Podcast appearances and mentions of Keith Sykes

This week, a tribute to legendary singer-songwriter John Prine by his son Tommy Prine & longtime friend and co-writer Keith Sykes recorded live at the Ozark Folk Center State Park. John Prine was an American singer-songwriter of country-folk music. Widely cited as one of the most influential songwriters of his generation, Prine was known for his signature blend of humorous lyrics about love, life, and current events, often with elements of social commentary and satire, as well as sweet songs and melancholy ballads. He was active as a composer, recording artist, live performer, and occasional actor from the early 1970s until his death in 2020. John was connected to Mountain View, Arkansas through his love of fishing and Jack's Resort on the beautiful White River. John visited Mountain View regularly since his childhood and made many friends in the area. In fact, according to John, his first public performance as a teenager was for fellow patrons at Jack's White River Resort. https://www.johnprine.com/about Tommy Prine is an American singer-songwriter and is the youngest son of John Prine. After his father's death in 2020, Tommy decided to pursue a musical career. At the age of 10, Tommy learned how to fingerpick from his father. As a teenager, Prine traveled with his father's tour primarily to assist with merchandise, then occasionally joining him on stage for the encore. While Prine endeavored to create distinct and independent music from his father, his influence is remembered by everything from covering John Prine songs to writing songs about his father. While Tommy is often compared to John, he developed his own path while acknowledging the legacy of his award-winning father. https://www.tommyprine.com/ Once upon a time in the summer of 1967, Keith Sykes hitchhiked to the Newport Folk Festival and saw Arlo Guthrie perform “Alice's Restaurant.” In the fall of that year he got a copy of the album, learned the whole song and sang it at a Holiday Inn in Charleston, South Carolina. They hired him on the spot for a regular gig playing music in the hotel. In the more than 40 years that followed, he would become a troubadour and storyteller, a massively successful songwriter with more than 100 songs recorded by artists as diverse as Rosanne Cash and George Thorogood. He would tour every corner of America and play in just about every conceivable kind of venue, appear on Saturday Night Live and Austin City Limits, and host songwriter nights on Memphis' legendary Beale Street with many of music's most talented songwriters. He would join Jimmy Buffett's Coral Reefer Band, tour the country and record the Volcano album – the title track for which he co-wrote with Jimmy. - http://www.keithsykes.com/ In this week's “From the Vault” segment, OHR producer Jeff Glover offers a 1976 archival recording of John Prine himself performing his famous song “Paradise,” from the Ozark Folk Center State Park archives. In his segment “Back in the Hills,” writer, professor and historian Dr. Brooks Blevins discusses the Ozarks' influence at the “Festival of Festivals,” the first National Folk Festival held in St. Louis, Missouri in 1934. (Part 3)

In the first episode of 2024, Patrick chats to Janet Fischer about the excellent work done by Live Music Now, bringing music to those without previous access.Dr Anna Mariguddi discusses her recent research into informal music learning in primary schools.And Keith Sykes from Lewisham Music chats about their award-winning project connecting music and young people's mental health, Front Line Young Minds.Presented and produced any Patrick Johns.http://www.livemusicnow.org.ukhttps://research.edgehill.ac.uk/en/publications/exploring-the-potential-of-informal-music-learning-in-a-perceivedhttps://lewishammusic.org/impact/front-line-young-minds/https://vimeo.com/user185753531© Music Teachers' Association www.musicteachers.org

This week, songs and stories from a trio of Grammy award winning world class songwriters recorded live at Ozark Folk Center State Park. Also, commentary from these three musical musketeers. Featured on this show are world renowned songwriter Roger Cook, award winning Memphis singer-songwriter Keith Sykes, and singer-songwriter and session musician Shawn Camp. Born in Bristol, England, Roger Cook is recognized as one of the world's greatest modern songwriters. During his lengthy international songwriting career, Roger has had more than 80 top 30 hits, including classics such as Something's Gotten Hold Of My Heart – Gene Pitney, Something Tells Me – Cilla Black, Long Cool Woman In A Black Dress – The Hollies, and You've Got Your Troubles – The Fortunes. However, Roger is perhaps best known for his song I'd Like To Teach The World To Sing, which was recorded by the New Seekers and became the theme song for a long-running series of Coca-Cola commercials. - https://en.wikipedia.org/wiki/Roger_Cook_(songwriter) Once upon a time in the summer of 1967, Keith Sykes hitchhiked to the Newport Folk Festival and saw Arlo Guthrie perform “Alice's Restaurant.” In the fall of that year he got a copy of the album, learned the whole song and sang it at a Holiday Inn in Charleston, South Carolina. They hired him on the spot for a regular gig playing music in the hotel. In the more than 40 years that followed, he would become a troubadour and storyteller, a massively successful songwriter with more than 100 songs recorded by artists as diverse as Rosanne Cash and George Thorogood. He would tour every corner of America and play in just about every conceivable kind of venue, appear on Saturday Night Live and Austin City Limits, and host songwriter nights on Memphis' legendary Beale Street with many of music's most talented songwriters. He would join Jimmy Buffett's Coral Reefer Band, tour the country and record the Volcano album – the title track for which he co-wrote with Jimmy. - http://www.keithsykes.com/ Some careers can be described with a couple of words but Shawn Camp's isn't one of them. A bold and distinctive singer and a songwriter who's provided material for artists ranging from Ralph Stanley, Del McCoury and Ricky Skaggs to Garth Brooks, Alan Jackson, Porter Wagoner, Loretta Lynn and Brooks & Dunn with hits such as “Two Pina Coladas” (Garth Brooks,) “Nobody But Me” (Blake Shelton,) “Would You Go With Me” (Josh Turner,) “River Of Love” (George Strait,) and Billy Currington's hit single “Love Done Gone.)  Along with being a hit writer, he is a gifted multi-instrumentalist who's played as a touring/recording musician with everyone from Jerry Reed, Trisha Yearwood, Shelby Lynn and Alan Jackson to the Osborne Brothers, Guy Clark and John Prine.  Camp also co-produced a compilation tribute album for his friend and hero Guy Clark which was #1 on the Americana Charts for several weeks in the spring of 2012 and voted Americana Album Of The Year 2012. - https://shawncamp.com/bio In this week's “From the Vault” segment, OHR producer Jeff Glover offers a 1981 archival recording of Ozark original Buddy Lancaster performing the tune “Fire on the Mountain,” from the Ozark Folk Center State Park archives. In this week's guest host segment, renowned traditional folk musician, writer, and step dancer Aubrey Atwater explores regional variations of the traditional folk song “Going to the West.”

This week, we talk about getting ourselves in trouble. Joe ponders which of his kids' events he can miss without scarring them for life. Misty educates us on the dangers of browsing travel sites while having margaritas. Reagan tells us about that time she and Misty hid from TCU police. Mike highlights the music of Keith Sykes and goes to jail.

http://www.prinetimepodcast.comhttps://americansongwriter.com/american-songwriter-podcast-network/https://www.instagram.com/prine_time_podcast/https://www.facebook.com/PrineTimePodcast/https://www.facebook.com/billy.prine.1https://michaeldinallo1.bandcamp.comhttps://www.facebook.com/michael.dinallohttps://www.instagram.com/michaeldinallo/https://www.facebook.com/GulfportDoughttps://www.instagram.com/douglashudsonfl/https://www.facebook.com/jonmitchell18

Legends in the Parrothead world! Jimmy Buffett's first guitar player, the cowriter of Volcano, and Mr. Utley...need I say more? Grab a drink and settle in for the fun, cause you never know who or what we'll dig up in... Boomer's Basement! Originally aired 6/26/2020 --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/boomer-blake/support

Esta vez nos sentimos en la obligación de rendir homenaje a John Prine, que fue hospitalizado el jueves 29 del pasado mes de marzo tras tener síntomas propios del coronavirus. Desde un primer momento se habló de "situación crítica" que no daba demasiadas esperanzas de recuperación. Los problemas de salud de Prine venían desde que a finales de los 90 le diagnosticaron cáncer de células escamosas en el cuello. Consiguió recuperarse tras radiación y cirugía, pero en 2013, sufrió cáncer en su pulmón izquierdo. Desgraciadamente, el martes día 7 moría en el Centro Médico de la Universidad de Vanderbilt en Nashville con 73 años. El veterano músico de Illinois demostró desde su primer trabajo, allá por 1971, hasta sus últimos momentos, su sabiduría y delicadeza para contar historias. Por suerte, su propio sello, Oh Boy, lanzó un primer libro de canciones para dar cobertura a todo ese proceso creativo de más de cuatro décadas. Beyond Words incluye letras y acordes de guitarra de más de 60 canciones firmadas por John Prine. Además, el libro cuenta con más de 100 fotografías, copias de letras manuscritas con comentarios adicionales y una mirada íntima a la obra de uno de los grandes artesanos de la música popular. Entre los temas seleccionados destaca un clásico de la categoría de "Angel from Montgomery", que formó parte de aquel álbum de debut en 1971 y que hablaba de una mujer de mediana edad que se sentía más vieja de lo que era en realidad y tan solo deseaba que un ángel viniera a llevársela lejos. Todo ello con la envoltura del órgano de Bobby Emmons. Los comienzos de una buena parte de los compositores relacionados con el country a finales de la década de los 60 y primeros años 70 tienen una simpleza casi ingenua, llena de lirismo. John Prine perteneció a la misma escuela de talentos de la folk music que Bob Dylan. Por lo tanto, en su personalidad artística siempre resaltó el seco humor de Woody Guthrie y sus canciones dedicadas a los amores perdidos no tienen casi nunca una componente de autocomplacencia en el dolor. Casi todas sus grabaciones han reflejado su propia manera de ser, por encima de la inspiración. Hoy hemos querido establecer distintas instantáneas sonoras de un artista con una carrera intachable en la que ha dejado joyas como “Souvenirs”, que el cantautor de Illinois incluiría en su segundo trabajo, Diamonds In The Rough, de 1972. Hace 40 años no era nada habitual escuchar las canciones de John Prine en las emisoras de radio de nuestro país, pero nosotros manteníamos nuestra devoción por él y álbumes como Storm Windows se convirtieron en un referente sonoro de TOMA UNO. Aquel trabajo, el séptimo de su discografía, fue el último grabado en una gran compañía como Asylum, ya que poco después fundaría Oh Boy Records, donde se editaron todas sus grabaciones posteriores. Recuperó un buen puñado de canciones que habían estado en el ambiente de las sesiones de su anterior trabajo, Pink Cadillac. Pero esta nueva aventura estaba más cerca de álbumes como Sweet Revenge y Common Sense, con un sonido más cohesionado y pulido. Mucho tuvo que ver en ello su marcha a los legendarios Muscle Shoals Sound Studios de Sheffield, en Alabama. "One Red Rose", que tiene que ver con una noche pasada con su primo Charlie Bill y donde Rachel Peer, su mujer por entonces, añadía unas armonías vocales deliciosas, fue una de nuestras canciones favoritas por entonces y lo sigue siendo ahora que hemos perdido a John Prine. Al igual que ocurrió en Aimless Love, su primer disco en Oh Boy, German Afternoons fue coproducido por John Prine junto a un veterano de Music Row como Jim Rooney, contando con las colaboraciones de la New Grass Revival y de Marty Stuart, lo que dio una tonalidad distinta a aquel registro. El indudable que “Speed Of The Sound Of Loneliness” fue la canción más popular, y más aún cuando después de siete años la grabó a dúo con Nanci Griffith en el álbum Other Voices, Other Rooms de la artista tejana. En aquel registro de 1986, un par de años antes de que George Strait llevara al No. 1 de las listas de country su versión de “I Just Want To Dance With You” como primer single de su Lp One Step At A Time, John Prine incluyó la versión original de aquel tema acompañado por la New Grass Revival y que había creado junto a Roger Cook. Con Brandi Carlile en los coros vocales, “Boudless Love”, compuesto junto a Pat McLaughlin y Dan Auerbach, miembro de los Black Keys, fue otro de esos regalos tan maravillosos como inesperados que John Prine repartió en sus muchos años de magisterio. Se ha convertido en su último en forma de álbum de un artista hoy homenajeado en nuestro programa que regresaba con un disco de temas nuevos tras 13 años sin hacerlo. Con el productor Dave Cobb supervisando las sesiones, The Tree of Forgiveness parece grabado en una reunión informal a la luz de una fogata nocturna, sin nada impostado, convirtiendo la veteranía de su protagonista es un activo más que en un inconveniente. The Tree of Forgiveness, fue grabado en el Studio A de RCA de Nashville, algo natural teniendo a Dave Cobb en la producción. “Summer’s End” es una de las canciones que estuvimos anticipando durante semanas que compusieron juntos el legendario artista y Pat McLaughlin. Entre los invitados especiales estaban Brandi Carlile, Jason Isbell y Amanda Shires y en las composiciones de algunos de los temas intervinieron el ya nombrado Dan Auerbach, Keith Sykes, Phil Spector y Roger Cook. En el pasado mes de junio, John Prine y Margo Price pusieron voz a su rotunda oposición a la controvertida prohibición al aborto en Alabama. Para ello sacaron a la luz esta nueva versión conjunta e "Unwed Fathers", una canción que el veterano artista grabó originalmente en 1984 para su álbum Aimless Love criticando la postura machista ante los embarazos no deseados. En esta versión también participaron Kenneth Pattengale de Milk Carton Kids y Jeremy Ivey, marido de Price y miembro de su banda. A finales del pasado 2019, Nathaniel Rateliff inició el lanzamiento de una serie de vinilos de 7 pulgadas para Stax Records que ha llamado genéricamente The Marigold Singles. Para el primero de ellos contó con John Prine, y con él grabó "Sam Stone", una canción sobre un veterano adicto a las drogas y su muerte por sobredosis que el legendario artista de Illinois incluyó en su disco de debut de 1971. La última grabación de John Prine de la que tuvimos noticias vino de la mano de Jerry Williams, bien conocido como Swamp Dogg, con uno de los temas de su nuevo álbum, Sorry You Couldn’t Make It. Se trata de “Memories”, una visión personal a modo de balada psicodélica sobre el concepto de familia, amor y amigos, grabado en el Sound Emporium de Nashville a primeros de 2019 junto al ahora desaparecido artista de Illinois, lo que le permite sumergirse en el sonido con el que creció, el country. Oh Boy Records fue la apuesta discográfica más personal de John Prine. Fue creada en 1981 por el artista junto a su manager Al Bunetta y su amigo Dan Einstein, un año después de que hubiera concluido su contrato con el sello Asylum y se mudara a Nashville. En el año 2004 John Prine participó por sorpresa en el álbum The Crickets & Their Buddies que firmaron los tres miembros originales de los Crickets, la mítica banda de acompañamiento de Buddy Holly. Con Nanci Griffith y Sonny Curtis en los coros, el músico de Illinois versionó –no podía ser de otra manera- “Oh Boy”, que habían grabado los Crickets nada más comenzar el verano de 1957 en Clovis, Nuevo México. En 1998, a John Prine fue diagnosticado con cáncer de cuello, sometido a radioterapia y fisioterapia. Quince años después, descubrió que tenía cáncer en los pulmones, que pudo ser operado. Con ese peculiar sentido del humor que le caracterizaba, escribió “When I Get To Heaven” (Cuando llegue al cielo) hablando de algunas de las cosas a las que tuvo que renunciar después de su enfermedad. Escribió la canción porque creía que no hay cáncer en el cielo, así cuando llegara allí se iba a tomar un cóctel de vodka y ginger ale y se iba a fumar un cigarrillo de 9 millas de largo. Esa es su idea del cielo. Cuando John Prine grabó "When I Get to Heaven", para cerrar su último álbum, The Trees Of Forgiveness, con el productor Dave Cobb, convirtió el estudio en una fiesta, con multitud de amigos y familiares cantando y tocando el kazoo de fondo. Ahora, John Prine habrá hecho realidad su sueño de entonces. Escuchar audio

359 - Keith Sykes Singer-songwriter, guitarist and producer Keith Sykes was a guest on my radio show and it was a pretty in-depth interview. Keith Sykes is someone who has had a lifelong pursuit of being and artist. I remember a past guest saying that a book needed to be written about all of the people whose path crossed with Keith Sykes. Some very fascinating characters who play a part in his story include Jerry Jeff Walker, John Prine, Guy Clark, Jimmy Buffett, Roseanne Cash, Roger Cook and others…most of whom have written songs with him. In the world of Jimmy Buffett, Keith Sykes is known as the writer of Coast of Marseille and the Last Line as well as a co-writer of the song Volcano. He was a touring member of Jimmy Buffett's Coral Reefer Band in 1979. Sykes has released a number of high quality albums that have drawn positive reactions from fans and also his peers. More than 100 of his songs have been recorded by other artists ranging from John Prine, George Thorogood, The Judds, Rodney Crowell, Sunny Sweeney and the aforementioned Jimmy Buffett. The Recording Industry Association of America has certified recordings of his songs have sold more than 25 million copies worldwide. It's a great honor to present this interview with the great Keith Sykes, right here on The Paul Leslie Hour.

Keith Sykes, singer-songwriter and former member of Jimmy Buffett's Coral Reefer Band, is our guest this week as we discuss writing with Jimmy Buffett, songwriting tips and his latest EP, Songs From A Little Beach Town.  Plus, we have a quick chat with Chris Isaak about Dick Dale.  We also hear tracks from Jerry Cole & His Spacemen, Elvis Presley, The Martian Denny Orchestra, Jan & Dean, The Beach Boys, Jinx Jones, The Kanaloas and The El Caminos!   Intro music bed: The Beach Boys- "Catch A Wave"   Jerry Cole & His Spacemen- "Papa Oom Mow Mow" The El Caminos- "Surf Teen Beat" Keith Sykes interview Keith Sykes- "Come As You Are Beach Bar" Segment 1 Jimmy Buffett- "Volcano" Segment 2 Keith Sykes- "Little Beach Town" Segment 3 Keith Sykes- "The Best Day" Eddie & The Showmen- "Movin'" Jan & Dean- "Walk Like A Man" The Beach Boys- "We Got Love" The Kanaloas- "The Day Of Malibu War" Jinx Jones- "Thunderball" Elvis Presley- "Hawaiian Sunset" Chris Isaak- "Sweet Leilani" Chris Isaak on Dick Dale Dick Dale- "The Wedge" The Martian Denny Orchestra- "On The Move" Outro music bed: Junior Brown- "Surf Medley"

Memphis music royalty came to the Radio Memphis studios on a recent Saturday night for a wonderful little moment with Keith Sykes and some of his stories. Along the way, he played a few songs from his extensive catalog. Over the years, Keith has found himself in some interesting places, writing music with some interesting people and playing those songs on some interesting stages. When you talk Memphis music, you can't leave out the name Keith Sykes. In this special On Demand piece, Keith sat down with Ric Chetter to play a few of the songs and tell the stories that went into the writing of his material and some of the surprising places where his music has shown up over the years.

Keith Sykes is an American singer-songwriter, musician and record producer.

Welcome to Episode #140 of the Pirates & Poets Podcast. Listen in as JB & DE discuss the Holiday season, our plans for 2018, and more. Enjoy music from The Detentions, Randy Brooks, Keith Sykes, and Joe Downing! 

We hear our 2nd segment (of 3) of "Feel Like Going Home: The Songs Of Charlie Rich" with tunes and interviews from artists appearing on this new release on Memphis International Records.  This episode we speak with Jerry Phillips (one of Sam's sons), Holli Mosley, Halley Phillips (co-producer of Holli's track/ Jerry's daughter) and singer-songwriter Keith Sykes.  Interviews were conducted at the Sam Phillips Recording Services Studio at 639 Madison Avenue in Memphis.  Not only was the bulk of this tribute album recorded there but it was the same studio Charlie Rich recorded most of his songs during his time with Sam Phillips. In fact, it's the SAME piano there in the studio! We also hear tunes from Howlin' Wolf, Jerry Lee Lewis and Big Sand & His Fly Rite Boys! Intro Voice Over- Rob "Cool Daddy" Dempsey Intro Music Bed:  Brian Setzer- "Rockabilly Blues"   Feel Like Going Home: Shooter Jennings- "Rebound" Jerry Phillips interview Segment 1 Charlie Rich- "Right Behind You Baby" Segment 2 Jackie Brenston & His Delta Cats- "Rocket 88"   Holli Mosley & Halley Phillips interview Segment 1 Holli Mosely- "Who Will The Next Fool Be" Segment 2 Johnny Hoy- "Don't Put No Headstone On My Grave"   Keith Sykes interview Segment 1 Charlie Rich- "Lonely Weekends" Segment 2 Keith Sykes with Grace Askew- "Everything I Do Is Wrong"   Howlin' Wolf- "How Many More Years" Jerry Lee Lewis- "Mean Woman Blues" Big Sandy & His Fly Rite Boys- "Feelin' Kinda Lucky"   Outro music bed: Joel Paterson- "Fender Freeze"

Thad's Dad throws a party at the house, guest staring Keith Sykes, causing them to reminisce about past parties they've had over the years. The boys also discuss the age old debate: What is the best age to have your first child?...From a father's perspective of course. They both know parties, but only one of them understands what it is to be a Dad.

Thad's Dad throws a party at the house, guest staring Keith Sykes, causing them to reminisce about past parties they've had over the years. The boys also discuss the age old debate: What is the best age to have your first child?...From a father's perspective of course. They both know parties, but only one of them understands what it is to be a Dad.

show#40810.15.11   WOMEN!!!!! Jackson Browne & David Lindley - You Asshole You (You Just Want Meat) (Live at The Main Point (sept 7 1975)Bonnie Raitt - Women Be Wise (Live in the Rainbow Room, Philadelphia - 1972 (WMMR Radio)Tony Joe White - Red Neck Women (Live From Austin TX 2006)Mason Casey - Two Crazy Women (Deep Blue Dream 2003)J.J. Cale - Louisiana Women (Really 1972)James Harman - (I Got) So Many Womens (Side Dishes 2003)Kaye Bohler - Just Another Woman (Men and Music 2002)Nick Curran - Women and Cadillacs (Fixin' Your Head 2000)Lightnin' Malcolm - So Many Women (Renegade 2011)Little Junior Parker - Bad Women Bad Whiskey (1952-1955 2008)Stick McGhee - Whiskey, Women & Loaded Dice (The R&B Years - 1953 [Disc 2])Michael Hill's Blues Mob - Women Make the World Go 'Round (Have Mercy 1996)Alexis Korner - Evil Hearted Woman (Bootleg Him 1972)Craig Erickson - Wild Little Woman (Retro Blues Express 1994)David Maxwell & Louisiana Red - New Jersey Women (You Got To Move 2009)Coco Montoya - Women Have A Way With A Fool (Can't Look Back 2002)Gary Moore - I Loved Another Woman (Blues for Greeny 1996)Guitar Shorty - Texas Women (Bare Knuckle 2010)Charlie Musselwhite - Cadillac Women (The Well 2010)Spinner's Section:some stuff I bet you never heard before (all vinyl)Dick Destiny & the Highway Kings: Dweezils ripped my flesh (0:38) (Brutality, Destination, 1987)Peter "Madcat" Ruth: baby scratch my back (2:57) (Heavy Duty Harpin', Hohner, 1984)Merle Travis: black diamond blues (3:06) (The Merle Travis Guitar, Capitol, 1956)Sweet Salvation: have you ever had the blues (2:22) (-, Elektra, 1972)BB King: recession blues (1958) (2:21) (Blues Rarities, Chess, 1985)Crew: struggle (6:02) (Doin' Overtime, Blue Sting, 1986)Jesse "Ed" Davis: bacon fat (4:40) (Keep Me Comin', Epic, 1973)Keith Sykes: truck driver blues (3:16) (1-2-3, Vanguard, 1971)Toots Thielemans: blues talk (2:15) (The Salient One, ABC, 1973)Pete Johnson: somebody (3:34) (Blowin' The Family Jewels, Bleu Shadow, 1988)Ted & the Tall Tops: crazy date (3:35) (untittled mini album, New Rose, 1987)Jump Dickie Jump: who's the one you gonna put the chainball to his feet (3:55) (-, Rockhouse, 1986)

Don't miss this show from B&S... Spinner plays with trains againshow#213  10-14-07Wingnut Adams    Wicked Ways    Vintage Nut        Guitar Shorty    The Netherlands    I Go Wild    Evidence    KearnySpinner's Sectionmore traintracksColin James: train kept a rollin' (Bradshaw, Mann, Kay) (And The Little Big Band, Pointblank, 1993)Junior Watson: the train (Louis "Mr. Bo" Collins) (Long Overdue, Black Magic, 1993)Livin' Blues: go go train (Oberg, Christiansen) (Wang Dang Doodle, Philips, 1970)Hazmat Modine: lost fox train (for Joe) (Schuman) (Bahamut, Barbes, 2006)Keith Sykes: train to Dixie (Sykes) (It's About Time, Oh Boy, 1992)Jean Jacques Milteau: mystery train (Parker) (Blues Live, Mister Music, 1998) Back to Beardo:Anson Funderburgh & The Rocke    I Done Quit Getting Sloppy Dr    Tell Me What I Want to Hear,B    Black Top    Sam MyersBig Jim Adam    Feel Good Day    Rock Island Line    Fossyl Records    James AdamRenee Austin    U-Haul    Right About Love - BPCD 5099    Blind Pig    Austin, Reneé/Kevin BoweTommy Castro, Jimmy Hall, Llo    Raised In The Country    Triple Trouble,Telarc        Howlin' Wolf    I Ain't Superstitious    The London Howlin' Wolf Sessions - chd-9297        James Cotton    The Creeper    Dealing With The Devil,Quicks        Rockin' Jake Band    do whatcha wanna    5 pm breakfast    http://www.aworldofblues.comHttp://www.bandanablues.comthebeardo@gmail.com6 hours of Beardo this week on AWOB...10am-4pm edt