Podcasts about Jason Robards

On November 20, 1983, over one hundred million Americans tuned into ABC to watch a television movie that had a crucial impact on how the country thought about the danger of nuclear weapons. "The Day After" starred Jason Robards, and was set in Lawrence, Kansas. The movie imagined what might happen if nuclear war was to break out, and it didn't hold back on showing realistic and gruesome details. Film Forum is now screening a documentary, "Television Event," about the making of the infamous film. Director Jeff Daniels discusses one of the most controversial movies ever made and listeners share their memories of seeing "The Day After" for the first time.

Today, I'm thrilled to announce my episode with two-time Tony winner Judith Ivey. Tune in to hear some of the stories of her legendary career, including singing A LITTLE NIGHT MUSIC for Stephen Sondheim, how Carol Woods gave her dinner eight times a week during FOLLIES, how her performance in STEAMING led to three feature film roles, finding the comedy in THE HEIRESS, meeting Neil Simon at the Tony Awards, performing BLITHE SPIRIT after Geraldine Page passed away, a memorable night out with Mike Nichols while working on HURLYBURLY, being directed by Zoe Caldwell in PARK YOUR CAR IN HARVARD YARD, acting opposite Jason Robards, acting with the audience in THE LADY WITH ALL THE ANSWERS, listening to Margaret Thatcher while performing in THE AUDIENCE, being directed by Edward Albee in THE AMERICAN DREAM, making the audience gasp during VOICES IN THE DARK, the difficulty of performing in GREATER CLEMENTS, developing a one-woman musical with George Furth, how Peter Hall chose her for BEDROOM FARCE, laughing with Eileen Heckart during THE FIVE MRS. BUCHANANS, bringing VANITIES off-Broadway, finding her own take on the leading role in PIAF, and so much more. Don't miss this honest conversation with one of Broadway's greatest stars.

Opera-loving director wants to make a movie about an opera-loving rubber baron who hauls a boat over a mountain in order to bring music to the jungle, and so he hauls an actual boat over a mountain. The lines between life and art, work and exploitation, madness and determination blur together in this documentary about the making of Fitzcarraldo. Starring Werner Herzog, Klaus Kinski, Jason Robards. Directed by Les Blank. Narrated by Michael Goodwin.

Raphael acted in his first Broadway play at the young age of sixteen, opposite Faye Dunaway and has since been in five total, including the revival of Ah, Wilderness opposite Jason Robards, and Coleen Dewhurst. At 18, just days after graduating high school, he flew to Chicago to co-star in Risky Business with Tom Cruise. He has gone on to appear in dozens of films, including Independence Day, Message in a Bottle, Vision Quest, Pearl Harbor and The Exorcist Believer. In the coming months, he will be seen in Friendship with Paul Rudd, and The History of Sound with Paul Mezcal.  His resume includes more than 100 guest appearances and series regular roles on network television shows, among them Dr. Hopper and Jiminy Cricket on Once Upon a Time, David Molk on Murder in the First, and The Guardian with Simon Baker and Dabney Coleman. He has recurred on series including Star Trek; Voyager, Dexter, Longmire, 24, and Prison Break. He's also an award-winning director, whose documentary Only in Theaters, was a hit on the Festival Circuit.  

  Our adventures through the old west continue, with our look at Sam Peckinpah's 1973 classic Pat Garrett and Billy the Kid, starring James Coburn (from Waterhole #3). Plus, just about every other actor to ever ride a horse! (Katy Jurado, Chill Wills, Jason Robards, Slim Pickens, Jack Elam, Elisha Cook Jr, Bruce Dern, Harry Dean Stanton, Bob Dylan, and more) Also! We chat about our other favorite western movies. So #DonloydNow and enjoy this bite-sized Junk Food Supper. We got all this plus Parker's adventures in professional wrestling (in videogame form), sweat-filled hat-brims, dusty old bottles of sarsparilla, spike-filled cactus groves, tuneful ditties, sneezes, blank stares, gleeks and so much more!! Direct Donloyd Here Got a movie suggestion for the show, or better yet an opinion on next week's movies? Drop us a line at JFDPodcast@gmail.com. Or leave us a voicemail: 347-746-JUNK (5865). Add it to your telephone now! JOIN THE CONVERSATION! Also, if you like the show, please take a minute and subscribe and/or comment on us on iTunes, Stitcher, Blubrry or Podfeed.net. Check us out on Facebook and Twitter! We'd love to see some of your love on Patreon - it's super easy and fun to sign up for the extra bonus content. We'll unload shotguns at random mirrors for your love and support. With picks like these, you GOTTA #DonloydNow and listen in!

Send us a textIn this episode we talk with Mike White from The Projection Booth Podcast about the 1968 comedy/musical The Night They Raided Minsky's. We talk about the strange editing, the ensemble cast, burlesque, and the oddity of the people involved with this production.  Bert Lahr, Jason Robards, Britt Ekland…. Click and listen!

“You got your Oscar, which was an unfortunate night for everyone…” - Steve on Will Smith On this week's episode, we're kicking off a two-episode tribute to the legendary Gene Hackman with a convo about the better-than-you-remember surveillance thriller, Enemy of the State! First off, this ain't no sequel to The Conversation, let's get that straight! But you do have an amazingly cranky and paranoid Gene Hackman running around with a nearly never-better Will Smith as they dodge Jon Voight and his stable of late-90's Gen-X character actors! Why was the great Jason Robards uncredited? Same question for Philip Baker Hall! Why couldn't a rocket hit Jamie Kennedy and Seth Green's surveillance van? And how incredible is that effect shot with Jason Lee and the firetruck? PLUS: Brill interrogates the Peanuts Gang! Enemy of the State stars Will Smith, Jon Voight, Lisa Bonet, Regina King, Stuart Wilson, Barry Pepper, Ian Hart, Jake Busey, Scott Chan, Jason Lee, Gabriel Byrne, James Le Gros, Dan Butler, Jack Black, Jamie Kennedy, Bodhi Elfman, Anna Gunn, Lillo Brancato, John Capodice, Ivana Milicevic, Grant Heslov, Seth Green, Philip Baker Hall, Jason Robards, Tom Sizemore, and the late, forever great, Gene Hackman as Brill; directed by Tony Scott. This episode is brought to you in part by Rocket Money. Cancel your unwanted subscriptions and reach your financial goals faster with Rocket Money. Go to RocketMoney dot com slash WHM today. That's RocketMoney dot com slash WHM! Tickets are on sale now for our three-night residency during the Oxford Comedy Festival! We'll be doing six shows over three nights from July 18 through 20, doing shows like WHM, W❤️M, The Nexus, The Gleep Glossary, and Animation Damnation! Tickets are going fast, so friends over there, snag your tix!  Throughout 2025, we'll be donating 100% of our earnings from our merch shop to the Center for Reproductive Rights. So head over and check out all these masterful designs and see what tickles your fancy! Shirts? Phone cases? Canvas prints? We got all that and more! Check it out and kick in for a good cause! Original cover art by Felipe Sobreiro.

This one's for Gene Hackman (and Tony Scott, John Cazale, Jason Robards, Larry King, and any of the other deceased legends we talk about this week) The Conversation: 00:00 Enemy of the State: 51:08 Patreon YouTube

Director:  Fred Zinnemann Producer:  Richard Roth Screenplay:  Alvin Sargent Photography:  Douglas Slocombe Music:  Georges Delerue Cast:  Jane Fonda, Vanessa Redgrave, Jason Robards, Maximillian Schell, Hal Holbrook Rotten Tomatoes:  Critics: 73%/Audience: 70%

Join hosts Krissy Lenz and Nathan Blackwell as they dive deep into one of the most bewildering teen films of the 1980s - Dream a Little Dream (1989). This surreal body-swap comedy starring the two Coreys (Feldman and Haim) alongside veteran actors Jason Robards and Piper Laurie proves to be a fascinating mess of metaphysical poetry, teen romance, and inexplicable violence.Following a recommendation from previous guest Corey Feldman himself, our hosts unpack this peculiar film where an elderly couple's meditation experiment goes wrong, causing Jason Robards' consciousness to become trapped in Corey Feldman's teenage body. What follows is a two-hour journey filled with Michael Jackson dance numbers, cryptic dream sequences, and a surprisingly dark subplot involving an unhinged boyfriend with a gun.The hosts discuss how the film's attempt to blend spiritual themes with teen comedy creates a confusing narrative that never quite comes together. They note how Corey Haim's character wasn't even in the original script, yet his improvised scenes end up being some of the most entertaining moments in the film. The podcast also explores the movie's bizarre editing choices, unnecessarily long runtime, and its struggle to maintain coherent character motivations.Key topics covered:The unusual chemistry between Jason Robards and Corey FeldmanCorey Haim's last-minute addition to the cast and his real-life broken legThe film's confusing dream logic and metaphysical elementsQuestionable subplot involving drugged teenagers and gun violenceExtended Michael Jackson-inspired dance sequencesThe movie's marketing focus on "The Two Coreys" despite Haim's minimal roleDiscussion of the 1995 sequel Dream a Little Dream 2Comparison to other body-swap films like Freaky (2020)In their final assessment, Krissy and Nathan rate the film three and four "broken legs" out of ten respectively, acknowledging its flaws while maintaining respect for the ambitious if misguided attempt to create something unique in the teen movie genre. While Dream a Little Dream may not be "so bad it's good," it certainly provides plenty of material for discussion and bewilderment. --We couldn't do this without your support of The Most Excellent 80s Movies Podcast! Thank you!Join now for: $5/Month • $55/year • Learn More

80s icon Corey Feldman joins The Most Excellent 80s Movies Podcast to discuss his new film Going Viral (2024), a nostalgic throwback that imagines what social media might have looked like in the 1980s. Hosts Krissy Lenz and Nathan Blackwell sit down with the star of classics like The Goonies and Stand By Me for an engaging conversation about this unique blend of retro aesthetics and modern technology.Feldman describes Going Viral as a family-friendly adventure that captures the essence of 80s filmmaking while exploring an alternate reality where viral video fame existed alongside Nintendo Game Boys and arcade machines. The film follows a teen's quest for video stardom that takes a dark turn when a mysterious AI offers fame at a concerning price. With authentic period details like Pac-Man cabinets and Goonies posters decorating the background, the movie creates what Feldman calls a "parallel universe" version of 80s technology.The conversation takes an introspective turn as Feldman discusses his approach to acting roles throughout his career, explaining how he's always strived to avoid typecasting by making each character distinct. He also shares candid insights about his journey through Hollywood, including his experiences with low-budget films in the early 90s and his pride in more serious artistic endeavors like The Birthday, which recently received its long-awaited US release.Key Topics Covered:Details about Going Viral and its unique premise combining 80s aesthetics with modern social media conceptsFeldman's role as a burnt-out competitive arcade gamerThe careful attention to period detail in the film's production designFeldman's thoughts on what makes a good "background movie" for family viewingDiscussion of Dream a Little Dream as a pivotal film in Feldman's careerHis experience contributing music to film soundtracksReflections on working with legendary actors like Jason Robards and Harry Dean StantonThe episode concludes with Feldman recommending Dream a Little Dream as the next film for the podcast to review, praising it as the "quintessential end of the 80s movie" that marked a more mature direction for himself and costar Corey Haim. Catch Going Viral on Amazon and Apple for a fresh take on 80s nostalgia with a modern twist. --We couldn't do this without your support of The Most Excellent 80s Movies Podcast! Thank you!Join now for: $5/Month • $55/year • Learn More

Dana and Tom with new guests, Ralph Esparza (Film Producer) and Michael Willoughby (Film Critic/Reviewer) discuss Magnolia (1999) for its 25th Anniversary: written and directed by Paul Thomas Anderson, music by Jon Brion, starring Tom Cruise, Julianne Moore, Phillip Seymour Hoffman, Jason Robards, John C. Reilly, and William H. Macy.Plot Summary: Magnolia is a sprawling, kaleidoscopic meditation on the interconnectedness of lives and the consequences of human frailty, directed with audacious ambition by Paul Thomas Anderson. Set in the San Fernando Valley, the film weaves together a mosaic of seemingly disparate characters—each grappling with their own wounds, secrets, and regrets. A dying patriarch seeks closure, a nurse becomes a moral anchor, a game show host confronts buried truths, and a motivational speaker teeters on the edge of self-destruction. What unites them is a shared yearning for forgiveness and redemption, underscored by a sequence of events that defy explanation and culminate in a surreal, unforgettable act of grace.Fueled by Jon Brion's evocative score and Aimee Mann's haunting songs, Magnolia is less a story than an emotional storm, one that challenges, overwhelms, and ultimately lingers in the heart like a plaintive hymn to the mysteries of life.Chapters:00:00 Introduction and Welcome to Our Guests02:34 Getting to Know - Ralph Esparza and Michael Willoughby13:12 Cast and Recognition for Magnolia18:07 Relationship(s) to Magnolia24:10 What is Magnolia About?39:32 Plot Summary for Magnolia40:55 Did You Know?44:54 First Break45:33 What's Happening with Ralph and Michael48:39 Ask Dana Anything52:41 Best Performance(s)01:04:07 Best/Favorite/Indelible Scene(s)01:15:37 Second Break01:16:16 In Memoriam01:16:57 Best/Funniest Lines01:29:27 The Stanley Rubric - Legacy01:38:39 The Stanley Rubric - Impact/Significance01:48:32 The Stanley Rubric - Novelty01:56:21 The Stanley Rubric - Classicness02:04:26 The Stanley Rubric - Rewatchability02:09:44 The Stanley Rubric - Audience Score and Final Total02:12:41 Remaining Questions for Magnolia02:16:07 A Thank You to Our Guests and Final Thoughts02:20:50 CreditsGuests:Ralph Esparza (Film Producer)Credited on Tollbooth, The Exorcist's House, Killer Date, and An Occasional Hell@ralph_esparza on IGMichael Willoughby (Film Critic/Reviewer)@skadoooosch on Twitter, IG, and YouTubeYou can also find this episode in full video on YouTube.You can now follow us on Instagram, Twitter, YouTube, or TikTok (@gmoatpodcast).For more on the episode, go to:

Do you like to follow the money? Have you ever had late-night top-secret meetings with government officials in a parking lot? Are you a hard hitting journalist from the 1970's? Then All the President's Men (1976) is the movie for you! Check out this skillfully written and sharply intelligent thriller directed by Alan J. Pakula, starring Robert Redford, Dustin Hoffman, and Jason Robards in an Oscar winning turn. Host Sara Greenfield and guest Sarah Rois chat about all this and more on this week's episode of Talk Classic To Me. --- Support this podcast: https://podcasters.spotify.com/pod/show/sara-greenfield/support

James Acaster (Off Menu) joins Paul, June, and Jason to break down the 1989 body swap (maybe?) rom-com Dream A Little Dream starring Corey Feldman, Meredith Salenger, Jason Robards, and Corey Haim. LIVE from Largo in L.A., they discuss the parents' age difference, Lainie's mom & Ron drugging their own daughter, the bike collision, all the music montages, and if one body swap might actually be a dormant body swap. Plus, James experiences a full character arc throughout the show and a surprise guest gives an inside scoop on the movie. Go to hdtgm.com for ticket info, merch, and for more on bad movies.Order Paul's book about his childhood: Joyful Recollections of TraumaFor extra content on Matinee Monday movies, visit Paul's YouTube page: youtube.com/paulscheerTalk bad movies on the HDTGM Discord: discord.gg/hdtgmPaul's Discord: discord.gg/paulscheerFollow Paul's movie recs on Letterboxd: letterboxd.com/paulscheer/Check out new HDTGM movie merch over at teepublic.com/stores/hdtgmPaul and Rob Huebel stream live on Twitch every Thursday 8-10pm EST: www.twitch.tv/friendzoneLike good movies too? Subscribe to Unspooled with Paul and Amy Nicholson: listen.earwolf.com/unspooledSubscribe to The Deep Dive with Jessica St. Clair and June Diane Raphael: www.thedeepdiveacademy.com/podcastWhere to find Paul, June, & Jason:@PaulScheer on Instagram & Twitter@Junediane on IG and @MsJuneDiane on TwitterJason is not on social mediaGet access to all the podcasts you love, music channels and radio shows with the SiriusXM App! Get 3 months free using the link: siriusxm.com/hdtgm.

This movie is almost entirely exposition, and while this isn't an approach I'd recommend for novelists, I can't imagine telling this particular story any other way. You might say that ALL THE PRESIDENT'S MEN is the exception that proves the rule. Master storyteller, William Goldman, pulls it off and that means there's a whole lot we can learn about how and when to use exposition when writing a story. When it comes to character arcs (Melanie's topic this season), neither of the protagonists change in this story but they change the world around them and what that reveals about how stories work is nothing short of fascinating. -V."It's almost exclusively exposition. If you have ever wondered whether exposition was a thing or whether it was important, seriously watch this movie." - Valerie Francis For access to writing templates and worksheets, and more than 70 hours of training (all for free), subscribe to Valerie's Inner Circle.To learn to read like a writer, visit Melanie's website.Follow Valerie on X, Instagram and Threads @valerie_francisFollow Melanie on X, Instagram and Facebook @MelanieHillAuthor

Join us in celebrating Sam's birthday with this special episode on the John Frankenheimer film version of Eugene O'Neill's play The Iceman Cometh. The hosts dig in to the unusual experiment in cinematic stage plays that birthed this project. You might think a four-hour-long play about alcoholism and despair sounds like a weird birthday present to give oneself but this discussion actually turned out to be rather charming and fun. Happy Birthday Sam! Topics include: Jason Robards vs. Lee Marvin, 1950s television, and Alana's thoughts on Jack Lemmon.

Pela segunda vez em nosso cast, dedicamos um áudio inteiro a um filme que já havia sido discutido num episódio de filmografia. Nesta oportunidade, Fred e Alexandre recebem Fábio Rockenbach ("A Experiência do Cinema") e Sergio Gonçalves para juntos debaterem o clássico western de Sergio Leone e um dos maiores filmes já feitos, "Era Uma Vez No Oeste" (C'era una volta il West, 1968). Produzido pela Paramount, mas filmado quase inteiramente na Itália, o clássico de Leone conta com vários atores dos dois países, entre eles Charles Bronson, Henry Fonda, Jason Robards, Claudia Cardinale e Gabriele Ferzetti. Esta "ópera a cavalo" influenciou gerações de cineastas e até hoje permanece como um feito único entre os filmes do gênero. Confira o episódio sobre Sergio Leone aqui. Crédito da Foto: Paramount Pictures Corporation ---------------------- Acesse nosso site: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠http://www.filmesclassicos.com.br⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Acesse nossa página no Facebook : ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.facebook.com/podcastfilmesclassicos/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

With the 1980s wrapping up, it time to squeeze in yet another body-swap movie!  This time it's Corey Feldman and Jason Robards experimenting with a metaphysical dream world.  Co-starring Corey Haim, Meredith Salenger, Harry Dean Stanton and Piper Laurie.

Welcome back to another episode of the Video Store Podcast, where we're in full Halloween mode! We're taking a walk down memory lane this week in the comforting archives of Disney. Well, perhaps comforting isn't the right word for these films. There was an era of Disney where they seemed to relish making more edgy and spooky films. These films are perfect for dipping your toe in the water of the horror genre, or if you're looking for something off-the-beaten-path for your Halloween viewing. We've selected four of these Spooky Disney films for the staff picks wall this week to help make your Halloween fun and pleasantly chilling. First up is the 1949 Disney animated short film The Legend of Sleepy Hollow. This gorgeously animated short film, based on the short story of the same name by Washington Irving, is an essential part of Halloween viewing. Told and sung by Bing Crosby, it is a great film best enjoyed with the whole family. For something a little different this Halloween season, check out Disney's undersung 1985 classic, The Black Cauldron. While not necessarily considered a horror movie, The Black Cauldron, does have horror elements, and in the original cut, was deemed so scary that it nearly got an R-rating! Based on Lloyd Alexander's The Chronicles of Prydain, The Black Cauldron is another great example of spooky Disney, and also one that's accessible for the whole family. From the era where Disney tried to inject a little bit of family-friendly horror into their catalog, comes 1980's The Watcher in the Woods. The Watcher in the Woods has a wonderful cast, including Bette Davis and David McCallum. The film is elevated by its cast, creepy score, as well as a wonderful, ethereal mystery. Based on the book by Florence Engel Randall, The Watcher in the Woods makes horror accessible for teens and young adults. Finally, we have 1983's Something Wicked This Way Comes, based on the book of the same name by Ray Bradbury. Bradbury is a master of horror and sci-fi, and Something Wicked This Way Comes is a wonderful example of his mastery. Starring Jonathan Pryce, Jason Robards, Pam Grier, and Diane Ladd, among others, Something Wicked This Way Comes is a wonderful film for the month of October. Get caught up in the mystery and suspense of Something Wicked This Way Comes with your teens and young adults. Thanks for joining us today at the Video Store Podcast for these lesser-known films from the Disney vault. Grab some candy on the way out, and come back next week for more film and television recommendations from the Video Store Podcast. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit www.videostorepodcast.com

SERIES 3 EPISODE 41: COUNTDOWN WITH KEITH OLBERMANN A-Block (1:45) SPECIAL COMMENT: “Make them riot,” a man described by Jack Smith as a Trump campaign employee, agent, and co-conspirator, his identity redacted, replaced by the ID number “P-5,” informs a colleague on the ground at the vote counting on Election Night 2020 in Detroit. “Do it!!!" Trump Campaign knowledge that they had lost the election on November 4, 2020. Certainty from his campaign team that without vote triumphs and court orders, it was over on November 7. Withdrawal of the campaign's litigation in Arizona on November 13. 165 pages of this in Jack Smith's filing revealed by Judge Tonya Chutkan yesterday, all of it supporting what I suggested last week would be his core point: that everything Trump did after mid-November at the latest was in his private capacity of candidate, politician, fraud, traitor - and none of it was him just being a good president working his ass off to investigate a dubious election.  In a just world it would put Trump in jail until he dies there. WE only have a chance at a just world if Trump loses November 5. SPEAKING OF WHICH: Did JD Vance reveal a side hustle in the VP debate? Is he potentially running a coup against Trump? Did he play nice so it'll be Vance who takes over the Trump cult if Trump is beaten, takes it over if Trump really meant what he said about not running again if he loses, takes it over by force even if Trump DIDN'T mean it. And if Trump wins, do you think Vance would hesitate to lead a palace revolt? To invoke the 25th Amendment the moment Trump starts speaking in tongues or falls over during a speech? THE POLLING IS BIZARRE: the debate was a tie but Tim Walz won all the internal numbers from who was more prepared to be president to who got the favorability bump. Vance got above water, but in one poll Walz is now +25 and in another +37. In short, he is now the most popular national politician in the country. B-Block (29:15) THE WORST PERSONS IN THE WORLD: On the second day of the  Playoff Telecasts, Baseball is surprised in court: the company that carries eight of its teams' games suddenly cancels the telecasts. Fox's David Asman confuses author Mark Helprin for pantsless ex-pundit Mark Halperin. And Chris Cuomo is so desperate to stay on television that he sides with JD Vance's lies and against journalism at the VP debate. C-Block (43:10) THINGS I PROMISED NOT TO TELL: I swear somebody mentioned to me yesterday that she used to go skiing with his family. And I saw the woman involved in the story on TV over the weekend. On the SAME day, I knew the first guy - the head of CurrentTV - was going to end my TV news career, and that Uma Thurman and I would NOT be going out on a date!See omnystudio.com/listener for privacy information.

Get ready for a whirlwind of emotions as we dive deep into Paul Thomas Anderson's 1999 San Fernando Valley epic Magnolia with a full audio commentary! Join us as we explore the interconnected lives, chance encounters, and fateful events that shape this self-consciously indulgent narrative. But before we loose ourselves to frogs and familial strife, we kick off the episode with our Blue Plate Special segment, stirring up the latest updates on the ongoing Joaquin Phoenix and Todd Haynes drama- the story that *won't* go away- and dishing out our thoughts on the newly released Beetlejuice Beetlejuice. After revisiting the dark humor of Tim Burton's world, we turn our attention to Anderson's own symphony of chaos and emotion, breaking down how Magnolia blends melodrama and fate into one unforgettable cinematic experience. In addition to digging into Anderson's masterpiece, this is a milestone for us—our 99th episode! Stick around until the end for a special announcement about our exciting plans for the big Episode 100 celebration. Feel free to skip to 1:58:12 for the beginning of our audio commentary. As always, please like, subscribe, rate, and review us on all of our channels, which include Apple Podcasts, Spotify, and YouTube! Contact us at huffmanbrothersproductions@gmail.com with your questions, comments, and requests. https://thebigwblog.wordpress.com/2024/09/10/someone-left-the-cake-out-in-the-rain-the-comeback-story-of-beetlejuice-beetlejuice/

Dana and Tom with Betsy and Trent (hosts, Never Seen It w/ Betsy and Trent) revisit All the President's Men (1976): directed by Alan J. Pakula, written by William Goldman, score by David Shire, starring Robert Redford, Dustin Hoffman, Martin Balsam, Jane Alexander, Jack Warden, and Jason Robards.Plot Summary: All the President's Men is a gripping account of two reporters, Bob Woodward and Carl Bernstein, who uncover one of the most significant political scandals in American history. Set against the backdrop of a tense and suspicious Washington DC, the film follows their relentless pursuit of the truth behind the Watergate break-in.Through meticulous investigation, careful sourcing, and dogged determination; they expose a cover-up that reaches the highest levels of government, ultimately leading to the resignation of President Richard Nixon. The movie is not just a tale of journalism but a testament to the power of persistence and the importance of a free press in holding power accountable. Chapters:00:00 Introduction and Guest Welcome01:27 Getting to Know - Betsy and Trent15:36 Cast and Recognition for All the President's Men20:19 Relationship(s) to All the President's Men30:06 What is All the President's Men About?40:55 Does the Movie Have a Positive or Negative Legacy on Journalism?49:42 Plot Summary for All the President's Men50:44 Did You Know?52:47 First Break53:27 Where Can You Find Betsy and Trent?01:00:49 Ask Dana Anything01:09:28 The Stanley Rubric - Legacy01:22:50 The Stanley Rubric - Impact/Significance01:32:00 The Stanley Rubric - Novelty01:42:15 Second Break01:43:07 The Stanley Rubric - Classicness01:53:00 The Stanley Rubric - Rewatchability02:01:14 The Stanley Rubric - Audience Score and Final Total02:03:59 Remaining Questions of All the President's Men02:12:56 Thank You to Our Guests and Remaining Thoughts02:18:01 CreditsGuests:Betsy and TrentNever Seen It podcast (@neverseenit_pod on Twitter and Letterboxd, @neverseenitpod1 on IG, @neverseenit on TikTok, patreon.com/neverseenitpodPreviously on the 2024 Post Oscars Reaction ShowYou can now follow us on Instagram, Twitter, YouTube, or TikTok (@gmoatpodcast)For the video version of this episode, go to: https://youtu.be/gnAXC_BtsXcFor more on the original episode, go to: https://www.ronnyduncanstudios.com//post/40-all-the-president-s-men-1976For more on the episode, go to:

“How can you tell what's a dream or what's real when you can't even tell when you're awake or when you're asleep?”Dalton Trumbo's Controversial Anti-War ClassicIn 1971, blacklisted screenwriter Dalton Trumbo adapted his own 1939 anti-war novel Johnny Got His Gun for the big screen. The film marked Trumbo's directorial debut and only feature film as director. Set during World War I, the story follows a young American soldier who becomes a quadruple amputee after being hit by an artillery shell. Trumbo's powerful critique of war and its devastating effects on soldiers resonated strongly in the Vietnam War era. Join us – Pete Wright and Andy Nelson – as we continue the One-and-Done series with a conversation about Johnny Got His Gun.Locked-In Horror: A Haunting Tale of War's CasualtiesWe dive deep into the film's harrowing portrayal of Joe Bonham, played by Timothy Bottoms, as he struggles with his horrific injuries and loss of autonomy. The movie's exploration of disability rights and the dehumanization of wounded veterans sparks a thoughtful discussion. We examine how Trumbo's adaptation differs from his novel, particularly in its use of flashbacks and dream sequences to break up the claustrophobic hospital scenes. While we appreciate the film's powerful anti-war message, we debate the effectiveness of some of its more surreal elements.Other points of discussion include:• Timothy Bottoms' compelling performance as Joe Bonham• The impact of Jason Robards as Joe's father• Donald Sutherland's portrayal of Christ in dream sequences• The film's bleak ending and its emotional impact• Comparisons to other "locked-in" films like The Diving Bell and the Butterfly• Trumbo's transition from novelist to filmmakerA Thought-Provoking Journey Through War's AftermathJohnny Got His Gun remains a powerful and disturbing examination of war's human cost. While we found some aspects of the film more effective than others, we agree that it's an important work that continues to resonate decades after its release. Its unflinching look at the physical and psychological toll of combat makes it a challenging but worthwhile viewing experience. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins!Film SundriesWatch this on Apple or Amazon, or find other places at JustWatchScript OptionsTheatrical trailerOriginal MaterialLetterboxd Learn how to support our show and The Next Reel's family of film podcasts by becoming a member. It's just $5 monthly or $55 annually. Learn more here.Join the conversation with movie lovers from around the world in our Discord community!Here's where you can find us around the internet:The WebLetterboxdFacebookInstagramThreadsXYouTubeFlickchartPinterestPete AndyWhat are some other ways you can support us and show your love? Glad you asked!You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE.Or buy or rent movies we've discussed on the show from our WATCH PAGE.Or buy books, plays, etc. that was the source for movies we've discussed on the show from our ORIGINALS PAGE.Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT.Or sign up for AUDIBLE.

Il était une fois dans lʹOuest, C'era una volta il West, est film italo-américain de Sergio Leone sorti en 1968, emblématique du réalisateur italien. Ses codes artistiques révolutionnent littéralement le genre. La beauté des images, ses personnages hiératiques et surtout la musique dʹEnnio Morricone en font un film incontournable, quasiment légendaire. Sergio Leone traverse le western avec lʹélégance dʹun prélat italien, y ajoute la bouffonnerie de la Comedia del Arte et lʹœil de Michel-Ange. Il détourne les codes du bon, de la brute, du bandit, du fermier, de lʹéleveur, du promoteur, de la femme qui veut se refaire une vertu. Il pose sur lʹAmérique et la conquête de lʹOuest le regard dʹun européen qui adore les histoires de cowboys et dʹindiens. Au centre de ce film, il met la rivalité des intérêts pour lʹappropriation des terres. Le chemin de fer, le progrès va bientôt passer par là. Et ça défouraille à tout va sous un soleil de plomb. Claudia Cardinale tient dans le film le seul rôle féminin du film. Face à elle Jason Robards, Henry Fonda et Charles Bronson. En Europe, le film fait un triomphe. Mais pas aux Etats-Unis où il est amputé de nombreuses scènes. Peut-être quʹil est trop européen comme western Allez savoir. Aujourdʹhui dans Travelling, nous galopons vers lʹOuest en tentant de piocher quelques éléments de réponses. Laissons-nous emporter par lʹunivers de Sergio Leone, par lʹharmonica, par la beauté des paysages, par le regard de Charles Bronson et la méchanceté dʹHenri Fonda. REFERENCES Ennio Morricone en 1988 sur la RTS Hommage à l'immense compositeur italien Ennio Morricone décédé à 91 ans. En 1988, il était de passage dans l'émission Bonsoir pour une longue interview remplie d'anecdotes personnelles et professionnelles. Il y raconte par exemple sa collaboration avec son ami Sergio Leone pour les films "il était une fois dans l'ouest" et "il était une fois en Amérique". Le réalisateur Sergio LEONE parle du rôle de la musique dans ses films. Puis Ennio MORRICONE (en italien) expose sa théorie de la musique de film et parle de sa collaboration avec Sergio LEONE. 1969, Sergio Leone sur "Il était une fois dans l'Ouest" TéléMidi du 29.02.1972. Sergio Leone et sa trilogie Interview de Sergio LEONE par François CHATEL. Il parle du film "Il était une fois la révolution" qui fera partie d'une trilogie. Le 3ème volet sera "Il était une fois en Amérique" se déroulant au Mexique.

The Ballad of Cable Hogue (1970) synopsis: “A hobo accidentally stumbles onto a water spring, and creates a profitable way station in the middle of the desert.”Starring: Jason Robards, Stella Stevens, David Warner, and Slim PickensDirector: Sam PeckinpahThis week on Podcasting After Dark, Zak and Corey review The Ballad of Cable Hogue starring Jason Robards! A very interesting western movie that unfortunately bombed in the theater and derailed Peckinpah's career a little bit. Which is a shame because The Ballad of Cable Hogue is a damn good movie with a fantastic cast and unique script!A huge THANK YOU to Paulette for selecting The Ballad of Cable Hogue for us to review via our Patreon page! If you would like us to breakdown one of your favorite films, consider signing up to our highest tier!— SUPPORT THE INDIE HORROR MOVIE, BAMPIRE —WEBSITE / INDIEGOGOINSTAGRAM / FACEBOOK— SUPPORT PODCASTING AFTER DARK —PATREON - Two extra shows a month including Wrap-Up After Dark and The Carpenter Factor, plus other exclusive content!MERCH STORE - We have a fully dedicated merch store at TeePublic with multiple designs and products!INSTAGRAM / FACEBOOK / LETTERBOXD - Follow us on social media for updates and announcements!This podcast is part of the BFOP Network

We welcome back Alana Phelan to the show to talk about a Corey Feldman-Corey Haim fantasy with weirdo philosopher Jason Robards inhabiting Feldman's body as he tries to romance Meredith Salinger. It's a very weird movie loved by this weeks' guest. Starring Corey Feldman, Corey Haim, Meredith Salinger, Jason Robards, Piper Laurie, and Harry Dean Stanton. Written by Marc Rocco, Daniel Jay Franklin, and D.E. Eisenberg. Directed by Marc Rocco.

For our annual April Fools' Day Switcheroo, we look at the certified classic western Once Upon a Time in the West with a haunted Charles Bronson, a despicable Henry Fonda, a beautiful Claudia Cardinale, and a playful Jason Robards. Panelists: Eric, Jimmy

Episode 102: Struggling in Ron Howard Extended UniverseThis week on the Not Funny Guys continue in the Ron Howard Extended Universe with 1989's Parenthood. Who is this Leaf Phoenix...oh wait, it's a young Joaquin Phoenix, holy moly! There is also Keanu Reeves too! Wow! Watch Steve Martin and Jason Robards battle it out to see who was/is the worst father. Also, Mozart from Amadeus is here to show you what a real deadbeat looks like!#parenthood #ronhoward #keanureeves #stevemartin #jasonrobards #parentingishard #shittyfather #rickmoranis #mozart #joaquinphoenixOur Political Podcast is back! Take a listen over at Not Funny PoliticsNext Week: Frost/NixonFollow us, like us, comment, share and MORE!!!Questions?Email us at: NotFunnyGuys.OffTheReels@gmail.comFollow us on Instagram: @not_funny_guys_presents Follow us on Twitter: @NotFunnyGuysPodFollow us on BlueSky: @The Not Funny GuysWant to chat?Casey:Twitter @vash_maxwellHive @caseyfranklinJon:Letterbox: esoteric_evansInstagram @esoteric_by_designSubstack: estoericbydesign.substack.comEric:Letterbox: eklyInstagram @hothoney_comics Hosted on Acast. See acast.com/privacy for more information.

Amy and I discuss Once Upon a Time in the West (1968), directed by Sergio Leone and starring Claudia Cardinale, Charles Bronson, Henry Fonda, and Jason Robards. Call ins from Evil Jeff (Minions & Musings; https://podcasters.spotify.com/pod/show/eviljeff), and MW Lewis (Worlds of MW Lewis; https://podcasters.spotify.com/pod/show/mwlewis). Also mentioned are a number of movie reviews from Jason Connerly on Nerd's RPG Variety Cast (https://podcasters.spotify.com/pod/show/jason376). This year Jason and guests are reviewing the movies of Walter Hill. Intro & Outro Music by TJ Drennon. Cover clip art by Amy Lee Rodriguez. You can send me a message via the Anchor website, through DM on Discord, as an attachment to my email (gmologist@gmail.com) or to my speakpipe account: https://www.speakpipe.com/TheGmologistPresents.

(Bonus) The Day After is an American television film that first aired on November 20, 1983 on the ABC television network. The film postulates a fictional war between the NATO forces and the Warsaw Pact over Germany that rapidly escalates into a full-scale nuclear exchange between the United States and the Soviet Union. The action itself focuses on the residents of Lawrence, Kansas; Kansas City, Missouri; and several family farms near American missile silos.[1] The cast includes JoBeth Williams, Steve Guttenberg, John Cullum, Jason Robards, and John Lithgow. The film was written by Edward Hume, produced by Robert Papazian, and directed by Nicholas Meyer. The film was broadcast on Soviet state television in 1987,[2] during the negotiations on Intermediate-Range Nuclear Forces Treaty. The producers demanded the Russian translation conform to the original script and the broadcast not be interrupted by commentary.[3] More than 100 million people, in nearly 39 million households, watched the film during its initial broadcast.[4][5][6] With a 46 rating and a 62% share of the viewing audience during the initial broadcast, the film was the seventh-highest-rated non-sports show until then, and in 2009 it set a record as the highest-rated television film in US history.[6]

THIS WEEK Justin and I tackle 1980's MELVIN AND HOWARD!When luckless dreamer Melvin Dummar (Paul Le Mat) rescues a grizzled, half-dead man (Jason Robards) from the desert, he's skeptical of the man's claim that he's actually reclusive billionaire Howard Hughes. But in the wake of Hughes' death a decade later, a will appears naming Melvin the recipient of $156 million, and a media circus ensues. Accused of forgery, Melvin vigorously maintains his innocence despite a strong intuition that he'll never see any of the money.Be sure to subscribe on your favorite pod platform and our YOUTUBE channel!Visit thecultworthy.comVisit https://www.themoviewire.comVideo: https://www.youtube.com/@back2thebalcony

We're back to do things the Chicago way. This week we're covering one of the most dangerous hits in American crime history The St. Valentine's Day Massacre! Join us as we talk all about Al Capone and Chicago gangsters during the prohibition era. The St. Valentine's Day Massacre stars Jason Robards, George Segal, and is directed by Roger Corman. Get up against the wall and let the humor blast into you and your heart this Valentine's Day. Please Like and Subscribe! Click the Bell to Get Notifications! Please give us a rating and a review on Apple Podcasts or Spotify. It helps potential sponsors find the show! Sign up for @Riversidefm: https://www.riverside.fm/?utm_campaig... Sign up for @BetterHelp: betterhelp.com/reviewinghistory Buy Some Merch: www.reviewinghistorypod.com/merch Email Us: Reviewinghistorypod@gmail.com Follow Us: www.facebook.com/reviewinghistory twitter.com/rviewhistorypod letterboxd.com/antg4836/ letterboxd.com/spfats/ letterboxd.com/BrianRuppert/ letterboxd.com/brianruppert/list…eviewing-history/ twitter.com/Brianruppert #comedy #history #podcast #comedypodcast #historypodcast #crime #chicago #gangster #gangsters #mafia #mobsters #alcapone #prohibition #rogercorman #valentinesday #filmpodcast #moviepodcast #film #cinema #movies #moviereview #filmcriticisms #moviehistory #hackthemovies #redlettermedia #historybuff #tellemstevedave #tesd

Get access to this entire episode, the entire Denzember catalog, and all of our premium episodes by becoming a Hit Factory Patron for just $5/month.Denzember continues with GQ Senior Editor Frazier Tharpe II joining us to discuss Jonathan Demme's 'Philadelphia', one of the first major Hollywood films to take on the AIDS crisis. Far from a simple "issues picture", the movie overcomes many of its retrograde positions and dubious narrative decisions through the combination of Demme's masterful skill behind the camera and two powerhouse lead perfromances from Denzel and Tom Hanks (in a role that would net him his first Oscar win). We track the career of Jonathan Demme, from his time in the Roger Corman stable through his massive hit 'The Silence of the Lambs', and the bold decision to tackle 'Philadelphia' as a project. Then, we discuss the two seismic performances from Hanks and Washington, and how each bring their star-power and career arcs to the roles in vital ways. Finally, we discuss some of the many controversial creative decisions that went into the making of the film, how some might be handled today, and why the film still resonates in spite of these components.Frazier's Top 5 Denzel Washington Performances:1. Malcolm X2. Man on Fire3. Training Day4. Flight5. Out of TimeFollow Frazier Tharpe on Twitter.....Our Denzember theme song is "FUNK" by OPPO.

EPISODE 1891: In this KEEN ON show, Andrew talks to Gregory Wallance, author of INTO SIBERIA, about the original George Kennan and his epic journey through the frozen heart of RussiaGREGORY J. WALLANCE is a New York-based lawyer (a retired partner at Kaye Scholar and Arnold & Porter), writer, and former federal prosecutor and human rights activist. Gregory is the author of Papa's Game, about the theft of the French Connection heroin, which received a nonfiction nomination for an Edgar Allan Poe Award (The New York Times: “a colorful account [and] an inside look at an interesting, if ugly, period in the history of law enforcement.”); Two Men Before the Storm: Arba Crane's Recollection of Dred Scott and the Supreme Court Case That Started The Civil War (The Boston Globe: “an evocative historical novel”); and America's Soul in the Balance: The Holocaust, FDR's State Department, and the Moral Disgrace of An American Aristocracy (Jewish Book Council: ''An important contribution to the debate surrounding the Roosevelt Administration and the politics of rescue. Reads like a thriller''). He has traveled to countries on several continents on human rights missions for, among others, Amnesty International and Helsinki Watch, was a producer of the HBO film Sakharov, starring Jason Robards and Glenda Jackson. Gregory has written op eds for national publications, including The New York Times, The Los Angeles Times, USA Today, The Chicago Tribune, and the Wall Street Journal. He has also appeared as a commentator on CNN, Fox News, MSNBC, C-SPAN, and NBC's The Today Show, and is currently a Contributor for The Hill. Named as one of the "100 most connected men" by GQ magazine, Andrew Keen is amongst the world's best known broadcasters and commentators. In addition to presenting KEEN ON, he is the host of the long-running How To Fix Democracy show. He is also the author of four prescient books about digital technology: CULT OF THE AMATEUR, DIGITAL VERTIGO, THE INTERNET IS NOT THE ANSWER and HOW TO FIX THE FUTURE. Andrew lives in San Francisco, is married to Cassandra Knight, Google's VP of Litigation & Discovery, and has two grown children.

For this week's episode of Unclear and Present Danger, Jamelle and John watched “The Enemy Within,” a 1994 remake of John Frankenheimer's “Seven Days in May,” starring Forest Whitaker and Jason Robards. Like the original film, “The Enemy Within” concerns a military plot to depose the president and take control of the U.S. government. Like the original film, our hero is an Army advisor who would rather defend the Constitution than his superiors. And like the original film, the story is a race against the clock as the president and his allies try to stop their adversary, the Chairman of the Joint Chiefs of Staff, from executing his plan.“The Enemy Within” stars Forest Whitaker as Colonel “Mac” Casey, Sam Waterston as President William Foster, Dana Delany as his chief of staff Betsy Corcoran, and Jason Robards as General R. Pendleton Lloyd.The tagline for “The Enemy Within” is “You never know who your enemies are.”You can stream the movie on HBO Max or rent it on iTunes and Amazon. Connor Lynch produced this episode. Artwork by Rachel Eck.Contact us!Follow us on Twitter!John GanzJamelle BouieUnclearPodAnd join the Unclear and Present Patreon! For just $5 a month, patrons get access to a bonus show on the films of the Cold War, and much, much more. The latest episode of our Patreon is on “Seven Days in May.” So you can listen to these two episodes to compare and contrast the two movies.

Jason Robards' "Magnolia" soliloquy about regrets and my thinking about a personal hobby regret. Robards' television movie "The Day After" takes me back to an ever-present fear of nuclear annihilation. The origins of the Baltimore Chop. A 1915 Cracker Jack John McGraw I hope to some day own. A gorgeous low-end 2010 Topps Chrome Matt Cain Gold Refractor. Finally, bittersweet Rod Beck reminiscences and the baseball card found at his death scene. All this and an unopened box of Cookie Crisp Cereal on the latest episode.

On this weeks episode NORA (our art director/poster maker and guest from Polite Society and TMNT: Mutant Mayhem) joins Uncle Willy to have a Conversation, it'll make sense about Ahsoka, Special features, Nicknames and The Challenge USA, no one likes those CBS people! Oh, and also the NSA is listening, they wanted to hear the thoughts on- ENEMY OF THE STATE (1998) (available on Hulu) Directed by: Tony Scott. Starring: Will Smith, Gene Hackman, Jon Voight, Lisa Bonet, Regina King, Jack Black, Seth Green, Jason Lee, Barry Pepper, Jason Robards, Jamie Kennedy, SCott Caan, Jake Busey, Loren Dean, Ian Hart, Gabriel Byrne, James Le Gros, Dan Butler, Anna Gunn, Tom Sizemore and Many Other Talented People! 00:00:20- Welcome NORA! 00:02:30- First Thoughts 00:07:20- What Would Ian Say 00:12:00- Whatcha Been Watchin'? (Nora- The Challenge: USA, Rebels, Parks & Rec, The Stand (reading), Sister Wives, Painkiller. Ahsoka. Will- The Meg 2, Dune (1984), Heart of Stone, Ahsoka) 00:19:30- Talkin Ahsoka 00:25:50- Talkin The Conversation 00:34:00- Special Features were Great... 00:37:00- ENEMY OF THE STATE (1998) 00:39:15- Nora Nickname 01:07:30- Totals 01:09:00- Next Week. Thank You Nora! Another Guest Host!?!!? Tune in To Find out! Patreon: patreon.com/THELastActionCritics Instagram: @TheLastActionCritics Nora: @remarkaron Twitter:     @THE_Lastcritics email:   Thelastactioncritics@gmail.com Next Week: The Equalizer 3

On this week's episode, we remember William Friedkin, who passed away this past Tuesday, looking back at one of his lesser known directing efforts, Rampage. ----more---- From Los Angeles, California, the Entertainment Capital of the World, it’s The 80s Movies Podcast. I am your host, Edward Havens. Thank you for listening today. Originally, this week was supposed to be the fourth episode of our continuing miniseries on the 1980s movies released by Miramax Films. I was fully committed to making it so, but then the world learned that Academy Award-winning filmmaker William Friedkin passed away on Tuesday. I had already done an episode on his best movie from the decade, 1985’s To Live and Die in L.A., so I decided I would cover another film Friedkin made in the 80s that isn’t as talked about or as well known as The French Connection or The Exorcist or To Live and Die in L.A. Rampage. Now, some of you who do know the film might try and point that the film was released in 1992, by Miramax Films of all companies, and you’d be correct. However, I did say I was going to cover another film of his MADE in the 80s, which is also true when it comes to Rampage. So let’s get to the story, shall we? Born in Chicago in 1935, William Friedkin was inspired to become a filmmaker after seeing Citizen Kane as a young man, and by 1962, he was already directing television movies. He’d make his feature directing debut with Good Times in 1967, a fluffy Sonny and Cher comedy which finds Sonny Bono having only ten days to rewrite the screenplay for their first movie, because the script to the movie they agreed to was an absolute stinker. Which, ironically, is a fairly good assessment of the final film. The film, which was essentially a bigger budget version of their weekly variety television series shot mostly on location at an African-themed amusement park in Northern California and the couple’s home in Encino, was not well received by either critics or audiences. But by the time Good Times came out, Friedkin was already working on his next movie, The Night They Raided Minsky’s. A comedy co-written by future television legend Norman Lear, Minsky’s featured Swedish actress Britt Ekland, better known at the time as the wife of Peter Sellers, as a naive young Amish woman who leaves the farm in Pennsylvania looking to become an actress in religious stage plays in New York City. Instead, she becomes a dancer in a burlesque show and essentially ends up inventing the strip tease. The all-star cast included Dr. No himself, Joseph Wiseman, Elliott Gould, Jack Burns, Bert Lahr, and Jason Robards, Jr., who was a late replacement for Alan Alda, who himself was a replacement for Tony Curtis. Friedkin was dreaming big for this movie, and was able to convince New York City mayor John V. Lindsay to delay the demolition of an entire period authentic block of 26th Street between First and Second Avenue for two months for the production to use as a major shooting location. There would be one non-production related tragedy during the filming of the movie. The seventy-two year old Lahr, best known as The Cowardly Lion in The Wizard of Oz, would pass away in early December 1967, two weeks before production was completed, and with several scenes still left to shoot with him. Lear, who was also a producer on the film, would tell a reporter for the New York Times that they would still be able to shoot the rest of the film so that performance would remain virtually intact, and with the help of some pre-production test footage and a body double, along with a sound-alike to dub the lines they couldn’t get on set, Lahr’s performance would be one of the highlights of the final film. Friedkin and editor Ralph Rosenblum would spend three months working on their first cut, as Friedkin was due to England in late March to begin production on his next film, The Birthday Party. Shortly after Friedkin was on the plane to fly overseas, Rosenblum would represent the film for a screening with the executives at United Artists, who would be distributing the film. The screening was a disaster, and Rosenblum would be given carte blanche by the studio heads to save the film by any means necessary, since Friedkin was not available to supervise. Rosenblum would completely restructure the film, including creating a prologue for the story that would be retimed and printed on black and white film stock. The next screening would go over much better with the suits, and a mid-December 1968 release date was set up. The Birthday Party was an adaptation of a Harold Pinter play, and featured Robert Shaw and Patrick Magee. Friedkin had seen the play in San Francisco in 1962, and was able to get the film produced in part because he would only need six actors and a handful of locations to shoot, keeping the budget low. Although the mystery/thriller was a uniquely British story, Harold Pinter liked how Friedkin wanted to tell the story, and although Pinter had written a number of plays that had been adapted into movies and had adapted a number of books into screenplay, this would be the first time Pinter would adapt one of his own stories to the silver screen. To keep the budget lower still, Friedkin, Pinter and lead actor Robert Shaw agreed to take the minimum possible payments for their positions in exchange for part ownership in the film. The release of Minsky’s was so delayed because of the prolonged editing process that The Birthday Party would actually in theatres nine days before Minsky’s, which would put Friedkin in the rare position of having two movies released in such a short time frame. And while Minsky’s performed better at the box office than Birthday Party, the latter film would set the director up financially with enough in the bank where he could concentrate working on projects he felt passionate about. That first film after The Birthday Party would make William Friedkin a name director. His second one would make him an Oscar winner. The third, a legend. And the fourth would break him. The first film, The Boys in the Band, was an adaptation of a controversial off-Broadway play about a straight man who accidentally shows up to a party for gay men. Matt Crowley, the author of the play, would adapt it to the screen, produce the film himself with author Dominick Dunne, and select Friedkin, who Crowley felt best understood the material, to direct. Crowley would only make one demand on his director, that all of the actors from the original off-Broadway production be cast in the movie in the same roles. Friedkin had no problem with that. When the film was released in March 1970, Friedkin would get almost universally excellent notices from film critics, except for Pauline Kael in the New York Times, who had already built up a dislike of the director after just three films. But March 1970 was a different time, and a film not only about gay men but a relatively positive movie about gay men who had the same confusions and conflicts as straight men, was probably never going to be well-received by a nation that still couldn’t talk openly about non-hetero relationships. But the film would still do about $7m worth of ticket sales, not enough to become profitable for its distributor, but enough for the director to be in the conversation for bigger movies. His next film was an adaptation of a 1969 book about two narcotics detectives in the New York City Police Department who went after a wealthy French businessman who was helping bring heroin into the States. William Friedkin and his cinematographer Owen Roizman would shoot The French Connection as if it were a documentary, giving the film a gritty realism rarely seen in movies even in the New Hollywood era. The film would be named the Best Picture of 1971 by the Academy, and Friedkin and lead actor Gene Hackman would also win Oscars in their respective categories. And the impact of The French Connection on cinema as a whole can never be understated. Akira Kurosawa would cite the film as one of his favorites, as would David Fincher and Brad Pitt, who bonded over the making of Seven because of Fincher’s conscious choice to use the film as a template for the making of his own film. Steven Spielberg said during the promotion of his 2005 film Munich that he studied The French Connection to prepare for his film. And, of course, after The French Connection came The Exorcist, which would, at the time of its release in December 1973, become Warner Brothers’ highest grossing film ever, legitimize the horror genre to audiences worldwide, and score Friedkin his second straight Oscar nomination for Best Director, although this time he and the film would lose to George Roy Hill and The Sting. In 1977, Sorcerer, Friedkin’s American remake of the 1953 French movie The Wages of Fear, was expected to be the big hit film of the summer. The film originally started as a little $2.5m budgeted film Friedkin would make while waiting for script revisions on his next major movie, called The Devil’s Triangle, were being completed. By the time he finished filming Sorcerer, which reteamed Friedkin with his French Connection star Roy Scheider, now hot thanks to his starring role in Jaws, this little film became one of the most expensive movies of the decade, with a final budget over $22m. And it would have the unfortunate timing of being released one week after a movie released by Twentieth Century-Fox, Star Wars, sucked all the air out of the theatrical exhibition season. It would take decades for audiences to discover Sorcerer, and for Friedkin, who had gone some kind of mad during the making of the film, to accept it to be the taut and exciting thriller it was. William Friedkin was a broken man, and his next film, The Brinks Job, showed it. A comedy about the infamous 1950 Brinks heist in Boston, the film was originally supposed to be directed by John Frankenheimer, with Friedkin coming in to replace the iconic filmmaker only a few months before production was set to begin. Despite a cast that included Peter Boyle, Peter Falk, Allen Garfield, Warren Oates, Gena Rowlands and Paul Sorvino, the film just didn’t work as well as it should have. Friedkin’s first movie of the 1980s, Cruising, might have been better received in a later era, but an Al Pacino cop drama about his trying to find a killer of homosexual men in the New York City gay fetish underground dance club scene was, like The Boys in the Band a decade earlier, too early to cinemas. Like Sorcerer, audiences would finally find Cruising in a more forgiving era. In 1983, Friedkin made what is easily his worst movie, Deal of the Century, an alleged comedy featuring Chevy Chase, Gregory Hines and Sigourney Weaver that attempted to satirize the military industrial complex in the age of Ronald Reagan, but somehow completely missed its very large and hard to miss target. 1985 would see a comeback for William Friedkin, with the release of To Live and Die in LA, in which two Secret Service agents played by William L. Petersen and John Pankow try to uncover a counterfeit money operation led by Willem Dafoe. Friedkin was drawn to the source material, a book by former Secret Service agent Gerald Petievich, because the agency was almost never portrayed on film, and even less as the good guys. Friedkin would adapt the book into a screenplay with Petievich, who would also serve as a technical consultant to ensure authenticity in how Petersen and Pankow acted. It would be only the second time Friedkin was credited as a screenwriter, but it would be a nine-minute chase sequence through the aqueducts of Los Angeles and a little used freeway in Wilmington that would be the most exciting chase sequence committed to film since the original Gone in 60 Seconds, The French Connection, or the San Francisco chase sequence in the 1967 Steve McQueen movie Bullitt. The sequence is impressive on Blu-ray, but on a big screen in a movie theatre in 1985, it was absolutely thrilling. Which, at long last, brings us to Rampage. Less than two months after To Live and Die in LA opened to critical raves and moderate box office in November 1985, Friedkin made a deal with Italian mega-producer Dino DeLaurentiis to direct Rampage, a crime drama based on a novel by William P. Wood. DeLaurentiis had hired Friedkin for The Brinks Job several years earlier, and the two liked working for each other. DeLaurentiis had just started his own distribution company, the DeLaurentiis Entertainment Group, which we’ll shorten to DEG for the remainder of this episode, and needed some big movies to fill his pipeline. We did an episode on DEG back in 2020, and if you haven’t listened to it yet, you should after you finish this episode. At this time, DEG was still months away from releasing its first group of films, which would include Maximum Overdrive, the first film directed by horror author Stephen King, and Blue Velvet, the latest from David Lynch, both of which would shoot at the same time at DEG’s newly built studio facilities in Wilmington, North Carolina. But Friedkin was writing the screenplay adaptation himself, and would need several months to get the script into production shape, so the film would not be able to begin production until late 1986. The novel Rampage was based on the real life story of serial killer Richard Chase, dubbed The Vampire Killer by the press when he went on a four day killing spree in January 1978. Chase murdered six people, including a pregnant woman and a 22 month old child, and drank their blood as part of some kind of ritual. Wood would change some aspects of Chase’s story for his book, naming his killer Charles Reece, changing some of the ages and sexes of the murder victims, and how the murderer died. But most of the book was about Reece’s trial, with a specific focus on Reece’s prosecutor, Anthony Fraser, who had once been against capital punishment, but would be seeking the death penalty in this case after meeting one of the victims’ grieving family members. William L. Petersen, Friedkin’s lead star in To Live and Die in LA, was initially announced to star as Fraser, but as the production got closer to its start date, Petersen had to drop out of the project, due to a conflict with another project that would be shooting at the same time. Michael Biehn, the star of James Cameron’s The Terminator and the then recently released Aliens, would sign on as the prosecutor. Alex McArthur, best known at the time as Madonna’s baby daddy in her Papa Don’t Preach music video, would score his first major starring role as the serial killer Reece. The cast would also include a number of recognizable character actors, recognizable if not by name but by face once they appeared on screen, including Nicholas Campbell, Deborah Van Valkenberg, Art LaFleur, Billy Greenbush and Grace Zabriskie. Friedkin would shoot the $7.5m completely on location in Stockton, CA from late October 1986 to just before Christmas, and Friedkin would begin post-production on the film after the first of the new year. In early May 1987, DEG announced a number of upcoming releases for their films, including a September 11th release for Rampage. But by August 1987, many of their first fifteen releases over their first twelve months being outright bombs, quietly pulled Rampage off their release calendar. When asked by one press reporter about the delay, a representative from DEG would claim the film would need to be delayed because Italian composer Ennio Morricone had not delivered his score yet, which infuriated Friedkin, as he had turned in his final cut of the film, complete with Morricone’s score, more than a month earlier. The DEG rep was forced to issue a mea culpa, acknowledging the previous answer had been quote unquote incorrect, and stated they were looking at release dates between November 1987 and February 1988. The first public screening of Rampage outside of an unofficial premiere in Stockton in August 1987 happened on September 11th, 1987, at the Boston Film Festival, but just a couple days after that screening, DEG would be forced into bankruptcy by one of his creditors in, of all places, Boston, and the film would be stuck in limbo for several years. During DEG’s bankruptcy, some European companies would be allowed to buy individual country rights for the film, to help pay back some of the creditors, but the American rights to the film would not be sold until Miramax Films purchased the film, and the 300 already created 35mm prints of the film in March 1992, with a planned national release of the film the following month. But that release had to be scrapped, along with the original 300 prints of the film, when Friedkin, who kept revising the film over the ensuing five years, turned in to the Weinsteins a new edit of the film, ten minutes shorter than the version shown in Stockton and Boston in 1987. He had completely eliminated a subplot involving the failing marriage of the prosecutor, since it had nothing to do with the core idea of the story, and reversed the ending, which originally had Reece committing suicide in his cell not unlike Richard Chase. Now, the ending had Reece, several years into the future, alive and about to be considered for parole. Rampage would finally be released into 172 theatres on October 30th, 1992, including 57 theatres in Los Angeles, and four in New York City. Most reviews for the film were mixed, finding the film unnecessarily gruesome at times, but also praising how Friedkin took the time for audiences to learn more about the victims from the friends and family left behind. But the lack of pre-release advertising on television or through trailers in theatres would cause the film to perform quite poorly in its opening weekend, grossing just $322,500 in its first three days. After a second and third weekend where both the grosses and the number of theatres playing the film would fall more than 50%, Miramax would stop tracking the film, with a final reported gross of just less than $800k. Between the release of his thriller The Guardian in 1990 and the release of Rampage in 1992, William Friedkin would marry fellow Chicago native Sherry Lansing, who at the time had been a successful producer at Paramount Pictures, having made such films as The Accused, which won Jodie Foster her first Academy Award, and Fatal Attraction. Shortly after they married, Lansing would be named the Chairman of Paramount Pictures, where she would green light such films as Forrest Gump, Braveheart and Titanic. She would also hire her husband to make four films for the studio between 1994 and 2003, including the basketball drama Blue Chips and the thriller Jade. Friedkin’s directing career would slow down after 2003’s The Hunted, making only two films over the next two decades. 2006’s Bug was a psychological thriller with Michael Shannon and Ashley Judd, and 2012’s Killer Joe, a mixture of black comedy and psychological thriller featuring Matthew McConaughey and Emile Hirsch, was one of few movies to be theatrically released with an NC-17 rating. Neither were financially successful, but were highly regarded by critics. But there was still one more movie in him. In January 2023, Friedkin would direct his own adaptation of the Herman Wouk’s novel The Caine Mutiny Court-Martial for the Paramount+ streaming service. Updating the setting from the book’s World War II timeline to the more modern Persian Gulf conflict, this new film starred Keifer Sutherland as Lieutenant Commander Queeg, alongside Jason Clark, Jake Lacy, Jay Duplass, Dale Dye, and in his final role before his death in March, Lance Reddick. That film will premiere at the Venice Film Festival in Italy next month, although Paramount+ has not announced a premiere date on their service. William Friedkin had been married four times in his life, including a two year marriage to legendary French actress Jean Moreau in the late 70s and a two year marriage to British actress Lesley-Anne Downe in the early 80s. But Friedkin and Lansing would remain married for thirty-two years until his death from heart failure and pneumonia this past Tuesday. I remember when Rampage was supposed to come out in 1987. My theatre in Santa Cruz was sent a poster for it about a month before it was supposed to be released. A pixelated image of Reece ran down one side of the poster, while the movie’s tagline and credits down the other. I thought the poster looked amazing, and after the release was cancelled, I took the poster home and hung it on one of the walls in my place at the time. The 1992 poster from Miramax was far blander, basically either a entirely white or an entirely red background, with a teared center revealing the eyes of Reece, which really doesn’t tell you anything about the movie. Like with many of his box office failures, Friedkin would initially be flippant about the film, although in the years preceding his death, he would acknowledge the film was decent enough despite all of its post-production problems. I’d love to be able to suggest to you to watch Rampage as soon as you can, but as of August 2023, one can only rent or buy the film from Amazon, $5.89 for a two day rental or $14.99 to purchase. It is not available on any other streaming service as of the writing and recording of this episode. Thank you for joining us. We’ll talk again soon, when I expect to release the fourth part of the Miramax miniseries, unless something unexpected happens in the near future. Remember to visit this episode’s page on our website, The80sMoviePodcast.com, for extra materials about Rampage and the career of William Friedkin. The 80s Movies Podcast has been researched, written, narrated and edited by Edward Havens for Idiosyncratic Entertainment. Thank you again. Good night.

From the noted Hollywood biographer comes this celebration of the great American love story—the romance between Lauren Bacall and Humphrey Bogart—capturing its complexity, contradictions, and challenges as never before. In Bogie and Bacall: The Surprising True Story of Hollywood's Greatest Love Affair (Harper, 2023), William Mann offers a deep and comprehensive look at Lauren Bacall, Humphrey Bogart, and the unlikely love they shared. Mann details their early years—Bogart's effete upbringing in New York City; Bacall's rise as a model and actress. He paints a vivid portrait of their courtship and twelve-year marriage: the fights, the reconciliations, the children, the affairs, Bogie's illness and Bacall's steadfastness until his death. He offers a sympathetic yet clear-eyed portrait of Bacall's life after Bogie, exploring her relationships with Frank Sinatra and Jason Robards, who would become her second husband, and the identity crisis she faced. Surpassing previous biographies, Mann digs deep into the celebrities' personal lives and considers their relationship from surprising angles. Bacall was just nineteen when she started dating the thrice-married forty-five-year-old Bogart. How might that age gap have influenced their relationship? In addition to what she gained, what might Bacall have lost by marrying a Hollywood superstar more than twice her age? How did Bogart, a man of average looks, become one of the greatest movie stars of all time? Throughout, Mann explains the unparalleled successes of their individual careers as well as the extraordinary love between them and the legend that has endured. Filled with entertaining details and thoughtful insights based on newly available records and correspondence, and illustrated with 30-40 photographs, Bogie & Bacall offers a fresh look at this famous couple, their remarkable relationship, and their legacy. William J. Mann has written biographies of Marlon Brando, Katherine Hepburn, Barbara Streisand, and Elizabeth Taylor. In his words, “I live in two of the most beautiful places on the planet: Provincetown, Massachusetts, with its exquisite light and ever-shifting dunes in the summer and the fall, and Palm Springs, California, with its majestic mountains and invigorating desert air in the winter and the spring. I am indeed blessed.” Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers and articles on G. K. Chesterton and John Ford, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found here on the New Books Network and on X. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

From the noted Hollywood biographer comes this celebration of the great American love story—the romance between Lauren Bacall and Humphrey Bogart—capturing its complexity, contradictions, and challenges as never before. In Bogie and Bacall: The Surprising True Story of Hollywood's Greatest Love Affair (Harper, 2023), William Mann offers a deep and comprehensive look at Lauren Bacall, Humphrey Bogart, and the unlikely love they shared. Mann details their early years—Bogart's effete upbringing in New York City; Bacall's rise as a model and actress. He paints a vivid portrait of their courtship and twelve-year marriage: the fights, the reconciliations, the children, the affairs, Bogie's illness and Bacall's steadfastness until his death. He offers a sympathetic yet clear-eyed portrait of Bacall's life after Bogie, exploring her relationships with Frank Sinatra and Jason Robards, who would become her second husband, and the identity crisis she faced. Surpassing previous biographies, Mann digs deep into the celebrities' personal lives and considers their relationship from surprising angles. Bacall was just nineteen when she started dating the thrice-married forty-five-year-old Bogart. How might that age gap have influenced their relationship? In addition to what she gained, what might Bacall have lost by marrying a Hollywood superstar more than twice her age? How did Bogart, a man of average looks, become one of the greatest movie stars of all time? Throughout, Mann explains the unparalleled successes of their individual careers as well as the extraordinary love between them and the legend that has endured. Filled with entertaining details and thoughtful insights based on newly available records and correspondence, and illustrated with 30-40 photographs, Bogie & Bacall offers a fresh look at this famous couple, their remarkable relationship, and their legacy. William J. Mann has written biographies of Marlon Brando, Katherine Hepburn, Barbara Streisand, and Elizabeth Taylor. In his words, “I live in two of the most beautiful places on the planet: Provincetown, Massachusetts, with its exquisite light and ever-shifting dunes in the summer and the fall, and Palm Springs, California, with its majestic mountains and invigorating desert air in the winter and the spring. I am indeed blessed.” Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers and articles on G. K. Chesterton and John Ford, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found here on the New Books Network and on X. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

From the noted Hollywood biographer comes this celebration of the great American love story—the romance between Lauren Bacall and Humphrey Bogart—capturing its complexity, contradictions, and challenges as never before. In Bogie and Bacall: The Surprising True Story of Hollywood's Greatest Love Affair (Harper, 2023), William Mann offers a deep and comprehensive look at Lauren Bacall, Humphrey Bogart, and the unlikely love they shared. Mann details their early years—Bogart's effete upbringing in New York City; Bacall's rise as a model and actress. He paints a vivid portrait of their courtship and twelve-year marriage: the fights, the reconciliations, the children, the affairs, Bogie's illness and Bacall's steadfastness until his death. He offers a sympathetic yet clear-eyed portrait of Bacall's life after Bogie, exploring her relationships with Frank Sinatra and Jason Robards, who would become her second husband, and the identity crisis she faced. Surpassing previous biographies, Mann digs deep into the celebrities' personal lives and considers their relationship from surprising angles. Bacall was just nineteen when she started dating the thrice-married forty-five-year-old Bogart. How might that age gap have influenced their relationship? In addition to what she gained, what might Bacall have lost by marrying a Hollywood superstar more than twice her age? How did Bogart, a man of average looks, become one of the greatest movie stars of all time? Throughout, Mann explains the unparalleled successes of their individual careers as well as the extraordinary love between them and the legend that has endured. Filled with entertaining details and thoughtful insights based on newly available records and correspondence, and illustrated with 30-40 photographs, Bogie & Bacall offers a fresh look at this famous couple, their remarkable relationship, and their legacy. William J. Mann has written biographies of Marlon Brando, Katherine Hepburn, Barbara Streisand, and Elizabeth Taylor. In his words, “I live in two of the most beautiful places on the planet: Provincetown, Massachusetts, with its exquisite light and ever-shifting dunes in the summer and the fall, and Palm Springs, California, with its majestic mountains and invigorating desert air in the winter and the spring. I am indeed blessed.” Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers and articles on G. K. Chesterton and John Ford, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found here on the New Books Network and on X. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

From the noted Hollywood biographer comes this celebration of the great American love story—the romance between Lauren Bacall and Humphrey Bogart—capturing its complexity, contradictions, and challenges as never before. In Bogie and Bacall: The Surprising True Story of Hollywood's Greatest Love Affair (Harper, 2023), William Mann offers a deep and comprehensive look at Lauren Bacall, Humphrey Bogart, and the unlikely love they shared. Mann details their early years—Bogart's effete upbringing in New York City; Bacall's rise as a model and actress. He paints a vivid portrait of their courtship and twelve-year marriage: the fights, the reconciliations, the children, the affairs, Bogie's illness and Bacall's steadfastness until his death. He offers a sympathetic yet clear-eyed portrait of Bacall's life after Bogie, exploring her relationships with Frank Sinatra and Jason Robards, who would become her second husband, and the identity crisis she faced. Surpassing previous biographies, Mann digs deep into the celebrities' personal lives and considers their relationship from surprising angles. Bacall was just nineteen when she started dating the thrice-married forty-five-year-old Bogart. How might that age gap have influenced their relationship? In addition to what she gained, what might Bacall have lost by marrying a Hollywood superstar more than twice her age? How did Bogart, a man of average looks, become one of the greatest movie stars of all time? Throughout, Mann explains the unparalleled successes of their individual careers as well as the extraordinary love between them and the legend that has endured. Filled with entertaining details and thoughtful insights based on newly available records and correspondence, and illustrated with 30-40 photographs, Bogie & Bacall offers a fresh look at this famous couple, their remarkable relationship, and their legacy. William J. Mann has written biographies of Marlon Brando, Katherine Hepburn, Barbara Streisand, and Elizabeth Taylor. In his words, “I live in two of the most beautiful places on the planet: Provincetown, Massachusetts, with its exquisite light and ever-shifting dunes in the summer and the fall, and Palm Springs, California, with its majestic mountains and invigorating desert air in the winter and the spring. I am indeed blessed.” Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers and articles on G. K. Chesterton and John Ford, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found here on the New Books Network and on X. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

From the noted Hollywood biographer comes this celebration of the great American love story—the romance between Lauren Bacall and Humphrey Bogart—capturing its complexity, contradictions, and challenges as never before. In Bogie and Bacall: The Surprising True Story of Hollywood's Greatest Love Affair (Harper, 2023), William Mann offers a deep and comprehensive look at Lauren Bacall, Humphrey Bogart, and the unlikely love they shared. Mann details their early years—Bogart's effete upbringing in New York City; Bacall's rise as a model and actress. He paints a vivid portrait of their courtship and twelve-year marriage: the fights, the reconciliations, the children, the affairs, Bogie's illness and Bacall's steadfastness until his death. He offers a sympathetic yet clear-eyed portrait of Bacall's life after Bogie, exploring her relationships with Frank Sinatra and Jason Robards, who would become her second husband, and the identity crisis she faced. Surpassing previous biographies, Mann digs deep into the celebrities' personal lives and considers their relationship from surprising angles. Bacall was just nineteen when she started dating the thrice-married forty-five-year-old Bogart. How might that age gap have influenced their relationship? In addition to what she gained, what might Bacall have lost by marrying a Hollywood superstar more than twice her age? How did Bogart, a man of average looks, become one of the greatest movie stars of all time? Throughout, Mann explains the unparalleled successes of their individual careers as well as the extraordinary love between them and the legend that has endured. Filled with entertaining details and thoughtful insights based on newly available records and correspondence, and illustrated with 30-40 photographs, Bogie & Bacall offers a fresh look at this famous couple, their remarkable relationship, and their legacy. William J. Mann has written biographies of Marlon Brando, Katherine Hepburn, Barbara Streisand, and Elizabeth Taylor. In his words, “I live in two of the most beautiful places on the planet: Provincetown, Massachusetts, with its exquisite light and ever-shifting dunes in the summer and the fall, and Palm Springs, California, with its majestic mountains and invigorating desert air in the winter and the spring. I am indeed blessed.” Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers and articles on G. K. Chesterton and John Ford, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found here on the New Books Network and on X. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

Stephanye Watts of the Be Reel Black Cinema Club joins the Men of Micheaux for an All-JASON Experience on the Mission. The Top 5 looks at Vincent's favorite Jason movies while Len challenges his partner to go Six Degrees of D'Urville Martin to Jason Issacs and Jason Robards. And (00:47) Stephanye has definitive thoughts on the timelessness of Jason's Lyric, despite the many accents of Allen Payne and Jada Pinkett-Smith. Rate & Review The Mission on Apple Email micheauxmission@gmail.com Follow The Mission on IG, and Twitter @micheauxmission  Leave a Voicemail for Vincent & Len Subscribe to the Mission on YouTube  Get your Micheaux Mission SWAG from TeePublic We are a proud member of The Podglomerate - we make podcasts work! Learn more about your ad choices. Visit megaphone.fm/adchoices

The boys begin Pride Month with the under seen 1989 Rosanna Arquette film ‘Black Rainbow'. Also, instead of patting yourself on the back and thinking you're doing good because you acknowledged something rainbowey this month, maybe actually go help some disenfranchised people? To apply this to the film, be a Tom Hulce, not a Jason Robards.

We wrap up 80s Body Swapping week with a movie that just squeaked into 1989. Its Dream A Little Dream with high caliber actors like Jason Robards, Laurie Piper, and……..the two Corey’s. Get ready for a different kind of movie with strange dance acts, and a white Michael Jackson who haunts Jason Robards nightmares….yep, don’t miss my take on the similarities of this movie to one of the most iconic slashers of the same decade. The post Doctor Movie Episode 151 : Dream A Little Dream first appeared on Legion.

November 14-20, 1992 This week Ken welcomes Left Handed Radio's Adam Bozarth and Anna Rubanova BACK to the show to finally (a year and a half later) do Part II of what they started. Ken, Anna and Adam discuss how tired Adam and Anna are, mosquitos, tubes in ears, having your tonsils removed, having bad gas send you to the hospital, Ken's kidney stone, Kid Creole and the Coconuts, placentas as extra credit, The Phillip LeBlanc Show, early morning WNYC, Marketplace, Halloween III, moving from Hard News, Fresh Scare, UPDATES on things Ken said to watch last time, including The Monster Club, That Guy Dick Miller, Charles Bronson, going on a Vincent Price kick, the modern Vincent Price, art collections, Voyager, playing poker, Steve Albini, carnival games, natural gas explosions, green room, Columbo, murder, Blade Runner, Hollywood not absolving real life people of crimes so they can exploit serial killers, Jean Smart, Aileen Wuornos, how lack of eyebrows makes you evil, Richard Bey, cleaning school buses, finding sunflower seed shells with a long stick, how gross the UCB Theater was, wearing gloves, Chuck Norris, Forced Vengeance, Titanic, George Washington, hating Tartikoff, TV Guide Letters to the Editor, The Jacksons,  how a divorce lead to President Obama, Warp Drive, Seinfeld's The Contest, Night Court, reboots, Flowers for Algernon, Mr. Plow, The Simpsons, Homer's brain damage,  Hard Times, Matilda the kangaroo movie, sexy kangaroos, jacked animals, Speed Weed, Jason Robards, 2001, Dr. Strangelove, Tuvok plus Nelix, copywriting characters, the twin loophole, Janeway's hatred, transporter accidents, Sightings, dead stunt people, Drag Queen Drag Races, barns, Belzer on Broadway, James Bond Jr, Fantastic Max, Darkwing Duck, Hollywood Squares, Fraggle Rock, Living in Iowa, adding muscles to things, how the 90s didn't allow open horniness, having a boner for abuse, why it is ok to kink shame, airport furries, Kennedy flipping out, sexy Superman and his marriage of convenience, Net Guide, and cocks with fat asses. 

GGACP celebrates the birthday of Tony-winning actor Matthew Broderick (March 21) with this ENCORE of a frequently hilarious interview from 2016. In this episode, Matthew talks about his days as a struggling young actor, his friendship with Jason Robards, his passion for Turner Classic Movies and his memories of working with legends Sean Connery, Sidney Lumet, Neil Simon and Mel Brooks. Also, Matthew mimics Marlon Brando, lauds Jack Lemmon, defends "Godzilla" and runs afoul of the Secret Service. PLUS: In praise of Christopher Walken! Peter Lorre blows the audition! Nathan Lane does Bert Lahr! Gilbert disses Ferris Bueller! And Bruno Kirby plots his revenge! This episode is brought to you by BetterHelp. Give online therapy a try at betterhelp.com/GILBERT and get on your way to being your best self. Learn more about your ad choices. Visit megaphone.fm/adchoices

GGACP's celebration of Women's History Month continues with this encore presentation of a 2019 interview with Oscar-nominated actress-director Marsha Mason. In this episode, Marsha talks about the value of character actors, the importance of onscreen chemistry, the true story behind “Bogart Slept Here” and her memories of collaborating with (and living with) the legendary Neil Simon. Also, Peter Falk shares the spotlight, Dustin Hoffman inspires “The Goodbye Girl,” Paul Newman introduces Marsha to auto racing and Gilbert sings the theme song from “Cinderella Liberty.” PLUS: “Dark Shadows”! “The Cheap Detective”! The superstitions of Peter Sellers! The elusiveness of George Segal! And Marsha co-stars with Albert Finney, Anthony Hopkins and Jason Robards! Learn more about your ad choices. Visit megaphone.fm/adchoices

Gregory Harrison recounts how a brush with Jason Robards kick-started his acting career, dishes about how he met his wife, talks about his life as GH's Gregory and more with Digest's Stephanie Sloane and Mara Levinsky. We also discuss the latest news and casting changes.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.