Podcast appearances and mentions of John Prine

Music behind DJ: The Mile-Tones - "Trial of Love" [0:00:00] The Buckaroos Featuring Don Rich - "Anywhere U.S.A." [0:04:25] Gram Parsons and Emmylou Harris - "We'll Sweep Out The Ashes In The Morning" - GP [0:06:11] Charlie Albertson - "Ballad of Frisco Bay" [0:09:20] Herb Henson - "Man Holds Lightning In His Hands" [0:12:06] Donnie Rohrs - "Blues, Booze, and Baby On My Mind" [0:15:32] The Gee Cees - "Buzz Saw" [0:16:40] Music behind DJ: The Mile-Tones - "Trial of Love" [0:18:48] Dewey Knight - "Haulin' My Last Load" [0:22:53] John Prine and Iris Dement - "In Spite Of Ourselves" [0:28:26] Arizona Weston and the Westerners - "Live It Up" [0:30:53] Loyd Howell and The Brite Stars - "Truck Driving "Jack"" [0:31:16] Shirley B. - "Hamtramck Daddy" [0:33:53] Herbie Smith - "Sand Gap" [0:35:17] Ray Hatcher - "I'm Waiting Just For You" [0:41:29] Davy Mills - "Trenton State Prison" [0:43:11] Donnie Boyd and His Guitar (The Golden Boy) - "Martha" [0:46:12] Hot-Toddys featuring Big John - "Shakin' and Stompin'" [0:48:06] Music behind DJ: Donnie Boyd and His Guitar (The Golden Boy) - "Krunchy" [0:50:40] Wayne Kemp - "Babblin' Incoherently" [0:55:03] Jerry Jeff Walker - "Little Bird" - Viva Terlingua! [0:57:46] https://www.wfmu.org/playlists/shows/157678

Music behind DJ: The Mile-Tones - "Trial of Love" [0:00:00] The Buckaroos Featuring Don Rich - "Anywhere U.S.A." [0:04:25] Gram Parsons and Emmylou Harris - "We'll Sweep Out The Ashes In The Morning" - GP [0:06:11] Charlie Albertson - "Ballad of Frisco Bay" [0:09:20] Herb Henson - "Man Holds Lightning In His Hands" [0:12:06] Donnie Rohrs - "Blues, Booze, and Baby On My Mind" [0:15:32] The Gee Cees - "Buzz Saw" [0:16:40] Music behind DJ: The Mile-Tones - "Trial of Love" [0:18:48] Dewey Knight - "Haulin' My Last Load" [0:22:53] John Prine and Iris Dement - "In Spite Of Ourselves" [0:28:26] Arizona Weston and the Westerners - "Live It Up" [0:30:53] Loyd Howell and The Brite Stars - "Truck Driving "Jack"" [0:31:16] Shirley B. - "Hamtramck Daddy" [0:33:53] Herbie Smith - "Sand Gap" [0:35:17] Ray Hatcher - "I'm Waiting Just For You" [0:41:29] Davy Mills - "Trenton State Prison" [0:43:11] Donnie Boyd and His Guitar (The Golden Boy) - "Martha" [0:46:12] Hot-Toddys featuring Big John - "Shakin' and Stompin'" [0:48:06] Music behind DJ: Donnie Boyd and His Guitar (The Golden Boy) - "Krunchy" [0:50:40] Wayne Kemp - "Babblin' Incoherently" [0:55:03] Jerry Jeff Walker - "Little Bird" - Viva Terlingua! [0:57:46] https://www.wfmu.org/playlists/shows/157678

In this episode of the "Takin a Walk" podcast, host Buzz Knight interviews acclaimed Nashville songwriter Adam Wright about his new project, "Nature of Necessity." Adam discusses his creative process, the value of authenticity in music, and his experiences working with artists like Sierra Hull and Brandy Clark. He shares stories about his songwriting influences, including Mark Knopfler and John Prine, and reflects on embracing imperfection in his recordings. The episode offers an intimate look at Adam’s journey from behind-the-scenes songwriter to solo artist, highlighting his thoughtful approach to both music and storytelling. His bio puts it well: "A True singer-songwriter, Wright colors in the shapes of characters so numerous and diverse you'd need a series of novels to tell their full stories." His songs have been recorded by the likes of Alan Jackson, Lee Ann Womack, Garth Brooks and Trisha Yearwood, but now he steps into the limelight as the singer-songwriter behind his new album "Nature of Necessity." You'll love Adan's authentic sound and his honest conversation about his craft in this slice of music history.Support the show: https://takinawalk.com/See omnystudio.com/listener for privacy information.

As well as The Day of The Dead for Pets, stories from my weekend in Wilmington, a flight from hell, and updates from the Rochelle City Council Meeting I just spoke at! Plus listener emails, The Tribune from Rhonda, and the Holi- Days like, National Cat Day! As a bonus for Premium Subscribers there’s some John Prine for your listening enjoyment. Thank you to Aaron Brungardt for engineering, mixing, and production expertise, Geoffrey Tice for artwork, Bobby TBD for theme music, and All Things Comedy for their support, production, and distribution. Email the show at themidnightmailbag@gmail.com!

Mike Delevante recently released his debut album, September Days, on Truly Handmade Records, a label founded by Guy Clark LLC's board of directors (including Grammy-winning author, producer, and filmmaker Tamara Saviano, who fell in love with the album at first listen). Not many artists release their first solo record two decades after their debut album but that's the case for Delevante, who spent the 1990s recording and touring as half of trailblazing Americana duo the Delevantes with his older brother Bob. The duo's acclaimed releases on Rounder and Capitol records in that era made a splash — Long About That Time (Rounder) was the first #1 debut album on Gavin's newly created Americana radio chart —and found them touring with like-minded artists including John Prine, Emmylou Harris, Steve Earle, Levon Helm and others. So, while it's hardly the first musical endeavor for Delevante, September Days is an important step for a musician who'd never put the spotlight directly on himself, until now. Produced by Joe Pisapia, whose production credits include work with Ben Folds, Guster, k.d. lang and many others, the album's shimmering guitars and instantly memorable melodies recall some of the 90's best guitar pop artists (Matthew Sweet, Freedy Johnston, Ron Sexsmith, The Jayhawks and more).  That decision was a long time coming. The Delevante brothers were New Jersey natives who've made Nashville their home since the ‘90s, along with frequent collaborator and co-producer, Garry Tallent of the E Street Band. Mike had shifted gears, focusing on visual arts. Both he and his brother had studied art in college, with Bob also turning more toward visual projects in the 2000s, but Bob had also made three solo records along the way. It was Tallent who got the brothers back into music. He'd enlisted them to sing on his 2019 solo album More Like Me, then invited them to be part of a live show he was doing in Asbury Park with Southside Johnny and special guest Bruce Springsteen. They had such a blast that “I felt myself getting pulled back into it,” Mike says. The result was 2021's A Thousand Turns. Its instantly appealing melodies and trademark sibling harmonies were a welcome return to form for the duo, whose mix of country and rock flowed naturally from brothers who came of age in New Jersey before moving to Nashville.https://www.instagram.com/michaeldelevante/?hl=enhttps://www.facebook.com/mike.delevante/https://mikedelevante.bandcamp.com/album/september-days"Still on the Run" - https://www.fbrmusic.com/@treymitchellphotography @feeding_the_senses_unsensoredfacebook.com/profile.php?id=100074368084848www.threads.net/@treymitchellphotographyftsunashville@gmail.com

In this episode Jesse Jackson welcomes back music producer, songwriter, and fellow podcaster Andreas Werner. Together, they dive into Bruce Springsteen's unreleased albums and discuss their thoughts on the recent box set containing seven shelved albums. They also explore Andreas's career, including his work with iconic musicians like Sam Moore and John Prine, and his recent projects. Andreas shares insights into the archeological side of Bruce's music and some lesser-known collaborations. Don't miss their deep dive into music history and Bruce's continued influence on his fans and fellow artists. https://www.crazychesterrecords.com/label 00:00 Welcome and Guest Introduction 00:42 Andreas' Background and Music Journey 02:24 Discussion on Bruce Springsteen's Box Set 04:02 Fan Reactions and Favorite Albums 10:54 Tour Experiences and Stories 13:57 Bruce Springsteen's Guest Appearances 19:20 Remembering John Prine and His Collaborations 20:41 Bruce Springsteen's Tribute to Dr. John 22:02 Southside Johnny and the Soul Music Connection 25:45 Gary U.S. Bonds and Other Collaborations 29:46 The Role of Honest Companions in Music 31:46 Current Projects and Future Aspirations 36:33 The Mary Question Revisited Learn more about your ad choices. Visit megaphone.fm/adchoices

We get into the thwackfuck, which Kev's not having and has decided to fix next year. Randy's been at communist headquarters again getting all bolshie and shit. Tay Tay rears her inoffensive head, we talk at some length about the relative merits of panning in popular music, and we're introduced to a band from the 60s that neither of us have listened to named "Love". And look, we like love. We might ever go so far as to say we love it. But you know what we won't say? We definitely won't say "Ni!" to passers by. Oh and Alice's Dad is back with another pair of questions for us! If Kev were to title this episode, he'd probably call it "Alone Again Or", or possibly, "I refuse to finish that thought"!The ninteenth installment in this podcast-within-a-podcast covers a song submitted by the ever lovely Dan Flett; the trippy, classical-infused lead track from Love's 1967 album "Forever Changes". So power your flowers, dig out your flares and prepare to get grooby man. It's time for "Alone Again Or"!The song at the end is the beautiful performance of "Angle From Montgomery" by Bonnie Raitt and John Prine at the ACL Presents: Americana 18th Annual Honors which aired on November 23, 2019 on PBS. Bear in mind that Bonnie is 70 years old here and John is 73 and giving one of his last performances before succumbing to Covid just 5 short months later. He is sorely missed. You can watch the performance here: https://youtu.be/MaHNUYAKDn4If you want to get involved in the Kofi Klub, you can make a donation here: https://ko-fi.com/seasidepodreview and let us know which song you want us to add to the wheel! We also have a private channel in our Discord community for donors.Follow us onFacebook: @seasidepodreviewDiscord: https://discord.gg/nrzr2mQjBluesky: @seasidepodreview.bsky.socialAlso, check out Kev's other podcastsThe Tom Petty Project: https://tompettyproject.comThe Ultimate Catalogue Clash: https://shows.acast.com/uccAnd if you want to check out Randy's music, you can find it here:https://randywoodsband.com Hosted on Acast. See acast.com/privacy for more information.

Grammy-winning singer/songwriter Shawn Camp pulls back the curtain on his varied career, including his latest album of songs that were composed with the legendary Guy Clark.PART ONEScott and Paul talk about how technology is changing the songwriting game, and other old man complaints. PART TWOOur in-depth conversation with Shawn Camp  ABOUT SHAWN CAMPSinger/songwriter Shawn Camp has written chart-topping hits such as “Two Pina Coladas” by Garth Brooks, “How Long Gone” by Brooks & Dunn, “Would You Go With Me” by Josh Turner, and “River of Love” by George Strait. Additionally, he has written charting singles for Blake Shelton, Billy Currington, Hal Kechum, Wade Hayes, the duo of Sammy Kershaw and Lorrie Morgan, and others. With a foundation in bluegrass and roots music, Shawn became a trusted collaborator of legends such as Loretta Lynn, Guy Clark, and John Prine. He wrote two songs, including the title track, of Willie Nelson's 2022 album, A Beautiful Time, which won the Grammy for Country Album of the Year. Camp has also earned Grammy awards for his production work on Guy Clark's final album, My Favorite Picture of You, and for his work as a member of the bluegrass group The Earls of Leicester. Other artists who've recorded Shawn Camp songs include Randy Travis, Patty Loveless, Alan Jackson, Kenny Chesney, Rhett Akins, Gary Allan, John Anderson, Gene Watson, Porter Wagoner, and Emmylou Harris. Shawn's latest album as a solo artist—his first in almost 20 years—is The Ghost of Sis Draper. The theme album is based around a collection of songs co-written with Guy Clark and is available on Truly Handmade Records, which is dedicated to preserving and building upon Clark's legacy.   Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Fiona Prine's partner, singer-songwriter John Prine passed away in 2020. Fiona still carries his torch, and she'll be screening the documentary HOW LUCKY CAN ONE MAN GET on Sunday, October 26 at Denver's SIE Film Center. She called Bret to discuss John's life and legacy...

This week on Commonplace, we're joined by Darrin Hacquard whose new album "Weights & Measures” is out today.  In our conversation we talk about touring the world as part of the Berea College Music Ensemble, his songwriting process and the influence of John Prine and the Nelsonville Music Festival on his art.

What a gift I get to share this beautiful talent with you. Two decades of teaching in at- risk schools have given him insight to the very purpose of our existence. Do yourself a favor a listen to this interview with Matthew Payne and you too will want to put his songs in your regular rotation. If you like John Prine, Bruce Springsteen and Townes VanZant this is music for you. Originally aired 10/12/2025 on 95.3 FM KHYI the Range in Dallas, TX.

On this very special bonus episode of Nashville Now, we celebrate the legacy of John Prine with his widow Fiona Whelan Prine and country music legend Carlene Carter at one of Prine's favorite Nashville haunts: Brown's Diner. On what would have been Prine's 79th birthday, Fiona Prine and Carter share stories about the creation of his album Lost Dogs and Mixed Blessings, which was just reissued by Oh Boy Records in a 30th anniversary edition. It's an emotional, poignant, and often humorous conversation focused on one of America's greatest ever songwriters.   Country is Here…Nashville is Now.   Check out our ⁠Hear Now⁠ playlist on Spotify, updated weekly. Learn more about your ad choices. Visit podcastchoices.com/adchoices

We lost John Prine to COVID in 2020. We're going to celebrate his 79th birthday along with the rest of his fans this morning as two new movies are on the horizon at just the right time. The two movies differ in their angles: one being a new tribute produced by his wife Fiona Whelan Prine called “You Got Gold” and the other is one produced by the Hello In There Foundation called “How Lucky Can One Man Get” which has its first screening this month in Denver. With today being his birth date, we'll be doing a few different takes on John's career in music including a couple reminiscences from Todd Snider and Steve Poltz who delivers a delightful memory of a trip to the Disney Store with John. There's a reason that John is considered an American music treasure: as a songwriter he has few peers with his straight-ahead and simple sensibility. He delivered the goods as well as any of the legendary humorists , and that includes Mark Twain. Drop on in for something special this Friday morning.

This week for What Where When-sday, we feature the fourth annual You Got Gold, celebrating the life and songs of John Prine. Starting on Thursday through Sunday featuring tribute shows at The Basement East, Ryman, CMA Theater and a finale at Imogene + Willie along with events from a Trolley Ride around Nashville to a Guitar Pull and Brunch at Brown's Diner. Jack Prine, one of the event producers says these shows and daytime events are located at places that hold a very special place in his family's and his dad's heart.

Americana, Roots, Folk, Blues and Country music. Featured Artists . New and Classic tracks.Episode includes Brandi Carlile, John Prine, Eric Church, Valerie June and Peter Gabriel.A SPECIAL ON TRIBUTE ALBUMS.

Text us about this show.It's pretty clear when you listen to Tim Case's music that his Wisconsin roots go deep into his soul. Many of his songs have at least references to people or places around the state, but they serve as devices to tell a narrative rather than promote Wisconsin outright. It's just what he knows through his life experiences and observations, so he weaves these elements into his thoughtful lyrics. His 2025 release, Hall of Mirrors, is an album that is influenced by artists like Bob Dylan and John Prine with a sound not unlike albums produced by Daniel Lanois. Call it atmospheric Americana if you like. Tim is creating some beautiful music and using it to give a down-to-earth observations of life."What Am I Missing?," "Bloodbath," "Shots In The Dark," and "The Exit" written and performed by Tim Case℗ 2025 Tim Case. Used with permission of Tim Case.Melody Audiology LLCAudiology services for all. Specializing in music industry professionals and hearing conservation.Disclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Support the showVisit Into The Music at https://intothemusicpodcast.com!Support the show: https://www.buymeacoffee.com/intothemusic E-mail us at intothemusic@newprojectx.com YouTube Facebook Instagram INTO THE MUSIC is a production of Project X Productions.Host/producer: Rob MarnochaVoiceovers: Brad BordiniRecording, engineering, and post production: Rob MarnochaOpening theme: "Aerostar" by Los Straitjackets* (℗2013 Yep Roc Records)Closing theme: "Close to Champaign" by Los Straitjackets* (℗1999 Yep Roc Records)*Used with permission of Eddie Angel of Los StraitjacketsThis podcast copyright ©2025 by Project X Productions. All rights reserve...

Note: This encore episode is dedicated to the memory of Alice Potts, who died on August 20, 2025, aged 81. “In America aging is often seen as an insult rather than an inevitable human process. We don’t celebrate getting older; we ‘fight’ age by pretending to be young.” –Rolf Potts In this episode of Deviate Rolf and his parents, Alice and George Potts, talk about how surviving the COVID-19 pandemic has changed their relationship, and how it gave them a pretext to go through a “death checklist” together (3:00); how one’s grandparents and parents live on in one’s memories and one’s conversations, the life-values they passed on, and what it felt like when those loved ones declined and died (14:00); how, over the years, elderly people and philosophers have come to terms with notions of decline and death (31:00); and personal insights about what it’s like to have grown older after having lived a long life (44:00). George and Alice Potts are retired schoolteachers based in Kansas. George taught science at various Wichita high schools, as well as at Friends University, where he pioneered graduate-level programs in Zoo Science and Environmental Studies. He also helped facilitate the Outdoor Wildlife Learning Sites (OWLS) program for the Kansas Department of Wildlife and Parks. Alice taught second graders in the Wichita public schools for more than 30 years. In 1994 her classes succeed in promoting legislation to declare the barred tiger salamander the Kansas State Amphibian. Notable Links: What to Do When a Loved One Dies (AARP death checklist) How we die in America (Deviate episode) The therapeutic uses of reading scripture (Deviate episode) On losing one's parents to COVID-19 (Deviate episode) 1985 World Series (baseball championship) Joe Louis (20th century boxing champion) John Prine (singer-songwriter) Alzheimer’s disease (chronic neurodegenerative disease) You Are My Sunshine (folk song) Will You Miss Me When I’m Gone (folk song) Ecclesiastes (book in the Old Testament of the Bible) Epistle of James (book in the New Testament of the Bible) Crowfoot (19th century Siksika First Nation chief) Ted Kaczynski (the Unabomber) Epicurus (ancient Greek philosopher) Varanasi (Hindu holy city in India) Lamentations 3:22-23 (Old Testament Bible verse) The Deviate theme music comes from the title track of Cedar Van Tassel's 2017 album Lumber. Note: We don't host a “comments” section, but we're happy to hear your questions and insights via email, at deviate@rolfpotts.com.

Note: This encore episode is dedicated to the memory of Alice Potts, who died on August 20, 2025, aged 81. “In America aging is often seen as an insult rather than an inevitable human process. We don’t celebrate getting older; we ‘fight’ age by pretending to be young.” –Rolf Potts In this episode of Deviate Rolf and his parents, Alice and George Potts, talk about how surviving the COVID-19 pandemic has changed their relationship, and how it gave them a pretext to go through a “death checklist” together (3:00); how one’s grandparents and parents live on in one’s memories and one’s conversations, the life-values they passed on, and what it felt like when those loved ones declined and died (14:00); how, over the years, elderly people and philosophers have come to terms with notions of decline and death (31:00); and personal insights about what it’s like to have grown older after having lived a long life (44:00). George and Alice Potts are retired schoolteachers based in Kansas. George taught science at various Wichita high schools, as well as at Friends University, where he pioneered graduate-level programs in Zoo Science and Environmental Studies. He also helped facilitate the Outdoor Wildlife Learning Sites (OWLS) program for the Kansas Department of Wildlife and Parks. Alice taught second graders in the Wichita public schools for more than 30 years. In 1994 her classes succeed in promoting legislation to declare the barred tiger salamander the Kansas State Amphibian. Notable Links: What to Do When a Loved One Dies (AARP death checklist) How we die in America (Deviate episode) The therapeutic uses of reading scripture (Deviate episode) On losing one's parents to COVID-19 (Deviate episode) 1985 World Series (baseball championship) Joe Louis (20th century boxing champion) John Prine (singer-songwriter) Alzheimer’s disease (chronic neurodegenerative disease) You Are My Sunshine (folk song) Will You Miss Me When I’m Gone (folk song) Ecclesiastes (book in the Old Testament of the Bible) Epistle of James (book in the New Testament of the Bible) Crowfoot (19th century Siksika First Nation chief) Ted Kaczynski (the Unabomber) Epicurus (ancient Greek philosopher) Varanasi (Hindu holy city in India) Lamentations 3:22-23 (Old Testament Bible verse) The Deviate theme music comes from the title track of Cedar Van Tassel's 2017 album Lumber. Note: We don't host a “comments” section, but we're happy to hear your questions and insights via email, at deviate@rolfpotts.com.

Foster Burton is a singer-songwriter and guitarist from Salem, VA, known for his soulful, roots-driven sound. Blending elements of folk, rock, and Americana, his music is shaped by the storytelling of John Prine, the raw grit of Tom Waits, and the improvisational spirit of Jerry Garcia. Whether performing solo or with bands like Mountain Walrus, Mad Iguanas, and Dead Reckoning, Foster brings an authentic, dynamic energy to every stage. His sets feature a mix of heartfelt originals and well-curated covers, showcasing his rich vocals and expressive guitar work. A staple of the regional music scene, Foster continues to captivate audiences with his raw talent and deep musicality.

Howdy Folks, Hope you enjoyed Rapture day where no one ascended in to Heaven, what a surprise...That is the theme of the show. I lost faith a long time ago and the 24 hr news cycle in the palm of your hand isn't fun. 2025 is rough and we are all easy marks at this point as the Algorythm preys on us. Metal, Punk, Dubstep, Hip Hop, Comedy and Gower and Matador talk Grocery Outlet, Startbucks, Fantasy football and Rapture day... Faith is hard to come by these days, MATADOR Artist include: Paris, Eric Idle, NOFX, John Prine, Faithless and many more  

You're about to learn a whole lot more about Kevin Bacon. The prolific actor has been on our screens for more than 40 years. It was his breakthrough part as Ren in Footloose that got him attention, but he was just getting started. Acclaimed roles in Apollo 13, A Few Good Men, The River Wild, and Mystic River would follow. In fact his filmography and range is so broad he literally had a game made up about him – Six Degrees of Kevin Bacon – where you could connect any Hollywood actor to him in six or less steps, he's worked with that many stars.But bubbling away in the background, Kevin has always loved music. He played and wrote songs as a kid, joined his brother's band and formed The Bacon Brothers in '95, and shares his love of songs on the regular, across his social media.It was this thread I wanted to pull at, when I asked him to Take 5. But what emerged was a greater sense of the man himself. Deeply empathetic, very grounded, and with his heart in all the right places.Kevin Bacon's song choices:Earth, Wind & Fire – 'Happy Feelin'Spin Doctors – 'Little Miss Can't Be Wrong'John Prine & Iris DeMent – 'In Spite of Ourselves'Frank Ocean – 'Thinkin Bout You'Brandi Carlile – 'The Joke'00:00 Introduction to Kevin Bacon's Musical Journey01:00 Kevin Bacon's Love for Music02:19 Kevin Bacon's Acting and Music Synergy04:11 SONG 1: Earth, Wind & Fire – 'Happy Feelin'05:59 The Influence of Philadelphia's Music Scene09:59 Kevin Bacon's Acting Aspirations and Early Career14:38 SONG 2: Spin Doctors – 'Little Miss Can't Be Wrong'18:02 The Bacon Brothers and Overcoming Stage Fright22:53 SONG 3: John Prine & Iris DeMent – 'In Spite of Ourselves'23:28 Marriage to Kyra Sedgwick and singing together30:32 SONG 4: Frank Ocean – 'Thinkin Bout You'35:21 Six Degrees of Kevin Bacon and Philanthropy39:51 SONG 5: Brandi Carlile – 'The Joke'44:28 Kevin Bacon's Musical Journey45:57 Upcoming Episodes and Podcast Details46:29 Double J Radio HighlightsWatch Take 5 on ABC iview:https://iview.abc.net.au/show/take-5-with-zan-rowe

Briscoe has an incredible story, and you need to hear it now!Two redheaded kids in the same pair of Chaco sandals at summer camp. A back-porch pact to start a band if they ever wound up at the same college.And now—sharing the stage with Dave Matthews and lighting up the Newport Folk Festival.You'll want to say you discovered this band first.

On the menu at the rock and roll state banquet … … Into the Mystic, Meet On The Ledge, In My Life, Tom Waits' Take It With Me and other perfect songs for a last farewell … the day we joined the world's best band … Robert Redford's blinding handsomeness and the greatest moment – all three seconds of it – in Butch Cassidy And the Sundance Kid … best-looking rock stars … were the Shadows really a UK Eurovision entry? … “very special guests” and the new age of the stadium rock “bring-on” … how John Prine and Iris DeMent won the big door prize … “the movie camera is the biggest lie-detector in the world” … strange double bills of our time - the Foo Fighters and Rick Astley, Bo Diddley and the Clash Plus Cary Grant smoking, watching Brad Pitt do ordinary things and birthday guest Steven Way on the subtle billing of support acts.Find out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

On the menu at the rock and roll state banquet … … Into the Mystic, Meet On The Ledge, In My Life, Tom Waits' Take It With Me and other perfect songs for a last farewell … the day we joined the world's best band … Robert Redford's blinding handsomeness and the greatest moment – all three seconds of it – in Butch Cassidy And the Sundance Kid … best-looking rock stars … were the Shadows really a UK Eurovision entry? … “very special guests” and the new age of the stadium rock “bring-on” … how John Prine and Iris DeMent won the big door prize … “the movie camera is the biggest lie-detector in the world” … strange double bills of our time - the Foo Fighters and Rick Astley, Bo Diddley and the Clash Plus Cary Grant smoking, watching Brad Pitt do ordinary things and birthday guest Steven Way on the subtle billing of support acts.Find out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

On the menu at the rock and roll state banquet … … Into the Mystic, Meet On The Ledge, In My Life, Tom Waits' Take It With Me and other perfect songs for a last farewell … the day we joined the world's best band … Robert Redford's blinding handsomeness and the greatest moment – all three seconds of it – in Butch Cassidy And the Sundance Kid … best-looking rock stars … were the Shadows really a UK Eurovision entry? … “very special guests” and the new age of the stadium rock “bring-on” … how John Prine and Iris DeMent won the big door prize … “the movie camera is the biggest lie-detector in the world” … strange double bills of our time - the Foo Fighters and Rick Astley, Bo Diddley and the Clash Plus Cary Grant smoking, watching Brad Pitt do ordinary things and birthday guest Steven Way on the subtle billing of support acts.Find out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Novelist and journalist Tom Piazza struck up a friendship with the irreplaceable John Prine in the last years of his life. This relationship, which began as a profile for a magazine, almost blossomed into an autobiography and involved a road trip in an inadvisable vehicle, has resulted in a new book “Living In The Present With John Prine”. Which involves:•⁠ ⁠setting off in a 1977 Coupe De Ville and driving “until the engine burns up”.•⁠ ⁠sitting up all night playing old country songs.•⁠ ⁠remembering how he came to write some of the greatest songs of the last fifty years•⁠ ⁠an evening's swapping stories with Elvis Costello which ends with the alarming word “the jukebox is on fire!”•⁠ ⁠what Prine's last album “The Tree Of Forgiveness” has in common with Beethoven's late quartetsBuy Living In The Present With John Prine: https://amzn.eu/d/9vWv9rgFind out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Novelist and journalist Tom Piazza struck up a friendship with the irreplaceable John Prine in the last years of his life. This relationship, which began as a profile for a magazine, almost blossomed into an autobiography and involved a road trip in an inadvisable vehicle, has resulted in a new book “Living In The Present With John Prine”. Which involves:•⁠ ⁠setting off in a 1977 Coupe De Ville and driving “until the engine burns up”.•⁠ ⁠sitting up all night playing old country songs.•⁠ ⁠remembering how he came to write some of the greatest songs of the last fifty years•⁠ ⁠an evening's swapping stories with Elvis Costello which ends with the alarming word “the jukebox is on fire!”•⁠ ⁠what Prine's last album “The Tree Of Forgiveness” has in common with Beethoven's late quartetsBuy Living In The Present With John Prine: https://amzn.eu/d/9vWv9rgFind out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Novelist and journalist Tom Piazza struck up a friendship with the irreplaceable John Prine in the last years of his life. This relationship, which began as a profile for a magazine, almost blossomed into an autobiography and involved a road trip in an inadvisable vehicle, has resulted in a new book “Living In The Present With John Prine”. Which involves:•⁠ ⁠setting off in a 1977 Coupe De Ville and driving “until the engine burns up”.•⁠ ⁠sitting up all night playing old country songs.•⁠ ⁠remembering how he came to write some of the greatest songs of the last fifty years•⁠ ⁠an evening's swapping stories with Elvis Costello which ends with the alarming word “the jukebox is on fire!”•⁠ ⁠what Prine's last album “The Tree Of Forgiveness” has in common with Beethoven's late quartetsBuy Living In The Present With John Prine: https://amzn.eu/d/9vWv9rgFind out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

In "Living in the Present with John Prine," acclaimed writer Tom Piazza invites readers into the intimate final chapters of a legend's life. What begins as an assignment for Oxford American in the spring of 2018 evolves into much more than a magazine profile. As they trace winding roads and wander through record stores, Piazza and Prine cultivate a deep friendship, rich with laughter, storytelling, and the quiet magic that occurs when art and camaraderie converge.

We're busy and we're sorry but our buddy Jon just started a new job so we want to celebrate by reposting one of our favorite episodes, favorite albums, and favorite guest (Suzanne doesn't read these)    Congrats to Jon on the new job, here is to hoping you can buy bigger buckets for the garage, and some more shoes for your two lengthed legs.    We may or may not be back next week. We haven't quit yet, I promise. 

On this episode of Lipps Service, Scott sits down with one of the biggest names in country today – Jordan Davis! Jordan's newest album, Learn The Hard Way, was just released, and it features other amazing country artists, such as Marcus King on the track “Louisiana Sticks”. Jordan's gearing up for his upcoming headlining tour, and he'll be on the road playing hit venues like Red Rocks and Wembley Stadium. The conversation kicks off with how country music is becoming more mainstream, with artists such as Post Malone and Lana Del Rey coming into the scene. He also reflects on the music legends who've inspired him, such as John Prine, Jason Isbell, Smashing Pumpkins, and Tom Petty. Jordan talks about what it was like growing up in Louisiana with musicians in his family, and explores how country music impacted his musical upbringing. Jordan also highlights the new record and what it's like playing large shows at venues like Radio City Music Hall. He talks about his song with Marcus King and how they added new elements into the track. The conversation closes with Jordan listing his top 5 podcast series, his favorite new country artists, and his favorite burger spots in the US. Tune in to an amazing episode with Jordan Davis!  #jordandavis #countrymusic  For more incredible rock 'n' roll interviews, hit the subscribe button, and also check out Lipps Service with Scott Lipps podcasts on Spotify, Apple, or your favorite podcast player.  CREDITS (Instagram handles) Host @scottlipps Produced by @whitakermarisa Edited by @toastycakes Music by @robbyhoff Recorded at Fringe Podcasts NYC  0:00:00 - Start 0:00:18 - Listening to podcasts 0:01:05 - First country artist on the show! 0:01:14 - Country turning mainstream 0:02:02 - Coming from a musical family 0:03:06 - Getting the first record deal 0:04:13 - Doing the “artist thing” 0:06:40 - Changing paths 0:07:20 - Four-hour sets 0:09:33 - Brotherly collaboration 0:10:18 - John Prine and Jason Isbell 0:10:58 - Smashing Pumpkins 0:12:13 - Shreveport, Louisiana 0:12:57 - CD burning era 0:13:39 - Country roots 0:14:00 - A look behind the curtains 0:14:55 - College 0:15:33 - Making it in music 0:16:12 - Bartending to record deal 0:18:08 - Figuring out how to become a performer 0:19:28 - Pinch-me moments 0:21:44 - Radio City Music Hall 0:22:34 - “Buy Dirt” 0:24:38 - Inspiration behind the track 0:26:47 - Pop musicians shifting towards country0:28:49 - What does country music mean? 0:29:15 - Tom Petty 0:29:36 - Country at its peak 0:30:02 - Promoting through social media 0:31:48 - Music discovery 0:32:36 - The new album Learn The Hard Way 0:33:43 - Heading into the studio 0:34:25 - “Louisiana Stick” with Marcus King 0:35:52 - Top 5 podcast series 0:37:11 - Theo Von 0:37:39 - Favorite new country artists 0:39:19 - Food on the road 0:39:35 - Best burger spots

Luke 23:39-43One of the criminals who were hanged there kept deriding him and saying, “Are you not the Messiah? Save yourself and us!” But the other rebuked him, saying, “Do you not fear God, since you are under the same sentence of condemnation? And we indeed have been condemned justly, for we are getting what we deserve for our deeds, but this man has done nothing wrong.” Then he said, “Jesus, remember me when you come in your kingdom.” He replied, “Truly I tell you, today you will be with me in paradise.” We don't talk much about heaven. And when we do, it's not with much substance — like that old Norman Greenbaum song: the place we go when we die, the place that's “the best.” as if heaven were some never-ending worship service in the sky. Some ask the question why talk about heaven at all?The argument goes: “Why waste time on heaven when there's so much work to do here on earth? Doesn't talk of heaven distract us from fixing what's broken now?” And that feels like a fair point. Why talk about heaven today when two children were killed this week while praying in pews at a church in Minnesota? Shouldn't we be advocating for gun reform and better access to mental health care? Of course we should.But thinking about heaven doesn't have to be an escape hatch from the world's pain. It isn't wishful thinking or some bribe for good behavior. Rather, how are we to make things on earth as they are in heaven if we don't have the slightest idea what heaven is like?C.S. Lewis once wrote: “Aim at heaven and you'll get earth thrown in. Aim at earth and you'll get neither.”So it is worth our time, especially today, to ask what really happens in heaven — to have a picture vivid enough to stir us. Because maybe, just maybe, with a stronger and more compelling image of heaven, we can make this earth resemble it more, and less the kind of place where parents are afraid to send their children to school.But first, let me free us of two things.First, heaven is not a never-ending worship service. Could you imagine showing up only to find yourself stuck in an endless 1st or 2nd service — refrains on repeat, blaring organ music, the same prayers over and over? That's not what I want to do for eternity! Surely there are better ways to be with God.Second, much of Christian tradition describes our final fulfillment as the beatific vision—seeing God face to face, fully and directly, instead of through the symbols and metaphors we cling to now. But until then, all we really have are symbols, theological concepts, and imagery: the golden streets, the white robes, the river of life, the crowns of glory. They're not literal blueprints of the place; they're faithful attempts to describe the indescribable, whether they come from the Bible or the best theologians.Which means we're free. Free to use Scripture, tradition, and our own lives to imagine heaven faithfully. We should take our own reverent best guess at what it might be like. And that's what I want to do with you today, my reverent best guess at what happens in heaven through four images. Josh Noem, a Catholic writer and baseball lover deserves credit for the inspiration of this idea. He made a post that went viral with the caption “I collect images of walk-off home run hitters rounding third because they are an image of heaven.” On a Sunday in August seven years ago, a rookie named David Bote stepped into the batter's box for the Chicago Cubs. The Cubs were down by three. Bases loaded. Two outs. Two strikes. And then — on the fifth pitch — Bote crushed a ball to center field. A walk-off grand slam.That night, the Cubs released a photo of Bote rounding third and heading home. You can see the ecstasy on his teammates' faces, the sheer joy of his coach, the wild cheering of fans — even Bill Murray was crying in the stands.I think heaven begins like that. The saints who have gone before us surround you, waiting to embrace you. You will be one of the saints waiting to embrace others! The multitude too great to count, like Revelation describes, erupts in cheers. And at the end of it all, God — like that third-base coach — looks you in the eye and says, “Well done, good and faithful servant.”It's Jesus who hit the home run. But we get to round the bases and go home. And when we do, there will be celebration.If the first thing in heaven is celebration, then the second is healing. Bandaids are a big deal in my house right now. Every time someone gets a boo-boo, my son Clive thinks we need a bandaid — the dog included. Stubbed toe, scraped knee, headache, doesn't matter: everything and everyone gets a bandaid.But there are no bandaids in heaven. From the prophet Isaiah to the vision in Revelation, one of Scripture's clearest promises about heaven is that God will wipe away every tear, that there will be no more pain, no more suffering. Paul says in 1 Corinthians that our bodies will be raised — the same bodies, but transformed. The hurts, the failures, the agony we carry will be changed into glory.And if Jesus' resurrection is any sign, we will still bear our scars in heaven — they'll still mark our story — but they will no longer hurt us. And the same is true, not only for us, but for all living things, in fact all of creation. Isn't that what we all hope for? Healing for ourselves, for our loved ones, for all creation.In heaven, there will be no bandaids. And because there will be no wounds left to cover and healing will be complete, there will be no need for hope either. After we celebrate and heal, we feast! yes – there will be eating in heaven… I was concerned. But not just any meal, a feast. One of the most beautiful pictures of this comes from the story Babette's Feast. Babette, a refugee from Paris, lands in a nowhere Norwegian town where she is taken in by two devout Lutheran sisters. Their father had been the pastor of the village's only church, but since his death, the congregation had withered, burdened by grudges and old conflicts. For what would have been his 100th birthday, Babette offers to prepare a great feast. What begins as a stiff, awkward gathering soon becomes something altogether different. As the wine is poured and the rich food is savored, something more than good cooking is at work: hearts begin to soften, laughter replaces suspicion, and forgiveness flows as freely as the wine. What seemed impossible at the beginning of the meal—reconciliation— happened, all by the time dessert was served.There will be feasting in heaven and I think it will be like this feast. As Isaiah envisions, we will sit at the table with those with whom we've been estranged, even those we never imagined we could forgive—or be forgiven by. It will not happen in an instant. But as the feast unfolds, course by course, grace will work on us. Understanding will deepen. Forgiveness will be given and received. And by the time the great banquet reaches its end, all will be reconciled—fully, finally, and joyfully.I know I haven't answered all the questions: When do we go to heaven? Is it right away, or do we sleep first? What about our relationships — will they change? Will I still have to… you know poop!… since there will be all this feasting? There are more questions than I can count. But here's the promise I hold onto when the questions overwhelm me: fishing in paradise.Of all the images, metaphors, and concepts we have, the clearest promise comes from Jesus' words to the thief on the cross: “Today you will be with me in paradise.” That promise isn't just for one person, or one moment. It's for you, for me, for every sinner who has been crucified by their sin and raised to new life in Christ.I believe, then, what happens in heaven is this: it's you, and you, and you, and me, and Jesus will be there too. We'll learn, we'll grow, and grace will continue to work on us, until, like that John Prine song says, we forgive each other — over and over, until we both turn blue. And then, maybe, we'll whistle and go fishing in heaven. We will live together in harmony, all of us, all creation, with Jesus in paradise.You see, when it comes to paradise (heaven) it's not the questions that really matter, but the promises. And the perfect promise is “today you will be with me in paradise”. And that promise is better than any reverent best guess we can come up with.If only we celebrated each other now, if we worked toward healing now — for our neighbors, for our world, for ourselves — if we sought reconciliation today rather than waiting, then perhaps what we hope happens in heaven could happen right here on earth. Maybe then we wouldn't be so afraid to send our children to school because earth would be like those images, those promises we have of heaven.As you leave today, these images are laid out in the welcome area. Take the one you need for the week ahead — the one that encourages you, challenges you, or comforts you. Let it be the image that inspires you to make earth a little more like heaven.Amen.

Dan Reeder is a singer-songwriter and painter originally from Louisiana, who has lived in Germany for decades, released critically acclaimed records via John Prine's Oh Boy Records (as one of the first artists signed to the label, at almost 50 years old), and is somewhat of a cult folk-hero. Dan has toured very infrequently over his 20+ year music career, and we talk about why and his feelings about the concept of touring in general, his approach to staying creative musically and in his visual art, the connections he sees between painting and recording songs, we get an inside look at synths that he is currently building, and a whole lot more.Get more access and support this show by subscribing to our Patreon, right here.Links:Dan ReederIris DementPheobe BridgersJohn PrineHealing AppalachiaEp 75 - Nicole AtkinsJourney InstrumentsK&K Western MiniFurch GuitarsOh Boy RecordsEp 16 - Rodney CrowellEp 27 - Mary GauthierHarry PartchTex CobbClick here to watch this conversation on YouTube.Social Media:The Other 22 Hours InstagramThe Other 22 Hours TikTokMichaela Anne InstagramAaron Shafer-Haiss InstagramAll music written, performed, and produced by Aaron Shafer-Haiss. Become a subscribing member on our Patreon to gain more inside access including exclusive content, workshops, the chance to have your questions answered by our upcoming guests, and more.

Five-time Grammy winner, ACM Poet's Award honoree, and Nashville Songwriters Hall of Famer Mary Chapin Carpenter opens up about her process and reflects on her approach to the craft. PART ONE:Paul and Scott geek out hard on Elvis and legendary songwriter Doc Pomus. PART TWO:Our in-depth conversation with Mary Chapin CarpenterABOUT MARY CHAPIN CARPENTERMary Chapin Carpenter is a five-time Grammy award-winning singer, songwriter and performer who has been nominated 18 times in categories ranging from country to Americana to folk to general Record of the Year. Making a name for herself with hits such as “Down at the Twist and Shout,” “He Thinks He'll Keep Her,” and “Shut Up and Kiss Me,” she has won two CMA Female Vocalist of the Year awards, two ACM awards, and is one of only a small handful of women who have been inducted into the Nashville Songwriters Hall of Fame. Additionally, she received the Americana Music Association's “Spirit of Americana Free Speech Award” and was honored with the Academy of Country Music's Poets Award in 2023. Her most recent album, Personal History, which was released this summer, is her most autobiographical project to date.  

We're celebrating our 10th anniversary all year by digging in the vaults to re-present classic episodes with fresh commentary. Today, we're revisiting our 2017 conversation with Vince Gill. ABOUT VINCE GILLMulti-instrumentalist, singer, and songwriter Vince Gill launched his solo career in the mid-1980s, hitting the Top 10 on Billboard's country singles chart a remarkable 25 times. All but one of those hits was written or co-written by Gill, and a dozen of his compositions have been nominated for either CMA Song of the Year, ACM Song of the Year, or the Best Country Song Grammy. These include “When I Call Your Name,” “Look At Us,” “Pocket Full of Gold,” “When Love Finds You,” “High Lonesome Sound,” “If You Have Forever in Mind,” “Feels Like Love,” and “Threaten Me With Heaven.” “Go Rest High on That Mountain” won both the CMA Song of the Year and the Best Country Song Grammy, while “I Still Believe in You” won the Best Country Song Grammy, as well as both the CMA and the ACM's Song of the Year awards. Though he's won four in total, Vince is the only songwriter to ever win three consecutive Song of the Year awards from the CMA. He has won more Grammy awards, with over 20 trophies, than any male country performer in history. These include two Best Country Song wins, as well as a 2017 win for Best American Roots Song for “Kid Sister,” which was recorded by Gill's band, The Time Jumpers. He has won eight ACM awards and 18 CMA awards, including Vocalist of the Year five years in a row and Entertainer of the Year two years in a row. Other highlights from his long list of hit singles include the #1 hits “Don't Let Our Love Start Slippin' Away,” “One More Last Chance,” and “Tryin' to Get Over You.” In addition to writing his own material, Vince's songs have been recorded by Loretta Lynn, Bob Seger, John Denver, Mary Chapin Carpenter, John Prine, Willie Nelson, Michael McDonald, LeAnn Rimes, and Alabama, who topped the country charts with his “Here We Are.” Vince was inducted into the Nashville Songwriters Hall of Fame in 2005, and the Country Music Hall of Fame in 2007. In 2014, he was named a BMI Icon, one of only twelve country writers ever honored with the prestigious award.

East Texas Songwriter Stefan Prigmore is another artist thatcame to me from multiple streams of connection as you'll hear in the Summer 2025 conversation and musical performance.  His down home demeanor and Jon Dee Graham meets Skylar Hamilton meets John Prine vocal aesthetic is a wonderful combination.  In Stefan's own words: I make music because it helps me to process difficult and complex ideas, in a way that others also understand and can relate to. There's a catharsis that happens when I see my understanding reflected back in another person when they hear one of my songs, that gives us both some comfort. It alsohelps me to lift up the beauty I see in this world, and has become a lens for seeing and understanding the world and my feelings. It generally all comes down to love, that I have and find when birthing a song, and that is reflected backwhen I share these songs with you.As you'll hear in our conversation, Stefan has been creatingand performing music since his teenage years, following his father into the business.  If you explore his catalogue,you will learn and understand the joy Stefan finds in the outdoors and the gratitude he shows on the stage are part of the same values reflected in his music. Stefan's sound is an approachable blend of Americana, folk, and roots.  Although some of his lyrics can be construed as dark, they are sincere and that soft/tender conversational voice is becomesquite dynamic and distinctive when he sings.

AV4A kicks off Season 3 with a search for The Heaviest Songs of the Universe by way of the historical-scientific search for the heaviest Elements of the Universe...

(00:00:00) Daft Punk - Discovery / 2001, (00:33:23) Opeth - The Last Will and Testament / 2024, (01:03:54) John Prine - Sweet Revenge / 1973

A little bit of twisting and a little bit of shouting…as well as some gospel rhythms, hand clapping, and some back beat rhythms from the gulf and whole lot more. This week's show will be a free form extravaganza which means there's a bright day ahead, as always. My springboard was an afternoon's listen to the music of David Lindley who, in addition to being a fine musician, he had extraordinary taste in music. We'll hear some gospel tracks from Sister Marie Knight and the Reverend James Cleveland, classic funk and soul from The Temptations, Billy Butler and The Isleys. We'll also spinning up some Wild Tchoupitoulas, Otis Rush and be featuring some three-time track samples and a brand new track from the 30th anniversary release of John Prine's Lost Dogs and Mixed Blessings, slated for release in early September. There's a whole lot more to share with everyone out there so it's a good morning to drop in and here a Twist and Shout sample from Top Note going back to 1961…oh yes, as well as a couple David Lindley tracks.

Bret McKenzie now mainly works on movie soundtracks, the Simpsons, Minecraft and the Muppets among them, which brings the pure delight of hearing his songs sung by Lady Gaga, Benedict Cumberbatch, Miss Piggy and Tony Bennett. He talks here about his early life in Wellington (ballet teacher Mum, racehorse trainer Dad), narrative comedy, songwriting heroes and his new album Freak Out City, and unravels New Zealand's double-edged sense of humour. Along with … … how Randy Newman pitches songs for soundtracks … “the test of a good song works is if it works with just one instrument” … lyrics he loved growing up like 16 Tons by Tennessee Ernie Ford – ‘Some people say a man is made out of mud/ A poor man's made out of muscle and blood' … Morrissey's wounded reaction to his sausage-firing Quilloughby on the Simpsons ‘Panic On The Streets Of Springfield' ... solving the “fun puzzles” of a song brief and writing for “donkeys who have a dream” … the ingenious humour of John Prine, Harry Nilsson and Leonard Cohen … the moment in his live shows where he asks the audience for a story and creates a song around it – “one woman suggested ‘falling out of love' with her husband standing right beside her” ... playing the local girls schools aged 15 as the drummer in a James Brown funk band … reworking rejected songs – “which was hard with one from Paddington with its multiple rhymes for marmalade and Peru” … Flight Of The Conchords lampooning the acts they loved (Bowie, Pet Shop Boys) and playing the O2 – “pretending to be a stadium band and the audience pretending to be a stadium audience” … live on-stage application of the John Lennon “pomegranate” lyric-solving technique … “Play like a used car salesman! I need a Steely Dan solo here!” Recording with LA session legends like Leland Sklar. Order Bret's ‘Freak Out City' album here: https://music.subpop.com/bretmckenzie_freakoutcityFind out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Tour dates and tickets …https://www.ticketmaster.co.uk/bret-mckenzie-tickets/artist/5380913 Hosted on Acast. See acast.com/privacy for more information.

Bret McKenzie now mainly works on movie soundtracks, the Simpsons, Minecraft and the Muppets among them, which brings the pure delight of hearing his songs sung by Lady Gaga, Benedict Cumberbatch, Miss Piggy and Tony Bennett. He talks here about his early life in Wellington (ballet teacher Mum, racehorse trainer Dad), narrative comedy, songwriting heroes and his new album Freak Out City, and unravels New Zealand's double-edged sense of humour. Along with … … how Randy Newman pitches songs for soundtracks … “the test of a good song works is if it works with just one instrument” … lyrics he loved growing up like 16 Tons by Tennessee Ernie Ford – ‘Some people say a man is made out of mud/ A poor man's made out of muscle and blood' … Morrissey's wounded reaction to his sausage-firing Quilloughby on the Simpsons ‘Panic On The Streets Of Springfield' ... solving the “fun puzzles” of a song brief and writing for “donkeys who have a dream” … the ingenious humour of John Prine, Harry Nilsson and Leonard Cohen … the moment in his live shows where he asks the audience for a story and creates a song around it – “one woman suggested ‘falling out of love' with her husband standing right beside her” ... playing the local girls schools aged 15 as the drummer in a James Brown funk band … reworking rejected songs – “which was hard with one from Paddington with its multiple rhymes for marmalade and Peru” … Flight Of The Conchords lampooning the acts they loved (Bowie, Pet Shop Boys) and playing the O2 – “pretending to be a stadium band and the audience pretending to be a stadium audience” … live on-stage application of the John Lennon “pomegranate” lyric-solving technique … “Play like a used car salesman! I need a Steely Dan solo here!” Recording with LA session legends like Leland Sklar. Order Bret's ‘Freak Out City' album here: https://music.subpop.com/bretmckenzie_freakoutcityFind out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Tour dates and tickets …https://www.ticketmaster.co.uk/bret-mckenzie-tickets/artist/5380913 Hosted on Acast. See acast.com/privacy for more information.

Bret McKenzie now mainly works on movie soundtracks, the Simpsons, Minecraft and the Muppets among them, which brings the pure delight of hearing his songs sung by Lady Gaga, Benedict Cumberbatch, Miss Piggy and Tony Bennett. He talks here about his early life in Wellington (ballet teacher Mum, racehorse trainer Dad), narrative comedy, songwriting heroes and his new album Freak Out City, and unravels New Zealand's double-edged sense of humour. Along with … … how Randy Newman pitches songs for soundtracks … “the test of a good song works is if it works with just one instrument” … lyrics he loved growing up like 16 Tons by Tennessee Ernie Ford – ‘Some people say a man is made out of mud/ A poor man's made out of muscle and blood' … Morrissey's wounded reaction to his sausage-firing Quilloughby on the Simpsons ‘Panic On The Streets Of Springfield' ... solving the “fun puzzles” of a song brief and writing for “donkeys who have a dream” … the ingenious humour of John Prine, Harry Nilsson and Leonard Cohen … the moment in his live shows where he asks the audience for a story and creates a song around it – “one woman suggested ‘falling out of love' with her husband standing right beside her” ... playing the local girls schools aged 15 as the drummer in a James Brown funk band … reworking rejected songs – “which was hard with one from Paddington with its multiple rhymes for marmalade and Peru” … Flight Of The Conchords lampooning the acts they loved (Bowie, Pet Shop Boys) and playing the O2 – “pretending to be a stadium band and the audience pretending to be a stadium audience” … live on-stage application of the John Lennon “pomegranate” lyric-solving technique … “Play like a used car salesman! I need a Steely Dan solo here!” Recording with LA session legends like Leland Sklar. Order Bret's ‘Freak Out City' album here: https://music.subpop.com/bretmckenzie_freakoutcityFind out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Tour dates and tickets …https://www.ticketmaster.co.uk/bret-mckenzie-tickets/artist/5380913 Hosted on Acast. See acast.com/privacy for more information.

Tommy Prine was raised in Nashville with guitars lying around his house and music always on. And that’s because his father is John Prine, the legendary singer-songwriter, originally from Maywood, Illinois. He famously worked on songs while working a postal route here — was referred to by some as "the Mark Twain of songwriting.” 

Not only is John a multi-instrumentalist who's played with Violent Femmes, Allen Ginsberg, Hal Willner, John Prine, et al, but he's released around 24 albums as a solo artist or with groups including the NYC world music outfit TriBeCaStan. We discuss "(Be Careful What You Say to) An Armed Lady" by Folklorkestra from A Strange Day in June (2023), the title track from Forever Ago (with La Societe; del Musici) (2018), "Bed Bugs" by TriBeCaStan from New Deli (2012), and listen to "Back Country" by The Electric Chairmen from Toast (1995). Intro: "Grim Reaper's Song" from Midnight Snack (1986). More at kruthworks.com. Hear more Nakedly Examined Music. Support us on Patreon. Sponsor: Visit functionhealth.com/NAKEDLY to take control of your health through testing and get $100 off your membership.

On this episode of Basic Folk, Kora Feder talks about her new album, 'Some Kind of Truth,' as well as reflecting on the incredible changes and growth she's experienced since we last spoke in February 2020. One of the impacts of the pandemic on her music career was the necessity of exploring other artistic ventures like crafting hats and lino-cutting. She relocated from Philly to California, finally settling in Detroit. Daughter of songwriter Rita Hosking, Kora went slightly viral during the height of COVID lockdowns thanks to her song "In a Young Person's Body." In the poignant composition she pays tribute to John Prine and old friends she hasn't spoken to in years – and captured that lonesome feeling of the pandemic incredibly well.Elsewhere in our conversation, Kora also discusses the passing of her grandparents, who she moved back to California to be with before they died. Their lives and deaths deeply influenced the new record. She opens up about the nuances of her gender identity, the importance of historical friendships that allow for unfiltered creativity, and her approach to writing both personal and political songs. We go through many of the tracks on the new project, including what I think is the best break-up song I've ever heard, "Paragraphs." Kora Feder is a really incredible leave-you-breathless songwriter, particularly with her political writing. Here's hoping that she doesn't wait five more years to release a record, because we're gonna need her.Follow Basic Folk on social media: https://basicfolk.bio.link/Sign up for Basic Folk's newsletter: https://bit.ly/basicfolknewsHelp produce Basic Folk by contributing: https://basicfolk.com/donate/Interested in sponsoring us? Contact BGS: https://bit.ly/sponsorBGSpodsAdvertising Inquiries: https://redcircle.com/brands

(00:00-16:49) Randall Lane joins us. National Thoroughbred League. The Nelly Cup. Team Horse Racing. Tony is back on the phone lines after not getting through earlier. He's got Cardinal thoughts. Accusations of Martin wearing a sweater vest at the bar. Eric in the CWE up next on the phones. Tales of sky pigging. Instant mashed potatoes on a plane. Tuna's a non-starter.(16:58-39:18) John Prine. Ballads can be bangers. Doug's riding with Mikolas tonight. Doug wants to trade for Paul Skenes. Reeks of pinstripes. Aura and aura farming. Doug wants a giant birds nest in the outfield. Bernie Brewer.(39:28-48:40) E-Mail of the DaySee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Six String Hayride Classic Country Podcast, Episode 59, The Steve Cropper Episode. The Son of Missouri farmers falls in love with the Guitar Playing of Chet Atkins and Chuck Berry and becomes a cornerstone of STAX Records in Memphis. Steve Cropper becomes the guitarist, arranger, producer, and songwriter for American Classics like Green Onions, In The Midnight Hour, Knock on Wood, 634-5789, and Sitting On The Dock Of The Bay. Steve Cropper and future Willie Nelson Collaborator, Booker T Jones, help failed Country Fiddle Player, Jim Stewart, and his music savvy sister, Estelle Axton, build Soulsville USA, the Legendary STAX Records in Memphis. Cropper becomes a great guitarist and songwriter, collaborating with Booker T Jones, Otis Redding, Sam and Dave, Wilson Pickett, Alabama, Bob Weir, Levon Helm, Wynonna Judd, Dolly Parton, John Prine, Jeff Beck, Lucinda Williams, Neil Young, and The Blues Brothers. Cropper is a guitarist, producer, and songwriter in demand by the greats in ALL types of Music. He is Country Music's BFF and groovy next door neighbor, someone you have heard a lot and someone you should know. Chris and Jim talk about Cropper's life and work, give a good Memphis Dry Rub Recipe, and much suggested listening from Cropper's amazing body of work in Soul, Country, Rock, and Beyond. Lots of "Rawhide" and "Orange Whips" for everyone and all the usual Hayride Fun.

LA-LI-LU-LE-LAND OF THE FREE: On this fourth of July, our hosts celebrate American independence by reflecting on the properties that really got them thinking about the American identity––specifically, the Metal Gear Solid series and Andor. TOPICS: (00:00) Intro - Happy 4th of July! Don't use fireworks, please. (03:30) Metal Gear Solid--the most patriotic video game? (13:00) September 11 and the new model of American patriotism (17:42) How the Metal Gear Solid games probed American values (23:35) Andor and America (27:25) How did Hideo Kojima tap into the American ethos? (37:32) Outro - Final Fantasy and Magic: the Gathering (41:36) Outtakes RELEVANT LINKS: Michael Bay's incredible ad for Verizon Fios. The opening from Metal Gear Solid 2: Sons of Liberty. "Your Flag Decal Won't Get You Into Heaven Anymore" by John Prine. INFO: Visit our website at forallintents.net and leave your thoughts as comments on the page for this episode. Join our Facebook page Social: Andrew - Mastodon, D. Bethel - Instagram & BlueSky Subscribe to our YouTube channel. FEATURED MUSIC: "Disco Medusae" by Kevin McLeod Link: https://incompetech.filmmusic.io/song/3652-disco-medusae "District Four" by Kevin McLeod Link: https://incompetech.filmmusic.io/song/3662-district-four Tracks are licensed under Creative Commons BY Attribution 4.0 License (http://creativecommons.org/licenses/by/4.0/ "Metal Gear Solid Main Theme" by Harry Gregson-Williams (from the soundtrack to Metal Gear Solid 2: Sons of Liberty.

Austin, Texas songwriting legend James McMurty talks about his latest release, a 10-song, Don Dixon produced long player called The Black Dog & The Wandering Boy (in stores June 20, from New West Records). In the course of previewing the album, our conversation touches on names like Dixon, John Prine, Kris Kristofferson, Betty Soo, Sarah Jarosz, Ken Kesey, and James' father, the legendary Texas writer, Larry McMurty. James is a man of few words, but none of them are lies. The Record Store Day Podcast is a weekly music chat show written, produced, engineered and hosted by Paul Myers, who also composed the theme music and selected interstitial music.  Executive Producers (for Record Store Day) Michael Kurtz and Carrie Colliton. For the most up-to-date news about all things RSD, visit RecordStoreDay.com   Please consider subscribing to our podcast wherever you get podcasts, and tell your friends, we're here every week and we love making new friends.

In this episode, Blake sits down with legendary singer-songwriter Mary Gauthier for a deep, honest, and surprisingly gear-heavy chat. Mary didn't pick up songwriting seriously until her mid-thirties—after years as a Boston-based chef, restaurant owner, and, as she puts it, a total mess. But once she got sober and started hitting open mics, everything changed. They talk about her early love for Taylor guitars, her eventual obsession with the low-end growl of vintage Gibsons, and how she's more about tone that serves the song than flashy technique. Mary shares the story behind her breakout song “I Drink,” explains why emotion always trumps complexity, and offers a masterclass in the art of getting doors to open in Nashville—even if you have to sneak in through a window. You'll also hear: The connection between fear and fog (and how to burn both off) What it's like to share a stage with John Prine, Emmylou Harris, and Lucinda Williams Why you should never underestimate the power of a good crust (yes, pizza crust) A crash course in humility, persistence, and the power of being kind This one's a gem. If you're a songwriter, storyteller, or just trying to figure out your path—hit play. Support The Show And Connect! The Text Chat is back! Hit me up at (503) 751-8577 You can also help out with your gear buying habits by purchasing stuff from ⁠⁠⁠⁠⁠⁠Tonemob.com/reverb⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠Tonemob.com/sweetwater⁠⁠⁠⁠⁠⁠ or grabbing your guitar/bass strings from ⁠⁠⁠⁠⁠⁠Tonemob.com/stringjoy⁠⁠⁠⁠⁠⁠ Release your music via DistroKid and save 30% by going to ⁠⁠⁠⁠⁠⁠Tonemob.com/distrokid Learn more about your ad choices. Visit megaphone.fm/adchoices