Podcasts about reynols

About the Guest(s):Alan Courtis is an Argentine experimental musician known for his work with the band Reynols. Founded in 1993, the band is distinctive in the experimental rock scene, especially since its lead singer, Miguel Tomasin, has Down syndrome. Courtis has collaborated broadly in the music industry, contributing significantly to avant-garde and noise music. He continues to challenge conventional boundaries by creating innovative musical experiences and focusing on inclusivity within the music world.Episode Summary:In this episode of Think Inclusive, host Tim Villegas navigates us through a fascinating conversation with Alan Courtis from the groundbreaking Argentine band Reynolds. Broadcasting from Marietta, Georgia, while on a vinyl hunting expedition, Tim introduces us to the profound and inspiring story of Miguel Tomasin, a musician with Down syndrome leading a band renowned for its experimental sounds. Courtis dives into the journey and evolution of Reynols, shedding light on how this unique band rose to prominence and discusses the nuances of creating art that transcends conventional expectations.Focusing on inclusivity and diversity in music, the discussion uncovers the band's philosophy of allowing Miguel to drive their creative pursuits. Despite initial skepticism from critics, Reynols has sustained a remarkable 30-year career by creating music that defies typical categorization, enabling audiences to indulge in an unparalleled auditory experience. Alan highlights the importance of embracing the unpredictability of their music-making process and the artistic value this brings. Listeners are encouraged to not only appreciate but also learn from the inclusivity and innovation championed by Reynols.Transcript: https://otter.ai/u/HEU8KnWUGSpDbnvPY7g20fu_uWcKey Takeaways:Reynols band, led by a musician with Down syndrome, creates experimental rock music that defies conventions and embraces unpredictability.The band values Miguel's unique contributions, emphasizing creativity and innovation gained from letting him guide their musical journey.Inclusive art forms can drive significant cultural change and challenge societal norms surrounding disability.Despite facing criticism, Reynols has sustained a 30-year career due to their commitment to breaking musical barriers.Alan Courtis emphasizes living in the present and leveraging individual talents to enrich artistic expression.Resources:Reynols on Facebook: https://www.facebook.com/minecxio/Reynols on Instagram: https://www.instagram.com/reynols_oficial/New York Times article: https://www.nytimes.com/2022/12/02/world/americas/argentina-miguel-tomasin-drummer.html?unlocked_article_code=1.bU4.V4Mi.IOKr7TTILPry&smid=url-shareReynols “Manorla Acuplemo”: https://youtu.be/XqHzgU9czQM?si=yAMwFLffe3kpJLajThanks to our sponsor, IXL: https://ixl.com/inclusiveMCIE: https://mcie.org/ Hosted on Acast. See acast.com/privacy for more information.

▶️ ⏪️ ¿Logrará Deadpool salvar a Marvel? Definitivamente esta película tiene muchas cosas que valen la pena, a la par, de que la mancuerna Reynols y Jackman son increíbles. En este episodio te contamos más sobre esta cinta. Más de Play Rewind en: - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠X (Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠) - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Youtube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Spotify⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Apple Podcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Amazon Music⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Youtube Podcast

SAN ONOFRE-Parlons avec mon amie le Nico SDZ or XTC?! El episodio 999 (17 diciembre 2023) traerá angloentrevista sorpresa londinense. El 1000 lo festejaremos en La Maripepa unos días después con angloentrevista en directo de campanillas. ¡Y recital del mismo jaez! Stay tuned para más detalles SAN ONOFRE, ¿dígame? Can I hear some static? No, I'm ecstatic. Come again? Laissez-moi tranquille! En la SAN ONOFRE, el bueno de Mattin ha quedado convenientemente emparedado, pves, entre dos bellas hogazas: Alan Courtis, de Reynols, con quien intercambiábamos lindezas hace escasas lunas y el preboste de SDZ Records y Crudités Tapes, el parisiense Nicolas Mugnier, a quien azuzaremos hogaño con nuestra proverbial soecidad caracense-onofrita. Nico d'ya dig The Rebel? And Nico, a rooster lays an egg on the top of a hill on the French-Spanish border. Well, where does it end up, mon cherie amie fou? No importa de dónde sea cada uno, pero SAN ONOFRE, al igual que los inefables Hermanos Cubero, somos de Castilla. Hablamos en refranes y frases hechas. Sí, días de mucho en SAN ONOFRE, vísperas de muchísssimo más, caralho. El 24-D se festeja el milésimo chou de nuestro legendario radiofreakshow. Montaremos la marimorena en La Maripepa. ¿Ande si no, galán? Stay tuned for more info. Y justico una semana antes, para celebrar nuestra emisión 999, tendremos en directo en comunicación con La Pérfida Albión a legendaria institución punk londinense a la que contemplan cientos de batallas más que a nosotros. Bon appetit, mes amies onofrites!

SAN ONOFRE-SDZ Records SAN ONOFRE ponemos las lupas esta semana en una disquera afrancesada que da cobijo no sólo a propuestas musicales ciertamente interesantes, sino a alguna de nuestras víctimas angloentrevistadas. De todo, como en botica, tienen estos cuates de la ciudad de la luz estroboscópica. Y todo bueno, ¡eh!. Te lo hacemos llegar onofremente. Sí, "we deliver the goods", que dicen los atejanados, todas las semanas del año. Y mirando por lo que más te conviene en cada ocasión. Riesgo, apertura de miras, escarbar más allá de la superficie, aberración, locura. Nada más. ¿Alguien sabe lo que significa el acrónimo SDZ? Interpelaremos acerca de ello, pves a Nico SDZ, con quien parlarem en antena en dos semanas. ¿Será "éxtasis", como la genial bandaza de La Pérfida Albión? Ah, pves ansí estamos nosotros. Sobre todo, después de haber tenido la semana pasada al teléphono, desde el mismísssimo Cono Sur, a Reynols, la mejor no-banda de la histeria. ¿Encontraremos espacio hoy en la SAN ONOFRE para colar una rola que tenga que ver con Reynols? Pronto disponible el segundo volumen de https://libritosjenkins.bigcartel.com/product/angloentrevistas-traducidas-de-san-onofre?fbclid=IwAR0wUpyVi4q2y_EWfP2UvtlQk8eF3dTrLTdiVgjvS5ZC7yMVqE6EYFQAdL0

SAN ONOFRE-Reynols interviú Trigésimo aniversario y disco en Beat Generation SAN ONOFRE tomamos el megáfono de manos de El Enano y su disquera Beat Generation, que acaban de tener estilo y el sentido suficiente de publicar en flamante placa de vinilo Minexcio Greatest No Hits, a cargo de la institución musical argentina Reynols. Sí, amigos, en SAN ONOFRE llegamos por vez primera a las procelosas aguas de Reynols de la mano de la biblia española de referencia de la música outsider La Música Más Rara del Mundo, de nuestro editor y hombre de Libritos Jenkins, el infinito Frunobulax. Seis lvstros, sais, contemplan a nuestros cuates argentinos, que son, en palabras del bueno de El Enano, "cosa seria y aberrante". Justo lo que nos recomendó el doctor a los muchachos del SAN ONOFRE. Reynols tienen al timón al extremadamente creativo y expansivo Raúl Alfonsín Miguel Tomasín, multiinstrumentista con Síndrome de Down. Platicaremos, no obstante, con los guitarristas Alan Courtis y Roberto Conlazo. ¡Avante los Reynols, locoooo!

Episode 94 Electronic Drone Music   Playlist Yves Klein, “Monotone-Silence Symphony” written in 1947. I could not find any recorded versions of this piece, so I produced this realization of my own to capture the feel and nature of this drone work. Klein conceived this as performance art in which an orchestra would only play a single note, continuously, for 20 minutes followed by another 20 minutes of silence. I've examined the score and can see that Klein also intended that the same note could be played in different octaves. The playing would have been staged so that one group of musicians could overlap another, both for reasons of fatigue but also to allow smooth transitions for the wind instruments because players would need to take a breath. My version includes electronic instruments for multiple parts, each part playing the same note, often in different octaves. The introduction of instrumental groups was planned in stages, each overlapping the previous grouping, gradually shortening in duration as the piece goes on. La Monte Young and Marian Zazeela, “31 VII 69 10:26 - 10:49 PM” from 31 VII 69 10:26 - 10:49 PM / 23 VIII 64 2:50:45 - 3:11 AM The Volga Delta (1969 Edition X). Eponymous untitled album popularly known as "The Black Record" or "The Black Album" Mine is an original copy. The cover is black gloss print on matt black and very hard to read. Numbered edition limited to 2800 copies of which numbers 1-98 are dated and signed by the artists. This work “was recorded at the date and time indicated in the title, at Galerie Heiner Friedrich, München. The work “31 VII 69 10:26-10:49 PM” is a section of the longer work: Map Of 49's Dream The Two Systems Of Eleven Sets Of Galactic Intervals Ornamental Lightyears Tracery. Play this side at 33 1/3 rpm only.” Early work employing electronic drones. By the mid-sixties, Young and his partner Marian Zazeela were creating music for electronic drones as an extension of their group, The Theatre of Eternal Music. Using a Heathkit sine wave oscillator and later Moog modules as sources, they created drone pieces that employed “extended duration time signatures” and “long sustained tones, intervals, triads and chords to create the musical texture.” A reissue has now occurred on the label Super Viaduct. Tony Conrad, “Process Four of Fantastic Glissando” from Fantastic Glissando (2006 Table of The Elements). Dating from 1969, this recording contains various versions of the same sound piece, each processed slightly differently. “Process Four” accumulates the processed applied to the previous three processes. The first glissando recording was made using a sine wave oscillator processed through pump counter with a stereo-phase glissando. Recorded December 12, 1969, on a Revox reel-to-reel tape recorder set at 3¾ ips. Conrad was in LaMonte Young's circle of friends and performers and joined him on many productions of The Theatre of Eternal Music. Teresa Rampazzi , “Duodeno normale” and “Duodeno Patologico” from Musica Endoscopica (1972). Here we have two short electronic works from this remarkable women composer that emphasize the drone. The pulsing tones and textures were played manually using audio oscillators. Music produced by the N.P.S. (Nuove Proposte Sonore) group for the documentary entitled "Gastroscopia" (Gastroscopy) realized in 1972 by Prof. Domenico Oselladore, University of Padova, in collaboration with Istituto De Angeli s.p.a., Milan. This documentary was presented at the Scientific Film Festival, Policlinico Universitario di Padova, 1972. “Duodeno Normale” begins with a drone consisting of two continuous tones: a low-pitched buzz from a sawtooth wave accompanied by a pulsating higher-pitched tone. The drone is joined at the 11-second mark by a high-pitched ringing tone played on a third oscillator. This ringing tone is repeated every 5–8 seconds and sustained for two or more seconds each time. The irregular timing of the tone suggests that Rampazzi was manually playing it by turning the dial of an oscillators. The ringing tone is sustained for the duration of the piece, creating a three-part drone. The drones fade out, beginning with the lower buzzing tone. “Duodeno Patologico” uses a similar process. The Taj-Mahal Travelers, “The Taj-Mahal Travelers Between 6:20~6:46P.M.” from July 15, 1972 (1972 CBS/Sony). Released in Japan. Early album by the group founded by experimental electronic musician and violinist Takehisa Kosugi. Electronic Contrabass, Suntool, Harmonica, Performer Sheet Iron, Ryo Koike; Guitar Electronic Quiter, Percussion, Michihiro Kimura; Electronic Trumpet, Harmonica, Castanets, Seiji Nagai; Vibraphone, Santoor Suntool, Yukio Tsuchiya; Electronic Violin, Electronics, Radio Oscillators, Voice, Takehisa Kosugi; Vocals, Tokio Hasegawa. This album was recorded live at Sohgetsu Hall, Tokyo, Japan, July, 1972. Originally released using Sony's SQ quadraphonic system. Yoshi Wada, “Earth Horns with Electronic Drone”(1974) from Earth Horns with Electronic Drone (2009 EM Records). Recorded at Everson Museum of Art, Syracuse, New York, February 24, 1974. Electronics, Liz Phillips; Pipehorn Players, Barbara Stewart, Garrett List, Jim Burton, Yoshi Wada; Electronic equipment designed by, Liz Phillips, Yoshi Wada; Pipehorns constructed by, composed by, recorded by, Yoshi Wada. Combining four of Wada's self-made "pipehorns" (constructed of plumbing materials, over three meters in length), with an electronic drone tuned to the electrical current of the performance space, this is a lost masterpiece of early drone/minimalism. The performance filled the space with complex overtones generated by the ever-shifting interplay of the breathing horns and the constant electronic drone. Lou Reed, “Metal Machine Music” (1975 RCA). All music and electronics by Lou Reed. Inspired by LaMonte Young, this is what I would call a noise drone! Reed himself points to the influence of Young in his lean liner notes. "SPECIFICATIONS: No Synthesizers, No ARP, No Instruments?” Sony 1/2 track; Uher 1/4 track; Pioneer 1/4 track; 5 piggyback Marshall Tube Amps in series; Arbitor distortor (Jimi's); Marantz Preamps; Marantz Amps; Altec Voice of America Monitor Speakers; Sennheiser Headphones; Drone cognizance and harmonic possibilities vis a vis Lamont Young's Dream Music; Rock orientation, melodically disguised, i.e. drag; Avoidance of any type of atonality.; Electro-Voice high filter microphones; Fender Tremolo Unit; Sunn Tremolo Unit; Ring Modulator/Octave Relay Jump; Fender Dual Showman Bass Amp with Reverb Unit (Pre-Columbia) white. Eliane Radigue, “Triptypch” Part 2” (1978). (2009 Important Records). Electronic Instrumentation: ARP 2500 modular synthesizer and analog, multitrack tape composition. The piece uses real-time ARP programming, tape loops, and recorded acoustic sounds. This piece is characteristic of Radigue's fervent exploration of gradually changing layers of harmonically intersecting tones. It is the kind of drone work that can easily dip the listener into a pool of trance and is one of the composer's many works grounded by her dedication to Tibetan Buddhism. Note the overall slowly evolving changes formed by overlapping sustained tones presented without any clearly articulated beginnings and endings. John Cage, Gary Verkade, “Organ2/ASLSP” from The Works for Organ (2013 Mode). John Cage composed “Organ2/ASLSP” in 1987 for solo organ. This piece has been realized at a variety of lengths, from about 30 minutes, to 8 hours, and what is arguably the longest interpretation of music ever played, now 23 years into its projected run of 639-years being performed now in Halberstadt Cathedral, Germany where a special organ was created to perform the piece unattended until a chord change is called for. This work is not electronic, although the pipe organ may be thought of by some, including me, as the first synthesizer. Although I won't be playing this work except in the background of this introduction, I needed to mention it because of its significance in the canon of drone music. “This composition consists, like Cage's ASLSP, of 8 pieces. Unlike ASLSP, however, all pieces here should be played. Any of the 8 pieces may be repeated, and these repetitions may be played subsequent to any of the other pieces. The published score consists of a title page, brief instructions, and 4 leaves with music. Each page contains 2 pieces.” Phill Niblock, “Guitar, too, for four—The Massed Version” from G2,44+/x2 (2002 Moikai). 24-track mix of guitar samples from Rafael Toral, Robert Poss, Susan Stenger, David First. Guitarists adding 2 live parts each to the 24 track mix version: Kevin Drumm, Lee Ranaldo, Thurston Moore, Robert Poss, Alan Licht. Niblock's usually works with acoustic instruments, so this venture with electric guitar is somewhat unique in his body of work. He asks musicians to play parts that are first recorded and then reworked in the mixing and editing process, largely to eradicate pauses and silences so that the sounds can be blended without such interruptions. Pauline Oliveros and Reynols, "Half a Dove in New York, Half a Dove in Buenos Aires" (1999) (2022 Smalltown Supersound). Reynols is an Argentinian experimental band that began in 1993 as Burt Reynols Ensamble. Band member Alan Courtis wrote to me, saying, “First of all, thanks a lot for mentioning our Pauline Oliveros in the arms of Reynols collaboration in your book Electronic & Experimental Music. She was a great musician/composer and friend.” After which he pointed me to a “recent release of an old project we made with Pauline back in 1999.” This is it! Opening background music: Tony Conrad, Arnold Dreyblatt, Jim O'Rourke, “Side 1” from Tonic 19-01-2001 (2023 Black Truffle). Performers, Arnold Dreyblatt, Jim O'Rourke, Tony Conrad. Recorded January 19,2001 at Tonic, New York City. Opening and closing sequences voiced by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. See my companion blog that I write for the Bob Moog Foundation. For additional notes, please see my blog, Noise and Notations.

Con Diego Pil

Els quatre corredors del Club Atletisme Lloret - La Selva han aconseguit classificar-se a la jornada prèvia d'aquest diumenge, a l'estadi Joan Serrahima de Barcelona.

Nuestros humoristas Leonor Lavado, Carlos Latre, Sara Escudero, Leo Harlem y Borja Fernández Sedano nos acompañan en 'La Hora Guasa'. Comenzamos analizando la actualidad con Antonio García Ferreras (Latre) y Susanna Griso, con la que vemos el nivel que tienen de las materias de Selectividad algunas personas como Pocholo, Estela Reynols o Juan de los Chunguitos. Luego, somos testigos de cómo el servicio de atención al consumidor de una empresa de electricidad trata a sus clientes. Además, vienen al programa Ferrán Monegal y la ministra María Jesús Montero para comentar una noticia relacionada con la economía sumergida. 

Nuestros humoristas Leonor Lavado, Carlos Latre, Sara Escudero, Leo Harlem y Borja Fernández Sedano nos acompañan en 'La Hora Guasa'. Comenzamos analizando la actualidad con Antonio García Ferreras (Latre) y Susanna Griso, con la que vemos el nivel que tienen de las materias de Selectividad algunas personas como Pocholo, Estela Reynols o Juan de los Chunguitos. Luego, somos testigos de cómo el servicio de atención al consumidor de una empresa de electricidad trata a sus clientes. Además, vienen al programa Ferrán Monegal y la ministra María Jesús Montero para comentar una noticia relacionada con la economía sumergida. 

Nuestros humoristas Leonor Lavado, Carlos Latre, Sara Escudero, Leo Harlem y Borja Fernández Sedano nos acompañan en 'La Hora Guasa'. Comenzamos analizando la actualidad con Antonio García Ferreras (Latre) y Susanna Griso, con la que vemos el nivel que tienen de las materias de Selectividad algunas personas como Pocholo, Estela Reynols o Juan de los Chunguitos. Luego, somos testigos de cómo el servicio de atención al consumidor de una empresa de electricidad trata a sus clientes. Además, vienen al programa Ferrán Monegal y la ministra María Jesús Montero para comentar una noticia relacionada con la economía sumergida. 

Första rad: När det en gång blivit korrekt Uppläsning: Lina Rydén Reynols Diktsamling: "Läs mina läppar" (Nirstedt litteratur, 2020) MUSIK Mats Eilertsen: Dias EXEKUTÖR Fredrik Ljungkvist, klarinett, Ernst Reijseger, cello, Mats Eilertsen, kontrabas och Thomas Strönen, trummor.

Nu är det Maries tur att svara på frågor! För programledaren för Lundströms bokradio i P1 har just debuterat med romanen Sanningens kalas. Och då handlar det om räkna ut vad man måste släppa (ibland kärlek!) och vad man måste bita fast i (också kärlek!). I podden pratar vi om meningslöshet, mammarelationen, svart humor och att ställa sitt bogvisir på vid gavel. Och till kaffet blir det Athena Farrokzhads nya diktsamling I rörelse, presenterad av förläggare Lina Rydén Reynols. Programledare Lisa Tallroth. See acast.com/privacy for privacy and opt-out information.

Greetings and welcome to Episode 10 of Anechoic Chamber, free form audio from the margins of arts and culture. This week's guest is perhaps Argentina's most eclectic musical export, Reynols. True to that eclectic form, this edition of Anechoic Chamber will proceed a little differently than before. After several email exchanges with founding member Anla Courtis, it was decided to do a show which would be wholly comprised of examples from Reynols' sonic universe along with narration, by me, of their biography, as previously printed in the 2018 Pica-Disk box set ["Minecxio Emanations"] dedicated to the band. For newcomers: Reynols was founded in 1993 and has ever since been powered by the singular vision of Miguel Tomasin, a drummer / vocalist with Down's Syndrome whose unorthodox interpretation of the universe around him gave rise to both musical forms and non-musical concepts the likes of which “normal” musicians, so-called, still struggle to create in order to differentiate themselves from their thousands of peers. Despite being no strangers to the interview circuit, being the subjects of various documentaries and (as we will get to in short order) being on Argentinian national television for a considerable amount of time, a certain fog of mysteriousness still covers the band's activities and many of their acolytes might agree that it's better this way. So, in this spirit, we'll honor Anla's request continue by allowing the band's music center stage. All musical selections by Reynols, available on the following releases: https://www.discogs.com/Acid-Mothers-Reynols-Vol1/release/14832178 https://www.discogs.com/Reynols-Minecxio-Emanations-1993-2018/release/13340854 some additional new releases by the artist: - Gordura Vegetal Hidrogenada 25th Anniversary in a special "dematerialized LP" format edition https://reynols.bandcamp.com/album/gordura-vegetal-hidrogenada - Reynols "Gona Rubian Ranesa" LP Outlier Communications (Canada) https://outliercommunications.bandcamp.com/ Anechoic chamber links donate via Paypal: tbwb@protonmail.com general inquiries. core@tbwb.net

En este episodio de USM: Recorremos la ciudad de la furia en los ojos de Pommez Internacional y el Rock and Roll de la Calle Cortada; Picoteamos "Astucia" el nuevo disco de Paul Higgs y quedamos deslumbrados; damos la vuelta al mundo en 3 canciones; nos ponemos elegantes y listos para beber con Palta & The Mood y Resistencia; y finalmente un Bonus Track que nos dejará fuera de esta dimensión. TRACKLIST COMPLETO DEL PROGRAMA: Pommez Internacional - Rock and Roll de la Calle CortadaPalta and the Mood - ResistenciaPaul Higgs - Suerte Felina & DesenfadoPaul Higgs - DiastemaPaul Higgs - Holy MolyPaul Higgs - Más Pronto Que Tarde LINKS DATEROS: Entrevista Pommez Internacional sobre Infierno Porteño I (2019)Vuelta al mundo en 14 canciones (Julio)Documental "Buscando a Reynols" NUESTRA PLAYLIST CON LO QUE SUENA EN EL PROGRAMA

Första rad: knep för att minnas namn Uppläsning: Lina Rydén Reynols Diktsamling: Läs mina läppar" (Nirstedt litteratur, 2019) MUSIK Johan Lindström: The Wind and the Leaves EXEKUTÖR Tonbruket

Första rad: Vänta på det som ska komma som väntan Uppläsning: Lina Rydén Reynols Diktsamling:Läs mina läppar" (Nirstedt litteratur, 2019) MUSIK Erik Satie: Nocturne nr 4 EXEKUTÖR Jean-Pierre Armengaud, piano

Poeten Lina Rydén Reynols som nyligen utkommit med diktsamlingen Läs mina läppar gästar avsnitt trettiotre av Hysteria. Vi pratar om hur kropp, arbete, och text hör ihop i skrivandet, om automatisering och AI, och om vikten att i dikten trycka på hur ekonomisk under– och överordning spelar roll för vårt varande. Hör också Lina läsa ur Läs mina läppar.

Episode 415: May 5, 2019 playlist: JK Flesh, "In Your Pit" (In Your Pit) 2019 Pressure Diamanda Galas, "Balm in Gilead (live at the Knitting Factory, 1998)" (The Cleopatra Set) 2008 Intravenal Sound Operations Brian Harnetty, "Amanda" (Shawnee, Ohio) 2019 Karl Kukangendai, "Chigaukoto wo Kangaeyo" (Palm) 2019 Ideologic Organ Zachary Paul, "Premonition" (A Meditation on Discord) 2019 Touch Luc Ferrari, "Unheimlich Schon (excerpt)" (Music Promenade / Unheimlich Schon) 1993 Metamkine / 2019 Recollection GRM Chris Corsano and Bill Orcutt, "Cyclone 1" (Electric Smog) 2019 Unrock Reynols, "Ruavas Ruman Macia" (Minecxio Emanations 1993-2018) 2019 Pica Disk Yannick Franck presents Mt. Gemini, "What Can I Do" (Just Like a River) 2019 Sub Rosa Keith Fullerton Whitman, "Nantes Playthroughs (1)" (Late Playthroughs) 2019 self-released Email podcast at brainwashed dot com to say who you are; what you like; what you want to hear; share pictures for the podcast of where you're from, your computer or MP3 player with or without the Brainwashed Podcast Playing; and win free music! We have no tracking information, no idea who's listening to these things so the more feedback that comes in, the more frequent podcasts will come. You will not be put on any spam list and your information will remain completely private and not farmed out to a third party. Thanks for your attention and thanks for listening.

Har ekonomin tågat in i den poetiska texten och inte bara i debatten? Författarna Aase Berg, Johan Jönson och förläggaren Gunnar Nirstedt om poesins produktionsvillkor. I Johan Jönsons diktverk "Marginalia" förekommer ordet pengar minst 1000 gånger, ofta som ett bristtillstånd, bryter sönder dikten. "Nu har vi pengar så nu kan vi sova", vem har snott våra jävla skitpengar?" Han menar att han avtäcker en statisk dominant ideologi och introducerar bland mycket annat ordet "bankkontosubjekt". Det är som vara en djuphavsfisk på havets botten, det är alldeles mörkt och alla ligger och väntar på att det ska singla ner ett litet pris, säger Aase Berg om stämningen när många poeter träffas. Nu har hon gjort en avstickare från lyriken med prosaboken "Haggan", där huvudpersonen skriver en del om stora förskott och otippade mecenater i Bergslagen. Den första boken som kommer ut på Gunnar Nirstedts nystartade förlag är Lina Rydén Reynols  "Läs mina läppar" där produktionsvilllkoren redovisas på bokens baksida: förskott, royalties, försäljarnas inköpspris. I Katarina Wikars reportage förekommer också Strindbergs tiggarbrev, Birger Sjöbergs aktiespekulationer och återanvända frågor om författarekonomier. Katarina Wikars katarina.wikars@sverigesradio.se

Den svenska filmen Aniara har haft premiär och Harry Martinsons rymdepos har återigen blivit aktuellt. Men vad är lockelsen med verket, som kan användas till allt från opera till seriebok? Miman. Mimaroben. Gondoldern och färden mot lyrans bild - betydelsefulla begrepp i Harry Martinsons diktverk Aniara från 1956. I dagens P1 Kultur medverkar kulturredaktionens kritiker Jenny Teleman och dramaturg Magnus Lindman för att diskutera det klassiska diktverket. Hur kommer det sig att det har lockat till så många olika konstnärliga tolkningar - för scen, för text, för bild? Vad är det i berättelsen som gör den så användbar och hur bra är den ursprungliga texten?  Irriterande myggsurr och orgelmusik med brasilianska gamla melodier möter besökarna till helgen på Röda Stens konsthall i Göteborg. Då öppnar ljudkonstnären Vivan Caccuris ljudkonst-utställning och hon menar att myggan är ett politiskt djur. Hon vill att verket ska ge en upplevelse av de visioner och hallucinationer som drabbar offren för gula febern. Hennes verk A Soul Transplant har hon till större delen komponerat och satt ihop på den stora orgeln i Studio Acusticum i Piteå och P1 Kulturs reporter Helene Alm har varit där och träffat Vivan Caccuri. Nu i början av året har diktsamlingar av två debutanter getts ut, Lina Rydén Reynols - som skrivit Läs mina läppar - och Mormorordning, hägringsöar av Kalle Hedström Gustafsson. Litteraturkritikern Hanna Jedvik medverkar i ett kritiksamtal i dagens program, som också har sett Rocky horror show i regi av Nils Poletti på Östgötateatern. Dessutom blir det en OBS-essä om Ingmar Bergmans förhållande till publiken. Flera av hans texter publicerades först i veckotidningar och månadsjournalen, något som kanske inte är särskilt känt i dag. Ulrika Knutson har gått ner i arkiven. Programledare: Måns Hirschfeldt Producent: Maria Götselius

Pre-hispanic traditions, classical guitar genius, major label rebellion. The Argentinean musician discusses three important albums.