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14 episodes with Charlie Rouse
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3 episodes with Charlie Rouse
4 episodes with Charlie Rouse
4 episodes with Charlie Rouse
2 episodes with Charlie Rouse
2 episodes with Charlie Rouse
3 episodes with Charlie Rouse
Anne Keala Kelly (Kanaka Maoli), co-host, is sitting for Tiokasin Ghosthorse this week. She talks for the entire hour with Michael Holloman (Colville Confederated Tribes) about Japanese photographer Frank S. Matsura (1873-1913), the subject of the exhibition "Frank S. Matsura: Portraits from the Borderland" that opened on Feb. 1 at the High Desert Museum in Bend, Oregon. The exhibition examines Indigenous representation and identity during a period of regional transformation in the early years of the 20th century. Michael is the lead curator of the original exhibition, which premiered at the Northwest Museum of Arts and Cultures in Spokane, Washington. He has guided the High Desert Museum's showing. The exhibition will be on view at the High Desert Museum through Sept. 7, 2025 and is traveling under the auspices of Art Bridges. More information at https://highdesertmuseum.org/Michael works and lives in the ancestral homelands of the Nimiipuu and Palus peoples. He is an Associate Professor of Art and coordinator of Native Arts, Outreach and Education for the College of Arts and Sciences at Washington State University. Throughout his professional career he has developed extensive relationships with Native communities, artists, and cultural organizations across the region that support art-based programming and partnerships.Production Credits:Tiokasin Ghosthorse (Lakota), Host and Executive ProducerAnne Keala Kelly (Kanaka Maoli), Co-HostLiz Hill (Red Lake Ojibwe), ProducerOrlando Bishop, Radio Kingston Studio EngineerAnne Keala Kelly, Audio EditorMusic Selections:1. Song Title: Tahi Roots Mix (First Voices Radio Theme Song)Artist: Moana and the Moa HuntersAlbum: Tahi (1993)Label: Southside Records (Australia and New Zealand)2. Song Title: Kōjō no Tsuki (Moon Over the Ruined Castle)Artist: Kurumi KobatoAlbum: Kokuro no UtaLabel: JVCKENWOOD Victor Entertainment3. Song Title: Kōjō no Tsuki (Moon Over the Ruined Castle), featuring Charlie Rouse on tenor saxophoneArtist: Thelonious MonkAlbum: Straight, No Chaser (1967)Label: ColumbiaAbout First Voices Radio:"First Voices Radio," now in its 32nd year on the air, is an internationally syndicated one-hour radio program originating from and heard weekly on Radio Kingston WKNY 1490 AM and 107.9 FM in Kingston, New York. Hosted by Tiokasin Ghosthorse (Lakota), who is the show's Founder and Executive Producer, "First Voices Radio" explores global topics and issues of critical importance to the preservation and protection of Mother Earth presented in the voices and from the perspective of the original peoples of the world.Akantu Intelligence:Visit Akantu Intelligence, an institute that Tiokasin founded with a mission of contextualizing original wisdom for troubled times. Go to https://akantuintelligence.org to find out more and consider joining his Patreon page at https://www.patreon.com/Ghosthorse
Grabaciones de bossa nova publicadas en las últimas décadas por el sello Blue Note: el saxofonista Ike Quebec ('Blue samba', 'Favela'), el saxofonista Cannonball Adderley con The Bossa Rio Sextet ('O amor em paz', 'Batida diferente'), el guitarrista Grant Green ('Corcovado'), el saxofonista Joe Henderson ('Blue bossa'), los cantantes Bobby McFerrin, ('Blue bossa'), Peggy Lee ('A little boat'), Blossom Dearie ('Quiet nights of quiet stars') y Jackie Allen ('Dindi') y el flautista y saxofonista Charlie Rouse ('Samba de Orfeu').Escuchar audio
MICHAEL DEASE “SWING LOW” Brooklyn, NY, February 10, 2023Dancing in the dark, Appreciation, New blues (1)Ingrid Jensen (tp) Altin Sencalar (tb-1) Michael Dease (bar) Art Hirahara (p) Boris Kozlov (b) Rudy Royston (d) SONNY CLARK “LEAPIN' AND LOPIN'” Englewood Cliffs, NJ, November 13, 1961Somethin' special, Deep in a dream (tt,cr out,1), Eric walksTommy Turrentine (tp) Charlie Rouse (ts) Ike Quebec (ts-1) Sonny Clark (p) Butch Warren (b) Billy Higgins (d) OSCAR PETTIFORD “MY LITTLE CELLO” Copenhagen, Denmark, July 5 & 6, 1960Montmartre blues (1), Why not ? Continue reading Puro Jazz 20 de noviembre, 2024 at PuroJazz.
MICHAEL DEASE “SWING LOW” Brooklyn, NY, February 10, 2023Dancing in the dark, Appreciation, New blues (1)Ingrid Jensen (tp) Altin Sencalar (tb-1) Michael Dease (bar) Art Hirahara (p) Boris Kozlov (b) Rudy Royston (d) SONNY CLARK “LEAPIN' AND LOPIN'” Englewood Cliffs, NJ, November 13, 1961Somethin' special, Deep in a dream (tt,cr out,1), Eric walksTommy Turrentine (tp) Charlie Rouse (ts) Ike Quebec (ts-1) Sonny Clark (p) Butch Warren (b) Billy Higgins (d) OSCAR PETTIFORD “MY LITTLE CELLO” Copenhagen, Denmark, July 5 & 6, 1960Montmartre blues (1), Why not ? Continue reading Puro Jazz 20 de noviembre, 2024 at PuroJazz.
Disney Chorus and Orchestra [00:20] "Little April Shower" Walter Disney's Story of Bambi Disneyland ST 3903 1960 Plip plop plip. You may recall from the last episode we heard a track from Stay Awake. On that album, "Little April Shower" is performed by Natalie Merchant, Michael Stipe, and the Roches (https://youtu.be/7ObPekx0h0M?si=BWAulm8X4hnsji14). Thelonius Monk [03:35] "Between the Devil and the Deep Blue Sea" Straight No Chaser Columbia CS 2651 1967 Monk takes a fine run at this standard originally recorded by Cab Calloway. Helped out here by Charlie Rouse on tenor sax, Larry Gales on bass, and Ben Riley on drums. Kyle Dixon and Michael Stein [11:14] "The Upside Down" Stranger Things - Volume One (A Netflix Series) Lakeshore Records 2016 Ah, the first season (https://youtu.be/b9EkMc79ZSU?si=8SqvgKenleN2NEJ0) was pretty near perfect. Had to go with the iconic title track. Frank Sinatra with the Nelson Riddle Orchestra [12:21] "Call Me" Strangers in the Night Reprise Records FS 1017 1966 Oddly enough, Frank has not one but two (2!) Petula Clark covers on this album including this one. I much prefer the brassy sassy production of Petula's version (https://youtu.be/M_mkSWxN2xk?si=gya-HwLlYCWK093i). Less Art [16:22] "Diana the Huntress" Strangled Light Gilead Media RELIC88 2017 Featuring members of Kowloon Walled City and Thrice. Igor Stravinsky and the Columbia Symphony Orchestra [19:34] "Firebird Ballet Suite (1945): Introduction - Prelude and Dance of the Firebird - Variations" Stravinsky Conducts Firebird Suite/Petrushka Suite Columbia Masterworks MS 7011 1967 This is the 1945 arrangement of The Firebird Suite. Roxy Music [22:44] "Over You" Street Life - 20 Great Hits EG EGTV 1 1986 A single orignally from Roxy Music's Flesh and Blood (https://youtu.be/3TL-Bc1giO8?si=FaZvmtDfdg2K-5uF). Evidently recorded as a way to tes tout Phil Manzanera's recently constructed studio. Made it as high as number 80 on the Hot 100. Death Valley Girls [26:07] "Electric High" Street Venom Suicide Squeeze SSQ181 2021 (originally recorded and released in 2014) Closing track to Death Valley Girl's debut studio album. Psych rock excellence (https://youtu.be/AO8z3AwIIaw?si=JCyzx7zyGK17UD5K). Salem 66 [31:08] "Seven Steps Down" 1984 Great Plains [mm:ss] "When Do You Say Hello" 1983 Strum and Thrum: The American Jangle Underground 1983-1987 Captured Tracks CT-302 2020 If you love jangle, you'll love Strum and Thrum. 28 tracks of jingle jangle goodness. An exceptional compilation that includes a 80 page booklet that dives into the scene. Yo La Tengo [36:39] "My Heart's Not In It" Stuff Like That There Matador OLE-1079-1 2015 It's hard to choose just once song from this album, but the opening track does a great job getting the listener in the mood for the album. It's a lovely rendition of the Gerry Goffin/Russ Titelman single recorded by Darlene McCrea (https://youtu.be/CuetP9wAHnY?si=o9YtuELwMU3C6S0v). New Order [39:25] "Sub-Culture" Sub-Culture Factory fac 133 1985 A remix by John Robie of the band's third single from Low-life (https://youtu.be/Uetuplhan_U?si=Or8I0F30teDUWLOh). The flip side is, of course, Dub-Culture. Ahmed Ben Ali [47:53] "Subhana" Subhana Habibi Funk HABIBI022 2023 That's right... reggae by way of Libya. Evidently reggae arrived right around peak Bob Marley and the Wailers and it took off from there. Barren Harvest [52:46] "Claw and Feather" Subtle Cruelties Handmade Birds HB-071 2014 Some dark and lovely ambient folk metal from Portland featuring Jessica Way of Worm Ourobouros. Nancy Sinatra [58:33] "Sugar Town" Sugar Reprise Records RS-6239 1967 A Lee Hazlewood number (naturally) that he says is an allusion to LSD sugar cubes. Featuring Wrecking Crew members including the great Carol Kaye, Glen Campbell, and Hal Blaine. Music behind the DJ: "These Boots Were Made for Walking" by Les Brown and his Orchestra
BILLY BANG “THE FIRE FROM WITHIN” New York, September 19 & 29, 1984The glow of awareness, The nagual Julian (1), Petty tyrantsAhmed Abdullah (tp) Billy Bang (vln) Oscar Sanders (el-g) William Parker (b) John Betsch (d,cowbell) Thurman Barker (marimba) Charles “Bobo” Shaw (cowbell-1) PAUL MOTIAN “LOST IN A DREAM” Live, Village Vanguard, New York, February, 2009Lost in a dream, Blue midnight, TenChris Potter (ts) Jason Moran (p) Paul Motian (d) MAL WALDRON “THE GIT GO” New York, September 16, 1986Status seekingWoody Shaw (tp,flhrn) Charlie Rouse (ts,fl) Mal Waldron (p) Reggie Workman (b) Ed Blackwell (d) Continue reading Puro Jazz 11 de septiembre, 2024 at PuroJazz.
BILLY BANG “THE FIRE FROM WITHIN” New York, September 19 & 29, 1984The glow of awareness, The nagual Julian (1), Petty tyrantsAhmed Abdullah (tp) Billy Bang (vln) Oscar Sanders (el-g) William Parker (b) John Betsch (d,cowbell) Thurman Barker (marimba) Charles “Bobo” Shaw (cowbell-1) PAUL MOTIAN “LOST IN A DREAM” Live, Village Vanguard, New York, February, 2009Lost in a dream, Blue midnight, TenChris Potter (ts) Jason Moran (p) Paul Motian (d) MAL WALDRON “THE GIT GO” New York, September 16, 1986Status seekingWoody Shaw (tp,flhrn) Charlie Rouse (ts,fl) Mal Waldron (p) Reggie Workman (b) Ed Blackwell (d) Continue reading Puro Jazz 11 de septiembre, 2024 at PuroJazz.
**It's The Jazz2Go Show Replay On traxfm.org. Jazz2Go Presented Some Classic & Contemporary/Neo Jazz/Samba Jazz Crackers From Jose Mangual JNR, Charlie Rouse, United Future Organisation, Mat Maruci, Joe Kaptein, Fania Allstars, Reuben Wilson, Antonio Ocasio, Kenichiro Nishihara, Charlie Palmieri, Rosalia de Souza, Som Imaginario, The Jazz City Workshop & More #originalpirates #JazzMusic #jazzfunk #jazzclub #jazzdance #neojazz #sambajazz Catch Jazz2Go Every Monday From 7PM UK Time Listen Live Here Via The Trax FM Player: chat.traxfm.org/player/index.html Mixcloud LIVE :mixcloud.com/live/traxfm Free Trax FM Android App: play.google.com/store/apps/det...mradio.ba.a6bcb The Trax FM Facebook Page : https://www.facebook.com/profile.php?id=100092342916738 Trax FM Live On Hear This: hearthis.at/k8bdngt4/live Tunerr: tunerr.co/radio/Trax-FM Radio Garden: Trax FM Link: http://radio.garden/listen/trax-fm/IEnsCj55 OnLine Radio Box: onlineradiobox.com/uk/trax/?cs...cs=uk.traxRadio Radio Deck: radiodeck.com/radio/5a09e2de87...7e3370db06d44dc Radio.Net: traxfmlondon.radio.net Stream Radio : streema.com/radios/Trax_FM..The_Originals Live Online Radio: liveonlineradio.net/english/tr...ax-fm-103-3.htm**
The virtually forgotten Ernie Henry was considered to be possibly the most accomplished alto sax player in Bebop after Charlie Parker. His career was cut short by addiction and ill health, but he made numerous recordings, including these with James Moody (including Art Blakey, Cecil Payne, Dave Burns and James Forman) and Tadd Dameron (with Fats Navarro and Charlie Rouse) for Blue Note and Savoy. --- Support this podcast: https://podcasters.spotify.com/pod/show/john-clark49/support
COUNT BASIE W/ LESTER YOUNG CLASSIC 1936-1947 STUDIO SESSIONS Chicago, November 9, 1936Shoe shine boy, Boogie woogie (I may be wrong), Lady be goodCarl Smith (tp) Lester Young (ts) Count Basie (p) Walter Page (b) Jo Jones (d) Jimmy Rushing (vcl) CLIFFORD BROWN THE COMPLETE BLUE NOTE AND PACIFIC JAZZ RECORDINGS: New York, August 28, 1953Easy living, Minor moodClifford Brown (tp) Gigi Gryce (as,fl-1) Charlie Rouse (ts) John Lewis (p) Percy Heath (b) Art Blakey (d) Los Angeles, August 12, 1954 Finders keepers, Joy springClifford Brown (tp) Stu Williamson (v-tb) Zoot Sims (ts) Bob Gordon (bar) Russ Freeman (p) Joe Mondragon (b) Shelly Manne (d) Jack Montrose (arr) Los Angeles, September 8, 1954Bones for JonesClifford Brown (tp) Stu Williamson (v-tb) Zoot Sims (ts) Bob Gordon (bar) Russ Freeman (p) Carson Smith (b) Shelly Manne (d) Jack Montrose (arr) DONALD BYRD / PEPPER ADAMS THE COMPLETE BLUE NOTE STUDIO SESSIONS Hackensack, N.J., December 21, 1958When your love has gone (as,bar out), Down tempo, Off to the races, Paul's palDonald Byrd (tp) Jackie McLean (as) Pepper Adams (bar) Wynton Kelly (p) Sam Jones (b) Art Taylor (d) Continue reading Puro Jazz 06 de junio, 2024 at PuroJazz.
COUNT BASIE W/ LESTER YOUNG CLASSIC 1936-1947 STUDIO SESSIONS Chicago, November 9, 1936Shoe shine boy, Boogie woogie (I may be wrong), Lady be goodCarl Smith (tp) Lester Young (ts) Count Basie (p) Walter Page (b) Jo Jones (d) Jimmy Rushing (vcl) CLIFFORD BROWN THE COMPLETE BLUE NOTE AND PACIFIC JAZZ RECORDINGS: New York, August 28, 1953Easy living, Minor moodClifford Brown (tp) Gigi Gryce (as,fl-1) Charlie Rouse (ts) John Lewis (p) Percy Heath (b) Art Blakey (d) Los Angeles, August 12, 1954 Finders keepers, Joy springClifford Brown (tp) Stu Williamson (v-tb) Zoot Sims (ts) Bob Gordon (bar) Russ Freeman (p) Joe Mondragon (b) Shelly Manne (d) Jack Montrose (arr) Los Angeles, September 8, 1954Bones for JonesClifford Brown (tp) Stu Williamson (v-tb) Zoot Sims (ts) Bob Gordon (bar) Russ Freeman (p) Carson Smith (b) Shelly Manne (d) Jack Montrose (arr) DONALD BYRD / PEPPER ADAMS THE COMPLETE BLUE NOTE STUDIO SESSIONS Hackensack, N.J., December 21, 1958When your love has gone (as,bar out), Down tempo, Off to the races, Paul's palDonald Byrd (tp) Jackie McLean (as) Pepper Adams (bar) Wynton Kelly (p) Sam Jones (b) Art Taylor (d) Continue reading Puro Jazz 06 de junio, 2024 at PuroJazz.
We have a special edition of The Big Table Podcast on today's episode. Presenting Adaptation, the inaugural event of a new literary salon series and collaboration between USC's Dornsife Experimental Humanities Lab and Soho House. Adaptation will feature conversations between writers and screenwriters discussing the art of adapting books into TV and film. Up first, the Oscar-winning writer-director Cord Jefferson and the USC distinguished professor and novelist Percival Everett. Jefferson adapted Everett's novel Erasure into the Oscar-nominated film, American Fiction, which opened in December 2023. Jefferson went on to win the Oscar for Best Adapted Screenplay a few days after this conversation was recorded. On the episode, Jefferson and Everett discuss the process of taking an experimental and innovative text like Erasure and turning it into something that honors the new form while staying true to the spirit of the original work. This is an initiative of Danzy Senna in collaboration with curator Margot Ross. We thank them both for including us in this incredible new series and for the opportunity to preserve these valuable conversations for posterity. It was a magical night in an intimate room and so we are very glad to be able to share it with a wider audience. MUSIC “I Didn't Know About You” by Thelonious Monk Composed by Bob Russell & Duke Ellington Performed by Thelonious Monk, Charlie Rouse, Larry Gales, Ben Riley
THIS WEEK's BIRDS: recent (new) music from Matana Roberts; Mary Halvorson; vintage bop/post-bop from Fred Tompkins; Charlie Rouse; Lee Morgan live at the Lighthouse; cante jondo from El Cigala, "El Negri" and El Cabrero; Balinese pop from Detty Kurnia; Abida Parveen from Pakistan; salsa from Orquesta Cervantes; vintage music from Mali (Rail Band du Mali); NIU RAZA; much, much more!!!! Catch the BIRDS live on Friday nights, 9:00pm-MIDNIGHT (EST), in Central New York on WRFI: 88.1FM Ithaca, 89.7FM Odessa, 91.9FM WINO Watkins Glen. and WORLDWIDE online at WRFI.ORG. 24/7 via PODBEAN: https://conferenceofthebirds.podbean.com/ via iTUNES: https://podcasts.apple.com/us/podcast/conference-of-the-birds-podcast/id478688580 Also available at podomatic, Internet Archive, podtail, iheart Radio, and elsewhere. Always FREE of charge to listen to the radio program and free also to stream, download, and subscribe to the podcast online: PLAYLIST at SPINITRON: https://spinitron.com/WRFI/pl/18499517/Conference-of-the-Birds and via the Conference of the Birds page at WRFI.ORG https://www.wrfi.org/wrfiprograms/conferenceofthebirds/ Join us on Facebook: https://www.facebook.com/groups/conferenceofthebirds/?ref=bookmarks FIND WRFI on Radio Garden: http://radio.garden/visit/ithaca-ny/aqh8OGBR Contact: confbirds@gmail.com
durée : 00:59:37 - Centenaires 2024 (2/5) : Sarah Vaughan, Charlie Rouse, Shorty Rogers - par : Alex Dutilh - Quand on observe la liste des jazzwomen des jazzmen et des bluesmen dont on pourra célébrer le centenaire de la naissance en 2024, ça ressemble à une jam session au sommet de l'Olympe.
durée : 00:59:37 - Centenaires 2024 (2/5) : Sarah Vaughan, Charlie Rouse, Shorty Rogers - par : Alex Dutilh - Quand on observe la liste des jazzwomen des jazzmen et des bluesmen dont on pourra célébrer le centenaire de la naissance en 2024, ça ressemble à une jam session au sommet de l'Olympe.
durée : 00:59:29 - Banzzaï du lundi 27 novembre 2023 - par : Nathalie Piolé -
The music of Thelonious Monk is tonight's Jazz Feature subject and a fine album from June of 1959 that spotlights the Monk working quartet with tenor saxophonist Charlie Rouse, bassist Sam Jones and the always swinging Arthur Taylor on drums. However there is a worthy addition to the Quartet which gives us the album title. That addition is cornetist Thad Jones who adds much musical spice to Monk's Quartet. If there is anyone who could have been added to Monk's working band it would be Thad. However this was a one shot recording date as Thad had a coveted position in the Count Basie Orchestra and had a little time off from Basie to do this date. The compositions are a mix of old and new all by Monk of course. Two new ones written for the date are "Played Twice" and "Jackie--ing" and the older ones are "Straight, No Chaser", "Ask Me Now" and "I Mean You". Thad in this writer's opinion is the star of the date and adapts so well to Monk's music. "Five By Monk By Five" is the Jazz feature tonight.
Del triple CD 'Blue bossa. Cool cuts from the tropics' las grabaciones de los músicos de jazz Cannonball Adderley con Bossa Rio Sextet ('Sambop'), Hank Mobley ('Recado bossa nova'), Duke Pearson con Astrud Gilberto ('Sandalia dela'), Charlie Rouse ('Samba de Orfeu'), Andrew Hill ('Mira'), Lou Donaldson ('South of the border'), Donald Byrd ('Books´s bossa'), Horace Silver ('Swinging the bossa'), Ike Quebec ('Loie') y Joe Henderson ('Blue bossa'). Escuchar audio
Cool jazz and some bossa nova tonight: Miles Davis, the Jimmy Giuffre 3, Ella Fitzgerald, Chet Baker, Miles Davis, John Coltrane, Clare Fischer, Paul Desmond, Duke Ellington and His Orchestra & Johnny Hodges, Charlie Rouse, and Dave Brubeck.
Milestones: Deep Dive Analyses of Landmark Albums with Angélika Beener
In the second part of our special two-part episode with T.S. Monk, we discuss what many consider to be his father's great quartet, with saxophonist Charlie Rouse, bassist John Ore and drummer Frankie Dunlop; Thelonious Monk's role as mentor, and why his High Priest of Bebop moniker deserves expansion. We also dive deep into the special relationship between Monk and Duke Ellington. This and so much more.
Continuamos explorando el disco triple 'Blue bossa. Cool cuts from the tropics' y sus grabaciones de músicos de jazz marcadas por lo latino: Cannonball Adderley & Bossa Rio Sextet ('Sambop'), Hank Mobley ('Recado bossa nova'), Duke Pearson ('Sandalia dela', 'Stormy'), Charlie Rouse ('Samba de Orfeu'), Andrew Hill ('Mira'), Lou Donaldson ('South of the border'), Lee Morgan ('Eclipso'), Donald Byrd ('Book´s bossa') y Horace Silver ('Swinging the samba'). Escuchar audio
Nuevo año y nuevo lanzamiento: Total Refreshment Centre! Por otra parte, queremos homenajear una pérdida gigante: Jeff Beck y su sociedad con George Martin. Hay más tributos: Monk, Ray Charles, entre otros.
Hoy es el último Vinilos para Gatos de este año razón por la cual nos ha apetecido mucho acercarnos un disco que consideramos muy especial. Y decimos que es especial porqué consigue unir la música de los de los más grandes artistas del jazz de todos los tiempos. El nombre del trabajo lo dice todo: Carmen Sings Monk, es decir, la vocalista, pianista y compositora Carmen McRea interpretando brillantes versiones de temas del genio Thelonius Monk, algunos de ellos tan conocidos como Round Midnight, Straight no Chaser o We’ll You Needn’t se combinan con composiciones que no han tenido tanta difusión pero que son igualmente hermosas, como la maravillosa Ruby, my Dear o Ugly Beauty. Un larga duración impresionante que va a ser nuestro ilustre invitado en el programa de hoy. TRACKS: Todos los temas originalmente compuestos por Thelonius Monk. Entre paréntesis os ofrecemos primero el titulo original del tema y a continuación el nombre del/la letrista. 1-"Get It Straight" ("Straight, No Chaser") (Sally Swisher) – 3:58 2-"Dear Ruby" ("Ruby, My Dear") (Swisher) – 6:01 3-"It's Over Now" ("Well, You Needn't") (Mike Ferro) – 5:28 4-"Monkery's the Blues" ("Blue Monk") (Abbey Lincoln) – 4:56 5-"You Know Who" ("I Mean You") (Coleman Hawkins, Jon Hendricks) – 3:31 6-"Little Butterfly" ("Pannonica") (Hendricks) – 5:15 7-"Listen to Monk" ("Rhythm-a-Ning") (Hendricks) – 3:05 8-"How I Wish" ("Ask Me Now") (Hendricks) – 4:56 9-"Man, That Was a Dream" ("Monk's Dream") (Hendricks) – 2:55 10-"'Round Midnight" (Monk, Cootie Williams, Bernie Hanighen) – 6:32 11-"Still We Dream" ("Ugly Beauty") (Ferro) – 3:27 12-"Suddenly" ("In Walked Bud") (Hendricks) – 3:41 13-"Looking Back" ("Reflections") (Hendricks) – 5:35 Tracks en el CD original pero que no aparecían en el LP (por cuestiones relativas a la duración del formato) 14-"Suddenly" – 3:13 15-"Get It Straight" – 3:26 Versiones añadidas en la reedición del disco del año 2001. "'Round Midnight" (Alternate Version) – 7:11 "Listen to Monk" (Alternate Take) – 2:59 "Man, That Was a Dream" (Alternate Take) – 3:23 CREDITS Carmen McRae - vocals Clifford Jordan - soprano saxophone, tenor saxophone Eric Gunnison - piano George Mraz - double bass Al Foster - drums Live at Great American Music Hall on January 30 & February 1, 1988 (tracks 1 & 12) Charlie Rouse - tenor saxophone Larry Willis - piano George Mraz - double bass Al Foster - drums
Join me on a brand new segment called "Behind The Berry" which I know you are going to love! As an advocate for Modexus, I'll be sharing the stories behind this amazing supplement company. This week I asked Dr. Charlie to boast about himself a bit, but as per usual, we end up talking a little God and product! Visit modexus.com today to learn more about these life-changing products, and connect with an advocate in your area! *Statements made within this podcast have not been evaluated by the Food and Drug Administration. These products are not intended to diagnose, treat, cure or prevent any disease. Modexus, LLC. assumes no responsibility for the improper use of and self-diagnosis and/or treatment using these products. Our products should not be confused with prescription medicine and they should not be used as a substitute for medically supervised therapy. If you suspect you suffer from clinical deficiencies, consult a licensed, qualified medical doctor. You must be at least 18 years old to make product purchases. We do not make any health claims about our products at Modexus. Before taking our products, it's wise to check with your physician or medical doctor. It is especially important for people who are: pregnant, chronically ill, elderly, under 18, taking prescription or over the counter medicines. None of the information on our website is intended to be an enticement to purchase and may not be construed as medical advice or instruction. The use of any of our products for any reason, other than to increase general health & wellness, is neither, implied nor advocated by Modexus, LLC.
Join me on a brand new segment called "Behind The Berry" which I know you are going to love! As an advocate for Modexus, I'll be sharing the stories behind this amazing supplement company. This first episode is with the Founder of the Product Research Council, Dr. Charlie Rouse. In addition to being a doctor of natural medicine, Dr. Rouse is also a pharmacist, pharmacologist, and has been the lead pastor at Liberty Baptist Church in Albany, GA since 1989. Visit modexus.com today to learn more about these life-changing products, and connect with an advocate in your area! *Statements made within this podcast have not been evaluated by the Food and Drug Administration. These products are not intended to diagnose, treat, cure or prevent any disease. Modexus, LLC. assumes no responsibility for the improper use of and self-diagnosis and/or treatment using these products. Our products should not be confused with prescription medicine and they should not be used as a substitute for medically supervised therapy. If you suspect you suffer from clinical deficiencies, consult a licensed, qualified medical doctor. You must be at least 18 years old to make product purchases. We do not make any health claims about our products at Modexus. Before taking our products, it's wise to check with your physician or medical doctor. It is especially important for people who are: pregnant, chronically ill, elderly, under 18, taking prescription or over the counter medicines. None of the information on our website is intended to be an enticement to purchase and may not be construed as medical advice or instruction. The use of any of our products for any reason, other than to increase general health & wellness, is neither, implied nor advocated by Modexus, LLC.
Bossa Nova Bacchanal : un disque qui fait rêver de sable chaud et de ciel bleu. Un album enregistré fin 1962 et qui s'engouffrait dans la brèche ouverte par Jazz Samba de Stan Getz, qui avait lancé la grande vague brésilienne aux Etats-Unis. Mais ce qui fait la différence avec Bossa Nova Bacchanal de Charlie Rouse, c'est qu'il contourne soigneusement tous les écueils et clichés du genre !
BENNIE GREEN “BACK ON THE SCENE” – Hackensack, N.J., March 23, 1958 I love you, Melba’s mood, Just friends Bennie Green (tb) Charlie Rouse (ts) Joe Knight (p) George Tucker (b) Louis Hayes (d) MICHAEL SARIAN “LIVING AT THE END OF THE WORLD” – Roselle, New Jersey, 2022 Cinta […]
THELONIOUS MONK QUARTET “MONK’S DREAM” – New York, November 1, 2, 6, 1962 Bright Mississippi, Sweet and lovely Charlie Rouse (ts) Thelonious Monk (p) John Ore (b) Frankie Dunlop (d) JOE LOVANO “TRIO TAPESTRY” – New York, March, 2018 Seeds of change, Razzle dazzle, Sparkle lights, The smiling dog […]
Anexos al abecé de la música popular de Brasil en forma de compilaciones. Intervienen: Maysa, Sérgio Ricardo, Sylvia Telles, Carlos Lyra, Lalo Schifrin, Joâo Gilberto, Os Cariocas, Herbie Mann, Luiz Bonfá, Agostinho dos Santos, Charlie Rouse, Elizete Cardoso y Laura Villa. Escuchar audio
Anexos al abecé de la música popular de Brasil en forma de compilaciones. Intervienen: Ivo Meirelles, Copa 7, Os Devaneios, Índio Branco, Ana Rosely, Giovana, Jorginho do Império, Sapoty da Mangueira, Ruy Maurity, As 4 Damas, Osvaldo Nunes & The Pops, Nanota e Seu Conjunto, Jorge Ben, Ruban, Pau Brasil, Brasil Show, Bebeto, Ed Lincoln y Charlie Rouse. Escuchar audio
Tonight on Jazz After Dark: Ella Fitzgerald & Louis Armstrong, Sidney Bechet, Louis Armstrong & Billie Holiday, and Dizzy Gillespie with the Stan Getz Sextet. More from Ella Fitzgerald, then Oscar Peterson, Richard Twardzik and Russ Freeman. Herbie Mann with Beeny Weeks, Keith Hodgson, and Lee Rockey. Paul Desmond, Cannonball Adderley, Sonny Stitt, Charlie Rouse, and Milcho Leviev.
CLIFFORD BROWN “CLIFFORD BROWN” – New York, August 28, 1953 Wail bait, Cherokee, Easy Living, Minor mood Clifford Brown (tp) Gigi Gryce (as,fl-1) Charlie Rouse (ts) John Lewis (p) Percy Heath (b) Art Blakey (d) JULIETA EUGENIO “JUMP” – Brooklyn, NY, March 30, 2021 Efes, Jump, Snowbirds Julieta […]
Las figuras negras claves del tenor de hardbop en este cuarto episodio: Sonny Stitt, Dexter Gordon, Wayne Shorter, Hank Mobley, Johnny Griffin, Charlie Rouse, Stanley Turrentine y Booker Ervin.
From the 1930s and '40s, we'll hear Lester Young & The Kansas City Six, Louis Armstrong, The RCA All-Stars: Tommy Dorsey, Bunny Berigan, Fats Waller, Dick McDonough, and "Georgia" Wettling. Then Doris Day, Red Garland, and Dinah Washington, followed by a bossa nova set with Nara Leão, Charlie Rouse, and Ella Fitzgerald. From the 1970s, we'll hear Gerry Mulligan and Earl Hines, and then take it out with Waverly Seven.
Nuestra portada en este número 07.2022 fue el nuevo álbum del saxofonista Immanuel Wilkins, el estupendo The 7th Hand, publicado este 2022 por Blue Note Records, una de las más gratas sorpresas, sin duda, de lo que llevamos de 2022. Siguiendo con el Jazz Contemporáneo, recibimos de nuevo el brillante trabajo del guitarrista portugués André Fernandes, uno de nuestros héroes de la guitarra Jazz actual. En el 2020 y para Clean Feed, publicó esta maravilla titulada Kinetic que también hemos escuchado en este número de La Montaña Rusa. Nuestro Clásico de la Semana, que cambia de posición en la estructura del programa a partir de este número, fue el gran Thelonious Monk, al que escuchamos de nuevo, esta vez con 5 By Monk By 5, álbum publicado en 1959 para Riverside. En nuestra otra sección fija, Jazz en Español, disfrutamos del nuevo álbum del guitarrista y compositor sevillano, Carlos López, quien a finales del pasado 2021, publicó La Otra Cara. Y cerramos con lo último hasta la fecha, del pianista noruego Eyolf Dale, Being, publicado en 2021. Que lo disfrutéis!
Nuestra portada en este número 07.2022 fue el nuevo álbum del saxofonista Immanuel Wilkins, el estupendo The 7th Hand, publicado este 2022 por Blue Note Records, una de las más gratas sorpresas, sin duda, de lo que llevamos de 2022. Siguiendo con el Jazz Contemporáneo, recibimos de nuevo el brillante trabajo del guitarrista portugués André Fernandes, uno de nuestros héroes de la guitarra Jazz actual. En el 2020 y para Clean Feed, publicó esta maravilla titulada Kinetic que también hemos escuchado en este número de La Montaña Rusa. Nuestro Clásico de la Semana, que cambia de posición en la estructura del programa a partir de este número, fue el gran Thelonious Monk, al que escuchamos de nuevo, esta vez con 5 By Monk By 5, álbum publicado en 1959 para Riverside. En nuestra otra sección fija, Jazz en Español, disfrutamos del nuevo álbum del guitarrista y compositor sevillano, Carlos López, quien a finales del pasado 2021, publicó La Otra Cara. Y cerramos con lo último hasta la fecha, del pianista noruego Eyolf Dale, Being, publicado en 2021. Que lo disfrutéis!
Nuevo episodio de La Montaña Rusa en la que nuestro Clásico de la Semana ha sido Underground, álbum publicado en 1968 por el Thelonious Monk Quartet. La primera novedad discográfica fue Doctone, una de los últimos trabajos del pianista neoyorkino Noah Haidu, álbum publicado en 2020. En nuestra sección Jazz en Español, escuchamos el segundo trabajo de estudio de DAMUG, proyecto del pianista David Muñoz Guillamón. Se llama ODO -Ofrenda del Origen- y ha sido publicado este 2021. La segunda novedad que destacamos es de este 2021 y se trata del descubrimiento de la música de la saxofonista moscovita Anna Koroleva que acaba de publicar Antigravity. Y cerraremos de vuelta a nuestro Clásico de la Semana.
Nuevo episodio de La Montaña Rusa en la que nuestro Clásico de la Semana ha sido Underground, álbum publicado en 1968 por el Thelonious Monk Quartet. La primera novedad discográfica fue Doctone, una de los últimos trabajos del pianista neoyorkino Noah Haidu, álbum publicado en 2020. En nuestra sección Jazz en Español, escuchamos el segundo trabajo de estudio de DAMUG, proyecto del pianista David Muñoz Guillamón. Se llama ODO -Ofrenda del Origen- y ha sido publicado este 2021. La segunda novedad que destacamos es de este 2021 y se trata del descubrimiento de la música de la saxofonista moscovita Anna Koroleva que acaba de publicar Antigravity. Y cerraremos de vuelta a nuestro Clásico de la Semana.
WETF Show . .More Further Definitions - Benny Carter-led and arranged sax ensembles with Coleman Hawkins, Phil Woods, Charlie Rouse, Bill Hood, Bud Shank, Teddy Edwards, Bill Perkins, Jimmy Heath, Herb Geller, Frank Wess and Joe Temperley . . great arrangements and playing by the leader --- Support this podcast: https://anchor.fm/john-clark49/support
Tonight on Jazz After Dark: Swing from Benny Goodman, Jimmie Lunceford; Sidney Bechet and His Blue Note Jazzmen, Benny Carter & Oscar Peterson Trio, Gigi Gryce Quartet. Vocal set: Nat "King" Cole, Frank Sinatra, Tony Bennett. Then Art Pepper, Ella Fitzgerald, Charlie Rouse, Abdullah Ibrahim, and Albert Tootie Heath.
Enjoy episode #271 Enjoying the show? Please support BFF.FM with a donation. Playlist 0′01″ Turquesa (Rubrique's Overnight Express remix) by TTeo (Sonar Kollektiv) 6′25″ Sambal (Extended Mix) by Purple Disco Machine & Aeroplane (Glitterbox Recordings) 10′16″ Tinkle On The Ivories by That Needs An Edit (Self-Released) 15′00″ Just Be by Bill DeVaughn (Self-Released) 21′17″ Hush (Pitto remix) by Feiertag on Hush Remixed (Sonar Kollektiv) 27′40″ Gil's Bottle (Mr Mendel edit) by Mr Mendel (Self-Released) 34′40″ Don't Stop (Ray Mang Special extended mix) by Andromeda Orchestra (FAR) 41′55″ Oddity (V's Disco Space Walk Jam) by David Bowie (Self-Released) 48′40″ Uber Man by Coeo (Toy Tonics) 52′40″ Rock This Town Remakes (Mousse T Instrumental Remix) by Dimitri From Paris presents Electra 80 (D-Vision) 56′08″ Merci bon Dieu (feat. Charlie Rouse) by Grant Lazlo (Self-Released) 65′00″ Call Me Now by Aeshim on Or... (Albert's Favourite) 70′10″ Apricots by Bicep (Ninja Tune) 74′00″ ARP3 by Floating Points on Shadows (Pluto) 81′24″ Fela's Fight (Mr Mendel edit) by Mr Mendel (Self-Released) 92′50″ Saiya Mikamba by Mina on Afro Bass Vol.2 (Beating Heart) 93′21″ Mama (David Walters Remix) by David Walters on Pura Vida Sounds 12" (Heavenly Sweetness) 96′30″ Awakasi by Austin Ato on Afro Deep (Vol.1) (Beating Heart) 104′09″ Aku Aku by Rhode & Brown (Permanent Vacation) 109′05″ Marombo by Gerardo Frisina (Schema) 111′30″ Percussion by St Germain (Nonesuch) Check out the full archives on the website.
Welcome to the Digging Deeper Jazz Podcast. This podcast was originally released on November 22, 2019 on the Jeff Antoniuk - Educator YouTube channel. Please subscribe to the YouTube channel and feel free to enjoy the video version as well.FOR ALL INSTRUMENTS !In episode #128, we ask questions about what made Thelonious Monk sound like Monk, what made Charlie Rouse sound like Rouse, and a SIMPLE path to get moving in that direction. Quick Hint: Tritones, baby. Tritones!Mentioned in this podcast:• www.JazzWire.net - Since we announced JazzWire back in 2017, it has become an incredible Community of hundreds of adult musicians from over 25 different countries around the world. If you are looking for a plan for your practice, regular insights and wisdom on playing jazz, and a huge COMMUNITY of jazz players from around the world, this is the place for you! • Digging Deeper Jazz - All of the DDJ episodes include a pdf. Just write us at diggingdeeperjazz@gmail.com, and we'll offer you the pdfs in bundles of 50, or all 200 for a discount! We will also put you on the list to receive each new pdf, weekly. Amazing practice ideas, every week, for free. What's not to love!?
durée : 00:58:57 - Amour secret - par : Nathalie Piolé - La playlist jazz de Nathalie Piolé. - réalisé par : Fabien Fleurat
Leon Russell [00:17] "Roll Away the Stone" Leon Russell Shelter Records SHE 8901 1970 Leon with his disciples Charlie Watts, Bill Wyman, and Steve Winwood. Duke Jordan [03:26] "The Feeling of Love No. 2" Les Liaisons Dangereuses Charlie Parker Records PLP-813 1962 Music from the "scandalous" Roger Vadim interpretation of the 1782 novel of the same name. Evidently much of the film in the music was performed by Thelonius Monk. Here, Jordan is accompanied by Eddie Kahn on bass, Art Taylor on drums, Charlie Rouse on tenor sax, and Sonny Cohn on trumpet. The Beatles [06:52] "Get Back" Let It Be Apple Records AR 34001 1970 Featuring Billie Preston on keys, and John Lennon handled lead guitar because George had briefly quit the band during the well-documented recording process. Rolling Stones [10:00] "Monkey Man" Let It Bleed London Records NPS-4 1969 Hey... more Stones! And you know I love songs about monkeys. Bill Wyman plays vibes on this track as well as bass. David Bowie [15:29] "Shake It" Let's Dance EMI America SO-17093 1983 Since we've heard both of the big hits from this album in seasons 2 and 4 of Vinyl-O-Matic, I'm going with this kinda goofy track that closes the album. Marvin Gaye [19:16] "Let's Get It On" Let's Get It On Tamla T329V1 1973 When in doubt, go with the hit. And what a hit it is. Sure that initial skip ruins the mood a bit, but that groove gets right back in there! Guided by Voices [24:07] "The Unsinkable Fats Domino" Let's Go Eat the Factory Guided by Voices, Inc. GBVI 16 2012 One of the classic iterations of the band, and their very first release on Guided by Voices, Inc. Bonnie 'Prince' Billy [26:00] "I Called You Back" The Letting Go Drag City dc420 2006 A fine slow jam that closes out this mid-Aughties Will Oldham album. Recorded in Reykjavik, featuring the core lineup of brother Paul on bass, Emmett Kelly on guitar, Jim White on drums, and the always astounding Dawn McCarthy on vocals. ABC [33:14] "Poison Arrow" The Lexicon of Love Mercury SRM-1-4059 1982 A heavy rotation early 80s classic that reached number 25 on the Hot 100. Lemonheads [36:36] "Mallo Cup" Lick Taang! Records 32 1989 Not a fan of the actual Mallo Cup, but I am a fan of this song. Did you know that everyday, someone is born who has never heard Lemonheads cover Suzanne Vega's "Luka" (https://youtu.be/CW9Pv0WT2K0). The Red Clay Ramblers [38:48] "Killing Floor" A Lie of the Mind Sugar Hill Records SH-8501 1986 Music to accompany Sam Shephard's 1986 Off-Broadway play A Lie of the Mind, which featured a cast of James Gammon, Harvey Keitel, Geraldine Page, Will Patton, Amanda Plummer, Aidan Quinn, Ann Wedgeworth, and Karen Young. Leonard Cohen [40:45] "Tonight Will Be Fine" Leibestraume - Leonard Cohen singt seine schönsten Lieder CBS CBS 84718 1980 Sadly, just the original English language versions of Leonard's hits. Taurus [45:55] "Life (Part I)" Life Self Released 2012 Doomy goodness from Portland duo Stevie Floyd and Ashley Spungin in an outstanding box set featuring multicolor splatter vinyl, photographs, back patch, sticker, screen-prints in a custom box. Music behind the DJ: "Another Girl" by George Martin and his Orchestra
STANDAR SEMANAL.- secret love-JAZZANIVERSARIO.-Charlie Rouse - Taking Care of Business.-JAZZACTUALIDAD.-PEPE ZARAGOZA 5ET#2-LA CALA DE L´ENCIS.
BENNY CARTER – FURTHER DEFINITIONS – New York, November 13 & 15, 1961 Honeysuckle rose, Body and soul, Crazy rhythm Benny Carter (as,arr) Phil Woods (as) Coleman Hawkins, Charlie Rouse (ts) Dick Katz (p) John Collins (g) Jimmy Garrison (b) Jo Jones (d) BARRY HARRIS – INTERPRETATIONS OF MONK – New York, 3 p.m., November […]
BENNIE GREEN – BACK ON THE SCENE – Hackensack, N.J., March 23, 1958 I love you, Melba’s mood, Just friends Bennie Green (tb) Charlie Rouse (ts) Joe Knight (p) George Tucker (b) Louis Hayes (d) HANS GLAWISCHNIG – COMMON GROUND – Brooklyn, NY, April 11,...
In this episode, we bring you hard bop players tenor saxophonist Charlie Rouse, trumpeter Joe Gordon, and drummer Art Taylor. All the songs here are written by jazz musicians.
durée : 00:58:11 - On dit Yeah Yeah - par : Nathalie Piolé - La playlist jazz de Nathalie Piolé. - réalisé par : Fabien Fleurat
Today, in part 2 of 5 of the series, Who Should I Study With, in Music School, I'm chatting with Rob Kassinger.Rob is a bassist in the Chicago Symphony Orchestra and Professor of Double Bass at DePaul University School of Music. In the jazz world, Rob has also performed with Wynton Marsalis, Branford Marsalis, Kenny Burrell, the Woody Herman band, Conte Candoli, Charlie Rouse, Teddy Edwards, Harold Land, and Bobby Lewis.Rob is also a world-class bass guitarist. In today's discussion, we speak about:•Rob's background•what to for in a teacher•common audition mistakes, and much more.Enjoy this conversation with Rob Kassinger. Links:listen to Rob perform.Rob at DePaul UniversityRob at the Chicago Symphony Orchestra Connect with The Scholarship Roadmap:WebsiteApple PodcastsInstagramFacebookYouTubeBook a Call Theme Music:‘Elegua' from Axiom Asunder by The Majestic Jazz OrchestraComposed by Buzz Jones.
Grabaciones bossa nova de músicos y cantantes del sello de jazz Blue Note como el saxofonista Ike Quebec ('Blue samba', 'Favela'), el también saxofonista Cannonball Adderley & The Bossa Rio Sextet ('O amor em paz', 'Batida diferente'), el guitarrista Grant Green ('Corcovado'), el saxofonista Joe Henderson ('Blue bossa'), el vocalista Bobby McFerrin ('Blue bossa'), las cantantes Peggy Lee ('A little boat'), Blossom Dearie ('Quiet nights of quiet stars') y Jackie Allen ('Dindi') y el flautista y saxofonista Charlie Rouse ('Samba de Orfeu'). Escuchar audio
The great, if somewhat forgotten Bebop trumpet player who was really the only rival to Dizzy Gillespie in terms of range, power and sound. This program features his recordings for the Savoy label - under his own name and with Dexter Gordon, Eddie "LockJaw" Davis and Tadd Dameron. In addition to these musicians, listen also to Ernie Henry, Leo Parker, Charlie Rouse and Art Blakey. --- Support this podcast: https://anchor.fm/john-clark49/support
Enjoying the show? Please support BFF.FM with a donation. Playlist 0′00″ Calling Out of Context by Arthur Russell on Calling Out of Context (Audika) 7′02″ Icy Acres by Colin Wilkie, Shirley Hart, Albert Mangelsdorff & Joki Freund on Wild Goose (MPS) 11′14″ Extract from Femenine by Julius Eastman on Femenine (Another Timbre) 20′18″ Subration by Ka Baird on Bespires (RVNG Intl.) 24′35″ Per Aspera (ad Astra) by Fennesz on Touch: Isolation (Touch) 31′17″ Cloud Cover by O Yuki Conjugate on Into Dark Water (Emotional Rescue) 40′02″ Ensenada by Bennie Maupin on The Jewel in the Lotus (ECM) 46′55″ Visions by Jeff Parker on The New Breed (International Anthem) 53′00″ Hopscotch by Charlie Rouse on Two is One (Charly Records)
THELONIOUS MONK – BIG BAND AND QUARTET Esta es una de las mejores grabaciones del pianista-compositor Thelonious Monk y representa un punto álgido en su carrera. Actuando en el Philharmonic Hall en Nueva York, Monk es con su cuarteto (que tenía a Charlie Rouse en...
Nell'84 Hal Willner, che dall'81 è diventato coordinatore musicale del popolare programma televisivo Saturday Night Live, allestisce un secondo, memorabile, album-tributo, questa volta a Thelonious Monk, che era mancato nell'82. Gli ingredienti sono gli stessi già impiegati brillantemente in Amarcord Nino Rota, ma su una scala più ampia - un Lp doppio - e con un tasso più alto di partecipazioni di ambito pop-rock. Anche qui il livello della musica è straordinario, con interpretazioni dei cavalli di battaglia di Monk spesso decisamente irrituali, ma sempre senza tradire lo spirito del grande pianista-compositore; anche qui è di grande effetto l'assortimento di musicisti coinvolti; e anche qui è una sorpresa trovare impegnati musicisti la cui associazione con la musica di Monk non è affatto scontata. In questa puntata percorriamo il primo Lp e arriviamo all'inizio della terza facciata: con, nell'ordine, Bruce Fowler (trombonista con Zappa e Captain Beefheart), i NRBQ, Donald Fagen, Dr. John, la band di Carla Bley con Johnny Griffin, Barry Harris, il gruppo dance Was (Not Was) con Sheila Jordan, Mark Bingham, Steve Lacy in duo con Charlie Rouse, veterano dei gruppi di Monk, Sharon Freeman, Todd Rundgren.
Nell'84 Hal Willner, che dall'81 è diventato coordinatore musicale del popolare programma televisivo Saturday Night Live, allestisce un secondo, memorabile, album-tributo, questa volta a Thelonious Monk, che era mancato nell'82. Gli ingredienti sono gli stessi già impiegati brillantemente in Amarcord Nino Rota, ma su una scala più ampia - un Lp doppio - e con un tasso più alto di partecipazioni di ambito pop-rock. Anche qui il livello della musica è straordinario, con interpretazioni dei cavalli di battaglia di Monk spesso decisamente irrituali, ma sempre senza tradire lo spirito del grande pianista-compositore; anche qui è di grande effetto l'assortimento di musicisti coinvolti; e anche qui è una sorpresa trovare impegnati musicisti la cui associazione con la musica di Monk non è affatto scontata. In questa puntata percorriamo il primo Lp e arriviamo all'inizio della terza facciata: con, nell'ordine, Bruce Fowler (trombonista con Zappa e Captain Beefheart), i NRBQ, Donald Fagen, Dr. John, la band di Carla Bley con Johnny Griffin, Barry Harris, il gruppo dance Was (Not Was) con Sheila Jordan, Mark Bingham, Steve Lacy in duo con Charlie Rouse, veterano dei gruppi di Monk, Sharon Freeman, Todd Rundgren.
Nell'84 Hal Willner, che dall'81 è diventato coordinatore musicale del popolare programma televisivo Saturday Night Live, allestisce un secondo, memorabile, album-tributo, questa volta a Thelonious Monk, che era mancato nell'82. Gli ingredienti sono gli stessi già impiegati brillantemente in Amarcord Nino Rota, ma su una scala più ampia - un Lp doppio - e con un tasso più alto di partecipazioni di ambito pop-rock. Anche qui il livello della musica è straordinario, con interpretazioni dei cavalli di battaglia di Monk spesso decisamente irrituali, ma sempre senza tradire lo spirito del grande pianista-compositore; anche qui è di grande effetto l'assortimento di musicisti coinvolti; e anche qui è una sorpresa trovare impegnati musicisti la cui associazione con la musica di Monk non è affatto scontata. In questa puntata percorriamo il primo Lp e arriviamo all'inizio della terza facciata: con, nell'ordine, Bruce Fowler (trombonista con Zappa e Captain Beefheart), i NRBQ, Donald Fagen, Dr. John, la band di Carla Bley con Johnny Griffin, Barry Harris, il gruppo dance Was (Not Was) con Sheila Jordan, Mark Bingham, Steve Lacy in duo con Charlie Rouse, veterano dei gruppi di Monk, Sharon Freeman, Todd Rundgren.
STANDARD SEMANAL.- “Naima”( John Coltrane –John Handy-John McLaughlin-Carlos Santana).-JAZZ RECUERDO ANIVERSARIO.- CHARLIE ROUSE- Just Wailin' -1958-[with Charlie Rouse, Kenny Burrell and Mal Waldron].-JAZZ ACTUALIDAD .- Esta semana tendremos a Le Dancing Pepa “Dancin in Storyville”. PROG.Nº 659.- Dos horas para el análisis y repaso a la historia y actualidad que generan esta música americana . Todo en el tono que acostumbra este programa, en dos secciones JAZZ ANIVERSARIO y JAZZ ACTUALIDAD importantes novedades y diferentes canales de comunicación que se ofrecerán al oyente. STANDARD SEMANAL.- “Naima”( John Coltrane –John Handy-John McLaughlin-Carlos Santana) JAZZ RECUERDO ANIVERSARIO.- CHARLIE ROUSE- Just Wailin' -1958-[with Charlie Rouse, Kenny Burrell and Mal Waldron] Herbie Mann - Just Wailin' Tracks: 01 Minor Groove (7:36) 02 Gospel Truth (4:17) 03 Blue Echoes (9:26) 04 Trinidad (10:46) 05 Jumpin' With Symphony Sid (3:33) 06 Blue Dip (4:29) Personnel: Herbie Mann (flute) Charlie Rouse (tenor sax) Mal Waldron (piano) Kenny Burrell (guitar) George Joyner (bass) Art Taylor (drums) JAZZ ACTUALIDAD .- Esta semana tendremos a Le Dancing Pepa “Dancin in Storyville”. Nuestro tercer álbum Dancing in Storyville hace referencia a un importante distrito de New Orleans en Louisiana. Entre 1869 y 1917 la prosperidad y el mestizaje cultural de la ciudad genero mucho trabajo para los músicos quienes empezaron el desarrollo de una nueva y excitante música, el jazz. Después de siete años explorando a través del fantástico mundo del swing queremos honrar sus comienzos con esta grabación. Llevaros de viaje a un tiempoen que se podía caminar oyendo ritmos sincopados en el aireseduciéndote en las largas noches de Storyville. Temas - Duke s in bed - You got to pay - That warm feeling - Who walks in when I walk out - On the sunny side of the street - Castle rock - Easy does it - Blues in hoss flat - Do you know what it means to miss New Orleans - A smooth one - Jammin in Swingville - I can t believe that you re in love with me - Jummpin at the woodside
En JazzTK Podcast 183 escuchamos canciones de los Beatles por jazzistas en la sección Jazz de Lux y escuchamos dos álbumes grabados en el otoño de 1962: Portrait of Sheila de la cantante Sheila Jordan y Monk's Dream del pianista Thelonious Monk. Los temas escuchados son: * McCoy Tyner: She’s Leaving Home (Day Tripper: Jazz Greats Meets the Beatles. Vol. 1) - McCoy Tyner, Avery Sharpe, Aaron Scott * Count Basie: All my Loving (Basie’s Beatle Bag) - Count Basie and his Orchestra * Brad Mehldau: And I Love Her (Ballads & Blues) - Brad Mehldau, Larry Grenadier, Jeff Ballard * Sheila Jordan: Who Can I Turn To (Portrait Of Sheila) - Sheila Jordan, Barry Galbraith * Sheila Jordan: Dat Dere (Portrait Of Sheila) - Sheila Jordan, Steve Swallow * Sheila Jordan: I'm A Fool To Want You (Portrait Of Sheila) - Sheila Jordan, Barry Galbraith, Steve Swallow, Denzil Best * Thelonious Monk: Just a Gigolo (Monk's Dream) - Thelonious Monk * Thelonious Monk: Sweet and Lovely (Monk's Dream) - Thelonious Monk, Charlie Rouse, John Ore, Frankie Dunlop * Thelonious Monk: Bright Mississippi (Monk's Dream) - Thelonious Monk, Charlie Rouse, John Ore, Frankie Dunlop Disfruta del Jazz con JazzTK.com
En JazzTK Podcast 183 escuchamos canciones de los Beatles por jazzistas en la sección Jazz de Lux y escuchamos dos álbumes grabados en el otoño de 1962: Portrait of Sheila de la cantante Sheila Jordan y Monk's Dream del pianista Thelonious Monk. Los temas escuchados son: * McCoy Tyner: She’s Leaving Home (Day Tripper: Jazz Greats Meets the Beatles. Vol. 1) - McCoy Tyner, Avery Sharpe, Aaron Scott * Count Basie: All my Loving (Basie’s Beatle Bag) - Count Basie and his Orchestra * Brad Mehldau: And I Love Her (Ballads & Blues) - Brad Mehldau, Larry Grenadier, Jeff Ballard * Sheila Jordan: Who Can I Turn To (Portrait Of Sheila) - Sheila Jordan, Barry Galbraith * Sheila Jordan: Dat Dere (Portrait Of Sheila) - Sheila Jordan, Steve Swallow * Sheila Jordan: I'm A Fool To Want You (Portrait Of Sheila) - Sheila Jordan, Barry Galbraith, Steve Swallow, Denzil Best * Thelonious Monk: Just a Gigolo (Monk's Dream) - Thelonious Monk * Thelonious Monk: Sweet and Lovely (Monk's Dream) - Thelonious Monk, Charlie Rouse, John Ore, Frankie Dunlop * Thelonious Monk: Bright Mississippi (Monk's Dream) - Thelonious Monk, Charlie Rouse, John Ore, Frankie Dunlop Disfruta del Jazz con JazzTK.com
This overlooked album was Monk's fourth for Columbia and of course featured his wonderful quartet with his right hand-man, Charlie Rouse on tenor saxophone and two fresh faces in the bass and drum department who would remain with Monk for four years. They are Larry Gales on bass and Ben Riley on drums. The Monk Jazz Feature is to honour his Birthday Anniversary which takes place on Oct. 10. This is one fine album that many people forgot about and has a variety of tunes that are standards given the unique Monk treatment. A delightful version of the children's song, "This Old Man" is given a Monk guise. A Monk solo piece on an old obscure ballad by Irving Berlin is a sheer delight. Two Monk originals also grace the recording done on October of 1964. Happy 102nd Birthday Mr. Monk, your music is a fresh as tomorrow.
Pictures and sound are often better together. As WNYC's Sara Fishko tells us, newly restored documentaries have emerged that feature Aretha Franklin and Thelonious Monk, and the films very simply and powerfully show us those musicians in action. More, in this episode of Fishko Files. Amazing Grace opens Friday, April 5 at several theatres in New York. Monk + Monk in Europe opens Saturday, April 6 at Metrograph. Fishko Files with Sara Fishko Assistant Producer: Olivia BrileyMix Engineer: Wayne ShulmisterEditor: Karen Frillmann Music: "Rhythm a Ning"Thelonious Monk, piano; Charlie Rouse, tenor sax; Larry Gales, bass; Ben Riley, drums
Thelonious Monk once said "play what you want and let the public pick up on what you are doing even if it does take them 15, 20 years". Luckily, he lived long enough to become fully embraced and celebrated before his passing. However, it's after his death that his music has really become central to the jazz canon. To mark the thirty-seventh anniversary of his demise, on 17 February 1982, this week we feature a very diverse range of renditions of his masterpieces. The playlist includes Cootie Williams, Paul Motian, Carmen McRae, Georg Gräwe, Duck Baker, Allen Toussaint, Charlie Haden, Jim Hall, Gianluca Petrella, Lindsey Horner, Brad Mehldau, Jason Moran, Vijay Iyer, Gary Thomas, Quincy Jones, Miles Okazaki, Frank Kimbrough, Thomas Chapin, Ran Blake, Jeanne Lee, Tronzo Trio, Steve Lacy, Charlie Rouse, Barry Harris, Ernst Reijseger, Thelonious Monk. Detailed playlist available at https://spinitron.com/m/playlist/view/4095369. Photo credit: Jim Marshall
The boys discuss exams, Charlie Rouse's "Yeah!" and Charlie Brooker's Black Mirror: "Bandersnatch".You can listen to "Yeah!" on Spotify here: https://open.spotify.com/album/3rw6xeupXWRAOME9ChqweqYou can find the IMDb page for "Bandersnatch" here: https://www.imdb.com/title/tt9495224/Thanks to Yahweasel for creating the Discord bot Craig, which we used to record this episode! You can find that here: https://craig.chat/home/You can listen to 'Tom and Will Save the World' on Mixcloud: www.mixcloud.com/TnWStW/episode-1-christina/ World on a String is a podcast hosted by James Curgenven and Tom Joshi-Cale. In it, they chat about an album and a film/tv show that they have watched/listened to over the past week.
Jazz am Sunntig uf Radio RaBe - die Jazzsändig für Bärn! Mit Athina Dill, Manon Mullener, Christian Schütz und Simon Petermann Charlie Rouse.mp3
This is The Jazz Show's last installment on our tribute to the music of Thelonious Monk. This event was a well publicised concert at New York's Town Hall on February 28,1959. The first part of the concert was to be a short set by Monk's working Quartet with Charlie Rouse on tenor saxophone, Sam Jones on bass, and Arthur Taylor on drums. Three tunes played were all Monk staples then a short intermission leading to the main event: The Thelonious Monk Orchestra! Monk with the help of orchestrator Hall Overton created a group of big band arrangements of Monk compositions. The band consisted of three non-soloists, Jay McAllister on tuba, Eddie Bert on trombone and Robert Northern on French Horn. The other players were soloists: trumpeter Donald Byrd, Phil Woods on alto saxophone and Charlie Rouse on tenor and Pepper Adams on baritone. Sam Jones on bass and Arthur Taylor were the rhythm section. The tunes begin with a short version of "Thelonious" then the enigmatic four bar opus called "Friday The Thirteenth". "Monk's Mood" follows and then "Little Rootie Tootie" where Monk's original piano solo from his original 1952 recording is played by the full orchestra! Then an early classic, "Off Minor" and the concert ends with Monk's dedication to his beloved wife with "Crepuscule With Nellie". This event augured well for Monk as the 60's proved to be the decade where the tours, the signing to Columbia Records and the Time Magazine cover and some good financial rewards all happened for him but most of all recognition that Monk was a pianistic and artistic musical giant.
Thelonious Sphere Monk, el sumo sacerdote del BeBop, vuelve a mostrarse en todo su esplendor en el doble CD Les Liaisons Dangereuses (Sam Records – Saga, 2017), publicado con motivo del Record Store Day 2017. En solitario o en quinteto junto a los habituales Charlie Rouse, Sam Jones, Art Taylor, y al invitado Barney Wilen, recreaba algunos de sus clásicos para la banda sonora de la película de Roger Vadim. En HDO 274 escuchamos algunos de los temas incluidos en esta grabación absolutamente recomendable: “Pannonica”, “Well, You Needn’t”, “Ba-Lue Bolivar Ba-Lues-Are” y “Rhythm-a-Ning”. Tomajazz: © Pachi Tapiz, 2017 HDO es un podcast editado, presentado y producido por Pachi Tapiz. Toda la información de HDO 274 en http://www.tomajazz.com/web/?p=30984. Toda la información de HDO en http://www.tomajazz.com/web/?cat=13298. Más podcast de jazz en Tomajazz en http://www.tomajazz.com/web/?cat=12814
10e émission de la 35e session... Cette semaine, départ bop, freebop et finale en jazz de chambre... En musique: Charlie Rouse sur l'album Takin' Care of Business ( Jazzland, 1960); Han Bennink Trio sur l'album Adelante (ICP, 2017); Morten Pedersen 5tet Sammensurium (Challenge, 2017); Eivind Opsvik sur l'album Overseas V (Loyal Label, 2017); Harris Eisenstadt sur l'album Recent Developements (Songlines, 2017); Louis Sclavis sur l'album Asian Field Variations (ECM, 2017)...
10e émission de la 35e session... Cette semaine, départ bop, freebop et finale en jazz de chambre... En musique: Charlie Rouse sur l'album Takin' Care of Business ( Jazzland, 1960); Han Bennink Trio sur l'album Adelante (ICP, 2017); Morten Pedersen 5tet Sammensurium (Challenge, 2017); Eivind Opsvik sur l'album Overseas V (Loyal Label, 2017); Harris Eisenstadt sur l'album Recent Developements (Songlines, 2017); Louis Sclavis sur l'album Asian Field Variations (ECM, 2017)...
Thelonious Monk had a long and productive contract with Columbia records but in 1968 it was coming to an end. Soon after his saxophonist of 11 years, Charlie Rouse was leaving and Monk's health was a bit fragile as well. This was the penultimate Columbia album and the final documentation of Monk's working Quartet. The album was called "Underground" and it's iconic cover won more awards and attention than the fine music therein. The album featured some brand new compositions by Monk and 3 delightful trio tracks without Rouse. One rare track was with vocalist Jon Hendricks who sung his words to Monk's tune "In Walked Bud". That in itself was something very new for Monk. The 3 full Quartet tracks with Charlie Rouse on tenor saxophone, Larry Gales on bass and Ben Riley on drums are superb and the 3 tracks are all brand new Monk compositions. "Boo Boo's Birthday" is for Monk's daughter Barbara and a wonderful ballad in 3/4 time (Monk's only waltz) is called "Ugly Beauty" and the best is "Green Chimneys" in which the band stretches out for 13 minutes.This is one fine album and was recorded in December 1967 to February 1968. Check it out this evening or when you have time...it's worth it!
Donald Winston Thompson is one of Canada's national treasures. He is internationally recognized and has played with so many important movers and shakers in Jazz that it would take more space than this to mention everybody. Not only has he worked with every major musician in Canada but with Jazz super stars like saxophonists, John Handy, Lee Konitz, Paul Desmond, Zoot Sims, Charlie Rouse, Stan Getz to name only a few. Don is a pianist and an incredible vibist and he has performed on vibes with the great George Shearing. Also he is one of the finest bass players on the planet. If that's not enough, he is a fine composer. He has taught at various Canadian universities and is a member of The Order of Canada. He is indeed a treasure. In tonight's Jazz Feature recorded in 2003 in his home town of Powell River B.C., Don leads a stellar quartet of Vancouver based players including the late and great Ross Taggart (1967-2013) Ross is heard on soprano and tenor saxophone as well as piano where Thompson switches to vibes. Bassist Ken Lister and drummer Dave Robbins demonstrate why they are first-call players in the Vancouver area. Mr. Thompson leads the band through 6 of his amazing compositions and the concert ends with a piano solo on Billy Strayhorn's beautiful "Lotus Blossom" Today, January 18,2016 is Don Thompson's 76th Birthday and we on The Jazz Show honour him with "Don Thompson-Live In Powell River".
Some of Monk's best live music is the subject of tonight's Jazz Feature This was all recorded at the legendary Five Spot Cafe in New York in August of 1958 and originally came out on two LPs then was re-issued on CD with more material. This band included "The Chicago Fire", tenor saxophone monster Johnny Griffin, who replaced John Coltrane as Monk's tenor saxophonist of choice. These are Monk's only recordings with Griffin as the Quartet's permanent member. The bassist is the steady and reliable Ahmed Abdul-Malik. On drums was the ultra dynamic and creative "Mr. Snap Crackle", the magnificent Roy Haynes. This was an exciting group with Griffin who was more outgoing and emotional than either his predecessor John Coltrane or his sucessor, Charlie Rouse. Monk is also more animated than usual and lighter and less percussive. These are great recordings that not only capture the music but the ambience of the club as well. Monk and griffin and company at the Five Spot.....Jazz at it's best!
This is the debut album by this incredibly talented and still quite young man (he's now 51)recorded in 1988. Marcus was discovered and mentored by Wynton Marsalis and Marcus appeared on many of Wynton's best loved recordings. After his association with Wynton, Marcus went on to teaching and mentoring other musicians. He currently lives in Florida where he was born and keeps busy. The only reason that he may be a little off the radar is because he no longer lives in New York.On this recording called "The Truth is Spoken Here" we hear Marcus in a group context with players of his own choosing and on two wonderful solo piano excursions. He can play the whole history of Jazz piano and on his solo pieces he reflects his two mentors, Duke Ellington and Thelonious Monk. The group pieces are mostly Roberts' compositions and they are played by Wynton Marsalis, young tenor saxophonist Todd Williams and on three selections the great Charlie Rouse is heard on some of his final recordings (he died 5 months after these sessions). The rhythm section has Reginald Veal on bass and the incredible Elvin Jones on drums. When Roberts plays with the group his piano style reflects influences of Monk, Hancock and Powell yet he has his own identity. All in all despite the serious title of the album, it is a deep and joyous affair with great playing by all and a fine debut by pianist/composer Marcus Roberts.
Drummer, Arthur Taylor was a ubiquitous figure on dozens of Jazz recordings in the 50s and 60s. It seemed that Mr. Taylor was on every second recording for Prestige, Blue Note and to a lesser extent, Riverside. Ironically during this productive period he only made three albums under his own name.This date is one of them and features two of his favourite tenor saxophonists: Frank Foster and Charlie Rouse. Hence the album's title "Taylor's Tenors" On piano is one of the great Bud Powell disciples, Walter Davis Jr. His accompaniment and solos are a great asset to this album. On bass is the wonderful Sam Jones, who needs no introduction. The tunes are by Davis, Rouse, Jackie McLean and Taylor plus two of Thelonious Monk's most well known tunes..."Rhythm-A-Ning" and "Straight, No Chaser". During this time Rouse, Jones and Taylor were 3/4 of Monk's Quartet. Today is Arthur Taylor's Birthday as he was born in New York on April 6, 1929 and died on February 6, 1995 (age 65). Happy Birthday A.T.!
Charlie Rouse was an American hard bop tenor saxophonist and much sought-after sideman. He is known primarily for his collaboration with Thelonious Monk. In this edition of Liner Notes Rabbi and jazz historian Neil Blumofe talks about the significance of the role of the “sidemen” and “associates” in our lives, and why it is important […]
Charlie Rouse was an American hard bop tenor saxophonist and much sought-after sideman. He is known primarily for his collaboration with Thelonious Monk. In this edition of Liner Notes Rabbi and jazz historian Neil Blumofe talks about the significance of the role of the “sidemen” and “associates” in our lives, and why it is important...
Charlie Rouse was an American hard bop tenor saxophonist and much sought-after sideman. He is known primarily for his collaboration with Thelonious Monk. In this edition of Liner Notes Rabbi and jazz historian Neil Blumofe talks about the significance of the role of the “sidemen” and “associates” in our lives, and why it is important...
This wonderful recording that seems to be overlooked was Monk's penultimate recording for Columbia Records and the final official documentation of his Quartet with the great tenor saxophonist Charlie Rouse. They do three new Monk compositions on this disc. The rest were performed at a later date with Rouse absent due to a death in his family so it is Monk with his regular accompanists, Larry Gales on bass and Ben Riley on drums. The bonus is a tune (a Monk classic: "In Walked Bud")with a vocal by Jon Hendricks, who was visiting the session. This was only the third time Monk had ever recorded with a vocalist. This album won a Grammy for it's unique cover but although it's near the end of Monk's career the music is superb. The title "Underground" refers more to the album's cover rather than to Monk himself who by this time was recognized as one of the most important figures in Jazz music both as a composer and pianist. Check Monk out always!
This recording was the second album recorded in 1966 for Blue Note by the iconoclastic pianist/composer Cecil Taylor. Taylor's music has always posed a challenge to the listener as his music is dense and often seems arrhythmic. His ensembles or bands that he calls "Units" pose even more of a challenge. Not only does the listener have to hear Taylor's always busy playing but one has to hear the bassists and drummers as well as the horns that weave in and out and solo at length. This recording features members of his working unit. The wonderful alto saxophonist Jimmy Lyons is heard to good advantage here. Lyons was to Taylor what Charlie Rouse was to Thelonious Monk. Trumpeter Bill Dixon, who along with Taylor was one of the movers and shakers of so-called avant-guard Jazz was not a regular Unit member but he fit so well with Lyons in the ensemble passages and solos very effectively. Two bassists work hand in glove with Alan Silva playing mostly arco (bowed) and Henry Grimes plucking the bottom lines. Drummer Andrew Cyrille understands Taylor's unique rhythmic sence. Taylor many years before this recording had abandoned 4/4 time and other Jazz signatures and yet his music pulses with rhythms. "Conquistador" IS a challenge but if you listen to Taylor's music with the same intensity that he delivers it you will be amply rewarded. There is lyricism and beauty in this recording and all it need is your ears. Taylor was 81 on March 15,2010 and he is still creating and performing....Happy Birthday Cecil!
This album was a real milestone in the career of Thelonious Monk as it was his first recording for Columbia Records, a major label. He was signed in 1962 and, this, his first recording was a much anticipated event. Thelonious had, at this point, become something of a household word in Jazz as he had emerged from the underground of the 1950's into a vital force in the music. He had never compromised his musical vision but by this time had formed a stable group with the gritty-toned tenor saxophonist Charlie Rouse, who had been with Monk since the end of 1958. Bassist John Ore, a steady and reliable timekeeper had been with Mr. Monk for a couple of years and the last piece of the puzzle was the dancing, booting drumming of Frankie Dunlop, who after Art Blakey and Shadow Wilson was one of the finest percussionists to work with Monk. On this record, the long bass and drum solos were eliminated as they were more effective during live and concert performances and the tunes were shortened into concise form. Columbia, who had Miles Davis, Charles Mingus, Dave Brubeck and others on their roster gave this album a big publicity boost and it became the best selling of all Monk's recordings. It was greeted with raves from fans and critics alike.....Monk had arrived! Tonight's Feature "Monk's Dream". Two solo piano performances and six quartet tunes make up this date done on Halloween and November 1 & 2, 1962......Monk at his finest.
The legendary Louis Smith was born in Memphis, Tennessee on May 20, 1931 and although felled by a stroke and not able to play anymore is still alive and teaching select students. Smith burst upon the New York scene in the late 50's and made two classic albums for Blue Note Records that were for years collector's items. When Blue Note released the newly discovered "Horace Silver Quintet Live at Newport 1958" with Louis Smith in the band, he replaced Art Farmer and was replaced by Blue Mitchell. The Horace Silver recording won all kinds of awards and once again put Louis Smith on the map. Smith's second and final recording for Blue Note called 'Smithville' is the Feature tonight. Mr. Smith picked a great band for this recording with Charlie Rouse(pre-Monk) on tenor saxophone, the legendary Sonny Clark on piano and the ideal rhythm section of Paul Chambers on bass and Arthur Taylor on drums. Smith plays originals and standards on this fine date which reflects the high artistic levels of Blue Note recordings from the late 50's.
Charlie Rouse, the underrated tenor saxophonist, was one of the great individual stylists on his horn and he rose to fame as Thelonious Monk's saxophonist. He was with Mr. Monk for eleven years. Red Rodney was with Charlie Parker for three years in the early 1950's. Rodney and Rouse joined up in 1984 for this fine session of good Jazz tunes and one standard. They picked an excellent rhythm section in the persons of the late Albert Dailey on piano, Cecil McBee on bass and a young Kenny Washington on drums. Trumpeter/arranger Don Sickler wrote some fine arrangements for the horns and made them sound like a 'working' band. Tunes by Tadd Dameron, Gigi Gryce and Miles Davis etc. make up the repertoir. "Social Call" is a minor classic by two great, legendary musicians.....Charlie Rouse and Red Rodney.
Monk's quartet with Charlie Rouse on tenor saxophone and John Ore on bass and new drummer Billy Higgins plus two great West Coast based horn players:Harold Land on tenor saxophone and Joe Gordon on trumpet add to the ensemble. Monk himself is in relaxed and inspired form on this live date recorded at the legendary "Blackhawk" in San Francisco.
This week’s Contrabass Conversations episode features an interview with and music from Chicago Symphony bassist Rob Kassinger. Rob’s musical interests span many genres and include both the electric bass and the double bass. You will learn about Rob’s early years on the bass and how working in jazz and rock settings led to an interest in orchestral double bass playing in this fascinating interview. This episode also features Rob playing the first movement of the Breval Sonata in a live performance, and it includes a track from NYCO, a rock band that Rob was a member of for several years. You will be hearing People We Knew from their recent album “Two". You can purchase “Two" by following this link. Enjoy! About Rob: Robert Kassinger was appointed to the Chicago Symphony Orchestra in 1993. Prior to Chicago, Rob performed as assistant principal bass with the Colorado Symphony and also played with the New Orleans Symphony. In addition to his busy schedule with the Orchestra, Rob is an active chamber musician. He performs with the Revolution Ensemble, the Orion Ensemble, Fulcrum Point, Ars Viva, Music of the Baroque, the Callisto Ensemble, MusicNOW, and broadcasts on WFMT and WTTW. Most recently he has been a featured guest with Yo-Yo Ma’s Silk Road Ensemble, and has performed Schubert’s Trout Quintet with Daniel Barenboim. In July 2006, Rob served as double bass professor at the Canton International Summer Music Academy, led by Charles Dutoit. Rob grew up in a family of musicians in Boulder, Colorado. He began his bass studies with Frank Carroll at the University of Colorado. In 1985 he moved to New York to study with Homer Mensch at the Manhattan School of Music, where he received his bachelor of music degree. Rob then pursued his master’s degree at the Juilliard School, continuing his studies with Mr. Mensch. He later went on to study with Bruce Bransby at Indiana University. Some of his most influential experiences as a student were his two years as principal bass of the New York String Orchestra Seminar, conducted by Alexander Schneider, and the two summers he spent as a fellowship student at the Aspen Music Festival, studying with Stuart Sankey and Bruce Bransby. In 1989 Rob was the winner of the Aspen Double Bass Competition. Rob’s experience as a jazz performer dates back to his early teens, working in the house rhythm section at the infamous Denver jazz club El Chapultapec, and over the years he has performed with Wynton Marsalis, Branford Marsalis, Kenny Burrell, the Woody Herman band, Conte Candoli, Charlie Rouse, Teddy Edwards, Harold Land, Red Holloway, Charles Brown, Art Lande, Richard Stoltzman, Gary Burton, Alex Acuna, Laurence Hobgood, and Bobby Lewis. In 1998 and 2000, Rob toured India with the Chicago Jazz Express, and he can be heard on their recordings Voyage to India and The Rhythm Section. He also appears on Bobby Lewis’ latest CD, Just Havin’ Some Fun. In addition, Rob is featured on Daniel Barenboim’s Brazilian Rhapsody on the Teldec label, and Kabbalah Blues/Quantum Funk by the Revolution Ensemble. Rob’s latest project has given him a chance to spend more time with the bass guitar. His alternative rock group NYCO has released its debut album Two, available through nycomusic.com and at Itunes.com. Rob is professor of double bass at DePaul University. He is also in demand as a coach and master clinician, serving in this capacity for the Chicago Youth Symphony Orchestras, the Juilliard School, and the Mannes School of Music. In the summers of 1999 through 2002, it was Rob’s honor to teach at the West-Eastern Divan, a ground-breaking workshop that brings young musicians from Israel and various Arab countries together to study orchestral music with Daniel Barenboim, Yo-Yo Ma, and members of the CSO, Berlin Philharmonic, and Staatskapelle Berlin.
Dixième émission de la cinquième session. Cette semaine on présente Henry Threadgill (USA, Chicago, 1944- Compositeur, flûte, saxophone alto). On aura aussi une pièce de E.S.T, de Charlie Rouse puis de Dr. Loonie Smith.
Dixième émission de la cinquième session. Cette semaine on présente Henry Threadgill (USA, Chicago, 1944- Compositeur, flûte, saxophone alto). On aura aussi une pièce de E.S.T, de Charlie Rouse puis de Dr. Loonie Smith.
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