Podcast appearances and mentions of Sylvia Wynter

Atiya Husain's No God but Man: On Race, Knowledge and Terrorism (Duke University Press, 2025) uses the FBI Most Wanted lists to rethink theoretical relationships between race and Islam in the United States. Husain traces the genealogy of wanted posters and how theories of the “average man” informs the use of photographs and its accompanying descriptions on most wanted posters. To probe this pattern further, she closely considers the activism and Islam of Black revolutionary Assata Shakur and her addition to the FBI Most Wanted Terrorist List in 2013. Shakur was the first woman added to this list and joins Muslims, who are oddly not racialized in the descriptions on the poster. This peculiar pattern forces us to contend with how race as a category oscillates between racelessness and race, and therefore reveals the categorical limitations of the discourses of racialization of Muslims. It is here that the work of Black Studies scholars, such as Sylvia Wynter, offers us necessary conceptual pathways forward. This book will be of interest to anyone thinking about race, Islam, and terrorism, surveillance or security studies, and Black Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Atiya Husain's No God but Man: On Race, Knowledge and Terrorism (Duke University Press, 2025) uses the FBI Most Wanted lists to rethink theoretical relationships between race and Islam in the United States. Husain traces the genealogy of wanted posters and how theories of the “average man” informs the use of photographs and its accompanying descriptions on most wanted posters. To probe this pattern further, she closely considers the activism and Islam of Black revolutionary Assata Shakur and her addition to the FBI Most Wanted Terrorist List in 2013. Shakur was the first woman added to this list and joins Muslims, who are oddly not racialized in the descriptions on the poster. This peculiar pattern forces us to contend with how race as a category oscillates between racelessness and race, and therefore reveals the categorical limitations of the discourses of racialization of Muslims. It is here that the work of Black Studies scholars, such as Sylvia Wynter, offers us necessary conceptual pathways forward. This book will be of interest to anyone thinking about race, Islam, and terrorism, surveillance or security studies, and Black Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Atiya Husain's No God but Man: On Race, Knowledge and Terrorism (Duke University Press, 2025) uses the FBI Most Wanted lists to rethink theoretical relationships between race and Islam in the United States. Husain traces the genealogy of wanted posters and how theories of the “average man” informs the use of photographs and its accompanying descriptions on most wanted posters. To probe this pattern further, she closely considers the activism and Islam of Black revolutionary Assata Shakur and her addition to the FBI Most Wanted Terrorist List in 2013. Shakur was the first woman added to this list and joins Muslims, who are oddly not racialized in the descriptions on the poster. This peculiar pattern forces us to contend with how race as a category oscillates between racelessness and race, and therefore reveals the categorical limitations of the discourses of racialization of Muslims. It is here that the work of Black Studies scholars, such as Sylvia Wynter, offers us necessary conceptual pathways forward. This book will be of interest to anyone thinking about race, Islam, and terrorism, surveillance or security studies, and Black Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Atiya Husain's No God but Man: On Race, Knowledge and Terrorism (Duke University Press, 2025) uses the FBI Most Wanted lists to rethink theoretical relationships between race and Islam in the United States. Husain traces the genealogy of wanted posters and how theories of the “average man” informs the use of photographs and its accompanying descriptions on most wanted posters. To probe this pattern further, she closely considers the activism and Islam of Black revolutionary Assata Shakur and her addition to the FBI Most Wanted Terrorist List in 2013. Shakur was the first woman added to this list and joins Muslims, who are oddly not racialized in the descriptions on the poster. This peculiar pattern forces us to contend with how race as a category oscillates between racelessness and race, and therefore reveals the categorical limitations of the discourses of racialization of Muslims. It is here that the work of Black Studies scholars, such as Sylvia Wynter, offers us necessary conceptual pathways forward. This book will be of interest to anyone thinking about race, Islam, and terrorism, surveillance or security studies, and Black Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/islamic-studies

Atiya Husain's No God but Man: On Race, Knowledge and Terrorism (Duke University Press, 2025) uses the FBI Most Wanted lists to rethink theoretical relationships between race and Islam in the United States. Husain traces the genealogy of wanted posters and how theories of the “average man” informs the use of photographs and its accompanying descriptions on most wanted posters. To probe this pattern further, she closely considers the activism and Islam of Black revolutionary Assata Shakur and her addition to the FBI Most Wanted Terrorist List in 2013. Shakur was the first woman added to this list and joins Muslims, who are oddly not racialized in the descriptions on the poster. This peculiar pattern forces us to contend with how race as a category oscillates between racelessness and race, and therefore reveals the categorical limitations of the discourses of racialization of Muslims. It is here that the work of Black Studies scholars, such as Sylvia Wynter, offers us necessary conceptual pathways forward. This book will be of interest to anyone thinking about race, Islam, and terrorism, surveillance or security studies, and Black Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/national-security

Atiya Husain's No God but Man: On Race, Knowledge and Terrorism (Duke University Press, 2025) uses the FBI Most Wanted lists to rethink theoretical relationships between race and Islam in the United States. Husain traces the genealogy of wanted posters and how theories of the “average man” informs the use of photographs and its accompanying descriptions on most wanted posters. To probe this pattern further, she closely considers the activism and Islam of Black revolutionary Assata Shakur and her addition to the FBI Most Wanted Terrorist List in 2013. Shakur was the first woman added to this list and joins Muslims, who are oddly not racialized in the descriptions on the poster. This peculiar pattern forces us to contend with how race as a category oscillates between racelessness and race, and therefore reveals the categorical limitations of the discourses of racialization of Muslims. It is here that the work of Black Studies scholars, such as Sylvia Wynter, offers us necessary conceptual pathways forward. This book will be of interest to anyone thinking about race, Islam, and terrorism, surveillance or security studies, and Black Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices

In episode 87 of the Podcast for Social Research, recorded live at BISR Central, BISR's Rebecca Ariel Porte and Dilettante Army Editor-in-Chief Sara Clugage sat down with Kyla Wazana Tompkins to discuss her latest book, Deviant Matter: Ferment, Intoxicants, Jelly, Rot. The conversation touches on, among other things: food and the early history of the War on Drugs, the racialization of sugar, jelly and cocaine, food as a means for diagnosing entrenched political problems, and how plantation capitalism—and later, industrial capitalism—altered the sensory quality of everyday life. Along the way, they ask: what are the political uses of disgust? How have coffee, rum and sugar production transformed human experience? And—with Sylvia Wynter—how do we reconcile the immateriality of ideology with the materiality of the body? The Podcast for Social Research is produced by Ryan Lentini. Learn more about upcoming courses on our website. Follow Brooklyn Institute for Social Research on Twitter / Facebook / Instagram / Bluesky

Marilyn Nissim-Sabat and Neil Roberts have edited a new collection of essays, Creolizing Hannah Arendt. This edited volume dives into Hannah Arendt's thinking while also pushing the understanding and ways that Arendt has influenced political theory, philosophy, and politics. The idea of “creolizing,” especially philosophic or theoretical work, is to explore a thinker's work from more pluralistic perspectives, often pushing the ideas and their analysis beyond the northern and western position in which that work was generally created. Arendt's work, which comes to us in a number of forms, was written in the context of the Holocaust and the world before and after that trauma. The contributing authors to Creolizing Hannah Arendt build on Arendt's considerations and analysis, taking and applying her work to other situations, to determine what we can learn in a distinct situation or in context of other theoretical frameworks. Creolizing is an engagement where two or more elements come into discourse with each other, rethinking the ways those in western political thought are positioned, or see the world. This process questions, on some level, the entire notion of the “canon” and the design of borders that hem in thinking, or disciplinary lines. Creolizing Hannah Arendt is a sophisticated collection of essays that brings forth Hannah Arendt's thinking about freedom and individuals while also integrating other theorists who have interpreted Arendt's work over the last century. Arendt focused some of her early work on the notion of being an outsider, of having a kind of double consciousness (for her, it was her Jewish identity in Europe during the Holocaust and afterwards in the United States.) But double consciousness was originally posited as an understanding and perspective by W.E.B. Dubois and Sylvia Wynter in their work, specifically the experience of African Americans, and that Paget Henry analyzes in the chapter “Sylvia Wynter, Political Philosophy, and the Creolization of Hannah Arendt.” Thus, putting these ideas in conversation with each other is an example of creolization, and an example of the kind of analysis in this edited volume. This is a fascinating book, opening up spheres of thinking not just about Arendt, but about so many other important theorists. And putting these ideas into conversation with each other. Creolizing Hannah Arendt does not intend to proselytize on behalf of Hannah Arendt, as Nissim-Sabat and Roberts note in our conversation, but to truly interact act with Arendt's thinking and her ideas about freedom and unfreedom, double consciousness, revolution, and the concept of humanity. Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-editor of The Politics of the Marvel Cinematic Universe (University Press of Kansas, 2022), as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), Email her comments at lgoren@carrollu.edu or tweet to @gorenlj. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Marilyn Nissim-Sabat and Neil Roberts have edited a new collection of essays, Creolizing Hannah Arendt. This edited volume dives into Hannah Arendt's thinking while also pushing the understanding and ways that Arendt has influenced political theory, philosophy, and politics. The idea of “creolizing,” especially philosophic or theoretical work, is to explore a thinker's work from more pluralistic perspectives, often pushing the ideas and their analysis beyond the northern and western position in which that work was generally created. Arendt's work, which comes to us in a number of forms, was written in the context of the Holocaust and the world before and after that trauma. The contributing authors to Creolizing Hannah Arendt build on Arendt's considerations and analysis, taking and applying her work to other situations, to determine what we can learn in a distinct situation or in context of other theoretical frameworks. Creolizing is an engagement where two or more elements come into discourse with each other, rethinking the ways those in western political thought are positioned, or see the world. This process questions, on some level, the entire notion of the “canon” and the design of borders that hem in thinking, or disciplinary lines. Creolizing Hannah Arendt is a sophisticated collection of essays that brings forth Hannah Arendt's thinking about freedom and individuals while also integrating other theorists who have interpreted Arendt's work over the last century. Arendt focused some of her early work on the notion of being an outsider, of having a kind of double consciousness (for her, it was her Jewish identity in Europe during the Holocaust and afterwards in the United States.) But double consciousness was originally posited as an understanding and perspective by W.E.B. Dubois and Sylvia Wynter in their work, specifically the experience of African Americans, and that Paget Henry analyzes in the chapter “Sylvia Wynter, Political Philosophy, and the Creolization of Hannah Arendt.” Thus, putting these ideas in conversation with each other is an example of creolization, and an example of the kind of analysis in this edited volume. This is a fascinating book, opening up spheres of thinking not just about Arendt, but about so many other important theorists. And putting these ideas into conversation with each other. Creolizing Hannah Arendt does not intend to proselytize on behalf of Hannah Arendt, as Nissim-Sabat and Roberts note in our conversation, but to truly interact act with Arendt's thinking and her ideas about freedom and unfreedom, double consciousness, revolution, and the concept of humanity. Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-editor of The Politics of the Marvel Cinematic Universe (University Press of Kansas, 2022), as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), Email her comments at lgoren@carrollu.edu or tweet to @gorenlj. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/political-science

Marilyn Nissim-Sabat and Neil Roberts have edited a new collection of essays, Creolizing Hannah Arendt. This edited volume dives into Hannah Arendt's thinking while also pushing the understanding and ways that Arendt has influenced political theory, philosophy, and politics. The idea of “creolizing,” especially philosophic or theoretical work, is to explore a thinker's work from more pluralistic perspectives, often pushing the ideas and their analysis beyond the northern and western position in which that work was generally created. Arendt's work, which comes to us in a number of forms, was written in the context of the Holocaust and the world before and after that trauma. The contributing authors to Creolizing Hannah Arendt build on Arendt's considerations and analysis, taking and applying her work to other situations, to determine what we can learn in a distinct situation or in context of other theoretical frameworks. Creolizing is an engagement where two or more elements come into discourse with each other, rethinking the ways those in western political thought are positioned, or see the world. This process questions, on some level, the entire notion of the “canon” and the design of borders that hem in thinking, or disciplinary lines. Creolizing Hannah Arendt is a sophisticated collection of essays that brings forth Hannah Arendt's thinking about freedom and individuals while also integrating other theorists who have interpreted Arendt's work over the last century. Arendt focused some of her early work on the notion of being an outsider, of having a kind of double consciousness (for her, it was her Jewish identity in Europe during the Holocaust and afterwards in the United States.) But double consciousness was originally posited as an understanding and perspective by W.E.B. Dubois and Sylvia Wynter in their work, specifically the experience of African Americans, and that Paget Henry analyzes in the chapter “Sylvia Wynter, Political Philosophy, and the Creolization of Hannah Arendt.” Thus, putting these ideas in conversation with each other is an example of creolization, and an example of the kind of analysis in this edited volume. This is a fascinating book, opening up spheres of thinking not just about Arendt, but about so many other important theorists. And putting these ideas into conversation with each other. Creolizing Hannah Arendt does not intend to proselytize on behalf of Hannah Arendt, as Nissim-Sabat and Roberts note in our conversation, but to truly interact act with Arendt's thinking and her ideas about freedom and unfreedom, double consciousness, revolution, and the concept of humanity. Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-editor of The Politics of the Marvel Cinematic Universe (University Press of Kansas, 2022), as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), Email her comments at lgoren@carrollu.edu or tweet to @gorenlj. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

In this episode, I talked to Corinne Sugino, whose book Making the Human: Race, Allegory, and Asian Americans (Rutgers UP, 2024) examines how mainstream stories about Asian American success have come to serve harmful ideas about progress. At the turn of the century, Asian Americans have come to embody meritocracy and heteronormative family values, and more recently, some Asian Americans have become the face of law and order. These ideas become solidified in a variety of narratives, from blockbuster movies such as Crazy Rich Asians, to (supposedly) myth-busting documentaries such as Seeking Asian Female, to legal arguments against Affirmative Action. But these stories—usually stories about American citizens of East Asian descent—erase the diverse lived experience of Asian America. In this conversation, Corine Sugino also explains how we can draw on Black Studies, including scholarship by Sylvia Wynter and Katherine McKittrick, to develop a more capacious understanding of “the human” and antiracism. This provides a foundation for imagining solidarity across racial lines. About Corinne Sugino: Corinne Sugino is an Assistant Professor in the Department of English and Center for Ethnic Studies. Their research focus lies at the intersections of Asian American studies, cultural studies, rhetorical theory, and media studies. Corinne's first book project, Making the Human: Race, Allegory, and Asian Americans (Rutgers University Press, November 2024) explores how cultural and media narratives about Asian American racial and gendered difference naturalizes a limited understanding of what it means to be human. Beyond this project, her research interests also include discourses of false inclusion, Asian American grassroots media during the Asian American movement, and transnational racialization in Japan. About Weishun Lu: Weishun Lu is an Assistant Professor in the Department of Humanitities & Communication at Embry-Riddle Aeronautical University. Her research focus is contemporary poetry, avant-garde writing, the history of multiculturalism, and critical ethnic studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In this episode, I talked to Corinne Sugino, whose book Making the Human: Race, Allegory, and Asian Americans (Rutgers UP, 2024) examines how mainstream stories about Asian American success have come to serve harmful ideas about progress. At the turn of the century, Asian Americans have come to embody meritocracy and heteronormative family values, and more recently, some Asian Americans have become the face of law and order. These ideas become solidified in a variety of narratives, from blockbuster movies such as Crazy Rich Asians, to (supposedly) myth-busting documentaries such as Seeking Asian Female, to legal arguments against Affirmative Action. But these stories—usually stories about American citizens of East Asian descent—erase the diverse lived experience of Asian America. In this conversation, Corine Sugino also explains how we can draw on Black Studies, including scholarship by Sylvia Wynter and Katherine McKittrick, to develop a more capacious understanding of “the human” and antiracism. This provides a foundation for imagining solidarity across racial lines. About Corinne Sugino: Corinne Sugino is an Assistant Professor in the Department of English and Center for Ethnic Studies. Their research focus lies at the intersections of Asian American studies, cultural studies, rhetorical theory, and media studies. Corinne's first book project, Making the Human: Race, Allegory, and Asian Americans (Rutgers University Press, November 2024) explores how cultural and media narratives about Asian American racial and gendered difference naturalizes a limited understanding of what it means to be human. Beyond this project, her research interests also include discourses of false inclusion, Asian American grassroots media during the Asian American movement, and transnational racialization in Japan. About Weishun Lu: Weishun Lu is an Assistant Professor in the Department of Humanitities & Communication at Embry-Riddle Aeronautical University. Her research focus is contemporary poetry, avant-garde writing, the history of multiculturalism, and critical ethnic studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-american-studies

In this episode, I talked to Corinne Sugino, whose book Making the Human: Race, Allegory, and Asian Americans (Rutgers UP, 2024) examines how mainstream stories about Asian American success have come to serve harmful ideas about progress. At the turn of the century, Asian Americans have come to embody meritocracy and heteronormative family values, and more recently, some Asian Americans have become the face of law and order. These ideas become solidified in a variety of narratives, from blockbuster movies such as Crazy Rich Asians, to (supposedly) myth-busting documentaries such as Seeking Asian Female, to legal arguments against Affirmative Action. But these stories—usually stories about American citizens of East Asian descent—erase the diverse lived experience of Asian America. In this conversation, Corine Sugino also explains how we can draw on Black Studies, including scholarship by Sylvia Wynter and Katherine McKittrick, to develop a more capacious understanding of “the human” and antiracism. This provides a foundation for imagining solidarity across racial lines. About Corinne Sugino: Corinne Sugino is an Assistant Professor in the Department of English and Center for Ethnic Studies. Their research focus lies at the intersections of Asian American studies, cultural studies, rhetorical theory, and media studies. Corinne's first book project, Making the Human: Race, Allegory, and Asian Americans (Rutgers University Press, November 2024) explores how cultural and media narratives about Asian American racial and gendered difference naturalizes a limited understanding of what it means to be human. Beyond this project, her research interests also include discourses of false inclusion, Asian American grassroots media during the Asian American movement, and transnational racialization in Japan. About Weishun Lu: Weishun Lu is an Assistant Professor in the Department of Humanitities & Communication at Embry-Riddle Aeronautical University. Her research focus is contemporary poetry, avant-garde writing, the history of multiculturalism, and critical ethnic studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

In this episode, I talked to Corinne Sugino, whose book Making the Human: Race, Allegory, and Asian Americans (Rutgers UP, 2024) examines how mainstream stories about Asian American success have come to serve harmful ideas about progress. At the turn of the century, Asian Americans have come to embody meritocracy and heteronormative family values, and more recently, some Asian Americans have become the face of law and order. These ideas become solidified in a variety of narratives, from blockbuster movies such as Crazy Rich Asians, to (supposedly) myth-busting documentaries such as Seeking Asian Female, to legal arguments against Affirmative Action. But these stories—usually stories about American citizens of East Asian descent—erase the diverse lived experience of Asian America. In this conversation, Corine Sugino also explains how we can draw on Black Studies, including scholarship by Sylvia Wynter and Katherine McKittrick, to develop a more capacious understanding of “the human” and antiracism. This provides a foundation for imagining solidarity across racial lines. About Corinne Sugino: Corinne Sugino is an Assistant Professor in the Department of English and Center for Ethnic Studies. Their research focus lies at the intersections of Asian American studies, cultural studies, rhetorical theory, and media studies. Corinne's first book project, Making the Human: Race, Allegory, and Asian Americans (Rutgers University Press, November 2024) explores how cultural and media narratives about Asian American racial and gendered difference naturalizes a limited understanding of what it means to be human. Beyond this project, her research interests also include discourses of false inclusion, Asian American grassroots media during the Asian American movement, and transnational racialization in Japan. About Weishun Lu: Weishun Lu is an Assistant Professor in the Department of Humanitities & Communication at Embry-Riddle Aeronautical University. Her research focus is contemporary poetry, avant-garde writing, the history of multiculturalism, and critical ethnic studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

In this episode, I talked to Corinne Sugino, whose book Making the Human: Race, Allegory, and Asian Americans (Rutgers UP, 2024) examines how mainstream stories about Asian American success have come to serve harmful ideas about progress. At the turn of the century, Asian Americans have come to embody meritocracy and heteronormative family values, and more recently, some Asian Americans have become the face of law and order. These ideas become solidified in a variety of narratives, from blockbuster movies such as Crazy Rich Asians, to (supposedly) myth-busting documentaries such as Seeking Asian Female, to legal arguments against Affirmative Action. But these stories—usually stories about American citizens of East Asian descent—erase the diverse lived experience of Asian America. In this conversation, Corine Sugino also explains how we can draw on Black Studies, including scholarship by Sylvia Wynter and Katherine McKittrick, to develop a more capacious understanding of “the human” and antiracism. This provides a foundation for imagining solidarity across racial lines. About Corinne Sugino: Corinne Sugino is an Assistant Professor in the Department of English and Center for Ethnic Studies. Their research focus lies at the intersections of Asian American studies, cultural studies, rhetorical theory, and media studies. Corinne's first book project, Making the Human: Race, Allegory, and Asian Americans (Rutgers University Press, November 2024) explores how cultural and media narratives about Asian American racial and gendered difference naturalizes a limited understanding of what it means to be human. Beyond this project, her research interests also include discourses of false inclusion, Asian American grassroots media during the Asian American movement, and transnational racialization in Japan. About Weishun Lu: Weishun Lu is an Assistant Professor in the Department of Humanitities & Communication at Embry-Riddle Aeronautical University. Her research focus is contemporary poetry, avant-garde writing, the history of multiculturalism, and critical ethnic studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/politics-and-polemics

Momus: The Podcast's Season 07 finale features Tiana Reid, a Toronto-based critic and assistant professor of English at York University. Reid is a former editor at The New Inquiry and her writing has been featured in Frieze, The Nation, The New York Review of Books, and The Paris Review, among others. She reads from an early influence on her practice, Sylvia Wynter, whose text "Jonkonnu in Jamaica: Towards the Interpretation of the Folk Dance as a Cultural Process" (Jamaica Journal, June, 1970) thinks about “what art's function is in unequal and oppressive societies and regimes.” In conversation with host Sky Goodden, Reid also discusses a forthcoming text for Momus, which focuses on an evacuated landscape in Toronto's cultural institutions due to several curator dismissals, and moves Reid “to this question of action.”Momus: The Podcast is edited by Jacob Irish, with production assistance from Chris Andrews. Many thanks to this episode's sponsor, Esker Foundation.

Lecture par Marie-Julie Chalu Entretien avec l'autrice et ses co-traductrices, Myriam Rabah-Konaté et Mabeuko Oberty, mené par Amandine Nana Interprète : Valentine Leÿs Dans les profondeurs de l'océan, une symphonie silencieuse se déploie. Les mammifères marines – baleines, dauphins ou otaries – naviguent dans les eaux bleues, témoins silencieux de la beauté et de la fragilité de notre planète. Inspirée par ces créatures majestueuses, Alexis Pauline Gumbs explore les intersections entre le féminisme noir et l'écologie, deux mouvements politiques puissants qui convergent vers un objectif commun : la justice sociale et environnementale. En s'appuyant sur des figures influentes du féminisme noir telles d'Audre Lorde, June Jordan, Sylvia Wynter ainsi que de l'histoire transatlantique esclavagiste, Alexis Pauline Gumbs révèle les enseignements précieux que nous pouvons tirer de ces mammifères marines. Ces créatures incarnent une résilience remarquable face aux défis de notre époque : survivre dans des environnements hostiles, résister à la chasse et à l'exploitation humaine, tout en préservant leur communauté et leur écosystème. D'une puissance rare, un ouvrage à la croisée de la théorie politique et de la poésie qui réinvente notre lien au vivant. Soirée présentée en partenariat avec le Palais de Tokyo À lire – Alexis Pauline Gumbs, Non-noyées, Leçons féministes noires apprises auprès des mammifères marines, trad. de Emma Bigé, Myriam Rabah-Konaté et Mabeuko Oberty, éd. Burn Août et Les liens qui libèrent, 2024 À regarder – « Tituba, qui pour nous protéger ? » Exposition collective librement inspirée du roman de Maryse Condé, Moi, Tituba, sorcière noire de Salem (Folio) – Palais de Tokyo

Majorly excited to have Patricia Reed on the pod. This is a beefy episode! If I was looking for a major reset in my relationship to the world around me, I'd start here.Here's a list of the references we make throughout the interview:Here's that e-flux diagram I talk about in the intro, and here's a lecture in which she discusses this diagram. Here's the Diagramming the Common piece, which is older but I really like it. Here's a must-read interview with Denise Ferreira da Silva where the concept of "the end of the world as we know it" is postulated.When Patricia Reed refers to the "logics of worlds" in a Badiousian sense, she's referring to Alain Badiou's work on truth and world. Unless you're down for a real rabbithole, you're likely good with Reed's description here.Reed references Margaret Morrison and the Black-Scholes model in the context of finance.Reed references Sylvia Wynter's work consistently, specifically her discussion of humanism and of Frantz Fanon.Check out Beth Coleman's work on Octavia Butler AI, as well as da Silva's "Unpayable Debt" (inspired by Butler's Kindred) -- and if you somehow haven't read the Lilith's Brood Trilogy after we discussed it with Luciana Parisi, go read it (aka Xenogenesis). It's like idk the most important work of fiction in the last 50 years idk!!!Ofc big shoutouts as always Anil Bawa-Cavia -- this is the book we discuss toward the end of the episode.If you aren't aware of Laboria Cuboniks and the XFM, stop listening and read it!!!

Everything Is Police is a new book by Tia Trafford, who argues that institutional and interpersonal policing have been central to colonial modernity, the result of which is a situation where we cannot practically experience or even imagine worlds free from policing. Trafford is joined here in conversation with Melayna Lamb.Tia Trafford is reader in philosophy and design at University for the Creative Arts in London. They are author of Everything Is Police and The Empire at Home, and coeditor of Alien Vectors.Melayna Lamb is lecturer at the University of Law, UK, and author of A Philosophical History of Police Power.EPISODE REFERENCES:Frank B. Wilderson IIIRinaldo WalcottThe Empire at Home / Tia TraffordJared SextonTapji GarbaSylvia WynterFrantz FanonSara-Maria SorentinoSaidiya HartmanDavid MarriottBiko Mandela GraySylvia WynterSara-Maria SorentinoMute Compulsion / Søren MauImmanuel KantWilliam Wimsatt on generative entrenchmentRed, White & Black / Frank B. Wilderson IIIThe First Black Slave Society / Hilary BecklesSean CapenerPaul GilroyStuart HallJohn LockeSlavery is a Metaphor / essay by Tapji Garba and Sara-Maria Sorentino, published in AntipodeTaija McDougallPetero KaluléEverything Is Police is available from University of Minnesota Press. An open-access edition is available to read free online at manifold.umn.edu.

In this episode of High Theory, Rasheed Tazudeen tells us about the inhuman. The inhuman offers a way of moving beyond the legacies of humanism and across categories and scales of being. Thinking with the inhuman world, from spools of thread to microplastics, helps us try and think otherwise about the complex assemblages that shape our lives. If you want to learn more, check out Rasheed's new book, Modernism's Inhuman Worlds (Cornell UP, 2024). The book explores the centrality of ecological precarity, species indeterminacy, planetary change, and the specter of extinction to modernist and contemporary metamodernist literatures. Modernist ecologies emerge in response to the enigma of how to imagine inhuman being—including soils, forests, oceans, and the earth itself—through languages and epistemologies that have only ever been humanist. Rasheed asks how (meta)modernist aesthetics might help us to imagine (with) inhuman worlds, including the worlds still to be made on the other side of mass extinction. Rasheed Tazudeen is a lecturer in English at Yale University. His work is focused broadly on the intersections between ecology, race, and sound in 19th- and 20th-century literature and music. He is currently at work on a second project tentatively titled The Musicked Earth: Towards a Decolonial Sound Ecology, focused on the resonances between Black/Afro-Caribbean and Indigenous theories of sound, music, festival, and ecology through the work of Sylvia Wynter, Édouard Glissant, Leanne Simpson, and Alice Coltrane. This week's image was made by Saronik Bosu in 2024. It represents a humanoid creature in fetal position, merging with the inhuman world. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In this episode of High Theory, Rasheed Tazudeen tells us about the inhuman. The inhuman offers a way of moving beyond the legacies of humanism and across categories and scales of being. Thinking with the inhuman world, from spools of thread to microplastics, helps us try and think otherwise about the complex assemblages that shape our lives. If you want to learn more, check out Rasheed's new book, Modernism's Inhuman Worlds (Cornell UP, 2024). The book explores the centrality of ecological precarity, species indeterminacy, planetary change, and the specter of extinction to modernist and contemporary metamodernist literatures. Modernist ecologies emerge in response to the enigma of how to imagine inhuman being—including soils, forests, oceans, and the earth itself—through languages and epistemologies that have only ever been humanist. Rasheed asks how (meta)modernist aesthetics might help us to imagine (with) inhuman worlds, including the worlds still to be made on the other side of mass extinction. Rasheed Tazudeen is a lecturer in English at Yale University. His work is focused broadly on the intersections between ecology, race, and sound in 19th- and 20th-century literature and music. He is currently at work on a second project tentatively titled The Musicked Earth: Towards a Decolonial Sound Ecology, focused on the resonances between Black/Afro-Caribbean and Indigenous theories of sound, music, festival, and ecology through the work of Sylvia Wynter, Édouard Glissant, Leanne Simpson, and Alice Coltrane. This week's image was made by Saronik Bosu in 2024. It represents a humanoid creature in fetal position, merging with the inhuman world. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of High Theory, Rasheed Tazudeen tells us about the inhuman. The inhuman offers a way of moving beyond the legacies of humanism and across categories and scales of being. Thinking with the inhuman world, from spools of thread to microplastics, helps us try and think otherwise about the complex assemblages that shape our lives. If you want to learn more, check out Rasheed's new book, Modernism's Inhuman Worlds (Cornell UP, 2024). The book explores the centrality of ecological precarity, species indeterminacy, planetary change, and the specter of extinction to modernist and contemporary metamodernist literatures. Modernist ecologies emerge in response to the enigma of how to imagine inhuman being—including soils, forests, oceans, and the earth itself—through languages and epistemologies that have only ever been humanist. Rasheed asks how (meta)modernist aesthetics might help us to imagine (with) inhuman worlds, including the worlds still to be made on the other side of mass extinction. Rasheed Tazudeen is a lecturer in English at Yale University. His work is focused broadly on the intersections between ecology, race, and sound in 19th- and 20th-century literature and music. He is currently at work on a second project tentatively titled The Musicked Earth: Towards a Decolonial Sound Ecology, focused on the resonances between Black/Afro-Caribbean and Indigenous theories of sound, music, festival, and ecology through the work of Sylvia Wynter, Édouard Glissant, Leanne Simpson, and Alice Coltrane. This week's image was made by Saronik Bosu in 2024. It represents a humanoid creature in fetal position, merging with the inhuman world. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In this episode of High Theory, Rasheed Tazudeen tells us about the inhuman. The inhuman offers a way of moving beyond the legacies of humanism and across categories and scales of being. Thinking with the inhuman world, from spools of thread to microplastics, helps us try and think otherwise about the complex assemblages that shape our lives. If you want to learn more, check out Rasheed's new book, Modernism's Inhuman Worlds (Cornell UP, 2024). The book explores the centrality of ecological precarity, species indeterminacy, planetary change, and the specter of extinction to modernist and contemporary metamodernist literatures. Modernist ecologies emerge in response to the enigma of how to imagine inhuman being—including soils, forests, oceans, and the earth itself—through languages and epistemologies that have only ever been humanist. Rasheed asks how (meta)modernist aesthetics might help us to imagine (with) inhuman worlds, including the worlds still to be made on the other side of mass extinction. Rasheed Tazudeen is a lecturer in English at Yale University. His work is focused broadly on the intersections between ecology, race, and sound in 19th- and 20th-century literature and music. He is currently at work on a second project tentatively titled The Musicked Earth: Towards a Decolonial Sound Ecology, focused on the resonances between Black/Afro-Caribbean and Indigenous theories of sound, music, festival, and ecology through the work of Sylvia Wynter, Édouard Glissant, Leanne Simpson, and Alice Coltrane. This week's image was made by Saronik Bosu in 2024. It represents a humanoid creature in fetal position, merging with the inhuman world. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/environmental-studies

In this episode of High Theory, Rasheed Tazudeen tells us about the inhuman. The inhuman offers a way of moving beyond the legacies of humanism and across categories and scales of being. Thinking with the inhuman world, from spools of thread to microplastics, helps us try and think otherwise about the complex assemblages that shape our lives. If you want to learn more, check out Rasheed's new book, Modernism's Inhuman Worlds (Cornell UP, 2024). The book explores the centrality of ecological precarity, species indeterminacy, planetary change, and the specter of extinction to modernist and contemporary metamodernist literatures. Modernist ecologies emerge in response to the enigma of how to imagine inhuman being—including soils, forests, oceans, and the earth itself—through languages and epistemologies that have only ever been humanist. Rasheed asks how (meta)modernist aesthetics might help us to imagine (with) inhuman worlds, including the worlds still to be made on the other side of mass extinction. Rasheed Tazudeen is a lecturer in English at Yale University. His work is focused broadly on the intersections between ecology, race, and sound in 19th- and 20th-century literature and music. He is currently at work on a second project tentatively titled The Musicked Earth: Towards a Decolonial Sound Ecology, focused on the resonances between Black/Afro-Caribbean and Indigenous theories of sound, music, festival, and ecology through the work of Sylvia Wynter, Édouard Glissant, Leanne Simpson, and Alice Coltrane. This week's image was made by Saronik Bosu in 2024. It represents a humanoid creature in fetal position, merging with the inhuman world. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

In the first half of the twentieth century, Black hemispheric culture grappled with the legacies of colonialism, U.S. empire, and Jim Crow. As writers and performers sought to convey the terror and the beauty of Black life under oppressive conditions, they increasingly turned to the labor, movement, speech, sound, and ritual of everyday “folk.” Many critics have perceived these representations of folk culture as efforts to reclaim an authentic past. Imani D. Owens recasts Black creators' relationship to folk culture, emphasizing their formal and stylistic innovations and experiments in self-invention that reach beyond the local to the world. Turn the World Upside Down: Empire and Unruly Forms of Black Folk Culture in the U.S. and Caribbean (Columbia UP, 2023) explores how Black writers and performers reimagined folk forms through the lens of the unruly―that which cannot be easily governed, disciplined, or managed. Drawing on a transnational and multilingual archive―from Harlem to Havana, from the Panama Canal Zone to Port-au-Prince―Owens considers the short stories of Eric Walrond and Jean Toomer; the ethnographies of Zora Neale Hurston and Jean Price-Mars; the recited poetry of Langston Hughes, Nicolás Guillén, and Eusebia Cosme; and the essays, dance work, and radio plays of Sylvia Wynter. Owens shows how these figures depict folk culture―and Blackness itself―as a site of disruption, ambiguity, and flux. Their works reveal how Black people contribute to the stirrings of modernity while being excluded from its promises. Ultimately, these works do not seek to render folk culture more knowable or worthy of assimilation, but instead provide new forms of radical world-making. Omari Averette-Phillips is a doctoral student in the Department of History at UC Davis. He can be reached at omariaverette@gmail.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

In the first half of the twentieth century, Black hemispheric culture grappled with the legacies of colonialism, U.S. empire, and Jim Crow. As writers and performers sought to convey the terror and the beauty of Black life under oppressive conditions, they increasingly turned to the labor, movement, speech, sound, and ritual of everyday “folk.” Many critics have perceived these representations of folk culture as efforts to reclaim an authentic past. Imani D. Owens recasts Black creators' relationship to folk culture, emphasizing their formal and stylistic innovations and experiments in self-invention that reach beyond the local to the world. Turn the World Upside Down: Empire and Unruly Forms of Black Folk Culture in the U.S. and Caribbean (Columbia UP, 2023) explores how Black writers and performers reimagined folk forms through the lens of the unruly―that which cannot be easily governed, disciplined, or managed. Drawing on a transnational and multilingual archive―from Harlem to Havana, from the Panama Canal Zone to Port-au-Prince―Owens considers the short stories of Eric Walrond and Jean Toomer; the ethnographies of Zora Neale Hurston and Jean Price-Mars; the recited poetry of Langston Hughes, Nicolás Guillén, and Eusebia Cosme; and the essays, dance work, and radio plays of Sylvia Wynter. Owens shows how these figures depict folk culture―and Blackness itself―as a site of disruption, ambiguity, and flux. Their works reveal how Black people contribute to the stirrings of modernity while being excluded from its promises. Ultimately, these works do not seek to render folk culture more knowable or worthy of assimilation, but instead provide new forms of radical world-making. Omari Averette-Phillips is a doctoral student in the Department of History at UC Davis. He can be reached at omariaverette@gmail.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In the first half of the twentieth century, Black hemispheric culture grappled with the legacies of colonialism, U.S. empire, and Jim Crow. As writers and performers sought to convey the terror and the beauty of Black life under oppressive conditions, they increasingly turned to the labor, movement, speech, sound, and ritual of everyday “folk.” Many critics have perceived these representations of folk culture as efforts to reclaim an authentic past. Imani D. Owens recasts Black creators' relationship to folk culture, emphasizing their formal and stylistic innovations and experiments in self-invention that reach beyond the local to the world. Turn the World Upside Down: Empire and Unruly Forms of Black Folk Culture in the U.S. and Caribbean (Columbia UP, 2023) explores how Black writers and performers reimagined folk forms through the lens of the unruly―that which cannot be easily governed, disciplined, or managed. Drawing on a transnational and multilingual archive―from Harlem to Havana, from the Panama Canal Zone to Port-au-Prince―Owens considers the short stories of Eric Walrond and Jean Toomer; the ethnographies of Zora Neale Hurston and Jean Price-Mars; the recited poetry of Langston Hughes, Nicolás Guillén, and Eusebia Cosme; and the essays, dance work, and radio plays of Sylvia Wynter. Owens shows how these figures depict folk culture―and Blackness itself―as a site of disruption, ambiguity, and flux. Their works reveal how Black people contribute to the stirrings of modernity while being excluded from its promises. Ultimately, these works do not seek to render folk culture more knowable or worthy of assimilation, but instead provide new forms of radical world-making. Omari Averette-Phillips is a doctoral student in the Department of History at UC Davis. He can be reached at omariaverette@gmail.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

In the first half of the twentieth century, Black hemispheric culture grappled with the legacies of colonialism, U.S. empire, and Jim Crow. As writers and performers sought to convey the terror and the beauty of Black life under oppressive conditions, they increasingly turned to the labor, movement, speech, sound, and ritual of everyday “folk.” Many critics have perceived these representations of folk culture as efforts to reclaim an authentic past. Imani D. Owens recasts Black creators' relationship to folk culture, emphasizing their formal and stylistic innovations and experiments in self-invention that reach beyond the local to the world. Turn the World Upside Down: Empire and Unruly Forms of Black Folk Culture in the U.S. and Caribbean (Columbia UP, 2023) explores how Black writers and performers reimagined folk forms through the lens of the unruly―that which cannot be easily governed, disciplined, or managed. Drawing on a transnational and multilingual archive―from Harlem to Havana, from the Panama Canal Zone to Port-au-Prince―Owens considers the short stories of Eric Walrond and Jean Toomer; the ethnographies of Zora Neale Hurston and Jean Price-Mars; the recited poetry of Langston Hughes, Nicolás Guillén, and Eusebia Cosme; and the essays, dance work, and radio plays of Sylvia Wynter. Owens shows how these figures depict folk culture―and Blackness itself―as a site of disruption, ambiguity, and flux. Their works reveal how Black people contribute to the stirrings of modernity while being excluded from its promises. Ultimately, these works do not seek to render folk culture more knowable or worthy of assimilation, but instead provide new forms of radical world-making. Omari Averette-Phillips is a doctoral student in the Department of History at UC Davis. He can be reached at omariaverette@gmail.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/caribbean-studies

In the first half of the twentieth century, Black hemispheric culture grappled with the legacies of colonialism, U.S. empire, and Jim Crow. As writers and performers sought to convey the terror and the beauty of Black life under oppressive conditions, they increasingly turned to the labor, movement, speech, sound, and ritual of everyday “folk.” Many critics have perceived these representations of folk culture as efforts to reclaim an authentic past. Imani D. Owens recasts Black creators' relationship to folk culture, emphasizing their formal and stylistic innovations and experiments in self-invention that reach beyond the local to the world. Turn the World Upside Down: Empire and Unruly Forms of Black Folk Culture in the U.S. and Caribbean (Columbia UP, 2023) explores how Black writers and performers reimagined folk forms through the lens of the unruly―that which cannot be easily governed, disciplined, or managed. Drawing on a transnational and multilingual archive―from Harlem to Havana, from the Panama Canal Zone to Port-au-Prince―Owens considers the short stories of Eric Walrond and Jean Toomer; the ethnographies of Zora Neale Hurston and Jean Price-Mars; the recited poetry of Langston Hughes, Nicolás Guillén, and Eusebia Cosme; and the essays, dance work, and radio plays of Sylvia Wynter. Owens shows how these figures depict folk culture―and Blackness itself―as a site of disruption, ambiguity, and flux. Their works reveal how Black people contribute to the stirrings of modernity while being excluded from its promises. Ultimately, these works do not seek to render folk culture more knowable or worthy of assimilation, but instead provide new forms of radical world-making. Omari Averette-Phillips is a doctoral student in the Department of History at UC Davis. He can be reached at omariaverette@gmail.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In the first half of the twentieth century, Black hemispheric culture grappled with the legacies of colonialism, U.S. empire, and Jim Crow. As writers and performers sought to convey the terror and the beauty of Black life under oppressive conditions, they increasingly turned to the labor, movement, speech, sound, and ritual of everyday “folk.” Many critics have perceived these representations of folk culture as efforts to reclaim an authentic past. Imani D. Owens recasts Black creators' relationship to folk culture, emphasizing their formal and stylistic innovations and experiments in self-invention that reach beyond the local to the world. Turn the World Upside Down: Empire and Unruly Forms of Black Folk Culture in the U.S. and Caribbean (Columbia UP, 2023) explores how Black writers and performers reimagined folk forms through the lens of the unruly―that which cannot be easily governed, disciplined, or managed. Drawing on a transnational and multilingual archive―from Harlem to Havana, from the Panama Canal Zone to Port-au-Prince―Owens considers the short stories of Eric Walrond and Jean Toomer; the ethnographies of Zora Neale Hurston and Jean Price-Mars; the recited poetry of Langston Hughes, Nicolás Guillén, and Eusebia Cosme; and the essays, dance work, and radio plays of Sylvia Wynter. Owens shows how these figures depict folk culture―and Blackness itself―as a site of disruption, ambiguity, and flux. Their works reveal how Black people contribute to the stirrings of modernity while being excluded from its promises. Ultimately, these works do not seek to render folk culture more knowable or worthy of assimilation, but instead provide new forms of radical world-making. Omari Averette-Phillips is a doctoral student in the Department of History at UC Davis. He can be reached at omariaverette@gmail.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

In the first half of the twentieth century, Black hemispheric culture grappled with the legacies of colonialism, U.S. empire, and Jim Crow. As writers and performers sought to convey the terror and the beauty of Black life under oppressive conditions, they increasingly turned to the labor, movement, speech, sound, and ritual of everyday “folk.” Many critics have perceived these representations of folk culture as efforts to reclaim an authentic past. Imani D. Owens recasts Black creators' relationship to folk culture, emphasizing their formal and stylistic innovations and experiments in self-invention that reach beyond the local to the world. Turn the World Upside Down: Empire and Unruly Forms of Black Folk Culture in the U.S. and Caribbean (Columbia UP, 2023) explores how Black writers and performers reimagined folk forms through the lens of the unruly―that which cannot be easily governed, disciplined, or managed. Drawing on a transnational and multilingual archive―from Harlem to Havana, from the Panama Canal Zone to Port-au-Prince―Owens considers the short stories of Eric Walrond and Jean Toomer; the ethnographies of Zora Neale Hurston and Jean Price-Mars; the recited poetry of Langston Hughes, Nicolás Guillén, and Eusebia Cosme; and the essays, dance work, and radio plays of Sylvia Wynter. Owens shows how these figures depict folk culture―and Blackness itself―as a site of disruption, ambiguity, and flux. Their works reveal how Black people contribute to the stirrings of modernity while being excluded from its promises. Ultimately, these works do not seek to render folk culture more knowable or worthy of assimilation, but instead provide new forms of radical world-making. Omari Averette-Phillips is a doctoral student in the Department of History at UC Davis. He can be reached at omariaverette@gmail.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

In the first half of the twentieth century, Black hemispheric culture grappled with the legacies of colonialism, U.S. empire, and Jim Crow. As writers and performers sought to convey the terror and the beauty of Black life under oppressive conditions, they increasingly turned to the labor, movement, speech, sound, and ritual of everyday “folk.” Many critics have perceived these representations of folk culture as efforts to reclaim an authentic past. Imani D. Owens recasts Black creators' relationship to folk culture, emphasizing their formal and stylistic innovations and experiments in self-invention that reach beyond the local to the world. Turn the World Upside Down: Empire and Unruly Forms of Black Folk Culture in the U.S. and Caribbean (Columbia UP, 2023) explores how Black writers and performers reimagined folk forms through the lens of the unruly―that which cannot be easily governed, disciplined, or managed. Drawing on a transnational and multilingual archive―from Harlem to Havana, from the Panama Canal Zone to Port-au-Prince―Owens considers the short stories of Eric Walrond and Jean Toomer; the ethnographies of Zora Neale Hurston and Jean Price-Mars; the recited poetry of Langston Hughes, Nicolás Guillén, and Eusebia Cosme; and the essays, dance work, and radio plays of Sylvia Wynter. Owens shows how these figures depict folk culture―and Blackness itself―as a site of disruption, ambiguity, and flux. Their works reveal how Black people contribute to the stirrings of modernity while being excluded from its promises. Ultimately, these works do not seek to render folk culture more knowable or worthy of assimilation, but instead provide new forms of radical world-making. Omari Averette-Phillips is a doctoral student in the Department of History at UC Davis. He can be reached at omariaverette@gmail.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/folkore

In the first half of the twentieth century, Black hemispheric culture grappled with the legacies of colonialism, U.S. empire, and Jim Crow. As writers and performers sought to convey the terror and the beauty of Black life under oppressive conditions, they increasingly turned to the labor, movement, speech, sound, and ritual of everyday “folk.” Many critics have perceived these representations of folk culture as efforts to reclaim an authentic past. Imani D. Owens recasts Black creators' relationship to folk culture, emphasizing their formal and stylistic innovations and experiments in self-invention that reach beyond the local to the world. Turn the World Upside Down: Empire and Unruly Forms of Black Folk Culture in the U.S. and Caribbean (Columbia UP, 2023) explores how Black writers and performers reimagined folk forms through the lens of the unruly―that which cannot be easily governed, disciplined, or managed. Drawing on a transnational and multilingual archive―from Harlem to Havana, from the Panama Canal Zone to Port-au-Prince―Owens considers the short stories of Eric Walrond and Jean Toomer; the ethnographies of Zora Neale Hurston and Jean Price-Mars; the recited poetry of Langston Hughes, Nicolás Guillén, and Eusebia Cosme; and the essays, dance work, and radio plays of Sylvia Wynter. Owens shows how these figures depict folk culture―and Blackness itself―as a site of disruption, ambiguity, and flux. Their works reveal how Black people contribute to the stirrings of modernity while being excluded from its promises. Ultimately, these works do not seek to render folk culture more knowable or worthy of assimilation, but instead provide new forms of radical world-making. Omari Averette-Phillips is a doctoral student in the Department of History at UC Davis. He can be reached at omariaverette@gmail.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

In the first half of the twentieth century, Black hemispheric culture grappled with the legacies of colonialism, U.S. empire, and Jim Crow. As writers and performers sought to convey the terror and the beauty of Black life under oppressive conditions, they increasingly turned to the labor, movement, speech, sound, and ritual of everyday “folk.” Many critics have perceived these representations of folk culture as efforts to reclaim an authentic past. Imani D. Owens recasts Black creators' relationship to folk culture, emphasizing their formal and stylistic innovations and experiments in self-invention that reach beyond the local to the world. Turn the World Upside Down: Empire and Unruly Forms of Black Folk Culture in the U.S. and Caribbean (Columbia UP, 2023) explores how Black writers and performers reimagined folk forms through the lens of the unruly―that which cannot be easily governed, disciplined, or managed. Drawing on a transnational and multilingual archive―from Harlem to Havana, from the Panama Canal Zone to Port-au-Prince―Owens considers the short stories of Eric Walrond and Jean Toomer; the ethnographies of Zora Neale Hurston and Jean Price-Mars; the recited poetry of Langston Hughes, Nicolás Guillén, and Eusebia Cosme; and the essays, dance work, and radio plays of Sylvia Wynter. Owens shows how these figures depict folk culture―and Blackness itself―as a site of disruption, ambiguity, and flux. Their works reveal how Black people contribute to the stirrings of modernity while being excluded from its promises. Ultimately, these works do not seek to render folk culture more knowable or worthy of assimilation, but instead provide new forms of radical world-making. Omari Averette-Phillips is a doctoral student in the Department of History at UC Davis. He can be reached at omariaverette@gmail.com.

This is the conclusion of our 2-part conversation with Michael Hardt on his recently published book The Subversive Seventies. Part 1 is here. In this conversation we talk about the turn among management and the ruling class in the 1970's away from a politics of mediation and discuss the various ways that movements in the 1970's sought to deal with this shift in the political terrain. We talk about the false problem of the so-called debate between non-violence and violence. We discuss various movements including East Asian Anti-Japan Armed Front, Weather Underground, The Black Panther Party, and the Fatsa Commune.  A reminder that this conversation - like part 1 - was recorded in September and this is why we con't reference some more recent events like the Palestinian resistance and Israel's western backed genocidal war on Palestinians.  We also have a little bit of a discussion of Hardt's use of the notion of strategic multiplicity and the idea of non-priority between different forms of oppression within movements.  Lastly I know I acknowledged it last time, but I do mention Sekou Odinga in this episode, who as you all know passed away just recently. Again may he rest in power. For the month of January we've released three livestreams on our YouTube page. One with Josh Davidson and Eric King on Rattling the Cages: Oral Histories of North American Political Prisoners. Another is a wide-ranging discussion with Abdaljawad Omar on The Making of Palestinian Resistance and a conversation with Louis Allday on the debut issue of Ebb Magazine he edited, entitled “For Palestine.” Also on Sunday the 21st we have a livestream with Shireen Al-Adeimi on Yemen. Make sure you subscribe to our YouTube channel to follow our work there. We are just winding down our Sylvia Wynter study group and a new study group will be launching in February so keep an eye out for that.  The best way to support the show, to stay updated on our study groups, follow any writings Josh or I may publish, and keep track of our work on both YouTube and our audio podcast feed is to become a patron of the show. You can join that for as little as $1 a month or $10.80 per year at patreon.com/millennialsarekillingcapitalism.     

Luciana Parisi has produced some of the 21st century's most daring and bold work in the theories of cybernetics, information, and computation. Her work has had a major impact on both Marek and Roberto's artistic practices, specifically her early work in the inorganic components of human reproduction. Just a brief content note — we mention some complex topics including consent and suicide at the top of the pod, specifically in the context of David Marriott's concept of “Revolutionary Suicide”. These concepts are not extensively discussed throughout, but are nonetheless heavy topics. We strongly recommend three texts in parallel with this conversation:Probably Marek's favorite piece of theory: Abstract Sex: Philosophy, Biotechnology and the Mutations of DesireA book more specifically scoped to the subject of this conversation, which attacks the biophysicalist metaphors at the ground of how AI research markets itself: Contagious Architecture: Computation, Aesthetics, and SpaceThe essay: The Alien Subject of AI.Some references from the conversation that are likely interesting to any listener:If you haven't read Octavia Butler's Xenogenesis (renamed Lilith's Brood), we strongly recommend these amazing pieces of science fiction.If you're unfamiliar with the CCRU, play around on the CCRU website and buy this unhinged compendium from our friends at Urbanomic (they have a super sexy new edition just out now). If you haven't read Sadie Plant's Zeroes + Ones: Digital Women and the New Technoculture, it's seriously an essential read if you're interested in computation.We briefly make fun of the feature film “The Creator”, which it looks like you can stream on major platforms. We mention this in the context of Delueze and Guattari's “War Machine” — we recommend their “Nomadology: The War Machine” (if you follow Marek on Instagram, you'll note that he's obsessed with the exteriority of war machines from the state).When we start to talk about information theory, Luciana mentions Claude Shannon (one of the fathers of modern information theory), Cecile Malaspina (“An Epistemology of Noise”), and Karen Barad (“What is the Measure of Nothingness?”).Francois Laruelle is a major influence to Luciana here, in her chapter in Choreomata, and elsewhere. His corpus of work is famously intractable, but her chapter in Choreomata is a good way in.Luciana mentions Holly Herndon's work (we strongly recommend Holly+ and https://haveibeentrained.com/, alongside her and Mat Dryhurst's podcast, which was a huge inspiration to us when starting Disintegrator).Everyone should read Hito Steyerl's work “Mean Images” on NLR as they should Sylvia Wynter's “Towards the Autopoetic Turn/Overturn, its Autonomy of Human Agency and Extraterritoriality of (Self-)Cognition”.

In this episode Steven Osuna returns to the podcast. Steven Osuna is an associate professor of Sociology at CSU Long Beach. He has written extensively on street organizations, policing, the so-called war on drugs, and the ravages of capitalism and neoliberalism. He also has experience organizing in the Philippine solidarity movement and other struggles.  Shout-out and solidarity to all of the Cal State University faculty as I know have been on rolling strikes and are negotiating  their new contracts currently. In this conversation Osuna talks to us about Mao's speech & essay “On the Correct Handling of Contradictions Among the People.” This is a part of our series of episodes with guests where they pick a piece of communist, socialist or other radical thought and we read it as well and we come together and we talk about it.  This conversation was recorded back in August, so you won't hear references to the current struggle in Palestine or other current events, but this discussion is relevant as always to organizing among the people and so it is relevant to today nonetheless.  Thanks again to Steven Osuna for this conversation. We'll include links in the show notes to the Philippine solidarity campaigns he uplifted as well as the Foreign Languages Press website and their journal new Material. Also once again we do have a Sylvia Wynter study group coming up. That is for patrons or YouTube members only. It will be Wednesdays at 7:30 PM ET during the month of January. You can become a patron of the show for as little as $1 a month and support our work at patreon.com/millennialsarekillingcapitalism   Philipine Human Rights Act International Coalition for Human Rights in the Phillippines  Foreign Languages Press & their new journal "Material" ; 

In this episode we welcome Abdaljawad Omar back to the podcast. This is another slightly edited livestream that we've converted to an audio podcast. You can check out the video on our YouTube channel, we'll put that link in the show notes. And Also just to note that we've continued to put lots of content out there, including an interview with Boots Riley from The Coup also the director and creator of the film Sorry To Bother You and the hit series I'm A Virgo. We talked to him about labor organizing, the strike wave, solidarity with Palestine and getting principled anticapitalist art through the gauntlet that is Hollywood.  I really wanted to get an audio version of this episode with Abdaljawad out this week. Many will know that Refaat Alareer was assassinated this week by the Israeli military. And while we don't talk about Refaat in this conversation directly, I needed to go back and listen again to Abdaljawad's commentary on resistance and on mourning and melancholy in the Palestinian context. I hope that this conversation will be therapeutic for others in a way that enables you to continue to put one foot in front of the other and continue to struggle and resist in whatever capacity you can. And in doing so I hope that we can honor Refaat memory and all of the thousands of other martyrs as we continue to seek to find courageous ways support the struggle for Palestinian liberation, which is an important front in the struggle for the liberation of all people.  Just a note this conversation was recorded back on November 30th amid the prisoner exchanges, so if that portion of the conversation where we discuss that feels a bit dated that is the reason why, but it still feels like an important and pertinent discussion nonetheless. We will include the pieces we discussed in the show notes. Lastly I will say that we are launching our Sylvia Wynter study group in the beginning of January you can find out more about that on patreon, and becoming a patron is the best way to support the show, but also to keep up with all of our episodes whether they are released first on YouTube or via this podcast feed.  Links: "Can the Palestinian Mourn?" - Abdaljawad Omar's piece (the primary subject of discussion) Judith Butler "The Compass of Mourning" (the piece Abdaljawad responds to) Fundraiser for Sekou Odinga (mentioned in episode) 'Army and Arabs': truth, play, and illusions in the West Bank (another piece written by Abdaljawad that we briefly touch upon)

Sylvia Wynter offers a bold and provocative assessment of the role of the humanities in understanding humankind.

In episode five of Faculty Spotlight, Lauren and Mark sit down with Joseph Earl Thomas, BISR faculty and author the acclaimed memoir Sink. The three discuss: memoir-writing and the art of "un-knowing" writing; literary realism in the 21st century; having, or faking, a "world picture"; how, with Sylvia Wynter, we can think trans-culturally; Gayl Jones and the art of literary maximalism (and why it's not just for "white boys"); why "resignification" can't change the material world; and what it's like to live, work, and think in Philadelphia.

Follow The Present Stage on Instagram at @thepresentstageThe Present Stage: Conversations with Theater Writers is hosted by Dan Rubins, a theater critic for Slant Magazine. You can also find Dan's reviews on Cast Album Reviews  and in The New Yorker's Briefly Noted column.Bernarda's Daughters is playing off-Broadway at The Pershing  Square Signature Center, a co-production of The New Group and National Black Theatre. Find out more at www.thenewgroup.org. To learn more about Diane Exavier's inspirations for Bernarda's Daughters, check out https://bernardasdaughters.club/.If you'd like to learn more about Hear Your Song and how to support empowering youth with serious illnesses to make their voices heard though songwriting, please visit www.hearyoursong.org Follow The Present Stage on Instagram at @thepresentstageThe Present Stage: Conversations with Theater Writers is hosted by Dan Rubins, a theater critic for Slant Magazine. You can also find Dan's reviews on Cast Album Reviews and in The New Yorker's Briefly Noted column.The Present Stage supports the national nonprofit Hear Your Song. If you'd like to learn more about Hear Your Song and how to support empowering youth with serious illnesses to make their voices heard though songwriting, please visit www.hearyoursong.org

Alexis Pauline Gumbs joins Windham-Campbell Prizes director Michael Kelleher to talk about the beauty of Audre Lorde's poetry and why more people should know her as a poet as well as an essayist. READING LIST: The Black Unicorn by Audre Lorde Sister Outsider by Audre Lorde The Second Sex by Simone de Beauvoir Broadside Press "A Supermarket in California!" by Allen Ginsberg For a full episode transcript, click here. Born in Summit, New Jersey in 1982, Alexis Pauline Gumbs is an activist, critic, poet, scholar, and educator. A self-described “Queer Black Troublemaker and Black Feminist Love Evangelist,” Gumbs uses hybrid forms to re-envision old narratives and engage with the history of Black intellectual-imaginative work. Her four books of prose-poetry include Dub: Finding Ceremony (2020), Undrowned (2020), M Archive (2018), and Spill: Scenes of Black Feminist Fugitivity (2016). Dub, M Archive, and Spill form a kind of triptych, each engaging with the work of a Black woman theorist: Sylvia Wynter in Dub; M. Jacqui Alexander in M Archive; and Hortense Spillers in Spill. In all her work, Gumbs raises the stakes of literature within and beyond the page. She is a people's poet, awake to the form's capacity to imagine alternative worlds, across and through time. Her worldview is capacious and paradigm-shifting, speaking to urgent realities with exuberant love, and inviting activists, artists, and readers alike to join in her participatory presentations. A graduate of Barnard College and Duke University, Gumbs is also the recipient of a National Endowment for the Arts Fellowship (2022), a Whiting Award (2022), and a National Humanities Center Fellowship (2020). She lives in Durham, North Carolina, and is currently at work on a biography of Audre Lorde. The Windham-Campbell Prizes Podcast is a program of The Windham-Campbell Prizes, which are administered by Yale University Library's Beinecke Rare Book and Manuscript Library.

This is part one of a two part conversation with Felicia Denaud. Felicia Denaud is a writer, poet, and professor of Africana Studies at the University of Cincinnati. She writes, in the words of Sylvia Wynter, toward the end of empire, war, and accumulation by elimination. She's listens, in the words of Dhoruba bin Wahad for “the last of the loud.” In this part of the discussion we get into Denaud's work around two key and very interesting concepts within her work. One she describes as the “Unnameable War,” and the other the “Master-State Complex.” We also begin to talk about the piece that spurred this conversation, Denaud's recent essay “Into The Clear, Unreal, Idyllic Light of the Beginning | A Will of the Night,” which was published by The Caribbean Philosophical Association. In our discussion of that essay here we ask Denaud about what she draws from revolutionary Grenada and Safiya Bukhari. And we close this part of the discussion with Denaud sharing some of the areas of Haitian history that are not examined and appreciated with the care and inquiry they should be if we truly have a dedication to defending revolutions. Felicia wanted us to highlight the fundraising campaign for Lawrence Jenkins, an incarcerated abolitionist who will be coming home soon in Washington state and the campaign to Free the Pendleton 2. We will include links to both of those campaigns . And as always if you appreciate the work that we do bringing you conversations like this on a weekly basis, please become a patron of the show. You can do so for as little as $1 a month, our work is only possible through - and only funded by - the support of listeners just like you. Support at patreon.com/millennialsarekillingcapitalism Part two of this conversation with Felicia Denaud will be released this coming week. Links: Lawrence Jenkins Campaign to Free the Pendleton 2 // Our episode on this struggle “Into The Clear, Unreal, Idyllic Light of the Beginning | A Will of the Night" ­­­­­­­"we've barely begun to speak/scream/sing: on frankétienne's dézafi" Renegade Gestation: Writing Against the Procedures of Intellectual History 

Joshua Myers considers the work of thinkers who broke with the racial and colonial logic of academic disciplinarity and how the ideas of Black intellectuals created different ways of thinking and knowing in their pursuit of conceptual and epistemological freedom. Bookended by meditations with June Jordan and Toni Cade Bambara, Of Black Study (Pluto Press, 2023) focuses on how W.E.B. Du Bois, Sylvia Wynter, Jacob Carruthers, and Cedric Robinson contributed to Black Studies approaches to knowledge production within and beyond Western structures of knowledge. Of Black Study is especially geared toward understanding the contemporary evolution of Black Studies in the neoliberal university and allows us to consider the stakes of intellectual freedom and the path toward a new world. Omari Averette-Phillips is a graduate student in the department of History at UC Davis. He can be reached at omariaverette@gmail.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Joshua Myers considers the work of thinkers who broke with the racial and colonial logic of academic disciplinarity and how the ideas of Black intellectuals created different ways of thinking and knowing in their pursuit of conceptual and epistemological freedom. Bookended by meditations with June Jordan and Toni Cade Bambara, Of Black Study (Pluto Press, 2023) focuses on how W.E.B. Du Bois, Sylvia Wynter, Jacob Carruthers, and Cedric Robinson contributed to Black Studies approaches to knowledge production within and beyond Western structures of knowledge. Of Black Study is especially geared toward understanding the contemporary evolution of Black Studies in the neoliberal university and allows us to consider the stakes of intellectual freedom and the path toward a new world. Omari Averette-Phillips is a graduate student in the department of History at UC Davis. He can be reached at omariaverette@gmail.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

Covering Part 4 of Alain Badiou's Being and Event, described through the expression “On the Edge of the Void,” Alex and Andrew cover the event, history, and the contradictory hypotheses of the ultra-one (the necessity of the event) and the being of non-being (the necessity of the decision). Guest Elisabeth Paquette identifies limits to universality from Badiou's Marxist legacy and suggests Afro-Caribbean approaches to emancipation through difference. Paquette is a professor of Women's and Gender Studies and Philosophy at the University of North Carolina at Charlotte. She is the author of Universal Emancipation: Race Beyond Badiou and is currently working on a book on Sylvia Wynter. Concepts related to the Edge of the Void Being Qua Being through (1) a Presentation of the Multiple, (2) the Void as the Proper Name of Being, (3) Representation as the Excess of the State of a Situation, (4) Nature as Normal, and (5) Infinity that Expands Beyond the Limit, History as an Alternative to Nature, Singular Multiplicities, Edge of the Void, Site of the State and Evental Site, Axiom of Foundation, The Subject Who Makes a Decision, The Matheme of the Event, Contradictory Hypotheses of the Event, the Standpoint of the Undecidable, Event as External to Ontology Interview with Elisabeth Paquette Badiou's Saint Paul, System Thinking, Sara Ahmed, Audre Lorde, Critiques of Marxism, Frantz Fanon and Aimé Césiare, Leon Trotsky and Whiteness, Universal, Difference, Sexual Difference, Subtraction, Sylvia Wynter, CLR James, Édouard Glissant. Links Paquette profile, https://pages.charlotte.edu/elisabethpaquette/ Paquette papers, https://uncc.academia.edu/ElisabethPaquette Paquette, Universal Emancipation: Race Beyond Badiou, https://www.upress.umn.edu/book-division/books/universal-emancipation

Joshua Myers considers the work of thinkers who broke with the racial and colonial logic of academic disciplinarity and how the ideas of Black intellectuals created different ways of thinking and knowing in their pursuit of conceptual and epistemological freedom. Bookended by meditations with June Jordan and Toni Cade Bambara, Of Black Study (Pluto Press, 2023) focuses on how W.E.B. Du Bois, Sylvia Wynter, Jacob Carruthers, and Cedric Robinson contributed to Black Studies approaches to knowledge production within and beyond Western structures of knowledge. Of Black Study is especially geared toward understanding the contemporary evolution of Black Studies in the neoliberal university and allows us to consider the stakes of intellectual freedom and the path toward a new world. Omari Averette-Phillips is a graduate student in the department of History at UC Davis. He can be reached at omariaverette@gmail.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Joshua Myers considers the work of thinkers who broke with the racial and colonial logic of academic disciplinarity and how the ideas of Black intellectuals created different ways of thinking and knowing in their pursuit of conceptual and epistemological freedom. Bookended by meditations with June Jordan and Toni Cade Bambara, Of Black Study (Pluto Press, 2023) focuses on how W.E.B. Du Bois, Sylvia Wynter, Jacob Carruthers, and Cedric Robinson contributed to Black Studies approaches to knowledge production within and beyond Western structures of knowledge. Of Black Study is especially geared toward understanding the contemporary evolution of Black Studies in the neoliberal university and allows us to consider the stakes of intellectual freedom and the path toward a new world. Omari Averette-Phillips is a graduate student in the department of History at UC Davis. He can be reached at omariaverette@gmail.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Joshua Myers considers the work of thinkers who broke with the racial and colonial logic of academic disciplinarity and how the ideas of Black intellectuals created different ways of thinking and knowing in their pursuit of conceptual and epistemological freedom. Bookended by meditations with June Jordan and Toni Cade Bambara, Of Black Study (Pluto Press, 2023) focuses on how W.E.B. Du Bois, Sylvia Wynter, Jacob Carruthers, and Cedric Robinson contributed to Black Studies approaches to knowledge production within and beyond Western structures of knowledge. Of Black Study is especially geared toward understanding the contemporary evolution of Black Studies in the neoliberal university and allows us to consider the stakes of intellectual freedom and the path toward a new world. Omari Averette-Phillips is a graduate student in the department of History at UC Davis. He can be reached at omariaverette@gmail.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

This is the second half of our conversation with Joshua Myers on his latest book Of Black Study. In part one we covered Myers' goals for the project and the selection of thinkers he includes. We also reviewed in some detail his chapters on W.E.B. Du Bois and Sylvia Wynter, as well as his inclusion of June Jordan and Toni Cade Bambara. In this part of the discussion we focus on the interventions of Jacob Carruthers and Cedric Robinson, who Myers often places in dialogue with one another. We talk about Carruthers work toward an African historiography, and around language and African Deep Thought, going into the terms mdw ntr and whm msw and talking a bit about their meaning and importance and conceptual relevance to the Black Radical Tradition and revolutionary possibility.  Because we have two other discussions with Myers on Cedric Robinson, both of which go more in-depth on Black Marxism and Robinson's interventions there, we focused this time on Myers work around Terms of Order and An Anthropology of Marxism. Myers closes with a reflection on the inability of the western university to accommodate radical thought in general, and Black radical thought in particular, except as a means to discipline and control it, leaving open questions of where Black Study must go from here.  We again want to thank Pluto Press for donating copies for our reading group of incarcerated folks which we support along with Massive Bookshop and Prisons Kill. This book comes out Friday on Pluto Press, so make sure to pre-order your copy or pick it up from your favorite radical bookstore.  Shout-out to all the folks who are patrons of our show and support the work we do bringing you conversations like this. You can join them and become a patron of the show for as little as $1 a month or $10.80 per year at patreon.com/millennialsarekillingcapitalism  The discussion with Harold Cruse referenced in the episode. Our first interview with Joshua Myers (on Cedric Robinson) Our second interview with Joshua Myers (on his biography of Cedric Robinson) Our interviews with authors and editors of the Black Critique series     

This is part one of a two part conversation with Joshua Myers on his latest book Of Black Study.  In Of Black Study Joshua Myers examines the work of W.E.B. Du Bois, Sylvia Wynter, Jacob Carruthers and Cedric Robinson as well as June Jordan and Toni Cade Bambara, and what each contributed to Black Studies approaches to knowledge production within and beyond Western structures of knowledge.  In this part of our two conversation on this book, Professor Myers talks about the selection of the six thinkers he centers the book around, and the type of project he is engaged in with the text. We also spend about an hour talking about two of the books chapters, the one centered around the interventions of W.E.B. Du Bois and Sylvia Wynter, as well as looking at each of their relationships to Marxist thought and analytical approaches, and their relationships to science, the humanities and academic disciplinary traditions. As well as what each of them finds among the Black masses and how what they finds there influences their work. Of Black Study is a new release from the Black Critique series on Pluto Press. This is our third conversation with Joshua Myers, both of our previous two have been discussions centered around Cedric Robinson. We have also done a number of discussions with authors and editors of the Black Critique series over the years, including discussions with Lorenzo Kom'boa Ervin, Bedour Alagraa, David Austin, and Michael Sawyer (links below). We strongly recommend this book, for anyone interested in Black Study and/or the critical interventions of the thinkers the book focuses on. It is an indispensable resource. it officially comes out later this week, but you can pre-order your copy now through Pluto Press or through our comrades over at Massive Bookshop. If you pre-order from Massive, 20% of the proceeds go to fund the abolitionist organization Project NIA. We've received word that Pluto Press will also be donating copies of this book to all the participants in the incarcerated study group that we support in partnership with Massive Bookshop and Prisons Kill. So we want to send a big shout-out to Pluto Press and Joshua Myers for that as well.  Part two - which focuses primarily on Myers' chapters on Jacob Carruthers and Cedric Robinson - will come out in the next couple of days.  As always if you like what we do, and want to support our ability to do it, you can become a patron of the show for as little as $1 a month at patreon.com/millennialsarekillingcapitalism. We have a goal of adding 31 patrons this month and currently we're at 13, so we're still working towards that goal.  Our first interview with Joshua Myers (on Cedric Robinson) Our second interview with Joshua Myers (on his biography of Cedric Robinson) Greg Thomas's interview of Sylvia Wynter from Proud Flesh  From Cooperation to Black Operation (Transversal Texts conversation with Harney & Moten)  Bedour Alagraa's Interview with Sylvia Wynter “What Will Be The Cure?”  Our interviews with authors and editors of the Black Critique series  Beyond Prisons interviews with Dr. Anthony Monteiro (first interview, second interview)    

In this episode Nicolene and Jana both need to talk through the research they are doing at the moment. Nicolene discusses her constant fascination with the grid in her painting works and wonders how it will morph to fit with what she is making now. From a data log to a meditation medium and now a tool to speak about political identity, the grid seems to follow her everywhere. How do we recognise the geographic realities that are so often positioned “off the grid”? Jana airs out some of her current research on anticolonial and feminist geography. She draws on Sylvia Wynter's work on humanism to explore connections between philosophy, place-making, and being human.

In this episode Claudia chats to Rachel Mundy about the concept “Sonic Specimen” they talk about the historical categorisation of sound illustrates some of the ways in which humans and animals have been hierarchically thought of. They touch on how this has shaped and is shaped by the institutional production of knowledge also hinting at the usefulness of related concepts like “animanities” and “translation”.  Date Recorded: 10 March 2022 Rachel Mundy is an Associate Professor of Music in the Arts, Culture and Media Program at Rutgers University. She is primarily concerned with the way animal musicality has defined modern notions of life and rights in a post-climate change world. For Rachel, this is an interdisciplinary question that brings musical science into conversation with Western beliefs about race, gender, nation, and other forms of difference. In a series of nationally-recognized books, articles, and public lectures, Rachel has explored these questions through cases that connect human rights to animal voices.  Find out more about Rachel on her university website or email her questions directly (rmm290@newark.rutgers.edu).  Claudia (Towne) Hirtenfelder is the founder and host of The Animal Turn. She is a PhD Candidate in Geography and Planning at Queen's University and is currently undertaking her own research project looking at the geographical and historical relationships between animals (specifically cows) and cities. She was recently awarded the AASA Award for Popular Communication for her work on the podcast. Contact Claudia via email (info@theanimalturnpodcast.com) or follow her on Twitter (@ClaudiaFTowne). Featured: Animal Musicalities: Birds, Beasts, and Evolutionary Listening by Rachel Mundy; Primate Visions: Gender, Race, and Nature in the World of Modern Science by Donna Haraway; Songs of the Humpback Whale by Roger Payne and the whales; On being human as praxis by Sylvia Wynter; The Life of Reason by George Santayana.The Animal Turn is part of the  iROAR, an Animals Podcasting Network and can also be found on A.P.P.L.E, Twitter, and Instagram Thank you to Animals in Philosophy, Politics, Law and Ethics (A.P.P.L.E) for sponsoring this podcast; the Sonic Arts Studio and the Sonic Arts of Place Laboratory (SAPLab) for sponsoring this season; Gordon Clarke (Instagram: @_con_sol_) for the bed music, Jeremy John (Website) for the logo, and Hannah Hunter for the Animal Highlight. 

Romy Opperman, Sylvia Wynter's Caribbean Critique by Centre for Ethics, University of Toronto

Continental philosopher and assistant professor of Philosophy and Women Gender Studies at the University of North Carolina, Elisabeth Paquette, joins Am Johal to speak about her latest book, Universal Emancipation: Race Beyond Badiou. Elisabeth speaks about some of her transformative moments as a continental philosopher, including an essential question posed to her by Paget Henry, and her experience joining the Black Lives Matter Charlotte Protests in 2016. Her and Am also speak about the important questions surrounding ideas of justice, how justice can be emancipatory, and the ways that states fail in enacting justice — due to its deep foundations upon race and culture. Elisabeth spends time critiquing Badiou's class-first philosophies that undermines possibilities for universality in the sense of race, and then discusses the histories of Marxism centering on whiteness and Eurocentric attitudes. She also speaks about the importance of positive conceptions of race, and draws from Sylvia Wynter to determine that true universal emancipation needs to be filled with the varied and particular knowledges of racialized folks. Full episode details: https://www.sfu.ca/vancity-office-community-engagement/below-the-radar-podcast/episodes/156-elisabeth-paquette.html Read the transcript: https://www.sfu.ca/vancity-office-community-engagement/below-the-radar-podcast/transcripts/156-elisabeth-paquette.html Resources: — Universal Emancipation: Race Beyond Badiou, by Elisabeth Paquette: https://www.abebooks.co.uk/Universal-Emancipation-Race-beyond-Badiou-Paquette/30926172047/bd — LGBTQ Staff and Faculty Caucus at UNC Charlotte: https://qtsfc.charlotte.edu/about-u — Decolonial Feminist Politics Workshop: https://decolonialthoughtworkshop.wordpress.com/ — Red Skin, White Masks by Glen Coulthard: https://www.upress.umn.edu/book-division/books/red-skin-white-masks — Glen Coulthard on Below the Radar: https://www.sfu.ca/vancity-office-community-engagement/below-the-radar-podcast/episodes/37-glen-coulthard.html — Black Skin, White Masks by Frantz Fanon: http://abahlali.org/files/__Black_Skin__White_Masks__Pluto_Classics_.pdf — Black Marxism by Cedric J. Robinson: https://uncpress.org/book/9780807848296/black-marxism/

kara lynch is a time-based artist living in the bronx, ny – born in the momentous year of 1968. kara completed the MFA in Visual Arts at the University of California, San Diego and has been a research fellow at the African and African Diaspora Studies Department, University of Texas Austin and the Academy of African Studies at Bayreuth University in Germany. She is an emerit@Professor of Video and Critical Studies at Hampshire College. In 2020 kara was awarded a Tulsa Artist Fellowship and joined Gallery of the Streets as a principled artist collaborator. Her art practice is re-memory, vision, and movement. It manifests as poetics, process, and conjures autonomy for Black and Indigenous people across Diaspora. Through low-fi, collective practice, and social intervention lynch explores aesthetic/political relationships between time + space. This artist's practice is vigilantly raced, classed, and gendered – Black, Queer and Feminist. Major projects include: ‘BlackRussians' – a feature documentary video, ‘The Outing' – a video travelogue, ‘MouhawalaOula' – a gender-bending trio performance for oriental dance, live video & saxophone; ‘We Travel the Space Ways: Black Imagination, Fragments and Diffractions'– an edited volume of Black Speculation; and the current project, ‘INVISIBLE' – an episodic, speculative, multi-site video/audio installation that excavates the terror and resilient beauty of the Black-Indigenous experience. Current explorations include: RuleReverse! a series of video interventions learning from Sylvia Wynter's Maskarade; "Come Prepared or Not At All" a series of drawings concerned with Black Towns and Futures. "Stories from the Core" a collaboration with Sarah and Maryam Ahmed; and Blues U - a bi-monthly radio show on radiocoyote.org/FM 90.1 Tulsa. Spy-boi_prelude_RuleReverse! - still from performance September 2020/Greenwood Ave Tulsa, Indian Territory SAVED [episode 03 of Invisible] postcard 2008/2013

In this episode of Assembly, Zac and Amaryah talk with Anthony Paul Smith about his Contending Modernities piece, Provincializing Theodicy. Drawing on Sylvia Wynter, Fanon, Laruelle, and others, Smith discusses the relationship between this piece and his forthcoming work on theodicy, the function of theodicy in contemporary culture, and theodicy and state of the university.

In this episode of Assembly, Zac and Amaryah talk with Anthony Paul Smith about his Contending Modernities piece, Provincializing Theodicy. Drawing on Sylvia Wynter, Fanon, Laruelle, and others, Smith discusses the relationship between this piece and his forthcoming work on theodicy, the function of theodicy in contemporary culture, and theodicy and state of the university.

This episode explores the political and ethical dimensions of the category of “citizen”. In anticipation of his soon-to-be-released book Beyond Civil Disobedience: Social Nullification and Black Citizenship (August, 2021), Charles sits down in the captain's "hot" seat for this episode's discussion of the limits of citizenship, the failure of the state, and the construction of new categories of political, social and civic identity. Millions of people have taken to the streets in protest over the last decade. What are the questions those citizens are asking about the failures of their government? What do these protests say about how we think about the relationship between individuals and their communities, and the relationship of those communities to the State? How can we develop a more robust conception of engaged, healthy, responsible, and critical citizenship?"The people who are protesting have an amazing, although critical, view of the reality of citizenship, but they also have a very optimistic, idealistic sense of what citizenship should be. I think moving into the streets shows an amazing investment in what the society can be, an investment in trying to get the apparatuses of power to live up to the rhetoric of democracy and freedom and what it means to be a citizen in this type of state."= Charles F. PetersonFull episode notes available at this link.

One small correction: In the podcast, I say that the government of Philadelphia dropped two one-ton bombs on the members of MOVE. Professor Roane offered a more correct description, so I am updating it here. He notes, "they dropped 1 C4 bomb procured by the PPD from the FBI and then let it burn for more than an hour."The artwork in the episode is courtesy of Sauda Jackson and was made for me by her. The licensing agreements for use of Kevin McCloud's songs featured on this episode can be viewed at the Black and Country Facebook page.  

Harmony Holiday, a writer, dancer, and archivist, joins Nikita Gale and Alexander Provan to speak about Black performers whose songs and struggles reflect the ongoing trauma of the “African holocaust.” They discuss the pressure to pander to white audiences as well as the impulse to seek a form of expression (and of being) that is chosen and not imposed by force. They listen to songs written and recorded by Holiday's father, the soul singer Jimmy Holiday, as well as to Albert Ayler, Thelonious Monk, Billie Holiday, Amiri Baraka, and Kanye West.Holiday's essay “The Black Catatonic Scream,” a meditation on Black silence, was published by Triple Canopy last year. Her book of poems on the “African holocaust,” naming, and erasure, Maafa, is being published by Fence Books in 2021. Holiday is currently working on a biography of the singer Abbey Lincoln and a collection of essays, Love Is War for Miles.In this episode, Holiday, Gale, and Provan speak about Fred Moten's In the Break: The Aesthetics of the Black Radical Tradition (University of Minnesota Press, 2003); Édouard Glissant's The Poetics of Relation, trans. Betsy Wing (University of Michigan Press, 1997); the writer and cultural theorist Sylvia Wynter, whose work is the subject of Katherine McKittrick's Sylvia Wynter: On Being Human as Praxis (Duke University Press, 2014); Mack Hagood's Hush: Media and Sonic Self-Control (Duke University Press, 2019); Amiri Baraka, the poet, author, and luminary of the Black Arts Movement, about whom Holiday has often written.In order of appearance, the music and other recordings played on this episode are: Sonny Sharrock, “Black Woman” (feat. Linda Sharrock), Black Woman (Vortex Records, 1969); a concert by Kanye West as part of his Saint Pablo Tour, 2016; West's “Father Stretch My Hands, Pt. 1,” The Life of Pablo (Def Jam, 2016); Jimmy Holiday, “We Got a Good Thing Goin',” Turning Point (Minit, 1966); Ray Charles, “Somebody Ought to Write a Book About It” (ABC Records, 1967); Thelonious Monk, “You Took the Words Right Out of My Heart,” Thelonious Alone in San Francisco (Riverside, 1959), James Brown, “The Payback,” The Payback (Polydor, 1973); Billie Holiday and Her Orchestra, “A Sailboat in the Moonlight” (Vocalion, 1937); Amiri Baraka reading “Black Art” on Sonny Murray's Sonny's Time Now (Jihad Productions, 1965); Albert Ayler, “Ghosts (Variation 2),” Spiritual Unity (ESP-Disk, 1964); an advertisement for Beats by Dre headphones featuring Colin Kaepernick, 2013. The title of this episode is taken from Albert Ayler's Holy Ghost: Rare and Unissued Recordings (1962–70) (Revenant Records, 2004). Medium Rotation is produced by Alexander Provan with Andrew Leland, and edited by Provan with Matt Frassica. Tashi Wada composed the theme music. Matt Mehlan acted as the audio engineer and contributed additional music.Medium Rotation is made possible through generous contributions from the Andy Warhol Foundation for the Visual Arts and Nicholas Harteau. This season of Medium Rotation is part of Triple Canopy's twenty-sixth issue, Two Ears and One Mouth, which receives support from the Stolbun Collection, the Shelley & Donald Rubin Foundation, Agnes Gund, the National Endowment for the Arts, the New York State Council on the Arts, and the New York City Department of Cultural Affairs in partnership with the City Council.

CW: brief discussion of sexual violence In which Ethan and Jo talk about what Ethan's reading in class, including some history on the religion of enslaved people in the United States and the writing of Sylvia Wynter. Jo shouts out Sister Outsider by Audre Lorde (which would have been really important to bring into this conversation, if she had tried) and The Fire Next Time by James Baldwin. She also shouts out this episode of the The Wintering Sessions with Katherine May. Feeling sympathy pains for that grad school/funemployment life? Support us on Patreon: https://www.patreon.com/wthiap. Have thoughts about what we said, want to send us a reading list, or, apparently, give us ideas about Patreon tiers? Email us at wtheckisapastor@gmail.com. Like Twitter? We do too, we guess. Find us under the handle @wthisapastor. And follow us and our larger network, Disruptive Disciples, on facebook: https://www.facebook.com/DisruptiveDisciples/.

Today, Carli speaks with Dr. Elisabeth Paquette (she/her) who is an Assistant Professor of Philosophy and Women's and Gender Studies at the University of North Carolina at Charlotte. She works at the intersection of social and political philosophy, feminist philosophy, and decolonial theory. Her book, titled Universal Emancipation: Race beyond Badiou (University of Minnesota Press, 2020), engages French political theorist Alain Badiou's discussion of Négritude and the Haitian Revolution to develop a nuanced critique of his theory of emancipation. Currently, she is working on a monograph on the writings of decolonial theorist Sylvia Wynter. Her publications can be found in the following journals: Badiou Studies; Philosophy Today; Radical Philosophy Review; Hypatia; philoSOPHIA; and Philosophy Compass. Topics of discussion include engaging with decolonial texts, Dr. Paquette's Feminist Decolonial Workshop, and her book Universal Emancipation: Race beyond Badiou. We also discuss her upcoming book on Sylvia Wynter, which she is in the process of writing. You can find us on our website, Instagram, and Twitter. Featured Song: Unquiet Mind by Laurence (@laurencemusic992) --- Support this podcast: https://anchor.fm/unconventionaldyad/support

The notion, assumption, and/or idea that the various peoples who were enslaved during the periods and processes of the solidification of the racial global economy that claims our ancestors were deprived of culture, strips of all associations with historical and ancestral groundings is a product of centering European historicity as the dominant expression of social, historical, political and epistemic knowledge systems. This argument is rooted in the fact that one of the most vibrant places to find the most articulate expressions of African/a humanity is in the way we resist injustice—inequity—violence. The way we conceptualize and engage in struggle against systems of oppression, the foundation of which is an advanced understanding of the praxis of being human. See everything Sylvia Wynter. African/a struggles operate on multiple and simultaneous levels of human existence. It always was, always will be a struggle to realize a world beyond. The material and nonmaterial praxis to balance forces seen and unseen. The science of African/a fighting arts…a commitment, conscious or unconscious, to embody resistance. Of becoming rebel. Building on the work of Dr. Kamu Rashid, I assert that of becoming rebel can be understood in the Swahili tradition as, “Harakati za Waasi”, translated as “Movement of Rebels”. For Dr. Rashid, it represents the tradition of radical resistance that is embedded in the history of Capoeira and other African Diasporic combat arts. These arts were used in the people's resistance to state oppression throughout the Americas. Harakati za Waasi seeks to honor these traditions by seeking to engage in the rigorous study and practice of the theoretical and technical applications of African combat systems. Additionally, Dr. Rashid and the collective seek to broadly disseminate these arts within the African community for the sake facilitating cultural transformation. Today, embodied resistance: the science of African/a fighting arts with Kamau Rashid. Dr. Kamau Rashid is an Associate Professor of Educational Foundations and Inquiry at National-Louis University in Chicago. Kamau earned his Phd and BA from University of Illinois at Urbana-Champaign and a Master of Arts degree from Northeastern Illinois University. Dr. Rashid work focuses on African American history and culture, particularly on the inter-generational dynamics of African/a social critique, which includes an exploration and theorizing of W.E.B. Du Bois as well as contemporary African-Centered scholars and critical race theorists. Undergirding this, he studies art (Hip Hop and comics) as a radical public pedagogy. He is co-developing an oral history and archival project focused on African American social movements in the Chicago area from the 1960s to1980s with Dr. Richard Benson of Spelman College. And is currently working on Finding our way through the desert: Jacob H. Carruthers and the restoration of an African worldview as well as The critical theory of W.E.B. Du Bois: The Struggle for Humanity. He has published a number peer-reviewed articles and book chapters and received various grant awards to support his work. Lastly, likely most importantly, Dr. Rashid is active in a number of community organizations in the Chicago-area including the Kemetic Institute of Chicago, a research and educational organization focused on mapping, exploring and applying the ancient and contemporary contributions of ancient Nile Valley civilizations. Our show was produced today in solidarity with the native, indigenous, African, and Afro-descended communities at Standing Rock; Venezuela; Cooperation Jackson in Jackson, Mississippi; Brazil; the Avalon Village in Detroit; Colombia; Kenya; Palestine; South Africa; and Ghana; and other places who are fighting for the protection of our land for the benefit of all people. Enjoy the program! Image: Statue of Zumbi

In this episode we interview Dr. Bedour Alagraa. Alagraa is an Assistant Professor of Black Political and Social Theory in the department of African and African Diaspora Studies at the University of Texas at Austin. Currently she’s working on a manuscript entitled The Interminable Catastrophe: Fatal Liberalisms, Plantation Logics, and Black Political Life in the Wake of Disaster. We center our discussion with Bedour around her recent publication in Offshoot Journal, What Will Be The Cure?: A Conversation with Sylvia Wynter. From there we delve into some of Wynter’s life and scholarly work. Along the way we talk about some of the important influences in her thinking, including other luminaries within Black Caribbean Radical Thought.  We also touch on Alagraa’s writing on the Sudan, her manuscript The Interminable Catastrophe, and the series Black Critique at Pluto Press, which she edits along with Dr. Anthony Bogues. 

hiya, coven! This week we're coming at you with a discussion of Nocturna by Maya Motayne. We both loved this book and didn't realize how complex the world building and magical system were until we came together in conversation (aka we're both a little befuddled, and that's fine!). Motayne's debut novel is full of relatable characters and exquisite writing. Oh, and there's magical texting and pining. Have we convinced you to put this on your TBR yet?! Content Warning: this book deals with some heavy topics like emotional and physical abuse, which we discuss at length (although in general terms). Please take this into account when deciding whether to dive into this episode. Call to action this week is some wisdom from Jessie. “This has been a great weekend! Biden won, and I think people should take some time to celebrate, take some time to rest, and then remember that there is still a lot of work to do. Just because 45 is out, doesn't mean everything will be perfect. Support the dems in the run off races in GA, check out local politics in your area and aid the causes you believe in in whatever way you can.” Also, did ya'll know we have a bookshop.org affiliate page? Probably yes because we mention it on the regular. It's bookshop.org/shop/thelibrarycoven. Consider checking out our lists and maybe you'll be inspired to treat yourself to something…and we get a tiny sliver of proceeds! It's a win-win

What is Badiou’s theory of emancipation? For whom is this emancipation possible? Does emancipation entail an indifference to difference? In Universal Emancipation: Race Beyond Badiou (University of Minnesota Press, 2020) (Minnesota University Press, 2020), Elisabeth Paquette pursues these questions through a sustained conversation with decolonial theory, particularly the work of Sylvia Wynter. Through consideration of Négritude and the Haitian Revolution, Paquette argues for a theory of emancipation that need not subtract particularities, as Badiou theorizes, but rather build a pluri-conceptual framework, as Wynter theorizes, for emancipation based on solidarity. Learn more about your ad choices. Visit megaphone.fm/adchoices

What is Badiou’s theory of emancipation? For whom is this emancipation possible? Does emancipation entail an indifference to difference? In Universal Emancipation: Race Beyond Badiou (University of Minnesota Press, 2020) (Minnesota University Press, 2020), Elisabeth Paquette pursues these questions through a sustained conversation with decolonial theory, particularly the work of Sylvia Wynter. Through consideration of Négritude and the Haitian Revolution, Paquette argues for a theory of emancipation that need not subtract particularities, as Badiou theorizes, but rather build a pluri-conceptual framework, as Wynter theorizes, for emancipation based on solidarity. Learn more about your ad choices. Visit megaphone.fm/adchoices

What is Badiou’s theory of emancipation? For whom is this emancipation possible? Does emancipation entail an indifference to difference? In Universal Emancipation: Race Beyond Badiou (University of Minnesota Press, 2020) (Minnesota University Press, 2020), Elisabeth Paquette pursues these questions through a sustained conversation with decolonial theory, particularly the work of Sylvia Wynter. Through consideration of Négritude and the Haitian Revolution, Paquette argues for a theory of emancipation that need not subtract particularities, as Badiou theorizes, but rather build a pluri-conceptual framework, as Wynter theorizes, for emancipation based on solidarity. Learn more about your ad choices. Visit megaphone.fm/adchoices

What is Badiou’s theory of emancipation? For whom is this emancipation possible? Does emancipation entail an indifference to difference? In Universal Emancipation: Race Beyond Badiou (University of Minnesota Press, 2020) (Minnesota University Press, 2020), Elisabeth Paquette pursues these questions through a sustained conversation with decolonial theory, particularly the work of Sylvia Wynter. Through consideration of Négritude and the Haitian Revolution, Paquette argues for a theory of emancipation that need not subtract particularities, as Badiou theorizes, but rather build a pluri-conceptual framework, as Wynter theorizes, for emancipation based on solidarity. Learn more about your ad choices. Visit megaphone.fm/adchoices

What is Badiou’s theory of emancipation? For whom is this emancipation possible? Does emancipation entail an indifference to difference? In Universal Emancipation: Race Beyond Badiou (University of Minnesota Press, 2020) (Minnesota University Press, 2020), Elisabeth Paquette pursues these questions through a sustained conversation with decolonial theory, particularly the work of Sylvia Wynter. Through consideration of Négritude and the Haitian Revolution, Paquette argues for a theory of emancipation that need not subtract particularities, as Badiou theorizes, but rather build a pluri-conceptual framework, as Wynter theorizes, for emancipation based on solidarity. Learn more about your ad choices. Visit megaphone.fm/adchoices

Justin Garret Moore, architect and urban designer and Executive Director of the NewYork City Public Design Commission joins Dr. Mabel O. Wilson and Prof. Mario Gooden of the Global Africa Lab to discuss their research and exhibition Im/mobility and the Afro-Imaginary. Their discussion explores the history of racial geography in New York, from redlining to urban renewal, looking at the physical infrastructures of segregation (roadways, expressways, and bridges) as well as the racial demography of COVID-19. New York city has been one of the key locations of both the #BlackLivesMatter (BLM) movement as well as current assorted social justice movements in the wake of the recent police murders of Black Americans coinciding with the global COVID-19 pandemic. Additionally, the discussion engages concepts of Blackness as a form of #Enclosure and the immobilized Black body, as well as Sylvia Wynter’s concept of the underlife theorized in her unpublished manuscript, Black Metamorphosis: New Natives in a New World. _____________________________________________________________ The #AfricanMobilities podcast series was made possible by Goethe-Institut Johannesburg in partnership with the Wits University - School of Architecture and Planning, Wits Institute for Social and Economic Research, Architekturmuseum de Tum and The Andrew W. Mellon Foundation #AfricanMobilities #Circulations #Enclosure #GlobalAfricaLab #JustinMoore

In the spirit of the topic of the show for today, Dave and Bob meander on various dystopias, stories, psychology, and news events relating to movement.  Global movement has been profoundly affected during the pandemic.  Yet, taking a page from Joyful Militancy, the brothers attempt to weave together crucial ideas of movement: who gets to move? If movement leads to change, how can we harness movement?  And then how can movement lead to freedom especially for those that are least free?Thanks to the artists: HOME, Drake Stafford, Cullah, and the enigmatic Joe Schine.Amazing resource showing all the proposal to defund from an abolitionist perspective: D4pa.comDystopia of the week:1) The Long Take from the great Children of Men (2006) CW: an attack by paramilitaries that kills a woman.2) Quote by Elysium director Neill Blomkamp is actually, “this movie is not good enough.”The mindblowing Michael Caine inspired film The TripGreat blogspot on reading for the The Hero(ine)’s Journey in Gloria Anzaldua and Adrian Rich’s work.  And there’s a quote from Anzaldua commenting on the “new masculinity.” Yeah, whatever, Robert Bly.Obama as deporter-in-chiefAwful news as supreme court rules for Trump on fast-tracking deportation 7-2.Do yourself a favor and read No Wall They Can Build by Crimethinc.Email us if you want the Sylvia Wynter article.The amazing Ejeris Dixon in Beyond SurvivalNightswimming by R.E.M.All eyes on Ibram Kendi’s How to Be An Anti-racist at number 1 in non-fiction.Alone on Netflix“We are only as free as the least free of us.” - DPTEmail: davepeachtree@gmail.comTwitter: @BMaze19IG: Thriving_in_Dystopia

Aaron Kamugisha reads CLR James and Sylvia Wynter to glean from them ways to navigate the “beyond” of coloniality. In his new book Beyond Coloniality: Citizenship and Freedom in the Caribbean Intellectual Tradition (Indiana University Press, 2019), reminds us of a Caribbean radical tradition that is fiercely critical of racism, middle-class complacencies and the incursions of neoliberalism. It is also full of hope, and brings our attention to James’ “newforms of existence that are a gift of the Caribbean to the world” as well as Wynter’s enormous contribution to our understanding of the black experience in the Americas. Learn more about your ad choices. Visit megaphone.fm/adchoices

Aaron Kamugisha reads CLR James and Sylvia Wynter to glean from them ways to navigate the “beyond” of coloniality. In his new book Beyond Coloniality: Citizenship and Freedom in the Caribbean Intellectual Tradition (Indiana University Press, 2019), reminds us of a Caribbean radical tradition that is fiercely critical of racism, middle-class complacencies and the incursions of neoliberalism. It is also full of hope, and brings our attention to James’ “newforms of existence that are a gift of the Caribbean to the world” as well as Wynter’s enormous contribution to our understanding of the black experience in the Americas. Learn more about your ad choices. Visit megaphone.fm/adchoices

Aaron Kamugisha reads CLR James and Sylvia Wynter to glean from them ways to navigate the “beyond” of coloniality. In his new book Beyond Coloniality: Citizenship and Freedom in the Caribbean Intellectual Tradition (Indiana University Press, 2019), reminds us of a Caribbean radical tradition that is fiercely critical of racism, middle-class complacencies and the incursions of neoliberalism. It is also full of hope, and brings our attention to James’ “newforms of existence that are a gift of the Caribbean to the world” as well as Wynter’s enormous contribution to our understanding of the black experience in the Americas. Learn more about your ad choices. Visit megaphone.fm/adchoices

Aaron Kamugisha reads CLR James and Sylvia Wynter to glean from them ways to navigate the “beyond” of coloniality. In his new book Beyond Coloniality: Citizenship and Freedom in the Caribbean Intellectual Tradition (Indiana University Press, 2019), reminds us of a Caribbean radical tradition that is fiercely critical of racism, middle-class complacencies and the incursions of neoliberalism. It is also full of hope, and brings our attention to James' “newforms of existence that are a gift of the Caribbean to the world” as well as Wynter's enormous contribution to our understanding of the black experience in the Americas. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Aaron Kamugisha reads CLR James and Sylvia Wynter to glean from them ways to navigate the “beyond” of coloniality. In his new book Beyond Coloniality: Citizenship and Freedom in the Caribbean Intellectual Tradition (Indiana University Press, 2019), reminds us of a Caribbean radical tradition that is fiercely critical of racism, middle-class complacencies and the incursions of neoliberalism. It is also full of hope, and brings our attention to James’ “newforms of existence that are a gift of the Caribbean to the world” as well as Wynter’s enormous contribution to our understanding of the black experience in the Americas. Learn more about your ad choices. Visit megaphone.fm/adchoices

Aaron Kamugisha reads CLR James and Sylvia Wynter to glean from them ways to navigate the “beyond” of coloniality. In his new book Beyond Coloniality: Citizenship and Freedom in the Caribbean Intellectual Tradition (Indiana University Press, 2019), reminds us of a Caribbean radical tradition that is fiercely critical of racism, middle-class complacencies and the incursions of neoliberalism. It is also full of hope, and brings our attention to James’ “newforms of existence that are a gift of the Caribbean to the world” as well as Wynter’s enormous contribution to our understanding of the black experience in the Americas. Learn more about your ad choices. Visit megaphone.fm/adchoices

[Note: Produced and aired in 2017] In the Wretched of the Earth, Fanon writes: “Decolonization never goes unnoticed […] it infuses a new rhythm, specific to a new generation of men, with a new language and a new humanity...” (Fanon 1961:2) However, the process of decolonization has yet to reach full expression. The praxis of decolonization, the promise of a radical humanism, a new relation of being in the world, remains severely arrested. If decolonization was an intentional and direct response to colonialism, decolonization failed in uprooting the colonial repressive systems…on mass scale. For Fanon, “the colonial world is a compartmentialized world […] a world divided in two. The dividing line, the border…” An idea Du Bois names as the color line, the poverty line…a siphoning of the world's resources into the hands of a few, safeguarded and securitized by barracks, the police station, drones, the banks, multinational corporations, private interests and capital. In the past twenty years, throughout the Africana world as well as the global south, burgeoning social movements constituting what Sylvia Wynter describes as “the vast majority of peoples who inhabit the favela/shanty town' of the globe and their jobless archipelagos…at the national level, Baldwin's ‘captive population' in the urban inner cities, (and on the Native Reservations of the United States),” have reinvigorated and expanded the arena and language of grassroots politics and political action (Wynter, No Humans Involved: 60). We see this, in particular with the youth movements across Africa and more clearly with the “Black First, Land First” which invokes the Fanon postulation that: “For a colonized people the most essential value, because it's the most concrete, is first and foremost the land: the land which will bring them bread and, above all, dignity” (Fanon 1961: 44). Today, we will deeply engage with the language and praxis of decolonization through one of the most important land and dignity movements in South Africa… Abahlali baseMjondolo, also known as Durban Shack Dwellers' Movement with Dr. Yousuf Al-Bulushi, an assistant of Professor of Peace Studies at Goucher College. After this, we look at the the community of Buenaventura (along with communities in the Chocó region of Colombia) where a general strike was launched (May 16th)) demanding that the Colombian government meet the basic human rights to water, education, health, culture, land and freedom from racism and violence. The strike caused businesses to closed, road blocks were set up at several points along the main road and peaceful protestors chanted, sang, danced and banged cooking pots to call attention to the desperate situation. According to a recent report from the Black Alliance for Peace, released on June 12, after many hours of dialogues and negotiations an agreement was reached in the early hours of Tuesday 6th June, bringing an end to a 22-day strike in Buenaventura, Colombia. The strike, in the mainly Afro-descendant and Indigenous city on Colombia's Pacific Coast was an inspirational reminder of how collective, local level and “people-centered” human rights processes can challenge economic powers and neoliberal politics (Baraka, 2013)[1]. We will hear a report on what happened and prospects of this agreement from Afro Colombian human rights activist Charo Mina Rojas of Black Communities Process in Colombia-International Working Group (PCN); and Afro Colombian Solidarity Network. Enjoy the rest of program. Our show was produced today in solidarity with the native, indigenous, African and Afro-descended communities at Standing Rock; Venezuela; Cooperation Jackson in Jackson, Mississippi; Brazil; the Avalon Village in Detroit; Colombia; Kenya; Palestine; South Africa; and Ghana; and other places who are fighting for the protection of our land for the benefit of all people. Enjoy the program.

Burning Futures #4: Coexistence, Planetarity and Uncertainty A Podcast by HAU Hebbel am Ufer (Berlin) The situation of our present can be seen as an historic consequence of emphasizing “existence” over “coexistence” - a picturing of the human motivated only by securing its own existential material wants, being but one example as Sylvia Wynter has noted. Although the case for some time, at the level of lived experience the current corona crisis shows the magnitude of our entanglement, a condition of coexistence that is irreducible to exclusively interhuman relations. In her lecture, Patricia Reed examines the term “planetarity” (coming from Earth System sciences) as a demand for a perspectival shift to coexistence, in order to be able to access different scales of reality – including more-than-human interdependencies. How does “planetarity” recondition our understanding of the “local”, how do picturings of the human change when upheld relationally, and how are linkages to be built between scientific knowledge and socio-political responsibilities? Patricia Reed is an artist, designer and writer based in Berlin. She has published and lectured on issues such as on (techno)feminism, situated knowledge within planetary dimensions, entanglement and systems of care, xenofeminism, architecture and computation, aesthetics and politics. In her recent work, ecological crises are an important framework for these discussions.

[Originally produced in 2017] William Patterson, a leader of the Communist Party USA, was an eminent civil rights attorney who spearheaded defense of the Scottsboro Nine, Black youth in Alabama framed on phony rape charges in 1932. Patterson was a radical visionary who understood that African world struggle for freedom has in essence a struggle for human rights. Not human rights as practiced and theorized from a racialized, elitist Westernized perspective, but from a holistic, communal position. In this regard, Patterson, much like Sylvia Wynter, seeks to restore to our conception of human life the framework of a direction, a telos. In the mid 1930's Patterson went to Cuba to set up the Cuban International Labor Defense and to organize support for those fighting the dictatorship of Batista. In 1951, We Charge Genocide: the Crime of Government, a petition on behalf of African descended persons in the United States charging the U.S. government with the crime of genocide was published by the Civil Rights Congress and was presented to the United Nations General Assembly in Paris by Patterson and to the United Nations Secretariat in New York by Paul Robeson. For this act, Patterson was charged with contempt of Congress because he refused to divulge the names of contributors to the Civil Rights Congress and its bail fund as well as the names of the organizations to which he belonged. Patterson served ninety days in the Federal House of Detention in New York and in the Federal Penitentiary at Danbury, Connecticut on contempt charges in 1954-55. In May of 1969, he joined the defense team of attorneys for Huey P. Newton of the Black Panther Party. He served as a trustee of the Angela Davis Legal Defense Fund and of the National Legal Defense fund. Taking a moment to impress upon you the deep visionary perspective and impact of the We Charge Genocide petition, on preparing and submitting, Patterson stated: “To me, it seemed clear that the Charter and Conventions of the UN had to be made the property of Black America…It could be made the instrumentality through which the ‘Negro Question' could be lifted to its highest dimension.” Today, we will listen to Gerald Horne reflect on the life and work of William Patterson, through a discuss of his book, which was published by University of Illinois Press and released Oct 2013, titled Black Revolutionary: William Patterson and the Globalization of the African American Freedom Struggle. Gerald Horne is the John and Rebecca Moores Professor of History at the University of Houston. After Dr. Horne, we turn our attention to the situation and conditions of African Migrants in Libya. Joining us for this discussion is Mwiza Munthali, executive producer, human rights activist, and international journalist who recently caught up with Nunu Kidane. Ms. Nunu Kidane is the Director of Priority Africa Network and editor of AfricaMoves: A Pan African Migration Platform which hosts regular consultations on migration policy around Africa and the diaspora. Ms. Kidane is founder and current steering committee member of the Pan African Network in Defense of Migrants' Rights (PANiDMR) and the Black Immigration Network (BIN). In 2012, Nunu Kidane received award from the White House as "Champion of Change" for work with African diaspora communities. Our show was produced today in solidarity with the native, indigenous, African and Afro-descended communities at Standing Rock; Venezuela; Cooperation Jackson in Jackson, Mississippi; Brazil; the Avalon Village in Detroit; Colombia; Kenya; Palestine; South Africa; and Ghana; and other places who are fighting for the protection of our land for the benefit of all people.

Esther Jansen spreekt in deze podcast over de mogelijkheden om het mens-zijn, of onze menselijkheid, opnieuw vorm te geven in het licht van het Antropoceen. Op welke manieren zit het huidige mensbeeld ons in de weg om deze broodnodige vormen te zien, te verbeelden, en het dagelijks leven naar in te richten? Het werk van Sylvia Wynter geeft aanknopingspunten om de vraag ‘wat betekent het om mens te zijn?’ op een andere manier te beantwoorden, en laat zo de tekortkomingen van het westers idee van ‘de Mensheid’ zien. Wat kunnen we hier van leren in het licht van de huidige ecologische ontwrichting? Deze lezing was onderdeel van de avond: Eco- catastrofe: de mens moet anders (18-02-2020) Dat de aarde verandert is overal om ons heen zichtbaar. We leven in vreemde tijden die vragen om radicaal handelen. We worden geconfronteerd met gevoelens van onbegrip, angst, onmacht en wanhoop, maar belangrijker nog worden we geconfronteerd met conceptuele kaders die niet langer houdbaar zijn. Hoe ver moeten we gaan in ons denken om mee te kunnen met de tijd? Klimaatverandering zet de kaders die wij sinds de Verlichting vanzelfsprekend achten op het spel: Wie is eigenlijk de ‘mens’ die in het Anthropoceen tot geologische kracht wordt verheven? Wat is onze rol? Staat de mens wel los van (en boven) de natuur? En is ons menselijke lot niet eigenlijk toch innig verbonden met dat van de kleinste wezens, met het plankton, de insecten? Wat moeten we denken van de massale uitsterving van soorten om ons heen? In 2019 lagen wereldwijd slechts twee landen op koers om hun doelen uit het Parijsakkoord te halen (te weten: Marokko en Gambia). Dat betekent volgens het (vaak conservatief geachte) IPCC dat we afstevenen op een opwarming van 3-4 of 4-5 graden boven pre-industrieel niveau in 2100 (rapport 2018). In een wereld van gemiddeld 4 graden extra bevindt de bewoonbare wereld zich in West-Antarctica, Canada, Noord-Europa en Rusland. Ter contrast: Zuid- en Midden- Amerika, de Verenigde Staten, Afrika, Zuid-Europa, Zuid- en Oost-Azie en Australië zijn onbewoonbaar door woestijnvorming, extreme droogte of overstromingen. Zoals Bruno Latour het zegt hebben we een oorlog reeds verloren, al vochten we hem wellicht niet bewust. Het gevolg? We draaien met zijn allen door. De een ontkent, de ander panikeert, een derde hoopt tegen beter weten in. De vreemde wereld waarop we leven vraagt om verandering, échte verandering. En in plaats van ons te laten verleiden tot cognitieve dissonantie, in plaats van de route van de vervreemding te nemen die ons onvermijdelijk op afstand plaatst van het geheel, blijven we deze avond dicht op de materie, en dicht op onszelf. Kan ons zelfbeeld standhouden? Tijdens deze avond van Felix & Sofie nemen we de ecologische catastrofe als uitgangspunt om te kijken naar de conceptuele, filosofische, maar ook substantiële revoluties die komen.

This podcast features a conversation Profs. Carole Boyce Davies, Yomaira Figueroa and Bedour Alagraa on Sylvia Wynter, Caribbean philosophy and the intellectual contributions of Black women to the Americas. It was recorded during the Black Women’s Intellectual Contributions to the Americas: Perspectives from the Global South (Lozano Long) Conference at The University of Texas at Austin in February 2020. Carole Boyce-Davies, Cornell University Carole Boyce-Davies, a native of Trinidad, is professor of Africana Studies and English at Cornell University. She has held distinguished professorships at a number of institutions, including the Herskovits Professor of African Studies and Professor of Comparative Literary Studies and African American Studies at Northwestern University. Boyce-Davies was the recipient of two major awards in 2017: The Franz Fanon Lifetime Achievement Award from the Caribbean Philosophical Association and the Distinguished Africanist Award from the New York State African Studies Association. She is the author of the prize-wining Left of Karl Marx: The Political Life of Black Communist Claudia Jones (2008); Black Women, Writing and Identity: Migrations of the Subject (1994); Caribbean Spaces: Escape Routes from Twilight Zones (2013); and a bilingual children’s story Walking/An Avan (2016/2017), in Haitian Kreyol and English. In addition to over one hundred journal essays, articles and encyclopedia entries, Dr. Boyce-Davies has also published twelve critical editions on African, African Diaspora, and Caribbean literature and culture. Her current research and writing is for a contracted manuscript titled “African Women’s Rights: Writing Black Women’s Political Leadership.” Yomaira Figueroa, Puerto Rico Yomaira Figueroa is assistant professor of Global Diaspora Studies at Michigan State University. A native of Puerto Rico, she was raised in Hoboken, NJ, and is a first-generation high school and college graduate. She earned her PhD and MA degrees in the Department of Ethnic Studies at the University of California, Berkeley, and her BA in English, Puerto Rican & Hispanic Caribbean Studies, and Women’s and Gender Studies at Rutgers University, New Brunswick (DC ’07). She works on 20th-century US Latinx Caribbean, Afro-Latinx, and Afro-Hispanic literature and culture, and her current book project, “Decolonizing Diasporas: Radical Mappings of Afro-Atlantic Literature,” focuses on diasporic and exilic Puerto Rican, Cuban, Dominican, and Equatoguinean texts in contact. @DrYoFiggy Bedour Alagraa, Canada / Sudan Dr. Bedour Alagraa is assistant professor of Political and Social Thought in the African and African Diaspora Studies Department at The University of Texas at Austin. Alagraa received her PhD from the department of Africana Studies at Brown University, and was an Andrew W. Mellon graduate fellow during her time at Brown. She is interested in Black Political Thought, especially Caribbean political thought, African anti-colonial thought, and Black Marxism(s). Alagraa has been published in Critical Ethnic Studies, Contemporary Political Theory, The CLR James Journal of Caribbean Philosophy, and Souls: A Critical Journal of Black Politics, Culture, and Society, among other journals. She is the co-editor of a volume on Black Political Thought, forthcoming from Pluto Press, and recently completed work on archiving Sylvia Wynter’s literary and academic archive. Alagraa is also co-editor, alongside Anthony Bogues, of the Black Critique book series at Pluto Press. Her book manuscript is titled “The Interminable Catastrophe: Fatal Liberalisms, Plantation Logics, and Black Political Life in the Wake of Disaster.”

Writing in Black Jacobins: Toussaint L'Ouverture and the San Domingo Revolution, CLR James argues that: “the cruelties of property and privilege are always more ferocious than the revenges of poverty and oppression. For the one aims at perpetuating resented injustice, the other is merely a momentary passion soon appeased. The range and scope of CLR James' work cannot possibly be captured in our limited time with you this evening. However, it is the intent for us to spend our time effectively with you in a way that encourages you to explore the work of CLR James as we hear reflections by those who had the opportunity to work closely with him. The epigraph just cited, is one that brings into sharp focus, two of Western Europe's deadly gifts of modernity, its attempted to redefine the praxis of being human (as the great thinker Sylvia Wynter has provide a map for us to understand); and the justification(s) for the creation of private property. This thousand-year process, according to Cedric Robinson, culminating into a racial capitalist system that feeds off the ideas that has structured our current world as a result of slavery, colonialism/neocolonialism, the salience of race as a cultural ideological class construct, the demonization of gender, and iterations of imperialism has left a deep wound on our collective human consciousness, etc… Next, you will hear, in order of speaker, reflections on the Legacy of CLR James from those who worked closely with him: James Early, Former Director of Cultural Studies and Communication at the Center for Folklife Programs and Cultural Studies at the Smithsonian Institution; Kojo Nnamdi, Host of the Kojo Nnamdi show on NPR/WAMU FM Sylvia Hill, Former Professor of Administration of Justice, Department of Urban Affairs, Social Sciences and Social Work at University of the District of Colombia; and Aldon Nielsen, who is currently The George and Barbara Kelly Professor of American Literature at Penn State University and author of C.L.R. James: A Critical Introduction. This program was moderated, in part by, E. Ethelbert Miller. Ethelbert Miller is a literary activist and board chairperson of the Institute for Policy Studies (IPS). He is also a board member of The Writer's Center and editor of Poet Lore magazine. He was previously the Director of the African American Resource Center at Howard University and former chair of the Humanities Council of Washington, D.C. He is currently a Resident Fellow at UDC. Our show was produced today in solidarity with the Native/Indigenous, African, and Afro Descendant communities at Standing Rock; Venezuela; Cooperation Jackson in Jackson, Mississippi; Brazil; the Avalon Village in Detroit; Colombia; Kenya; Palestine; South Africa; and Ghana and other places who are fighting for the protection of our land for the benefit of all peoples! Music referenced: KAMAUU: Bamboo & LăVĭNDŭR (LaVeNDeR) [Moving Still]; Kojey Radical: Water; Robert Glasper Experiment: Find You (KAYTRANADA Mix) ft. Iman Omari

Robin D.G. Kelley argues that Cedric Robinson's book is “a critique of Western Marxism and its failure to understand the conditions and movements of Black people in Africa and the Diaspora.” Kelley goes on to suggest that Robinson not only exposes the limits of historical materialism as a way of understanding Black experience but also reveals that the roots of Western racism took hold in European civilization well before the dawn of capitalism.” In fact, it was Robinson who proposed the idea that the racialization of the proletariat and the invention of whiteness began within Europe itself, long before Europe's modern encounter with African and New World labor. Accordingly, such insights give the "Dark Ages" new meaning. I have argued, elsewhere, rooting my perspectives in a critical reading of Robinson, Marimba Ani, Oliver Cox, Audrey Smedley, Sylvia Wynter, C.L.R. James and W.E. B. Du Bois, that race must be understood at a deeper level. To better understand the salience of a fictitious, yet deadly concept, it must be examined as a cultural-ideological class construct, further building on the argument of Du Bois, that “the world was thinking wrong about race, because it did not know. The ultimate evil was stupidity. According to Audrey Smedley in, Race in North America: Origin and Evolution of a Worldview, race is a “cosmological ordering system structured out of the political, economic, and social experiences of peoples who emerged as expansionist, conquering, and dominating nations on a worldwide quest for wealth and power.” Being so, we can see that race is expressed in material and non-material ways. It is, in fact, a culturally ingrained, ideologically-driven mechanism that has permeated sociopolitical structures and economic imperatives which guide institutional practices for the expressed purpose to serve deeply rooted insecurities that are wrapped in the myths of white superiority. Today, we bring you, a public critical reading of Cedric Robinson's Black Marxism: The Making of the Black Radical Tradition with Acklyn Lynch, Haile Gerima and AWNP collective's member, Josh Myers. This critical reading is part of a series that is curated at Sankofa Video and Books in Washington, DC. Dr. Acklyn Lynch is a revered scholar/activist of African and African Diaspora history, culture and politics. He has taught at University of Maryland Baltimore County, Howard University, and University of Massachusetts Amhurst. He is author of Nightmare Overhanging Darkly: Essays on Black Culture and Resistance. Haile Gerima is an independent filmmaker and professor of film at Howard University. After the award-winning Ashes & Embers (1982) and the documentaries Wilmington 10—U.S.A 10,000 (1978) and After Winter: Sterling Brown (1985), Gerima filmed his epic, Sankofa in (1993). His films have won numerous awards and are internationally acclaimed for the range and scope of their storytelling, cinematography, and innovations. Gerima continues to produce and distribute his films, including his most recent award-winning film, Teza (2008). He also lectures and conducts workshops in alternative screenwriting and directing both within the U.S. and internationally. Josh Myers currently teaches Africana Studies in the Department of Afro-American Studies at Howard University. He has published a number of scholarly journal articles exploring Africana history, politics and culture. He is author of the forthcoming, We Are Worth Fighting For: A History of the Howard University Student Protest of 1989. He serves on the editorial board of The Compass and is editor of A Gathering Together: Literary Journal.

Drucilla Cornell speaks about her work with seeking to unionize a collective brothel, feminism, Rosa Luxemburg, Sylvia Wynter, philosophy, revolutions, Ubuntu, and nihilist fascism. Music by AwareNess, follow him on Instagram, Spotify or Soundcloud.  For more content, follow me on Instagram Please support the podcast on Patreon: https://www.patreon.com/timetalks

Drawing from Sylvia Wynter’s call for rethinking our category of “human”, Melissa Johnson's ethnography Becoming Creole: Nature and Race in Belize (Rutgers University Press, 2018) demonstrates how entangled people are with the other-than-human that surrounds them. Mud, water, trees, animals and people form assemblages and shape particular identities. These relationships were also intrinsic to social and political contingencies. Johnson notes the historical legacies of slavery and the search for mahogany in the 19th century and the emergence of ecotourism in the 20th century as part of the process of becoming Creole. Learn more about your ad choices. Visit megaphone.fm/adchoices

Drawing from Sylvia Wynter’s call for rethinking our category of “human”, Melissa Johnson's ethnography Becoming Creole: Nature and Race in Belize (Rutgers University Press, 2018) demonstrates how entangled people are with the other-than-human that surrounds them. Mud, water, trees, animals and people form assemblages and shape particular identities. These relationships were also intrinsic to social and political contingencies. Johnson notes the historical legacies of slavery and the search for mahogany in the 19th century and the emergence of ecotourism in the 20th century as part of the process of becoming Creole. Learn more about your ad choices. Visit megaphone.fm/adchoices

Drawing from Sylvia Wynter’s call for rethinking our category of “human”, Melissa Johnson's ethnography Becoming Creole: Nature and Race in Belize (Rutgers University Press, 2018) demonstrates how entangled people are with the other-than-human that surrounds them. Mud, water, trees, animals and people form assemblages and shape particular identities. These relationships were also intrinsic to social and political contingencies. Johnson notes the historical legacies of slavery and the search for mahogany in the 19th century and the emergence of ecotourism in the 20th century as part of the process of becoming Creole. Learn more about your ad choices. Visit megaphone.fm/adchoices

Drawing from Sylvia Wynter’s call for rethinking our category of “human”, Melissa Johnson's ethnography Becoming Creole: Nature and Race in Belize (Rutgers University Press, 2018) demonstrates how entangled people are with the other-than-human that surrounds them. Mud, water, trees, animals and people form assemblages and shape particular identities. These relationships were also intrinsic to social and political contingencies. Johnson notes the historical legacies of slavery and the search for mahogany in the 19th century and the emergence of ecotourism in the 20th century as part of the process of becoming Creole. Learn more about your ad choices. Visit megaphone.fm/adchoices

Drawing from Sylvia Wynter’s call for rethinking our category of “human”, Melissa Johnson's ethnography Becoming Creole: Nature and Race in Belize (Rutgers University Press, 2018) demonstrates how entangled people are with the other-than-human that surrounds them. Mud, water, trees, animals and people form assemblages and shape particular identities. These relationships were also intrinsic to social and political contingencies. Johnson notes the historical legacies of slavery and the search for mahogany in the 19th century and the emergence of ecotourism in the 20th century as part of the process of becoming Creole. Learn more about your ad choices. Visit megaphone.fm/adchoices