African-American writer
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10 episodes with Amiri Baraka
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3 episodes with Amiri Baraka
6 episodes with Amiri Baraka
9 episodes with Amiri Baraka
7 episodes with Amiri Baraka
3 episodes with Amiri Baraka
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2 episodes with Amiri Baraka
2 episodes with Amiri Baraka
2 episodes with Amiri Baraka
2 episodes with Amiri Baraka
Langston Hughes, the great African American poet, said decades ago, “Fascism is a new name for that kind of terror the Negro has always faced in America.” Fascism can and has led to genocide. Progressive African American intellectuals, writers, poets, and musicians have had a long tradition and history of solidarity and resisting fascism and genocide, from Frederick Douglass to Gil Scott-Heron, from Sojourner Truth to Angela Davis, from W.E.B. Du Bois to John Lewis, from Paul Robeson to Amiri Baraka, from Ida B. Wells to Malcolm X, from Ella Baker to Dr. King, from Harry Belafonte to Sonny Rollins, from James Baldwin to Cornel West and up to the present moment where Robin D. G. Kelley warns “We're witnessing the consolidation of a fascist police state.” Recorded at the University of Massachusetts.
Join me for a conversation with Dr. Seulghee Lee (Assistant Professor of African American Studies and English, University of South Carolina) about his recently published book, Other Lovings: An AfroAsian American Theory of Life (Ohio State UP, 2025). Some topics of our discussion include Adrian Tomine's graphic novel Shortcomings (2007), Gayl Jones' novella Corregidora (1975), and the cultural phenomenon of "Linsanity" and the lasting impact of NBA player Jeremy Lin's rise to fame. In Other Lovings, Seulghee Lee traces the presence and plenitude of love embedded in Black and Asian American literatures and cultures to reveal their irreducible power to cohere minoritarian social life. Bringing together Black studies, Asian American studies, affect theory, critical theory, and queer of color critique, Lee examines the bonds of love in works by Amiri Baraka, Audre Lorde, David Henry Hwang, Gayl Jones, Fred Moten, Adrian Tomine, and Charles Yu. He attends to the ontological force of love in popular culture, investigating Asian American hip-hop and sport through readings of G Yamazawa, Year of the Ox, and Jeremy Lin, as well as in Black public culture through bell hooks, Martin Luther King Jr., and Cornel West. By assessing love's positive function in these works, Lee argues against critical regimes, such as Afropessimism and racial melancholia, that center negativity. In revealing what Black and Asian American traditions share in their positive configurations of being and collectivity, and in their responses to the overarching logic of white supremacy, Other Lovings suggests possibilities for thinking beyond sociological opposition and historical difference and toward political coalition and cultural affinity. Ultimately, Other Lovings argues for a counter-ontology of love—its felt presence, its relational possibilities, and its lived practices. This episode was hosted by Asia Adomanis, a PhD student in the Department of History of Art at Ohio State. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies
Join me for a conversation with Dr. Seulghee Lee (Assistant Professor of African American Studies and English, University of South Carolina) about his recently published book, Other Lovings: An AfroAsian American Theory of Life (Ohio State UP, 2025). Some topics of our discussion include Adrian Tomine's graphic novel Shortcomings (2007), Gayl Jones' novella Corregidora (1975), and the cultural phenomenon of "Linsanity" and the lasting impact of NBA player Jeremy Lin's rise to fame. In Other Lovings, Seulghee Lee traces the presence and plenitude of love embedded in Black and Asian American literatures and cultures to reveal their irreducible power to cohere minoritarian social life. Bringing together Black studies, Asian American studies, affect theory, critical theory, and queer of color critique, Lee examines the bonds of love in works by Amiri Baraka, Audre Lorde, David Henry Hwang, Gayl Jones, Fred Moten, Adrian Tomine, and Charles Yu. He attends to the ontological force of love in popular culture, investigating Asian American hip-hop and sport through readings of G Yamazawa, Year of the Ox, and Jeremy Lin, as well as in Black public culture through bell hooks, Martin Luther King Jr., and Cornel West. By assessing love's positive function in these works, Lee argues against critical regimes, such as Afropessimism and racial melancholia, that center negativity. In revealing what Black and Asian American traditions share in their positive configurations of being and collectivity, and in their responses to the overarching logic of white supremacy, Other Lovings suggests possibilities for thinking beyond sociological opposition and historical difference and toward political coalition and cultural affinity. Ultimately, Other Lovings argues for a counter-ontology of love—its felt presence, its relational possibilities, and its lived practices. This episode was hosted by Asia Adomanis, a PhD student in the Department of History of Art at Ohio State. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies
Join me for a conversation with Dr. Seulghee Lee (Assistant Professor of African American Studies and English, University of South Carolina) about his recently published book, Other Lovings: An AfroAsian American Theory of Life (Ohio State UP, 2025). Some topics of our discussion include Adrian Tomine's graphic novel Shortcomings (2007), Gayl Jones' novella Corregidora (1975), and the cultural phenomenon of "Linsanity" and the lasting impact of NBA player Jeremy Lin's rise to fame. In Other Lovings, Seulghee Lee traces the presence and plenitude of love embedded in Black and Asian American literatures and cultures to reveal their irreducible power to cohere minoritarian social life. Bringing together Black studies, Asian American studies, affect theory, critical theory, and queer of color critique, Lee examines the bonds of love in works by Amiri Baraka, Audre Lorde, David Henry Hwang, Gayl Jones, Fred Moten, Adrian Tomine, and Charles Yu. He attends to the ontological force of love in popular culture, investigating Asian American hip-hop and sport through readings of G Yamazawa, Year of the Ox, and Jeremy Lin, as well as in Black public culture through bell hooks, Martin Luther King Jr., and Cornel West. By assessing love's positive function in these works, Lee argues against critical regimes, such as Afropessimism and racial melancholia, that center negativity. In revealing what Black and Asian American traditions share in their positive configurations of being and collectivity, and in their responses to the overarching logic of white supremacy, Other Lovings suggests possibilities for thinking beyond sociological opposition and historical difference and toward political coalition and cultural affinity. Ultimately, Other Lovings argues for a counter-ontology of love—its felt presence, its relational possibilities, and its lived practices. This episode was hosted by Asia Adomanis, a PhD student in the Department of History of Art at Ohio State. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Join me for a conversation with Dr. Seulghee Lee (Assistant Professor of African American Studies and English, University of South Carolina) about his recently published book, Other Lovings: An AfroAsian American Theory of Life (Ohio State UP, 2025). Some topics of our discussion include Adrian Tomine's graphic novel Shortcomings (2007), Gayl Jones' novella Corregidora (1975), and the cultural phenomenon of "Linsanity" and the lasting impact of NBA player Jeremy Lin's rise to fame. In Other Lovings, Seulghee Lee traces the presence and plenitude of love embedded in Black and Asian American literatures and cultures to reveal their irreducible power to cohere minoritarian social life. Bringing together Black studies, Asian American studies, affect theory, critical theory, and queer of color critique, Lee examines the bonds of love in works by Amiri Baraka, Audre Lorde, David Henry Hwang, Gayl Jones, Fred Moten, Adrian Tomine, and Charles Yu. He attends to the ontological force of love in popular culture, investigating Asian American hip-hop and sport through readings of G Yamazawa, Year of the Ox, and Jeremy Lin, as well as in Black public culture through bell hooks, Martin Luther King Jr., and Cornel West. By assessing love's positive function in these works, Lee argues against critical regimes, such as Afropessimism and racial melancholia, that center negativity. In revealing what Black and Asian American traditions share in their positive configurations of being and collectivity, and in their responses to the overarching logic of white supremacy, Other Lovings suggests possibilities for thinking beyond sociological opposition and historical difference and toward political coalition and cultural affinity. Ultimately, Other Lovings argues for a counter-ontology of love—its felt presence, its relational possibilities, and its lived practices. This episode was hosted by Asia Adomanis, a PhD student in the Department of History of Art at Ohio State. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-american-studies
Join me for a conversation with Dr. Seulghee Lee (Assistant Professor of African American Studies and English, University of South Carolina) about his recently published book, Other Lovings: An AfroAsian American Theory of Life (Ohio State UP, 2025). Some topics of our discussion include Adrian Tomine's graphic novel Shortcomings (2007), Gayl Jones' novella Corregidora (1975), and the cultural phenomenon of "Linsanity" and the lasting impact of NBA player Jeremy Lin's rise to fame. In Other Lovings, Seulghee Lee traces the presence and plenitude of love embedded in Black and Asian American literatures and cultures to reveal their irreducible power to cohere minoritarian social life. Bringing together Black studies, Asian American studies, affect theory, critical theory, and queer of color critique, Lee examines the bonds of love in works by Amiri Baraka, Audre Lorde, David Henry Hwang, Gayl Jones, Fred Moten, Adrian Tomine, and Charles Yu. He attends to the ontological force of love in popular culture, investigating Asian American hip-hop and sport through readings of G Yamazawa, Year of the Ox, and Jeremy Lin, as well as in Black public culture through bell hooks, Martin Luther King Jr., and Cornel West. By assessing love's positive function in these works, Lee argues against critical regimes, such as Afropessimism and racial melancholia, that center negativity. In revealing what Black and Asian American traditions share in their positive configurations of being and collectivity, and in their responses to the overarching logic of white supremacy, Other Lovings suggests possibilities for thinking beyond sociological opposition and historical difference and toward political coalition and cultural affinity. Ultimately, Other Lovings argues for a counter-ontology of love—its felt presence, its relational possibilities, and its lived practices. This episode was hosted by Asia Adomanis, a PhD student in the Department of History of Art at Ohio State. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory
In Locust Radio episode #30, Tish Turl interviews fellow Locust comrade, Adam Turl, on their new book, Gothic Capitalism: Art Evicted from Heaven and Earth (Revol Press, May 2, 2025). You can order the book from Revol Press, Amazon, or find it at other booksellers.Artists, ideas, books, writers, artworks and other stuff discussed in this episode: Adam Turl, Gothic Capitalism: Art Evicted from Heaven and Earth (Revol Press 2025); Ernst Fischer, The Necessity of Art (Verso, 2020); Boris Groys, “The Weak Universalism,” e-flux (2010); Walter Benjamin, “The Work of Art in the Age of Mechanical Reproduction” (1936); Walter Benjamin, “Theses on History” (1940); John Berger, Ways of Seeing (1972); Mark Fisher, Capitalist Realism: Is There No Alternative (2009); Mark Fisher, Flatline Constructs: Gothic Materialism and Cybernetic Theory-Fiction (2018); Donna Harraway, “A Cyborg Manifesto” (1985); Karl Marx and Friedrich Engels, The Communist Manifesto (1848); Rena Rädle & Vladan Jeremić; Joseph Beuys; John Heartfield; Anupam Roy; Richard Hamilton; R. Faze; Born Again Labor Museum; Amiri Baraka; Omnia Sol; Sister Wife Sex Strike; Dada; Judy Jordan; Bertolt Brecht; Claire Bishop; The Sublime; “Third Places;” Fluxus; Abstract Expressionism; The Sopranos; The Wire; Surrealism; Charlie Jane Anders; Emily St. John Mandel; Pier Paolo Pasolini, La Ricotta (1963) and The Hawks and the Sparrows (1966); Boots Riley; Federal Arts Project; Luis Buñuel, The Exterminating Angel (1962); The Artists Union; Voltaire, Candide (1759); Gabriel García Márquez, One Hundred Years of Solitude (1967); Public Enemy, Fear of a Black Planet (1989); Beethoven, Symphony #9 (1822-1824); Sam Esmail, Leave the World Behind (2023); David Cronenberg, Videodrome (1983); Richard Seymour, Disaster Nationalism (2024)Produced by Tish Turl, Adam Turl, Omnia Sol and Alexander Billet. Theme by Omnia Sol, Drew Franzblau and Adam Turl. Hosts include Tish Turl, Laura Fair-Schulz and Adam Turl.
Danny Glover is a legend of stage, screen, and the frontlines of social change. Tracing his family's roots back to his great-grandmother's experience as an emancipated slave, his grandparents' work as sharecroppers, and his parents as organizers within the post office, activism runs in Danny's blood. The 1968 student-led strike for Ethnic Studies at San Francisco State University led him to acting when the poet Amiri Baraka recruited him for revolutionary theatre. From working on the stage, he made the transition into films and became a certified star with the Lethal Weapon franchise. He has never stopped using his platform to raise awareness for human rights and he continues to live in San Francisco's Haight-Ashbury neighborhood where he grew up.--For promo opportunities on the podcast, contact info@historyofthebay.com --History of the Bay Spotify Playlist: https://open.spotify.com/playlist/3ZUM4rCv6xfNbvB4r8TVWU?si=9218659b5f4b43aaOnline Store: https://dregsone.myshopify.com Follow Dregs One:Spotify: https://open.spotify.com/artist/1UNuCcJlRb8ImMc5haZHXF?si=poJT0BYUS-qCfpEzAX7mlAInstagram: https://instagram.com/dregs_oneTikTok: https://tiktok.com/@dregs_oneTwitter: https://twitter.com/dregs_oneFacebook: https://facebook.com/dregsone41500:00 Growing up in SF07:57 Great-grandparents13:48 SF State student strike20:37 From theatre to films28:58 Danny's journey33:03 Sidney Portier & Harry Belafonte36:57 Last Black Man In San Francisco
This period is characterized by an intense push for equal occupational opportunities that would yield economic prosperity for all people. This would be realized after World War II where due to the efforts of a variety of labor organizers, many influenced by Marxist theories, America would enter an era of the pinnacle of its union cooperation which would correspond to a great degree of prosperity. However, there was not just a push for jobs through legal and political protections there were efforts to create a variety of new civil rights and educational legislation. Women educator and scholars also became more involved in labor organizing as time went on contributing to the massive membership of the Southern Tenant Farmers Union to 300,000. The involvement of students in this era would foreshadow future involvement of student participation in the Civil Rights movement that would be crucial to ending segregation in the south. Asa Randolph and others relate a growing global sentiment as countries around the world urged for freedom against the chains of fascism, authoritarianism, and communism that a society is only democratic when the weakest members can exercise not just political rights but has the economic means to fend for themselves. President FDR relates to this global sentiment through his aspirations for greater equity and equality through his 1945 Economic Bill of Rights near the end of his life demanding health care, housing, a decent paying job, and more. As will see at the end of these podcasts, the political agenda of President Barack Obama, especially his passing of Universal Healthcare to provide insurance to millions of poor people and his advocacy against inequality, and efforts to end the 2008 national recession, was in many ways a fruition of this 1945 Economic Bill of Rights.This period from 1915-1954 saw a significant growth in political consciousness not just of the masses, but also the place of black women whose recognition of the identity of black, woman, and worker is critical in recognizing a heightened political consciousness and achieving rights for all people. Moreover, the rise of Thurgood Marshal saw the translation of the social and moral principles of passed luminaries especially the abolitionists in legislation. The Harlem Renaissance was an immense cultural phenomenon which was an incubator not just for artistic expression, but also for the race question. This would influence future cultural icons like Amiri Baraka and other intellectual who would be entering a more open academic space as the McCarthyism movement subsided, allowing them to influence a whole new generation of young people. The question is what methods, which overlap, would win out not just during the Second Reconstruction of 1954-1975, but also today: nonviolent civil disobedience and the realization of the Beloved Community, conservative black nationalism, cultural nationalism, revolutionary black nationalism, or black electoral politics?Tune in for the next video podcast to delve more deeply into these ideas.Next Podcast Monday February 24- Section 4- We Shall Overcome: The Second Reconstruction, 1954-1975 Part 1 of 2Next Podcast Monday February 25- Section 4- We Shall Overcome: The Second Reconstruction, 1954-1975 Part 2 of 2Next podcast February 28 Thursday:Section 5- The Future in the Present: Contemporary African-American Thought, 1975 to the Present Part 1 of 2Next podcast Finale March 1 Friday:Section 5- The Future in the Present: Contemporary African-American Thought, 1975 to the Present Part 2 of 2
EVERY OTHER KREATIVE KONTROL EPISODE IS ONLY ACCESSIBLE TO MONTHLY $6 USD PATREON SUPPORTERS. Enjoy this excerpt and please subscribe now via this link to hear this full episode. Thanks!James Brandon Lewis returns to discuss the new James Brandon Lewis Trio album, Apple Cores, playing with Josh Werner and Chad Taylor, Werner's Wu-Tang Clan connections, Buffalo-based inspirations like Rick James and Soulive, significant works by A Tribe Called Quest and Black Star, how Don Cherry and Amiri Baraka are reflected on this new record, touring with the Messthetics again and what encountering their audience has meant for him, other future plans, and much more.Support vish on Patreon! Thanks to the Bookshelf, Planet Bean Coffee, and Grandad's Donuts. Support Y.E.S.S., Pride Centre of Edmonton, and Letters Charity. Follow vish online.Related episodes/links:Ep. #916: Mercury RevEp. #887: Janel and AnthonyEp. #845: The Messthetics and James Brandon LewisEp. #585: Rob MazurekEp. #348: Matthew ShippEp. #285: Chicago Underground DuoEp. #214: Ani DiFrancoEp. #31: Jesse Stewart and Hamid DrakeSupport this show http://supporter.acast.com/kreative-kontrol. Hosted on Acast. See acast.com/privacy for more information.
Newark's legendary poet and activist Amiri Baraka joined SportsJam with Doug Doyle in 2012
In this edition of our Arts24 music show, Jennifer Ben Brahim chats with poet and activist Aja Monet. She started putting pen to paper at just eight years old, thanks to a fascination with storytelling and typewriters. Her poetry has garnered critical acclaim, such as the collection "My Mother was a Freedom Fighter". Her activism has taken her from New York to Palestine. Aja's debut album "When the Poems Do What They Do" is a fluid blend of poetry and jazz. It is also an ode to some of the greats from the Black Arts Movement like Nikki Giovanni and Amiri Baraka. Aja described how she felt like a "spiritual archivist" when putting together the album. She is on tour in Europe with the record and is set to drop a new collection of poetry entitled "Florida Waters" this June.
Baraka fue expulsado de la Fuerzas Aéreas a principios de la década de los años 50 por leer y suscribirse a publicaciones "subversivas". “Para ser estadounidense, uno debe ser un asesino. Un asesino blanco de gente negra”. Conduce Jose M Corrales t.me/EnfoqueCritico (https://t.me/EnfoqueCritico) debateafondo@gmail.com @EnfoqueCritico_ facebook.com/DebateAFondo facebook.com/josemanuel.corrales.750/ / @enfoquecritico Instagram enfoquecritico Mastodon @EnfoqueCritico@masto.es Bluesky @enfoquecritico.bsky.social
In Black Music, a collection of essays, liner notes and interviews from 1959 to 1967, Amiri Baraka captures the ferment, energy and excitement of the avant-garde jazz scene. Brent and Adam, both jazz critics, discuss Baraka's intimate connections to major players in the scene, and how his work squarely tackles the challenge of writing about music. Published while he still went by LeRoi Jones, the collection provides a composite picture of Baraka's evolving thought, aesthetic values and literary experimentation. Whether you're familiar with the music or totally new to the New Thing, Black Music is an essential guide to a period of political and artistic upheaval.Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:Subscribe to Close Readings:Directly in Apple Podcasts: https://apple.co/3pJoFPqIn other podcast apps: lrb.me/closereadingsBrent Hayes Edwards is a scholar of African American and Francophone literature and of jazz studies at Columbia University.Get in touch: podcasts@lrb.co.ukFurther reading in the LRB:Adam Shatz: The Freedom Principlehttps://www.lrb.co.uk/blog/2014/may/the-freedom-principleAdam Shatz: On Ornette Colemanhttps://www.lrb.co.uk/the-paper/v37/n14/adam-shatz/diaryPhilip Clark: On Cecil Taylorhttps://www.lrb.co.uk/blog/2018/april/cecil-taylor-1929-2018Ian Penman: Birditishttps://www.lrb.co.uk/the-paper/v36/n02/ian-penman/birditis Hosted on Acast. See acast.com/privacy for more information.
"Wright was one of those people," said poet Amiri Baraka, "who made me conscious of the need to struggle." In this episode, Jacke takes a look at the life and works of Black American novelist and poet Richard Wright (1908-1960), author of Uncle Tom's Children, Native Son, Black Boy, and thousands of haiku. Born in Mississippi in desperate poverty to a schoolteacher mother and a sharecropper father (who were themselves the free children of formerly enslaved peoples), Wright had little formal education until he was 12, when he quickly demonstrated his intelligence and passion for reading. After high school, Wright traveled north to Chicago, where he set his most famous work, the fiery Dostoevskyan novel Native Son. Quickly achieving celebrity as one of America's most famous and successful Black writers, Wright moved to Paris, where he lived the rest of his life - and where he met a young James Baldwin, who accepted Wright's help before writing a pair of essays that strongly criticized Wright's fiction. Additional listening suggestions: Baldwin v. Faulkner James Baldwin, "Going to Meet the Man" 358 The Profound Wisdom of Black Life and Literature (with Farah Jasmine Griffin) The music in this episode is by Gabriel Ruiz-Bernal. Learn more at gabrielruizbernal.com. Help support the show at patreon.com/literature or historyofliterature.com/donate. The History of Literature Podcast is a member of Lit Hub Radio and the Podglomerate Network. Learn more at thepodglomerate.com/historyofliterature. Learn more about your ad choices. Visit megaphone.fm/adchoices
This year marks the 25th anniversary of Rux Revue, the groundbreaking debut album by Carl Hancock Rux. Not long ago, we sat down for an in-depth discussion about his hands-on involvement in its making, from bringing in his own background singers to recording the powerful song "I Recall" in a bathroom, for the acoustics. We talked through the album track by track, enriching their meaning with context. Rux's adoptive parents were “amateur musicologists,” and his friendships and connections include Nona Hendryx, Sonia Sanchez, Amiri Baraka and Abbey Lincoln. Rux also has an abiding love for Billie Holiday, which he touched on. Lastly we discussed his emotional trip to Ghana years ago and the love and support he got from the community there. http://carlhancockrux.com
Considerations of the coverage of Amiri Baraka in Negro Digest/Black World magazine.Written by Howard Rambsy IIRead by Kassandra Timm
‘The result is that, at the present time, the world is at an impasse.' In 1956, Aimé Césaire pronounced the world to be at an impasse while renouncing his allegiance to the French Communist Party. In Jesse McCarthy's The Blue Period: Black Writing in the Early Cold War (U Chicago Press, 2024), this foreclosure of ideological avenues, this loss of belief in the prevailing modes of political praxis restricts and overdetermines the scope of writing and possibilities of culture during the Cold War. Although this story of Cold War disillusionment may sound familiar to readers of Mark Grief's The Age of the Crisis of Man (2015) and Amanda Anderson's Bleak Liberalism (2016), McCarthy argues that black writers such as Richard Wright, James Baldwin, Édouard Glissant, Paule Marshall, and Gwendolyn Brooks variously dissented from these delimitations in the name of alternate, unappeasable, quiet and disquieting bids for freedom. Across detailed chapters spanning from 1945 to 1965, the year in which Malcom X was assassinated and Amiri Baraka founded the Black Arts Repertory Theatre School by Amiri Baraka, McCarthy unfurls these writers' efforts to work through negative experiences—alienation, dehiscence, dissolution, disaffiliation, disidentification—in order to, in Baldwin's words, find ‘the power that will free us from ourselves.' Jesse McCarthy is an essayist, novelist, editor at Point Magazine, and an assistant professor in English and African-American Studies at Harvard University. Damian Maher is a fellow by examination at All Souls College, University of Oxford. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies
‘The result is that, at the present time, the world is at an impasse.' In 1956, Aimé Césaire pronounced the world to be at an impasse while renouncing his allegiance to the French Communist Party. In Jesse McCarthy's The Blue Period: Black Writing in the Early Cold War (U Chicago Press, 2024), this foreclosure of ideological avenues, this loss of belief in the prevailing modes of political praxis restricts and overdetermines the scope of writing and possibilities of culture during the Cold War. Although this story of Cold War disillusionment may sound familiar to readers of Mark Grief's The Age of the Crisis of Man (2015) and Amanda Anderson's Bleak Liberalism (2016), McCarthy argues that black writers such as Richard Wright, James Baldwin, Édouard Glissant, Paule Marshall, and Gwendolyn Brooks variously dissented from these delimitations in the name of alternate, unappeasable, quiet and disquieting bids for freedom. Across detailed chapters spanning from 1945 to 1965, the year in which Malcom X was assassinated and Amiri Baraka founded the Black Arts Repertory Theatre School by Amiri Baraka, McCarthy unfurls these writers' efforts to work through negative experiences—alienation, dehiscence, dissolution, disaffiliation, disidentification—in order to, in Baldwin's words, find ‘the power that will free us from ourselves.' Jesse McCarthy is an essayist, novelist, editor at Point Magazine, and an assistant professor in English and African-American Studies at Harvard University. Damian Maher is a fellow by examination at All Souls College, University of Oxford. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
‘The result is that, at the present time, the world is at an impasse.' In 1956, Aimé Césaire pronounced the world to be at an impasse while renouncing his allegiance to the French Communist Party. In Jesse McCarthy's The Blue Period: Black Writing in the Early Cold War (U Chicago Press, 2024), this foreclosure of ideological avenues, this loss of belief in the prevailing modes of political praxis restricts and overdetermines the scope of writing and possibilities of culture during the Cold War. Although this story of Cold War disillusionment may sound familiar to readers of Mark Grief's The Age of the Crisis of Man (2015) and Amanda Anderson's Bleak Liberalism (2016), McCarthy argues that black writers such as Richard Wright, James Baldwin, Édouard Glissant, Paule Marshall, and Gwendolyn Brooks variously dissented from these delimitations in the name of alternate, unappeasable, quiet and disquieting bids for freedom. Across detailed chapters spanning from 1945 to 1965, the year in which Malcom X was assassinated and Amiri Baraka founded the Black Arts Repertory Theatre School by Amiri Baraka, McCarthy unfurls these writers' efforts to work through negative experiences—alienation, dehiscence, dissolution, disaffiliation, disidentification—in order to, in Baldwin's words, find ‘the power that will free us from ourselves.' Jesse McCarthy is an essayist, novelist, editor at Point Magazine, and an assistant professor in English and African-American Studies at Harvard University. Damian Maher is a fellow by examination at All Souls College, University of Oxford. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history
‘The result is that, at the present time, the world is at an impasse.' In 1956, Aimé Césaire pronounced the world to be at an impasse while renouncing his allegiance to the French Communist Party. In Jesse McCarthy's The Blue Period: Black Writing in the Early Cold War (U Chicago Press, 2024), this foreclosure of ideological avenues, this loss of belief in the prevailing modes of political praxis restricts and overdetermines the scope of writing and possibilities of culture during the Cold War. Although this story of Cold War disillusionment may sound familiar to readers of Mark Grief's The Age of the Crisis of Man (2015) and Amanda Anderson's Bleak Liberalism (2016), McCarthy argues that black writers such as Richard Wright, James Baldwin, Édouard Glissant, Paule Marshall, and Gwendolyn Brooks variously dissented from these delimitations in the name of alternate, unappeasable, quiet and disquieting bids for freedom. Across detailed chapters spanning from 1945 to 1965, the year in which Malcom X was assassinated and Amiri Baraka founded the Black Arts Repertory Theatre School by Amiri Baraka, McCarthy unfurls these writers' efforts to work through negative experiences—alienation, dehiscence, dissolution, disaffiliation, disidentification—in order to, in Baldwin's words, find ‘the power that will free us from ourselves.' Jesse McCarthy is an essayist, novelist, editor at Point Magazine, and an assistant professor in English and African-American Studies at Harvard University. Damian Maher is a fellow by examination at All Souls College, University of Oxford. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies
‘The result is that, at the present time, the world is at an impasse.' In 1956, Aimé Césaire pronounced the world to be at an impasse while renouncing his allegiance to the French Communist Party. In Jesse McCarthy's The Blue Period: Black Writing in the Early Cold War (U Chicago Press, 2024), this foreclosure of ideological avenues, this loss of belief in the prevailing modes of political praxis restricts and overdetermines the scope of writing and possibilities of culture during the Cold War. Although this story of Cold War disillusionment may sound familiar to readers of Mark Grief's The Age of the Crisis of Man (2015) and Amanda Anderson's Bleak Liberalism (2016), McCarthy argues that black writers such as Richard Wright, James Baldwin, Édouard Glissant, Paule Marshall, and Gwendolyn Brooks variously dissented from these delimitations in the name of alternate, unappeasable, quiet and disquieting bids for freedom. Across detailed chapters spanning from 1945 to 1965, the year in which Malcom X was assassinated and Amiri Baraka founded the Black Arts Repertory Theatre School by Amiri Baraka, McCarthy unfurls these writers' efforts to work through negative experiences—alienation, dehiscence, dissolution, disaffiliation, disidentification—in order to, in Baldwin's words, find ‘the power that will free us from ourselves.' Jesse McCarthy is an essayist, novelist, editor at Point Magazine, and an assistant professor in English and African-American Studies at Harvard University. Damian Maher is a fellow by examination at All Souls College, University of Oxford. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history
‘The result is that, at the present time, the world is at an impasse.' In 1956, Aimé Césaire pronounced the world to be at an impasse while renouncing his allegiance to the French Communist Party. In Jesse McCarthy's The Blue Period: Black Writing in the Early Cold War (U Chicago Press, 2024), this foreclosure of ideological avenues, this loss of belief in the prevailing modes of political praxis restricts and overdetermines the scope of writing and possibilities of culture during the Cold War. Although this story of Cold War disillusionment may sound familiar to readers of Mark Grief's The Age of the Crisis of Man (2015) and Amanda Anderson's Bleak Liberalism (2016), McCarthy argues that black writers such as Richard Wright, James Baldwin, Édouard Glissant, Paule Marshall, and Gwendolyn Brooks variously dissented from these delimitations in the name of alternate, unappeasable, quiet and disquieting bids for freedom. Across detailed chapters spanning from 1945 to 1965, the year in which Malcom X was assassinated and Amiri Baraka founded the Black Arts Repertory Theatre School by Amiri Baraka, McCarthy unfurls these writers' efforts to work through negative experiences—alienation, dehiscence, dissolution, disaffiliation, disidentification—in order to, in Baldwin's words, find ‘the power that will free us from ourselves.' Jesse McCarthy is an essayist, novelist, editor at Point Magazine, and an assistant professor in English and African-American Studies at Harvard University. Damian Maher is a fellow by examination at All Souls College, University of Oxford. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies
‘The result is that, at the present time, the world is at an impasse.' In 1956, Aimé Césaire pronounced the world to be at an impasse while renouncing his allegiance to the French Communist Party. In Jesse McCarthy's The Blue Period: Black Writing in the Early Cold War (U Chicago Press, 2024), this foreclosure of ideological avenues, this loss of belief in the prevailing modes of political praxis restricts and overdetermines the scope of writing and possibilities of culture during the Cold War. Although this story of Cold War disillusionment may sound familiar to readers of Mark Grief's The Age of the Crisis of Man (2015) and Amanda Anderson's Bleak Liberalism (2016), McCarthy argues that black writers such as Richard Wright, James Baldwin, Édouard Glissant, Paule Marshall, and Gwendolyn Brooks variously dissented from these delimitations in the name of alternate, unappeasable, quiet and disquieting bids for freedom. Across detailed chapters spanning from 1945 to 1965, the year in which Malcom X was assassinated and Amiri Baraka founded the Black Arts Repertory Theatre School by Amiri Baraka, McCarthy unfurls these writers' efforts to work through negative experiences—alienation, dehiscence, dissolution, disaffiliation, disidentification—in order to, in Baldwin's words, find ‘the power that will free us from ourselves.' Jesse McCarthy is an essayist, novelist, editor at Point Magazine, and an assistant professor in English and African-American Studies at Harvard University. Damian Maher is a fellow by examination at All Souls College, University of Oxford. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/book-of-the-day
Welcome to the Instant Trivia podcast episode 1197, where we ask the best trivia on the Internet. Round 1. Category: Books Of The Dead 1: The first volume of her poems didn't appear until 1890, 4 years after death stopped for her. (Emily) Dickinson. 2: Irene Nemirovsky's "Suite Francaise" was a bestseller 6 decades after her 1942 death in this infamous camp in Poland. Auschwitz. 3: Samuel Butler's "The Way of All" this was published in 1903, the year after his death. The Way of All Flesh. 4: He died of a heart attack in 2004, shortly before the first novel in his mega-selling thriller trilogy was published. (Stieg) Larsson. 5: Franz Kafka told an executor to destroy the manuscript of the 1925 novel "Der Prozess", this title in English. The Trial. Round 2. Category: Study Abroad 1: The University of Queensland offers a BMid, a bachelor's degree certifying you as one of these baby deliverers. a midwife. 2: You can get a master of music degree from the Sibelius Academy at this European capital's university. Helsinki. 3: You can earn a Ph.D. in pedagogy at Masaryk University in this Central European republic. the Czech Republic. 4: It's safe now to attend Universidad Complutense de Madrid, a battlefront in this 1930s conflict. the Spanish Civil War. 5: Bite into the university of this meaty Italian city, like Copernicus did. Bologna. Round 3. Category: African-American Playwrights 1: Playwright Langston Hughes formed the Suitcase Theater in Harlem and the New Negro Theater in this Calif. city. L.A. (Los Angeles). 2: With its strong political message, Amiri Baraka's play "Dutchman" won one of these off-Broadway awards in 1964. an OBIE. 3: This play about a family moving to the suburbs was the first Broadway play written and directed by African Americans. A Raisin in the Sun. 4: James Baldwin loosely based his play "Blues for Mister Charlie" on the '55 murder of Emmitt Till in this southern state. Mississippi. 5: This playwright of "Fences" and "Ma Rainey's Black Bottom" founded Pittsburgh's Black Horizon Theatre Company. August Wilson. Round 4. Category: Season. With Season in quotation marks 1: Winter to a baseball player, and a good time to visit a resort to avoid peak tourist times. off-season. 2: Herbs and spices will be these in our stew. seasonings. 3: This Vivaldi work begins with "spring". "The Four Seasons". 4: Paul Scofield won an Oscar as the "year-round" Thomas More in this 1966 film. A Man For All Seasons. 5: This Jason Miller play about a basketball team's reunion was a slam-dunk with critics in 1973. That Championship Season. Round 5. Category: Festivals And Celebrations 1: "Mountaineers are always free" to attend Mountaineer Week in Morgantown in this state. West Virginia. 2: Corbin in this "Bluegrass State" is home to the Nibroc (Corbin spelled backward) festival. Kentucky. 3: This state has a rose festival in Jackson and a lilac festival on Mackinac Island. Michigan. 4: Don't "space out" or you'll miss Panoply, a spring celebration of the arts in this Alabama city. Huntsville. 5: A fire ant mating call contest is part of the Fire Ant Festival in Marshall in this southwest state. Texas. Thanks for listening! Come back tomorrow for more exciting trivia!Special thanks to https://blog.feedspot.com/trivia_podcasts/ AI Voices used
On May 1, 1901, professor, poet, and literary critic Sterling A. Brown was born in Washington, D.C. Brown is best known for his work in educating and inspiring young poets during his tenure at Howard University. Before beginning his career as a professor, Brown earned his bachelor's degree from Williams College in 1922 and completed a master's degree from Harvard University. He then taught at Lincoln University and Fisk University before settling at Howard University in 1929. Brown taught at Howard for 40 years, during which he taught poets Amiri Baraka and Gwendolyn Brooks. Sterling A. Brown died in 1989 at 87 years old. Learn more about your ad choices. Visit megaphone.fm/adchoices
Most widely recognized for his paintings that rigorously combine spray paint, stenciled geometric forms, and brushstrokes, the Brooklyn-based artist Adam Pendleton is also known for his “Black Dada” framework, an ever-evolving philosophy that investigates various relationships between Blackness, abstraction, and the avant-garde. Many will recognize Pendleton's work from “Who Is Queen?,” his 2021 solo exhibition at New York's Museum of Modern Art, which he has said was his way of “trying to overwhelm the museum.” This is a natural position for him: His works in and of themselves are often overwhelming. At once political and spiritual, they provoke deep introspection and consideration, practically demanding viewers to look, and then look again.On this episode, he discusses the elusive, multifarious nature of “Black Dada”; “An Abstraction,” his upcoming exhibition at Pace Gallery in New York (on view from May 3–August 16); painting as a kind of technology; and why, for him, jazz is indefinable.Special thanks to our Season 9 presenting sponsor, L'École, School of Jewelry Arts.Show notes:Adam Pendleton[05:00] Joan Retallack[05:00] Pasts, Futures, and Aftermaths[05:22] “Becoming Imperceptible”[07:41] Ishmael Houston-Jones[07:41] Joan Jonas[07:41] Lorraine O'Grady[07:41] Yvonne Rainer[07:41] Jack Halberstam[14:26] Fred Moten[05:22] “Who Is Queen?”[23:50] Hugo Ball's Dada Manifesto[23:50] Amiri Baraka's “Black Dada Nihilismus”[31:14] Isabella Stewart Gardner Museum[31:14] “System of Display”[31:14] “Reading Dante”[34:40] “Adam Pendleton” at Pace Gallery[34:40] “An Abstraction” at Pace Gallery[34:40] Arlene Shechet[34:40] “Adam Pendleton x Arlene Shechet”[40:30] “Blackness, White, and Light” at MUMOK[45:07] “Twenty-One Love Poems” by Audrienne Rich[50:40] “Occupy Time” by Jason Adams[56:04] “What It Is I Think I'm Doing Anyhow” by Toni Cade Bambara[57:13] “Some Thoughts on a Constellation of Things Seen and Felt” by Adrienne Edwards
In his new book The Rebel's Clinic: The Revolutionary Lives of Frantz Fanon, Adam Shatz writes that, “The American poet Amiri Baraka described James Baldwin, who was born a year before Fanon, as ‘God's Black revolutionary mouth.' What Baldwin was for America, Fanon was for the world, especially the insurgent Third World, those subjects of European empires who had been denied what Edward Said called the ‘permission to narrate.'” Shatz's book explores, in lucid detail, the complex life and thought of the Martinican psychiatrist and anticolonial theorist, whose life was tragically cut short in 1961. Fanon's epochal books Black Skin, White Mask and The Wretched of the Earth have long been a source of inspiration for politically minded filmmakers, including Med Hondo, Claire Denis, and many others. Film Comment Editors Devika Girish and Clinton Krute invited Adam on the podcast to talk about Fanon's interest in cinema, filmmakers who've engaged the theorist's works, and what exactly makes a movie “Fanonian.” In addition to films by Hondo and Denis, we talked about Ivan Dixon's The Spook Who Sat by the Door, Antonioni's The Passenger, Gillo Pontecorvo's The Battle of Algiers, Ousmane Sembène's Black Girl, and more.
As a queer, black, female artist working with everyone from Solange to PinkPantheress, Swarovski to Ferragamo, Kelela has been pushing boundaries on representation in music and fashion since the early 2010s. After disappearing from the public and taking an extended social media hiatus, Kelela reemerged in 2023 with the critically acclaimed album RAVEN. Her sound dances at the intersection of R&B and electronic dance music. However, her work remains unapologetic in the way it honors the black roots of club music and culture.In conversation with The Week host Kikelomo, Kelela dives into her approach of educating and reading, her RAVEN era, the possibility of building worlds and communities –and the importance of staying offline sometimes. Follow Kelela on Instagram. Find Kikelomo on Instagram. Check out Kelela's Tiny Desk Concert and more of her music. Read the books “Blues People: Negro Music in White America” by Amiri Baraka, and “The Musical Human: A History of Life on Earth” by Michael Spitzer. And watch “The Last Angel of History” by John Akomfrah.The Week is a production by Telekom Electronic Beats and ACB Stories.Host: Kikelomo Producer: Carlos SteurerEditing and Sound Design: Marc ÜbelExecutive Producer: Isabel Woop Hosted on Acast. See acast.com/privacy for more information.
Guest Preacher Dr. Mtangulizi Sanyika: An examination of what the soul of America might feel like in 2050 given projections that "minorities" will then be the" majority." How will we culturally and spiritually respond to this new multi-cultural democracy populated by people of color and progressive Anglos? "BABA" DR. MTANGULIZI SANYIKA is a recognized scholar-activist with over 60 years of experience as an activist, planner, professor and researcher. He has been active in many of the major social movements of the 20th century including the Civil Rights, Peace, Ecology, Black consciousness, Black conventions, Pan african, Million Man March and New Independent Politics During the latter half of the 20th century, he was the National leader of the racial justice movement in the Unitarian- Universalist Church (BUUC and BAC) and led the Exodus(exit) from the church of 1599 Black members over funding disputes and irreconcilable cultural/racial/spiritual differences. He went on to develop the first modern day concept of "Black Humanism," and assisted in founding the first Black Humanist Fellowship (BHF) in the country. He has taught at 12 universities, such as Harvard, MIT CAL, Dillard, TSU, Starr-King and O.U.T. in Africa. His disciplines have ranged from Political Science, African World Studies, Urban Planning, Community Development, Participatory/Sustainable Economics to Social Theology. His students included public intellectuals Dr. Cornell West, Theologian Dr. Dwight Hopkins, Atty. Lani Guinier. Dr. Sanyika has authored 70 articles, studies, commentaries, manuals and critiques, and has authored 4 book chapters. Additionally, Baba has worked with almost all of the major leaders of the Black freedom movement including Dr. King, John Lewis, Marion Barry, Stokeley Carmichael, Shirley Chisholm, Dick Gregory, Julian Bond, Jesse Jackson, Susan Taylor, Amiri Baraka, Barbara Lee and Mayor Richard Hatcher, and many others, He has traveled to all regions of the world (i.e. Africa/Asia/Europe/Caribbean/So Pacific/Central America) and is a frequent speaker or consultant at conferences and events. His special interest is transmitting his lessons and learnings from his last 8 decades to future leaders and generations in preparation for the multi-cultural democracy of the future..
This week on the show, a conversation with pianist, composer, bandleader, and writer, Vijay Iyer. He's been at it since 1995, recording for labels like Savoy, Pi, and ECM, and he's collaborated with a diverse and inspiring roster along the way including Amiri Baraka, Matana Roberts, Das Racist, previous Transmissions guest Wadada Leo Smith, and many more. His records have incorporated electronic music and spoken word, chamber jazz reverence and loose, free falling blues. Last year, in collaboration with vocalist Arooj Aftab and bassist Shazhad Ismaily, he released Love in Exile on the Verve label. Writing about the album for our 2023 Year in Review, we called it “A spectral meeting of the minds. This haunting and luminous se…locates a nexus between ambient, jazz, and classical, all while feeling entirely conjured in the moment—because it was.” Now he's back with a new ECM release, Compassion, and in another trio, reuniting with his bandmates on 2021's stirring Uneasy, bassist Linda May Han Oh and drummer Tyshawn Sorey. Produced by Manfred Eicher, it's a stunning listen start to finish, from its meditative and expansive title track to the dug down groove of “Ghostrumental,” a startling showcase for may Han Oh's thoughtful melodicism, to the thoughtfully chosen covers of Roscoe Mitchell's “Nonaah” and Stevie Wonder's “Overjoyed,” everything about Compassion demonstrates the intentional focus of Iyer and his collaborators. He joins host Jason P. Woodbury to speak about it, reflect on the post-pandemic nebulousness in the air, discuss his mentors Greg Tate and Baraka, and much more. For heads, by heads. Aquarium Drunkard is powered by its patrons. Keep the servers humming and help us continue doing it by pledging your support via our Patreon page. Transmissions is part of the Talkhouse Podcast Network. Join us next week for a conversation with John Lurie.
In this episode, Adam and Budi kick of the first book club episode of the year with The Dutchman, by Amiri Baraka. We welcome Taylor Barfield to the discussion, as he joins Budi and Adam in dissecting this classic. Poet, writer, teacher, and political activist Amiri Baraka was born Everett LeRoi Jones in 1934 in Newark, New Jersey. He attended Rutgers University and Howard University, spent three years in the U.S. Air Force, and returned to New York City to attend Columbia University and the New School for Social Research. Baraka was well known for his strident social criticism, often writing in an incendiary style that made it difficult for some audiences and critics to respond with objectivity to his works. Throughout most of his career his method in poetry, drama, fiction, and essays was confrontational, calculated to shock and awaken audiences to the political concerns of black Americans. For decades, Baraka was one of the most prominent voices in the world of American literature.Baraka's legacy as a major poet of the second half of the 20th century remains matched by his importance as a cultural and political leader. His influence on younger writers has been significant and widespread, and as a leader of the Black Arts movement of the 1960s Baraka did much to define and support black literature's mission into the next century. His experimental fiction of the 1960s is considered some of the most significant African-American fiction since that of Jean Toomer.________________________________________________________________________________________________Taylor Barfield is a dramaturg, writer, and theater artist from Baltimore, MD. He served as the Acting Literary Manager at Yale Repertory Theatre in New Haven, CT and the Literary Manager at Two River Theater in Red Bank, NJ. Taylor currently works as a freelance dramaturg and consultant working with organizations such as the Guthrie, BMG, Portland Center Stage, the August Wilson African American Cultural Center, and Yale Repertory Theatre. Taylor received his B.A. in Molecular/Cellular Biology and English Literature from Johns Hopkins University and is a graduate of the Yale School of Drama, where he earned his M.F.A. and D.F.A. in Dramaturgy and Dramatic Criticism. His scholarly work explores how contemporary Black American playwrights re-imagine and re-stage Black theater history. His writing has been published in Vulture, TDF Stages, and the Marginalia Review of Books. He is currently an adjunct professor at NYU Tisch.Support the show2024 Audio Play Festival submissions "Sounds of Home"If you enjoyed this week´s podcast, please leave a review on Apple Podcasts. To submit a question: Voice- http://www.speakpipe.com/theatreofothers Email- podcast@theatreofothers.com Show Credits Co-Hosts: Adam Marple & Budi MillerProducer: Jack BurmeisterMusic: https://www.purple-planet.comAdditional compositions by @jack_burmeister
In the second of three introductions to our full Close Readings programme for 2024, Adam Shatz presents his series, Human Conditions, in which he'll be talking separately to three guests – Judith Butler, Pankaj Mishra and Brent Hayes Edwards – about some of the most revolutionary thought of the 20th century.Judith, Pankaj and Brent will each discuss four texts over four episodes, as they uncover the inner life of the 20th century through works that have sought to find freedom in different ways and remake the world around them. They explore, among other things, the development of arguments against racism and colonialism, the experience of artistic expression in oppressive conditions and how language has been used in politically substantive ways.Authors covered: Jean-Paul Sartre, Simone de Beauvoir, Frantz Fanon, Hannah Arendt, V. S. Naipaul, Ashis Nandy, Doris Lessing, Nadezhda Mandelstam, W. E. B. Du Bois, Aimé Césaire, Amiri Baraka and Audre Lorde.First episode released on 14 January 2024, then on the fourteenth of each month for the rest of the year.How to ListenClose Readings subscriptionDirectly in Apple Podcasts: https://apple.co/3pJoFPqIn other podcast apps: lrb.me/closereadingsClose Readings PlusIn addition to the episodes, receive all the books under discussion; access to webinars with Adam and his guests; and shownotes and further reading from the LRB archive.On sale here from 22 November: lrb.me/plus Hosted on Acast. See acast.com/privacy for more information.
In the second of three introductions to our full Close Readings programme for 2024, Adam Shatz presents his series, Human Conditions, in which he'll be talking separately to three guests – Judith Butler, Pankaj Mishra and Brent Hayes Edwards – about some of the most revolutionary thought of the 20th century.Judith, Pankaj and Brent will each discuss four texts over four episodes, as they uncover the inner life of the 20th century through works that have sought to find freedom in different ways and remake the world around them. They explore, among other things, the development of arguments against racism and colonialism, the experience of artistic expression in oppressive conditions and how language has been used in politically substantive ways.Authors covered: Jean-Paul Sartre, Simone de Beauvoir, Frantz Fanon, Hannah Arendt, V. S. Naipaul, Ashis Nandy, Doris Lessing, Nadezhda Mandelstam, W. E. B. Du Bois, Aimé Césaire, Amiri Baraka and Audre Lorde.First episode released on 14 January 2024, then on the fourteenth of each month for the rest of the year.How to ListenClose Readings subscriptionDirectly in Apple Podcasts: https://apple.co/3pJoFPqIn other podcast apps: lrb.me/closereadingsClose Readings PlusIn addition to the episodes, receive all the books under discussion; access to webinars with Adam and his guests; and shownotes and further reading from the LRB archive.On sale here from 22 November: lrb.me/plus Hosted on Acast. See acast.com/privacy for more information.
Amiri Baraka was a prominent African American poet, playwright, and political activist known for his contributions to the Black Arts Movement. His work often explored themes of black identity, social justice, and empowerment.Baraka's advocacy for cultural and economic self-determination can provide valuable insights into the importance of financial literacy and economic empowerment for black individuals. Baraka's writings and activism resonate with contemporary efforts to promote financial independence and wealth-building among black communities.This episode serves as a platform to inspire and inform listeners about the critical role of financial empowerment in the pursuit of social and racial justice, drawing inspiration from Amiri Baraka's legacy.#AmiriBaraka #UZADUmoney #financialliteracy
Poet Robert Lashley's I Never Dreamed You'd Leave in Summer (Demersal, 2023) is a complex and compelling coming-apart-of-age story set in the Hilltop neighborhood of Tacoma, Washington. After being abused by a gang leader and coerced into robbing elderly women, Albert is given a second chance at making something of his life by two counter-posed mentors: fiery radical professor Dr. Everett and beauty-store owner Miss Eulalah. Everertt's brand of bootsraps Black nationalism at first appeals to Albert, but his tutelage under Miss Eulalah introduces him to Black feminsim, through which he is able to recognize the misogyny in such heralded Black male writers as Frantz Fanon, Huey Newton, and Amiri Baraka. Do these writers really point us towards liberation, with their casual sexism and overt antisemitism? Caught between these two worlds, and burdered by immense guilt over the violence he has caused, Albert struggles to forge a useable sense of self against seemingly-impossible odds. Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School for the Arts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Poet Robert Lashley's I Never Dreamed You'd Leave in Summer (Demersal, 2023) is a complex and compelling coming-apart-of-age story set in the Hilltop neighborhood of Tacoma, Washington. After being abused by a gang leader and coerced into robbing elderly women, Albert is given a second chance at making something of his life by two counter-posed mentors: fiery radical professor Dr. Everett and beauty-store owner Miss Eulalah. Everertt's brand of bootsraps Black nationalism at first appeals to Albert, but his tutelage under Miss Eulalah introduces him to Black feminsim, through which he is able to recognize the misogyny in such heralded Black male writers as Frantz Fanon, Huey Newton, and Amiri Baraka. Do these writers really point us towards liberation, with their casual sexism and overt antisemitism? Caught between these two worlds, and burdered by immense guilt over the violence he has caused, Albert struggles to forge a useable sense of self against seemingly-impossible odds. Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School for the Arts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature
It is Indigenous People's Day weekend and Amiri Baraka's birthday. Dr. Carr and Karen discuss self determination.It's in the Social Structure's narrative silences that we are able to form our own structures and grow. How do we nurture self-determination and self-sufficiency when the “Master Narrative” enforces silences about those subjects except when we are used as footnotes in its memory and vision? We are showing that we can and do convene in the seams of the Social Structure and in those seams—those silences—we find each other and build. JOIN KNARRATIVE: https://www.knarrative.com it's the only way to get into #Knubia, where these classes areheld live with a live chat.To shop Go to:TheGlobalMajorityMore from us:Knarrative Twitter: https://twitter.com/knarrative_Knarrative Instagram: https://www.instagram.com/knarrative/In Class with Carr Twitter: https://twitter.com/inclasswithcarrSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
"My father said that when you look at the cultural traditions of people, the European cultural tradition is a generation makes a mask. They put it up on the wall, put a glass box around it, and they point to it and say that's the greatest mask that's ever been made. The African tradition is every generation makes their own mask. So what we see with this constant creativity, this constant improvisation is a very human, African, homo sapiens tradition of not taking something and classicizing it to the point that nothing can be created beyond it and the generations after just have to kneel. It's about moving the culture forward." Raoul Roach My guest is Raoul Roach, the son of the iconic and internationally revered jazz musician, Max Roach. Born in 1924, Max was firmly entrenched in activism, civil rights, and the social justice movement of the sixties and seventies. As a result, growing up, Raoul had a strong interest in social activism, being exposed to and mentored by some of the most pivotal black figures of that period, including Maya Angelou, Sonia Sanchez, Amiri Baraka, and Alvin Ailey.Born and raised in New York City by age fifteen, Raoul was cutting his teeth working for his legendary dad, first as an office assistant, a roadie, and eventually Max's road manager, before ultimately producing several of his concerts. As a 40-year upper echelon executive of the music industry, Raoul has worked with the biggest names in entertainment from Quincy Jones, Michael Jackson, and Anita Baker. Raoul helmed the successful turnaround of Jones's Qwest Records as the organization's co-executive director.Raoul also co-founded and pioneered Harry Belafonte's social justice entertainment enterprise, Sankofa.org, as the organization's co-executive director along with Gina Belafonte. Raoul executed the recruitment of artists and celebrities such as; Usher, Jay Z, Beyoncé, Jesse Williams, John Legend, Common, Dave Matthews, Carlos Santana, Michael B Jordan, T.I., and many more in coordination with grassroots organizations and activists to produce, films, music videos, social media campaigns, PSA's, concerts and major festivals. These initiatives raised resources for non-profit organizations as well as awareness to impact social movement and social justice.Currently, Raoul is coordinating along with his siblings Max Roach 100, an 18-month international centennial celebration of his father's music and life that includes film, documentaries, social media, concerts, exhibitions, new and previously unreleased recordings. Experience the groundbreaking sounds of bebop pioneer and virtuoso composer Max Roach, whose far-reaching ambitions were inspired and challenged by the inequities of the society around him. "American Masters – Max Roach: The Drum Also Waltzes" premieres Friday, October 6 at 9/8c on PBS. HOW WE MOVE Stay tuned to the end of the guest interview when international speaker, writer and diplomat Ambassador Shabazz (daughter of Malcolm X and Dr. Betty Shabazz) spends a few moments unpacking the discussion and highlights some of the interesting people, places and things that have her attention. Instagram: Corner Table Talk and Post and Beam Hospitality LinkedIn: Brad Johnson E.Mail: brad@postandbeamhospitality.com For more information on host Brad Johnson or to join our mailing list, please visit: https://postandbeamhospitality.com/ Theme Music: Bryce Vine Corner Table™ is a trademark of Post & Beam Hospitality LLCSee omnystudio.com/listener for privacy information.
As I learned from Hollis Robbins's monograph Forms of Contention: Influence and the African American Sonnet Tradition (U Georgia Press, 2020), there has been a long-standing skepticism of the sonnet form among Black writers and literary critics. Langston Hughes wrote that “the Shakespearean sonnet would be no mold to express the life of Beale Street or Lenox Avenue.” Ishmael Reed condemned sonneteering, alongside ode-writing, as “the feeble pluckings of musky gentlemen and slaves of the metronome.” And yet African American poets such as Terrance Hayes and Natasha Trethewey continue to contribute to a tradition of sonnet-writing that includes Robert Hayden, Phyllis Wheatley, Rita Dove, Amiri Baraka, and James Corrothers. Today's guest is Hollis Robbins, the author of Forms of Contention, published with the University of Georgia Press in 2020. Hollis is the Dean of Humanities at the University of Utah. Previously, she served as Dean of Arts and Humanities at Sonoma State University, Professor of Humanities at the Peabody Institute at Johns Hopkins University, and Professor of English at Millsaps College. Hollis is also the co-editor of a number of field-defining books including The Portable Nineteenth Century African American Women Writers (Penguin, 2017); The Annotated Uncle Tom's Cabin (Norton, 2006); and the Works of William Wells Brown (Oxford University Press, 2006). Forms of Contention tests the premise that a literary form such as the sonnet can both offer opportunities for reimagining society and politics and pose perils of constraint. This book captures the complexity and longevity of a vibrant tradition of Black poets taking up the sonnet form to explore race, liberation, enslavement, solidarity, and abolitionism. It also invites us to find new directions for the intersection of literary formalism and African American cultural studies. John Yargo is Visiting Assistant Professor of English at Boston College. He earned a PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. In 2023, his dissertation won the J. Leeds Barroll Prize, given by the Shakespeare Association of America. His peer-reviewed articles have been published or are forthcoming in the Journal for Early Modern Culture Studies, Early Theatre, Studies in Philology, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies
As I learned from Hollis Robbins's monograph Forms of Contention: Influence and the African American Sonnet Tradition (U Georgia Press, 2020), there has been a long-standing skepticism of the sonnet form among Black writers and literary critics. Langston Hughes wrote that “the Shakespearean sonnet would be no mold to express the life of Beale Street or Lenox Avenue.” Ishmael Reed condemned sonneteering, alongside ode-writing, as “the feeble pluckings of musky gentlemen and slaves of the metronome.” And yet African American poets such as Terrance Hayes and Natasha Trethewey continue to contribute to a tradition of sonnet-writing that includes Robert Hayden, Phyllis Wheatley, Rita Dove, Amiri Baraka, and James Corrothers. Today's guest is Hollis Robbins, the author of Forms of Contention, published with the University of Georgia Press in 2020. Hollis is the Dean of Humanities at the University of Utah. Previously, she served as Dean of Arts and Humanities at Sonoma State University, Professor of Humanities at the Peabody Institute at Johns Hopkins University, and Professor of English at Millsaps College. Hollis is also the co-editor of a number of field-defining books including The Portable Nineteenth Century African American Women Writers (Penguin, 2017); The Annotated Uncle Tom's Cabin (Norton, 2006); and the Works of William Wells Brown (Oxford University Press, 2006). Forms of Contention tests the premise that a literary form such as the sonnet can both offer opportunities for reimagining society and politics and pose perils of constraint. This book captures the complexity and longevity of a vibrant tradition of Black poets taking up the sonnet form to explore race, liberation, enslavement, solidarity, and abolitionism. It also invites us to find new directions for the intersection of literary formalism and African American cultural studies. John Yargo is Visiting Assistant Professor of English at Boston College. He earned a PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. In 2023, his dissertation won the J. Leeds Barroll Prize, given by the Shakespeare Association of America. His peer-reviewed articles have been published or are forthcoming in the Journal for Early Modern Culture Studies, Early Theatre, Studies in Philology, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
As I learned from Hollis Robbins's monograph Forms of Contention: Influence and the African American Sonnet Tradition (U Georgia Press, 2020), there has been a long-standing skepticism of the sonnet form among Black writers and literary critics. Langston Hughes wrote that “the Shakespearean sonnet would be no mold to express the life of Beale Street or Lenox Avenue.” Ishmael Reed condemned sonneteering, alongside ode-writing, as “the feeble pluckings of musky gentlemen and slaves of the metronome.” And yet African American poets such as Terrance Hayes and Natasha Trethewey continue to contribute to a tradition of sonnet-writing that includes Robert Hayden, Phyllis Wheatley, Rita Dove, Amiri Baraka, and James Corrothers. Today's guest is Hollis Robbins, the author of Forms of Contention, published with the University of Georgia Press in 2020. Hollis is the Dean of Humanities at the University of Utah. Previously, she served as Dean of Arts and Humanities at Sonoma State University, Professor of Humanities at the Peabody Institute at Johns Hopkins University, and Professor of English at Millsaps College. Hollis is also the co-editor of a number of field-defining books including The Portable Nineteenth Century African American Women Writers (Penguin, 2017); The Annotated Uncle Tom's Cabin (Norton, 2006); and the Works of William Wells Brown (Oxford University Press, 2006). Forms of Contention tests the premise that a literary form such as the sonnet can both offer opportunities for reimagining society and politics and pose perils of constraint. This book captures the complexity and longevity of a vibrant tradition of Black poets taking up the sonnet form to explore race, liberation, enslavement, solidarity, and abolitionism. It also invites us to find new directions for the intersection of literary formalism and African American cultural studies. John Yargo is Visiting Assistant Professor of English at Boston College. He earned a PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. In 2023, his dissertation won the J. Leeds Barroll Prize, given by the Shakespeare Association of America. His peer-reviewed articles have been published or are forthcoming in the Journal for Early Modern Culture Studies, Early Theatre, Studies in Philology, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies
As I learned from Hollis Robbins's monograph Forms of Contention: Influence and the African American Sonnet Tradition (U Georgia Press, 2020), there has been a long-standing skepticism of the sonnet form among Black writers and literary critics. Langston Hughes wrote that “the Shakespearean sonnet would be no mold to express the life of Beale Street or Lenox Avenue.” Ishmael Reed condemned sonneteering, alongside ode-writing, as “the feeble pluckings of musky gentlemen and slaves of the metronome.” And yet African American poets such as Terrance Hayes and Natasha Trethewey continue to contribute to a tradition of sonnet-writing that includes Robert Hayden, Phyllis Wheatley, Rita Dove, Amiri Baraka, and James Corrothers. Today's guest is Hollis Robbins, the author of Forms of Contention, published with the University of Georgia Press in 2020. Hollis is the Dean of Humanities at the University of Utah. Previously, she served as Dean of Arts and Humanities at Sonoma State University, Professor of Humanities at the Peabody Institute at Johns Hopkins University, and Professor of English at Millsaps College. Hollis is also the co-editor of a number of field-defining books including The Portable Nineteenth Century African American Women Writers (Penguin, 2017); The Annotated Uncle Tom's Cabin (Norton, 2006); and the Works of William Wells Brown (Oxford University Press, 2006). Forms of Contention tests the premise that a literary form such as the sonnet can both offer opportunities for reimagining society and politics and pose perils of constraint. This book captures the complexity and longevity of a vibrant tradition of Black poets taking up the sonnet form to explore race, liberation, enslavement, solidarity, and abolitionism. It also invites us to find new directions for the intersection of literary formalism and African American cultural studies. John Yargo is Visiting Assistant Professor of English at Boston College. He earned a PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. In 2023, his dissertation won the J. Leeds Barroll Prize, given by the Shakespeare Association of America. His peer-reviewed articles have been published or are forthcoming in the Journal for Early Modern Culture Studies, Early Theatre, Studies in Philology, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history
As I learned from Hollis Robbins's monograph Forms of Contention: Influence and the African American Sonnet Tradition (U Georgia Press, 2020), there has been a long-standing skepticism of the sonnet form among Black writers and literary critics. Langston Hughes wrote that “the Shakespearean sonnet would be no mold to express the life of Beale Street or Lenox Avenue.” Ishmael Reed condemned sonneteering, alongside ode-writing, as “the feeble pluckings of musky gentlemen and slaves of the metronome.” And yet African American poets such as Terrance Hayes and Natasha Trethewey continue to contribute to a tradition of sonnet-writing that includes Robert Hayden, Phyllis Wheatley, Rita Dove, Amiri Baraka, and James Corrothers. Today's guest is Hollis Robbins, the author of Forms of Contention, published with the University of Georgia Press in 2020. Hollis is the Dean of Humanities at the University of Utah. Previously, she served as Dean of Arts and Humanities at Sonoma State University, Professor of Humanities at the Peabody Institute at Johns Hopkins University, and Professor of English at Millsaps College. Hollis is also the co-editor of a number of field-defining books including The Portable Nineteenth Century African American Women Writers (Penguin, 2017); The Annotated Uncle Tom's Cabin (Norton, 2006); and the Works of William Wells Brown (Oxford University Press, 2006). Forms of Contention tests the premise that a literary form such as the sonnet can both offer opportunities for reimagining society and politics and pose perils of constraint. This book captures the complexity and longevity of a vibrant tradition of Black poets taking up the sonnet form to explore race, liberation, enslavement, solidarity, and abolitionism. It also invites us to find new directions for the intersection of literary formalism and African American cultural studies. John Yargo is Visiting Assistant Professor of English at Boston College. He earned a PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. In 2023, his dissertation won the J. Leeds Barroll Prize, given by the Shakespeare Association of America. His peer-reviewed articles have been published or are forthcoming in the Journal for Early Modern Culture Studies, Early Theatre, Studies in Philology, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies
The Nuestra Palabra Familia is honored to get to call Dr. Cintli a friend. His work has shaped a people. His writings are testament to our greatness. On behalf of Nuestra Palabra: Latino Writers Having Their Say, Librotraficante, and The Latino Bookstore at the Guadalupe Cultural Arts Center, we extend our condolences to his familia and all the lives, the generations that he touched and will continue to touch. We are honored that he joined us when NP still took place in the party hall of Chapultepec Restaurant, in Montrose, in Houston, Tejas. The Librotraficantes smuggled his works back into Arizona when the AZ right wing legislators banned Mexican American Studies, and the Latino Bookstore in San Antonio, Tejas is honored to have hosted the launch of his most recent book Writing 50 Years (más o menos) Amongst the Gringos. We will strive to honor him by continuing to demand, as he said, that our gente be heard. #Unidos Join us as we speak with folks who were touched, influenced, or impacted by the work Dr. Cintli carried out. Matt Sedillo, Juan Tejeda, and Dr. Lupe Carrasco Cardona who join Tony in celebrating the work of Dr. Cintli. Dr. Rodríguez died from heart failure in Mexico, on 31 July 2023, at the age of 69. In the three years before his death, he lived near Teotihuacan. He was survived by Gonzales and five brothers. On the show, we have Juan Tejeda has taught Bicultural Studies at the University of Texas at San Antonio and currently is a tenured full-time faculty member at Palo Alto College. For 18 years, Juan was the Xicano Music Program Director for the Guadalupe Cultural Arts Center, where he created the internationally renowned Tejano Conjunto Festival en San Antonio. Juan has written and lectured extensively on the history and socio-cultural significance and importance of Tejano and Conjunto music. He holds a bachelor's degree in Chicano Studies from the University of Texas at Austin and a master's in Bicultural Studies from the University of Texas at San Antonio . Juan and his wife, Anisa Onofre, are co-publishers/editors of Aztlan Libre Press, an independent publishing house dedicated to Xican@ Literature and Art. Matt Sedillo has been described as the "best political poet in America" as well as "the poet laureate of the struggle". His work has drawn comparisons in print to Bertolt Brecht, Roque Dalton, Amiri Baraka, Alan Ginsberg and various other legends of the past. Sedillo was the recipient of the first ever Dante's Laurel presented in Ravenna Italy, the 2017 Joe Hill Labor Poetry award, a panelist at the 2020 Texas book festival, and a participant in the 2012 San Francisco International Poetry Festival, the 2022 Elba Poetry Festival. Sedillo has appeared on CSPAN and has been featured in the Los Angeles Times, Axios, the Associated Press among other publications. He is also cofounder of the newly established El Martilo Press. Dr. Guadalupe Carrasco Cardona has been an Ethnic Studies, English, Social Studies and Journalism educator for 23 years and has taught in three states; California, Arizona and Texas. Her current position is Ethnic Studies Teacher at Roybal Learning Center in downtown Los Angeles. She is also an adjunct lecturer in Chicanx/Latinx/Ethnic Studies at California State University at Long Beach. She is dedicated to developing critical curriculum and facilitating a student-centered classroom environment based on mutual respect, critical thinking, and collaboration. She accomplishes this by fusing her classroom instruction with community cultural knowledge and a focus on auto-biographical counter narrative. Tony Diaz is the author of The Aztec Love God. His book, The Tip of the Pyramid: Cultivating Community Cultural Capital, is the first in his series on Community Organizing. Nuestra Palabra is funded in part by the BIPOC Arts Network Fund. Instrumental Music produced / courtesy of Bayden Records Website | baydenrecords.beatstars.com
El Martillo Press publishes writers whose pens strike the page with clear intent; words with purpose to pry apart assumed norms and to hammer away at injustice. El Martillo Press proactively publishes writers looking to pound the pavement to promote their work and the work of their fellow pressmates. There is strength in El Martillo. Founded in Los Angeles in 2023 by Matt Sedillo and David A. Romero, and launched with a diverse group of celebrated and hardworking writers who embody our working-class intellectual spirit, El Martillo Press maintains an editorial board that makes its selections for publishing. Matt Sedillo has been described as the "best political poet in America" as well as "the poet laureate of the struggle." His work has drawn comparisons in print to Bertolt Brecht, Roque Dalton, Amiri Baraka, Alan Ginsberg, Carl Sandburg and various other legends of the past. David A. Romero is a Mexican-American spoken word artist from Diamond Bar, CA. Romero is the author of My Name Is Romero (FlowerSong Press), a book reviewed by Gustavo Arellano (¡Ask a Mexican!), Curtis Marez (University Babylon), and founding member of Ozomatli, Ulises Bella. Paul S. Flores is a San Francisco artist of Mexican and Cuban-American heritage that has built a national reputation for interview-based theater and bilingual spoken word. He integrates Latino and indigenous healing practices to tell the stories of real people impacted by immigration and systemic inequalities. Flores appeared on Season 4 of HBO's Def Poetry. His first full-length book of poetry, WE STILL BE: Poems and Performances was published by El Martillo Press in June 2023. Ceasar K. Avelar is the current Poet Laureate of Pomona. He is the writer in residence of Cafe con Libros Press, and the founder of Obsidian Tongues open mic. Avelar writes through the sociological lens of a blue-collar worker. He is the author of God of the Air Hose and Other Blue-Collar Poems (El Martillo Press, 2023). Avelar will graduate this summer from Cal Poly Pomona with a bachelor's degree in Sociology. Donato Martinez was born in the small pueblo, Garcia de la Cadena, Zacatecas, Mexico and immigrated into the USA at six years old. He teaches English composition, Literature, and Creative Writing at Santa Ana College. He has also taught classes in Chicano Studies. He has a self-published collection with three other Inland Empire poets, Tacos de Lengua. His full collection of poetry, Touch the Sky, was published by El Martillo Press in June 2023. Margaret Elysia Garcia is the author of the short story collection Graft, the chapbook Burn Scars, and the daughterland (El Martillo Press, 2023). She's the co-editor of the anthology Red Flag Warning: Northern Californians Living with Fire out on HeyDay Books in 2024. She writes about family, culture and surviving climate change disasters. Tony Diaz Writer and activist Tony Diaz, El Librotraficante, is a Cultural Accelerator. He was the first Chicano to earn a Master of Fine Arts degree from the University of Houston Creative Writing Program. In 1998, he founded Nuestra Palabra: Latino Writers Having Their Say (NP), Houston's first reading series for Latino authors. The group galvanized Houston's Community Cultural Capital to become a movement for civil rights, education, and representation. When Arizona officials banned Mexican American Studies, Diaz and four veteran members of NP organized the 2012 Librotraficante Caravan to smuggle books from the banned curriculum back into Arizona. He is the author of The Aztec Love God. His book, The Tip of the Pyramid: Cultivating Community Cultural Capital, is the first in his series on Community Organizing. www.Librotraficante.com www.NuestraPalabra.org www.TonyDiaz.net Nuestra Palabra is funded in part by the BIPOC Arts Network Fund. Instrumental Music produced / courtesy of Bayden Records Website | baydenrecords.beatstars.com
Michael Goldfarb looks at five authors and their books on the receiving end of cancel culture in liberal America of the 1960s. Each author and the work being discussed was the subject of a controversy that altered their lives and deeply affected their careers. This essay looks at Amiri Baraka previously known as LeRoi Jones. He was seen as a genuine heir to James Baldwin. A decade younger than Baldwin, Jones/Baraka arrived in Greenwich Village just as the Beat scene was reaching its zenith. He wrote poetry and award-winning off-Broadway plays that dealt with race with the greater fire and frankness the 60s demanded. Then in one public appearance, he cancelled himself with comments about the Jewish young men Andrew Goodman and Michael Schwerner, who were murdered with James Chaney in Mississippi. The story of a career ruined and a notorious evening that split the liberal coalition in New York, a fracture that continues to this day.
My comrade Ian Anderson has been making amazing archival mixtapes and publishing them on the Anti-Imperialist Archive. Subscribe to the show on your podcatcher and check out their work.
We sit down with Slank and Sunny Ture to discuss their new album, "Nation Time." Throughout the episode, we delve into the creative process behind "Nation Time," discussing the themes, concepts, and inspirations that shaped the album. We examine the samples used throughout the project, including speeches from influential figures like Amiri Baraka, Malcolm X, Tupac Shakur, and Edward Onaci. Additionally, we take a closer look at the album's bibliography and its connection to the politically conscious roots of hip-hop, with standout tracks like "Black Belt Thesis" and "Devil in the Details."Read the full Nation Time bibliography.Check out more music from the PushSoul Collective.Support the Groundings podcast on Patreon.Buy prints from Musa's shop, which helps support the podcast.
True love, real love, "the one"... the way people describe love is pretty and aspirational, but ultimately super vague. What does love actually feel like? How do you know it's love and not just old habits or displaced desires? Is love even a noun at all, or is it an action? In this episode, I talk to partners in life, love, and business, Dr. Carrie Kholi-Murchison and Holley Kholi-Murchison) about: How to truly be in relationship and partnership with someone else....and also honor yourself and your own desires. Re-evaluating and reflecting about the way you relate to love HOW THE HECK do you separate your own self-love from the love you experience from someone else — especially if that person fills many roles in your life? and more! (this episode is a Best Of The WANTcast rebroadcast — so if you loved it the first time around, listen again to gather even more gems you might have missed!) ~ ABOUT HOLLEY Holley M. Kholi-Murchison is an artist and cultural geographer began her career more than 15 years ago. She is not just a writer, a strategy consultant, an entrepreneur, a speaker—she is an explorer and a trailblazer, forging her own path and teaching others to do the same. ABOUT KHOLI Dr. Carrie Kholi-Murchison, also known as Kholi, is a writer, editor, critical thinker, entrepreneur, and growth strategist. She's been helping individuals and organizations realize their visions for more than a decade. ~ SHOW NOTES: Holley's website Kholi's website Holley on IG Kholi on IG Skillshare course: Build The Next Chapter Of Your Career From Holley, With Love multimedia newsletter Kholi on Patreon Celie & Squeak HOLI. Brands Tell Me About Yourself book The Liar by Amiri Baraka Follow Katie on Instagram Leave a review on iTunes (and subscribe to the WANTcast if you haven't already!) Subscribe to The (Good) Word, our monthly email digest filled with tips, tools, motivation, and inspiration to shift your self-talk Visit womenagainstnegativetalk.com
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