Podcast appearances and mentions of John Prine

(00:00-16:49) Randall Lane joins us. National Thoroughbred League. The Nelly Cup. Team Horse Racing. Tony is back on the phone lines after not getting through earlier. He's got Cardinal thoughts. Accusations of Martin wearing a sweater vest at the bar. Eric in the CWE up next on the phones. Tales of sky pigging. Instant mashed potatoes on a plane. Tuna's a non-starter.(16:58-39:18) John Prine. Ballads can be bangers. Doug's riding with Mikolas tonight. Doug wants to trade for Paul Skenes. Reeks of pinstripes. Aura and aura farming. Doug wants a giant birds nest in the outfield. Bernie Brewer.(39:28-48:40) E-Mail of the DaySee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Six String Hayride Classic Country Podcast, Episode 59, The Steve Cropper Episode. The Son of Missouri farmers falls in love with the Guitar Playing of Chet Atkins and Chuck Berry and becomes a cornerstone of STAX Records in Memphis. Steve Cropper becomes the guitarist, arranger, producer, and songwriter for American Classics like Green Onions, In The Midnight Hour, Knock on Wood, 634-5789, and Sitting On The Dock Of The Bay. Steve Cropper and future Willie Nelson Collaborator, Booker T Jones, help failed Country Fiddle Player, Jim Stewart, and his music savvy sister, Estelle Axton, build Soulsville USA, the Legendary STAX Records in Memphis. Cropper becomes a great guitarist and songwriter, collaborating with Booker T Jones, Otis Redding, Sam and Dave, Wilson Pickett, Alabama, Bob Weir, Levon Helm, Wynonna Judd, Dolly Parton, John Prine, Jeff Beck, Lucinda Williams, Neil Young, and The Blues Brothers. Cropper is a guitarist, producer, and songwriter in demand by the greats in ALL types of Music. He is Country Music's BFF and groovy next door neighbor, someone you have heard a lot and someone you should know. Chris and Jim talk about Cropper's life and work, give a good Memphis Dry Rub Recipe, and much suggested listening from Cropper's amazing body of work in Soul, Country, Rock, and Beyond. Lots of "Rawhide" and "Orange Whips" for everyone and all the usual Hayride Fun.

John 19:38-42After these things, Joseph of Arimathea, a follower of Jesus, though a secret one because of his fear of the Jews, came to Pilate and asked if he could take away the body of Jesus. Pilate gave him permission; so he came to remove his body. Nicodemus, who at first had come to Jesus by night also came, bringing with him a mixture of myrrh and aloes weighing about one hundred pounds. They took the body, wrapping it in the spices and linens, according to the Jewish burial customs. Now, there was a garden in the place where Jesus had been crucified and in the garden there was a new tomb in which no one had ever been [buried.] So, because it was the Jewish Day of Preparation, and because the tomb was nearby, they laid the body of Jesus there. “The Primeval Mythology of Genesis: Creation”I've already heard some curiosity – maybe mixed with some cynical suspicion – about the title of this new sermon series: “The Primeval Mythology of Genesis.” Curiosity and suspicion aren't terrible things and I think it's the word “mythology” that stirs the pot for some people, which was kind of our goal. Part of the point with this next round of sermons is to remind ourselves and each other that we're called to read the Bible LITERATELY, not LITERALLY, and to see that its message and good news – its grace, hope, and promise – go deeper and wider when we do.So first, things, first … which is what “primeval” means, sort of … first things; of the earliest ages; the beginning of the beginning, you might say. The first eleven chapters of the Bible's first book are where we will spend our time the next few weeks. The good stuff before the good stuff. The stage-setting. The foundation. The genesis, is where we begin.And the word “mythology” rightly ruffles feathers if we are inclined to equate the foundational narrative of our faith story with the fables, fairy tales, and fictional “myths” of, say, the Greek gods (Zeus, Poseidon, Aphrodite, and the like); or Aesop's fables; or the tall tales of the wonderful world of Walt Disney. But that's not what we're up to.“Myth” and “mythology” can mean something more, something deeper from a theological perspective, which is what we plan to wrestle with. I would contend that, when we limit stories like creation, where we are beginning this morning, to all and only what we can glean from it LITERALLY, that that's precisely how and when we reduce it to something like a mere fable, a fairy tale, a fictional “myth,” rather than when we wonder about the holy, sacred, profound Truths that this story – and the others like it in Scripture – hold for our life and faith in this world. And where better to start than at the very beginning – “it's a very good place to start” – in the beginning, with the fact that, if we're honest, the two very different versions of creation that we just heard – from Chapters 1 and 2 of the same book – make it really hard to take either of them LITERALLY?I mean, those are two very different versions of the same story, right? (Many Bibles, like the ones we read from each Sunday, say it plainly. Chapter 2 is “another story of creation.”) The story in Chapter 1 tells of the day-by-day, very long work-week of the Almighty, who creates first this, and then that, with a break and no small measure of satisfaction between each.“…and God saw that it was good…” “…and God saw that it was good…” “…and God saw that it was good…”“…and there was evening and there was morning, the first day…” “…and there was evening and there was morning, the third day…” “…and there was evening and there was morning, the fifth day…”But Chapter 2 goes down altogether differently. In that version of creation, God – like some sort of holy potter, or divine craftsman, or sacred sculptor – makes a man from the dust, then plants a garden and puts him to work, then decides he could use a companion and some help, so then creates all the rest, and a woman, to boot.In version #2, we don't know which came first or next, on which day. And none of that matters.What matters is that God, something Divine, did something divine – created the heavens, the earth, and all that is in them. What matters is that it was and is good. What matters is that we are part of that goodness – you and I – and all people – created good, by God; and created for good, for God's sake.What matters, if you ask me, is that we stop reducing the Bible to some sort of prehistoric science book – the authors of which never could have known a thing about bunker-busting missiles or atomic bombs; about Gaza or the West Bank, as we know of them today; about electric cars, school shootings, cancer, chemo-therapy, Medicaid or social media. And that's okay. These stories have something to say to all of that – and to all of us – nonetheless.Because what the creation stories tells us – among so many other things – is that we are made in the image of the divine, even though we do so much to make that hard to believe. And we are made in the image of the divine, not just because we have heads, shoulders, knees, or toes……but we are made in the image of the Divine because we are made for community, like God; with the power to create and care about and have compassion, like God; that we have the capacity to do justice, like God; make sacrifices, like God; be generous, like God; forgive, like God; and love one another, like God.Oh, and this is important: the stories of creation make it very clear that none of us IS God and that we shouldn't try to be – which Pastor Cogan will get to next week, I believe.Instead, for now, let's let the stories of creation inspire within us what, I believe they were meant to inspire and to teach and to proclaim all along: a sense of reverence and awe about what God can do; a posture of humility and gratitude for our part in the grand scheme of things; and a response from each of us – and all of us together – that is generous, careful, and full of service that acknowledges our connection to all people and to the grand scheme of things.Because today's good news includes the notion that we are created “just a little lower than the angels” – as the Psalmist puts it – and that God calls us to live differently because of that Truth. God invites us to tend to and care for what belongs to God – the earth and all that is in it. God calls us to replenish what we use up – from the earth and from each other, too; to give more than we take, save, and keep for ourselves.So, what if these primeval creation stories are nothing more – and certainly nothing less – than prehistoric best efforts at describing something that cannot be described; that is too big for words; that are meant to love us and leave us in awe and wonder for what God has done for us – and hopes to do through us – for the sake of the world where we live?What if these primeval creation stories are nothing more – and certainly nothing less – than poetic prose from a prehistoric Mary Oliver, who could marvel at creation as well as anyone, as far as I'm concerned? Her poem Wild Geese, goes like this:You do not have to be good.You do not have to walk on your kneesfor a hundred miles through the desert, repenting.You only have to let the soft animal of your bodylove what it loves.Tell me about despair, yours, and I will tell you mine.Meanwhile the world goes on.Meanwhile the sun and the clear pebbles of the rainare moving across the landscapes,over the prairies and the deep trees,the mountains and the rivers.Meanwhile the wild geese, high in the clean blue air,are heading home again.Whoever you are, no matter how lonely,the world offers itself to your imagination,calls to you like the wild geese, harsh and exciting –over and over announcing your placein the family of things.What if the point of the creation stories is simply, and profoundly, to announce your place – and mine – in the family of things?And what if these primeval creation stories are nothing more – and certainly nothing less – than like clever song lyrics from a pre-historic John Prine, encouraging you, with a wink and smile to…“Blow up your TV, throw away your paperGo to the country, build you a homePlant a little garden, eat a lot of peachesTry and find Jesus on your own.”What if these primeval creation stories are nothing more – and certainly nothing less – than prehistoric pieces of art – trying to capture, with words, something like Van Gogh's “Starry Night”: or Monet's “Water Lilies”: or even Ansel Adams who, like the story tellers of Genesis, certainly had a thing for trees. But, speaking of John Prine, I hope the Gospel reading wasn't too on the nose this morning. But I wanted to connect all of this to Jesus, of course. Because it is as poetic and powerful to me that our faith story begins and ends, in a garden, sometimes.There aren't enough of even the most beautiful words, songs, poems, or prose to adequately convey the power of God's love in creation – or by way of the Word made flesh, in Jesus. And I think the two different versions of creation that we find in Genesis aren't in competition. They're just evidence and acknowledgment of that fact – of how grand and glorious and full of grace this God is that we worship.So I think it's a beautiful thing that both versions of creation's origin story – and the consummation of God's resurrection in Jesus … God's defeat of death … Christ's victory over Sin for our sake … I think it's beautiful that all of that, too, takes place in a garden – where light shines in the darkness; where the goodness of God bears fruit for the sake of the world; where sin never gets the last word; where we are all made and made new in God's image; and where hope rules, in spite of the chaos, because of the grace, mercy, and love of the God we know in Jesus.Amen

LA-LI-LU-LE-LAND OF THE FREE: On this fourth of July, our hosts celebrate American independence by reflecting on the properties that really got them thinking about the American identity––specifically, the Metal Gear Solid series and Andor. TOPICS: (00:00) Intro - Happy 4th of July! Don't use fireworks, please. (03:30) Metal Gear Solid--the most patriotic video game? (13:00) September 11 and the new model of American patriotism (17:42) How the Metal Gear Solid games probed American values (23:35) Andor and America (27:25) How did Hideo Kojima tap into the American ethos? (37:32) Outro - Final Fantasy and Magic: the Gathering (41:36) Outtakes RELEVANT LINKS: Michael Bay's incredible ad for Verizon Fios. The opening from Metal Gear Solid 2: Sons of Liberty. "Your Flag Decal Won't Get You Into Heaven Anymore" by John Prine. INFO: Visit our website at forallintents.net and leave your thoughts as comments on the page for this episode. Join our Facebook page Social: Andrew - Mastodon, D. Bethel - Instagram & BlueSky Subscribe to our YouTube channel. FEATURED MUSIC: "Disco Medusae" by Kevin McLeod Link: https://incompetech.filmmusic.io/song/3652-disco-medusae "District Four" by Kevin McLeod Link: https://incompetech.filmmusic.io/song/3662-district-four Tracks are licensed under Creative Commons BY Attribution 4.0 License (http://creativecommons.org/licenses/by/4.0/ "Metal Gear Solid Main Theme" by Harry Gregson-Williams (from the soundtrack to Metal Gear Solid 2: Sons of Liberty.

Lance Cowan, a musician, publicist, and manager, was born and raised in Kentucky and moved to Nashville, Tennessee to pursue a songwriting career in 1984. He met and was encouraged by the great John Prine and has now been a respected member of the entertainment community for over three decades. Although heavily entrenched in the Roots & Americana fields, he has worked with artists in almost every genre in addition to companies that specialize in education and public speaking. So Far So Good, his acclaimed debut album, was released in 2024, followed by his sophomore album Against the Grain in March 2025. Lance and his wife have two sons and live in Nashville.

Austin, Texas songwriting legend James McMurty talks about his latest release, a 10-song, Don Dixon produced long player called The Black Dog & The Wandering Boy (in stores June 20, from New West Records). In the course of previewing the album, our conversation touches on names like Dixon, John Prine, Kris Kristofferson, Betty Soo, Sarah Jarosz, Ken Kesey, and James' father, the legendary Texas writer, Larry McMurty. James is a man of few words, but none of them are lies. The Record Store Day Podcast is a weekly music chat show written, produced, engineered and hosted by Paul Myers, who also composed the theme music and selected interstitial music.  Executive Producers (for Record Store Day) Michael Kurtz and Carrie Colliton. For the most up-to-date news about all things RSD, visit RecordStoreDay.com   Please consider subscribing to our podcast wherever you get podcasts, and tell your friends, we're here every week and we love making new friends.

From Monkey's Eyebrow to the Country Music Hall of FameShe learned to write songs before she learned to drive.Raised in the swampy river bottoms of rural Kentucky—riding a John boat to her dad's hunting lodge—Kelsey Waldon found her way from front porches and thumb-picked guitars to sharing stages with Willie Nelson and Tanya Tucker.

"There must be some way out of here," said the joker to the thief,There's too much confusion, I can't get no reliefBusinessmen, they drink my wine, plowmen dig my earthNone of them along the line know what any of it is worth."Please come along with me on a 2 Hour Musical Journey and escape the noise. Joining us are The Black Keys, Love, Lenny Kravitz, Joni Mitchell, Van Morrison, Crack The Sky, Neil Young, John Mellencamp, Donovan, Buffalo Springfield, John Prine, The Hollies, Moody Blues, Doors, Oasis, Fleetwood Mac, Led Zeppelin, Jackson Browne, Chick Corea, Jefferson Airplane, Simon & Garfunkel, Pat Metheny, Seals & Crofts, The Grass Roots, The Guess Who, Beatles, Genesis and Bob Dylan...

Benmont Tench, founding keyboard player from Tom Petty & The Heartbreakers, returns to our program to talk about his recently released second solo album, The Melancholy Season, in stores now from Dark Horse Records. He shares what he has learned about making records from his various producers from Denny Cordell, Jimmy Iovine, Rick Rubin, and Glyn Johns, to his recent sessions with Jonathan Wilson. Along the way, Tench reveals intimate details of recovery and healing, and of his development as a songwriter in the shadow of esteemed colleagues such as Petty and Mike Campbell, and in sessions with Bob Dylan, John Prine, Johnny Cash and others. Tench's unbridled appreciation for music, poetry, love, and life itself radiates throughout this very special conversation. The Record Store Day Podcast is a weekly music chat show written, produced, engineered and hosted by Paul Myers, who also composed the theme music and selected interstitial music.  Executive Producers (for Record Store Day) Michael Kurtz and Carrie Colliton. For the most up-to-date news about all things RSD, visit RecordStoreDay.com   Please consider subscribing to our podcast wherever you get podcasts, and tell your friends, we're here every week and we love making new friends.

Scott Levi Jones, this blue-collar poet was born in South Jersey and as he says, baptized by the local nuclear plant in Salem County. Jones committed to Nashville in 2017 when he scraped together the rent for a single-wide trailer on the outskirts of town. He spent his early 20's working construction while performing in honky-tonks and dive bars all across the Dirty South. Today he resides in a small cabin as a full-time independent musician. The songwriter's lyrical ability has been compared to that of John Prine and Steve Goodman, yet his music reflects the sound of folk rock influences such as The Band and Little Feat. Dur-ing 2020 he released his debut album ‘The Odds of You and Me' recorded at the historic Mu-sic Row studio ‘House of David'. The artist has since released an intimate acoustic EP, ‘The Cabin Worktapes' captured in his living room, along with multiple singles including the viral hit ‘Free Bird' which acquired over 2.5 Million views on instagram alone

In this episode, Blake sits down with legendary singer-songwriter Mary Gauthier for a deep, honest, and surprisingly gear-heavy chat. Mary didn't pick up songwriting seriously until her mid-thirties—after years as a Boston-based chef, restaurant owner, and, as she puts it, a total mess. But once she got sober and started hitting open mics, everything changed. They talk about her early love for Taylor guitars, her eventual obsession with the low-end growl of vintage Gibsons, and how she's more about tone that serves the song than flashy technique. Mary shares the story behind her breakout song “I Drink,” explains why emotion always trumps complexity, and offers a masterclass in the art of getting doors to open in Nashville—even if you have to sneak in through a window. You'll also hear: The connection between fear and fog (and how to burn both off) What it's like to share a stage with John Prine, Emmylou Harris, and Lucinda Williams Why you should never underestimate the power of a good crust (yes, pizza crust) A crash course in humility, persistence, and the power of being kind This one's a gem. If you're a songwriter, storyteller, or just trying to figure out your path—hit play. Support The Show And Connect! The Text Chat is back! Hit me up at (503) 751-8577 You can also help out with your gear buying habits by purchasing stuff from ⁠⁠⁠⁠⁠⁠Tonemob.com/reverb⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠Tonemob.com/sweetwater⁠⁠⁠⁠⁠⁠ or grabbing your guitar/bass strings from ⁠⁠⁠⁠⁠⁠Tonemob.com/stringjoy⁠⁠⁠⁠⁠⁠ Release your music via DistroKid and save 30% by going to ⁠⁠⁠⁠⁠⁠Tonemob.com/distrokid Learn more about your ad choices. Visit megaphone.fm/adchoices

 We talk with Anne Harris and immediately feel like we've been friends forever. Anne discusses her latest release (AVAILABLE NOW) “ I Feel It Once Again,” her first time at folk alliance which she calls “fantasy band camp” and about being the curator of your own curiosity. She also tells the beautiful story of her violin commission with luthier Amanda Ewing.  Anne Harris is an incredible artist, a songwriter/fiddle player/vocalist, with a gorgeous new album produced by Colin Linden (Bob Dylan, Rhiannon Giddens, John Prine) that features her new violin. The violin she uses on the album is the first-ever recognized commission between two professional black women of a newly-crafted instrument in the US (and we think the world, but aren't sure about that).  Check Anne out here:  Website: Anneharris.com  IG: anne.harris.music  BlueSky:anneharrismusic.bsky.social  Facebook: Anne Harris  YouTube: Anneharrismusic  

Kelsey Waldon has established herself as an artist firmly in tune with herself as a writer yet not content with resting on her sterling reputation. With each record her pen has further flowered, culminating in this instance with an invigorating album that pays homage to country music's past while forging toward a confessional, self-reflective, vulnerable brand of tunes that stands out even among many of her esteemed peers. Given that she was introduced to a broader audience when she signed with the late, legendary John Prine's Oh Boy Records in 2019, one would be forgiven for thinking Kelsey is relatively new to the music scene. On the contrary, she has paid her dues and the years of honing her craft jump out on Every Ghost. Listen On: Spotify- https://open.spotify.com/episode/7BJDwJVCEANm1tO1KE5pEW?si=a4d2911b0bd94069 Apple Podcasts- https://podcasts.apple.com/us/podcast/the-marinade-with-jason-earle/id1281080492?i=1000710255695 YouTube- https://youtu.be/Nxw2jzB2i-8?si=ZKwJOir5SrMgm2IM    

Today on the podcast, FJ assistant editor Sofia Wolfson interviews legendary songwriter, multi-instrumentalist, and visual artist Dan Reeder. Born in Louisiana, raised in California, and now based in Nuremberg, Germany, Reeder has released several albums of self-recorded music using instruments he's built himself. On this episode, we talk about working with John Prine and Oh Boy Records, the intersection between visual art and music, instruments he has built, and much more. Be sure to give his latest record, Smithereens, a spin! https://www.danreeder.com We are brought to you by:   Stringjoy Strings: https://stringjoy.com (Use the code FRETBOARD to save 10% off your first order) Mike & Mike's Guitar Bar: https://mmguitarbar.com Peghead Nation: https://www.pegheadnation.com (Get your first month free or $20 off any annual subscription with the promo code FRETBOARD at checkout). https://fretboardsummit.org/ https://www.fretboardjournal.com

"There's battle lines being drawnNobody's right if everybody's wrongYoung people speaking' their mindsGetting so much resistance from behindIt's time we stopHey, what's that sound?Everybody look - what's going down?"I know what that Sound is, please join me and I'll share it with you on this week's Whole 'Nuther Thing on KXFM 104.7. Joining us are Warren Zevon, XTC, T Bone Burnette, The Doors, Jean Luc Ponty, Van Morrison, Bob Dylan, Tears For Fears, Jeff Beck, Gordon Lightfoot, Janis Ian, The Byrds, Crosby Stills, Nash & Young, Fleetwood Mac, Eric Burdon & The Animals, Simon & Garfunkel, Joni Mitchell, Jefferson Airplane, Led Zeppelin, John Prine, Buffalo Springfield and others.

Dan's lying his arse off while Hank piles on to the sizzling protest heap of songs and the both call Putin out on this week's random ride - this may be the last broadcast before the entire Bike Rides operation gets moved to El Salvador. John Prine; Pussy Riot; NOFX; Steve Earle & The Dukes; Grace J'Will; Lumineti Suns; Luminati Suns (again) w/Walk of the Earth; Janice Joplin; Bill Amesbury; Bright Eyes; Karmen

Singer, songwriter, musician, arranger, record producer, and A&R man Swamp Dogg has done it all in his 65 plus years in the music business. Starting out in West Virginia in the 1950s, as "Little" Jerry Williams, he blazed a trail across the country with stops in Nashville, and finally his funky home in Los Angeles, which is the setting for the great new documentary, Swamp Dogg Gets His Pool Painted. Swamp spoke to us about the film, and about his long, illustrious and, at times notorious, career including his countrified album from last year, Blackgrass: From West Virginia to 125th Street, on the Oh Boy! label. There was no way we were gonna get to talk about everything, so go see the film when and wherever you can.  The Record Store Day Podcast is a weekly music chat show written, produced, engineered and hosted by Paul Myers, who also composed the theme music and selected interstitial music.  Executive Producers (for Record Store Day) Michael Kurtz and Carrie Colliton. For the most up-to-date news about all things RSD, visit RecordStoreDay.com   Please consider subscribing to our podcast wherever you get podcasts, and tell your friends, we're here every week and we love making new friends.   This episode is dedicated to the memories of Jill Sobule, and Christopher Todd Penn from Good Records, Dallas.

Valerie June is a Grammy-nominated singer/songwriter whose music has been praised by Pitchfork, Rolling Stone, The New Yorker, NPR, and Bob Dylan himself (who is a self-proclaimed fan). She has performed with John Prine, Norah Jones, Booker T. Jones, Robert Plant, Meshell Ndegeocello, Dave Matthews, Angelique Kidjo, Willie Nelson, Brandi Carlile, and Elvis Costello, written books of poetry and on art, and is a certified yoga and mindfulness instructor. We talk to Valerie about intention setting and the law of attraction, learning to live with chronic illness, testing different approaches and your creative limits, manifesting, rituals and routines to get ready to be present for people, and a whole lot more.Get more access and support this show by subscribing to our Patreon, right here.Links:Valerie JuneEp 39 - Joe HenryEp 17 - Elizabeth Cook'The Artist's Way' Elizabeth CottonMississippi John HurtSkip JamesCarla ThomasClick here to watch this conversation on YouTube.Social Media:The Other 22 Hours InstagramThe Other 22 Hours TikTokMichaela Anne InstagramAaron Shafer-Haiss InstagramAll music written, performed, and produced by Aaron Shafer-Haiss. Become a subscribing member on our Patreon to gain more inside access including exclusive content, workshops, the chance to have your questions answered by our upcoming guests, and more.

Americana Podcast explores the artists and ideas shaping American roots music, focusing this episode on the genre-defying Steve Poltz. Poltz is celebrated for his originality, blending tradition with unpredictability in a career that spans decades. Born in Nova Scotia and raised in Southern California, he first gained widespread attention as the co-writer of Jewel's hit You Were Meant for Me. However, his true impact lies in his continual reinvention and subversion of Americana norms. His work reflects the folk tradition's emphasis on storytelling and community, while also embracing humor, vulnerability, and improvisation. Poltz serves as a creative link between the West Coast's DIY folk-punk movement and the broader narrative tradition of American roots music. This episode examines how his artistic approach challenges expectations and keeps audiences engaged. Listeners are also invited to watch a live performance of You Were Meant for Me with the Robert Earl Keen Band on YouTube. Episodes and Bonus content available on YOUTUBE!https://www.youtube.com/@robertearlkeenofficial Donate to the show!https://tiptopjar.com/americanapodcastInstagram@robertearlkeen1Have questions or suggestions? Emailcreatedirector@robertearlkeen.com

To know him is to love him, a true gem of a human being. John Prine was one of-a-kind and we are so happy to do an episode dedicated to him. We hope you enjoy this one as much as we enjoyed creating it for you. As always, we appreciate your time and lending us your ears, thank you. -The 3SD Team

On this week's Talkhouse Podcast we've got a lively chat between Philly friends Kurt Vile and Francie Medosch. Medosch is the singer and main creative force behind the band Florry, which exists in the same sonic universe as Courtney Barnett and the currently exploding MJ Lenderman—loose, rocking, a little bit jammy, a little bit indie, and frequently catchy as hell. The Lenderman connection makes even more sense when you realize that the upcoming Florry album was recorded with help from Colin Miller, who plays in Lenderman's band and has recorded music from the band Wednesday. That upcoming Florry album is called Sounds Like… and it's due out May 23 on Dear Life Records. It's a corker, kinda rambly and rockin' in all the right ways. You can pre-save and pre-order at all the usual spots. Check out the song “Hey Baby” right here. The other half of today's chat is a longtime supporter of Florry's, fellow Philadelphian Kurt Vile. Vile first came out swinging as part of the War on Drugs way back when, but pretty quickly established himself as a genius of hazy, dazed guitar songs pitched somewhere between the ‘70s squall of Neil Young and more contemporary indie-rock. As you'll hear in this chat, Vile is working—at his own pace, of course—on the follow-up to 2022's Watch My Moves. Whenever it's finished, it's sure to be intriguing, like all of his work. In this chat, Vile and Medosch talk about their shared hometown as well as the fact that Medosch recently moved to Vermont and is working in both a dispensary and a record store—kind of a perfect combo to describe her music, come to think of it. They also chat about a lot of stuff that they love, including John Prine, the recently departed Michael Hurley, and the deeply lovable Bob Odenkirk, who Vile was very excited to meet recently. Enjoy. Thanks for listening to the Talkhouse Podcast and thanks to Kurt Vile and Francie Medosch for chatting. If you liked what you heard, please follow Talkhouse on your favorite podcasting platform, and while you're at it check out all the great podcasts in our ever-growing network, including Subway Takes, Life of the Record, and many more. This episode was produced by Myron Kaplan, and the Talkhouse theme is composed and performed by the Range. See you next time! Find more illuminating podcasts on the Talkhouse Podcast Network. Visit talkhouse.com to read essays, reviews, and more. Follow @talkhouse on Instagram, Bluesky, Twitter (X), Threads, and Facebook.

Songwriters and storytellers are at the core of Americana music. Few conversations in the genre go very long without the mention of names like John Prine, Jason Isbell, Gillian Welch and others. Most of those folks flocked to Nashville at one time or another to get a publishing deal, cut some records and try to make it in music. Gabe Lee never had to flock to Nashville. He was born and raised there. The son of Taiwanese immigrants, his mother a pianist, Lee studied to be a classical concert pianist as a kid. Adolescence derailed those plans and Gabe joined garage bands and caught the music bug in a different way. He now has emerged as one of Nashville's most promising singer-songwriters. His four albums have shown a maturation into an artist who has been compared to the Prines, Isbells and Welches of the world. He even tells a story of his in-laws thinking of him as the Asian John Prine, a title he's proud to represent.  Lee sat in with Roots Music Rambler this week to talk about his upbringing and influences, his albums and his music. We discussed everything from listening rooms to college professors. Lee's latest album Drink the River came out in 2023. He says he's intentionally taking time to build up a catalogue of “bangers” for a new LP, which he admits may not come out for another year. But he continues to drop singles, play tours opening for the likes of American Aquarium and dotting music festivals, and sit in with cool podcasts.  Frank and Falls also talk about their own musical abilities (or lack thereof) and offer up their normal pickin' the grinnin' picks for the week. Download the episode and subscribe at rootsmusicrambler.com or wherever you get your podcasts.  Also be sure to help spread the love of the show with Roots Music Rambler's new merch, now available at rootsmusicrambler.com/store. Authentic t-shirts, hats and stickers are now available.  Buckle up for The Hoe-Down and the Throw-Down! It's a new episode of Roots Music Rambler. Notes and links:  Gabe Lee online Gabe Lee on Spotify Gabe Lee on Instagram American Aquarium on Spotify Falls's Medium Account Jason Isbell's new solo album on Spotify The Monarch Music Community (Louisville) The Law Office Music Pub (Chicago) The Roots Music Rambler Store Roots Music Rambler on Instagram Roots Music Rambler on TikTok  Roots Music Rambler on Facebook Jason Falls on Instagram Francesca Folinazzo on Instagram Pickin' the Grinnin' Recommendations Vaden Landers The Waco Brothers Subscribe to Roots Music Rambler on Spotify, Apple Podcasts, GoodPods or wherever you get your podcasts. Theme Music: Sheepskin & Beeswax by Genticorum; Audio production by Resonate Recordings. Copyright 2025 - Falls+Partners. Learn more about your ad choices. Visit megaphone.fm/adchoices

A songwriter with the spirit of John Prine.

 We caught up with Rita Bliss while she was working hard in Dallas! We chatted about her recent release “Peaches and Apple Pies,” her monthly residency at Batch Brewing and Kolaches in Austin, TX and finding family at ‘the best bar in Texas.'   Rita Bliss is a folk musician from Rochester, New York and is now based in Austin Texas. Though a Rust Belt native, Rita's melodies are rooted in familiar old-time banjo sounds that evoke travels along the backroads of the South. Influenced by John Prine, Joni Mitchell, and Nanci Griffith,Rita's songwriting weaves together timeless love stories with long drives, porch gatherings, and letters between loved ones. The love stories are unabashedly queer, the porch gatherings are sometimes rowdy, and the conversations often touch on true-to-life mental health challenges.  Check Rita out here:  Website: Ritabliss.com  Patreon: Rita Bliss  IG: ritablissbanjo  YouTube: Rita Bliss Banjo  Facebook: Rita Bliss Music  

Dennis Smith, Vietnam Vet and musician, talks about tonight's John Prine tribute with proceeds going to Honor Flight Ohio

In this revealing episode of The MCP, I sit down with Grammy-nominated songwriter, guitarist, and Americana mainstay Will Kimbrough for a wide-ranging conversation on the hard truths and quiet joys of a life in music.From his early days as a 12 year old electric guitar player to getting signed to EMI, and then John Prine's Oh Boy Records, to his work with Jimmy Buffett, Shemekia Copeland, and Todd Snider, Will offers a masterclass in musical longevity, humility, and hustle.A few of the stories and names he mentions reminded me of what I sometimes foolishly take for granted — namely my geographical proximity to musical greatness. For instance celebrated producer Jay Joyce has a studio not 50 hundred feet away from where I now sit, and in the other direction, three houses opposite, is Eric McConnell's studio, the legendary location where was recorded my favorite album of all time, Todd Snider's East Nashville Skyline.Incidentally, in the picture at top I am sitting across the table from that album's producer. I was so excited I had to share the story of discovering that album in a CD listening station at Waterloo records in Austin in the closing moments of an otherwise very dismal experience, which was me playing SXSW in 2004. That album is why I moved to East Nashville, and why I live there still. Crazy but true.Back to Will. Kimbrough opens up about navigating the highs and lows of the industry—learning to trust a team, the freedom of doing things DIY, and how obligation can become an artist's best creative ally. His career parallels a number of iconic Nashville personalities and institutions, like Mike Grimes (with whom Kimbrough formed the beloved trio the Bis-quits and signed to Prine's Oh Boy Records).Finally we get into his life-changing work with veterans through Songwriting with Soldiers and post-traumatic growth programs, and share a few stories about sobriety (his, mostly) and how he's managed to steer clear of some of the darker potholes that might have otherwise claimed a career now well into in its fourth decade.And yes—there's a live performance Kimbrough's song “For the Life of Me,” with me in there on guitar.00:00:00 "Desired Obligation" 00:01:08 Congrats on the Grammy Nom, Will 00:03:06 What caught your ear early on? 00:04:12 Seeing Bruce Springsteen on your 12th birthday 00:05:19 Riffing with Doyle at Grimey's about the power of earlier radio 00:06:18 The first thing Will did with an electric guitar 00:09:04 Constant Throughput makes you less precious 00:10:19 Riffing on Jay Joyce 00:11:51 Getting signed - "the shackles were on" 00:17:22 The collateral positives of getting signed 00:20:18 how to negotiate the tension between personal freedom and teamwork 00:23:11 Meeting Jimmy Buffett through Todd Snider 00:24:32 Trying to get dropped and forming the Bis-quits 00:26:49 Energy optimism and drive in finding a manager or launching a record 00:27:20 Why is it you make your best work when you're in a bad way? 00:28:48 Will's collective songwriting 00:31:31 Writing records with Todd Snider East Nashville Skyline and the Devil You Know 00:32:33 Korby's "East Nashville Skyline" story 00:35:54 The story about Todd Snider's fallout with Jimmy Buffett 00:38:00 Getting addicted to the school of Todd and Rodney Crowell and that crew 00:38:56 A version of the dream as expressed by Korby 00:39:55 Working with Shemekia Copeland 00:40:44 Warrior PATHH program 00:41:39 Wills Bob Dylan movie story 00:44:42 Setting up "For the Life of Me" live in studio 00:53:06 Will Kimbrough performs "For the Life of Me" 00:57:07 "Addicted to gratitude" 00:59:53 A story about John Prine's "Hello in there" 01:02:50 Are you melancholy or even-keeled? 01:05:41 How have you stayed open to the constant change? 01:07:30 Some notes on sobriety 01:12:27 That plato quote about everyone is fighting a hard battle 01:15:17 Talking about reading and writing 01:17:15 How a story about a song connects people 01:18:00 A story about writing with Jimmy Buffett Get full access to The Morse Code with Korby Lenker at korby.substack.com/subscribe

GGACP celebrates the birthday of Brooklyn-born songwriter-recording artist Henry Gross (“Shannon”) with this ENCORE of a 2021 interview with Henry and British-born singer-songwriter Roger Cook (“Long Cool Woman in a Black Dress”). In this episode, Henry and Roger share tales from their seven decades in the music business and talk about playing mob-owned joints, forming doo-wop groups, opening for the Beatles (and Benny Hill!), being inspired by Jimi Hendrix and hearing their songs on the radio for the first time. Also, Casey Kasem blows his cool, George Martin teams with Peter Sellers, Henry becomes the youngest artist to perform at Woodstock and Roger writes a jingle that becomes a worldwide sensation. PLUS: Sha Na Na! “I Was Kaiser Bill's Batman”! The comedy of Jackie Vernon! Steve Coogan sends up Blue Mink! And Henry and Roger remember the late, great John Prine! Learn more about your ad choices. Visit megaphone.fm/adchoices

"With a quarter million miles under her belt and counting, North Carolina native Emily Scott Robinson travels the dusty highways of America's wild country, capturing the stories of the people she meets and expertly crafting them into songs. Robinson received critical acclaim for her debut album Traveling Mercies-- Rolling Stone named it one of the “40 Best Country and Americana Albums of 2019.” In 2021, Robinson signed with Oh Boy Records, the label founded by the legendary John Prine, and released her follow-up album "American Siren." It made numerous “Best of 2021” lists including NPR, Rolling Stone, American Songwriter, and No Depression." (emilyscottrobinson.com) I've been wanting to have ESR on the show for a while, and when I learned she was playing a show with a couple of my friends at the end of 2024, I made them ask her for me! She said yes, and here we are. Robinson currently resides in Ouray, CO, and tours the US and UK consistently. Recently, she supported Ron Pope for a run in the UK. During our conversation, we chat about traveling logistics out of a small town (tisk tisk Southwest!!), her life changing experience at Song School at Rocky Mountain Folks Fest in Lyons, CO, and her decision to buy an RV and travel as a full time musician in her 20s. If you enjoy the podcast, please let others know, subscribe, or write a review! IF YOU'D LIKE TO SUPPORT THE PODCAST IN A MONETARY WAY, I'M NOW ON PATREON! Please note: new Patreon members get to pick a cover song for me to record especially for them! www.patreon.com/andysydow Guest Links: https://www.emilyscottrobinson.com Episode Music: Original music by Andy Sydow Contact me: middleclassrockstar@gmail.com (or) andysydowmusic@gmail.com

Episode 616 also features an E.W. Poetic Piece titled, "Tea Party." Our music this go round is provided by these wonderful artists: Thelonious Monk, Justin Townes Earle, John Prine, Wednesday, Branford Marsalis & Terence Blanchard. Commercial Free, Small Batch Radio Crafted in the West Mountains of Northeastern Pennsylvania... Heard All Over The World. Tell Your Friends and Neighbors. 

This episode of Across The Margin : The Podcast features an interview with Erin Osmon, an award-winning, Los Angeles-based music journalist, critic, and author. She's written long-form album notes for archival releases on Blondie, Hüsker Dü, Townes Van Zandt, Sparklehorse, and many others. A veteran of Chicago newsrooms, her work appears in Rolling Stone, LA Times, New York Times, Washington Post, and other publications of record. She is part-time faculty at USC's Annenberg School of journalism. Her new book, about heartland rock in the 1980s, will be published by W.W. Norton in 2026. Her first book, Jason Molina: Riding with the Ghost — the focus of this episode — was published in 2017 and named a Best Music Book of the year by Pitchfork. Her book about John Prine's landmark debut album was published by Bloomsbury's 33 1/3 series. In Jason Molina: Riding with the Ghost, Erin presents a detailed, human account of the Rust Belt–born musician Jason Molina — a visionary, prolific, and at times cantankerous singer-songwriter with an autodidactic style that captivated his devoted fans. It details Molina's personal trials and triumphs and reveals for the first time the true story of his last months and works. Offering unfettered access to the mind and artistry of Molina through exclusive interviews with family, friends, and collaborators, the book also explores the Midwest music underground and the development of Bloomington, Indiana–based label Secretly Canadian. As the first authorized and detailed account of this prolific songwriter and self-mythologizer, Riding with the Ghost provides readers with unparalleled insight into Molina's tormented life and the fascinating Midwest musical underground that birthed him. In this episode host Michael Shields and Erin Osmon discuss how Molina's deep ties and affinity to the state that birthed him (Ohio) shaped his life and influenced his career. They explore Molina's surprising and varied musical influences, the comparison to singer-songwriter Will Oldham which shadowed Molina throughout his career, the birth of the timeless classic album that is Magnolia Electric Co., and so much more. Hosted on Acast. See acast.com/privacy for more information.

"I mix in exclamation points!" Join host Lij Shaw as he dives into a vibrant conversation with Grammy and Emmy award-winning engineer Jamie Tate in this episode of Recording Studio Rockstars! With insights from his journey as the owner of The Rukkus Room in Nashville, Jamie offers a behind-the-scenes glimpse into the evolving landscape of country music and the artistry of mixing. They navigate the playful intersection of analog nostalgia and digital dynamism, sharing personal anecdotes and invaluable tips for home recording enthusiasts. With Jamie's passion and expertise, you'll discover not only the emotional depth of music production but also the pioneering spirit of independent artists. Tune in for a sound adventure that's sure to inspire your own creative journey! Get access to FREE mixing mini-course: https://MixMasterBundle.com My guest today is Jamie Tate, a Grammy and Emmy Award-winning recording engineer, mixer, producer, and the owner of The Rukkus Room in Nashville, TN. Jamie's career in the studio world began as an intern at The Sanctuary Recording Studios, where he worked his way up to chief engineer. After The Sanctuary sold, Jamie honed his craft while working around the clock at Abtrax Recording Studios. By 2004, with 18 months of clients already booked, he took the leap and founded The Rukkus Room, which has since become one of Nashville's most iconic recording spaces. The Rukkus Room was designed by Gene Lawson of Lawson Microphones and is one of the last remaining purpose-built recording studios in Nashville. Spanning 8,000 square feet across two separate buildings, it offers unparalleled isolation for recording. Shortly after opening, Jamie recorded Jack Ingram's #1 single “Wherever You Are” and several other top-five hits, cementing the studio's reputation as a go-to destination for legendary and up-and-coming artists alike. Jamie has mixed and recorded music for a stunning array of artists, including Thomas Rhett, Taylor Swift, Dustin Lynch, Jerrod Niemann, Maddie & Tae, Alan Jackson, Vince Gill, Alison Krauss, Miranda Lambert, John Prine, Rhett Akins, Sheryl Crow, Brooks and Dunn, and many more. His work has been featured on platinum-selling records, chart-topping singles, and critically acclaimed projects across genres. THANKS TO OUR SPONSORS! http://UltimateMixingMasterclass.com https://www.adam-audio.com https://www.native-instruments.com Use code ROCK10 to get 10% off! https://www.izotope.com Use code ROCK10 to get 10% off! https://roswellproaudio.com/ https://www.makebelievestudio.com/mbsi Get your MBSI plugin here! https://RecordingStudioRockstars.com/Academy  https://www.thetoyboxstudio.com/ If you love the podcast, then please leave a review: https://RSRockstars.com/Review CLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/498

This week we travel the dusty roads of John Prine's 1973 studio album, Sweet Revenge.

This is an encore presentation of a previous episode, originally airing in August 2023. --- The two sounds Tommy Prine says he remembers most growing up were having the AM radio on or his father (renowned singer/songwriter John Prine) workshopping tunes at the kitchen table. Journeying through adolescence, his eclecticism later manifested through acts like Outkast and System of a Down. But now, on the heels of This Far South — his debut album — Tommy has found his own unique voice that marries his mom's Irish wisdom and his dad's dry Midwestern/Southern wit. On today's show, Tommy shares why Radiohead's “Videotape” speaks to him, his experiences working with Nashville talents Ruston Kelly and Gena Johnson on This Far South, and how the artwork for this album feels like both an ending and a beginning. Visit tommyprine.com for your dates, socials and more.

Heartland Souvenirs is Becky Schlegel, Katy Tessman and Nikki Lamire. The three songwriters found each other almost by accident. But once they realized their great singing chemistry, they started building a repertoire of their own songs, and songs written by others. The Trio has also recorded its interpretations of songs by John Prine. Heartland Souvenirs performs at 318 Café in Excelsior, 8 till 10pm on Saturday March 8. When they met with Phil Nusbaum, Becky addressed how her interest in Prine was stimulated.

This week on RITY... Our mini theme is The "I'ds" Of March... Plus, a hit song that was the end result of a Neil Young Impersonation... Who was Jimmie Nicol and how he inspired a popular Beatles song?... You've heard of Green Eggs and Ham, but would consider putting Vaseline on Toast?... Music from Joe South, Tommy Bolin, John Prine, Billy Strings, Phish, The Outsiders, and much more! For more info on the show, visit reelinwithryan.com

Jordie Lane on Artistry, Resilience & Reinventing the Indie Music Scene. In this episode of The Morse Code Podcast, host Korby Lenker sits down with the Australian-born Nashville-residing singer-songwriter and multi-instrumentalist Jordie Lane. Together they explore the raw realities of making a life in independent music, the necessity of artistic reinvention, and the relentless pursuit of creative authenticity. Jordie shares candid insights on navigating the ever-evolving industry, the emotional and financial struggles of being a full-time musician, and how personal reinvention is key to staying inspired. From songwriting secrets to tour life stories plucked from his dozen plus years as a road-dogging tourbadour, this conversation is a must-watch for musicians, songwriters, and anyone who believes in the power of storytelling through music.00:00:00 Intro00:04:53 The contrast between outward appearances and inward reality00:06:04 The concept behind "Tropical Depression"00:08:14 The pandemic's impact on Jordie's mental health00:10:10 How not being able to travel can increase anxiety00:11:25 Jordie's decision to make his struggles with anxiety a part of his "official" album rollout00:12:58 Korby's take on the podcast space as a reflection of culture's demaan for authenticity00:14:43 Jumping on the authenticity train is also possibly inauthentic00:16:01 Timeline of the album's creation and release00:19:05 How did you finance your record Jordie?00:20:32 Getting in and out of your own way as an artist00:23:43 Korby's recollection of filming Jordie's video for "The Changing Weather"00:23:59 The fundemental tension between confidence and its opposite00:25:04 Getting pooped on as a new dad00:26:17 Korby use of music as a means of trying to be loved00:27:42 The imprtance of being in a good headspace to making art00:30:12 Korby quotes Leonard Berstein's newborn baby quote00:31:12 Dostoyevsky's claim that in order to make art you have to be both sensitive and in pain00:33:11 Jordie's perspective on working in film and tv00:36:04 The fraught romance of touring00:38:01 The importance of low overhead to creative freedom00:39:18 Jordie loves the improvised element of on stage banter00:40:43 Jordie's advice to Korby about banter with a full band00:42:55 A sudden glimpse into Korby's organizational efforts00:44:03 The necessary discipline of a self-employed artist00:48:20 Why Jordie got a shelter dog00:51:13 The "42 Steps" of making the podcast00:52:37 Jordie sets up "Empty Room"00:53:42 Jordie and Korby perform "Empty Room"00:58:03 A compliment and an inquiry00:59:51 Jordie's current process for writing songs01:01:35 Co-writing and trepidation01:02:15 How Maya Angelou and John Prine write01:02:56 More detail on Jordie's "waiting" approach to songwriting01:05:11 What seperates those who create from those who don't01:06:06 How Meet Me at the End of the World was written01:07:53 The process of writing is more important than the end result01:09:20 Suddenly Jordie and Korby are going to try to write one Get full access to The Morse Code with Korby Lenker at korby.substack.com/subscribe

Heartland Souvenirs is Becky Schlegel, Katy Tessman and Nikki Lamire. The three songwriters found each other almost by accident. But once they realized their great singing chemistry, they started building a repertoire of their own songs, and songs written by others. The Trio has also recorded its interpretations of songs by John Prine. Heartland Souvenirs performs at 318 Café in Excelsior, 8 till 10pm on Saturday March 8. When they met with Phil Nusbaum, Becky addressed how her interest in Prine was stimulated.

Born in Memphis is 1974, Cory Branan has been releasing albums since The Hell You Say in 2002. He released three great records on Chicago's Bloodshot Records - Mutt, The No-Hit Wonder and Adios) and his most recent LP (his 6th overall) is the excellent When I Go I Ghost in 2022. Many of his musician friends - Jason Isabel, Brian Fallon, Laura Jane Grace, Craig Finn, Jody Stephens, Ben Nichols, Sadler Baden & more - have appeared on his records. We talked with him about all of that, about his songwriting process, his Chicago experiences and his upcoming tour with his buddy Chuck Pagan. Enjoy!Time Stamps:2: Was it hard for you to have Rollingstone rewrite your history naming you a best new artist over 10 years into your career?7:25: How did you find John Prine? What stands out to you about him?13:50: When listening to a great songwriter, are you able to enjoy it, or are you analyzing it?17:45: What is your creative process like now?20:30: How does your OCD impact your writing?24: How do you choose who you work with?28:30: Being from Memphis, is it surreal to play with Lucero and Jody Stephens?53:15: Did Bloodshot Records end up paying you?53:45: Deep dish or thin crust?55:30: Favorite venue to play in Chicago?58:40: What makes Chicago a unique music city?61:30: What is your go to cheap drinks?62:23: Anything you'd like to plug on the way on out of here?

Episode 616 also features an E.W. Poetic Piece titled, "Tea Party." Our music this go round is provided by these wonderful artists: Thelonious Monk, Justin Townes Earle, John Prine, Wednesday, Branford Marsalis & Terence Blanchard. Commercial Free, Small Batch Radio Crafted in the West Mountains of Northeastern Pennsylvania... Heard All Over The World. Tell Your Friends and Neighbors.

Episode 616 also features an E.W. Poetic Piece titled, "Tea Party." Our music this go round is provided by these wonderful artists: Thelonious Monk, Justin Townes Earle, John Prine, Wednesday, Branford Marsalis & Terence Blanchard. Commercial Free, Small Batch Radio Crafted in the West Mountains of Northeastern Pennsylvania... Heard All Over The World. Tell Your Friends and Neighbors.

For the series finale, we go back to the Fort. Join us as we bring you the sights and sounds we experienced at Fort Adams as Newport Folk returned after a necessary break in 2020, and presented their six-day, half capacity 2021 festival, Folk On. We'll take you from the meaningful first notes sung by the first performers to grace the stage, Resistance Revival Chorus, to one of the last - Lake Street Dive, and their tribute to beloved member of the folk family and former WFUV Program Director, the late Rita Houston. We also hear from Andrew Bird and Hiss Golden Messenger's MC Taylor about their return to performing and paying homage to John Prine, from mandolin virtuoso Chris Thile about the magic of Newport and why it continues to gives him hope, and the kismet journey of Allison Russell organizing and performing during the most talked about set at Folk On, Sunday night's 'Once and Future Sounds', curated by, and featuring women of color, with a very very special guest. We also check in with Margo Price and Jeremy Ivey, Katie Crutchfield (Waxahatchee), Yola, Newport Executive Director Jay Sweet, and many other artists, fans and members of the Folk family about their experiences at Folk On, their reflections of the past 18 months, and where we are headed. Through it all, the feeling of family and community is ever present, giving us the courage to take tentative steps forward, leaning into the truth and power of music, and the magic that happens when we dream together. Festival Circuit: Newport Folk is presented by Osiris Media, and hosted by Carmel Holt. It is co-written, co-produced and edited by Carmel and Julian Booker, who is also the series' audio engineer. Production assistance from Zach Brogan. Executive producers are RJ Bee and Christina Collins. Show Logo and art by Mark Dowd.  The series theme music is "Ruminations Pt. 3 (Afternoon Haze)" by Steven Warwick. Thanks to Billy Glassner of the Newport Festivals Foundation for providing archival audio. Thanks to our Folk Family guests Abena Koomson-Davis, Nelini Stamp, Andrew Bird, MC Taylor, Margo Price, Jeremy Ivey, Yola, Allison Russell, Dan Knobler, Samantha Betley, Josh Wool, Julien Baker, Holland Saltzman, Nancy Sheed, Natalie Hemby, Katie Crutchfield, Jay Sweet, Chris Thile, Jonathan Russell, Rachael Price and Bridget Kearney. Learn more about your ad choices. Visit megaphone.fm/adchoices

Episode 194 is here... the boys discuss Josh turning 50, prime rib, middle fingers, Phil's driving, John Prine, Josh's 21st bday, good neighbors, Pat White, Women's bball team, Bad Monkeys and Landman, WVU bball recaps and reviews, Javon Small, Superbowl and Halftime Show, WVU Daily Fantasy team, fball and bball bust in last 30 years, who would you add to this year's bball team, DeVries, and bad facial hair.

Join Scott Kummer, Josh Hohbein and Andrew Robot Dinosaur, along with Jake Lindvall and Kevin Peters for a discussion of John Prine's self-titled album and Weezer's Blue Album. Fill out the poll for these albunms here: https://docs.google.com/forms/d/e/1FAIpQLScD9zSGMNVIQTM9x2NTsW-zqu01seF1hyo94Q3yYocPyPhdgg/viewform?fbclid=IwY2xjawIav_5leHRuA2FlbQIxMQABHXG9RBfKDv4p_LUmjKuEh6ZWI6vO71-nPEh_4oy10FTGXvKKawtY82SqsA_aem_nMDX8X7LmBH4g2cYu-7VuQ IMPORTANT: Join the Mailing List!!  Email us at IGTOVpod@gmail.com Andrea Swenson book discussed: https://www.amazon.com/Got-Be-Something-Here-Minneapolis/dp/1517911990/ref=sr_1_2?crid=146FGT7OPT8ZI&dib=eyJ2IjoiMSJ9.eObGPMeWkHaN8SidJDcQgMzfBZhNFaT0LwnuirK0Rs4hJFpmqZpzijRG8DsguhFYa28jiR4AJBPNIOQskZH_SOA18I6F6YuDjk71y0NEqpJt67LFBYvgo9PvnJ1DvxuSe-8H2kWA7N6Myv0cxCaYUvaS81wISmQNq6o4E7TNlat0ej-Tc8YaFL2-5xjMnoF3.a5K25tc_nRjR5wSkhHKuY2dWL7PZMhuCPyBMVbDrUz4&dib_tag=se&keywords=andrea+swenson&qid=1739448287&sprefix=andrea+swenson%2Caps%2C106&sr=8-2 It's never too late to fill out the poll.  PLEASE!!  The data is interesting to us!! Find this poll and all the others here: https://igtov.com/vote-here View the Standings Chart: https://sites.google.com/view/essential-table/home JoIn the "I've Got That On Vinyl" Facebook Group: https://www.facebook.com/groups/684186180585840 On Twitter: @IGTOVPodcast On Instagram: @igtovpodcast Intro and Outtro music by MIshka Shubaly: http://www.mishkashubaly.com

There's one thing you can be sure about when you go to Newport: Expect the Unexpected. From the festival's inception, it's been an event packed with surprise sit-ins and once-in-a-lifetime collaborations. In this episode, you'll hear about some of the most memorable, emotional, and legendary moments in Newport's recent past, from the people who participated in them. We'll bring you vivid memories and behind-the-scenes stories from the teary-eyed John Prine & Friends set in 2017, Brandi Carlile's groundbreaking all-female headlining set in 2019, and so many more . One of the most beautiful things about Newport is the seamless melding of past, present and future: it's a place where you can see young talents share the stage with musical legends, soul quenching moments with their own heroes that neither will ever forget. Drop all your expectations and enjoy the ride! Festival Circuit: Newport Folk is presented by Osiris Media, and hosted by Carmel Holt. It is co-written, co-produced and edited by Carmel and Julian Booker, who is also the series' audio engineer. Production assistance from Zach Brogan. Executive producers are RJ Bee and Christina Collins. Show Logo and Art by Mark Dowd.  The theme music is "Ruminations Pt. 3 (Afternoon Haze)" by Steven Warwick. Thanks to Billy Glassner of the Newport Festivals Foundation for providing archival audio. And many thanks to our folk family guests Jess Wolfe, Holly Laessig, Martin Anderson, Danny Clinch, Nicole Atkins, Bob Boilen, Jim James, Amythyst Kiah, Allison Russell, Yola, Amy Ray, Judy Collins, Mc Taylor, Phil And Brad Cook, Jay Sweet, Jody Whelan, Margo Price, Nina Westervelt, Kathie Sever, John Mccauley, Kristian Mattson and George Wein. Learn more about your ad choices. Visit megaphone.fm/adchoices

Notes and Links to Jason De León's Work   Jason De León is Director of the Cotsen Institute of Archaeology, Loyd E. Cotsen Endowed Chair of Archaeology, Professor of Anthropology and Chicana/o and Central American Studies at the University of California, Los Angeles.    De León is Executive Director of the Undocumented Migration Project (UMP) Inc. a 501(c)(3) research, arts, and education collective that seeks to raise awareness about migration issues globally.    He is the author of two award winning books: “The Land of Open Graves: Living and Dying on the Migrant Trail” (featuring photos by Michael Wells) and “Soldiers and Kings.” Soldiers and Kings won the 2024 National Book Award for Nonfiction. De León is 2017 MacArthur Foundation Fellow.    In addition to his scholarly pursuits, Jason is an active musician who sang and played guitar with the Long Beach based hardcore-punk-reggae band Youth in Asia in the mid to late 1990's and the Americana band The Wilcox Hotel based out of State College, PA between 2005 and 2008. He currently plays bass in  The War Pigs and is involved in various musical projects including periodic reunions with The Wilcox Hotel.   Buy Jason's Books   Jason Website   Jason's National Book Award Receipt: Video   Book Review: Soldiers and Kings New York Times Review    Jason on CBS Sunday Morning: Video   At about 2:50, Jason helps Pete get over some Lakers/Kings traumas At about 6:15, Jason talks about the experience of winning the National Book Award At about 8:45, Jason shouts out indie bookstores like Literati, Village Well, Powell's as places to buy his book At about 10:05, Jason gives background on his early relationship with language and story, and how this reading was shaped by his childhood At about 11:10, Jason talks about ups and downs of reading and writing for joy, and how “story” has been an interest  At about 13:20, Jason talks about how multilingualism was part of his childhood and the ways in which speaking foreign languages  At about 14:50, Jason responds to Pete's question about writers who challenge and inspire him, including Ernest Gaines, Lus Alberto Urrea, Willie Vaultin, and Jesmyn Ward At about 17:00, Jason cites songwriters like John Prine, Jason Isbell, and Bruce Springsteen as inspirational At about 19:20, Jason gives background on the protocol and timing and embedding done in his research for Soldiers and Kings  At about 20:30, Pete is highly complimentary of Jason's balance of first person and third person and his skilled objectivity; Jason responds to Pete's questions about any “vertigo” that came with intense fieldwork and academia and family life  At about 24:15, Jason speaks to the significance of the book's epigraph from Jason Isbell At about 27:50, Jason discusses the difference between “smuggling” and “trafficking” and their implications in the book and beyond At about 29:15, Jason and Pete reflect on the titles for the people represented on the book, and Jason responds to Pete's question about how he wrote to avoid generalization   At about 32:30, Jason recounts a story from his first book that is emblematic of fully-drawn characters At about 34:30, Pete asks about ethical concerns in research for the book At about 36:05, Jason outlines how childhood experiences and exposure to violence may have helped him connect more with the main characters of the book At about 38:50, Jason reflects on how he proved himself trustworthy in his research and how and why the characters are “good judges of characters” At about 41:00, The two discuss Honduras and its importance in migration in the last decade or so, as well as how its emblematic of the global and natural forces  At about 45:45, the two reflect on youth and its importance in the book and how privilege, or lack thereof, connect to ideas of redemption and traumas At about 49:35, Pete cites a telling quote from Father Greg Boyle in reference to the high number of adverse experiences that so many migrants have had to carry; Jason discusses ideas of hope  At about 52:15, Pete highlights a resonant poem by Warsan Shire that leads Jason to talk about the “sharks” that put people on the migrant route At about 55:25, Jason responds to Pete's question about the infamous “La Bestia” At about 57:20, Jason explains the term “clavo” and its implications to “stateless” people    At about 58:55, Pete notes that the book deals so successfully with  At about 1:01:00, “The Future Belongs to Those Who Dream,” a chapter title, and its implications for optimism and hope is discussed  At about 1:04:55, Pete cites the book's wondrous last page, as well as the book's long future “shelf life”   You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow Pete on IG, where he is @chillsatwillpodcast, or on Twitter, where he is @chillsatwillpo1. You can watch other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both the YouTube Channel and the podcast while you're checking out this episode.       Pete is very excited to have one or two podcast episodes per month featured on the website of Chicago Review of Books. The audio will be posted, along with a written interview culled from the audio. This week, his conversation with Episode 264 guest Maggie Sheffer is up on the website. A big thanks to Rachel León and Michael Welch at Chicago Review.     Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl      Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting Pete's one-man show, his DIY podcast and his extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content! This month's Patreon bonus episode will feature an exploration of the classic Gabriel Garcia Marquez short story, “The Handsomest Drowned Man in the World.” I have added a $1 a month tier for “Well-Wishers” and Cheerleaders of the Show.    This is a passion project of mine, a DIY operation, and I'd love for your help in promoting what I'm convinced is a unique and spirited look at an often-ignored art form.    The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.     Please tune in for Episode 271 with Alejandro Heredia, a queer Afro-Dominican writer from The Bronx and winner of the Gold Line Press Fiction Chapbook Contest. His writing has been featured in Teen Vogue, Lambda Literary Review, and elsewhere; His resonant debut novel LOCA has its Pub Day on Feb 11, the day on which the episode airs.  

You'll hear my origin story with Missouri's native son Jack Summers in this episode of the Tasty Brew Music podcast… a story with a familiar path.  My introduction comes by way of plugged in Heartland music tastemaker Mike Paget of the Green Guitar Folk House Series. As a Boomer and lifelong lover of the craft of songwriting, my pantheon includes John Prine, Neil Young and Bob Dylan, of course.  Although sonically the comparisons may seem appropriate, the lyrical content and points of interest in Jack's songs are unique to him while being very relatable.  Ironically, unlike most members of his 20-something/Millennial/Gen Z generation Jack foregoes a robust online presence but for Instagram and his website jacksummersmusic.com.  It can be a bit of challenge to find him on the internet.   Jack is putting in the work.  Generally a sole practitioner, he has dabbled in collabs and as a Kerrville Music Festival songwriting competition winner, he takes the lyrical life seriously.  With the support and guidance from his family and song farmers like Mary Gauthier, the desire to create is there and I believe his aim to be true.  Enjoy this late Fall 2024 conversation and musical performance.  Good stuff from Weston, Missouri's Jack Summers. 

Longtime radio host and podcaster Luke Burbank shares his personal history in Portland through the lens of four songs, part of a series on City Cast Portland that we're calling Portland Mixtapes. Luke has been the host of the syndicated variety show Live Wire Radio, a frequent panelist and guest host of Wait Wait Don't Tell Me, and a correspondent for CBS News Sunday Morning. We made a Spotify playlist of favorite Portland songs, crowdsourced from our listeners and guest mixtape picks. You can listen here.  We're doing a survey to learn more about our listeners. We'd be grateful if you took the survey at citycast.fm/survey — it's only 7 minutes long. You'll be doing us a big favor. Plus, anyone who takes the survey will be eligible to win a $250 Visa gift card – and City Cast City swag. Become a member of City Cast Portland today! Get all the details and sign up here.  Who would you like to hear on City Cast Portland? Shoot us an email at portland@citycast.fm, or leave us a voicemail at 503-208-5448. Want more Portland news? Then make sure to sign up for our morning newsletter, Hey Portland, and be sure to follow us on Instagram.  Looking to advertise on City Cast Portland? Check out our options for podcast and newsletter ads at citycast.fm/advertise. Learn more about your ad choices. Visit megaphone.fm/adchoices

Conversations is bringing you a summer treat — a collection of Sarah's most memorable guests through out the years. A songwriter's songwriter, John Prine turned his often bemused view of people and politics into songs for fifty years. John Prine October 1946 — April 2020John first picked up a guitar at fourteen, encouraged by his older brother. He started writing songs when he couldn't remember the lyrics to existing ones.Growing up in Maywood, a suburb of Chicago, the Prine boys had a wealth of music around. There were country, folk, and rock and roll shows on the weekends, and The Grand Ole Opry on their father's radio. Just as influential were trips to visit family in Paradise, Kentucky.By the late 1960s after his first, reluctant performance at an open-mic night, John's song writing talent saw him become a regular on the folk circuit.Encouraged by Kris Kristofferson, he was persuaded to give away his regular gig as a mailman; and songs from John's first album, "John Prine", released in 1971, are still popular and relevant today.John toured and recorded regularly across five decades, as well as collaborating with and providing songs for many of the music industry's biggest names.Bob Dylan cites John as one of his favourite songwriters, and Johnny Cash recorded one of John's most famous songs, "Sam Stone".John won three Grammy awards and was inducted to both the Nashville Country Music Hall of Fame, and the Grammy Hall of Fame.John Prine passed away in 2020. This episode of Conversations contains discussion about music, guitar, postal services, American history, United States of America, USA, Chicago, Nashville, Johnny Cash, Bob Dylan, Elvis Presley, musicians, singing, singer-songwriters, songwriting, composition, country music, folk music, touring, Kentucky, music industry, lung cancer, cancer treatment, family, autobiograpy, The Tree of Forgiveness,  

Randy Newman is one of the most misunderstood and under-celebrated musicians of the modern era. Reknowned Music Journalist/Author Robert Hilburn's new book, A Few Words in Defense of Our Country is the definitive Randy Newman biography and Bob joins us to spotlight the genius and the legend of a great American musician and storyteller.Robert Hilburn was the music critic for the Los Angeles Times for 35 years and he's written books about John Lennon, Paul Simon, Bruce Springsteen and Johnny Cash. Bob tells us that Newman (much like Simon) had to be convinced to have his legacy chronicled. Randy grew up in a legendary musical family in which tooting your horn (metaphorically) was frowned upon. His uncles composed movie scores and they taught Randy to let the work be your voice.We hear about Randy's challenging childhood, the pressure he felt to succeed in music and how success, once achieved, incurred his father's envy. Throughout his career, Randy's best childhood friend, Lenny Waronker (who became a record exec) believed in him, opened doors and cheered his efforts.Diving further into Randy's work flow, creative struggles and anxiety-taming efforts, Bob illuminates Randy's genre-bending and cultural interrogating musical achievements.We also delve, with Bob, into the influence once held by music critics in the golden ages of both print media and the music industry. We discuss the futures of recorded music and journalism and Bob tells us about his favorite interview ever… with Bob Dylan… and that one time he went to Folsom Prison with Johnny Cash.Plus, Weezy recommends the original Apple TV+ movie, Blitz and Fritz is currently into the new series Rivals, streaming on Hulu and other platforms.Path Points of Interest:Robert HilburnRobert Hilburn on WikipediaA Few Words In Defense of Our Country: The Biography of Randy Newman by Robert HilburnRobert Hilburn Amazon Author PageRobert Hilburn on XAmanda PetrusichBlitz on Apple TVRivals - On Several Platforms

GRAMMY-winning singer and songwriter Kacey Musgraves talks about her dear friend and mentor John Prine and what drew her to his music even before she had the opportunity to meet and collaborate with the legendary musician. An expanded version of Kacey's latest album, titled “Deeper Into The Well,” is streaming now and will be available on vinyl beginning this Friday. After you've listened to her EXTENDED interview on the podcast, watch her performance of "Arm's Length" on The Late Show's YouTube channel! Learn more about your ad choices. Visit megaphone.fm/adchoices