Podcast appearances and mentions of harris eisenstadt

JANEL LEPPIN “ENSEMBLE VOLCANIC ASH” Centreville, VA, January 23, 2022Woven forest, I pose, Her hand is his scoreSarah Hughes (as) Brian Settles (ts) Anthony Pirog (g) Kim Sator (harp) Janel Leppin (cello,synt,comp) Luke Stewart (b) Larry Ferguson (d HARRIS EISENSTADT CANADA DAY QUARTET “ON PARADE IN PAREDE” Parede, Portugal, April 30 & May 1, 2016We all ate what we wanted to eat (parts 1, 2 & 5)Nate Wooley (tp) Matt Bauder (ts) Pascal Niggenkemper (b) Harris Eisenstadt (d) BYARD LANCASTER “IT'S NOT UP TO US” New York, December 18, 1966It's Not Up To Us, Mr. Continue reading Puro Jazz 03 de abril, 2025 at PuroJazz.

JANEL LEPPIN “ENSEMBLE VOLCANIC ASH” Centreville, VA, January 23, 2022Woven forest, I pose, Her hand is his scoreSarah Hughes (as) Brian Settles (ts) Anthony Pirog (g) Kim Sator (harp) Janel Leppin (cello,synt,comp) Luke Stewart (b) Larry Ferguson (d HARRIS EISENSTADT CANADA DAY QUARTET “ON PARADE IN PAREDE” Parede, Portugal, April 30 & May 1, 2016We all ate what we wanted to eat (parts 1, 2 & 5)Nate Wooley (tp) Matt Bauder (ts) Pascal Niggenkemper (b) Harris Eisenstadt (d) BYARD LANCASTER “IT'S NOT UP TO US” New York, December 18, 1966It's Not Up To Us, Mr. Continue reading Puro Jazz 03 de abril, 2025 at PuroJazz.

NEW DIRECTIONS BAND Englewood Cliffs, N.J., May 10, 1999The sidewinder, Beatrice (vib,p only), Song for my fatherGreg Osby (as) Mark Shim (ts) Stefon Harris (vib) Jason Moran (p) Tarus Mateen (b) Nasheet Waits (d) AZIMUTH Oslo, March, 1977Sirens' song, O, AzimuthKenny Wheeler (tp,flhrn) John Taylor (p,synt) Norma Winstone (vcl) HARRIS EISENSTADT ON PARADE IN PAREDE Parede, Portugal, April 30 & May 1, 2016Sometimes you gotta ask for what you want, A fine kettle of fish, We all ate what we wanted to eat (parts 2 & 5)Nate Wooley (tp) Matt Bauder (ts) Pascal Niggenkemper (b) Harris Eisenstadt (d) Continue reading Puro Jazz 09 Mayo 2024 at PuroJazz.

NEW DIRECTIONS BAND Englewood Cliffs, N.J., May 10, 1999The sidewinder, Beatrice (vib,p only), Song for my fatherGreg Osby (as) Mark Shim (ts) Stefon Harris (vib) Jason Moran (p) Tarus Mateen (b) Nasheet Waits (d) AZIMUTH Oslo, March, 1977Sirens' song, O, AzimuthKenny Wheeler (tp,flhrn) John Taylor (p,synt) Norma Winstone (vcl) HARRIS EISENSTADT ON PARADE IN PAREDE Parede, Portugal, April 30 & May 1, 2016Sometimes you gotta ask for what you want, A fine kettle of fish, We all ate what we wanted to eat (parts 2 & 5)Nate Wooley (tp) Matt Bauder (ts) Pascal Niggenkemper (b) Harris Eisenstadt (d) Continue reading Puro Jazz 09 Mayo 2024 at PuroJazz.

The Wire places Sara Schoenbeck in the "tiny club of bassoon pioneers" at work in contemporary music today, while the New York Times has called her performances "galvanizing" and "riveting.” She has performed with or been a member of Anthony Braxton's 12+1(tet) and Tri-Centric Orchestra, Wayne Horvitz's Gravitas Quartet, Harris Eisenstadt's Golden State, Wavefield Ensemble, SEM Ensemble, Wet Ink, Marty Ehrlich's Duende Winds, Nels Cline's Lovers, Adam Rudolph's Organic Orchestra, and the Michael Leonhart Orchestra. She has worked with many of creative music's luminaries including Roscoe Mitchell, Henry Threadgill, Butch Morris, Yusef Lateef, Wadada Leo Smith, George Lewis, and Pamela Z. She can be heard on music and film recordings including Matrix 2 and 3, Spanglish and Dahmer. She has performed at major venues throughout North America and Europe. A partial list includes Carnegie Hall, Lincoln Center Out of Doors, the Kitchen, Iridium, Disney Hall, Redcat, the Kennedy Center, the Free Music Festival in Antwerp Belgium, Biennale Musica in Venice Italy, the American Festival of Improvised Music, MicroFest, SXSW, New Orleans, Newport, Berlin, Victoriaville and Ottawa Jazz Festivals; the Vancouver International Jazz Festival, Angel City Jazz Festival in Los Angeles; San Francisco, Saalfelden and Tempere Jazz festivals. Sara received her BFA from the San Francisco Conservatory of Music and MFA from the California Institute of the Arts. Sara has been adjunct faculty at California Institute of the Arts, Citrus College, and Pasadena Conservatory and has given master classes at Amherst College, Hampshire College, Cornish College, University of Denver, and Western Washington University. She is currently on faculty at Brooklyn Conservatory of Music and Packer Collegiate Institute. In this episode, I speak to Sara about her musical journey, how her career developed and took off, and the inspiration behind her recent self-titled album release, she gives me some practical tips on how to become a better improviser and how to approach free improvisation, tips on creativity, her main musical influences, the challenges of working as a female musician, tips for young musicians and she fills me in on the jazz/music scene in New York, and which jazz clubs I should visit in New York. Listen to her album here: https://open.spotify.com/album/6SMnwqkm8odd2KXNaUqku9?si=3JzotXziSY6u_InOokxYfA Find out more about Sara: https://www.saraschoenbeck.com LOR podcast is being sponsored by Baron Cane, use the coupon code "legendsofreed", to enjoy free shipping on Barton Cane. https://www.bartoncane.com/

Welcome to a new edition of the Neon Jazz interview series with Bassoonist Sara Schoenbeck .. We had a good talk with her about her life in music and her new self-titled 2021 CD that is series of duets over the course of two years. She has been around for quite some time and forged some solid musical relationships with the likes of Harris Eisenstadt, Nels Cline, the Mitchells (Nicole, Roscoe, and Matt), Mark Dresser, Wayne Horvitz and many more .. She has appeared on a wide range of recordings and played live over the last two decades .. and we get into all of this .. Enjoy .. Click to listen.Neon Jazz is a radio program airing since 2011. Hosted by Joe Dimino and Engineered by John Christopher in Kansas City, Missouri giving listeners a journey into one of America's finest inventions. Take a listen on KCXL (102.9 FM / 1140 AM) out of Liberty, MO. Listen to KCXL on Tunein Radio at http://tunein.com/radio/Neon-Jazz-With-Joe-Dimino-p381685/. You can now catch Neon Jazz on KOJH 104.7 FM out of the Mutual Musicians Foundation from Noon - 1 p.m. CST Monday-Friday at https://www.kojhfm.org/. Check us out at All About Jazz @ https://kansascity.jazznearyou.com/neon-jazz.php. For all things Neon Jazz, visit http://theneonjazz.blogspot.com/If you like what you hear, please let us know. You can contribute a few bucks to keep Neon Jazz going strong into the future.   https://www.paypal.com/donate?hosted_button_id=ERA4C4TTVKLR4

Playlist: Stanley Turrentine - Trouble (no. 2)Ken Field - InsideCollocutor - The angry oneMarbin - Spank tankLarry Corban - On the flyGary Dean Smith - This yearningJerry Cook Quartet - Nature's lamentKamasi Washington - Final thoughtsFrancois Houle, Harris Eisenstadt, & Alexander Hawkins - Dusk

Quattro declinazioni del jazz contemporaneo: il progetto Canada Day di Harris Eisenstadt propone da anni una miscela effervescente tra composizione e improvvisazione

Norvegian Landscapes (etichetta Da Vinci) è il terzo capitolo di un trittico che a Marco Cappelli, chitarrista italiano ma da una quindicina d'anni a New York (dove è inseritissimo nella scena dell'avanguardia), è stato ispirato dal noir europeo contemporaneo: il primo album era dedicato a Fred Vargas, il secondo a Maurizio De Giovanni e questo a Jo Nesbo, autore di gialli norvegese. Cappelli lo ha realizzato con il suo Acoustic Trio, con Ken Filiano al contrabbasso e Satoshi Takeishi alle percussioni, e con ospiti Oscar Noriega ai clarinetti e DJ Olive turntables ed elettronica. Filiano fa anche parte di The Fictive Five, formazione nata nel 2013 per iniziativa del sassofonista Larry Ochs, un veterano dell'avanguardia (basti citare il Rova Saxophone Quartet). Passati in marzo dall'Italia, i Fictive Five ci sono piaciuti molto dal vivo ad Area Sismica di Forlì. In coincidenza con le esibizioni italiane è uscito il loro nuovo album Anything Is Possible (Clean Feed): in quintetto, con Nate Wooley alla tromba, un secondo contrabbasso, Pascal Niggenkemper, e Harris Eisenstadt alla batteria, i Fictive Five propongono un free di alto livello, sostanzioso, che vive dentro pezzi ben architettati, con una notevole articolazione di situazioni, data da una intelligente varietà di combinazioni fra i cinque musicisti

Norvegian Landscapes (etichetta Da Vinci) è il terzo capitolo di un trittico che a Marco Cappelli, chitarrista italiano ma da una quindicina d'anni a New York (dove è inseritissimo nella scena dell'avanguardia), è stato ispirato dal noir europeo contemporaneo: il primo album era dedicato a Fred Vargas, il secondo a Maurizio De Giovanni e questo a Jo Nesbo, autore di gialli norvegese. Cappelli lo ha realizzato con il suo Acoustic Trio, con Ken Filiano al contrabbasso e Satoshi Takeishi alle percussioni, e con ospiti Oscar Noriega ai clarinetti e DJ Olive turntables ed elettronica. Filiano fa anche parte di The Fictive Five, formazione nata nel 2013 per iniziativa del sassofonista Larry Ochs, un veterano dell'avanguardia (basti citare il Rova Saxophone Quartet). Passati in marzo dall'Italia, i Fictive Five ci sono piaciuti molto dal vivo ad Area Sismica di Forlì. In coincidenza con le esibizioni italiane è uscito il loro nuovo album Anything Is Possible (Clean Feed): in quintetto, con Nate Wooley alla tromba, un secondo contrabbasso, Pascal Niggenkemper, e Harris Eisenstadt alla batteria, i Fictive Five propongono un free di alto livello, sostanzioso, che vive dentro pezzi ben architettati, con una notevole articolazione di situazioni, data da una intelligente varietà di combinazioni fra i cinque musicisti

Norvegian Landscapes (etichetta Da Vinci) è il terzo capitolo di un trittico che a Marco Cappelli, chitarrista italiano ma da una quindicina d'anni a New York (dove è inseritissimo nella scena dell'avanguardia), è stato ispirato dal noir europeo contemporaneo: il primo album era dedicato a Fred Vargas, il secondo a Maurizio De Giovanni e questo a Jo Nesbo, autore di gialli norvegese. Cappelli lo ha realizzato con il suo Acoustic Trio, con Ken Filiano al contrabbasso e Satoshi Takeishi alle percussioni, e con ospiti Oscar Noriega ai clarinetti e DJ Olive turntables ed elettronica. Filiano fa anche parte di The Fictive Five, formazione nata nel 2013 per iniziativa del sassofonista Larry Ochs, un veterano dell'avanguardia (basti citare il Rova Saxophone Quartet). Passati in marzo dall'Italia, i Fictive Five ci sono piaciuti molto dal vivo ad Area Sismica di Forlì. In coincidenza con le esibizioni italiane è uscito il loro nuovo album Anything Is Possible (Clean Feed): in quintetto, con Nate Wooley alla tromba, un secondo contrabbasso, Pascal Niggenkemper, e Harris Eisenstadt alla batteria, i Fictive Five propongono un free di alto livello, sostanzioso, che vive dentro pezzi ben architettati, con una notevole articolazione di situazioni, data da una intelligente varietà di combinazioni fra i cinque musicisti

13e émission de la 40e session... Cette semaine, freebop, jazz moderne et légère transition free! En musique: Mike Parker's Trio Theory sur l'album Shiny Objects, Dark Places  (Indépendant, 2018); Kresten Osgood Quintet sur l'album Kresten Osgood Quintet Plays Jazz  (ILK Music, 2018); François Houle, Alexander Hawkins & Harris Eisenstadt sur l'album You Have Options  (Songlines, 2018); Pandelis Karayorgis Trio sur l'album Pools  (Drift, 2018); 10³²K sur l'album The Law of Vibration  (Indépendant, 2018)...

13e émission de la 40e session... Cette semaine, freebop, jazz moderne et légère transition free! En musique: Mike Parker's Trio Theory sur l'album Shiny Objects, Dark Places  (Indépendant, 2018); Kresten Osgood Quintet sur l'album Kresten Osgood Quintet Plays Jazz  (ILK Music, 2018); François Houle, Alexander Hawkins & Harris Eisenstadt sur l'album You Have Options  (Songlines, 2018); Pandelis Karayorgis Trio sur l'album Pools  (Drift, 2018); 10³²K sur l'album The Law of Vibration  (Indépendant, 2018)...

The new albums bonanza goes on! And we happily oblige, reveling in some gorgeous new releases, some of which will definitely end up on the "Best of 2018" lists of many critics. Surprises, confirmations, re-releases, unexpected collaborations and more make this week's playlist full of aural pleasures... The playlist includes: Ben Allison, Phillip Johnston, Reinier Baas, Ben van Gelder, Metropole Orkest, Gil Evans Orchestra, Francois Houle, Harris Eisenstadt, Alexander Hawkins, Poline Renou, Matthieu Donarier, Sylvain Lemêtre, Roberto Ottaviano, David Virelles, Gianluigi Trovesi, Sylvain Darrifourcq, Anais Drago, Bluering-Improvisers, Taiga, Mirko Signorile, Dave Sewelson, Harriet Tubman. Detailed playlist at: https://spinitron.com/radio/index.php?station=rfb&playlist=8664#here Photo: G.Driessen

Matanzas, Cuba has long been regarded as the source (la fuente) of many rich Afro-Cuban folkloric traditions. These ceremonial and secular Afro-Cuban musics are, for the most part, alive and well, and being documented for the first time by Matanceros themselves, rather than exclusively by Havana-based or non-Cuban imprints. The Matanzas record label and artist collective, Sendero Music/El Almacén, faces several challenges: oversight from the state, limited access to resources, curating which groups to record while paradoxically convincing the folkloric community of the value of their endeavors, and the conundrum of establishing meaningful connections outside of Cuba to disseminate the city’s music to the world. Produced by Harris Eisenstadt.

Anna Webber is a composer/performer, saxophonist/flautist who has been living in Brooklyn since 2008. Originally from British Columbia, her playing is marked by a subtle virtuosity and keen sense of rhythm. Her band Simple Trio, with John Hollenbeck and Matt Mitchell, is one of the best and most original in the current Brooklyn scene. She's worked with Jen Shyu, Dan Weiss, Harris Eisenstadt and others. Anna studied music at McGill University in Montreal before moving to New York City in 2008. She holds master's degrees from both Manhattan School of Music and the Jazz Institute Berlin.

10e émission de la 35e session... Cette semaine, départ bop, freebop et finale en jazz de chambre... En musique: Charlie Rouse sur l'album Takin' Care of Business ( Jazzland, 1960); Han Bennink Trio sur l'album Adelante  (ICP, 2017); Morten Pedersen 5tet Sammensurium  (Challenge, 2017); Eivind Opsvik sur l'album Overseas V  (Loyal Label, 2017); Harris Eisenstadt sur l'album Recent Developements  (Songlines, 2017); Louis Sclavis sur l'album Asian Field Variations  (ECM, 2017)...

10e émission de la 35e session... Cette semaine, départ bop, freebop et finale en jazz de chambre... En musique: Charlie Rouse sur l'album Takin' Care of Business ( Jazzland, 1960); Han Bennink Trio sur l'album Adelante  (ICP, 2017); Morten Pedersen 5tet Sammensurium  (Challenge, 2017); Eivind Opsvik sur l'album Overseas V  (Loyal Label, 2017); Harris Eisenstadt sur l'album Recent Developements  (Songlines, 2017); Louis Sclavis sur l'album Asian Field Variations  (ECM, 2017)...

Toda la información acerca de HDO en http://www.tomajazz.com/web/?cat=13298. Dos son los vectores principales de esa matriz musical y creativa que es el sello portugués Clean Feed. Pedro Costa, al frente de la discográfica lusa desde sus inicios, ha sabido aúnar la publicación de grabaciones de figuras ya reconocidas en la escena internacional de la música libre (mayormente jazz, pero no exclusivamente), junto a la aparición en su catálogo de músicos (entre los que hay un buen número de artistas portugueses), que han resultado un agradable descubrimiento. El sello ha sabido navegar en el complicado océano de las ediciones discográficas, abundante en sellos unipersonales, pequeños, medianos y grandes, y casi desde el mismo inicio fue capaz de sobresalir en la escena internacional. Un buen ejemplo de todo esto son las cinco referencias que aparecen publicadas en la primera entrega de nuevas grabaciones publicadas en 2016. Entre las figuras más reconocidas están Harris Eisenstadt (al frente de un cuarteto con Jeb Bishop, Tony Malaby y Jason Roebke), el dúo de Fred Frith junto a Darren Johnston, o el trío Renku (con John Hébert, Michaël Attias y Satoshi Takeishi) con una grabación en uno de los corazones del jazz, el Greenwich Village. En cuanto a los “descubrimientos”, están el CD homónimo del potente trío Protean Reality (con Chris Pitsiokos, Noah Punkt y Philipp Scholz), o Collective Efervescence del combo liderado por el baterista Dre Hocevan, a quien acompañan Lester St. Louis, Bram de Looze, Chris Pitsiokos –nuevamente-, y Philip White. Si a todo lo indicado en el primer párrafo se añade que al mayor valor propio en ese análisis son sus buenas músicas, la aproximación –una vez más- a Clean Feed está más que justificada. Pachi Tapiz, 2016 HDO (Hablando de oídas) es un podcast sobre el que ha reflexionado y que ha sido imaginado, deseado, editado, producido, conducido y presentado por Pachi Tapiz. Las grabaciones, los músicos: Fred Frith / Darren Johnston: Everybody’s Somebody’s Nobody (Clean Feed, 2016) Fred Frith, Darren Johnston Dre Hocevar: Collective Efervescence (Clean Feed, 2016) Dre Hocevar, Lester St. Louis, Bram de Looze, Chris Pitsiokos, Philip White Harris Eisenstadt: Old Growth Forest (Clean Feed, 2016) Harris Eisenstadt, Jeb Bishop, Tony Malaby, Jason Roebke Protean Reality: Protean Reality (Clean Feed, 2016) Protean Reality: Chris Pitsiokos, Noah Punkt, Philipp Scholz Renku: Live In Greenwich (Clean Feed, 2016) Renku: Michaël Attias, John Hébert, Satoshi Takeishi

El trompetista Nate Wooley danza sobre la música de las primeras grabaciones del trompetista Wynton Marsalis en "(Dance to) the early music". En esta edición de 'Club de Jazz' del 5 de diciembre de 2015, escuchamos a su quinteto junto a Josh Sinton (clarinete bajo), Matt Moran (vibráfono), Eivind Opsvik (contrabajo) y Harris Eisenstadt (batería) y la revisión que proponen sobre la música de los discos "Wynton Marsalis", "Black codes (from the underground)" y "J Mood" de Wynton Marsalis, del que escuchamos algunas de las tomas originales. Toda la información y derechos: http://www.elclubdejazz.com

El trompetista Nate Wooley danza sobre la música de las primeras grabaciones del trompetista Wynton Marsalis en "(Dance to) the early music". En esta edición de 'Club de Jazz' del 5 de diciembre de 2015, escuchamos a su quinteto junto a Josh Sinton (clarinete bajo), Matt Moran (vibráfono), Eivind Opsvik (contrabajo) y Harris Eisenstadt (batería) y la revisión que proponen sobre la música de los discos "Wynton Marsalis", "Black codes (from the underground)" y "J Mood" de Wynton Marsalis, del que escuchamos algunas de las tomas originales. Toda la información y derechos: http://www.elclubdejazz.com

En España, tanto en verano como en otoño, hay muchos festivales de jazz. Pero tan cierto como es esto, no es menos cierto que aunque uno grabe en uno de los sellos más reputados de jazz y sea un músico de estudio muy reclamado (David Torn), o que tenga un grupo de músicos jóvenes con una enorme proyección (The Convergence Quartet con Taylor Ho Bynum, Harris Eisenstadt, Dominic Lash y Alexander Hawkins), o que sea uno de los fundadores de la AACM de Chicago y una leyenda viva (Roscoe Mitchell), es difícil tocar en alguno de esos festivales de nuestro país. En la entrega 14 de HDO Pachi Tapiz repasa tres nuevas grabaciones de estos grupos: "Only Sky" (ECM), "Owl Jacket" (NoBusiness Records), y "Celebrating Fred Anderson" (Nessa Records). HDO (Hablando de oídas) es un audioblog presentado, editado y producido por Pachi Tapiz. Toda la información disponible en http://www.tomajazz.com/web/

A special edition of the Spanish Jazz radio show Club de Jazz featuring a lengthy interview with Harris Eisenstadt. Drummer Harris Eisenstadt was born in Toronto, Canada, in 1975, and lives in New York. The projects he leads include 'Canada Day' (with Nate Wooley and Matt Bauder, among others), 'September Trio' (Ellery Eskelin and Angelica Sanchez) or 'Golden Gate' (with his wife, the bassoon player, Sara Schoenbeck). He has studied with Wadada Leo Smith and Barry Altschul. The interview was originally broadcasted on January, 30th 2013.

A special edition of the Spanish Jazz radio show Club de Jazz featuring a lengthy interview with Harris Eisenstadt. Drummer Harris Eisenstadt was born in Toronto, Canada, in 1975, and lives in New York. The projects he leads include 'Canada Day' (with Nate Wooley and Matt Bauder, among others), 'September Trio' (Ellery Eskelin and Angelica Sanchez) or 'Golden Gate' (with his wife, the bassoon player, Sara Schoenbeck). He has studied with Wadada Leo Smith and Barry Altschul. The interview was originally broadcasted on January, 30th 2013.

A special edition of the Spanish Jazz radio show 'Club de Jazz' where we conducted an interview with Alexander Hawkins. Alexander Hawkins (Oxford, 1981) is a pianist, organist, and composer. He leads his own ensemble and co-leads The Convergence Quartet (Taylor Ho Bynum, Harris Eisenstadt and Dominic Lash) and Decoy (Steve Noble and John Edwards), a trio in which he plays Hammond Organ. Hawkins plays regularly in the bands of South African drummer Louis Moholo-Moholo. The interview was originally broadcasted on November, 9th 2014. All rights reserved: http://www.elclubdejazz.com

A special edition of the Spanish Jazz radio show 'Club de Jazz' where we conducted an interview with Alexander Hawkins. Alexander Hawkins (Oxford, 1981) is a pianist, organist, and composer. He leads his own ensemble and co-leads The Convergence Quartet (Taylor Ho Bynum, Harris Eisenstadt and Dominic Lash) and Decoy (Steve Noble and John Edwards), a trio in which he plays Hammond Organ. Hawkins plays regularly in the bands of South African drummer Louis Moholo-Moholo. The interview was originally broadcasted on November, 9th 2014. All rights reserved: http://www.elclubdejazz.com

9e émission de la 29e session... Cette semaine, début hard-bop, transition postbop, Marie-Eve Boulanger discute de Michel Cusson, freebop et finale en jazz de chambre... En musique: Art Taylor sur l'album A.T.'s Delight (Blue Note, 1960); Verneri Pohjola sur l'album Bullhorn (Edition Records, 2015); Mike Osborne sur l'album Dawn (Cuneiform, 2015, enr. 1966 et 1970); Harris Eisenstadt sur l'album Golden State II (Songlines, 2015)...

9e émission de la 29e session... Cette semaine, début hard-bop, transition postbop, Marie-Eve Boulanger discute de Michel Cusson, freebop et finale en jazz de chambre... En musique: Art Taylor sur l'album A.T.'s Delight (Blue Note, 1960); Verneri Pohjola sur l'album Bullhorn (Edition Records, 2015); Mike Osborne sur l'album Dawn (Cuneiform, 2015, enr. 1966 et 1970); Harris Eisenstadt sur l'album Golden State II (Songlines, 2015)...

El baterista Ramon Prats se presentó en cuarteto en el Estival de Igualada y ahora presenta aquel concierto en un disco titulado "Pandora". En esta edición de "Club de Jazz" del 5 de febrero de 2014 lo escuchamos junto a Julián Sánchez (tp), Sandrine Robiliard (chelo) y Martín Leiton (cb). El trompetista Nate Wooley amplía a sexteto con la tuba de Dan Peck que se suma a su quinteto conformado por Josh Sinton (clb y sb), Matt Moran (vib), Eivind Opsvik (cb) y Harris Eisenstadt (bt) en "(Sit in) the throne of friendship". Jesús Moreno presenta "desde mi cadiera" una nueva grabación del I.Overdrive Trio de Remi Gaudillat (tp), Philippe Gordiani (gt) y Bruno Tocanne (bt) dedicada, en este caso, a Leo Ferré. A ellos se suma al órgano y voz Marcel Kanche para firmar "Et vint un mec d'outre saison". En el "Jazz Porteño" de Alberto Varela descubrimos la banda de Gabriel Palatchi con su "Caja musical". Anxo dedica sus "Ritmos Latinos" a George Moustaki tanto con su propia voz junto a la de China Forbes como en versión de Javier Elorrieta. Por último, el "Tren Azul" de Luis Díaz García rescata la trompeta de Dizzy Gillespie en grabaciones de 1948 junto a su orquesta. Toda la información y derechos: http://www.elclubdejazz.com

El baterista Ramon Prats se presentó en cuarteto en el Estival de Igualada y ahora presenta aquel concierto en un disco titulado "Pandora". En esta edición de "Club de Jazz" del 5 de febrero de 2014 lo escuchamos junto a Julián Sánchez (tp), Sandrine Robiliard (chelo) y Martín Leiton (cb). El trompetista Nate Wooley amplía a sexteto con la tuba de Dan Peck que se suma a su quinteto conformado por Josh Sinton (clb y sb), Matt Moran (vib), Eivind Opsvik (cb) y Harris Eisenstadt (bt) en "(Sit in) the throne of friendship". Jesús Moreno presenta "desde mi cadiera" una nueva grabación del I.Overdrive Trio de Remi Gaudillat (tp), Philippe Gordiani (gt) y Bruno Tocanne (bt) dedicada, en este caso, a Leo Ferré. A ellos se suma al órgano y voz Marcel Kanche para firmar "Et vint un mec d'outre saison". En el "Jazz Porteño" de Alberto Varela descubrimos la banda de Gabriel Palatchi con su "Caja musical". Anxo dedica sus "Ritmos Latinos" a George Moustaki tanto con su propia voz junto a la de China Forbes como en versión de Javier Elorrieta. Por último, el "Tren Azul" de Luis Díaz García rescata la trompeta de Dizzy Gillespie en grabaciones de 1948 junto a su orquesta. Toda la información y derechos: http://www.elclubdejazz.com

Conversación con Harris Eisenstadt, baterista canadiense residente en Nueva York. En esta edición de "Club de Jazz" del 30 de enero de 2013 charlamos con él antes de su visita a Andalucía para dar vida a 'Andalucía Day', inspirado en su original 'Canada Day', Charlamos sobre su experiencia en Ghana y Senegal o de las lecciones de su maestro Wadada Leo Smith. "desde mi cadiera" Jesús Moreno nos lleva al Sunside de París para escuchar "Courtepointe", el directo registrado allí por la pianista Sophia Domancich junto a Mark Helias (contrabajo) y Andrew Cyrille (batería). En el "Jazz Porteño" de Alberto Varela cerramos el repaso a la reciente edición del Festival de Jazz de Punta del Este (Uruguay) con la sesión de clausura liderada por Paquito D´Rivera. "Contigo" recoge el directo de la cubana Osdalgia en 'El gato tuerto' de La Habana que nos ofrece Anxo en los "Ritmos Latinos". El "Tren Azul" de Luis Díaz García rompe con los clásicos que lo caracterizan para escuchar grabaciones inéditas del pianista José Manuel Villacañas con su trío y en compañía de la cantante Natalia Dicenta. Además, "Money Jungle" de Duke Ellington, Max Roach y Charles Mingus. Toda la información y derechos: http://www.elclubdejazz.com

Conversación con Harris Eisenstadt, baterista canadiense residente en Nueva York. En esta edición de "Club de Jazz" del 30 de enero de 2013 charlamos con él antes de su visita a Andalucía para dar vida a 'Andalucía Day', inspirado en su original 'Canada Day', Charlamos sobre su experiencia en Ghana y Senegal o de las lecciones de su maestro Wadada Leo Smith. "desde mi cadiera" Jesús Moreno nos lleva al Sunside de París para escuchar "Courtepointe", el directo registrado allí por la pianista Sophia Domancich junto a Mark Helias (contrabajo) y Andrew Cyrille (batería). En el "Jazz Porteño" de Alberto Varela cerramos el repaso a la reciente edición del Festival de Jazz de Punta del Este (Uruguay) con la sesión de clausura liderada por Paquito D´Rivera. "Contigo" recoge el directo de la cubana Osdalgia en 'El gato tuerto' de La Habana que nos ofrece Anxo en los "Ritmos Latinos". El "Tren Azul" de Luis Díaz García rompe con los clásicos que lo caracterizan para escuchar grabaciones inéditas del pianista José Manuel Villacañas con su trío y en compañía de la cantante Natalia Dicenta. Además, "Money Jungle" de Duke Ellington, Max Roach y Charles Mingus. Toda la información y derechos: http://www.elclubdejazz.com

Harris Eisenstadt's two new records are Canada Day III (Songlines, 2012) and Canada Day Octet (482 Music, 2012). In this interview, Eisenstadt talks about expanding existing quintet music to octet form; the evolution of the Canada Day band and what its longevity allows him to do as a composer; and the life of a touring musician. Learn more at harriseisenstadt.com and follow him on Twittter at @HEisenstadt. Concert Note: Eisenstadt has two CD release parties this weekend in NYC. The Canada Day III release event is on June 16, 2012, at Cornelia Street Cafe. The Canada Day Octet event is on June 17 at the Red Hook Jazz Festival. Note: This is Eisenstadt's second appearance on The Jazz Session. Listen to our 2010 conversation.

Harris Eisenstadt's two new records are Canada Day III (Songlines, 2012) and Canada Day Octet (482 Music, 2012). In this interview, Eisenstadt talks about expanding existing quintet music to octet form; the evolution of the Canada Day band and what its longevity allows him to do as a composer; and the life of a touring musician. Learn more at harriseisenstadt.com and follow him on Twittter at @HEisenstadt. Concert Note: Eisenstadt has two CD release parties this weekend in NYC. The Canada Day III release event is on June 16, 2012, at Cornelia Street Cafe. The Canada Day Octet event is on June 17 at the Red Hook Jazz Festival. Note: This is Eisenstadt's second appearance on The Jazz Session. Listen to our 2010 conversation.

Harris Eisenstadt’s two new records are Canada Day III (Songlines, 2012) and Canada Day Octet...

Drummer and composer Harris Eisenstadt's album Canada Day (Clean Feed, 2009) is a strong statement by an inventive composer. In this interview, Eisenstadt talks about his compositional goals for the album; how this CD is both related to his past work and different from it; and also about his upcoming nonet project. Learn more at www.harriseisenstadt.com. NOTE: Eisenstadt and the Canada Day band will be at Ibeam in Brooklyn on Feb. 26 and 27, 2010. Learn more at ibeambrooklyn.com. If you'd like to buy this album, you can support The Jazz Session by purchasing it via the link below:

Drummer and composer Harris Eisenstadt’s album Canada Day (Clean Feed, 2009) is a strong statement...