Podcasts about Herb Gardner

Will Actor David Krumholtz Commit to Hair Acting? David Krumholtz, most known for his roles in Num3ers, 10 Things I Hate About You, The Santa Clause, and dozens of other films and TV shows, is currently starring on Broadway in Leopoldstadt. David talks with The Lambert Center's Jason Blitman about impostor syndrome, bar mitzvahs, reconnecting to Judaism, and working with Tom Stoppard on this critically acclaimed new play. David Krumholtz's film credits include Life With Mikey, The Ballad Of Buster Scruggs, Hail, Caesar!, Slums of Beverly Hills, 10 Things I Hate About You, The Santa Clause, The Ice Storm, and Ray, among others. Television credits include Numb3rs, ER, The Deuce, The Newsroom, Freaks & Geeks, and Gigi Does It. Krumholtz made his theatrical debut in Herb Gardner's Conversations With My Father. He will next appear in Oppenheimer, The Santa Clauses on Disney+, and HBO's The White House Plumbers.

On this West Virginia Morning, the state's best-known cryptid is back in the locally produced movie “Return of the Mothman.” Inside Appalachia producer Bill Lynch spoke with film director Herb Gardner about why people are still interested in the Mothman.

On this West Virginia Morning, the state's best-known cryptid is back in the locally produced movie “Return of the Mothman.” Inside Appalachia producer Bill Lynch spoke with film director Herb Gardner about why people are still interested in the Mothman. The post Mothman Returns In A Local Film And Our Song Of The Week, This West Virginia Morning appeared first on West Virginia Public Broadcasting.

TVC 591.1: We'll bring you Part 2 of a conversation that began last week with Emmy Award-winning writer, producer, and director Joseph Dougherty (thirtysomething, Judging Amy, Pretty Little Liars). Topics this segment include Joe's award-winning stage play Chester Bailey, and how the works of Rod Serling, Herb Gardner, Kurt Vonnegut, and Ray Bradbury both influenced and inspired Joe to become a writer. Joe's new book, A Screenwriter's Companion: Instruction, Opinion, Encouragement offers insights and advice, both practical and nonpractical, to writers and would-be writers about the writing process, how to survive in “the business,” and reflections on the influences that led Joe to a successful career. A Screenwriter's Companion is available now through Amazon.com as well as your local bookseller; a select number of autographed editions are available through Fayetteville Mafia Press. A new production of Chester Bailey opens Wednesday, Oct. 5 at the Irish Repertory Theatre in New York City and continues through Sunday, Nov. 6. For tickets and more information, call (212) 727-2737 or visit IrishRep.org. Want to advertise/sponsor our show? TV Confidential has partnered with AdvertiseCast to handle advertising/sponsorship requests for the podcast edition of our program. They're great to work with and will help you advertise on our show. Please email sales@advertisecast.com or click the link below to get started: https://www.advertisecast.com/TVConfidentialAradiotalkshowabout Learn more about your ad choices. Visit megaphone.fm/adchoices

The 51st Season is underway for Frankfort's Red Barn Summer Theatre . This week continues the play A Thousand Clowns by Herb Gardner, and on July 11th, A Funny Thing Happened On The Way To The Forum opens. WBAA's John Clare spoke with company members Luke McLaughlin, Danielle Ullman, and Aaron Moon about their roles and the productions. Find out more here . Red Barn Summer Theatre is a professional, non-equity company in its 51th season. The company is in residence for 8 weeks. The theatre presents 5 performances a week, for a total of 30 performances per summer. There are 3 different productions--2 of contemporary comedy and drama for 2 weeks each and then a musical that runs for 10 days.

In I'M WITH YA, DUKE, by Oscar and Tony winner Herb Gardner (A Thousand Clowns, I'm Not Rappaport), Jerry Stiller plays a fruit vendor dreaming of the good old days when Duke Snider played for the Brooklyn Dodgers and there was someone "ya could root for." Duke and the other Dodgers who won the 1947 pennant: Amoros, Gilliam, Campanella, Furillo, Hodges, Padres are his heart and Red Barber his voice as he faces impending surgery, know-it-all doctors and crazy kids. Featuring Jerry Stiller ("Seinfeld"), Fiana Toibin, and Gordon MacDonald ("Saving Grace"). Directed by John Rando (Tony winner Urinetown). Stay tuned after the performance for a conversation with the director moderated by our Artistic Director, Claudia Catania. Playing on Air is a public radio show and podcast featuring great American short plays with great American actors. We distribute audio productions of contemporary short plays, translating stage works into enduring modern radio theater. We aim to redefine radio drama for today's digital, mobile audience  

It's a Magnum P.I. Reunion! Tom Selleck Joins the Show!Thomas William "Tom" Selleck (born January 29, 1945) is an American actor and film producer. He is best known for his starring role as the private investigator Thomas Magnum in the television series Magnum, P.I. (1980 to 1988), based in Hawaii. He also plays Police Chief Jesse Stone in a series of made-for-TV movies based on Robert B. Parker novels. Since 2010, he has appeared as NYPD Police Commissioner Frank Reagan in the drama Blue Bloods on CBS-TV.Selleck has appeared in more than fifty film and television roles since his initial success with Magnum, P.I., including a co-starring role in the highest-grossing movie of 1987, Three Men and a Baby; Quigley Down Under; Mr. Baseball; and Lassiter, to name a few. Selleck has also appeared as Dr. Richard Burke on Friends, where he played the on-again, off-again love-interest of Monica Geller (Courteney Cox), and A.J. Cooper on Las Vegas.Early lifeSelleck was born in Detroit, Michigan, the son of Martha S. (née Jagger), a housewife, and Robert Dean Selleck (died 2001), who was an executive and real estate investor. His father was of English and distant German ancestry, and his mother was of English descent. Selleck's family moved to Sherman Oaks, California, during his childhood. Tom's siblings include brother Robert (born 1944), sister Martha (born 1953) and brother Daniel (born 1955). Selleck graduated from Grant High School, in 1962.Along with modeling, Selleck attended the University of Southern California on a basketball scholarship where he played for the USC Trojans men's basketball team. He is a member of Sigma Chi fraternity and a member of the Trojan Knights. While he majored in business administration, a drama coach suggested Selleck try acting. He then studied acting at the Beverly Hills Playhouse, under Milton Katselas.Selleck served as a soldier in the 160th Infantry Regiment of the California Army National Guard and his unit was activated for the Watts Riots in Los Angeles.CareerEarly work and Magnum P.I.Selleck's first TV appearance was as a college senior on The Dating Game in 1965, and again in 1967. Soon after, he appeared in commercials for products such as Pepsi-Cola.He began his career with bit parts in smaller movies, including Myra Breckinridge and The Seven Minutes. He also appeared in number of TV series, mini-series and TV movies. Selleck also had a recurring role in the 1970s as "too good to be true" private investigator Lance White in The Rockford Files. Lance was very trusting and always lucky, much to the annoyance of Jim Rockford, the show's star private eye played by James Garner. White would frequently say to Rockford, "Don't worry Jim, clues will turn up" and then a clue would just turn up, much to Rockford's consternation, for whom obtaining clues required hard work and hard knocks. Selleck's character was based on one played in Garner's earlier TV series Maverick (1957) by Wayde Preston in the episode "The Saga of Waco Williams".Selleck, an accessible but relatively untested actor, spent years receiving little interest from the entertainment industry. His big break came when he was cast in the lead role as Thomas Magnum in Magnum, P.I.. The producers would not release the actor for other projects, so Selleck had to pass on the equally enticing film project for the role of Indiana Jones in "Raiders of the Lost Ark", which then went to rising star Harrison Ford. The choice between the roles of Indiana Jones and Magnum actually haunted Selleck so much that before making the decision, he consulted his best friend on what to do. Together they came to the conclusion taking the high road and honoring the first contract with Universal Studios was the career-savvy direction. It turned out shooting of the pilot for Magnum was delayed for over six months by a writers' strike, which would have enabled him to complete "Raiders".FilmSelleck starred in the 1979 TV movie Concrete Cowboys with Jerry Reed. He starred in a number of film roles during and after Magnum; among the most notable were as an acrophobic police detective in Runaway; as a stand-in father in Three Men and a Baby; and as an American 19th century sharpshooter in the Australian western Quigley Down Under – a role and film that he considers one of his best. His other films include Three Men and a Little Lady; High Road to China; Lassiter; Coma; Her Alibi; An Innocent Man; Folks!; Christopher Columbus: The Discovery; Mr. Baseball; In & Out and The Love Letter.Selleck is an avid outdoorsman, and a marksman and knowledgeable firearms collector. These interests led him to leading-man cowboy roles in Western films, starting with his role as cowboy and frontier marshal Orrin Sackett in the 1979 film The Sacketts, opposite Sam Elliott, Jeff Osterhage, and Western legendsGlenn Ford and Ben Johnson. He followed The Sacketts with The Shadow Riders in 1982, then portraying a cat burglar in 1930s London in Lassiter in 1984.Quigley Down Under is probably one of his best known Western films, however he also won a "Western Heritage Award" for his 1997 role in Last Stand at Sabre River. His last two cowboy roles to date were in the 2001 TNT movie Crossfire Trail (based on a Louis L'Amour novel of the same name), and the 2003 motion picture Monte Walsh.He most recently appeared in the film Killers, along with Katherine Heigl and Ashton Kutcher.TelevisionMagnum P.I.Selleck played the role of Thomas Magnum in 1980 after six failed TV pilots. Magnum was a former U.S. Navy Officer, a veteran of a special operations unit in the Vietnam War, who had resigned his commission with the Office of Naval Intelligence and become a private investigator living in Hawaii. The show would go on for eight seasons and 162 episodes until 1988, winning him an Emmy Award for Outstanding Lead Actor in a Drama Series in 1984. Selleck was famous for his mustache, a Hawaiian-style aloha shirt, a Detroit Tigers baseball cap, and the Colt Model 1911A1 .45 ACP Caliber pistol his character carried. Magnum drove a Ferrari 308GTSi in the series. The model became so identified with the role that Ferrari fans now refer to the red-painted model as a "Magnum" Ferrari.Selleck has confirmed that he is the most popular choice by fans to play the role of Magnum in the rumoured upcoming Magnum P.I. movie.FriendsIn the late nineties, Selleck played the role of Richard Burke, Monica's boyfriend, at the end of the second season of the hugely successful TV series Friends. Richard was a divorced ophthalmologist who was a friend of Monica's parents, and at first the relationship was hidden from her parents. The relationship eventually ended over Richard's reluctance to commit to raising a family, though Selleck did make a few extra appearances in later shows.The CloserIn February 1998, Selleck accepted the lead role in a sitcom for CBS called The Closer. In it he played Jack McLaren, a legendary publicist heading up a brand new marketing firm. His costars included Ed Asner, David Krumholtz, and Penelope Ann Miller. Despite the high pedigree, and the expectations for his first series since Magnum, P. I., low ratings caused the show to be canceled after ten episodes.Jesse Stone seriesSince 2005, Selleck has starred in the role of transplanted lawman Jesse Stone in a series of made-for-TV movies based on Robert B. Parker's novels. To date, the series comprises eight films, with the most recent released on May 20, 2012. In addition to his portrayal of the films' protagonist, Selleck now also acts as producer for the series. The fifth film, Jesse Stone: Thin Ice, was not adapted from Parker's novels, but rather an original story by Selleck.Las VegasHe joined the cast of the NBC drama Las Vegas in the season-five premiere on September 28, 2007. He played A.J. Cooper, the new owner of the Montecito Casino. He replaced James Caanwho left the cast in the same episode. This was Selleck's first regular role on a drama show since he played Thomas Magnum on Magnum, P.I..Blue BloodsBlue Bloods is an American police procedural/drama series on CBS, filmed on location in New York City. Frank Reagan (Selleck) is the Police Commissioner; the series follows the Reagan family of police officers with the New York City Police Department. The show premiered on September 24, 2010.Other workSelleck has also appeared in a number of made-for-TV movies in recent years. In particular, he has sought to help bring back to popularity the western, often playing one of that genre's typical characters but thrust into a modern context.Selleck was offered the lead role of Mitch Buchannon in Baywatch, but turned down the role because he did not want to be seen as a sex symbol. The role eventually went to David Hasselhoff.Surprising many of his fans, Selleck unexpectedly played the role of General Dwight D. Eisenhower in A&E's 2004 made-for-TV movie Ike: Countdown to D-Day. The movie showed the planning, politics, and preparation for the 1944 Invasion of Normandy, and Selleck was critically lauded for playing a cool, calm Eisenhower.Selleck appeared in a recurring role on the acclaimed ABC drama Boston Legal as Ivan Tiggs—the troubled ex-husband of Shirley Schmidt (Candice Bergen)—and as novelist Robert B. Parker's character Jesse Stone in several CBS made-for-TV movies, earning a 2007 Emmy nomination for Jesse Stone: Sea Change.BroadwayIn 2001, Selleck played the lead role of Murray in a Broadway revival of Herb Gardner's comedic play A Thousand Clowns. It ran for only two months. Critics, though far from uniformly negative about Selleck's performance, generally compared it unfavorably to that of Jason Robards, Jr., who won awards in the 1960s for playing the character on the stage and in a movie version. (It remains the role with which Robards is most identified.) Playwright Gardner, however, actually preferred Selleck to Robards in the part, and even said that Selleck was the way he had always envisioned Murray.

Bob Wilcox and Gerry Kowarsky review (1) PALMER PARK, by Joanna McClelland Glass, at the Black Rep and St. Louis Actors' Studio, (2) HIT-STORY, by Carter W. Lewis, at OnSite Theatre Co. (3) HOW I LEARNED TO DRIVE, by Paula Vogel, at Muddy Waters Theatre, (4) MURDERING MARLOWE, by Charles Marowitz, at West End Players Guild, (5) CANNIBAL! THE MUSICAL -- LIVE!, by Trey Parker & Rich Sanders, at Cannibal-STL, (6) BABY, by David Shire, Richard Maltby, Jr., and Sybille Pearson, at Citilites Theatre, (7) I'M NOT RAPPAPORT, by Herb Gardner, at Hawthorne Players, (8) NOISES OFF, by Michael Frayn, at Kirkwood Theatre Guild, and (9) BILLY ELLIOT THE MUSICAL, by Elton John & Lee Hall, at the Fox Theatre.

Veteran director Daniel Sullivan talks about his suddenly busy 2010-11 Broadway season, which will see transfers of his productions of "Time Stands Still" from Manhattan Theatre Club, "The Merchant of Venice" with Al Pacino from The Public's Delacorte Theater, as well as the premiere of David Lindsay Abaire's "Good People" for MTC. He also talks about getting his start as an actor and his early experiences with the San Francisco Actors Workshop, run by Herbert Blau and Jules Irving; moving to New York with the Workshop when it became the Repertory Theater of Lincoln Center; working as Stage Manager and Assistant Director on the original production of "Hair", and why he had to restage the show almost every night; getting his first directing opportunity with the debut of A.R. Gurney's first play, "Scenes From American Life"; how quitting his first directing job at Seattle Rep (a production of "The Royal Family") didn't impede his becoming Resident Director there, and two years later, Artistic Director, a post he held for 16 years; why his greatest disappointment at Seattle Rep was ultimately the inability to create a full resident company of artists; how it felt to embark on a freelance career again in 1997; and his thoughts on the playwrights with whom he's most associated: Herb Gardner, Wendy Wasserstein, Donald Margulies, Charlayne Woodard, Jon Robin Baitz and David Lindsay Abaire. Original air date - September 29, 2010.

Veteran director Daniel Sullivan (2001 Tony Award Winner for Best Direction of a Play for “Proof”) talks about his suddenly busy 2010-11 Broadway season, which will see transfers of his productions of “Time Stands Still” from Manhattan Theatre Club, “The Merchant of Venice” with Al Pacino from The Public's Delacorte Theater, as well as the premiere of David Lindsay Abaire's “Good People” for MTC. He also talks about getting his start as an actor and his early experiences with the San Francisco Actors Workshop, run by Herbert Blau and Jules Irving; moving to New York with the Workshop when it became the Repertory Theater of Lincoln Center; working as Stage Manager and Assistant Director on the original production of “Hair”, and why he had to restage the show almost every night; getting his first directing opportunity with the debut of A.R. Gurney's first play, “Scenes From American Life”; how quitting his first directing job at Seattle Rep (a production of “The Royal Family”) didn't impede his becoming Resident Director there, and two years later, Artistic Director, a post he held for 16 years; why his greatest disappointment at Seattle Rep was ultimately the inability to create a full resident company of artists; how it felt to embark on a freelance career again in 1997; and his thoughts on the playwrights with whom he's most associated: Herb Gardner, Wendy Wasserstein, Donald Margulies, Charlayne Woodard, Jon Robin Baitz and David Lindsay Abaire.

Veteran director Daniel Sullivan talks about his suddenly busy 2010-11 Broadway season, which will see transfers of his productions of "Time Stands Still" from Manhattan Theatre Club, "The Merchant of Venice" with Al Pacino from The Public's Delacorte Theater, as well as the premiere of David Lindsay Abaire's "Good People" for MTC. He also talks about getting his start as an actor and his early experiences with the San Francisco Actors Workshop, run by Herbert Blau and Jules Irving; moving to New York with the Workshop when it became the Repertory Theater of Lincoln Center; working as Stage Manager and Assistant Director on the original production of "Hair", and why he had to restage the show almost every night; getting his first directing opportunity with the debut of A.R. Gurney's first play, "Scenes From American Life"; how quitting his first directing job at Seattle Rep (a production of "The Royal Family") didn't impede his becoming Resident Director there, and two years later, Artistic Director, a post he held for 16 years; why his greatest disappointment at Seattle Rep was ultimately the inability to create a full resident company of artists; how it felt to embark on a freelance career again in 1997; and his thoughts on the playwrights with whom he's most associated: Herb Gardner, Wendy Wasserstein, Donald Margulies, Charlayne Woodard, Jon Robin Baitz and David Lindsay Abaire. Original air date - September 29, 2010.

The panelists -- director Clinton Turner Davis (Two Can Play), playwright Herb Gardner (1986 Tony Award for I'm Not Rappaport), playwright/lyricist Tom Jones (The Fantasticks), playwright Shirley Lauro (Open Admissions), lyricist/director Richard Maltby Jr. (Tony Award winner in 1978 for Ain’t Misbehavin’), playwright Marsha Norman (Night Mother and a Tony Award for The Secret Garden) and composer Harvey Schmidt (The Fantasticks) -- discuss how a playwright chooses a director, the role of a playwright, how much structure is provided by the text, and the varying degrees of collaboration between director, playwright, and actor.