Podcasts about she stoops

Oliver Goldsmith (born Nov. 10, 1730, Kilkenny West, County Westmeath, Ire.—died April 4, 1774, London) was an Anglo-Irish essayist, poet, novelist, dramatist, and eccentric, made famous by such works as the series of essays The Citizen of the World, or, Letters from a Chinese Philosopher (1762), the poem The Deserted Village (1770), the novel The Vicar of Wakefield (1766), and the play She Stoops to Conquer (1773).Goldsmith was the son of an Anglo-Irish clergyman, the Rev. Charles Goldsmith, curate in charge of Kilkenny West, County Westmeath. At about the time of his birth, the family moved into a substantial house at nearby Lissoy, where Oliver spent his childhood. Much has been recorded concerning his youth, his unhappy years as an undergraduate at Trinity College, Dublin, where he received the B.A. degree in February 1749, and his many misadventures before he left Ireland in the autumn of 1752 to study in the medical school at Edinburgh. His father was now dead, but several of his relations had undertaken to support him in his pursuit of a medical degree. Later on, in London, he came to be known as Dr. Goldsmith—Doctor being the courtesy title for one who held the Bachelor of Medicine—but he took no degree while at Edinburgh nor, so far as anyone knows, during the two-year period when, despite his meagre funds, which were eventually exhausted, he somehow managed to make his way through Europe. The first period of his life ended with his arrival in London, bedraggled and penniless, early in 1756.Goldsmith's rise from total obscurity was a matter of only a few years. He worked as an apothecary's assistant, school usher, physician, and as a hack writer—reviewing, translating, and compiling. Much of his work was for Ralph Griffiths's Monthly Review. It remains amazing that this young Irish vagabond, unknown, uncouth, unlearned, and unreliable, was yet able within a few years to climb from obscurity to mix with aristocrats and the intellectual elite of London. Such a rise was possible because Goldsmith had one quality, soon noticed by booksellers and the public, that his fellow literary hacks did not possess—the gift of a graceful, lively, and readable style. His rise began with the Enquiry into the Present State of Polite Learning in Europe (1759), a minor work. Soon he emerged as an essayist, in The Bee and other periodicals, and above all in his Chinese Letters. These essays were first published in the journal The Public Ledger and were collected as The Citizen of the World in 1762. The same year brought his Life of Richard Nash, of Bath, Esq. Already Goldsmith was acquiring those distinguished and often helpful friends whom he alternately annoyed and amused, shocked and charmed—Samuel Johnson, Sir Joshua Reynolds, Thomas Percy, David Garrick, Edmund Burke, and James Boswell. The obscure drudge of 1759 became in 1764 one of the nine founder-members of the famous Club, a select body, including Reynolds, Johnson, and Burke, which met weekly for supper and talk. Goldsmith could now afford to live more comfortably, but his extravagance continually ran him into debt, and he was forced to undertake more hack work. He thus produced histories of England and of ancient Rome and Greece, biographies, verse anthologies, translations, and works of popular science. These were mainly compilations of works by other authors, which Goldsmith then distilled and enlivened by his own gift for fine writing. Some of these makeshift compilations went on being reprinted well into the 19th century, however.By 1762 Goldsmith had established himself as an essayist with his Citizen of the World, in which he used the device of satirizing Western society through the eyes of an Oriental visitor to London. By 1764 he had won a reputation as a poet with The Traveller, the first work to which he put his name. It embodied both his memories of tramping through Europe and his political ideas. In 1770 he confirmed that reputation with the more famous Deserted Village, which contains charming vignettes of rural life while denouncing the evictions of the country poor at the hands of wealthy landowners. In 1766 Goldsmith revealed himself as a novelist with The Vicar of Wakefield (written in 1762), a portrait of village life whose idealization of the countryside, sentimental moralizing, and melodramatic incidents are underlain by a sharp but good-natured irony. In 1768 Goldsmith turned to the theatre with The Good Natur'd Man, which was followed in 1773 by the much more effective She Stoops to Conquer, which was immediately successful. This play has outlived almost all other English-language comedies from the early 18th to the late 19th century by virtue of its broadly farcical horseplay and vivid, humorous characterizations.During his last decade Goldsmith's conversational encounters with Johnson and others, his foolishness, and his wit were preserved in Boswell's Life of Samuel Johnson. Goldsmith eventually became deeply embroiled in mounting debts despite his considerable earnings as an author, though, and after a short illness in the spring of 1774 he died.-bio via Britannica This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

Melvyn Bragg and guests discuss the renowned and versatile Irish writer Oliver Goldsmith (1728 - 1774). There is a memorial to him in Westminster Abbey's Poet's Corner written by Dr Johnson, celebrating Goldsmith's life as a poet, natural philosopher and historian. To this could be added ‘playwright' and ‘novelist' and ‘science writer' and ‘pamphleteer' and much besides, as Goldsmith explored so many different outlets for his talents. While he began on Grub Street in London, the centre for jobbing writers scrambling for paid work, he became a great populariser and compiler of new ideas and knowledge and achieved notable successes with poems such as The Deserted Village, his play She Stoops to Conquer and his short novel The Vicar of Wakefield. WithDavid O'Shaughnessy Professor of Eighteenth-Century Studies at the University of GalwayJudith Hawley Professor of Eighteenth-Century Literature at Royal Holloway, University of LondonAnd Michael Griffin Professor of English at the University of LimerickProducer: Simon TillotsonReading list:Norma Clarke, Brothers of the Quill: Oliver Goldsmith in Grub Street (Harvard University Press, 2016)Leo Damrosch, The Club: Johnson, Boswell, and the Friends Who Shaped an Age (Yale University Press, 2019)Oliver Goldsmith (ed. Aileen Douglas and Ian Campbell Ross), The Vicar of Wakefield: A Tale, Supposed to Be Written by Himself (first published 1766; Cambridge University Press, 2024)Oliver Goldsmith (ed. Arthur Friedman), The Vicar of Wakefield (first published 1766; Oxford University Press, 2008)Oliver Goldsmith (ed. Arthur Friedman), The Collected Works of Oliver Goldsmith, 5 vols (Clarendon Press, 1966) Oliver Goldsmith (ed. Robert L. Mack), Oliver Goldsmith: Everyman's Poetry, No. 30 (Phoenix, 1997)Oliver Goldsmith (ed. James Ogden), She Stoops to Conquer (first performed 1773; Methuen Drama, 2003)Oliver Goldsmith (ed. James Watt), The Citizen of the World (first published 1762; Cambridge University Press, 2024)Oliver Goldsmith (ed. Nigel Wood), She Stoops to Conquer and Other Comedies (first performed 1773; Oxford University Press, 2007)Michael Griffin and David O'Shaughnessy (eds.), Oliver Goldsmith in Context (Cambridge University Press, 2024)Michael Griffin and David O'Shaughnessy (eds.), The Letters of Oliver Goldsmith (Cambridge University Press, 2018)Roger Lonsdale (ed.), The Poems of Gray, Collins and Goldsmith (Longmans, 1969)In Our Time is a BBC Studios Audio production

jQuery(document).ready(function(){ cab.clickify(); }); Original Podcast with clickable words https://tinyurl.com/258u6eve Contact: irishlingos@gmail.com Actor and comedian Jon Kenny has died. An t-aisteoir agus an fuirseoir Jon Kenny tar éis bháis. Actor and comedian Jon Kenny, who rose to fame as one of Pat Shortt's Unbelievables duo, has died. Tá an t-aisteoir agus an fuirseoir Jon Kenny, a bhain cáil amach mar dhuine den dís d'Unbelievables le Pat Shortt, ar éis bháis. He was 66 years old and had been receiving treatment for the past year for his cancer. 66 bliain d'aois a bhí sé agus bhí sé ag fáil cóir leighis le bliain anuas don ailse a bhí air. He achieved national and international fame in the 1990s with his half-brother Pat Shortt in his Unbelievables show as a witty duo with a witty and witty way of speaking. Bhain sé cáil náisiúnta agus idirnáisiúnta amach sna 1990aidí lena leathbhádóir Pat Shortt ina seó d'Unbelievables mar bheirt shaoithiúil a raibh cora cainte tíorúla agus barrúla acu. He pursued his career as an actor in the films The Van, Les Misérables (1998), Angela's Ashes, Mrs Brown's Boys D'Movie, Song of the Sea, Wolfwalkers, and most recently in The Banshees of Inisherin, where he again worked with Pat Short. Shaothraigh sé a ghairm mar aisteoir sna scannáin The Van, Les Misérables (1998), Angela's Ashes, Mrs Brown's Boys D'Movie, Song of the Sea, Wolfwalkers, agus le déanaí i The Banshees of Inisherin, áit ar oibrigh sé arís le Pat Shortt. He was also seen in one episode of the Father Ted series. Chonacthas é i gclár amháin den tsraith Father Ted chomh maith. On the theater stage he produced plays such as John B Keane's The Matchmaker; She Stoops to Conquer by Oliver Goldsmith at the Abbey Theater and this solo by Katie Holly Crowman, in which he played the part of ten people. Ar ardán na hamharclainne rinne sé drámaí mar The Matchmaker de chuid John B Keane; She Stoops to Conquer de chuid Oliver Goldsmith in Amharclann na Mainistreach agus an seo aonair de chuid Katie Holly Crowman, ina ndearna sé páirt dheich bpearsa. Jon Kenny was originally from County Limerick. Ba as Contae Luimnigh ó dhúchas Jon Kenny.

Episode 072: She Stoops to Conquer by Oliver Goldsmith Host: Douglas Schatz Guest: Tom Littler Welcome to The Play Podcast where we explore the greatest new and classic plays. Each episode we choose a single play to talk about in depth with our expert guest. We'll discuss the play's origins, its themes, characters, structure and impact. For us the play is the thing. Oliver Goldsmith's ‘sentimental' or ‘laughing' comedy She Stoops to Conquer is both a romantic comedy and a deft social satire of town and country in late 18th century England. It's merry-go-round of romantic intrigues comes complete with mistaken identities, stolen jewels and a midnight coach ride that ends mired in a horse pond. There is never much doubt however that in the end it is the women who will conquer. As we record this episode a sparkling new production is on stage at the Orange Tree Theatre in Richmond-upon-Thames, and I'm delighted to be joined today by its director, Tom Littler, who is perfectly placed to tell us why this play has proved so enduringly popular.

"Many. say of me, 'There is no help for him.'" Ps 3:2 NKJVA Christian leader writes: "Oliver Goldsmith was born the son of a poor preacher in Ireland in the 1700s. Growing up, he wasn't a great student. In fact, his schoolmaster labeled him a 'stupid blockhead! He did manage to earn a college degree, but he finished at the bottom of his class. He was unsure of what he wanted to do. At first he tried to become a preacher, but it didn't suit him...Next he tried law but failed at it. He then settled on medicine, but he was an indifferent doctor...not passionate about his profession. He was able to hold several posts only temporarily. Goldsmith lived in poverty, was often ill, and once even had to pawn his clothes to buy food. It looked like he would never find his way. But then he discovered an interest and aptitude for writing and translating. At first, he worked as a Fleet Street reviewer and writer. But then he began to write works that came out of his own interests. He secured his reputation as a novelist with The Vicar of Wakefield, a poet with 'The Deserted Village,' and a playwright with She Stoops to Conquer." Goldsmith's story sounds a lot like the psalmist David's-and maybe yours too: "Many are they who say of me, 'There is no help for him in God. But You, O Lord, are a shield for me, my glory and the One who lifts up my head" (vv. 2-3 NKJV).You may be down today, but God will lift you up if you turn to Him for guidance and cooperate with His plan for your life.Support the showChanging Lives | Building Strong Family | Impacting Our Community For Jesus Christ!

Oklahoma! star Patrick Vaill, who's starring as Dr Brenner in the new stage production of Stranger Things - The First Shadow, joins us to discuss everything from the upside down.We review Alice Birch's adaptation of Lorca's The House of Bernarda Alba, starring Dame Harriet Walter and Isis Hainsworth, directed by Rebecca Frecknall.And for our second review it's Oliver Goldsmith's She Stoops to Conquer at the Orange Tree theatre in Richmond. This is a Christmas set version of the play, but is it a festive treat or a load of baubles?We discuss A Mirror coming to the West End in 2024, Andrew Lloyd Webber's comments about more investment needed for British shows, and we ask you what your first memory of theatre is. Let us know at theatrepod@standard.co.uk. Hosted on Acast. See acast.com/privacy for more information.

She Stoops to Conquer; Or, The Mistakes of a Night: A Comedy

Michael P. Toner has been acting, directing, dialect coaching and specializing in Irish theatre for over 49 years. His recent roles include doing Phil Hogan in O'Neill's Moon For The Misbegotten for Walnut Street Theatre (with national tour). Other WST credits include She Stoops to Conquer, Philadelphia, Here I Come!, Conversations With My Father, 1776, Someone Who'll Watch Over Me, and The Caretaker. Other Brian Friel plays include Volunteers, Dancing At Lughnasa, Aristocrats, Translations and his one-man play based on Friel's works, The Humours Of Ballybeg. Recent roles include Knacker Woods in Marie Jones's Rock Doves, Vladimir in Beckett's Waiting for Godot and the one-man play Crossing The Threshold into the House of Bach by David Simpson for Amaryllis Theatre.Other Irish roles include Vladimir in Samuel Beckett's Waiting for Godot, Krapp in Beckett's Krapp's Last Tape, Mr. Rice in Brian Friel's Molly Sweeney, Owen in the East Coast premiere of Friel's Translations, Michael / Narrator in Friel's Dancing At Lughnasa, Maurice in Conor Mc Pherson's The Night Alive, An Irish Man in Tom Murphy's The Gigli Concert, Trooper O'Hara in Sebastian Barry's White Woman Street, Eugene O'Neill in Pat Nolan's Midnight Rainbows, Doctor McSharry in Martin Mc Donagh's The Cripple Of Inishmaan, among many others.His one-person plays include Beginning to End and Nohow On, based upon Beckett's writings, An Evening with Mister Dooley, drawn from Finley Peter Dunne's writings, his own Ever Yours, F. Scott Fitzgerald. Mr. Toner has performed for the Villanova Shakespeare Festival, the Carnegie-Mellon University Beckett Festival, the New York W.B. Yeats Society, the International James Joyce Symposium, the NYC A Dublin Evening, the NYC Gotham Book Mart Bloomsday, the Meadowlands Irish Festival, the American Shaw Festival, and he is a founding reader for the Rosenbach Museum & Library Bloomsday Festival. ~~~~~~~We'll explore in 50-minutes what it means to create and to think about art during this time. Join us for this weekly virtually existential gathering until we can share stories on the stage again.If you're on the IRC's mailing list, look for an email each Wednesday detailing the upcoming week's guest on Into the Absurd, with links to websites and information.To keep up with who's on deck, join the IRC mailing list: https://www.idiopathicridiculopathyconsortium.org/.... To explore past episodes of Into the Absurd, visit our Facebook page:https://www.facebook.com/pg/IdiopathicRidiculopathyConsortium/videos/ORThe IRC's YouTube channel: https://www.youtube.com/playlist...And while you're there, be sure to SUBSCRIBE, so you don't miss any future episodes.

Maev Beaty and Debashis Sinha joined Stageworthy host, Phil Rickaby to talk about Necessary Angel's upcoming audio production of Roland Schimmelpfennig's play The Great Fire. Maev Beaty is a critically-acclaimed actor, writer and voice-over artist. She has originated roles in 23 Canadian premieres (Hannah Bunny, Kate Hennig's The Last Wife, Michael Healey's Proud and The Front Page, Judith Thompson's Palace of the End, Sharon Pollock's Angel's Trumpet); co-writing and starring in award-winning theatre (Secret Life of a Mother, Montparnasse, Dance of the Red Skirts); performing in ensembles of epic theatre endeavours (Sheep No Wool/Outside the March/Convergence's Passion Play, Nightwood's Penelopiad, Volcano's Another Africa, TheatreFront'sThe Mill); and interpreting lead classic roles across the country and over five seasons at the Stratford Festival (The Front Page, King Lear, She Stoops to Conquer, School for Scandal). She is a Toronto Theatre Critics' Award winner, three-time Dora Award winner and twelve-time Dora nominee in both performance and writing, referred to as “the excellent Maev Beaty” by the New York Times. Her film debut (Mouthpiece) was a Special Presentations Opening Film at 2019 TIFF. maevbeaty.com Instagram: @maevbeaty Twitter: @maevbeaty Debashis Sinha's creative output spans a broad range of genres and media, from solo audiovisual performance projects on the concert stage to the interior spaces between two headphones. Driven by a deep commitment to the primacy of sound, Sinha has developed his creative voice by weaving together his own experience as a 2nd generation south Asian Canadian, his training with master drummers from various world music traditions, a love of electronic and electroacoustic music and technology, and a desire to transcend the traditional expectations of how these streams might intersect and interact. debsinha.com Twitter: @sinhadeb Soundcloud: https://soundcloud.com/debsinha Necessary Angel Theatre Company is one of English Canada's most vital original creation and touring organizations. The company has a history of innovation and risk taking and engages theatre artists from a variety of disciplines in the creation of new work. An influential and original presence on the national and international theatre scene for over 40 years, the company has produced more than 60 productions, including 30 world premieres and 11 North American premieres. Work created by Necessary Angel has been nominated for and has won Governor General's Awards for Drama, Chalmers Awards for Outstanding New Play, and numerous Dora Mavor Moore Awards. www.necessaryangel.com Twitter: @necessaryangel The Great Fire: https://www.necessaryangel.com/the-great-fire

Olivier Award Winning Sophie Thompson has been one of Michael's inspirations since he studied abroad in London and saw her play Mrs. Hardcastle in She Stoops to Conquer at the National Theatre. Sophie may not think she is a multi-hyphenate, but does Michael have what it takes to convince her? Listen to this absolutely lovely conversations as they talk about the joys of being odd, activism, and a life without social media. Plus, we talk about Sophie's appearance in the virtual play Little Wars, by Steven Carl McCasland which is streaming worldwide from November 3rd - 8th, 2020.  Connect with Michael: @themichaelkushner @thedressingroomproject dressingroomproject.com Produced by Alan Seales and the Broadway Podcast Network. Learn more about your ad choices. Visit megaphone.fm/adchoices

The complete audio is available for purchase from Audible.com: https://tinyurl.com/vmt6hmf The Traveller and the Deserted Village By Oliver Goldsmith Narrated by Denis Daly Edited and with an introduction by Frederick Tupper. Together with "The Vicar of Wakefield" and "She Stoops to Conquer", these two poems are the best-known works of the Irish literary maverick Oliver Goldsmith. Contents Introduction Introduction to "The Traveller" Dedication to Henry Goldsmith The Traveller Introduction to "The Deserted Village" Dedication to Sir Joshua Reynolds The Deserted Village

Harry Hadden-Paton is a British actor renown for his work in the U.K. and recently in the U.S. on stage and screen, some of his credits include; LCT -  My Fair Lady (Theatre World Award; Tony, Drama Desk, Outer Critics Circle, Drama League nominations). West End includes The Importance of Being Earnest (Ian Charleson Award nom.), Flare Path and The Pride. Off-West End includes She Stoops to Conquer (National Theatre), Posh (Royal Court), The Changeling (Young Vic) and The Prince of Homburg (Donmar Warehouse). Film: The Little Stranger, About Time, The Hollow Crown, The Deep Blue Sea, In the Loop, La Vie en Rose. TV includes Bertie Pelham on “Downton Abbey,” Martin Charteris on “The Crown,” Gaston de Foix on “Versailles” and Hans von Enke on “Wallander.”

Halifax-based Northern Broadsides will soon tour a new production of Oliver Goldsmith’s 1773 comedy She Stoops to Conquer, directed by director, actor and composer Conrad Nelson, a regular member of the Broadsides production team. In this episode, Conrad talks about his production and about how it fits with the general philosophy of the company. She Stoops to Conquer will open on 29 August 2014 at the company’s own Viaduct Theatre in Halifax before touring to The Dukes in Lancaster, Rose Theatre Kingston, Oxford Playhouse, Harrogate Theatre, Everyman Cheltenham, Theatre Royal Winchester, Stephen Joseph Theatre Scarborough, West Yorkshire Playhouse in Leeds, the New Vic Theatre in Newcastle-under-Lyme, Liverpool Playhouse, York Theatre Royal, Lawrence Batley Theatre in Huddersfield and finally The Lowry in Salford, where it will close on 13 December. For more information about Northern Broadsides, see www.northern-broadsides.co.uk.

Olivier nominated designer Mark Thompson talks about his designs for the gorgeous 18th century costumes in Jamie Lloyd's production of She Stoops to Conquer at the National Theatre. The film features David Fynn and Cush Jumbo talking about getting into their costumes and into character before the start of a show.

Steve Pemberton & Sophie Thompson talk to Al Senter about their current roles in She Stoops to Conquer at the National Theatre and their careers.

The director discusses his production of Goldsmith's comedy, She Stoops to Conquer, with Rachel Cooke. This is a recording of a live Platform event.

Libby Purves is joined by actor Katherine Kelly; Dr Steve Peters, psychiatrist with the British Cycling Team; former US army chief Rhonda Cornum; and BBC presenter Clare Balding. Katherine Kelly played brassy barmaid Becky McDonald in ITV's Coronation Street for five years. She is now in The National Theatre's production of She Stoops to Conquer, a comedy offering a celebration of chaos, courtship and the dysfunctional family. Dr Steve Peters is a consultant psychiatrist who has worked in the clinical field of psychiatry for over 20 years. Since 2001 he has been resident psychiatrist to the British Cycling Team. His mind management techniques have been credited in helping to transform the performances of not only Olympic cyclists but also other Olympic Sports such as Taekwondo and Canoeing. His book 'The Chimp Paradox - The Mind Management Programme for Confidence, Success and Happiness' is published by Vermilion. Rhonda Cornum was a flight surgeon with the 229th Attack Helicopter Regiment who was shot down and captured in February 1991 during the first Gulf War. Her decorations include the Legion of Merit, the Distinguished Flying Cross and the Purple Heart. She retired from the US Army on 31st January 2012. She is delivering a lecture on resilience at the Young Foundation in London. Clare Balding is currently presenting a 30-part BBC Radio 4 series charting how sport has shaped the British and how Britain has shaped sport, Sport and the British. She also presents the BBC's horseracing coverage of events including the Grand National, Royal Ascot and the Derby and was a presenter of both the Olympic and Paralympic Games from Beijing in 2008, Athens in 2004 and Sydney in 2000. Producer: Paula McGinley.

As Yet Unnamed London Theatre Podcast 05-Feb-2012 With T R P Watson  - Phil from the West End Whingers  - JohnnyFox - Gareth James - Plays Discussed Masterclass - Vaudeville Theatre [00:12]She Stoops to Conquer - Olivier, NationalTheatre [07:33]Off West End Stage Awards [16:53] Reviews She Stoops To Conquer - Olivier TheatreThe Pitchfork Disney - Arcola TheatreThe Changeling - The Maria Theatre, Young Vic News and Blogs Off West End Theatre Awards

Oliver Goldsmith’s comedy ‘She Stoops to Conquer’ is one of the few 18th century plays to have an enduring appeal, and is still regularly performed today. We go behind the scenes of a performance at the Abbey Theatre, Dublin (Broadcast 1982)

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