Podcasts about graphic design department

Full Playlist: https://www.youtube.com/playlist?list=PLfofppTiRUZza7kewuD4rnI8hvhfQ4_IN Also available in audio only formats at https://podcasters.spotify.com/pod/show/theartprofessorspodcast Original art available on Etsy https://www.etsy.com/shop/studiotwelvehundred Commissions available via PayPal, Venmo, DM or Email for more Information Thumbnail Photo by: Emily Kunkel Support: Tip Link - https://streamlabs.com/thezimvideo1/tip YouTube Member - https://www.youtube.com/channel/UCAR6uQrYhN8_aUrP65g0H5A/join Patreon - https://www.patreon.com/thezim Paypal - https://www.paypal.com/paypalme/creatorzim Venmo - https://venmo.com/thezim Etsy - https://www.etsy.com/shop/studiotwelvehundred Amazon Wish List - https://www.amazon.com/registries/custom/2C50ZFHURWBGS/guest-view Donate Ethereum - 0x34814104Bb1d6579569Ef7463CeFaa94Ec2cDe44 NFT's - https://rarible.com/thezim Youtube - https://www.youtube.com/thezimvideo Twitch - https://www.twitch.tv/thezimvideo TikTok - https://www.tiktok.com/@thezim Instagram - https://www.instagram.com/_theZim/ Facebook - https://www.facebook.com/creatorzim Discord - https://discord.gg/7wbUFVxJ8f Stream my music: Now All No Wall EP Spotify: https://found.ee/UCKKd Apple Music: https://found.ee/cHRkR Channel Merch: https://www.etsy.com/listing/1402151936/zim-2023-exclusive-t-shirt https://www.amazon.com/s?rh=n%3A7141123011%2Cp_4%3AtheZim http://thezim.com/ #art #podcast

George Khoury (JAD) talks about the history of comics in the Arab region. He discusses how visual storytelling has shaped major events in Arab countries and how he has contributed to the field.George Khoury (JAD), Comics critique, Comics Artist and Animator since the 80s. Lecturer at the Lebanese American University in the Graphic Design Department, and Manager of the Animation Department at Future Television since its launch in 1993. His artworks and movies have been featured in many local instances and international festivals. His Comics “Shahrazad” is acquired by The National Museum of Comics in (France/Angoulême). Co-founder of the “Lebanese Syndicate of Professional Graphic Designers, Illustrators and Animators”, he earned several awards for his artwork and filmography. Author of the “History of Arabic Comics” in addition to several essays and articles related to the Art of Comics and Animation.Created & Hosted by Mikey Muhanna, afikraEdited by: Ramzi RammanTheme music by: Tarek Yamani https://www.instagram.com/tarek_yamani/About the afikra Conversations:Our long-form interview series features academics, arts, ‎and media experts who are helping document and/or shape the history and culture of the Arab world through their ‎work. Our hope is that by having the guest share their expertise and story, the community still walks away with newfound curiosity - and maybe some good recommendations about new nerdy rabbit holes to dive into headfirst. ‎Following the interview, there is a moderated town-hall-style Q&A with questions coming from the live virtual audience ‎on Zoom.‎ Join the live audience: https://www.afikra.com/rsvp   FollowYoutube - Instagram (@afikra_) - Facebook - Twitter Support www.afikra.com/supportAbout afikra:‎afikra is a movement to convert passive interest in the Arab world to active intellectual curiosity. We aim to collectively reframe the dominant narrative of the region by exploring the histories and cultures of the region- past, present, and future - through conversations driven by curiosity. Read more about us on  afikra.com 

Jeremiah Chiu is Los Angeles-based artist, musician, educator, and community organizer. Chiu's hybrid practice often operates under his studio moniker, Some All None, where projects lie at the intersection of art, music, technology, and publishing. Chiu is Full-Time Faculty in the Graphic Design Department at Otis College of Art & Design, a recording artist on International Anthem, and a resident DJ at dublab. Marta Sofia Honer is a viola and violin performer, session player, and educator in Los Angeles. Working in both classical and contemporary fields, Honer's versatility in different musical settings has garnered her credits alongside Beyoncé, Ms. Lauryn Hill, Chloe x Halle, Angel Olsen, Fleet Foxes, including four Grammy nominations. She regularly records for film and television and is a recording artist on International Anthem. This live performance by Jeremiah Chiu and Marta Sofia Honer took place at the dublab studios featuring some of the music they composed together as part of their recent album, Recordings from the Åland Islands, out now on International Anthem. This program is part of New Music USA's web magazine NewMusicBox “Guest Editor series”, which aims to celebrate a plurality of voices from across the nation and will feature exclusive content written, produced, or commissioned by a rotating artist or organization. The series kicks off with dublab. NewMusicBox, edited by Frank J. Oteri, amplifies creators and organizations who are building a vibrant future for new music in all its forms, and has provided a vital platform for creators to speak about issues relevant to them in their own words since 1999. The dublab partnership will feature new weekly content from at least 15 different voices through January 2023, presented in conversations, DJ mixes, articles, and live performances all exploring the current landscape of music composition. The Guest Editor is the first such series in the magazine's 23-year history and reflects New Music USA's aim to deepen its impact across the many diverse music communities across the United States. This aim is also demonstrated by NewMusicBox's ongoing “Different Cities, Different Voices” feature that spotlights music creation hubs across the nation. https://www.youtube.com/watch?v=7JRF9hVnYYQ dublab is a listener supported radio station. Become a Sustaining Member today https://www.dublab.com/support/memberships

In 2020 the Baltimore Museum of Art appointed their first native curator, Darienne Turner, Assistant Curator of Indigenous Art of the Americas. Her hire signaled a commitment by the museum to promote and interpret the art of indigenous peoples of the Americas. A member of the Yurok Tribe of California, Darienne is one of the few native curators of native art in U.S. museums. In our conversation, she discusses her role and the challenges in presenting and collecting native art in an institutional context and her responsibility to tell the stories of native peoples thoughtfully and reverently.  When we spoke with Darienne in December 2020, the museum was partially closed. The only spaces open to the public were the gift shop and a portion of the first floor where her first exhibition at the museum, Stripes, and Stars: Reclaiming Lakota Independence (October 11, 2020 — March 28, 2021), was installed. The exhibition presented a small selection of objects from the museum's collection produced by the Lakota peoples of South Dakota. Confined to reservations by the late 19th century, the makers of these objects incorporated the American flag in their detailed beadwork. On caps and vests worn by children, boots, pouches, and a monumental hood for a horse, these emblems of the flag served as a talisman and a way for the Lakota youth to participate in cultural activities which had previously been outlawed. Her exhibition was the first in what we hope will be many that celebrate the achievement of native makers of the Americas.  The Baltimore Museum of Art is one of the leading U.S. encyclopedic museums committed to collecting and promoting inclusivity. Being a majority-minority city, Baltimore and the museum is a model for the future of U.S. culture and institutions.Learn more about the museum and her exhibition here:Exhibition page: https://artbma.org/exhibition/stripes-and-stars-reclaiming-lakota-independenceExhibition Installation Videohttps://www.youtube.com/watch?v=LrgHLLqglkoTalk with Darienne Turner and Sheldon Raymore, member of the Cheyenne River Sioux Nation and multidisciplinary artist and performer, on the occasion of the exhibition Stripes and Stars: Reclaiming Lakota Independence at the BMA.https://www.youtube.com/watch?v=aIycn3OzPMUPress: 'We Were White and Sleepy Before'—The Baltimore Museum of Art's Radical Makeover – Wall Street Journal, 11/22/19.About Darienne:Darienne is the Assistant Curator of Indigenous Art of the Americas at the Baltimore Museum of Art, is a member of the Yurok Tribe of California, and has taught in MICA's Graphic Design Department since 2017. She earned a B.A. in Comparative Literature from Stanford University and an M.A. in Design History & Material Culture from the Bard Graduate Center. She is the curator of Stripes and Stars: Reclaiming Lakota Independence (2020) and has contributed to exhibitions at the Bard Graduate Center, Walters Art Museum, Utah Museum of Fine Arts, and Yellowstone National Park. Her essay "Terrestrial Gateways to the Divine" was featured in the Ex Voto: Agents of Faith exhibition catalog, named one of the Best Art Books of 2018 by the New York Times.Episode recorded on December 16, 2020.

What does decolonizing design mean to you? How can designers learn from and value the knowledge that comes out of localized contexts? In this podcast episode Christian Zöllner and Ramon Tejada - Professor for Graphic Design at RISD - engage in a conversation about the urgent need to question the euro-centric design canon, making space for other voices, and the potentials of slowing down design education altogether. #decolonizedesign #learnability #designeducation Ramon is a (New Yorkino / Afro-Caribbean / American) designer (as Estudio Ramon) and educator based in Providence, Rhode Island. He works in a hybrid design/teaching practice focusing on collaboration, inclusion, unearthing and the responsible expansion of design, a practice he has named “puncturing.” After teaching experiences at Pratt Institute, Parsons/The New School, CUNY–Queens College and at the Minneapolis College of Art and Design (MCAD) Ramon is currently an Assistant Professor in the Graphic Design Department at Rhode Island School of Design (RISD). As the initiator of the Decolonizing Design Reader, Ramon runs an open collaborative research collection revolving around the politics of design.

Indra Sproģe attended the Riga (Latvia) 2nd Secondary School and the Glass Art Department of Riga Secondary School of Applied Art. She is a graduate of the Graphic Design Department of the Latvian Academy of Art and the master class of A. Dembo. She has been a curator for nine exhibitions by the pupils of A. Dembo. She has trained in cultural management at the Latvian Academy of Culture and obtained a Master’s Degree in Art. I. Sproģe is a free artist: she writes poetry and prose, draws, paints, photographs and creates unusual objects. In the field of book art, she creates concepts, content, and design for original and attractive projects that always have a didactic purpose. In 2004 she created the calendar “Time Winds Around You” (Laiks vijas ap tevi) based on the concept of an interactive wish or greeting – like spreading email messages. In 2005 she created the visual communication set “0 + 0 = infinity (0 + 0 = bezgalība; book and set of cards). Since 1995 she has held solo exhibitions almost every year, and her works are held in various collections. She received the 2007 Annual Prize for Book Publishing for the book “Million” (Miljons. Digitally transformed by A. Plotka, colour: L. Cēsniece. R.: Zaržecka privātprakse, 2007). Through the paintings in this work, children can learn to read in the form of a game. It is a book in terms of form, and a game in terms of content. Animals, plants, everyday objects, and simple, familiar activities are arranged in various combinations – 300 words and 300 pictures. I. Sproģe offers you the chance to create a million sentences and a million strange characters. In 2010, she developed a new original project called: “The Alphabet for Play” (Joka pēc alfabēts. R.: Zvaigzne ABC, 2010). A poster is placed in the book with illustrations and all the letters of the alphabet, as well as a DVD disk with an animated film made by the Rija studio. Watching and singing along with Renārs Kaupers, children can learn and remember the alphabet more easily. What You Will Learn: The work Indra has been doing with her art, writing, and filmmaking Indra’s new animation project and what it aims to achieve How Indra won an award for her children’s animation in a United States film festival Indra’s life experience under the USSR, and how it shaped her appreciation for freedom What life was like in Latvia after the Soviets left The general sense of national identity for women in Latvia Resources: Website: http://sproge.lv/ LinkedIn: https://www.linkedin.com/in/indra-spro%C4%A3e-aa626422/ Instagram: https://www.instagram.com/indra_sproge/

Andrew Blauvelt has been a designer, writer, curator, and educator. He's currently the director of the Cranbrook Art Museum, a position he's held since 2015. Before that, he worked at the Walker Art Center in a variety of roles including Senior Curator of Design, Research, and Publishing; Chief of Communications; and Design Director. He also served as Director of Graduate Studies and Chair of the Graphic Design Department at North Carolina State University and has written for a variety of publications on design. In this episode, Jarrett and Andrew walk through his career and talk about how he moved between various disciplines, his early interest in design theory, and how the discourse around graphic design has changed over his career. Links from this episode can be found at scratchingthesurface.fm.

Justin Adu, or Adu as he is affectionately known by to his peers, is currently the Global Social Media Marketing & Community Management Manager at THX Ltd. (Founded by George Lucas). Prior to leading the digital and social media executions for movies like Solo: A Star Wars Story, Jurassic World, Creed 2, Uncle Drew and several other well-known summer blockbusters, Adu's diverse career has impacted notable brands, organizations, and public figures. Adu earned his BS in graphic design with a minor in marketing from Alabama A&M University. He later earned a MFA in advertising with a concentration in art direction from Savannah College of Art & Design. Adu has made huge successful strides in the advertising, PR, and the fine art community and made a foothold in the art world by curating and exhibiting original art in ten solo art exhibitions. His projects include “African Amedia”, a performance piece that addresses the negative portrayal of African Americans in the media, and “Unsung Changemakers” a mix-media installation that celebrates the untold stories of African American heroes in addition to #AbnormalArtbeats, #BlackDFWMatters and #TheRevolution just to name a few.  Adu's work has impacted such brands as the Coca-Cola Company, NBA (National Basketball Association), PepsiCo, Dallas Cowboys, JCPenney, Spotify, AT&T, General Motors, CNN, SXSW (South by Southwest), and several other Fortune 500 companies and organizations. Furthermore, Adu has been recognized for his stellar work and talent by local and national outlets such as Saint Heron (Founded by Solange Knowles), BET (Black Entertainment Television), CNN, Black Enterprise (2016 Modern Man Highlight), Soul Train, Revolt TV, Blavity, CW 33, Ebony/Jet Magazine, Dallas Observer (30 Under 30 Honoree), Rolling Out, The ADCOLOR Conference and Awards (2015 Rising Star Honoree and 2017 Unsung Hero), San Francisco Egotist (32 Under 32 Top Advertising Professionals), American Advertising Federation, Huffington Post, AdAge, and ADWEEK in which in he was recognized in 2017 as one of the 4A's “100 People Who Make Advertising Great”  Adu is an active member of the American Advertising Federation, AIGA, and Alpha Phi Alpha Fraternity, Incorporated. Currently he serves as an Advisory board member for The Marcus Graham Project, member of The Barack Obama My Brother's Keeper Program and is the Director of Social Media for the ADCOLOR Conference and Awards. Furthermore, as an avid supporter of education, Adu continuously lends his time and knowledge to mentorship. He has taught many classes, including: graphic design, corporate identity, layout and design as well as advertising campaign management, while serving as the curriculum advisor for the Graphic Design Department at the Art Institute of Dallas. Outside the classroom, Adu created “Juice Box Sessions” for The Marcus Graham Project which consisted of multiple sessions on ways to improves your creative skills and position yourself as a creative leader in the advertising industry and he currently teaches at Miami Ad School.  In 2016 Adu released his first book “Don't Insert Title Here: The Guide Towards Creative Freedom and Success” and in is currently gearing up to release his second book “The Threat of Creative Annihilation”. Adu is a creative chameleon with an ability to navigate between art and brand communications with confidence, conviction and brilliance. A content creator, visual artist, videographer, director, teacher, social media maven and mentor, Adu is a 21st century renaissance man. He credits his career versatility to hard work and a calling to change the world with innovative ideas “Through my artistry, I aspire to challenge myself to think outside the box and I hope to inspire everyone around the world to push the boundaries of their creativity,” Adu said. Topics:  What does it mean to be a creative threat and is it okay? Why is it important to learn the fundamentals of design yet break them? Why is this book an experience and not exactly a book? Connect with ADU:   Book | Audio Book | Instagram | Twitter #creativeannihilation 

For this episode, Charlie Clemoes is joined by fanfare's co-founder, Freja Kir, and Eduardo Léon, former co-director of Radio Rietveld, the Gerrit Rietveld Academie's in-house radio station. Radio Rietveld and fanfare curated a lounge at the opening of the Rietveld Graphic Design Department's show “Always in Risk, Yet Never in Danger”, at the Stedelijk Museum on the 29th September 2017. The conversation starts with Eduardo explaining how Radio Rietveld began, then continues to talk about the forthcoming show and finished with a discussion of the relationship between sound and graphic design. The jingles played at the beginning, end, and throughout the show were produced by Rietveld alumni as part of the Graphic Design Department's show.

John Caserta is a designer and educator based in Providence, Rhode Island. He is an Associate Professor and former Department Head of the Graphic Design Department at The Rhode Island School of Design and founder of The Design Office, a work and project space for independent designers in downtown Providence. In this episode, John and I talk about the changes RISD's made in their undergraduate graphic design program, critical making, and his background in journalism and design. Links from this episode can be found at scratchingthesurface.fm.

Adu is the author of [Don't Insert Title Here] The Guide Toward Creative Freedom & Success. Adu is also a Creative Director, Fine Artist and Visual Artist. [Don't Insert Title Here] combines creative advice, motivational quotes or (“Aduisms") and career tips from Adu's experience in the creative industry. The book explores all of the internal and external roadblocks creatives may face along their creative journey and how one can maintain their creative freedom while achieving their personal and professional goals. What you will learn: Who the heck is ADU? And why he will make you more AWESOME at EVERYTHING If you do know ADU, the one thing you DON'T know about him  How to unleash your inner creativity How to develop and grow your creativity  Why you need “Aduisms” in your life right now  How to turn adversity into opportunity  You WILL face roadblocks in your career, this is how you break through them How to find your purpose  Why you MUST make your goals public  “The drive is so much smoother when you create your own lane”- Adu  Adu's Book: http://bit.ly/BookByAdu Adu's Site: http://www.aduyou.com/ Extended BIO Justin Adu, or Adu as he is affectionately known by to his peers, is currently the Associate Creative Director of Digital and Social Media at Carol H. Williams Advertising (CHWA). Prior to leading the digital and social media executions for clients like General Motors at CHWA, Adu's diverse career has impacted notable brands, organizations, and public figures. Adu earned his BS in graphic design with a minor in marketing from Alabama A&M University. He later earned a MA in advertising with a concentration in art direction from Savannah College of Art & Design. Adu has made huge successful strides in the advertising industry and made a foothold in the art world by curating and exhibiting original art in ten solo art exhibitions. His projects include “African Amedia”, a performance piece that addresses the negative portrayal of African Americans in the media, and “Unsung Changemakers” a mix-media installation that celebrates the untold stories of African American heroes. Adu continues to create stunning visuals and come up with brilliant ideas as a commercial designer. His work has impacted such brands as the Coca-Cola Company, NBA, Pizza Hut, PepsiCo, Dallas Cowboys, JCPenney, Spotify, AT&T, T-Mobile, Dannon, SXSW (South by Southwest), and several other Fortune 500 companies and organizations. Furthermore, Adu has been recognized for his stellar work and talent by local and national outlets such as BET, CNN, D Magazine, Dallas Weekly, Soul Train, Revolt TV, Blavity, CW 33, In Transit, Forty Magazine, Dallas Observer (30 Under 30 Honoree), Ebony, Rolling Out, The ADCOLOR Award Show and Conference (2015 Rising Star Award), San Francisco Egotist (32 Under 32 Top Advertising Professionals), American Advertising Federation Awards and Huffington Post.  Adu is an active member of the American Advertising Federation, AIGA, and Alpha Phi Alpha Fraternity, Incorporated. Currently he serves as an Advisory board member for The Marcus Graham Project, Director of Social Media for the ADCOLOR Conference and Awards, Director of Diversity for AAF AD2 San Francisco and Board member for The San Francisco Museum of the African Diaspora Vanguard. Furthermore, as an avid supporter of education, Adu continuously lends his time and knowledge to mentorship.  He has taught many classes, including:  graphic design, corporate identity, layout and design as well as advertising campaign management, while serving as the curriculum advisor for the Graphic Design Department at the Art Institute of Dallas. Outside the classroom, Adu created “Juice Box Sessions” for The Marcus Graham Project which consisted of multiple sessions on ways to improves your creative skills and position yourself as a creative leader in the advertising industry.  Adu is a creative chameleon with an ability to navigate between art and brand communications with confidence, conviction and brilliance. A visual artist, videographer, director, teacher, social media maven and mentor, Adu is a 21st century renaissance man. He credits his career versatility to hard work and a calling to change the world. “Through my artistry, I aspire to challenge myself to think outside the box and I hope to inspire everyone around the world to push the boundaries of their creativity,” Adu said.

While there are many reasons that learning math is important, we explore the answer to this question when determining how much math you will use in your respective field. In this interview Darlene Mazak speaks with Adjunct Faculty member, Sandra Lesh, from the Graphic Design Department. Sandra has had positions in both the creative and production areas of the graphic design field. This includes her work as a production artist/prepress operator with Top Graphics in St. Louis, MO, as well as a senior graphic designer for Adams on Advertising, also in St. Louis. In addition, she has done freelance design work.  Together we explore the specific tasks that require math and what level of math are needed in some of the job opportunities that a graphic design student may encounter as they venture out into the work environment. Contributor: Darlene Mazak

Born in England, Richard Hollis has been a freelance graphic designer since 1958. He has worked as a printer, art editor, production manager, writer, teacher and lecturer. Hollis taught at various London art schools, as well as co-founded, with Norman Potter, the Graphic Design Department at the West of England College of Art in Bristol in 1964. His book design includes John Berger’s ‘Ways of Seeing’, and a large body of work for the Whitechapel Art Gallery. He has also made a significant contribution to the history of graphic design in through his books including ‘Graphic Design: A Concise History’. In the interview with Richard Hollis we talk about his personal values. And how your own values are expressed through the way you work and the way you behave towards the people you’re working with or working for. Richard explains how he hardly ever changes typefaces. He always uses the same typefaces in making catalogues and books. We wonder, apart from the kind of job or the topics that he’s designing for, if his political views can be seen in his design work. We also talk about his fascination for Swiss Graphic Design and he explains why he has written a book about the topic: ‘Swiss Graphic Design: The Origins and Growth of an International Style’. We end the interview with how a painting of two tortoises, that Richard has seen at the Mauritshuis, is related to writing. Recorded at the Karel Martens Symposium at KABK, The Hague, the Netherlands. Richard Hollis :: Reputations Eye Magazine article :: Eye Magazine articles by Richard Hollis :: Robin Fior obituary by Richard Hollis :: Richard Hollis ICA London presentation :: Richard Hollis on Emil Ruder :: File Download (33:05 min / 61 MB)