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9 episodes with Adam Rudolph
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3 episodes with Adam Rudolph
2 episodes with Adam Rudolph
4 episodes with Adam Rudolph
2 episodes with Adam Rudolph
PLANET JAZZ “LIVE SMALLS JAZZ CLUB” New York, August 23 & 24, 2009The intimacy of the bluesJoe Magnarelli (tp) Jerry Weldon (ts) Spike Wilner (p) Peter Bernstein (g) Neal Miner (b) Joe Strasser (d) JAKOB BRO “TAKING TURNS” New York, March, 2014Haiti, Milford sound, Pearl RiverLee Konitz (as,sop) Jason Moran (p) Jakob Bro (g,comp) Bill Frisell (g) Thomas Morgan (b) Andrew Cyrille (d) BOB HURST “A PALINDROME” Brooklyn, NY, October, 2001Indiscreet in da street, Little queen, Jamming [Ichaba]Marcus Belgrave (tp,flhrn) Bennie Maupin (alto-fl,b-cl,ts,sop) Branford Marsalis (ts,sop) Robert Glasper (p,el-p) Robert Hurst (b) Jeff “Tain” Watts (d) Adam Rudolph (perc) Continue reading Puro Jazz 20 de mayo, 2025 at PuroJazz.
Known for his many exploratory projects, percussionist Adam Rudolph's latest recording, Beingness, features saxophonist Dave Liebman and drummer Billy Hart. The music was recorded over two nights from a residency at New York City's Stone and captures three venerated musicians in selfless conversation. In this episode of LINER NOTES Adam shares insight into his creative process taking a deep dive into the rhythmic and intervallic concepts that drive his work.
5e émission de la 61e session...Cette semaine, cosmic jazz et spirituel! En musique: Sun Ra and His Arkestra sur l'album Pink Elephants on Parade (Modern Harmonic, 2024, enr. 1988-1989); Federico Ughi sur l'album Infinite Cosmos Calling You You You, Vol. 1 (577, 2024); Michael Sarian, Matthew Putman, Ledian Mola, Federico Ughi sur l'album The Sea, The Space, and Egypt, Vol. 1 (577, 2025); Carlos Niño, Surya Botofasina, Adam Rudolph sur l'album Live at Public Records 12/10/2022 (International Anthem, 2024); Søren Skov Orbit sur l'album Adrift (Frederiksberg, 2024); Klaus Weiss sur l'album The Git Go (MPS, 1975)...
Carlos Niño is from Los Angeles, and has been a vital part of that city's music scene for almost 30 years. He started out as a radio DJ when he was still a teenager, and expanded from that into putting on shows, releasing records, producing sessions for artists, performing and doing just about everything else that a life in music will eventually drop in someone's lap. He's developed really long creative relationships with two other people who've been on this podcast in the past, vocalist Dwight Trible and percussionist Adam Rudolph, both of whom work at least part of the time in the area that's currently governed by the term spiritual jazz.If you look around, you'll see Carlos's name on a lot of really fascinating projects. He makes records as Carlos Niño and Friends, which is a good way of summarizing his methods and his aesthetic — he gets together with people who he considers friends and kindred spirits, they make music together, and he assembles it all. But the people he calls friends are some of the most fascinating musicians around right now. He's worked with Shabaka Hutchings, with Kamasi Washington, with Makaya McCraven, with Laraaji, and right now he's very involved with André 3000's New Blue Sun project. He was one of the leaders of the sessions that produced the album, and he's also part of Andre's live band.Carlos has a new album coming out later this month called Placenta. It's his third release for International Anthem, following a previous Carlos Niño and Friends album and a duo release with South African pianist Thandi Ntuli, and it features a ton of guests, including frequent collaborators like Nate Mercereau and Surya Botofasina, as well as saxophonist Sam Gendel, drummer Deantoni Parks, Adam Rudolph, André 3000, and many, many others. It's a mix of live recordings and studio sessions, some of which go as far back as 2018, and they've all been reconstituted and overdubbed and collaged with vocals, field recordings, and all kinds of sound design into something really unique and kaleidoscopic. Although it's got elements of jazz and elements of New Age music, it's really hard to describe or categorize and it's not the kind of thing you can just put on in the background and chill with. It demands your attention. When it comes out, I recommend you sit with it and see what you get out of it. I think you'll find it very rewarding.I'm really glad I had the chance to talk to Carlos Niño. He's a really interesting guy with a very open and optimistic creative philosophy that I think will be inspiring to those of you who make art yourselves, whether it's music or something else, and even to those of you who are just interested in art and creativity generally. Thanks as always for listening.
New York City pianist/keyboardist Alexi Marcelo believes in the power of music as a positive and uplifting force. He studied at the Harlem School of the Arts and then went on to the University of Massachusetts at Amherst, where he focused on African-American Music/Jazz Piano Performance and Composition under the tutelage of renowned saxophonist Yusef Lateef. Alexi and Tim were classmates at UMass, and it was there that they became close friends and musical collaborators. Since those halcyon days in Western Massachusetts, he has performed all over the world, including at the North Sea Jazz Festival, Etnafest in Italy, Alice Tully Hall, and more. Alexi is featured on recordings with Yusef Lateef, Adam Rudolph, Mike Pride, and Malcolm Mooney. Currently, he is working on a new album that should be released in the coming year.
Episode 680: March 18, 2024 playlist: Jan Jelinek, "Social Engineering 1 (The narrative of the heritage)" (Social Engineering) 2024 Faitiche Jessica Pratt, "Life Is" (Here in the Pitch) 2024 Mexican Summer Myriam Gendron, "Long Way Home" (Mayday) 2024 Thrill Jockey Creation Rebel, "Dangerous And Deadly" (Close Encounters of the Third World) 1978 Hitrun / 2024 On-U Sound Dabrye, "Whoever Got You's Gonna Get Got Too" (Super-Cassette) 2024 Ghostly International Scanner, "Rhyme and Rebus" (The Phenol Tapes) 2024 Alltagsmusik Wand, "Help Desk" (Help Desk) 2024 Drag City Shane Parish, "Avril 14th" (Repertoire) 2024 Palilalia ojeRum, "Everything Wounded Will Flow II" (Everything Wounded Will Flow) 2024 Midira Lise Barkas and Lisa Kauffert, "Lo Becat (excerpt)" (Lo Becat) 2017 Soleils Bleus / Soleils Continus / 2023 Morc Tapes Miranda Sex Garden, "Cover My Face" (Fairytales of Slavery) 1994 Mute Carlos Nino, Surya Botofasina, Adam Rudolph, "Finite - Infinite" (Live at Public Records 12/10/2022) 2024 International Anthem Email podcast at brainwashed dot com to say who you are; what you like; what you want to hear; share pictures for the podcast of where you're from, your computer or MP3 player with or without the Brainwashed Podcast Playing; and win free music! We have no tracking information, no idea who's listening to these things so the more feedback that comes in, the more frequent podcasts will come. You will not be put on any spam list and your information will remain completely private and not farmed out to a third party. Thanks for your attention and thanks for listening.
RED GARLAND – ALL MORNIN' LONG Hackensack, NJ, November 15, 1957All mornin' longDonald Byrd (tp) John Coltrane (ts) Red Garland (p) Jamil Nasser (b) Art Taylor (d) PETER BERNSTEIN – SIGNS LIVE ! – “JAZZ AT LINCOLN CENTER” New York, January 4, 2015 Lincoln Centre, New York, January 4, 2015Blues for BulgariaBrad Mehldau (p) Peter Bernstein (g) Christian McBride (b) Gregory Hutchinson (d) ROBERT HURST – BOB: A PALINDROME Brooklyn, NY, October, 20013 for Lawrence, Big queen, Middle passage suite: Part I – For those of us who made itMarcus Belgrave (tp,flhrn) Bennie Maupin (alto-fl,b-cl,ts,sop) Branford Marsalis (ts,sop) Robert Glasper (p,el-p) Robert Hurst (b) Jeff “Tain” Watts (d) Adam Rudolph (perc) Continue reading Puro Jazz 19 enero 2024 at PuroJazz.
In this episode of MFM Speaks Out, Dawoud Kringle comes out of retirement to present a 2023 retrospective. We will share some of the content we brought to you in 2023, and enjoy a few other surprises as well. Our guest for the January episode was Haana. Haana is a violinist, vocalist, electronic music artist, visual performer, and entirely self-contained as a one-woman orchestra. She played with Kanye West, and Alvin Ailey, as well as festivals such as Joshua Tree Festival and Coachella and others in the US, Canada, UAE, and Australia, Barack Obama's inaugural ball, and at Michael Jordan's wedding. Haana has endorsement deals with Ableton, Native Instruments, Even Headphones (manufactured by Blue Microphones), and Realist Violins. She appeared in ads for Intel, Harvey Nichols, Nike, Ferrari, and Apple Computers. In addition, she has experience as a film composer and does artist mentorship/marketing, branding, and production consultation. In February, MFM board member and co-producer of this very podcast Adam Reifsteck joined us for a very fascinating discussion. Adam is a New York-based composer, electronic music artist, producer, entrepreneur, and music activist. He writes for small ensembles, produces electronic music, and performs improvised group compositions on Wi-Fi-connected laptops. He has collaborated with string quartets, university choirs, and visual and electronic artists. His approach to composition includes elements of improvisation. He is a recipient of grants from the Lower Manhattan Cultural Council, the Irving S. Gilmore Foundation, and the Kalamazoo (MI) Community Foundation. His music has been performed by the Attacca Quartet, Amernet String Quartet, Cadillac Moon Ensemble, Duquesne University Chamber Singers, Flutronix, Gaudete Brass Quintet, Mana Saxophone Quartet, Western Michigan University Chorale, and many other ensembles. Adam is also an active recording engineer and producer whose studio alias SONIC FEAR has become synonymous with lush, genre-bending sounds—from dance floor-ready tracks to downtempo meditations. He is the founder and CEO of Teknofonic Recordings, an independent record label and artist development platform providing electronic musicians with learning resources, networking opportunities, and career support. Adam holds a master's of music degree in composition from Western Michigan University and a bachelor's of music in music technology from Duquesne University. He is a member of Broadcast Music Inc., the Society of Composers and Lyricists, the Recording Academy, the Audio Engineering Society, and Musicians for Musicians. Our March episode was a landmark. We interviewed Keyna Wilkins, the first MFM member from Australia. Wilkins holds a Master of Music Composition at Sydney Conservatorium, studied composition, classical and jazz piano, and classical flute with several prestigious instructors, and intuitive conceptual improvisation with Tibetan Buddhist musician Tenzin Cheogyal. holds an MA in Flute Performance at Bristol University (UK) in 2008. She is known as a soloist and leader of cutting-edge ensembles and has written over 60 compositions, including 4 major orchestral works. Her works have been commissioned and/or performed by ensembles such as The Metropolitan Orchestra, Syzygy Ensemble, Elysian Fields, The Sydney Bach Society, and many others. She has released 9 albums of original music on all streaming platforms including 4 solo albums. Wilkins is also an Associate Artist with the Australian Music Centre and has five tunes in the Australian Jazz Realbook. She also writes music for films and theatre including the short film "Remote Access" which won Best Short Film at the Imagine This International Film Festival in New York in 2019 and her works are featured on ABC, Triple J, Fine Music FM, Cambridge Radio, SOAS London and many more. Her music is published by Wirripeng and she is a member of Musicians for Musicians. MFM member Sylvian Leroux was our guest in April. Sylvian is a flutist, saxophonist, guitarist, composer, arranger, bandleader, educator, inventor, and prominent member of Musicians for Musicians. Sylvain Leroux grew up in Montreal where he studied classical flute at Vincent d'Indy; and improvisation and composition in New York at the Creative Music Studio where he attended classes by luminaries Don Cherry, the Art Ensemble of Chicago, Karl Berger, Cecil Taylor, and many others. A pioneer of African/Jazz collaborations, Sylvain is a foremost player of the Fula flute, the traditional flute from Guinea. He was selected as “Rising Flute Star” by the Downbeat Magazine Critics' Poll for many years, achieving the #2 spot in 2019. As a bandleader, he brought traditional West African music to Zankel Hall with his Fula Flute Ensemble and held the fort for more than a decade at New York City's Zinc Bar with his African Jazz group “Source”. His 2002 CD “Fula Flute" achieved cult status, and stimulated a worldwide interest in the instrument. His 2012 album “Quatuor Creole” was hailed as “a perfect contemporary music release.” He curated New York's “Griot Summits” which featured performances by 25 West African griots from five countries. He has performed and recorded with Emeline Michel, Adam Rudolph, Karl Berger, Hassan Hakmoun, Billy Martin, and many West African stars. As a maker and seller of Fula flutes around the world, he invented and patented the Qromatica, a Fula flute capable of chromatic functionality. This led him to initiate "L'ecole Fula Flute", a music literacy project that graduated many excellent young flutists who are now re-energizing an endangered flute tradition. Our May 2023 episode featured Mark Chimples, a.k.a. Mark C. Mark is the guitarist and synthesizer player with Live Skull. Formed in 1982, Live Skull is considered by many aficionados to be the quintessential New York City noise band. Rising concurrently with bands such as Sonic Youth and Swans, Live Skull helped define the post-No Wave underground "noise rock" in the 1980s music scene in New York City. Over the following decades, Live Skull released five albums and three EPs with a rotating cast of 11 members, all of whom added new ideas to the group's evolving sound. Themes of struggle and chaos permeated and inspired their music. Their constant progression inspired New York Times critic Robert Palmer to call them “as challenging, as spiritually corrosive, and ultimately as transcendent as Albert Ayler's mid-'60s free-jazz or the implacable drone-dance of the early Velvet Underground. It's one of the essential sounds of our time." Music on this episode:Haana - Bison RougeAdam Reifsteck / Sonic Fear - AuroraKeyna Wilkins - Floating in SpaceSylvain Leroux - In Walked BudLive Skull - Party ZeroSpaghetti Eastern - Jungle BlueArturo O'Farrill and the Afro Latin Jazz Orchestra - Amidst the Fire and WhirlwindDave Liebman - Journey Around Truth SoSaLa - Dadada Dadada DaaDawoud Kringle - Keep Trying CreditsProducer and host: Dawoud KringlePublisher: Musicians For Musicians (MFM), Inc. and Sohrab Saadat LadjvardiTechnical support: Adam ReifsteckLinksBe sure to follow and tag MFM on Facebook ([https://www.facebook.com/M4M.org/] and Instagram (https://www.instagram.com/mfm_association/).
Today, the Spotlight shines On composer, improviser, and master percussionist Adam Rudolph.A global performer - and global citizen - Adam has been called "a pioneer in world music" by the New York Times. With dozens of recordings to his credit, he joined us upon the release of Timeless from his percussion group, Hu: Vibrational, on his own Meta Records.Adam has worked with artists including Don Cherry, Jon Hassell, Sam Rivers, Pharaoh Sanders, and many others but had a particularly extensive collaboration with Yusef Lateef over many years, releases, and ensemble configurations.Adam and I connected immediately and had a terrific conversation, which I am ever-so-pleased to share with you. Enjoy.(all musical excerpts heard in the interview are taken from Hu: Vibrational's latest album, Timeless)------------------Dig DeeperCheck out Hu: Vibrational's Timeless on Bandcamp or your streaming platform of choiceFind out more about Adam Rudolph on his homepage, Discogs, and YouTubeVisit Adam's label, Meta Records, on Bandcamp, Facebook, or metarecords.comOrder Adam Rudolph's book Sonic Elements: Matrices, Cosmograms, and Ostinatos of Circularity from BandcampFor Adam Rudolph, Collaboration is CommunicationBe sure to peruse this episode's extensive show notes at spotlightonpodcast.com------------------• Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts. • Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice. • Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Instagram, Facebook, and Mastodon. Hosted on Acast. See acast.com/privacy for more information.
Today, the Spotlight shines On composer, improviser, and master percussionist Adam Rudolph.A global performer - and global citizen - Adam has been called "a pioneer in world music" by the New York Times. With dozens of recordings to his credit, he joined us upon the release of Timeless from his percussion group, Hu: Vibrational, on his own Meta Records.Adam has worked with artists including Don Cherry, Jon Hassell, Sam Rivers, Pharaoh Sanders, and many others but had a particularly extensive collaboration with Yusef Lateef over many years, releases, and ensemble configurations.Adam and I connected immediately and had a terrific conversation, which I am ever-so-pleased to share with you. Enjoy.(all musical excerpts heard in the interview are taken from Hu: Vibrational's latest album, Timeless)------------------Dig DeeperCheck out Hu: Vibrational's Timeless on Bandcamp or your streaming platform of choiceFind out more about Adam Rudolph on his homepage, Discogs, and YouTubeVisit Adam's label, Meta Records, on Bandcamp, Facebook, or metarecords.comOrder Adam Rudolph's book Sonic Elements: Matrices, Cosmograms, and Ostinatos of Circularity from BandcampFor Adam Rudolph, Collaboration is CommunicationBe sure to peruse this episode's extensive show notes at spotlightonpodcast.com------------------• Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts. • Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice. • Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Instagram, Facebook, and Mastodon. Hosted on Acast. See acast.com/privacy for more information.
The British artist, Shezad Dawood is known for his colourful textiles and multimedia artworks, often featuring music and VR to explore issues such as migration, the environment and climate change. His latest exhibition is inspired by the African American composer and musician Yusef Lateef and his 1988 novella Night in the Garden of Love. Join Anna Bailey as she follows Shezad creating his latest commission for the Wiels, Contemporary Art Centre in Brussels, along with his collaborator the American musician and percussionist Adam Rudolph. Audio for this episode was updated on 4th July 2023.
Adam Rudolph is the Regional VP of Sales of SLRRRP. He has been in sales for over 10 years. Most of that experience took place in the Domestic, Craft Beer, and Wine Industries. He has acquired proficient territory management, product knowledge, and new product launching through this experience. He was promoted in this industry due to his hard work, creativity, and salesmanship. He was able to grow his territory and business exponentially through new product distribution, samplings, and taking market share from his main competitors in the surrounding areas. Here's a glimpse of what you'll learn: Adam Rudolph is the VP of Sales for SLRRRP SLRRRP is a ready-to-drink category brand that started in Las Vegas in 2018 SLRRRP is a plant-based alternative to gelatin-based shots Customer feedback and engagement are important for the brand Marketing efforts on various digital platforms, including tracking impressions and followers Brand familiarity was the biggest challenge in growing the SLRRRP brand SLRRRP on acquiring partnerships with football and minor league baseball teams In this episode with Adam Rudolph In this episode with Adam Rudolph, Adam talks about their vegan and shelf-stable ready-to-drink jello shots. What sets them apart from their competition and what are the benefits of a plant-based approach to their product? Adam Rudolph is the VP of Sales at SLRRRP, he shares his marketing strategy which includes a strong digital presence on Instagram, Facebook, and TikTok, where they track impressions to measure success. Customers provide feedback for new flavors, and the brand offers individual UPC codes for easy registration sales. In today's episode of the Legends Behind The Craft podcast, Drew Thomas Hendricks and Bianca Harmon are joined by Adam Rudolph for a special SLRRRP tasting episode, Adam is the VP of Sales at SLRRRP, to discuss Adam's marketing strategy despite facing obstacles getting into chain stores initially, SLRRP built relationships with distributors to overcome them. SLRRRP found ways to engage with customers while experimenting with new flavors without the product being impacted significantly. Sponsor for this episode… This episode is brought to you by Barrels Ahead. Barrels Ahead is a wine and craft marketing agency that propels organic growth by using a powerful combination of content development, Search Engine Optimization, and paid search. At Barrels Ahead, we know that your business is unique. That's why we work with you to create a one-of-a-kind marketing strategy that highlights your authenticity, tells your story, and makes your business stand out from your competitors. Our team at Barrels Ahead helps you leverage your knowledge so you can enjoy the results and revenue your business deserves. So, what are you waiting for? Unlock your results today! To learn more, visit barrelsahead.com or email us at hello@barrelsahead.com to schedule a strategy call.
"I Didn't Look For The Fula Flute; It Came And Got me!"Our guest for this episode of MFM Speaks Out is Sylvain Leroux. Sylvian is a flutist, saxophonist, guitarist, composer, arranger, bandleader, educator, inventor, and prominent member of Musicians for Musicians.Sylvain Leroux grew up in Montreal where he studied classical flute at Vincent d'Indy; and improvisation and composition in New York at the Creative Music Studio where he attended classes by luminaries Don Cherry, the Art Ensemble of Chicago, Karl Berger, Cecil Taylor and many others.A pioneer of African/Jazz collaborations, Sylvain is a foremost player of the Fula flute, the traditional flute from Guinea.He was selected as “Rising Flute Star” by the Downbeat Magazine Critics' Poll for many years, achieving the #2 spot in 2019.As a bandleader, he brought traditional West African music to Zankel Hall with his Fula Flute Ensemble and held the fort for more than a decade at New York City's Zinc Bar with his African Jazz group Source. His 2002 CD Fula Flute achieved cult status, and stimulated a worldwide interest in the instrument. His 2012 album Quatuor Creole was hailed as “a perfect contemporary music release.”He curated New York's “Griot Summits” that featured performances by 25 West African griots from five countries. He has performed and recorded with Emeline Michel, Adam Rudolph, Karl Berger, Hassan Hakmoun, Billy Martin, and many West African stars.As a maker and seller of Fula flutes around the world, he invented and patented the Qromatica, a Fula flute capable of chromatic functionality. This led him to initiate L'ecole Fula Flute, a music literacy project that graduated many excellent young flutists who are now re-energizing an endangered flute tradition.Topics discussed:Sylvain's studies of classical flute at Vincent d'Indy; and improvisation and composition in New York at the Creative Music Studio under Don Cherry, the Art Ensemble of Chicago, Karl Berger, and Cecil Taylor, his time with Adam Rudolph's Orchestra, the jazz and world music Canadian music scene at that time and now, how he became interested in the Fula flute, his band “Source” and their time at New York's Zinc Bar for over a decade. How the combination of Guinean music and jazz has been accepted among Jazz audiences, his 2002 release Fula Flute and how it was received, his new album Qromatica, why he chose Julia Haines on accordion and harp and Mamadou Ba on bass, his performances at Zankel Hall with the Fula Flute Ensemble and curated New York's “Griot Summits”, his performances and recordings with Emeline Michel, Adam Rudolph, Karl Berger, Hassan Hakmoun, and some of the West African musicians he played with, how and why he founded music literacy program L'ecole Fula Flute, how Covid affected the people's spirit and economy in Guinea, government support of the arts, his business of making and selling Fula flutes, how he invented and patented the Qromatica, his activities in MFM, the present African/world music scene in NY, the cultural separation between African-American musicians and African musicians, NY's GlobalFest for presenting African bands to the US audience, the Visa fee raise proposal to Congress, and his future plans in the areas of music activism.Music featured in this episode:1) Zoe2) Mane Gauche3) In Walked Bud"Zoe" and by Sylvain Leroux, used with permission. "In Walked Bud" composed by Thelonious Monk (EMBASSY MUSIC CORPORATION BMI), performed by Sylvain Leroux. https://www.fulaflute.net/
The funk of The Bamboos' ambitious symphonic project and The Headhunters' half-a-century pre-celebration together with Sana Nagano's pandemic soundscape bookend an episode showcasing the wide-ranging work by, and collaboration among, Dave Liebman, Adam Rudolph and Tyshawn Sorey. Detailed playlist at https://spinitron.com/RFB/pl/16768889/Mondo-Jazz (from "Red Triangle" onwards). Happy listening!
Sometimes "tribute "can be a dirty word in jazz - a sign a project's only justification is a well-known name - a warning that reverence may have trumped inspiration on a record. But it doesn't have to be that way. This episode, the bastards look at four 2022 releases that each celebrate a towering figure from jazz's past without getting tangled up in its shadow. With dedicatees as varied as Johnny Hodges, Charles Mingus, Yusef Lateef, and Wes Montgomery, things never get in a rut. Bennie Maupin - SYMPHONIC TONE POEM FOR BROTHER LATEEF; Ethan Philion – MEDITATIONS ON MINGUS; Owen Broder: HODGES FRONT AND CENTER; Tim Fitzgerald – FULL HOUSE.
Adam and journalist Piotr Orlov chat about Adam's many collaborations with artists including Don Cherry, Hassan Hakmoun, Dave Liebman, and Yusuuf Lateef that were part of the WMI legacy series of the late 1980s / early 1990s called 'Improvisations'. Adam will reboot that influential series for our 2022-2023 Season launch event with SummerStage in Central Park on Sep 10 featuring some of the original artists from the series along with members of the next generation of improvisational artists.More info about the free event on Sep 10 in NYC Central ParkMore about Adam Rudolph
From Africa to Brooklyn, and a few stops in between, a playlist replete with a diverse range of new and upcoming albums. The playlist features Kamil Piotrowicz; Sasha Berliner; Omri Ziegele; Camilla George; Tumi Mogorosi feat. Andile Yenana; Stan Killian; Theon Cross, Emre Ramazanoglu; Fussyduck; Subconscious Trio; Carmen Staaf, Allison Miller; Bennie Maupin, Adam Rudolph; Kirk Knuffke; John Yao. Detailed playlist at https://spinitron.com/RFB/pl/16185792/Mondo-Jazz (from "TFE" onward). Happy listening!
In previous episodes, we've talked about what people commonly understand as fusion, which drummer Lenny White, who appeared in episode two of this series, prefers to call jazz-rock. That's the version that starts with Miles Davis's Bitches Brew and Tony Williams' Lifetime and quickly branches out with Mahavishnu Orchestra and Return To Forever and Weather Report and on and on. But as we've continued the discussion, we've expanded the scope of inquiry to include adventurous funk and R&B fusion, which includes everything from P-Funk and Earth, Wind & Fire and the Ohio Players — and wow, do the Ohio Players deserve a place in the fusion conversation that they are very rarely granted — to Donald Byrd and Freddie Hubbard and especially George Duke.Adam Rudolph is a fusion artist in about as broad a sense as you can imagine. He's been a percussionist for close to 50 years, and should be much better known than he is. He's been around since the early '70s and has worked with everyone: Yusef Lateef, Fred Anderson, Don Cherry, Roscoe Mitchell, Pharoah Sanders, Sam Rivers, Wadada Leo Smith, Herbie Hancock, Maulawi, Foday Musa Suso, Hassan Hakmoun, Jon Hassell… he's part of the Bill Laswell company of players, too, so he's on a zillion records through that connection. Plus he leads two main groups of his own, Moving Pictures and the Go! Organic Orchestra, which have made many, many albums and even crossed over with each other a time or two.Adam and I had a really fascinating conversation over the course of two phone calls. The impetus was Symphonic Tone Poem For Brother Yusef, a collaboration between him and reeds player Bennie Maupin that's just been released. Bennie Maupin of course is a legend on his own — he played on Miles Davis's Bitches Brew and On The Corner, he was a member of Marion Brown's group in the 1960s, he was in Mwandishi and the Headhunters with Herbie Hancock, he played with Woody Shaw, and his own album from 1974, The Jewel In The Lotus, is an absolutely brilliant record that blends spiritual jazz with almost New Age ambient music. There's really no other album like it; if you've never heard it, it's a must-hear. So obviously Rudolph and I talk about Maupin, whom he's worked with off and on for decades, but we also talk about Laswell and about Lateef and about the whole idea of world music and fusion-as-creative-mindset that I've been discussing with every artist I've interviewed for the podcast this year. We talk a lot about the philosophy that goes into bringing together musicians from all sorts of traditions, from all over the globe, and finding ways to make their ideas flow together. That's what he does with Go! Organic Orchestra, the membership of which is completely open and the music of which is created through spontaneous conduction. So he was really the ideal person to talk about all this stuff with. I think you'll come away from this episode with a lot to think about. I know I did. And I hope you enjoy listening to it. All the music you'll hear, by the way, comes from Symphonic Tone Poem For Brother Yusef.
The Wire places Sara Schoenbeck in the "tiny club of bassoon pioneers" at work in contemporary music today, while the New York Times has called her performances "galvanizing" and "riveting.” She has performed with or been a member of Anthony Braxton's 12+1(tet) and Tri-Centric Orchestra, Wayne Horvitz's Gravitas Quartet, Harris Eisenstadt's Golden State, Wavefield Ensemble, SEM Ensemble, Wet Ink, Marty Ehrlich's Duende Winds, Nels Cline's Lovers, Adam Rudolph's Organic Orchestra, and the Michael Leonhart Orchestra. She has worked with many of creative music's luminaries including Roscoe Mitchell, Henry Threadgill, Butch Morris, Yusef Lateef, Wadada Leo Smith, George Lewis, and Pamela Z. She can be heard on music and film recordings including Matrix 2 and 3, Spanglish and Dahmer. She has performed at major venues throughout North America and Europe. A partial list includes Carnegie Hall, Lincoln Center Out of Doors, the Kitchen, Iridium, Disney Hall, Redcat, the Kennedy Center, the Free Music Festival in Antwerp Belgium, Biennale Musica in Venice Italy, the American Festival of Improvised Music, MicroFest, SXSW, New Orleans, Newport, Berlin, Victoriaville and Ottawa Jazz Festivals; the Vancouver International Jazz Festival, Angel City Jazz Festival in Los Angeles; San Francisco, Saalfelden and Tempere Jazz festivals. Sara received her BFA from the San Francisco Conservatory of Music and MFA from the California Institute of the Arts. Sara has been adjunct faculty at California Institute of the Arts, Citrus College, and Pasadena Conservatory and has given master classes at Amherst College, Hampshire College, Cornish College, University of Denver, and Western Washington University. She is currently on faculty at Brooklyn Conservatory of Music and Packer Collegiate Institute. In this episode, I speak to Sara about her musical journey, how her career developed and took off, and the inspiration behind her recent self-titled album release, she gives me some practical tips on how to become a better improviser and how to approach free improvisation, tips on creativity, her main musical influences, the challenges of working as a female musician, tips for young musicians and she fills me in on the jazz/music scene in New York, and which jazz clubs I should visit in New York. Listen to her album here: https://open.spotify.com/album/6SMnwqkm8odd2KXNaUqku9?si=3JzotXziSY6u_InOokxYfA Find out more about Sara: https://www.saraschoenbeck.com LOR podcast is being sponsored by Baron Cane, use the coupon code "legendsofreed", to enjoy free shipping on Barton Cane. https://www.bartoncane.com/
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"We're Creating New Musical Art Forms Indigenous to Brooklyn."Our guest for this episode is Neel Murghai. Neel is a sitarist, overtone singer, percussionist, composer, teacher, and Co-Artistic Director of the Brooklyn Raga Massive, a raga inspired musician's collective. He is a graduate of Goddard College's MFA in Interdisciplinary Arts program, and studied sitar with Pundit Ravindra Goswami in Banaras. Neel's music ranges from Indian classical to original compositions and contemporary cross-cultural collaborations. Neel has worked with a diverse array of artists and ensembles, including Adam Rudolph, Wyclef Jean, Cyndi Lauper, Karsh Kale, Samir Chatterjee, Dr. Lonnie Smith, Laraaji, Baba Israel, Andre DeShields, Raz Mesinai, Mission on Mars, Akim Funk Buddha, Loren Conners, Sameer Gupta, Marc Cary, Jay Gandhi, Arun Ramamurthy, Haunted House, and Cosmo Vinyl. He has performed at Lincoln Center, the Kennedy Center, the Blue Note, at festivals around the U.S, and appeared on the David Letterman Show, and on a music video for Will Smith's Bel Aire. Topics discussed:Neel's beginnings and interest in music and his beginnings with sitar and other musical pursuits, how the Brooklyn Raga Massive (BRM) began, his sources of inspiration, his experiences as c-Artistic Director for the BRM Orchestra and musicians' blending genres, performances with jazz and rock musicians, and musicians from all over the world, performances and recordings of Terry Riley's "In C." collaborations with Adam Rudolph and the Go Organic Orchestra, the BRM's strong online presence with performances and education during the pandemic, their promotion, PR, marketing, and funding strategies, and the friendship and alliance between the BRM and MFM.Music on this episode:"Bagheshri Unbound" (live recorded improvisation by Neel Murghai using sitar, vocals and loops)"For Elijah” (Brooklyn Raga Massive Orchestra)“In D” (Brooklyn Raga Massive Orchestra)
Salut!!!!!!How are we team? Nice to be back again already.This ep is packed with laid-back soul-drenched beats to welcome the spring time!Get buying, get streaming, get gigging and please, please tell everyone you can...Love you...Ross xxTracklist:1. Jono McCleery 'Walk With Me' (Ninety Days)2. Hardkandy, ft. Andy Platts 'Stronger Stuff' (Wah Wah 45s)3. Jordan Rakei 'The Flood (Live at Maida Vale)' (Ninja Tune)4. Mayssa Jallad & Khaled Allaf 'Madina min Baeed' (Thwara)5. Yaya Bey 'keisha' (Big Dada)6. K15, Lex Amor & Karun 'Hold On' (Extra Soul Perception)7. Don Leisure 'Egg Yolk Bun' (First Word)8. POSY & Brandon Markell Holmes 'Fill My Cup' (Bastard Jazz)9. Zretro 'Silly Games' (Hopestreet)10. Adam Rudolph's Moving Pictures 'The Earth Spins Faster Than Words' (Hyper Jazz)11. The Invisible Session 'Africa Calling' (Space Echo Italy)12. Joel St. Julien 'The World is Ending (again)' (Land and Sea)
The hand and the drum: after the human voice, probably the original musical instrument. But the question tonight on Deep Focus is its possibilities for modern improvisation, outside of the bounds of the Afro-Cuban tradition. It is possible that no one has dived deeper on this question than Adam Rudolph: Big Black with Randy Weston provides an answer, Mtume and Don Alias with Miles Davis have another. We lost Mtume last week so it's a fitting time to celebrate his music, as we do in this Deep Focus from 2017. With live, unreleased recordings, you're going to want to have something to beat on for this one! Monday from 6pm to 9pm NYC time on WKCR 89.9FM, WKCR HD-1 and wkcr.org. Tuesday morning it goes up on the Deep Focus podcast on your favorite podcasting app or at https://mitchgoldman.podbean.com/ #WKCR #JazzAlternatives #MitchGoldman #AdamRudolph #BigBlack #Mtume #MilesDavis #ElectricMiles Photo credit: fair use.
The hand and the drum: after the human voice, probably the original musical instrument. But the question tonight on Deep Focus is its possibilities for modern improvisation, outside of the bounds of the Afro-Cuban tradition. It is possible that no one has dived deeper on this question than Adam Rudolph: Big Black with Randy Weston provides an answer, Mtume and Don Alias with Miles Davis have another. We lost Mtume last week so it's a fitting time to celebrate his music, as we do in this Deep Focus from 2017. With live, unreleased recordings, you're going to want to have something to beat on for this one! Monday from 6pm to 9pm NYC time on WKCR 89.9FM, WKCR HD-1 and wkcr.org. Tuesday morning it goes up on the Deep Focus podcast on your favorite podcasting app or at https://mitchgoldman.podbean.com/ #WKCR #JazzAlternatives #MitchGoldman #AdamRudolph #BigBlack #Mtume #MilesDavis #ElectricMiles Photo credit: fair use.
The hand and the drum: after the human voice, probably the original musical instrument. But the question tonight on Deep Focus is its possibilities for modern improvisation, outside of the bounds of the Afro-Cuban tradition. It is possible that no one has dived deeper on this question than Adam Rudolph: Big Black with Randy Weston has an answer, Mtume and Don Alias with Miles Davis provide another. We lost Mtume last week so it's a fitting time to celebrate his music, as we do in this Deep Focus from 2017. With live, unreleased recordings, you're going to want to have something to beat on for this one! Monday from 6pm to 9pm NYC time on WKCR 89.9FM, WKCR HD-1 and wkcr.org. Tuesday morning it goes up on the Deep Focus podcast on your favorite podcasting app or at https://mitchgoldman.podbean.com/ #WKCR #JazzAlternatives #MitchGoldman #AdamRudolph #BigBlack #Mtume #MilesDavis #ElectricMiles Photo credit: fair use.
Let's keep the dance alive! The previous episodes of Deep Focus had us listening to live recordings of The Art Ensemble of Chicago with percussionist Daniel Sadownick. Let's take another view of them (with yet more live, unreleased recordings) with percussionist/bandleader Adam Rudolph. Adam grew up around the members of The Art Ensemble on the South Side of Chicago. Who knew?! Deep Focus is Monday nights from 6pm to 9pm on WKCR 89.9FM, WKCR HD-1 and wkcr.org. Tuesday mornings it goes up on the Deep Focus podcast on your favorite podcasting app or at https://mitchgoldman.podbean.com. #WKCR #DeepFocus #MitchGoldman #AdamRudolph #ArtEnsembleOfChicago #JazzInterview #JazzRadio #JazzPodcast Photo credit: fair use.
Let's keep the dance alive! The previous episodes of Deep Focus had us listening to live recordings of The Art Ensemble of Chicago with percussionist Daniel Sadownick. Let's take another view of them (with yet more live, unreleased recordings) with percussionist/bandleader Adam Rudolph. Adam grew up around the members of The Art Ensemble on the South Side of Chicago. Who knew?! Deep Focus is Monday nights from 6pm to 9pm on WKCR 89.9FM, WKCR HD-1 and wkcr.org. Tuesday mornings it goes up on the Deep Focus podcast on your favorite podcasting app or at https://mitchgoldman.podbean.com. #WKCR #DeepFocus #MitchGoldman #AdamRudolph #ArtEnsembleOfChicago #JazzInterview #JazzRadio #JazzPodcast Photo credit: no publishing information available.
Let's keep the dance alive! The previous episodes of Deep Focus had us listening to live recordings of The Art Ensemble of Chicago with percussionist Daniel Sadownick. Let's take another view of them (with yet more live, unreleased recordings) with percussionist/bandleader Adam Rudolph. Adam grew up around the members of The Art Ensemble on the South Side of Chicago. Who knew?! Deep Focus is Monday nights from 6pm to 9pm on WKCR 89.9FM, WKCR HD-1 and wkcr.org. Tuesday mornings it goes up on the Deep Focus podcast on your favorite podcasting app or at https://mitchgoldman.podbean.com. #WKCR #DeepFocus #MitchGoldman #AdamRudolph #ArtEnsembleOfChicago #JazzInterview #JazzRadio #JazzPodcast Photo credit: copyright Enid Farber; All Rights Reserved. Check out Enid's fantastic work at https://www.enidfarber.com/enid-farber.../buy-it-now-store/. If you like Deep Focus then we think you will love her work!
It was a real pleasure chatting with Steve and hearing his insights on life and music as one who has spent a lifetime devoted to his craft. Steve Gorn is a master bamboo flautist and saxophone player who is featured on Grammy nominated cds by Paul Simon, Glen Velez, Jack DeJohnette, Paul Winter, Krishna Das, Jai Uttal, Tony Levin, Adam Rudolph, Layne Redmond, Richie Havens, Alessandra Belloni, Badal Roy, Simon Shaheen, Deepak Chopra, Robert Bly, Coleman Barks, and numerous Indian musicians. Connect with Steve via his website - https://stevegorn.com/ The World Music Podcast Jingle- composed by Will Marsh featuring musicians Josh Mellinger (tabla) and Misha Khalikulov (cello). Do you know someone who would enjoy this Podcast? Please take a moment to share and spread the inspiration! COPY THIS LINK TO SHARE! https://anchor.fm/will-marsh This is a master link that allows you to choose which platform to listen on. See Below for more offerings from your host, Will Marsh. “Raga for All Instruments” is an online course for musicians/vocalists from any musical background with a desire to explore the magic of Hindustani Raga music. Begin your raga journey now! The first four lesson videos of this course are free. https://willmarshmusic.thinkific.com/courses/raga-for-all-instruments Visit my website to connect with me - https://willmarshmusic.com/ Check out my original world-inspired music - https://distrokid.com/hyperfollow/willmarsh/the-integration Book a lesson with me https://www.willmarshmusic.com/product-category/lessons/ For the finest electric sitar on the market, travel sitars and tanpuras visit - https://www.willmarshmusic.com/shop/ To access written transcriptions of these episodes, go to my blog - https://www.willmarshmusic.com/blog/ Visit my youtube channel for free lesson and music performance videos - https://www.youtube.com/c/WillMarsh Become a Patron and receive exclusive access to patron only content - https://www.patreon.com/WillMarsh?fan_landing=true --- Support this podcast: https://podcasters.spotify.com/pod/show/will-marsh/support
American jazz drummer Nasheet Waits joins Andrew on this episode of Constant Constance. Friends and colleagues for many years, from touring with guitarist Kurt Rosenwinkel to Andrew's trio, the two have worked tirelessly together in many different contexts. Performing several times on tour together in Europe to playing in Philadelphia, DC and residencies at the Village Vanguard in NYC. Today, they discuss their endeavors as touring musicians, the ups and downs of that life, how it is to be basically live-performance free for a year due to COVID and what this means for the future of live music. In a review of his 2016 album "Between Nothingness and Infinity," one listener describes, “I put Naheet Waits in the Cosmic Pantheon of All Time Jazz Drumming Brilliance. Up there with Jack DeJohnette, Famoudou Don Moye, Andrew Cyrille, Tony Williams, Tony Oxley, Billy Higgins, Paul Motian, Billy Hart, Jon Christensen, Antonio Sanchez, Adam Rudolph, and dare I say, even the Legends' Legend .... ELVIN JONES, there is Nasheet Waits.” Andrew wholeheartedly agrees. --- Send in a voice message: https://podcasters.spotify.com/pod/show/andrew-norman-dangelo/message Support this podcast: https://podcasters.spotify.com/pod/show/andrew-norman-dangelo/support
Fort Wayne's Electro-Funk duo, Love Hustler, is presenting a Boogaloo Dance Battle at the Philmore on Broadway, in support of the charity organization, Hungry for Music. To Matt Cashdollar and Adam Rudolph, the men behind the music and the event, it's all about the music...and the dance, and putting smiles on everyone's face while raising funds to put instruments in the hands of kids who otherwise couldn't afford them. For a look at the cause, the contest, and the music itself, WBOI's Julia Meek sat down with the duo last week to talk about the various passions at play, and the importance of community support. WBOI Artcentric is brought to you by WBOIs very own Julia Meek and Ben Clemmer. Our theme music is “Me voy pal campo'' by KelsiCote. Our administrative assistants are Olivia Fletter and Keegan Lee. Our production assistants are Monica Blankenship, Steve Mullaney, and Sydney Wagner.
Many Jazz fans discovered the music of Yusef Lateef through his work as a sideman with artists like Charles Mingus and Cannonball Adderley. He didn’t look like anyone else and he sure didn’t sound like anyone else: he’s playing an oboe? What’s an arghul? What is this guy all about? He answered these questions with several dozen distinguished albums on most of the leading Jazz labels between the late Fifties and the late Seventies. Then he seemed to take a tight turn. He moved to Nigeria for several years and then returned to the US in the mid-Eighties, leading a second career as an educator. But he never stopped making music, releasing nearly as many records— now on his own YAL label—as he did in his early years. This second career stretched on longer than the first, ending with his death in 2013, but remains largely unknown to the wider public. Throughout this second career, among his closest collaborators was percussionist and bandleader Adam Rudolph. Adam will share personal stories and first-hand insights from his years with this master musician. Join host Mitch Goldman for a rebroadcast of this Deep Focus from 2019. #WKCR #DeepFocus #AdamRudolph #YusefLateef #MitchGoldman #JazzAlternatives #JazzRadio #JazzInterview #Jazz
Many Jazz fans discovered the music of Yusef Lateef through his work as a sideman with artists like Charles Mingus and Cannonball Adderley. He didn’t look like anyone else and he sure didn’t sound like anyone else: he’s playing an oboe? What’s an arghul? What is this guy all about? He answered these questions with several dozen distinguished albums on most of the leading Jazz labels between the late Fifties and the late Seventies. Then he seemed to take a tight turn. He moved to Nigeria for several years and then returned to the US in the mid-Eighties, leading a second career as an educator. But he never stopped making music, releasing nearly as many records— now on his own YAL label—as he did in his early years. This second career stretched on longer than the first, ending with his death in 2013, but remains largely unknown to the wider public. Throughout this second career, among his closest collaborators was percussionist and bandleader Adam Rudolph. Adam will share personal stories and first-hand insights from his years with this master musician. Join host Mitch Goldman for a rebroadcast of this Deep Focus from 2019. #WKCR #DeepFocus #AdamRudolph #YusefLateef #MitchGoldman #JazzAlternatives #JazzRadio #JazzInterview #Jazz
Many Jazz fans discovered the music of Yusef Lateef through his work as a sideman with artists like Charles Mingus and Cannonball Adderley. He didn’t look like anyone else and he sure didn’t sound like anyone else: he’s playing an oboe? What’s an arghul? What is this guy all about? He answered these questions with several dozen distinguished albums on most of the leading Jazz labels between the late Fifties and the late Seventies. Then he seemed to take a tight turn. He moved to Nigeria for several years and then returned to the US in the mid-Eighties, leading a second career as an educator. But he never stopped making music, releasing nearly as many records— now on his own YAL label—as he did in his early years. This second career stretched on longer than the first, ending with his death in 2013, but remains largely unknown to the wider public. Throughout this second career, among his closest collaborators was percussionist and bandleader Adam Rudolph. Adam will share personal stories and first-hand insights from his years with this master musician. Join host Mitch Goldman for a rebroadcast of this Deep Focus from 2019. #WKCR #DeepFocus #AdamRudolph #YusefLateef #MitchGoldman #JazzAlternatives #JazzRadio #JazzInterview #Jazz
Many Jazz fans discovered the music of Yusef Lateef through his work as a sideman with artists like Charles Mingus and Cannonball Adderley. He didn’t look like anyone else and he sure didn’t sound like anyone else: he’s playing an oboe? What’s an arghul? What is this guy all about? He answered these questions with several dozen distinguished albums on most of the leading Jazz labels between the late Fifties and the late Seventies. Then he seemed to take a tight turn. He moved to Nigeria for several years and then returned to the US in the mid-Eighties, leading a second career as an educator. But he never stopped making music, releasing nearly as many records— now on his own YAL label—as he did in his early years. This second career stretched on longer than the first, ending with his death in 2013, but remains largely unknown to the wider public. Throughout this second career, among his closest collaborators was percussionist and bandleader Adam Rudolph. Adam will share personal stories and first-hand insights from his years with this master musician. Join host Mitch Goldman for a rebroadcast of this Deep Focus from 2019. #WKCR #DeepFocus #AdamRudolph #YusefLateef #MitchGoldman #JazzAlternatives #JazzRadio #JazzInterview #Jazz
Many Jazz fans discovered the music of Yusef Lateef through his work as a sideman with artists like Charles Mingus and Cannonball Adderley. He didn’t look like anyone else and he sure didn’t sound like anyone else: he’s playing an oboe? What’s an arghul? What is this guy all about? He answered these questions with several dozen distinguished albums on most of the leading Jazz labels between the late Fifties and the late Seventies. Then he seemed to take a tight turn. He moved to Nigeria for several years and then returned to the US in the mid-Eighties, leading a second career as an educator. But he never stopped making music, releasing nearly as many records— now on his own YAL label—as he did in his early years. This second career stretched on longer than the first, ending with his death in 2013, but remains largely unknown to the wider public. Throughout this second career, among his closest collaborators was percussionist and bandleader Adam Rudolph. Adam will share personal stories and first-hand insights from his years with this master musician. Join host Mitch Goldman for a rebroadcast of this Deep Focus from 2019. #WKCR #DeepFocus #AdamRudolph #YusefLateef #MitchGoldman #JazzAlternatives #JazzRadio #JazzInterview #Jazz
Many Jazz fans discovered the music of Yusef Lateef through his work as a sideman with artists like Charles Mingus and Cannonball Adderley. He didn’t look like anyone else and he sure didn’t sound like anyone else: he’s playing an oboe? What’s an arghul? What is this guy all about? He answered these questions with several dozen distinguished albums on most of the leading Jazz labels between the late Fifties and the late Seventies. Then he seemed to take a tight turn. He moved to Nigeria for several years and then returned to the US in the mid-Eighties, leading a second career as an educator. But he never stopped making music, releasing nearly as many records— now on his own YAL label—as he did in his early years. This second career stretched on longer than the first, ending with his death in 2013, but remains largely unknown to the wider public. Throughout this second career, among his closest collaborators was percussionist and bandleader Adam Rudolph. Adam will share personal stories and first-hand insights from his years with this master musician. Join host Mitch Goldman for a rebroadcast of this Deep Focus from 2019. #WKCR #DeepFocus #AdamRudolph #YusefLateef #MitchGoldman #JazzAlternatives #JazzRadio #JazzInterview #Jazz
El prolífico bajista, compositor y productor estadounidense Bill Laswell será el protagonista de una nueva edición de Rebelión Sónica. Este miércoles destacamos su nuevo disco “Against Empire”, que el músico editó el pasado 10 de abril vía M.O.D. Reloaded, junto a una banda de músicos de excelencia: los bateristas Jerry Marotta (Peter Gabriel), Chad Smith (Red Hot Chili Peppers), Hideo Yamaki y Satoyasu Shomura; el legendario saxofonista Pharoah Sanders y el multi-instrumentista Peter Apfelbaum, además de colaboraciones de Herbie Hancock en piano eléctrico y del maestro de la percusión, Adam Rudolph. “Against Empire” ha sido descrito “como una iconoclasta propuesta de movimientos multidireccionales, que pasan por el avant-jazz, el rock, el dub, la experimentación, el ambient y el sub-bass. Una colonización de sueños, una extraña imagen del paraíso, una cualidad imaginada de otros lugares , construcciones de la imaginación, sentido de la diferencia”. En una declaración sobre el disco se puede leer: “Nothing is True, Everything Is Permitted/ AGAINST the EMPIRE of LIES/ AGAINST the ANTI-MUSIC of MEDIOCRITY/ AGAINST COMPLACENCY and COMPROMISE/ AGAINST SHAMELESS and UNINFORMED PRIVILEGE/ AGAINST INHERENT RACISM DIRECT or INDIRECT, KNOWN or UNKNOWN/ AGAINST EMPIRE". En la segunda parte del programa -como es tradición en el programa-, viajamos al pasado en la carrera de Laswell, para escucharlo en tres proyectos diversos. Primero en Praxis, con material del disco debut de la banda, “Transmutation (Mutatis Mutandis)” de 1992; luego con música del álbum “Ambient Dub Volume II: Dead Slow” (1993) de Divination y, finalmente, viajando al principio de la carrera del bajista, con música de “About Time”, álbum que lo unió con Daevid Allen de Gong, en el proyecto New York Gong. No olviden que Rebelión Sónica se transmite por radio Rockaxis todos los miércoles a las 10, 17 y 23 horas –se repite los domingos a las 19 horas-, con la conducción de Héctor Aravena. A continuación, conoce las carátulas de los discos que podrás escuchar en el capítulo 19 de la temporada 2020 del programa.
El prolífico bajista, compositor y productor estadounidense Bill Laswell será el protagonista de una nueva edición de Rebelión Sónica. Este miércoles destacamos su nuevo disco “Against Empire”, que el músico editó el pasado 10 de abril vía M.O.D. Reloaded, junto a una banda de músicos de excelencia: los bateristas Jerry Marotta (Peter Gabriel), Chad Smith (Red Hot Chili Peppers), Hideo Yamaki y Satoyasu Shomura; el legendario saxofonista Pharoah Sanders y el multi-instrumentista Peter Apfelbaum, además de colaboraciones de Herbie Hancock en piano eléctrico y del maestro de la percusión, Adam Rudolph. “Against Empire” ha sido descrito “como una iconoclasta propuesta de movimientos multidireccionales, que pasan por el avant-jazz, el rock, el dub, la experimentación, el ambient y el sub-bass. Una colonización de sueños, una extraña imagen del paraíso, una cualidad imaginada de otros lugares , construcciones de la imaginación, sentido de la diferencia”. En una declaración sobre el disco se puede leer: “Nothing is True, Everything Is Permitted/ AGAINST the EMPIRE of LIES/ AGAINST the ANTI-MUSIC of MEDIOCRITY/ AGAINST COMPLACENCY and COMPROMISE/ AGAINST SHAMELESS and UNINFORMED PRIVILEGE/ AGAINST INHERENT RACISM DIRECT or INDIRECT, KNOWN or UNKNOWN/ AGAINST EMPIRE". En la segunda parte del programa -como es tradición en el programa-, viajamos al pasado en la carrera de Laswell, para escucharlo en tres proyectos diversos. Primero en Praxis, con material del disco debut de la banda, “Transmutation (Mutatis Mutandis)” de 1992; luego con música del álbum “Ambient Dub Volume II: Dead Slow” (1993) de Divination y, finalmente, viajando al principio de la carrera del bajista, con música de “About Time”, álbum que lo unió con Daevid Allen de Gong, en el proyecto New York Gong. No olviden que Rebelión Sónica se transmite por radio Rockaxis todos los miércoles a las 10, 17 y 23 horas –se repite los domingos a las 19 horas-, con la conducción de Héctor Aravena. A continuación, conoce las carátulas de los discos que podrás escuchar en el capítulo 19 de la temporada 2020 del programa.
estacamos “Interactivity”, el disco 2020 que unió al percusionista japonés Tatsuya Nakatani con el guitarrista estadounidense Shane Parish (Ahleuchatistas). Editado el 24 de abril por el sello Cuneiform Records, el álbum presenta a Nakatani en su extenso set de percusión compuesto por un gong arqueado adaptado, un Kobo Bow y numerosos tambores, platillos y cuencos; y a Parish en guitarra acústica, muy en la línea de los maestros estadounidenses de la “American Primitive Guitar” John Fahey y Robbie Basho y su famoso finger-style. “Interactivity” es el segundo trabajo del dúo, que ya viene colaborando por cerca de una década, haciendo performances improvisatorias en distintas partes de Estados Unidos. De acuerdo a Cuneiform, el álbum “exhibe a ambos intérpretes en el peak de sus capacidades estéticas, en una telepática comunicación de escucha recíproca profunda, texturas y explosiva energía”. En la segunda parte del programa, viajamos al pasado en la historia de ambos músicos, primero con material de Ahleuchatistas, la banda principal de Parish, que combina de manera única math rock, jazz, progresivo, avant-garde, minimalismo, rock de garaje, etc. Escucharemos material del disco debut del grupo “On the Culture Industry” de 2004 y del último lanzado hasta la fecha, “Arrebato” de 2015. Finalmente, destacamos el trabajo de Nakatani, específicamente en el disco de 2018 que lo unió con el fundamental saxofonista del jazz David Liebman y al multi-instrumentista Adam Rudolph, titulado “The Unknowable”.
estacamos “Interactivity”, el disco 2020 que unió al percusionista japonés Tatsuya Nakatani con el guitarrista estadounidense Shane Parish (Ahleuchatistas). Editado el 24 de abril por el sello Cuneiform Records, el álbum presenta a Nakatani en su extenso set de percusión compuesto por un gong arqueado adaptado, un Kobo Bow y numerosos tambores, platillos y cuencos; y a Parish en guitarra acústica, muy en la línea de los maestros estadounidenses de la “American Primitive Guitar” John Fahey y Robbie Basho y su famoso finger-style. “Interactivity” es el segundo trabajo del dúo, que ya viene colaborando por cerca de una década, haciendo performances improvisatorias en distintas partes de Estados Unidos. De acuerdo a Cuneiform, el álbum “exhibe a ambos intérpretes en el peak de sus capacidades estéticas, en una telepática comunicación de escucha recíproca profunda, texturas y explosiva energía”. En la segunda parte del programa, viajamos al pasado en la historia de ambos músicos, primero con material de Ahleuchatistas, la banda principal de Parish, que combina de manera única math rock, jazz, progresivo, avant-garde, minimalismo, rock de garaje, etc. Escucharemos material del disco debut del grupo “On the Culture Industry” de 2004 y del último lanzado hasta la fecha, “Arrebato” de 2015. Finalmente, destacamos el trabajo de Nakatani, específicamente en el disco de 2018 que lo unió con el fundamental saxofonista del jazz David Liebman y al multi-instrumentista Adam Rudolph, titulado “The Unknowable”.
La RareNoise è un'etichetta con base a Londra, fondata nel 2008 da due italiani, Giacomo Bruzzo e Eraldo Bernocchi, che vuole dare spazio a musica avanzata senza porsi limiti di genere. Nella puntata di oggi presentiamo tre album RareNoise usciti nel 2019. Chi (come tai chi, la ginnastica dolce) documenta il primo incontro in trio fra il sassofonista Dave Liebman, il percussionista Adam Rudolph e il batterista Hamid Drake, avvenuto allo Stone di John Zorn a New York nel maggio 2018. Liebman e Drake sono anche nel quartetto del tastierista Jamie Saft che ha inciso Hidden Corners, un omaggio alla dimensione del jazz "spirituale" di protagonisti dell'avanguardia degli anni sessanta come John Coltrane, Pharoah Sanders, Albert Ayler. Infine Tan Man's Hat è un nuovo album del gruppo Pavees Dance del batterista newyorkese, di origine irlandese, Sean Noonan, che una ventina d'anni fa si fece notare col gruppo punk-rock The Hub: con lui due personaggi di culto come gli afroamericani Jamaaladeen Tacuma, bassista che si affermò con il Prime Time, il gruppo elettrico di Ornette Coleman, e Malcolm Mooney, che fu il cantante della formazione originaria del gruppo kraut-rock Can.
La RareNoise è un'etichetta con base a Londra, fondata nel 2008 da due italiani, Giacomo Bruzzo e Eraldo Bernocchi, che vuole dare spazio a musica avanzata senza porsi limiti di genere. Nella puntata di oggi presentiamo tre album RareNoise usciti nel 2019. Chi (come tai chi, la ginnastica dolce) documenta il primo incontro in trio fra il sassofonista Dave Liebman, il percussionista Adam Rudolph e il batterista Hamid Drake, avvenuto allo Stone di John Zorn a New York nel maggio 2018. Liebman e Drake sono anche nel quartetto del tastierista Jamie Saft che ha inciso Hidden Corners, un omaggio alla dimensione del jazz "spirituale" di protagonisti dell'avanguardia degli anni sessanta come John Coltrane, Pharoah Sanders, Albert Ayler. Infine Tan Man's Hat è un nuovo album del gruppo Pavees Dance del batterista newyorkese, di origine irlandese, Sean Noonan, che una ventina d'anni fa si fece notare col gruppo punk-rock The Hub: con lui due personaggi di culto come gli afroamericani Jamaaladeen Tacuma, bassista che si affermò con il Prime Time, il gruppo elettrico di Ornette Coleman, e Malcolm Mooney, che fu il cantante della formazione originaria del gruppo kraut-rock Can.
La RareNoise è un'etichetta con base a Londra, fondata nel 2008 da due italiani, Giacomo Bruzzo e Eraldo Bernocchi, che vuole dare spazio a musica avanzata senza porsi limiti di genere. Nella puntata di oggi presentiamo tre album RareNoise usciti nel 2019. Chi (come tai chi, la ginnastica dolce) documenta il primo incontro in trio fra il sassofonista Dave Liebman, il percussionista Adam Rudolph e il batterista Hamid Drake, avvenuto allo Stone di John Zorn a New York nel maggio 2018. Liebman e Drake sono anche nel quartetto del tastierista Jamie Saft che ha inciso Hidden Corners, un omaggio alla dimensione del jazz "spirituale" di protagonisti dell'avanguardia degli anni sessanta come John Coltrane, Pharoah Sanders, Albert Ayler. Infine Tan Man's Hat è un nuovo album del gruppo Pavees Dance del batterista newyorkese, di origine irlandese, Sean Noonan, che una ventina d'anni fa si fece notare col gruppo punk-rock The Hub: con lui due personaggi di culto come gli afroamericani Jamaaladeen Tacuma, bassista che si affermò con il Prime Time, il gruppo elettrico di Ornette Coleman, e Malcolm Mooney, che fu il cantante della formazione originaria del gruppo kraut-rock Can.
HISTOIRES DE #28 Ah la rentrée ... on rechigne souvent en entendant ce mot, alors qu'au fond de nous, on est toujours heureux.ses de retrouver ces réunions interminables et notre inconditionnel J.P à la machine à café ... Nous, on préfère ne pas vous mentir : vous nous avez manqué ! On démarre cette saison en posant nos micros, pour la première fois de l'histoire de l'émission, au Maghreb. Pour s'intéresser à la musique gnawa. L'occasion de comprendre une musique qui oscille entre transe et religion, tout en étant chargée de l'histoire des peuples gnanouis. Notre invité et joueur de guembri, Jalil, nous a parleé de tout le cheminement des cérémonies gnawa qui sont au cœur de cette musique. PLAYLIST Aziz Sahmaoui et University of Gnawa- Black Market (University of Gnawa, General Pattern, 2011) Azmaa Hamzaoui, extrait Youbati Hassan Hakmoun et Adam Rudolph feat Don Cherry - Larmame (Gift of Gnawa, Flying Fish Records, 1991) Randy Weston - Tanjah (Tanjah, Polydor, 1973) Fanfaraï Big Band - Khaloua Tgari (Raï is not dead, Tour'n'sol prod, 2018) Abdul et the Gang - Ksar Souk (Chibani, 2018)
HISTOIRES DE #28 Ah la rentrée ... on rechigne souvent en entendant ce mot, alors qu'au fond de nous, on est toujours heureux.ses de retrouver ces réunions interminables et notre inconditionnel J.P à la machine à café ... Nous, on préfère ne pas vous mentir : vous nous avez manqué ! On démarre cette saison en posant nos micros, pour la première fois de l'histoire de l'émission, au Maghreb. Pour s'intéresser à la musique gnawa. L'occasion de comprendre une musique qui oscille entre transe et religion, tout en étant chargée de l'histoire des peuples gnanouis. Notre invité et joueur de guembri, Jalil, nous a parleé de tout le cheminement des cérémonies gnawa qui sont au cœur de cette musique. PLAYLIST Aziz Sahmaoui et University of Gnawa- Black Market (University of Gnawa, General Pattern, 2011) Azmaa Hamzaoui, extrait Youbati Hassan Hakmoun et Adam Rudolph feat Don Cherry - Larmame (Gift of Gnawa, Flying Fish Records, 1991) Randy Weston - Tanjah (Tanjah, Polydor, 1973) Fanfaraï Big Band - Khaloua Tgari (Raï is not dead, Tour'n'sol prod, 2018) Abdul et the Gang - Ksar Souk (Chibani, 2018)
This week, we are joined by two crucial musicians. First, Russian sound artist Vladislav Dobrovolski contributes a recording made using musique concrète techniques, in advance of releases on Muscut and Klammklang. After that, we celebrate 50 releases on seminal Dresden label Uncanny Valley with a mix from France-via-Berlin producer Jules Etienne. Get Uncanny Valley 50.1 here: https://uncannyvalleyrec.bandcamp.com/album/uncanny-valley-501 @j_e_e_p @vladislav-dobrovolski *Vlad Dobrovolski* “Purple Crypto Event On The Other Side of the World" Arno Peeters — The Desire To Get Wired [Mille Plateaux] FFWD — Can of Bliss [Inter-Modo] Unglee Izi — Présent [Lost Dogs Entertainment] Martina Lussi — Expectation or Obsession [Latency] Position Normal — Canisten [Rum Records] Triad God — So Pay La [Presto!?] Arrigo Lora-Totino — Clessidrogramma [Cramps] 夕方の犬(u ·ェ·) — Feel Good [Slow Editions] Katsufuji Tamako — Bank [Neus-318] Hari Prasad Chaurasia — The Breath Of Life [Music Today] Softman — 500ms 22 [Evening Chants] Suwakazuya — Crawl [Self] Laurent Fairon — Émancipation [Le Krab] UNKNOWN ME — Radiation [Not Not Fun] Langham Research Centre — Doors [Nonclassical] Yikii — Butterflies [Quantum Natives] Fabijan Šovagović — Opomena [Jugoton] J Colleran — Joye 1:12 [Because Music] Masahiro Sugaya — On The Railway [PAD] Aqueduct Ensemble — Borrowed Sax Test [Last Resort] DJ Healer — Untitled [All Possible Worlds] Takao — Song of Time [EM Records] Uakti — Água / Vidro [Barclay] Dave Liebman, Adam Rudolph, Hamid Drake — Becoming [Rarenoise] Moniek Toebosch — Collages 2 [Claxon] Slowly Minute — Me-mi / Reset [Childisc] Jacki Apple — The Mexican Tapes [One Ten Records] Pilar Zeta — Corporate Feng Shui [Ultramajic] log(m) & Laraaji — Sundog Suite [Invisible, Inc.] Nico Niquo — In My Solitude [Daisart] Anker Fjeld Simonsen — Fuglemusik Fra "Hyrdeguden Pan" [Self] Laurie Anderson — Ethics Is the Esthetics of the Few-Ture (Lenin) [NEMO/One Ten] Kim Oki, Chin Sooyoung & Jeonjekon — Our Love 점도면에서 최대의 사랑 [BTP] Arno Peeters — Meditation [Mille Plateaux] Julius Krebs — Ichthyosaurus [Erdenklang] *Jules Etienne* Andre Bratten - Second Steepest [Full Pupp] Bjørn Torske - Fuglekongen (Gammal Mungolian Mix) [Smalltown Supersound] Tornado Wallace - Circadia [ESP Institute] Kejeblos - Please, Please, Please (Lexx' Squeeze Me Tight Dub) [Phantom Island] Phoreski - 80's Boy [Eskimo] PJ Harvey - A Place Called Home (Jules Etienne Edit) [??] Jex Opolis - DZE [Good Timin'] Seahawks - Visitors [Ocean Moon] Isan - Recently In The Sahara [Morr Music] Micky Milan - Remix Dub... Quand Tu Danses… [Milan] Sybil - Rescue Me [West End] Brenda Taylor - You Can't Have Your Cake And Eat It Too (Vocal Version) [West End] Roman Flugel - Tense Times [Dial] Nu Guinea - Disco Sole [NG Records]
Welcome to the completely re-imagined bonus show for members of The Jazz Session! I'm really happy with how this turned out, and this is the general smorgasbord format I'll be using going forward. This episode is going out on the main feed, too, as a means of encouraging YOU to support The Jazz Session. In this episode: Dan Rubright reviews his Winter JazzFest experience, including sets featuring: Matthew Stevens, Aaron Parks, Tommy Crane, Taylor Eigsti, Carmen Staaf, Jenny Scheinman, Allison Miller, Mathias Eick, Dave Liebman, Adam Rudolph, Hamid Drake, and more. Dan also gives a few tips for folks who want to catch the festival in 2020. In an extra segment not heard on TJS #472, bassist Tim Lefebvre talks about some of the many projects he's involved with as both a player and producer, and also about the role of a producer in the modern era. And finally I talk about Samm Henshaw, a British soul singer who's on heavy rotation in my house these days.
Welcome to the completely re-imagined bonus show for members of The Jazz Session! I'm really happy with how this turned out, and this is the general smorgasbord format I'll be using going forward. This episode is going out on the main feed, too, as a means of encouraging YOU to support The Jazz Session. In this episode: Dan Rubright reviews his Winter JazzFest experience, including sets featuring: Matthew Stevens, Aaron Parks, Tommy Crane, Taylor Eigsti, Carmen Staaf, Jenny Scheinman, Allison Miller, Mathias Eick, Dave Liebman, Adam Rudolph, Hamid Drake, and more. Dan also gives a few tips for folks who want to catch the festival in 2020. In an extra segment not heard on TJS #472, bassist Tim Lefebvre talks about some of the many projects he's involved with as both a player and producer, and also about the role of a producer in the modern era. And finally I talk about Samm Henshaw, a British soul singer who's on heavy rotation in my house these days.
Before their premier of an exciting new work Nature/War/Love we hang out with Karou Wantanabe, Parul Shah and Sameer Gupta. We also check out slections from Karou Wantanabe's latest album Néo. In Nature/War/Love Shinobue flute and taiko drum virtuoso Kaoru Watanabe, known for his work on Wes Anderson’s Isle of Dogs and Yo-Yo Ma’s Silk Road Ensemble, and hybrid Indian classical tabla and modern jazz percussionist Sameer Gupta (Coltrane Raga Tribute, Adam Rudolph) team up with Indian classical and contemporary choreographer Parul Shah,whose work is expanding the classical medium beyond cultural boundaries. Through the lens of lush contemporary compositions and dynamic improvisations, the thematic material found in traditional works such as Ghalib, Mahabharata, Amaterasu, and the Tale of Genji provides a framework for these three brilliant artists to explore the connections between these ancient texts and today’s world.
The Major Scale welcomes one of the finest artists in the nu-skool of Jazz and the latest in a long tradition of Texas tenors, Sly 5th Ave. The Austin native has taken the work of Dr. Dre and re-imagined it as an orchestral tribute. Sound heavy and stuffy? It's not, it's a treasure trove of joyful noise. The new renaissance continues and comes full circle with The Invisible Man. Sly creates a dreamy masterpiece to nod your head by re-arranging the beat maker's classics. The arranger meets the re-mixer at the composer's house on this one. Adam Rudolph's music knows no bounds. For 40 years he's been creating endless possibilities as a leader and contributor with the likes of Don Cherry, Yusef Lateef, and Bill Laswell. His countless recordings have been recognized by the NEA, and the Rockefeller Foundation, and have taken him across the globe. His journeys have been prolific in the last few years with Glare of The Tiger, Morphic Resonances, and The Epic Botanical Beat Suite- multi-kulfi rhythm and groove, chamber strings plus percussion, and dark cinematic electronica respectively. The musical gamut these albums run say so much about this brilliant composer, and he joins us talk about it and impart some wisdom. This episode is definitely for curious ears. SONG CREDITS FOR THIS EPISODE: THEME: Jazz Phantom by Chomsk' (from the album "Different Beats" on Magentic Records). FIRST HALF: Shiznit, California Love, The Jam/My Name Is.../Interlude No. 3, Guilt Conscience/Interlude #4 andThe Edge/The Next Episode by Sly5thAve (from the album "The Invisible Man" on Tru Thoughts Records) SECOND HALF: Ecstaticized by Adam Rudolph and Moving Pictures (from the album "Glare of the Tiger" on M.O.D./Meta Records) Kwa-Shi and Akete by Adam Rudolph and Hu Vibrational (from the album "Epic Botanical Beat Suite" on M.O.D. Technologies) Syntactic Adventures by Adam Rudolph (from the album "Morphic Resonances" on M.O.D. Technologies) Dialogics and Rotations by Adam Rudolph and Moving Pictures (from the album "Glare of the Tiger" on M.O.D./Meta Records) ABOUT THE MAJOR SCALE: Your attention please to a new program that celebrates and takes a fresh and bold look at the great American art form- JAZZ!!! The Major Scale is the title, the motto and the mission are, Jazz- past, present, future, and everything in between. A lot of focus will be on new and fresh sounds, deep cuts, closer looks at underrated artists, taking a different look at some of the titans of the genre, and getting the two cents worth from a number of surprise guests and sources. The Major Scale can boast amongst it's guests- legends like Herbie Hancock, Tom Scott, and Ahmad Jamal. The up and coming and the underrated-Kamasi Washington, Mia Doi Todd, Michael Blake. Fresh perspectives and commentary from the likes of Rock legend Al Kooper, who weighed in on the gospel. From The New Yorker, Amanda Petrusich expounds on her article about the movement to rename the Williamsburg Bridge in honor of Sonny Rollins. We explore the Soul-Jazz experiments of the Rascals. Grace Kelly from The Late Show with Stephen Colbert talks about her pop-up/flash mob concerts. Plus Thundercat, Henry Mancini, Ghostface Killah, Jaimie Branch, Nels Cline, Badbadnotgood, Cecil Taylor, and more get pick up on the Major Scale radar. Produced in Central Florida, this program seeks to become one of the defining voices of this Native American art form, and everything else that finds itself under it's umbrella. Think about programming and content found on the likes of World Cafe, Philadelphia, PA. Tiny Desk from Washington D.C., and KEXP Live from Seattle, WA. and that's what the Major Scale strives to do. For the curious, and lovers of music who like the details in between. ABOUT KYLE EAGLE (Host): Kyle Eagle has been a contributing writer and producer for the NPR-WBGO, WUCF, WPRK, Wax Poetics, The Orlando Weekly, Artbourne, and The Fiscal Times, as well as several music and film releases- Light in the Attic's documentary "This Is Gary McFarland", and an upcoming film on composer Jack Nietzsche. Recordings- Call Me-Jack Wilson, Live at the Penthouse, Grachan Moncur III, Chico Hamilton, and Andy Bey. ABOUT CHRIS BARANYI (Producer): Chris Baranyi is a sound engineer and music producer. He splits his time between designing AV systems for theme parks and recording music. Chris has worked with many Orlando area musicians with backgrounds in jazz, fusion, hip-hop, funk, new age, and classical. Some of which have been featured on NPR's Echoes. His passion includes jazz, vintage microphones, and hot sauces.
Here we revist a 2011 interview with the master percussionist and luminary Adam Rudolph. Adam wil be bringing his Go:Organic Orchestra to collaborate with the Brooklyn Raga Massive this Friday July 27th 2017. http://rma.cm/2nq He'll be live with David Ellenbogen on WKCR 89.9 FM-NY this Tuesday from 12pm-3pm. www.wkcr.org
Alicia and Dennis visit Love Hustler's studio to talk to Matt Cashdollar and Adam Rudolph about how the duo came into being and where they hope to be heading - featuring an announcement that will make local musicians even more proud to be part of the NE Indiana music scene.
Ep. 12 Rapport with Jenny Rudolph. So we all need to get along in simulation debriefing, right? So easy to say, and yet rapport building can be difficult in any group, let alone one that has just been confronted with their own performance Jenny Rudolph from the Center for Medical Simulation was our guest in discussing this concept, prompted by a recent article and editorial in Simulation in Healthcare. In our discussion, we step through the ‘rapport framework’ - face sensitivities, sociality rights, interactional goals - and how it might apply to our debriefing conversations. We reflected on many of the concepts discussed in our first interview with Jenny on psychological safety. http://simulationpodcast.com/2016/10/14/ep-4-safe-container-simulation/ Jenny offered theoretical insights from Carl Rogers and Milton Erickson, as well discussion of as a more contemporary take from Kim Scott in Radical Candor. We discussed how voice and body language contribute enormously to rapport, and finish with conjecture about who to mange cultural differences in debriefing conversations. We touched on Peter Dieckmann’s work in this area as highlighted on Simulcast Journal club - http://simulationpodcast.com/2017/10/03/simulcast-journal-club-podcast-8-september-wrap/ And more recently as published here References Auerbach, Marc Cheng, Adam Rudolph, Jenny W. Rapport Management: Opening the Door for Effective Debriefing. Simulation in Healthcare: February 2018 - Volume 13 - Issue 1 - p 1–2 https://journals.lww.com/simulationinhealthcare/Fulltext/2018/02000/Rapport_Management__Opening_the_Door_for_Effective.1.aspx Loo ME, Krishnasamy C, Lim WS. Considering face, rights and goals: a critical review of rapport management in facilitator-guided simulation debriefing approaches. Simul Healthc 2018;13(1):53–61. https://www.ncbi.nlm.nih.gov/pubmed/29076968
A lo largo de las últimas semanas el trompetista Wadada Leo Smith y la pianista Satoko Fujii han publicado cuatro nuevas grabaciones, dos lideradas por cada uno de ellos, coincidiendo en una de ellas ambos músicos. En HDO 332 suenan Solo: Reflections and Meditations On Monk (Wadada Leo Smith. TUM Records, 2017) cuyo título indica bien a las claras el contenido musical de esta obra; Najwa (Wadada Leo Smith junto a Michael Gregory Jackson, Henry Kaiser, Brandon Ross, Lamar Smith, Bill Laswell, Pheeroan akLaff y Adam Rudolph; TUM Records, 2017), en una formación posiblemente inédita con cuatro guitarristas, bajo eléctrico, batería, percusión y trompeta con composiciones de Wadada Leo Smith; Aspiration (Wadada Leo Smith, Natsuki Tamura, Satoko Fujii, Ikue Mori; Libra Records, 2017) con otra formación inusual de dos trompetistas, piano y electrónica (magnífico el papel de Mori); Live At Jazz Room Cortez (Satoko Fujii Quartet con Keisuke Ohta, Natsuki Tamura, Satoko Fujii, Takashi Itani; Cortez Sound, 2017). Tomajazz: © Pachi Tapiz, 2017 HDO es un podcast editado, presentado y producido por Pachi Tapiz.
4e de la 25e session... Cette semaine, Marie-Eve Boulanger nous propose un regard sur la prochaine édition de L'OFF Festival de Jazz avec Lévy Bourbonnais en entrevue. Aussi au menu, programme double Yusef Lateef et avant-jazz canadien... En musique: Yusef Lateef sur l'album A Flat, G Flat and C (Impulse!, 1966); Artistes en concert au prochain L'OFF Festival de jazz; Nick Fraser sur l'album Towns and Villages (Barnyard, 2013); Yusef Lateef, Roscoe Mitchell, Douglas Ewart, Adam Rudolph, Voice Prints (Meta, 2013) En entrevue: Lévy Bourbonnais de L'OFF Festival de jazz...
4e de la 25e session... Cette semaine, Marie-Eve Boulanger nous propose un regard sur la prochaine édition de L'OFF Festival de Jazz avec Lévy Bourbonnais en entrevue. Aussi au menu, programme double Yusef Lateef et avant-jazz canadien... En musique: Yusef Lateef sur l'album A Flat, G Flat and C (Impulse!, 1966); Artistes en concert au prochain L'OFF Festival de jazz; Nick Fraser sur l'album Towns and Villages (Barnyard, 2013); Yusef Lateef, Roscoe Mitchell, Douglas Ewart, Adam Rudolph, Voice Prints (Meta, 2013) En entrevue: Lévy Bourbonnais de L'OFF Festival de jazz...
Percussionist and composer Adam Rudolph's latest album is Both/And (Meta Records, 2011). In this interview, Rudolph talks about making music that "sounds like itself"; how he uses harmonic and rhythmic challenges to find new musical directions; and the influence of mentors such as Yusef Lateef on his approach to making and thinking about music. Learn more at www.metarecords.com/adam.html. Tracks used in this episode: Return of the Magnificent Spirits; Love's Light; Tree Line; Blues In Orbit; Dance Drama Part 3; Dance Drama Part 4.
Percussionist and composer Adam Rudolph’s latest album is Both/And (Meta Records, 2011). In this interview,...
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