Podcasts about Hollis

If you're into bands like Alvvays, The Beths and Slow Pulp, then Baby Hollis might just be your new favorite indie rock singer songwriter based here in Atlanta! Hollis Griffin, AKA Baby Hollis just released her DEBUT single ‘Talking Stage' and I was lucky enough to have her on the pod to get all the details regarding her musical leanings and inspirations behind the new music.We got to chat about Steely Dan, the utility of voice notes, what she looks for in a producer collaborator and her musical career leading up to the start of her solo project!Give Baby Hollis a follow on Instagram @babyhollisAnd don't forget to give the pod a follow on your favorite podcast streaming service as well as on Instagram! @onthatnote_podcast

Meet Hollis Peirce, a Canadian writer, disability advocate, and the inspiring voice behind the 21st Century Disability podcast. After surviving a life-threatening respiratory crisis in 2021, Hollis now lives in a long-term care hospital—yet continues to create, advocate, and thrive. In this episode, we explore how he finds purpose through writing, why representation matters in disability spaces, and what others often get wrong when talking about accessibility.Hollis is a testament to the power of persistence—not in spite of his circumstances, but within them.Connect with Hollis at:Website: https://www.21stcenturydisability.com/Instagram: https://www.instagram.com/21stcenturydisability/Facebook: https://www.facebook.com/21stcenturydisability/You Will Learn:How one life-altering medical crisis transformed Hollis's understanding of purposeThe surprising challenges (and freedoms) of long-term careWhy universal design isn't just for people with disabilities—it's for everyoneLizbeth's links Want to comment on the show? Connect at Lizbeth's author/podcast Facebook page Wanting great guests for your podcast, or to be a great guest on someone else's show? Join PodMatch here! Unmapped: Solo Women Travelers – Bold Journeys of Healing, Resilience, and Self-Discovery. Half of author royalties support the YWCA's work with survivors of domestic abuse and their families, and to combat racism. https://www.amazon.com/dp/B0FTSNM997 Paperback Amazon https://www.amazon.com/dp/B0FS9DX6HF Draft2Digital ebook https://books2read.com/u/312rlw Lizbeth's memoir Pieces of Me: Rescuing My Kidnapped Daughters can be ordered where books are sold, and is now a TV movie, #Stolen By Their Father on Lifetime.Lizbeth's second book, Grounded in Grit: Turn Your Challenges Into Superpowers is available to order wherever books are sold! Tilka Faces the Odds, One Man at a Time, new release novel https://books2read.com/u/4j760X Sign up to stay in the know on L...

Get AudioBooks for FreeBest Self-improvement MotivationThrough Pain and Suffering | Powerful Motivational Speech ft. Will HollisWill Hollis delivers a powerful, eye-opening motivational speech about strength through pain and suffering. Find purpose, power, and resilience within!Get AudioBooks for Free⁠We Need Your Love & Support ❤️https://buymeacoffee.com/myinspiration#Motivational_Speech#motivation #inspirational_quotes #motivationalspeech Get AudioBooks for Free Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Our guest today is Firefighter Mike Conicelli from Engine 301 in Hollis, Queens. Mike is a 21-year veteran of the FDNY whose contributions extend beyond the firehouse—from training new engine chauffeurs to his involvement in the MPI program and more. In addition to his fire service, Mike has long been part of the NYC bar scene and is an active practitioner of jiu-jitsu.

In this episode, I sit down with Hollis Cameron, a fresh voice in San Diego's comedy scene who I met in my very first comedy class. Though he's only been doing stand-up for about five months, Hollis has already made his mark by creating Comic Tonight (comictonight.com), a comprehensive resource that connects comedians with shows throughout San Diego.We dive into Hollis's comedy journey, from his first time on stage to his recent "bombing" experience, plus share plenty of laughs about Diet Coke addiction, edible mishaps, and the challenges of crowd work. Whether you're a comedian looking to find your people or just someone who enjoys a good laugh, this conversation offers a behind-the-scenes look at the local comedy scene and what it takes to put yourself out there on stage!Episode Timeline Highlights01:00 - Meeting Hollis and his comedy beginnings03:38 - Finding your people in the comedy world05:58 - What is Comic Tonight? A hub for San Diego comedy13:04 - Diet Coke addiction and comedy topics20:37 - Bombing stories and recovering from bad sets29:40 - The art of crowd work vs. prepared material42:00 - The freedom that comes with age in comedy48:33 - Hollis's future plans for comedy and Comic TonightLinks & ResourcesVisit Comic Tonight to find comedy shows in San Diego: https://comictonight.comFollow Hollis on Instagram: @Hollis_Cameron365Follow Comic Tonight on Instagram: @ComicTonightSDFollow me on social media: @SuziChicagoClosing NotesThanks for watching this episode with the wonderful Hollis Cameron! If you enjoyed our conversation, please hit that like button and subscribe to catch all of our future episodes. Leave a comment letting me know if you've ever tried stand-up comedy or if you use Comic Tonight to find shows in San Diego. And remember - life's too short not to laugh!

In this special edition, celebrating the magazine's 60th anniversary, we returned to its earliest days with one of the founding members, the graphic designer of Richard Hollis. Richard Hollis designed the very first issue of MPT, working closely with editors Ted Hughes and Daniel Weissbort, and he remained with the magazine as design of a four decades from the broad sheet format, the first issue through to the paperback designs of the 1990s and early two thousands. Joining Richard in conversation about the magazine's history is writer, translator and MPT trustee JS Tennant co-author with Hollis of Cuba, 62.

In this week's episode, we interview narrator Hollis McCarthy, who has narrated over 300 audiobooks, including many of THE GHOSTS and CLOAK MAGES. She is also co-author with her mother Dee Maltby of the MAGIC OF LARLION series, which you can learn more about at https://deemaltbyauthor.com/. This coupon code will get you 25% off the ebooks in the Dragonskull series at my Payhip store: DRAGONSKULL25 The coupon code is valid through October 27, 2025. So if you need a new ebook this fall, we've got you covered! TRANSCRIPT Introduction and Writing Updates (00:00): Hello, everyone. Welcome to Episode 273 of The Pulp Writer Show. My name is Jonathan Moller. Today is October 17th, 2025, and today we have an interview with audiobook narrator Hollis McCarthy. Hollis has narrated many audiobooks, including numerous books from the Ghost and Cloak Mage series, so we'll talk with her about that. Before we get to our main topic, we'll have Coupon of the Week and then a progress update on my current writing projects. This week's coupon code will get you 25% off the ebooks in the Dragonskull series at my Payhip store, and that coupon code is DRAGONSKULL25. The coupon code is valid through October 27th, 2025. So if you need some new ebooks to read for this fall, we've got you covered. And as always, the coupon code and the links to my store will be available in the show notes. Now for an update on my current writing projects. As of this recording, I am 80% of the way through the first round of edits in Cloak of Worlds, so making good progress and if all goes well, the book should be out before the end of the month. I'm also 14,000 words into Blade of Shadows, which will be my next main project after Cloak of Worlds is published, which means I also have to write the outline for Elven-Assassin soon, and that will be the fifth book in the Rivah series. In audiobook news, recording will be underway next week for Blade of Flames. That will be narrated excellently by Brad Wills. Ghost in Siege is now out. It should be available at of all the audiobook stories (except Spotify) and it should be available there in a few days. And that is the final book in my Ghost Armor series that is excellently narrated by Hollis McCarthy. So that is where I'm at with my current writing and audiobook and publishing projects, which makes for a good segue into our main topic, our interview with Hollis McCarthy, which begins now. 00:03:56 Interview With Hollis McCarthy Hi everyone. I'm here today with Hollis McCarthy, who is a classically trained actor. Hollis has played leads in regional and off-Broadway theater, specializing in Shakespeare. On CBS. she's been a recurring guest star judge on Bull, the president of Ireland on Bluebloods, and a senator on Netflix's House of Cards. She's narrated more than 300 books for a variety of publishers and is the proud co-author of her mom Dee Maltby's epic fantasy series, The Magic of Larlion. Hollis, thanks for coming on the show today. Hollis: My pleasure. Jonathan: So to start, can you tell us a little bit about yourself and how you got into acting and performing? Hollis: That's a great question. I think it all started with doing my little brother's Sesame Street finger puppets. He's 10 years younger than me, so I mean, I got to reread all my favorite books with him and I started voicing the finger puppets to Burt, Ernie and Cookie Monster and all those guys in the backseat of the car and playing all the characters. And then my brother went into theater. My other brother's seven years older than me, and I used to go see his shows up at the college when I was in high school and kind of fell in love with it there. I absolutely meant to be an aeronautical engineer/physicist like my dad, but it didn't end up working out. I fell in love with theater and went to Stratford. I had a dual major because I was in an honors program, so I didn't have to declare a major until my fifth year of undergrad. But then I went to Stratford up in Canada and I saw two Shakespeare shows in one day and that was it. I had to do that. That was what I loved. Jonathan: Well, since we've had many audiobooks together, I'm glad it worked out that way. Hollis: Me too. Yeah, so I got my BFA in acting, and then I got my MFA from the University of Missouri-Kansas City in performance, and I was lucky enough to have some great coaches from the RSC and did a bunch more Shakespeare, and I've done that regionally a lot. And then I fell into audiobooks because I got tired of traveling, and I love to work from my home in my jammies. Jonathan: That is the dream. Speaking of that, could you tell us a bit more about how you sort of got into audiobooks or ended up doing a lot of that? Hollis: Yeah. Well, again, it starts with my childhood. My mom, who was a writer and an artist, she had, there were five of us kids and she would read out loud to us in the kitchen to keep us from fighting when we were cleaning up. So she started with Tolkien and Watership Down and Narnia and all of that. And then I got to, like I said, read to my little brother all my favorite books. And so I started doing all different voices for the characters and I always thought that was normal until, of course I volunteered to read in class in high school and people thought I was some sort of freak, but I always loved playing all the characters. And so when I started looking at staying home more and what could I do to work from home instead of being on the road for work, which was great for a long time, but then at some point you want to stay home and have a life as an actor as well as doing what you love. And audiobooks seemed a good fit. So my husband, who's also an actor, took a class from Paul Rubin here in the city in New York. We live in the New York area now. And he got a bunch of good tips from that that he passed on to me. And then my agent got me an audition with Audible and Mike Charzuk there. I came in and read a couple of pieces for him and he came back to the booth with a book he wanted me to start on. And from there I just kept building and got a lot of great indie authors through ACX like you. I don't know how many books we've done together now. Jonathan: It's over 30, I think. Yeah, 30 over the last seven years. So it's been a while. Hollis: And you're seriously, I mean, I'm not saying this because I'm on your blog, but your series are absolutely my favorites, especially because, yeah, the two series that I do, one is Nadia from the Midwest like me and then the other one with Caina, the epic fantasy world, which uses all my British and Irish bits and I absolutely love them. So yeah, I've just kept building up, getting in with a few more publishers now, which is harder to do and I just love it. Our first booth, when the pandemic hit, we had to build a booth at home and I had been going to studios in the city up until that point, but it hit pretty suddenly. It was obvious on St. Patrick's Day when it was like us going to the studio and people who were absolutely desperate folks were the only other ones on the street. We had to stay home. So my husband took our rapier blade (we fight with swords. We're actor combatants, like you said). He took two broadsword blades and a rapier blade, and he's handy with carpentry, fortunately. That's how he worked his way through school. He bracketed those to the wall and we ordered through Amazon before they kind of shut down too. We ordered packing blankets to hang over them and I ordered a new microphone and a new interface and it was trial and error for a bunch of days. And we had an engineer on call who talked us through how to run the software programs and stuff, how to set them up. And from there I've just kept recording at home. I sometimes still go into the studios when they have a budget where they can spring for a studio, but mostly they want you to work from home these days. So that's mostly what I do. Jonathan: Oh, building a recording booth out of swords. That's very Caina. Hollis: It's very Caina. I love Caina. Caina is me as a young woman. If I had been a superhero, I would've been a Caina. All my favorite roles in Shakespeare were the girl as boy ones. You asked, one of my favorite roles in theater was when I was at Alabama Shakespeare and I was playing Queen Elizabeth in Richard III and dressing in gorgeous gowns and being very seductive and very powerful and manipulative and all that. But in the earlier scenes, we did the three plays and in the Richard III and the Henry VI we did all three. And in the earlier scenes where Elizabeth wasn't in, I got to dress up and doublet and hose and I like stippled some stipple of beard on my face and climbed a siege ladder with a sword in one hand and did a spectacular pratfall running away from the bad guys and would slide on my stomach on the deck of the stage and I would come out into the lobby and the other guys who were playing my fellow fighters would be holding up rating cards for how far I'd slid that day. Jonathan: Sounds like very practical cardio. Hollis: Yeah, very. It was a lot of fun. That was probably my most fun I've ever done, though I also loved Beatrice and Much Ado, which I got to do twice because she's just so funny and witty and passionate. She's great, and Shakespeare, you know. Jonathan: Very good. So after all these audiobooks, what goes into preparing to record an audiobook? Hollis: That's a great question, too. It depends on the book, really. And I'm lucky enough to do a lot of series now, so when you're doing a series, it gets easier as you go along. I remember with the first ones I did for you, the first Caina, it probably took me an hour of prep to get through the first chapter. There were so many made up place names that I needed to figure out how to say, and then you have to be consistent. Even if they're made up, you still have to be consistent. So I really used my theater training there because I learned the international phonetic alphabet when I was in school, and so I can write down phonetic pronunciations and for each book, I'm old school with my prep, I'll keep a legal pad and I'll write down phonetic pronunciations, the word, page number, and the phonetic pronunciation for each word, so I have a record. You don't retain them from book to book. Pronunciations is a big part of what you do. Also, character voices, because again, you want to be true to the author's intent and you want to stay consistent. Again, for Caina, it became very complicated because you had to have Caina's basic voice, which is this [speaks in Caina's voice]. She started out a bit higher because she was younger. And then as she aged, she's gotten more medium pitch-wise, but then she was in disguise as various people. She was disguised as a cockney guy for a while, and she was an Irish guy for a while. And so for each of those personas, you have to notate for yourself in the script. Oh, now she has this accent. Now she has this one. And really for each chunk of dialogue, every time a character speaks, I'll put the initial of their name and if there are a lot of characters in the scene, I will have to differentiate between them pretty frequently. If it's two characters and I know them both very well, then I kind of have the shorthand in my head. So the different character voices I also put on my legal pad so I have a record, so Calvia sounds like this [speaks a line in the character's voice]. And sometimes I'll write down physical aspects of them so that I can just kind of feel the character. And after I do them for a while, the feel of the character will give me the voice and you write down everything that the author says about the character too. I'll just notate for myself that will oftentimes give you the voice. If it's a good author, which thank God you are, you write in different voices, which makes my job easier. Jonathan: The joke I sometimes say is I didn't do audiobooks for the first seven years I was publishing, and people would ask me, how do you pronounce this? I say, I don't care, pronounce it however you want. And then suddenly we started doing audiobooks and suddenly no, it matters very much how it's pronounced. Hollis: Yeah, exactly. It's funny, I'm just looking at my tablet. I have your Shield of Power up on my tablet. I've been reading that on the treadmill and at lunch. But yeah, we have to keep tabs. And when we have so many books now, I've started special folders just for the Ghost series and the Cloak series because a lot of times a character will show up from several books previous and I go, I remember them, but I don't remember what they sounded like. So I will have notated forward alto, slightly Irish or something like that for them. I have shorthand for all of it, and so I'll do that. Jonathan: Yeah, I spent a lot of time with Control + F searching through Word documents, trying to remember the first time I wrote this character and what they looked like. Hollis: Yeah, I bet you do. Some writers I guess do, well, if they don't do it all themselves. And if they have somebody who's like an administrative assistant, they have somebody who gives you, I've gotten these from authors before. Their assistant will send me a story log of characters with everything that's said about the character. I'm like, oh, well, that's very organized and helpful, but I would think it would be massively time consuming. Jonathan: It is. I did hire someone to help me with that this year. It was getting to be too much to go back and search through things and it is a very time consuming project, but once it's done, it's very helpful because it's quite easy to find things and look things up and refresh your memory. Hollis: I bet so. When I was working on my mom's books, we hired an editor and she did a spreadsheet, a database kind of different terms and characters and what was said about them. And I go back to that and amend it all the time now that I'm trying to write book eight. Jonathan: Yeah, that kind of thing is very helpful. But on a related topic of preparation, since you've done audiobooks, stage, and TV, how would say narrating audiobooks is different from the experience of doing theater or TV? Hollis: The major thing and the hardest thing for me when I was starting out was you can't move around all the time. I had an engineer at Audible. It was just, and a lot of times the chair is very important because if you move, what you're bound to do, if you're producing your voice correctly, you need to sit up and you need to use your hands to express yourself, and you have to have an absolutely silent chair. And the chairs at Audible at that time, were not absolutely silent. So every time I moved, the chair would squeak and we'd have to stop and start again. So that was very, very hard for me. In fact, I've been doing so much audiobooks now, and I also do TV and film, but that's gone to all for auditioning for that. It's all self tape, which means it's just like head and shoulders, so still you're just kind of using a little part of your body. And I had a theater callback for Pygmalion in the city the other day, in person, in a studio, in a rehearsal room. The day before, I used to do those all the time, and that's so rare now for them to do in-person auditions since the pandemic. But I put on my character shoes and my skirt and I practice just being bigger, opening my body up and doing all this stuff I learned to do in school and that you do when you're on stage to own the space because the space is the back wall of the theater. And that's a big difference between theater, film, TV, and audiobooks is the scope of it. When I did Beatrice, I was in an 1,100 seat unamplified stone amphitheater outdoors in Colorado. So you can imagine the scope physically and vocally is so big. And then for TV, film and you have to what they say, reach the back wall of whatever space you're in. Well, for film and TV, the back wall is the camera. It's right in front of your face a lot of the times. And the back wall is really kind of the inside of your head. It's almost like you have to have internal gaze so that the thoughts are just happening. You don't have to project them, you don't have to project your voice because all the equipment comes right to you, and all you have to do is feel the feelings and think the thoughts and the camera and microphone picked that up. Similarly with audiobooks, I'm just in a little tiny padded booth. My microphone is just a few inches from my face, and so I could be very, very intimate and everything gets picked up, and you have to do a lot less work for the emotion to come through. Again, really all you have to do is kind of feel the emotion. And for me, that's always for me is being in the moment and feeling the moment and letting that dictate the pace and the vocals and everything. I guess I'm pretty Method. I'm very Method, but that's how I trained. It's what works for me. Not every narrator is like that. There's a million different proper ways to narrate, and that's just my take on it. But everything is right there. So it's just kind of keeping it much smaller and more intimate. And in fact, when you want to be big like [character name's said in the character's] voice and he was yelling a lot, and I would have to pull back from the microphone to let his scope come out. Jonathan: Well, after 30 audiobooks together, I can say that method definitely works. Related to that, as we mentioned earlier, you're now at over 300 titles on Audible over the last 12 years. Congratulations for that. What would you say is most surprising or unexpected things about audiobooks you learned during that time? Hollis: Oh, well, it was very surprising that we could make a booth out of sword blades and blankets. That surprised me. Yeah, that's a great question. It's surprising to me how simple I can be. I went back and I had an author recently who wanted me to do a new chapter to begin and end a book that I had done like 2014, something like that, shortly after I started. And I thought at the time that I was really filling these voices and what I did was fine. You're always your own worst critic. But what I've discovered now is the more you do it, the more you record, the more you use your instrument every single day for 300 some books, the more effortless it becomes and the more depth you can bring to it. And as a young actor, we always resist that. My acting coach used to say, age and experience. There's no substitute for it. I'm like, yeah, yeah, but talent and hard work, that's something. But it's really true that just the repetition, there's no substitute for it. Those chapters that I did, they were the same voices basically. But when I went back and listened to the original, I was like, oh, it surprised me how without really changing anything mechanically, the work has just gotten deeper, more effortless, but it sounds better at the same time. Does that make sense? Jonathan: It does. Because you've probably noticed I've redesigned the covers for the Caina series like seven times over the last 10 years. And every time you think this is it, this is it. I'm done. This is good. And then with more practice, you look back and think, well, maybe I can improve this again, though. I suppose that's not often something that happens in the audiobook world where you get to go back and revisit something you did previously. Hollis: That is one of the hardest and most surprising things about audiobooks. And I've heard people say that this happens to every young narrator when they're starting out, you get through the first two chapters of a new book and you go, oh God, now I get it. I want to go back and start again. Well, there's no do overs with audiobooks. With audiobooks, “done is good” is what they always tell you when you're starting out. So even in film and TV, which you don't get much rehearsal for, you get a couple of run run-throughs, but with audiobooks, you got your prep. Not everyone does, but I always read the whole book before I start if possible, because otherwise you get surprises. But you get your one read through, your prep, and then you go and yes, you can stop. You can punch and roll, edit over. If you make a mistake, you go back half a line, you start again there. But there's no evolution of the work, which is what's great about series too, I think, because with the series you get, yeah, Caina was here last time I did her and now she's going through something new. And then the character grows and it becomes less and less effortful, but it also becomes like someone you really know so that it gets so much deeper and it's so much more fun to play with. Jonathan: That makes sense. 12 years really is a long time to have done audio narration or anything. So what do you think is the key to sticking it out for audiobooks for the long term? Hollis: Well, a lot of things make a difference. I didn't do it before this interview, which is why my voice is kind of rocky, but I always warm up in the morning when I'm setting up a session. I always do a vocal warmup. You got to get a good night's sleep, you have to drink water every couple of pages. I have a tea that I drink that keeps my stomach quiet because stomach gurgles is another bad thing about audiobooks. You have to eat very carefully and drink tea to keep your stomach quiet. You don't want to have to stop every time for that. And a lot of training, a lot of vocal training. I had Linklater training and the Lavan training, and Linklater to me is the most useful. And a lot of the stuff that applies to Shakespeare applies to audiobooks too. You warm up, you get yourself breathing, you warm up your resonators, your sinus, your mask resonators, the back of your head, your chest resonators. For the men [imitates male voice], you really have to have your chest warmed up, get the vibrations going here. And so I get all that kind of going before I sit down in the booth. And that also keeps you, then you keep your throat open so you're not hurting yourself. You have to have good posture so that the air can move from your diaphragm up to your throat and have it be open. And then optimally, like with Caina, Caina has a lot of mask resonance. Brits do; they are very far forward. So you really have to have all that warmed up and then that has to have no impediments between the front of your face all the way down to your diaphragm where the breath originates. And if you can do all that, then you could be an audiobook narrator. Also diction. I warm up my diction to everything from [imitates several vocal exercises] in just to get your mouth moving. You don't want lazy mouth with, there's a lot of enunciation in audiobooks that's important. But I also don't like, I really hate when you hear people enunciating. I don't like that. And with Caina, even though she's upper class, she's not like that. She's not pretentious. And certainly Nadia, you want to be able to understand what she says, but you don't want her to be enunciating. That be weird. So all of all that stuff I worked on in grad school and did all the Shakespeare plays, I would always get to the theater an hour early. You have to be there half hour for makeup and check in, but I would always get there an hour early and do at least 15 to 20 minutes of physical and vocal warmups. And so those habits have really helped me. I think I have pipes of iron, fortunately. I'm very lucky. So all that stuff really matters with audiobooks. Jonathan: It's amazing in how many different fields of life the answer seems to boil down to do the things you're supposed to over and over again forever. Hollis: Exactly. That's really true. When are we going to get old enough that we don't have to do that anymore? [laughs] Jonathan: Just one side question. What is Linklater training? I don't think I've heard that term before. Hollis: Oh, Kristen Linklater is, she's probably the biggest American vocal coach. She has a lot of books out there about voice and the actor and all of her training stems from allowing the breathing to drop in as she calls it, not forcing it to drop into the diaphragm, and then creating a pool of vocal vibrations that go from the diaphragm through an open throat to the resonators. And you can use every resonator in your body to project that sound. When I was doing Beatrice and Gertrude at Colorado Shakes in that unamplified stone amphitheater in the foothills of the Rockies, there was winds that would come down out of the mountains when we were on stage, and that theater was known for eating women's voices. And I had to thank God the vocal coach that summer was a Linklater coach, which is the method that I trained in, and he helped me work with even resonators. If you can imagine in your back, just using the whole chest box and shaking the vibrations through your body so that basically you're making your whole human skeleton an amplifier for the vocal energy coming from your breath. And that's Linklater. She's fascinating. If you ever want to study voice, you can't do better than Linklater, to my mind. Cicely Berry is another one I studied. She's the British guru for the RSC and the Royal Shakespeare Company and all those people, and she's great too. Jonathan: Well, that's just exciting. I learned something new today. Hollis: That's always good. Always learning from your books too about Medieval combat. Jonathan: We always want to learn something new every day, whether we like it or not. Hollis: Right. Jonathan: So to turn it around a little bit, what advice would you give a new indie author who is working with a narrator for the first time? Hollis: Oh yeah, I actually, I made some notes. I thought that was such a good question. Make sure that your narrator knows what you expect from them upfront. If you go through ACX, they have this great thing called the first 15 where your narrator is, if you're new to this author, you record the first 15 minutes of the book and you put that on ACX for your author to listen to and approve. You don't have to approve it if you don't like it. And in fact, if you don't like it, it's very important you don't approve it and you tell your narrator specifics about what you need them to change before they go on with the book. Because what you can't really do is once a book is recorded, say, oh, I really don't like it. I'm not going to pay you for it. I need you to go back and do it again. That's not acceptable and it will make narrators never want to work with you. But what's great about the first 15 is you have that chance to say, well, this voice was, she was a little higher than I wanted. I hear her in my head more as an alto because for me as a narrator, what I want to do is I want to take what you, Jonathan, hear your characters being as you're writing them in your head. I want to take that and translate that into an audiobook for you. So the more you give your narrators information about your characters, the better they're going to voice it. Also, if there's a style in your head, like with Nadia books, there's a little touch of noir there. It was a dark and stormy night kind of feel. If there's a style you kind of hear in your head, that would be a good thing to give them. But ACX has also, I think a character sheet where you can tell them about the different characters. You can fill that out for your narrator. That's tremendously helpful, age of the character, if you hear a vocal pitch range, soprano, alto, tenor, bass, any dialects, they need to know that. The narrator's nightmare is you finish up a book and you shouldn't do this, you should read ahead, but you get to the last line: “I love you, darling,” he said in his beautiful French accent. Jonathan: It explicitly shows up there for the first time. Hollis: Exactly. And then for the narrator, it's like, oh my God, I have to go back and rerecord everything this guy said, which is hours and hours and hours of work for you and your editor who will kill you. But yeah, let them know about all the character traits that you can and just, I think it's on the narrator too, to, I've been lucky with my authors, we always have a good give and take. I come from a theater background and you want to collaborate. You want to realize the author's vision and you want to be a partner in creating that. So try to be partners and give them more information than you think they need and use that first 15. It is totally acceptable to send it back and say, I'm going to need you to do this again, and I'm going to need these changes. And then once you get that ironed out, then you'll probably be ready to go ahead and have a book. And when you get the book, you won't be shocked and you'll be happy (hopefully) with the read. Is that helpful? Jonathan: It does. New authors, if you're listening to this, listen to that advice. Hollis: Yeah. Jonathan: Now for a slightly different topic, can you tell us about the Magic of Larlion books and how you ended up publishing that series? Hollis: Yeah. The Magic of Larlion is an epic fantasy adventures series seven, almost eight volumes. I'm working on finishing book eight now. The first book, Wizard Stone, my brilliant mother Dee Maltby started years and years ago, probably, gosh, maybe 20 years ago now, I think when my little brother moved out from home and she had an empty nest and she had more time to write, and she wrote Wizard Stone, and she sent it out a few places, and that was the only way you could get published back when she wrote it and didn't pursue it, she got discouraged, I think, by rejections from publishers, sat in her drawer for a while, and my sister-in-law, Dana Benningfield, who's also an actor, and she was my best friend even before she married my brother. I introduced them. So yeah, that was all me. She was an editor professionally for a while, and when she moved to Ohio where I'm from and was living with my brother and my parents lived right across the orchard, I told her about this book. And she wasn't editing at the time, she was kind of done with it, but she asked mom if she could read it. So she read it and edited it, and then it became a much better book and really encouraged my mom to keep writing, which I had been telling her to do for years. But hearing somebody who wasn't family, somehow giving her that input that it was really something special, changed her perspective. So she kept writing and she and I started, I was on the road doing Shakespeare a lot. We started trading chapters. She'd send me a chapter a week and I would edit it and send it back. And so Wizard Stone evolved from there into its current form, and then she started the next book, Wizard Wind and Wizard Storm. And we went that way through five and a half books. And my dad finally, when he retired from being a physicist, said he was going to, I always told you I'd get your published Dee, I'm going to take it down to the print shop and get a hundred copies made. And by this time I was working with you and a bunch of other great indie authors who were letting thousands of happy readers read their books through an independent platform. And I said, well, wait a minute. I could do better than that. So I convinced them to hire an editor that I had worked with, and I did the rewrites and got it through the pre-production process and hired a cover artist, very talented artist. And you and Meara Platt, another of my authors, gave me so much information and help. And we got it published in 2022, I believe. We had three ready to go. And we published those all within a month of each other. One a month for three months, and then four and five, and then six came. And I co-authored five, six, and seven because my mother was losing her sight and her hearing at that point. We got those done. We had six out and a lot of people reading them and loving them and reviewing them before my mom passed. And I think it's probably one of the most satisfying things I've done in my life, because not only do I love the books, and they're just a rip roaring, fantastic adventure-filled epic trip through this incredible world my mom invented. But when she was about to, one of the last things she said to me was, I told her how many people had read her books. I just went through the Kindle numbers and thousands of people in different countries and all over the world were reading and loving her books. And I told her that, and she said, that's all that matters. And she felt such a sense of pride in herself and accomplishment because they were being received for what they are, which is a brilliant creative flight of fancy, this magical world in the tradition of all the books she loved, always Tolkien. And so I promised her I'd finish it. So after she died, I published six and seven and I've got eight about 90% written now, and I'm hoping to bring that out by the end of the year, although I've been too darn busy with narration to really spend the time. I've got the big climactic Jonathan Moeller type battle at the end sketched in my head and on an outline, but I got to write that. And then we can get that out there and finish that too. Jonathan: Will you stop with eight or keep going after eight? Hollis: My feeling is that this series will culminate with book eight. It's been a long saga of Beneban, this young wizard who kind of gets flung off a mountain by his evil wizard master and has to master his fledgling wizardry powers and his magical sword to win his love Laraynia, a powerful sorceress, and save the kingdom. And that's book one. And there's ice dragons, and then they have kids, and then the later books have become much more about their kids. And the more I write, the more it's become about young women fighting with swords. Jonathan: Well, they say write what you know. Hollis: Defeating the bad guys. Plucky young women, overachieving, competing with men. And so I think that's all going to come to a head with book eight, and that will be the end of that series. But I do think I'm going to spin it off into possibly more on the younger characters. I don't know if it's going to be YA per se, I think it'll still be for adults, but more of a YA feel to it, the younger characters of the ice dragon riding school of battle and the wizarding school. I don't know if I want to make it schools necessarily, it might limit you too much. And that's kind of been done too. But I do think the ice dragons are going to figure largely in it. Oh, and I don't know, there's a plot point I probably shouldn't give away, but my mother's full name was Willa Dee Maltby. She writes under Dee Maltby and there is a character, a very magical character named Willa that shows up in this book eight. So I think Willa will be a big character going forward and the younger generation of women and some boys too. I like boys, I do. Jonathan: Well, I suppose if people want to know more, they will have to read and find out. Hollis: Yes. And please go to the website is deemaltbyauthor.com and everything you want to know (well, maybe not everything), but everything you can know for now is there. Jonathan: Well, I was going to ask you what you would say was the most rewarding things about publishing the books, but I think you covered that pretty well. On the flip side, what was the biggest unexpected challenge in publishing them? Hollis: The PR is hard. You seem to be great at it. I even did PR professionally to work my way through undergrad and then in between grad school and undergrad and after I graduated and I had an assistantship in it at my university. But the book world specifically is a whole different kind of PR and learning Amazon ads and Facebook ads and it's a lot. It's a lot. And again, you have been so helpful with it. And I mean, there are a lot of online resources out there too, which is great. But what I'm really finding, trying to do it part-time is overwhelming. You really need a full-time block of time to not only write the books, but then to publicize them the way they deserve to be publicized. Jonathan: Yeah, the tricky part is, as you said, book advertising is very different from anything else. I was talking with a guy who is an Amazon reseller for various toiletries and hygiene products and makes a good living doing that. I was telling him how much I pay per click on Amazon ads. He's just appalled. It's like, you can't make any money doing that. And then the flip side of that too is that Internet marketing is so different than any other form of PR, so it's just sort of constant challenge there. Hollis: I know, and I know I actually signed up for a TikTok account and I just don't, again at the time. Plus every time I turn it on, I'm like, I don't want to watch that. I'm allergic to the format. You'd think being an actor, being used to being on camera, I could come up easily with little things to do for the books and I probably could for TikTok. But again, just learning the platform and then applying yourself to it is just such a big time hack that I don't have that amount of time. I know that narrators are now more and more marketing themselves by recording themselves on camera narrating and putting that out there, which I can do, I guess. And that's why I got this ring light and everything. I can do that now. I haven't done anything with it, but I guess if some of the book work dries up, I'll be more motivated to do it. Jonathan: Well, that's how anything works. You try it and if you enjoy it and it works, keep doing it. And if you don't enjoy it and it doesn't work, no point in carrying on with it. Hollis: I think that's true. And you just have to keep learning too, as we know with everything. You got to keep learning new things. Jonathan: Well, this has been a very enjoyable interview and thank you for coming on the show. Hollis: My pleasure. Jonathan: Let's close out with one last question. You've obviously done a lot of theater, so what, out of all the productions you've done was the one you would say was your favorite or that you enjoyed the most? Hollis: I think I have to go back to Beatrice probably. I mean, the Alabama Shakes getting to play a man thing, that was a lot of fun. But Beatrice, we did a Wild West Much Ado about Nothing at Colorado Shakespeare. The premise was that I was the niece of Leonardo, who is the tavern keeper, the bar keeper in this Wild West world. And there was a bar fight opening this Wild West production, and I entered through a swinging tavern door with a six shooter in one hand and a bull whip in the other. And I shot the pistol and cracked the bull whip and broke up the fight and then got to do Shakespeare's incredible Beatrice and Benedict story from there. It was so much fun. Jonathan: It almost seems like the soundtrack could have been “I Shot the Sheriff.” Hollis: Yeah. Yeah, it really could. It was a heck of a lot of fun. Jonathan: Well, speaking of fun, it was good talking with you, and thank you for taking the time to be on the show. Hollis: Yeah, I am excited to start the next Cloak book soon. So I was going to offer to do a little snatch of you want the introduction for Cloak here? Jonathan: Oh, I think we'll save it for the Real Thing. Hollis: Oh, okay. All right. Well thank you, Jonathan. It's been a pleasure. Jonathan: It's been a pleasure. And see you soon for Cloak Mage #10. Hollis: Alright. So that was our interview with Hollis McCarthy. Thank you for coming on the show and giving us a very informative and entertaining interview. A reminder that the website with the Magic of Larlion books is deemaltbyauthor.com. So that is it for this week. Thank you for listening to The Pulp Writer Show. I hope you found the show useful. A reminder that you can listen to all the back episodes on https://thepulpwritershow.com. If you enjoyed the podcast, please leave your review on your podcasting platform of choice. Stay safe and stay healthy, and we'll see you all next week.

Send us a textHow do we keep moving forward in an uncertain world? And what does true leadership look like in sustainability and construction?In this episode of the Thrive in Construction Podcast, Darren Evans speaks with Andy Hay, Managing Director at Hollis, about leadership, adaptability, and thriving through change. From starting his career at Adidas to leading one of the UK's most respected real-estate consultancies, Andy shares powerful lessons on agency, mindset, and the courage to keep evolving.Key Highlights• The Toblerone Philosophy – Why every challenge can be approached three ways: like it, change it, or deal with it—and how this mindset builds agency and resilience.• From Adidas to Hollis – Andy's unconventional journey across industries—from sport and finance to real estate—and what he's learned about transferable skills and reinvention.• Change & Adaptability – Why shifting roles and “changing lanes” is vital for both personal growth and organisational innovation.• Leadership in Sustainability – How today's turbulence in the net-zero and ESG space could signal maturity, not decline—and why the sector must refocus on what truly drives impact.• Dealing with Uncertainty – Navigating market shifts, political instability, and evolving business priorities with optimism and ownership.• Raising Standards & Taking Ownership – Why success comes from effort, consistency, and leaning in fully to your goals and responsibilities.This conversation is a masterclass in resilient leadership, career reinvention, and finding opportunity in uncertainty, essential listening for sustainability professionals, business leaders, and anyone committed to growth in the built environment. #Leadership #Sustainability #ThriveInConstruction #ChangeManagement #CareerGrowth #RealEstate #Hollis #BuiltEnvironment #Resilience #NetZero #ConstructionPodcast If you want to see our other insightful podcasts, click here:https://www.youtube.com/playlist?list=PLOHI_yaqB2U8KWbsfJDPCoYEfOh-TTnipFind us on:Spotify: https://open.spotify.com/show/0dDkxLWZ25nT0krYWaTiITApple Podcasts: https://podcasts.apple.com/us/podcast/thrive-in-construction-with-darren-evans/id1726973152YouTube: https://www.youtube.com/channel/UCTrzqei7gttB8WB5wM6hUpwLinkedIn: https://www.linkedin.com/showcase/thrive-in-construction-podcast/Our Website: https://darren-evans.co.uk/Links:Andy Hay LinkedIn: https://www.linkedin.com/in/andy-hay-8bb57221/Hollis LinkedIn: https://www.linkedin.com/company/hollis-global/Hollis Website: https://www.hollisglobal.com/Support the show

Jonny Hollis is a singer/songwriter, multi instrumentalist, visual artist and more. Jonny shares about his experience moving from Starkville to Alabama, to England, to Minnesota, to Seattle, and back to Mississippi. The conversation covers influences, taste, and venues.Subscribe, rate, and review the show!Support this podcast at — https://redcircle.com/porch-talk/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

On this episode we have on Jason hollis. Jason is a visual artist, entrepreneur, music producer, trailblazer, and now the owner of one of Nashville's historic and legendary music venues, formerly known as Douglas Corner, and now The Eighth Room. In this episode we talk about his love of Oasis and the role of rock stars in culture, how he feels about his daughter going to college, his daughter's love of true crime podcast, our love of the music and history of Nashville and wanting to preserve it, owning The Eighth Room, how music connects his family and stories from raising a kid while working in the music industry.Send us a textSupport the showFollow us on Facebook and Instagram @theimperfectdadspodcast . Look for new episodes of The Imperfect Dads Podcast every Monday.

Welcome to Rainbow Soulstrology Astrology Forecast!

Film & TV Producers Barry Mendelson, Pete Salsich, & King Hollis talk about Spaghetti Wars!- h3 full 2021 Fri, 10 Oct 2025 21:08:34 +0000 udW66GQC93MRvNjT4lm5W6enJj1bUHT6 comedy,religion & spirituality,society & culture,news,government The Dave Glover Show comedy,religion & spirituality,society & culture,news,government Film & TV Producers Barry Mendelson, Pete Salsich, & King Hollis talk about Spaghetti Wars!- h3 The Dave Glover Show has been driving St. Louis home for over 20 years. Unafraid to discuss virtually any topic, you'll hear Dave and crew's unique perspective on current events, news and politics, and anything and everything in between. © 2025 Audacy, Inc. Comedy Religion & Spirituality Society & Culture News Government False

#882. She came, she played, she lawyered her way to $750,000. Fresh off her Big Brother 27 win, Ashley Hollis joins Kaitlyn to spill all the secrets from inside the house — the lies, the alliances, the chaos, and the strategy that made her the newest reality TV queen! From hiding her career as an attorney to surviving multiple nominations and delivering a game-winning final speech, Ashley breaks down every move that led to her victory.Plus, Kaitlyn gets her to open up about the behind-the-scenes moments fans never saw, her most cringe-worthy house memory, and what life is really like after 24/7 cameras.This one's for ALL the Big Brother fans!If you're LOVING this podcast, please follow and leave a rating and review below! PLUS, FOLLOW OUR PODCAST INSTAGRAM HERE!Thank you to our Sponsors! Check out these deals!Audible: Your first great love story is free when you sign up for a free 30-day trial at Audible.com/vine.Bombas: Head over to Bombas.com/vine and use code vine for 20% off your first purchase.Dime Beauty: Head to DimeBeauty.com and get 20% off your first order with code PODCAST20 – or shop DIME at Amazon and Ulta!Progressive: Visit Progressive.com to see if you could save on car insurance.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Big Brother 27 winner Ashley Hollis joins host Sharon Tharp for a brief post-finale catch-up to answer burning fan questions about her game, the finale, and what's next. Ashley opens up about what surprised her most after leaving the house, how she feels about the way her game was portrayed on TV, what she would've done differently if she ever played again, and more.

Welcome to Rainbow Soulstrology Astrology Forecast!

Today, Taran Armstrong is joined by Ashley Hollis to talk through her winning game on Big Brother 27.

Today, Taran Armstrong is joined by Ashley Hollis to talk through her winning game on Big Brother 27.

William Hollis, a self-taught software engineer and experienced real estate investor, has successfully integrated technology into the real estate sector. With over 13 years of experience, he has developed advanced AI-powered tools that streamline investor communication and enhance capital-raising efforts for fund managers. His journey highlights a keen awareness of the inefficiencies in traditional real estate practices, and he is dedicated to empowering others to leverage technology to maximize their investment potential. Hollis emphasizes the significance of personalization in investor relations, advocating for tailored approaches that cater to the unique needs of each investor. By utilizing AI to analyze investor behavior, he helps clients improve engagement and increase the likelihood of securing funding. His commitment to education and mentorship is evident, as he encourages individuals to overcome limiting beliefs and embrace the transformative power of technology in their investment strategies. At Raise AI, their mission is to revolutionize the capital-raising process through innovative technology solutions. The platform provides a suite of advanced tools designed to enhance investment strategies and streamline operations for both seasoned investors and newcomers. Visit their website and discover a wealth of resources and services tailored to address the unique challenges of the real estate market. Unlock new opportunities and achieve your financial goals with confidence. For the accessible version of the podcast, go to our Ziotag gallery.We're happy you're here! Like the pod?Support the podcast and receive discounts from our sponsors: https://yourbrandamplified.codeadx.me/Leave a rating and review on your favorite platformFollow @yourbrandamplified on the socialsTalk to my digital avatar Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

ANOTHER ONE IN THE BOOKS! Whewww!!! BB27 was one of a kind & man, what a finale it was! Had to make this finale a fun one with two of my best friends! We discuss everything that has happend in the finale, Ashely's win & the happenings since the finale. Enjoy! & Thanks for another awesome season. ----

Join Hollis Taylor and Bright Hawk for our weekly dive into the cosmic energies shaping your week ahead! Get ready for astrological insights, spiritual guidance, and community connection in this FREE live broadcast.What to expect: Weekly astrological overview and energy forecast Horoscopes for Sun, Moon, and Rising signs Cosmic guidance for manifestation and spiritual growth Live Q&A - bring your astrology questions! Inclusive, welcoming space for all souls on their spiritual journeyCome prepared: Bring your birth chart if you have one Have your astrology questions ready Open heart and mind for cosmic wisdomReady for deeper guidance?Book a personal reading with Hollis: www.DivineAndrogyne.comBook with Bright Hawk: www.PsychicInsights.Life/BrightHawkHelp us grow our cosmic community: Follow us for weekly spiritual content Share with friends who love astrology Set notifications ON so you never miss the magicWhether you're an astrology beginner or cosmic veteran, this broadcast offers something for every soul seeking guidance and connection. The universe works in divine timing - maybe you're meant to be here!Drop a if you're excited to explore the stars with us!#RainbowSoulstrology #Astrology #WeeklyForecast #LiveAstrology #SpiritualGuidance #LGBTQIA #CosmicWisdom #Horoscope

When most of us addicts wash up on the shores of recovery to say we've lost our way seems a gross understatement. The bottom has usually fallen out from under our lives. We feel utterly lost and painfully alone. The world we knew is gone and no new world has arrived to take its place. We need a map to orient us and a guide to help us find our way home.This is the world Jungian analyst Dr. James Hollis describes in his book “Living Between Worlds: Finding Personal Resilience in Changing Times.” It's likely an all too familiar world to most of us addicts. Hollis says not only are we lost, but the religious structures and cultural belief systems thatsupported yesterday's lost souls seem out of reach for many of today's men and women. The series describes this lost-world and how to access the “Inner Resilience” needed to find our way home. This episode is in three parts – each is focused on insights into the several gifts depth psychology can bring to us in recovery.Part 3 is the final episode in the series and covers:A.      We Are the Meaning MakersB.      From Whence Cometh, And Wither To?C.     Do We Ever Really Arrive Home?Show notes: Living Between Worlds: Finding Personal Resilience in Changing Times by James Hollis, PhD. The Power of Two Way Prayer by Father Bill W.

Welcome to the fourth in our offseason "Coaches Series" (episode #57) on the No Conference for Old Men podcast. Two of the 3 Old Men had the privilege to sit down and chat with Coach Hollis Price (UH MBB Assistant Coach / Special Assistant to the Head Coach).  We cover a wide range of topics as we delve into Coach's background, his journey as a player at OU, and his subsequent professional career across multiple European leagues. We then discuss how he transitioned into coaching with the NBA Developmental League and ultimately joined UH on Coach Sampson's staff.  We bring depth and insight into HP's background/perspective that you won't find anywhere else! - No Conference for Old Men is available for free via Spotify / Apple Podcast / SoundCloud & the GoCoogs.com website; we're also available via the Republic of Football Podcast feed from the folks at Dave Campbell's Texas Football as their only basketball-centric offering - Intro / Exit music:  Ground Zero provided by FreeBeats.io - Please follow us on https://gocoogs.com/old-men/ Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome to the 4th in our offseason "Coaches Series" (episode #57) on the No Conference for Old Men Podcast.2 of the 3 Old Men had the privilege to sit down and chat with Coach Hollis Price (UH MBB Assistant Coach / Special Assistant to the Head Coach). We cover things far & wide as we dive into coach's background, his journey as a player at OU & then playing professionally across multiple European leagues, how he transitioned into coaching w/ the NBA Developmental League, and then finally joining UH on Coach Sampson's staff. We bring a depth and insight into Coach's background / perspective that you won't find anywhere else!- No Conference for Old Men is available for free via Spotify / Apple Podcast / SoundCloud & the GoCoogs.com website; we're also available via the Republic of Football Podcast feed from the folks at Dave Campbell's Texas Football as their only basketball-centric offering- Intro / Exit music: Ground Zero provided by FreeBeats.io- Please follow us on https://gocoogs.com/old-men/

If you have never thought about or experienced hair loss, Chandler's story will offer meaningful considerations. In our show, she tells of her awakening to the world followed by the spiritual awakening of herself and her new, deep understanding of feelings. Diving into and accepting her emotions IS the reason she is growing her hair back after the start of alopecia at age 2 (she is now 32). She no longer wears a wig or hat and her hair isn't perfect or fully covering her head, yet she is slowly seeing that what matters is her... not her hair. This girl has courage, heart and she now experiencing great freedom!She ends our show with the "Just Be Practice" telling those with alopecia to do the hard thing and why (this message applies to all of us).Connect to Chandler:Telegram: @Chandler_HollisEmail: c23hollis@gmail.com*Host Eden Koz is a soul realignment specialist utilizing psychological empathy, intuition, psychic ability, mediumship, meditation, mindset shift, Reiki, dimensional and galactic healing, to name a few. She also performs spiritual Co#id Vac+ Healing as well as remote & face-to-face sessions with individuals and groups. **Additionally, in spreading the word... If you are questioning your Gold IRA because of scams (see EP188) or want to invest in a precious metals company with integrity...email: info@milesfranklin.com and put "Eden" in the subject line (they know me personally, so the best of attention and heart will come your way!)Miles Franklin's website: https://milesfranklin.com Contact info for Eden Koz / Just Be®, LLC:Website: EdenJustBe.com Socials: TikTok, FB, FB (Just Be), X, Insta, LinkedInJust Be~Spiritual BOOM Podcast - Video Directories: BitChute, Rumble, ...

When most of us addicts wash up on the shores of recovery to say we've lost our wayseems a gross understatement. The bottom has usually fallen out from under our lives.We feel utterly lost and painfully alone. The world we knew is gone and no new world has arrived to take its place. We need a map to orient us and a guide to help us find our way home.This is the world Jungian analyst Dr. James Hollis describes in his book “Living Between Worlds: Finding Personal Resilience in Changing Times.” It's likely an all too familiar world to most of us addicts. Hollis says not only are we lost, but the religious structures and cultural belief systems that supported yesterday's lost souls seem out of reach for many of today's men and women.The series describes this lost-world and how to access the “Inner Resilience” needed to find our way home. This episode is in three parts – each is focused on insights into the gifts depth psychology can bring to us in recovery. Part #2 covers:A.       Our psyche wishes to be heardB.       Fear and lethargy are our greatest opponentsShow notes:Living Between Worlds: Finding Personal Resilience in Changing Times by James Hollis, PhD.The Power of Two Way Prayer

In Episode 27 of the Sacred Thomas Podcast, I sit down with the unstoppable William King Hollis — a man who went from homelessness and heartbreak to becoming one of the most recognized motivational speakers in the world.This conversation isn't polished or sugar-coated. It's raw. It's about pain, demons, father wounds, addiction, faith, family, and what it actually costs to turn your scars into a global message of hope.If you've ever wondered how to keep going when life breaks you down, this episode will show you.William King Hollis Social Media :⁠YouTube⁠⁠ Instagram⁠ ⁠ TikTok⁠Sacred Thomas Social Media:⁠TikTok⁠⁠Instagram ⁠⁠Facebook⁠ ⁠Twitter⁠ ⁠LinkedIn⁠⁠Website⁠⁠Youtube

Dominate Local Search: Photographers on Google Maps — In this Camera Shake Podcast episode, SEO expert and web designer Sam Hollis shows photographers how to rank on Google Maps (Google Business Profile) and turn local searches into real bookings. We cover GBP setup and optimisation (categories, services, photos, posts), reviews that boost rankings (what to ask clients to include), and how to connect your profile to a conversion-focused website with clear CTAs, fast mobile performance, service/location pages, and persuasive case studies. You'll learn practical local SEO tactics for wedding, portrait, headshot, and commercial photographers—plus what to avoid (fake addresses, keyword-stuffed names, suspension risk). We also break down analytics, GBP insights, and simple funnels that move prospects from Maps → website → enquiry.This episode is packed with photography marketing tips you can use this week to get discovered, get clicks, and get booked.Subscribe for more photography, videography, and business content every Thursday—and join the mailing list at www.camerashakepodcast.com for exclusive resources.New episodes every Thursday.#photography #marketing  #CameraShakePodcast******************************************************************SUPPORT THE PODCAST: www.buymeacoffee.com/camerashake******************************************************************JOIN THE CAMERA SHAKE COMMUNITY for the latest news and some behind the scenes insights:  www.camerashakepodcast.com******************************************************************Check out our sponsor: www.platypod.com******************************************************************THIS WEEK'S LINKS:Sam Hollis on the web:https://website4photographers.co.ukhttps://shoottothetop.comSam Hollis on Social Media:LinkedIn: https://www.linkedin.com/in/sam-hollis-web-design/JOIN THE CAMERA SHAKE COMMUNITY for the latest news and some behind the scenes insights:  www.camerashakepodcast.com======================================CAMERA SHAKE PODCAST ON YOUTUBE:https://www.youtube.com/camerashakeFULL EPISODE 275 Dominate Local Search: Photographers on Google Maps with SAM HOLLIS IS ALSO AVAILABLE ON: YouTube - https://youtu.be/bgP1eGUqeAwApple Podcasts - https://apple.co/2Y2LmfmSpotify - https://spoti.fi/304sm2G FOLLOW US ONInstagram: https://www.instagram.com/camerashakepodcast/Facebook: https://www.facebook.com/camerashakepodcastTwitter: https://twitter.com/ShakeCameraKersten's website:www.kerstenluts.comKersten on Instagram:https://www.instagram.com/kerstenluts/https://www.instagram.com/threeheadsinarow/

Join Hollis Taylor and Bright Hawk for our weekly dive into the cosmic energies shaping your week ahead! Get ready for astrological insights, spiritual guidance, and community connection in this FREE live broadcast.What to expect: Weekly astrological overview and energy forecast Horoscopes for Sun, Moon, and Rising signs Cosmic guidance for manifestation and spiritual growth Live Q&A - bring your astrology questions! Inclusive, welcoming space for all souls on their spiritual journeyCome prepared: Bring your birth chart if you have one Have your astrology questions ready Open heart and mind for cosmic wisdomReady for deeper guidance?Book a personal reading with Hollis: www.DivineAndrogyne.comBook with Bright Hawk: www.PsychicInsights.Life/BrightHawkHelp us grow our cosmic community: Follow us for weekly spiritual content Share with friends who love astrology Set notifications ON so you never miss the magicWhether you're an astrology beginner or cosmic veteran, this broadcast offers something for every soul seeking guidance and connection. The universe works in divine timing - maybe you're meant to be here!Drop a if you're excited to explore the stars with us!#RainbowSoulstrology #Astrology #WeeklyForecast #LiveAstrology #SpiritualGuidance #LGBTQIA #CosmicWisdom #Horoscope

In this sermon, Pastor Beau Hollis shared from Acts 4:13, we see how God used ordinary, uneducated men to change the world — not because of who they were, but because they had been with Jesus. Paul reminds us in Colossians 2 that in baptism we're buried with Christ and raised to new life. That's what gives us real power to live differently. We also looked at how the church was birthed in Acts 1–2, when the Holy Spirit showed up and the gospel began to spread like wildfire. It wasn't about talent, education, or status — it was about Jesus and the Spirit of God moving through willing hearts. If you've ever felt too ordinary or unqualified, I think this message will encourage you. God does His best work through people who simply say “yes” to Him. If you'd like to connect with us you can visit us online at: www.lifepointlou.org Instagram: @lifepointlou Subscribe here on YouTube @lifepointlou

When most of us addicts wash up on the shores of recovery to say we've lost our way seems a gross understatement. The bottom has usually fallen out from under our lives. We feel utterly lost and painfully alone. The world we knew is gone and no new world has arrived to take its place. We need a map to orient us and a guide to help us find our way home.This is the world Jungian analyst Dr. James Hollis describes in his book “Living Between Worlds: Finding Personal Resilience in Changing Times.” It's likely an all too familiar world to most of us addicts. Hollis says not only are we lost, but the religious structures and cultural belief systems thatsupported yesterday's lost souls seem out of reach for many of today's men and women. The series describes this lost-world and how to access the “Inner Resilience” needed to find our way home. This episode is in two parts – each focused on insights into the gifts depth psychology can bring to us in recovery. Part #1 covers:A. The real issues of life are never solved – but they can be outgrown.B. The cure for loneliness is solitude.C. Our best, most demanding, and most useful job is addressing our own shadows.Show notes: Living Between Worlds: Finding Personal Resilience in Changing Times by James Hollis, PhD. The Power of Two Way Prayer

Join Hollis Taylor and Bright Hawk for our weekly dive into the cosmic energies shaping your week ahead! Get ready for astrological insights, spiritual guidance, and community connection in this FREE live broadcast.What to expect: Weekly astrological overview and energy forecast Horoscopes for Sun, Moon, and Rising signs Cosmic guidance for manifestation and spiritual growth Live Q&A - bring your astrology questions! Inclusive, welcoming space for all souls on their spiritual journeyCome prepared: Bring your birth chart if you have one Have your astrology questions ready Open heart and mind for cosmic wisdomReady for deeper guidance?Book a personal reading with Hollis: www.DivineAndrogyne.comBook with Bright Hawk: www.PsychicInsights.Life/BrightHawkHelp us grow our cosmic community: Follow us for weekly spiritual content Share with friends who love astrology Set notifications ON so you never miss the magicWhether you're an astrology beginner or cosmic veteran, this broadcast offers something for every soul seeking guidance and connection. The universe works in divine timing - maybe you're meant to be here!Drop a if you're excited to explore the stars with us!#RainbowSoulstrology #Astrology #WeeklyForecast #LiveAstrology #SpiritualGuidance #LGBTQIA #CosmicWisdom #Horoscope

When most of us addicts wash up on the shores of recovery to say we've lost our way seems a gross understatement. The bottom has usually fallen out from under our lives. We feel utterly lost and painfully alone. The world we knew is gone and no new world has arrived to take its place. We need a map to orient us and a guide to help us find our way home.This is the world Jungian analyst Dr. James Hollis describes in his book “Living Between Worlds: Finding Personal Resilience in Changing Times.” It's likely an all too familiar world to most of us addicts. Hollis says not only are we lost, but the religious structures and cultural belief systems thatsupported yesterday's lost souls seem out of reach for many of today's men and women. The series describes this lost-world and how to access the “Inner Resilience” needed to find our way home. This episode is centered on finding and resonating with the Greater Self that resides within and wishes to communicate with us on our journey through life. Show notes: ·     Living Between Worlds: Finding Personal Resilience in Changing Times by James Hollis, PhD. The Power of Two Way Prayer

Join us as Hollis tells Stephen about his five favorite film photographs, what it reveals about a person when they share their favorites, the commonality of different photographers from different decades, subconscious attraction to certain styles, how art and the story behind it can be a mystery and more!

When most of us addicts wash up on the shores of recovery to say we've lost our way seems a gross understatement. The bottom has usually fallen out from under our lives. We feel utterly lost and painfully alone. The world we knew is gone and no new world has arrived to take its place. We need a map to orient us and a guide to help us find our way home.This is the world Jungian analyst Dr. James Hollis describes in his book “Living Between Worlds: Finding Personal Resilience in Changing Times.” It's likely an all too familiar world to most of us addicts. Hollis says not only are we lost, but the religious structures and cultural belief systems thatsupported yesterday's lost souls seem out of reach for many of today's men and women. The series describes this lost-world and how to access the “Inner Resilience” needed to find our way home. This episode takes a deep dive into the nature of HEALING found in recovery.Show notes: Living Between Worlds: Finding Personal Resilience in Changing Times by James Hollis, PhD. The Power of Two Way Prayer

Hey there friends! I'm introducing you to Hollis Peirce this time, and to be honest, I was a little nervous before the conversation! We had tried to get together for a few months, but something always got in the way, and THEN, the timing was right, (finally) and I got to confab with this fierce and funny disability rights activist! Besides for being an advocate for those who don't have a voice, Hollis also is a public speaker as well as podcaster, with his very own pod, Twenty-first Century Disability, which you can find here! He's also a motivational speaker and all around generous-of-spirit human, and never lets the dust settle, because he's also redefining what it means to be "disabled" and changing the rules of, well, pretty much everything! He never takes "no" for an answer, and is working, one day at a time, to make this world a more just and equitable place, for everyone! To check out his website, click here! THANKS TO ALL WHO LISTEN, AND PLEASE REMEMBER TO RATE AND REVIEW! Your bit of beauty is this: this video from the 2024 Paralympic Games. Check it out when you get a chance!

Hey there friends! I'm introducing you to Hollis Peirce this time, and to be honest, I was a little nervous before the conversation! We had tried to get together for a few months, but something always got in the way, and THEN, the timing was right, (finally) and I got to confab with this fierce and funny disability rights activist! Besides for being an advocate for those who don't have a voice, Hollis also is a public speaker as well as podcaster, with his very own pod, Twenty-first Century Disability, which you can find here! He's also a motivational speaker and all around generous-of-spirit human, and never lets the dust settle, because he's also redefining what it means to be "disabled" and changing the rules of, well, pretty much everything! He never takes "no" for an answer, and is working, one day at a time, to make this world a more just and equitable place, for everyone! To check out his website, click here! THANKS TO ALL WHO LISTEN, AND PLEASE REMEMBER TO RATE AND REVIEW! Your bit of beauty is this: this video from the 2024 Paralympic Games. Check it out when you get a chance!

I've come too far, I can't quit now. I WILL MAKE IT. Just watch. Motivational Speech from William Hollis.Speaker:William "King" HollisYouTube: http://bit.ly/WillHollisYouTubeInstagram: https://www.instagram.com/williamkinghollis/Facebook: http://bit.ly/2LNZtgAWebsite: https://williamhollismotivation.com/Music:Twelve Titans - Icon, Starfield, A Million Stars, Ascend the Starless Skyhttps://www.twelvetitansmusic.com/https://www.youtube.com/channel/UCDhAPVW3Pt4pPAeUNbddgGw Hosted on Acast. See acast.com/privacy for more information.

In this episode of SuperPsyched, host Dr. Adam Dorsay interviews Dr. James Hollis, a renowned Jungian analyst, about finding effective strategies to navigate change and crisis. The conversation delves into the coping mechanisms people often turn to during troubling times and why they are unsustainable in the long run. Dr. Hollis shares insights from his latest book, 'Living Between Worlds: Finding Personal Resilience in Changing Times,' highlighting the importance of looking inward for guidance. They discuss how societal changes impact personal well-being and the necessity of becoming more intimate with oneself. Active imagination, dream analysis, and other self-reflective practices are emphasized as essential tools for personal development and resilience. This episode offers a deep exploration into the unconscious mind and practical steps to harness inner wisdom for facing life's challenges.00:00 Introduction to SuperPsyched00:28 Coping with Change and Crisis01:09 Introducing Dr. James Hollis03:02 The Death of Pan and Cultural Shifts07:34 The Role of Instinct and Adaptation14:35 The Importance of Solitude and Inner Work18:19 Understanding the Self and Ego22:20 Practical Tips for Resilience28:20 The Importance of Dreaming29:13 Understanding Symbolic Language31:56 The Role of Therapy and Self-Discipline34:50 Facing Midlife Challenges42:19 Embracing Curiosity and Overcoming Fear44:18 Active Imagination and Self-Discovery53:42 Concluding Thoughts and ReflectionsHelpful Links:Dr. James HollisLiving Between Worlds: Finding Personal Resilience in Changing Times Book

When most of us addicts wash up on the shores of recovery to say we've lost our way seems a gross understatement. The bottom has usually fallen out from under our lives. We feel utterly lost and painfully alone. The world we knew is gone and no new world has arrived to take its place. We need a map to orient us and a guide to help us find our way home.This is the world Jungian analyst Dr. James Hollis describes in his book “Living Between Worlds: Finding Personal Resilience in Changing Times.” It's likely an all too familiar world to most of us addicts. Hollis says not only are we lost, but the religious structures and cultural belief systems that supported yesterday's lost souls seem out of reach for many of today's men and women.The series describes this lost-world and how to access the “Inner Resilience” needed to find our way home. This episode draws on three major lessons Hollis learned over his many years of practicing and teaching depth psychology.Show notes:Living Between Worlds: Finding Personal Resilience in Changing Times by James Hollis, PhD.Robert Johnson's, Inner WorkThe Power of Two Way Prayer

“This is a sea that will take your life,” says Matthew Hollis in this week's episode of The World in Time. “This is the cruel sea. This is the hard sea. And it takes extraordinary skill and good luck to survive it. But we come quickly to realize in this poem that actually there is a different kind of allegorical turmoil within as well. It's one of the things that makes this poem so compelling, it seems to me, because it does have ideas about moral choices, and it does have ideas about belonging that seem as important today as they were then. One of the great things that strikes me with the great parts of the Anglo-Saxon opus is how modern it feels—or rather, to put it a different way, how timeless the cares and concerns and worries of human beings can be. Some of the fears about loneliness, some of the fears about pain, some of the worries about doubt, about making a good life or the life of right choosing, are issues that trouble us in exactly the same way, or challenge us in exactly the same way, as they did this sailor.” This week on the podcast, Donovan Hohn speaks with poet Matthew Hollis about his new translation of The Seafarer, about the world from which this mysterious tenth-century Anglo-Saxon poem emerged, about the history of the poem's improbable survival, and about its rediscovery by the Romantics and the Modernists. Into the conversation the episode weaves audio samples from different translations and different recordings, including one made by Lewis Lapham, another by Ezra Pound, and a third by Matthew Hollis himself.

Testify | Pastor Isaiah Hollis & Andrew Thomas by The Power Place

When most of us addicts wash up on the shores of recovery to say we've lost our way seems a gross understatement. The bottom has usually fallen out from under our lives. We feel utterly lost and painfully alone. The world we knew is gone and no new world has arrived to take its place. We need a map to orient us and a guide to help us find our way home.This is the world Jungian analyst Dr. James Hollis describes in his book “Living Between Worlds: Finding Personal Resilience in Changing Times.” It's likely an all too familiar world to most of us addicts. Hollis says not only are we lost, but the religious structures and cultural belief systems that supported yesterday's lost souls seem out of reach for many of today's men and women.The series describes this lost-world and how to access the “Inner Resilience” needed to find our way home. Episode Three is focused on “soul work” in recoveryShow notes:Living Between Worlds: Finding Personal Resilience in Changing Times by James Hollis, PhD.Robert Johnson's Inner WorkThe Power of Two Way Prayer

When most of us addicts wash up on the shores of recovery to say we've lost our way seems a gross understatement. The bottom has usually fallen out from under our lives. We feel utterly lost and painfully alone. The world we knew is gone and no new world has arrived to take its place. We need a map to orient us and a guide to help us find our way home.This is the world Jungian analyst Dr. James Hollis describes in his book “Living Between Worlds: Finding Personal Resilience in Changing Times.” It's likely an all too familiar world to most of us addicts. Hollis says not only are we lost, but the religious structures and cultural belief systems that supported yesterday's lost souls seem out of reach for many of today's men and women.The series describes this lost-world and how to access the “Inner Resilience” needed to find our way out. Episode two is focused on some of the unsuccessful coping mechanisms we have tried. Then it points us toward the solution.Show notes: Living Between Worlds: Finding Personal Resilience in Changing Times by James Hollis, PhD.Hollis Quote: “Jung concluded that there was within each of us a deep resilience guided by some locus of knowing, independent of ego consciousness; a center that produces our dreams to correct us, symptoms to challenge us, visions to inspire us.” The Power of Two Way Prayer

Jason Hollis is a visual artist, entrepreneur, music producer, trailblazer, and now the owner of one of Nashville's historic and legendary music venues, formerly known as Douglas Corner, and now The Eighth Room. Hollis and his wife Erin have transformed the venue, while preserving and respecting its rich history while also drawing inspiration from The Viper Room and Max's Kansas City. The Eighth Room is a hybrid of historical charm and modern flamboyance, thanks to Erin's incredible design vision. From vintage chandeliers to Versace wallpaper, licensed Andy Warhol prints as well as Hollis' original rock n' roll artwork, the venue is a visual masterpiece, making it the go-to venue in Nashville. Hollis is in the early stages of developing his own vodka, American lager as well as a branded room scent spray.  On any given night, customers can expect celeb sightings and random pop-up shows with legendary bands, including Queen. Known simply as ‘Hollis'; he has collaborated with legends like Justin Timberlake and Pharrell, and played a significant role in pioneering and directing the music TV series, "Motown Magic" (Netflix) as well as YouTube's first branded music show, "Best Cover, Ever" (featuring Katy Perry, Keith Urban). He has been instrumental in helping bands like The Fray achieve their fullest potential and oversaw The Pink Spiders' bi-coastal bidding war.     Want to watch: YouTube Meisterkhan Pod (Please Subscribe)

Can you improve a legacy application? What's the right way to go about it? Carl and Richard talk with Billy Hollis about his work updating legacy applications, starting with the most essential question: should you? Billy begins by defining what it means to be a legacy application and how, invariably, these applications are critical to the organization, so you have to tread lightly. Typically, the focus is on modernizing the client-side of the app, which brings us to the crux of the matter: Are the workflows of the company today well reflected in the older application? Lots of great thoughts from one of the longest-serving guests of .NET Rocks!

When most of us wash up on the shores of recovery to say we've lost our way seems a gross understatement. The bottom has usually fallen out from under our lives. We feel utterly lost and painfully alone. The world we knew is gone and no new world has arrived to take its place. We need a map to orient us and a guide to help us find our way home.This is the world Jungian analyst Dr. James Hollis describes in his book “Living Between Worlds: Finding Personal Resilience in Changing Times.” It's likely an all too familiar world to most of us addicts. Hollis says not only are we lost, but the religious structures and cultural belief systems that supported yesterday's lost souls seem out of reach for many men and women today.This series describes this lost-world and how to access the Inner Resilience needed to find our way out. Episode One describes the problem and sets the scene.Show notes:Living Between Worlds: Finding Personal Resilience in Changing Times by James Hollis, PhD.