Podcast appearances and mentions of John Hollenbeck

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Since the early 2000s, Festival Director and musical curator Cem Zafir has been presenting diverse, exploratory, and engaging concerts via his non-profit organization, Zula Presents. After moving to Hamilton, Ontario in 2012, Cem seized on the opportunity to create an early summer music festival. The Something Else! Festival began in 2014. Now in its 12th year, it brings to Hamilton some of the finest talents in creative, global, and improvised music. In this fun and compact catch up with Jane, Cem previews some of the highlights of the upcoming festival. From solo piano with Guggenheim Fellow and Alpert Award-winning pianist/educator Myra Melford, to the deep electronic vibes of Farida Amadou; from the "weird beauty" of The Cluttertones, to a nature walk with Pulitzer Prize recipient, percussionist and composer Susie Ibarra, the lineup is guaranteed to blow your mind, and open your ears. Tickets and passes are on sale now via Eventbrite or E-transfer (no fee) to tix@zulapresents.orgMusic in this episode:"Water Thief" - Izumi Kimura and Gerry Hemingway (Kairos, 2023)"The End Of" - Farida Amadou (When It Rains It Pours, 2024)"Moveable Do (La-La Bémol) Feat. Matt Mitchell and John Hollenbeck" - Anna Webber (simpletrio2000, 2024)"Pulse" - Susie Ibarra (Perception, 2017)"Enero" - The Cluttertones (Ordinary Joy, 2015)"Coastal Birds" - Susie Ibarra et al (Walking on Water, 2015)"DESTEJER" - Ibelisse Guardia Ferragutti and Frank Rosaly (MESTIZX, 2024)"One More Latch (Give It to 'ya) - Pantayo (Ang Pagdaloy, 2023)"Ravenous Hound" - Peter Van Huffel's Callisto (Meandering Demons, 2024)Support the showPlease help us keep the pod rocking and rolling with a donation. Any amount helps! MUSIC BUDDY IS:Jane Gowan (host, producer, editor) ; Tim Vesely (co-producer)The show's theme song, "Human Stuff," is written by Jane Gowan and Tim Vesely, and performed by Jane and Tim, with additional vocals by Steve Wright and Connie Kostiuk STAY IN TOUCH Email: jane@musicbuddy.caInstagram: @musicbuddypodcastFacebook: @musicbuddypodcastBluesky: @musicbuddy.bsky.socialTikTok: @musicbuddypodThis podcast is brought to you by Morning Run Productions.

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STEVE COLEMAN “POLYTROPOS / OF MANY TURNS” Paris, France, c. 2023Spontaneous pi, Lush life cadenzaJonathan Finlayson (tp) Steve Coleman (as) Rich Brown (b) Sean Rickman (d) RYAN KEBERLE “BRIGHT MOMENTS” c. 2024 Stillness within, To be and not to doAlex Norris (tp,flhrn) Ryan Keberle (tb) Patrick Cornelius (as,sop,b-cl,alto-fl) Diego Rivera (ts,fl-1) Michael Dease (bar) Art Hirahara (p) Boris Kozlov (b) Rudy Royston (d) ANNA WEBBER “SIMPLETRIO2000” Brooklyn, NY, December 19 & 20, 2023Slingsh0t, Idiom VII, g equals GM over r squaredAnna Webber (ts,fl,bass-fl) Matt Mitchell (p) John Hollenbeck (d) Continue reading Puro Jazz 22 de noviembre, 2024 at PuroJazz.

STEVE COLEMAN “POLYTROPOS / OF MANY TURNS” Paris, France, c. 2023Spontaneous pi, Lush life cadenzaJonathan Finlayson (tp) Steve Coleman (as) Rich Brown (b) Sean Rickman (d) RYAN KEBERLE “BRIGHT MOMENTS” c. 2024 Stillness within, To be and not to doAlex Norris (tp,flhrn) Ryan Keberle (tb) Patrick Cornelius (as,sop,b-cl,alto-fl) Diego Rivera (ts,fl-1) Michael Dease (bar) Art Hirahara (p) Boris Kozlov (b) Rudy Royston (d) ANNA WEBBER “SIMPLETRIO2000” Brooklyn, NY, December 19 & 20, 2023Slingsh0t, Idiom VII, g equals GM over r squaredAnna Webber (ts,fl,bass-fl) Matt Mitchell (p) John Hollenbeck (d) Continue reading Puro Jazz 22 de noviembre, 2024 at PuroJazz.

This content is for Members only. Come and join us by subscribing here In the meantime, here's some more details about the show: It's a warm welcome then to the man himself: Dr. Brad Stone - the JazzWeek Programmer of the Year 2017, who's here every Thursday to present The Creative Source - a two hour show, highlighting jazz-fusion and progressive jazz flavours from back then, the here and now, plus occasional forays into the future. Please feel free to get in touch with Brad with any comments or suggestions you might have; he'll be more than happy to hear from you: brad@soulandjazz.com or follow him via Facebook or Twitter. Enjoy! The Creative Source 21st November 2024 Artist - Track - Album - Year Randy Hoexter    In Bright October    Tomorrowville    2024 Michael Simon & Asian Connection    Cross Streams    East West & Beyone    2024 Ben Waltzer    Kintsugi    The Point    2024 Jason Keiser    Kayak    Kind of Kenny    2024 Carn Davidson 9    Groove    Reverence    2024 George Cables    Echoes    I Hear Echoes    2024 Vanisha Gould    Oh My Dear Friends    She's Not Shiny, She's Not Smooth    2024 Tania Grubbs Quintet    The Sculptor's Hands    The Sound of Love    2024 Kristin Korb    Sweet Dreams    Sweet Dreams    2024 Ben Kono Group    Yonsei    Voyages    2024 Lou Donaldson    Footpattin' Time    The Scorpion: Live at the Cadillac Club    1995 Roy Haynes    James    Te Vou!    1994 Blue Lou Marini and Bluband    You Dirty Dog    Out of the Blue    2024 David Friesen w/ the Kyiv Mozart String Quartet    Little Ella Bella    A Light Shining Through    2024 Kevin Sun    Heideggerdashian    Quartets    2024 Kevin Sun    Homage Kondo    Quartets    2024 Ryan Keberle & Catharsis    Hammersparks    Music is Connection    2024 Adrian Younge & Ali Shaheed Muhammad, with Dom Salvador    Os Ancestrais    Jazz is Dead 21    2024 The Bad Plus    Casa Ben    Complex Emotions    2024 John Hollenbeck & NDR Big Band    Marimba Hocket    Colouring Hockets    2024 Joe Deninzon & Stratospheerius    Voodoo Vortex (Part I)    Imposter!    2024 Sahara Von Hattenberger    Air Chrysalis    1Q84    2024 Joe Deninzon & Stratospheerius    Voodoo Vortex (Part II)    Imposter!    2024 Philip Golub    A Regrouping    Abiding Memory    2024 JD Allen    Time (Dilation)    The Dark, the Light, the Grey and the Colorful    2024 The post The Creative Source (#CreativeSource) – 21st November 2024 appeared first on SoulandJazz.com | Stereo, not stereotypical.

This episode of The Other Side of the Bell, featuring trumpeter, Scott Belck, is brought to you by Bob Reeves Brass. You can also watch this interview on Youtube. About Scott: Dr. Scott Belck currently serves as the Director of Jazz Studies and Professor of Music at the University of Cincinnati's College-Conservatory of Music (CCM) where he directs the CCM Jazz Orchestra and teaches applied Jazz Trumpet. He is a founding member of critically acclaimed Tromba Mundi contemporary trumpet ensemble and has toured as a member of Grammy Award winning funk legend Bootsy Collins' Funk Unity Band as lead trumpet. He has served as trumpet and cornet soloist with the Air Force Band of Flight in Dayton, Ohio where he also held the post of musical director for the Air Force Night Flight Jazz Ensemble. He is the Founding Artistic Director Emeritus of the Cincinnati Contemporary Jazz Orchestra.   His playing credits include recordings lead trumpet/guest soloist with the Cincinnati Pops featuring the Manhattan Transfer and John Pizzarelli, the Glenn Miller Orchestra, the Van Dells, and jazz soloist with the University of North Texas One O'clock Lab Band with whom he recorded four CDs as jazz soloist and section trumpet. He has performed as principal/lead trumpet with the St. Louis Symphony, Indianapolis Symphony, Cincinnati Symphony, the National Symphony Orchestra of the Dominican Republic, the Columbus Symphony Orchestra, the Dayton Philharmonic Orchestra, the Lexington Philharmonic, the Richmond Symphony Orchestra, and as section trumpet with the Duluth-Superior Symphony Orchestra and the Duluth Festival Opera. He has performed as lead trumpet for shows/concerts of Christian McBride, Jimmy Heath, Aretha Franklin, Gerald Wilson, the Detroit Jazz Festival Orchestra, Linda Ronstadt, John Lithgow, Donna Summer, Maureen McGovern, Michael Feinstein, Lalo Rodriguez, Sandy Patti, Tito Puente Jr., Tommy Tune, Manhattan Transfer, Lou Rawls, Patti Austen, The Coasters, Yes, Ben Vereen, Doc Severinsen, the Temptations, Olivia Newton-John, Neil Sedaka, the Blue Wisp Big Band, the Columbus Jazz Orchestra, the Dayton Jazz Orchestra, the Ink Spots, the Four Freshmen, The Frankie Avalon, Fabian, Bobby Riddell, Little Anthony and the Imperials, Frankie Valli, The Maritime Jazz Orchestra of Canada as well as touring Broadway shows and regional and national recording sessions. He has performed as a leader, musical director, or sideman with many top jazz players on the scene today including: Fred Hersch, Rich Perry, Adam Nussbaum, Lew Soloff, Randy Brecker, Slide Hampton, Jim McNeely, Claudio Roditi, John Riley, Rick Margitza, Bob Belden, Jimmy Heath, Bobby Watson, Tom Harrell, Tim Hagans, Regina Carter, Wes Anderson, John Hollenbeck, Steve Turre, Conrad Herwig, Gordon Brisker, Hank Marr, Marvin Stamm, Gerry Mulligan, Kenny Garrett, John Fedchock, Phil Woods, Ed Soph, John LaBarbera and Diane Schuur. He has also served as the Artistic Director of the Dayton Jazz Orchestra, the Jazz Central Big Band, and the Miami Valley Jazz Camp in Ohio. He is the author of the text “Modern Flexibilities for Brass”, published by Meredith Music and distributed by Hal Leonard. In his spare time, he is the CEO and founder of Lip Slur World Headquarters. Belck's new book “Progressive Lip Flexibilities for Brass” is quickly becoming one of the most popular sarcastic lip slur books in the lower South-Central Ohio River valley region. Scott Belck is a Powell Signature Trumpet Artist.

Steph Richards, And Y Et, Riley Mulherkar, Antoine Drye, Jun Iida, Keyon Harrold, Nir Felder, Mary Halvorson, Trevor Dunn, Ches Smith, Anna Webber, Tim Berne / Hank Roberts / Aurora Nealand, george (John Hollenbeck, Anna Webber, Aurora Nealand, Chiquita Magic), Marianne Trudel & John Hollenbeck, Benjamin DeschampsPlaylist: Steph Richards, featuring Joshua White, Stomu Takeishi, Gerald Cleaver & Max Jaffe - Power VibeAnd Y Et, featuring Steph Richards, Kelsey Mines & Nic Jenkins - I Can't Think That Far AheadRiley Mulherkar - Ride or DieAntoine Drye with Strings - Send in the ClownsJun Lida, featuring Aubrey Johnson, Masami Kuroki, Josh Nelson & Xavier Lecouturier - EvergreenKeyon Harrold - The IntellectualNir Felder - Cold HeavenMary Halvorson - Collapsing MouthTrevor Dunn's Trio Convulsant - Saint-MedardChes Smith - Remote ConvivialAnna Webber - WinceTim Berne, Hank Roberts, Aurora Nealand - Framedgeorge, featuring John Hollenbeck, Anna Webber, Aurora Nealand, Chiquita Magic - O'KeefeMarianne Trudel, John Hollenbeck - Tension and happinessBenjamin Deschamps - Fearless

Es klingen die Klaviere! Die deutsche Pianistin Anke Helfrich widmet ihr neues Album inspirierenden Frauenfiguren aus der Geschichte – zum Beispiel Frida Kahlo. Und die fleissige Komponistin Marianne Trudel aus Kanada bringt zu ihrem 20. Bühnenjubiläum gleich drei Alben voller Klavierklänge raus. Auch in der Schweiz gibt es Neues: in der Formation «The Optics» treffen fünf spannende Musikerinnen und Musiker aufeinander und lassen sich auf ihrem Debut-Album gegenseitig viel Raum. (00:00:32) Imogen Ryall (00:09:42) Anke Helfrich: «Well Rise»  (00:23:45) Marcel Lüscher Quartett (00:30:54) The Optics (00:37:03) Marianne Trudel (00:55:01) LELÉKA und Maksym Berezhniuk Die vorgestellten CDs: * Imogen Ryall Sings the Charles Mingus/Joni Mitchell Songbook (Rubicon Jazz) * Anke Helfrich: We'll Rise (Enja Yellowbird) * Marcel Lüscher Quartett: Himmel aus Mahagoni * The Optics: The Optics (Rabbit Hill Records) * Marianne Trudel, John Hollenbeck, Rémi-Jean Leblanc: Time Poem. La joie de l'éphémère (Marianne Trudel Productions) * Marianne Trudel, John Hollenbeck: Dédé Java Espiritu (Marianne Trudel Productions) * Leléka, Maksym Berezhniuk: Rizdvo (Fine Music)

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Konzerte und Produktionen u.a. mit: hr-Bigband & Studierende des neuen Kooperations-Masterstudiengangs Big Band cond. by John Hollenbeck | Studioproduktion, Hessischer Rundfunk, Hörfunkstudio II, Frankfurt, Juli 2023, Teil 2 || "Spielen", "Schreiben", "Leiten" lauten die drei Schwerpunkte, zwischen denen die Studierenden des neuen Kooperations-Masterstudiengangs "Big Band" der Hochschule für Musik und Darstellende Kunst Frankfurt und der hr-Bigband wählen können. Ziel der jungen Nachwuchsprofis ist es, tiefer in die Materie des orchestralen Jazz einzusteigen. Regelmäßig stehen ihnen dabei renommierte Big-Band- Leader, Komponisten und Arrangeure aus aller Welt zur Seite. Für zwei Konzerte pro Saison wird die hr-Bigband zudem zum Hybrid-Ensemble: Denn an diesen Abenden überlassen einzelne Mitglieder der Band den Studierenden mit dem Schwerpunkt "Spielen" ihren Platz. Das Programm dieses Abends im vergangenen Juli wurde zusammen mit dem Schlagzeuger und Komponisten John Hollenbeck erarbeitet. Hören Sie heute den zweiten Teil dieses Konzerts. (Sendung vom 19.11.)

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Konzerte und Produktionen u.a. mit: hr-Bigband & Studierende des neuen Kooperations-Masterstudiengangs Big Band cond. by John Hollenbeck | Studioproduktion, Hessischer Rundfunk, Hörfunkstudio II, Frankfurt, Juli 2023, Teil 1 || "Spielen", "Schreiben", "Leiten" lauten die drei Schwerpunkte, zwischen denen die Studierenden des neuen Kooperations-Masterstudiengangs "Big Band" der Hochschule für Musik und Darstellende Kunst Frankfurt und der hr-Bigband wählen können. Ziel der jungen Nachwuchsprofis ist es, tiefer in die Materie des orchestralen Jazz einzusteigen. Regelmäßig stehen ihnen dabei renommierte Big-Band- Leader, Komponisten und Arrangeure aus aller Welt zur Seite. Für zwei Konzerte pro Saison wird die hr-Bigband zudem zum Hybrid-Ensemble: Denn an diesen Abenden überlassen einzelne Mitglieder der Band den Studierenden mit dem Schwerpunkt "Spielen" ihren Platz. Das Programm dieses Abends im vergangenen Juli wurde zusammen mit dem Schlagzeuger und Komponisten John Hollenbeck erarbeitet. Hören Sie heute den ersten Teil dieses Konzerts. (Sendung vom 12.11.)

ÖVERSÄTTNING: Azar Mahloujian UPPLÄSNING: Stina Ekblad Lyssna på alla avsnitt i Sveriges Radio Play. DIKT: ”En annan årstid” av Ahmad ShamlooDIKTSAMLING: Allomfattande kärlek (Arash förlag 1994)MUSIK: Meredith Monk: Autumn variationEXEKUTÖR: Bohdan Hilash, basklarinett, Courtney Orlando, violin, Todd Reynolds, violin, Nadia Sirota, viola, Ha-Yang Kim, cello och John Hollenbeck, slagverk.

"I fall in Love too easily" (gravaci

"I fall in Love too easily" (gravaci

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Patricia Brennan is an improvisatory mallet percussionist who as been hailed as one of the instrument's new leaders. As a sidewoman, she's worked with artists such as Mary Halvorson, Matt Mitchell, and John Hollenbeck.  Her solo debut, Maquishti, released by Valley of Search Records was included on the New York Times 10 best Jazz albums of 2021. This conversation was recorded by phone last year during lockdown.

Vocal imitation games, aural cocktails, jazz-adjacent ingenuity. The New York-based composer and pianist discusses three important albums.Phillip's picks:Ensemble Organum & Marcel Peres – Guillaume de Machaut: Messe de Notre-DameRan Blake – Painted Rhythms: The Compleat Ran Blake Volume 1The Claudia Quintet – I, ClaudiaPhillip's debut solo album, Filters, is out now via Greyfade. His website is here and he's on Instagram @phillipgolub.

Imagine getting the chance to play with Ray Charles, and then the first thing he says about your playing is "3rd trombone too Godamn loud!" -- Despite Mike's "confident" bone playing on his first gig with Ray, his time in Ray's band lasted two years, and included playing trombone AND bass. Mike then spent more than 20 years in NYC playing on Broadway and playing for legendary Jazz artists like Fred Hirsch, Maria Schneider, and John Hollenbeck. Mike's career reminds us that it doesn't matter where you're from (Mike hails from Fargo, North Dakota), you can make a legendary career from anywhere.------------------------------Download Gig Boss app: https://linktr.ee/gigbossJoin the Gig Boss Facebook Group: https://www.facebook.com/groups/gigbossBumper Music: Sunshine is Out by Adam Meckler https://open.spotify.com/track/1u12flYbzE4jxD1cwG5pGT?si=5228a5324e474da9-----------------------------Interested in hearing music made by our awesome guests? Check out this Spotify playlist, which includes music by all our music-making guests! https://open.spotify.com/playlist/63kUrVwtV5tYFsyqLJHO3a?si=7853ba778dff4654------------------------------How to Make it in the New Music Business Book: https://amzn.to/3Pls5ixAri's Take Academy: https://aristakeacademy.teachable.com/?affcode=267075_yqqy4mcn - Use code "GIGBOSS" at checkout for 10% off

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La portada de este número la ocupó Portico Quartet y su nuevo álbum, Next Stop, publicado recientemente este 2022. Después escuchamos el trabajo de la vocalista Allegra Levy, a través del estupendo Lose My Number: Allegra Levy Sings John McNeil. En el Clásico de la Semana escuchamos al trompetista Donald Byrd y The Creeper, grabado en 1965 para Blue Note. Recibimos de nuevo la visita del ilustre pianista y compositor Ignasi Terraza junto a su trío, de los que escuchamos Jazz A Les Fosques II, en nuestra sección Jazz en Español. También uno de los últimos trabajos de los suecos DJINN, Transmission, que vió la luz en 2021. Y cerraremos con el estupendo trabajo de Bernhard Meyer y John Hollenbeck, de los que escuchamos Grids, publicado en 2020. A disfrutarlo.

La portada de este número la ocupó Portico Quartet y su nuevo álbum, Next Stop, publicado recientemente este 2022. Después escuchamos el trabajo de la vocalista Allegra Levy, a través del estupendo Lose My Number: Allegra Levy Sings John McNeil. En el Clásico de la Semana escuchamos al trompetista Donald Byrd y The Creeper, grabado en 1965 para Blue Note. Recibimos de nuevo la visita del ilustre pianista y compositor Ignasi Terraza junto a su trío, de los que escuchamos Jazz A Les Fosques II, en nuestra sección Jazz en Español. También uno de los últimos trabajos de los suecos DJINN, Transmission, que vió la luz en 2021. Y cerraremos con el estupendo trabajo de Bernhard Meyer y John Hollenbeck, de los que escuchamos Grids, publicado en 2020. A disfrutarlo.

Vocalist Theo Bleckmann is in a league and a category of his own. Equally dazzling when interpreting the music of Kate Bush or singing the songs of Charles Ives, he made his ECM Records leader debut in 2017 with his album “Elegy”. More recently, he collaborated with the brass quartet The Westerlies for their haunting record “This Land.” Theo and I talked about his approach to recording versus performing live, his cherished collaborations with drummer John Hollenbeck and pianist Shai Maestro, and why clarity and authenticity are so important in creativity. Show Notes: Tracklisting: - Take My Life (from Elegy) - Elegy (from Elegy) - Knows Only God (God Only Knows) (from Songs You Like A Lot) - Comedy Tonight (from Elegy) - Look for the Union Label (from This Land) - Suspended In Gaffa (from Hello Earth!) - Army Dreamers (from Hello Earth!) Buy “This Land” here Buy “Elegy” here Theme music by The Respect Sextet Follow The Jazz Session on Twitter, Instagram and Facebook Subscribe to The Jazz Session's YouTube Channel upport The Jazz Session by becoming a member at Patreon. For $5 a month you'll get a weekly bonus episode called Track of the Week, plus early access to every show. For $10 a month you get all that plus an extra monthly bonus episode of “The Insider”, a spin-off interview series where Nicky chats to jazz industry insiders (broadcasters, artist agents, label heads, journalists) about the nuts and bolts of the business.

Vocalist Theo Bleckmann is in a league and a category of his own. Equally dazzling when interpreting the music of Kate Bush or singing the songs of Charles Ives, he made his ECM Records leader debut in 2017 with his album “Elegy”. More recently, he collaborated with the brass quartet The Westerlies for their haunting record “This Land.” Theo and I talked about his approach to recording versus performing live, his cherished collaborations with drummer John Hollenbeck and pianist Shai Maestro, and why clarity and authenticity are so important in creativity. Show Notes: Tracklisting: - Take My Life (from Elegy) - Elegy (from Elegy) - Knows Only God (God Only Knows) (from Songs You Like A Lot) - Comedy Tonight (from Elegy) - Look for the Union Label (from This Land) - Suspended In Gaffa (from Hello Earth!) - Army Dreamers (from Hello Earth!) Buy “This Land” here Buy “Elegy” here Theme music by The Respect Sextet Follow The Jazz Session on Twitter, Instagram and Facebook Subscribe to The Jazz Session's YouTube Channel upport The Jazz Session by becoming a member at Patreon. For $5 a month you'll get a weekly bonus episode called Track of the Week, plus early access to every show. For $10 a month you get all that plus an extra monthly bonus episode of “The Insider”, a spin-off interview series where Nicky chats to jazz industry insiders (broadcasters, artist agents, label heads, journalists) about the nuts and bolts of the business.

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John Hollenbeck is a drummer and percussionist possessed of a playful versatility and a virtuosic wit. Whether charting new territory with his long-standing Claudia Quintet or bringing to life popular songs for the Frankfurt Radio Big Band, he is forever seeking to surprise himself and his audiences. I caught up with John to discuss both his most recent, Grammy-nominated recording with the Frankfurt Radio Big Band, featuring guests Theo Bleckmann, Kate McGarry, and Gary Versace, and his new Claudia Quintet album “Evidence-based” which came out in September 2021 and features American poet Eileen Myles. Show Notes: Tracklisting: - Canvas - Knows Only God (God Only Knows) - Wichita Lineman - Evidence-Based - Diversity https://johnhollenbeck.bandcamp.com/ Interview with John about his McGill Teaching Award Theme music by The Respect Sextet Follow The Jazz Session on Twitter, Instagram and Facebook Subscribe to The Jazz Session's YouTube Channel Support The Jazz Session by becoming a member at Patreon. For $5 a month you'll get a weekly bonus episode called Track of the Week, plus early access to every show. For $10 a month you get all that plus an extra monthly bonus episode of “The Insider”, a spin-off interview series where Nicky chats to jazz industry insiders (broadcasters, artist agents, label heads, journalists) about the nuts and bolts of the business.

John Hollenbeck is a drummer and percussionist possessed of a playful versatility and a virtuosic wit. Whether charting new territory with his long-standing Claudia Quintet or bringing to life popular songs for the Frankfurt Radio Big Band, he is forever seeking to surprise himself and his audiences. I caught up with John to discuss both his most recent, Grammy-nominated recording with the Frankfurt Radio Big Band, featuring guests Theo Bleckmann, Kate McGarry, and Gary Versace, and his new Claudia Quintet album “Evidence-based” which came out in September 2021 and features American poet Eileen Myles. Show Notes: Tracklisting: - Canvas - Knows Only God (God Only Knows) - Wichita Lineman - Evidence-Based - Diversity https://johnhollenbeck.bandcamp.com/ Interview with John about his McGill Teaching Award Theme music by The Respect Sextet Follow The Jazz Session on Twitter, Instagram and Facebook Subscribe to The Jazz Session's YouTube Channel Support The Jazz Session by becoming a member at Patreon. For $5 a month you'll get a weekly bonus episode called Track of the Week, plus early access to every show. For $10 a month you get all that plus an extra monthly bonus episode of “The Insider”, a spin-off interview series where Nicky chats to jazz industry insiders (broadcasters, artist agents, label heads, journalists) about the nuts and bolts of the business.

John Hollenbeck is a drummer and percussionist possessed of a playful versatility and a virtuosic...

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Our sponsor: Houghton Hornswww.houghtonhorns.comThe GOLD Method App - Use code "GOLD21" when subscribing for your first month free!www.ryanbeachtrumpet.com/gold-method-appScott Belck's websitewww.scottbelck.comDr. Scott Belck currently serves as the Director of Jazz Studies and Professor of Music at the University of Cincinnati's College-Conservatory of Music (CCM) where he directs the CCM Jazz Orchestra and teaches applied Jazz Trumpet.He is a founding member of critically acclaimed Tromba Mundi contemporary trumpet ensemble and has toured as a member of Grammy Award winning funk legend Bootsy Collins' Funk Unity Band as lead trumpet. He has served as trumpet and cornet soloist with the Air Force Band of Flight in Dayton, Ohio where he also held the post of musical director for the Air Force Night Flight Jazz Ensemble. He is the Founding the Artistic Director Emeritus of the Cincinnati Contemporary Jazz Orchestra.His playing credits include recordings lead trumpet/guest soloist with the Cincinnati Pops featuring the Manhattan Transfer and John Pizzarelli, the Glenn Miller Orchestra, the Van Dells, and jazz soloist with the University of North Texas One O'clock Lab Band with whom he recorded four CDs as jazz soloist and section trumpet.He has performed as principal/lead trumpet with the St. Louis Symphony, Indianapolis Symphony, Cincinnati Symphony, the National Symphony Orchestra of the Dominican Republic, the Columbus Symphony Orchestra, the Dayton Philharmonic Orchestra, the Lexington Philharmonic, the Richmond Symphony Orchestra, and as section trumpet with the Duluth-Superior Symphony Orchestra and the Duluth Festival Opera.He has performed as lead trumpet for shows/concerts of Christian McBride, Jimmy Heath, Aretha Franklin, Gerald Wilson, the Detroit Jazz Festival Orchestra, Linda Ronstadt, John Lithgow, Donna Summer, Maureen McGovern, Michael Feinstein, Lalo Rodriguez, Sandy Patti, Tito Puente Jr., Tommy Tune, Manhattan Transfer, Lou Rawls, Patti Austen, The Coasters, Yes, Ben Vereen, Doc Severinsen, the Temptations, Olivia Newton-John, Neil Sedaka, the Blue Wisp Big Band, the Columbus Jazz Orchestra, the Dayton Jazz Orchestra, the Ink Spots, the Four Freshmen, The Frankie Avalon, Fabian, Bobby Riddell, Little Anthony and the Imperials, Frankie Valli, The Maritime Jazz Orchestra of Canada as well as touring Broadway shows and regional and national recording sessions.He has performed as a leader, musical director, or sideman with many top jazz players on the scene today including: Fred Hersch, Rich Perry, Adam Nussbaum, Lew Soloff, Randy Brecker, Slide Hampton, Jim McNeely, Claudio Roditi, John Riley, Rick Margitza, Bob Belden, Jimmy Heath, Bobby Watson, Tom Harrell, Tim Hagans, Regina Carter, Wes Anderson, John Hollenbeck, Steve Turre, Conrad Herwig, Gordon Brisker, Hank Marr, Marvin Stamm, Gerry Mulligan, Kenny Garrett, John Fedchock, Phil Woods, Ed Soph, John LaBarbera and Diane Schuur.He has also served as the Artistic Director of the Dayton Jazz Orchestra, the Jazz Central Big Band, and the Miami Valley Jazz Camp in Ohio. He is the author of the text “Modern Flexibilities for Brass”, published by Meredith Music and distributed by Hal Leonard. In his spare time, he is the CEO and founder of Lip Slur World Headquarters.Belck's new book “Progressive Lip Flexibilities for Brass” is quickly becoming one of the most popular sarcastic lip slur books in the lower South-Central Ohio River valley region. Scott Belck is a Powell Signature Trumpet Artist.Support the show (https://thatsnotspit.com/support/)

Según la flautista y saxofonista Anna Webber, entre su forma de tocar y de componer había una brecha que ahora trata de cerrar con "Idiom", disco doble grabado en dos formatos: junto a Matt Mitchell (piano) y John Hollenbeck (batería), su Simple Trio; con un Large Ensemble de doce músicos, entre los que se encuentra el trompetista Adam O'Farrill, el trombonista Jacob Garchik y el baterista Satoshi Takeishi, entre otros. Dice la pianista suiza Irène Schweizer que siempre ha sentido "afinidad" con los músicos negros, entre ellos el baterista estadounidense Hamid Drake. Con él presenta "Celebration", un directo en el festival Konfrontationen de Austria que se suma a la larga lista de dúos de piano y batería registrados por Schweizer desde 1986. Se las arreglaron para poder grabar en plena pandemia entrando juntos en el estudio pero sin necesidad de verse las caras. Uno de los músicos padece problemas respiratorios que aconsejaban tomar precauciones extra. A pesar de todo, Ceramic Dog, el trío de Marc Ribot (voz y guitarra), Shahzad Ismaily (bajo y teclado) y Ches Smith (batería, percusión y electrónicas) logró encontrar "Hope" en la música. Toda la información y derechos: http://www.elclubdejazz.com

Episode 2 of "HEY BALTIMORE" - KRAFT with Mike Kuhl Live at An Die Musik! Kuhl/Ballou/Stewart/Dierker An die Musik Live! 409 N. Charles St. Baltimore, MD 21201 https://andiemusiklive.com/ Facebook: Mike Kuhl https://www.facebook.com/mike.kuhl.16 Facebook: Dave Ballou https://www.facebook.com/dballou Facebook: Luke Stewart https://www.facebook.com/luke.stewart.902266 Facebook: John Dierker https://www.facebook.com/john.dierker.3 Drummer, recording artist, educator, Michael Kuhl hails from the musically diverse city of Baltimore. Kuhl studied and performed in numerous genres, making him a first call drummer for any situation. A graduate of Towson University, Kuhl has performed locally and throughout the globe alongside jazz greats Dave Liebman, Tony Malaby, Michael Formanek, Dave Ballou, Ellery Eskelin and Claudio Roditi. Outside of jazz, Kuhl has shared the stage with many international acts such as Beach House, Arboretum, Cigarettes After Sex, Tom Tom Club, and The Ravonnettes. As a leader, Kuhl performed with his trio every Tuesday night at Bertha's in Fells Point before the pandemic. Alongside his musical career, Mike is an accomplished martial artist of Bagua Kung Fu, in which he says the two arts go hand in hand. Trumpeter/Composer Dave Ballou can be heard in a variety of settings; from solo trumpet improvisations to large ensembles. His recordings can be found on the Steeplechase, CleanFeed and pfMentum record labels. Ballou has performed or recorded with Rabih Abou-Kahlil, Steely Dan, Michael Formanek, Mary Halvorson, Woody Herman, Andrew Hill, John Hollenbeck, Sheila Jordan, Oliver Lake, Dave Liebman, Dewey Redman, Maria Schneider and Gunther Schuller. His compositions have been performed and recorded by the Meridian Arts Ensemble, trumpeter Jon Nelson, French hornist Adam Unsworth, saxophonist Ellery Eskelin and the TILT Brass Ensemble. Ballou is a Professor of Music at Towson University and Division Leader of the Jazz and Commercial Music Division. He is the founding director of the Bill and Helen Murray Jazz Residency. Luke Stewart is a DC/NYC-based musician and organizer of important musical presentations. He has a presence in the national and international professional music community. He was profiled in the Washington Post in early 2017 as “holding down the jazz scene,” selected as “Best Musical Omnivore” in the Washington City Paper's 2017 “Best of DC,” chosen as “Jazz Artist of the Year” for 2017 in the District Now, and in the 2014 People Issue of the Washington City Paper as a “Jazz Revolutionary,” citing his multifaceted cultural activities throughout DC. In DC his regular ensembles include experimental jazz trio Heart of the Ghost, Low Ways Quartet featuring guitarist Anthony Pirog, and experimental rock duo Blacks' Myths. He has been compiling a series of improvisational sound structures for Upright Bass and Amplifier. Steward holds a BA in International Studies and a BA in Audio Production from American University, and an MA in Arts Management and Entrepreneurship from the New School. Multi-reedman John Dierker has become a major improvisational stylist, interweaving concepts augmented by howling lines, injections of blues-drenched choruses and Albert Ayler-like display of energy." (All About Jazz.) A Baltimore native, Dierker has worked in a wide variety of musical settings collaborating with Peter Zummo, Jason Willett, Jad Fair, The Basement Boys, Michael Formanek, and Marty Ehrlich. He is a longtime member of Lafayette Gilchrist and The New Volcanoes. Currently, he is working with Quartet Offensive, Lubbock, and Microkingdom and freelancing in the Baltimore/D.C. area. --- Send in a voice message: https://anchor.fm/somethingcame-from-baltim/message Support this podcast: https://anchor.fm/somethingcame-from-baltim/support

Drummer and composer John Hollenbeck discusses his sources of inspiration, cellular composition, the wide influence of Bob Brookmeyer, and writing new music for the John Hollenbeck Large Ensemble, the Claudia Quintet, and the Frankfurt Radio Big Band.

Theron and Tom head backstage with Chris Coles, a musician, composer and educator from Cleveland, to talk about his career, dive into the entry points for exploring jazz music, and discuss his Nine Lives Project, which deals with the Charleston church shooting in 2015. The Nine Lives Project is an interdisciplinary multi-movement suite intended to heighten awareness of ongoing racial injustice in America. Chris first performed Nine Lives in 2015 as a workshop at the Bop Stop in Cleveland, before eventually turning it into a 40-minute performance piece thanks in part to a Knight Arts Challenge grant. The piece made its Akron debut at the Rubber City Jazz & Blues Festival in 2019. (Learn more about the project at the Nine Lives Facebook page.) Chris has performed with several local and international jazz musicians, studied with some of the great pioneers in jazz, and is an instructor in the school of music at Kent State University. Some of his recent accomplishments include being a participant at The Banff Workshop for Jazz and Creative music in Alberta, Canada, playing at the North American Saxophone Alliance Regional Festival in West Virginia with the Dana Saxophone quartet, performing at the International Saxophone Symposium in Washington D.C., and premiering a commissioned work by John Hollenbeck at the Whitney Art Museum Composers Workshop. Chris is one of Cleveland's Most Interesting People for 2021, as selected by Cleveland magazine.

durée : 00:59:51 - En pistes, contemporains ! - par : Emilie Munera - A retrouver aussi cette semaine, des contes populaires pour cinq voix et une batterie imaginés par le batteur et compositeur John Hollenbeck pour le Brussels Vocal Project ; un album du Trio George Sand autour de la figure de Mahler avec deux hommages de Gérard Pesson et Niriko Baba... - réalisé par : Claire Lagarde

The Brady-Belichick Patriots, the Apollo 13 team, and the Allies, what do they all have in common? They are all legendary teams; one could say there is something “magical” about them. However, is there actual “magic” in play? Join MINDWORKS host, Daniel Serfaty, as he speaks with Professor John Hollenbeck of Michigan State University, where they look at the “magic” of teams. Listen to the entire interview in The Magic of Teams Part 5: Multiteam Systems with John Hollenbeck

Today, many of us find ourselves on a plethora of different teams. Day after day, we spend jumping back and forth between all these different teams that we are members of. All of this movement begs the question, what happens when people are on too many teams? Join MINDWORKS host, Daniel Serfaty, as he talks one-on-one with Professor John Hollenbeck of Michigan State University about this very question!

Join host Daniel Serfaty in the fifth and final part of this highly successful series on the science of teams as he talks one-on-one with Professor John Hollenbeck of Michigan State University. Colleagues and friends for more than 30 years, Daniel and John explore the magic of teams, from their early work together on the US Navy’s groundbreaking A2C2 program, to how COVID and remote work is changing the very nature of teaming, to a future of multiteam systems that marries human intelligence and artificial intelligence.

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As we continue our exploration of the best in new and upcoming jazz, this week we look into a unique project featuring the music of John Zorn and lyrics of Jesse Harris written with the unique voice of Petra Haden in mind, a special album that blends beautifully with the new releases by Bill Frisell, Jorge Roeder and Ron Miles, Jimmy Heath's musical testament, a Spinal-Tappy jazz take on the music of Black Sabbath and much more. The playlist features also Throttle Elevator Music, Logan Kane, Regina Carter, John Hollenbeck, Donatello D'Attoma, James Carney, Brian Landrus, Camila Nebbia, Lesley Mok, David Leon and Russ Nolan. Detailed playlist at https://spinitron.com/RFB/pl/11493007/Mondo-Jazz (from Throttle Elevator Music onwards). Happy listening! Photo credit: Steven Perilloux

Sargeant & Comrade, Somi, John Hollenbeck, Claire Devlin, Jean-Michel Leblanc, Sarah Rossy, Theo Abellard, Christian Sands, Nubya GarciaPlaylist: Sargeant x Comrade - Work SongSomi - Black Enough (Live)John Hollenbeck, featuring Kate McGarry, Theo Bleckmann, Axel Schlosser and the Frankfurt Radio Big Band - Don't Give UpClaire Devlin Quartet - Erroneous ThoughtJean-Michel Leblanc - WildingSarah Rossy - Sad SongTheo Abellard - Blackface / BattlefieldChristian Sands - CrashNubya Garcia - Stand With Each OtherAnders Bast and the Bast'ards - South of North DakotaCamila Nebbia - Las ManosAngela Muñoz - Top DownAdrian Younge, Ali Shaheed Muhammad & Roy Ayers - Shadows of the EastRyan Porter - Oscalypso (Live)Terrace Martin, Robert Glasper, 9th Wonder, Kamasi Washington, featuring Phoelix - Freeze TagBilly Childs - Leimert Park

Drew Gress’ biography reads like a who’s who of the jazz world, including collaboration with Tim Berne, Ravi Coltrane, Uri Caine, John Hollenbeck, and countless others.  He has appeared on over 140 recordings, 4 of which have received Grammy nominations. In this conversation, which was prompted by Richard Ivy, a former student of Drew’s, we discuss many topics, including: Drew’s in-depth interview with Pablo Held and the many areas they explore similarities to jazz and birdwatching (a pastime of Drew’s) spending time and working with Gary Peacock Enjoy! Listen to Contrabass Conversations with our free app for iOS, Android, and Kindle! This podcast is brought to you by the International Online Bass Summit and the sponsors who are proudly involved with this event: Kolstein Music Discover Double Bass Nick Lloyd Basses Contrabass Conversations production team: Jason Heath, host Michael Cooper and Steve Hinchey, audio editing Mitch Moehring, audio engineer Trevor Jones, publication and promotion Krista Kopper, archival and cataloging  

The one and only John H. Beck, Professor Emeritus of Percussion at Eastman School of Music, joins the show! He talks about his teaching philosophy, his wine philosophy, what it was like teaching people like Steve Gadd, Leigh Howard Stevens, Gordon Stout, John Hollenbeck and Michal Burritt, his fortissimo snare drum roll during his Philadelphia … Continue reading Episode 7: John H. Beck

Phoenix-based saxophonist/composer/educator Mary Petrich stopped by the VJC Q&T podcast in late February for a spirited conversation with host Russell Schmidt. Mary has long been admired by her peers for her uniquely creative voice, both as a performer and composer. A founding member of the Nash Composers Coalition, she is also increasingly active on the scene as an educator, including her brilliant work with the Phoenix Jazz Girls Rising program.In this engaging interview (recorded prior to the massive upheaval resulting from the global pandemic), Mary and Russ shared questions and tangents on such matters as how practice habits can morph into compositions, the connection between vibration in one’s horn and vibration in the body, and even consider how the creative process might be analogous to excavation.Learn more about Mary Petrich here:http://marypetrich.com/Learn more about the Phoenix Jazz Girls Rising program, of which she is a Co-Founder, here:https://thenash.org/education/phoenix-jazz-girls-rising/Find her most recent recording, Murmuration, here: https://www.amazon.com/Murmuration-Mary-Petrich-Openhand/dp/B019S6YOMQLearn more about some of the people, venues, works, and concepts mentioned in the podcast here:Claudia Bloom – https://www.claudiabloompianist.com/Julianne Colwell – http://voyagephoenix.com/interview/art-life-julianne-colwell/Bill Evans – https://en.wikipedia.org/wiki/Bill_EvansCharles Lewis – https://downtowndevil.com/?s=Charles+lewis+jazzThelonious Monk – https://en.wikipedia.org/wiki/Thelonious_MonkPam Morita – https://pamelamorita.wixsite.com/jazzTerry Riley – https://en.wikipedia.org/wiki/Terry_RileyWayne Shorter – https://en.wikipedia.org/wiki/Wayne_ShorterMonica Shriver – http://www.monicashriver.com/Brice Winston – http://www.bricewinston.com/The Nash – https://thenash.org/The Language of the Unknown – https://www.audaud.com/the-language-of-the-unknown-the-wayne-shorter-quartet-blu-ray-2014/Tread On The Trail – http://www.sonoloco.com/rev/composers/glo/trail/trail.htmlUniversity of Exeter Study on the Different Effects of Poetry and Prose on the Brain – https://www.redorbit.com/news/science/1112971504/effects-of-poetry-on-the-brain-101013/Collaborative Piano – https://en.wikipedia.org/wiki/Collaborative_pianoDrop the Needle – https://nafme.org/drop-the-needle/Motivic Cell – http://composersguide.com/motivic-cells/Thanks for listening!PLEASE SUBSCRIBE & RATE THIS EPISODE!Website: https://www.valleyjazz.org/Social Media (Facebook): https://www.facebook.com/ValleyJazzCooperative/About The Host: Pianist/composer/educator Russell Schmidt has performed with such celebrated artists as Carl Allen, Michael Brecker, Eddie Daniels, John Hollenbeck, Joe Lovano, Gerry Mulligan, Lucas Pino, Arturo Sandoval, and Clark Terry. Among his recordings as a leader are Anachromysticism (2012), which highlights Russell’s wide-ranging efforts as a jazz composer, Jazz Triptych, Volume I – The Sacred (2018), a collection of hymns and spirituals reimagined in the jazz language, and his most recent recording, the companion album Jazz Triptych, Volume II – The Secular (2019).After a distinguished career in academia, Russell joined Music Serving The Word in June 2014 as Coordinator of Education, founding MSW’s Valley Jazz Cooperative program in 2016. Previously, he served as Director of Jazz Studies at Bowling Green State University and the University of Utah. He was also a member of the Eastman School of Music jazz faculty, where he co-conducted the Eastman Studio Orchestra. A student of Rayburn Wright, Russell holds two degrees from Eastman.Find music from VJC Q&T host Russell Schmidt here: https://www.youtube.com/channel/UCuao1b7Ztc7JNpUTzyorXDQ?The Questions & Tangents podcast is produced by Caleb Kilian, for the Valley Jazz Cooperative, an outreach of MSW Ministries, a 501(c)(3) organization.

VJC Q&T podcast host Russell Schmidt has shared a journey in music education with violist Nancy Buck since they first met in 1995 at Bowling Green State University’s new faculty orientation. And for more than two decades, Nancy and Russ have maintained a joyous partnership on and off the concert stage. Nancy is a nationally-renown artist/teacher who presently serves as an Associate Professor of Viola at Arizona State University. She is also the Artistic Director and Co-Founder of the Arizona Violacademy. Nancy recently stopped by the MSW-Tempe studio to share questions and tangents with Russ. In this, the second of two podcasts together, they discussed why playing with others must be an “ears-over-eyes” experience, what it means to contribute texture to music, and even how varieties of chocolate might relate to a performing artist’s concept of sound.Learn more about Nancy Buck here:https://music.asu.edu/profile/nancy-buckLearn more about the Arizona Violacademy, for which she serves as Artistic Director and Co-Founder, here:https://astaaz.org/event/violacademy/Learn more about some of the people, institutions, and other topics mentioned in the podcast here:Johannes Brahms – https://en.wikipedia.org/wiki/Johannes_BrahmsElizabeth Buck – https://music.asu.edu/profile/elizabeth-buckSteven Cornelius – https://www.umb.edu/academics/cla/faculty/steven_corneliusVincenzo Sannino – https://tarisio.com/cozio-archive/cozio-carteggio/vincenzo-sannino/Shinichi Suzuki – https://en.wikipedia.org/wiki/Shinichi_Suzuki_(violinist)Georg Philipp Telemann – https://en.wikipedia.org/wiki/Georg_Philipp_TelemannRayburn Wright – https://en.wikipedia.org/wiki/Rayburn_WrightBowling Green State University College of Musical Arts – https://www.bgsu.edu/musical-arts.htmlOberlin Conservatory of Music – https://www.oberlin.edu/conservatoryPennsylvania Governor’s School for the Arts –https://en.wikipedia.org/wiki/Pennsylvania_Governor%27s_School_for_the_ArtsUniversity of California, Berkeley – https://www.berkeley.edu/Afro-Caribbean Music – https://en.wikipedia.org/wiki/Afro-Caribbean_musicChamber Music – https://en.wikipedia.org/wiki/Chamber_musicDance - https://en.wikipedia.org/wiki/DanceDark Chocolate – https://en.wikipedia.org/wiki/Dark_chocolateKinesthetic (or Physical) Intelligence – https://en.wikipedia.org/wiki/Physical_intelligenceMilk Chocolate – https://en.wikipedia.org/wiki/Types_of_chocolate#Milk_chocolateMona Lisa – https://en.wikipedia.org/wiki/Mona_LisaPlasma – https://en.wikipedia.org/wiki/Plasma_(physics)Suzuki Method – https://en.wikipedia.org/wiki/Suzuki_methodViola Repertoire – https://imslp.org/wiki/List_of_Compositions_Featuring_the_ViolaWhite Chocolate – https://en.wikipedia.org/wiki/White_chocolate Thanks for listening! PLEASE SUBSCRIBE & RATE THIS EPISODE!Website: https://www.valleyjazz.org/Social Media (Facebook): https://www.facebook.com/ValleyJazzCooperative/About The Host: Pianist/composer/educator Russell Schmidt has performed with such celebrated artists as Carl Allen, Michael Brecker, Eddie Daniels, John Hollenbeck, Joe Lovano, Gerry Mulligan, Lucas Pino, Arturo Sandoval, and Clark Terry. Among his recordings as a leader are Anachromysticism (2012), which highlights Russell’s wide-ranging efforts as a jazz composer, Jazz Triptych, Volume I – The Sacred (2018), a collection of hymns and spirituals reimagined in the jazz language, and his most recent recording, the companion album Jazz Triptych, Volume II – The Secular (2019).After a distinguished career in academia, Russell joined Music Serving The Word in June 2014 as Coordinator of Education, founding MSW’s Valley Jazz Cooperative program in 2016. Previously, he served as Director of Jazz Studies at Bowling Green State University and the University of Utah. He was also a member of the Eastman School of Music jazz faculty, where he co-conducted the Eastman Studio Orchestra. A student of Rayburn Wright, Russell holds two degrees from Eastman.Find music from VJC Q&T host Russell Schmidt here: https://www.youtube.com/channel/UCuao1b7Ztc7JNpUTzyorXDQ?The Questions & Tangents podcast is produced by Caleb Kilian, for the Valley Jazz Cooperative, an outreach of MSW Ministries, a 501(c)(3) organization.

This is Weekly Grooves' inaugural episode where we explore topical issues through the lens of behavioral science. Tim Houlihan and Kurt Nelson, PhD have worked in the world of behavioral interventions for more than 20 years and we each run our own consultancies. In Weekly Grooves, we view the headlines through the lenses of behavioral science.We are not good at keeping resolutions. January 17th is the Ditch New Year’s Resolutions Day – the day that it is attributed with having the most people abandoned their New Year’s resolutions. It is often a day of celebration, and among some people, it’s even considered a holiday. But according to a study conducted by US clinical psychologist Joseph Luciani, PhD, around 80 percent fail to keep their New Year’s resolutions.What can be done? We have some ideas and we urge you to get re-engaged in your resolutions with tips in our super-fast episode on habits.© 2020 Weekly GroovesKurt Nelson: @whatmotivatesTim Houlihan: @THoulihanLinks“A theory of goal setting & task performance.” Locke & Latham: https://tinyurl.com/trx5tg4“Goal commitment and the goal-setting process: Problems, prospects, and proposals for future research.” John Hollenbeck, Howard Klein: https://psycnet.apa.org/record/1987-26774-001“Immediate Rewards Predict Adherence to Long-Term Goals” Kaitlin Woolley, Ayelet Fishbach: https://journals.sagepub.com/doi/abs/10.1177/0146167216676480?journalCode=pspc“Wishful Seeing: More Desired Objects Are Seen as Closer” Emily Balcetis and David Dunning: https://journals.sagepub.com/doi/abs/10.1177/0956797609356283“Executive function and the frontal lobes: a meta-analytic review.” Julie Alvarez, Eugene Emory: https://www.ncbi.nlm.nih.gov/pubmed/16794878“Writing Down Goals: Does It Actually Improve Performance?” Robert Weinberg, Deanna Morrison, Megan Loftin, Thelma Horn, Elizabeth Goodwin, Emily Wright, and Carly Block: https://journals.humankinetics.com/view/journals/tsp/33/1/article-p35.xmlBenjamin Gardner, PhD: https://www.nirandfar.com/goal-setting-hack/Bryan, Gharad, Dean Karlan, and Scott Nelson. "Commitment Devices." Annual Review of Economics 2.1 (2010): 671-98. https://www.annualreviews.org/doi/abs/10.1146/annurev.economics.102308.124324https://www.daysoftheyear.com/days/ditch-new-years-resolutions-day/https://www.timeanddate.com/holidays/fun/ditch-new-years-resolution-dayhttps://health.usnews.com/health-news/blogs/eat-run/articles/2015-12-29/why-80-percent-of-new-years-resolutions-failhttps://bestlifeonline.com/new-years-resolutions-ditch-date/https://www.nirandfar.com/habits/https://nesslabs.com/habits-routines-ritualshttps://www.sciencedaily.com/releases/2018/02/180208120923.htmhttps://www.stickk.com/

Is the quality of learning better in class or online? Who is best suited for online learning? Is it radically cheaper to get a degree this way? Dick’s guests are Dr. Denis Collins, Professor of Business Ethics at Edgewood College and John Hollenbeck, Ph.D., Senior Instructional Designer at University of Wisconsin Colleges Online. The post Pros & Cons of Online Learning appeared first on Insights with Dick Goldberg.

Is the quality of learning better in class or online? Who is best suited for online learning? Is it radically cheaper to get a degree this way? Dick’s guests are Dr. Denis Collins, Professor of Business Ethics at Edgewood College and John Hollenbeck, Ph.D., Senior Instructional Designer at University of Wisconsin Colleges Online. The post Pros & Cons of Online Learning appeared first on Insights with Dick Goldberg.

Ростислав смело экспериментирует с различными стилями - от латинского джаза и свинга до хип-хопа. Он участвовал в воркшопах и концертах с Micheal Abene, John Hollenbeck, Micheal Dease. Записал альбом "Above The Crowd" с украинскими музыкантами и звездами современного джаза, пианист Sam Harris, гитаристом Alex Maksymiw. Участник коллективов Eugene Dobrovolskiy Quartet, Aniko Dolidze Big Band и многих других. Состав: Ростислав Войтко - альт-саксофон Яков Цветинський - труба Илья Ересько - рояль Константин Ионенко - бас Александр Поляков - барабаны

Ростислав смело экспериментирует с различными стилями - от латинского джаза и свинга до хип-хопа. Он участвовал в воркшопах и концертах с Micheal Abene, John Hollenbeck, Micheal Dease. Записал альбом "Above The Crowd" с украинскими музыкантами и звездами современного джаза, пианист Sam Harris, гитаристом Alex Maksymiw. Участник коллективов Eugene Dobrovolskiy Quartet, Aniko Dolidze Big Band и многих других. Состав: Ростислав Войтко - альт-саксофон Яков Цветинський - труба Илья Ересько - рояль Константин Ионенко - бас Александр Поляков - барабаны

This week we check out new releases by some of the most exciting and innovative jazz musicians working today, from established names like Henry Threadgill and Nik Bärtsch to up-and-comers like Ben LaMar Gay. The playlist includes also music by Leni Stern, Mary Halvorson, Rogerio Boccato, John Hollenbeck, Jamie Baum, Matt Penman, and Dan Weiss. A detailed playlist is available at https://spinitron.com/radio/playlist.php?station=rfb&month=May&year=2018&playlist=6764#here

Desde 1998, el baterista John Hollenbeck cuenta con un Large Ensemble con el que da vida a sus propias composiciones. Con músicos como el saxofonista Tony Malaby, el trompetista Dave Ballou o el pianista Matt Mitchell, firma "All Can Work", un trabajo dedicado a su mentor, el trombonista Bob Brookmeyer. Con él abrimos la edición de 'Club de Jazz' del 26 de abril de 2018. Con un concepto mucho más etéreo de la batería, Vasco Trilla vuelve al solo en un trabajo fascinante en lo sensorial titulado "The torch in my ear". Es uno de nuestros clásicos: el baterista Ramón López lidera un nuevo proyecto junto al bajista polaco Rafal Mazur y el trompetista británico Percy Pursglove. Los tres firman "Threefold". Dos viejos amigos, que se reunieron en el Festival de Jazz de Buenos Aires de 2016, vuelven a publicar juntos: el pianista mallorquín Agustí Fernández y el saxofonista argentino Pablo Ledesma. Toda la información y derechos: http://www.elclubdejazz.com

Desde 1998, el baterista John Hollenbeck cuenta con un Large Ensemble con el que da vida a sus propias composiciones. Con músicos como el saxofonista Tony Malaby, el trompetista Dave Ballou o el pianista Matt Mitchell, firma "All Can Work", un trabajo dedicado a su mentor, el trombonista Bob Brookmeyer. Con él abrimos la edición de 'Club de Jazz' del 26 de abril de 2018. Con un concepto mucho más etéreo de la batería, Vasco Trilla vuelve al solo en un trabajo fascinante en lo sensorial titulado "The torch in my ear". Es uno de nuestros clásicos: el baterista Ramón López lidera un nuevo proyecto junto al bajista polaco Rafal Mazur y el trompetista británico Percy Pursglove. Los tres firman "Threefold". Dos viejos amigos, que se reunieron en el Festival de Jazz de Buenos Aires de 2016, vuelven a publicar juntos: el pianista mallorquín Agustí Fernández y el saxofonista argentino Pablo Ledesma. Toda la información y derechos: http://www.elclubdejazz.com

Theo Bleckmann is a vocalist and composer of startling virtuosity and clarity. In his twenty five year long career he has worked with everyone from Laurie Anderson to Uri Caine, Philip Glass to Ann Hamilton, John Hollenbeck to Sheila Jordan. He leads several projects and most recently presented Schubert's song cycle “Die Winterreise” on an ice rink, with skaters from the Ice Theatre of New York. Theo is a wildly creative individual and a complete joy to spend an afternoon with.

Anna Webber is a composer/performer, saxophonist/flautist who has been living in Brooklyn since 2008. Originally from British Columbia, her playing is marked by a subtle virtuosity and keen sense of rhythm. Her band Simple Trio, with John Hollenbeck and Matt Mitchell, is one of the best and most original in the current Brooklyn scene. She's worked with Jen Shyu, Dan Weiss, Harris Eisenstadt and others. Anna studied music at McGill University in Montreal before moving to New York City in 2008. She holds master's degrees from both Manhattan School of Music and the Jazz Institute Berlin.

Theo BleckmannPlease read more at theobleckmann.com Photo: Lynn Harty GRAMMY® nominated jazz singer and new music composer Theo Bleckmann’s diverse recorded work includes albums of Las Vegas standards, Weimar art songs, and popular “bar songs” (all with pianist Fumio Yasuda); a recording of newly-arranged songs by Charles Ives (with jazz/rock collective Kneebody); and his acclaimed "Hello Earth - the Music of Kate Bush." Bleckmann has most recently appeared as a special guest on recordings by Ambrose Akinmusire for Blue Note Records and Julia Hülsmann’s trio for ECM Records. In January 2017, ECM will release Bleckmann’s recording with his new Elegy Quintet, produced by legendary label head and founder, Manfred Eicher. Bleckmann has collaborated with musicians, artists, actors and composers, including Ambrose Akinmusire, Laurie Anderson, Uri Caine, Philip Glass, Ann Hamilton, John Hollenbeck, Sheila Jordan, Phil Kline, David Lang, Kirk Nurock, Frances MacDormand, Ben Monder, Michael Tilson Thomas, Kenny Wheeler, John Zorn, the Bang on a Can All-Stars, and, most prominently, Meredith Monk, with whom Bleckmann worked as a core ensemble member for over fifteen years. He has been interviewed by Terry Gross on NPR’s Fresh Air and appeared on the David Letterman show with Laurie Anderson. In 2015, Bleckmann premiered a new work for the American Composers Orchestra at Carnegie Hall, and in 2016 he brings new work to the New York Philharmonic Biennial and the LA Philharmonic. Bleckmann has consistently appeared in the top-five spots in the DownBeat Critics’ Polls for Best Male Vocalist, and top-ten spots in their Readers’ Polls, and his work on Phil Kline’s “Out Cold” helped place that production on WQXR's Operavore "Best Opera of 2012". In 2010, Bleckmann received the prestigious JAZZ ECHO award from the Deutsche Phono-Akademie in his native Germany.

A special edition of the Spanish Jazz radio show 'Club de Jazz' where we conducted an interview with Samuel Blaser. Samuel Blaser is a true trombone master. Born in 1981 in La-Chaux-de-Fonds, Switzerland, he currently lives in Berlin. Throughout his career, he has been associated with some of the greatest jazz drummers around, from Pierre Favre to Paul Motian to Gerry Hemingway to Gerald Cleaver to John Hollenbeck... Samuel was one of the guests at Club de Jazz's 16th anniversary concert in Huesca, last march, where he performed with drummer Lucía Martínez. The interview was originally broadcasted on May, 1st 2017. All rights reserved: http://www.elclubdejazz.com

A special edition of the Spanish Jazz radio show 'Club de Jazz' where we conducted an interview with Samuel Blaser. Samuel Blaser is a true trombone master. Born in 1981 in La-Chaux-de-Fonds, Switzerland, he currently lives in Berlin. Throughout his career, he has been associated with some of the greatest jazz drummers around, from Pierre Favre to Paul Motian to Gerry Hemingway to Gerald Cleaver to John Hollenbeck... Samuel was one of the guests at Club de Jazz's 16th anniversary concert in Huesca, last march, where he performed with drummer Lucía Martínez. The interview was originally broadcasted on May, 1st 2017. All rights reserved: http://www.elclubdejazz.com

Collaboration is the name of the game, whether small groups mixing it up or big thinkers painting on bigger canvases. Pop matters is more expansive than usual, so any way you slice it, lots of bastardy to enjoy. Jason Moran – ALL RISE; Stanley Clarke – D STRINGS; THE BAD PLUS JOSHUA REDMAN; John Hollenbeck – SONGS I LIKE A LOT.

Dice Mariano Rajoy que "la improvisación no es buena para España", así que le hacemos caso y reconvertimos el Club en un espacio de grandes éxitos del pop y del rock. Bueno, más o menos... En esta edición de 'Club de Jazz' del 4 de marzo de 2016 rebuscamos en nuestra discoteca para encontrar versiones jazzísticas de temas del pop y del rock y de las muchas combinaciones posibles nos sale la siguiente: El bajista Chris Lightcap hace versión de The Velvet Underground junto a su grupo Bigmouth; el pianista Bojan Zulfikarpasic hizo guiño a David Bowie en "Xenophonia"; el pianista Yaron Herman y el trompetista Verneri Pohjola se dejaron fascinar por la islandesa Björk; los guitarristas Joel Harrison y Kalle Kalima se ponen los vaqueros de Johnny Cash; Celeste Alías y Marco Mezquida le ofrecen la luna a Mecano, y el pianista se reúne con el bajista Manel Fortià para hacer Beatles, lo mismo que hace el pianista Iiro Rantala en "My working class hero"; el fuego australiano de AC/DC se templa con el frío nórdico de Jens Thomas; la bici sirve para hacer solos a un baterista, John Hollenbeck, cuando además éste hace versión de Queen. Toda la información y derechos: http://www.elclubdejazz.com

Dice Mariano Rajoy que "la improvisación no es buena para España", así que le hacemos caso y reconvertimos el Club en un espacio de grandes éxitos del pop y del rock. Bueno, más o menos... En esta edición de 'Club de Jazz' del 4 de marzo de 2016 rebuscamos en nuestra discoteca para encontrar versiones jazzísticas de temas del pop y del rock y de las muchas combinaciones posibles nos sale la siguiente: El bajista Chris Lightcap hace versión de The Velvet Underground junto a su grupo Bigmouth; el pianista Bojan Zulfikarpasic hizo guiño a David Bowie en "Xenophonia"; el pianista Yaron Herman y el trompetista Verneri Pohjola se dejaron fascinar por la islandesa Björk; los guitarristas Joel Harrison y Kalle Kalima se ponen los vaqueros de Johnny Cash; Celeste Alías y Marco Mezquida le ofrecen la luna a Mecano, y el pianista se reúne con el bajista Manel Fortià para hacer Beatles, lo mismo que hace el pianista Iiro Rantala en "My working class hero"; el fuego australiano de AC/DC se templa con el frío nórdico de Jens Thomas; la bici sirve para hacer solos a un baterista, John Hollenbeck, cuando además éste hace versión de Queen. Toda la información y derechos: http://www.elclubdejazz.com

John Hollenbeck (Komposition, Arrangement, Leitung) | Theo Bleckmann (Gesang) | Kate McGarry (Gesang) | Uri Caine (Piano, Orgel) | Frankfurt Radio Big Band

Cuatro grabaciones con formaciones extensas en la séptima entrega de HDO. Cuatro propuestas diferentes, pero que merecen una escucha atenta. Maria Schneider Orchestra: The Thompson Fields / John Hollenbeck: Songs We Like A Lot / Duccio Bertini & Rainbow Jazz Orchestra: A View On Standards / Zubatto Syndicate: Zubatto Syndicate 2. HDO (Hablando de oídas) es un audioblog presentado, editado y producido por Pachi Tapiz. © Pachi Tapiz, 2015 Toda la información en http://www.tomajazz.com/web/?p=19483

El baterista John Hollenbeck da vida a las "Songs I like a lot" junto a la Frankfurt Radio Big Band. Temas dispares que van de la música vaquera a Freddie Mercury pasando por Ornette Coleman y en el que cuenta con la colaboración de las voces de Kate McGarry y Theo Blackman y con el pianista Gary Versace. En esta edición de "Club de Jazz" del 13 de marzo de 2013 recordamos las recientes giras de Made to Break y Digital Primitives y escuchamos el proyecto Side A de Ken Vandermark, Havard Wiik y Chad Taylor a través de su "A new margin". "desde mi cadiera" Jesús Moreno presenta la "Darrera nit de maig a l´Heliogàbal del cuarteto del baterista Ivo Sans con los saxofonistas César Joaniquet y Marcel·lí Bayer y el contrabajista Masa Kamaguchi. El tango y el jazz gitano se dan la mano en Cordal Swing y su "Grappelliana" que presenta Alberto Varela en el "Jazz Porteño". Anxo dedica un nuevo capítulo de los "Ritmos Latinos" al recopilatorio "Fetén (Rare jazz recordings from Spain 1961-1974)" con grabaciones de Lou Bennett y Juan Carlos Calderón. En el "Tren Azul" de Luis Díaz García los pianos de Maria Joao Pires, Bud Powell y Lennie Tristano. Toda la información y derechos: http://www.elclubdejazz.com

El baterista John Hollenbeck da vida a las "Songs I like a lot" junto a la Frankfurt Radio Big Band. Temas dispares que van de la música vaquera a Freddie Mercury pasando por Ornette Coleman y en el que cuenta con la colaboración de las voces de Kate McGarry y Theo Blackman y con el pianista Gary Versace. En esta edición de "Club de Jazz" del 13 de marzo de 2013 recordamos las recientes giras de Made to Break y Digital Primitives y escuchamos el proyecto Side A de Ken Vandermark, Havard Wiik y Chad Taylor a través de su "A new margin". "desde mi cadiera" Jesús Moreno presenta la "Darrera nit de maig a l´Heliogàbal del cuarteto del baterista Ivo Sans con los saxofonistas César Joaniquet y Marcel·lí Bayer y el contrabajista Masa Kamaguchi. El tango y el jazz gitano se dan la mano en Cordal Swing y su "Grappelliana" que presenta Alberto Varela en el "Jazz Porteño". Anxo dedica un nuevo capítulo de los "Ritmos Latinos" al recopilatorio "Fetén (Rare jazz recordings from Spain 1961-1974)" con grabaciones de Lou Bennett y Juan Carlos Calderón. En el "Tren Azul" de Luis Díaz García los pianos de Maria Joao Pires, Bud Powell y Lennie Tristano. Toda la información y derechos: http://www.elclubdejazz.com

Hollenbeck and Schneider albums are spun. Rene and Lee talk large ensembles, voices and why Queen is cool. Rene riffs on competition among musicians, though Lee believes that Rene may just be a little lonely.

Drummer Aaron Staebell's new CD is Bending and Breaking (2011). In this interview, Staebell talks about smashing different sounds and styles together to see what works; how a visit from John Hollenbeck caused him to finally perform his own compositions in public; why it's important for him that his compositions have stories behind them; and why he likes living and working in Rochester, NY. Learn more at aaronstaebell.com and follow him on Twitter at @aaronstaebell.

Drummer Aaron Staebell's new CD is Bending and Breaking (2011). In this interview, Staebell talks about smashing different sounds and styles together to see what works; how a visit from John Hollenbeck caused him to finally perform his own compositions in public; why it's important for him that his compositions have stories behind them; and why he likes living and working in Rochester, NY. Learn more at aaronstaebell.com and follow him on Twitter at @aaronstaebell.

Pianist Matt Mitchell has been making a name for himself in the bands of Tim Berne, John Hollenbeck and Darius Jones, among others. In this interview, Mitchell talks about finding his place in the bands of composers with strong visions; how a set of self-penned practice pieces became duet performance vehicles; and why he may finally be ready to record his first album. Learn more at mattmitchell.us and follow him on Twitter at @mattmitchellus.

Drummer and composer John Hollenbeck is a constant explorer of new sonic terrain. His large ensemble album Eternal Interlude (Sunnyside, 2009) is no exception. In this interview, recorded at the artists retreat Yaddo in Saratoga Springs, NY, Hollenbeck talks about his approach to composition for large ensemble; his mid-retreat trip to the Grammy awards; and several upcoming projects. Learn more at johnhollenbeck.com. If you'd like to buy this album, you can support The Jazz Session by purchasing it via the link below:

Drummer and composer John Hollenbeck is a constant explorer of new sonic terrain. His large...