Podcast appearances and mentions of harmony holiday

In Brooklyn, an audience gathered and was treated to a gorgeous provocative evening of poetry, music, and banter/improvisation. Support the show

In this episode, MJTA hosts Melanie and Yunie are live in LA!!!! Recorded at the new performing arts venue, 2220 Arts + Archives with a special guest Author, Poet and Activist and Resident Programmer of 2220 Arts + Archives, Harmony Holiday. They celebrate Holiday's most recent release of her book Maafa, and get deep into multiple topics about Harmony's research and book on Abbey Lincoln, storytelling, censorship, sampling, and other masters such as Max Roach, Amiri Baraka, and Charles Mingus.  If you missed out on this live experience back in April 2022, now's a chance to catch the vibe here!  Presented with support from Winter Jazz Fest Recorded Live on April 19, 2022 at  2220 Arts + Archives | 2220 Beverly Blvd, Los Angeles, CA 90057 Follow Melanie Charles: @melaniecharlesisdflower | melaniecharles.com   Follow Yunie Mojica: @Yuniemo  ind out more about 2220 Arts + Archives: https://www.2220arts.org/ Follow and Find Harmony Holiday Here: Twitter: @Harmony_Holiday Bio: https://www.poetryfoundation.org/poets/harmony-holiday Purchase the book "Maafa" by Harmony Holiday Harmony's LA Times Article on Sun Ra: May the ghost of Sun Ra return to lift the 50-year curse he cast on Los Angeles

The time is 6:51 pm, eastern daylight savings time, May 14, 2022, lull in covid, spring. The location is a non-profit library and workspace, Wendy's Subway, located at 379 Bushwick Ave, Brooklyn, NY 11206.The speakers you will hear are Rebecca Wolff, Ariana Reines, Sade, and Harmony Holiday.  Ariana will be reading from her new manuscript-in-progress, The Rose, and Harmony will be reading from her newly published epic, Maafa, from Fence Books. Fence Sounds, a podcast, is produced by Fence Magazine, Inc., a 501c3 nonprofit organization. Learn more at fenceportal.org about all the Fence Publications, which include Fence Books, Fence Magazine, Elecment, Fence Digital, Fence Steaming, and Constant Critic. Subscribe to the magazine, and purchase a book by Ariana Reines, Harmony Holiday, and other fence authors again at fenceportal.org. Thanks for listening. Support the show

Born in Waterloo, Iowa, poet and choreographer Harmony Holiday is the daughter of Northern Soul singer/songwriter Jimmy Holiday. Her father died when she was five, and she and her mother moved to Los Angeles. Holiday earned a BA in rhetoric at the University of California, Berkeley and an MFA at Columbia University. She is the author of Negro League Baseball (2011), winner of the Fence Books Motherwell Prize; Go Find your Father/A Famous Blues (Ricochet Editions, 2013), a “dos-a-dos” book featuring poetry, letters, and essays; and Hollywood Forever (Fence Books, 2017), which she is turning into an afroballet. She is currently working on a biography of Abbey Lincoln and an epic called M a a f A (Fence, 2020), an exploration of reparations and the body.Bio via Poetry Foundation See acast.com/privacy for privacy and opt-out information.

Recorded by Harmony Holiday for Poem-a-Day, a series produced by the Academy of American Poets. Published on August 25, 2021. www.poets.org

Harmony Holiday, a writer, dancer, and archivist, joins Nikita Gale and Alexander Provan to speak about Black performers whose songs and struggles reflect the ongoing trauma of the “African holocaust.” They discuss the pressure to pander to white audiences as well as the impulse to seek a form of expression (and of being) that is chosen and not imposed by force. They listen to songs written and recorded by Holiday's father, the soul singer Jimmy Holiday, as well as to Albert Ayler, Thelonious Monk, Billie Holiday, Amiri Baraka, and Kanye West.Holiday's essay “The Black Catatonic Scream,” a meditation on Black silence, was published by Triple Canopy last year. Her book of poems on the “African holocaust,” naming, and erasure, Maafa, is being published by Fence Books in 2021. Holiday is currently working on a biography of the singer Abbey Lincoln and a collection of essays, Love Is War for Miles.In this episode, Holiday, Gale, and Provan speak about Fred Moten's In the Break: The Aesthetics of the Black Radical Tradition (University of Minnesota Press, 2003); Édouard Glissant's The Poetics of Relation, trans. Betsy Wing (University of Michigan Press, 1997); the writer and cultural theorist Sylvia Wynter, whose work is the subject of Katherine McKittrick's Sylvia Wynter: On Being Human as Praxis (Duke University Press, 2014); Mack Hagood's Hush: Media and Sonic Self-Control (Duke University Press, 2019); Amiri Baraka, the poet, author, and luminary of the Black Arts Movement, about whom Holiday has often written.In order of appearance, the music and other recordings played on this episode are: Sonny Sharrock, “Black Woman” (feat. Linda Sharrock), Black Woman (Vortex Records, 1969); a concert by Kanye West as part of his Saint Pablo Tour, 2016; West's “Father Stretch My Hands, Pt. 1,” The Life of Pablo (Def Jam, 2016); Jimmy Holiday, “We Got a Good Thing Goin',” Turning Point (Minit, 1966); Ray Charles, “Somebody Ought to Write a Book About It” (ABC Records, 1967); Thelonious Monk, “You Took the Words Right Out of My Heart,” Thelonious Alone in San Francisco (Riverside, 1959), James Brown, “The Payback,” The Payback (Polydor, 1973); Billie Holiday and Her Orchestra, “A Sailboat in the Moonlight” (Vocalion, 1937); Amiri Baraka reading “Black Art” on Sonny Murray's Sonny's Time Now (Jihad Productions, 1965); Albert Ayler, “Ghosts (Variation 2),” Spiritual Unity (ESP-Disk, 1964); an advertisement for Beats by Dre headphones featuring Colin Kaepernick, 2013. The title of this episode is taken from Albert Ayler's Holy Ghost: Rare and Unissued Recordings (1962–70) (Revenant Records, 2004). Medium Rotation is produced by Alexander Provan with Andrew Leland, and edited by Provan with Matt Frassica. Tashi Wada composed the theme music. Matt Mehlan acted as the audio engineer and contributed additional music.Medium Rotation is made possible through generous contributions from the Andy Warhol Foundation for the Visual Arts and Nicholas Harteau. This season of Medium Rotation is part of Triple Canopy's twenty-sixth issue, Two Ears and One Mouth, which receives support from the Stolbun Collection, the Shelley & Donald Rubin Foundation, Agnes Gund, the National Endowment for the Arts, the New York State Council on the Arts, and the New York City Department of Cultural Affairs in partnership with the City Council.

From the late MF Doom to Grace Jones and Orville Peck, we take a look at musicians who have worn masks to protect their identities at a time when we're all masking up to protect one another. In this episode, we talk with writers Sasha Geffen and Harmony Holiday about the different ways artists choose to mask up, and how covering one part of who we are can also uncover creative freedom. / Show Notes /For the playlist of songs curated for this episode visit http://bit.ly/oos-masksRead Harmony Holiday's elegy to MF Doom for FriezeSasha's book which Hanif ‘pushes' on everyone is Glitter Up the Dark How Pop Music Broke the BinaryWatch the 'Slime' video by Shygirl and Mequetrefe by Arca to see how these two artists play with ‘real' and ‘fake' imagesHanif referenced when SIA performed ‘Wolves' with Kanye West on SNL./ Credits / Object of Sound is a Sonos show produced by work x work: Scott Newman, Jemma Rose Brown, and Babette Thomas. The show is additionally produced by Hanif Abdurraqib. Our engineers are Sam Bair and Josh Hahn of The Relic Room.

Adapting performance work for Covid-19 safety — How performance operates without an audience present — How writing, sampling, and sound play in performance work — How the pandemic has shifted the way we think about institutional support and artist communities  In this episode, I talk to three artists in The Hammer exhibition, Made in L.A. 2020: A Version, which is on view but still not open to the public due to Covid-19 restrictions. Harmony Holiday, Aria Dean, and Jaqueline Kiyomi Gork all had planned performance works for the biennial exhibition and had to shift their artworks to accommodate for Covid-safety. We discuss the process of adapting their initially envisioned work, how performance becomes altered without audience participation, and how other disciplines like writing, sculpture, and sound play out in each artist's work. Together, the artists muse on issues that the pandemic has brought to light. How might alternative platforms privilege community and care for artists and performers? Hosted by Lindsay Preston Zappas

You're receiving my Tuesday podcast because you're a paying subscriber of Maybe Baby. Thank you! To listen in your preferred app, click “Listen in podcast app.” Then it should automatically populate there every week.Good morning!Today I brought on my favorite sad girl, Nora Taylor, to discuss melancholy, sadness, and depression, as explored in my last newsletter, #32: Stimulants. But it's also fun! Nora is an editor at Clever for Architectural Digest. We met at Man Repeller (where she wrote about things like Sauce Men, the Caesar haircut, and Tom Hanks) and initially bonded over our love of Phoebe Bridgers (yes…that's me and Avi coving “Smoke Signals” for today's intro song…lol!). Nora is a strange bird whom I truly cherish and I'm livid that I forgot to ask her about her dream of being a mailwoman. Here we are just before our “writers retreat” upstate in 2018—a very special story we save for the end:Some links to things we mention:-“Look at My Beautiful F*****g Hands,” by Nora herself-In Defense of Saccharin(e), by Leslie Jamison, an incredible essay that's unfortunately not online but is part of her collection, The Empathy Exams, which I highly recommend-“Finding Quietness in a Loud World,” by Harmony Holiday for Frieze-“3 Older Women on What Actually Gets Better With Age,” by Nora-ASMR Massage With Phoebe Bridgers by It'sBlitzzz-“Deliverance” by YanniThanks for listening!Haley(is signing a newsletter like signing a text?)This month a portion of subscriber proceeds will be redistributed to Palante Harlem Inc, a New York-based nonprofit working to reduce poverty, end tenant exploitation, and advocate for safe housing in Harlem.Subscribe • Request a free subscription • Ask Dear Baby a question • Gift a subscription This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit haleynahman.substack.com/subscribe

This year's winners are: GOLD MEDALS FICTION Your House Will Pay, Steph Cha, Ecco FIRST FICTION Home Remedies, Xuan Juliana Wang, Hogarth NONFICTION The Heartbeat of Wounded Knee, David Treuer, Riverhead JUVENILE A Place to Belong, Cynthia Kadohata, Atheneum YOUNG ADULT Frankly in Love, David Yoon, G.P Putnam’s Sons POETRY Magical Negro, Morgan Parker, Tin House Books SILVER MEDALS FIRST FICTION Last of Her Name, Mimi Lok, Kaya Press NONFICTION Know My Name, Chanel Miller, Viking POETRY A Jazz Funeral for Uncle Tom, Harmony Holiday, Birds, LLC SPECIAL AWARDS CALIFORNIANA The Dreamt Land, Mark Arax, Knopf CONTRIBUTION TO PUBLISHING Jim Marshall: Show Me the Picture, Chronicle Books In response to the Coronavirus COVID-19 outbreak, this program took place and was recorded live via video conference, for an online audience only, and was live-streamed by The Commonwealth Club of California from San Francisco on August 28th, 2020.

Friday Reading Series: Harmony Holiday & Lily Jue Sheng with Nyle Genevieve— January 10th, 2020 Hosted by Nicole Wallace. Harmony Holiday is a writer, dancer, archivist, director, and the author of four collections of poetry, Negro League Baseball, Go Find Your Father / A Famous Blues, Hollywood Forever, and A Jazz Funeral for Uncle Tom. She founded and runs Afrosonics, an archive of jazz and everyday diaspora poetics, and Mythscience, a publishing imprint that reissues and reprints works from the archive. She worked on the SOS, the selected poems of Amiri Baraka, transcribing all of his poetry recorded with jazz that has yet to be released in print and exists primarily on out-of-print records. Harmony studied Rhetoric at UC Berkeley and taught for the Alvin Ailey American Dance Theatre. She received her MFA from Columbia University and has received the Motherwell Prize from Fence Books, a Ruth Lilly Fellowship, and a NYFA Fellowship. She is currently completing a book of poems called M a à f a and an accompanying collection of essays and memoir, Love is War for Miles, both to be released this fall, as well as a biography of jazz singer Abbey Lincoln. Lily Jue Sheng works between moving image, collage, text, performance, and installation. Nyle Genevieve makes video art, comics, zines, music, and handmade apparel. They met in college at the School of the Museum of Fine Arts and are both based in New York City. Nyle's series 'Winds of Change' and 'Never Sit' merge anthropomorphic existential crisis and female desire with doing everything yourself. She also plays drums for Nandas. Lily's video work 'Five Movements (五種流行之氣)' has expanded into select performances at The Knockdown Center (with Anjuli Rathod) and Roulette Intermedium (with Anjuli Rathod and Nyle Genevieve). 'Five Movements' uses cinema to describe feelings of melancholia -- the sensations of dreaming, and disrupting, myths surrounding the home. The third performance at The Poetry Project will include an expanded spoken word and unique subtitles in Shanghai dialect and English by Lily and a performed music score by Nyle.

"There's so much there, and it's so fascinating" observes co-host Kate Wolf after Lyra Kilston opens this week's podcast with a summary of her new book Sun Seekers: The Cure of California. Kate might as well be talking about the entire history, brief yet spectacular, of Southern California. This week's show unveils another of the spectacular paradoxes that define the rise of the Golden State Paradise/Dystopia - the relationship between California Modernism to European Sanatorium culture. If you've ever marveled at the modern architectural jewels that dot the LA landscape; and fantasized about a refined European ex-pat community that built them - prepare to have your dreams recast (in the best SoCal tradition!). Lyra spins fascinating tales that will challenge your understanding of LA history, in dialogue with Kate and Eric Newman. Also, Hanif Abdurraqib returns to recommend Harmony Holiday's new book of poetry, A Jazz Funeral for Uncle Tom.

"There's so much there, and it's so fascinating" observes co-host Kate Wolf after Lyra Kilston opens this week's podcast with a summary of her new book Sun Seekers: The Cure of California. Kate might as well be talking about the entire history, brief yet spectacular, of Southern California. This week's show unveils another of the spectacular paradoxes that define the rise of the Golden State Paradise/Dystopia - the relationship between California Modernism to European Sanatorium culture. If you've ever marveled at the modern architectural jewels that dot the LA landscape; and fantasized about a refined European ex-pat community that built them - prepare to have your dreams recast (in the best SoCal tradition!). Lyra spins fascinating tales that will challenge your understanding of LA history, in dialogue with Kate and Eric Newman. Also, Hanif Abdurraqib returns to recommend Harmony Holiday's new book of poetry, A Jazz Funeral for Uncle Tom.

Harmony Holiday - January 10, 2020 by

It's been a minute! Thanks for your patience as I've slogged through life. In this episode I spoke with Samuel Ace about his book Our Weather Our Sea. Samuel Ace is a trans/genderqueer poet and sound artist. He is the author of several books, most recently Our Weather Our Sea (Black Radish 2019), the newly re-issued Meet Me There: Normal Sex and Home in three days. Don’t wash., (Belladonna* Germinal Texts 2019), and Stealth with poet Maureen Seaton. He is the recipient of the Astraea Lesbian Writer Award and the Firecracker Alternative Book Award in Poetry, as well as a two-time finalist for both the Lambda Literary Award and the National Poetry Series. Recent work can be found in Poetry, PEN America, Best American Experimental Poetry, Vinyl, and many other journals and anthologies. He currently teaches poetry and creative writing at Mount Holyoke College in western Massachusetts. Sam's website Buy Our Weather Our Sea Also buy Meet Me There: Normal Sex & Home in three days. Don’t wash. Books, poets, artists, etc mentioned in this episode: Ari Banias  Oliver Baez Bendorf  TC Tolbert's "Dear Melissa"  j/j hastain Julie Carr's Real Life: An Installation Ronaldo Wilson's Lucy 72 Douglas Kearney's Mess and Mess and  M. NourbeSe Philip's ZONG!  Ching-In Chen's recombinant  Sawako Nakayasu's Mouth Eats Color  Harmony Holiday a reading from 2015  LaTasha N. Nevada Diggs's Twerk Caroline Bergvall's sound installations  Cecilia Vicuña's New and Selected Poems Saborami (Chainlinks) Tracie Morris two poems Andrea Abi-Karam's EXTRATRANSMISSION  Orlando White LETTERRS  Maureen Seaton  Rickey Laurentiis  Philip B. Williams  Ocean Vuong  Farid Matuk  Kaveh Akbar  Angel Dominguez's D E S G R A C I A D O  Ariana Reines's A Sand Book  Trace Peterson's Since I Moved In  Go listen to my interview with Roy over at the Marxist Poetry Podcast The Sound of Waves Breaking: Samuel Ace's "These Nights"  Editor and Social Media Manager: Mitchel Davidovitz

"There's so much there, and it's so fascinating" observes co-host Kate Wolf after Lyra Kilston opens this week's podcast with a summary of her new book Sun Seekers: The Cure of California. Kate might as well be talking about the entire history, brief yet spectacular, of Southern California. This week's show unveils another of the spectacular paradoxes that define the rise of the Golden State Paradise/Dystopia - the relationship between California Modernism to European Sanatorium culture. If you've ever marveled at the modern architectural jewels that dot the LA landscape; and fantasized about a refined European ex-pat community that built them - prepare to have your dreams recast (in the best SoCal tradition!). Lyra spins fascinating tales that will challenge your understanding of LA history, in dialogue with Kate and Eric Newman,  Also, Hanif Abdurraqib returns to recommend Harmony Holiday's new book of poetry, A Jazz Funeral for Uncle Tom.

"There's so much there, and it's so fascinating" observes co-host Kate Wolf after Lyra Kilston opens this week's podcast with a summary of her new book Sun Seekers: The Cure of California. Kate might as well be talking about the entire history, brief yet spectacular, of Southern California. This week's show unveils another of the spectacular paradoxes that define the rise of the Golden State Paradise/Dystopia - the relationship between California Modernism to European Sanatorium culture. If you've ever marveled at the modern architectural jewels that dot the LA landscape; and fantasized about a refined European ex-pat community that built them - prepare to have your dreams recast (in the best SoCal tradition!). Lyra spins fascinating tales that will challenge your understanding of LA history, in dialogue with Kate and Eric Newman, Also, Hanif Abdurraqib returns to recommend Harmony Holiday's new book of poetry, A Jazz Funeral for Uncle Tom.

Harmony Holiday meditates on her biracial heritage and the legacy of her parents. Produced by Katie Klocksin

Author Danzy Senna joins Kate, Medaya, and Eric to discuss her novel New People, a romantic "comedy" of manners that overflows with insight into race and identity in America. Senna describes how she crafts historical/cultural geographies: of Brooklyn in the '90s, Stanford University a few years earlier, and the nightmare utopia of Jonestown. The dialogue reveals an author of personal, very human, tales with tremendous resonance for our troubled Trumpian times. Also, poet and choreographer Harmony Holiday returns to recommend Toni Cade Bambara's novel The Salt Eaters.

Kate and Eric are joined by poet, choreographer, and founder of the Mythscience artist collective Harmony Holiday, whose new collection of verse is titled Hollywood Forever. Harmony reads from the volume and discusses her time-collapsing, historically conscious, visually engaging, collage-style poetry that produces a socially-conscious, politically resonant, sensual literary triumph. Also, author Garth Greenwell recommends novelist Yiyun Li's memoir "Dear Friend, from My Life I write to You in Your Life."

SCRATCH: Writers, Money, and the Art of Making a Living (Simon & Schuster) Based on the online magazine of the same name, SCRATCH: Writers, Money, and the Art of Making a Living is a collection of honest and informative essays and interviews, addressing the relationships between writing and money, work and life, literature and commerce. In the literary world, we romanticize the image of the struggling artist, but pursuing a career as a creative also stirs a complicated discourse: either writers should be paid for everything they do or they should just pay their dues and count themselves lucky to be published. You should never quit your day job, but your ultimate goal should be to quit your day job. They are told by more-successful writers to “do it for the love,” but the advice gets quiet when it comes to how to make a living out of writing. It’s an endless, confusing, and often controversial conversation that, despite our bare-it- all culture, still remains taboo. For SCRATCH, editor Manjula Martin has gathered interviews and essays from established and rising authors to confront the age-old question: how do creative people make money? For the first time, these authors get down to the nitty gritty of money, MFA programs, freelancing, teaching fellowships, finally getting published, the bestseller list, and how they define “success”. They also tackle the penetrating questions on what living in the literary world is really like, including issues of diversity, female likeability, debt and credit, and having a family while managing an artists’ career. The result is an entertaining and inspiring book that helps readers and writers understand what it’s really like to make art in a world that runs on money—and why it matters. Essential reading for aspiring and experienced writers, and for anyone interested in the future of literature, SCRATCH is the go-to guide to doing the impossible: making a living by doing what you love. Praise for SCRATCH "Well-organized, fascinating anthology...highly recommended"-Kirkus Reviews "Solid counseling for aspirants on what it means to offer the labors of their heart for sale in the marketplace."-Publishers Weekly "Meaningful for those working in any discipline."-Booklist, Starred Review Manjula Martin created the blog Who Pays Writers? and was the founder and editor of Scratch magazine, an online periodical focused on the business of being a writer. Her writing has appeared in the Virginia Quarterly Review, Pacific Standard, SF Weekly, The Billfold, The Toast, and other publications. She is the managing editor of Zoetrope: All-Story. Scratch is her first book. Manjula Martin by Ted Weinsten Julia Fierro is the author of the novels Cutting Teeth and the forthcoming The Gypsy Moth Summer. A graduate of the Iowa Writers’ Workshop, Julia’s work has been published in The Millions, Poets & Writers, Flavorwire, Buzzfeed, Glamour, TimeOut New York, Psychology Today, and other publications. She founded The Sackett Street Writers’ Workshop in 2002, and it has since become a creative home to over three thousand writers. Sackett Street was named a “Best NYC Writing Workshop” by the Village Voice, TimeOut New York, and Brooklyn magazine, and a “Best MFA-Alternative” by Poets & Writers. She lives in Brooklyn and Los Angeles with her husband and their two children. Susan Orlean has been a staff writer at the New Yorker since 1992. She is the author of seven books, including Rin Tin Tin, Saturday Night, and The Orchid Thief, which was made into the Academy Award–winning film Adaptation. She lives with her family and her animals in Los Angeles and may be reached at SusanOrlean.com and Twitter.com/SusanOrlean. Susan Orlean photo by Gaspar Tringale  Kima Jones has received fellowships from PEN Center USA Emerging Voices, Kimbilio Fiction, Yaddo's 2016 Howard Moss Residency in poetry and was named the 2014-2015 Gerald Freund Fellow at The MacDowell Colony. She has been published at GQ, Guernica, NPR, PANK, Scratch Magazine and The Rumpus among others and in the anthologies Long Hidden: Speculative Fiction from the Margins of History, Her Own Accord: American Women on Identity, Culture, and Community and The New York Times Best Seller, The Fire this Time, edited by Jesmyn Ward. Her short story "Nine" received notable mention in Best American Science Fiction 2015. Kima is an MFA candidate in fiction and Rodney Jack Scholar in the MFA Program for Writers at Warren Wilson College. She is a founding board member of Makara Center for the Arts. Kima lives in Los Angeles where she operates Jack Jones Literary Arts, a book publicity company.  Harmony Holiday, poet and choreographer, is the author of Negro League Baseball (Fence Books, 2011), winner of the Motherwell Poetry Prize; Go Find Your Father/A Famous Blues (Ricochet, 2015), and Hollywood Forever (FenceBooks, 2016). Holiday curates the Afrosonics archive of Jazz Poetics and audio culture as well as a fantastic blog,nonstophome. She teaches at Otis College in Los Angeles and has a BA from the University of California, Berkeley and an MFA from Columbia University. She runs a boutique production house devoted to the crossing between archiving, improvisation, myth, and black music.

Harmony Holiday is a poet, dancer, and archivist, mythscientist and the author of Negro League Baseball (Fence, 2011), Go Find Your Father/ A Famous Blues (Ricochet, 2014), and “Hollywood Forever” (Fence, 2015). She reads to an audience at UC Berkeley. Series: "Lunch Poems Reading Series" [Humanities] [Arts and Music] [Show ID: 29488]

Harmony Holiday is a poet, dancer, and archivist, mythscientist and the author of Negro League Baseball (Fence, 2011), Go Find Your Father/ A Famous Blues (Ricochet, 2014), and “Hollywood Forever” (Fence, 2015). She reads to an audience at UC Berkeley. Series: "Lunch Poems Reading Series" [Humanities] [Arts and Music] [Show ID: 29488]

Harmony Holiday is a poet, dancer, and archivist, mythscientist and the author of Negro League Baseball (Fence, 2011), Go Find Your Father/ A Famous Blues (Ricochet, 2014), and “Hollywood Forever” (Fence, 2015). She reads to an audience at UC Berkeley. Series: "Lunch Poems Reading Series" [Humanities] [Arts and Music] [Show ID: 29488]

Harmony Holiday is a poet, dancer, and archivist, mythscientist and the author of Negro League Baseball (Fence, 2011), Go Find Your Father/ A Famous Blues (Ricochet, 2014), and “Hollywood Forever” (Fence, 2015). She reads to an audience at UC Berkeley. Series: "Lunch Poems Reading Series" [Humanities] [Arts and Music] [Show ID: 29488]

Harmony Holiday is a poet, dancer, and archivist, mythscientist and the author of Negro League Baseball (Fence, 2011), Go Find Your Father/ A Famous Blues (Ricochet, 2014), and “Hollywood Forever” (Fence, 2015). She reads to an audience at UC Berkeley. Series: "Lunch Poems Reading Series" [Humanities] [Arts and Music] [Show ID: 29488]

Harmony Holiday is a poet, dancer, and archivist, mythscientist and the author of Negro League Baseball (Fence, 2011), Go Find Your Father/ A Famous Blues (Ricochet, 2014), and “Hollywood Forever” (Fence, 2015). She reads to an audience at UC Berkeley. Series: "Lunch Poems Reading Series" [Humanities] [Arts and Music] [Show ID: 29488]