Podcast appearances and mentions of Dan Auerbach

Les récentes critiques de Bruce Springsteen face à l'administration Trump ont provoqué une réaction très virulente de la part du Président, ainsi que de ses acolytes comme le chanteur Kid Rock. Pour les Who, les choses ne sont pas simples avec leur batteur de longue date, Zak Starkey, fils de Ringo Starr, un autre membre du groupe confirme son éviction. Remplacer Taylor Hawkins à la batterie des Foo Fighters, après son décès, était un défi de taille pour Josh Freese, accepté et relevé haut la main mais qui s'arrête maintenant suite à une décision unilatérale du groupe. Le chanteur Elton John a dit dimanche se sentir "incroyablement trahi" par le gouvernement britannique, qui défend, malgré l'opposition de nombreux artistes, un projet de loi assouplissant les droits d'auteur au profit des entreprises d'intelligence artificielle. Les Black Keys ont officiellement annoncé la sortie de leur 13ème album, ‘'No Rain, No Flowers'' et nous offre la plage titulaire, de quoi patienter jusqu'au 8 août, jour de la sortie officielle. Mots-Clés : message, post, Truth Social, menace, rocker, soutien, Pearl Jam, chanson, My City of Ruins, concert, Pittsburgh, Vedder, conflit, fans, message, mouvement d'humeur, Roger Daltrey, chanteur, licenciement, guitariste, Pete Townshend, réseaux sociaux, colère, choqué, déçu, free-lance, Lords, chambre haute, Parlement, Keir Starmer, protéger, artistes, députés, modifications, colère, star britannique, députés, duo, Ohio, Dan Auerbach, Patrick Carney, son éclectique, énergie, communiqué de presse parle, populaire, Record Hangs, soirées dansantes, rare, puissant, collection, 45 tours, vinyle, fans. --- Classic 21 vous informe des dernières actualités du rock, en Belgique et partout ailleurs. Le Journal du Rock, en direct chaque jour à 7h30 et 18h30 sur votre radio rock'n'pop. Merci pour votre écoute Plus de contenus de Classic 21 sur www.rtbf.be/classic21 Ecoutez-nous en live ici: https://www.rtbf.be/radio/liveradio/classic21 ou sur l'app Radioplayer BelgiqueRetrouvez l'ensemble des contenus de la RTBF sur notre plateforme Auvio.be Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement. Découvrez nos autres podcasts : Le journal du Rock : https://audmns.com/VCRYfsPComic Street (BD) https://audmns.com/oIcpwibLa chronique économique : https://audmns.com/NXWNCrAHey Teacher : https://audmns.com/CIeSInQHistoires sombres du rock : https://audmns.com/ebcGgvkCollection 21 : https://audmns.com/AUdgDqHMystères et Rock'n Roll : https://audmns.com/pCrZihuLa mauvaise oreille de Freddy Tougaux : https://audmns.com/PlXQOEJRock&Sciences : https://audmns.com/lQLdKWRCook as You Are: https://audmns.com/MrmqALPNobody Knows : https://audmns.com/pnuJUlDPlein Ecran : https://audmns.com/gEmXiKzRadio Caroline : https://audmns.com/WccemSkAinsi que nos séries :Rock Icons : https://audmns.com/pcmKXZHRock'n Roll Heroes: https://audmns.com/bXtHJucFever (Erotique) : https://audmns.com/MEWEOLpEt découvrez nos animateurs dans cette série Close to You : https://audmns.com/QfFankxDistribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Not having the security blanket, an incognito experience, and sleeping on pool tables. Will Sprott (Shannon & The Clams, Will Sprott) "In August 2022, Shannon Shaw's world was turned inside out. With mere weeks to go until their wedding, the singer's fiancé, Joe Haener, died in a horrific car accident in front of his family's vegetable farm in Oregon. It was a devastating loss that hit Shannon & The Clams with cataclysmic force. Shaw's bandmates, guitarist Cody Blanchard, keyboard player Will Sprott, and drummer Nate Mahan, had also grown close to Haener, a drummer and fixture of the Bay Area music scene. They canceled shows and rallied around Shaw as fans reached out to show their support. Shaw spent her nights with Blanchard and his family or with the Haeners, finding comfort in community. She adopted a fluffy dog named Spanky-Joe. She moved out of the Portland apartment where she and Haener had been living. She fearlessly chronicled the whole experience online. “Losing Joe made me unafraid of so many things,” Shaw says. “I have a lot less fear. It's given me new perspective. Baring my soul is so much less scary than it would've been before.” Amid this overwhelming sense of grief, melodies and lyrics began to flow out of Shaw. Instagram posts about her relationship with Haener became the building blocks of new compositions. Her Clams bandmates were also reeling and writing their own new songs. From the shock and trauma of that tragedy comes Shannon & The Clams' latest album, The Moon Is In The Wrong Place, a powerful exploration of loss, time, love, and resilience that stands as the beloved garage band's most ambitious, emotionally searing recording to date. In preparing to record, The Clams passed demos back and forth for months and, uncharacteristically for them, jammed on unfinished riffs to see what would happen. “Shannon and I usually write separately, and we usually bring pretty crafted, finished songs,” says Blanchard, who developed tennis elbow after their marathon rehearsal sessions. When Shaw struggled to find the right chords to go with her melodies, she obtained an Omnichord — an electronic instrument with a built-in set of chords and rhythms — and unlocked a new creative palette. In 2023, they returned to Nashville to record with longtime collaborator Dan Auerbach at Easy Eye Sound Studios — who oversaw 2018's Onion and 2021's Year Of The Spider — and captured what they'd been creating. The results show the group ascending to new creative highs, while still weaving in the classic garage-rock and girl-group sounds that have long been a hallmark of their work. This time around, they venture to deeper, farther out musical locations than before and bring a new sophistication and intricacy to their arrangements, plus they get an assist from pro wrestling great Mick Foley on handclaps. Meanwhile, Shaw's powerful voice veers between sweetness and snarl — sometimes within the space of a single lyric." Excerpt from https://www.shannonandtheclams.com/bio Shannon & The Clams: Bandcamp: https://shannonandtheclams.bandcamp.com/music Instagram: @shanandtheclams Website: https://www.shannonandtheclams.com Records: https://easyeyesound.com/collections Merch: https://shannonandtheclams.merchtable.com Will Sprott: Bandcamp: https://willsprott.bandcamp.com Instagram: @willsprott Website: https://willsprott.com Merch: https://willsprott.bandcamp.com/merch Music Videos: https://www.youtube.com/@hairdorecords The Vineyard: Instagram: @thevineyardpodcast Website: https://www.thevineyardpodcast.com Youtube: https://www.youtube.com/channel/UCSn17dSz8kST_j_EH00O4MQ/videos

Episode 319: This week's split episode looks at songwriting and musicianship from two very different points of view. Toronto's Jeremie Albino is a powerful roots rock singer/writer whose early love of blues and old rock and roll comes through in his self-effacing, easy grooving songs. A call from Dan Auerbach opened up new avenues for him through the production of his late 2024 album ‘Our Time In The Sun'. Champion guitarist Tyler Grant writes his material more about stories from the history and geography of the American west, where he's been based for about 15 years. He's also set aside his twangy electric country rock for a return to the bluegrass music that brought him to national attention. His newest is a mix of instrumentals and songs but the title indicates the focal point: ‘Flatpicker.' 

Ihre Proben seien wie ein Familienfest. Und immer wenn sie Musik mache, verspüre sie Schmerz, der mit der Zeit einer Euphorie weicht. Derya Yildirims Mix aus Herzlichkeit und Ballast trifft einen Nerv: Man kann Liebeskummer genauso wie Rassismus oder globale Konflikte ansprechen ohne zu verzweifeln. Der Titel des vierten Albums dieses Kollektivs mit Sitz in Hamburg, deren Mitglieder aus Dänemark, Frankreich und Deutschland für die Musik zusammenkommen und deren Sängerin auf Türkisch singt, heisst «Yarin Yoksa». Das bedeutet soviel wie: «Was, wenn es kein Morgen gibt?» - dann hatten wir immerhin fantastische Musik gehört. Und zwar zusammen. +++ PLAYLIST +++ · 22:56 - KEEP PUSHING von CLIPPING. · 22:52 - VAMPIRE von DESIRE · 22:57 - MORE THAN LIFE von THE HORRORS · 22:43 - RISING SOUL von ETIENNE DECRECY FEAT. DAMON ALBARN · 22:39 - ALISON von SLOWDIVE · 22:34 - SLACK von HILKE · 22:28 - CANOPY OF EDEN von CIRCUIT DES YEUX · 22:26 - SORRY, ETC, ETC von LAUREN MAYBERRY/JOE TALBOT · 22:24 - IMMIGRANT SONG von LED ZEPPELIN · 22:21 - MOONLIGHT CONCESSIONS von THROWING MUSES · 22:17 - SOUTH COAST von THROWING MUSES · 22:13 - Your Ghost von KRISTIN HERSH · 22:09 - ORANGE CRUSH von R.E.M. · 21:57 - DUST von SNUGGLE · 21:54 - ILE D'OGOZ von LEOPARDO: · 21:49 - FANTASTIC TOMB von TY SEGALL · 21:45 - JUMP OUT von EZRA FURMAN · 21:40 - FIST von MIYA FOLICK · 21:38 - MOON, SEA, DEVIL von FLORIST · 21:34 - BONNET OF PINS von MATT BERNINGER · 21:30 - THIS SIDE OF THE ISLAND von HAMILTON LEITHAUSER · 21:25 - JOUR DE FETE von MOICTANI · 21:21 - EL OLOR O FOGATO von BABY VOLCANO · 21:18 - CARTAGENA von REYNA TROPICAL · 21:15 - COMIC TRIP von SYLVIE KREUSCH · 21:10 - SWEET LOVE von SYLVIE KREUSCH · 21:06 - LOVE'S A STRANGER von WARHAUS · 20:57 - I LIKE THE NOISE von CAMILLA SPARKSSS · 20:54 - EL CIELO AZUL von ALOIS · 20:51 - 4TH CHAMBER von EL MICHELS AFFAIR · 20:47 - DIRENE DIRENE von DERYA YILDIRIM AND GRUP SIMSEK · 20:42 - RAAT KI RANI von AROOJ AFTAB/KHRUANGBIN · 20:39 - TRES HERMANOS von HERMANOS GUTIERREZ FEAT. DAN AUERBACH · 20:36 - ISTANBUL UN KUSLARI von DERYA YILDIRIM AND GRUP SIMSEK · 20:32 - FAREWELL von TOM SILKMAN · 20:28 - THE YEAR OF THE RABBIT von YIN YIN · 20:25 - BIR SIGARA IC OGLAN von ALTIN GÜN · 20:19 - COOL HAND von DERYA YILDIRIM/GRUP SIMSEK · 20:16 - SUR LA PLANCHE von LA FEMME · 20:11 - ONE NIGHT/ALL NIGHT von JUSTICE/TAME IMPALA · 20:05 - BAL von DERYA YILDIRIM AND GRUP SIMSEK

JD McPherson is a singer-songwriter and guitar player who's put out records on Decca, Rounder and New West, toured or collaborated with Dan Auerbach, Nick Lowe, and Lucius, is the guitar player for Robert Plant & Allison Krauss, as well as opening the shows with his own band, and is the producer of the recently-announced Jessica Simpson (comeback?) record.. We talk to JD about all modes of touring - from bus to plane to our shared affinity for van and trailer, touring to experience different cultures and meet new people, the long game of building a body of work and the value of word of mouth, Tulsa Oklahoma, and the advice that Nick Lowe shared with him backstage.Get more access and support this show by subscribing to our Patreon, right here.Links:JD McPhersonEp 3 - The Milk Carton KidsNick LoweJP HarrisEp 73 - Edwin McCainSpike Leetourfood.usBobnet.rocksRobert Plant & Allison KraussWe Jam Econo docPaul AcklingTheo LawrenceKen PomeroyWilderadoEp 41 - Samantha CrainEp 80 - John MorelandBronchoClick here to watch this conversation on YouTube.Social Media:The Other 22 Hours InstagramThe Other 22 Hours TikTokMichaela Anne InstagramAaron Shafer-Haiss InstagramAll music written, performed, and produced by Aaron Shafer-Haiss. Become a subscribing member on our Patreon to gain more inside access including exclusive content, workshops, the chance to have your questions answered by our upcoming guests, and more.

Juneberry RedBull, a very fruitful process, and getting a ride home in a private jet. Shannon Shaw (Shannon & The Clams, Hunx and His Punx) WAX & STRING B/W I'M A FOOL [7"]- https://easyeyesound.com/collections/shannon "In August 2022, Shannon Shaw's world was turned inside out. With mere weeks to go until their wedding, the singer's fiancé, Joe Haener, died in a horrific car accident in front of his family's vegetable farm in Oregon. It was a devastating loss that hit Shannon & The Clams with cataclysmic force. Shaw's bandmates, guitarist Cody Blanchard, keyboard player Will Sprott, and drummer Nate Mahan, had also grown close to Haener, a drummer and fixture of the Bay Area music scene. They canceled shows and rallied around Shaw as fans reached out to show their support. Shaw spent her nights with Blanchard and his family or with the Haeners, finding comfort in community. She adopted a fluffy dog named Spanky-Joe. She moved out of the Portland apartment where she and Haener had been living. She fearlessly chronicled the whole experience online. “Losing Joe made me unafraid of so many things,” Shaw says. “I have a lot less fear. It's given me new perspective. Baring my soul is so much less scary than it would've been before.” Amid this overwhelming sense of grief, melodies and lyrics began to flow out of Shaw. Instagram posts about her relationship with Haener became the building blocks of new compositions. Her Clams bandmates were also reeling and writing their own new songs. From the shock and trauma of that tragedy comes Shannon & The Clams' latest album, The Moon Is In The Wrong Place, a powerful exploration of loss, time, love, and resilience that stands as the beloved garage band's most ambitious, emotionally searing recording to date. In preparing to record, The Clams passed demos back and forth for months and, uncharacteristically for them, jammed on unfinished riffs to see what would happen. “Shannon and I usually write separately, and we usually bring pretty crafted, finished songs,” says Blanchard, who developed tennis elbow after their marathon rehearsal sessions. When Shaw struggled to find the right chords to go with her melodies, she obtained an Omnichord — an electronic instrument with a built-in set of chords and rhythms — and unlocked a new creative palette. In 2023, they returned to Nashville to record with longtime collaborator Dan Auerbach at Easy Eye Sound Studios — who oversaw 2018's Onion and 2021's Year Of The Spider — and captured what they'd been creating. The results show the group ascending to new creative highs, while still weaving in the classic garage-rock and girl-group sounds that have long been a hallmark of their work. This time around, they venture to deeper, farther out musical locations than before and bring a new sophistication and intricacy to their arrangements, plus they get an assist from pro wrestling great Mick Foley on handclaps. Meanwhile, Shaw's powerful voice veers between sweetness and snarl — sometimes within the space of a single lyric." Excerpt from https://www.shannonandtheclams.com/bio Shannon & The Clams: Bandcamp: https://shannonandtheclams.bandcamp.com/music Instagram: @shanandtheclams Website: https://www.shannonandtheclams.com Records: https://easyeyesound.com/collections/shannon-the-clams Merch: https://shannonandtheclams.merchtable.com/ Shannon Shaw: Instagram: @shannonshaw Website: https://www.theshannonshaw.com Records: https://easyeyesound.com/collections/shannon-shaw Merch: https://printanddestroy.net/pages/shannon The Vineyard: Instagram: @thevineyardpodcast Website: https://www.thevineyardpodcast.com Youtube: https://www.youtube.com/channel/UCSn17dSz8kST_j_EH00O4MQ/videos

Greg gives us a recap of Kendrick Lamar's Super Bowl Halftime and tosses in a “Review the Review” for good measure. "Kendrick Lamar Just Rewrote the Rules of the Super Bowl Halftime Show” written by Andrew R. Chow of Time [Review Link] is in the hot seat this week!Song: Kendrick Lamar - “Super Bowl Halftime Show Intro”We discussed, sometime last year, that the Black Keys had cancelled their North American tour because ticket sales were less than expected for the arena that had been booked. This past week the band, Dan Auerbach & Patrick Carney, gave an interview with Rolling Stone recounted the circumstance. Jay brings us the details.Song: Sharon Van Eton - “Idiotbox”We wrap things up with a News with Nick. Sheeren busted for busking in India, Chappell Roan puts her money where her mouth is, Jack White likes short sets, and….Kanye returns with some more thoughts.Song: Freckle - “Paranoid”

The switch to boxers, a LimeWire situation, and doctor money. Fredrick James Mullis Jr. (Early James) EARLY JAMES- MEDIUM RAW ["WELL DONE" STANDARD VINYL]: https://easyeyesound.com/collections/early-james "Early James recorded his first two Easy Eye Sound albums, Singing For My Supper (2020) and Strange Time To Be Alive (2022), at the studio inside the vaunted label's Nashville headquarters. But for James' third release, Medium Raw, producer and Easy Eye Sound label head Dan Auerbach envisioned something quite different for the Alabama-bred singer-songwriter-guitarist's rawboned, sometimes scarifying music. “Day of the first session, I had my GPS routed to Easy Eye,” James recalls. “We ran into some traffic, and I texted [engineer M.] Allen [Parker] — ‘Hey man, sorry, we're gonna be about 15 minutes late.' And he said, ‘It's OK, we're still getting set up at the house.' And I was like, ‘What house?' "We're recording at this house, it's really cool.' It was news to me! It felt unusual in the moment, which I think makes you play the songs differently. But I'm really happy with and proud of the results.”" Excerpt from https://easyeyesound.com/collections/early-james?filter.p.product_type=Vinyl Early James: Bandcamp: https://earlyjamesandthelatest.bandcamp.com Instagram: @earlyjamesandthelatest Website: https://www.earlyjames.com Records: https://easyeyesound.com/collections/early-james Merch: https://earlyjames.creator-spring.com The Vineyard: Instagram: @thevineyardpodcast Website: https://www.thevineyardpodcast.com Youtube: https://www.youtube.com/channel/UCSn17dSz8kST_j_EH00O4MQ/videos

Sharon Osbourne a tenu à rassurer les fans d'Ozzy sur son état de santé : oui il est atteint de la maladie de Parkinson, et il ne sait plus marcher, mais sa voix est intacte et il a donc bien l'intention d'assurer son dernier show en solo le 5 juillet à Birmingham. La dernière année n'a pas été de tout repos pour les Black Keys, Patrick Carney et Dan Auerbach font enfin le point. A l'occasion du 50e anniversaire de du premier album High Voltage, AC/DC se voit rendre hommage par la Royal Mail (poste britannique) via une série de 12 timbres. Shirley Manson, la chanteuse de Garbage, a annoncé qu'elle mettait aux enchères la robe noire à pois qu'elle portait dans le clip de ‘'I Think I'm Paranoid'', au profit des victimes des incendies de forêt qui ont récemment ravagé Los Angeles. La série documentaire sur Prince en préparation, sous la direction d'Ezra Edelman, vient d'être annulée par ses héritiers. Mots-Clés : histoire, Black Sabbath, Back to the Beginning, événement, culte, prestations, Metallica, Slayer, Pantera, Gojira, Alice in Chains, Billy Corgan, The Smashing Pumpkins, Tom Morello, Rage Against The Machine, Slash, Duff McKagan, Guns N' Roses, Jonathan Davis, Korn, performances inédites, directeur musical, soirée, tournée annulée, clash, manager, interview, Rolling Stone, duo, retour, No Rain No Flowers, The Night Before, mémorable, live, monde, pochettes emblématiques, High Voltage, Highway to Hell, Back In Black, Power Up, vente, organisation à but non lucratif, Give A Fuck Los Angeles, Julien's Auctions, ensembles de scène, ouverture, Taylor Swift, Eras, Chappell Roan, guitare électrique, Epiphone DG-335, signé, Dave Grohl, gigantesque plateforme, streaming, Kid de Minneapolis, info. --- Classic 21 vous informe des dernières actualités du rock, en Belgique et partout ailleurs. Le Journal du Rock, en direct chaque jour à 7h30 et 18h30 sur votre radio rock'n'pop. Merci pour votre écoute Plus de contenus de Classic 21 sur www.rtbf.be/classic21 Ecoutez-nous en live ici: https://www.rtbf.be/radio/liveradio/classic21 ou sur l'app Radioplayer BelgiqueRetrouvez l'ensemble des contenus de la RTBF sur notre plateforme Auvio.be Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement. Découvrez nos autres podcasts : Le journal du Rock : https://audmns.com/VCRYfsPComic Street (BD) https://audmns.com/oIcpwibLa chronique économique : https://audmns.com/NXWNCrAHey Teacher : https://audmns.com/CIeSInQHistoires sombres du rock : https://audmns.com/ebcGgvkCollection 21 : https://audmns.com/AUdgDqHMystères et Rock'n Roll : https://audmns.com/pCrZihuLa mauvaise oreille de Freddy Tougaux : https://audmns.com/PlXQOEJRock&Sciences : https://audmns.com/lQLdKWRCook as You Are: https://audmns.com/MrmqALPNobody Knows : https://audmns.com/pnuJUlDPlein Ecran : https://audmns.com/gEmXiKzRadio Caroline : https://audmns.com/WccemSkAinsi que nos séries :Rock Icons : https://audmns.com/pcmKXZHRock'n Roll Heroes: https://audmns.com/bXtHJucFever (Erotique) : https://audmns.com/MEWEOLpEt découvrez nos animateurs dans cette série Close to You : https://audmns.com/QfFankx

Retomamos la serie “Producido por…” con quizá el más sobresaliente de la música rock “americana” de lo que llevamos de siglo: Dan Auerbach. Fundador de The Black Keys, se dedicó desde 2010 a producir a grandes talentos: The Pretenders, Jessica Lee Mayfield, Dr. John, Ray LaMontagne, Lana Del Rey, Valerie June, Nikki Lane, cuando Auerbach decidió salir de Akron, Ohio y residir en Nashville, creó el sello Easy Eye Sound en la primavera de 2017, firmando, entre otros, al gran Robert Finley. En menos de un siete años la lista de artistas descubiertos o rescatados es admirable: Marcus King, Jeremie Albino, Britti, Early James, The Velveteers, Shannon & The Clams, Little Barrie & Malcolm Catto, Hermanos Gutiérrez, Ceelo Green, Nat Myers, Jon Muq, Yola, Son House, Hank Williams Jr., John Anderson o al mismísimo Tony Joe White antes de que falleciera, por nombrar algunos. Ha producido y publicado una veintena de álbumes.Un pasote.  DISCO 1 HERMANOS GUTIERREZ Low Sun (2) DISCO 2 DAN AUERBACH Shine On Me (4) DISCO 3 SHANNON AND THE CLAMS Oh So Close, Yet So Far (4)  DISCO 4 MARCUS KING The Well (2) DISCO 5 BRITTI Nothing Compares To You (5) DISCO 6 JON MUQ One You Love (2)  DISCO 7 NAT MYERS Pray For Rain(10) DISCO 8 YOLA Ride Out in The Country (3) DISCO 9 SONNY SMITH Lost (2) DISCO 10 JEREMIE ALBINO I Don’t Mind Waiting (1)  DISCO 11 ROBERT FINLEY You Got It And I Need It (10) DISCO 12 GLENN SCHWARTZ  Daughter of Zion (2)  DISCO 13 EARLY JAMES Gravy Train (6) DISCO 14 SON HOUSE The Way Your Mother Did (5) DISCO 15 THE ARCS Keep on Dreaming (ESCA) + THE VELVETEERS See Me (ESCA)Escuchar audio

Hoy preferentemente novedades salvadoras, salvo un par de temas. La factoría interminable, trepidante de Dan Auerbach continúa con lo nuevo de Early James. Un momento de sonido Fleetwood Mac/Stevie Nicks incluyendo a Teddy Swims. Muriendo por Jessica Pratt, Tracy Sirés Neal, The Delfines o Zach Bryan. El rescate de Walter Egan, Lori Carson o Howard Jones. CLO PROMO REBECCA DISCO 1 HOWARD JONES Boom Bap Respite (Cara A Corte 2) 45 RPM DISCO 2 EARLY JAMES Gravy Train (6) DISCO 3 THE SECRET SISTERS Paperweight (2) SEP MARTÍN X (TWITTER)+ SEP ANKLI R3 DISCO 4 CUNNINGHAM BIRD Crying In the Night (1) DISCO 5 WALTER EGAN Dreams (ESCA) DISCO 6 TEDDY SWIMS It Ain’t Easy (ESCA)   CUÑA BUSCAS SAMUSTINA+ INDI PODCAST LUCAS DISCO 7 THE CACTUS BLOSSOMS Go On (2) DISCO 8 DAVID GRAY & TALIA RAE Plus & Minus (DAVID GRAY - 2) DISCO 9 ZACH BRYAN American Nights (6) DISCO 10 JESSICA PRATT The Last Year (9) CLO LUCAS EXPLORANDO + PRES. LÍA ALCANDA  DISCO 11 LORI CARSON Way Of The Past (ESCA) DISCO 12 YAREA Capacidad (Cara 1 Corte 3) DISCO 13 TRACY SIRÉS NEAL Lessons Learnt (6) DISCO 14 SABRINA STARKE Slow it down (7)Escuchar audio

The Velveteers siguen lanzando pistas de por dónde caminará su próximo disco, y lo hacen con temas como 'Bound In Leather', nuevo avance de ese segundo álbum que llegará el 14 de febrero con la producción de Dan Auerbach. Además, escuchamos a PELIGRO! con 'Los malos mueren', tema que da título a su próximo disco, y te detallamos las nuevas fechas de la gira 'Salvation' de Arizona Baby.Playlist:RUFUS T. FIREFLY - Nebulosa jadeRIVAL SONS - Shooting StarsKALEO - Rock N RollerTHE SUBWAYS - Rock & Roll QueenDERBY MOTORETA'S BURRITO KACHIMBA - Caño cojoKING GIZZARD & THE LIZARD WIZARD - Field of Vision (Live in Stanford '24)THE VELVETEERS - Bound In LeatherTHE BLACK KEYS - Wild ChildTHE WHITE STRIPES - The Denial TwistARIZONA BABY - Lonely RoadARIZONA BABY - Wooden NicklesCORIZONAS - Lo intentéSEXY ZEBRAS - MarisolPELIGRO! - Los malos muerenMALLO - Ternura revolucionariaMELIFLUO - CalaveraHERMANA FURIA - La verdadFRANK CARTER & THE RATTLESNAKES - StickySEX PISTOLS - Pretty VacantTELEVISION - See No EvilIGGY POP - Lust For LifeMANOLA - 1977PARCELS - Leaveyourlove (with Ximena Sariñana & Rawayana)JUNGLE - Keep Me SatisfiedMICHAEL KIWANUKA - Floating ParadeMY MORNING JACKET - Time Waited DYLAN LEBLANC - CoyoteCHET FAKER - I'm Into YouEscuchar audio

Singer-songwriter Jeremie Albino is known for emotionally-nuanced storytelling and electrifying performances. From busking on the streets of Toronto, to sharing stages with artists like Orville Peck and Sierra Ferrell, Jeremie has embarked on his latest chapter with the release of Our Time In The Sun. He joins Rhett from his home in Ontario to talk about his evolution as a musician and what it took for him to accept his creative journey, shares the important lesson he learned from Dan Auerbach, and explains why trusting yourself is key to overcoming self-doubt. Follow Jeremie @jeremiealbino Follow Rhett @rhettmiller Wheels Off is hosted and produced by Rhett Miller. Executive producer Kirsten Cluthe. Editing by Matt Dwyer. Music by Old 97's. Episode artwork by Mark Dowd. Show logo by Tim Skirven. Distributed in partnership with Osiris Media.  This podcast is available on Apple Podcasts, Stitcher, Spotify, or wherever you get your podcasts. You can also ask Alexa to play it.   Revisit previous episodes of Wheels Off with guests Rosanne Cash, Rob Thomas, Jeff Tweedy, The Milk Carton Kids, and more. If you like what you hear, please leave us a rating or review.

Zu Gast bei Roger Schawinski ist der Wirtschaftsjournalist Lukas Hässig. Was der Herausgeber vom Portal Inside Paradeplatz über die seiner Meinung nach fünf grössten Schweizer Wirtschafts-Flops des Jahres 2024 denkt, in dieser Sendung erfahren Sie es. Songs: Ne me quitte pas - Jacques Brel, Mein Ding - Udo Lindenberg, Don't Cry For Me Argentina - Madonna, Troppo buono - Tiziano Ferro, Tres Hermanos - Hermanos Gutie?rrez (featuring Dan Auerbach)

Jeremie Albino is one of the most soulful voices in Canada right now. He grew up in Scarborough, Ont., but spent many years in rural parts of Ontario and Quebec, where he focused on his dual passions for farming and music. While he still has a green thumb, music kind of won out in the end. His new album, “Our Time in the Sun,” was produced by Dan Auerbach of The Black Keys who brought in some of Nashville's best musicians to help out. Jeremie sits down with Tom Power to talk about the record and to set up his song “So Many Ways To Say I Love You.”

Dan Auerbach, the Black Keys frontman, had always been a big fan of the late Tony Joe White. The singer-songwriter—some knew him as “The Swamp Fox” had an unmistakably swampy baritone and down-home style. He was best known, of course, for songs like “Poke Salad Annie” and “Rainy Night in Georgia.” Over his career, White's songs were recorded by the likes of Elvis Presley, Waylon Jennings, Ray Charles and Tina Turner, among others. In 2018, White passed away after suffering a heart attack in Tennessee. Afterward, his son and manager Jody White unearthed boxes of reel-to-reel tapes filled with hundreds of demos that no one had ever heard. It was a treasure trove of classic Tony Joe White material just sitting in storage. So Jody sent an email to Auerbach with one of the tracks, as for years the two had spoken about a collaboration.   What has come of that has been a terrific collection of new Tony Joe White music with more to come and Jody White recently joined us on the Load Out Music Podcast to talk about his father, the legacy of the Swamp Fox, and what's coming next.

In this episode of The Tour Life, we sit down with Rene Villanueva, musician, writer, and member of the band Hacienda, to explore the crossroads of personal loss and professional success. Rene opens up about the sudden loss of his mother right before a major tour with Hacienda and the emotional toll it took on him and his brothers. Despite their growing success, including collaborations with Dan Auerbach of The Black Keys, Rene describes how suppressing their grief led to burnout, mental health struggles, and the eventual need to take a step back from their career. We discuss the importance of prioritizing mental health, especially in high-pressure industries like music, where pushing through grief can cause long-term harm. Rene reflects on how he and his brothers learned to process their emotions, embrace self-reflection, and re-evaluate their purpose before returning to the music scene. Key Takeaways: Pause to Heal: Even when you're on a trajectory of success, it's okay to take a step back to process grief and trauma. Ignoring emotional health can lead to burnout and long-term negative effects. Healthy Coping Mechanisms: Instead of bottling up emotions, finding outlets like meditation, self-reflection, or even taking time off can make a significant difference in your well-being. Compartmentalizing Grief Isn't Sustainable: Trying to “push through” personal tragedy while performing or working can lead to breakdowns in other areas, including relationships and mental health. Redefining Success: Success doesn't always mean continuing on a predetermined path. Sometimes, true success is recognizing when you need to hit pause and take care of yourself. Support Systems Matter: Keeping close relationships with loved ones can provide grounding and perspective, especially when the demands of the road feel overwhelming. Follow Rene Villanueva on Instagram: @hacienda_tx Don't forget to subscribe to The Tour Life on your favorite podcast platform, leave a review on iTunes, and follow us on Instagram at @thetourlifepodcast.

Welcome back to Aquarium Drunkard Transmissions, this week on the show, we're joined by three guests—though, not all at once.  In the first half of the show: Mark “Frosty” McNeill of dublab and the LA Phil to discuss a new compilation he helped produce, Even the Forest Hums: Ukrainian Sonic Archives 1971​-​1996; in the second-half of the show, Estevan and Alejandro Gutierrez, better known as Hermanos Gutiérrez just us to discuss their latest album of spacey guitar instrumentals, Sonido Cosmico. Assembled by Light in the Attic Records in partnership with the Kyiv-based archival label, Shukai, Even the Forest Hums offers music rarely heard outside of its homeland—a genre diverse compilation of Ukrainian music recorded under the USSR's reign and in the aftermath of its collapse, from post-punk to folk, from jazz rock to early electronic music, from downtempo hip-hop to oddball pop.  “Music has always pulled Ukrainians out of the abyss,” writes Vitalii “Bard” Bardetskyi in the liner notes. “When there is no hope for the future, there is still music. At such moments, the whole nation resonates under a groove. Music, breaking through the concrete of various colonial systems, is an incredible, often illogical, way to preserve dignity.” Mark “Frosty” McNeill takes us behind the scenes. Brothers Estevan and Alejandro Gutiérrez grew up in two words, splitting time between their father's native Switzerland and Ecuador, where their mother's family hailed from. On past records, they've evoked the imaginal expanses of Spaghetti Westerns through a pan Latin/surf/psychedelic sound for guitar and lap steel.  Their latest is called Sonido Cósmico. Joined by producer Dan Auerbach, they flesh the surroundings out even more this go-round, dialing in a song that's as suited for the desert expanses of Mars or the moon as much as any Sergio Leone film.  Estevan and Alejandro joined us to discuss setting their sights on the stars, channeling feminine energy via their abuela, and the intent that fueled committing their earliest musical efforts to vinyl. Aquarium Drunkard is supported by our subscribers. Head over and peruse our site, where you'll find nearly 20 years worth of playlists, recommendations, reviews, interviews, podcasts, essays, and more. Subscribe at Aquarium Drunkard.  Transmissions is a part of the Talkhouse Podcast Network. Visit the Talkhouse for more interviews, fascinating reads, and podcasts. This episode is brought to you by DistroKid. DistroKid makes music distribution fun and easy with unlimited uploads and artists keep 100% of their royalties and earnings. To learn more and get 30% off your first year's membership, visit: distrokid.com/vip/aquariumdrunkard

Jeremie Albino will release his debut album on Nov. 1 via Dan Auerbach’s Easy Eye Sound. He’s the latest artist to sign with the prestigious label. The album’s title track, “Our Time In The Sun,” showcases an emotionally nuanced narrator pouring his soul into his music. Albino’s story began on a farm in rural Ontario. After wrangling vegetables at farmers markets in Toronto, he began busking on the city’s sidewalks before sharing stages with artists like Orville Peck, St. Paul & The Broken Bones, and JD McPherson (to name a few). 

Acclaimed singer-songwriter Queenie joins host Jeremy Dylan to talk about Black Keys frontman Dan Auerbach's 2017 solo album 'Waiting on a Song'. Queenie talks about how her journey as a fan of the Black Keys and Dan Auerbach coincided with moving to Melbourne from Tasmania, the thrill of following someone's career as a fan from the start, why calling it a solo record is almost a misnomer, the legendary collaborators on the album, why the album is a love letter to Nashville, how Auerbach cashed in his rock star chips to make this record, the influence of the Traveling Wilbury's, the visual elements of Dan's music and more. Queen also talks about the process of making her new album with producer Josh Barber, and taking inspiration from Auerbach's production style to layer in unusual sounds and textures.

Terry David Mulligan joins Blues lifer Robert Finley in the media tent at the Edmonton Folk Festival. Robert spins the stories of how he went from losing most of his sight to becoming the hot new voice in the blues. Inviting himself to do a cold walk-on at the Blues Festival in St Helena. It's quite a story he tells.  The crowd loved him and that set things in motion. The Music Maker Relief Foundation, a non-profit blues support system,  heard him busking in the streets and offered to help. Finley released his first album “Age Don't Mean a Thing” in 2016. Dan Auerbach of the Black Keys heard him and they started recording together – with Dan as producer. They've now done 4 albums together. Each one is bigger and better. The latest is Black Bayou. There will be no more busking for Robert Finley. He's 70 years old and an overnight sensation!!

(00:00:00) Dan Auerbach(00:18:10) Music News(00:40:46) Rian Johnson(01:08:11) Bizarre File(01:16:00) Chris Jericho(01:42:46) Fighting Over A Board Game(02:07:37) Bizarre File (02:16:18) Hollywood Trash and The Warning in Studio

Asheville, NC and Roanoke, VA! Tom is coming to you! Get tickets at https://tomsegura.com/tour! SPONSORS: -Head to https://policygenius.com/YMH to get your free life insurance quotes and see how much you could save -Head to https://zbiotics.com/YMH and use the code YMH at checkout for 15% off. -Check out the new softside Luggage from Away at https://awaytravel.com/ymh -Get up to 60% off your Babbel subscription at https://babbel.com/YMH My brother didn't believe me, but he believes me now, Tod and Kristine are back again! This week on Your Mom's House Podcast, the Main Mommies talk about a ding dong on Christina's nose, Tom's hot and spicy gas, before opening the show with a clip featuring Noel Gallagher of Oasis sharing some colorful thoughts on people in the world. They also call up Brenden the YMH merch guy to discuss their recent fixation on taking calls on the toilet. They also check out some clips about piggy parties, pronoun fun, and mermaid tail etiquette. Christina and Tom welcome musical duo, The Black Keys aka Dan Auerbach and Patrick Carney. They just cancelled their recent tour, so they've got some free time and share why that even happened in the first place. They talk about how they got together, their early success, and drop a YMH exclusive concerning whether or not they've gone airtight together. The Black Keys also run a gauntlet of Horrible or Hilarious clips from Tom, talk some trash about popular musicians, discuss the differences between bombing on stage doing comedy vs live music, and so much more! Your Mom's House Ep. 768 https://tomsegura.com/tour https://christinaponline.com/tour-dates https://store.ymhstudios.com https://www.reddit.com/r/yourmomshousepodcast Learn more about your ad choices. Visit megaphone.fm/adchoices

Full Rig Info: https://www.premierguitar.com/videos/rig-rundown/cage-the-elephantSubscribe to PG's Channel: http://bit.ly/SubscribePGYouTubeCage the Elephant was formed nearly 20 years ago in Bowling Green by vocalist Matt Shultz, guitarists Brad Shultz and Lincoln Parish, drummer Jared Champion, and bassist Daniel Tichenor. That core lineup has only changed once, with Nick Bockrath replacing Parish onstage in 2013 and officially in 2017. CTE's earliest albums—2008's Cage the Elephant and 2011's Thank You, Happy Birthday—captured their punk-rock pandemonium that turned venues into hurricanes. Cage's mayhem cloaked melodies, like a Trojan horse creating early-career earworms and sing-alongs out of hits “In One Ear,” “Ain't No Rest for the Wicked,” “Shake Me Down,” and “Aberdeen.” 2013's Melophobia brandished a trio of mellower, melodious singles: “Come A Little Closer,” “Take It or Leave It,” and “Cigarette Daydreams.” Then, 2015's Tell Me I'm Pretty saw the band enter Easy Eye Sound to work with Dan Auerbach, sending the band's sonics back to the '60s with an emphasis on direct, pointed performances and console-driven fuzz. Their last two albums, 2019's Social Cues and 2024's Neon Pill, partnered them with producer John Hill, who helped wrap their memorable hooks in a smokier, after-hours backdrop that incorporated '80s sheen with drum machines, shifting synth textures, and sleek production that pulses with flow and emotion. The constant glue that holds these albums together (aside from the members' cohesive creativity) is the constant application—in varied amounts—of garage rock, psychedelia, and a little bit of danger. Even their softest, smoothest work portrays these gripping vibes. And while the velvet packaging of their songs have them sounding more Abbey Road than Albini—earning the group back-to-back Grammys for Best Rock Album for Tell Me I'm Pretty and Social Cues—the Shultz brothers still bring their signature piss-and-vinegar performances to the stage, where the front row will likely play host to both throughout any given setlist. Before the band's Bonnaroo set on Saturday June 15, Cage the Elephant invited PG's video team to their rehearsals inside East Nashville's Steel Mill space to cover the gear they'd be touring with in support of their sixth album, Neon Pill. On guitar, lap steel, and pedal steel, Nick Bockrath starts off the Rundown going through his sizzling setup that includes custom guitars, a bountiful pedalboard, and a special instrument from a deceased friend and Nashville legend. Then, tech Mason Osman details how Brad Shultz transformed his rig to mimic his preferred recording setup that relies on studio tube preamps and compressors for a direct, broiling sound. Lastly, tech Bailey Griffith shows a simplified-but-tsunami-sounding bass setup that includes two Fender 4-strings and 300W tube heads that kick like a mule. (Thumbnail photos by Neil Krug.)Full Rig Info: https://www.premierguitar.com/videos/rig-rundown/cage-the-elephantSubscribe to PG's Channel: http://bit.ly/SubscribePGYouTubeWin Guitar Gear: https://bit.ly/GiveawaysPG Don't Miss a Rundown: http://bit.ly/RIgRundownENLMerch & Magazines: https://shop.premierguitar.comPG's Facebook: https://facebook.com/premierguitarPG's Instagram: https://www.instagram.com/premierguitar/PG's Twitter: https://twitter.com/premierguitarPG's Threads: https://threads.net/@premierguitarPG's TikTok: https://www.tiktok.com/@premierguitar[Brought to you by D'Addario: https://ddar.io/wykyk-rr]0:00 - D'Addario Strings0:15 - Nick Bockrath Intro1:58 - Chris Kies Intro2:17 - Neon Pill & Working with John Hill Again6:00 - Nick Bockrath's Harper Guitars Marilyn11:20 - Nick Bockrath's 1990s Gibson Les Paul Deluxe15:23 -...

Shannon Shaw and I go super deep on this week's episode as she talks to me about the tragic loss of her partner, Joe Haener, almost two years ago, just prior to their wedding date. This unimaginably horrible accident formed the basis of the new and absolutely wonderful Shannon and the Clams album, The Moon Is In The Wrong Place. This is a sad yet hopeful conversation about the power of music and performance to heal, the profound and enduring qualities of grief (and how to manage it), and the quixotic juxtaposition of Nature which shows us lessons we can all learn in order to truly value the brief but wonderful life we all have the opportunity to live. This is one of the most precious, touching, sad, and yet hopeful conversations I've had on Roadcase, and Shannon demonstrates strength, resolve, resilience, gratitude, and an enduring human spirit that can serve as an example for us all.  And… the new album is truly an amazing GEM!!  This is one for all-time, and I'm so incredibly honored to share it with you!!For more information on Roadcase: https://linktr.ee/roadcasepod and https://www.roadcasepod.comOr contact Roadcase by email:  info@roadcasepod.comRoadcase theme music:  "Eugene (Instrumental)" by Waltzer

Neben Nemo oder Zeal & Ardor gehören sie zu den ganz grossen, internationalen CH-Musik-Erfolgsstories der letzten Jahre: Hermanos Gutiérrez aus Zofingen, deren letztes Album «El Bueno Y El Malo» zum endgültigen Durchbruch führte. Und weil man bekanntlich das Eisen schmieden soll, solange es heiss ist, kommt rund 18 Monate später schon wieder ein neues Album. Wieder aufgenommen mit und bei Dan Auerbach von den Black Keys, bleiben die Hermanos auch auf Album Número 6, «Sonido Cósmico», ihrer mit Latingitarren geschwängerten Cowboyromantik grösstenteils treu... wagen sich hier und da aber auch vorsichtig auf neues Terrain. Das neue Hermanos Gutiérrez-Album ist unser brandneues Sounds! Album der Woche. CD oder Vinyl gewinnen? Könnt ihr jeden Abend live in der Radiosendung!

Thanks to people like Jack White and Dan Auerbach, budget line catalog guitars remain fondly in our conscience as the vibe-laden machines they are. Supro was/is no exception, having crafted some amazing instruments out of little more than a pickup and some fiberglass. Among them was the Kingston, with its buff sand color and swoopy good looks. Enjoy! Like the show? Follow us at these fine establishments: Patreon || https://www.patreon.com/thehighgain Instagram || @thehighgain Web || https://www.thehighgain.com

El equipo de 'Más de uno' se está esforzando mucho para la supervivencia del programa, que tiene déficit de presupuesto. Por ello, para financiar los gastos de colaboradores y demás, han organizado unos cursos de verano con el mejor profesor: Carlos Zúmer. En los 'Cursos Culturetas de Refuerzo Express' habrá clases de matemáticas, literatura universal, lenguas extranjeras e incluso educación física. Perfecto para quienes no han aprobado la EBAU. Además, JF León pone el broche musical al programa hablando de Johnny Cash porque otros artistas han rescatado canciones que dejó escritas y con su voz grabada. Escuchamos 'Songwriter' de Dan Auerbach.

On this week's episode, I talk to Jon Muq, whose extraordinary tale is one of resilience, courage, fate, and his deep desire to simply “follow the sound.” Raised in Uganda and now living in Austin, Texas since 2018, when he disembarked from a months-long gig with Norwegian Cruises and found himself in the middle of the SXSW Festival, Jon is set to release his debut album, Flying Away, produced by Dan Auerbach of The Black Keys on Dan's own Easy Eye Sound label.We talked all about growing up in a very challenging environment and the chance encounters that shaped Jon's musical experience in a place where he literally had to “sing for his supper.”I'm psyched to bring you this amazing conversation that will surely change your perspective of what is truly possible, and what it means to be destined to follow your true path — whatever it may be — and Jon is an amazing example of all that. For more information on Roadcase: https://linktr.ee/roadcasepod and https://www.roadcasepod.comOr contact Roadcase by email:  info@roadcasepod.comRoadcase theme music:  "Eugene (Instrumental)" by Waltzer

Shannon Shaw opens up about the tragic events that informed the new Shannon & The Clams album, The Moon Is In The Wrong Place (Easy Eye Sound) which is a surprisingly upbeat, yet poignant narrative on heartache and healing, grief and resilience in the aftermath of devastating loss, and a tribute to the power of art and community to triumph over tragedy. The Record Store Day Podcast is written, produced, engineered and hosted by Paul Myers, who also composed the theme music and selected interstitial music. Executive Producers (for Record Store Day) Michael Kurtz and Carrie Colliton. For the most up-to-date news about all things RSD, visit RecordStoreDay.com) Sponsored by Dogfish Head Craft Brewery (dogfish.com), Tito's Handmade Vodka (titosvodka.com), RSDMRKT.com, and Furnace Record Pressing, the official vinyl pressing plant of Record Store Day. Please consider subscribing to our podcast wherever you get podcasts, we're here every week and we love making new friends.

Hello friends! Ugandan born singer-songwriter, Jon Muq is my guest for episode 1389! His debut album, Flying Away, produced by Dan Auerbach from The Black Keys comes out on May 31st on Easy Eye Sound. He'll be heading out on tour with Mavis Staples in Europe in June, but he'll be playing some release shows around Texas before he goes. See him Thursday, June 6th at The Mucky Duck in Houston, and Friday, June 7th at The '04 Center in Austin. Go to jonmuq.com for a full tour schedule, music, videos and more. We have a great conversation about growing up in Uganda, hearing the magic of "We Are The World", how following sound has guided his life, working on a cruise ship, coming to America, songwriting, making Flying Away, opening for Billy Joel in England, and much more. I had a great time getting to know Jon. I'm sure you will too. Let's get down!    Follow us on Instagram, Facebook, Spotify, Apple Podcasts, or anywhere you pod.   Take your business further with T-mobile Business   If you feel so inclined. Venmo: www.venmo.com/John-Goudie-1  Paypal: paypal.me/johnnygoudie

For co-founder Dan Auerbach’s 45th birthday, and the 30th anniversary of Weezer’s debut album (affectionately called ‘The Blue Album”) and Cover Story for the Black Keys, and a track-by-track cover story! (68 minutes)

For co-founder Dan Auerbach’s 45th birthday, and the 30th anniversary of Weezer’s debut album (affectionately called ‘The Blue Album”) and Cover Story for the Black Keys, and a track-by-track cover story! (68 minutes)

Du Sahel à l'île-de-France, de la musique tamashek du Niger à un afrobassband francilien, tout est dans la #SessionLive ! (Rediffusion) Notre 1er invité est Omara « Bombino » Moctar, un surdoué de la guitare et héros folk touareg, connaît bien la vie nomade. Être constamment sur la route pour sa musique tout en se déplaçant perpétuellement dans la région du Sahel en Afrique fait partie de son ADN. Aussi, lorsque la pandémie a bouleversé le monde, Bombino s'est retrouvé dans une zone inhabituelle : rester au même endroit. « J'ai l'habitude de voyager pratiquement toutes les semaines et j'ai été confiné pendant deux ans », explique-t-il depuis sa maison de Niamey, la capitale du Niger. « Le côté positif, c'est que j'ai repris contact avec mon pays et que j'ai passé du temps avec ma famille pour la première fois depuis longtemps. » C'est ainsi que nous arrive la suite de Deran, paru en 2018, un disque qui a fait de Bombino le tout premier artiste nigérien nommé aux Grammy Awards. Intitulée Sahel en référence à la région qui traverse l'Afrique d'Ouest en Est, de l'océan Atlantique à la mer Rouge, cette nouvelle collection de chansons est l'œuvre la plus personnelle, la plus puissante et la plus manifestement politique de Bombino. C'est aussi son album le plus divers sur le plan sonore, une qualité qu'il s'est efforcé d'atteindre dès le départ et qui est censée refléter directement l'entrelacs complexe de cultures et de peuples qui composent la région du Sahel elle-même. « Je pense tout le temps à la situation difficile des Touaregs, confie l'artiste, et bien que je l'aie toujours abordée dans ma musique, j'ai voulu lui donner une importance particulière dans cet album. » Pour donner vie aux chansons, Bombino a travaillé en étroite collaboration avec le producteur et mixeur gallois David Wrench (David Byrne, Frank Ocean, Caribou, Goldfrapp, Erasure ,The xx, Sampha), et s'est installé avec son groupe dans un studio à Casablanca pendant dix jours pour enregistrer l'album. « Bombino est un musicien incroyable, un des meilleurs avec lesquels j'ai travaillé », confie Wrench avec émotion au sujet du guitariste touareg. « Ce qu'il fait semble facile, mais c'est tellement complexe. C'est un style si raffiné, c'est tellement lui, c'est unique. Il y a toute cette histoire dedans, c'est dingue. » L'admiration est réciproque. Alors que Bombino a eu la chance d'avoir des guitaristes tels que Dan Auerbach et David Longstreth comme producteurs à ses côtés dans le passé, Wrench a apporté un nouveau  degré d'expertise. « Ce que j'aime dans le fait de travailler avec David, c'est l'incroyable finesse de son oreille, l'immense concentration dont il fait preuve en studio, explique Bombino. Rien ne lui échappe. Même les plus petites choses attirent son attention et il se concentre sur les moindres détails du son. » À maintes reprises, Wrench a vu Bombino réaliser une prise étonnante en studio, puis y revenir « et la doubler pour qu'elle soit parfaite. Il opère à un autre niveau. »Les dix chansons qui composent Sahel abordent des thèmes aussi variés que le sort des Touaregs, la douleur d'un amour perdu ou les folies de la jeunesse. Le premier morceau, « Tazidert », prêche la patience alors que la musique elle-même incite à se lever et à bouger. L'entraînant morceau « Aitma » fait la part belle à la guitare pyrotechnique de Bombino. C'est un appel aux armes lancé dans sa langue maternelle, le tamasheq. « Défendons notre peuple, car nous sommes les mêmes, d'où que nous soyons »,dit-il en s'adressant aux Touaregs de toute la région. « Quand on regarde la situation dans chacun des cinq pays qui composent le Sahel (la Libye, l'Algérie, la Mauritanie, le Mali et une partie du Burkina Faso), le peuple touareg n'est pas représenté au sein des gouvernements. » Et ce n'est que tout récemment que la situation a changé au Niger. Sahel est tourné vers l'avenir et le passé, il s'agit d'un mélange de chansons nouvelles et anciennes, et chacune a trouvé un écho chez Bombino pour une raison ou pour une autre. « Beaucoup de groupes entrent en studio avec une série de morceaux qu'ils ont répétés, mais ce n'est pas comme ça que Bombino travaille, raconte Wrench. Il arrive avec ses sensations du moment, c'est une façon beaucoup plus instinctive d'enregistrer. Il puise dans la mémoire de ces centaines de chansons qu'il a écrites. Il s'abreuve au puits de son propre travail et à celui de sa culture, et en tire ce qui lui semble juste. »« Si Chilan » (« Deux jours ») est l'une des plus anciennes chansons du vaste répertoire de Bombino, écrite pour la première fois dans les années 1980. « J'aime mettre en avant les chansons qui font partie de mon répertoire depuis très longtemps, mais qui ne sont pas encore apparues sur un album, explique-t-il. Lorsqu'on vit avec une chanson depuis si longtemps, on lui trouve toujours de nouvelles facettes, de nouvelles façons de l'exprimer. C'est en ce sens que la chanson est dynamique, – elle continuera d'évoluer, du moins dans la manière dont je m'identifie à elle et dont je l'interprète. Je la compare à du miel, une bonne vieille chanson est comme le miel, elle se bonifie avec l'âge. De même, « Nik Sant Awanha » (« Mes frères, je connais notre situation ») date de la fin des années 90 et constitue l'un des pamphlets politiques les plus incisifs de Bombino, qui y déplore les divisions au sein du peuple touareg, les risques de l'exil et une menace existentielle plus grande encore, la perte de la culture touareg. « Même si, géographiquement, le désert du Sahara est notre patrie, tant de Touaregs se voient refuser ou priver de certaines nécessités de base dans toute la région, explique-t-il. C'est ce qui m'a très largement motivé, le type de chansons que je chante et pourquoi. Je veux que les gens pensent aux Touaregs, et représenter ceux qui ne l'ont pas été. Ils ont vraiment besoin d'une voix. » Outre la perte de représentation au sein des gouvernements de ces pays et l'absence des Touaregs dans la culture dominante, Bombino estime que, même avec l'interconnexion instantanée que les smartphones apportent, « la plus grande menace est celle de la technologie et de la modernisation. Une culture marginalisée comme celle des Touaregs risque de se perdre dans l'homogénéisation culturelle. »En ce qui concerne les thèmes plus généraux abordés par Bombino tout au long de l'album, le morceau acoustique « Mes Amis », qui clôt l'album en douceur, parle de la jeunesse et de l'amour à sens unique. « Il est important d'évoquer les choses personnelles, de se connecter avec les gens de cette façon, en leur apportant des histoires et des thèmes auxquels ils peuvent s'identifier », explique Bombino, ajoutant que le temps supplémentaire passé chez lui, avec ses enfants, l'a aidé à clarifier son objectif. « Tout ce que je fais est au service de ma famille, pour leur donner, et améliorer leur situation. »Le rôle de Wrench a été de mettre en valeur Bombino et son groupe de manière à capter le son touareg (qui s'étend sur des siècles) tout en le reliant à notre présent immédiat. Il ne s'agit pas d'une pièce de musée, mais d'un « maintenant » vivant. Si Wrench s'est fait un nom en mixant et en enregistrant du rock psychédélique et de la musique électronique, il considère Bombino comme partie intégrante de ce spectre. « Pour moi, il n'est pas très éloigné de ces domaines. Les rythmes sont tous en 3 au lieu de 4, mais l'effet est similaire : la répétition, l'intensité et le sentiment procurés ne sont pas si éloignés de la techno. À l'écoute, sa musique provoque un effet similaire : elle peut clairement nous emporter dans un ailleurs très différent. » Titres interprétés au Grand studio- Tazidert Live RFI - Mes Amis, extrait de l'album- Ayes Sachen Live RFI Line Up : Bombino: chant et guitare, Dia : basse, Nabil Othmani : guitare, et Corey Wilhelm : batterie.Son : Mathias Taylor & Benoît Letirant.► Album Sahel (Partisan Rd 2023).Puis Balaphonics & Mary May s'installent dans la #SessionLive pour présenter l'album éponyme.Cet afrobrassband sillonne la France depuis 12 ans en mettant le balafon au centre de sa musique. La rencontre avec la chanteuse Mary May s'est imposée au groupe, fasciné par sa facilité à passer de la soul au rap tout en saisissant le public sur le vif. Dix âmes sur scène qui bouleverseront votre cheminement intérieur et attiseront votre soif de communion.Après un an de travail avec Mary May, Balaphonics a enregistré un album, en janvier 2023, au Studio La Frette pour immortaliser cette galvanisante collaboration. Un titre aurait pu être apposé sur la future pochette du disque, mais pourtant, la seule histoire que raconte cet album, c'est celle d'une rencontre : celle de Balaphonics & Mary May. De deux mondes qui se sont côtoyés sur les scènes et jam parisiennes, pendant des années, avant de coaguler tout au long de l'année 2022. Toujours marqués par la musique partagée avec le griot Moriba Diabaté au Mali, Balaphonics a toujours eu à cœur d'approfondir une relation à la voix sans pour autant franchir le pas. Avec Mary May, voici chose faite.Titres interprétés au Grand studio- True Self Live RFI voir le clip - Soleil Noir, extrait de l'album.- In My Head Live RFI voir le clip. Line Up : Mary May : Chant & Choeurs, Ben Moroy : balafon, guitar, Brice Perda : soubassophone, Florent Berteau : batterie, Julien Cordin : percussions & choeurs, Nicolas Bongrand : trombone, Aristide Gonçalves : trompette & choeurs, Guillaume Grosso : sax baryton flûte traversière & choeurs, Michaël Havard : sax ténor & choeurs et Jean-Christophe Decourrière : guitare.Son : Benoit Letirant, Mathias Taylor.► Album Balaphonics & Mary May (Vlad Productions 2023).

Du Sahel à l'île-de-France, de la musique tamashek du Niger à un afrobassband francilien, tout est dans la #SessionLive ! (Rediffusion) Notre 1er invité est Omara « Bombino » Moctar, un surdoué de la guitare et héros folk touareg, connaît bien la vie nomade. Être constamment sur la route pour sa musique tout en se déplaçant perpétuellement dans la région du Sahel en Afrique fait partie de son ADN. Aussi, lorsque la pandémie a bouleversé le monde, Bombino s'est retrouvé dans une zone inhabituelle : rester au même endroit. « J'ai l'habitude de voyager pratiquement toutes les semaines et j'ai été confiné pendant deux ans », explique-t-il depuis sa maison de Niamey, la capitale du Niger. « Le côté positif, c'est que j'ai repris contact avec mon pays et que j'ai passé du temps avec ma famille pour la première fois depuis longtemps. » C'est ainsi que nous arrive la suite de Deran, paru en 2018, un disque qui a fait de Bombino le tout premier artiste nigérien nommé aux Grammy Awards. Intitulée Sahel en référence à la région qui traverse l'Afrique d'Ouest en Est, de l'océan Atlantique à la mer Rouge, cette nouvelle collection de chansons est l'œuvre la plus personnelle, la plus puissante et la plus manifestement politique de Bombino. C'est aussi son album le plus divers sur le plan sonore, une qualité qu'il s'est efforcé d'atteindre dès le départ et qui est censée refléter directement l'entrelacs complexe de cultures et de peuples qui composent la région du Sahel elle-même. « Je pense tout le temps à la situation difficile des Touaregs, confie l'artiste, et bien que je l'aie toujours abordée dans ma musique, j'ai voulu lui donner une importance particulière dans cet album. » Pour donner vie aux chansons, Bombino a travaillé en étroite collaboration avec le producteur et mixeur gallois David Wrench (David Byrne, Frank Ocean, Caribou, Goldfrapp, Erasure ,The xx, Sampha), et s'est installé avec son groupe dans un studio à Casablanca pendant dix jours pour enregistrer l'album. « Bombino est un musicien incroyable, un des meilleurs avec lesquels j'ai travaillé », confie Wrench avec émotion au sujet du guitariste touareg. « Ce qu'il fait semble facile, mais c'est tellement complexe. C'est un style si raffiné, c'est tellement lui, c'est unique. Il y a toute cette histoire dedans, c'est dingue. » L'admiration est réciproque. Alors que Bombino a eu la chance d'avoir des guitaristes tels que Dan Auerbach et David Longstreth comme producteurs à ses côtés dans le passé, Wrench a apporté un nouveau  degré d'expertise. « Ce que j'aime dans le fait de travailler avec David, c'est l'incroyable finesse de son oreille, l'immense concentration dont il fait preuve en studio, explique Bombino. Rien ne lui échappe. Même les plus petites choses attirent son attention et il se concentre sur les moindres détails du son. » À maintes reprises, Wrench a vu Bombino réaliser une prise étonnante en studio, puis y revenir « et la doubler pour qu'elle soit parfaite. Il opère à un autre niveau. »Les dix chansons qui composent Sahel abordent des thèmes aussi variés que le sort des Touaregs, la douleur d'un amour perdu ou les folies de la jeunesse. Le premier morceau, « Tazidert », prêche la patience alors que la musique elle-même incite à se lever et à bouger. L'entraînant morceau « Aitma » fait la part belle à la guitare pyrotechnique de Bombino. C'est un appel aux armes lancé dans sa langue maternelle, le tamasheq. « Défendons notre peuple, car nous sommes les mêmes, d'où que nous soyons »,dit-il en s'adressant aux Touaregs de toute la région. « Quand on regarde la situation dans chacun des cinq pays qui composent le Sahel (la Libye, l'Algérie, la Mauritanie, le Mali et une partie du Burkina Faso), le peuple touareg n'est pas représenté au sein des gouvernements. » Et ce n'est que tout récemment que la situation a changé au Niger. Sahel est tourné vers l'avenir et le passé, il s'agit d'un mélange de chansons nouvelles et anciennes, et chacune a trouvé un écho chez Bombino pour une raison ou pour une autre. « Beaucoup de groupes entrent en studio avec une série de morceaux qu'ils ont répétés, mais ce n'est pas comme ça que Bombino travaille, raconte Wrench. Il arrive avec ses sensations du moment, c'est une façon beaucoup plus instinctive d'enregistrer. Il puise dans la mémoire de ces centaines de chansons qu'il a écrites. Il s'abreuve au puits de son propre travail et à celui de sa culture, et en tire ce qui lui semble juste. »« Si Chilan » (« Deux jours ») est l'une des plus anciennes chansons du vaste répertoire de Bombino, écrite pour la première fois dans les années 1980. « J'aime mettre en avant les chansons qui font partie de mon répertoire depuis très longtemps, mais qui ne sont pas encore apparues sur un album, explique-t-il. Lorsqu'on vit avec une chanson depuis si longtemps, on lui trouve toujours de nouvelles facettes, de nouvelles façons de l'exprimer. C'est en ce sens que la chanson est dynamique, – elle continuera d'évoluer, du moins dans la manière dont je m'identifie à elle et dont je l'interprète. Je la compare à du miel, une bonne vieille chanson est comme le miel, elle se bonifie avec l'âge. De même, « Nik Sant Awanha » (« Mes frères, je connais notre situation ») date de la fin des années 90 et constitue l'un des pamphlets politiques les plus incisifs de Bombino, qui y déplore les divisions au sein du peuple touareg, les risques de l'exil et une menace existentielle plus grande encore, la perte de la culture touareg. « Même si, géographiquement, le désert du Sahara est notre patrie, tant de Touaregs se voient refuser ou priver de certaines nécessités de base dans toute la région, explique-t-il. C'est ce qui m'a très largement motivé, le type de chansons que je chante et pourquoi. Je veux que les gens pensent aux Touaregs, et représenter ceux qui ne l'ont pas été. Ils ont vraiment besoin d'une voix. » Outre la perte de représentation au sein des gouvernements de ces pays et l'absence des Touaregs dans la culture dominante, Bombino estime que, même avec l'interconnexion instantanée que les smartphones apportent, « la plus grande menace est celle de la technologie et de la modernisation. Une culture marginalisée comme celle des Touaregs risque de se perdre dans l'homogénéisation culturelle. »En ce qui concerne les thèmes plus généraux abordés par Bombino tout au long de l'album, le morceau acoustique « Mes Amis », qui clôt l'album en douceur, parle de la jeunesse et de l'amour à sens unique. « Il est important d'évoquer les choses personnelles, de se connecter avec les gens de cette façon, en leur apportant des histoires et des thèmes auxquels ils peuvent s'identifier », explique Bombino, ajoutant que le temps supplémentaire passé chez lui, avec ses enfants, l'a aidé à clarifier son objectif. « Tout ce que je fais est au service de ma famille, pour leur donner, et améliorer leur situation. »Le rôle de Wrench a été de mettre en valeur Bombino et son groupe de manière à capter le son touareg (qui s'étend sur des siècles) tout en le reliant à notre présent immédiat. Il ne s'agit pas d'une pièce de musée, mais d'un « maintenant » vivant. Si Wrench s'est fait un nom en mixant et en enregistrant du rock psychédélique et de la musique électronique, il considère Bombino comme partie intégrante de ce spectre. « Pour moi, il n'est pas très éloigné de ces domaines. Les rythmes sont tous en 3 au lieu de 4, mais l'effet est similaire : la répétition, l'intensité et le sentiment procurés ne sont pas si éloignés de la techno. À l'écoute, sa musique provoque un effet similaire : elle peut clairement nous emporter dans un ailleurs très différent. » Titres interprétés au Grand studio- Tazidert Live RFI - Mes Amis, extrait de l'album- Ayes Sachen Live RFI Line Up : Bombino: chant et guitare, Dia : basse, Nabil Othmani : guitare, et Corey Wilhelm : batterie.Son : Mathias Taylor & Benoît Letirant.► Album Sahel (Partisan Rd 2023).Puis Balaphonics & Mary May s'installent dans la #SessionLive pour présenter l'album éponyme.Cet afrobrassband sillonne la France depuis 12 ans en mettant le balafon au centre de sa musique. La rencontre avec la chanteuse Mary May s'est imposée au groupe, fasciné par sa facilité à passer de la soul au rap tout en saisissant le public sur le vif. Dix âmes sur scène qui bouleverseront votre cheminement intérieur et attiseront votre soif de communion.Après un an de travail avec Mary May, Balaphonics a enregistré un album, en janvier 2023, au Studio La Frette pour immortaliser cette galvanisante collaboration. Un titre aurait pu être apposé sur la future pochette du disque, mais pourtant, la seule histoire que raconte cet album, c'est celle d'une rencontre : celle de Balaphonics & Mary May. De deux mondes qui se sont côtoyés sur les scènes et jam parisiennes, pendant des années, avant de coaguler tout au long de l'année 2022. Toujours marqués par la musique partagée avec le griot Moriba Diabaté au Mali, Balaphonics a toujours eu à cœur d'approfondir une relation à la voix sans pour autant franchir le pas. Avec Mary May, voici chose faite.Titres interprétés au Grand studio- True Self Live RFI voir le clip - Soleil Noir, extrait de l'album.- In My Head Live RFI voir le clip. Line Up : Mary May : Chant & Choeurs, Ben Moroy : balafon, guitar, Brice Perda : soubassophone, Florent Berteau : batterie, Julien Cordin : percussions & choeurs, Nicolas Bongrand : trombone, Aristide Gonçalves : trompette & choeurs, Guillaume Grosso : sax baryton flûte traversière & choeurs, Michaël Havard : sax ténor & choeurs et Jean-Christophe Decourrière : guitare.Son : Benoit Letirant, Mathias Taylor.► Album Balaphonics & Mary May (Vlad Productions 2023).

Jessica Lea Mayfield is a singer songwriter born in Ohio who currently lives in California, her first two albums were produced by Dan Auerbach of The Black Keys. She has done National and international tours since her teens headlining and opening for major artists, she's had songs in shows like Parenthood, Gossip Girl, CSI, Pretty Little Liars, & Loudermilk to name a few as well as performing on David Letterman. She's currently recording new music. ** Show June 16th at Gold-diggers in LA. 5632 Santa Monica Blvd, Los Angeles, CA 90038Check Jessica out here:Band camp: jessicaleamayfield.bandcamp.comFacebook: https://www.facebook.com/jessicaleamayfield/Instagram: JessicaleamayfieldX: JessicamayfieldYoutube: JLMayfieldOfficial 

In this episode of Lipps Service, Scott sits down with Patrick Carney, one half of the Black Keys. They delve into Patrick's musical roots, tracing his journey from a young musician to one of the most compelling rock stars of his generation. They explore the formation of the Black Keys, and Patrick also shares anecdotes from touring with iconic acts like Beck and Radiohead, offering a glimpse into his life on the road.The conversation also turns to the importance of resilience in the music industry, as Patrick reflects on the challenges the Black Keys faced in their early days and how they persevered to achieve success. As excitement abounds for the new Black Keys album, Patrick goes into detail about some of the album's singles, and what fans can expect from their new musical offering.Throughout the interview, Patrick's passion for music shines through as he shares insights into his creative process and the evolution of The Black Keys' sound. From humble beginnings to international acclaim, this episode offers a fascinating glimpse into the life and career of one of modern rock's most influential figures. Tune in for a captivating discussion with Patrick Carney! Get up to 48% off your first subscription or 20% off one time purchases with code LIPPS at checkoutwww.magicmind.com/lipps#sponsored #Ad

Hosts Jim DeRogatis and Greg Kot talk with Patrick Carney and Dan Auerbach of The Black Keys, the eclectic garage-rock duo who recently released their twelfth studio album. Jim and Greg also review new records from Shabaka and Hurray for the Riff Raff.Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah Mobile: sayhi.chat/soundops Featured Songs:The Black Keys, "Beautiful People (Stay High)," Ohio Players, Easy Eye Sound, 2024The Beatles, "With A Little Help From My Friends," Sgt. Pepper's Lonely Hearts Club Band, Parlophone, 1967Shabaka, "Insecurities (feat. Moses Sumney)," Perceive Its Beauty, Acknowledge Its Grace, Impulse!, 2024Shabaka, "I'll Do Whatever You Want (feat. Floating Points, Laraaji)," Perceive Its Beauty, Acknowledge Its Grace, Impulse!, 2024Shabaka, "Body To Inhabit (feat. E L U C I D)," Perceive Its Beauty, Acknowledge Its Grace, Impulse!, 2024Shabaka, "As The Planets And The Stars Collapse," Perceive Its Beauty, Acknowledge Its Grace, Impulse!, 2024Hurray For The Riff Raff, "Snake Plant (The Past Is Still Alive)," The Past Is Still Alive, Nonesuch, 2024Hurray For The Riff Raff, "Buffalo," The Past Is Still Alive, Nonesuch, 2024Hurray For The Riff Raff, "Vetiver," The Past Is Still Alive, Nonesuch, 2024Hurray For The Riff Raff, "Ogallala," The Past Is Still Alive, Nonesuch, 2024The Black Keys, "This Is Nowhere," Ohio Players, Nonesuch, 2024The Black Keys, "You'll Pay," Ohio Players, Nonesuch, 2024The Black Keys, "Only Love Matters," Ohio Players, Nonesuch, 2024The Black Keys, "On The Game," Ohio Players, Nonesuch, 2024The Black Keys, "Forgot To Be Your Lover," Ohio Players, Nonesuch, 2024The Black Keys, "Paper Crown (feat. Beck and Juicy J)," Ohio Players, Nonesuch, 2024Cumbia en Moog, "Cumbia de Sal," The Afrosound of Colombia, Vol. 1, Discos Fuentes, 1976The Ambassadors, "I Really Love You," Cooler Than Ice: Arctic Records and the RIse of Philly Soul, Jamie, 2012R.E.M., "Radio Free Europe," Murmur, I.R.S., 1983See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

«Klar, arbeite ich mit euch zusammen – aber nur wenn ihr nach London kommt!» Etwa so oder so ähnlich war Noel Gallaghers Antwort auf die Frage der Black Keys, ob die Britpop-Legende mit den beiden US-Rock'n'Rollern ein paar Songs aufnehmen möchte, erzählt Dan Auerbach im Sounds!-Interview. Immerhin, das Flugticket von Nashville nach London wurde ziemlich schnell amortisiert: innerhalb von nur drei Tagen entstanden drei komplette Songs, die nun allesamt auf dem neuen, zwölften Black Keys-Album gelandet sind. Ebenfalls mit dabei: sieben Tracks, die in enger Zusammenarbeit mit Beck entstanden sind. Ihn bezeichnet Auerbach in unserem Gespräch als «Wasserhahn»: Einmal aufgedreht, sprudeln unaufhörlich musikalische Ideen aus ihm heraus... Aus dem Sounds!-Archiv: * Patrick Carney von den Black Keys ist Pro Captain Beefheart und Anti Greta van Fleet (2022) * Sounds! Album der Woche: The Black Keys «'Let's Rock'» (2019)

Season Six of CIFF Speaks kicks off with a rockstar of a conversation as co-hosts Dee Perry and Aaron Spears talk with Jeff Dupre, director of THIS IS A STORY ABOUT THE BLACK KEYS. A documentary about one of Ohio's most beloved success stories, you guessed it - The Black Keys - Jeff discusses how he went about telling the story of Akron natives Dan Auerbach and Patrick Carney's rise to fame from basement jam sessions to sold out arenas.  CIFF Speaks® is sponsored by Wayside Furniture. Facebook / Twitter / IG / YouTube / Donate

Welcome to Episode 16 of Roots Music Rambler! Join us – hosts Francesca Folinazzo (Frank) and Jason Falls (Falls) as we explore the real roots of the music we love. This week, Falls caught up with rising star Brit Taylor before a recent performance in support of her Kentucky Bluegrassed album. The Hindman, Ky., native actually took 2023's Kentucky Blue, her second album comprised of a number of strong country and Americana nongs, and rendered a bluegrass version of many of those songs with Kentucky Bluegrassed.  The bluegrass version entered the Americana Music Association charts in early March as Taylor went on the road to promote both records. Kentucky Blue was produced by Sturgill Simpson and Dave Ferguson. Taylor also previous wrote songs with Dan Auerbach of the Black Keys.  Frank and Falls also talk about his trip to see Taylor play which included some celebrity spotting, of sorts. They also chat about the potential break-up of Lovejoy, Falls's experience seeing Jason Isbell & the 400 Unit for the first time.  And, of course, both share their regular pickin' the grinnin' recommendations for new music.  Don't forget you can now show your support of the show with Roots Music Rambler's new merch, now available at rootsmusicrambler.com/store. Authentic t-shirts, hats and stickers are now available.  Buckle up for The Hoe-Down and the Throw-Down! It's a new episode of Roots Music Rambler. Notes and links: Lovejoy controversy on The Mirror Brit Taylor online Brit Taylor on Instagram Kentucky Blue on Spotify Kentucky Bluegrassed on Spotify The Americana Music Association charts (current not archived) Silas House on Wikipedia Kindred Valley on Spotify Falls's Instagram post from the Jason Isbell show Isbell's Threads post Frank commented on Joan Shelley on Spotify The Roots Music Rambler Store Roots Music Rambler on Instagram Roots Music Rambler on TikTok  Roots Music Rambler on Facebook Jason Falls on Instagram Francesca Folinazzo on Instagram Pickin' the Grinnin' Recommendations Smushie on Spotify Reilly Downes & The Acid Cowboys on Spotify Sparkle Carcass on Spotify The Waco Brothers on Spotify Jon Langford on Spotify Cabeza de Chivo on Spotify Hermanos Gutierrez on Spotify Logan Ledger on Spotify And be sure to get your MuskOx premium flannel shirts just in time for fall. Use the code RAMBLER on checkout for a discount! - https://gomuskox.com/rambler Subscribe to Roots Music Rambler on Spotify, Apple Podcasts, Google Podcasts, GoodPods or wherever you get your podcasts. Theme Music: Sheepskin & Beeswax by Genticorum Learn more about your ad choices. Visit megaphone.fm/adchoices

The Black Keys are guitarist/vocalist Dan Auerbach, and drummer Patrick Carney. Look for their new album "Ohio Players" on April 5, 2024. www.theblackkeys.com Learn more about your ad choices. Visit podcastchoices.com/adchoices

L. Russell Brown writes hit songs. He is one of the greatest songwriters of the rock era. His catalogue includes two massive hits for Tony Orlando and Dawn - “Tie A Yellow Ribbon” and “Knock Three Times”. “Yellow Ribbon” is one of the most recorded songs of all time and has taken on another life as a song of hope for returning veterans and others. He also wrote “C'mon Marianne” for The Four Seasons, “Sock It To Me Baby” for Mitch Ryder and the Detroit Wheels, and many others. His songs have been recorded by Frank Sinatra, Bing Crosby, Perry Como, Lesley Gore, Johnny Mathis and Donny Osmond. And at 83 he's got a hit record on the charts with “Every Chance I Get I Want You In The Flesh” by Dan Auerbach. My featured song is “Right Now”. Spotify link. ---------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!For more information and other episodes of the podcast click here. To subscribe to the podcast click here.To subscribe to our weekly Follow Your Dream Podcast email click here.To Rate and Review the podcast click here.“Dream With Robert”. Click here.—----------------------------------------“MILES BEHIND”, Robert's first album, was recorded in 1994 but was “lost” for the last 30 years. It's now been released for streaming. Featuring Randy Brecker (Blood Sweat & Tears), Anton Fig (The David Letterman Show), Al Foster (Miles Davis), Tim Ries (The Rolling Stones), Jon Lucien and many more. Called “Hip, Tight and Edgy!” Click here for all links.—--------------------------------------‘THE SINGLES PROJECT” is Robert's new EP, featuring five of his new songs. The songs speak to the ups and downs of life. From the blissful, joyous “Saturday Morning” to the darker commentary of “Like Never Before” and “The Ship”. “This is Robert at his most vulnerable” (Pop Icon Magazine)Reviews: “Amazing!” (Top Buzz Magazine)“Magical…A Sonic Tour De Force!” (IndiePulse Music)“Fabulously Enticing!” (Pop Icon Magazine)“A Home Run!” (Hollywood Digest)Click here for all links.—--------------------------------------“IT'S ALIVE!” is Robert's latest Project Grand Slam album. Featuring 13 of the band's Greatest Hits performed “live” at festivals in Pennsylvania and Serbia.Reviews:"An instant classic!" (Melody Maker)"Amazing record...Another win for the one and only Robert Miller!" (Hollywood Digest)"Close to perfect!" (Pop Icon)A Masterpiece!" (Big Celebrity Buzz)"Sterling effort!" (Indie Pulse)"Another fusion wonder for Project Grand Slam!" (MobYorkCity)Click here for all links.Click here for song videos—-----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com

The singer Britti is from Louisiana, and her debut LP, winningly titled Hello, I'm Britti, is like being introduced to someone who somehow already feels familiar. Britti's songs are full of the classic sounds of vintage soul, New Orleans funk, blues, and even country/heartland rock. Her sultry croon, ranging from Sade-meets-second line to shimmering country-pop (like her childhood favorite Dolly Parton), on her Dan Auerbach-produced debut album, lounges atop a hazy retro vibe with both country twang and a horn section. Britti plays some of these new songs in a stripped-down setting with just voice and guitar, in-studio. Set list: 1. So Tired 2. Nothing Compares to You 3. Keep Running

Part 3 of 3 episodes where The Get Right Band talks about their album iTopia   Quick episode mp3 download https://mcdn.podbean.com/mf/web/57iaj2/Ep_176_Get_Right_Band_iTopia_pt_3b3xm2.mp3   Find The Get Right Band here thegetrightband.com Facebook open.spotify.com YouTube Instagram   Subscribe to the podcast - https://podcasts.apple.com/us/podcast/wnc-original-music/id1378776313 https://www.iheart.com/podcast/wnc-original-music-31067964/   Follow on Social Media https://www.facebook.com/wncoriginalmusic https://www.wncoriginalmusic.com https://www.instagram.com/wnc_original_music/   Thanks to The Sleeping Cliffs  for the closing song Linktree Spotify Bandcamp Youtube Instagram All music used by permission   “The Get Right Band filters 60's/70's psychedelia and 90's alternative rock through a modern lens– as if Led Zeppelin, Pink Floyd, and Nirvana co-wrote an album produced by Danger Mouse and Dan Auerbach.” -American Songwriter   The Get Right Band is a psychedelic indie rock power trio committed to relentlessly following their muses to honest self-expression, to whatever excites them and pushes them into unexplored territory, to capturing some version of truth. American Songwriter writes that the Asheville, NC based group, “filters 60's/70's psychedelia and 90's alternative rock through a modern lens–as if Led Zeppelin, Pink Floyd, and Nirvana co-wrote an album produced by Danger Mouse and Dan Auerbach.” The Get Right Band formed in 2011, built around the musical brotherhood that guitarist/singer/songwriter Silas Durocher and bassist Jesse Gentry have formed playing music together since middle school (25 years!). Durocher, who is a trained composer and has been commissioned to write for symphonies and chamber groups, has guitar chops that can soothe or rage, with a charismatic swagger as frontman and singer. Gentry's virtuosic bass playing “catapults from elastic to nasty” (The Mountain Xpress). Over the years, GRB has defined their sound through constant evolution, building to the hook-driven, synth-heavy pop/rock/psych band they are today. The Huffington Post writes, “their songs are infectious and take you immediately to a place. The lyrics are smart and bear weight.”    “The Get Right Band are the type of performers that you just know will break out. Their songs are infectious and take you immediately to a place. The lyrics are smart and bear weight.” – The Huffington Post   The Get Right Band has shared the stage with Dr. Dog, Everclear, Cracker, UB40, Rusted Root, Smash Mouth, and Lifehouse; been featured on NPR's World Cafe, Paste Studio, and WTF with Marc Maron; and performed at major venues and festivals including The Fillmore, Brooklyn Bowl, Theatre of the Living Arts, The Orange Peel, FloydFest, Bristol Rhythm & Roots, and Riverbend Fest. They have released four studio albums and a live album, and their latest LP, iTopia, dropped on April 7, 2023.     Based in the sprawling Blue Ridge Mountains of Virginia, The Sleeping Cliffs is a solo studio project from multi-instrumentalist Todd Glidewell. Combining elements of indietronica, post-rock, alternative, funk, jazz-fusion and ambient electronica, The Sleeping Cliffs produce emotive, cinematic, instrumental songs. Though not boxed in by any one genre, the songs share an undertow of gritty bass lines, layers of guitar, and big rock drums.  

The return of The Get Right Band continues against all odds   Find The Get Right Band here thegetrightband.com Facebook open.spotify.com YouTube Instagram   Thanks to Stress Dolls  for the closing song Instagram - instagram.com/stressdolls Facebook - facebook.com/stressdollsmusic TikTok - tiktok.com/@stressdolls Youtube - youtube.com/@stressdolls Spotify - https://open.spotify.com/artist/2L4MBngvappicW4avjknRZ?si=GV-cbUQuSmKuSXvwSv3ewA   Subscribe to the podcast - https://podcasts.apple.com/us/podcast/wnc-original-music/id1378776313 https://www.iheart.com/podcast/wnc-original-music-31067964/ This link has all the other places to subscribe https://gopod.me/wncom   Follow on Social Media https://www.facebook.com/wncoriginalmusic https://www.wncoriginalmusic.com https://www.instagram.com/wnc_original_music/   All music used by permission   “The Get Right Band filters 60's/70's psychedelia and 90's alternative rock through a modern lens– as if Led Zeppelin, Pink Floyd, and Nirvana co-wrote an album produced by Danger Mouse and Dan Auerbach.” -American Songwriter   The Get Right Band is a psychedelic indie rock power trio committed to relentlessly following their muses to honest self-expression, to whatever excites them and pushes them into unexplored territory, to capturing some version of truth. American Songwriter writes that the Asheville, NC based group, “filters 60's/70's psychedelia and 90's alternative rock through a modern lens–as if Led Zeppelin, Pink Floyd, and Nirvana co-wrote an album produced by Danger Mouse and Dan Auerbach.” The Get Right Band formed in 2011, built around the musical brotherhood that guitarist/singer/songwriter Silas Durocher and bassist Jesse Gentry have formed playing music together since middle school (25 years!). Durocher, who is a trained composer and has been commissioned to write for symphonies and chamber groups, has guitar chops that can soothe or rage, with a charismatic swagger as frontman and singer. Gentry's virtuosic bass playing “catapults from elastic to nasty” (The Mountain Xpress). Over the years, GRB has defined their sound through constant evolution, building to the hook-driven, synth-heavy pop/rock/psych band they are today. The Huffington Post writes, “their songs are infectious and take you immediately to a place. The lyrics are smart and bear weight.”    “The Get Right Band are the type of performers that you just know will break out. Their songs are infectious and take you immediately to a place. The lyrics are smart and bear weight.” – The Huffington Post   The Get Right Band has shared the stage with Dr. Dog, Everclear, Cracker, UB40, Rusted Root, Smash Mouth, and Lifehouse; been featured on NPR's World Cafe, Paste Studio, and WTF with Marc Maron; and performed at major venues and festivals including The Fillmore, Brooklyn Bowl, Theatre of the Living Arts, The Orange Peel, FloydFest, Bristol Rhythm & Roots, and Riverbend Fest. They have released four studio albums and a live album, and their latest LP, iTopia, dropped on April 7, 2023.   Stress Dolls is the moniker of Chelsea O'Donnell, a songwriter from Buffalo, NY. She writes songs inspired by life experiences, ranging from dealing with chronic illness, to learning to live with anxiety, and even a few love songs thrown in for good measure. Currently, Stress Dolls takes on several forms live: solo with O'Donnell and her acoustic guitar; as a duo when joined by longtime collaborator Sally Schaefer on violin; or as a band when combined with members TJ Luckman (bass), Jordan Smith (lead guitar), and Josh English (drums). The project's sound has drawn such comparisons as "Joni Mitchell meets Nirvana," "Avril Lavigne and Foo Fighters in a blender," and "Kathleen Hanna fronting Modest Mouse."    

This Grammy winner stops by the show to discuss her acclaimed band Flor de Toloache, and her time touring with notable acts such as Dan Auerbach's The Arcs.

Detroit based multi Grammy nominated and two time Grammy winning mixer, producer, musician, and engineer Collin Dupuis has developed a sought after sound over the last fifteen years working with critically acclaimed artists and projects including Yves Tumor, Angel Olsen, Lana Del Rey, St. Vincent, Dr. John, The Black Keys, Ray LaMontange, Richard Swift, and many others. Beginning his career playing in bands, running a DIY recording studio in Michigan, and doing tech work around the Detroit area, he quickly found himself working at FBT (The Bass Brothers) studio as an assistant engineer. Working there, he cut his teeth working with artists and producers of the likes of Mr. Porter, Eminem, Pharoahe Monch, and many more. Working at FBT studios along with working in the tech shop at Vintage King Audio helped to develop a deep understanding of studio work both technically and sonically. This knowledge helped him make connections and bridge the gap into the rock and electronic worlds of the Detroit music scene. He soon got a call to set up a studio at Jack White's house and help out on the White Stripes' “Get Behind Me Satan.” Shortly after that, Collin was hired at Carl Craig's Planet-E records. He engineered for the next five years alongside Carl on remixes, production, live sound in Europe, mastering, and mixing. Collin next got the call from Dan Auerbach to help him get his Akron studio up and running. This led to a move to Nashville and many critically acclaimed albums working as the lead engineer at Auerbach's Easy Eye Sound. During his time at Easy Eye Sound he earned a Grammy win for engineering and mixing Dr. John's “Locked Down”. Along with a Grammy win for engineering Cage The Elephants “Tell Me I Pretty”. Currently, Collin is busy working and living in Detroit, MI. as a freelance musician, mixer and engineer, producing, recording, and mixing albums for artists including Yves Tumor, Angel Olsen, Lawrence Rothman, Special Interest, Boy and Bear, and many others. Along with playing in and co-creating with his band Zoos of Berlin. IN THIS EPISODE, YOU'LL LEARN ABOUT: Saying “yes” to every opportunity Being an entrepreneur vs. following a traditional engineer/assistant path Setting goals for your career Knowing when you are a good fit for a client The hierarchy of what matters during tracking Focusing on the feelings of the musicians vs. the sound of the record Getting the most out of untreated studio spaces Committing ideas for the sake of preserving your intentions Embracing bleed in your recordings How to fix bleed in your mixes Dialling in reverbs right from the beginning of a session How to eliminate “s” sounds from taking over your reverbs Notable gear mentioned in this episode: Audient EVO SP8: https://sweetwater.sjv.io/Or5L9Q SE Microphones: https://sweetwater.sjv.io/DK1Mbj To learn more about Collin Dupuis, visit: https://www.collindupuis.com/ For tips on how to improve your mixes, visit https://masteryourmix.com/ Looking for 1-on-1 feedback and training to help you create pro-quality mixes? Check out my new coaching program Amplitude and apply to join: https://masteryourmix.com/amplitude/ Download your FREE copy of the Ultimate Mixing Blueprint: https://masteryourmix.com/blueprint/ Get your copy of the #1 Amazon bestselling book, The Mixing Mindset – The Step-By-Step Formula For Creating Professional Rock Mixes From Your Home Studio: https://masteryourmix.com/mixingmindsetbook/ Join the FREE MasterYourMix Facebook community: https://links.masteryourmix.com/community To make sure that you don't miss an episode, make sure to subscribe to the podcast on iTunes or on Android. Have your questions answered on the show. Send them to questions@masteryourmix.com Thanks for listening! Please leave a rating and review on iTunes!

Hermanos Gutiérrez may be an instrumental guitar band, but they have zero interest in shredding. Instead the Swiss-Ecuadorian brothers, Estevan and Alejandro Gutiérrez, take a minimalist approach to playing. They create hypnotic, sweeping compositions inspired by classical Latin guitar and film scores from old Spaghetti Westerns. In 2022, after releasing three albums independently, Hermanos Gutiérrez signed to Easy Eye Sound, a label owned and operated by Dan Auerbach, guitarist and vocalist of The Black Keys. Last October they released the album, El Bueno Y El Malo to critical acclaim. The album features the song “Tres Hermanos,” where Auerbach joins the brothers on guitar. Today we'll hear Estevan and Alejandro play that song, along with a couple other songs live from Auerbach's studio in Nashville, TN. Justin Richmond also talks to Hermanos Gutiérrez about how their brotherly spats sometimes fuel their playing. Then they recall a recent performance in Mexico City where they played during a volcanic eruption. And how Dan Auerbach knew he wanted to meet with Hermanos Gutiérrez after seeing them play for just 15 seconds. You can hear a playlist of some of our favorite Hermanos Gutiérrezsongs HERE.See omnystudio.com/listener for privacy information.

The Black Keys are guitarist/vocalist Dan Auerbach, and drummer Patrick Carney. Their new album, "Dropout Boogie," is available on May 13. http://www.theblackkeys.com/