise words about this existential question so many of us face: why write. Learn more about your ad choices. Visit megaphone.fm/adchoices
In this episode, we get excited about two books: Maria: A Novel of Maria von Trapp by Michelle Moran and Navola by Paolo Bacigalupi. Then Dave delves into the mystery of Mongol warrior Genghis Khan's lost tomb. Links Maria: A Novel of Maria von Trapp by Michelle Moran Michelle Moran's website Maria by Maria von Trapp on Internet Archive Podcast: Theater: Act One, Scene I, Lights Up Navola by Paolo Bacigalupi Paolo Bacigalupi's website Burial place of Genghis Khan Why Genghis Khan's Tomb Can't Be Found Podcast — Mongolia: Under the Eternal Blue Sky The Mongol's Coffin by E. Chris Ambrose Transcript of this episode. The Library of Lost Time is a Strong Sense of Place Production! https://strongsenseofplace.com Join our FREE Substack to get our (awesome) newsletter and join in chats with other people who love books and travel. Do you enjoy our show? Do you want to make friends with other (lovely) listeners? Please support our work on Patreon. Every little bit helps us keep the show going and makes us feel warm and fuzzy inside - https://www.patreon.com/strongsenseofplace As always, you can find us at: Our site Instagram Substack Patreon Parts of the Strong Sense of Place podcast are produced in udio! Some effects are provided by soundly. Learn more about your ad choices. Visit megaphone.fm/adchoices
Join co-hosts Adrian M. Gibson and M.J. Kuhn as they delve into a mini-masterclass on Deep Worldbuilding with award-winning author Paolo Bacigalupi. During the episode, Paolo delves deep into worldbuilding, laying out how to create immersive worlds, his worldbuilding process, deep vs. broad worldbuilding, keeping track of details, lived-in worlds, worldbuilding in YA and short stories, “stacking” world/plot/character and more. NOTE: This is part two of a two-part chat with Paolo. Click here to check out part one. OUR SPONSOR: The Dryad's Crown is a multi-generational epic fantasy tale of love and loss, an emotional, coming-of-age debut and the first volume in a gritty saga set in the immersive world of Efre Ousel. Purchase The Dryad's Crown by David Hopkins HERE in paperback, eBook and audiobook. For more information, follow David on Twitter. Thank you to David for supporting SFF Addicts at $40 on Patreon. SHOUTOUT TO THE 'SFF ADDICT' PATRONS: Thank you David Hopkins, Luke F. Shepherd, Daniel Ryan, Zach Parker, Christopher R. DuBois and Luke A. Winch for supporting us on Patreon at $10+. SUPPORT THE SHOW: - Patreon (for exclusive bonus episodes, author readings, book giveaways and more) - Merch shop (for a selection of tees, tote bags, mugs, notebooks and more) - Subscribe to the FanFiAddict YouTube channel or check us out on Spotify, where this and every other episode of the show is available in full video - Rate and review SFF Addicts on your platform of choice, and share us with your friends EMAIL US WITH YOUR QUESTIONS & COMMENTS: sffaddictspod@gmail.com ABOUT OUR GUEST: Paolo Bacigalupi is the award-winning author of The Windup Girl, The Water Knife, Pump Six and Other Stories, Ship Breaker and much more. His newest release is Navola, which you can purchase here. Find Paolo on Twitter, Amazon, Facebook or his personal website. ABOUT OUR HOSTS: Adrian M. Gibson is a podcaster, writer and illustrator. His debut novel, Mushroom Blues, is available now to purchase on Amazon in paperback, eBook and hardcover. Find Adrian on Twitter, Instagram, Amazon or his personal website. M.J. Kuhn is the author of Among Thieves, her debut novel, and its sequel Thick as Thieves. Find M.J. on Twitter, Instagram, TikTok or her personal website. FOLLOW SFF ADDICTS: FanFiAddict Book Blog Twitter Instagram MUSIC: Intro: "Into The Grid" by MellauSFX Outro: “Galactic Synthwave” by Divion Ad: "Ensom Lokk" by Sissel Morken Gullord / "Ancient Life" by wildsound159
Paolo Bacigalupi discusses his novel Navola.
This week on the Regional Roundup, we hear a two way interview with best-selling author and Paonia native, Paolo Bacigalupi, produced by KBUT. We also hear a feature on finding solutions to polarized politics, a recent forum at the Aspen Ideas Festival, produced by Aspen Public Radio. And we finish up with a presentation on evaluating media in the age of disinformation, produced by KSJD.
Join co-hosts Adrian M. Gibson and M.J. Kuhn as they chat with award-winning author Paolo Bacigalupi about his new novel Navola, his breakout hit The Windup Girl, Renaissance Italy, languages and cultural immersion, reading resonance and education, near-future settings and climate fiction, research and lived experience, transitioning into fantasy, burnout, discovery writing and much more. NOTE: This is part one of a two-part chat with Paolo. Stayed tuned next week for his mini-masterclass on Deep Worldbuilding. OUR SPONSOR: The Dryad's Crown is a multi-generational epic fantasy tale of love and loss, an emotional, coming-of-age debut and the first volume in a gritty saga set in the immersive world of Efre Ousel. Purchase The Dryad's Crown by David Hopkins HERE in paperback, eBook and audiobook. For more information, follow David on Twitter. Thank you to David for supporting SFF Addicts at $40 on Patreon. SHOUTOUT TO THE 'SFF ADDICT' PATRONS: Thank you David Hopkins, Luke F. Shepherd, Daniel Ryan, Zach Parker, Christopher R. DuBois and Luke A. Winch for supporting us on Patreon at $10+. SUPPORT THE SHOW: - Patreon (for exclusive bonus episodes, author readings, book giveaways and more) - Merch shop (for a selection of tees, tote bags, mugs, notebooks and more) - Subscribe to the FanFiAddict YouTube channel or check us out on Spotify, where this and every other episode of the show is available in full video - Rate and review SFF Addicts on your platform of choice, and share us with your friends EMAIL US WITH YOUR QUESTIONS & COMMENTS: sffaddictspod@gmail.com ABOUT OUR GUEST: Paolo Bacigalupi is the award-winning author of The Windup Girl, The Water Knife, Pump Six and Other Stories, Ship Breaker and much more. His newest release is Navola, which you can purchase here. Find Paolo on Twitter, Amazon, Facebook or his personal website. ABOUT OUR HOSTS: Adrian M. Gibson is a podcaster, writer and illustrator. His debut novel, Mushroom Blues, is available now to purchase on Amazon in paperback, eBook and hardcover. Find Adrian on Twitter, Instagram, Amazon or his personal website. M.J. Kuhn is the author of Among Thieves, her debut novel, and its sequel Thick as Thieves. Find M.J. on Twitter, Instagram, TikTok or her personal website. FOLLOW SFF ADDICTS: FanFiAddict Book Blog Twitter Instagram MUSIC: Intro: "Into The Grid" by MellauSFX Outro: “Galactic Synthwave” by Divion Ad: "Ensom Lokk" by Sissel Morken Gullord / "Ancient Life" by wildsound159
You'll often hear that some immigrants arrive in the U.S. with nothing. But a new cookbook, Cocina Libre defies that, brimming with recipes from Venezuelan, Ukrainian, Afghan and Ethiopian immigrants in Colorado. Then, why the Southern Ute tribe is suing Colorado over sports betting. And, Paonia author Paolo Bacigalulpi takes a break writing about climate change to focus on a fantasy novel, "Navola." Plus, preserving Dearfield, and finding friends through Denverite's Classifieds.
You'll often hear that some immigrants arrive in the U.S. with nothing. But a new cookbook, Cocina Libre defies that, brimming with recipes from Venezuelan, Ukrainian, Afghan and Ethiopian immigrants in Colorado. Then, why the Southern Ute tribe is suing Colorado over sports betting. And, Paonia author Paolo Bacigalulpi takes a break writing about climate change to focus on a fantasy novel, "Navola." Plus, preserving Dearfield, and finding friends through Denverite's Classifieds.
“I had built up a lot of don'ts in my head about writing,” says bestselling author Paolo Bacigalupi. In this episode, we speak with the speculative fiction novelist about how he went from wondering if he would ever write again to publishing his new book, NAVOLA. We cover daily habits, discipline, pleasure, and meeting the negative voices in your head. Paolo Bacigalupi is an internationally bestselling author of speculative fiction. He has won the Hugo, Nebula, World Fantasy, John W. Campbell and Locus Awards, as well as being a finalist for the National Book Award and a winner of the Michael L. Printz Award for Excellence in Young Adult Literature. Paolo's work often focuses on questions of sustainability and the environment, most notably the impacts of climate change. He has written novels for adults, young adults, and children, and his new book NAVOLA releases July 9, 2024. He can be found online at windupstories.com. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit emergingform.substack.com/subscribe
Co-editors Linda Ditchkus and Paul Martz discuss the new Rocky Mountain Fiction Writers Anthology: "WITHOUT BRAKES: Fingers Crossed," a multi-genre collection of stories by noted authors including Paolo Bacigalupi.
Tale of The Manticore, a Dark Fantasy Dungeons & Dragons Audiodrama
Bestselling author Paolo Bacigalupi joins me to talk about rpgs and his new book, Navola.
Hello PKD fans. We're back with the next straight novel written early in PKD's career but published after his death. This is an interesting take on an extramarital affair. We are joined by PKD collector and scholar Frank Hollander to discuss this odd semi-autobiographical effort. Plus: Relatively long. Paul Giamatti. And Swimming with Sharks. •Our Patreon ►► http://www.patreon.com/LanghorneJTweed •Electric Larryland Discord ►► https://discord.com/channels/557458722268643329 •David's YouTube Channel ►► https://www.youtube.com/user/Veganrevwithzombies/ •D. Harlan Wilson's Website: ►► https://dharlanwilson.com/ Dicklike Suggestions: David A. Pick(s) • The Circumference of the World by Lavie Tidhar ►► https://www.goodreads.com/book/show/128409125-the-circumference-of-the-world?ac=1&from_search=true&qid=HSXlpOLgoj&rank=5 Langhorne's Pick(s) • Eternal Threads ►► https://store.steampowered.com/app/1046790/Eternal_Threads/ Wilson's Pick(s) • Mad God ►► https://www.imdb.com/title/tt15090124/?ref_=vp_vi_tt Frank's Pick(s) • The Windup Girl by Paolo Bacigalupi ►► https://www.goodreads.com/book/show/6597651-the-windup-girl FIND US: Twitter ►► https://twitter.com/Dickheadspod Facebook ►► https://www.facebook.com/Dickheadspodcast/ Soundcloud ►► https://soundcloud.com/dickheadspodcast Instagram ►► https://www.instagram.com/dickheadspodcast/ YouTube ►► https://www.youtube.com/channel/UC5…UlAAoWtLiCg --- Send in a voice message: https://podcasters.spotify.com/pod/show/dickheadspodcast/message Support this podcast: https://podcasters.spotify.com/pod/show/dickheadspodcast/support
The distinguished Hugo, Nebula, World Fantasy, and Locus Award winner Paolo Bacigalupi joins us this week to talk about his forthcoming historical fantasy Navola, as well as the challenges of shifting from a focus on environmental SF to epic fantasy, the liberation that comes from being able to invent a world (and partly a language) that echoes Florentine history without being bound by it, the importance of following one's own choices and needs in writing fiction, and his own earlier classics like The Windup Girl and The Water Knife. We run a bit longer than usual, but that's a measure of how fascinating it is to chat with Paolo.
In this episode, we share what we learned from sessions at the Mountain Words Festival in Crested Butte, CO focused on world building. While it's typically discussed heavily amongst science fiction and fantasy writers, we discovered there's a lot that can be applied to writing in other genres. The sessions featured authors Olivia Chadha and Paolo Bacigalupi. Connect with us!Join our Inspired Writer's Group on Facebook! Join our email list for first to know information about weekly podcast episodes, writing tips, and upcoming offers!Schedule a coffee chat with Elizabeth or Stephanie! To get more information about joining our Inspired Writer Collective Membership community click here.If you prefer video versions of the podcast or want to leave a comment on this specific episode, you can find all of them on our YouTube channel.
Ever wanted to find out what a world run by r/Childfree would be like? Look no further than Paolo Bacigalupi's short story, Pop Squad. Stephen Mazur returns to talk about the future the Left wants
With plans for are promised chat with Elizabeth Hand and Alix E. Harrow on temporary hold, Jonathan and Gary share some pleasant memories of the World Fantasy Convention, muse about whether the nature of conventions has changed in the wake of the pandemic, and speculate about next year's events in Glasgow, Niagara Falls, and elsewhere. They then touch upon some books they're looking forward to in 2024, including novels by Kelly Link, Nisi Shawl, Peter S. Beagle, and Paolo Bacigalupi, and some titles they'd recommend from 2023, including novels by Ian McDonald, Nina Allan, Geoff Ryman, Christopher Priest, Francis Spufford, Wole Talabi, and Nicola Griffith, as well as a few story collections, anthologies, and nonfiction books. By the end, it almost all comes into some sort of focus.
Stories are the way we remember, the way we share knowledge, the way we play out possible outcomes. Climate fiction imagines dark or bright futures depending on how we address the climate crisis. And there's a healthy debate about what kind of stories move more people to act: dark tales of a scary climate future or positive versions of a greener, more just world. “I think that if you want to create change in a democratic society, people have to believe that there is actually a threat,” says author Paolo Bacigalupi. Telling inclusive fictional stories of climate realities can also help us process the disruptions our world is experiencing, explore avenues for solutions, and become inspired to take our own form of action. Guests: Paolo Bacigalupi, author, “The Water Knife” Denise Baden, Green Stories Project; Professor of Sustainable Business at the University of Southampton; author, “Habitat Man” Tory Stephens, Climate Fiction Creative Manager, Grist This episode also features an excerpt of the audio recording of “The Cloud Weaver's Song,” written by Saul Tanpepper and recorded by Curio. For show notes and related links, visit https://www.climateone.org/audio/fairytales-and-fear-stories-our-future Learn more about your ad choices. Visit megaphone.fm/adchoices
Stories are the way we remember, the way we share knowledge, the way we play out possible outcomes. Climate fiction imagines dark or bright futures depending on how we address the climate crisis. And there's a healthy debate about what kind of stories move more people to act: dark tales of a scary climate future or positive versions of a greener, more just world. “I think that if you want to create change in a democratic society, people have to believe that there is actually a threat,” says author Paolo Bacigalupi. Telling inclusive fictional stories of climate realities can also help us process the disruptions our world is experiencing, explore avenues for solutions, and become inspired to take our own form of action. Guests: Paolo Bacigalupi, author, “The Water Knife” Denise Baden, Green Stories Project; Professor of Sustainable Business at the University of Southampton; author, “Habitat Man” Tory Stephens, Climate Fiction Creative Manager, Grist This episode also features an excerpt of the audio recording of “The Cloud Weaver's Song,” written by Saul Tanpepper and recorded by Curio. For show notes and related links, visit https://www.climateone.org/audio/fairytales-and-fear-stories-our-future Learn more about your ad choices. Visit megaphone.fm/adchoices
Episode 23: Join the Escape the Earth crew as we explore futuristic Thailand—a sweltering place with gene-spliced pineapples and creche-grown humans, where money is measured in Joules. In this month's discussion of Paolo Bacigalupi's The Windup Girl, the crew ponders the deep questions about impermanence, humanity's infernal tinkering, and whether or not genetically-engineered beings have souls. We also discuss some lab-grown culinary delights. Mammoth meatballs, anyone? Join the discussion with Escape the Earth: email: saplescapetheearth@gmail.com goodreads: www.goodreads.com/group/show/10939…escape-the-earth libguide: guides.mysapl.org/ETE
The inevitable collapse of global capitalism, it's inevitable return, and also woolly mammoths. Join the conversation on the Atoz forum. Support the network and gain access to over fifty bonus episodes by becoming a patron on Patreon. Want more science fiction in your life? Check out The Gene Wolfe Literary Podcast. Love Neil Gaiman? Join us on Hanging Out With the Dream King: A Neil Gaiman Podcast. Lovecraft? Poe? Check out Elder Sign: A Weird Fiction Podcast. Trekker? Join us on Lower Decks: A Star Trek Podcast. Want to know more about the Middle Ages? Subscribe to Agnus: The Late Antique, Medieval, and Byzantine Podcast.
0:08 — Ibram X. Kendi, founding director of the center for antiracist research at Boston university, where he's also Andrew W. Mellon professor in the humanities. His newest book is for kids: it's an adaptation of his memoir, now entitled How to be a (young) antiracist. 0:33 — Paolo Bacigalupi, Hugo-, Nebula-, and Locus Award-winning sci-fi author, discussing his 2015 book The Water Knife, a dystopian novel set in the midst of a devastating drought afflicting the Colorado River Basin. The post Ibram X. Kendi on “How to Be a (Young) Antiracist”; Plus, Paolo Bacigalupi on “The Water Knife” appeared first on KPFA.
I had the pleasure of speaking with Professor Denise Baden and Steve Willis on the latest episode of this podcast. Denise is a Professor of Sustainable Practice at the University of Southampton and runs the Green Stories project, which aims to communicate climate solutions through storytelling. Steve is the Director of Herculean Climate Solutions and helped produce the book "No More Fairy Tales: Stories to Save Our Planet" with Denise.In this episode, we dive into the power of storytelling and how fiction can be used to raise awareness and inspire action on the climate crisis. Denise and Steve share their approach to writing positive, solution-focused stories that address the lack of hopeful narratives in the climate fiction genre. The book features 24 stories by experienced writers (Kim Stanley Robinson, Andrew Dana Hudson, Paolo Bacigalupi, and more) in collaboration with climate experts and includes solutions such as personal carbon allowances and citizen assemblies.We also discuss the importance of moving away from the GDP metric and towards a Wellbeing Index or Happy Planet Index. Steve shares his idea of making the ocean an independent state to solve its problems and Denise highlights the potential for planting ocean vegetation. They both hope their writing will inspire people to think about these solutions and take action.Denise shares the inspiration behind the anthology and how she balanced the need for entertainment with communicating climate solutions. She and Steve have big dreams of turning the stories into a Netflix series. They also plan to promote the book and raise awareness of the need for action on the climate crisis.So, grab a pen and take notes! This episode is packed with inspiring ideas and solutions to the climate crisis. Don't forget to check out the accompanying website for the book, which offers audio versions of the stories and links to ways to make the solutions a reality.Support the showPodcast supportersI'd like to sincerely thank this podcast's generous supporters: Lorcan Sheehan of PerformanSC Anthony (Tony) Raftis of Nano Watt Solutions Paul Walsh Hal Good And remember you too can Support the Podcast - it is really easy and hugely important as it will enable me to continue to create more excellent Climate Confident episodes like this one.ContactIf you have any comments/suggestions or questions for the podcast - get in touch via direct message on Twitter/LinkedIn. If you liked this show, please don't forget to rate and/or review it. It makes a big difference to help new people discover the show. CreditsMusic credit - Intro and Outro music for this podcast was composed, played, and produced by my daughter Luna JuniperThanks for listening, and remember, stay healthy, stay safe, stay sane!
Rachna Nath tells us why we " Should believe that destiny will lead us", why we "Shouldn't be afraid of failure" and that " If you believe in something, make it happen " hosted by Diana White. About Rachna Nath Rachna Nath is a TIME recognized Innovative teacher and is also an internationally recognized innovator, entrepreneur, NASA solar system Ambassador, National Geographic Educator, grant writer and a STEM enthusiast. She is also the coauthor of the SDG4 Corporate handbook set forward by the United Nations. She has two master's degrees, first one in Entomology (Insect Science) and the second one in Biology (Developmental Genetics) from Arizona State University working with Honey Bee Exocrine gland ontology. She has won the Teacher of the Year by JSHS (sponsored by the US armed forces), Governors Celebration of Innovation Award, Global Innovation Award from TURNITIN, Honorable Mention for the Presidential Innovation Award for Environment Educators in the United States, two Excite Awards from Lemelson-MIT foundation to mention a few. She has also been invited to join the “Imaginary College” as an honorary member (Center for Science and Imagination) at ASU along with world renowned elite Philosophers like Margaret Atwood, Paolo Bacigalupi and many more. She has been featured as one of the fifty 2021 Women in MILLION STEM, Entrepreneur Magazine, “Chandler Lifestyle 2020 Women of Chandler” recognized at the “Women in Leadership Conference” by the Chandler Chamber of Commerce, Phoenix Arizona. Some other features are in Thrive Global, Authority Magazine as Inspirational Women in STEM. She has also received grants from Bill and Melinda Gates foundation, Healthy Urban Environments, FLINN foundation, NSF, Department of Defense, Arizona Recycling Coalition, Society for Science and the Public, Chandler Education Foundation and the list goes on. Her entrepreneurship ventures, through her program DRIPBL (Dream Research Innovate Problem/Project Based Learning) has led her to open up many companies with her students. One of the most prominent one is www.oxiblast.in which is a three-generation women entrepreneurship. Her 14-year-old daughter and 12-year-old son are both #1international bestseller and well recognized musicians as well. She works with young entrepreneurs to make their dreams come true by working with the community partners and helping patent their ideas. Rachna has a network of trusted IT professionals, lawyers, community helpers who help bring dreams to reality for 9th to 12th grade students who are invested in critical thinking, problem solving and giving back to the community by solving real world problems. She has 3 patents pending from such students in various prototypes from Anti-VOC scent bags to Heat stress monitoring devices. Rachna also does a lot of volunteering work talking about honeybees at various festivals, has contributed her time in mask making during the COVID19 pandemic and also runs a dance school “Sangeeta Nritya Academy” in US which she has dedicated to her Guru Sangita Hazarika in Assam, India. She is a force to be reckoned with and she is not stopping anytime soon. Episode Notes Lesson 1: Believe that destiny will lead you to where your impact is most needed. 02:44 Lesson 2: Empowering students with curiosity is empowering the future. 04:50 Lesson 3: Be your own advocate, value yourself, and pamper yourself. 07:03 Lesson 4: Never confuse standing up for yourself with being disrespectful. 11:28 Lesson 5: Patience is a virtue but can become a vice if you practice it too much.15:21 Lesson 6: Looking for contentment and making your passion your job is worth more than money.21:23 Lesson 7: Make a list of priorities in your life and allot time for each of them based on your priority 27:30 Lesson 8: If you believe in something, make it happen 33:47 Lesson 9: Don't be scared of the negativity or failure in life, make it a learning moment. 35:22 Lesson 10: Keep growing in your field and never be afraid of change but embrace it. 41:03
In this week's episode, host Daniel Raimi talks about drinking water with Gregory Pierce, the codirector of the Luskin Center for Innovation at the University of California, Los Angeles. Pierce discusses who has and who lacks clean drinking water in the United States, what factors have contributed to differing levels of access to clean water, the potential policies and investments that can help expand access to clean water, and the challenges that climate change and pollutants may pose to this expansion. References and recommendations: “Waste: One Woman's Fight Against America's Dirty Secret” by Catherine Coleman Flowers; https://thenewpress.com/books/waste “The Water Knife” by Paolo Bacigalupi; https://www.penguinrandomhouse.com/books/237233/the-water-knife-by-paolo-bacigalupi/
The vast majority of the world's fossil fuels have been expended, leading to a climate and economic catastrophe. In the aftermath, calories from food become the world's most important energy source, not only for human consumption, but also to power industry and technology. A few mega-corporations produce almost all the world's food, and have become the most powerful entities on earth, thriving by genetically engineering new foods, while also trying to destroy the competition by biohacking diseases to attack other sources of nutrition they don't control. The novel is set in a future version of Bangkok. Thailand is one of the few countries that has maintained its sovereignty from the calorie companies, but it has it's own troubles, and is plagued by corruption, rent-seeking, and factions struggling for control over the kingdom. The cast of characters is complex and full of deeply flawed people, all trying to get a piece of the pie in this land of relative prosperity. We can't remember ever reading a book so thoroughly populated by people who feel both real and so ruthlessly self-interested - it's brutal, but also so refreshing to read something so out of the ordinary! This book calls for a trigger warning - there are two fairly brutal sexual assault scenes that are quite disturbing. If you are reading a chapter with some bad things happening at a sex club, know that it will get worse before it gets better - you can skip to the next chapter to avoid those scenes.As always, we also recommend and discuss some similar books if you are looking for more great books to read:The Water Knife by Paolo BacigalupiOryx and Crake by Margaret AtwoodThe City and the City by China MiévilleOr you can choose to watch this episode on YouTube here instead.
We read and discuss the novelette Pump Six (2008) by Paolo Bacigalupi, a tragicomic story about the heroism of lowly public employees
Episode 19 : L'environnement et les fictions de l'imaginaire Ariel Kyrou, invité vedette de cette émission Gaïa se meurt ! L'urgence environnementale est désormais un thème récurrent qui rythme nos vies : réchauffement climatique, artificialisation des sols, montée des eaux, pollutions, risques nucléaires, extinction d'un grand nombre d'espèces vivantes. L'humanité fonce droit dans le mur. La prise de conscience a gagné du terrain, mais elle n'est pas encore généralisée.Face à ce désastre, que nous disent les fictions de l'imaginaire ? Elles n'ont pas attendu les accords de Paris pour nous parler d'environnement. Nous revenons ici sur leur rôle de lanceur d'alerte, mais également sur la diversité des solutions mises en lumière. Sur la question environnementale, les créateurs de fiction se politisent et viennent se heurter aux discours politiques et économiques. Invité Ariel Kyrou, journaliste et essayiste, grand spécialiste du traitement de la thématique environnementale dans les littératures de l'imaginaire. On lui doit notamment l'ouvrage Dans les imaginaires du futur publié chez ActuSF. Avec vos chroniqueurs de Mana & Plasma : Nausicaah Winny Taniguchi Marc Ang-Cho Miroirs SF Musiques Générique d'ouverture et générique d'outro par MlkPlus Musiques des films de La Planète des singes, Soleil vert, Don't look up, Seul sur mars Références d'auteurs et d'œuvres citées : Don't Look Up : Déni cosmique d'Adam McKay, Les Furtifs d'Alain Damasio, Wall-E de Andrew Stanton, Les pouvoirs de l'enchantement d'Anne Besson, cycle Le Monde réel de Louis Aragon, ABC Dick et Dans les imaginaires du futur d'Ariel Kyrou, Nos Futurs Solidaires (collectif), La Fille automate de Paolo Bacigalupi, Ravage de René Barjavel, La Servante écarlate de Margaret Atwood, Gros Temps de Bruce Sterling, La Schismatrice de Bruce Sterling, Les Témoins du futur de Camille de Toledo, Catherine Dufour, Black Mirror de Charlie Brooker, Interstellar de Christopher Nolan, La Route de Cormac McCarthy, Le Silence des abeilles, documentaire de Doug Shultz, Silent running de Douglas Trumbull, Écotopia d'Ernest Callenbach, Dune de Frank Herbert, Star trek de Gene Roddenberry, Horizon Forbidden West de Guerilla Games, Guy Debord, Sécheresse de J. G. Ballard, Adastra de James Grey, Jean Baudrillard, Borne et Trilogie du Rempart Sud de Jeff Vandermeer, Ciel de Johan Elliot, John Brunner, Kra : Dar Duchesne dans les ruines de l'Ymr de John Crowley, Star Wars, le livre de Boba Fett de Jon Favreau, La Cité de perle de Karen Traviss, 2312, Aurora, LaTrilogie de Mars, Les 40 signes de la pluie, 50° au-dessous de zéro et 60 jours et après, New York 2140 de Kim Stanley Robinson, « De chacun selon ses moyens, à chacun selon ses besoins » citation de Louis Blanc, L'Arbre-Monde de Richard Powers, La Planète des singes de Pierre Boule, Au Bal des actifs Demain le travail (collectif), Résolution de Li-Cam, Sisters of the Vast Black de Lina Rather, La Couleur tombée du ciel de H. P. Lovecraft, La Vague montante de Marion Zimmer Bradley, China Miéville, Hayao Miyazaki, cycle Les Livres de la terre fracturée de N. K. Jemisin, Blade runner de Ridley Scott, Phillip K. Dick, L'Entraide de Pierre Kropotkine, la Red Team, 2012 de Roland Emmerich, Sabrina Calvo, Soleil vert de Harry Harrison, Ce qui reste de nous - Et autres poèmes, nouvelles, récits d'exils... (Collectif d'auteurs), A.I. Intelligence artificielle, E.T, l'extra-terrestre, Ready player one de Steven Spielberg, Collision par temps calme de Stéphane Bauverger, Les Dépossédés de Ursula Le Guin, Autobiographie d'un poulpe de Vinciane Despret, Neuromancien de William Gibson, Emile Zola. N'oubliez pas de nous retrouver sur tous les réseaux, sur Discord et sur toutes les plateformes d'écoutes ! Liens directs depuis (https://manaetplasma.com) !
Episode Notes Episode summary Guest info and links . The guest Jason Sauer can be found on twitter @jasonrsauer. He is involved with another podcast, Future Cities, that you can find wherever you listen to podcasts. The host Margaret Killjoy can be found on twitter @magpiekilljoy or instagram at @margaretkilljoy. You can support this show on Patreon at patreon.com/strangersinatangledwilderness. Transcript Margaret Hello and welcome to Live Like the World is Dying, your podcast for what feels like the times. I'm your host, Margaret Killjoy, and I use she or their pronouns. And this week I'm talking to Jason about what is involved in building resilient cities, like not just resilient homesteads or whatever, but like what—what are the actual sort of engineering steps that cities can and usually aren't taking to mitigate the effects of climate change? And we talk a lot more about other things besides and his take on how climate change is going and what we might do about it or not do about it. And I think you'll get a lot out of it. I really enjoyed this conversation. This podcast is a proud member of the Channel Zero network of anarchist podcasts. And here's a jingle from another show on the network. Hi, could you introduce yourself with your name, your pronouns, and then a little bit of your background in what we're going to be talking about today? Jason Sure, so my name is Jason Sauer, pronouns he/him, although I'm not picky, and I—my background is in—it's like, somewhere between climate change and, like, adaptation research is how I would describe it. So most of my work is focused on adapting cities to extreme weather events, either in the present day context, or looking at the future of the climate for the region. And figuring out how—what we need to change and how best to change it in order to keep places livable. Margaret And I'm so excited to ask you about all that stuff. Because so much of what people talk about preparedness or even, like, mitigation kind of forgets this level of scale. Either people talk about, like, saving the world, like stopping climate change, which I do in the past. Or people talk about, like, how to, you know, either you have your, like, bunker mentality people who are like, oh I'm just gonna hold up the food, or you have even the people who are like, you know, well, me and my 10 friends on the farm are going to somehow ride it all out. And I think that there isn't enough that talks about this level that you're talking about on this sort of, like, community or city-wide level. And so, I guess, I think my main question is like, what do you resilient cities look like? How do we build resilient cities? Jason So, I mean, good question. It's somewhat like a temporal issue, like thinking about, are we looking for resilient cities for now, given the present conditions, which we're still not great at managing? Are we looking at it for like 20 years in the future? Are we looking at it, you know, in the more deep, uncertain—or deeply uncertain—like, you know, by 2080 2100, whatever, or even beyond, although I've never really heard anyone seriously engage anything sort of growth beyond like 2080. I don't know why that's the limit, but that is the limit. So I actually had to pull up the academic definition of resilience. That's probably that I think it's probably the most accurate version of what myself and my colleagues are kind of looking at. And since this is behind a paywall anyway, I figured it might be kind of interesting to even bring up what the academic definition is, in this context. And so this comes from a paper by one of my colleagues here at Arizona State University where I'm a PhD candidate, hopefully soon a doctor but we'll see. So one of my colleagues Sarah Miro and two other authors, Joshua Newell and Melissa Stoltz, wrote this paper on defining urban resilience in particular. So resilience in the city in urban context. And so, the specific definition they use is, like, urban resilience refers to the ability of an urban system and all its constituents socio-ecological and socio-technical networks across temporal and spatial scales to maintain or rapidly return to desired functions in the face of a disturbance, to adapt to change, and to quickly transform systems that limit current or future adaptive capacity. There's a lot of, I don't know, generations of resilience thinking that have kind of impact into that sort of definition. But it's kind of just looking at making cities—or making it so that the people in cities and the systems in cities, once impacted by like an extreme weather event or from climate change, can respond appropriately in terms of, like, the type of response and then also, like, the amount of time it takes for that response to sort of happen. And then also to allow for sort of this concept of, like, transformative change of, like, you can build a city that is relatively resilient now, but it's not necessarily going to be resilient in the future. So you need to, when you're building these systems, allow for the possibility of the thinking to change or for climate change, you know, the effects to become more fully realized and be like, okay, so we did not plan for the sort of contingency, we need to be able to adapt to that, basically. And so every city, it looks different, you know. So I live here in Phoenix, Arizona. Most of my research isn't focused here but, I mean, this is a desert city. And we are kind of juggling the dual problems of extreme heat in the summer and, of course, like major water limitations, which are increasingly becoming a problem. And so resilience here is largely focused on basically counteracting, like, the, the extreme heats that we're facing. I mean, it gets up to like 120 degrees a couple days, a year, sometimes, and what does it—actually, I can give some quick stats on that. Margaret Yeah. Jason I think we are currently over 100 days a year where we have have a maximum temperature of above 100 degrees, and then by, like, 2050, 2060, something like that, it's gonna be 180 days a year of over 100 degrees. Which is like, I mean, we're already at 100 now, so I guess it's not like that on the thinkable. But, you know, it's really tough to imagine, like, what that's going to be like. And then of course, like, you know, average temperature is going to rise, but then also potentially the extreme temperatures are going to rise. So the city is really concerned about keeping this place viable in many different respects, given our current extreme heat, but then also the projections of extreme future heat. And so, like, you know, for example, I think the city of Phoenix is planning on increasing its tree canopy cover, you know, to like, provide increased shade, particularly in like critical areas, by which I mean, like, public transportation network—so like, you know, there's not a whole lot of structures for shade out here. And so, you know, like, a job of someone like me working in resilience would be, like, okay, so you want to increase shade, like, here's where you need to do it. And that's along like public transportation networks, things like that, where people are relatively exposed to, like, this extreme heat and sunlight during the worst months. And you can either do that through like built structures, or you can do it through tree shade. And if the city of Phoenix wants to pursue tree shade, then they also need to balance that with their, like, water needs. So more trees means more water. And so then you start getting into this discussion about, like, well, which trees provide the most shade and the least amount of water? You know, this is the sort of, like, nuanced discussion that the city and people in the academy are kind of having about this sort of issue. Margaret This is kind of an aside, but if you read The Water Knife, this novel about Phoenix? Jason It's on my shelf. Yeah, the author, what is it, Paolo Bacigalupi, I think? Margaret I don't know how to pronounce his last name, unfortunately. Yeah. So I— what was his previous one? He had this one that was like— The Wind Up Girl. Jason Yes. Yeah, yeah. Sorry, that was a dodge of saying no, I haven't read it. It's on my shelf. I haven't actually looked at it. Margaret Okay, well, there's a book in it that it references all the time. It's about Phoenix becoming unlivable due to heat. And I mean, it's also about like assassins and like water mafias and stuff, right? But it's, it's about a society collapsing because of lack of water. And the people who go around and basically, like, enforce water law and things like that. But there's a book in it that everyone references called Cadillac Desert. Jason Yes, yeah. Okay. Margaret So I don't know anything about this book. But all of the characters in this other book are obsessed with this book, Cadillac Desert, basically being like, this is the writing on the wall. This is how we all should have known that Phoenix needs to be abandoned. Jason Yeah. Margaret But your job is to make sure that people don't have to abandon Phoenix. Well, I'm—yeah, I mean, I have I have more complicated feelings on that, you know, like, there's a term in like resilience and resiliency like adjacent fields called "managed retreats." And that's like also just an accepted term in a lot of, like, disaster management and so forth. Like, I think it's mostly surrounding. I mean, I think, I don't remember exactly where the origins are. But I used to see it mostly applied to like flooding from, like, rivers that are getting, like, extremely flooded because of weird precipitation, and because of processes of development and urbanization or whatever. But you just have, like, these homes that are too close to the rivers that are like behaving pretty erratically or flooding more often than the city, you know, wants to provide aid for. And so they're just like, we got to move these people back away from the river. But I mean, it's also something that's happening in coastal areas like Miami, where you have people trying to move a little farther back onto higher elevation. But in a place like Phoenix where you just, it's hot everywhere, you know. Like, there's parts of the city that are hotter than others, and we have some controls over it. But yeah, I mean, it's tough to really figure out what the long-term plan is here. And water being, you know, correctly identified in those books as being such a major limiting factor here. I mean, what are we—what's the long-term plan? Like, I've read strategies that include canal systems from like the Mississippi, you know. Like this—which would be a scale of engineering and water delivery, that would just be, you know, enormous. We already get water from the southern Colorado River, which we shouldn't be getting water from, in terms of its natural flow. But, you know, we're doing that anyway. Right. Jason Yeah. So I guess, short-term I'm certainly focused on that. But, you know, I'm sort of agnostic as to whether or not it's going to keep people here or keep things viable. But it's just like, well, what are the problems that we have? What can we do about, you know, this situation, given our current limitations and so forth, and trying to square the circle, basically. Margaret My own, um, before I lived—I moved to a house in the mountains. But before that, I was living in a cabin in the woods. And one of the main reasons that we all moved off of the property that we were living on is that we are next to this creek. And it was 100-year floodplain. And it became a five times a year floodplain. We'd have engineers come out and they'd be like, well, it's not supposed to do this. And then we'd be like, what do we do? And they're like, well, it's just gonna get worse. Climate change is just going to make it worse. And, basically, I mean, I had one of the only houses that was physically safe from it up on the up on the hill but then, like, you know, my driveway, and, you know, my access in and out would be waist-deep and water sometimes, and all kinds of stuff coming down the creek that turns into this massive river several times a year. That's not supposed to. So I the managed retreat, that's what, you know, 10 of us just did so. Yeah, I mean, it can happen at the individual scale, it can happen at like the city planning scale, you know, there's there's a bunch of different ways. "Coerced retreat," you know, maybe another description. I don't know that that exists in like the literature but, you know, like, there's good argumentation for moving because it's physically becoming too difficult to live in this area. Yeah, I mean, to be clear, I'm not from Phoenix, I'm originally from, like, the—I'm from a suburb of Kansas City, Johnson County, which is like a, you know, wealthy, middle class neighborhood. So I'm, you know, not even from this area, I came here for graduate school. And I mostly came here for graduate school because there was an opportunity to work abroad in southern Chile. So, you know, my relationship with Phoenix is like, yeah, I don't know what you're gonna do here. I certainly wouldn't have chosen to be here under normal circumstances, I've come to like it, you know, in some ways, and can certainly, you know, empathize with my neighbors and so forth down here. But my stance on Phoenix is a little more complicated because just like, yeah, you've got some problems. And I don't know what to tell you about 120 degree weather and, like, the number of 100 degree days that are increasing, and you're—this place has already like an engineering, like, it's only possible because of extreme hydrological engineering. And now there's no additional water sources to pull from so, you know, what are you—what are you really trying to do here? Yeah, no, there's like a—there's like moral questions. I don't quite know how to untangle about like, you know, I'm not trying to judge anyone, but I don't think I would move to Phoenix. I don't think I would move to a city that probably certainly shouldn't exist at the scale that it's at currently. But I, you know, I understand that—but that's—then you get into this idea of, like, why everyone has different reasons to be different places. And it's really easy to be like, oh, you can't go do that. And you're like, well, I'm from here, or this is where the school is that I need to go access or, you know, there's a million reasons why someone may need to go somewhere, so. Yeah, I mean, the majority of people moving here is probably just because real estate in California got too expensive and cost of living in Phoenix which is also like a right to work state, you know, so there's cheap and unprotected labor here. You know, there's a lot of less noble reasons or less understandable reasons for, like, why the city is growing. And you look at how like water usage is, you know—currently, what water usage looks like here on the grounds. And there's definitely, you know, like, some movements toward like, get all the grass out of your lawn, like, plant species—it's called xeroscaping here, where you actually just like plant cacti and brittle bush and, you know, various species that are actually native to the region, or do really well with very little or no water input and can handle the heat. But, I mean, there's pools, and fountains, and golf courses, and all these other things where you're like, yeah, I mean, I don't know how long this is gonna go. And there's a lot of people who live here because they can golf, like, year round. So, you know, is that the worst thing to get rid of? No. So resiliency means get rid of the golf course. Well, you know, this—if I say yes to that I can guarantee I won't get a job here. Okay. Okay, so—but to move away from from heat stuff, some of your work has been around flooding, right, which obviously is an interest of mine, for some strange reason. It's absolutely part of why I picked a house on the top of the hill. Like, I bought a house on top of a mountain, because I'm like, no, I'm good. This is where—Maybe, I mean, I'm sure there's all kinds of other problems like wind or something that I just—and there's like no soil here, it's all rock. There's a reason it was cheap, you know. But so, some of your work, let's see, you talk about how you use natural landscape features to make cities more resilient to flooding. I'm really interested in that, like, what does that look like? How do—like, what are the practical steps that communities and cities are taking to protect themselves from climate change? Jason Yeah. And I'm glad that you kind of divided that into two potential sources for that. There's, you know, like individual preparation, and then there's like city-wide, you know, or city-sponsored preparation. And so there's been a movement in the, like, engineering and urban planning spheres toward what's known as green infrastructure. And there's a bunch of different terms for it. But green infrastructure is basically, like, either designed, adapted, or incorporated natural landscape features, or natural-esque landscape features that can do many of the same jobs that more traditional, like, constructed infrastructure would do. Plus, it looks nice and provides habitat and potentially has all these other sort of, like, co-benefits to it that, you know—like, the LA canal is kind of like a good example of a traditional infrastructure sort of approach toward dealing with flooding issues. And so it's this huge canal where you can dump all this water, and it moves water through the system really quickly. But of course, it's like this giant chunk of concrete that's dry most of the year and, number one, it's not aesthetically that attractive. Number two, it's also like a major source of heat, you kind of get all this concrete in urban areas and it absorbs sunlight during the day, admits it at night, and contributes to, I mean, high heat during the day, but especially heats a major issue in cities across the country because of night temperatures in particular have increased. And it's basically because you have all this, you know, concrete infrastructure that's free radiating the heat, you know, for hours and hours and hours. So nights just become like more uncomfortable, and there's a lot of morbidity and mortality stuff associated with that. But then, like here in Phoenix, and there's a funny example, there's this area called Indian Bend Wash. And so something like Scottsdale to Tempe was having like major flooding issues, particularly during the monsoon season. Yeah, we get monsoons out here that come up from like the Sea of Cortez or the Gulf of Mexico. And so during the summer months, which is when we get the majority of our rainfall, it just comes in these like huge sheets and these, like, you know, burst events of extreme precipitation that totally overwhelm the ability of, like, soils to allow for infiltration and for the, like, drainage system at the city to deal with it. And so they were like, we got to put this water somewhere and it's kind of got to be a zone that can regularly flood or whatever. And the Scottsdale-ites, you know, who have some amount of wealth and therefore power in the city were just like, no, we're not going to build a canal like LA. It's really ugly and unattractive. And so designers came back with this idea called Indian Bend Wash which is this sort of multi-use, like, greenway, I think is how it be described. So it's like in parts it's like a golf course, but then in other parts it's just, like, straight up a park. And, like, place where you can take your dogs, do picnics or whatever. And then just, you know, for a couple of weeks out of the year, it's flooded. That's just how it is. And but at least it's like multi-use The community really likes it. And it's green, you know, which is nice in a sort of desert city. I'm holding any judgment on green versus not green out here, of course, but yeah. Margaret So it's gonna keep it watered when it's not monsoon season. Jason Yeah, I mean, yeah, exactly. And so that's kind of an example of more of an engineered or sort of created green infrastructure practice, but at least it provides aesthetic, you know, aspects to it that the sort of other infrastructure doesn't. I primarily work on like wetlands and other things that are—there's like a whole bunch of other structures designed to deal with flooding that also potentially increase, like, biodiversity in cities, that can remove pollutants through natural processes, provide habitats, and things like that. So the majority of my research is actually focused on wetlands in particular, and I was looking at this city in southern Chile that has just—they had an earthquake in 1960. It's the greatest magnitude earthquake ever recorded. The city is called Valdivia, if anyone wants to look it up. And so like portions of the city just sunk, like, several meters, I think like 10 meters in some portions. And so just—and, like, they're on the coast, they get like 98 inches of rain per year. They're at like the confluence of these like three rivers. So those things just filled up with water and became this wetland system. And so instead of just like paving over the wetlands and pretending like everything was going to be normal forever after that, once they rebuild, they just decided to keep the wetlands around in most cases. There's been some wetland loss, but not a whole lot. And it actually serves as a natural drainage system for the city. So a lot of just, like, the urban areas, and the suburban areas drain into these wetlands. And the wetlands have definitely been affected by it. And we're still studying, like, the effects of doing something like that to a wetland system. But they certainly provide a lot more biodiversity and kind of keep this sort of endangered habitat, a wetlands, alive in the city. So I've studied the utility of constructed and natural wetlands and modified wetlands toward increasing flood resilience and cities, basically. Margaret And it works. Jason Yeah, yeah. They're wetlands work incredibly well. I mean, probably in part because they're not engineered. So like, if you have a city that's, like, thinking about building a wetland or something like that, then they have a budget, and they—and the budget is going to require some, like, design constraints and stuff like that. But these like natural wetlands are just, you know, whatever size they were naturally. And they themselves, like, just don't really flood under even like 100-year return period storm event, which is just like a storm that's so large that you only get one of them, like, once every 100 years or something like that. And they work great. And the wetlands are like part of the urban identity as well. Like they support a lot of charismatic species, like swans and these like particular kinds of birds. Theoretically they support otters, but I've never seen an otter like that far into the city. Maybe they exist. I don't know. But, yeah, so they do all these things that like traditional infrastructure that we, you know, started doing since, like, the 1940s, just doesn't do well at all. Margaret I mean, it's funny because it's like, there's a move within scientific fictions—I have to think about everything point of view of fiction—but there's like a movement within science fiction right now to move towards, like, solar punk, and towards these ideas of—I guess, I would say that, like, in many ways, science fiction got everything backwards and wrong, right? It was imagined these, like, positive societies where we, like, control everything. Jason Yeah. Margaret But it sounds like from what you're saying, and from everything else I've, like, read across things, the secret is to instead, like, integrate the things that we make into the natural systems, rather than, like, go out and like recreate all of the systems ourselves. Jason Yeah. Margaret But then it does lead to the logical conclusion that the best way to be resilient against climate change is to not have already destroyed everything. Jason Yeah, and cities definitely struggle with that. Margaret Yeah. Because most have already destroyed everything. Jason Yeah, I mean, particularly with wetlands too. I—the estimate keeps changing, so forgive me, you know, I think it's like safe to say we've destroyed like 70% of wetlands in the US since, like, the mid-1800s. And those are industrial processes, those are agricultural processes, which are all, you know, ultimately, you know, issues of urbanization, and meeting urban needs and so forth—in a lot of cases, not necessarily all of them. But yeah, I mean, so like, you're telling like a city, hey, just have some wetlands, you know. Like, historically it's like, you mean the thing that they drained in order to, like, build the city in the first place? Like, that's? And it's just kind of silly being like, well, step one is don't do everything you've done for the past, like, 150 years and you're gonna be spending a lot of money reversing that, actually. Margaret Yeah. Jason Yeah, there's a concept in infrastructure called, like, safe to fail. And I don't want to, like, get too much into it, because I don't have the definition on hand for me, but it's basically the idea of, like, this sort of, like command to control concept of like infrastructure and, like, perfect knowledge and so forth, just doesn't work. It's not true in the present day, there's always, like, you know, freak storm events and things like that. But it's certainly not going to be true in the future where the climate is changing and models are so uncertain about it. So the best thing you can do is allow for a lot of flexibility with your design, and to figure out, you know, like, areas where, like, this sort of like quote/unquote failure, or like flooding in particular, like with Indian Bend Wash, is totally acceptable. Like society's just like, yeah, you can't use that area a couple of times a week, but like, no one's really being impacted by it in any sort of, like, major way. You're just, like, yeah, that's just, that's just how it goes. Margaret So is there, like, because this—this concept really excites me, right, because like a lot of my, you know, political understanding, a lot of my understanding philosophically and all these other ways, is based on this idea that, like, trying to have absolute control as a losing game, and probably one that we should just admit we're losing, and instead find ways to, like—I'm going to use words that have scientific meaningss that I'm not using correctly—more chaotically. Like, accept that all of this natural, organic, or chaotic processes are going to happen, and take those into account in our engineering, like, in how we build cities and things like that. For me, this also applies, like, socially. Like recognizing that we can never have a system of complete control of people, and instead—so it's not, like, let everyone go do whatever they want, therefore. But instead this, like, way of engineering, or structuring things, that takes that into account is, like, something that I'm very excited about. So I'm really excited about this the safe to fail concept, then. Jason Yeah, it's something that's definitely taking hold in engineering, and actually seems to be getting through to a lot of design people. So engineers—or at least in the world of academia—certainly get the idea of it. And you can get—you can convince cities also to adopt it, but it's sometimes an uphill struggle. And then also you just have, like, competing construction interests, like maybe there's been a design firm or something like that, that hasn't adopted it, but like gets the majority of contracts in a city or something like that, that they've already got a relationship with. So there's like some amount of inertia on that point. But it certainly has hold within academia and research, and my experience working with some cities has been, they're certainly open to it and thinking about it more. Because they're certainly paying a lot for disaster relief and disaster, like, repairs and so forth every year, and they're, frankly, you know, like desperate to lower that part of their budget. So, you know. Margaret Yeah. So besides planting trees for heat and increasing wetlands for flooding, what are other simple steps? "These five simple tricks to make your city immune to climate change!" Like, what else are people doing or thinking about to respond to crisis? Jason So like, I'm trying to think of how to answer this question. So there's—like, I could go into, like, other engineering structures and so forth that we're kind of using to do a lot of this sort of management, like, more locally and through like natural systems—like bioswales, I don't don't know if you've ever heard of it. Margaret So a swale is like a thing that moves water in a field, right? Jason Yeah. And so, like, a bioswale, like an urban area it's just, like, so you have water that's on the street or whatever, and then you just kind of like divert it to the side area, basically, that's usually like soil and some plants and maybe there's a tree in there too. And the soils and the plants and so forth filter the nutrients out of that storm water before it hits—by nutrients I mean pollutants too—I come from a background where everything is like a nutrient, not necessarily like a pollutants—but I mean, stuff like nitrogen— Margaret That's kind of awesome. Jason Yeah, I mean, yeah, I can maybe go into that in a second. But like, so you have all these things that are flowing off of yards and off streets. And if you try to treat that before it gets to the water system, or like the canals, or whatever that you're using to evacuate water from the city, that's a lot of stuff to have to filter out. And so, but if you build these things kind of around the city, these like bioswales, they do a lot of the filtering, like, on site. And so, you know, over time, they sequester a lot of like nitrogen, phosphorus, organic carbons, whatever, heavy metals too also can get filtered out of that. And then, you know, like, I don't know, I don't know what the repair system is like for that. But I mean, you just swap those soils out eventually, like, because bacteria and so forth can treat some of that locally. And plants can also, you know, use some of that locally, too. But then you just have like soils or something like that, that you're kind of like swapping out because maybe they're too heavy in metal support the plant life or something like that. But that ends up being like a cheaper and sort of, like, more innovative solution then, you know, send it all to a central processing plant, and then spend all this money like filtering out through chemical and mechanical processes. Yeah. And then also, you get some like green stuff in your neighborhood. In terms of, like, things that individuals are doing, a lot of it is just, like, swapping out—I mean, like, here in Phoenix, I talked about the sort of xeroscaping process by which people are replacing, like their grass lawns, you know, which they were used to in the, you know, like, northern Michigan or something like that, you know, wherever they move to escape the cold that was, you know, the reason they left in the first place, but they still want some of, like, the feel of where they lived, they'll plant grass or whatever. And then, you know, there are now—there's movements across the city, at least in the less extremely wealthy places to do this sort of xeroscaping process where you take out your lawns and replace it with, like, either like gravel or something like that and then plants, like, naturally come up through that, or I mean, just literally leave it as the normal dirt surface here—that promotes like, infiltration locally as well, dirt ends up being, you know, or at least the natural soil here—I should use proper terms—ends up, you know, allowing a lot of infiltration that would otherwise just like go to runoff or things like that, basically, are what people are kind of doing locally. And but, I mean, a lot of these issues, like flooding in particular, is—it's like a city-wide sort of issue. And a lot of it just has to be treated kind of in a centralized way because there's, they own most of the substances—I mean, you know, there's buildings and roofs and stuff like that, that cause runoff, and, you know, houses are on top of soil. And so, because they're on top of soil, they're blocking infiltration that would naturally happen in the region. So homes are contributors to flooding in cities, but, you know, there's not much you can do about that. Margaret Are there like ways to, like, encourage infiltration into the soil? Like, I'm imagining little like, little holes you dig, like, almost like that holes or something to, like, allow more percolation or something? Jason You know, I've never actually thought about, like, local retention, you know, like, if we just built divots in everyone's like front yard for, like, you know, like a small pond that's dry most of the year, I wonder how much that would actually do it. I don't think I've ever seen a study that's even considered that. That would be interesting as like a thought experiments. And I'm sure, you know, like a modeling experiment. Margaret Well, thank me in the acknowledgments when this study— Jason Yeah yeah. Green roofs are kind of another way that this stuff is being retained and dealt with locally. And that also has impacts on, like, the amount of heat that your home absorbs from the sun. And so that's, you know, if you own your house, or if you have like a tenants association with enough power to, like, pressure your building owner to install these sorts of things, those are certainly things that will benefit the flood risk in your city and also potentially deal with heat too. But the majority of places that are contributing to, like, extreme heat and flooding, it's like parking lots, roads, all this sort of like hard infrastructure that businesses and development practices and cities themselves have to kind of manage. So the pressure ends up being with them in a lot of ways. Margaret I mean, that makes sense. Like, that's like one of—I feel like the current sort of generation of, like, people maybe under 40 or so, like, one of the things we're railing against—I say as someone who's barely under 40—is this idea that we were told we could stop climate change by like changing our lightbulbs while, you know, while being forced into car culture and while watching the US military, like, pollute more than anyone and, you know. So it—I get excited about individuals—they're not even like solutions, right—but like individual approaches to like mitigate certain effects? Jason Yeah. Margaret But I think you're right that, like, the larger infrastructure is something that needs to be controlled in a way that actually is useful for mitigating climate change. Jason Yeah, I mean, I'm with you. I've also—we're probably same generation—so I, like, I just grew up with the whole idea and, like, the, like, the needs for, like, personal lifestyle change and so forth, in order to effect these sorts of, like, change. And of course, you know, like, I've been doing this for, you know, since I was like 17 or 18. And so I've got a lot of years into this sort of individual, like, behavioral change and, you know, emissions are up, like, what do you—what else am I supposed to do at this point, you know. I ride my bike most places but, like, there's got to be this sort of, like, systematic sort of change to it. And like, I say that but I'm also—so I'm also a vegan and so, like, my— Margaret Me too. Jason Oh, cool. My general thought with it is just like, I know it's not a systemic change, but like, the amount of suffering that I'm causing through my actions is less, you know, as a result of it. And ultimately that is important to me, at least for, like, living with myself, you know. Margaret Yeah, totally. Jason Like, maybe it's not having this sort of large structural change. But also, you know, theoretically I'm, you know, some extremely small decimal point of less meat consumption in the US. And that, you know, that's— Margaret Which affects water. It's not just an animal issue. Jason Yeah, exactly. Yeah, there's many, many, many reasons to go vegan for—but I mean, it's the same thing with, like, carbon emissions and so forth too, where I still, even though I'm like, it's a systemic thing. I'm like, well, yes. But, I mean, if I get in my car and drive, that's carbon that's in the atmosphere. And it's going to be there, you know, as part of the collective problem to eventually have to deal with in the future. And so, like, I still feel like I got to do something, in spite of the fact that I don't—I in no way think that I'm solving the problem. Margaret No, that's such an interesting perspective towards it. Like, I think about it a lot of, like—like, I drive a giant pickup truck, and I defend it out of, well, I used to live in a cabin built myself, and, you know, I live really rurally. And like, I use my giant pickup truck for giant pickup truck stuff all the time, right? But I also get 14 miles to the gallon. And like, that doesn't feel good, right? And I mean, I would love to have an all-electric one. But you know, I also have, like, you know, don't love coal or all these other things, right? But it does, it seems like it's less about, like, beating up on people to, like, make individual changes as much as, like, maybe like everyone kind of looking at their own circumstances and saying, like, what can they pull off? Like, if you're in a good place where you can just mostly ride a bike, mostly ride a bike. If you're, like, in a place where like—like, I don't know, I spend all my time thinking about, like, whether I'm going to start DIY turning plastic into diesel fuel. Because because it can be done and recycling seems to be fake right now since COVID hit. It was always a little bit fake, but like, it seems extra fake right now. And I'm like, well that's sucks. I still want to recycle, even though I know it doesn't save the world, you know. So I guess it takes both. Jason I'm totally with you. And recycling was like another huge blow, like, you know, it was just like, I trusted that the system was like doing this well. And then, you know, probably along with a lot of people in the last like, two years or whatever there's been, you know, more writing and probably documentaries about it. And you're just like, come on, like, that was, that was the thing that I was like really good at and I made a point to, like, rinse my stuff out. And it's just a lie. You know? Like, it's in the clothes, it's getting in through, you know, like, my washing machine and my dryer, like, decomposing the plastics out of there. You know, it's just like, okay, if it's not—if it's not a systemic change, when, or how is it going to happen? You know, like, I was doing the thing that I was supposed to do, and it's still, you know. Yeah. Margaret I mean, that brings us back to the resiliency stuff, right? Because like there's—we're not going to win. Like, I mean, we should keep trying to stop the worst effects of climate change. And like, there's probably a difference—we're probably facing a tipping point between like, you know, life on earth and no life on earth at some point. Well, okay, actually—that is actually one of my main questions for you. It's actually how I first ran across you is I basically asked the internet being like, who can I ask about climate change? Like, I mean, obviously, everyone's thinking about it right now. But who can I ask who thinks about it in ways that are useful for this show in this audience? And I know you don't specifically—you're not like whole thing is not studying climate change and its effects in a grand scale. But I think you have more of a sense of the grand scale of climate change than, say, I do, or most people who are listening to this might. So, the fuck is about to happen? What's the—even if it's not your research, like what are people say? Like what? You know, is it, like—there's a version of the world that, like—I've always been a little bit doom and gloom—I see a version of the world by like 2045 where we're living underground and growing food in controlled environments because the earth is uninhabitable. And I don't think that that's, like, the thing that's going to happen. But that's like at one end, right? Then there's the, like, oh, well, just there's gonna be, you know, some coastal cities are in trouble and we'll have a little bit more hurricanes and flooding than we used to, but overall, the, you know, everything will keep on going on. Like, what do you think is about to happen? Or what do people think is gonna happen? Jason Yeah, I mean, the—so I mean, just to be clear about this, so, you know, of course, these are my views and certainly not the views of Arizona State University or any of my, like, colleagues or whatever. Because, I mean, there's a lot of variation, even within the community that, you know, does climate change studies, or that works with climate change data. And what I was going to be clear about was that I am someone who works with climate data, I'm not like a climate change expert. I don't know all the models that get used for atmospheric circulation, or oceanic circulation, or whatever. So I'm the person who like looks at the data and then, like, looks at the city, and tries to, you know, figure out what can we do to match the goals of the city with the reality of potentially what we're going to be facing. And so, I mean, but even then, you know, I'm probably less gloom and doom than I think some people that I've run into who are more lay on the subject, like, but there's so many caveats to say with this one. So my life personally, you know, like, if things probably are going to get weird in terms of how the climates going to look, and how we end up having to respond or whatever, but I perhaps, you know, incorrectly feel like I'm going to be somewhat more insulated from the effects than some other individuals or whatever, you know. Like, have money? Then you can throw it out the problem and it won't necessarily, like, fix it, but it will make your life potentially a little more comfortable than it would be for people with less money. And that's how the—that's how it works. You know, like, that's just how the country and capitalism and so forth have worked. So, like, it's really the marginalized communities that are gonna, you know, really be facing the brunt of it. So I mean, like, Phoenix is a perfect example of this where, like, extreme heat, you know, who is it a problem for? And what are we defining as problem? So in a future where we're getting like 180 days a year where it's like over 100 degrees, the majority of people in the city have AC and the majority of deaths from extreme heat and dehydration and so forth, are usually from marginalized communities, particularly homeless people. And so, like, what a city is going to look like when it's over 100 degrees for 180 days a year for, like, the homeless population is absolutely devastating. And it's already hard enough to live here. Like, the relative dryness of everything, like, you're constantly drinking water and, like, Arizona is not a kind place if you don't have—I mean, it's not kind in general, like, if you don't have money, like, and it's, I don't know, this sort of conservative ideology here, it just really promotes, I don't know, like absolute amounts of—like, if you're having a problem then you're kind of the person who has to get you out of it, or like the immediate people around you are responsible for getting you out of it. And there's not necessarily this sort of, like, societal connection. So—sorry, this is a long way of saying, like, I don't know. It's gonna be weird for a lot of people. But in terms of, like, my faith and our ability to manage it is maybe the better question, because I don't think there's gonna be, you know, in some places with, like, ocean level rise and extreme heat or whatever, it's just going to be unlivable and unsustainable for some populations of people. But like, say you're living in a place that doesn't face one of the imminent, like, climate threats, like sea level rise or whatever that's just going to physically displace you, there's a lot to manage in terms of agriculture, in terms of people's daily lives, you know. Like, if we're pushing public transportation as a way to, like, cut emissions and so forth, then here in a place like Phoenix, where it's this hot all the time, then you also need to pair that with, you know, measures to make public transportation more usable and more accessible. So a lot of my answer is just, like, how much faith do I have in the systems to get us there, as opposed to like, is the planet just going to become like poisonous and ruinous, and, you know, unlivable? Because I don't necessarily think that's what's gonna happen. I'm more just like, well, you know, is the city going to step up? Is the country going to step up? Is, you know, as an international collective, is that going to step up? Or whatever, in order to make things more manageable. And I think my answer pre-COVID would have been different than than post-COVID where— Margaret I'm guessing you're more cynical now? Jason Oh, my God. Yes. Yeah. I mean, it's so cynical that, you know, me complaining about this administration. My parents are like, I didn't know you'd like Trump. And I'm like, I don't like Trump. I'm just this disappointed with like the Biden administration handling of it. Like, it's one of those things where I'm like, well, okay, like, these were the adults in the room. And like the best and brightest, this is what like the meritocratic neoliberal system has produced as, like, the people who should be running the disaster response, and who spent the Trump administration, you know, dunking on social media and whatever, and on television, and through all media accessible, and then just step up to the plate and it's like, what, what are you doing? Like, you're not even consistent with—I mean, like, it's just incredible. Like, I'm now just, like, I'm not listening to anything the CDC says ever again. Like, it's—I'm just so amazed that the CDC was, like, turned into the propaganda wing for the administration in power, you know, like, what does the administration want to do? It wants to reopen schools, it wants to get people back in the workplace, and the CDC is gonna say whatever the hell it is that's gonna, like, be necessary to get people in there. And it's not going to be scientifically informed. So like, you know— Margaret So what's the point of having this institution if it's not scientifically informed? Jason Yeah, that's—those are the professionals. Those are the public health officials, and like Fauci is being like, we got to consider the economic impact of having a 10-day quarantine. And it's like, that's not your job, that's somebody else's job on the economy side to, like, combat what you're saying about it. And so, like, you know, I can just imagine a climate person in the same position as like—you know, Miami is flooding and, like, New York City's getting battered by hurricanes or whatever—and being like, just like, you know, climate change is not a big deal and it's, like, personal responsibility, and so forth. And if you adopt—if you get your electric cars and change your personal lives and so forth, it's not going to be that bad or whatever. And, you know, it's just not. It's going to require sort of coordination and so forth. And I would say there's a lot of good research happening, and there's plenty of good stuff, you know, from academia, and from scientists and so forth coming out about, like, strategies, it's just like, are we going to pick them up? Are we actually going to follow through with them? Is there going to be money, you know, to actually, to do any of this? Margaret Have you seen—it's as pop culture thing—have you seen? Don't Look Up on Netflix? Jason It's on my list! I really want to. Margaret Well, one of the things that happens in it is you have this—because people have always used—well, you know, I mean, like Watchmen use this, a bunch of other things have used this—like, we'd all come together if we were facing this apocalyptic threat from outside, you know? Jason Yeah. Margaret That would be what finally brings everyone together is banding together for our own mutual interest or whatever, right? And then like—and what climate change and COVID show is that that's just not something we can count on reliably. And I think there would be ways to shift public discourse in ways that do have it. I mean, you have some countries where the vaccination rate is substantially higher without necessarily having, like, a higher, like, enforcement or whatever of it. To my understanding, I could be wrong with this. And yeah, I don't know, it just the sense of like, at the beginning of COVID it really felt like, oh, we're all coming together, and like, you know, mutual aid organizations are everywhere, and then instead all the sudden people decided to just become Nazis and then run around and, like, yell at everyone and—I don't know, and then it all just disintegrated from there. And then, yeah, watching the Democrats fail at the one thing that theoretically they were going to do. I mean, the main thing that they were going to do is, like, not be literal fascists, and I guess they successfully accomplished that. But the other thing that they were supposed to do is be, like, the adults in the room. Yeah, like you're talking about. Because like Trump and his are like petulant crying children and—actually, no offense to children—children have much better excuses. Jason I've known less spiteful children, certainly. Margaret Yeah. No, I don't know it. I don't know. Okay. Jason Yeah. So I haven't seen the movie. Sorry. I was gonna comment on. Yeah. And like—but I mean, I know what it's about. I read like the criticism, I follow David Sirota on Twitter, and have certainly read a lot of criticism. And I've certainly seen a lot of stuff about the presentation of the material. And like, maybe the metaphor being a little heavy-handed or whatever. But-and like maybe, yeah, it's not, it's literally like a meteor about to hit earth or comet or whatever. And, you know, it's the news being like, well, whatever, it's a bunch of different institutions coming together to tell you that it's not something you really need to worry about, or, you know, like, mobilize over, I guess, I haven't seen it, again. Margaret It's not a complex movie. You basically got it. Jason Yeah. And so, I mean, I can—certainly I won't claim, like, I'm above aesthetics of a film or whatever, a good film, you know, should accomplish that. But it's one of, like, the most wide-reaching climate change parables, you know, currently in existence. And I have to say, from what I've heard about a lot of it, it's certainly not too far off from what we're experiencing. And like, in a pre-COVID world, maybe it would have like, felt a little heavy-handed or something like that. But I, you know, I get the gist of it. I'm like, yeah, that's kind of what we're doing. Like, what do you—like, you know, they're not even telling us to turn the fountains off or like, you know, or anything like that around here into Phoenix, and we're literally in the middle of establishing water shortage measures. Like agriculture, out, you're done here in Phoenix. I think we are—we just upgraded this— Margaret No one needs that stuff. Jason Yeah, exactly. We don't need this local stuff. That's now Mexico is problem. Also, we're not delivering water to Mexico anymore. So, you know, like, there's so many things, we're just like, okay, so you're not handling this at all. And we're not supposed to be concerned about it, for some reason Margaret To go back to something you brought up at the very beginning. You know, you're talking about how climate change models don't really go past 2080 right now. Or like, you know, it's talking about what's going to happen best 2080. And you're like, I have no idea why. And I have two answers to that, and one is more cynical than the other. And one, the—I mean, the most cynical one is, like, that's because like, who knows if humanity is going to be around after 2080, certainly in a meaningful way. And then, but the other is, like, the just the, you know, everyone who's thinking about it assumes there'll be dead by 2080, even naturally. So why would we care about, like, what our children have to deal with, you know? Jason Yeah. Margaret Like, I was born in the early 80s. So I assume I'll be dead by around 2080. If I'm lucky. So, who cares about after that? I mean—actually, it's funny, one of the most cynical things my dad says on a regular basis—my dad has four kids and none of us have kids—and he's like, he actually does care about climate change—but he's like, I don't care about climate change. I don't have any skin in the game. I don't have any grandchildren. Family line's over whatever. Jason Yeah, exactly. Like, you're literally telling this to your children, being like, I'm not here. Margaret I'm gonna be dead before it's a problem. I'm like, I'm not. Actually, you're not either. Jason Yeah. Yeah, I mean, number one, he gave up already on living forever. And that's, you know, just—I'm not, I don't think I'm ever gonna do that. So, you know, I've got skin in the game, you know, as long as the planets around. Margaret Yeah, fair enough. Jason Yeah, I mean, that's literally the reason that people give on some of this investment stuff into, like, green infrastructure into, you know, dealing with climate change. It's just like, I mean, sure, that's like a theoretical thing that we, like, could have to deal with it. But like number one, I'm not even going to be here. And number two, you know, whatever goes in the other reasoning. But it's not an uncommon thing for someone to be like, mortality, I'm dead, like, what do you want me to do? So, yeah. And like, part of it is, you know, just the limits of modeling. Like, they're uncertain even as, like, 10 years ahead. And so you kind of like increase the amount of uncertainty, like, as you expand that time out. But like, honestly, I just think it's so horrifying to, like, look at it, and we're just like, okay, well, we used to think that population was going to peak, you know, by like, 2040 or 2060. I forget, like, what the actual peak date was going to be. And then like, you know, suddenly the models are just like, yeah, we don't really see a stop to that. And so it's like, okay, so we've got a changing climate, and we have a population that's going to keep increasing indefinitely, and no one's got a plan for like resource usage, for anything along those lines. And, you know, to be clear, this is not me being like, overpopulation is a problem. It's more like we need to plan, you know, like, there's not—we're not doing a good job with the number of people we have on the planet currently and, you know, management or not, people and our, you know, resource usage put major pressures on systems. And because I, you know, mostly think in terms of ecology and, like, natural systems, even though I'm in an urban area, I'm always thinking about, like, you know, regardless—I could do a million things in a given day—I'm already a vegan, I already tried to ride my bike as much as I can, I try to do all these things, but like, I'm still impacting the environments. And, you know, like, at the end of the day, me being here is impacting natural systems. And so now I'm always thinking about, like, biodiversity loss and the things that we're, you know, also contributing to just in, you know, even though I'm a relatively low hum of activity, compared to some people, but, you know, we got to really be thinking about that, because otherwise, you know, it's not going to resolve itself. It's not just going to be like, oh, it turned out to not be a problem. Margaret Right? Well, that's what I feel like some people are sitting around waiting for the, you know—I think it might almost help for them to realize that scientists at this point, engineers at this point, are less thinking, how do we stop climate change and instead how do we mitigate its effects? You know, I mean, I guess people thinking about how to, like, stop the worsening of it, right? But it's like, you know, people who are waiting around for this sort of magic bullet of, like, cold fusion power mixed with carbon capture or whatever, mixed with Mars colonization or, you know, whatever various things, like— Jason We'll mine comets. Greenly. Margaret Yeah, totally. Yeah. Jason Yeah, no. There's just a lot of things that need to be wrangled. And we need to actually, like, do planning for it. And, like, I—as someone who's done a lot of stuff in my personal life to really try to manage some of this stuff, I mean, I work on—I'm a systems thinker and I work on this as, like, a system whole. And it's like, I mean, what—how are we going to get people to, like, change behavior. Advertising, things like that? I mean, that'll get some people, but then, you know, like, it'll get perverted and politicized and whatever. So this sort of individual approach to dealing with everything is not going to be the case. And, I mean, the term "transformation" was in that definition of resilience, and I think a lot of transformation just needs to happen. And, you know, like, I'm anticapitalist and so, you know, my version of transformation is like, you know, what's a major problem for resiliency for a lot of people? It's money and not having enough of it, or not having a society that values them because they don't have enough of it. So we need to get rid of that. Because all these studies that talk about, like, who are the most vulnerable populations, all this stuff is tied to poverty. It's in poverty directly, or it's all tied to poverty. And so if I'm talking to a city person about, like, well, you know, what you can do is like add some wetlands to your city or whatever, you also have to, like, realize that's not going to be everything. Like, you've—there's going to be flooding, there's gonna be some amount of, like, unmanageability unpredictability to these systems. And the best way that you can deal with a lot of this is just deal with, like, inequality and this, you know, insane system of creating classes and things like that, and reinforcing them in subtle and less subtle ways. And until you deal with that, you know, you're—it's totally incomplete. The picture that you're, I don't know, the picture that you're seeing and that you're actually engaging with, like, you cannot leave out a lot of these issues of inequality in the way we consume things and everything. Margaret No, I really like that way of tying class and all of that into this as, like, all part of it. I don't know. One of the things that I think about, one of my better friends and engineer, whenever I talked to her about these issues, one of the things that always comes up is that I think about like—like when you talk about the concrete canal in Los Angeles, which of course makes for dramatic movie sets—I had no idea what that thing was, it's just in every movie and eventually figured it out it's a canal. But it's just bad engineering if you don't take into account all of the context that the thing that you're creating sits within. And so like, that's always been like my argument against a lot of the, like, quick fix technological stuff coming from engineers—and I say this as a lay person—but I'm like, it's just badly engineered. It does not work. It solves an immediate problem, but it doesn't work in the larger context. So it doesn't work. And the stuff that you're talking about, about like—so a resilient city is one that's, like, interfaced with nature, interfaced into its local context, and not just like assuming that the style of building that you use in the north is the style of building you should use in the south, and the style of greenery you have in Michigan should be what you have in Phoenix. But then also one that fights inequality, and that's how you build a resilient city. I like that. Jason Yeah, no. And that's a critical message that I've, like, tried to put into like book chapters and so forth, where it's like, look, we have a good idea of, like, what causes, you know, people to be vulnerable to climate change, and to extreme weather events. It's the same thing that's made them vulnerable for the last, you know, like, you know, since the 1800s, and like, you know, the major rise of capitalism and industry and so forth. Like, you have all these engineering and tech solutions to things, but, you know, at the end of the day—I mean, so I also do surveys and stuff like that, about flooding and communities too. And so I have some idea of how people are actually adapting and preparing to this sort of stuff. And, you know, it's a n- brainer. You get a wealthy person who has like flooding in their house, like, yeah, I paid a guy to pump it all out. And then I had, you know, my walls redone or whatever to deal with the flood damage. I replaced all the furniture that got damaged by the flood. Then you have like a person who doesn't even own the home that they live in, they're like a renter on top of it, and they could be facing eviction, you know, during the, the flood repairs, if it gets repaired, you know. And, like, it's—there are so many things where it's like, okay, so this person's like a temporary refugee within their own city because, you know, their home flooded, and there's like renovations or whatever. And that's not going to be solved, you know, necessarily by a tech solution. You might get statistically less flooding, either in terms of like depth or frequency. But like, it's gonna happen, like, there's just failures in these systems and people living, you know, hand to mouth, they're not going to be able to recover in the same way as, you know, wealthier people are, or people who have—who live in like a city or in a social governance system that actually cares about helping people recover, like, on an individual basis. Like, you just can't ignore that. I mean, certainly install more wetlands. I'm not going to tell you not to do that, but... Margaret Right, totally. It's like, it's good to ride your bike, it's good to eat less meat, it's good to you know, and increasing biodiversity is a very valuable thing. Like, it's a more valuable thing than riding a bike. But like, what, um—okay, well we're coming up on time. And I'm wondering if you have any final rousing thoughts or something that you wish I had asked, or any final thoughts. Uh, yeah, I mean, it's really tough, because I don't want to just be like, the problems are systemic, and the system sucks. It's not doing its job. So there's nothing you can do about it up until it happens. Jason Yeah. I mean, like, there's really good work at the community level, and, you know, tenant organizations and so forth, that have kind of like, pushed toward organizing and improving their own resiliency. And so I always, you know, try to remember those sorts of movements. And the fact that, like, academia is pretty responsive to that. Like, if nothing else, like the the push for novelty in academia, like, has kind of been like, oh, well, this is like another form of resilience. It's like understudied or whatever. And so it gets, like, proper attention and study and appreciation in academia. And then like, you know, the pipeline from there as we talk to city officials or whatever who we're partnered with, and then get them thinking about this sort of stuff. But it's like, it's kind of, it's not a definite sort of thing. It's like a tenuous relationship. It's not successful all the time. But like, it is cool that it exists sometimes and in some places, you know, like, there's work that I've done where I, you know, I can go point to an individual wetland that I'm personally responsible for, like, telling the city something about and they're like, I guess we got to protect it then. It's like, wow, cool. And, you know, I can go back and it will still be there, but it was already, like, getting zoned for housing and so forth. So like, stuff does happen, and there is good work on it. And you should do these sorts of, like, personal measures toward, like, reducing carbon footprint and all of that. But like, I don't know, I think you described it as, like, climate nihilism in a in a previous podcast episode, I think with a restoration ecologist maybe. Margaret That part's not true. Yeah, that sounds right. I have a terrible memory. But that sounds right. Jason Where, you know, it's kind of about a, you know, nihilism is a bad thing in that you're just like, everything's fucked, or whatever. But like, for me, it kind of takes the form of just, like, accepting that stuff is going to change and figuring out, like, wha
En realidad el título completo del podcast de hoy debería ser "La bomba número seis y otros relatos", pero quedaba demasiado largo. Y es que hoy os hablo de la antología de relatos que Paolo Bacigalupi, escritor que os sonará de "La chica mecánica", publicó en 2008. Un total de diez historias, casi todas ellas de ciencia ficción, de las que os hablaré de manera individual y, por supuesto, sin espoilers. Para cualquier duda o comentario, las formas de contactar conmigo son a través de Twitter (@greenpeeptoes) o en el canal de Telegram del programa (t.me/habitacion101)También espero tus comentarios en https://emilcar.fm/habitacion101 donde podrás encontrar los enlaces de este episodio.
The Kids and YA Gift Giving Guide (Episode 027) was my most popular episode last year, and it's not hard to see why – kids are friggen awesome. Today I'm sharing something that's usually reserved for my Patrons: the outtakes from that episode. I'm gearing up to start work on the 2021 Kid's Episode, so if you know a young person who likes to read, stay tuned until the end of the episode to hear how they can be a guest on the Best Book Ever Podcast. Support the Best Book Ever Podcast on Patreon Follow the Best Book Ever Podcast on Instagram or on the Best Book Ever Website Host: Julie Strauss Website/Instagram Do you know a young person who'd like to appear on the 2nd Annual Kids/YA Gift Guide Episode? GO HERE! Listen to the First Kids/YA Gift Giving Guide Episode HERE. These are the books the kids talked about in Episode 27: Henry: The Amazing Spiderman World of Reading This is Spiderman by Marvel Press Charley: Thea Stilton and the Land of Flowers Thea Stilton Cloud Castle Thea Stilton Treasure Seekers Katie: Echo Mountain by Lauren Wolk Where the Red Fern Grows by Wilson Rawls Jaden: The Pandava Series by Roshani Chokshi Jaden's favorite is Book 2, Arusha and the Song of Death Jack: The Warrior Cats by Erin Hunter There are several series; Jack's favorite is the New Prophecy Series His favorite book in that series is Warrior Cat: Sunset by Erin Hunter Miles: The Geronimo Stilton Books Miles mentioned the following: Geronimo Stilton: The Island of Dragons Thea Stilton: The Land of Flowers Thea Stilton and The Dragon's Code Geronimo Stilton: The Wizard's Wand Geronimo Stilton: The Kingdom of Fantasy Dog Man Books Series by Dav Pilkey Joey Scythe by Neal Shusterman (Part of the Arc of a Scythe Series) Dry by Neal Shusterman Percy Jackson and the Olympians Series by Rick Riordan Trials of Apollo Series by Rick Riordan Generations Trilogy by Scott Sigler: Alive, Alight, Alone Harry Potter Series by J.K. Rowling The Story Thieves Series by James Riley: Story Thieves, The Stolen Chapters, Secret Origins, Pick the Plot, Worlds Apart Jala The Blade Itself by Joe Abercrombie (Part of the First Law Trilogy) The Wheel of Time Series by Robert Jordan The Wind Up Girl by Paolo Bacigalupi Erin Shutter Island by Dennis Lehane The Mother Daughter Book Club Series by Heather Vogel Frederick (Erin's favorite is Pies and Prejudice) We Were Liars by E. Lockhart Ella Behind the Scenes at the Museum by Kate Atkinson The Butchering Art: Joseph Lister's Quest to Transform the Grisly World of Victorian Medicine by Lindsey Fitzharris Aidan Mortal Lessons: Notes on the Art of Surgery by Richard Selzer Do No Harm: Stories of Life, Death, and Brain Surgery by Henry Marsh Bodies in Motion and at Rest: On Metaphor and Mortality by Thomas Lynch Smoke Gets in Your Eyes and Other Lessons from the Crematory by Caitlin Doughty (Note: Some of the above links are affiliate links, meaning I get a few bucks off your purchase at no extra expense to you. Anytime you shop for books, you can use my affiliate link on Bookshop, which also supports Indie Bookstores around the country. If you're shopping for everything else – clothes, office supplies, gluten-free pasta, couches – you can use my affiliate link for Amazon. Thank you for helping to keep the Best Book Ever Podcast in business!)
The Kids and YA Gift Giving Guide (Episode 027) was my most popular episode last year, and it's not hard to see why – kids are friggen awesome. Today I'm sharing something that's usually reserved for my Patrons: the outtakes from that episode. I'm gearing up to start work on the 2021 Kid's Episode, so if you know a young person who likes to read, stay tuned until the end of the episode to hear how they can be a guest on the Best Book Ever Podcast. Support the Best Book Ever Podcast on Patreon Follow the Best Book Ever Podcast on Instagram or on the Best Book Ever Website Host: Julie Strauss Website/Instagram Do you know a young person who'd like to appear on the 2nd Annual Kids/YA Gift Guide Episode? GO HERE! Listen to the First Kids/YA Gift Giving Guide Episode HERE. These are the books the kids talked about in Episode 27: Henry: The Amazing Spiderman World of Reading This is Spiderman by Marvel Press Charley: Thea Stilton and the Land of Flowers Thea Stilton Cloud Castle Thea Stilton Treasure Seekers Katie: Echo Mountain by Lauren Wolk Where the Red Fern Grows by Wilson Rawls Jaden: The Pandava Series by Roshani Chokshi Jaden's favorite is Book 2, Arusha and the Song of Death Jack: The Warrior Cats by Erin Hunter There are several series; Jack's favorite is the New Prophecy Series His favorite book in that series is Warrior Cat: Sunset by Erin Hunter Miles: The Geronimo Stilton Books Miles mentioned the following: Geronimo Stilton: The Island of Dragons Thea Stilton: The Land of Flowers Thea Stilton and The Dragon's Code Geronimo Stilton: The Wizard's Wand Geronimo Stilton: The Kingdom of Fantasy Dog Man Books Series by Dav Pilkey Joey Scythe by Neal Shusterman (Part of the Arc of a Scythe Series) Dry by Neal Shusterman Percy Jackson and the Olympians Series by Rick Riordan Trials of Apollo Series by Rick Riordan Generations Trilogy by Scott Sigler: Alive, Alight, Alone Harry Potter Series by J.K. Rowling The Story Thieves Series by James Riley: Story Thieves, The Stolen Chapters, Secret Origins, Pick the Plot, Worlds Apart Jala The Blade Itself by Joe Abercrombie (Part of the First Law Trilogy) The Wheel of Time Series by Robert Jordan The Wind Up Girl by Paolo Bacigalupi Erin Shutter Island by Dennis Lehane The Mother Daughter Book Club Series by Heather Vogel Frederick (Erin's favorite is Pies and Prejudice) We Were Liars by E. Lockhart Ella Behind the Scenes at the Museum by Kate Atkinson The Butchering Art: Joseph Lister's Quest to Transform the Grisly World of Victorian Medicine by Lindsey Fitzharris Aidan Mortal Lessons: Notes on the Art of Surgery by Richard Selzer Do No Harm: Stories of Life, Death, and Brain Surgery by Henry Marsh Bodies in Motion and at Rest: On Metaphor and Mortality by Thomas Lynch Smoke Gets in Your Eyes and Other Lessons from the Crematory by Caitlin Doughty (Note: Some of the above links are affiliate links, meaning I get a few bucks off your purchase at no extra expense to you. Anytime you shop for books, you can use my affiliate link on Bookshop, which also supports Indie Bookstores around the country. If you're shopping for everything else – clothes, office supplies, gluten-free pasta, couches – you can use my affiliate link for Amazon. Thank you for helping to keep the Best Book Ever Podcast in business!)
Fecha de Grabación: Domingo 30 de mayo de 2021Algunas de las noticias y temas comentados:Marvel Studios liberó el primer teaser de The Eternals, y comentamos nuestras impresiones de este primer vistazo a la película de Chloé Zhao.Amazon anunció la adquisición de MGM, estudio cuyo catálogo incluye propiedades como James Bond, Rocky, The Hobbit y Pink Panther.Respondemos preguntas de los auditores.¡...Y muchísimo más!Comentario de series y películas:Death Love + Robots vol. 2, colección de cortometrajes animados de Netflix, producida por Tim Miller y David Fincher que adapta cuentos de Harlan Ellison, JG Ballard, John Scalzi y Paolo Bacigalupi, entre otros. (Netflix)The Final Girls, comedia de horror dirigida por Todd Strauss-Schulson con Taissa Farmiga, Malin Åkerman, Adam DeVine y Alexander Ludwig, entre otros. (Stage 6 / Netflix)Comentario de cómics:Teen Titans Academy, escrito por Tim Sheridan y dibujado por Rafa Sandoval y Jordi Tarragona, con color de Tamra Bonvillain. Historia adicional por Ram V, Xermanico y Rómulo Fajardo Jr. (DC Comics)Death or Glory, escrito por Rick Remender y con arte y color de Bengal. (Image Comics)Justice League, escrito por Brian Michael Bendis y dibujado por David Márquez, con color de Jordie Bellaire. (DC Comics)Pueden escuchar el Podcast en este reproductor.Descarga Directa MP3 (Usar botón derecho del mouse y opción "guardar enlace como"). Peso: 91,1 MB; Calidad: 128 Kbps.El episodio tiene una duración de 01:39:22.Recuerden que ya está otra vez activa nuestra campaña en Patreon. Cada episodio del podcast se publica ahí al menos 24 horas antes que a través de los canales habituales, y cada mes grabamos un especial temático que es exclusivo de esta plataforma. Puedes sumarte a nuestros patreoncinadores™ con aportaciones desde 1 dólar al mes, y no existe un mínimo de tiempo para mantener su suscripción.También puedes encontrar nuestro podcast en los siguientes agregadores y servicios especializados:Comicverso en SpotifyComicverso en iVooxComicverso en Apple PodcastsComicverso en Google PodcastsComicverso en Amazon MusicComicverso en Archive.orgComicverso en I Heart RadioComicverso en Overcast.fmComicverso en Pocket CastsComicverso en RadioPublicComicverso en CastBox.fm¿Usas alguna app o servicio que no tiene a Comicverso? En la barra lateral está el feed del podcast, mismo que puedes agregar al servicio de tu preferencia.Nos interesa conocer opiniones y críticas para seguir mejorando. Si te gusta nuestro trabajo, por favor ayúdanos compartiendo el enlace a esta entrada, cuéntale a tus amigos sobre nuestro Podcast, y recomiéndalo a quien creas que pueda interesarle. Hasta pronto.Deja tus comentarios o escríbenos directamente a comicverso@gmail.com
Mary Anne interviews Paolo Bacigalupi about how to write fiction with a message, especially one as urgent as the ecological fate of our world and how it can impact humanity. To watch this interview and others like it at the Speculative Literature Foundation visit: https://speculativeliterature.org/portolan-project/interviews/
Paolo Bacigalupi Explores Climate Change and Corruption in Near-Future Sci-Fi, “The Water Knife” In today’s episode, we visit with New York Times bestseller and National Book Award finalist Paolo Bacigalupi, author of “The Water Knife.” In a world where water is scarce, Angel Velasquez is an assassin known as “water knife,” in which he sabotages the water supply of his employer’s competitors. After his paths cross with climate refugee, Maria Villarosa, and award-winning journalist, Lucy Monroe, his loyalty is tested. The Los Angeles Times wrote, “The book's nervous energy recalls William Gibson at his cyberpunk best . . . But this is no pastiche; Bacigalupi weaves an engrossing tale all his own, crackling with edgy style.” Paolo Bacigalupi is an internationally bestselling author of speculative fiction. He has won numerous awards. His work often focuses on questions of sustainability and the environment, most notably the impacts of climate change. In The Water Knife, he imagines a future without water that may not be that far off. Engage with the show here: https://linktr.ee/CharlotteReadersPodcast Detailed show notes here: https://charlottereaderspodcast.com Facebook: https://www.facebook.com/charlottereaderspodcast Instagram: https://www.instagram.com/charlottereaderspodcast/ Twitter: https://twitter.com/charlottereader Charlotte Readers Podcast is a proud member of the Authors on the Air Global Radio Network and the Queen City Podcast Network. © Charlotte Readers Podcast and Authors on the Air Global Radio Network
Paolo Bacigalupi Explores Climate Change and Corruption in Near-Future Sci-Fi, “The Water Knife” In today's episode, we visit with New York Times bestseller and National Book Award finalist Paolo Bacigalupi, author of “The Water Knife.” In a world where water is scarce, Angel Velasquez is an assassin known as “water knife,” in which he sabotages the water supply of his employer's competitors. After his paths cross with climate refugee, Maria Villarosa, and award-winning journalist, Lucy Monroe, his loyalty is tested. The Los Angeles Times wrote, “The book's nervous energy recalls William Gibson at his cyberpunk best . . . But this is no pastiche; Bacigalupi weaves an engrossing tale all his own, crackling with edgy style.” Paolo Bacigalupi is an internationally bestselling author of speculative fiction. He has won numerous awards. His work often focuses on questions of sustainability and the environment, most notably the impacts of climate change. In The Water Knife, he imagines a future without water that may not be that far off. Engage with the show here: https://linktr.ee/CharlotteReadersPodcast Detailed show notes here: https://charlottereaderspodcast.com Facebook: https://www.facebook.com/charlottereaderspodcast Instagram: https://www.instagram.com/charlottereaderspodcast/ Twitter: https://twitter.com/charlottereader Charlotte Readers Podcast is a proud member of the Authors on the Air Global Radio Network and the Queen City Podcast Network. © Charlotte Readers Podcast and Authors on the Air Global Radio Network
This week, we talk about this book in the context of one of the first posthumanist novels: Shelley's Frankenstein. We also debate whether or not The Windup Girl should be considered as a post/transhumanist text, and whether we were unduly critical in categorizing this book as being light on ideas.This is the third novel in our Transhumanist Sci-Fi series. Want to talk about The Windup Girl? Join our book club discussion here: https://www.reddit.com/r/CanonicalPod where you can also find show notes, credits and extended discussions for every episode.You can support us by rating/liking/sharing our podcast! Subscribe to us here:Apple | Stitcher | Spotify | Google | YoutubeYou can also support us by buying The Windup Girl or another book from one of our curated lists: https://bookshop.org/shop/CanonicalPod. We earn a commission on every purchase and your local indie bookstore gets a cut too!We are also on Twitter and Facebook @CanonicalPod. Follow us to get updates on upcoming episodes!
This week, we reviewed The Windup Girl, a biopunk novel set in Thailand a few centuries from now. While there's no denying that this book was an enjoyable read, we took issue with some of the decisions made in this novel.This is the third novel in our Transhumanist Sci-Fi series. Want to talk about The Windup Girl? Join our book club discussion here: https://www.reddit.com/r/CanonicalPod where you can also find show notes, credits and extended discussions for every episode.You can support us by rating/liking/sharing our podcast! Subscribe to us here:Apple | Stitcher | Spotify | Google | YoutubeYou can also support us by buying The Windup Girl or another book from one of our curated lists: https://bookshop.org/shop/CanonicalPod. We earn a commission on every purchase and your local indie bookstore gets a cut too!We are also on Twitter and Facebook @CanonicalPod. Follow us to get updates on upcoming episodes!
In today's episode, we welcome Jordan Lonborg, viticulturist at Tablas Creek Vineyard for part two of our two-part series with the company. Tablas Creek Vineyard is all about making change in the world of planet-saving agriculture. They are the first Regenerative Organic Certified™ (ROC™) vineyard in the world. That means that in addition to producing top-of-the-line wines people love, their agricultural practices help reverse climate change. We're incredibly honored to be partnering with the great folks at Tablas Creek for this series, as well as a cause campaign surrounding sustainable wine and agriculture. We spoke to Tablas' General Manager, Jordan Haas last week about the history of Tablas and how the Regenerative Agriculture Certification™ is changing the shape of California Wineries. Be sure to check it out if you haven't already. In this episode with Jordan, we dive into: How Tablas Creek became the world's first ROC™ vineyard How being Regenerative Organic Certified™ is helping to fight climate change Jordan's insight into what it takes to run a people-and-planet-friendly operation The three pillars of the Regenerative Organic Certification™ Links from the Episode: Tablas Creek on Facebook, Instagram, Twitter, and YouTube The Rodale Institute Kiss the Ground on Netflix The Water Knife by Paolo Bacigalupi Related Content: The show post for this episode (and Jason's episode from last week): https://growensemble.com/sustainable-vineyard Our articles in partnership with Tablas Creek: https://growensemble.com/sustainable-wine/ https://growensemble.com/climate-change-and-agriculture/ https://growensemble.com/regenerative-agriculture/ Connect with Grow Ensemble on Social: YouTube Twitter LinkedIn Instagram
In this episode, we welcome Jason Haas, Partner and General Manager at Tablas Creek Vineyard. Tablas Creek Vineyard is all about making change in the world of planet-saving agriculture. They are the first Regenerative Organic Certified™ (ROC™) vineyard in the world. That means that in addition to producing top-of-the-line wines people love, their agricultural practices help reverse climate change. We love what Jason and the rest of the folks at Tablas Creek are doing, and we're incredibly honored to be partnering with them for this episode and a cause campaign surrounding sustainable wine and agriculture. We also have an episode with their viticulturist coming next week, so stay tuned for that! In this episode with Jason, we dive into: What sustainability in the wine industry means How climate change is affecting California’s wine production and farming practices Why farming regeneratively can be so uniquely beneficial to vineyards Sustainable vineyard certifications Links from the Episode: Tablas Creek on Facebook, Instagram, Twitter, and YouTube The Rodale Institute Kiss the Ground on Netflix The Water Knife by Paolo Bacigalupi Related Content: The show post for this episode: https://growensemble.com/sustainable-vineyard Our articles in partnership with Tablas Creek: https://growensemble.com/sustainable-wine/ https://growensemble.com/climate-change-and-agriculture/ https://growensemble.com/regenerative-agriculture/ Connect with Grow Ensemble on Social: YouTube Twitter LinkedIn Instagram
Today we’re changing up the format a bit. With the holidays coming up, it’s time to start thinking about gift giving. I invited a bunch of my favorite young Bookworms, ages 5-23, to tell me about their favorite books. I love talking to kids, and I love talking about books – so this episode was an absolute delight to record. I hope you will find plenty of books for all the young people in your life. Remember your local indie bookstores when doing all of your shopping! Support the Best Book Ever Podcast on Patreon Follow the Best Book Ever Podcast on Instagram or on the Best Book Ever Website Host: Julie Strauss Website/Instagram/Facebook Discussed in this episode: Henry: The Amazing Spiderman World of Reading This is Spiderman by Marvel Press Charley: Thea Stilton and the Land of Flowers Thea Stilton Cloud Castle Thea Stilton Treasure Seekers Katie: Echo Mountain by Lauren Wolk Where the Red Fern Grows by Wilson Rawls Jaden: The Pandava Series by Roshani Chokshi Jaden’s favorite is Book 2, Arusha and the Song of Death Jack: The Warrior Cats by Erin Hunter There are several series; Jack’s favorite is the New Prophecy Series His favorite book in that series is Warrior Cat: Sunset by Erin Hunter Miles: The Geronimo Stilton Books Miles mentioned the following: Geronimo Stilton: The Island of Dragons Thea Stilton: The Land of Flowers Thea Stilton and The Dragon’s Code Geronimo Stilton: The Wizard’s Wand Geronimo Stilton: The Kingdom of Fantasy Dog Man Books Series by Dav Pilkey Joey Scythe by Neal Shusterman (Part of the Arc of a Scythe Series) Dry by Neal Shusterman Percy Jackson and the Olympians Series by Rick Riordan Trials of Apollo Series by Rick Riordan Generations Trilogy by Scott Sigler: Alive, Alight, Alone Harry Potter Series by J.K. Rowling The Story Thieves Series by James Riley: Story Thieves, The Stolen Chapters, Secret Origins, Pick the Plot, Worlds Apart Jala The Blade Itself by Joe Abercrombie (Part of the First Law Trilogy) The Wheel of Time Series by Robert Jordan The Wind Up Girl by Paolo Bacigalupi Erin Shutter Island by Dennis Lehane The Mother Daughter Book Club Series by Heather Vogel Frederick (Erin’s favorite is Pies and Prejudice) We Were Liars by E. Lockhart Ella Behind the Scenes at the Museum by Kate Atkinson The Butchering Art: Joseph Lister’s Quest to Transform the Grisly World of Victorian Medicine by Lindsey Fitzharris Aidan Mortal Lessons: Notes on the Art of Surgery by Richard Selzer Do No Harm: Stories of Life, Death, and Brain Surgery by Henry Marsh Bodies in Motion and at Rest: On Metaphor and Mortality by Thomas Lynch Smoke Gets in Your Eyes and Other Lessons from the Crematory by Caitlin Doughty (Note: If you shop using my affiliate links, a portion of your purchase will go to me, at no extra expense to you. Thank you for supporting indie bookstores and for helping to keep the Best Book Ever Podcast in business!)
This episode of The Imagination Desk features science fiction heavy-weight Paolo Bacigalupi, author of The Water Knife and Shipbreaker. We caught up with him in this bonus episode to discuss the changes in his writing process as well as his latest projects.
Here's a little preview of the Cultures of Energy Podcast! Look for episodes on iTunes and Stitcher as soon as all the tubes get connected and all the magic podcast elves work through their holiday shopping. Cymene and Dominic answer the question ‘why do an energy humanities podcast?' and confess their past radio sins. Then (9:14) Dominic interviews Hugo and Nebula award winning science fiction writer Paolo Bacigalupi, author of the The Windup Girl and The Water Knife, about what science fiction can do in the era of climate change.
While the wealthy stay wet in lush high-rise cities, the poor are forced to pay $6.00-plus for a gallon of water, and struggle to find ways north through militarized state lines. That's the frighteningly-plausible future depicted in Paolo Bacigalupi's new novel "The Water Knife."
Robert J. Sawyer--Part 3. Topics: Microsoft's new HoloLens eyeglass computer which beats Google glass by providing a head up display over your entire field-of-view; the latest DARPA Robot Challenge showed us that robots are still amazingly slow, clumsy and bumbling; why the future popularity of sex robots is perfectly reasonable; making the case for human augmentation; why human augmentation will probably, over time, alter an individual's personality; benefits of the new laser-based carbon-dioxide scrubber for space travel; ideas on how to increase fairness in the judicial system; and the idea that if there had been as many smartphone video cameras during the civil rights movement as there are today, it probably would have proceeded a lot more rapidly and a lot less violently. Robert J. Sawyer is one of only eight writers in history — and the only Canadian — to win all three of the world's top Science Fiction awards for best novel of the year: the Hugo, the Nebula, and the John W. Campbell Memorial Award. (The full list of includes: Frederik Pohl, David Brin, Joe Haldeman, Kim Stanley Robinson, and Robert J. Sawyer, Arthur C. Clarke, Connie Willis, Paolo Bacigalupi.) Robert J. Sawyer is also an award-winning scriptwriter and an in-demand keynote speaker. Hosted by Stephen Euin Cobb, this is the April 29, 2015 episode of The Future And You. [Running time: 43 minutes] This interview was recorded using Skype on March 22, 2015. Stephen Euin Cobb has interviewed over 350 people for his work as an author, futurist, magazine writer and award-winning podcaster. A contributing editor for Space and Time Magazine; he has also been a regular contributor for Robot, H+, Grim Couture and Port Iris magazines; and he spent three years as a columnist and contributing editor for Jim Baen's Universe Magazine. For the last nine years he has produced a weekly podcast, The Future And You, which explores (through interviews, panel discussions and commentary) all the ways the future will be different from today. He is an artist, essayist, game designer, transhumanist, and is on the Advisory Board of The Lifeboat Foundation. Stephen is the author of an ebook about the future entitled: Indistinguishable from Magic: Predictions of Revolutionary Future Science.
Robert J. Sawyer--Part 2. Topics: indicators we might see if the Internet were to wake up and become conscious as an artificial intelligence; clever things such a web-mind might do to make the world a better place; why Artificial Intelligence or Artificial Super Intelligence is not likely to be dangerous; why it is likely that we will develop artificial intelligence; the future of 3-D printers of ordinary stuff, and of organs for transplant; features of a post-scarcity world; epigenetics; the astounding wealth of knowledge we all have at our keyboards; the free audio books available for download from LibriVox; the Neanderthal Genome Project; and the ethical problems with cloning a neanderthal. Robert J. Sawyer is one of only eight writers in history — and the only Canadian — to win all three of the world's top Science Fiction awards for best novel of the year: the Hugo, the Nebula, and the John W. Campbell Memorial Award. (The full list of includes: Frederik Pohl, David Brin, Joe Haldeman, Kim Stanley Robinson, and Robert J. Sawyer, Arthur C. Clarke, Connie Willis, Paolo Bacigalupi.) Robert J. Sawyer is also an award-winning scriptwriter and an in-demand keynote speaker. Hosted by Stephen Euin Cobb, this is the April 22, 2015 episode of The Future And You. [Running time: 38 minutes] This interview was recorded using Skype on March 22, 2015. Stephen Euin Cobb has interviewed over 350 people for his work as an author, futurist, magazine writer and award-winning podcaster. A contributing editor for Space and Time Magazine; he has also been a regular contributor for Robot, H+, Grim Couture and Port Iris magazines; and he spent three years as a columnist and contributing editor for Jim Baen's Universe Magazine. For the last nine years he has produced a weekly podcast, The Future And You, which explores (through interviews, panel discussions and commentary) all the ways the future will be different from today. He is an artist, essayist, game designer, transhumanist, and is on the Advisory Board of The Lifeboat Foundation. Stephen is the author of an ebook about the future entitled: Indistinguishable from Magic: Predictions of Revolutionary Future Science.
Robert J. Sawyer (the award-winning author and science enthusiast) discusses: radical life extension; how mind uploading might be misused in horrific ways; his critique of the methods used by the SETI project in their search for extraterrestrial civilizations; the most reasonable answers to the the Fermi Paradox; and his expectations concerning quantum computers, and why the NSA is buying them. Robert J. Sawyer is one of only eight writers in history — and the only Canadian — to win all three of the world's top Science Fiction awards for best novel of the year: the Hugo, the Nebula, and the John W. Campbell Memorial Award. (The full list of includes: Frederik Pohl, David Brin, Joe Haldeman, Kim Stanley Robinson, and Robert J. Sawyer, Arthur C. Clarke, Connie Willis, Paolo Bacigalupi.) Robert J. Sawyer is also an award-winning scriptwriter and an in-demand keynote speaker. Hosted by Stephen Euin Cobb, this is the April 15, 2015 episode of The Future And You. [Running time: 37 minutes] This interview was recorded using Skype on March 22, 2015. Stephen Euin Cobb has interviewed over 350 people for his work as an author, futurist, magazine writer and award-winning podcaster. A contributing editor for Space and Time Magazine; he has also been a regular contributor for Robot, H+, Grim Couture and Port Iris magazines; and he spent three years as a columnist and contributing editor for Jim Baen's Universe Magazine. For the last nine years he has produced a weekly podcast, The Future And You, which explores (through interviews, panel discussions and commentary) all the ways the future will be different from today. He is an artist, essayist, game designer, transhumanist, and is on the Advisory Board of The Lifeboat Foundation. Stephen is the author of an ebook about the future entitled: Indistinguishable from Magic: Predictions of Revolutionary Future Science.
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