Podcasts about Maybe Baby

That uncertainty you might feel in romantic relationships is common — and not always a bad thing, say Haley Nahman, writer of the Maybe Baby newsletter and Danny Nelson, co-host of the Dear Danny podcast series. In this episode of Life Kit, they weigh in on pet jealousy, whether it's OK to make a move on a friend, and questionable future in-laws.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Ben Elton’s multi-award-winning career spans over four decades and includes seminal and groundbreaking television shows (The Young Ones, Blackadder, Upstart Crow), West End plays (Popcorn, Upstart Crow), West End musicals (We Will Rock You, The Beautiful Game, Close up: The Twiggy Musical), best-selling novels (Stark, Dead Famous, Two Brothers) and feature films (Maybe Baby, Three Summers, All is True). In October last year, Ben returned to Channel 4 for a one-off revival of Friday Night Live to rave reviews. The reincarnation of the original smash-hit Saturday Night Live was critically acclaimed and Ben won the BAFTA for Comedy Entertainment Programme 2023. Join the Whānau on Instagram, Facebook & Tik Tok.

En este pódcast hablamos de la victoria de Dinamo Minsk ante Neman Grdono que les dio su primera Supercopa de la historia. También repasamos que jugadores siguen sin equipo a pocas semanas de empezar la liga en la sección Leyendo la Hazieta. Y en la sección de historia del futbol bielorruso "Primeros toques en la nieve" descubrimos el primer ganador de la Liga de la República socialista soviética de Bielorrusia. Canción final: Heart8reak, de Maybe Baby, un gran éxito en Bielorrusia durante el 2024

Structure is the fundamental skeleton of every story ever told, so why does it flummox so many writers? John and Craig outline what structure really is, ways to find it in your story, and how to keep it from tying your brain in knots. We also look at ways to find nuance in our appreciation of movies, follow up on erotic fiction, and answer listener questions on how to work with a director and point of view shots. In our bonus segment for premium members, John and Craig measure the helpfulness of their wearable body monitors. Links: Weekend Read on the App Store Oscar nominations 2025 IVF Mixup movies: Parallel Mothers, Maybe Baby, Good Newwz, Daughter from Another Mother Manhunt The Love Hypothesis by Ali Hazelwood How to like everything more by Sasha Chapin Growing a Human: The First 30 Weeks by Maggie Appleton 2024 Player's Handbook Get a Scriptnotes T-shirt! Check out the Inneresting Newsletter Gift a Scriptnotes Subscription or treat yourself to a premium subscription! Craig Mazin on Threads and Instagram John August on BlueSky, Threads, Instagram, and Mastodon Outro by Guy Fee (send us yours!) Scriptnotes is produced by Drew Marquardt and edited by Matthew Chilelli. Email us at ask@johnaugust.com You can download the episode here.  

What's your most loved and least favorite song on Shake It Up?! Sam picked The Cars' fourth album to rank, group-average style. He even (again!) held up his old copy for all of our podcast listeners to see. The boys had different experiences with the Cars but all were fans of varying degrees. Adam got his bandmate, Cars mega-fan, and Smash Mouth lead singer Zach Goode to weigh in with his favorite track as well. Listen at WeWillRankYouPod.com, Apple, Spotify and your favorite car. Follow us and weigh in with your favorites on Facebook, Instagram & Threads and Twitter @wewillrankyoupod.SPOILERS/FILE UNDER:1981, A Dream Away, All Is Forgiven, All Mixed Up, Roy Thomas Baker, The Beatles, Boston, Bow Wow Wow, Cars, Cruiser, Devo, Duran Duran, Elliot Easton, Emotion in Motion, The End, Girls On Film, Greg Hawkes, I'm not the one, Jellyfish, Let's Go, Louie Louie, Maybe Baby, Martin Mull, Gary Numan, Ric Ocasek, Benjamin Orr, Panorama, Queen, David Robinson, Shake It Off, Shake It Up, Shake Some Action, Since You're Gone, Sunfish, Taylor Swift, Tears For Fears, Think It Over, This Could Be Love, Touch And Go, Treacherous, Victim, Victim of Love

Thanks for listening to another episode of English Go podcast!

Highlights of what's new in streaming for the week of November 16, 2024. Hulu The Honorable Shyne (Nov. 18) Interior Chinatown, season 1 (Nov. 19) Bia and Victor, season 1 (Nov. 22) Netflix The Story of Pearl Girl, season 1 (Nov. 16) Nayanthara: Beyond the Fairytale (Nov. 18) Wonderoos, season 2 (Nov. 18) Adam Ray Is Dr. Phil Unleashed (Nov. 19) Zombieverse, season 2 (Nov. 19) Adoration, season 1 (Nov. 20) Buy Now! The Shopping Conspiracy (Nov. 20) GT Max (Nov. 20) The Merry Gentleman (Nov. 20) Nothing to See Here, season 2 (Nov. 20) Our Oceans, season 1 (Nov. 20) Rhythm + Flow, season 2 (Nov. 20) A Man on the Inside, season 1 (Nov. 21) Maybe Baby 2 (Nov. 21) Thomas and Friends: The Christmas Letter Express (Nov. 21) Tokyo Override, season 1 (Nov. 21) Whispers in the Wind (Nov. 21) 900 Days without Anabel (Nov. 22) The Empress, season 2 (Nov. 22) The Helicopter Heist (Nov. 22) Joy (Nov. 22) The Piano Lesson (Nov. 22) Pokemon Horizons: The Series, Part 4 (Nov. 22) Spellbound (Nov. 22) TexMex Motors, season 2 (Nov. 22) When the Phone Rings, season 1 (Nov. 22) Transmitzvah (Nov. 22) Disney+ Out of My Mind (Nov. 22) Max Dune: Prophecy, season 1 (Nov. 17) Night Is Not Eternal (Nov. 19) Surveilled (Nov. 20) The Sex Lives of College Girls, season 3 (Nov. 21) The Match: Superstars (Nov. 21 & 22) Paramount+ Landman, season 1 (Nov. 17) Peacock Confessions of a Christmas Letter (Nov. 18) Making Manson, limited series (Nov. 19) Based on a True Story, season 2 (Nov. 21) A Novel Noel (Nov. 22) Amazon Prime Video Cruel Intentions, season 1 (Nov. 21) Wish List Games, season 1 (Nov. 20) Apple TV+ Blitz (Nov. 22) Bread & Roses (Nov. 22) Starz Outlander, season 7, part 2 (Nov. 22) Hallmark+ Checkin' It Twice (Nov. 21) Never Been Chris'd (Nov. 21) Unwrapping Christmas: Lily's Destiny (Nov. 21)

This week we are hoping a government conspiracy hasn't gotten involved in Scully's pregnancy again while we discuss “Per Manum”! We're talking how we can no longer ignore the fact that Scully is pregnant no matter how hard we try, wonder where Mulder kept Scully's ova this entire time (hopefully not his freezer next to the ice cream), note that Scully and Doggett's icy-blue eyes are too scary when combined, how Scully would love to reproduce asexually if she could, and how Doggett needs a big net to catch Mulder. We laugh at Scully's intense commitment to not letting Doggett know a single personal thing about her, how Dr. Parenti's name as an OBGYN is a little on the nose, shake our heads at Scully and Skinner being mean girls to Doggett, and pause the podcast when we see a mouse in our house. New cutesy phrase stand-off: Maybe Baby vs. Out of the pickle and into the brine.Send us an email at scullynationpod@gmail.com or follow us on Twitter and Instagram!

Hey Fuller House Fans, Angela Bowen here, the host of Oh Mylanta Holy Chalupas: An Unofficial Full House Fuller House Podcast. Today, I covered S3E7: Say Yes To The Dress, which aired on September 22, 2017. In this episode DJ gets caught up in the moment while trying a wedding dress on while Steve gets fitted for his tux. Stephanie feels left out when she's not invited to a movie premier that features one of her songs. and S3E8: Maybe Baby In this episode Aunt Becky shows up to spend the day with Stephanie and Joey shows up with his children, who are little terrors all over the house. DJ quizzes Jackson on History then talks to his teacher when he bombs the test. I really enjoyed these episodes and thought they were sweet and funny. I hope you enjoy the Podcast Episode.

Hey Fuller House Fans, Angela Bowen here, the host of Oh Mylanta Holy Chalupas: An Unofficial Full House Fuller House Podcast. Today, I covered S3E7: Say Yes To The Dress, which aired on September 22, 2017. In this episode DJ gets caught up in the moment while trying a wedding dress on while Steve gets fitted for his tux. Stephanie feels left out when she's not invited to a movie premier that features one of her songs. and S3E8: Maybe Baby In this episode Aunt Becky shows up to spend the day with Stephanie and Joey shows up with his children, who are little terrors all over the house. DJ quizzes Jackson on History then talks to his teacher when he bombs the test. I really enjoyed these episodes and thought they were sweet and funny. I hope you enjoy the Podcast Episode.

Hey Fuller House Fans, Angela Bowen here, the host of Oh Mylanta Holy Chalupas: An Unofficial Full House Fuller House Podcast. Today, I covered S3E7: Say Yes To The Dress, which aired on September 22, 2017. In this episode DJ gets caught up in the moment while trying a wedding dress on while Steve gets fitted for his tux. Stephanie feels left out when she's not invited to a movie premier that features one of her songs. and S3E8: Maybe Baby In this episode Aunt Becky shows up to spend the day with Stephanie and Joey shows up with his children, who are little terrors all over the house. DJ quizzes Jackson on History then talks to his teacher when he bombs the test. I really enjoyed these episodes and thought they were sweet and funny. I hope you enjoy the Podcast Episode.

Haley Nahman's newsletter “Maybe Baby” was the first Substack I properly started reading back in 2020. Every week I loved receiving her emails that made me think, laugh and reflect. My intrigue around Substack as a platform grew in tandem. She is also the first person who I followed who turned her newsletter into a full-time writing job after leaving her media job, and the first person I saw who opted for the support of her paid subscribers during her maternity leave. I've been following Haley since the Man Repeller days where she wrote and edited the site for four years before 2016-2020 and it was a joy to speak to her for this Creative Coffee hour.In this episode, we discuss how Haley runs her successful newsletter, her previous experience at a small but intense media company, being authentic in your work, managing your newsletter business, the loneliness of freelance work, thinking about the reader, how to come up with ideas, the benefits of working with an editor behind-the-scenes, where she writes, and having boundaries regarding email. Hope you enjoy! Things discussed:* Haley Nahman's Substack Maybe Baby* Haley's Instagram @halemur* How Haley is changing up her newsletter schedule* How Haley's paying subscribers supported paid maternity leave as part of Maybe Baby* Natalie Wynn on Patreon: “Contrapoints” * The Debrief website aims to be more than 'BuzzFeed for girls' * For people who loved Man Repeller: Leandra Medine's venture cafeleandra.com* Man Repeller's Leandra Medine | British Vogue This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit thehyphen.substack.com/subscribe

Hvordan oppleves det å bli en kjent person over "natten"? Hvem er egentlig personen bak rollefiguren mange har sett på tv i over 19 år? I denne episoden har jeg vært så heldig å få besøk av Kim Kolstad. Han er en norsk tidligere skuespiller, forretningsmann og musiker, født den 22. juni 1970 i Oslo. Han er kjent for sin rolle som Jens-August Anker-Hansen i den norske såpeserien "Hotel Cæsar", som han spilte i flere perioder mellom 1998 og 2017. Kolstad har også en utdannelse fra Arts Educational Schools i London og har hatt roller i flere andre film- og TV-produksjoner.   Ved siden av skuespillerkarrieren har Kolstad engasjert seg i sosialt entreprenørskap. Han var med på å etablere Barbeco AS, som tilbyr miljøvennlige alternativer til engangsgriller, og LessTrash AS, som selger disse og andre miljøvennlige produkter gjennom nettbutikken lesstrash.no.   Musikalsk har han også gjort seg bemerket, blant annet med låten "Maybe Baby" som toppet VG-lista i 2000. Kim Kolstad er en mangefasettert personlighet som har bidratt til både underholdnings- og miljøbevissthet i Norge.   Vi er innom: 00:00 Livet som kjent person 08:58 Kreativitet og alternative tilnærminger til livet 30:37 Visjonen om ærlige samtaler 38:47 Informasjonsbildet og søking etter svar 52:04 Utfordringene med å finne pålitelig informasjon 59:09 Bruk av sannsynlighet og statistikk for å danne seg en mening 01:06:26 Å være åpen for ulike muligheter God lytt!

Benjamin was born and raised in the city of Aarhus in Denmark and graduated from the MFA Cinematography program at the American Film Institute in Los Angeles. Here Benjamin received the Ethel Poirier Award for excellence in cinema. His thesis film Slut, which he shot for Chloe Okuno, was awarded at numerous film festivals and earned him an award for Best Cinematography at the HollyShorts Film Festival. Benjamin's DP work includes the acclaimed feature film Watcher, reuniting with director Chloe Okuno, a thriller about an American woman in Bucharest who believes she is being stalked by a serial killer. More recently, Benjamin shot Pet Sematary: Bloodlines produced by Paramount Pictures and directed by Lindsey Beer, as well as the comedy Maybe Baby, and the documentary, Being Human.

Listen trio of nonsense --- Send in a voice message: https://podcasters.spotify.com/pod/show/jackie3362/message Support this podcast: https://podcasters.spotify.com/pod/show/jackie3362/support

Unsure about parenthood? You're not alone.There's a lot to consider when it comes to reproductive choice, evolving social norms mean that women don't have to follow a one-way path to motherhood. Either flying solo or coupled, hetero or queer, when it comes to taking control of fertility there's IVF, egg freezing, and more. And the decision to have children only leads to more questions - about careers, relationships, AND the state of the world.At All About Women 2023, our panellists share their research and lived experiences about biological clocks, and the latest in fertility science. Journalists Brooke Boney, Gina Rushton, and Dr Natasha Andreadis explore the minefield of baby-making in the modern world with host Sana Qadar.This event was recorded live at the Sydney Opera House in March 2023. Hosted on Acast. See acast.com/privacy for more information.

This episode has long lost family, alleged babies, mothers with no boundaries and lots of bananas, and more. Enjoy!

The Andie Summers Show is surprising Jeff with a baby doll that needs actual diaper changing, feeding, and love. The baby is so realistic to an actual baby, they have the ability to see how well he cares for it.  We're giving him 48 hours to care for this baby. How will he do? 

From 2007, and in honor of Mother's Day: Lori Leibovich, author and editor of "Maybe Baby: 28 Writers tell the truth about Skepticism, Infertility, Baby Lust, Childlessness, Ambivalence, and how they made the biggest decision of their lives." (Because of time constraints, we could only broadcast an abridged version of the interview. Here it is in its entirety.)

Si & BenNny join Sam in 1963, as he is stealing a baby??An episode the lads cannot remember much of, but are pleasantly surprised by!FOLLOW US!@SJPWORLDMEDIA@WAITINGROOMPOD_@BenNnyMack

A Sandwich and Some Ear Crystals After two weeks of dizzy spells, Kellie finally did some research and shares what she found with fellow sufferers. Did you know there may be loose crystals floating around in your ear? Thanks to YouTube, Kellie found out how to fix it! Allen is taking part in another motorcycle challenge. But before he left for his journey, he suffered yet another VERY unfortunate incident. You get to hear them dance loosely around the details....The couple chosen for Maybe Baby 5.0 decided the timing wasn't right for them, so Kellie and Allen pick another couple to receive a free effortless IVF cycle, courtesy of Drs. Kevin and Kathy Doody of Care Fertility. Does that make this Maybe Baby 5.1? Visit Embryo.net if you'd like more information on infertility and treatments. And after a random conversation that covers everything from Andre the Giant's 16 second toot to the shape of Allen's head and thinning hairline, Allen makes a promise to reveal the details of his VERY unfortunate incident to anyone who asks during the upcoming Podcast Family Vacation. If THAT doesn't make you want to join them, what will? Go to KellieandAllen.com/vacation for all the details. Thank you to our podcast sponsors! SUNDAY - Getting your grass looking gorgeous this summer is a breeze thanks to Sunday lawn care. For a limited time, Sunday is offering our listeners 50% off your first box! You can get started today for as little as $55 when you go to GetSunday.com/LOVIN at checkout. NUTRAFOL - Take the first step to visibly thicker, healthier hair. For a limited time, Nutrafol is offering our listeners $10 off your first month's subscription and free shipping when you go to Nutrafol.com and enter the promo code SANDWICH.Executive Producer is Riley Peleuses for YEA Networks / YEA Podcasts If you are interested in advertising on this podcast or having Kellie and Allen as guests on your Podcast, Radio Show, or TV Show, reach out to podcast@yeanetworks.com

G'day, friends! On today's show: The Met Gala of course! It's our favourite time of year when Jason Derulo is falling down the stairs and the celebrities are doing their very best work on the red carpet. So, what did we make of the spectacle? Then, those Sydney Sweeney-Glen Powell cheating rumours just got more confusing, James Corden has officially said cya to late-night TV, and the “Aussie royal wedding” that hijacked the news cycle on the weekend. This week, Mich recommended ‘Anna Wintour on Karl Lagerfeld, Kim Kardashian and those Bill Nighy rumours' in The Telegraph. Zara recommended Free Food For Millionaires by Min Jin Lee, and ‘Not caring about your job: freedom or misery?' in Haley Nahman's newsletter Maybe Baby. Big thanks to Swinburne Online for making this episode possible. Visit swinburneonline.edu.au to see a range of online courses from Business, Psychology, Education and Law. Want to support our show? We are sending air kisses, air tea, and air hugs (too far?) to anyone who clicks ‘follow' on Apple and Spotify. (Bonus hugs for anyone who leaves a five-star review, too!)  Still not enough? Well! Our hearts! See below for everything else. Click here to subscribe to ShameMore: http://apple.co/shamelesspod Subscribe to the weekly ‘ASK SHAMELESS' newsletter: http://eepurl.com/gFbYLT  Join our book club: https://www.instagram.com/theshamelessbookclub/  Check out our website: https://shamelessmediaco.com/ Write to the Shameless Mailbag: Email hello@shamelessmediaco.com Thanks for listening! We are very big fans of yours.

In this special episode of the podcast, Kellie and Allen choose another winner for a free cycle of effortless IVF from Drs. Kevin and Kathy Doody of Care Fertility. Things don't go as expected, and it leads to a deep conversation about religious beliefs and IVF. For all of those who entered Maybe Baby 5.0, the doctors have a special offer. Listen to find out how to receive a free AMH (egg count and blood test) and a follow up consultation with the doctors' PA. Thank you to our podcast sponsor! Eartth Breeze - Our listeners can subscribe to Earth Breeze and save 40 percent by clicking HERE . Executive Producer is Riley Peleuses for YEA Networks / YEA Podcasts If you are interested in advertising on this podcast or having Kellie and Allen as guests on your Podcast, Radio Show, or TV Show, reach out to podcast@yeanetworks.com

Kellie took Emma Kelly on her first unofficial college visit. For the 6-hour drive there and back, Kellie had dreams of having deep, thoughtful and loving conversations with her 16-year-old daughter. Any guesses how that went? Speaking of college, Kellie found an article highlighting the 12 most useless college degrees, and it turns out she and Allen have two of them! Allen gives his review of the latest Metallica album before finally digging in to a story about an uncomfortable Easter brunch incident that he wanted to tell 2 podcasts ago but Kellie made him wait. Hopefully, the wait was worth it! The Twitterverse blew up over the weekend after Toronto Blue Jays pitcher Anthony Bass tweeted that a flight attendant made his pregnant wife traveling with their 5-year-old and 2-year-old get on her hands and knees to pick up the popcorn mess her toddler had made. He was livid, but the internet didn't have his back. Allen gets real fired up over this one! Don't forget to go to KellieandAllen.com/MaybeBaby for details on Maybe Baby 5.0! Drs. Kevin and Kathy Doody are giving away another free cycle of effortless IVF to a couple struggling with infertility. The deadline to enter is April 25, 2023, at 5pm Central. And visit KellieandAllen.com/vacation for details on the upcoming Podcast Family Vacation to Valentin Imperial Riviera Maya the week of July 4th, 2023. Thank you to our podcast sponsor! Sunday can help you grow a beautiful lawn without the guesswork OR the nasty chemicals. Full season plans start at just $129, and you can get 20% off at checkout when you visit GetSunday.com/LOVIN.Executive Producer is Riley Peleuses for YEA Networks / YEA Podcasts If you are interested in advertising on this podcast or having Kellie and Allen as guests on your Podcast, Radio Show, or TV Show, reach out to podcast@yeanetworks.com

Kellie and Allen welcome Drs. Kevin and Kathy Doody of Care Fertility, who once again are generously donating a free round of effortless IVF to a couple dealing with infertility. For complete details, please visit KellieandAllen.com/MaybeBaby. Entries must be received by 5pm Central on April 25, 2023. The winning couple will be announced on the podcast airing April 27, 2023. Dr. Kevin Doody is the reason Kellie has Emma Kelly today, and you'll hear some of Kellie's infertility journey. Also learn about what contributes to infertility, how long you should try naturally before seeking help, and when is the best time to freeze your eggs. To learn more about the wonderful work being done by Drs. Kevin and Kathy Doody, visit Embryo.net. You can also check out some of their success stories at. Instagram.com/CareFertilityUS.Executive Producer is Riley Peleuses for YEA Networks / YEA Podcasts If you are interested in advertising on this podcast or having Kellie and Allen as guests on your Podcast, Radio Show, or TV Show, reach out to podcast@yeanetworks.com

Ava (@noampomsky) is the writer of the Bookbear Express Substack, where she discusses human interaction and relationships through the lens of her own life. We talk about writing, reading, how a massive audience can change your writing, vulnerability, finding your thing to commit to, and how AI will impact dating and relationships. — (01:21) Ava's background (02:21) Her novel (03:40) Going from creative outlet to 100s of subscribers (06:40) Has her writing evolved with the growing audience? (10:01) Why she hasn't gone full time on writing yet (14:10) Writing authentically & vulnerably (19:30) Honesty, clarity, and emotion (23:33) What you read heavily influences your writing (25:38) Commitment & focus - finding the thing to commit to (28:58) Do 1-2 things really well & differentiating between what you find intellectually interesting vs. can actually see yourself doing (33:48) The dating game & what needs to change (38:31) Love vs. attachment & three definitions of love (41:58) How AI will impact relationships, love, & intimacy (50:01) Beauty, precision & rigor, & expression (51:34) Ava's final question — Ava's Twitter: ⁠https://twitter.com/noampomsky⁠ Bookbear Express: ⁠https://ava.substack.com⁠ Spencer's Twitter: ⁠⁠https://twitter.com/sp1ns1r⁠⁠ Spencer's blog: ⁠⁠https://spencerkier.substack.com⁠ — Ava's Substack recommendations: Maybe Baby: https://haleynahman.substack.com/ Morning Person: https://www.morningpersonnewsletter.com/ Between a Rock and a Card Place: https://carolinecala.substack.com/ Grief Bacon: https://griefbacon.substack.com/

On this episode, we're joined by music producer, engineer and songwriter, Dave October  David Ibukunoluwa Owolabi known professionally as Dave October is a producer, engineer and songwriter who has worked with incredible talents across the world including Tems, Nonso Amadi, Cobhams Asuquo, Tolani, Sute Iwar, Veeiye, YKB, Ogranya, Chris Rio and ton of other talented music creatives in different capacities. He is a part of ODDIO, a music production duo with his partner, Tejiri who recently won a grammy award for his work on 'Wait For You' with Future and Tems. He is also the founder of WeBetterMusic, a platform that creates resources, curates techniques and tips to help producers and songwriters become better at their craft. On this first part of the conversation, we take a deep dive into his origin story from childhood where he started creating music with his sister in a studio set up by his mum, meeting Tems through his production partner, working with Cobhams as an engineer and working with Tolani & Sute Iwar. Timestamps: 01:14 - Intro 02:44 - Origin of his name  05:07 - Getting into a studio space for the first time through his mum - SNIPPET  16:30 - Initial days of music creation in university 27:22 - Working with Nonso Amadi on this EP, Alone  38:15 - Meeting Tejiri and forming the production duo, Oddio 41:20 - Working with Cobhams as an engineer and Cobhams' influences on his sound 46:40 - Finding Tems on Instagram 58:35 - Working with Tolani to create 'Maybe Baby' 01:05:30 - Meeting and working with Sute Iwar  We sincerely apologize in advance for the slight background sounds in this episode. As always, please like, leave a rating, and comment wherever you can as this helps the podcast and also enables more people to have access to all this goodness! Use the hashtag #WMTSPod to let us know how much you enjoyed this episode! Also, share this episode and tag us!

Frasier moved to Seattle and now his old man needs a place to live. Niles won't take him in because he's Niles. Plus, we take a look back on an episode of Home Improvement where Jill wants another baby

The twentith episode of season 2. Sam leaps into a kidnapper, or so it seems. It turns out there is more to the story, but who can he trust? The post Maybe Baby – Episode 29 first appeared on The Leap Home.

Special Guest: Superfan Toni joins us to talk about, Maybe Baby. In this episode, Toni goes all-out in an effort to seduce and win back the romantic favor of her husband, Todd, but unbeknownst to her, he has already made up his mind. This leads her to make a life changing decision of her own. William and Joan continue to dodge their true feelings for each other and she even meddles in his current love life. --- Support this podcast: https://anchor.fm/antoinette-q-smith/support

Born in Lubbock, Texas, on September 7, 1936, Charles Hardin  Holley (he later dropped the "e"), after both grandfathers    the fourth child of Lawrence Odell "L.O." Holley and Ella Pauline Drake.    older siblings were Larry, Travis, and Patricia Lou.    nicknamed Buddy from a young age, and it stuck with him throughout his life.    Oddly enough, the newspaper announcement claimed that Buddy was actually a little girl. “A daughter weighing 8.5 lbs”, the Lubbock evening journal wrote. He was also only 6.5 pounds. And a boy. Buddy's family was mainly of English and Welsh descent and had some native American ancestry. During the Great Depression, the Holleys frequently moved residences within Lubbock; 17 in all.    His father changed jobs several times.    The Holley family were a musical household.  Except for Buddy's father, all family members could play an instrument or sing. His older brothers frequently entered local talent shows, and one time, his brothers signed up and Buddy wanted to play violin with them. However, Buddy couldn't play the violin.  Not wanting to break little Buddy's heart, his older brothers greased up the strings so it wouldn't make a sound. Buddy started singing his heart out and the three ended up winning the contest!  When WWII started, the U.S. government called his brothers into service. His brother Larry brought back a guitar he bought from a shipmate, and that guitar set Buddy's off. At 11 years old, Buddy started taking piano lessons.  Nine months later, he quit piano lessons and switched to guitar after seeing a classmate playing and singing on the school bus.    His parents initially bought him a steel guitar, but Buddy insisted he wanted a guitar like his brothers. They bought him a guitar, a gold top Gibson acoustic, from a pawn shop, and his brother Travis taught him to play it.  By 15, Buddy was proficient on guitar, banjo, and mandolin. During his early childhood, Holley was influenced by Hank Williams, Jimmie Rodgers, Hank Snow, Bob Wills, and the Carter Family.  He started writing songs and working with his childhood friend Bob Montgomery. The two jammed together, practicing songs by the Louvin Brothers and Johnnie & Jack. They frequently listened to Grand Ole Opry's radio programs on WSM, Louisiana Hayride on KWKH (which they once drove 600 miles to okay just to be turned away), and Big D Jamboree.  If you're not familiar with the Grand Ol Opry, it's a weekly American country music stage concert in Nashville, Tennessee, founded on November 28, 1925, by George D. Hay as a one-hour radio "barn dance" on Clearchannel's WSM, which first hit the airwaves on October 5, 1925. Its the longest-running radio broadcast in U.S. history.    At the same time he was practicing with Bob, Holley played with other musicians he met in high school, including Sonny Curtis and Jerry Allison.    In 1952 Holley and Jack Neal participated as a duo billed as "Buddy and Jack" in a talent contest on a local television show.    After Neal left, he was replaced by his buddy Bob, and they were billed as "Buddy and Bob." By the mid-'50s, Buddy & Bob played their style of music called "western and bop ."    Holley was influenced by late-night radio stations that played the blues and rhythm and blues. Holley would sit in his car with Sonny Curtis and tune to distant “black” radio stations that could only be received at night when bigger stations turned off local transmissions.    Holley then changed his music by blending his earlier country and western influence with Rhythm and Blues. After seeing the legendary Elvis perform, Holly decided to pursue his career in music full-time once he graduated high school. By mid-1955, Buddy & Bob, who already worked with an upright bass player (played by Larry Welborn), added drummer Jerry Allison to their lineup. After seeing Elvis Presley performing live in Lubbock, who Pappy Dave Stone of KDAV booked, Buddy really wanted to get after it. In February, he opened for Elvis at the Fair Park Coliseum, in April at the Cotton Club, then again in June at the Coliseum. Elvis significantly influenced the group to turn more towards Rock n Roll. Buddy and the king became friends, with Buddy even driving Elvis around when he was in town. Eventually, Bob Montgomery, who leaned toward a traditional country sound, left the group, though they continued writing and composing songs together. Holly kept pushing his music toward a straight-ahead rock & roll sound, working with Allison, Welborn, and other local musicians, including his pal and guitarist Sonny Curtis and bassist Don Guess. In October, Holly was booked as the opener for Bill Haley & His Comets (Rock Around the Clock), to be seen by Nashville scout Eddie Crandall. Obviously impressed, Eddie Crandall talked Grand Ole Opry manager Jim Denny into finding a recording contract for Holley. Pappy Stone sent Denny a demo tape, which Denny forwarded to Paul Cohen. Cohen signed the band to Decca Records in February 1956.    In the contract, Decca accidentally misspelled Holley's surname as "Holly," From that point forward, he was known as "Buddy Holly." On January 26, 1956, Holly went to his first professional recording session with producer Owen Bradley. He was a part of two more sessions in Nashville.    the producer selected the session musicians and arrangements, Holly became frustrated by his lack of creative control. In April 1956, Decca released "Blue Days, Black Nights" as a single and "Love Me" on the B-side.    "B-sides" were secondary songs that were sent out with single records. They were usually just added to have something on the flip side. Later they became songs that bands would either not release or wait to release.  Jim Denny added Holly on tour as the opening act for Faron Young. While on this tour, they were promoted as "Buddy Holly and the Two Tones." Decca then called them "Buddy Holly and the Three Tunes." The label released Holly's second single, "Modern Don Juan," along with "You Are My One Desire."    Unfortunately, neither one of these singles tickled anyone's fancy. On January 22, 1957, Decca informed Holly that they wouldn't re-sign him and insisted he could not record the same songs for anyone else for five years. The same shit happened to Universal and me. A couple of classics, like "Midnight Shift" and "Rock Around with Ollie Vee," did come out of those Decca sessions, but nothing issued at the time went anywhere. It looked as though Holly had missed his shot at stardom.  Holly was disappointed with his time with Decca. inspired by Buddy Knox's "Party Doll" and Jimmy Bowen's "I'm Stickin' with You" he decided to visit Norman Petty, who produced and promoted both of those successful records.    Buddy, Jerry Allison, bassist Joe B. Mauldin, and rhythm guitarist Niki Sullivan pulled together and headed to Petty's studio in Clovis, New Mexico. The group recorded a demo of the now-classic, "That'll Be the Day," which they had previously recorded in Nashville. Now rockin' that lead guitar, Holly finally achieved the sound he wanted. They got the song nailed down and recorded. Along with Petty's help, the group got it picked up by Murray Deutsch, a publishing associate of Petty's, and Murray got it to Bob Thiele, an executive at Coral Records. Thiele loved it. Ironically, Coral Records was a subsidiary of Decca, the company Holly had signed with before. On a side note, a subsidiary is a smaller label under the major label's umbrella. For instance, Universal signed my band to Republic, a subsidiary of Universal Music that dealt primarily with rock genres, like Godsmack. Norman Petty saw the potential in Buddy and became his manager. He sent the record to Brunswick Records in New York City. Thiele saw the record as a potential hit, but there were some significant hurdles to overcome before it could be released.  According to author Philip Norman, in his book Rave On, Thiele would only get the most reluctant support from his record company. Decca had lucked out in 1954 when they'd signed Bill Haley & His Comets and saw their "Rock Around the Clock" top the charts. Still, very few of those in charge at Decca had a natural feel or appreciation for Rock & Roll, let alone any idea of where it might be heading or whether the label could (or should) follow it down that road. Also, remember that although Buddy had been dropped by Decca the year before, the contract that Holly signed explicitly forbade him from re-recording anything he had recorded for them, released or not, for five years. However, Coral was a subsidiary of Decca, and Decca's Nashville office could hold up the release and possibly even haul Holly into court.  "That'll Be the Day" was issued in May of 1957 mainly as an indulgence to Thiele, to "humor" him. The record was put out on the Brunswick label, more of jazz and R&B label, and credited to the Crickets. The group chose this name to prevent the suits at Decca -- and more importantly, Decca's Nashville office -- from finding out that this new release was from the guy they had just dropped. The name “The Crickets” was inspired by a band that Buddy and his group followed, called “the Spiders” and they initially thought about calling themselves “The Beetles”, with two E's, but Buddy said he was afraid people would want to “squash them.” So, they picked “The Crickets.” Petty also became the group's manager and producer, signing the Crickets, identified as Allison, Sullivan, and Mauldin, to a contract. Unfortunately, Holly wasn't listed as a member in the original document to keep his involvement with "That'll Be the Day" a secret. This ruse would later become the source of severe legal and financial problems for Buddy.    The song shot to #1 on the national charts that summer. But, of course, Decca knew Holly was in the band by then. So, with Thiele's persuasion and realizing they had a hit on their hands, the company agreed to release Holly from the five-year restriction on his old contract. This release left him free to sign any recording contract he wanted. While sorting out the ins and outs of Holly's legal situation, Thiele knew that Buddy was far more than a one-hit-wonder and that he could potentially write more and different types of hits. So, Holly found himself with two recording contracts, one with Brunswick as a member of the Crickets and the other with Coral Records as Buddy Holly, all thanks to Thiele's ingenious strategy to get the most out of Buddy and his abilities. By releasing two separate bodies of work, the Crickets could keep rockin' while allowing its apparent leader and "star" to break out on his own.    Petty, whose name seems fitting as we go through this, acted as their manager and producer. He handed out writing credits at random, gifting Niki Sullivan and Joe B. Mauldin (and himself) the co-authorship of the song, "I'm Gonna Love You Too," while leaving Holly's name off of "Peggy Sue." at first. The song title, “Peggy Sue” was named after Buddy's biggest fan. Petty usually added his own name to the credit line, something the managers and producers who wanted a more significant piece of the pie did back in the '50s. To be somewhat fair, Petty made some suggestions, which were vital in shaping certain Holly songs. However, he didn't contribute as much as all of his credits allow us to believe. Some confusion over songwriting was exacerbated by problems stemming from Holly's contracts in 1956. Petty had his own publishing company, Nor Va Jak Music, and Buddy signed a contract to publish his new songs. However, Holly had signed an exclusive agreement with another company the year before. To reduce his profile as a songwriter until a settlement could be made with Petty and convince the other publisher that they weren't losing too much in any compensation, buddy copyrighted many of his new songs under the pseudonym "Charles Hardin." So many names!   The dual recording contracts allowed Holly to record a crazy amount of songs during his short-lived 18 months of fame. Meanwhile, his band -- billed as Buddy Holly & the Crickets -- became one of the top attractions of the time. Holly was the frontman, singing lead and playing lead guitar, which was unusual for the era, and writing or co-writing many of their songs. But the Crickets were also a great band, creating a big and exciting sound (which is lost to history, aside from some live recordings from their 1958 British tour). Allison was a drummer ahead of his time and contributed to the songwriting more often than his colleagues, and Joe B. Mauldin and Niki Sullivan provided a solid rhythm section.   The group relied on originals for their singles, making them unique and years ahead of their time. In 1957-1958, songwriting wasn't considered a skill essential to a career in rock & Roll; the music business was still limping along the lines it had followed since the '20s. Songwriting was a specialized profession set on the publishing side of the industry and not connected to performing and recording. A performer might write a song or, even more rarely, like Duke Ellington (It Don't Mean A Thing), count composition among his key talents; however, this was generally left to the experts. Any rock & roller wanting to write songs would also have to get past the image of Elvis. He was set to become a millionaire at the young age of 22. He never wrote his songs, and the few songwriting credits he had resulted from business arrangements rather than writing anything.   Buddy Holly & the Crickets changed that seriously by hitting number one with a song they'd written and then reaching the Top Ten with originals like "Oh, Boy" and "Peggy Sue," They were regularly charging up the charts based on their songwriting. This ability wasn't appreciated by the public at the time and wouldn't be noticed widely until the '70s. Still, thousands of aspiring musicians, including John Lennon and Paul McCartney, from some unknown band called "The Beatles," took note of their success, and some of them decided to try and tried to be like Buddy. Also unknown at the time, Holly and his crew changed the primary industry method of recording, which was to bring the artist into the label's studio, working on their timetable. If an artist were highly successful, they got a blank check in the studio, and any union rules were thrown out, but that was rare and only happened to the highest bar of musicians. Buddy Holly & the Crickets, however, did their thing, starting with "That'll Be the Day," in Clovis, New Mexico, at Petty's studio. They took their time and experimented until they got the sound they were looking for. No union told them when to stop or start their work, and they delivered terrific records; not to mention, they were albums that sounded different than anything out there. The results changed the history of rock music. The group worked out a new sound that gave shape to the next wave of rock & Roll. Most definitely influenced was British rock & Roll and the British Invasion beat, with the lead and rhythm guitars working together to create a fuller, more complex sound. On songs such as "Not Fade Away," "Everyday," "Listen to Me," "Oh Boy!," "Peggy Sue," "Maybe Baby," "Rave On," "Heartbeat," and "It's So Easy," Holly took rock & roll's range and sophistication and pushed it without abandoning its excitement and, most importantly, it's fun. Holly and the band weren't afraid to push the envelope and try new things, even on their singles. "Peggy Sue" used changes in volume and timbre on the guitar that was usually only used in instrumental albums. "Words of Love" was one of the earliest examples of double-tracked vocals in rock & Roll, and the Beatles would jump on that train the following decade. Buddy Holly & the Crickets were extremely popular in America. Still, in England, they were even more significant; their impact was compared to Elvis and, in some ways, was even bigger. This success was because they toured England; Elvis didn't. They spent a month there in 1958, playing a list of shows that were still talked about 30 years later. It also had to do with their sound and Holly's persona on stage. The group's heavy use of rhythm guitar fit right in with the sound of skiffle music, a mix of blues, folk, country, and jazz elements that most of the younger British were introduced to playing music and their first taste of rock & Roll. Also, Holly looked a lot less likely a rock & roll star than Elvis. He was tall, skinny, and wore glasses; he looked like an ordinary dude who was good at music. Part of Buddy's appeal as a rock star was how he didn't look like one. He inspired tens of thousands of British teenagers who couldn't compare themselves to Elvis or Gene Vincent. (Be Bop A Lula) In the '50s, British guitarist Hank Marvin of the Shadows owed his look and that he wore his glasses proudly on-stage to Holly, and it was brought into the '70s by Elvis Costello.  Buddy may have played several different kinds of guitars but, he was specifically responsible for popularizing the Fender Stratocaster, especially in England. For many wannabe rock & rollers in the UK, Holly's 1958 tour was the first chance they'd had to see or hear this iconic guitar in action, and it quickly became the guitar of choice for anyone wanting to be a guitarist in England. In fact, Marvin is said to have had the first Stratocaster ever brought into England.   The Crickets became a trio with Sullivan dipping out in late 1957, right after the group's appearance on The Ed Sullivan Show, but a lot more would transpire over the next year or so. The group consolidated its success with the release of two L.P.s, The Chirping Crickets, and Buddy Holly. They had two successful international tours and performed more in the United States. Holly had also started to have different ideas and aspirations than Allison and Mauldin. They never thought of leaving Texas as their home, and they continued to base their lives there, while Buddy wanted to be in New York, not just to do business but to live. His marriage to Maria Elena Santiago, a receptionist in Murray Deutsch's office, made the decision to move to New York that much easier. By this time, Holly's music had become more sophisticated and complex, and he passed off the lead guitar duties in the studio to session player Tommy Alsup. He had done several recordings in New York using session musicians such as King Curtis. It was around this time that the band started to see a slight decline in sales. Singles such as "Heartbeat" didn't sell nearly as well as the 45s of 1957 that had rolled out of stores. It's said that Buddy might even have advanced further than most of the band's audience was willing to accept in late 1958. Critics believe that the song "Well...All Right" was years ahead of its time.   Buddy split with the group -- and Petty -- in 1958. This departure left him free to chase some of those newer sounds, which also left him low on funds. In the course of the split, it became clear to Holly and everyone else that Petty had been fudging the numbers and probably taken a lot of the group's income for himself. Unfortunately, there was almost no way of proving his theft because he never seemed to finish his "accounting" of the money owed to anyone. His books were ultimately found to be so screwed up that when he came up with various low five-figure settlements to the folks he robbed, they took it.   Holly vacationed with his wife in Lubbock, TX, and hung out in Waylin Jennings's radio station in December 1958. With no money coming in from Petty, Holly decided to earn some quick cash by signing to play the Midwest's Winter Dance Party package tour. For the start of the Winter Dance Party tour, he assembled a band consisting of Waylon Jennings (on bass), Tommy Allsup (on guitar), and Carl Bunch (on drums). Holly and Jennings left for New York City, arriving on January 15, 1959. Jennings stayed at Holly's apartment by Washington Square Park on the days before a meeting scheduled at the headquarters of the General Artists Corporation, the folks who organized the tour. They then traveled by train to Chicago to meet up with the rest of the band. The Winter Dance Party tour began in Milwaukee, Wisconsin, on January 23, 1959. The amount of travel involved created problems because whoever booked the tour dates didn't consider the distance between venues. On top of the scheduling conflicts, the unheated tour buses broke down twice in the freezing weather. In addition, Holly's drummer Carl Bunch was hospitalized for frostbite to his toes while aboard the bus, so Buddy looked for different transportation.  Buddy actually sat in on drums for the local bands while Richie Valenz played drums for Buddy.    On February 2, before their appearance in Clear Lake, Iowa, Holly chartered a four-seat Beechcraft Bonanza airplane for Jennings, Allsup, and himself, from Dwyer Flying Service in Mason City, Iowa, for $108.  Holly wanted to leave after the performance at the Surf Ballroom in Clear Lake and fly to their next venue, in Moorhead, Minnesota, through Fargo, North Dakota. This plan would allow them time to rest, wash their clothes and avoid being on that crappy bus. The Clear Lake Show ended just before midnight, and Allsup agreed to flip a coin for the seat with Richie Valens. Valens called heads, and when he won, he reportedly said, "That's the first time I've ever won anything in my life" On a side note, Allsup later opened a restaurant in Fort Worth, Texas called Heads Up, in memory of this statement. Waylon Jennings voluntarily gave up his seat to J. P. Richardson (the Big Bopper), who had the flu and complained that the tour bus was too cold and uncomfortable for a man of his stature. When Buddy heard Waylon wouldn't be flying with him, he jokingly said, “I hope your old bus freezes up!” Then Waylon responded, “well, I hope your old plane crashes!” The last thing he would ever say to his friend. Roger Peterson, the pilot and only 21, took off in pretty nasty weather, although he wasn't certified to fly by instruments alone, failing an instrument test the year before. He was a big fan of Buddy's and didn't want to disappoint, so he called a more seasoned pilot to fly the trio to their destination. “I'm more of a Lawrence Welk fan.”  Sadly, shortly after 12:55 am on February 3, 1959, Holly, Valens, Richardson, and Peterson were killed instantly when the plane crashed into a frozen cornfield five miles northwest of Mason City, Iowa, airport shortly after takeoff. Buddy was in the front, next to the pilot. He loved flying and had been taking flying lessons. The three musicians were ejected from the plane upon impact, suffering severe head and chest injuries. Holly was 22 years old.   Holly's funeral was held on February 7, 1959, at the Tabernacle Baptist Church in Lubbock, TX. It was officiated by Ben D. Johnson, who married the Hollys' just months earlier. Jerry Allison, Joe B. Mauldin, Niki Sullivan, Bob Montgomery, and Sonny Curtis were pallbearers. Some sources say that Phil Everly, the one half of The Everly Brothers, was also the pallbearer, but he said at one time that he attended the funeral but was not a pallbearer. In addition, Waylon Jennings was unable to participate because of his commitment to the still-touring Winter Dance Party. Holly's body was buried in the City of Lubbock Cemetery, in the city's eastern part. His headstone has the correct spelling of his last name (Holley) and a carving of his Fender Stratocaster guitar. His wife, María Elena, had to see the first reports of her husband's death on T.V. She claimed she suffered a miscarriage the following day. Holly's mother, who heard the news on the radio in Lubbock, Texas, screamed and collapsed. Because of Elena's miscarriage, the authorities implemented a policy against announcing victims' names until the families were informed. As a result, Mary did not attend the funeral and has never visited the gravesite. She later told the Avalanche-Journal, "In a way, I blame myself. I was not feeling well when he left. I was two weeks pregnant, and I wanted Buddy to stay with me, but he had scheduled that tour. It was the only time I wasn't with him. And I blame myself because I know that, if only I had gone along, Buddy never would have gotten into that airplane."    The accident wasn't considered a significant piece of news at the time, although sad. Most news outlets were run by out-of-touch older men and didn't think rock & Roll was anything more than to be exploited to sell newspapers or grab viewing audiences. However, Holly was clean-cut and scandal-free, and with the news of his recent marriage, the story contained more misery than other music stars of the period. For the teens of the time, it was their first glimpse of a public tragedy like this, and the news was heartbreaking. Radio station D.J.s were also traumatized. The accident and sudden way it happened, along with Holly and Valens being just 22 and 17, made it even worse. Hank Williams Sr had died at 29, but he was a drug user and heavy drinker, causing some to believe his young death was inevitable. The blues guitarist Johnny Ace had passed in 1954 while backstage at a show. However, that tragedy came at his hand in a game of Russian roulette. Holly's death was different, almost more personal to the public.     Buddy left behind dozens of unfinished recordings — solo transcriptions of his new compositions, informal jam sessions with bandmates, and tapes with songs intended for other musicians. Buddy recorded his last six original songs in his apartment in late 1958 and were his most recent recordings. In June 1959, Coral Records overdubbed two of the songs with backing vocals by the Ray Charles Singers and hired guns to emulate the Crickets sound. Since his death, the finished tracks became the first singles, "Peggy Sue Got Married"/"Crying, Waiting, Hoping." The new release was a success, and the fans and industry wanted more. As a result, all six songs were included in The Buddy Holly Story, Vol. 2 in 1960 using the other Holly demos and the same studio personnel. The demand for Holly records was so great, and Holly had recorded so many tracks that his record label could release new Holly albums and singles for the next ten years. Norman Petty, the alleged swindler, produced most of these new songs, using unreleased studio masters, alternative takes, audition tapes, and even amateur recordings (a few from 1954 with recorded with low-quality vocals). The final Buddy Holly album, "Giant," was released in 1969 with the single, "Love Is Strange," taking the lead.   These posthumous records did well in the U.S. but actually charted in England. New recordings of his music, like the Rolling Stones' rendition of "Not Fade Away" and the Beatles' rendition of "Words of Love," kept Buddy's name and music in the hearts and ears of a new generation of listeners. In the States, the struggle was a little more challenging. The rock & roll wave was constantly morphing, with new sounds, bands, and listeners continuously emerging, and the general public gradually forgot about Buddy and his short-lived legacy. Holly was a largely forgotten figure in his own country by the end of the '60s, except among older fans (then in their twenties) and hardcore oldies listeners. Things began to shift toward the end of the '60s with the start of the oldies boom. Holly's music was, of course, a part of this movement. But, as people listened, they also learned about the man behind the music. Even the highly respected rock zine Rolling Stone went out of its way to remind people who Buddy was. His posing images from 1957 and 1958, wearing his glasses, a jacket, and smiling, looked like a figure from another age. The way he died also set him apart from some of the deaths of rockers like Brian Jones, Jimi Hendrix, Janis Joplin, and Jim Morrison, musicians who, at the time, overindulged in the rock in roll lifestyle. Holly was different. He was eternally innocent in all aspects of his life. Don McLean, a relatively unknown singer/songwriter, who proudly considered himself a Buddy Holly fan, wrote and released a song called "American Pie," in 1971, catapulting him into the musical ethos. Although listeners assumed McLean wrote the song about President Kennedy, he let it be known publicly that he meant February 3, 1959, the day Holly died. Maclean was a holly fan and his death devastated him when he was only 11. The song's popularity led to Holly suddenly getting more press exposure than he'd ever had the chance to enjoy in his lifetime.     The tragic plane accident launched a few careers in the years after. Bobby Vee became a star when his band took over Holly's spot on the Winter Dance Party tour.  Holly's final single, "It Doesn't Matter Anymore," hit the British charts in the wake of his death and rose to number one. Two years after the event, producer Joe Meek and singer Mike Berry got together to make "Tribute to Buddy Holly," a memorial single. But, unfortunately, rumor has it that Meek never entirely got over Holly's death, and he killed himself on the anniversary of the plane accident.   The Rock and Roll Hall of Fame included Holly among its first class in 1986. Upon his induction, the Hall of Fame basked about the large quantity of material he produced during his short musical career. Saying, "He made a major and lasting impact on popular music ." Calling him an "innovator" for writing his own material, experimenting with double-tracking, and using orchestration. He was also revered for having "pioneered and popularized" the use of two guitars, bass, and drums by rock bands. He was also inducted into the Songwriters Hall of Fame in 1986, saying his contributions "changed the face of Rock' n' Roll." Along with Petty, Holly developed techniques like overdubbing and reverb and other innovative instrumentation. As a result, according to the Songwriters Hall of Fame, Holly became "one of the most influential pioneers of rock and roll" who had a "lasting influence" on genre performers of the 1960s.   Paul McCartney bought the rights to Buddy Holly's entire song catalog on July 1, 1976.   Lubbock TX's Walk of Fame has a statue honoring Buddy of him rocking his Fender, which Grant Speed sculpted in 1980. There are other memorials to Buddy Holly, including a street named in his honor and the Buddy Holly Center, which contains a museum of memorabilia and fine arts gallery. The Center is located on Crickets Avenue, one street east of Buddy Holly Avenue.  There was a musical about Buddy. Buddy: The Buddy Holly Story, a “pioneering jukebox musical which worked his familiar hits into a narrative,” debuted in the West End in 1989. It ran until 2008, where it also appeared on Broadway, as well as in Australia and Germany, not to mention touring companies in the U.K. and U.S.   In 1994 "Buddy Holly" became a massive hit from the band Weezer, paying homage to the fallen rocker and is still played on the radio and whenever MTV decides to play videos on one of their side stations. Again, in ‘94, Holly's style also showed up in Quentin Tarantino's abstract and groundbreaking film Pulp Fiction, which featured Steve Buscemi playing a waiter impersonating Buddy.   In 1997, Buddy received the Lifetime Achievement Award from the National Academy of Recording Arts and Sciences. He was inducted into the Iowa Rock 'n' Roll Hall of Fame in 2000, as well. In 2010, Grant Speed's statue of Buddy and his guitar was taken down for repairs, and construction of a new Walk of Fame began. On May 9, 2011, the City of Lubbock held a ribbon-cutting ceremony for the Buddy and Maria Elena Holly Plaza, the new home of the statue and the Walk of Fame. The same year, on why would be Buddy's 75th birthday, a star with his name was placed on the Hollywood Walk of Fame.   There were two tribute albums released in 2011: Verve Forecast's Listen to Me: Buddy Holly,  featuring Stevie Nicks, Brian Wilson, and Ringo Starr plus 13 other artists, and Fantasy/Concord's Rave on Buddy Holly, which had tracks from Paul McCartney, Patti Smith, the Black Keys, and Nick Lowe, among others.  Pat DiNizio of the Smithereens released his own Holly tribute album in 2009. Universal released True Love Ways, an album where original Holly recordings were overdubbed by the Royal Philharmonic Orchestra in 2018, just in time for Christmas. That album debuted at number 10 on the U.K. charts. Groundbreaking was held on April 20, 2017, to construct a new performing arts center in Lubbock, TX, dubbed the Buddy Holly Hall of Performing Arts and Sciences, a $153 million project in downtown Lubbock completed in 2020 located at 1300 Mac Davis Lane.   Recently, on May 5, 2019, an article on gearnews.com had a pretty cool story, if it's true.   The famous Fender Stratocaster played and owned by Buddy Holly that disappeared after his death in 1959 has been found, according to a new video documentary called "The '54".   Gill Matthews is an Australian drummer, producer, and collector of old Fender guitars. According to the documentary, he may have stumbled upon Buddy Holly's legendary guitar. The film is The '54 and tells the history of one particular 1954 Fender Stratocaster Gil purchased two decades after the plane crash that claimed Buddy's life. Experts cited in the film say there is a good chance that the guitar in Matthews' possession is indeed Buddy Holly's actual original '54 Fender Stratocaster. If this is true, it is possibly one of the most significant finds in guitar history. You can watch the video at gearnews.com and see all the evidence presented during the film.     Sources: A biography on allmusic.com written by Bruce Eder was the main source of information here with other info coming from the following Rave on: The Biography of Buddy Holly written by Phillip Norman   Buddy Holly : Rest In Peace by Don Mclean "Why Buddy Holly will never fade away" an article on The Telegraph website written by Phillip Norman   Various other articles were used and tidbits taken from wikipedia.   And Adam Moody   Consider becoming a producer of the show. www.accidentaldads.com www.iconsandoutlaws.com       

From 2006- Lori Leibovich, author and editor of "Maybe Baby: 28 Writers Tell the Truth about Skepticism, Infertility, Baby Lust, Childlessness, Ambivalence, and How they made the biggest decision of their lives."

We did it, Joe: We got That Haley Girl AKA Haley Nahman on the pod. Haley is a New York-based writer, editor, podcaster, the former features director at Man Repeller and the creator of the weekly newsletter Maybe Baby, who, most importantly, we so often quote that she was blessed with her own pod nickname. We speak about joining Man Repeller right as it - and new media - was taking off, the rise of the journalist as the influencer, figuring out your career path, the never-ending, never-not-confusing discourse around Em Rata, feminism today, and having a Feral Girl Spring. For more interview episodes just like this one, join us on Patreon. Get bonus content on Patreon See acast.com/privacy for privacy and opt-out information.

Thanks to Drs. Kevin and Kathy Doody of Care Fertility, Kellie and Allen give away another round of Effortless IVF in Maybe Baby 4.0! Before that, the very first Maybe Baby winner Kellie Flores shares her story, which now includes TWO Maybe Babies! You can see their precious faces and follow Kellie and her husband Luis' fertility journey on Instagram @asherandaylahsmom. Plus, Kellie makes a very generous offer that will blow everyone away. Then Kellie and Allen surprise the winner of Maybe Baby 4.0! For more information about Drs. Kevin and Kathy Doody and Effortless IVF, visit Embryo.net.

Kellie and Allen discuss the news of the day, including Elon Musk buying Twitter and the ongoing Johnny Depp and Amber Heard trial. Then things take a sharp turn when Kellie gives details on how you can vote for your favorites to potentially be inducted into the Rock and Roll Hall of Fame. And Allen shines a spotlight on how bad Kellie is at geography when he decides to get in on Things That Make You Go 'Huh!' Also, get details for last minute entries into Maybe Baby 4.0 and a round of Effortless IVF compliments of Drs. Kevin and Kathy Doody of Care Fertility at Embryo.net. And also find out more about the upcoming Podcast Family Meetup on June 3 at Oak'd BBQ, as well as Rock for the Troops supporting Operation Once In a Lifetime on June 4. Thank you to our podcast sponsors! This podcast is sponsored by BetterHelp and A Sandwich and Some Lovin' listeners get 10% off their first month at BetterHelp.com/Sandwich .With Pair Eyewear, get glasses as unique as you are. One pair, infinite style. Starting at just $60. Go to paireyewear.com/SANDWICH for 15% off your first purchase.

Kellie and Allen welcome back Drs. Kevin and Kathy Doody for Maybe Baby 4.0! To highlight National Infertility Awareness Week, Dr. Kevin and Dr. Kathy are giving away a free cycle of Effortless IVF. Get all the details on how to enter at KellieandAllen.com/maybebaby. Deadline to enter is 5pm on April 26. The winner will be announced on the April 28 podcast. Also on this podcast, find out what advancements that have been made in the field of infertility treatment. Dr. Kevin and Dr. Kathy will also clear up some misconceptions about fertility. And also learn how grass-roots advocacy efforts have led to huge changes in insurance coverage for infertility treatments and how you can get involved! Thank you to our podcast sponsors! When you're wearing Rothy's, your footprint feels lighter than ever. Get $20 off your first purchase today at Rothys.com/sandwich. Prose is the healthy hair regimen with your name all over it. Take your free in-depth hair consultation and get 15% off your first order today at Prose.com/sandwich.

Topics Include: Kids Showing/Telling Teachers Things, No More Body Shaming, Zoom Call Gone Wrong, Things Women Tend To Be Insecure About, Passive Aggressive Tuesday, You And Your Spouse Aren't Seeing Eye To Eye On What? Maybe Baby

This episode continues the expedition we began last week, following the musical map Dylan has drawn for us as the spring tour winds to a close. The weekly news segment “20 Pounds of Headlines” keeps you updated on the itinerary for the final week of Dylan's spring tour, updates you on the appeal result for Claudia Levy's suit against Dylan, and updates you on ticket availability for the festivities surrounding the opening of the Bob Dylan Center. In "Who Did It Better?" we ask you to tell us who did "Maybe Baby" better: Waylon Jennings or Buddy Holly? Go to our Twitter page @RainTrains to vote.

Our guest for this episode is the fabulous Kate Lawler! She tells us all about her experience of becoming a mum, and how it's our fault she got pregnant in the first place. We discuss the biggest challenges Kate faced after Noa was born, including coping with post-natal depression. She reveals the things she wishes someone had told her before the birth, and how she's dealt with the pressures parenthood has put on her relationship. As is the custom when new mums meet old hands, we give Kate some unsolicited advice, and we finish off with some tip top Scummy Mummy Confessions. Kate's brilliant book, Maybe Baby, is out now. Follow her on Instagram @thekatelawler. **WE HAVE A SHOP!** Visit scummymummiesshop.com for our ace t-shirts, mugs, washbags, sweatshirts and beach towels. FREE UK DELIVERY!Tickets for our 2022 shows are now on sale - we are coming to Swindon, Newbury, Horsham, Henley, Wellingborough, Portsmouth, Cambridge, Devizes, Southampton, Leamington Spa, Trowbridge, Nottingham - and new dates are being added all the time! Keep an eye on scummymummies.com for announcements and tickets.This episode is sponsored by Whirli, the UK's toy swap service. Whirli's library gives you access to over 1000 of the latest high street andwooden toys. Once they're no longer wanted, you can swap them for something else. It's agreat way to save money, and a much more sustainable way to get new toys for your kids -Whirli estimate they have prevented 390,000 new toys being made, saving 120 tonnes ofpackaging. You can save 30 per cent and get a six month subscription for £38 if you go towhirli.com/scummymummies. AND we have two subscriptions to give away for free! Check out our main feed for details! We're on Twitter (@scummymummies), Instagram, and Facebook. If you like the podcast, please rate, review and subscribe. Thanks for listening! See acast.com/privacy for privacy and opt-out information.

As we anxiously await Season 3 of Netflix's Emily in Paris we decided to continue putting out episodes! So welcome to what we've decided to call our Out of Office extended season! This extension of Season Two is going to involve the release of bi-weekly episodes on Tuesdays. In each episode we'll either dive into the cultural conversation happening online about Emily in Paris, do a character study focusing on one key player from the show, or a general catch up and check-in. For this first episode, Nina leads us through an essay by Haley Nahman from her substack, Maybe Baby,"  called The Subtle Treachery of 'Emily in Paris.'  Check out the essay yourself at the link, or just enjoy us try to figure out what works about the essay and where we think it falls short. As always, we want to hear from you! Follow the show wherever you listen to podcasts and be sure to leave us an Apple Review. You can always connect with us over instagram @hmrehak or @nsles.  Happy listening!

Kimi and Christy discuss the idea that maybe, just maybe, these mini-episodes should simply be a podcast club. Why? Every time they listen to an episode separately and then talk about it, they have the best conversations. They get to see the story and wisdom from a whole new perspective. And it gets better. More meaningful. More learning. Today, they try on the “podcast club” idea and talk about Jason Schechterle and their shared favorite moment of the interview. Jason described how some people look at his burn scars with pity and sorrow. The truth is that Jason is thriving and living a full life filled with love, purpose, and joy. People can't see it, so they make up a sad story. Perhaps to feel better in their suffering. Both Kimi and Christy agree that Jason is their hero when it comes to gratitude and that making assumptions about people's lives is never a good idea.Sign up for Kimi and Christy's newsletter here for tools to thrive, words of wisdom, and stuff that makes you smile...straight to your inbox. See acast.com/privacy for privacy and opt-out information.

Gi is joined by former Big Brother housemate, host of podcast Maybe Baby, and drive-time presenter on Virgin Radio, Kate Lawler. Kate speaks about how turning 40 sparked a desire to have a child. After her baby Noa was born, Kate battled with feelings of resentment, frustration and loneliness that eventually turned into joy. As well as raising awareness of mental health struggles woman can face after giving birth, Kate's now focusing on spending time with her baby. See acast.com/privacy for privacy and opt-out information.

Hi friends! Thanks for your patience on this episode. After two days stuck in Tasmania, our editor @india_raine has gotten back to Brisbane safely. After a quick catch-up we dive into the first viral fashion trend of 2022; the Miu Miu skirt. Next up, we discuss the Vibe Shift. Coined by trend forecaster, Sean Monahan, the idea took the internet by storm after The Cut's Alison P. Davis wrote about it in a piece ‘A Vibe Shift Is Coming, Will Any Of Us Survive It?'. We chat about the idea, whether it's simply millennials not wanting to age, and how it relates to writer Haley Nahman's piece ‘The Death Of Sex' from her newsletter, Maybe Baby.This week, news broke around a change in Australian influencer laws. New advertising rules for social media influencers will change the way they're allowed to promote health products, like sunscreen, skincare, vitamins, protein powders, collagen powders and other supplements.We ask whether this is necessary or simply another way for women and LGBTIQA+ people to be financially penalised. We reference this article by The Australian and read comments made by scientist and content creator @ms_hannah_e. In recommendations, Maggie recommends a movie available on Binge titled ‘Unpregnant' while Jas recommends Netflix's ‘Inventing Anna'.If you want to support people in NSW and QLD who are impacted by the devastating floods, head here. Our heart goes out to those affected. Love you all - stay safe. See acast.com/privacy for privacy and opt-out information.

In July of 2017 Cheyanne Willis gathered friends and family at her Ohio home for a gender-reveal party...or so they thought. In this special episode of A Blind Eye we discuss the twists and turns of Cheyanne Willis and the tragedy that took the life of Autumn Garrett. REMINDER- A BLIND EYE WILL SOON BE A PATREON ONLY EXCLUSIVE.  If you enjoy unsolved crimes, ad free regular Eye for an Eye episodes, early access to the show and other miscellaneous perks- Please consider supporting Eye for an Eye with as little as $1 a month via patreon.com/eyeforeyepod *Please note all opinions in the show are our own and solely in regards to the specific case we are discussing in this episode* We made a one stop shop for all the Eye for an Eye links our listeners might want to check out, so we'd love for you to visit the link below!  https://msha.ke/eyeforeyepod/ Enjoy today's show? Don't forget to rate (those 5 stars are waiting to be clicked), review, subscribe and tell your friends!  Want in on the discussion?Join us on our Facebook page or group, Instagram @eyeforeyepod, twitter @eyeforeyepod or shoot us an email at eyeforeyepod@gmail.com and let us know your thoughts- does the punishment fit the crime? __ Cover Art Created by: Rachel Gregorino, dollbambino@gmail.com Music: GarageBand Mix made by Lisa  __ Sources: https://www.cincinnati.com/story/news/local/colerain/2017/07/17/mother/483867001/ https://www.thedailybeast.com/one-dead-in-shooting-at-ohio-gender-reveal-party https://www.thedailybeast.com/police-woman-who-miscarried-at-gender-reveal-party-wasnt-pregnant https://www.cincinnati.com/story/news/local/colerain/2017/07/17/mother/483867001/ https://www.dailymail.co.uk/news/article-4820458/Fatal-shooting-gender-reveal-party-drug-related.html https://www.foxnews.com/us/three-charged-in-deadly-2017-gender-reveal-party-shooting https://nypost.com/2017/08/23/cops-reveal-new-twist-in-fatal-shooting-at-fake-gender-reveal-party/ https://www.thefix.com/mass-shooting-gender-reveal-party-tied-drug-rings-police-say https://heavy.com/news/2017/07/cheyanne-willis-shooting-gender-reveal-party-pregnant-viral-video-assault-colerain/ https://www.huffingtonpost.com/entry/woman-shot-gender-reveal-party-not-pregnant-police-say_us_596fc0f8e4b0110cb3cb6a22 https://www.youtube.com/watch?v=Ig-bnxlC79U  https://www.youtube.com/watch?v=3dS3uMRtQFA  https://www.thedailybeast.com/cops-woman-who-faked-pregnancy-at-gender-reveal-shooting-involved-in-past-hoax https://www.dailymail.co.uk/news/article-4682816/911-calls-reveal-chaos-fatal-shooting-OH-baby-party.html https://www.youtube.com/watch?v=3dS3uMRtQFA Learn more about your ad choices. Visit podcastchoices.com/adchoices

this episode has everything... seriously... please don't make me type it all out, it would sound like the big bang theory theme. our college friend gabi joins us to reminisce on college ra training and to discuss episode 20 with us. gabi does not want to share her socials but send us an email with your compliments! slwithjesseanderin@gmail.com follow us on patreon: www.patreon.com/ur2gayfriends follow us on twitter: www.twitter.com/urtwogayfriends follow us on tiktok: www.tiktok.com/@urtwogayfriends follow us on insta: www.instagram.com/urtwogayfriends follow jesse: www.twitter.com/gojesse2k20 follow erin: www.twitter.com/glutenm0nster --- Send in a voice message: https://anchor.fm/urtwogayfriends/message