Podcast appearances and mentions of John Prine

Text us about this show.It's pretty clear when you listen to Tim Case's music that his Wisconsin roots go deep into his soul. Many of his songs have at least references to people or places around the state, but they serve as devices to tell a narrative rather than promote Wisconsin outright. It's just what he knows through his life experiences and observations, so he weaves these elements into his thoughtful lyrics. His 2025 release, Hall of Mirrors, is an album that is influenced by artists like Bob Dylan and John Prine with a sound not unlike albums produced by Daniel Lanois. Call it atmospheric Americana if you like. Tim is creating some beautiful music and using it to give a down-to-earth observations of life."What Am I Missing?," "Bloodbath," "Shots In The Dark," and "The Exit" written and performed by Tim Case℗ 2025 Tim Case. Used with permission of Tim Case.Melody Audiology LLCAudiology services for all. Specializing in music industry professionals and hearing conservation.Disclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Support the showVisit Into The Music at https://intothemusicpodcast.com!Support the show: https://www.buymeacoffee.com/intothemusic E-mail us at intothemusic@newprojectx.com YouTube Facebook Instagram INTO THE MUSIC is a production of Project X Productions.Host/producer: Rob MarnochaVoiceovers: Brad BordiniRecording, engineering, and post production: Rob MarnochaOpening theme: "Aerostar" by Los Straitjackets* (℗2013 Yep Roc Records)Closing theme: "Close to Champaign" by Los Straitjackets* (℗1999 Yep Roc Records)*Used with permission of Eddie Angel of Los StraitjacketsThis podcast copyright ©2025 by Project X Productions. All rights reserve...

Note: This encore episode is dedicated to the memory of Alice Potts, who died on August 20, 2025, aged 81. “In America aging is often seen as an insult rather than an inevitable human process. We don’t celebrate getting older; we ‘fight’ age by pretending to be young.” –Rolf Potts In this episode of Deviate Rolf and his parents, Alice and George Potts, talk about how surviving the COVID-19 pandemic has changed their relationship, and how it gave them a pretext to go through a “death checklist” together (3:00); how one’s grandparents and parents live on in one’s memories and one’s conversations, the life-values they passed on, and what it felt like when those loved ones declined and died (14:00); how, over the years, elderly people and philosophers have come to terms with notions of decline and death (31:00); and personal insights about what it’s like to have grown older after having lived a long life (44:00). George and Alice Potts are retired schoolteachers based in Kansas. George taught science at various Wichita high schools, as well as at Friends University, where he pioneered graduate-level programs in Zoo Science and Environmental Studies. He also helped facilitate the Outdoor Wildlife Learning Sites (OWLS) program for the Kansas Department of Wildlife and Parks. Alice taught second graders in the Wichita public schools for more than 30 years. In 1994 her classes succeed in promoting legislation to declare the barred tiger salamander the Kansas State Amphibian. Notable Links: What to Do When a Loved One Dies (AARP death checklist) How we die in America (Deviate episode) The therapeutic uses of reading scripture (Deviate episode) On losing one's parents to COVID-19 (Deviate episode) 1985 World Series (baseball championship) Joe Louis (20th century boxing champion) John Prine (singer-songwriter) Alzheimer’s disease (chronic neurodegenerative disease) You Are My Sunshine (folk song) Will You Miss Me When I’m Gone (folk song) Ecclesiastes (book in the Old Testament of the Bible) Epistle of James (book in the New Testament of the Bible) Crowfoot (19th century Siksika First Nation chief) Ted Kaczynski (the Unabomber) Epicurus (ancient Greek philosopher) Varanasi (Hindu holy city in India) Lamentations 3:22-23 (Old Testament Bible verse) The Deviate theme music comes from the title track of Cedar Van Tassel's 2017 album Lumber. Note: We don't host a “comments” section, but we're happy to hear your questions and insights via email, at deviate@rolfpotts.com.

Foster Burton is a singer-songwriter and guitarist from Salem, VA, known for his soulful, roots-driven sound. Blending elements of folk, rock, and Americana, his music is shaped by the storytelling of John Prine, the raw grit of Tom Waits, and the improvisational spirit of Jerry Garcia. Whether performing solo or with bands like Mountain Walrus, Mad Iguanas, and Dead Reckoning, Foster brings an authentic, dynamic energy to every stage. His sets feature a mix of heartfelt originals and well-curated covers, showcasing his rich vocals and expressive guitar work. A staple of the regional music scene, Foster continues to captivate audiences with his raw talent and deep musicality.

Howdy Folks, Hope you enjoyed Rapture day where no one ascended in to Heaven, what a surprise...That is the theme of the show. I lost faith a long time ago and the 24 hr news cycle in the palm of your hand isn't fun. 2025 is rough and we are all easy marks at this point as the Algorythm preys on us. Metal, Punk, Dubstep, Hip Hop, Comedy and Gower and Matador talk Grocery Outlet, Startbucks, Fantasy football and Rapture day... Faith is hard to come by these days, MATADOR Artist include: Paris, Eric Idle, NOFX, John Prine, Faithless and many more  

You're about to learn a whole lot more about Kevin Bacon. The prolific actor has been on our screens for more than 40 years. It was his breakthrough part as Ren in Footloose that got him attention, but he was just getting started. Acclaimed roles in Apollo 13, A Few Good Men, The River Wild, and Mystic River would follow. In fact his filmography and range is so broad he literally had a game made up about him – Six Degrees of Kevin Bacon – where you could connect any Hollywood actor to him in six or less steps, he's worked with that many stars.But bubbling away in the background, Kevin has always loved music. He played and wrote songs as a kid, joined his brother's band and formed The Bacon Brothers in '95, and shares his love of songs on the regular, across his social media.It was this thread I wanted to pull at, when I asked him to Take 5. But what emerged was a greater sense of the man himself. Deeply empathetic, very grounded, and with his heart in all the right places.Kevin Bacon's song choices:Earth, Wind & Fire – 'Happy Feelin'Spin Doctors – 'Little Miss Can't Be Wrong'John Prine & Iris DeMent – 'In Spite of Ourselves'Frank Ocean – 'Thinkin Bout You'Brandi Carlile – 'The Joke'00:00 Introduction to Kevin Bacon's Musical Journey01:00 Kevin Bacon's Love for Music02:19 Kevin Bacon's Acting and Music Synergy04:11 SONG 1: Earth, Wind & Fire – 'Happy Feelin'05:59 The Influence of Philadelphia's Music Scene09:59 Kevin Bacon's Acting Aspirations and Early Career14:38 SONG 2: Spin Doctors – 'Little Miss Can't Be Wrong'18:02 The Bacon Brothers and Overcoming Stage Fright22:53 SONG 3: John Prine & Iris DeMent – 'In Spite of Ourselves'23:28 Marriage to Kyra Sedgwick and singing together30:32 SONG 4: Frank Ocean – 'Thinkin Bout You'35:21 Six Degrees of Kevin Bacon and Philanthropy39:51 SONG 5: Brandi Carlile – 'The Joke'44:28 Kevin Bacon's Musical Journey45:57 Upcoming Episodes and Podcast Details46:29 Double J Radio HighlightsWatch Take 5 on ABC iview:https://iview.abc.net.au/show/take-5-with-zan-rowe

Briscoe has an incredible story, and you need to hear it now!Two redheaded kids in the same pair of Chaco sandals at summer camp. A back-porch pact to start a band if they ever wound up at the same college.And now—sharing the stage with Dave Matthews and lighting up the Newport Folk Festival.You'll want to say you discovered this band first.

On the menu at the rock and roll state banquet … … Into the Mystic, Meet On The Ledge, In My Life, Tom Waits' Take It With Me and other perfect songs for a last farewell … the day we joined the world's best band … Robert Redford's blinding handsomeness and the greatest moment – all three seconds of it – in Butch Cassidy And the Sundance Kid … best-looking rock stars … were the Shadows really a UK Eurovision entry? … “very special guests” and the new age of the stadium rock “bring-on” … how John Prine and Iris DeMent won the big door prize … “the movie camera is the biggest lie-detector in the world” … strange double bills of our time - the Foo Fighters and Rick Astley, Bo Diddley and the Clash Plus Cary Grant smoking, watching Brad Pitt do ordinary things and birthday guest Steven Way on the subtle billing of support acts.Find out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

On the menu at the rock and roll state banquet … … Into the Mystic, Meet On The Ledge, In My Life, Tom Waits' Take It With Me and other perfect songs for a last farewell … the day we joined the world's best band … Robert Redford's blinding handsomeness and the greatest moment – all three seconds of it – in Butch Cassidy And the Sundance Kid … best-looking rock stars … were the Shadows really a UK Eurovision entry? … “very special guests” and the new age of the stadium rock “bring-on” … how John Prine and Iris DeMent won the big door prize … “the movie camera is the biggest lie-detector in the world” … strange double bills of our time - the Foo Fighters and Rick Astley, Bo Diddley and the Clash Plus Cary Grant smoking, watching Brad Pitt do ordinary things and birthday guest Steven Way on the subtle billing of support acts.Find out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

On the menu at the rock and roll state banquet … … Into the Mystic, Meet On The Ledge, In My Life, Tom Waits' Take It With Me and other perfect songs for a last farewell … the day we joined the world's best band … Robert Redford's blinding handsomeness and the greatest moment – all three seconds of it – in Butch Cassidy And the Sundance Kid … best-looking rock stars … were the Shadows really a UK Eurovision entry? … “very special guests” and the new age of the stadium rock “bring-on” … how John Prine and Iris DeMent won the big door prize … “the movie camera is the biggest lie-detector in the world” … strange double bills of our time - the Foo Fighters and Rick Astley, Bo Diddley and the Clash Plus Cary Grant smoking, watching Brad Pitt do ordinary things and birthday guest Steven Way on the subtle billing of support acts.Find out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Novelist and journalist Tom Piazza struck up a friendship with the irreplaceable John Prine in the last years of his life. This relationship, which began as a profile for a magazine, almost blossomed into an autobiography and involved a road trip in an inadvisable vehicle, has resulted in a new book “Living In The Present With John Prine”. Which involves:•⁠ ⁠setting off in a 1977 Coupe De Ville and driving “until the engine burns up”.•⁠ ⁠sitting up all night playing old country songs.•⁠ ⁠remembering how he came to write some of the greatest songs of the last fifty years•⁠ ⁠an evening's swapping stories with Elvis Costello which ends with the alarming word “the jukebox is on fire!”•⁠ ⁠what Prine's last album “The Tree Of Forgiveness” has in common with Beethoven's late quartetsBuy Living In The Present With John Prine: https://amzn.eu/d/9vWv9rgFind out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Novelist and journalist Tom Piazza struck up a friendship with the irreplaceable John Prine in the last years of his life. This relationship, which began as a profile for a magazine, almost blossomed into an autobiography and involved a road trip in an inadvisable vehicle, has resulted in a new book “Living In The Present With John Prine”. Which involves:•⁠ ⁠setting off in a 1977 Coupe De Ville and driving “until the engine burns up”.•⁠ ⁠sitting up all night playing old country songs.•⁠ ⁠remembering how he came to write some of the greatest songs of the last fifty years•⁠ ⁠an evening's swapping stories with Elvis Costello which ends with the alarming word “the jukebox is on fire!”•⁠ ⁠what Prine's last album “The Tree Of Forgiveness” has in common with Beethoven's late quartetsBuy Living In The Present With John Prine: https://amzn.eu/d/9vWv9rgFind out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Novelist and journalist Tom Piazza struck up a friendship with the irreplaceable John Prine in the last years of his life. This relationship, which began as a profile for a magazine, almost blossomed into an autobiography and involved a road trip in an inadvisable vehicle, has resulted in a new book “Living In The Present With John Prine”. Which involves:•⁠ ⁠setting off in a 1977 Coupe De Ville and driving “until the engine burns up”.•⁠ ⁠sitting up all night playing old country songs.•⁠ ⁠remembering how he came to write some of the greatest songs of the last fifty years•⁠ ⁠an evening's swapping stories with Elvis Costello which ends with the alarming word “the jukebox is on fire!”•⁠ ⁠what Prine's last album “The Tree Of Forgiveness” has in common with Beethoven's late quartetsBuy Living In The Present With John Prine: https://amzn.eu/d/9vWv9rgFind out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

In "Living in the Present with John Prine," acclaimed writer Tom Piazza invites readers into the intimate final chapters of a legend's life. What begins as an assignment for Oxford American in the spring of 2018 evolves into much more than a magazine profile. As they trace winding roads and wander through record stores, Piazza and Prine cultivate a deep friendship, rich with laughter, storytelling, and the quiet magic that occurs when art and camaraderie converge.

We're busy and we're sorry but our buddy Jon just started a new job so we want to celebrate by reposting one of our favorite episodes, favorite albums, and favorite guest (Suzanne doesn't read these)    Congrats to Jon on the new job, here is to hoping you can buy bigger buckets for the garage, and some more shoes for your two lengthed legs.    We may or may not be back next week. We haven't quit yet, I promise. 

On this episode of Lipps Service, Scott sits down with one of the biggest names in country today – Jordan Davis! Jordan's newest album, Learn The Hard Way, was just released, and it features other amazing country artists, such as Marcus King on the track “Louisiana Sticks”. Jordan's gearing up for his upcoming headlining tour, and he'll be on the road playing hit venues like Red Rocks and Wembley Stadium. The conversation kicks off with how country music is becoming more mainstream, with artists such as Post Malone and Lana Del Rey coming into the scene. He also reflects on the music legends who've inspired him, such as John Prine, Jason Isbell, Smashing Pumpkins, and Tom Petty. Jordan talks about what it was like growing up in Louisiana with musicians in his family, and explores how country music impacted his musical upbringing. Jordan also highlights the new record and what it's like playing large shows at venues like Radio City Music Hall. He talks about his song with Marcus King and how they added new elements into the track. The conversation closes with Jordan listing his top 5 podcast series, his favorite new country artists, and his favorite burger spots in the US. Tune in to an amazing episode with Jordan Davis!  #jordandavis #countrymusic  For more incredible rock 'n' roll interviews, hit the subscribe button, and also check out Lipps Service with Scott Lipps podcasts on Spotify, Apple, or your favorite podcast player.  CREDITS (Instagram handles) Host @scottlipps Produced by @whitakermarisa Edited by @toastycakes Music by @robbyhoff Recorded at Fringe Podcasts NYC  0:00:00 - Start 0:00:18 - Listening to podcasts 0:01:05 - First country artist on the show! 0:01:14 - Country turning mainstream 0:02:02 - Coming from a musical family 0:03:06 - Getting the first record deal 0:04:13 - Doing the “artist thing” 0:06:40 - Changing paths 0:07:20 - Four-hour sets 0:09:33 - Brotherly collaboration 0:10:18 - John Prine and Jason Isbell 0:10:58 - Smashing Pumpkins 0:12:13 - Shreveport, Louisiana 0:12:57 - CD burning era 0:13:39 - Country roots 0:14:00 - A look behind the curtains 0:14:55 - College 0:15:33 - Making it in music 0:16:12 - Bartending to record deal 0:18:08 - Figuring out how to become a performer 0:19:28 - Pinch-me moments 0:21:44 - Radio City Music Hall 0:22:34 - “Buy Dirt” 0:24:38 - Inspiration behind the track 0:26:47 - Pop musicians shifting towards country0:28:49 - What does country music mean? 0:29:15 - Tom Petty 0:29:36 - Country at its peak 0:30:02 - Promoting through social media 0:31:48 - Music discovery 0:32:36 - The new album Learn The Hard Way 0:33:43 - Heading into the studio 0:34:25 - “Louisiana Stick” with Marcus King 0:35:52 - Top 5 podcast series 0:37:11 - Theo Von 0:37:39 - Favorite new country artists 0:39:19 - Food on the road 0:39:35 - Best burger spots

Luke 23:39-43One of the criminals who were hanged there kept deriding him and saying, “Are you not the Messiah? Save yourself and us!” But the other rebuked him, saying, “Do you not fear God, since you are under the same sentence of condemnation? And we indeed have been condemned justly, for we are getting what we deserve for our deeds, but this man has done nothing wrong.” Then he said, “Jesus, remember me when you come in your kingdom.” He replied, “Truly I tell you, today you will be with me in paradise.” We don't talk much about heaven. And when we do, it's not with much substance — like that old Norman Greenbaum song: the place we go when we die, the place that's “the best.” as if heaven were some never-ending worship service in the sky. Some ask the question why talk about heaven at all?The argument goes: “Why waste time on heaven when there's so much work to do here on earth? Doesn't talk of heaven distract us from fixing what's broken now?” And that feels like a fair point. Why talk about heaven today when two children were killed this week while praying in pews at a church in Minnesota? Shouldn't we be advocating for gun reform and better access to mental health care? Of course we should.But thinking about heaven doesn't have to be an escape hatch from the world's pain. It isn't wishful thinking or some bribe for good behavior. Rather, how are we to make things on earth as they are in heaven if we don't have the slightest idea what heaven is like?C.S. Lewis once wrote: “Aim at heaven and you'll get earth thrown in. Aim at earth and you'll get neither.”So it is worth our time, especially today, to ask what really happens in heaven — to have a picture vivid enough to stir us. Because maybe, just maybe, with a stronger and more compelling image of heaven, we can make this earth resemble it more, and less the kind of place where parents are afraid to send their children to school.But first, let me free us of two things.First, heaven is not a never-ending worship service. Could you imagine showing up only to find yourself stuck in an endless 1st or 2nd service — refrains on repeat, blaring organ music, the same prayers over and over? That's not what I want to do for eternity! Surely there are better ways to be with God.Second, much of Christian tradition describes our final fulfillment as the beatific vision—seeing God face to face, fully and directly, instead of through the symbols and metaphors we cling to now. But until then, all we really have are symbols, theological concepts, and imagery: the golden streets, the white robes, the river of life, the crowns of glory. They're not literal blueprints of the place; they're faithful attempts to describe the indescribable, whether they come from the Bible or the best theologians.Which means we're free. Free to use Scripture, tradition, and our own lives to imagine heaven faithfully. We should take our own reverent best guess at what it might be like. And that's what I want to do with you today, my reverent best guess at what happens in heaven through four images. Josh Noem, a Catholic writer and baseball lover deserves credit for the inspiration of this idea. He made a post that went viral with the caption “I collect images of walk-off home run hitters rounding third because they are an image of heaven.” On a Sunday in August seven years ago, a rookie named David Bote stepped into the batter's box for the Chicago Cubs. The Cubs were down by three. Bases loaded. Two outs. Two strikes. And then — on the fifth pitch — Bote crushed a ball to center field. A walk-off grand slam.That night, the Cubs released a photo of Bote rounding third and heading home. You can see the ecstasy on his teammates' faces, the sheer joy of his coach, the wild cheering of fans — even Bill Murray was crying in the stands.I think heaven begins like that. The saints who have gone before us surround you, waiting to embrace you. You will be one of the saints waiting to embrace others! The multitude too great to count, like Revelation describes, erupts in cheers. And at the end of it all, God — like that third-base coach — looks you in the eye and says, “Well done, good and faithful servant.”It's Jesus who hit the home run. But we get to round the bases and go home. And when we do, there will be celebration.If the first thing in heaven is celebration, then the second is healing. Bandaids are a big deal in my house right now. Every time someone gets a boo-boo, my son Clive thinks we need a bandaid — the dog included. Stubbed toe, scraped knee, headache, doesn't matter: everything and everyone gets a bandaid.But there are no bandaids in heaven. From the prophet Isaiah to the vision in Revelation, one of Scripture's clearest promises about heaven is that God will wipe away every tear, that there will be no more pain, no more suffering. Paul says in 1 Corinthians that our bodies will be raised — the same bodies, but transformed. The hurts, the failures, the agony we carry will be changed into glory.And if Jesus' resurrection is any sign, we will still bear our scars in heaven — they'll still mark our story — but they will no longer hurt us. And the same is true, not only for us, but for all living things, in fact all of creation. Isn't that what we all hope for? Healing for ourselves, for our loved ones, for all creation.In heaven, there will be no bandaids. And because there will be no wounds left to cover and healing will be complete, there will be no need for hope either. After we celebrate and heal, we feast! yes – there will be eating in heaven… I was concerned. But not just any meal, a feast. One of the most beautiful pictures of this comes from the story Babette's Feast. Babette, a refugee from Paris, lands in a nowhere Norwegian town where she is taken in by two devout Lutheran sisters. Their father had been the pastor of the village's only church, but since his death, the congregation had withered, burdened by grudges and old conflicts. For what would have been his 100th birthday, Babette offers to prepare a great feast. What begins as a stiff, awkward gathering soon becomes something altogether different. As the wine is poured and the rich food is savored, something more than good cooking is at work: hearts begin to soften, laughter replaces suspicion, and forgiveness flows as freely as the wine. What seemed impossible at the beginning of the meal—reconciliation— happened, all by the time dessert was served.There will be feasting in heaven and I think it will be like this feast. As Isaiah envisions, we will sit at the table with those with whom we've been estranged, even those we never imagined we could forgive—or be forgiven by. It will not happen in an instant. But as the feast unfolds, course by course, grace will work on us. Understanding will deepen. Forgiveness will be given and received. And by the time the great banquet reaches its end, all will be reconciled—fully, finally, and joyfully.I know I haven't answered all the questions: When do we go to heaven? Is it right away, or do we sleep first? What about our relationships — will they change? Will I still have to… you know poop!… since there will be all this feasting? There are more questions than I can count. But here's the promise I hold onto when the questions overwhelm me: fishing in paradise.Of all the images, metaphors, and concepts we have, the clearest promise comes from Jesus' words to the thief on the cross: “Today you will be with me in paradise.” That promise isn't just for one person, or one moment. It's for you, for me, for every sinner who has been crucified by their sin and raised to new life in Christ.I believe, then, what happens in heaven is this: it's you, and you, and you, and me, and Jesus will be there too. We'll learn, we'll grow, and grace will continue to work on us, until, like that John Prine song says, we forgive each other — over and over, until we both turn blue. And then, maybe, we'll whistle and go fishing in heaven. We will live together in harmony, all of us, all creation, with Jesus in paradise.You see, when it comes to paradise (heaven) it's not the questions that really matter, but the promises. And the perfect promise is “today you will be with me in paradise”. And that promise is better than any reverent best guess we can come up with.If only we celebrated each other now, if we worked toward healing now — for our neighbors, for our world, for ourselves — if we sought reconciliation today rather than waiting, then perhaps what we hope happens in heaven could happen right here on earth. Maybe then we wouldn't be so afraid to send our children to school because earth would be like those images, those promises we have of heaven.As you leave today, these images are laid out in the welcome area. Take the one you need for the week ahead — the one that encourages you, challenges you, or comforts you. Let it be the image that inspires you to make earth a little more like heaven.Amen.

Dan Reeder is a singer-songwriter and painter originally from Louisiana, who has lived in Germany for decades, released critically acclaimed records via John Prine's Oh Boy Records (as one of the first artists signed to the label, at almost 50 years old), and is somewhat of a cult folk-hero. Dan has toured very infrequently over his 20+ year music career, and we talk about why and his feelings about the concept of touring in general, his approach to staying creative musically and in his visual art, the connections he sees between painting and recording songs, we get an inside look at synths that he is currently building, and a whole lot more.Get more access and support this show by subscribing to our Patreon, right here.Links:Dan ReederIris DementPheobe BridgersJohn PrineHealing AppalachiaEp 75 - Nicole AtkinsJourney InstrumentsK&K Western MiniFurch GuitarsOh Boy RecordsEp 16 - Rodney CrowellEp 27 - Mary GauthierHarry PartchTex CobbClick here to watch this conversation on YouTube.Social Media:The Other 22 Hours InstagramThe Other 22 Hours TikTokMichaela Anne InstagramAaron Shafer-Haiss InstagramAll music written, performed, and produced by Aaron Shafer-Haiss. Become a subscribing member on our Patreon to gain more inside access including exclusive content, workshops, the chance to have your questions answered by our upcoming guests, and more.

Five-time Grammy winner, ACM Poet's Award honoree, and Nashville Songwriters Hall of Famer Mary Chapin Carpenter opens up about her process and reflects on her approach to the craft. PART ONE:Paul and Scott geek out hard on Elvis and legendary songwriter Doc Pomus. PART TWO:Our in-depth conversation with Mary Chapin CarpenterABOUT MARY CHAPIN CARPENTERMary Chapin Carpenter is a five-time Grammy award-winning singer, songwriter and performer who has been nominated 18 times in categories ranging from country to Americana to folk to general Record of the Year. Making a name for herself with hits such as “Down at the Twist and Shout,” “He Thinks He'll Keep Her,” and “Shut Up and Kiss Me,” she has won two CMA Female Vocalist of the Year awards, two ACM awards, and is one of only a small handful of women who have been inducted into the Nashville Songwriters Hall of Fame. Additionally, she received the Americana Music Association's “Spirit of Americana Free Speech Award” and was honored with the Academy of Country Music's Poets Award in 2023. Her most recent album, Personal History, which was released this summer, is her most autobiographical project to date.  

We're celebrating our 10th anniversary all year by digging in the vaults to re-present classic episodes with fresh commentary. Today, we're revisiting our 2017 conversation with Vince Gill. ABOUT VINCE GILLMulti-instrumentalist, singer, and songwriter Vince Gill launched his solo career in the mid-1980s, hitting the Top 10 on Billboard's country singles chart a remarkable 25 times. All but one of those hits was written or co-written by Gill, and a dozen of his compositions have been nominated for either CMA Song of the Year, ACM Song of the Year, or the Best Country Song Grammy. These include “When I Call Your Name,” “Look At Us,” “Pocket Full of Gold,” “When Love Finds You,” “High Lonesome Sound,” “If You Have Forever in Mind,” “Feels Like Love,” and “Threaten Me With Heaven.” “Go Rest High on That Mountain” won both the CMA Song of the Year and the Best Country Song Grammy, while “I Still Believe in You” won the Best Country Song Grammy, as well as both the CMA and the ACM's Song of the Year awards. Though he's won four in total, Vince is the only songwriter to ever win three consecutive Song of the Year awards from the CMA. He has won more Grammy awards, with over 20 trophies, than any male country performer in history. These include two Best Country Song wins, as well as a 2017 win for Best American Roots Song for “Kid Sister,” which was recorded by Gill's band, The Time Jumpers. He has won eight ACM awards and 18 CMA awards, including Vocalist of the Year five years in a row and Entertainer of the Year two years in a row. Other highlights from his long list of hit singles include the #1 hits “Don't Let Our Love Start Slippin' Away,” “One More Last Chance,” and “Tryin' to Get Over You.” In addition to writing his own material, Vince's songs have been recorded by Loretta Lynn, Bob Seger, John Denver, Mary Chapin Carpenter, John Prine, Willie Nelson, Michael McDonald, LeAnn Rimes, and Alabama, who topped the country charts with his “Here We Are.” Vince was inducted into the Nashville Songwriters Hall of Fame in 2005, and the Country Music Hall of Fame in 2007. In 2014, he was named a BMI Icon, one of only twelve country writers ever honored with the prestigious award.

East Texas Songwriter Stefan Prigmore is another artist thatcame to me from multiple streams of connection as you'll hear in the Summer 2025 conversation and musical performance.  His down home demeanor and Jon Dee Graham meets Skylar Hamilton meets John Prine vocal aesthetic is a wonderful combination.  In Stefan's own words: I make music because it helps me to process difficult and complex ideas, in a way that others also understand and can relate to. There's a catharsis that happens when I see my understanding reflected back in another person when they hear one of my songs, that gives us both some comfort. It alsohelps me to lift up the beauty I see in this world, and has become a lens for seeing and understanding the world and my feelings. It generally all comes down to love, that I have and find when birthing a song, and that is reflected backwhen I share these songs with you.As you'll hear in our conversation, Stefan has been creatingand performing music since his teenage years, following his father into the business.  If you explore his catalogue,you will learn and understand the joy Stefan finds in the outdoors and the gratitude he shows on the stage are part of the same values reflected in his music. Stefan's sound is an approachable blend of Americana, folk, and roots.  Although some of his lyrics can be construed as dark, they are sincere and that soft/tender conversational voice is becomesquite dynamic and distinctive when he sings.

AV4A kicks off Season 3 with a search for The Heaviest Songs of the Universe by way of the historical-scientific search for the heaviest Elements of the Universe...

(00:00:00) Daft Punk - Discovery / 2001, (00:33:23) Opeth - The Last Will and Testament / 2024, (01:03:54) John Prine - Sweet Revenge / 1973

A little bit of twisting and a little bit of shouting…as well as some gospel rhythms, hand clapping, and some back beat rhythms from the gulf and whole lot more. This week's show will be a free form extravaganza which means there's a bright day ahead, as always. My springboard was an afternoon's listen to the music of David Lindley who, in addition to being a fine musician, he had extraordinary taste in music. We'll hear some gospel tracks from Sister Marie Knight and the Reverend James Cleveland, classic funk and soul from The Temptations, Billy Butler and The Isleys. We'll also spinning up some Wild Tchoupitoulas, Otis Rush and be featuring some three-time track samples and a brand new track from the 30th anniversary release of John Prine's Lost Dogs and Mixed Blessings, slated for release in early September. There's a whole lot more to share with everyone out there so it's a good morning to drop in and here a Twist and Shout sample from Top Note going back to 1961…oh yes, as well as a couple David Lindley tracks.

Bret McKenzie now mainly works on movie soundtracks, the Simpsons, Minecraft and the Muppets among them, which brings the pure delight of hearing his songs sung by Lady Gaga, Benedict Cumberbatch, Miss Piggy and Tony Bennett. He talks here about his early life in Wellington (ballet teacher Mum, racehorse trainer Dad), narrative comedy, songwriting heroes and his new album Freak Out City, and unravels New Zealand's double-edged sense of humour. Along with … … how Randy Newman pitches songs for soundtracks … “the test of a good song works is if it works with just one instrument” … lyrics he loved growing up like 16 Tons by Tennessee Ernie Ford – ‘Some people say a man is made out of mud/ A poor man's made out of muscle and blood' … Morrissey's wounded reaction to his sausage-firing Quilloughby on the Simpsons ‘Panic On The Streets Of Springfield' ... solving the “fun puzzles” of a song brief and writing for “donkeys who have a dream” … the ingenious humour of John Prine, Harry Nilsson and Leonard Cohen … the moment in his live shows where he asks the audience for a story and creates a song around it – “one woman suggested ‘falling out of love' with her husband standing right beside her” ... playing the local girls schools aged 15 as the drummer in a James Brown funk band … reworking rejected songs – “which was hard with one from Paddington with its multiple rhymes for marmalade and Peru” … Flight Of The Conchords lampooning the acts they loved (Bowie, Pet Shop Boys) and playing the O2 – “pretending to be a stadium band and the audience pretending to be a stadium audience” … live on-stage application of the John Lennon “pomegranate” lyric-solving technique … “Play like a used car salesman! I need a Steely Dan solo here!” Recording with LA session legends like Leland Sklar. Order Bret's ‘Freak Out City' album here: https://music.subpop.com/bretmckenzie_freakoutcityFind out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Tour dates and tickets …https://www.ticketmaster.co.uk/bret-mckenzie-tickets/artist/5380913 Hosted on Acast. See acast.com/privacy for more information.

Bret McKenzie now mainly works on movie soundtracks, the Simpsons, Minecraft and the Muppets among them, which brings the pure delight of hearing his songs sung by Lady Gaga, Benedict Cumberbatch, Miss Piggy and Tony Bennett. He talks here about his early life in Wellington (ballet teacher Mum, racehorse trainer Dad), narrative comedy, songwriting heroes and his new album Freak Out City, and unravels New Zealand's double-edged sense of humour. Along with … … how Randy Newman pitches songs for soundtracks … “the test of a good song works is if it works with just one instrument” … lyrics he loved growing up like 16 Tons by Tennessee Ernie Ford – ‘Some people say a man is made out of mud/ A poor man's made out of muscle and blood' … Morrissey's wounded reaction to his sausage-firing Quilloughby on the Simpsons ‘Panic On The Streets Of Springfield' ... solving the “fun puzzles” of a song brief and writing for “donkeys who have a dream” … the ingenious humour of John Prine, Harry Nilsson and Leonard Cohen … the moment in his live shows where he asks the audience for a story and creates a song around it – “one woman suggested ‘falling out of love' with her husband standing right beside her” ... playing the local girls schools aged 15 as the drummer in a James Brown funk band … reworking rejected songs – “which was hard with one from Paddington with its multiple rhymes for marmalade and Peru” … Flight Of The Conchords lampooning the acts they loved (Bowie, Pet Shop Boys) and playing the O2 – “pretending to be a stadium band and the audience pretending to be a stadium audience” … live on-stage application of the John Lennon “pomegranate” lyric-solving technique … “Play like a used car salesman! I need a Steely Dan solo here!” Recording with LA session legends like Leland Sklar. Order Bret's ‘Freak Out City' album here: https://music.subpop.com/bretmckenzie_freakoutcityFind out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Tour dates and tickets …https://www.ticketmaster.co.uk/bret-mckenzie-tickets/artist/5380913 Hosted on Acast. See acast.com/privacy for more information.

Bret McKenzie now mainly works on movie soundtracks, the Simpsons, Minecraft and the Muppets among them, which brings the pure delight of hearing his songs sung by Lady Gaga, Benedict Cumberbatch, Miss Piggy and Tony Bennett. He talks here about his early life in Wellington (ballet teacher Mum, racehorse trainer Dad), narrative comedy, songwriting heroes and his new album Freak Out City, and unravels New Zealand's double-edged sense of humour. Along with … … how Randy Newman pitches songs for soundtracks … “the test of a good song works is if it works with just one instrument” … lyrics he loved growing up like 16 Tons by Tennessee Ernie Ford – ‘Some people say a man is made out of mud/ A poor man's made out of muscle and blood' … Morrissey's wounded reaction to his sausage-firing Quilloughby on the Simpsons ‘Panic On The Streets Of Springfield' ... solving the “fun puzzles” of a song brief and writing for “donkeys who have a dream” … the ingenious humour of John Prine, Harry Nilsson and Leonard Cohen … the moment in his live shows where he asks the audience for a story and creates a song around it – “one woman suggested ‘falling out of love' with her husband standing right beside her” ... playing the local girls schools aged 15 as the drummer in a James Brown funk band … reworking rejected songs – “which was hard with one from Paddington with its multiple rhymes for marmalade and Peru” … Flight Of The Conchords lampooning the acts they loved (Bowie, Pet Shop Boys) and playing the O2 – “pretending to be a stadium band and the audience pretending to be a stadium audience” … live on-stage application of the John Lennon “pomegranate” lyric-solving technique … “Play like a used car salesman! I need a Steely Dan solo here!” Recording with LA session legends like Leland Sklar. Order Bret's ‘Freak Out City' album here: https://music.subpop.com/bretmckenzie_freakoutcityFind out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Tour dates and tickets …https://www.ticketmaster.co.uk/bret-mckenzie-tickets/artist/5380913 Hosted on Acast. See acast.com/privacy for more information.

Tommy Prine was raised in Nashville with guitars lying around his house and music always on. And that’s because his father is John Prine, the legendary singer-songwriter, originally from Maywood, Illinois. He famously worked on songs while working a postal route here — was referred to by some as "the Mark Twain of songwriting.” 

Not only is John a multi-instrumentalist who's played with Violent Femmes, Allen Ginsberg, Hal Willner, John Prine, et al, but he's released around 24 albums as a solo artist or with groups including the NYC world music outfit TriBeCaStan. We discuss "(Be Careful What You Say to) An Armed Lady" by Folklorkestra from A Strange Day in June (2023), the title track from Forever Ago (with La Societe; del Musici) (2018), "Bed Bugs" by TriBeCaStan from New Deli (2012), and listen to "Back Country" by The Electric Chairmen from Toast (1995). Intro: "Grim Reaper's Song" from Midnight Snack (1986). More at kruthworks.com. Hear more Nakedly Examined Music. Support us on Patreon. Sponsor: Visit functionhealth.com/NAKEDLY to take control of your health through testing and get $100 off your membership.

On this episode of Basic Folk, Kora Feder talks about her new album, 'Some Kind of Truth,' as well as reflecting on the incredible changes and growth she's experienced since we last spoke in February 2020. One of the impacts of the pandemic on her music career was the necessity of exploring other artistic ventures like crafting hats and lino-cutting. She relocated from Philly to California, finally settling in Detroit. Daughter of songwriter Rita Hosking, Kora went slightly viral during the height of COVID lockdowns thanks to her song "In a Young Person's Body." In the poignant composition she pays tribute to John Prine and old friends she hasn't spoken to in years – and captured that lonesome feeling of the pandemic incredibly well.Elsewhere in our conversation, Kora also discusses the passing of her grandparents, who she moved back to California to be with before they died. Their lives and deaths deeply influenced the new record. She opens up about the nuances of her gender identity, the importance of historical friendships that allow for unfiltered creativity, and her approach to writing both personal and political songs. We go through many of the tracks on the new project, including what I think is the best break-up song I've ever heard, "Paragraphs." Kora Feder is a really incredible leave-you-breathless songwriter, particularly with her political writing. Here's hoping that she doesn't wait five more years to release a record, because we're gonna need her.Follow Basic Folk on social media: https://basicfolk.bio.link/Sign up for Basic Folk's newsletter: https://bit.ly/basicfolknewsHelp produce Basic Folk by contributing: https://basicfolk.com/donate/Interested in sponsoring us? Contact BGS: https://bit.ly/sponsorBGSpodsAdvertising Inquiries: https://redcircle.com/brands

Today's program features tuneage from The Who, Dawes, Counting Crows, Stones, Steely Dan, John Prine, Quincy Jones, Michael Franks, Cracker, Allman Brothers, Wallflowers, Derek & The Dominos, Jimi Hendrix Experience, Tom Petty, Rembrandts, John Waite, Jeff Golub, The Kinks, John Lennon and Gary Calamar.

(00:00-16:49) Randall Lane joins us. National Thoroughbred League. The Nelly Cup. Team Horse Racing. Tony is back on the phone lines after not getting through earlier. He's got Cardinal thoughts. Accusations of Martin wearing a sweater vest at the bar. Eric in the CWE up next on the phones. Tales of sky pigging. Instant mashed potatoes on a plane. Tuna's a non-starter.(16:58-39:18) John Prine. Ballads can be bangers. Doug's riding with Mikolas tonight. Doug wants to trade for Paul Skenes. Reeks of pinstripes. Aura and aura farming. Doug wants a giant birds nest in the outfield. Bernie Brewer.(39:28-48:40) E-Mail of the DaySee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Six String Hayride Classic Country Podcast, Episode 59, The Steve Cropper Episode. The Son of Missouri farmers falls in love with the Guitar Playing of Chet Atkins and Chuck Berry and becomes a cornerstone of STAX Records in Memphis. Steve Cropper becomes the guitarist, arranger, producer, and songwriter for American Classics like Green Onions, In The Midnight Hour, Knock on Wood, 634-5789, and Sitting On The Dock Of The Bay. Steve Cropper and future Willie Nelson Collaborator, Booker T Jones, help failed Country Fiddle Player, Jim Stewart, and his music savvy sister, Estelle Axton, build Soulsville USA, the Legendary STAX Records in Memphis. Cropper becomes a great guitarist and songwriter, collaborating with Booker T Jones, Otis Redding, Sam and Dave, Wilson Pickett, Alabama, Bob Weir, Levon Helm, Wynonna Judd, Dolly Parton, John Prine, Jeff Beck, Lucinda Williams, Neil Young, and The Blues Brothers. Cropper is a guitarist, producer, and songwriter in demand by the greats in ALL types of Music. He is Country Music's BFF and groovy next door neighbor, someone you have heard a lot and someone you should know. Chris and Jim talk about Cropper's life and work, give a good Memphis Dry Rub Recipe, and much suggested listening from Cropper's amazing body of work in Soul, Country, Rock, and Beyond. Lots of "Rawhide" and "Orange Whips" for everyone and all the usual Hayride Fun.

John 19:38-42After these things, Joseph of Arimathea, a follower of Jesus, though a secret one because of his fear of the Jews, came to Pilate and asked if he could take away the body of Jesus. Pilate gave him permission; so he came to remove his body. Nicodemus, who at first had come to Jesus by night also came, bringing with him a mixture of myrrh and aloes weighing about one hundred pounds. They took the body, wrapping it in the spices and linens, according to the Jewish burial customs. Now, there was a garden in the place where Jesus had been crucified and in the garden there was a new tomb in which no one had ever been [buried.] So, because it was the Jewish Day of Preparation, and because the tomb was nearby, they laid the body of Jesus there. “The Primeval Mythology of Genesis: Creation”I've already heard some curiosity – maybe mixed with some cynical suspicion – about the title of this new sermon series: “The Primeval Mythology of Genesis.” Curiosity and suspicion aren't terrible things and I think it's the word “mythology” that stirs the pot for some people, which was kind of our goal. Part of the point with this next round of sermons is to remind ourselves and each other that we're called to read the Bible LITERATELY, not LITERALLY, and to see that its message and good news – its grace, hope, and promise – go deeper and wider when we do.So first, things, first … which is what “primeval” means, sort of … first things; of the earliest ages; the beginning of the beginning, you might say. The first eleven chapters of the Bible's first book are where we will spend our time the next few weeks. The good stuff before the good stuff. The stage-setting. The foundation. The genesis, is where we begin.And the word “mythology” rightly ruffles feathers if we are inclined to equate the foundational narrative of our faith story with the fables, fairy tales, and fictional “myths” of, say, the Greek gods (Zeus, Poseidon, Aphrodite, and the like); or Aesop's fables; or the tall tales of the wonderful world of Walt Disney. But that's not what we're up to.“Myth” and “mythology” can mean something more, something deeper from a theological perspective, which is what we plan to wrestle with. I would contend that, when we limit stories like creation, where we are beginning this morning, to all and only what we can glean from it LITERALLY, that that's precisely how and when we reduce it to something like a mere fable, a fairy tale, a fictional “myth,” rather than when we wonder about the holy, sacred, profound Truths that this story – and the others like it in Scripture – hold for our life and faith in this world. And where better to start than at the very beginning – “it's a very good place to start” – in the beginning, with the fact that, if we're honest, the two very different versions of creation that we just heard – from Chapters 1 and 2 of the same book – make it really hard to take either of them LITERALLY?I mean, those are two very different versions of the same story, right? (Many Bibles, like the ones we read from each Sunday, say it plainly. Chapter 2 is “another story of creation.”) The story in Chapter 1 tells of the day-by-day, very long work-week of the Almighty, who creates first this, and then that, with a break and no small measure of satisfaction between each.“…and God saw that it was good…” “…and God saw that it was good…” “…and God saw that it was good…”“…and there was evening and there was morning, the first day…” “…and there was evening and there was morning, the third day…” “…and there was evening and there was morning, the fifth day…”But Chapter 2 goes down altogether differently. In that version of creation, God – like some sort of holy potter, or divine craftsman, or sacred sculptor – makes a man from the dust, then plants a garden and puts him to work, then decides he could use a companion and some help, so then creates all the rest, and a woman, to boot.In version #2, we don't know which came first or next, on which day. And none of that matters.What matters is that God, something Divine, did something divine – created the heavens, the earth, and all that is in them. What matters is that it was and is good. What matters is that we are part of that goodness – you and I – and all people – created good, by God; and created for good, for God's sake.What matters, if you ask me, is that we stop reducing the Bible to some sort of prehistoric science book – the authors of which never could have known a thing about bunker-busting missiles or atomic bombs; about Gaza or the West Bank, as we know of them today; about electric cars, school shootings, cancer, chemo-therapy, Medicaid or social media. And that's okay. These stories have something to say to all of that – and to all of us – nonetheless.Because what the creation stories tells us – among so many other things – is that we are made in the image of the divine, even though we do so much to make that hard to believe. And we are made in the image of the divine, not just because we have heads, shoulders, knees, or toes……but we are made in the image of the Divine because we are made for community, like God; with the power to create and care about and have compassion, like God; that we have the capacity to do justice, like God; make sacrifices, like God; be generous, like God; forgive, like God; and love one another, like God.Oh, and this is important: the stories of creation make it very clear that none of us IS God and that we shouldn't try to be – which Pastor Cogan will get to next week, I believe.Instead, for now, let's let the stories of creation inspire within us what, I believe they were meant to inspire and to teach and to proclaim all along: a sense of reverence and awe about what God can do; a posture of humility and gratitude for our part in the grand scheme of things; and a response from each of us – and all of us together – that is generous, careful, and full of service that acknowledges our connection to all people and to the grand scheme of things.Because today's good news includes the notion that we are created “just a little lower than the angels” – as the Psalmist puts it – and that God calls us to live differently because of that Truth. God invites us to tend to and care for what belongs to God – the earth and all that is in it. God calls us to replenish what we use up – from the earth and from each other, too; to give more than we take, save, and keep for ourselves.So, what if these primeval creation stories are nothing more – and certainly nothing less – than prehistoric best efforts at describing something that cannot be described; that is too big for words; that are meant to love us and leave us in awe and wonder for what God has done for us – and hopes to do through us – for the sake of the world where we live?What if these primeval creation stories are nothing more – and certainly nothing less – than poetic prose from a prehistoric Mary Oliver, who could marvel at creation as well as anyone, as far as I'm concerned? Her poem Wild Geese, goes like this:You do not have to be good.You do not have to walk on your kneesfor a hundred miles through the desert, repenting.You only have to let the soft animal of your bodylove what it loves.Tell me about despair, yours, and I will tell you mine.Meanwhile the world goes on.Meanwhile the sun and the clear pebbles of the rainare moving across the landscapes,over the prairies and the deep trees,the mountains and the rivers.Meanwhile the wild geese, high in the clean blue air,are heading home again.Whoever you are, no matter how lonely,the world offers itself to your imagination,calls to you like the wild geese, harsh and exciting –over and over announcing your placein the family of things.What if the point of the creation stories is simply, and profoundly, to announce your place – and mine – in the family of things?And what if these primeval creation stories are nothing more – and certainly nothing less – than like clever song lyrics from a pre-historic John Prine, encouraging you, with a wink and smile to…“Blow up your TV, throw away your paperGo to the country, build you a homePlant a little garden, eat a lot of peachesTry and find Jesus on your own.”What if these primeval creation stories are nothing more – and certainly nothing less – than prehistoric pieces of art – trying to capture, with words, something like Van Gogh's “Starry Night”: or Monet's “Water Lilies”: or even Ansel Adams who, like the story tellers of Genesis, certainly had a thing for trees. But, speaking of John Prine, I hope the Gospel reading wasn't too on the nose this morning. But I wanted to connect all of this to Jesus, of course. Because it is as poetic and powerful to me that our faith story begins and ends, in a garden, sometimes.There aren't enough of even the most beautiful words, songs, poems, or prose to adequately convey the power of God's love in creation – or by way of the Word made flesh, in Jesus. And I think the two different versions of creation that we find in Genesis aren't in competition. They're just evidence and acknowledgment of that fact – of how grand and glorious and full of grace this God is that we worship.So I think it's a beautiful thing that both versions of creation's origin story – and the consummation of God's resurrection in Jesus … God's defeat of death … Christ's victory over Sin for our sake … I think it's beautiful that all of that, too, takes place in a garden – where light shines in the darkness; where the goodness of God bears fruit for the sake of the world; where sin never gets the last word; where we are all made and made new in God's image; and where hope rules, in spite of the chaos, because of the grace, mercy, and love of the God we know in Jesus.Amen

LA-LI-LU-LE-LAND OF THE FREE: On this fourth of July, our hosts celebrate American independence by reflecting on the properties that really got them thinking about the American identity––specifically, the Metal Gear Solid series and Andor. TOPICS: (00:00) Intro - Happy 4th of July! Don't use fireworks, please. (03:30) Metal Gear Solid--the most patriotic video game? (13:00) September 11 and the new model of American patriotism (17:42) How the Metal Gear Solid games probed American values (23:35) Andor and America (27:25) How did Hideo Kojima tap into the American ethos? (37:32) Outro - Final Fantasy and Magic: the Gathering (41:36) Outtakes RELEVANT LINKS: Michael Bay's incredible ad for Verizon Fios. The opening from Metal Gear Solid 2: Sons of Liberty. "Your Flag Decal Won't Get You Into Heaven Anymore" by John Prine. INFO: Visit our website at forallintents.net and leave your thoughts as comments on the page for this episode. Join our Facebook page Social: Andrew - Mastodon, D. Bethel - Instagram & BlueSky Subscribe to our YouTube channel. FEATURED MUSIC: "Disco Medusae" by Kevin McLeod Link: https://incompetech.filmmusic.io/song/3652-disco-medusae "District Four" by Kevin McLeod Link: https://incompetech.filmmusic.io/song/3662-district-four Tracks are licensed under Creative Commons BY Attribution 4.0 License (http://creativecommons.org/licenses/by/4.0/ "Metal Gear Solid Main Theme" by Harry Gregson-Williams (from the soundtrack to Metal Gear Solid 2: Sons of Liberty.

One is the loneliest number that you'll ever do, Two can be as bad as oneIt's the loneliest number since the number oneBecause one is the loneliest number that you'll ever doOne is the loneliest number"No need to be just one, if you join me along with David Bowie, Laura Nyro, Free, Mott The Hoople, The Blues Image, Guess Who, Crosby Stills, Nash & Young,, Steppenwolf, Mountain, America, Hall & Oates, Bob Dylan, Bread, Cashman & West, John Prine, Little River Band, Jimmy Buffett, Spooky Tooth, Humble Pie, Mamas & Papas, Leon Russell, Elton John and Nilsson.

Lance Cowan, a musician, publicist, and manager, was born and raised in Kentucky and moved to Nashville, Tennessee to pursue a songwriting career in 1984. He met and was encouraged by the great John Prine and has now been a respected member of the entertainment community for over three decades. Although heavily entrenched in the Roots & Americana fields, he has worked with artists in almost every genre in addition to companies that specialize in education and public speaking. So Far So Good, his acclaimed debut album, was released in 2024, followed by his sophomore album Against the Grain in March 2025. Lance and his wife have two sons and live in Nashville.

Austin, Texas songwriting legend James McMurty talks about his latest release, a 10-song, Don Dixon produced long player called The Black Dog & The Wandering Boy (in stores June 20, from New West Records). In the course of previewing the album, our conversation touches on names like Dixon, John Prine, Kris Kristofferson, Betty Soo, Sarah Jarosz, Ken Kesey, and James' father, the legendary Texas writer, Larry McMurty. James is a man of few words, but none of them are lies. The Record Store Day Podcast is a weekly music chat show written, produced, engineered and hosted by Paul Myers, who also composed the theme music and selected interstitial music.  Executive Producers (for Record Store Day) Michael Kurtz and Carrie Colliton. For the most up-to-date news about all things RSD, visit RecordStoreDay.com   Please consider subscribing to our podcast wherever you get podcasts, and tell your friends, we're here every week and we love making new friends.

From Monkey's Eyebrow to the Country Music Hall of FameShe learned to write songs before she learned to drive.Raised in the swampy river bottoms of rural Kentucky—riding a John boat to her dad's hunting lodge—Kelsey Waldon found her way from front porches and thumb-picked guitars to sharing stages with Willie Nelson and Tanya Tucker.

Benmont Tench, founding keyboard player from Tom Petty & The Heartbreakers, returns to our program to talk about his recently released second solo album, The Melancholy Season, in stores now from Dark Horse Records. He shares what he has learned about making records from his various producers from Denny Cordell, Jimmy Iovine, Rick Rubin, and Glyn Johns, to his recent sessions with Jonathan Wilson. Along the way, Tench reveals intimate details of recovery and healing, and of his development as a songwriter in the shadow of esteemed colleagues such as Petty and Mike Campbell, and in sessions with Bob Dylan, John Prine, Johnny Cash and others. Tench's unbridled appreciation for music, poetry, love, and life itself radiates throughout this very special conversation. The Record Store Day Podcast is a weekly music chat show written, produced, engineered and hosted by Paul Myers, who also composed the theme music and selected interstitial music.  Executive Producers (for Record Store Day) Michael Kurtz and Carrie Colliton. For the most up-to-date news about all things RSD, visit RecordStoreDay.com   Please consider subscribing to our podcast wherever you get podcasts, and tell your friends, we're here every week and we love making new friends.

In this episode, Blake sits down with legendary singer-songwriter Mary Gauthier for a deep, honest, and surprisingly gear-heavy chat. Mary didn't pick up songwriting seriously until her mid-thirties—after years as a Boston-based chef, restaurant owner, and, as she puts it, a total mess. But once she got sober and started hitting open mics, everything changed. They talk about her early love for Taylor guitars, her eventual obsession with the low-end growl of vintage Gibsons, and how she's more about tone that serves the song than flashy technique. Mary shares the story behind her breakout song “I Drink,” explains why emotion always trumps complexity, and offers a masterclass in the art of getting doors to open in Nashville—even if you have to sneak in through a window. You'll also hear: The connection between fear and fog (and how to burn both off) What it's like to share a stage with John Prine, Emmylou Harris, and Lucinda Williams Why you should never underestimate the power of a good crust (yes, pizza crust) A crash course in humility, persistence, and the power of being kind This one's a gem. If you're a songwriter, storyteller, or just trying to figure out your path—hit play. Support The Show And Connect! The Text Chat is back! Hit me up at (503) 751-8577 You can also help out with your gear buying habits by purchasing stuff from ⁠⁠⁠⁠⁠⁠Tonemob.com/reverb⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠Tonemob.com/sweetwater⁠⁠⁠⁠⁠⁠ or grabbing your guitar/bass strings from ⁠⁠⁠⁠⁠⁠Tonemob.com/stringjoy⁠⁠⁠⁠⁠⁠ Release your music via DistroKid and save 30% by going to ⁠⁠⁠⁠⁠⁠Tonemob.com/distrokid Learn more about your ad choices. Visit megaphone.fm/adchoices

 We talk with Anne Harris and immediately feel like we've been friends forever. Anne discusses her latest release (AVAILABLE NOW) “ I Feel It Once Again,” her first time at folk alliance which she calls “fantasy band camp” and about being the curator of your own curiosity. She also tells the beautiful story of her violin commission with luthier Amanda Ewing.  Anne Harris is an incredible artist, a songwriter/fiddle player/vocalist, with a gorgeous new album produced by Colin Linden (Bob Dylan, Rhiannon Giddens, John Prine) that features her new violin. The violin she uses on the album is the first-ever recognized commission between two professional black women of a newly-crafted instrument in the US (and we think the world, but aren't sure about that).  Check Anne out here:  Website: Anneharris.com  IG: anne.harris.music  BlueSky:anneharrismusic.bsky.social  Facebook: Anne Harris  YouTube: Anneharrismusic  

Kelsey Waldon has established herself as an artist firmly in tune with herself as a writer yet not content with resting on her sterling reputation. With each record her pen has further flowered, culminating in this instance with an invigorating album that pays homage to country music's past while forging toward a confessional, self-reflective, vulnerable brand of tunes that stands out even among many of her esteemed peers. Given that she was introduced to a broader audience when she signed with the late, legendary John Prine's Oh Boy Records in 2019, one would be forgiven for thinking Kelsey is relatively new to the music scene. On the contrary, she has paid her dues and the years of honing her craft jump out on Every Ghost. Listen On: Spotify- https://open.spotify.com/episode/7BJDwJVCEANm1tO1KE5pEW?si=a4d2911b0bd94069 Apple Podcasts- https://podcasts.apple.com/us/podcast/the-marinade-with-jason-earle/id1281080492?i=1000710255695 YouTube- https://youtu.be/Nxw2jzB2i-8?si=ZKwJOir5SrMgm2IM    

Today on the podcast, FJ assistant editor Sofia Wolfson interviews legendary songwriter, multi-instrumentalist, and visual artist Dan Reeder. Born in Louisiana, raised in California, and now based in Nuremberg, Germany, Reeder has released several albums of self-recorded music using instruments he's built himself. On this episode, we talk about working with John Prine and Oh Boy Records, the intersection between visual art and music, instruments he has built, and much more. Be sure to give his latest record, Smithereens, a spin! https://www.danreeder.com We are brought to you by:   Stringjoy Strings: https://stringjoy.com (Use the code FRETBOARD to save 10% off your first order) Mike & Mike's Guitar Bar: https://mmguitarbar.com Peghead Nation: https://www.pegheadnation.com (Get your first month free or $20 off any annual subscription with the promo code FRETBOARD at checkout). https://fretboardsummit.org/ https://www.fretboardjournal.com

Singer, songwriter, musician, arranger, record producer, and A&R man Swamp Dogg has done it all in his 65 plus years in the music business. Starting out in West Virginia in the 1950s, as "Little" Jerry Williams, he blazed a trail across the country with stops in Nashville, and finally his funky home in Los Angeles, which is the setting for the great new documentary, Swamp Dogg Gets His Pool Painted. Swamp spoke to us about the film, and about his long, illustrious and, at times notorious, career including his countrified album from last year, Blackgrass: From West Virginia to 125th Street, on the Oh Boy! label. There was no way we were gonna get to talk about everything, so go see the film when and wherever you can.  The Record Store Day Podcast is a weekly music chat show written, produced, engineered and hosted by Paul Myers, who also composed the theme music and selected interstitial music.  Executive Producers (for Record Store Day) Michael Kurtz and Carrie Colliton. For the most up-to-date news about all things RSD, visit RecordStoreDay.com   Please consider subscribing to our podcast wherever you get podcasts, and tell your friends, we're here every week and we love making new friends.   This episode is dedicated to the memories of Jill Sobule, and Christopher Todd Penn from Good Records, Dallas.

Valerie June is a Grammy-nominated singer/songwriter whose music has been praised by Pitchfork, Rolling Stone, The New Yorker, NPR, and Bob Dylan himself (who is a self-proclaimed fan). She has performed with John Prine, Norah Jones, Booker T. Jones, Robert Plant, Meshell Ndegeocello, Dave Matthews, Angelique Kidjo, Willie Nelson, Brandi Carlile, and Elvis Costello, written books of poetry and on art, and is a certified yoga and mindfulness instructor. We talk to Valerie about intention setting and the law of attraction, learning to live with chronic illness, testing different approaches and your creative limits, manifesting, rituals and routines to get ready to be present for people, and a whole lot more.Get more access and support this show by subscribing to our Patreon, right here.Links:Valerie JuneEp 39 - Joe HenryEp 17 - Elizabeth Cook'The Artist's Way' Elizabeth CottonMississippi John HurtSkip JamesCarla ThomasClick here to watch this conversation on YouTube.Social Media:The Other 22 Hours InstagramThe Other 22 Hours TikTokMichaela Anne InstagramAaron Shafer-Haiss InstagramAll music written, performed, and produced by Aaron Shafer-Haiss. Become a subscribing member on our Patreon to gain more inside access including exclusive content, workshops, the chance to have your questions answered by our upcoming guests, and more.

Americana Podcast explores the artists and ideas shaping American roots music, focusing this episode on the genre-defying Steve Poltz. Poltz is celebrated for his originality, blending tradition with unpredictability in a career that spans decades. Born in Nova Scotia and raised in Southern California, he first gained widespread attention as the co-writer of Jewel's hit You Were Meant for Me. However, his true impact lies in his continual reinvention and subversion of Americana norms. His work reflects the folk tradition's emphasis on storytelling and community, while also embracing humor, vulnerability, and improvisation. Poltz serves as a creative link between the West Coast's DIY folk-punk movement and the broader narrative tradition of American roots music. This episode examines how his artistic approach challenges expectations and keeps audiences engaged. Listeners are also invited to watch a live performance of You Were Meant for Me with the Robert Earl Keen Band on YouTube. Episodes and Bonus content available on YOUTUBE!https://www.youtube.com/@robertearlkeenofficial Donate to the show!https://tiptopjar.com/americanapodcastInstagram@robertearlkeen1Have questions or suggestions? Emailcreatedirector@robertearlkeen.com

On this week's Talkhouse Podcast we've got a lively chat between Philly friends Kurt Vile and Francie Medosch. Medosch is the singer and main creative force behind the band Florry, which exists in the same sonic universe as Courtney Barnett and the currently exploding MJ Lenderman—loose, rocking, a little bit jammy, a little bit indie, and frequently catchy as hell. The Lenderman connection makes even more sense when you realize that the upcoming Florry album was recorded with help from Colin Miller, who plays in Lenderman's band and has recorded music from the band Wednesday. That upcoming Florry album is called Sounds Like… and it's due out May 23 on Dear Life Records. It's a corker, kinda rambly and rockin' in all the right ways. You can pre-save and pre-order at all the usual spots. Check out the song “Hey Baby” right here. The other half of today's chat is a longtime supporter of Florry's, fellow Philadelphian Kurt Vile. Vile first came out swinging as part of the War on Drugs way back when, but pretty quickly established himself as a genius of hazy, dazed guitar songs pitched somewhere between the ‘70s squall of Neil Young and more contemporary indie-rock. As you'll hear in this chat, Vile is working—at his own pace, of course—on the follow-up to 2022's Watch My Moves. Whenever it's finished, it's sure to be intriguing, like all of his work. In this chat, Vile and Medosch talk about their shared hometown as well as the fact that Medosch recently moved to Vermont and is working in both a dispensary and a record store—kind of a perfect combo to describe her music, come to think of it. They also chat about a lot of stuff that they love, including John Prine, the recently departed Michael Hurley, and the deeply lovable Bob Odenkirk, who Vile was very excited to meet recently. Enjoy. Thanks for listening to the Talkhouse Podcast and thanks to Kurt Vile and Francie Medosch for chatting. If you liked what you heard, please follow Talkhouse on your favorite podcasting platform, and while you're at it check out all the great podcasts in our ever-growing network, including Subway Takes, Life of the Record, and many more. This episode was produced by Myron Kaplan, and the Talkhouse theme is composed and performed by the Range. See you next time! Find more illuminating podcasts on the Talkhouse Podcast Network. Visit talkhouse.com to read essays, reviews, and more. Follow @talkhouse on Instagram, Bluesky, Twitter (X), Threads, and Facebook.

GGACP celebrates the birthday of Brooklyn-born songwriter-recording artist Henry Gross (“Shannon”) with this ENCORE of a 2021 interview with Henry and British-born singer-songwriter Roger Cook (“Long Cool Woman in a Black Dress”). In this episode, Henry and Roger share tales from their seven decades in the music business and talk about playing mob-owned joints, forming doo-wop groups, opening for the Beatles (and Benny Hill!), being inspired by Jimi Hendrix and hearing their songs on the radio for the first time. Also, Casey Kasem blows his cool, George Martin teams with Peter Sellers, Henry becomes the youngest artist to perform at Woodstock and Roger writes a jingle that becomes a worldwide sensation. PLUS: Sha Na Na! “I Was Kaiser Bill's Batman”! The comedy of Jackie Vernon! Steve Coogan sends up Blue Mink! And Henry and Roger remember the late, great John Prine! Learn more about your ad choices. Visit megaphone.fm/adchoices

"I mix in exclamation points!" Join host Lij Shaw as he dives into a vibrant conversation with Grammy and Emmy award-winning engineer Jamie Tate in this episode of Recording Studio Rockstars! With insights from his journey as the owner of The Rukkus Room in Nashville, Jamie offers a behind-the-scenes glimpse into the evolving landscape of country music and the artistry of mixing. They navigate the playful intersection of analog nostalgia and digital dynamism, sharing personal anecdotes and invaluable tips for home recording enthusiasts. With Jamie's passion and expertise, you'll discover not only the emotional depth of music production but also the pioneering spirit of independent artists. Tune in for a sound adventure that's sure to inspire your own creative journey! Get access to FREE mixing mini-course: https://MixMasterBundle.com My guest today is Jamie Tate, a Grammy and Emmy Award-winning recording engineer, mixer, producer, and the owner of The Rukkus Room in Nashville, TN. Jamie's career in the studio world began as an intern at The Sanctuary Recording Studios, where he worked his way up to chief engineer. After The Sanctuary sold, Jamie honed his craft while working around the clock at Abtrax Recording Studios. By 2004, with 18 months of clients already booked, he took the leap and founded The Rukkus Room, which has since become one of Nashville's most iconic recording spaces. The Rukkus Room was designed by Gene Lawson of Lawson Microphones and is one of the last remaining purpose-built recording studios in Nashville. Spanning 8,000 square feet across two separate buildings, it offers unparalleled isolation for recording. Shortly after opening, Jamie recorded Jack Ingram's #1 single “Wherever You Are” and several other top-five hits, cementing the studio's reputation as a go-to destination for legendary and up-and-coming artists alike. Jamie has mixed and recorded music for a stunning array of artists, including Thomas Rhett, Taylor Swift, Dustin Lynch, Jerrod Niemann, Maddie & Tae, Alan Jackson, Vince Gill, Alison Krauss, Miranda Lambert, John Prine, Rhett Akins, Sheryl Crow, Brooks and Dunn, and many more. His work has been featured on platinum-selling records, chart-topping singles, and critically acclaimed projects across genres. THANKS TO OUR SPONSORS! http://UltimateMixingMasterclass.com https://www.adam-audio.com https://www.native-instruments.com Use code ROCK10 to get 10% off! https://www.izotope.com Use code ROCK10 to get 10% off! https://roswellproaudio.com/ https://www.makebelievestudio.com/mbsi Get your MBSI plugin here! https://RecordingStudioRockstars.com/Academy  https://www.thetoyboxstudio.com/ If you love the podcast, then please leave a review: https://RSRockstars.com/Review CLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/498

For the series finale, we go back to the Fort. Join us as we bring you the sights and sounds we experienced at Fort Adams as Newport Folk returned after a necessary break in 2020, and presented their six-day, half capacity 2021 festival, Folk On. We'll take you from the meaningful first notes sung by the first performers to grace the stage, Resistance Revival Chorus, to one of the last - Lake Street Dive, and their tribute to beloved member of the folk family and former WFUV Program Director, the late Rita Houston. We also hear from Andrew Bird and Hiss Golden Messenger's MC Taylor about their return to performing and paying homage to John Prine, from mandolin virtuoso Chris Thile about the magic of Newport and why it continues to gives him hope, and the kismet journey of Allison Russell organizing and performing during the most talked about set at Folk On, Sunday night's 'Once and Future Sounds', curated by, and featuring women of color, with a very very special guest. We also check in with Margo Price and Jeremy Ivey, Katie Crutchfield (Waxahatchee), Yola, Newport Executive Director Jay Sweet, and many other artists, fans and members of the Folk family about their experiences at Folk On, their reflections of the past 18 months, and where we are headed. Through it all, the feeling of family and community is ever present, giving us the courage to take tentative steps forward, leaning into the truth and power of music, and the magic that happens when we dream together. Festival Circuit: Newport Folk is presented by Osiris Media, and hosted by Carmel Holt. It is co-written, co-produced and edited by Carmel and Julian Booker, who is also the series' audio engineer. Production assistance from Zach Brogan. Executive producers are RJ Bee and Christina Collins. Show Logo and art by Mark Dowd.  The series theme music is "Ruminations Pt. 3 (Afternoon Haze)" by Steven Warwick. Thanks to Billy Glassner of the Newport Festivals Foundation for providing archival audio. Thanks to our Folk Family guests Abena Koomson-Davis, Nelini Stamp, Andrew Bird, MC Taylor, Margo Price, Jeremy Ivey, Yola, Allison Russell, Dan Knobler, Samantha Betley, Josh Wool, Julien Baker, Holland Saltzman, Nancy Sheed, Natalie Hemby, Katie Crutchfield, Jay Sweet, Chris Thile, Jonathan Russell, Rachael Price and Bridget Kearney. Learn more about your ad choices. Visit megaphone.fm/adchoices