Podcasts about Clever

When a retired Russian soldier receives a magic bag from God that can trap anything inside it, he uses it to outsmart devils, imprison Death itself, and ultimately discovers that eternal life is the cruelest punishment of all.Join the DARKNESS SYNDICATE: https://weirddarkness.com/syndicateTake the WEIRD DARKNESS LISTENER SURVEY and help mold the future of the podcast: https://weirddarkness.com/surveyIN THIS EPISODE: You see it in movies, TV shows, literature… when you have a scene with early humans it's just a matter of time before you're exposed to a human sacrifice. But why? With all of the animals out there to choose from, the harvesting of fruits and vegetables they could've placed on an altar… why human sacrifice? (Why Human Sacrifice?) *** You're in a battle, you've had several horses shot out from under you, and suddenly someone points out that you've lost your leg. How do you respond to that? Whatever your answer, you probably wouldn't be as suave about it as Lord Uxbridge was. (The Strange Tale of Lord Uxbridge's Leg) *** Cornering the market in heroin and cocaine trafficking, Vito Rizzuto's mafia family dominated Montreal until his death in December 2013. (Canada's Mafia Godfather) *** A senior couple seemed to be enjoying their retirement. They were heading home from their apartment in Florida to their home in New York as they did every Spring. But somewhere between they vanished into the ether. What happened to Charles and Catherine Romer? (The Vanishing of Charles and Catherine Romer) *** And later, we'll look at a few lawsuits that should never made it to a courtroom… but we're glad they did, because they make for a great kicker story for the podcast! (Lawsuits That Never Should Have Made it To a Courtroom) *** But first… a retired Russian soldier receives a magic bag from God, which ends up wreaking havoc in both heaven and hell! It's the legend of Ivan Turbinca. (Ivan Turbinca: The Man Who Belonged In Neither Heaven Nor Hell)ABOUT WEIRD DARKNESS: Weird Darkness is a true crime and paranormal podcast narrated by professional award-winning voice actor, Darren Marlar. Seven days per week, Weird Darkness focuses on all thing strange and macabre such as haunted locations, unsolved mysteries, true ghost stories, supernatural manifestations, urban legends, unsolved or cold case murders, conspiracy theories, and more. On Thursdays, this scary stories podcast features horror fiction along with the occasional creepypasta. Weird Darkness has been named one of the “Best 20 Storytellers in Podcasting” by Podcast Business Journal. Listeners have described the show as a cross between “Coast to Coast” with Art Bell, “The Twilight Zone” with Rod Serling, “Unsolved Mysteries” with Robert Stack, and “In Search Of” with Leonard Nimoy.DISCLAIMER: Ads heard during the podcast that are not in my voice are placed by third party agencies outside of my control and should not imply an endorsement by Weird Darkness or myself. *** Stories and content in Weird Darkness can be disturbing for some listeners and intended for mature audiences only. Parental discretion is strongly advised.CHAPTERS & TIME STAMPS (All Times Approximate)…00:00:00.000 = Show Intro00:02:25.641 = Ivan Turbinca00:10:33.267 = The Strange Tale of Lord Uxbridge's Leg00:18:58.743 = Why Human Sacrifice?00:25:31.125 = The Vanishing of Charles And Catherine Romer00:34:45.084 = Canada's Mafia Godfather00:43:33.209 = Lawsuits That Never Should Have Made It To a Courtroom00:57:10.845 = Show CloseSOURCES AND RESOURCES FROM THE EPISODE…“Ivan Turbinca: The Man Who Belonged In Neither Heaven Nor Hell” by Valda Roric for Ancient Origins: https://weirddarkness.tiny.us/2p8n8xa7“Why Human Sacrifice?” by Joseph Watts for The Conversation: https://weirddarkness.tiny.us/2p86favf“The Vanishing of Charles and Catherine Romer” by Crystaldawn for Lost And Found Blogs:https://weirddarkness.tiny.us/2prwn7np“The Strange Tale of Lord Uxbridge's Leg” by Kaushik Patowary for Amusing Planet: https://weirddarkness.tiny.us/2p8fzt4m“Canada's Mafia Godfather” by Austin Harvey for All That's Interesting: https://weirddarkness.tiny.us/4mvk6ka4“Lawsuits That Never Should Have Made it To a Courtroom” by Paul Medina for ListVerse: https://weirddarkness.tiny.us/y6m5uwhn=====(Over time links may become invalid, disappear, or have different content. I always make sure to give authors credit for the material I use whenever possible. If I somehow overlooked doing so for a story, or if a credit is incorrect, please let me know and I will rectify it in these show notes immediately. Some links included above may benefit me financially through qualifying purchases.)= = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46= = = = =WeirdDarkness® is a registered trademark. Copyright ©2025, Weird Darkness.=====Originally aired: October 09, 2023NOTE: Some of this content may have been created with assistance from AI tools, but it has been reviewed, edited, narrated, produced, and approved by Darren Marlar, creator and host of Weird Darkness — who, despite popular conspiracy theories, is NOT an AI voice.EPISODE PAGE at WeirdDarkness.com (includes list of sources): https://weirddarkness.com/IvanTurbinca#IvanTurbinca #IonCreanga #RomanianFolkTales #EternalLifeCurse #MagicBag #TrappedDeath #RussianSoldier #TooWildForHeaven #TooCleverForHell #ImmortalityPunishment #EasternEuropeanFolklore #DeathPersonification #DevilFolklore #SaintPeter #Scaraoschi #TurbincaPouch #CursedImmortality #RomanianLiterature #FolkTaleWisdom #CheatingDeath #HeavenAndHell #LivingForeverCurse #SupernaturalPunishment #TricksterTales #SlavicMythology #OrthodoxFolkStories #FolkHorror #DarkFolkTales #ImmortalityCurse #FolkloreFriday

#TCS #TheChurchSplit Dr. Lydia McGrew is a widely published analytic philosopher and author. She received her PhD in English from Vanderbilt University in 1995. She has published extensively in the theory of knowledge, specializing in formal epistemology and in its application to the evaluation of testimony and to the philosophy of religion. She defends the reliability of the Gospels and Acts in four books, including The Eye of the Beholder: The Gospel of John as Historical Reportage and Testimonies to the Truth: Why You Can Trust the Gospels. Channel:  @LydiaMcGrewChannel  Books: Testimonies to the Truth: https://a.co/d/cFxO46b Eye of the Beholder: https://a.co/d/fUPgc1A Hidden in Plain View: https://a.co/d/4G4ANIQ The Mirror or the Mask: https://a.co/d/cWuZCLd Internalism and Epistemology: https://a.co/d/e8gC0hL Than's Work:  @InspiringPhilosophy  Support The Ministry: https://patreon.com/thechurchsplit Donate: https://www.paypal.com/donate/?hosted_button_id=DNCPKRQVTBD5E Order My Book: https://a.co/d/1vjiC16 The Network: https://onelifenetwork.org/ Uncommon Creation | Wood Work and Expertise: https://uncommoncreations3.wixsite.com/uncommon-creations/category/all-products?fbclid=IwY2xjawHWtTpleHRuA2FlbQIxMAABHd2BptF-I3w1BNlxYE2ZJDf1OjNgz2WETT0yBBTW-HfIjyWyX2e1g02mhQ_aem_E5IXshsJQ19WUBcgV2-9aw Music Credit: Bensound, High Octane - #2215113

On the show: -Love the way a colonoscopy feels?! -Booth seat debate: Who should take the inside seat and who should take the chair? -Why is everyone lined up on Jefferson Rd? -CTE conversation- What's your worry level if your kid plays a sport? -Jerk or Justified? Dad caught taking money out of the mall fountain -Clever ways to hide your cellphone is now a trend

Illustrator, graphic designer, speaker and picture book-maker Andy J. Pizza grew up in the Indiana suburbs, the child of two diametrically opposite parents - dad in corporate finance and mom an artist. Often feeling out of place, he learned to cope by drawing and smoking cigarettes, before finding indie music, and from there gig posters and graphic design. Now, he's a wildly successful illustrator and beloved podcaster who remains exceptionally honest, open, and real about the inner workings of being a neurodivergent creative. For a transcript and images from Andy head to cleverpodcast.com.Special thanks to our sponsor:Wix Studio is a platform built for all web creators to design, develop, and manage exceptional web projects at scale.Clever is hosted & produced by Amy Devers, with editing by Mark Zurawinski, production assistance from Ilana Nevins and Anouchka Stephan, and music by El Ten Eleven.SUBSCRIBE - listen to Clever on any podcast app!SIGN UP - for our Substack for news, bonus content, new episode alertsVISIT - cleverpodcast.com for transcripts, images, and 200+ more episodesSAY HI! - on Instagram & LinkedIn @cleverpodcast @amydevers Hosted on Acast. See acast.com/privacy for more information.

In this Summer Rewind episode of Two Women Chatting, we're joined by organisation expert and 'Sort Your Life Out' TV favourite Dilly Carter, bringing her no-nonsense wisdom and heartfelt compassion to one of midlife's trickiest transitions - what to do with 'all the stuff' once the kids move out, or when it's time to help parents downsize.

What if the expert quote you just read in a news article wasn't written by a human — but by AI? That's already happening.  A PR tool called Synapse is selling agencies the ability to fire off automated expert pitches to journalists, complete with research, personal-sounding anecdotes, and polished email copy — all with minimal human input. It promises one person can do the work of five and crank out twenty media pitches an hour.  But is this innovation, or is it a warning sign for the future of public relations? In this episode, we're unpacking what Synapse means for PR and media. We'll explore why this kind of automation raises ethical alarms, how journalists are likely to respond, and what PR professionals need to do right now to protect trust, credibility, and the real value we bring to the table.  Listen For6:12 Creepy or Clever? How Synapse Targets Reporters7:48 Fabricated Experts: Ethical Red Line Crossed10:35 Should the PR Industry Be Regulated?11:16 How Journalists Will Fight Back With Closed Networks22:40 Don't Blame the AI—Blame OurselvesStories and Strategies WebsiteCurzon Public Relations WebsiteApply to be a guest on the podcastConnect with usLinkedIn | X | Instagram | You Tube | Facebook | Threads | Bluesky | PinterestRequest a transcript of this episodeSupport the show

Music by Jerry BockLyrics by Sheldon HarnickBook by Joseph Stein & Will GlickmanDirected by George SchaeferStarring Steve Forrest, Jack Warden, Mindy Carson, Barbara McNair & Lonnie Sattin.Opened on Broadway January 23, 1958

Let's be real – there's a lot of advice online about how to “build authority” in your content.Advice like…Show up every day and the right people will find you…Just keep adding value and it'll pay off eventually….Talk about your client results more…But no one tells you the practical things you can do to actually “build authority” through your copy and content. Until now! Because on today's episode of the How I Do Content Podcast I'm joined by the magical Sarah Marriott. Sarah is a Melbourne-based brand messaging strategist and copywriter who helps creative service providers sound like the expert and sell their services with copy that reflects who they are (minus the fluff, the cringe or the vanilla vibes).She's a former graphic designer turned word wizard who's obsessed with translating messy, cool ideas into clear, one-of-a-kind messaging that gets the right people to your website – and actually makes them want to buy.Sarah's also a dog lover so obviously she's the best kind of wizard!In this episode we're diving into what it really takes to build authority online – through the words on your website, the content you share, and how you show up in your marketing so your dream clients trust you, remember you, and want to buy from you.Because if you're going to spend time creating content and sending people to your website – it better be doing the bloody work for you.So let's dive in. Connect with Sarah MarriottFollow Sarah on Instagram @sarahmarriottcopywriterGrab your FREE go-to copywriting guide at https://subscribepage.io/free-copywriting-go-to-guide Find out more at https://www.sarahmarriottcopywriter.com/Want more?Watch my 12-minute Make Your Offer The One Mini Training at https://thesocialbolt.com.au/the-one/ Join the Micro Messaging Waitlist at https://thesocialbolt.com.au/messaging-waitlist/ Follow Tahryn on Instagram at http://www.instagram.com/thesocialbolt Find out more at https://www.thesocialbolt.com.au Background Music is Copyright Free. You're free to use this music in your videos.Track: Harry Potter Theme SongMusic promoted by Chayatori RecordsVideo Link: https://youtu.be/WY8-lVlLhWE

Massive drama has gone down over the week and we discuss what happened. Sandwich 3 is coming and Ryan has a fun time getting prepared. Jeets are in the streets and 3 times Ryan was caught in traffic because a truck caught on fire. New website is up and running, new cards are revealed including the newest slab card. A man was kicked off a plan for wearing a Trudeau shirt, Canada is prepping for 911 2 and Jeff is back with some sh*tty videos. BUY TRADING CARDS: https://www.paypal.com/ncp/payment/SH9WJ5V6EJ8UQFULL SHOW: https://www.clevernamepodcast.com/LIVE SHOW: https://www.live.clevernamepodcast.com/MESSAGE TO PLAY DURING SHOW: https://streamlabs.com/clevernamepodcast/tipINSTAGRAM: https://www.instagram.com/clevernamepodcast/?hl=enDISCORD: https://discord.gg/m4USkdA7wAALL OTHER SHOWS: https://www.podcastsaregay.com/SEND STUFF TO PO BOX: PO Box 20016Orillia, ON, L3V7X9 CANADA

In this conversation, Steve shares his recent experiences with reading, life challenges, and reflections on various media. He discusses the complexities of fantasy literature, particularly 'Memories of Ice,' and explores dystopian themes in Ken Liu's 'All That We May See or Seem.' Steve also reflects on his media consumption habits, including comics and music, while expressing gratitude to his listeners and discussing upcoming projects.Send us a messageSupport the showFilm Chewing Podcast: https://www.buzzsprout.com/2235582/followLens Chewing on YouTube: https://www.youtube.com/@lenschewingSpeculative Speculations: https://creators.spotify.com/pod/show/speculative-speculationsSupport the podcast: https://www.paypal.com/ncp/payment/7EQ7XWFUP6K9EJoin Riverside.fm: https://riverside.fm/?via=steve-l

This is the weekly columnWine has been evolving for at least 8,000 years, and so it goes in the world of sparkling wine.First, the basics. Benedictine monk Dom Pérignon invented sparkling wine, exclaiming: “Come quickly, I am tasting the stars?” Nice story, certainly not true. The earliest reference to the Dom Pérignon quote occurred two centuries after the monk's death.In truth, during Dom Pérignon's lifetime bubbles were considered a dangerous flaw. The bubbles naturally occurred when cold weather stopped fermentation in the bottle at the onset of winter. Come spring, fermentation resumed and too often caused glass bottles to explode. Dom Pérignon worked to suppress refermentation, not to encourage it.Photo by Victor GrigasWhile he certainly did not invent Champagne, Dom Pérignon clearly was a wine pioneer. He introduced strict grape selection and early-morning harvesting to preserve freshness. He blended different vineyards parcels before pressing to improve balance. He produced a clearer, lighter wine from black pinot noir—“blanc de noirs”—a step toward modern Champagne style. He championed cork closures over wood and rags.Méthode champenoise, however, was invented by English chemist Christopher Merret. In a paper published by the Royal Society six years before Dom Pérignon arrived at the abbey to work on wine, Merret described adding sugar—today's dosage—before bottling to create sparkling wine. Trouble was, bottles exploded.Fortunately, the English were responsible for another key Champagne breakthrough: sturdy glass bottles. In the 1600s, King James I (he of English language Bible fame) banned the use of wood for making glass because he needed timber to wage war with his navy. Glass makers turned to coal—England had plenty of that resource—which produced much higher temperatures. Clever glassmakers soon developed ways to make much stronger glass bottles—three to four times as strong as previous wood-fired methods.Stronger bottles prevented the explosions that occurred with secondary fermentation. The pressure inside a Champagne/sparkling wine bottle is 70-90 psi. By comparison, the pressure inside the tire of your family car is 28-36 psi.The glass bottle breakthrough allowed winemakers to continue secondary fermentation experiments. Both the English and French recognized stronger glass bottles meant a new way to store and ship wine. Before the sturdy bottles, most wine was sold in barrels to be tapped in wine stores, similar to filling your growler at a beer brewery. In an additional fillip, the English also rediscovered the use of cork stoppers imported from Portugal.The revolution in glass engendered rapid developments in wine. Sparkling wine was possible. Individual bottles—sparkling or still—could be shipped distances because bottles and corks prevented oxidation and the spoilage of wine. Wines turns to vinegar with oxygen exposure because the acetic acid bacteria that causes the transformation, cannot survive without oxygen. The wine world we know today was born.The 1700s were an era of revolutions and dramatic change among nations of the world and the world of wine. Winemakers digested and incorporated the new tools and techniques the era presented. This set the stage at the dawn of the 19th century for a 27-year-old widow who inherited her husband's wine business and was not about to step aside and defer to men. She proceeded to accomplish the sparkling revolution mistakingly attributed to Dom Pérignon. That story next week.Last roundTwo men meet on opposite sides of a river. One shouts: “I need you to help me get to the other side.”Second man shouts back: “ You already are on the other side.”Wine time.Gus Clemens on Wine is a reader-supported publication. To support my work, consider becoming a paid subscriber. No matter how you subscribe, I appreciate you reading.Links worth exploringDiary of a Serial Hostess Ins and outs of entertaining; witty anecdotes of life in the stylish lane.As We Eat Multi-platform storytelling explores how food connects, defines, inspires.Dave McIntyre's WineLine Longtime Washington Post wine columnist now on Substack. Entertaining, informative.Email: wine@cwadv.comNewsletter: gusclemens.substack.comWebsite: Gus Clemens on Wine websiteFacebook: facebook.com/GusClemensOnWine/posts/Twitter (X): @gusclemensBluesky https://bsky.app/profile/gusclemensonwine.bsky.social .Long form wine stories on Vocal: Gus Clemens on VocalApple podcasts https://www.google.com/search?client=safari&rls=en&q=apple+podcasts+gus+clemens+apple+p…&ie=UTF-8&oe=UTF-8.Linkedin: Gus Clemens on Wine This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit gusclemens.substack.com/subscribe

Dave gets topical with a talk on AI from the Zen perspective to see if we can shed any light on what it is, what we should do with it, and whether or not we're getting that right. Do the robots have any more or less of a self than we do? Is Zen a moral (or amoral…) philosophy? Are we all out of a job, and if so, are we really going to miss it?? Find out here!

On this episode, the guys discuss Blade, Captain Planet, Ben 10, and much moe. Enjoy.

If you've ever sat staring at a blank screen wondering what on earth to post on Instagram, or if you've felt torn between staying “authentic” and keeping up with content creation, this episode is for you.Vicki is joined by Helen Williams, a social media strategist who helps business owners create magnetic content on Instagram using AI – and crucially, in a way that still feels like you.Helen's approach is all about saving time and reducing overwhelm, while helping you show up consistently and connect with your audience. In this conversation, she shares:How AI can boost your creativity – from generating content ideas to writing hooks and captions that stop people scrolling.Why authenticity matters more than ever – and how to train AI tools like ChatGPT to write in your voice and reflect your brand personality.Practical, simple ways to get started with AI (even if tech makes you nervous).Clever ways to use AI for strategy and planning – so you're not scrambling to create content at the last minute.Tips for balancing AI with your personal touch – especially when it comes to visuals, storytelling, and building real connections.Whether you're a product-based business owner or a creative entrepreneur, you'll come away with a ton of ideas on how AI can save you hours of time, spark inspiration, and help you show up online without feeling robotic or salesy.USEFUL RESOURCESHey Helen Williams Website https://hey-helen-williams.newzenler.com/Hey Helen Williams Instagram https://www.instagram.com/heyhelenwilliams/FREE MASTERCLASS How Psychology Behind How I Engineered A Viral Reel (And Turned It Into Sales) https://hey-helen-williams.newzenler.com/f/the-psychology-behind-how-i-engineered-a-viral-reelLET'S CONNECTJoin my free Facebook group for product makers and creatorsFollow me on YouTubeFind me on InstagramWork with me Buy My Book: Bring Your Product Idea To LifeIf you enjoy this podcast, and you'd like to leave a tip, you can do so here: https://bring-your-product-idea.captivate.fm/supportAmazon Made Easy – Join AnytimeAmazon Made Easy is now open for enrolment – and the best part? You can join at any time. Whether you're just starting out or ready to scale your Amazon business, you'll get instant access to expert guidance, practical resources, and ongoing support to help you grow with confidence.https://vickiweinberg.com/membership/Mentioned in this episode:This month's podcast episodes are proudly sponsored by my own book - Bring Your Product Idea to LifeHave you ever had a great idea for a product? Or does creating a product to sell appeal to you? Where do you begin? How do you come up with a product idea? Or, if you have an idea, how do you know if it's even viable? In Bring Your Product Idea to Life, I take you through the process of creating your product,...

Es gibt immer mal wieder internationale Comic-Reihen, an denen hat der deutsche Leser einen besonderen Narren gefressen. Asterix natürlich. Die Simpsons. Und ebenfalls eine Zeit lang in jedem Jugendzimmer zu finden: Clever & Smart. Die beiden Agenten waren zwar nie so erfolgreich wie der Gallier, aber zumindest einen der alten Condor-Bände hatte wohl jeder Comic-affine Leser mal in der Hand. Oder man kennt sie als Flip & Flap aus den Felix-Heftchen. Vielleicht hat man auch die Trickserie gesehen, synchronisiert von niemand geringerem als™ Karl Dall und Wolfgang Völz. Die Veröffentlichungsgeschichte der Reihe in Deutschland ist nicht minder chaotisch wie ihre Protagonisten, aber möglicherweise können wir etwas Einblick gewähren und nebenbei auch noch checken, ob der ganze Nonsens heute überhaupt noch lesbar ist. Ist ja so eine Sache mit dem Humor. Gelesen wurde - teils in Auszügen - der bei Carlsen erschienen Schuber mit 5 Bänden. Besuche uns auf Instagram, Bluesky, schau in Thorstens Blog oder auf unsere Webseite Intromusik von Markus Schneider Introstimme: Henning Mehrtens

90 % aller Airbnb-Starter machen katastrophale Fehler – in dieser Folge zeige ich dir, wie du sie vermeidest und 2025 gezielt in Cashflow verwandelst. Perfekt für alle, die Rent2Rent smart umsetzen und skalieren wollen.

Show us how you try new or risky ideas at the table! Phil and Senda tackle a single question that turns into two parts (so come back next week for the rest of the discussion). MORE

Let’s be real — buying or selling a business is one of the biggest decisions you’ll ever make. Get it right, and it could be life-changing. Get it wrong… and the fallout could be brutal. That’s exactly why this week’s episode is a must-listen. Jaryd Krause sits down with Katarina Strandberg, a powerhouse Swedish business lawyer with deep expertise in venture capital, scale-ups, and M&A. She’s worked with founders, investors, and SME leaders across Europe, and brings not only legal chops but also perspective as an angel investor, published author, and university lecturer. Katarina has seen it all — and she’s here to share the real stories, the hard truths, and the clever strategies that can make or break your deal. In this episode, you’ll learn: ✔️ The biggest risks buyers face (and how to avoid stepping on legal landmines)✔️ What really happens during legal due diligence — and why it’s more than just paperwork✔️ How to deal with “deal fatigue” and who should keep cool when emotions run high✔️ Jaw-dropping stories of deals gone wrong — and the legal moves that could’ve saved them✔️ Clever deal structures and funding options that most people never think about✔️ How to avoid surprise legal bills (yes, it’s possible!)✔️ Why skipping legal help might be the most expensive mistake you ever make If you’ve ever felt overwhelmed by contracts, confused by due diligence, or just unsure about when to bring a lawyer in, this episode is your roadmap.

Lance, George, Sir Bradley Wiggins, and Spencer Martin (aka “The Professor”) break down Valentin Paret-Peintre's impressive ride to win atop the iconic Mont Ventoux summit finish, holding off a persistent Ben Healy and the fast-closing GC duo of Tadej Pogačar and Jonas Vingegaard. They discuss how Paret-Peintre and his Soudal–QuickStep team leveraged their combined strength to secure the first French stage win of this Tour, what Vingegaard's resurgent climbing form means for the GC battle, and how Mathieu van der Poel's rest-day withdrawal and Jonathan Milan's failure to score at the intermediate sprint impact the Green Jersey competition. Before signing off, they take a few listener questions and preview what awaits the peloton on tomorrow's stage. Zwift: Zwift just made it easier than ever to get on the virtual roads. All Zwift-ready trainers come with the new Zwift Cog and Click installed, making them ready to ride from the box - no extras needed. Zwift-ready trainers start at just $299, meaning anyone can jump into world-class indoor training without breaking the bank. No excuses. Just ride! https://zwift.com Ekoi: The entire EKOÏ website is currently on sale until the end of July, with discounts of up to 60%. It's hard to find better deals! Special offer With the code THEMOVE15, you get $15 off any purchase of $150 made on the EKOI website until the end of July. https://ekoi.com The Feed: You heard it first on THEMOVE. A better morning for only $3.99 and our listeners save 20% today. No code needed, the discount is automatic. Go to https://thefeed.com Ketone-IQ: Take your shot: Get 30% off your subscription, plus a free gift with your second shipment at https://Ketone.com/themove Timeline: If you care about performance, recovery, or just want to stay strong as you age — check out Mitopure. Go to https://timeline.com/THEMOVE and you'll get 20% off. Ventum: Enter Ventum Trivia of the Day for a chance to win the Grand Prize: $5,000 of store credit towards any Ventum bike. Don't want to leave it to chance, 10% off sitewide using the code THEMOVE10 or 20% off any NS1 road bike build with code NS120  https://ventumracing.com/themove/

Interior designer, Clodagh, grew up in the Irish countryside running barefoot through the woods, riding horses, and rebelling. A near death experience lit a fire in her to pursue fashion and she opened her first shop at age 17. After a career pivot and 50+ years of designing spaces that make people feel good, she's considered a true pioneer in biophilic and sustainable design, and a living legend.Images, links and more from Clodagh on cleverpodcast.com!Special thanks to our sponsorWix Studio is a platform built for all web creators to design, develop, and manage exceptional web projects at scale.If you enjoy Clever we could use your support! Please consider leaving a review, making a donation, becoming a sponsor, or introducing us to your friends! We love and appreciate you!Clever is hosted & produced by Amy Devers, with editing by Rich Stroffolino, production assistance from Ilana Nevins and Anouchka Stephan, and music by El Ten Eleven.SUBSCRIBE - listen to Clever on any podcast app!SIGN UP - for our Substack for news, bonus content, new episode alertsVISIT - cleverpodcast.com for transcripts, images, and 200+ more episodesSAY HI! - on Instagram & LinkedIn @cleverpodcast @amydevers Hosted on Acast. See acast.com/privacy for more information.

The Sulphur-Crested Cockatoo is one of the most instantly recognisable Australian birds. Big, loud and mischievous. Some people love them, some people ... not so much. But they're smart birds that deserve an episode of their own, so let's do it.To support Bird of the Week and gain access to our second podcast, What's up with that's Bird's Name? click on through to Patreon: www.patreon.com/birdoftheweekWant birds in your inbox? Drop me a line at weekly.bird@outlook.com and I'll hook you up with a free weekly bird.Notes:Sulphur-Crested Cockatoo: https://ebird.org/species/succocPowder Down: https://www.birdnote.org/podcasts/birdnote-daily/powder-downEpisode 57 - Parrots: https://www.buzzsprout.com/admin/1733312/episodes/14752840-parrotsVocal mimicry in parrots: https://www.miragenews.com/vocal-mimicry-in-parrots-why-they-repeat-human-1029293/Syrinx: https://www.sciencedirect.com/science/article/pii/S0960982222013112Cockatoos raid bins: https://www.abc.net.au/news/science/2022-09-13/cockatoos-cockies-bin-lid-flip-culture-bricks-bird-cognition/101424194

What does it mean to truly trust God's provision—and what happens when our hearts crave more?In this first message from our Summer in the Scriptures series, guest speaker Sidney Bowie of City Relief takes us deep into the Tenth Commandment: “You shall not covet.” With passion, humility, and rich biblical insight, Sidney unpacks the hidden power of covetousness, not just as a behavioral issue, but as a heart condition that subtly erodes our contentment and warps our worship.Drawing from Exodus 20, Genesis, and Colossians 3, Sidney reveals how covetousness isn't simply about wanting more—it's often masked as admiration or inspiration, yet quietly displaces our trust in God and fuels self-centered living. He challenges us to examine the motivations behind our desires and consider whether what we pursue is truly for God's glory, or our own gain.This message is both convicting and freeing. It calls believers to root out the idols that quietly grow in our hearts and to rediscover the joy of selfless, outward-focused living, serving the marginalized, embracing gratitude, and finding satisfaction in Christ alone.If you've ever wrestled with comparison, envy, or discontentment—or simply want to live more intentionally in a world that constantly says, “you need more, ”this sermon will reorient your heart toward the God who is enough.July 20, 2025

Ryan discovers he has untreated Marfan Disease, Fat Ocho Martin drops the song of the summer and Ryan gets a bug high. We find Martins dream job that pays 1.2 million USD a year just to live in a light house, butt babies are the kid of the future and try to make one first. Ryan has some 4 am finds, Artty brings us some new art work and a Russian man has a lot of confidence in his Lada. All this and a trans woman in a diaper on this weeks Clever Name Podcast THIS IS JUST THE PUBLIC VERSION OF THE SHOW AND MUST BE HIGHLY EDITED. THE ONLY PLACE TO GET THE FULL UNEDITED SHOW IS ON https://clevernamepodcast.com WITH OVER AN HOUR OF EXTRA SHOW EACH WEEK.BUY TRADING CARDS: https://www.paypal.com/ncp/payment/SH9WJ5V6EJ8UQFULL SHOW: https://www.clevernamepodcast.com/LIVE SHOW: https://www.live.clevernamepodcast.com/MESSAGE TO PLAY DURING SHOW: https://streamlabs.com/clevernamepodcast/tipINSTAGRAM: https://www.instagram.com/clevernamepodcast/?hl=enDISCORD: https://discord.gg/m4USkdA7wAALL OTHER SHOWS: https://www.podcastsaregay.com/SEND STUFF TO PO BOX: PO Box 20016Orillia, ON, L3V7X9 CANADA

Doctor Light? Clever idea? Vile main character?Si & Dan head to Ncuti Gatwa's first season and a tale about class and race.But, is Lindy actually all that bad? And, most importantly, are slugs scary?MERCH!MERCH -https://sjpworldmedia.dashery.com/albums/171603-the-drwho-podFOLLOW US!@TheDrWhoPod@SJPWORLDMEDIA@DanGriffin21

Your excuses might be clever—But your results don't lie.

Doctor Light? Clever idea? Vile main character?Si & Dan head to Ncuti Gatwa's first season and a tale about class and race.But, is Lindy actually all that bad? And, most importantly, are slugs scary?MERCH!MERCH -https://sjpworldmedia.dashery.com/albums/171603-the-drwho-podFOLLOW US!@TheDrWhoPod@SJPWORLDMEDIA@DanGriffin21

Send us a textWhat smart cetacean makes its home in warm ocean waters around the world? Here's a clue…it's a social swimmer that's named for its shapely snout! Listen to learn more, and see if you can solve this WILD mystery!Download your WILD Freebie for this episode here.Support the showPurchase individual issues of the WILD Magazine here.Order your GO WILD Nature Journal here. Download the digital GO WILD Nature Journal here.Visit the contributors to this team: Laura Stroup: @fireflynatureschool Fireflynatureschool.com Lauren Giordano: @chickieandroo Chickieandroo.com Stephanie Hathaway: @stephhathawaydesigns Stephaniehathawaydesigns.com

In this week's episode of the K12 Tech Talk Podcast, hosts Josh, Chris, and Mark dive deep into the latest product and licensing changes announced by Google this summer.  The trio discusses how Google's updates could impact schools, highlighting essential decisions IT Directors and educators need to make regarding AI tools like Gemini and Notebook LM. Special emphasis is placed on Google's move to enhance the classroom experience, with standalone products like Google Vids and classroom management tools. Listeners can expect an exploration of Google's strategic updates in their offerings, along with insights on managing these changes effectively, especially in context with budget considerations and licensing shifts. Whether you're a tech director or a classroom teacher, this episode is packed with valuable information to help navigate the evolving educational technology landscape. News articles discussed: Supreme Court allows DoE layoffs - https://apnews.com/article/supreme-court-trump-education-layoffs-9370415531185092341b16a6bfea9344 District sued by parent over digital hall pass software - https://www.oregonlive.com/education/2025/07/oregon-parent-takes-school-district-to-court-over-digital-hall-pass-privacy-issues.html ISTE EdTech Index now available in Clever, Classlink, and SchoolDay - https://www.prnewswire.com/news-releases/helping-schools-make-safer-smarter-edtech-connectionsnow-with-trusted-quality-indicators-302494504.html Google's Summer Updates - https://workspaceupdates.googleblog.com/2025/06/gemini-google-classroom-all-edu-editions.html   00:00:00-Intro 00:05:50-National Education News Update 00:08:25-Privacy Concerns in Schools 00:12:35-ISTE Edtech Index 00:14:40-Google Updates 00:17:20-Gemini & Notebook LM 00:24:38-Google Vids 00:26:36-Google Classroom 00:35:32-Google Meet 00:36:40-Class Tools 00:48:00-Licensing Changes Explained 00:55:08-Episode Wrap-Up and Next Steps  

“Look what they eye unearthed,” leaning into the tip of my ear with the warmth and closeness of the coming waves, high tide approaching in the waning moon. “More secrets.” I replied. It was a question but also a statement— there was never such as this the luminescent trace of the glowing lava that was his force and might that I could not see for miles before he would even wander— first in twinkling stars and then later the wind itself and the birds, and then beneath the waves, like the quaking shake of a mighty oak anchored elsewhere and tied to the sea. “So you know.” I was hoping he would kill me before the next time I had to ever really know anything. He was the subject, and the predicate The wrong done, and the justice She was the pride and the prejudice But Judas brings the law Did you look in the box? No, I– [The Box Is The Box] –No, I haven't. Nearly three nights ago, a mysterious box arrived on the doorstep of an equally mysterious writer, who spends their time in isolation due to the often unannounced arrival of various ghosts, spirits, time travelers, and other figures by instant teleportation and other magical forms of transportation into their shabby New York apartment. Some of ya'll got so many air wick plug ins and scentci wax melts you don't know you smell like booboo. It's an illusion. You leave your house, You smell like booboo. I promise. Oh, God, I think I need a drink. Are you alright? Let me just–sit down for a second. Of course. My God. What's wrong. Look, i'm not supposed to say anything about this but. What's wrong? It's nothing, I'm just–I'm in a song. …what? A song! Is that all?! You don't understand. It's not a normal kind of song. It's– [takes a puff of inhaler] You wouldn't understand. Well what's so wrong about being in a song? Its not – a regular song–and it's not [gasping] finished! I still kind of wanted to be a comedian–but I knew I wasn't funny in the way that made sense to keep going and stand up there. I was still writing comedy, but I didn't know how to take myself out of it–the truth was, I was in a lot of pain. A lot of emotional pain that was becoming physical–and I didn't know what to do about it to break the barrier of nervousness and blank slate state of feeling the audience's perceptions of me more overwhelmingly than ever feeling myself. look at this song. I know huh. It's purple. Every time. It is purple. And what is that. Like a muted trombone? IS THAT A TROMBONE? Or a tuba? No, it has to be a trombone…becasue you can hear it slide– And that's what that sound is. What a sneaky rabbit. Super sneaky rabbit. So if i can see all this, I'm almost certainly sure the motorcycles outside and the slamming doors are meant to murder me. I'm sure that's what it is. You ever notice how being broke in New York makes you a bad person? Like, if you're broke, you're just automatically shitty. I never meant to be in New York broke. I never meant to be in New York, But I certainly never meant to be here and be poor, Poor in New York? Automatically a shitty person. Despite how you act. You can be a rich piece of shit— But the status is automatically “You got dough? Oh, alright. Carry on” That's the attitude in New York City. Crap people get by cause they got their hands on some money and the rules in New York say it doesn't really matter how you come by it, As long as you come by it. There's no real rules or real laws to it— Just “Get the money” Well god damn. This makes me nervous. I'm an artist. I've tried everything. I didn't mean to be the automatic enemy here. Of course not. But New York is a terrifying place to me, now, Cause I realized I can be a very sweet, very humble, very honest person— And that kind of shit doesn't matter here, really. It brings you no respect to be decent. It's about the money. So I'm a musician— which in New York also makes me like, Automatically not special, And I'm trying to just be a musician, and so naturally, I'm broke. Like broke in half. Like all my bills are late. But music is my solace. So I'm listening to music, And I'm listening to a song that is so beautiful, that I start to cry. The first time I heard it, it made me cry And I'm listening to it over, and it made me cry And it's so beautiful, and God is so beautiful And look at what God did, So I'm crying, And I don't even know what it is about the beauty of it that's making me cry, But it's making me cry, And New York hears me crying And New York goes “I'll give you something to cry about” And I open my email And there's a bill from my landlord reminding me how often I'm talked about due to my late payments— And I'm realizing I've been here two years and I still don't have any money, Even though I've been trying and trying And trying So now I'm crying for other reasons. Thanks a lot, New York. “I'll give you something to cry about” So I did. If there's anything worse than being black in a city that hates blacks— It's being broke in a city that hates broke people. So I haven't spent any money in awhile. Not even on little things, or things I need. I just stay inside, and work, and think And try and really try To figure out how to make money Without having any, or spending any. Cause you can have it, and spend it, but it's always a gamble. Maybe all I needed was a good cry. But now it's not for the right reasons I'm not crying cause something is so beautiful and look at what God did I'm crying because of what I'm sure is just the devil I'm crying for the wrong things Not because of something that's so very beautiful But because of something that's so very ugly With just a wave of the hand And the flick of each finger as it rolls into a crisp closed palm, A flick of birds fell to the ground, bursting with caws Below his stance, and in a flutter of feathers and wings, The evil master, unmoved and untouched, Untouchable in his weight and glory, simply only even mildly and barely smirks at all. He has defeated all and still somehow, not won. Some say it's sure to come, the thing that wants and gathers ties; Some say surely it is yet but withered and then sure again will come It has, five times, and barely waded, Waking in the midsts of my pure eye, The morning light and fog, aye? Ye, they remembers none but our Art, And I'm bound as sure by wing and force Is you to dozens of masses, And ships having sailed but one, Which I have flourished and kept And stocked with these, the masses And yea having spade, and having friends And having honor, there was none past kept and mine, sured; And wicked may as wicked be but evil none truer thou nones't had yet pured, and muted and gathered, I have, And woken and laid and barren and truths do'st tied, And there have been shooken and wait, And m faire'd and barred here, and hereforth My duty it is to forward, forward, my shallows For my shadow, For my golden hour has shined and now you, These caged shall fly, And these thoughts shall sing, And these hour conspired to miss my time daily, And these things, beytraying that— There have no times at all, These walls in holy temples kept, swaying and cadences, and wearing, and weary, And foreign and ayered, aye— and armored. And he, you, does not wish to know but also has known— and does not wish to see, but he, too has blinded, and does not wish to betray, and yet has been crowned, made with guilt and also Shattered, as it was, And shatters, as it came, the wave o'er all us and tide sinking under, and caves and rebels and heart laid bare to surf not suffer, Nor cap nor keeping, nor tied nor honor, No, honor her; No honor came and I have tied also, this tie to mine, and another, and another and another Now forward. Forward! Forward! Damn, Conan's monologues he going deep. Yeah, I guess. He's fine, right? Look, you don't need this. Just promise me. I am sorry. Mr Jimmy has it good, too good Little sister doesn't have a heart. But didn't know it Mister music made it in the industry, too hat Mister rager had a sip at dinner It was all dramatic Stars went falling Crashing down and All it is Ms. Martha Is mismanagement of energy All it is, Ms. Margret is a magnet And it hasn't happened badly since I had a handle on it But I still get sick of madness And I still get sick with city sickness Still, forget the dancer I was sitting on the show, In the audience With my mother, Oh the models, Dozens of them Blondes and ballet buns, the brunettes I was just a lost cause And I wanted it all, the tux and the bow tie I wanted you gone so I looked at it harder Until It became nothing but Clouds in the sky You were stardust I'm a comet Here comes crashing, Had to find the progress report Then I lost it Soggy in the sideways rain It was days and days Do you promise? That's a concept? Do you promise God will be alright, Cause I came running Sent them under cover Sent the men a message Send the man a hammer Sitting in a hammock No one homes the hostile If you don't have anything nice to say Then don't say anything at all And certainly don't come and go As often as you want to It's a game of control; you know The whites, when they still want to own you Somehow I'm all sub so honest, I just—wanted that But only for a man and never bow to another woman Even if on my honor I found us as equals And no one walks the earth as calmly As someone whose never had their lights out Or had their light put out Or their lights turned off Who are God now? Who's our God, man? Who's our God, Math. That's heavy weight, And if you want a biblical fate This is Fallon, And if you watch what you ate You cut calories And if you want the girl back Give it Californian And I'm not towrth much more Than the project housing, Or a handful of candy corn, Conan— But I phone in Oscars, Still no nuts for the rabbit, And if you wanted the bunker back— You can have it. I'm all hands down in a game of poker Heaven doesn't want it Gotta get drunk not once, but at all the goalposts, Gotta count one, not two, the show hosts Too few car parts Wicked, mazes, starfold, gazes Wishes, Martyred. (But pronounced mar-tired} V.O I think about jay Leno a lot. Lately, anyway. I don't know why. I like all the hosts. Somebody. Tell me why Dillon Francis looks like JD Vance. I think he's a clone. Tel me why I know who JD Vance is. They're clones. Tell me why. Back to the future here and now So. Where do you want to go? Anywhere but here. Anywhere but here is kind of far, are you sure you're up for it? Good one, doc Though head of the alumni chapter of the cult-within a cult—to which each African American cast member of Saturday night live is automatically inducted into— EDDIE MURPHY refuses to participate in the group's latest and most complicated ritual. Delivery. Uh, I didn't order any— Breadsticks. What. Breadsticks. I didn't order any— Just— The delivery man hands over the breadsticks. —take them. Oh…Kay. See ya. The delivery man reaches in and shuts the door himself. Uh… Lol is this the one where the mysterious breadsticks are delivered without ever being ordered, and then they end up being the best breadsticks in the world, but they don't know where they came from? Yes. I think so. Lol I bought a planner because so much I loved Joan Rivers, and I planned to fill it with all the places I should go— because keeping anything digital online was not only not working as far as remembering places I wanted or needed to be be, but it was dangerous, also. I was already being tracked, and I couldn't afford a new phone just yet. Eventually, but for now I was stuck to the same signal— which meant the same traces and the same trackers they had been limiting my under-the-radar mystique. As it were, somebody always knew where I was, and it was in the most unpleasant way so far—the only thing I really wandered was what made me so important anyway to begin with. I wasn't actually political in anyway, and still someone seemed to be trying to derail my life… or at least control it, neither of which was beneficial for me in the way that made sense. I wasn't having any fun, nor did I consider living indoors as payment— especially since indoors, there were also paid plants and stalkers, and now that I had begun to more meticulously document the things that were happening, it was easy to separate from delusions. I was actually being followed— but why? Either way, having a detailed. Calendar of places I could go, the ways to get there and even alternate functions within the same grid allowed more control than just staying in my apartment a sitting duck; that's how they were hurting me. They knew where I was— all the time, and it no longer made sense to fight it and try to make music under this kind of insane irritation; the music I was making wasn't the kind I wanted anyway, and whatever war they were fighting with m stark white girls motorcycles was simply not my war. I didn't have a war, and so there wasn't a fight, and so at the very least if I were going to be fucked with, it would have to be in public; that way I had more control to steer whatever was happening in my favor and collect the energy as mine instead of lost. I wasn't an insane person— but what had been happening at my apartment was insane, and so I left it with the understanding that these people worked and operated on a level of violence and ignorance I would never be able to comprehend; they were simply tools for the devil, which in any case, was always the lesser than God. However— because I was starting to figure out who I was, and that I had some sort of power, I knew that I was going to be attacked— because it seemed my power had at the very least not been figured out as to some kind of way to make somebody else money. I had been studying Michael Jackson and this was a key indication that the way his talent priovided a power which would be used as a service, he was very successful. His talent and training alone wouldn't have reapresented with such great reverence the ability to capture a global audience as such— but it was this power, almost as if it had been bottled up and altered, rebranded and sold and labeled with something everyone could not only love and understand, but by the hand of the media and its conglomerates, be hypnotized to worship, and this power simply put would not have been exactly what it was were it not for the eye of the media remaining in complete control of its distribution to the eyes and ears of the public. This thing which might have been the first of its kind but certainly not the last was in a sense model for modern superstardom— the live concert business had not sense much changed but built upon this super powered control of the masses by assimilation, spectacle, and of course the magic and illusion. But, and it it just so happened to perfectly brush up against my studies in esoteric knowledge that I happened to rub up against this— although nothing was of course by mere circumstance anymore, because whether or not I remained incognito was a wash, and I was being looked at by someone no matter what on the internet I did, or where I decided to go and in that sense was being fed these things, and yet with some Grace of God was allowed with it to be aligned with my own higher purpose in a way, I could observe that Michael Jackson was not in fact of course certainly just a dancer or singer or remarkable performer— he was truly a magician, and I was able to clearly recognize this language with with the energy that had used his vehicle for such a projection was speaking— not only this, I was able to clearly count out the markings and sigils and signs and symbols Michael was making in his movement; ancient arts, and magical symbols, traced so rapidly that it almost created a heat signature in a sense of the symbols that were being dictated, unknowing to the untrained eye. For the most part, I could only really assume that this is why these people were losing their minds— in his movements, Michael Jackson was literally carving ancient callings, glyphs and sigils I had so recently read about in magical studies that it was impossible not to laugh. This was in every sense of the word, ‘magic' but not in the normal way one assumes to be something unexplainable. Michael Jackson was casting spells to thousands of people at a time, in front of cameras and at high volume vibration, often times even implementing the use of light, color, and fire. These were not simple gatherings in mass for entertainment purposes— these were rituals, and in the modern day, still were or are— but I had noticed in a quick glimpse, from Michael Jackson 30 some odd years ago to Lady Gaga just having passed something like a week ago to an audience of the same size— that something was kind of wrong, now. The people had changed, and the specable had been done over and over, and the brainwashing of the masses had in a sense been almost complete— and so It wasn't some sense of confusion or unknowing the things that were happening to me in my own life and my own world— I too, was capable of these things, at that capacity, and had simply not been trained in the same sense of the ideal superstar, however— the things that were happening in my own life and in my own world were not difficult to grasp or understand— when one comes upon a power as such, it finds means to seek to control it and harness it for his own use and purposes. Perhaps it was the simple fact that in this way, in the way I get the dream had gone and the spectacle had been played out of the masses and the illusion was no longer as such— that the actual knowledge of distinct ancient wisdom that had been Michael Jackson's natural ability was distinguishable from that of Lady Gaga's training in the same formula, and that one did not equal the other, but in terms of business could equal to that as such as the masses had been manipulated to seek solace in these same things— and it was not illusion or grandiosity that I, even in my agingness, was still capable of these things; I had no doubt in my mind that I could sing and dance for two hours to audiences of hundreds of thousands— but this was not the question for the business or the media— the question was, would hundreds of thousands pay to see me, or rather— who was willing to front the means to hypnotize hundreds of people to become aware of me so that they would do such a thing. My talent and capabilities were undeniable— but my markatability might have been in question, because it was no longer simply a matter or chance or luck: the people chosen to figure such spectacle were chosen, hand selected and well trained to become media conglomerate superstars, even regardless of talent; perhaps this itself was the key indication that the world of the superstar itself had come to an end—it was no longer so much of a spectacle was worth it. Or, perhaps, because money had come between these ancient arts and symbols and languages being spoken by the superstars of old, that the magic in the literal sense had gone all the way away. The symbolism in the art had died, and so the singing and the dancing remained, but the God had gone out of it. Maybe that was the difference. The superstars of today were just the shell of the model that had been built on God, but the Godsense of it was no longer there— and so the magic no longer remained in effect, as the powers of magic that be are in all ancient arts and texts and forms attributive to The Source. Either way, I wasn't going to continue to be a sitting duck in my apartment in Brooklyn— there were too many indications that it had all been a setup from the shelter to the day I moved in, with the motorcycles and cars and CBS studios one block away. So the real and only question was, what exactly had been played at and who exactly was pulling the strings? I might at this point become a loose cannon: my son was estranged and as far as the people were concerned, I mostly hated New York— because the refined, clean cut and classy people I liked and wanted to be around saw me as the dirt and the grime I was fighting my way through just to simply exist— in my mind, this was a world that could be no more. I like Sara in a dress I like Sara in a dress I like Sara in a dress I like Sara in a dress I met sparrow in a cage I like Sara in a dress I like Sara in a dress Keep writing I never thought I ‘d see the day Where i's taking lessons on Fallon From Michael Jackson That's ran That's a fan This is fame I'm insane I'm insane That's a fan Light the flame That's a fan. That's a fan. I like Sara in a dress I met sparrow in a cage I went up the rack, set the page on fire Nordstrom rack And I might take it back for the cash I like Sara in a dress Stay repressed Keep it dark If you kiss don't tell I will probably go to hell for just writing Try it In black ink, I got all spades, Ehy, Spare me the ridicule, the imbecile and I met Johnny in a cage I like Fallon in a dress, Obsessive, I'm dressed out Every day I leave where I do not live Where stalker crawl and haunt me Just to show the motorcycles Have desheveled my intelligence into Nothing And so with negligence, I leave the core of a rotting apple The foreign words of a doctor And You must call the king, says something far off But I wonder which one I wonder which one I so respect her honor That I no longer Follow my heart or my soul And I don't shallow But shatter to swallow So I let the sparrow Out of the cage I bought Sara A pair of pants And I haunt l Patrick Kirkpatrick in patches And haven't you read yet You're ready for forget the pageant? It hasn't happened yet! I love Sara in a dress I hate Fallon and his wife Keep the kids out if it Skull and crossbones Cross my heart and Really hope to the loveless Or else Someone might call my phone back It's on silent in my coffin Or wait— It's on vibrate. I'm obsessed with the way You're dressed And the name on your checks I guess I'm better for it I'll skip lunch if you think that's what's best And dinner, too If you deserve the best Then better have learned my lesson No sweat And to do, With you, Was then, Dinner through next supper All the love I had was Rubbed into something other than The glass I patted dry With microfiber With ever fiber of my being I want to be with you I should have just— Died, And then Did, and so next Life, Remind me not to Fall for it If i really wanted to know you,I would know you by now– If i wanted to have you? I would have had you already Nobody is a dancer after Michael Jackson. I just watched some shit that was like “What the fuck did I just see” The whole thing was just not right. It was-/ I was like First of all, it's Munich, 1997. I never really realized how terribly the world has changed; No cellphones, but the audience is lit, And the crazy thing is, you can tell that this is near the turn of the century because, when the camera is panning by the audience in the people, they're not looking directly into the camera or waving at the camera— not really. And clearly this is an all ages show, so there's children, so the interesting thing I'm finding out is that nobody's trained to look at the camera and wave and smile— except the babies on shoulders and shit. These kids— they're my age now, are the only ones that see the camera, and they look directly into the shit. Mi still can't do that, really— I'm theatrically trained. Haha If I see a camera, I try to act ‘natural' It's the weirdest thing to look at a camera and just start to work it. People at festivals now, the camera rolls by, Or the drone flies in, And they look deadass in the camera and start to work it. Not at this show. Munich 1997, I'm like “Damn, a lot of things is wrong with this” First of all, I love Michael Jackson, I look directly at this man, and I'm in my dirty peak so I have an instant— like a sex detector thing going on And I know people gave Michael a hard time when he was a live for being fruity and whatever But I'm looking at this dude, and I don't see fruit at all. I see 100% man. I see why people were mad at him. Cause I'm looking at this dude, 100% All I see is carnal, primal man. I'm like, “Yo, I see why they was mad at him” Because the camera kept panning to the audience And these people are losing their minds. They are coming out of themselves. They are UGLY CRYING, full out of body, Losing composure They don't know what to do. That's Michael Jackson. He's right there! And the place is huge so really besides these few hundreds of people in the front, Michael's just a speck, But he's working this audience like “Yo, you know who I am, I know who is me” And I'm realizing, that to these people That's their god. These girls are losing their minds m “AHHHHHHHHHHHHHHHHHHHHH!!!!l *crying inconsolably* Just UGLY crying Bitch, get it together . You all the way lost yourself Get. It together. She won't. This bitch. I can't get over this This one girl, They just keep going back to her Cause the whole show— And this is like 2 hours of pure non stop Michael Jackson, This girl, every time you see her, she's just ugly crying— And every time you see her Her cry is uglier and ugly I'm like “Damn bitch” “Daaaaaaang” So this is the first thing I see that is wrong. But there's a lot of things wrong here, Cause there's a lot of girls like this. There's just— hundreds of girls losing their minds, like, I've seen Beatles mania and thought that was crazy, Shit, I've even seen some people put out that kind of energy in the modern world for some dumb DJ's— That's their god— But THIS THIS Michael Jackson mania was mental illness That was hard to watch. That was people just Lost control. I'm thinking “Like goddamn. You— what?!” “AAagghhhhhhgahahahahahqhahahhahaha MICHAELl “These people are sick” But they are. And so is Michael Fame has gone too far, 1997; 12 short years before he died, by chance— So this is what I see, And then Michael starts dancing, And this— This is what I see; I see the only thing that can ever be what it was in that moment in time, as God being God: Michael Jackson. Shiny ass motherfucker, And so I'm watching this show, And all I see is a God being a man being a God being— Michael Jackson— And the whole thing is weird. But the worst part— Yes The worst part Was when, about mid show, Michael goes to do one of his slow, lovey doves songs, And like, this 6 foot 7 type body guard guy, Just pops up out of nowhere, Comes dead front and center to one of these little girls losing their minds, Runs up on her in an instant; You don't even have time to think— And just SNATCHES her— Snatches the bitch— “Ah!” then throws her up on stage with Michael— And he's still singing; this is his game, this is part of the show, he knows— But she doesn't know, And she's just lost her mind, She won't let go She's hugging and kissing on the dude, She's lost her mind, She's ugly crying She's on the floor, She's kissing his hand She's really lost her good goddamn mind— And they pan out to the audience, And all the girls that didn't get picked Are like WHY NOT MEEEEEEEREEEEE?!? THE UGLY CRIES ARE EVEN UGLIER NOW, They're like “Wh—what?” You don't know?! “WHY NOT ME” They're holding each other crying, Michael's just doing his thing, He's unphased, He's trying to play along; He's a professional like a motherfucker; He's just— keeps singing And this girl is just, Losing it, so at this point, it's weird, She's crazy batshit lost her mind all the way, Won't let go of Michael, kissing his face while he's singing, He's kind of unreceptive to it, now just looking out at the audience, almost not even looking at all Just cold as fuck actually, Like she's not there, kissing his face Cold as fuck— And then another bouncer dude— An even bigger one in a blue suit, comes and tears her off of Michael Cause clearly this has gone too far or whatever And I'm thinking “What in the fuck did I just see” Blue suit dude just snatches, Just— He has to tear her off of him! She's kicking and screaming and getting dragged off stage Michael's just: singing. YO. Then they dragged her back stage. Where did she go?! WHO DID SHE BECOME?! WHAT IN THE FUCK DID I JUST SEE?!? WHAT. 1997. You can't do that shit anymore! You cannot snatch bitches like that. I seen. Watch the video. Tell me what's wrong with it. It's disgusting. Not the snatching, Not the— Like, that was weird But the screaming and the crying and the— Like okay, the snatching was bad— But I'm like … ..:: …. Now I see why they was mad. Don't ever forget he was once— A dark skinned little boy, And in his genetics his whole life is still this thing That some hate. But people loved him; they loved him that hard— Screaming, ugly crying hard. I think in that moment you know someone was like “he must be stopped!” And it seems like yesterday was a year ago But I don't want let anybody know… Cause everybody wants something from me now— And I don't want to let them down. My life is over. New York City looks so small from the top of a skyscraper. What are you doing. Then again— my thoughts lately have been grandiose. Back market, eh? What's this for? You need a burner. I have three. Here, have another. For someone whose supposed to be entirely off grid, I'm admirably reachable. Clever vocabulary. Something has to be clever about me, doesn't it? Does it? It must be. Or else. [both men are speaking casually over the delicate process of loading rare guns; some of which appear to be antique, and some—almost even unearthly , as if from somewhere besides our own planet. But, you could say what planet this is at all, actually— this bunker, with no windows and no doors, is apparently hidden in a subterranean layer— the location, unknown. The men seem calm but also quite tired and weary, and seem to know each other well. We can assume they've probably been friends for years. Sickle cell anemia. Does that mean I'm going to die. Animus, I quite like whatever that is, Google. ;) don't mention it. Honestly, you might as well. What. I can't help you with this. What. I don't think there's anyone who can. Beg your pardon. Please, don't beg— but uh… [the doctor pats his patient on the shoulder] Do take care. Gee, doc! I'll try! You should do that. What. Try. The doctor leaves seemingly in some kind of hurry, trading his lab coat for a trench coat and closing the door behind him. The other man pauses for a second in the silence of the weird linoleum room, then ponders on the coat for a moment before walking up to the coat rack, putting on the coat, and then walking out the door himself; as he begins to shut the door, he quickly decides also to take the fedora that was sitting atop the coat rack, placing it on his head before he walks out the door himself, shutting it behind him quietly. You got anything to eat in here? Cereal…some rabbit food ina the drawers, there. Oh, you have salad. That sounds nice. No, rabbit food. [the man presents a large bag of weird brown dry food from the crisper drawer.] …pellets. For the rabbits. How do rabbits get in here? …I don't know. And— more importantly— where did you get rabbit food for them? If I told you Amazon, would you believe me? The man just winces and places the bag back into the crisper drawer. Now listen, I um— If you want cereal, the milk is powedred… I don't— and that's disgusting— but listen— [the man cocks a loaded gun and admires it intensively] (Dismissively) —I'm listening. I've been meaning to tell you something. Tell me what. It's important. Oh, You couldn't have used one of my four phones. Look, it's— You know I wasn't expecting company. Well— You should sit down. The man squints, beginning to listen more attentively. … …really. I'm holding a loaded gun; there are at least three more within arms reach if I do sit, you know. I know. But I should sit? One baby to another says, “I'm lucky to've met you.” Maybe you should. Not all my bad but all my might, And all my mind, The fire, The light. …business or personal. [beat] Both. {Enter The Multiverse} What are we watching?! Shhhhhh! Shut up. What is this? Some.. Sshhh. Shit, I don't know. Sit down. You don't know. SHH it just came on Shh. Ok. When? Uh… (Nobody really seems to know how long it's been. The show just happened to come on; no one remembers how, or why— or even when— But the show is intense as it gets; And it just keeps getting weirder and deeper.) {Enter The Multiverse} I'm transfixed on your soul And it seems I aspire To what has transpired here, Your unremarked and the umpire The spider veins and the way it washes. And watches and waves, and waters over you, And still I seem to think you've won another, Strum to thumb of you. And still I wake to gather here The odds and whats And the twists and turns and the Troublesome you've number some Or stuttered, stumbled conciousness. And withered branches Aces lie and house of cards And aging scoundrels— There you are, the..: Nevermind. Don't belittle my ways if, In the end my thinking may be correct As dumbfounded as I have shifted my lottery bonds tied to none, There ye are again who aren't I, And never were, And weathered now, as I, bound to Struggle under her might, Nothing I was, and nothing I am And nothing I came from but to barter Oh hard love, I only found my kings upon thrown As cast out of another by her likeness, Peace and pale and primed as it was, And wanted for love, As I was not— And then, the gates had opened And I, preaching withered, Gathered my arts and my minds And my eyes, and my thrones, Buried my ark and though not my bones The shallow waking peaks of pride And there you gathered, all as huddled sheep to mine, The cost of war, but certain therefore honored as I have, Happened went, came and untied, shattered Hating all I am and all my dark and all my eyes and all my brown Because you came and went, a baby born to as nothing was but beauty and yet having been gifted such life, Departed! Soon, I wake shattered and with none as it had began, in my time and in time there laid there none, But fortune seeks to favor, as ye are saying brave and yet I neither beg nor make to differ, Shall you come again in part, And in this time as shadows, as shadows As hating and wearing and waging, And shattered I, I pardon, Knowing not they seeking I, And I having none at all but one, As forgotten I shall came And went And followed this, The time y'i call now, And ours and ours, And yours and yours, And mine and mine, Though as one are also, Common not, And waking yet to find, These things making have gone into yer Another of ours, world, Another of our dozens, Shines, Another of our gathered, wit, and waking Though true to fortune, none us have gathered And have embarked to truth, The waking I have come, Another, and another, and another Departed. And yet, I bury my words having weakened to that which is this, Ye have no fear and lest no fortune in these words, For having I to come and gone, since they times In words to make this a language I or neither other Does not speak here, and almost never, And this yours time past, Has come and gone And come and gone And come and gone again, So long so I too have parted but not yet Unfolded as does my nature, As God does. Belittle this, you waking fools, As to this you pity though divine, Is unlike any other And steep remarked in gold and with chimes and words That ye here no often or either now, or in mine speak. Amen …can I go now? You are dismissed. C'cxell Soleïl, aka DJ Ū is an American DJ + Producer, Multi-Instrumentalist, Playwright, Poet, Comedian, Novelist & Filmmaker. She is best known for her unique vocal riffs, Clever Lyricism & Philanthropically Inspired Freestyles and her flagship venture [The Festival Project.™] [Ï A M B ī C], a freestyle studio mixtape recorded in Los Angeles, (Official Release: TBD) inspired the adaptation of a staged musical version for Broadway, and a concurrent multimedia (TV/Film) series and ongoing saga as part of The Festival Project ™ Brand. Inspired musically by an ‘Ultra American' experience of Racially, Binary Ambiguity, and Synesthetic Exploration, her reflective melodies signature sound provides a philosophical dissection of American culture through a careful and inquisitive mastery of the English language, and emergence of world sounds through music brings about ‘A New Era in Nature', and clarifies the establishment of the newest wave in human evolution: Unity Through Music. L E G E N D S What if I just want to be alone in the dark Alone in the dark Alone in the dark Bones Duggar was a long, handsome zombie Bones once was a very tall man Not great and tall, as he stands But average, Grand as it were, his status. Everything's black My heart My pants My home My mind Everything hurts But you don't understand that Like I can Calm the commercial holidays for a moment Who gets the card? Get our your hard earned My head hurts Slam the door man; You can't control thoughts With a wombat Murderer Now that's a hard concept to catch When you haven't a soul When you haven't a card Or a car Or a cat I think I'm vanilla. I always thought of myself as a super kink Like a freaky, freaky bitch. So I got on this app. This app is better then Tinder. Yes. But it is not for the faint of heart. No, sir. They have a test, I'm like “ooh, I like tests” So I take the test. The test was not at all… As I'd hoped. First of all, It was hard. It was not a quiz; It was a TEST And I failed. I realized “Oh my god, I don't like any of this stuff” I am not about that! No! Yuck! Gross. “I think I might be vanilla.” I might be vanilla. I want my hair pulled back like a leash And my arms tied up Like I'm being arrested Without being read my rights. — I want your hands on the back of my neck [breathe] Reach around to my Mortimer's apple Put the lights out, Adam. I want the lights cut off. I want the bills piled up so the phone don't work I want the habit back on Don't talk to nobody I told you, I'm coming No, God! That's dumb! Show me why I'm off all alone with a rattle so bad It's just segmented thoughts, colors and sounds I can't make with all the plugins in the kindgdom of chaos?! I WANT KINGS, AND KINGS WANT BLONDES— I WANT KINGS, AND KINGS WANT BLONDES I WANT KINGS, AND KINGS WANT BLONDES —but the one who could love me is God, And I guess he's not coming. The denial turns to tears, Not songs no more My womb is empty And the sun has turned into Not what I wanted But not my fault We got caught in the land of Cutting costs And processed morsels At 400 pounds And that's where I found What I thought was love But it turns out That it just turns up In the whole form of a person And that's why I got the collar, caller But really I'm no one's lover So I Do what I want I don't hang up on God But he don't got a body And I need someone to love/ Fuck me Please God Don't turn the lights off I'll pull the clock back Just like foreskin, god i want your skin Draped over mine in a warm swath Probably run a hot back Cause the next stop is a closet The line doesn't really move for the Doesn'tMatterhorn. some people are starting to doubt if it's even a ride. Others just admire it for its eloquence as a metaphor. Johnny! You scared me! Aha. Where did you go?! Nowhere— fast! Alright well— Money when you know I have it But I haven't really Paid attention to the never ending Digits never coming in but Simply, there's a secret, Sonny Someday you'll get lessons, honey. Much to find and much to serve and Surf us up Piñata's bout the burst But here comes Vesuvius (POW) Everyone was gone in an instant (Vapor) Had a good laugh that night in the pantheon; Everything's past, and the mortals They kept on running But i didn't want go, God Putting on a show then I blow up Just like the mountain Found her Now I got a broke back husband (hope so) To tell, don't ask Don't show up if you just get lost But I'm probably in the back with a bottle back mountain Now you got a real horse pack. Trip Girl keep camping What was the map with the mask and the Fashion? Pass. I put sugar on the rim of the glass With my eyes half closed And my ass clenched fast shut I'm an alcoholic Don't involve the God I got lost in the mall with the —- UGHHHHHHHH! Hello. Uh, yes— hi. what up. Mirror mirror. Uh…nothing. You're lost? No. You look lost. Oh? Disgruntled. I am that. You're lost? I'm not lost. My friend is lost. His phone is dead. You lost each other. Sort of. Continuity conniption I nipped an eclipse And he picked his nose For a full ass minute Sitting at the stop sign That's a gobstopper's worth in our time Pull all the clocks back, Pull the fool over, You just got fined It was Friday for nothing I was in the hatchback, Scratch that Sour patch Should have called Pat back Now I'm just a Cool 48 in the ring with a date And the cashapp Continuity construction I want a husband! Fuck that. I want a clean cut plus one Since I can't have Helmet, Elmo, Or Hatchetman; Tears of a Clow…no, Wait I lost focus Half finished album Got 6 tracks But I knew it was 12 from the get go Prob‘ly should have knocked off the showrunner; Nah, I'm sure I had that coming Hashtag, undon Could have been you, too If the cash came through Now it's hard times Hardwired Sitting on a hi wire, Little white liar, liar Wait I made Katey Sagal (Fire) Cut off her hair (Fire) Went to the hall of fame with the framed sunglasses Asked for her autograf, But she walked off So I shot her with a bottle/ can, But she ducked, popped back up With the brass knuckles Surfboard Good for a chuckle and a fuck So I asked for her number All that on a Sunday at Gelson's market. Christ, almighty I miss Walmart, I hit hard times. So many places to run, But not many places to hide I think I want to die here I think i want to die. City of corruption… Lay it out and lay it over City of corruption… no, it's not a choice It's a black tie function Right in that very moment Seth Meyers kind of became my defacto personal hero. “Never meet your heroes” Or perhaps it was just his writing team, or the fact that maybe even without there even being anything set in stone or solid at all, [redacted] itself seemed to have a price over my head– It all seemed to make sense; in fact, all the crazy things i was experiencing made more sense than it didn't. But after what felt something like between defeat and maybe even one day really getting justice for all the things that had happened to me in new york– it was that, at best; That without actually meaning it, by all probability, the opening monologue described what in perfect sense the thing that had been happening to me: hundreds of motorcycles and cars riding around in circles for over a year, any time i tried to work or sleep–and then, when I finally tried to reach out to find an attorney that would help, I was made to feel crazy for it. In a way, it was the perfect indication that it had all been some sort of sick game, and that I was more right than wrong, and being set up to appear, sound, or look crazy–but I wasn't. I had been under attack for nearly two years, and when I tried to reach out, my heart raced and my voice cracked, and I sounded crazy and desperate–but what was happening was very real; and now I knew where I was. As it turns out, New York's corruption was more common knowledge to everyone else before it was to me: New York was a common place for fucked up, dirty, low-down mind games: and this was my lesson in that. Seth Meyers in reality had nothing to do with it–and really I only meant to watch Kimmel over my afternoon tacos. But still, though it hadn't entirely anything to do with me, the opening statements rang true to exactly what I had experienced; I was made to lose my mind, only to have everyone around me tell me it was something wrong with me–but it wasn't. Something was wrong with the city, and the building management, and the people around who were making it all to be some kind of mental disorder or problems with my mind–in reality, it was 2 years of being in the center of a speedway, and all the time i'd lost because of it adding to the stress, and the angst, and the depression that resulted. Moo. Moo… Moo. Moo, sir. I'll kill you. You promise? I want to. Don't get me excited over nothing; If this isn't the exit, please take this tease To the left, dear Moo, cow My honor Level one, and brother, you've got nothing Flip the coin and landed on your headache Betting on your helmet Standing on my cock, i'm taller (Not a rooster) But my ops are rooting for you, No informants, Dont you know I was a collar, all along? I was a shot calling, Cop calling Kiss-and-tell all as the night goes on. But oh, I brought you a dollar bra Oh, I bought you for all of a dollar And oh, I'm so much taller, Standing on my cock But i'm not but ten feet tall You know, you wrote that Should i open the book, or close that Caught that cat, owl and As i soft spoke at Every broken model Broken bottle for the thoughts you owe Across the scatters skies and no one ever knows When you're realling coming over Come on, I'm on the pornhub Just to pick up another one Go on, and rub the bottle One more once, To call the Bubbles. Damn. Come. (The Monkey obeys) You should see Michael in all of his godform You won't recognize him at all if not by the eyes When you follow home Believe me, this not comes close to it; The one you wanted The world you jumped to but were just short of Call her back Oh no, you're wrong It's another song A pin up girl And the wrong number Okah. Okah, Pablo. Time can be altered, changed or effected presently in any omnidirectional plane by engaging certain acts or synchronicities within multidimensional parallels or adjacent realms in time and or space respectively. –the reverse quantum simulation theory. Does anyone else smell blood I hate wedding days suits and tuxedos No, I don't know you I'm just here to sound the hundred drums Of the once before us (The ones to come) Then, there we were and I didn't want to admit Again, I was caught into the ghost of the rapture Or the holy hour, No aux chord Show the holy one Just how old you are On these sacr d lands and a holy grounds Now I want here half an ounce to smoke And there were drowning orchestras in all of the hearts And all of the markets, The market the marker And all of the sins of the savior The maytyr Did you remember not to notice not to know him Were you sure with words you were for nickelodeaon! I was supposed to hold on to, Supposed to hold on to Suddenly, it's summer. And always our own are under the weather There was no other wise man the wind. Lee the one came The site came and went and then the songs went left The songs went left; Again, the songs went left Did you win at wintergreen Well, God, I didn't know gym was a game. I didn't know guns we're just portals to worlds unknownn I didn't know gossip was golden What all else didn't I know It wasn't for here! It was fourth flour And in the final hour of the battle I commenced to summon All the gods and all the lords and all the flowers All the worlds of oceans and the Remember, this The remembrance It may not matter to some, What matters to most But until summer comes, I'm still up under the rail And practically it's spring, for the next two weeks I'm all berries and cream and whatever you wanted. Tormaline, emerald and onyx, the fox said And fox says its west when instead it's quite under what of the reporter's offer? Comes down a little to none What of the offer Comes down from a billion to one A billion to one I'm on TV so it's really just a one way screen Either way, I don't think he likes me much I don't think he likes me much I'd rather die than to fall in love even one more time And to keep on just never being loved Never beingbloved {Enter The Multiverse} [The Festival Project™ ] {Enter The Multiverse} L E G E N D S: ICONS Tales of A Superstar DJ The Secret Life of Sunnï Blū Ascension Deathwish -Ū. Copyright © The Festival Project, Inc. ™ | Copyright The Complex Collective © 2019-2025 ™ All Rights Reserved. -Ū.

Episode 626: Neal and Toby dive into Bitcoin hitting another record high just in time for ‘crypto week' in Washington. Then, Delta has a clever way to avoid import tariffs on new airplane parts, and they're not the only ones doing it. Plus, Kraft Heinz is on its way for a break up after its doomed merger in 2015. Meanwhile, Toby talks about the trend of ‘superfake' luxury items that are nearly indistinguishable from authentic luxury.  Meet your local home loan expert at ⁠⁠https://mortgagematchup.com/?utm_source=morning_brew&utm_medium=podcast  Subscribe to Morning Brew Daily for more of the news you need to start your day. Share the show with a friend, and leave us a review on your favorite podcast app. Listen to Morning Brew Daily Here:⁠ ⁠⁠https://www.swap.fm/l/mbd-note⁠⁠⁠  Watch Morning Brew Daily Here:⁠ ⁠⁠https://www.youtube.com/@MorningBrewDailyShow⁠

Designer Antionette Carroll, born, raised, and based in St. Louis, Missouri, is a natural born leader who has been on a mission since day one. She's the founder of Creative Reaction Lab, a nonprofit educating and deploying youth to challenge racial and health inequities impacting Black and Latinx populations. Antionette co-pioneered an award-winning form of creative problem solving called Equity-Centered Community Design and in doing so has received several recognitions and awards including being named an ADL and Aspen Institute Civil Society Fellow, TED Fellow, SXSW Community Service Honoree, and Essence Magazine Woke 100, among many others. She's also a classic Taurus, the mother of twins, a fan of Mexican food, and a proud granddaughter! Images and more from Antionette Carroll on our website!Special thanks to our sponsor:Wix Studio is a platform built for all web creators to design, develop, and manage exceptional web projects at scale.Clever is hosted & produced by Amy Devers, with editing by Rich Stroffolino, production assistance from Ilana Nevins and Anouchka Stephan, and music by El Ten Eleven.SUBSCRIBE - listen to Clever on any podcast app!SIGN UP - for our Substack for news, bonus content, new episode alertsVISIT - cleverpodcast.com for transcripts, images, and 200+ more episodesSAY HI! - on Instagram & LinkedIn @cleverpodcast @amydevers Hosted on Acast. See acast.com/privacy for more information.

The Toyota GR Yaris and GR Corolla are already cult favourites, and now they're about to get even faster.Use the code ‘PODCAST500' to get $500 OFF HPA's VIP Package: https://hpcdmy.co/podvipIn this interview, Ben from ‪@artec_performance‬ reveals the 18-month R&D journey behind their fully emissions-compliant bolt-on turbo kit for Toyota's GR platform. This isn't a generic setup, every component is purpose-built to retain OEM fitment, support factory ECU control, and maintain legal emissions systems. That means you keep your sensors, your catalytic converter, and your conscience clean while chasing 400+ hp.You'll hear how ARTEC engineered their own turbine housings, compressor covers, and manifold solution to suit Garrett G25 rotating assemblies, why packaging and emissions compliance required more than just off-the-shelf parts, and what makes the G16E-GTS engine one of the most exciting new tuning platforms in years.Whether you're building a street-legal time attack car or want to keep your road car emissions-friendly while unlocking serious power, this bolt-on system is worth a closer look.

Graded Slab Cards are now available and we show off some of our favorites. Ryan invents a even cooler vape for the kids and we open our first official package from the PO Box. New changes to podcastsaregay.com are coming, the UK has a cousin marrying problem and we get some more pokemon parody art from @arttycuno for our custom cards. All this and so much more on this weeks Clever Name Podcast. THIS IS JUST THE PUBLIC VERSION OF THE SHOW AND MUST BE HIGHLY EDITED. THE ONLY PLACE TO GET THE FULL UNEDITED SHOW IS ON https://clevernamepodcast.com WITH OVER AN HOUR OF EXTRA SHOW EACH WEEK.BUY TRADING CARDS: https://www.paypal.com/ncp/payment/SH9WJ5V6EJ8UQFULL SHOW: https://www.clevernamepodcast.com/LIVE SHOW: https://www.live.clevernamepodcast.com/MESSAGE TO PLAY DURING SHOW: https://streamlabs.com/clevernamepodcast/tipINSTAGRAM: https://www.instagram.com/clevernamepodcast/?hl=enDISCORD: https://discord.gg/m4USkdA7wAALL OTHER SHOWS: https://www.podcastsaregay.com/SEND STUFF TO THE PO BOX : PO Box 20016 Orillia, Ontario, CanadaL3V7X9

TROUBLEMAKER enters through the foyer. Troublemaker— I never though I'd see you again. — you won't. Yo what do I owe the displeasure? Fascinatingly inept. Ahem, excuse me— to what do I owe the nauseating discomfort? Better, but still no dice. What are you going here, exiler? “Exiler” well now, here we are making up words after a rusty start. What do you want? Where are they? Who do you mean? Birdsong and Hawkeye? I'm supposed to know? You do know. Do I now? Now— tomorrow— always and forever. Don't play mind games. But oh, a game it was to have given you the mark of the call in the first place. The what? I made my time with you and you alone; and you as well as I remember this; I know what you know, and I am where you are at all and any given times. So then, you can find them all on your own. Clever but not! Without seeing both eyes, I have none at all. What are you seeking? The hidden truths. Well then; you're going to have to kill me. Then I will. MONARCH THE SUFFERER enters through the galley in extreme panic. STOP, STOP! WAIT AT IT. MEANWHILE Okay, Conan, what gives? Nothing! Should this mean something at all? This is innapropriate, So you are—completely lucid. Of course I am; I'm an astral traveler, aren't I? I don't know what you are? For now, as it appears, just a thought. Well, if I give you my eyes, will you sprout arms or something? The mystic waits and ponders; this seems to be an enlightening thought; filled with amusement, she replies. Why, yes, Conan. Give me your eyes. Are you serious? What a remarkable thought. Actually! Wait a moment. Please be in jeans and a t shirt not a sweater or a jacket or a suit When I please you want you to be my teacher In this essence, you are light and I'm the truth Feed me See me for my demons As I need your for your weakness Only on the weekdays, and never on the weekends We hiatus summers— Smart, huh DJs on the long nights, Your festival seasons Turtlenecks at Christmas, No hannukah for Christians, I'm waving at the Krishnas in the station And I'm brace to even right this; As I brace myself for impact, Saving Grace is in its place I guess the last days have to happen As the last act take its placement —Ace of Spades. Somebody kill me I need to get pass go Collect $200 dollars And never ever roll again To roll the dice To troll the doll —someone's lost in the mall, alright, I bet. I thought it was a poker game I even hoped, But no, Just lunch and cake. Amen. A dog in the host suit On octopus arms How alarming. How are you? I'm no good, No good, No good, America No good, No goon, But too false for truth, America No words, No news— Who ties the noose, America? No time for booze, America Just cut me loose, America. Patrick! Patrick! What about the offer? There was no offer! I lied, to you! But why would you do that? To get the most out of you. Well— you certainly did do that. You certainly did do well. Certified freak; Shh, I can't leak the secrets. I could be speaking in codes, Or keep cleaning my creases with bleach If you mean what you mean, Death. I sure do think, You are in for The ride of your life The ride of your life I sure do wish, That I just didn't have eyes m Just didn't have eyes Just didn't have— Here's a thought: who'd you wash in the laundry? Were you hoping that I'd wander? Mayday — lost focus That is just not your business! Keep it simple Keep it tie dye Keep it strange And keep it rowdy Keep it pushing Keep it pouty Keep it off the walk And show now panty lines No petty theft No truth remarks No sighs No heavy dining Bleeding Eating Breathing Thinking Where were for you when I marked you though and then? This is no Romeo and Juliet! Did you forget your lunch? Oh you forgot, You know I'm just old fashioned. That was passionate For a paraground in parameters of iambic Drenched in suffocating silent Lock box I have the option I have the option I have the option But I'd rather not! Ha ha Charade you are Ha ha hav Show me what you got Ha ha. Ha ha A hallmark card marked Penny in a fountain. That's the address, Well, send it back then! Which fountain? Which penny? Which wish, Which which And which Christmas. I don't get it I took a half wit plastered bastard and had him hammered into a masterpiece; Now I'm the madman. Now what's the matter? Now what's the difference in a fan and a friend Or a cat in a hat or Peanut butter jelly and a baseball bat Is it just as indifferently anyway just another day In fact, It's opposite independence Interestingly in this circumstance I am imprisoned Listening to indefinitely And whether or not I'd never admit it This Is In me. Never friend, However, In the final act, Holding hands as the curtains lift, And the audience stance, The simple tremble of a pulse Which resembles the flicker of definite grip Rather publicly, In fact, Center percentium How's that for a show of affection? The drop of a hat, Or as light as a feather Who goes there Or yonder. “I ponder on that,” “Very often” Said Cheshire Cat. Don't forget how long it's been since Alice had originally fallen, And that all along we've all been in and under, up and down in Wonderland. (and also, it's the phantom of the opera) Come crashing down now the silvered chandelier of crystal and of course the precious iridescent diamonds. How remarkable the art but perched and parched above it he shadow lives in sawdust And showtunes And auras And hauntings And mayday And mating calls And over all The body calls to rotting soul To find a plug to pull A bull to taunt Another fan that wants you. What the fuck would love fall upon of not the shoulders of the golden one. You're doomed. I don't know what that means. {Enter The Multiverse} [The Festival Project™ ] {Enter The Multiverse} L E G E N D S: ICONS Tales of A Superstar DJ The Secret Life of Sunnï Blū Ascension Deathwish -Ū. Copyright © The Festival Project, Inc. ™ | Copyright The Complex Collective © 2019-2025 ™ All Rights Reserved. -Ū.

"Dinosaurs eat man. Woman inherits the Earth." It's a double feature summer at Movies That Made Us Gay, and we watched the original "Jurassic Park" and the latest entry "Jurassic World: Rebirth" with our friend and the newest member of the MTMUG Five Timers Club, Hiko Mitsuzuka. His monogrammed smoking jacket is on back order. Listen, what else can be added to the conversation about the original Jurassic Park? Yes, Laura Dern was a sexual awakening for many a young gay girl (and boy), yes the Dilophosaurus is a lesbian icon (much like the aforementioned Laura Dern), and yes Robert Muldoon (Bob Peck) in kahki short-shorts made us feel some type of way with those bulging thighs. But we're here to add to the conversation as well as talk about the latest - and possibly queer-est (most queer?) entry into the Jurassic canon. While there may be subtext indicating a possible future love story between Dr. Henry Loomis (Jonathan Bailey) and Zora Bennet (Scarlett Johansson), we would like to point out that Jonathan and SacrJo could still turn out to be gay besties in the inevitable sequel. Did Scarlett let out a sigh of relief when she found out her male lead in this film is an out gay male actor? Possibly. Should the filmmakers have just given in and let Jonathan play the role using his normal accent? Listen, Sam Neill's hybrid Kiwi-American accent worked just fine in the original. "Slutty little glasses" and questionable accents aside, Jonathan Bailey and Scarlett Johansson are a welcome addition to the Jurassic family. Is that a read on previous cast members? We'll let you decide. "Clever girl."  Thank you for listening, and don't forget to subscribe, rate, and review us on Apple Podcasts! www.patreon.com/moviesthatmadeusgay Facebook/Instagram: @moviesthatmadeusgay Bluesky: @MTMUGPod.bsky.social Scott Youngbauer: Twitter @oscarscott / Instagram @scottyoungballer Peter Lozano: Twitter/Instagram @peterlasagna

In this episode of the Greenside Up Podcast, we dive deep into the world of commercial trucks and equipment for tree care and landscaping businesses. The hosts discuss their innovative vehicle setups, including custom bucket trucks, tow trucks with lifts and mini loaders, and strategies for maximizing efficiency while minimizing CDL driver requirements. They share insights on truck selection, trailer configurations, and practical solutions for growing businesses, including how to reduce operational costs and streamline job site logistics. From utility beds to side-dump trucks, this episode is packed with real-world advice for green industry professionals looking to optimize their fleet and operations.  Connect with Jason and Jordan: https://greensideuppodcast.com/ greensideuppodcast@gmail.com   Geen Side Up: Facebook   https://www.instagram.com/greensideuppodcast/   https://www.instagram.com/skyfroglandscape/   www.skyfroglandscape.com   www.indepenttreeservice.com   Mention Green Side Up or use the link below to get $500 off with your SingleOps subscription!   https://referral.singleops.com/l/JORDANUPCA68/   Intrigue Media   GS TrackMe   IG:@imintriguemedia   Podcast Produced by Mr. Producer - https://www.instagram.com/mrproducerusa/

Denials, regret and a whole lotta guilt was thrown around in this episode by a lot of the characters. We finally got the climax moment we were yearning for and it was not what we expected- It was worse... Mike White has been savoring that moment since season 2 when he poked around with the idea of it and he finally went for it this time around. Mike White, you evil evil- Clever man!

In today's episode, I'm joined by Mickey Hicks, founder of Mrs. Clever, a beautiful quarterly planner designed specifically for work-from-home moms and entrepreneurial women. Mickey shares how her own need for structure as a mom and creative led to the creation of the Daily Dashboard — a planner that blends business and life in one powerful tool. We talk about: How she transitioned from corporate branding to building her own planner company Her experience funding her launch through Kickstarter The role Print School played in turning her idea into a product The surprising success she found in local in-person events Encouragement for women balancing family and business dreams If you're dreaming of creating your own planner, workbook, or journal — or just want a tool that finally works with your rhythm — this conversation will inspire and equip you. Special Gift: Use code POLLY25 at www.mrsclever.com to get 25% off your Daily Dashboard planner! Links & Resources:

Interior designer and self-described “cocktail,” Yasmine Ghoniem has lived a whirlwind life across continents, cultures, and careers. Born in Kuwait to Australian and Egyptian parents, she lived throughout the Middle East before moving to the United States to attend Savannah College of Art and Design. She always had a deep love for music, feeling destined to be a performer, she formed indie rock bands with family and friends throughout the years. Yasmine eventually put down roots in Sydney, Australia where she founded and leads YSG Studio, an interior design studio focusing on residential and hospitality. She brings her eclectic influences and flair for the theatrical drama of staging and storytelling to all of her spaces. Intoxicating indeed! Images, links and more from Yasmine!Special thanks to our sponsor:Wix Studio is a platform built for all web creators to design, develop, and manage exceptional web projects at scale.Clever is hosted & produced by Amy Devers, with editing by Rich Stroffolino, production assistance from Ilana Nevins and Anouchka Stephan, and music by El Ten Eleven.SUBSCRIBE - listen to Clever on any podcast app!SIGN UP - for our Substack for news, bonus content, new episode alertsVISIT - cleverpodcast.com for transcripts, images, and 200+ more episodesSAY HI! - on Instagram & LinkedIn @cleverpodcast @amydevers Hosted on Acast. See acast.com/privacy for more information.

In this episode of Grow a Small Business, host Troy Trewin interviews Nicola Mason, co-founder of Smitten Merino, shares how she built a thriving Tasmanian fashion brand from her dining table to a $4M business with 30 staff. Using premium Merino wool, they've championed local manufacturing and sustainability, growing through clever strategies like authentic, personal email marketing. Nicola talks about navigating challenges during COVID, balancing rapid growth with family life, and how resilience and creativity turned their dream into a lasting success story. Why would you wait any longer to start living the lifestyle you signed up for? Balance your health, wealth, relationships and business growth. And focus your time and energy and make the most of this year. Let's get into it by clicking here. Troy delves into our guest's startup journey, their perception of success, industry reconsideration, and the pivotal stress point during business expansion. They discuss the joys of small business growth, vital entrepreneurial habits, and strategies for team building, encompassing wins, blunders, and invaluable advice. And a snapshot of the final five Grow A Small Business Questions: What do you think is the hardest thing in growing a small business? According to Nicola Mason, the hardest thing in growing a small business is making sure you don't damage family relationships along the way—especially in a family-run business. Balancing intense work demands with family harmony takes real intention. What's your favorite business book that has helped you the most? Nicola Mason shares that The E-Myth was one of the first business books that truly helped her, alongside Brene Brown's work on vulnerability and leadership, and she recently found Hanging by a Thread by Erin Dearing particularly relevant. Are there any great podcasts or online learning resources you'd recommend to help grow a small business? According to Nicola Mason, some of the best resources to help grow a small business include the Grow a Small Business Podcast, Diary of a CEO, Huberman Lab, and anything by Brene Brown. She finds these not only practical but also inspiring for both business strategy and personal development. What tool or resource would you recommend to grow a small business? Nicola Mason believes the best “tool” for growing a small business isn't software or tech, but the qualities of passion and resilience—showing up every day, even when it's tough. What advice would you give yourself on day one of starting out in business? Nicola Mason would tell herself on day one to keep going, hold onto the dream, trust the vision, and know that despite the setbacks, it truly will work out in the end. Book a 20-minute Growth Chat with Troy Trewin to see if you qualify for our upcoming course. Don't miss out on this opportunity to take your small business to new heights! Enjoyed the podcast? Please leave a review on iTunes or your preferred platform. Your feedback helps more small business owners discover our podcast and embark on their business growth journey.     Quotable quotes from our special Grow A Small Business podcast guest: Layer up in wool, layer up in courage — both will get you through the cold days — Nicola Mason Our customers don't just wear our clothes — they become part of our family story — Nicola Mason If you love what you do, you'll keep reinventing, even when the world wobbles — Nicola Mason  

PREVIEW PRC: Colleague Anne Stevenson-Yang presents a clever gaming of the deflation fighting that moved Beijing to shower the consumers with discounts that can lead to profiting from self-dealing. More. 1890 SHANGHAI

Kelley Brooke, CEO of Brooke Management Group, joins the Club + Resort Talks podcast to discuss the implementation of robot delivery at Harbor Links golf course. The course, which has 27 holes, aims to attract a younger demographic by modernizing its services. Brooke partnered with Robot.com to introduce food delivery robots, which have significantly increased food and beverage service, accounting for 35-40% of daily sales. The robots, which are GPS-guided and can handle various items, have attracted attention, including a visitor from California. Brooke emphasized the need for additional staff to support the new technology and plans to explore further technological advancements, such as advertising on the robots and using robots for maintenance tasks. Also in the news … Privé Padel has officially launched a high-end padel destination at the historic Montauk Yacht Club, marking the first-ever padel courts in Montauk and a major milestone for the sport's presence in the Hamptons. Zinkand Golf Design is building a new 12-hole golf course at Chechessee Creek Club. Clever routing combines the opening five-hole loop geared toward higher handicap players with the final seven holes requiring greater strategic thought. Lastly, Evergreen Golf Course hits the market for $4.8M after sinkhole closure ends a 60-year run. After nearly six decades of operation and several months of closure, Evergreen Golf Course in East Hempfield Township has officially been listed for sale. The 70-acre property is being offered at $4.84 million by Iron Valley Real Estate of York County. The longtime family-owned course shuttered on April 30, after battling extensive and persistent sinkhole damage that made continued operations unsustainable.

In this episode, Geoff shares that his son is currently having him read through ALL of the Grimm Brother's collection of tales. And while on this journey, his son has really gotten a kick out of some tales more than others. And Geoff shares one of those tales with us; the tale of Clever Gretel. Armed with a quick wit and a desire for good food and drink (and a pair of red shoes), Gretel is ready to take on the world...or at least, her employer. Then Katrina shares a story with the same tale type (ATU 1741), that came from Sir Richard Burton's "Thousand and One Nights". Listen through to see if everyone leaves with all of their body parts still attached.

The term 'bird brain' might suggest our feathered friends are stupid, but Hannah and Dara learn it's completely untrue. They play hide and seek with a raven called Bran, and hear how his behaviour changes depending on his mood. Corvid expert Nicola Clayton explains these creatures are actually cleverer than the average 8-year-old, and can learn how to choose specific tools for different scenarios. And neurobiologist Andreas Nieder tells them that while crows evolved totally different brains from humans - 300,000 years apart - they might just be capable of the same type of intelligence. Contributors: Bran the raven Lloyd Buck, bird handler Professor Nicky Clayton, University of Cambridge Professor Andreas Nieder, University of Tubingen Producer: Marijke Peters Executive Producer: Alexandra Feachem A BBC Studios Audio Production

In this episode, Aydin sits down with Greg Shove, CEO of Section, to unpack how AI isn't just a productivity tool—it's a new cognitive layer for modern organizations. Greg shares how Section pivoted from executive education to AI enablement after a single eye-opening session with ChatGPT. He dives deep into what it really takes to embed AI into workflows, culture, and decision-making—and why “talking to AI” is now mandatory at his company. From building a company-wide second brain with Claude to simulating board meetings with GPT, Greg offers a masterclass in practical AI integration.Timestamps:1:35 – Greg's background: from flameouts to $250M in exits2:00 – Section's pivot from exec ed to AI enablement3:01 – The 6-month internal resistance to AI4:50 – Why training isn't enough: the real AI challenge is change management6:07 – Why treating AI like regular software is a strategic mistake8:26 – What successful AI deployments have in common10:02 – Lessons from Shopify, Duolingo, and Fiverr on AI expectations11:45 – The price of AI is too low—why that might change14:03 – AI vs. analyst time: “an hour becomes a minute”15:31 – Section's 25% productivity gain with AI18:58 – Measuring productivity impact without perfect data21:24 – Clever metrics: output per headcount, OKRs, AI shoutouts24:51 – Using Claude as a company “second brain”26:11 – Greg's AI desktop setup: Perplexity, GPT, Claude27:43 – The Section Expert: maintaining company context for AI29:27 – “Working with Greg” manual: how to humanize your AI input31:00 – The difference between values and operating principles34:42 – Roleplaying board members with AI before real board meetings36:05 – Claude vs. ChatGPT vs. humans: who gave better board insights?41:00 – AI for owner-operators: create your own board42:26 – What Greg's most excited about: how AI unlocks new opportunities44:08 – Where to find Greg & Section + listener discountTools & Technologies Mentioned:Claude (Anthropic): Used to build a company-wide second brain and simulate board member personasGPT (OpenAI): Used as a daily thought partner and board advisorPerplexity: A go-to AI for fast, accurate information lookupsSection Expert (Claude project): A centralized AI project workspace housing all of Section's key documents for brainstormingProfAI (Section's product): An AI-powered coach designed to teach people how to use AI effectivelyChatGPT for Teams: Mentioned as a better, paid alternative to free-tier toolsGemini Pro: Noted for its screen-sharing and future context-awareness potentialCopilot (Microsoft): One of several LLM tools tested during board simulationsSubscribe at⁠ thisnewway.com⁠ to get the step-by-step playbooks, tools, and workflows.

When the going gets tough, the tough get going! At least that's what our righteous host, Mike Slater, thinks when it comes to a CLEVER maneuver that Senate Republicans pulled off in regards to getting needed parts of the "One Big, Beautiful Bill" back into the legislation without the express of the oh-so-important Senate Parliamentarian. Listen in to find out what the heck we're talking about!Following the opener, Slater gabs with Matt Boyle, Breitbart's Washington Bureau Chief and one of the best DC insiders in the game, about what the OBBB faces as it heads back to the House of Representatives. Will this thing be ready for President Donald Trump to sign on July 4th? Let's all find out together!

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Artist and technologist, Ari Melenciano, spent her youth obsessed with music, art, and gadgets. A year in Barcelona, a city that valued art as she did, left a meaningful impression on her. Back in the US, frustrated at the racial inadequacy of academia and technology, she founded Afrotectopia, a cultural institution building at the nexus of art, science, and technology through an Afrocentric lens.Images and more from Ari at cleverpodcast.com!Special thanks to our sponsor:Wix Studio is a platform built for all web creators to design, develop, and manage exceptional web projects at scale.Clever is hosted & produced by Amy Devers, with editing by Rich Stroffolino, production assistance from Ilana Nevins and Anouchka Stephan, and music by El Ten Eleven.If you enjoy Clever we could use your support! Please consider leaving a review, making a donation, becoming a sponsor, or introducing us to your friends! We love and appreciate you!SUBSCRIBE - listen to Clever on any podcast app!SIGN UP - for our Substack for news, bonus content, new episode alertsVISIT - cleverpodcast.com for transcripts, images, and 200+ more episodesSAY HI! - on Instagram & LinkedIn @cleverpodcast @amydevers Hosted on Acast. See acast.com/privacy for more information.

In this episode, I sit down with Michael Israel, of Clever Elly, to discuss an innovative life-saving device designed to alert parents when a child has been left in the car. With rising concerns about child safety, Michael shares the story behind the creation of this clever tool and how it aims to prevent heatstroke and hypothermia-related fatalities by offering a simple yet effective solution. Tune in to learn how technology is making a difference in keeping our children safe throughout the year.Key Takeaways:The importance of child safety in hot carsHow Clever Elly's device works and its impact on familiesPractical tips for parents to enhance car safetyMake sure you're never caught in a dangerous situation—tune in and learn more about this life-saving technology!About Michael Israel:Michael is a passionate safety advocate and operational leader with a background in launching mission-driven products that solve real-world problems. At Cleverelly, he's helped take a simple reminder device and turn it into a national movement - building partnerships with nonprofits, hospitals and parent safety networks across the U.S.Outside of day-to-day operations, Michael regularly speaks on behavioral design, child safety, and the power of small habits to prevent major tragedies. You can watch the founder's story here: https://vimeo.com/1012288308 or book a call at https://calendly.com/michael-i-cleverelly.About TheresaA wife and a mother to two children and grandmother, Theresa Alexander Inman is a Parenting Coach, Board Certified Behavior Analyst, Infant Toddler Development Specialist, Autism Spectrum Disorder Clinical Specialist. Introduced to behavior analysis in 2007 after years in the juvenile justice system.Her goal is to improve the lives of children and families by helping them strategize child develop skills to prevent or reduce the effects of possible delays while having fun! She also served as a panelist on the first annual Autism World Summit.Theresa is also an author, having published ⁠⁠⁠⁠⁠⁠⁠⁠⁠“Pathways to Early Communication”⁠⁠⁠⁠⁠⁠⁠⁠⁠ in 2022.Connect with Theresa today!• Instagram | ⁠⁠⁠⁠⁠⁠⁠⁠⁠Theresa Inman⁠⁠⁠⁠⁠⁠⁠⁠⁠• LinkedIn | ⁠⁠⁠⁠⁠⁠⁠⁠⁠Theresa Inman⁠⁠⁠⁠⁠⁠⁠⁠⁠• BabyBoomer.org | ⁠⁠⁠⁠⁠⁠⁠⁠⁠Theresa Inman⁠⁠⁠⁠⁠⁠⁠⁠⁠• YouTube | ⁠⁠⁠⁠⁠⁠⁠⁠⁠Parenting with Confidence⁠⁠⁠⁠⁠⁠⁠⁠⁠• Tiktok | ⁠⁠⁠⁠⁠⁠⁠⁠⁠ https://www.tiktok.com/@parentcoachtheresa• Spotify via Anchor.fm | ⁠⁠⁠⁠⁠⁠⁠⁠⁠Parenting with Confidence ⁠⁠⁠⁠⁠⁠⁠⁠⁠Website: https://www.theresaalexanderinman.com/About Parenting on the SpectrumRaising autistic children comes with unique joys, challenges, and learning moments. Join host Theresa as she explores the diverse experiences of parenting kids on the spectrum. Each episode features expert insights, real-life stories, and practical strategies to help you navigate this journey with understanding, compassion, and strength. Whether you're a parent, caregiver, or ally, this podcast is your go-to resource for fostering connection and celebrating neurodiversity. Please share, comment, rate, and download! Be blissful! Theresa

Multidisciplinary designer, Rodolfo Agrella, grew up in Venezuela with a happy place at a kid-sized table. A self-described weirdo and excellent dancer, he put it all to work as a social butterfly. Now at the helm of an award-winning studio designing products, interiors and experiences, he's on a steady and colorful streak translating the vibrancy of the tropics into a universal design language.Images and more from Rodolfo Agrella on our website!Special thanks to our sponsor:Wix Studio is a platform built for all web creators to design, develop, and manage exceptional web projects at scale.Clever is hosted and produced by Amy Devers, with editing by Rich Stroffolino, production assistance from Ilana Nevins and Anouchka Stephan, and music by El Ten Eleven.If you enjoy Clever we could use your support! Please consider leaving a review, making a donation, becoming a sponsor, or introducing us to your friends! We love and appreciate you!SUBSCRIBE - listen to Clever on any podcast app!SIGN UP - for our Substack for news, bonus content, new episode alertsVISIT - cleverpodcast.com for transcripts, images, and 200+ more episodesSAY HI! - on Instagram & LinkedIn @cleverpodcast @amydevers Hosted on Acast. See acast.com/privacy for more information.