Podcasts about kdp

Fernando Gamboa è l'autore che ha venduto più libri nella storia di Amazon.es. Ha venduto oltre 1 milione di copie nel mondo, è tradotto in molte lingue e diversi suoi romanzi hanno avuto grande successo anche in Italia.Ma questa puntata non è solo per chi scrive libri.È una conversazione su come si costruisce un asset creativo, come si vende senza aspettare il permesso degli intermediari, e quanto conta mantenere il controllo su ciò che porta il tuo nome.Fernando racconta di quando pubblicava con editori tradizionali, vendette 100.000 copie e non venne pagato. Racconta di quando tutti nel settore gli dissero che pubblicare da solo su Amazon avrebbe distrutto per sempre la sua carriera. E racconta anche di aver mostrato agli editori numeri da 2 milioni di dollari di libri venduti in un anno, venendo comunque trattato come un autore di seconda categoria perché indipendente.Da lì nasce la sua scelta: puntare su Amazon, KDP, catalogo, traduzioni, audiolibri e controllo della propria proprietà intellettuale.In questa intervista parliamo di libri, marketing, Amazon Ads, editoria tradizionale, self publishing, traduzioni, audiolibri, AI, diritti cinematografici e libertà personale.Parliamo anche di cura del prodotto: perché il marketing può aiutarti a farti scoprire, ma nel lungo periodo sono qualità, passaparola, esperienza del cliente e rispetto per chi compra a costruire davvero un catalogo che vende.Fernando racconta perché continua a investire in traduzioni professionali invece di affidarsi solo all'AI, perché non legge più le recensioni ma rispetta profondamente i lettori, e perché preferisce impiegare due anni a scrivere un romanzo piuttosto che pubblicare velocemente qualcosa che non lo convince.Parliamo anche del perché ha rifiutato un'offerta da 300.000€ da una casa di produzione di Los Angeles per i diritti di un suo romanzo, pur non avendo soldi in quel momento.Se sei un marketer, un consulente, un piccolo imprenditore, un autore o una persona che vende qualcosa legato al proprio nome, questa conversazione ti riguarda.Perché il punto non è solo vendere libri.Il punto è capire quando stai costruendo un asset, quando lo stai svendendo, e quanto vale davvero restare libero mentre il mercato prova a convincerti che hai bisogno del permesso di qualcun altro.In questa puntata parliamo di:Amazon KDP e self publishingeditoria tradizionale e controllo degli asset100.000 copie vendute senza essere pagato2M$ di libri venduti e ancora “fuori dal club”catalogo, passaparola e qualità del prodottoperché ha rifiutato circa 300.000€ per i diritti cinematografici di un suo romanzotraduzioni, audiolibri e mercati internazionalimarketing per libri e Amazon AdsAI, scrittura e futuro della narrativadiritti cinematografici e proprietà intellettualelibertà creativa, indipendenza e business personaleI libri di Fernando Gamboa in italiano: https://gamboaescritor.com/it/Pagina Amazon.it con i libri di Fernando Gamboa:https://www.amazon.it/s?k=Fernando+Gamboa&i=digital-text Audiolibri di Fernando Gamboa su Audible Italia: https://www.audible.it/author/Fernando-Gamboa/B006RTHR9KAltre risorse menzionate:Gruppo 20 Books to 50k: https://20booksto50.com/ Your Magic Bakery Of Intellectual Property Rights With Dean Wesley Smith: https://www.youtube.com/watch?v=to1rbDryssw  Yuval Noah Harari https://www.ilpost.it/2024/09/30/yuval-noah-harari/ Il primo romanzo di Andrew Lisi https://tatatapublishing.gumroad.com/l/machsom-romanzo-avventura Altri libri e aziende di Andrea Lisi: https://linktr.ee/copypersuasivo

Cómo Fernando Gamboa vendió millones de libros (sin editoriales) Fernando Gamboa es el autor que más libros ha vendido en la historia de Amazon.es. Ha vendido más de 1 millón de copias en el mundo, está traducido a muchos idiomas y varias de sus novelas también han tenido gran éxito en Italia.Pero este episodio no es solo para quienes escriben libros. Es una conversación sobre cómo se construye un activo creativo, cómo se vende sin esperar el permiso de los intermediarios, y cuánto importa mantener el control sobre aquello que lleva tu nombre.Fernando cuenta que cuando publicaba con editoriales tradicionales, vendió 100.000 copias y no le pagaron. Cuenta que todo el sector le dijo que publicar por su cuenta en Amazon destruiría para siempre su carrera.Y cuenta también que mostró a las editoriales cifras de 2 millones de dólares en libros vendidos en un año, y aun así fue tratado como un autor de segunda categoría por ser independiente. De ahí nace su decisión: apostar por Amazon, KDP, catálogo, traducciones, audiolibros y control de su propia propiedad intelectual.En esta entrevista hablamos de libros, marketing, Amazon Ads, editorial tradicional, autopublicación, traducciones, audiolibros, IA, derechos cinematográficos y libertad personal. Hablamos también del cuidado del producto: porque el marketing puede ayudarte a que te descubran, pero a largo plazo son la calidad, el boca a boca, la experiencia del cliente y el respeto por quien compra los que realmente construyen un catálogo que vende.Fernando cuenta por qué sigue invirtiendo en traducciones profesionales en lugar de confiar solo en la IA, por qué ya no lee las reseñas pero respeta profundamente a sus lectores, y por qué prefiere tardar dos años en escribir una novela antes que publicar rápido algo que no le convence.Hablamos también de por qué rechazó una oferta de 300.000€ de una productora de Los Ángeles por los derechos de una de sus novelas, aun sin tener dinero en ese momento. Si eres marketer, consultor, pequeño empresario, autor o alguien que vende algo ligado a su propio nombre, esta conversación te concierne. Porque el punto no es solo vender libros. El punto es entender cuándo estás construyendo un activo, cuándo lo estás malvendiendo, y cuánto vale realmente seguir siendo libre mientras el mercado intenta convencerte de que necesitas el permiso de otra persona. En este episodio hablamos de:Amazon KDP y autopublicaciónEditorial tradicional y control de los activos100.000 copias vendidas sin recibir pago2M$ en libros vendidos y aun así "fuera del club"Catálogo, boca a boca y calidad del productoPor qué rechazó unos 300.000€ por los derechos cinematográficos de una de sus novelasTraducciones, audiolibros y mercados internacionalesMarketing para libros y Amazon AdsIA, escritura y futuro de la narrativaDerechos cinematográficos y propiedad intelectualLibertad creativa, independencia y negocio personalLos libros de Fernando Gamboa:https://gamboaescritor.com/ Página de Amazon con los libros de Fernando Gamboa:https://www.amazon.es/s?k=Fernando+Gamboa&i=digital-text Audiolibros de Fernando Gamboa en Audible:https://www.audible.es/author/Fernando-Gamboa/B006RTHR9K Otros recursos mencionados:Grupo 20 Books to 50k: https://20booksto50.com/Your Magic Bakery Of Intellectual Property Rights con Dean Wesley Smith: https://www.youtube.com/watch?v=to1rbDrysswYuval Noah Harari: https://www.ilpost.it/2024/09/30/yuval-noah-harari/La primera novela de Andrew Lisi: https://tatatapublishing.gumroad.com/l/machsom-romanzo-avventuraOtros libros y negocios de Andrea Lisi: https://linktr.ee/copypersuasivo

On this episode of Self-Publishing with ALLi, Dan Holloway reports that the Anthropic settlement has received its final legal approval, with nearly half a million titles eligible for a payout of around $3,000 — and legal fees cut to just over $100 million. He covers Simon and Schuster's second new imprint for indie authors, Simon Stream, offering 50 percent net ebook royalties, alongside the previously reported Pocket Books relaunch. And he closes with Canadian survey data showing readers are already paying an average of US$8.74 for ebooks — neatly vindicating KDP's recent royalty cap rise to $12.99. Sponsor Self-Publishing News is proudly sponsored by PublishMe—helping indie authors succeed globally with expert translation, tailored marketing, and publishing support. From first draft to international launch, PublishMe ensures your book reaches readers everywhere. Visit publishme.me. Find more author advice, tips, and tools at our Self-publishing Author Advice Center, with a huge archive of nearly 2,000 blog posts and a handy search box to find key info on the topic you need. About the Host Dan Holloway is a novelist, poet, and spoken word artist. He is the MC of the performance arts show The New Libertines, He competed at the National Poetry Slam final at the Royal Albert Hall. His latest collection, The Transparency of Sutures, is  available on Kindle.

Elite KDP Engine - https://www.marketingsharks.com/elite-kdp-engine-from-dave-espino/WHAT'S INSIDE (everything a published book needs):– FULL BOOK BUILDER – Journals, planners, trackers, puzzle & activitybooks, coloring books, and full non-fiction – written and laid outfor you.– COVERS & INTERIORS – Generated covers and print-ready interiorssized to Amazon KDP specs. No separate design tool needed.– PRINT-READY EXPORT – One-click export to KDP-compliant PDF, EPUBand DOCX. Upload and hit publish – no reformatting.– ADVANCED KDP LISTING – Title, description, keywords, categories,BISAC paths and pricing strategy – the listing done properly.– FULL MARKETING PACK – Launch emails, social posts, a BookTokscript and a press blurb – so the book actually gets seen.– CREDITS INCLUDED – Enough to build around 10 complete illustratedbooks right away. AI included – nothing to install.Elite KDP Engine$17 one-timeEverything here is included. No upgrade is needed to publish a finished, sellable book.

Servicio publicar un libro en Amazon: https://www.letraminuscula.com/publicar-en-amazon/ RESUMEN: En este directo de preguntas y respuestas, Roberto Augusto resuelve dudas sobre autopublicación en Amazon, pagos de KDP, ISBN, registro de la propiedad intelectual y copyright. También explica estrategias de marketing para vender libros, analiza portadas y fichas de varios autores, habla de concursos literarios, traducciones, uso de la IA, protección de manuscritos y cómo construir una marca personal como escritor. ⏲MARCAS DE TIEMPO: ▶️00:00 Bienvenida y preguntas del directo ▶️01:07 Filtro de calidad editorial ▶️02:04 Cuándo paga Amazon KDP ▶️04:48 Concurso solo para inéditos ▶️05:27 Copyright y registro explicados ▶️08:27 ISBN o registro: diferencias ▶️12:28 Extras al publicar un libro ▶️15:35 ISBN no protege la autoría ▶️16:29 Amazon Ads para vender libros ▶️20:58 Derechos en traducciones y obras ▶️22:16 Marketing tras publicar ▶️24:51 Cuidado con agentes literarios ▶️29:43 Uso de los adjetivos ▶️30:42 Proceso editorial paso a paso ▶️33:12 Cómo vender un libro publicado ▶️38:30 ¿La IA sustituirá escritores? ▶️40:29 Análisis de un libro publicado ▶️45:29 Concursos y condiciones ▶️50:05 Errores en fichas y portadas ▶️01:21:45 Construir una carrera literaria

In this episode of the Self-Publishing with ALLi Member Q&A podcast, hosts Michael La Ronn and Sacha Black discuss whether an author can safely use a real band's name in a novel title, including how to check for trademarks, why disclaimers won't shield you from lawsuits, and when it's worth consulting an intellectual property attorney. Other questions include: What is the best platform for publishing a professionally recorded, author-narrated audiobook, and should you go exclusive with Audible or distribute wide? What should you do if your KDP account has been terminated? Is it a sound strategy to sell direct through your website first and go wide only after those sales dry up? How do you find and evaluate printing companies for your book? From a marketing perspective, how should you approach a series that can be read in any order versus one that must be read sequentially? Should you use a copyrighted quote without permission and hope it qualifies as fair use if the licensing fee is too expensive? And more! Find more author advice, tips, and tools at our Self-Publishing Author Advice Center, with a huge archive of nearly 2,000 blog posts and a handy search box to find key info on the topic you need. And, if you haven't already, we invite you to join our organization and become a self-publishing ally. About the Hosts Michael La Ronn is ALLi's Outreach Manager. He is the author of over 80 science fiction & fantasy books and self-help books for writers. He writes from the great plains of Iowa and has managed to write while raising a family, working a full-time job, and even attending law school classes in the evenings (now graduated!). You can find his fiction at www.michaellaronn.com and his videos and books for writers at www.authorlevelup.com. Sacha Black is a bestselling and competition winning author, rebel podcaster, speaker and casual rule breaker. She writes fiction under a secret pen name and other books about the art of writing. When Sacha isn't writing, she runs ALLi's blog. She lives in England, with her wife and genius, giant of a son. You can find her on her website, her podcast, and on Instagram.

A major traditional publisher is making a surprising move toward indie authors. We also cover a KDP payment change, new details about Audible's royalty model, and fresh opportunities for book promotion and AI discoverability. Plus, the Rapid-Fire Newsflash features author resources, timely discounts, and more publishing updates. Dibbly Create - https://DaleLinks.com/DibblyCreate (affiliate link) KDP Community: EUR Check Payments Changing in August 2026 - https://www.kdpcommunity.com/s/article/EUR-Check-Payments-Changing-in-August-2026?language=en_US ACX: Suggested Price - https://help.acx.com/s/article/suggested-price PublishDrive - https://DaleLinks.com/PublishDrive (affiliate link) Draft2Digital: The Draft2Digital Promotions Team - https://draft2digital.com/blog/the-draft2digital-promotions-team/ Publishers Weekly: Pocket Books Relaunched as Home for Self-Published Authors - https://www.publishersweekly.com/pw/by-topic/industry-news/publisher-news/article/100756-pocket-books-relaunched-as-home-for-self-published-authors.html ALLi: How to Make Your Books Discoverable by AI, with Orna Ross and Rob Prime - https://selfpublishingadvice.org/podcast-how-to-make-your-books-discoverable-by-ai/ ALLi's Community Hub: SelfPubConnect - https://selfpubconnect.mn.co/ The Alliance of Independent Authors - https://DaleLinks.com/ALLi (affiliate link) Rapid-Fire Newsflash IngramSpark: A Definitive List of Writing Contests and Book Awards for 2026-2027 - https://www.ingramspark.com/blog/2025-book-awards-contests-for-indie-authors Authors Guild: Do Authors Need an LLC or S-Corporation? - https://authorsguild.org/resource/do-authors-need-an-llc-or-s-corporation/  Gemsy (the book review exchange platform) - https://DaleLinks.com/Gemsy (affiliate link) Use DALESUMMER50 for 50% off the annual plan (good till August 20, 2026) The Indy Author Podcast: Book Marketing on a Budget with Kevin Hall - Ep. 345 - https://youtu.be/tb7U7_15jzk?si=oBYwzp3hgpqw3WAG  The Smashwords Summer/Winter Sale - https://www.smashwords.com/shelves/promos The Self-Publishing with Dale Series (on Smashwords) - https://www.smashwords.com/books/byseries/113712   Subscribe to my email newsletter - https://DaleLinks.com/SignUp Join Channel Memberships - https://DaleLinks.com/Memberships Join Me on Discord - https://DaleLinks.com/Discord Check out my main YouTube channel - https://www.youtube.com/@dalelroberts My Books - https://DaleLinks.com/MyBooks Wanna tip me? Visit https://dalelroberts.gumroad.com/coffee. Where noted, some outbound links financially benefit the channel through affiliate programs. I only endorse programs, products, or services I use and can stand confidently behind. These links do not affect your purchase price and greatly helps to building and growing this channel. Thanks in advance for understanding! - Dale L. Roberts

Servicio publicar un libro en Amazon: https://www.letraminuscula.com/publicar-en-amazon/ RESUMEN: En este directo, Roberto Augusto responde preguntas sobre autopublicación en Amazon KDP, estrategias de lanzamiento, subtítulos y palabras clave, Amazon Ads, audiolibros con IA, contenido A+, cuentas para cobrar regalías, uso de QR, marca personal para escritores y concursos literarios. También analiza varios libros de los espectadores y comparte consejos prácticos para mejorar su visibilidad y ventas. ⏲MARCAS DE TIEMPO: ▶️00:01 Bienvenida al directo ▶️01:10 Premio y obra inédita en concurso ▶️02:03 Lanzamiento y subtítulos en Amazon ▶️04:00 Flyers, Ads y cobro de regalías ▶️05:28 Audiolibros con IA y ElevenLabs ▶️09:28 QR para reseñas en Amazon ▶️11:20 Claude para mejorar manuscritos ▶️12:06 Registro intelectual y novela histórica ▶️16:33 Betas de KDP y cambios en libros ▶️19:05 Erotismo, QR y redes sociales ▶️23:00 Análisis de libros en Amazon ▶️32:29 Proceso tras acabar un manuscrito ▶️36:42 Novedades de La Resistencia Ludita ▶️46:05 Cómo crear una marca personal ▶️50:23 Estrategias de precios y marketing ▶️54:09 Concurso, directos y más análisis ▶️01:02:28 Masterclass, depósitos y derechos ▶️01:12:52 Marketing, regalías y editoriales ▶️01:19:03 Futuro de los premios y Amazon Ads ▶️01:22:33 Libros infantiles y despedida

Join hosts J.D. Barker, Christine Daigle, Jena Brown, and Kevin Tumlinson as they discuss the week's entertainment news, including stories about Amazon's open-air library, KDP, and publishing's hologram problem. Then, stick around for a chat with Stig Abell! Stig Abell believes that discovering a crime fiction series to enjoy is one of the great pleasures in life. His first novel, Death Under A Little Sky, introduced Jake Jackson and his attempt to get away from his former life in the beautiful area around Little Sky, followed by Death in a Lonely Place and The Burial Place. Stig is absolutely delighted that there are more on the way. Away from books, he presents the breakfast show on Times Radio, a station he helped to launch in 2020. Before that he was a regular presenter on Radio 4's Front Row and was the editor and publisher of the Times Literary Supplement. He lives in London with his wife, three children and two independent-minded cats called Boo and Ninja (his children named them, obviously). Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Side Show Music - Vol. 3 by KDP

On this episode of Self-Publishing with ALLi, Dan Holloway covers three positive stories: KDP raising the upper price limit for its top royalty bracket from $9.99 to $12.99, effective July 7th; Bookshop.org launching audiobooks for UK readers on a £12.99 monthly subscription designed to deepen ties between readers and their local indie bookstores; and the rise of dystomance — the blend of dystopia and romance trending on BookTok, with a self-published title helping drive the wave. Sponsor Self-Publishing News is proudly sponsored by PublishMe—helping indie authors succeed globally with expert translation, tailored marketing, and publishing support. From first draft to international launch, PublishMe ensures your book reaches readers everywhere. Visit publishme.me. Find more author advice, tips, and tools at our Self-publishing Author Advice Center, with a huge archive of nearly 2,000 blog posts and a handy search box to find key info on the topic you need. About the Host Dan Holloway is a novelist, poet, and spoken word artist. He is the MC of the performance arts show The New Libertines, He competed at the National Poetry Slam final at the Royal Albert Hall. His latest collection, The Transparency of Sutures, is  available on Kindle.

Servicio publicar un libro en Amazon ➡️https://www.letraminuscula.com/publicar-en-amazon/ SI deseas PUBLICAR escríbenos : contacto@letraminuscula.com Llama☎ o WhatsApp: +34640667855 RESUMEN: En este tutorial completo aprenderás paso a paso cómo publicar un libro en Amazon KDP. Descubre qué archivos necesitas, cómo configurar correctamente ebook, tapa blanda y tapa dura, elegir categorías, palabras clave, precios, regalías, ISBN, uso de IA y evitar los errores más comunes para publicar tu libro con éxito. ⏲MARCAS DE TIEMPO: ▶️00:00 Introducción al tutorial KDP ▶️00:55 Archivos necesarios para publicar ▶️04:12 Interior, ISBN y depósito legal ▶️07:29 Panel de Amazon KDP explicado ▶️09:59 Datos básicos del libro ▶️15:14 Descripción y derechos de autor ▶️18:22 Tienda principal y categorías ▶️24:43 Palabras clave y preventa ▶️29:49 ISBN y opciones de impresión ▶️34:40 Tamaño, portada y manuscrito ▶️40:02 Uso de IA y vista previa ▶️48:41 Precios y regalías en papel ▶️54:49 Publicación del ebook ▶️01:00:11 Texto alternativo y KDP Select ▶️01:04:13 Regalías y precios del ebook ▶️01:08:12 Publicación en tapa dura ▶️01:09:38 Diferencias con tapa blanda ▶️01:12:42 Publicar y cierre del tutorial

KDP expanded the 70% ebook royalty pricing range, giving authors more room above the old $9.99 limit. Kindlepreneur updated two solid refreshers on KDP keywords and categories, Authors Guild shared another scam warning, Laterpress upgraded its Assistant feature, Voices by INAudio shared audiobook marketing tips, and Miblart is celebrating 10 years with a limited-time discount. Dibbly Create - https://DaleLinks.com/DibblyCreate (affiliate link)   KDP Community: The 70% eBook Royalty Option price band has expanded to $2.99–$12.99 - https://www.kdpcommunity.com/s/article/The-70-eBook-Royalty-Option-price-band-has-expanded-to-2-99-12-99?language=en_US&forum=KDP%20Forum Kindlepreneur: How to Fill in Your 7 KDP Keyword Boxes (My Secret Tactic) - https://kindlepreneur.com/7-kindle-keywords/ Kindlepreneur: How to Find Amazon Book Categories Most Authors Miss - https://kindlepreneur.com/how-to-choose-the-best-kindle-ebook-kdp-category/ The Authors Guild: Publishing Scam Alerts - https://authorsguild.org/resource/publishing-scam-alerts/ Laterpress: Collaborative Writing with the Enhanced Laterpress Assistant - https://www.youtube.com/live/K5LyKUtU850?si=XGRsF-697QiqJQM5 Voices by INAudio: Audiobook marketing tips you haven't already heard a million times - https://voicesbyinaudio-newsletter.beehiiv.com/p/audiobook-marketing-tips-you-haven-t-already-heard-a-million-times Miblart: Miblart Is Turning 10! - https://miblart.com/mibl-anniversary/?ref=daleroberts5 (affiliate link) Use coupon code MIBLBDAY20 for 20% off. Offer good through July 13. Rapid-Fire Newsflash Booklinker: Getting More from StoryOrigin: Tips from Its Creator - https://www.thebookmarketinglab.com/StoryOrigin_Webinar The Authors Guild: Narrating Your Own Audiobook - https://authorsguild.org/event/narrating-your-own-audiobook/ Bryan Cohen presents: Booked for Life (Kickstarter) - https://www.kickstarter.com/projects/bestpageforward/booked-for-life Smashwords Summer/Winter Sale - https://www.smashwords.com/shelves/promos/1 Self-Publishing with Dale Series (Smashwords) - https://www.smashwords.com/books/byseries/113712   Subscribe to my email newsletter - https://DaleLinks.com/SignUp Join Channel Memberships - https://DaleLinks.com/Memberships  Join Me on Discord - https://DaleLinks.com/Discord Check out my main YouTube channel - https://www.youtube.com/@dalelroberts My Books - https://DaleLinks.com/MyBooks Wanna tip me? Visit https://dalelroberts.gumroad.com/coffee. Where noted, some outbound links financially benefit the channel through affiliate programs. I only endorse programs, products, or services I use and can stand confidently behind. These links do not affect your purchase price and greatly helps to building and growing this channel. Thanks in advance for understanding! - Dale L. Roberts

Business development director and Raleigh commercial real estate enthusiast Jed Byrne joined me on Ditching Hourly to walk through the entire process of self-publishing his first book, Start Small Selling, from idea validation to Kickstarter funding to final production.We cover testing your book idea with real money, writing a first draft in 35 days, running a Kickstarter campaign to fund professional editing, finding and working with developmental editors, designing a book cover on a budget, and publishing through KDP and Lulu.Chapters(00:00) - Who Is Jed Byrne? (03:19) - The Hyper-Local Newsletter (07:59) - Why Write a Book? (11:41) - Testing the Idea (14:05) - The Writing Process (21:56) - The Kickstarter (31:04) - Building the Editing Team (36:23) - The Timeline (45:49) - Working with a Developmental Editor (52:40) - Designing the Cover (57:26) - Publishing with KDP and Lulu (01:00:00) - Start Small, Start Now Guest BioJed Byrne is a business development director at Barnhill Building Group, a North Carolina-based general contracting firm. Outside his day job, he runs Oak City CRE, a platform focused on Raleigh commercial real estate that includes a weekly Substack newsletter, a podcast, consulting, and his first book, Start Small Selling. You can reach Jed at books@oakcitycre.com.Resources Mentioned In This EpisodePeopleJed ByrneJed Byrne on LinkedInJonathan StarkTim FerrissSeth GodinNoah KaganRob FitzpatrickTucker MaxPat FlynnChandler BoltTim GrahlRochelle MoultonCorey QuinnMike MichalowiczDerek SiversDaniel PinkJed / Raleigh / AECOak City CREThe Top Five by Oak City CREDirt NC podcastBarnhill Building GroupStart Small Selling KickstarterStart Small Selling on AmazonUrban Land InstituteULI TriangleJed's book email from the episode - books@oakcitycre.comBooks / Book-Building ResourcesMillion Dollar Weekend by Noah KaganThe Mom Test by Rob FitzpatrickWrite Useful Books by Rob FitzpatrickHelp This BookThe Workshop Survival GuideThe Scribe MethodSelfPublishing.com / Self-Publishing SchoolReedsyEditorial Freelancers AssociationChicago Manual of StyleISBNs / BowkerAtticusPublishing / Production / Selling PlatformsKickstarterAmazon KDPLuluBlurbShopifyUpworkFiverrOtterpineMicrosoft WordCanvaInkscapeUSPS Media MailPodcast / Episode ReferencesMike Michalowicz on The Business of Authority ----Do you have questions about how to improve your business? Things like:Value pricing your work instead of billing for your time?Positioning yourself as the go-to person in your space?Productizing your services so you never have to have another awkward sales call or spend hours writing another custom proposal?Book a one-on-one coaching call with me and get answers to these questions and others in the time it takes to get ready for work in the morning.Best of all, you're covered by my 100% satisfaction guarantee. If at the end of the call, you don't feel like it was worth it, just say the word, and I'll refund your purchase in full.To book your one-on-one coaching call, go to: https://jonathanstark.com/callI hope to see you there!

La escritura es más que la mera unión de los términos, es una forma de comunicar incluso desde el pasado siendo que cada vez que abrimos un libro nos encontramos con una visión del mundo que el autor plasmó en su obra. Es la voz de aquel que está físicamente ausente (valga el oxímoron) contando una historia en la que a veces es posible encontrarlo convertido en personaje. La escritura implica lectura previa, la única forma de mejorar el lenguaje es nutriéndolo de palabras nuevas y así modificando las estructuras creativas de una vez para siempre. El libro, actual, coexiste con el mundo digital cuyos pares se distribuyen por una telaraña equivalente a la Biblioteca de Alejandría que resulta accesible a todo el mundo. No sólo se tratar de crear un texto sino corregirlo, buscar los posibles errores, incorporar diccionarios, transformar la hoja de papel en un volumen listo para ser distribuido sea en forma de papel y/o en su versión electrónica: KDP, E-book, PDF, etc. El texto puede ser llevado a audio y este a video y/o pódcast, pasando por entradas de blog tanto como enlaces a redes sociales. Es un trabajo arduo que requiere dedicación y detalle, caso obsesivo para el caso, empleando herramientas que son gratuitas y que están ahí al alcance de nuestras manos. De aquí la necesidad de un curso de escritura que abarque todo el proceso de autopublicación y no la mera intención de obtener dinero para publicarnos la obra que tanto nos costó.

O pracy w jury Nagrody im. Karla Dedeciusa rozmawiam w dzisiejszym odcinku z Panią Urszulą Poprawską i Panem Lotharem Quinkensteinem - Laureatami poprzedniej i członkami jury tegorocznej edycji Nagrody. Ale nie tylko o Nagrodzie rozmawiamy.▶️ Słuchaj dalej

WonderDeck - https://www.marketingsharks.com/wonderdeck-turn-any-keyword-into-complete-kids-fact-books/WonderDeck | Turn Any Keyword Into Complete Kids Fact Books – Turn any keyword into complete kids fact books with ChatGPT. WonderDeck generates covers, 30 structured pages, 150 engaging facts, back covers, and ready-to-use visual prompts in minutes. It also creates Full Color, Scribble Coloring, and Black & White Coloring versions, making it perfect for KDP publishers, printable sellers, PLR creators, educators, and content creators.Turn Simple Keywords Into Complete Kids Fact BooksWonderDeck transforms a single keyword into into complete kids fact books with Covers, 30 Pages, 150 Fun Facts and ready-to-use visuals using the power of ChatGPT.A Smarter Way To CreateKids Fact BooksWithout Spending Hours ManuallyA guided book creation system built for KDP publishers, printable sellers, PLR creators, educators, parents, and content creators who want to build assets fast.Not Just Another Prompt ✨It helps solve the hardest part of creating kids books:Deciding what goes on every page.No more starting with a blank document.Say goodbye to manual planning.Start with just a single keyword.Users simply enter one keyword,and WonderDeck organizes the rest.Turn One Keyword Into A Complete Kids Fact Book

Servicio publicar un libro en Amazon: https://www.letraminuscula.com/publicar-en-amazon/ RESUMEN: En este directo de preguntas y respuestas, Roberto Augusto responde dudas sobre Amazon KDP, reseñas, derechos de autor, IA para escribir, ilustrar y traducir libros, publicidad, regalías, audiolibros, Kindle Unlimited, precios, preventas y concursos literarios. Además, comparte consejos sobre marketing para escritores, publicación internacional y novedades de Editorial Letra Minúscula. ⏲MARCAS DE TIEMPO: ▶️00:01 Bienvenida al directo ▶️00:34 Comentarios en Amazon KDP ▶️02:36 Claves del escritor del futuro ▶️03:37 IA, escritura y Wattpad ▶️05:00 Competir con libros creados con IA ▶️05:51 Registro, derechos e imágenes ▶️08:40 Marcas e impuestos en KDP ▶️10:50 Traducciones y manuscritos ▶️14:06 Publicar y crear editorial propia ▶️17:28 KDP, contenido adulto y Amazon Ads ▶️21:17 Consultas de clientes y formato ebook ▶️25:50 Estructura narrativa y KDP Chile ▶️28:39 Dudas de idioma y traducciones ▶️30:37 Regalías, preventas y publicidad ▶️37:00 Precios, pagos y concurso literario ▶️43:29 Escritura clara y derechos de autor ▶️48:24 Servicios editoriales y audiolibros ▶️53:38 Kindle Unlimited y recursos gratis ▶️57:15 Contratos, despedida y próximos directos

Stream Writer – https://www.marketingsharks.com/stream-writer-create-kdp-books-in-a-few-click/Stream Writer – Create KDP Books in a few click – Turn one simple idea into a complete KDP-ready book draft with outline, chapters, front matter, polish, and export-ready files — without writing from scratch, formatting manually, or connecting API keys.The ultimate “Zero-Experience” Book Engine. Turn simple ideas into complete, highly profitable KDP books in minutes. No API keys required, Context-aware drafts, ready-to-publish exports.This isn't just a generic text generator—it is a complete ecosystem designed to help creators dominate KDP.Most beginners fail because the process is too heavy. They struggle with manual ChatGPT prompts, formatting chaos, and disconnected stories. Stream Writer automates the entire flow.

Enchanted Tales Creator – https://www.marketingsharks.com/enchanted-tales-creator-ages-4-8-picture-book-market/Enchanted Tales Creator – An AI story engine for the ages 4-8 picture book market. From spark to print-ready in 60 minutes — with real story arcs, consistent characters, and cover text rendered inside the image.Most AI-generated picture books on KDP get 1-2 star reviews.Not because the illustrations are ugly. The illustrationsare often beautiful.The problem is: 14 illustrations don't make a story.No build-up. No brave moment. No quiet ending. Charactersthat look different from page to page. Cover titles that comeout as gibberish.Parents read these books once. Then shelve them. Then leavehonest reviews.This is why I want to tell you about something that justlaunched this morning:>> Enchanted Tales Creator It is a custom GPT that turns ONE story spark into a complete print-ready picture book package for Amazon KDP. In about 60 minutes, you get: -- A 6-beat story arc (Opening, Stir, Try, Turn, Brave, Close) -- Master Story Bible (locks character DNA across all pages) -- 14 illustration prompts ready to paste into ChatGPT Image -- Cover prompt with title rendered INSIDE the image -- Back blurb tuned for picture book conversion -- 3 title options + 350-word KDP description -- 7 keywords + 2 categories + suggested pricing -- Choice of 3 trim sizes (8.5x8.5, 8x10, 8.5x11) Plus 4 substantial bonuses included free: -- 200 Enchanted Story Sparks (xlsx) - $47 value -- Canva Studio Kit Multi-Trim (PDF guide) - $47 value -- KDP Launch Blueprint Picture Book Edition - $37 value -- 200 KDP Keyword Bank (xlsx) - $37 value Total stack value: $265 Launch week price: $14.95 After launch ends: $27 Cart closes July 6 at midnight EST. After that, the price goes back up and some bonuses may move to upgrade tiers. If you have been waiting for an AI picture book tool that actually understands picture book CRAFT (not just image generation), this is it. The Master Story Bible is the key. Same character on every page. Same character on the cover. No more "AI-generated" inconsistency that gets you bad reviews. 

Midlife Romance Royalties Bot - https://www.marketingsharks.com/midlife-romance-royalties-bot-from-andreas-quintana/Midlife Romance Royalties Bot From Andreas Quintana – a custom GPT that acts as your personal ghostwriter for one of the most underserved niches on Amazon KDP. No prompts needed — just click Start. It walks you through romance story structure, chapter-by-chapter content, midlife and later-in-life romance frameworks, keywords, book description, and generates your finished cover via DALL-E. Publish your first midlife romance book on KDP in under an hour. No writing or tech skills required.The Midlife Romance Royalties Bot targets one of the most underserved niches on Amazon KDP — midlife and later-in-life romance. The #1 bestseller in the category has only 28 reviews and a BSR of #86. Zero competing bots on WarriorPlus.The First-Ever ChatGPT Bot for Midlife & Later-in-Life Romance Writers on Amazon KDP

In this episode of the Self-Publishing with ALLi Member Q&A podcast, hosts Michael La Ronn and Sacha Black discuss whether it is legal to use real people's names in nonfiction, including the limits around copyright, defamation, and writing about deceased public figures. Other questions include: How much does it generally cost to have a 52,000-word fiction short story collection edited? Where can an author find a cover designer for their next book? What should an author do to make the most of a BookBub featured deal they've just been granted? Whatever happened to the golden age of author podcasts, and what would be the gold-standard listens for someone entering the industry today? Where should an author distribute a professionally recorded, author-narrated audiobook? What can ALLi do for a member whose KDP account was wrongly terminated for the stated reason of having multiple accounts? And more! Find more author advice, tips, and tools at our Self-Publishing Author Advice Center, with a huge archive of nearly 2,000 blog posts and a handy search box to find key info on the topic you need. And, if you haven't already, we invite you to join our organization and become a self-publishing ally. About the Hosts Michael La Ronn is ALLi's Outreach Manager. He is the author of over 80 science fiction & fantasy books and self-help books for writers. He writes from the great plains of Iowa and has managed to write while raising a family, working a full-time job, and even attending law school classes in the evenings (now graduated!). You can find his fiction at www.michaellaronn.com and his videos and books for writers at www.authorlevelup.com. Sacha Black is a bestselling and competition winning author, rebel podcaster, speaker and casual rule breaker. She writes fiction under a secret pen name and other books about the art of writing. When Sacha isn't writing, she runs ALLi's blog. She lives in England, with her wife and genius, giant of a son. You can find her on her website, her podcast, and on Instagram.

eBook Writer AI – https://www.marketingsharks.com/ebook-writer-ai-creates-180-page-ebooks/THE FASTEST WAY TO CREATE, PUBLISH & PROFITFROM EBOOKS — NO WRITING REQUIRED!Perfect for affiliates, coaches, creators, bloggers, and digital product sellersEbook Writer AI is the ultimate AI-powered tool for turning simple ideas into full-length, professional ebooks in just minutes. Your audience can generate ebooks ranging from 20 to 180+ pages, complete with images, affiliate links, and custom formatting without writing a single word themselves.Ebook Writer AI lets users instantly create 180+ page ebooks with AI-written content, images, and embedded affiliate links. Perfect for marketers, bloggers, and KDP publishers. Includes upsells like URL/Video to Ebook and Ebook Idea research tool.

Cozy Fantasy Cover Creator - https://www.marketingsharks.com/cozy-fantasy-cover-creator-from-eric-dimitriadis/Cozy Fantasy Cover Creator From Eric Dimitriadis – a powerful cover-creation AI tool that helps authors and publishers create whimsical, magical, Kindle-ready cozy fantasy book covers without hiring a designer, struggling with complicated prompts, or guessing what the cozy fantasy shelf is supposed to look like.Cozy Fantasy Cover Creator is a specialized Custom GPT that helps users create stunning, Kindle-ready cozy fantasy book covers in minutes.It helps authors, KDP publishers, AI fiction creators, and pen-name publishers create covers with the right cozy fantasy feel, including enchanted bookshops, magical villages, witch cottages, tiny dragons, cozy bakeries, glowing windows, gentle magic, and inviting storybook atmosphere.

Servicio publicar un libro en Amazon: https://www.letraminuscula.com/publicar-en-amazon/ RESUMEN: En este directo de Editorial Letra Minúscula se responden dudas sobre Amazon KDP: cómo actualizar libros, uso de IA y traducciones, publicación en distintos idiomas, regalías, publicidad, seudónimos, categorías, monetización para escritores, comunidades, alternativas a KDP, derechos, piratería y consejos para autopublicar con éxito. ⏲MARCAS DE TIEMPO: ▶️00:01 Bienvenida y dudas sobre KDP ▶️00:21 Cambiar manuscrito en Amazon KDP ▶️02:14 Uso de IA y normas en KDP ▶️04:26 Traducir libros con IA ▶️06:59 Títulos y derechos de autor ▶️09:10 Emprender y vida personal ▶️11:31 Cobrar regalías desde otros países ▶️13:35 Publicidad y traducciones de libros ▶️16:37 Traducciones de Amazon y anuncios ▶️18:09 Cómo monetizar más allá del libro ▶️21:51 Email, Telegram y comunidad ▶️25:28 Audiolibros y más sobre IA ▶️29:06 Publicar en Amazon o copistería ▶️30:42 Preventas, diseño y distribución ▶️35:26 Nichos, comunidad y monetización ▶️42:44 Declarar imágenes creadas con IA ▶️45:03 Alternativas a Amazon KDP ▶️53:11 Piratería y visibilidad del autor ▶️57:15 Fiscalidad, categorías y seudónimos ▶️01:01:08 Publicar memorias de otra persona

Get Sowle - Metal Workout Mix Vol. 5 by KDP by Kurlee Daddee Productions

Boom Bap Basics Vol. 14 by KDP by Kurlee Daddee Productions

Side Show Music - Vol. 2 by KDP. - 2026 by Kurlee Daddee Productions

In this episode of the Self-Publishing with ALLi Member Q&A podcast, hosts Michael La Ronn and Sacha Black discuss how to successfully pivot from one nonfiction topic to another, including whether you need a new pen name and how to manage existing backlist titles. Other questions include: What are the most effective low-budget marketing strategies for a nonfiction book about technology and society What options exist when series covers are inconsistent and how important is it to obtain source files from designers Should an urban fantasy series be focused on a tabloid rather than a single protagonist, or is that a strategic mistake How should UK authors operating as limited companies complete KDP tax forms, particularly the limitation of benefits section How can authors troubleshoot A+ content on Amazon when it refuses to populate despite entering all required information And more! Show Notes Lessons Learned from Starting a New Pen Name (Sacha Black podcast) Find more author advice, tips, and tools at our Self-Publishing Author Advice Center, with a huge archive of nearly 2,000 blog posts and a handy search box to find key info on the topic you need. And, if you haven't already, we invite you to join our organization and become a self-publishing ally. About the Hosts Michael La Ronn is ALLi's Outreach Manager. He is the author of over 80 science fiction & fantasy books and self-help books for writers. He writes from the great plains of Iowa and has managed to write while raising a family, working a full-time job, and even attending law school classes in the evenings (now graduated!). You can find his fiction at www.michaellaronn.com and his videos and books for writers at www.authorlevelup.com. Sacha Black is a bestselling and competition winning author, rebel podcaster, speaker and casual rule breaker. She writes fiction under a secret pen name and other books about the art of writing. When Sacha isn't writing, she runs ALLi's blog. She lives in England, with her wife and genius, giant of a son. You can find her on her website, her podcast, and on Instagram.

Amazon just removed one of the biggest barriers to international publishing, and authors are going to be tempted to move fast. With Amazon quietly rolling out an AI-powered translation tool inside KDP, turning your book into Spanish, German, and other languages suddenly feels almost effortless. But easy and effective are not the same thing.In this episode, Penny Sansevieri and Amy Cornell unpack what Amazon's new AI translation feature actually means for authors and why this could become one of those publishing moments where convenience creates a wave of expensive mistakes. Because when translation becomes a checkbox instead of a strategy, it becomes dangerously easy to expand into markets you do not understand.We get into the risks many authors will not see coming: AI missing emotional nuance, humor that collapses in translation, phrases that work beautifully in one culture and feel awkward—or completely wrong—in another. We also discuss a bigger misconception: assuming a language automatically equals a market. “Spanish readers” are not one audience. Readers in Spain, Mexico, Argentina, and the U.S. often buy differently, respond to different pricing, and even prefer different styles and tones.We also look at what happens inside the Amazon ecosystem itself. How translated editions may appear on your Author Central profile, why ratings and reviews can become fragmented across marketplaces, how weak social proof in a new market can affect perception, and why a poorly translated book description may quietly destroy conversion before a reader even downloads a sample.And because we never leave authors with fear and no roadmap, we walk through a smarter testing strategy: how to validate demand before translating, identify genres that travel well internationally, choose the right title to test first, and support launches with country-specific Amazon ads and market research.Global expansion sounds exciting. But before you hand your backlist over to AI and click publish, listen first.This episode could save you time, money, and a lot of one-star reviews.Send us your feedback!Help shape our 2026 content by taking our 30-second listener poll!

How is AI transforming accessibility for indie authors — and why should you care even if you consider yourself able-bodied? What happens when the tools designed to help people with disabilities end up making everyone's creative business better? Jeff Adams, accessibility expert and romance author, explores how AI is opening doors that were previously closed. In the intro, Spotify Audiobook Innovations; The Economics of Convention Life [The Indy Author]; Friction in your Author Business [Self-Publishing with ALLi]. Today's show is sponsored by Draft2Digital, self-publishing with support, where you can get free formatting, free distribution to multiple stores, and a host of other benefits. Just go to www.draft2digital.com to get started. This show is also supported by my Patrons. Join my Community at Patreon.com/thecreativepenn Jeff Adams is the author of YA thrillers and gay romance, and the co-author of Content for Everyone, a practical guide for creative entrepreneurs to produce accessible and usable web content. You can listen above or on your favorite podcast app or read the notes and links below. Here are the highlights and the full transcript is below. Show Notes How ending a long-running podcast made space for more writing — and how to know when it's time to let go of a good thing What accessibility really means for indie authors and why your digital content might be excluding part of your audience How AI agents like Claude Cowork are removing physical and cognitive barriers for authors with disabilities, chronic pain, or limited energy The culture of shame around AI use in the writing community and why blanket anti-AI statements can be ableist Practical tools including NotebookLM, ElevenReader, and ChatGPT for marketing copy, metadata management, and multimodal research Exciting futures in personalised reading, real-time translation, and AI browser agents that could change how everyone interacts online You can find Jeff at JeffAdamsWrites.com. Jeff also now has a SubStack at contentforeveryone.substack.com Transcript of the interview with Jeff Adams Jo: Jeff Adams is the author of YA thrillers and gay romance, and the co-author of Content for Everyone, a practical guide for creative entrepreneurs to produce accessible and usable web content. Welcome back to the show, Jeff. Jeff: Thanks so much, Jo. It's good to be back. Jo: It is. You were last on the show in March 2023, so over three years ago now. Give us a bit of an update on your writing and publishing business and what it looks like at the moment. Jeff: Sure. I think the biggest thing that happened is that my husband Will, who is also a writer, we ended the Big Gay Fiction Podcast at the end of 2024, after 470-something episodes. It was basically time to do that. So we both focused on writing from that point. In 2025 we had some of our biggest successes in getting writing out into the world. I refound my groove—my difficulty in writing went away finally. We talked a little bit about that back in 2023 too. Will started a new pen name and started producing again, and it was really good to be able to move in that direction. Jo: Was this the hockey romance that really hit at the right time? Jeff: You know, I wish I could have capitalised more on Heated Rivalry when it came out, but I did get hockey books out, and I think I did get to ride that wave a little bit there too. Jo: Yes, and if people don't know about that, that was a super popular streaming series. Was that based on a book? Jeff: It was, yes. Rachel Reid was the author of that book and that series that then Jacob Tierney optioned and made into what fairly turned into a global phenomenon at the end of 2025. Jo: Yes, absolutely. Although I particularly liked Red, White and Royal Blue. That was the one I liked. Not so much into hockey. But anyway, I just wanted to ask you about the Big Gay Fiction Podcast. As you say, you did hundreds of episodes over many years. You and I met over podcasting. You've had lots of connections with people. You ended it, and I know you struggled with ending it, but it sounds like it went really well for you. So maybe you could talk a bit about— How do you know when it's time to end something—a good thing rather than something bad? Does that make more space for writing, essentially? Jeff: It absolutely did make more space for writing for both of us, in particular for me because I have a day job. I balance everything on the creative side with the day job. Will and I had been talking about it for over a year. It just was like, it's really time. After nine years, getting to that 470 mark, we thought about trying to get to 10 years and we thought about, if not 10, then getting to 500 and ending on a milestone. As we looked at everything in our creative business, it was like, this is fun, we enjoy it, but we're not getting as much out of it as we might be if we were actually also writing books, which we also really want to do. It became a time thing and what was the best use of the time. We absolutely miss it occasionally. The whole Heated Rivalry thing, I would've loved to have had episodes to talk about that on, but in the long run, it was worth it. Jo: I mean, one of the things with a podcast, particularly around fiction, was that it was a marketing angle for your fiction. This show is a marketing angle mainly for my nonfiction. So what did you replace the podcast with, in terms of book marketing? Jeff: It was really stepped-up email marketing. I'd always had a list. Will started a list, of course, as he started his new pen name. So it was really turning on that, focusing on that, getting some email marketing with a Bargain Booksy and a Fussy Librarian and a BookBub occasionally to do that work. To be honest, even though we covered things in our genre that if you like what we're talking about, you should like our books, there was never as much of a connection there as you'd want there to be. Even from that book marketing angle, these other things that we can do, it's also a better spend of the money to get those types of promos than it was to continue running the show. Jo: Yes, that is interesting. I mean, obviously I think about podcasting a lot since I have this one, and I put Books and Travel on a hiatus and that was meant to help my fiction and definitely didn't help my fiction sales. But I want to bring it back again because I love doing it. Do you have this hankering sometimes? Do you think you'd ever do the podcast again? Because you are also quite into all the technical stuff and all that. Jeff: It's possible. I've toyed with the idea of doing a short accessibility podcast geared towards creatives, tilting to the same audience that Content for Everyone does. Then I come back and look at the time—is my time better served writing new fiction or perhaps starting a Substack, which I also toy with the idea of, for accessibility stuff? So it bounces around in my head to do another show, but I haven't really decided to jump on that yet. Jo: Yes, and I think that waiting is really good. As you say, you quit a big thing and you don't have to rush to fill it again. I love that you guys are writing more books. So I wanted us to talk about that up front because I know people who listen to this show—I encourage people to start podcasts if you want to, but equally it can take a lot of time. So that's fantastic. Now, you mentioned accessibility, and I feel like the word can be quite difficult for people. So let's just start with a definition. What is accessibility? Why do you care and why should we care? Jeff: So accessibility is really about making sure that whatever the thing is, whether it's something out in the physical world or in the online world, that everybody has access to it. Access to the information, access to getting into a building or being able to cross the street appropriately, whatever that is—that the accessibility of the thing is high. So that regardless of who is approaching it, they can interact with whatever the thing is. If we put that into the digital world, it's about making sure that text on a screen can be perceived by anybody, whether they're trying to read it visually or if they're trying to read it through a screen reader or through a braille monitor. Whatever that is, they need to be able to interact with it, get the information they need, do all the functions of whatever it is on the screen. Check out on Amazon, check out at their favourite e-commerce place, be able to get the products in their cart, check out, et cetera. For creatives, it's about the things that we do: the websites that we build for ourselves, the e-commerce platforms that we use, our email marketing, our social media posts. Making all of that as accessible as we can so that we're not perhaps missing a part of our audience or our prospective audience from being able to engage with our work and in turn, hopefully, buy our books and enjoy our books and become a fan. This became important to me because of my day job. I hadn't really considered this—like, I think most people don't—until I started working at UsableNet. It's going to be 15 years I've been at that company come this autumn, and I really started to see the impacts because UsableNet is all about accessibility on the digital front. I really started to learn, being a project manager for them, what all of that meant and how it impacted people who couldn't buy something online, couldn't book a hotel room, couldn't book an airline ticket. It just really became something I got passionate about. I ended up writing the book because I realised that nobody talks to creatives about this. Nobody tells the independent author what they should do to help make their digital stuff accessible so that they don't miss people. I never expected my day job to interact with my creative side so much, but this certainly has over the last few years. Jo: I mean, has it got better? Like we said, you were on here three years ago. We did talk about some of the things around EPUB formats and taking off DRM and what we need to do on our websites—labelling images, for example, and that kind of thing. Do you think accessibility has gotten better? Jeff: I think the awareness of it has improved, both within the creative community and in the broader web ecosphere, that the awareness is better. There's so much knowledge that needs to go into creating something that is accessible. Sometimes there's so much that you have to think about with colours and alt tags on images and all the little bits and pieces, if it doesn't really come to muscle memory, it's easy for it to fall off. There's a survey that's done by WebAIM every year about the top one million homepages out in the universe, and they surveyed those for just the things that an automated scan can detect, which is a small portion of overall accessibility, and the number of errors across that top million actually ticked up this year. Even though there's all these laws around the world—people get sued all the time in the US—the number of errors ticked up for the first time in a few years. So I think the awareness is up, but I think being able to take action on it and make the time to take action on it isn't where it needs to be. Jo: So last time you gave us all those tips. I'll refer people back to that and also to your book Content for Everyone, which has got loads of great stuff in. I wanted to talk to you for this show because I was sitting watching Claude Cowork—now I use Claude Code a lot more—but updating 140 titles on IngramSpark, where me clicking things and there's like 15 clicks per record on IngramSpark updates for pricing, is an absolute nightmare. I was watching the AI do the work and I realised this isn't just saving me time, it's actually saving my wrist and my arm from repetitive strain injury. That's when I thought about this accessibility thing. As you mentioned, for example being physically accessible into a building, say someone's in a wheelchair, they can't necessarily get into a building if there's no ramp. I was thinking that for many years, being an indie author, being a writer online, there's also been these physical barriers because there's a lot of plumbing and clicking for us. So I wondered, starting with an attitude around a shift in who this is opening up to— How is AI starting to help people with these accessibility issues? Jeff: Yes, there's so much opportunity around this. We should note, just to timestamp this, that we're talking on 14th April 2026, because who knows what will change, even in an hour from now. I think Cowork was one of the first things that we saw, and that's only been out since the very top of this year. Being able to do actual agentic tasks. Other things have sort of gotten there, but Cowork really opened it up. You mentioned the repetitive stress that you would've had clicking all of those forms on IngramSpark across 140 books. But there's that type of stress, chronic pain, cognitive drain for somebody who may have some cognitive disability and trying to work through that form. The cognitive energy just might drain out and maybe knock them out for several days after trying to get through that, or the tasks take them multiple days to do. Someone who has lower vision, someone who's trying to work through that form with a screen reader—all of that draws energy, draws focus. Now we've got something where, with plain language, we could say something like: here's all my pricing information, I've logged into IngramSpark, go update these books. Obviously the prompt's going to be a little more than that, but in broad terms, that's what we're going to tell it. Jo: Hmm. Jeff: And being able to have it go through and do the thing. If it gets stuck, have it come back and say, “Hey, I've got trouble with this. Please help me.” That can just free up so much of the drains that people can have—the things that can take them out of doing the part of the work that they need to do for an author business. They can go write the book through whatever process you're going to use to do that, rather than getting caught up in something like having to update all those books on IngramSpark. Jo: You mentioned writing the book there. I have this real sense of being an able-bodied indie author in terms of my computer use and my ability to write a whole book, a 70,000-word thriller that I write regularly. We're all special in some way, but I do have a reasonably normal brain where I can do this work without too much strain. It's hard work, but I can do it. I meet people who are now using AI to help them write, to help them organise their work—maybe someone has dyslexia or ADHD or cognitive issues or pain—there's just so many things that I take for granted that don't affect me. I hear from people who, at this point in time in the community, are almost shamed for using AI to write. So I wanted to bring this up to discuss it under the terms of accessibility. Do you have any thoughts on that? Jeff: I have real difficulty with people who will say anything in the broad range of, “I don't need to use this thing, and therefore you should not either.” Which is adjacent to indie anti-AI speak that there is out there. Certainly we're living right now at probably the highest point that it's ever been, where more and more there's a sentiment towards not using AI for whatever the reason is. I totally respect that people can have concerns about the environment and about energy use and water use, et cetera. Not to mention all the other things that are on the more difficult side of AI. To shame someone who may not be able to put their story out there without the use of that AI, whichever one they're using, or to shame them because they're using AI to run part of their business—updating IngramSpark, doing other things like that—I think it can come down to there being some ableism there. Ther is some privilege behind that too, where they're just like, “I don't need this, and you shouldn't have it either.” I want to give people just a sliver of an idea of what this can mean for someone who is disabled and what AI can unlock for them. There is a person on LinkedIn that I follow whose name is Hannah Desmond. She's an ADHD coach and a former software developer, and very recently she posted this on LinkedIn. This is a paraphrase of what she said, but: having something that can meet you where you are and help you bridge that gap is what I think I have found so helpful about using AI. Here's what I keep coming back to. Without that support, I wasn't more motivated or more capable. I was just stuck. That's the bit that gets lost. We've been taught that struggling is how you know you're doing it properly. So when something reduces the struggle, it can feel wrong—even when it's the thing that actually makes the work possible. Because there's a difference between avoiding thinking and being able to think at all. I think that rounds it up. She's talking about her time as a software developer, but you can apply that to any realm of AI when we're thinking about trying to shame someone for why they may be using it. We may not know that they have a disability because we don't always share that part of ourselves. So I really feel strongly about that and how we are in this culture of shame. Jo: Yes. It drives me up the wall, actually. But I will also say: you don't have to have a disability or accessibility issues in order to use AI in whatever way you personally decide is okay—talking to the listeners now. I think Orna Ross from the Alliance of Independent Authors says it well, which is you should have your own AI policy. So you personally decide where your lines are, how it helps you, what you want to keep for you, and what you want help with. I was also thinking in terms of accessibility around money. Again, for many of us, professional cover design, professional editing, professional human-level translation, these are things that are pretty pricey for many people. So again, this makes it more accessible. One of the reasons we got into the indie way and being indie authors was to try and remove the barriers to entry to people who have been excluded from the environment of publishing. So, yes, it is really hard to talk about this, and yet that's why I wanted to talk about it, because— There's so many variables for each individual and there's no situation that's the same, really, is there? Jeff: No, not at all. The things that I may need to do my work in the most efficient way possible is different from the way that you're going to work, is different than the way my husband's going to work, is different than every other person and the way that they're going to work. Which is why any kind of blanket statement about “I don't need something and therefore you shouldn't need it either” can just be so problematic, because we have no idea what someone else is going through. Either it's a permanent part of their lives or maybe it's something that is happening temporarily with them where they might need to leverage other tools. Jo: Yes. Talking about that temporary, I think I really got the first sense of this when I had COVID the first time, which was really bad. I remember I was so sick, the only thing I could do was listen to an audiobook. I couldn't think, I couldn't read. It was really probably months of not having my brain back. Then the other thing that's happened as I age, as women age, is menopause kicks in and the brain fog is a real thing. I've heard from other people too who've said having Claude or whoever, an AI tool, to help with the brain fog is so important because otherwise I just wouldn't be able to gather my thoughts. Again, as you said— Even if we don't need these things now, it's quite likely we're going to need them at some point, given ageing, given the potential for injury and disease. I mean, we don't escape this alive, do we? Jeff: Yes, that's a great point because unless we're extremely lucky as individuals, we're all likely to have some sort of a disability in our lives at some point. I know for me, as I age and my eyes get more and more tired after being in front of a screen all day for work, and then whatever creative stuff I do in the afternoon on a book—when it comes near bedtime and I do want to read, I probably want to do that with an audiobook, much more audio, especially for any long reading project. That can also be like, if I have a long document or a long article to read, I am likely to give it to ElevenReader, let it load itself up, and then listen to it, because I take the information in better than trying to follow words across a screen. Jo: Yes. Jonathan, my husband, now also listens to a lot of academic papers on ElevenReader. Most of us will know it as where we publish some audiobooks from ElevenLabs, or you can also publish other things there. So it is super useful to think about what we can do with ElevenReader. Another thing that I found really useful recently is NotebookLM. On NotebookLM, there is a free tier. You can put various things in there and then create a custom audio. So this is something I've been doing as part of research. You can put in, say, 10 YouTube videos or some PDFs or your book or whatever, and then you can create a custom audio. Then I'll go for a walk and I'll listen to the custom audio, and then I'll go back and look at the detail of what it was. It gives me the framework of whatever I'm thinking about on a broader level, and then I can come back to the details. So again, it's this multimodal approach that can help us manage our energy, I guess. Jeff: And it's all about the managing of the energy, I think, too. That is a great way to think about the accessibility of it all. You mentioned a great use there for NotebookLM. That could also be putting your book in there and having it help you build a world bible or something like that. Or building marketing materials off of that. There's a lot of things now that NotebookLM can do in terms of helping you create FAQs maybe for a newsletter or for your website, and building video stuff off of the material that it has. So there's a lot of options there, and ever-growing options that can be useful for someone to manage any number of the things that they may need in their creative business. Jo: Yes. In fact, talking about Claude, there are a lot of Claude plugins now, skills and integrations. Shopify just released a Claude plugin and many of us now have Shopify stores. I have a lot of products with a lot of different variations and the metadata. There's so much metadata. And again, I'm just so pleased now that I can work with Cowork and get it to actually update directly into Shopify. In fact, coming back, you mentioned updating alt tags earlier. That's something again that AI could help you update—the back list of your alt tags on a website. I've now got my Cowork doing EPUBs so I could finally update all my EPUBs with back matter and all of this kind of thing. So I feel like perhaps we could go beyond accessibility to talk about amplification. All the things that we didn't do because it was too tiring and we just couldn't be bothered, or it would just be way too much work, that now it's opened up as a possibility because of these tools. Jeff: Absolutely. I mean, you look at a backlist as large as yours and the things that you're now able to do. I didn't know that Claude had a Shopify plugin. So the abilities that we have now to maybe do things in the business that we hadn't before. One of the things I've been working with Claude on is rewriting my website and creating a more proper website for Will. I'm really making sure that it is not only SEO prepared but also GEO prepared, with all the metadata and all the backend code schema that it needs so that LLMs can find me, can understand what I do, can understand the books, branch out to the other areas that it needs to. Doing that through WordPress would've been so much more difficult, even with Claude, that to be able to rewrite the site in a way that is going to let me manage it better so that I will do it on a more consistent basis. Whatever that thing is, we're now able to do these things. That could be updating keywords in Amazon or making sure we're aligned across all of the sales platforms that we might be on and things like that, that Claude can do and do well. Jo: Yes, I think marketing is just the killer app really for people, isn't it? I think most authors do not enjoy marketing. I find Claude better for creative work, for strategic work, for doing work through Cowork or Code, but— ChatGPT with marketing copy is very, very good. So I've actually been using that as we record this. I've got a Kickstarter launching next week, so I've been getting it to do ad copy and social media copy and all that kind of thing. This is stuff when you have to produce—give me 20 taglines, give me 20 hooks, give me another 20 and another 20. I mean, we just cannot do it as humans, right? Jeff: Yes, I have found GPT wildly helpful. I mentioned trying to get Bargain Booksy and Fussy Librarian promos. Jo: Mm. Jeff: And you have to give it the marketing hook, and it can't just be the blurb that's on Amazon—it's got to be something fresh, and they each have slightly different requirements. Having GPT—here's the blurb, give me a dozen different options—and then I may take pieces of all of them and create one of my own. But it reworks that much faster than my brain was ever going to try to find the right thing I want to give to Bargain Booksy. Jo: Yes, you are right. Or it says write this in 300 characters or less. Jeff: Yes. Jo: I do exactly the same. That kind of transformative work can be really good. In fact, there was somebody I know who has been rampantly anti-AI for years and then said, “Would this help me? I have to do a synopsis for an agent, so I've got this 100,000-word book and it needs to be a 10-page synopsis. How would I do that with AI?” So I was encouraging her to take each chapter and ask it to summarise the chapter, and of course read through it and everything. But I mean, doing a synopsis once you've actually written a book—that can be super useful. So I think what we're saying is— There are levels of need in terms of both the author and the audience. Then there are levels of your personal use from one end of the spectrum to the other in terms of how far you want to go in every area of the business. And in that way, it's just different for everyone. Jeff: Yes, and I think getting to that mindset shift that we were talking about a little bit—it can be so easy to dip your toes in. That one author came to you and said, “Do you think it could do this?” And I think that's the beginning exploratory area for perhaps anyone. People are going to hear us talk about this and it might inspire them to go try something that we've talked about. But these things, whether it's Claude or GPT or Gemini or whichever one it is, you can come to it and say, “I'm an author, I have X, Y, Z going on in my life”—whether that's a disability, whether that's a time constraint because you have a day job and maybe you have kids and a family that need your attention—”I have these time constraints, I want to do X, Y, and Z in my business. How can you help me with that?” It's going to tell you what it can do to help you with that. I would even say, if you have the ability to have multiples of these, you could ask the same question to GPT and Claude, and they're going to give you similar answers in some instances, but they may also have different ones because of the abilities that the different platforms have around these things as well. That can help you make that mindset shift of, “Well, now I see that it can do that. Could it also do this?” And then ask it if it could do that. Because I know for me, Jo, I've taken so much from you and your journey with Cowork that it's like, “Oh, she did that. I wonder if I could do this.” And all of that piles on top of itself. Then eventually I think your brain starts to think on its own, “Oh, I have to do this task. Can Claude maybe do this for me? Let's go find out.” Jo: Yes, and if it couldn't do it for you yesterday, you never know, it might be able to do it tomorrow. Jeff: Right? Because I haven't tested yet its new ability to actually use your computer. Jo: Mm. Jeff: And I'm curious what that might open up. Because one of the things that I've seen that I wish it would do is be able to take the EPUB that's on my drive and actually put it into a platform I'm trying to upload to. Cowork on its own hasn't been able to cross that barrier, but I wonder if with computer use added to that, if it could. Like, “here's the EPUB, upload that over there,” be able to pick it from the file picker, essentially. Jo: Yes. I think, well, a little tip for everyone: I wouldn't give access to your entire file system to the AI. Jeff: That's a good point too. Jo: Yes. I have a Claude folder in my drive and it only has access there. So if you put files in that drive, it might be able to do that. But I know what you mean. I have been using it to help me publish things in German on KDP. Now I can use the browser, so you can actually do that. In terms of uploading the actual file, I know what you mean. These things will change. As we record this, again middle of April, we are almost about to get the next models being Mythos, which might be Claude 4.7 Opus, or also ChatGPT has a new model coming, and these models are getting very powerful. With every shift they can do more things. So as you say, the very first thing to do is ask it, “I want to do this—what are my options?” And some of them, for example, doing an AI-narrated audiobook, ChatGPT and Claude don't do that. You want ElevenLabs or one of the other services for that, but they can tell you what your options are. So that's one thing, but I wondered if you have any thoughts on the gaps that you are seeing. You mentioned one there around file uploads, but— What do you hope might come and some of the things that might be exciting if they arrive? Because you never know, they might be here already. Jeff: There's certainly some movement in some areas. One of the things I'll share is, in March I was at the 2026 CSUN Assistive Technology Conference—CSUN is California State University, Northridge—and they've run this conference for some 40 years now. One of the sessions I went to was from Tara Maisel—I hope I'm pronouncing her last name right. She's a senior project manager in books accessibility at Amazon, and she was doing a session specifically on readability. She had all kinds of statistics and information about what goes into making something readable. One of the things she talked about with AI was the future of personalised reading. If you think about the Kindle app, for example, there's a lot of settings you can make there—font size, colours, brightness, text spacing. There's a lot of tools in there. She was pointing out that potentially readers don't even know what they actually need for the optimised visual reading experience. She sees a world where AI can perhaps do an analysis of your reading behaviour and then help you find the optimal settings. Maybe even multiple optimal settings for, say, if you were reading in a room that had daylight versus at bedtime, and the ways you might shift it. I was almost thinking of this like when you're at the optometrist and they're like, “Which lens is better—this one or that one?” Jo: Oh, sometimes that is very hard. Jeff: Yes. It's that AI could step you through that a little bit to help you find that optimal reading experience in that moment. And then it might even notice, potentially, if you're changing something in the way that you're moving through a page, that it might flag to say, “Hey, do we need to adjust something?” Some other areas that I think are really exciting, for everyone and perhaps particularly for people who are disabled and needing the support of some assistive technology, is what we're seeing in the browsers. OpenAI's Operator has been out for quite a while now, since sometime I think autumn of last year. Perplexity Comet has been around even longer. Then we've got browser extensions from Gemini and Claude that are available, that can let you just type natural language. You know, “Please go find for me jeans in this size that are on sale on this website. Find me the best price for blue jeans on this site and this size,” and it'll just go do it. Which can certainly speed things up for people in the disabled community to find things quickly, to spend time navigating less, and maybe ending up with the AI coming back and saying, “I found these five things. Which one would you like me to buy for you?” Or, “I found this one thing that you do need and it's waiting for you in your shopping cart.” The ability for that on the horizon is an amazing jump from an accessibility point of view. But really it's one of those things that accessibility will then help everyone because we can all just shop that way, if we choose to. These are early days for these browsers and these extensions. The other side of it comes back to basic web accessibility too, because I've seen these types of activities not work so well on a site that may not actually be accessible on its own. A great example is something I ran into with Claude Cowork about a month ago. I was testing to see if it could help me navigate and get things uploaded together for a site where I wanted to upload books, knowing again that it's not going to upload the actual file, but it could fill in the metadata from my master database of metadata stuff. There were areas on the site that it actually couldn't hit the button, because the site itself was also not functional to a screen reader. So there are gaps there. It's early days, but I really see that as an interesting future that'll really help people with disabilities—but again, help everybody too, just manage time better. Jo: I know exactly what you mean there. I've done some collaborative work with Claude Code when it's like, “I can't click the button,” and I'm like, well, I'll click the button—you fill in everything else. Jeff: Exactly. Jo: It's actually quite a funny situation. But goodness, coming back to IngramSpark again—these things need APIs. We need better functions. It's funny because I think a lot of traditional publishers have these APIs or backend upload things that you can do. I'm like, well, we need to get to that with these systems. But I think things will change. Another thing that I think has also shifted is the use of voice. Voice for dictation—it used to be with dictation that you would have to say “comma,” “open quote,” “new line,” and all of that. And you'd also have to make sense. Whereas now I feel like you can just dictate a whole load of things to these AIs and then say, “Tidy that up,” and they will do a lot more than the old situation. So I think voice will also help. Also automatic translation. I don't know if you know this about X, and if you're on X anymore, but just this week they've made it multi-language. So I can read tweets by people who've posted in another language in English. I can read something from Korean or read something that someone French has posted and it gets translated. It has made a huge difference to the content I'm seeing, which is fascinating because I don't think we've ever had this kind of automatic “everything is translated into your language” situation. It's really got me thinking about how [automatic translation] might work for eBooks or other things if the rights are there. I don't know. Have you seen stuff like that? Jeff: There's so much available now with voice and the ability to not have to speak all the other stuff that went with it—comma, full stop, next line. It was a little mind-bending sometimes, trying to think about quote marks and all that stuff. And now it's so good. Different platforms do it to different degrees of ability. Even being able to speak your prompts into the very platforms themselves without having to type all of it. Chronic pain comes to mind, any kind of mobility thing—all the typing would be a drain or maybe even impossible. So the voice ability is so powerful there and unlocks more things. At the same time, those translation abilities—I believe AirPods now have the ability, if you've got the right stuff on your phone, that you could be talking to somebody, they may speak back to you in a language you don't speak, but your AirPods will give it to you in your language. Jo: Hmm. Jeff: Google has, I believe, a live captioning app that you can use. I think there's even a split screen—I don't know if that's available now or something in their future—where you could put the phone on the table and tell it who's looking at what side of the screen, and it'll put the language that I need on my side and the language the other person needs on the other. So there continues to be such a shift in how we're being able to translate stuff that really opens up communication and can open up our books to so many more people. I'm very interested to see—I haven't pulled the trigger on this yet—but how Amazon's auto-translation rolls out and how that's received in terms of the accessibility around our books and being able to put it in someone's hands who doesn't speak—I think it's only English to other languages right now—but who doesn't speak the language it was written in but wants to read that book. We could never, as indies, or really even big five publishers, wouldn't have the money to create custom translations everywhere. But if the AI can help do that and spread those books around so that everybody could have the story they want to read, I think that's such a win for the reading audience. Jo: Yes, I think it's so exciting to think what might be coming, and that's what I want to stay on the side of on the AI discussion. There's enough negativity out there and you can get that information somewhere else, but for me I want us to stay on the positive side of how this helps both the author and the reader. And hopefully the community, to create more and read more and enjoy being human more. Right? Because I find that I do get out more and listen to stuff, or I'm out walking instead of at my desk, and I mean, that's what it's about. I'm pretty excited about the future. How about you? Jeff: I am. I think there are, quite honestly, some scary things that could be out there in the future. I mean, there's been a lot of talk about what Mythos is capable of. But on the other side of it, there are all these advances. I also look back at Google and AlphaFold and what DeepMind was able to do there for science. There's more of that stuff out there, and individually for each of us, spending a little bit of time—and I do have to say, I think you need to spend time on a paid plan because the free stuff doesn't give you the idea of what these platforms are actually capable of. So if you only drop in, even briefly, to experiment on one of the $20-a-month plans and give it your situation, ask it what it can do for you, I think you'll see where, on a personal level, AI will help you unlock some things. It can help you move some things to the next level in your business that for whatever reason you haven't been able to do. You don't have to use it for everything. You may decide that it's still not for you for whatever reason, and that's fine. But I think there's so much to explore here and to let your curiosity run for a little bit to see what's possible and what you might unlock with it. Jo: Brilliant. So where can people find you and your books and everything you do online? Jeff: So pretty much everything lives at JeffAdamsWrites.com. Jo: Well, thanks so much for your time, Jeff. That was great. Jeff: I loved it, Jo. Thanks for having me..The post Accessibility And AI: How New Tools Are Opening Doors For Indie Authors With Jeff Adams first appeared on The Creative Penn.

In this episode, we're talking with Haley Duncan about how she went from near bankruptcy to building a multimillion dollar business doing $156K+ per month in just 12 months. Haley shares how she launched a viral product, leveraged social media, and scaled through strategic outreach. Check out Seald Wellness: https://sealdwellness.com/  If you want to start a business like Haley's, join the bootcamp at https://capitalism.com/bootcamp Timestamps (0:00) Haley's journey from bankruptcy to $2-5M annually (2:00) Early wins with KDP journals (5:00) The first failed e-commerce business and hard lessons (10:00) Taking control of bookkeeping and learning the fundamentals (15:00) Maxing out credit cards to fund inventory (20:00) Finding the right product idea with a manufacturer (25:00) Building the launch list with a simple email (30:00) Creating viral content across platforms (35:00) Why mouth tape was the perfect viral product (40:00) Going all in on influencer outreach (45:00) Building a raving fan base through one-on-one outreach (50:00) Scaling with ad agencies (60:00) Testing and reinvesting in top content (70:00) How hitting $1M shifts your mindset (80:00) Applying the playbook to future products

If you weren't aware, there's a growing “sustainability” threat brewing within the multibillion-dollar U.S. coffee segment coffee of Keurig Dr Pepper! And since I believe Batman doesn't need caffeine to get through his dark nights, the Bat-Signal would likely prove ineffective at summoning the superhero. So, where does KDP turn next? Maybe Anthony DiSilvestro doesn't look like your typical DC Comics superhero, but this man certainly knows the “business of plastic” via other famous fictional characters. It's estimated around 80% of all toys end up in landfills, oceans, or incinerators…meaning the former CFO of Mattel should intimately understand how even a small plastic item can generate significant long-term sustainability issues.

Hay novedades en Amazon KDP y, si publicas tus libros en la plataforma, te conviene estar al tanto.No es un cambio menor. Amazon ha modificado su sistema de pagos y gestión fiscal, y dependiendo de cómo tengas configurada tu cuenta, puede afectarte directamente en el dinero que recibes cada mes por tus regalías.La buena noticia es que tiene solución. Y es rápida.¿Qué está pasando exactamente?Muchos autores están recibiendo ya un aviso en su cuenta de KDP pidiéndoles que actualicen sus datos fiscales. Algunos lo están ignorando. Y eso, como te puedes imaginar, no es buena idea.En nuestro canal de YouTube hemos publicado un vídeo donde Ana explica con detalle qué ha cambiado, por qué ha cambiado y qué tienes que hacer tú ahora según tu situación concreta. Porque no es igual si publicas como particular que si lo haces como autónomo o empresa. Y tampoco es igual si estás en España que si publicas desde Latinoamérica.¿A quién afecta este cambio?A todos los autores que publican en Amazon KDP. Sin excepción.Pero hay algunos casos donde actuar rápido es especialmente importante. En el vídeo descubrirás si el tuyo es uno de ellos.También hay una novedad específica para autores de México, Colombia, Argentina y otros países latinoamericanos que puede tener un impacto directo y bastante significativo en sus cobros. Es algo que no habíamos visto antes en la plataforma y que merece atención inmediata.¿Qué pasa si no haces nada?Esa es precisamente la pregunta que responde el vídeo. Y la respuesta no es tranquilizadora.Lo que sí te puedo decir es que Amazon tiene mecanismos automáticos que se activan cuando los datos de tu cuenta no están en orden. Y una vez que se activan, recuperar el control de tu cuenta no es tan inmediato como te gustaría.Diez minutos que pueden ahorrarte un disgustoEl vídeo dura poco más de diez minutos. Es directo, va al grano y está pensado para que puedas aplicar los cambios en tu cuenta mientras lo ves.Sin tecnicismos innecesarios. Sin rodeos. Solo lo que necesitas saber y hacer.

Matty Dalrymple talks with Jeniffer Thompson about YOUR HUMANITY IS YOUR BRAND, including how AI search actually rewards the content you've already created, the SEO fundamentals that still matter including the KDP keyword trick most authors miss, why your brand is your promise and not your logo, how to choose platforms based on your emotional bandwidth rather than what everyone else says you should do, and why the most discoverable thing about you is your humanity.   Interview video at https://www.youtube.com/@TheIndyAuthorPodcast/podcasts Show notes, including extensive summary and transcript, at https://www.theindyauthor.com/episodes-all   If you find the information in this video useful, please consider supporting The Indy Author! https://www.patreon.com/theindyauthor https://www.buymeacoffee.com/mattydalrymple   Jeniffer Thompson is an author branding coach, book marketing strategist, and publishing consultant who helps authors clarify their message and build sustainable visibility. She co-founded Monkey C Media in 2004, an award-winning book cover and website design studio, and hosts The Premise podcast. Jeniffer is also a co-founder of the San Diego Writers Festival and a founding member of the International Memoir Writers Association.   Matty Dalrymple is the author of the Lizzy Ballard Thrillers, beginning with ROCK PAPER SCISSORS; the Ann Kinnear Suspense Novels, beginning with THE SENSE OF DEATH; and the Ann Kinnear Suspense Shorts. She is a member of International Thriller Writers and Sisters in Crime. More at mattydalrymple.com. Matty also writes, speaks, and consults on the writing craft and the publishing voyage, and shares what she's learned on THE INDY AUTHOR PODCAST. She writes nonfiction books for authors; her articles have appeared in Writer's Digest magazine; and she is a Partner Member of the Alliance of Independent Authors. More at theindyauthor.com. She also guides professionals in building their presence through a sideline or second act through her platform From Expertise to Authority. More at theindyauthor.com/authority.

Boom Bap Basics Vol. 13 by KDP by Kurlee Daddee Productions

Your Amazon book page might be costing you sales—and the worst part is, you probably can't see it.Most authors assume that once their book is uploaded, the hard part is done. But in reality, your Amazon page is a live sales environment, and small misses can quietly kill conversions every single day. A great book isn't enough if the page around it isn't doing its job.In this episode, we break down the hidden issues that stop readers from clicking “Buy,” starting with the two-inch thumbnail test. Can your cover be read instantly? Does it signal the right genre in seconds? If not, you're losing readers before they ever click through.We also get into the mechanics of a high-converting description—why your first 140 characters matter more than anything else, how “burying the lead” drains momentum, and what actually turns casual browsers into buyers. From there, we look at A+ Content (the “From the publisher” section) and how to use it strategically—even if you don't have awards, endorsements, or a big platform.You'll also hear why most keyword strategies fail, especially when they're built using tools or AI that don't reflect real shopper behavior. We walk through how readers actually search on Amazon—and how to align your keywords with that behavior so your book shows up where it should.We cover one of the most expensive mistakes authors make: running ads to a page that isn't optimized. If your page doesn't convert, you're not just wasting money—you're actively training Amazon's algorithm to stop showing your book.Finally, we unpack “ghost categories,” how to identify them inside KDP, and why being in the wrong (or invisible) category can quietly tank your visibility.If your book isn't selling the way it should, your Amazon page is the first place to look—and this episode shows you exactly what to fix.Subscribe, share with an author who needs this, and leave a review if you find it helpful. Got a question or topic idea? Text “podcast” to 888-402-8940.Send us your feedback!Help shape our 2026 content by taking our 30-second listener poll!

Following the election of President Nizar Amedi, Iraq's political elite are scrambling to determine who will lead the next government and struggling to agree on even the most basic rules for making that decision. This episode unpacks the political deal behind Kirkuk's government reshuffle, the KDP's self-defeating parliamentary boycott, and the Coordination Framework's paralysis over nominating a prime minister ahead of the April 26 deadline. The hosts also step back to ask a harder question: does it even matter who gets nominated if the ruling class refuses to prioritize integrity over political self-interest?

プログレッシブレンズでスマホが見えるようになった話と、2週間スマホ断ちで脳が10年若返るという最新研究の話題。からの、及川さんの新刊「プロダクト倫理」を出版社を通さずKDPで自前出版したやり方と裏話について聞きました。01:42 プログレッシブレンズに切り替えたら、近くのスマホが見えない事態が劇的に改善05:25 2週間スマホ断ちするだけで脳が10年分若返るらしい… 認知機能回復の最新研究（ワシントンポスト記事）08:00 及川さん執筆書籍『プロダクト倫理』ダークパターンなどAI時代のものづくりの倫理観を問う10:55 ビジネススクールで実際学んだ倫理の授業：黒人警官への「毎日髭を剃れ」というルールが出血に繋がる問題12:09 創業期のPayPalの（グレーな）ユーザー獲得手法：大量の買い手ボットを作りeBayの売り手に利用を促す13:30 フォルクスワーゲンの排ガス偽装事件：認証テストの時だけ規制をクリアする仕組み14:22 出版社が介在しないKDP（Kindleダイレクト・パブリッシング）を選んだ理由と印税70%の魅力17:08 Markdownの原稿をEPUBに自動変換、横書き仕様でサクッと電子書籍化17:50 AIエージェントチーム（プロデューサー・リサーチャー・ライター・校正者・読者）を編成しての制作18:22 この本を書いたきっかけ：人間が司るべき倫理観 vs 経済的インセンティブだけのディストピアなSNS空間21:38 「誰も不幸にさせないプロダクトは、誰一人幸せにできない」22:19 ストリートビュー登場時の猛反発と、ギリギリグレーでも社会に受容されれば破壊的イノベーションに25:10 Kindle Unlimitedなら読まれたページ数に応じて収入が発生30:29 Amazonの悪口を書いたからレビューが遅かったが72時間後に無事承認エピソード内で取り上げた情報へのリンク： 14日間のゆるスマホ断ちで10年分の脳ダメージが消える可能性 及川さん新書「プロダクト倫理」テック業界で働く3人が、テクノロジーとクリエイティブに関するトピックを、視点を行き交わしながら語り合います。及川卓也 @takoratta プロダクトマネジメントとプロダクト開発組織づくりの専門家関信浩 @NobuhiroSeki アメリカ・ニューヨークでスタートアップ投資を行う、何でも屋上野美香 @mikamika59 マーケティング・プロダクトマネジメントを手掛けるフリーランスhttps://x-crossing.com

For decades, soda giants fought over sugar and fizz…but now the battlefield has shifted to protein shakes. In my latest content, I break down why Keurig Dr Pepper (KDP) is no longer content being an RTD Protein categorical spectator, as The Coca-Cola Company (via fairlife) and PepsiCo (via Muscle Milk) dominate the shelves. From "nostalgia-hacking" the market with the upcoming GHOST x Yoo-hoo collaboration to a potential power move involving Horizon Family Brands, KDP is building a "functional fort" to challenge Coca-Cola's dairy dominance. I'll provide deep insights regarding...Ghost x Yoo-hoo Launch: Why childhood nostalgia is KDP's biggest asset."Milk Gap": How a partnership with Horizon Organic could create a "cleaner," better version of fairlife.Strategic Proxy Wars: The roles of Monster Beverage, Celsius Holdings, and Nutrabolt in the larger beverage ecosystem.Future of KDP: What the 2027 business separation means for the "Performance in a Can" era.Is KDP's aggressive play into ultra-filtered milk and lifestyle protein enough to potentially close the gap on fairlife? Let's dive into the data.

On April 11th, Iraq's parliament elected Nizar Amedi as president of the republic — ending months of political deadlock. This episode breaks down what finally forced parliament to act, why the KDP's strategy failed for the third consecutive time, and what the election of Amedi reveals about shifting alliances in Iraqi politics. The hosts also discuss the calculus behind deciding the next prime minister and what it could mean for Iraq's future.

Michele DeFilippo is the founder and driving force behind 1106 Design, a full-service book publishing company based in Phoenix, Arizona. With more than 50 years of experience in the book publishing industry — spanning traditional publishing, the rise of indie publishing, and the self-publishing revolution catalyzed by Amazon — Michele is one of the most respected voices in author services today.She founded 1106 Design in 2001 after the publishing industry was disrupted by technology, with a singular mission: to help independent authors publish professionally, keep 100% of their rights and royalties, and produce books that compete on equal footing with traditionally published titles. Her company provides a complete "manuscript to market" solution, including editorial evaluations, copyediting, custom book cover design, interior typesetting, eBook conversion, audiobook production, author websites, and publishing support.Michele is also the author of Publish Like the Pros: A Brief Guide to Quality Self-Publishing, an 88-page guide available as a free download at 1106design.com. She has been featured across numerous podcasts, YouTube channels, and industry publications, and contributes regularly to IngramSpark's blog on self-publishing best practices.Schedule a call with Michele today >>WHO IS THIS FOR?Aspiring authors who want to publish without giving up their rights. Self-publishing authors who suspect they're leaving royalty money on the table. Business owners, coaches, and consultants who want a book as a credibility tool. Anyone pitched a "bestseller package" who wants to know if it's legitimate. Podcasters and content creators exploring long-form publishing as a brand extension.Episode SummaryIn this interview on the We Don't PLAY!™ podcast, Favour Obasi-ike, MBA, MS sits down with Michele DeFilippo to unpack one of the most misunderstood and financially consequential decisions an author can make: who to trust with your book. Over 22 minutes, Michele delivers a masterclass on the difference between traditional publishers, hybrid publishers, and true service providers — and why that distinction can mean the difference between earning $0.90 per book sold versus $6–$8.The conversation covers the full publishing landscape: how self-publishing emerged alongside Amazon, why so many "publishers" are actually double-dipping on author revenue, how to use KDP and IngramSpark to distribute without a middleman, what makes a book cover convert (and why it matters more than most authors realize), the truth about Amazon "bestseller" badges, the art of professional typesetting, and how to set realistic expectations before publishing.Michele closes with a transparent overview of how 1106 Design works, what authors should prepare before reaching out, and why the best way to make money with a book is often not through retail sales at all.TIMESTAMPS[00:00] — Intro: Michele DeFilippo, founder of 1106 Design, 50 years in publishing[03:20] — Publisher vs. service provider: the distinction that determines your royalties[06:12] — The hybrid publisher double-dip: earning $0.90/book instead of $6–$8[09:11] — KDP and IngramSpark: the two platforms every self-publishing author must know[10:01] — "Pump and dump" publishing: the automated book trap[11:00] — Book covers as the #1 conversion driver: the job interview analogy[12:48] — A/B testing covers the right way: "liking vs. buying"[14:34] — The Amazon bestseller badge: how it's manufactured in 45 minutes[17:08] — Professional typesetting vs. basic formatting: why it matters[20:49] — Using a book as a business development tool, not a retail productMEMORABLE QUOTES"If you have no investment in my book, what entitles you to any portion of my profits?" — Michele [06:45]"There's retail sales, and then there's making money with your book another way — and that other way is usually better." — Michele [20:49]"The question isn't which cover do you like. It's which cover would you spend money on." — Michele [12:48]"A book that earns $2,000 in royalties but generates $50,000 in consulting revenue is not a modest success. It's a high-ROI asset." — Favour [21:10]"Typesetting is working on every line, every word, every paragraph — it's not just formatting." — Michele [17:08]FAQsWhat is the difference between a publisher and a service provider?A publisher acquires your rights and pays a royalty. A service provider charges once and steps away — you keep 100% of all future revenue.What makes hybrid publishers problematic?They charge upfront fees and also take a cut of every book sold — reducing per-book earnings from $6–$8 down to $0.90 on a $19.99 title.Which platforms should every author use?KDP for Amazon and IngramSpark for bookstores and libraries. Both have royalty calculators so you know exactly what you'll earn.Are Amazon bestseller badges legitimate?Most are manufactured in 45 minutes by selecting a low-competition subcategory. A genuine Nielsen bestseller is an entirely different credential.How do authors actually make money with a book?Treat it as a business development tool. Speaking fees and consulting revenue typically far exceed retail royalty income.GLOSSARYService Provider — Charges a one-time fee; takes no ongoing royalties. The author retains 100% of rights and revenue.Hybrid Publisher — Charges upfront fees and also takes a percentage of sales. Double-dips on author revenue.KDP — Amazon's self-publishing platform for print-on-demand paperbacks and Kindle ebooks.IngramSpark — Distributes to independent bookstores, libraries, and international retailers.Typesetting — Professional design of a book's interior: fonts, spacing, margins, and chapter breaks.Print-on-Demand — Books printed individually as orders are placed. No inventory risk.Ready to Rank? Book Your SEO & Web Dev Services Today

Welcome to FIRST of many live episodes of the SMBS. You can join us live Tuesdays at 1pm. Today we talk about mindset, the merging of the podcasts, and KDP mass account deletions. What's one thing you can work on related to your mindset on a daily basis? Today's top story is… KDP Account Closures. Question of the week is What's one thing you can work on related to your mindset on a daily basis? Join the Sell More Books Show Afterparty group on Facebook and answer the Question of the Week in the comment section. Be sure to leave us a review on Apple Podcasts.

Amazon KDP quietly rolled out a few new updates, and authors should take notice. I cover the new dashboard changes, the updated Rights and Pricing page, and the new ability to download your latest manuscript or cover file. Plus, I break down The New York Times expanding audio best-seller lists, a scam warning from Writer Beware, cautionary notes from Book Bounty, and a rapid-fire newsflash featuring ProWritingAid, Miblart, and Book Brush.  My Discord Community - https://DaleLinks.com/Discord  KDP - https://kdp.amazon.com New York Times: Announcing Updates to Our Best-Seller Lists - https://www.nytco.com/press/announcing-updates-to-our-best-seller-lists/  Writer Beware: Watch Out For This Scam Impersonating Editors at Major Publishing Houses - https://writerbeware.blog/2026/03/27/watch-out-for-this-scam-impersonating-editors-at-major-publishing-houses/ Book Bounty - https://DaleLinks.com/BookBounty (affiliate link) Rapid-Fire News Flash ProWritingAid - https://DaleLinks.com/PWADeal (affiliate link) - 25% off annual plans; offer good through April 13, 2026 ProWritingAid Story Credits - https://dalelinks.com/storycredits  (affiliate link) - Up to 73% off; offer good through April 13, 2026 Miblart Cover Design - https://DaleLinks.com/Miblart (affiliate link) - 20% off with EASTER20; offer good through April 9 Did you miss the deal? Then take 10% off with DALE10.  Book Brush: Automate the Boring: A Beginner's Guide to Author Automations with Chelle Honiker - https://us02web.zoom.us/meeting/register/ct5GIzSoTmqMcLZ7U6Bh2w#/registration   Subscribe to my email newsletter - https://DaleLinks.com/SignUp Join Channel Memberships - https://DaleLinks.com/Memberships Join Me on Discord - https://DaleLinks.com/Discord Check out my main YouTube channel - https://www.youtube.com/@dalelroberts My Books - https://DaleLinks.com/MyBooks Wanna tip me? Visit https://dalelroberts.gumroad.com/coffee. Where noted, some outbound links financially benefit the channel through affiliate programs. I only endorse programs, products, or services I use and can stand confidently behind. These links do not affect your purchase price and greatly helps to building and growing this channel. Thanks in advance for understanding! - Dale L. Roberts

We're only a couple of days into the week, but we've already seen some large merger & acquisition deals that could shake up the consumer goods and the food distribution industry. If that weren't enough, the healthcare industry has its own deal announcements. Plus, mailbag questions Tyler Crowe, Matt Frankel, and Lou Whiteman discuss: - Sysco's $26 billion deal for Restaurant Depot - McCormick's $44 billion deal for Unilever's food division - The track record of major consumer brand mergers - Eli Lilly acquiring Centessa Pharmaceuticals - Listener question: Thoughts on Whirlpool? Companies discussed: SYY, MKC, UL, KHC, BUD, KMB, KDP, PFGC, USFD, LLY, CNTA, WHR Host: Tyler Crowe Guests: Matt Frankel, Lou Whiteman Engineer: Dan Boyd Disclosure: Advertisements are sponsored content and provided for informational purposes only. The Motley Fool and its affiliates (collectively, “TMF”) do not endorse, recommend, or verify the accuracy or completeness of the statements made within advertisements. TMF is not involved in the offer, sale, or solicitation of any securities advertised herein and makes no representations regarding the suitability, or risks associated with any investment opportunity presented. Investors should conduct their own due diligence and consult with legal, tax, and financial advisors before making any investment decisions. TMF assumes no responsibility for any losses or damages arising from this advertisement. We're committed to transparency: All personal opinions in advertisements from Fools are their own. The product advertised in this episode was loaned to TMF and was returned after a test period or the product advertised in this episode was purchased by TMF. Advertiser has paid for the sponsorship of this episode. Learn more about your ad choices. Visit ⁠⁠⁠⁠⁠⁠⁠⁠megaphone.fm/adchoices⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

Amazon's latest algorithm changes are giving authors more proof that they need to bring their own traffic, while KDP print quality concerns keep pushing some authors to look at other options. In this self-publishing news update, I cover new insights from Written Word Media, a trust-shaking Grammarly lawsuit, LaterPress AI tools, Voices by INaudio, Draft2Digital features, and more. You'll also hear quick updates on Spoken, Booklinker, Twin Flames Studios, and rising self-publishing stats. All that and more in the Self-Publishing News for March 27, 2026.  PRF Law: Class Action Alleges That Grammarly Misappropriated the Names of Journalists and Authors Through its "Expert Review" That Lets Users Get Feedback on Writing From Experts - https://prf-law.com/current-cases/class-action-alleges-that-grammarly-misappropriated-the-names-of-journalists-and-authors-through-its-expert-review Written Word Podcast: The Amazon A10 Update: 3 Things Every Indie Author Needs to Know - https://www.writtenwordmedia.com/the-amazon-a10-update-3-things-every-indie-author-needs-to-know/ Vervanté - https://vervante.com/ Laterpress - https://Laterpress.com Laterpress: An Introduction to Laterpress AI | Special 2-hour Launch Stream https://www.youtube.com/live/E-h-WZR4mx8?si=4DUeL18jZiokE92t Voices by INAudio: Welcome to the Voices Newsletter - https://voicesbyinaudio-newsletter.beehiiv.com/p/welcome-to-the-voices-newsletter-8bc7af69628f447c Draft2Digital - https://DaleLinks.com/D2D (referral link) Rapid-Fire News Flash  Spoken x Author Nation: Choose the Winner in "Your Story" Audiobook Contest - https://www.spoken.press/yourstory Spoken: Spring Sprint - https://www.spoken.press/sprint Twin Flames Studios: Launch Strategies That Fit You (webinar) - https://twinflamesstudios.com/launchstrategies/?partnerid=r1397  BookLinker: Getting Started with BookBub Ads (webinar) - https://booklinker.mykajabi.com/Bookbub-Ads-Authors   Subscribe to my email newsletter - https://DaleLinks.com/SignUp  Join Channel Memberships - https://DaleLinks.com/Memberships  Join Me on Discord - https://DaleLinks.com/Discord  Check out my main YouTube channel - https://www.youtube.com/@dalelroberts  My Books - https://DaleLinks.com/MyBooks  Wanna tip me? Visit https://dalelroberts.gumroad.com/coffee. Where noted, some outbound links financially benefit the channel through affiliate programs. I only endorse programs, products, or services I use and can stand confidently behind. These links do not affect your purchase price and greatly helps to building and growing this channel. Thanks in advance for understanding! - Dale L. Roberts

**** New Pet edge coupon code is TRAVELER10*****Welcome aboard to another lively episode of the Traveling Groomers Podcast! Today, Chris Anthony, Mary Oquendo, and their special guest, Barkleigh Award-winning author Angie Coates, dive into the world of pet grooming, creative writing, and all the hilarious pitfalls and triumphs along the way. We're kicking things off with a behind-the-scenes peek into Anjie Coates's motivation for her latest book, "The Grooming Witch of the Iron Ledge"—spoiler alert: it was sparked by frustration over poorly portrayed groomers in popular media. The hosts swap stories about writing styles—from structured outlines to composing whole chapters in the shower—and how neurodiversity shapes their creative processes. You'll also get the inside scoop on the realities of self-publishing, from formatting woes and choosing between KDP and IngramSpark, to the unique challenges of creating audiobooks and selecting the perfect narrator. Plus, the conversation meanders through the importance of readable print size (shoutout to Miss Betty!), website tips for pet professionals, and the supportive, tight-knit nature of the grooming community. With plenty of laughs, lessons learned, and a few candid stories about trade show bloopers, this episode is packed with advice, encouragement, and real talk for both the grooming industry and aspiring authors alike. So grab your travel mug, settle in, and let's roll into today's episode—where the pets are loved, the stories are heartfelt, and the laughter is contagious!

Click Here to ask your book writing and publishing questions!Ever wonder what happens when an academic specializing in medieval women's visions suddenly writes her first novel? In this episode, Jennifer Brown shares her unexpected leap from dusty manuscripts to publishing with St. Martin's Press and how a canceled conference sparked her fiction journey—without a soul telling her she should.In this episode:How Jennifer's fascination with medieval women and their visions inspired her novel, The Lost Book of Elizabeth BartonThe serendipitous week in London that kickstarted her writing processScrapping outlines and embracing the messy, fun process of discoveryThe unexpected ease of her path to publicationInsights into marketing a traditionally published book when the house does some of the heavy lifting (emphases on "some")Her thoughts on the complexity of writing multiple timelines and switching points of viewThe importance of embracing revision as part of the creative process

Amazon's latest updates are raising concerns for self-published authors, as hundreds of new KDP categories may actually be hurting book discoverability instead of helping it. In this Self-Publishing News update, we break down the growing issue of ghost categories, along with what authors can do to stay visible. We also cover Amazon's push into AI-powered ads, new metadata guidance from Barnes & Noble Press, and a cover design case study from CraveBooks with surprising results. Publisher Rocket - https://DaleLinks.com/Rocket (affiliate link)  Novel Report - https://DaleLinks.com/NovelReport (affiliate link)  Use code GETMYREPORT for $20 off - Amazon Advertising - https://advertising.amazon.com Barnes & Noble Press: 7 Steps to Spring Clean Your Book Metadata! - https://press.barnesandnoble.com/bnpress-blog/spring-clean-your-book-metadata/ CraveBooks - https://DaleLinks.com/CraveBooks (affiliate link)  CraveBooks Marketing Hub (on Discord) - https://discord.gg/AYYbKKWGDJ The Alliance of Independent Authors - https://DaleLinks.com/ALLi (affiliate link)  ALLi: The Indie Author Bookstore - https://bookstore.allianceindependentauthors.org/ My ALLi Author Page - https://bookstore.allianceindependentauthors.org/author/dale-l-roberts Rapid Fire News Flash Writer Beware: Deadline Approaching to File a Claim in the Anthropic Settlement - https://writerbeware.blog/2026/03/13/deadline-approaching-to-file-a-claim-in-the-anthropic-settlement/ Authors Guild: From Manuscript to Marketplace: WE DESERVE TO HEAL - https://authorsguild.org/event/from-manuscript-to-marketplace-we-deserve-to-heal/ Book Brush - https://BookBrush.com Platinum members: Contact Book Brush about the Level Up Your Author Business webinar with Seth Norris & Mel Jolly  Reader Views Book Awards - https://readerviews.com/literaryawards/winners/sponsored/ Outstanding Creator Awards 2025 Clash of Champions - https://www.outstandingcreator.com/winners--2025-clash-of-champions.html  Subscribe to my email newsletter - https://DaleLinks.com/SignUp  Join Channel Memberships - https://DaleLinks.com/Memberships  Join Me on Discord - https://DaleLinks.com/Discord Check out my main YouTube channel - https://www.youtube.com/@dalelroberts My Books - https://DaleLinks.com/MyBooks  Wanna tip me? Visit https://dalelroberts.gumroad.com/coffee. Where noted, some outbound links financially benefit the channel through affiliate programs. I only endorse programs, products, or services I use and can stand confidently behind. These links do not affect your purchase price and greatly helps to building and growing this channel. Thanks in advance for understanding! - Dale L. Roberts

Welcome to another episode of the Cookbook Love Podcast. Most people think the outcome of writing a cookbook is the finished book, but I've seen something much bigger happen along the way. In this episode, I explore what really happens when we choose a meaningful creative challenge like writing a cookbook. Many cookbook writers I work with are already successful professionals: chefs, dietitians, coaches, and entrepreneurs who decide to write a book not because they have to, but because the work matters to them. I share the unexpected benefits I've seen from writing a cookbook, including identity shifts, creative discipline, professional credibility, community, and new opportunities. In this episode, I talk about: • Why writing a cookbook is a chosen challenge • How creative projects activate your agency and identity • Why hard work doesn't have to feel miserable • The deeper benefits that come from finishing a creative project Whether you're writing a cookbook, building a food business, or starting another creative project, this episode will help you see the deeper transformation that can happen when you commit to creating something meaningful. If you want to get paid to write a cookbook, join our waitlist for the next cohort of Cookbooks on KDP.