Podcasts about James Garner

Physical media has some upgraded gems this week so Erik Childress and Peter Sobczynski get into some appreciative conversation. They include a James Garner detective tale that may have been the precursor to The Rockford Files. The final film of Wes Craven's career gets relitigated over its decade-long reevaluation. Christopher Walken delivers maybe the nuttiest performance of his career. Julia Roberts and Hugh Grant close out ‘90s rom-coms in style. Joe Dante and Tom Hanks take a skewer to suburban placation that may be even more relevant today. Steve Martin and Eddie Murphy are one of the great comic pairings ever in an all-timer Hollywood satire. Finally, on the eve of Disclosure Day, Steven Spielberg gets an 8-film box set. What would be in yours?Arrow (Marlowe (1969) (4K))Lionsgate (Scream 4 4K)Shout (Communion, The Burbs (4K), Bowfinger (4K))Universal (Notting Hill (4K), Steven Spielberg: The Spotlight Collection (4K))NEW (A Magnificent Life, Lorne)CLICK ON THE FILMS TO RENT OR PURCHASE AND HELP OUT THE MOVIE MADNESS PODCAST OR BUY FROM MOVIEZYNGBe sure to check outErik's Weekly Box Office Column – At Rotten TomatoesCritics' Classics Series – At Elk Grove Cinema in Elk Grove Village, ILChicago Screening Schedule - All the films coming to theaters and streamingPhysical Media Schedule - Click & Buy upcoming titles for your library.(Direct purchases help the Movie Madness podcast with a few pennies.)Erik's Linktree - Where you can follow Erik and his work anywhere and everywhere.The Movie Madness Podcast has been recognized by Million Podcasts as one of the Top 100 Best Movie Review Podcasts as well as in the Top 60 Film Festival Podcasts and Top 100 Cinephile Podcasts. MillionPodcasts is an intelligently curated, all-in-one podcast database for discovering and contacting podcast hosts and producers in your niche perfect for PR pitches and collaborations.USE COUPON “MOVIEMADNESS” TO GET 10% OFF ALL DUBBY PRODUCTSSIGN UP FOR AUDIBLE This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit erikthemovieman.substack.com

A mix of Top 40 hits from June 1975! Artists include Steely Dan, Pilot, Bachman Turner Overdrive, War, Wings, Mike Post and more! 

00:00 - 21:33 - JMV and Nick Yeoman from IndyCar Radio preview Sunday’s race, and reflect on the sudden passing of NASCAR’s Kyle Busch. Voice of the 500 Mark Jaynes joins the show as well! 21:34 - 34:33 - GiGi Garner, daughter of actor and notable racing fan James Garner, joins the show! She, JMV and Chris Hagan reminisce on her father and his legacy in both acting and racing. 34:34 - 45:10 - JMV, Chelsea and Chris do some #AskPat!Support the show: https://1075thefan.com/the-ride-with-jmv/See omnystudio.com/listener for privacy information.

00:00 – 25:20 – JMV is out at Indianapolis Motor Speedway for Carb Day! With the weather moving in, John is in the media center, and he and Nick Yeoman from IndyCar Radio preview Sunday’s race, and reflect on the sudden passing of NASCAR’s Kyle Busch. Voice of the 500 Mark Jaynes joins the show as well! 25:21 – 39:45 – GiGi Garner, daughter of actor and notable racing fan James Garner, joins the show! She, JMV and Chris Hagan reminisce on her father and his legacy in both acting and racing. 39:46 – 44:57 – Chelsea Helms from FOX59 joins JMV and Chris Hagan as the 1st hour ends! 44:58 – 1:07:13 – JMV, Chelsea and Chris do some #AskPat! 1:07:14 – 1:16:51– JMV keeps things rolling as he talks to Thomas from Premier Weight Loss! 1:16:52 – 1:24:36 - The 2nd hour ends as JMV receives an update on Alex Rossi from Alexa Ross of FOX59! 1:24:37 – 1:29:12 – JMV wraps up the show! Support the show: https://1075thefan.com/the-ride-with-jmv/See omnystudio.com/listener for privacy information.

This week Evan takes a trip George Lucasville with THE MANDALORIAN AND GROGU (3:18) and Dave scratches his music itch with TUNER (24:08), about a piano tuner-turned-safecracker with the best sound design Dave has heard in a while. Over on Patreon, Dave and Evan talk about the asoblutely bonkers 1981 stalker film THE FAN, starring Lauren Bacall, James Garner, and a very young Michael Biehn.

Mike is back with this week's episode of News For The Blues, as he discusses all the latest news out of the club before our final match of the season, away at Spurs. Mike discusses James Garner's omission from the England World Cup squad, a new contract for Vitalii Mykolenko, the end of season awards and all the injury news. To help support the show, please use our affiliate links for both CFS and Fanatics when buying your Everton merchandise ⬇️

Tank - a 1984 movie starring James Garner, Shirley Jones, Jenilee Harrison and C. Thomas Howell that dares to ask the question "How many of life's problems have tank-based solutions?"All of them. Tanks, apparently, solve every problem.Join Mike and Christian as they dive back into a nostalgic look at the early 80's when tanks were tanks and corrupt small town sheriffs were more powerful than the US military

Please enjoy this preview of our upcoming conversation with Emmy Award-winning producer Charles Floyd Johnson (The Rockford Files, Magnum, p.i., Quantum Leap, JAG, NCIS, Red Tails, John Lewis: Get in the Way). Charles is also one of the six authors whose work is featured in A Gathering of Voices: The Longwood Writers Workshop, an anthology of vibrant, introspective, lyrical, and personal stories that provide a full, rich, and multidimensional look at life in Black America in the 20th and 21st century. All of the stories told in A Gathering of Voices resonate with memories of struggles waged, battles won and lost, and experiences that illuminate the collective wisdom learned by each author and their hard-won resilience. A Gathering of Voices is available through BookBaby.com, Amazon.com, and LongwoodWritersWorkshop.com. Our complete conversation with Charles Floyd Johnson will air the weekend of May 8 on TV Confidential.  Photo of James Garner and the production staff of The Rockford Files by Gene Trindl/TV Guide and is from the personal collection of host Ed Robertson Top row (L to R) Stephen J. Cannell, David Chase Middle row (L to R) Charles Floyd Johnson, Meta Rosenberg, Juanita Bartlett Bottom row James Garner 

“Kate was able to go off script. Then I found I could go with her. Pretty soon we're doing stuff that is not on the written page. That's where we found the little ‘in-between' moments.”  - Bruce BoxleitnerREWIND EPISODE: The 80s TV Ladies are both moving! More details in a later episode, so please enjoy a few of our favorite episodes on repeat - consider it early rerun season. Let us know what you think about Bruce, Lee Stetson, and Scarecrow and Mrs. King. We think it's one of the most adorable interviews with Bruce Boxleitner ever. :)Susan and Sharon are so excited to talk with the star of one of their favorite 80s TV shows of all time -- Bruce Boxleitner from Scarecrow & Mrs. King!  Bruce's television career started way back in 1973 with an appearance on The Mary Tyler Moore Show. He has since appeared in over 100 films and TV shows including Gunsmoke, Baretta, Police Woman, Hawaii 5-0, Babylon 5, Crossing Jordan, Commander in Chief, American Dad, Cold Case, Heroes, Chuck, NCIS, Supergirl, The Orville, When Calls The Heart, How The West Was Won, Bring ‘Em Back Alive, The Gambler and Tron.In Part One of this two-part interview, Bruce reflects on getting the role of Lee Stetson, working with Kate Jackson and the cast of Scarecrow & Mrs. King and filming some of the show's most memorable episodes during the summer of 1984 in Europe.THE CONVERSATIONGETTING THE SHOW: "I was in a daze. I ended up on the roof... The security guard down below: 'What are you doing up there?' 'I don't know!'"UN-“HAPPY DAYS”: How Bring ‘Em Back Alive fought a losing battle on Tuesday nights against Richie Cunningham and the Fonz… But how it led to Bruce's most famous TV role of all time!CALLING ALL SPIES: What was it like auditioning with Kate Jackson -- in front of the same executives that just cancelled his last show?On Mel Stuart: “He was the best. I miss him so much. He made me laugh more than anyone I've ever worked with.”THE OLD CAR: Driving that '63 Porsche Speedster around Washington, D.C. during the pilot: “It died after every take.”THE NEW CAR: a 1984 Corvette: “It fit me like a pair of fiberglass pants.”Gary Davis -- Bruce's secret stunt double -- did all Lee Stetson's stunts, and doubled for Bruce more times than you might think.NOT TOO MANY GUNFIGHTS AT 8PM: The Scarecrow editors assembled a gag reel of all the times top agent Lee Stetson lost his gun.SAVING MS. SMITH: While filming in Munich, Bruce and Martha Smith walked into the wrong punk bar. Bruce got her out -- but only after throwing some Stetson-style punches!Working in the Alps and in Amanda's house with Jean Stapleton -- “I wish she could have done more episodes.”One of Bruce's favorite episodes? S2; EP1 “To Catch a Mongoose”S2; EP21: “Burn Out” -- and the scene where Lee slaps Amanda. How did that feel for Kate -- and Bruce?So, join Susan and Sharon -- and Bruce -- as they talk Beverly Garland, James Garner, quirky humor, Scotland Yard, Lee Stetson's wardrobe, “When should we kiss?”  -- and what happened the day Moonlighting premiered!Make sure to join us NEXT EPISODE for Part Two of our conversation with Bruce Boxleitner!AUDIO-OGRAPHYFind out more about Bruce Boxleitner at Facebook.com Follow him at Instagram.com/BoxleitnerBruceCatch him on Cameo at Cameo.com/BoxleitnerBruceWatch SMK for free at Internet Archive.Watch S2, Ep. 21: Burn out on Internet Archive here. Read the NY Times review of Bruce's 1973 Broadway play debut, Status Quo Vadis. And guess who else was in the cast? (Hint: Sam from Cheers!)   CONNECTVisit 80sTVLadies.com for transcripts.Sign up for the 80s TV Ladies mailing list.Support us and get ad-free episodes on PATREON.VOTEREMEMBER: Make sure you're ready. Register or Check your US Election Registration at Vote.orgBe sure to vote in your primarys. Find out what's on your ballot at BallotReady.orgJuly 15th this year is the 47th anniversary of President Carter's Crisis of Confidence speech. Read Susan's play about the speech and the confidence it takes to be president in challenging times: Confidence (and the Speech) at Conchord Publishing DPS. Visit 80sTVLadies.com for more info.Listen to 80s TV Ladies at YouTube. Subscribe and help us grow.Don't miss out. Sign up for the 80s TV Ladies mailing list!Help us make more episodes and get ad-free episodes, video interviews, and exclusive content on PATREON.

It's the story of a guy on a road trip across the country, checking out America's classic greasy spoons. And the adventure is all about finding the restaurant owners and creative cooks serving up the very best of down-home style food. That's the premise of the hit series Diners, Drive-Ins, and Dives starring everyman chef Guy Fieri. Today we're going to talk with the show's creator, two-time Emmy Award winning food journalist and executive producer David Page. Interview Transcript David, I can't wait to talk to you about the show. But before we dive in and talk about the specifics, how long did the show run and how many episodes were done? My impression it's still on and it's always been there. Yes. I created it in 2006, 2007. I did the first 11 seasons and moved on. And funny story, in the first month of the show we had a couple of strong initial outings. And everyone was all excited thinking maybe this will be a hit. A food network executive called me up to tamp down my expectations and said, look, this is all fine and dandy, but this thing isn't gonna go more than a season or two. There's just not that many restaurants. And you know, to quote the great screenwriter William Goldman whose rule of Hollywood is 'no one knows anything.' I did 11 seasons. It's now in season 40 or something, I think. Holy cow. I could just think of enough restaurants around me to do a couple of seasons worth. So, tell us the origin story. How did Diners, Drive-Ins and Dives come about? Well, I had left a career in network news and moved to the Twin Cities because I thought I wanted to be in business for a public corporation. And I took a job as the Senior Vice president at a home shopping channel, and I was all excited, and I hated it. It was just horrible. I did not want to sell second rate gold jewelry to shut ins. So, I quit, and I opened a production company and began to starve because I wasn't selling anything. Then I called Al Roker, who has a production company and who had technically worked for me, although stars don't work for executive producers in the real world. When I was the co-producer of the Weekend Editions of the Today Show. Al was on the weekend show at the time. He hadn't yet moved up to the big show. And I said, hey, Al, I'm starving. You got any work you could throw me? And he said, yeah, I'm doing a lot of stuff for the Food Network. I'll subcontract some of it to you. Which was good for both of us. I got to work, and Al got to take a cut without doing anything. So, that hooked me up with the Food Network. I started working for them and Al and I both knew I wasn't gonna get rich doing a pass-through deal, so I started pitching them directly. And I was getting nowhere. There was this very nice development exec who would talk to me on the phone. And everything I proposed she would shoot down. And one day I'm on the phone with her and we're going through a pitch call and I'm proposing this and proposing that, and she's saying, no, no, no. Finally, the Food Network had asked Al to do a documentary on diners and the history of diners and such. And Al had subcontracted it to me. So, this development exec had a frustration and I think pity for me and finally said to me on this call, don't you have another thing on diners? And I immediately, I said, oh, absolutely. I'm developing a show called Diners, Drive-Ins and Dives. And I told her all about it. And this was like late on a Thursday or Friday afternoon. And she said, 'you know, that sounds good. We have a development meeting Tuesday. Get me a writeup on Monday.' And I got off the phone elated because it was the first time she'd expressed interest in anything. But also, I'd kind of put myself in a jam because I was not developing a show called that. I had literally pulled the title out of thin air. Or a body part, depending upon how scatological you want to get. And that gave me the weekend to try to put a pitch together. So, this was in the old days when you didn't email people, you called them. I did as much research as I could, and I started calling restaurants around the country. And on Monday I sent her a pitch for a one-hour special with, I think, it had seven restaurants in it. And, they had their meeting on Tuesday and here here's, you know, you get lucky. Guy Fieri had just won their second Food Network Star competition. Back then they naively believed that that contest was gonna generate them a new star every year. Someone who would be a big deal for it. In fact, Guy is the only one who ever made it and, when I'm drunk and immodest, I take a lot of credit for having taught him how to make it. But he has immense natural talent. Anyway, they wanted to make Guy a star. And they were trying to get a primetime show for him. And big deal, major league production companies had been asked to come up with proposals, which had not come back yet. They figured, what the hell, let's do a special with Guy just to keep on the air so people wouldn't forget about him. So, they picked up this special from me. It was gonna be a one-shot deal. We did it. I think they were kind of stunned by how well it did. And then something really great happened for me. They looked at the proposals from the big boys and didn't like them. And they were kind of stuck. They were desperate to get Guy on the air in prime time. So, they figured, well, you know, let's pick up a very short season of this thing. And they bought, I don't know if it was eight or 10 episodes, but they committed to that. And very quickly, we became a hit and off we went. It's an amazing story. So many people have seen so many episodes of that show. But nobody would have any idea that's how it got started. It's wonderful to hear about that. Once you got going and got your feet on the ground with this, what were you hoping to accomplish through this show? Well, look, TV's about storytelling. I've been a storyteller, hell, for 50 some odd years now as a mostly broadcast journalist. You learn, if you're any good, that the best stories come from and are about people. I conceive this not as a food show, but as an opportunity for the viewer to meet really cool, passionate people doing something they cared about. You know, independent restaurant owners make a buck 3.80 at best. They're passionate about making good food. If they're any good. They're often trying to keep family legacies alive. And more than anything else to succeed in the food biz you gotta wanna serve people. You gotta wanna make people happy. So, I went out to document the stories of some of the coolest people in America. Now, it was in the food world, which is a world of shared experience. We all eat. Most of us have favorite foods. Most of our favorite foods are the kinds of foods that I featured on Diners. TV is about one thing: hanging out with someone you want to hang out with. That's why Tom Selleck remains a star; whatever crappy TV show you put him in. That's why for your older audience, Tyne Daly kept getting series after series, or James Garner. There are just people you want to hang out with and that's all television is. Guy is someone people want to hang out with. His personality comes through the screen in a particular way. And you know, I said earlier, frankly or implied, that I taught him a lot about how to make TV. I did, but that's because at heart, he is the most naturally talented performer I've ever worked with in 50 years in the business. And was brilliantly able to soak up anything he learned along the way. I mean, it's like a chef. If you're a good chef, a better chef can make you better. But if you're not a good chef, you'll never be a good chef. To be good on TV, you have to have it. I can't define IT, but to quote the Supreme Court justice about pornography, I know it when I see it. And Guy has IT. So basically, this show put together people you wanted to hang out with and brought them into your living room or your bedroom or whatever room you watch in. The show is very compelling and you're right, you get to know the chefs, the restaurant owners in these little places, and there's something wonderfully wholesome about it. It's so good that you came up with this idea. You know, I was reminded as you were talking about a conversation you and I had when we first got to know each other by Zoom a few weeks ago. And I was mentioning I was going to do a self-guided drive called the Blues Triangle Tour. Starting in Memphis going down to Tupelo, over to Mussell Shoals, ending up in Nashville. And immediately you started telling me about places I needed to go. You said, oh, there's this wonderful place in Memphis. It's down an alley and down these stairs. Yeah, the rendezvous. Yes. They have the best Memphis dry rub ribs. I thought, oh my God, I'm, I can't tell you how grateful I am for that recommendation. Well, did you go? I'm going plan my trip around that. And then as I was reading your book, Food Americana, which we've discussed in a separate podcast, you mentioned the hot wings in Nashville. You mentioned former Mayor of Nashville, Bill Purcell, who was an inspiration for the hot wing festival they have there. Well, I happen to know him. And because our professional paths intersected around some health and wellness things, and he's a wonderful guy. So, you inspire me to get back in touch with him. You know, I wrote to him, I said, I'm going to be in Nashville. Let's go out for some hot wings. You know, at the place where they were invented. How wonderful is all this? Well, the story behind them is phenomenal. Apparently, the guy, Prince I guess was his last name... he was not a real faithful husband or boyfriend. I'm not sure if he was married to the woman. But he came in one night after gallivanting around and told his partner, told apparently, didn't ask, to make him some wings. And she was so teed off at him that she made them hotter than hell and he liked them. And you know, an industry is born. Or so the story goes. That's so interesting. Tell us some of your most memorable experiences doing the show. And some of the places you were, the people you met. There must be so many that stand out and you did so many. But give us a few examples. Well, I understand I kind of lost out on part of this after the first season. I, I was back at home base putting the show together. So, okay, my in-person experiences were somewhat limited. Although I made some phenomenal friends in the course of it. Louie Miller's Barbecue in Taylor, Texas. Which, I visited. It's a legacy joint. Opened 80 some odd years at this point in a converted, they always include the word girls, a converted girls basketball gym in this small town in Texas. And when we went to shoot there, Louis Miller had passed away. His son Bobby was running the place. Bobby has now passed away and his son Wayne has the place. But I just fell in love with Bobby, who was, mm-hmm, dry as a bone and hilarious. I mean, Guy says to him, well, what are you gonna cook these over? You know, expecting post oak or mesquite. Bobby looked at 'em and said, wood. I said, oh, so that's how it's gonna go. And, and that's how it went. Now we started at three in the morning. That's when they start the fire. And, you know, we're in the middle of an interview in front of one of the pits, which was at that point, I don't know, maybe 60 years old. And without looking, without checking, Bobby turns around and starts moving briskets from one part of the pit to the other. And either I or Guy said, why are you doing that? How do you know to do that? He said they needed it. It's that kind of innate understanding of his food, his technique, the pit - which had a personality of its own - and he understood it. It was just extraordinary. It's the best barbecue I've ever had. The brisket there is extraordinary. It's unbelievable. They make their own sausage, out of bull meat. You know, again, food of the poor. Barbecue started as a way to salvage tough cuts and meat that was going bad in Czech and German owned butcher shops in central Texas. It was all about making do and the argument has allegedly been that bull meat has a better chew. BS. Once the old Bull was done siren, you had to do something with 'em. Grinding them up into sausage was efficient. And I, I mean, it's fascinating what you learn along the way. Bulls are kinda lean. So, when you make sausage outta bull meat, you actually add fat. That you've taken from other animals to get the right mix. Their sausage is amazing. It's the finest barbecue I've ever had. There's a place in West Lafayette, Indiana, called the Triple XXX Family Restaurant. They added family restaurant to it 'cause when it was just the Triple XXX Drive-In, they used to get phone calls, yeah, from people asking what time the next show was. And the married couple that owns it, they started going there when they were in high school dating. His father owned it at one point. It's basically a burger joint, but much more than that where they make the burgers out of steak. They name the burgers after star athletes from Purdue University right down the street. And they just, their, their love for the business, their love for the community, it's just something really, really special. And, you know, Wayne Miller's become a friend. They've become friends. It, it, it's a delight to see. there's a barbecue joint in Lexington, Kentucky. And I know Lexington because when my daughter was in high school, she was a competitive equestrian. And, Lexington has a pretty big deal horse show every year. And we would go there, and she actually ribboned there. She was damn good at it. But there was a barbecue joint that I found there. I didn't find it on a trip there. I mean, my research department found it. And their specialty was, as is the case in that part of Kentucky, mutton. And we sent a crew down there and Guy and did a segment with them. Like the next year when we were in Lexington, I took the family there and we had dinner. And it turned out I couldn't go there very often because they wouldn't let me pay. And they would just fill the table with all this food because as it turned out, they told me that being on Diners saved them from going bankrupt and shutting down. And I found out that we actually saved a bunch of restaurants, which was not our intent. But I'm damn glad it happened. And by the way, if you've never had mutton barbecue, you gotta go for it. It's fabulous. You know, when you were talking about Texas barbecue, I don't think I've ever come across barbecue I don't like. And, you know, North Carolina has its own distinctive barbecue, and Kansas City and Memphis, you know, all that. But by far my favorite, and I shouldn't say this because I live in North Carolina, but it's Texas barbecue, just like you said. Well, I think we're talking central Texas barbecue because... Yes. In Southern Texas, there's a Mexican style of barbecue, in Southeastern Texas there's the kind of barbecue you're used to because there was an African American migration from the Southeast into that area, so they're making pork. But yes, central Texas barbecue is second to caviar and hallava. Probably the third best substance on earth. Oh my God, I totally agree. I have a good friend in Austin, so I've been down there and I've gone to Lockhart and, you know, Austin and places, and you're right, that Central Texas barbecue is just unbelievable. It, it hijacks every atom in my body. And, and what's incredible about it is in most cases. There's no sauce. No, I was just gonna say... that it's only with salt and pepper. You don't... the meat is so good. Yeah. You don't want to besmirch it with sauce. No, no. At other places you need sauce because the meat's not that good to begin with. Oh, it's just absolute heaven. And again, it was born of a need to do something with bad meat. And, and by the way, interestingly enough, you know, unlike North Carolina barbecue, which was born of whole animals, this kind of barbecue was impossible until the meat cutting industry was born. And pieces of beef were being shipped that were not whole carcasses or half carcasses. This old form of food is actually also a modern form of food that couldn't exist until the industrial age began treating beef differently. You know, I'm dying to make a trip down to Austin, use that as a base and do nothing but barbecue for about three or four days. I don't know if the body can tolerate that, but, oh... Oh sure it can! But I'm going to find out perhaps. Well, you know, there's three Michelin star barbecue joints in Austin now. I interviewed the owner of La Barbecue, which has a Michelin star who was actually married to a woman who is a descendant of Louis Miller's family. And she unfortunately passed away. Her widow runs the place alone now. But they're doing some remarkable stuff. And of course, there's Franklin's, which is famous, which I've never been to. But oh, Obama was the only one allowed to cut the line there. Yeah, I wasn't, I had to stand in line a long time. How good was it? Unbelievably good. I mean, you go up and, you know, Aaron Franklin was there at the counter chopping up the brisket and asked which part you'd like. And you just don't... sauce belongs nowhere near it. The meat is just so tender, so beautiful. But it does raise a definitional issue. He was one of the first to use prime beef. Is that cheating? Barbecue's goal is to make the most out of the least. I don't know. If it's good. It's good. Okay. Cheating or not? It's really good. Okay. Just checking. So, let's get back to food television. Social media has come into the picture, since you began doing the Diners show. How has that changed things? And is TV still the predominant place people are learning about food or is it social? How do the two interact? Where does that work? I think it's mostly social media these days.I mean, look, TV evolved. Food TV evolved into two things. Truly beautiful paeans to food and chefs done generally on streaming channels. And they're fine. They're good. A bit, too dreamy for my taste. They take you out of the real world of your shared experience, but that's okay. I, I like going to museums and looking at pretty pictures. What troubles me is that so much of food TV turned into competition shows and BS reality shows. They glorify, you know, Gordon Ramsey's a great chef. I doubt he runs his real kitchens the way he screams and yells on that show. And given the toxicity in the restaurant kitchen culture, that got a spotlight a few years ago and is still, you know, it hasn't been eradicated. I'm not in love with the glorification of screaming and yelling. But the Bear has the same problem. I mean, this 'yes chef' mentality but it's still the French brigade system and an awful lot of the chefs I enjoy talking to these days will tell you, you don't have to do that. But I think the impetus in food as an audio-visual medium. Or food presented as an audio-visual medium is very much social media [these days. And you know, on the one hand, that's fine. The more interest there is in food. Hopefully the more people may sample my podcast Culinary Characters Unlocked. Look for it wherever you get your podcasts. But look, I confused the folks at the Food Network by insisting that my show be completely factual. You know, if they would ask me to stretch a point or something, I would say no. I held it to the same standards that I held all the reporting to when I was the senior investigative producer at 2020. I believe you should tell the truth. Well, social media doesn't give a damn. Most food shows, frankly, don't give a damn. But you've got influencers who have their own agendas. Who are wheedling free meals out of restaurants. I mean, why the hell glorify to buy chocolate? It's a goddamn chocolate bar, but it's 20 bucks. That's ridiculous. Food has been turned into a designer, accoutrement. It's, you know, it's a YSL designer bag. That doesn't make me happy. But then again as a society it's harder and harder to get people to be interested in actually learning stuff. They wanna be titillated, they wanna be shocked, they wanna be amazed. And look, teaching people stuff or imparting information doesn't have to be broccoli. I believe, frankly, one of the things I'm proudest of is that Diners, while entirely factual, was entertaining as hell. You can do both. But there's no code of honor or honesty or obligation among anybody picking up a camera and going on social media and saying, look at this. Where could it go? How could it be better? Well, don't take money or free meals to go pump places up. Have some expertise in what you're analyzing. I mean, criticism's fine, but if you don't know what you're talking about, the criticism is not valid. And I look to food critics to guide me toward where I want to go and eat and what I should like and help me broaden my palate and my understanding. Is it entertaining? Yeah, fine. It's okay. But again, I'm a grumpy old man telling kids to get off the shed. So David, you know, I'm really grateful you joined us today because the Diners, Drive-Ins and Dives is such an important part of American food television history. And it's amazing to hear how it got started and where it went and your vision of how things could be better. But boy, it's just fun to talk to you about food in general and places to eat and the people. And it is just this wonderful world of connection, isn't it? It, it is. And for example, this conversation, Kelly, I didn't know you till we started talking about doing this podcast, and now you're a new buddy. I love talking food with you. BIO David Page is the President and Executive of Page Productions. He is a two-time Emmy award winning Executive Producer with a focus on culinary projects and a special expertise in creating entertaining and engaging programming that combines the highest production values with the richest storytelling. Page is best known for creating the Food Network hit Diners, Drive-Ins and Dives and executive producing the program for eleven seasons. He is also an author, having written the book Food Americana about the evolution of American cuisine. And he is now producing and hosting the podcast Culinary Characters Unlocked, featuring entertaining but substantive interviews with important people in the world of food. 

https://m.ebay.co.uk/sch/i.html?sid=tindogpodcast&_pgn=1&isRefine=true&_trksid=p4429486.m3561.l49496 Atlantis: The Lost Empire is a 2001 American animated science fiction adventure film directed by Gary Trousdale and Kirk Wise, produced by Don Hahn, and written by Tab Murphy. Produced by Walt Disney Feature Animation, it stars Michael J. Fox, James Garner, Cree Summer, Don Novello, Phil Morris, Claudia Christian, Jacqueline Obradors, Florence Stanley, David Ogden Stiers, John Mahoney, Jim Varney, Corey Burton and Leonard Nimoy. Set in 1914, the film follows young linguist Milo Thatch, who gains possession of a sacred book, which he believes will guide him and a crew of mercenaries to the lost city of Atlantis. Development of the film began after production had finished on The Hunchback of Notre Dame (1996). Instead of another musical, directors Trousdale and Wise, producer Hahn, and screenwriter Murphy decided to do an adventure film inspired by the works of Jules Verne. Atlantis: The Lost Empire was notable for adopting the distinctive visual style of comic book artist Mike Mignola, one of the film's production designers. The film made greater use of computer-generated imagery (CGI) than any of Disney's previous traditionally animated features and remains one of the few to have been shot in anamorphic format. Linguist Marc Okrand constructed an Atlantean language specifically for use in the film. James Newton Howard provided the film's musical score. The film was released at a time when audience interest in animated films was shifting away from traditional animation toward films with full CGI. Atlantis: The Lost Empire premiered at the El Capitan Theatre in Hollywood, Los Angeles, on June 3, 2001, and went into its general release on June 15. The film received mixed reviews from critics. Budgeted at around $90–120 million, Atlantis grossed over $186 million worldwide, $84 million of which was earned in North America; its lackluster box office response was identified as a result of being released in competition with Shrek, Lara Croft: Tomb Raider, The Fast and the Furious and Dr. Dolittle 2. As a result of the film's box office failure, Disney cancelled a planned spin-off animated television series, Team Atlantis; an underwater Disneyland attraction; and a volcanic Magic Kingdom attraction based on it. Atlantis was nominated for several awards, including seven Annie Awards, and won Best Sound Editing at the 2002 Golden Reel Awards. The film was released on VHS and DVD on January 29, 2002, and on Blu-ray on June 11, 2013. Despite its initial reception, reception in later years became favorable and has given Atlantis a cult following[5] and reappraisal from critics as a mistreated classic, due in part to Mignola's unique artistic influence.[6][7] A direct-to-video sequel, Atlantis: Milo's Return, was released in 2003. Plot In 1914 Washington, D.C., archaeo-linguist Milo Thatch obsesses over finding the legendary lost city of Atlantis, believed to have sunk thousands of years ago. His employers ridicule his theories, but he gains an unexpected ally in eccentric millionaire Preston B. Whitmore, a friend of Milo's deceased adventurer grandfather who also sought the city. Determined to honor his old friend's quest, Whitmore recruits Milo for an expedition to Atlantis, having recently uncovered the Shepherd's Journal, an ancient Atlantean manuscript that contains directions to the lost city. Aboard the submarine Ulysses, Milo meets his teammates: Commander Lyle Tiberius Rourke, Lieutenant Helga Sinclair, demolitions expert Vincenzo Santorini, geologist Gaetan "Mole" Molière, medical officer Joshua Sweet, mechanic Audrey Ramirez, radio operator Wilhelmina Packard, mess cook Jebidiah "Cookie" Farnsworth, and a platoon of mercenaries. Upon reaching a cave entrance leading to the lost city, the submarine is destroyed by a massive mechanical leviathan, killing most of the crew. Milo and the survivors escape in smaller craft, navigating through the cave to emerge among ancient ruins. Milo translates the journal, guiding the team through caves beneath a dormant volcano until they reach the worn remains of Atlantis. There, they are greeted by Princess Kidagakash "Kida" Nedakh, who, despite being around 8,500 years old, has the appearance of a young woman. She leads them to her father, King Kashekim, who orders them to leave. Learning that Milo can read their language—a skill lost to the Atlanteans over millennia—Kida asks for his help in uncovering their forgotten history and highly-advanced technology, without which the city has declined and resources have dwindled. Milo learns that Atlantis is powered by the Heart of Atlantis, a massive crystal that grants longevity and health to its citizens through the smaller crystals they carry. Rourke betrays Milo and the Atlanteans, revealing his true intention to steal the Heart for profit, despite knowing the Atlanteans will perish without it. He mortally wounds the King while seizing control and uncovers the crystal's hidden location beneath the city. Sensing the danger, the crystal merges with Kida, who is then captured by Rourke. He departs with the crystallized Kida and his mercenaries, except for Vincenzo, Molière, Sweet, Audrey, Packard, and Cookie, who refuse to take part in the Atlanteans' destruction. Before dying, the King reveals that Atlantis was devastated by a megatsunami after he attempted to weaponize the crystal's vast power. To protect the city, the crystal merged with a royal family member, Kida's mother. This created a protective dome over the city's inner district, shielding it from total destruction as Atlantis sank beneath the waves, but Kida's mother never returned. To prevent the crystal from ever merging with Kida, the King hid it, inadvertently accelerating Atlantis' decline. He warns Milo that Kida will be lost forever if she is not soon separated from the crystal and pleads with him to save her. Alongside his allies, Milo rallies the Atlanteans to reactivate their long-dormant flying machines. Together, they eliminate Rourke and his mercenaries in the volcano. Milo and the others fly the crystallized Kida back to Atlantis as the volcano erupts. Kida ascends into the air and awakens Stone Guardians, who erect a barrier that shields the city from the lava flow. With Atlantis saved, the crystal separates from Kida and remains suspended in the sky. Milo chooses to stay in Atlantis with Kida, having fallen in love with her. Before returning to the surface, Vincenzo, Molière, Sweet, Audrey, Packard, and Cookie each receive a small crystal and a share of treasure. The six reunite with Preston on the surface and agree to keep their adventure a secret to protect Atlantis. Preston opens a package from Milo containing his own crystal and a note thanking him. The newly crowned Queen Kida and Milo carve a stone effigy of her father to join those of past rulers floating beside the Heart of Atlantis, as the city stands restored to its former glory. Voice cast Production layout sketch of Milo and Kida. Milo's character design was based in part on sketches of the film's language consultant, Marc Okrand. Michael J. Fox as Milo James Thatch, a linguist and cartographer at the Smithsonian who was recruited to decipher The Shepherd's Journal while directing an expedition to Atlantis. James Garner as Commander Lyle Tiberius Rourke, the leader of the band of mercenaries for the Atlantean expedition. Cree Summer as Kidagakash "Kida" Nedakh, the Princess of Atlantis and Milo's love interest. Natalie Strom provided dialogue for Kida as a young child. Summer also voiced the unnamed Queen of Atlantis, Kida's mother and Kashekim's wife who was "chosen" by the Crystal during the sinking of the city. John Mahoney as Preston B. Whitmore, an eccentric millionaire who funds the expedition to Atlantis. Lloyd Bridges was originally cast and recorded as Whitmore, but he died before completing the film. Mahoney's zest and vigor led to Whitmore's personality being reworked for the film.[8] Claudia Christian as Lieutenant Helga Katrina Sinclair, Rourke's German-born second-in-command. Don Novello as Vincenzo "Vinny" Santorini, an Italian demolitions expert. Phil Morris as Dr. Joshua Strongbear Sweet, a medic of African-American and Arapaho descent. Jacqueline Obradors as Audrey Rocio Ramirez, a Puerto Rican mechanic and the youngest member of the expedition. Corey Burton as Gaetan "Mole" Molière, a French geologist who acts like a mole. Jim Varney as Jebidiah Allardyce "Cookie" Farnsworth, a Western-style chuckwagon chef. Varney died in February 2000, before the production ended, and the film was dedicated to his memory. Steven Barr recorded supplemental dialogue for Cookie. Florence Stanley as Wilhelmina Bertha Packard: an elderly, sarcastic, chain-smoking radio operator who is also the expedition's photographer. Leonard Nimoy as Kashekim Nedakh, the King of Atlantis and Kida's father. David Ogden Stiers as Fenton Q. Harcourt, a board member of the Smithsonian Institution who dismisses Milo's belief in the existence of Atlantis. Production Development The production team visited New Mexico's Carlsbad Caverns to get a sense of the underground spaces depicted in the film. The idea for Atlantis: The Lost Empire was conceived in October 1996 when Don Hahn, Gary Trousdale, Kirk Wise, and Tab Murphy lunched at a Mexican restaurant in Burbank, California. Having recently completed The Hunchback of Notre Dame,[9] the producer, directors and screenwriter wanted to keep the Hunchback crew together for another film with an "Adventureland" setting rather than a "Fantasyland" setting.[10] Drawing inspiration from Jules Verne's Journey to the Center of the Earth (1864) and Twenty Thousand Leagues Under the Seas (1870), they set out to make a film which would fully explore Atlantis (compared to the brief visit depicted in Verne's novel).[11] While primarily utilizing the Internet to research the mythology of Atlantis,[12] the filmmakers became interested in the clairvoyant readings of Edgar Cayce and decided to incorporate some of his ideas—notably that of a mother-crystal which provides power, healing, and longevity to the Atlanteans—into the story.[13] They also visited museums and old army installations to study the technology of the early 20th century (the film's time period), and traveled underground in New Mexico's Carlsbad Caverns to view the subterranean trails which would serve as a model for the approach to Atlantis in the film.[14] The filmmakers wanted to avoid the common depiction of Atlantis as "crumbled Greek columns underwater", said Wise.[15] "From the get-go, we were committed to designing it top to bottom. Let's get the architectural style, clothing, heritage, customs, how they would sleep, and how they would speak. So we brought people on board who would help us develop those ideas."[16] Art director David Goetz stated, "We looked at Mayan architecture, styles of ancient, unusual architecture from around the world, and the directors really liked the look of Southeast Asian architecture."[17] The team later took ideas from other architectural forms, including Cambodian, Indian, and Tibetan works.[18] Hahn added, "If you take and deconstruct architecture from around the world into one architectural vocabulary, that's what our Atlantis looks like."[19] The overall design and circular layout of Atlantis were also based on the writings of Plato,[18] and his quote "in a single day and night of misfortune, the island of Atlantis disappeared into the depths of the sea"[20] was influential from the beginning of production.[9] The crew wore T-shirts which read "ATLANTIS—Fewer songs, more explosions" due to the film's plan as an action-adventure (unlike previous Disney animated features, which were musicals).[21] Language The Atlantean letter A, created by artist John Emerson. Kirk Wise noted that its design was a treasure map showing the path to the crystal, "The Heart of Atlantis". Main article: Atlantean language Marc Okrand, who developed the Klingon language for the Star Trek television and theatrical productions, was hired to devise the Atlantean language for Atlantis: The Lost Empire. Guided by the directors' initial concept for it to be a "mother-language", Okrand employed an Indo-European word stock with its own grammatical structure. He would change the words if they began to sound too much like an actual, spoken language.[16] John Emerson designed the written component, making hundreds of random sketches of individual letters from among which the directors chose the best to represent the Atlantean alphabet.[22][23] The written language was boustrophedon: designed to be read left-to-right on the first line, then right-to-left on the second, continuing in a zigzag pattern to simulate the flow of water.[24] The Atlantean [A] is a shape developed by John Emerson. It is a miniature map of the city of Atlantis (i.e., the outside of the swirl is the cave, the inside shape is the silhouette of the city, and the dot is the location of the crystal). It's a treasure map. — Kirk Wise, director[25] Writing Joss Whedon was the first writer to be involved with the film but soon left to work on other Disney projects. According to him, he "had not a shred" in the movie.[26] Tab Murphy completed the screenplay, stating that the time from initially discussing the story to producing a script that satisfied the film crew was "about three to four months".[27] The initial draft was 155 pages, much longer than a typical Disney film script (which usually runs 90 pages). When the first two acts were timed at 120 minutes, the directors cut characters and sequences and focused more on Milo. Murphy said that he created the centuries-old Shepherd's Journal because he needed a map for the characters to follow throughout their journey.[28] A revised version of the script eliminated the trials encountered by the explorers as they navigated the caves to Atlantis. This gave the film a faster pace because Atlantis is discovered earlier in the story.[29] The directors often described the Atlanteans using Egypt as an example. When Napoleon wandered into Egypt, the people had lost track of their once-great civilization. They were surrounded by artifacts of their former greatness but somehow unaware of what they meant. — Don Hahn, producer[30] The character of Milo J. Thatch was originally supposed to be a descendant of Edward Teach, otherwise known as Blackbeard the pirate. The directors later related him to an explorer so he would discover his inner talent for exploration.[31] The character of Molière was originally intended to be "professorial" but Chris Ure, a story artist, changed the concept to that of a "horrible little burrowing creature with a wacky coat and strange headgear with extending eyeballs", said Wise.[32][33] Don Hahn pointed out that the absence of songs presented a challenge for a team accustomed to animating musicals, as action scenes alone would have to carry the film. Kirk Wise said it gave the team an opportunity for more on-screen character development: "We had more screen time available to do a scene like where Milo and the explorers are camping out and learning about one another's histories. An entire sequence is devoted to having dinner and going to bed. That is not typically something we would have the luxury of doing."[16] Hahn stated that the first animated sequence completed during production was the film's prologue. The original version featured a Viking war party using The Shepherd's Journal to find Atlantis and being swiftly dispatched by the Leviathan. Near the end of production, story supervisor John Sanford told the directors that he felt this prologue did not give viewers enough emotional involvement with the Atlanteans. Despite knowing that the Viking prologue was finished and it would cost additional time and money to alter the scene, the directors agreed with Sanford. Trousdale went home and completed the storyboards later that evening after visiting a strip club where he boarded the new sequence on a napkin.[34] The opening was replaced by a sequence depicting the destruction of Atlantis, which introduced the film from the perspective of the Atlanteans and Princess Kida.[35] The Viking prologue is included as an extra feature on the DVD release.[36] Casting Kirk Wise, one of the directors, said that they chose Michael J. Fox for the role of Milo because they felt he gave his characters his own personality and made them more believable on screen. Fox said that voice acting was much easier than his past experience with live action because he did not have to worry about what he looked like in front of a camera while delivering his lines.[37] The directors mentioned that Fox was also offered a role for Titan A.E.; he allowed his son to choose which film he would work on, and he chose Atlantis.[38] Viewers have noted similarities between Milo and the film's language consultant, Marc Okrand, who developed the Atlantean language used in the film. Okrand stated that Milo's supervising animator, John Pomeroy, sketched him, claiming not to know how a linguist looked or acted.[24] Kida's supervising animator, Randy Haycock, stated that her actress, Cree Summer, was very "intimidating" when he first met her; this influenced how he wanted Kida to look and act on screen when she meets Milo.[39] Wise chose James Garner for the role of Commander Lyle Tiberius Rourke because of his previous experience with action films, especially war and Western films, and said the role "fits him like a glove". When asked if he would be interested in the role, Garner replied: "I'd do it in a heartbeat."[40] Producer Don Hahn was saddened that Jim Varney, the voice of Jebidiah Allardyce "Cookie" Farnsworth, never saw the finished film before he died of lung cancer in February 2000, but mentioned that he was shown clips of his character's performance during his site sessions and said, "He loved it." Shawn Keller, supervising animator for Cookie, stated, "It was kind of a sad fact that [Varney] knew that he was not going to be able to see this film before he passed away. He did a bang-up job doing the voice work, knowing the fact that he was never gonna see his last performance." Steven Barr recorded supplemental dialogue for Cookie.[41] John Mahoney, who voiced Preston Whitmore, stated that doing voice work was "freeing" and allowed him to be "big" and "outrageous" with his character.[42] Dr. Joshua Sweet's supervising animator, Ron Husband, indicated that one of the challenges was animating Sweet in sync with Phil Morris' rapid line delivery while keeping him believable. Morris stated that this character was extreme, with "no middle ground"; he mentioned, "When he was happy, he was really happy, and when he's solemn, he's real solemn."[43] Claudia Christian described her character, Lieutenant Helga Katrina Sinclair, as "sensual" and "striking", and was relieved when she finally saw what her character looked like, joking, "I'd hate to, you know, go through all this and find out my character is a toad."[44] Jacqueline Obradors said her character, Audrey Rocio Ramirez, made her "feel like a little kid again" and she always hoped her sessions would last longer.[45] Florence Stanley felt that her character, Wilhelmina Bertha Packard, was very "cynical" and "secure": "She does her job, and when she is not busy, she does anything she wants."[46] Corey Burton mentioned that finding his performance as Gaetan "Mole" Molière was by allowing the character to "leap out" of him while making funny voices. To get into character during his recording sessions, he stated that he would "throw myself into the scene and feel like I'm in this make-believe world".[47] Kirk Wise and Russ Edmonds, supervising animator for Vincenzo "Vinny" Santorini, noted Vinny's actor Don Novello's unique ability to improvise dialogue while voicing the role. Edmonds recalled, "[Novello] would look at the sheet, and he would read the line that was written once, and he would never read it again! And we never used a written line, it was improvs, the whole movie."[48] Michael Cedeno, supervising animator for King Kashekim Nedakh, was astounded at Leonard Nimoy's voice talent in the role, stating that he had "so much rich character" in his performance. As he spoke his lines, Cedeno said the crew would sit there and watch Nimoy in astonishment.[49] Animation For comparison, the top image (panoramic view of Atlantis) is cropped to Disney's standard aspect ratio (1.66:1); the bottom image was seen in the film (2.35:1). At the peak of its production, 350 animators, artists and technicians were working on Atlantis[50] at all three Disney animation studios: Walt Disney Feature Animation (Burbank, California), Walt Disney Feature Animation Florida (Orlando), and Disney Animation France (Paris).[51] The film was one of the few Disney animated features produced and shot in 35mm anamorphic format. The directors felt that a widescreen image was crucial, as a nostalgic reference to old action-adventure films presented in the CinemaScope format (2.35:1), noting Raiders of the Lost Ark as an inspiration.[52] Because switching to the format would require animation desks and equipment designed for widescreen to be purchased, Disney executives were at first reluctant about the idea.[16] The production team found a simple solution by drawing within a smaller frame on the same paper and equipment used for standard aspect ratio (1.66:1) Disney-animated films.[52] Layout supervisor Ed Ghertner wrote a guide to the widescreen format for use by the layout artists and mentioned that one advantage of widescreen was that he could keep characters in scenes longer because of additional space to walk within the frame.[53] Wise drew further inspiration for the format from filmmakers David Lean and Akira Kurosawa.[16] The film's visual style was strongly based upon that of Mike Mignola, the comic book artist behind Hellboy. Mignola was one of four production designers (along with Matt Codd, Jim Martin, and Ricardo Delgado) hired by the Disney studio for the film. Accordingly, he provided style guides, preliminary character, and background designs, and story ideas.[54] "Mignola's graphic, the angular style was a key influence on the 'look' of the characters," stated Wise.[55] Mignola was surprised when first contacted by the studio to work on Atlantis.[56] His artistic influence on the film would later contribute to a cult following.[57] I remember watching a rough cut of the film and these characters have these big, square, weird hands. I said to the guy next to me, "Those are cool hands." And he says to me, "Yeah, they're your hands. We had a whole meeting about how to do your hands." It was so weird I couldn't wrap my brain around it. — Mike Mignola[56] The final pull-out shot of the movie, immediately before the end-title card, was described by the directors as the most difficult shot in the history of Disney animation. They said that the pull-out attempt on their prior film, The Hunchback of Notre Dame, "struggled" and "lacked depth"; however, after making advances in the process of multiplaning, they tried the technique again in Atlantis. The shot begins with one 16-inch (40.6 cm) piece of paper showing a close-up of Milo and Kida. As the camera pulls away from them to reveal the newly restored Atlantis, it reaches the equivalent of an 18,000-inch (46,000 cm) piece of paper composed of many individual pieces of paper (24 inches [61 cm] or smaller). Each piece was carefully drawn and combined with animated vehicles simultaneously flying across the scene to make the viewer see a complete, integrated image.[58] Scale model of Ulysses submarine by Greg Aronowitz, used by digital animators as reference during production.[59] At the time of its release, Atlantis: The Lost Empire was notable for using more computer-generated imagery (CGI) than any other Disney traditionally animated feature. To increase productivity, the directors had the digital artists work with the traditional animators throughout the production. Several important scenes required heavy use of digital animation: the Leviathan, the Ulysses submarine and sub-pods, the Heart of Atlantis, and the Stone Giants.[60] During production, after Matt Codd and Jim Martin designed the Ulysses on paper, Greg Aronowitz was hired to build a scale model of the submarine, to be used as a reference for drawing the 3D Ulysses.[59] The final film included 362 digital-effects shots, and computer programs were used to seamlessly join the 2D and 3D artwork.[61] One scene that took advantage of this was the "sub-drop" scene, where the 3D Ulysses was dropped from its docking bay into the water. As the camera floated toward it, a 2D Milo was drawn to appear inside, tracking the camera. The crew noted that it was challenging to keep the audience from noticing the difference between the 2D and 3D drawings when they were merged.[62] The digital production also gave the directors a unique "virtual camera" for complicated shots within the film. With the ability to operate in the z-plane, this camera moved through a digital wire-frame set; the background and details were later hand-drawn over the wireframes. This was used in the opening flight scene through Atlantis and the submarine chase through the undersea cavern with the Leviathan in pursuit.[63] Music and sound Since the film would not feature any songs, the directors hired James Newton Howard to compose the score after they heard his music on Dinosaur. Approaching it as a live-action film, Howard decided to have different musical themes for the cultures of the surface world and Atlantis. In the case of Atlantis, Howard chose an Indonesian orchestral sound incorporating chimes, bells, and gongs. The directors told Howard that the film would have a number of key scenes without dialogue; the score would need to convey emotionally what the viewer was seeing on screen.[64] Gary Rydstrom and his team at Skywalker Sound were hired for the film's sound production.[65] Like Howard, Rydstrom employed different sounds for the two cultures. Focusing on the machine and mechanical sounds of the early industrial era for the explorers, he felt that the Atlanteans should have a "more organic" sound utilizing ceramics and pottery. The sound made by the Atlantean flying-fish vehicles posed a particular challenge. Rydstrom revealed that he was sitting at the side of a highway recording one day when a semi-truck drove by at high speed. When the recording was sped up on his computer, he felt it sounded very organic, and decided to use it in the film. Rydstrom created the harmonic chiming of the Heart of Atlantis by rubbing his finger along the edge of a champagne flute, the sound of sub-pods moving through the water with a water pick, while a ceramic pot from a garden store was used for the sounds of the movement of the Giant stone guardians.[66] Release Atlantis: The Lost Empire had its world premiere at Disney's El Capitan Theatre in Hollywood, Los Angeles, on June 3, 2001[67] and a limited release in New York City and Los Angeles on June 8; a wider release followed on June 15.[4][61] At the premiere, Destination: Atlantis was on display, featuring behind-the-scenes props from the film and information on the legend of Atlantis with video games, displays, laser tag, and other attractions. The Aquarium of the Pacific also loaned a variety of fish for display within the attraction.[68] Promotion Atlantis was among Disney's first major attempts to utilize internet marketing. The film was promoted through Kellogg's, which created a website with mini-games and a movie-based video game give-away for UPC labels from specially marked packages of Atlantis breakfast cereal.[50] The film was one of Disney's first marketing attempts through mobile network operators, and allowed users to download games based on the film.[69] McDonald's (which had an exclusive licensing agreement on all Disney releases) promoted the film with Happy Meal toys, food packaging and in-store decor. The McDonald's advertising campaign involved television, radio, and print advertisements beginning on the film's release date.[70] Frito-Lay offered free admission tickets for the film on specially marked snack packages.[71] Home media Atlantis: The Lost Empire was released on VHS and DVD on January 29, 2002.[72] During the first month of its home release, the film led in VHS sales and was third in VHS and DVD sales combined.[73] Sales and rentals of the VHS and DVD combined would eventually accumulate $157 million in revenue by mid-2003.[74] Both a single-disc DVD edition and a two-disc collector's edition (with bonus features) were released. The single-disc DVD gave the viewer the option of viewing the film either in its original theatrical 2.39:1 aspect ratio or a modified 1.33:1 ratio (utilizing pan and scan). Bonus features available on the DVD version included audio and visual commentary from the film team, a virtual tour of the CGI models, an Atlantean-language tutorial, an encyclopedia on the myth of Atlantis, and the deleted Viking prologue scene.[72] The two-disc collector's edition DVD contained all the single-disc features and a disc with supplemental material detailing all aspects of the film's production. The collector's-edition film could only be viewed in its original theatrical ratio, and also featured an optional DTS 5.1 track. Both DVD versions, however, contained a Dolby Digital 5.1 track and were THX certified.[72][75] Disney digitally remastered and released Atlantis on Blu-ray on June 11, 2013, bundled with its sequel Atlantis: Milo's Return.[76] Reception Box office Before the film's release, reporters speculated that it would have a difficult run due to competition from Shrek and Lara Croft: Tomb Raider. Regarding the market's shift from traditional animation and competition with CG-animated films, Kirk Wise said, "Any traditional animator, including myself, can't help but feel a twinge. I think it always comes down to story and character, and one form won't replace the other. Just like photography didn't replace painting. But maybe I'm blind to it."[61] Jeff Jensen of Entertainment Weekly noted that CGI films (such as Shrek) were more likely to attract the teenage demographic typically not interested in animation, and called Atlantis a "marketing and creative gamble".[77] With a budget of $100 million,[3] the film opened at #2 on its debut weekend, behind Lara Croft: Tomb Raider, earning $20.3 million in 3,011 theaters.[78] During its second weekend, it would drop into fourth place behind the latter film, Dr. Dolittle 2 and The Fast and the Furious, making $13.2 million.[79] The film's international release began September 20 in Australia and other markets followed suit.[80] During its 25-week theatrical run, Atlantis: The Lost Empire grossed over $186 million worldwide ($84 million from the United States and Canada).[4] Responding to its disappointing box-office performance, Thomas Schumacher, then-president of Walt Disney Feature Animation, said, "It seemed like a good idea at the time to not do a sweet fairy tale, but we missed."[81] Critical response Atlantis: The Lost Empire received mixed reviews from critics,[82][83][84] many of whom criticized its story.[85] The review aggregator website Rotten Tomatoes reports that 48% of 144 professional critics have given Atlantis: The Lost Empire a positive review; the average rating is 5.5/10. The site's consensus is: "Atlantis provides a fast-paced spectacle, but stints on such things as character development and a coherent plot".[86] Metacritic assigned the film a weighted average score of 52 out of 100 based on 29 reviews from critics, indicating "mixed or average" reviews.[87] Audiences polled by CinemaScore gave the film an average grade of "A" on an A+ to F scale.[88] While critics had mixed reactions to the film in general, some praised it for its visuals, action-adventure elements, and attempt to appeal to an older audience. Roger Ebert gave Atlantis three-and-a-half stars out of four. He praised the animation's "clean bright visual look" and the "classic energy of the comic book style", crediting this to the work of Mike Mignola. Ebert gave particular praise to the story and the final battle scene and wrote, "The story of Atlantis is rousing in an old pulp science fiction sort of way, but the climactic scene transcends the rest, and stands by itself as one of the great animated action sequences."[89] In The New York Times, Elvis Mitchell gave high praise to the film, calling it "a monumental treat", and stated, "Atlantis is also one of the most eye-catching Disney cartoons since Uncle Walt institutionalized the four-fingered glove."[90] Internet film critic James Berardinelli wrote a positive review of the film, giving it three out of four stars. He wrote, "On the whole, Atlantis offers 90 minutes of solid entertainment, once again proving that while Disney may be clueless when it comes to producing good live-action movies, they are exactly the opposite when it comes to their animated division."[91] Wesley Morris of the San Francisco Chronicle wrote positively of the film's approach for an older audience: "But just beneath the surface, Atlantis brims with adult possibility."[92] Other critics felt that the film was mediocre in regards to its story and characters, and that it failed to deliver as a non-musical to Disney's traditional audience. Owen Gleiberman of Entertainment Weekly gave the film a C+ rating, writing that the film had "gee-whiz formulaic character" and was "the essence of craft without dream".[93] Kenneth Turan of the Los Angeles Times said the storyline and characterizations were "old-fashioned" and the film had the retrograde look of a Saturday-morning cartoon, but these deficiencies were offset by its "brisk action" and frantic pace.[94] Todd McCarthy of Variety wrote, "Disney pushes into all-talking, no-singing, no-dancing and, in the end, no-fun animated territory."[95] Stephanie Zacharek of Salon wrote of Disney's attempt to make the film for an adult audience, "The big problem with Disney's latest animated feature, Atlantis: The Lost Empire, is that it doesn't seem geared to kids at all: It's so adult that it's massively boring."[96] Rita Kempley of The Washington Post panned the film, calling it a "new-fashioned but old-fangled hash" and wrote, "Ironically Disney had hoped to update its image with this mildly diverting adventure, yet the picture hasn't really broken away from the tried-and-true format spoofed in the far superior Shrek."[97] In 2015, Katharine Trendacosta at io9 reviewed the film and called it a "Beautiful Gem of a Movie That Deserved Better Than It Got" and said that the film deserves more love than it ended up getting.[6] Lindsay Teal considers "Atlantis" to be "a lost Disney classic". Describing the film as highly entertaining, she praises the writing and characterisation – in particular, Sweet, Helga and Kida.[7] In particular, much praise has been given to the character of Kida.[98] Summer has regarded the character of Kida as one of her favourite roles and even considers the character among the official Disney Princess line-up. Themes and interpretations Several critics and scholars have noted that Atlantis plays strongly on themes of anti-capitalism and anti-imperialism. M. Keith Booker, academic and author of studies about the implicit messages conveyed by media, views the character of Rourke as being motivated by "capitalist greed" when he pursues "his own financial gain" in spite of the knowledge that "his theft [of the crystal] will lead to the destruction of [Atlantis]".[99] Religion journalist Mark Pinsky, in his exploration of moral and spiritual themes in popular Disney films, says that "it is impossible to read the movie ... any other way" than as "a devastating, unrelenting attack on capitalism and American imperialism".[100] Max Messier of FilmCritic.com observes, "Disney even manages to lambast the capitalist lifestyle of the adventurers intent on uncovering the lost city. Damn the imperialists!"[101] According to Booker, the film also "delivers a rather segregationist moral" by concluding with the discovery of the Atlanteans kept secret from other surface-dwellers in order to maintain a separation between the two highly divergent cultures.[102] Others saw Atlantis as an interesting look at utopian philosophy of the sort found in classic works of science fiction by H. G. Wells and Jules Verne.[103] Nadia: The Secret of Blue Water controversy When the film was released, some viewers noticed that Atlantis: The Lost Empire was similar to the 1990-91 anime Nadia: The Secret of Blue Water, particularly in its character design, setting, and story.[104] The similarities, as noted by viewers in both Japan and America, were strong enough for its production company Gainax to be called to sue for plagiarism. According to Gainax member Yasuhiro Takeda, they only refrained from doing so because the decision belonged to parent companies NHK and Toho.[105] Another Gainax worker, Hiroyuki Yamaga, was quoted in an interview in 2000 as saying: "We actually tried to get NHK to pick a fight with Disney, but even the National Television Network of Japan didn't dare to mess with Disney and their lawyers. [...] We actually did say that but we wouldn't actually take them to court. We would be so terrified about what they would do to them in return that we wouldn't dare."[105] Although Disney never responded formally to those claims, co-director Kirk Wise posted on a Disney animation newsgroup in May 2001, "Never heard of Nadia till it was mentioned in this [newsgroup]. Long after we'd finished production, I might add." He claimed both Atlantis and Nadia were inspired, in part, by the 1870 Jules Verne novel Twenty Thousand Leagues Under the Seas.[106] However, speaking about the clarification, Lee Zion from Anime News Network wrote, "There are too many similarities not connected with 20,000 Leagues for the whole thing to be coincidence."[107] As such, the whole affair ultimately entered popular culture as a convincing case of plagiarism.[108][109][110] In 2018, Reuben Baron from Comic Book Resources added to Zion's comment stating, "Verne didn't specifically imagine magic crystal-based technology, something featured in both the Disney movie and the too similar anime. The Verne inspiration also doesn't explain the designs being suspiciously similar to Nadia's."[110] Critics also saw parallels with the 1986 film Laputa: Castle in the Sky from Hayao Miyazaki and Studio Ghibli (which also featured magic crystals, and Atlantis directors Trousdale and Wise both acknowledged Miyazaki's works as a major influence on their own work)[104] and with the 1994 film Stargate as Milo's characteristics were said to resemble those of Daniel Jackson, the protagonist of Stargate and its spinoff television series Stargate SG-1 — which coincidentally launched its own spinoff, titled Stargate Atlantis; the plot of the 1994 film is also paralleled involving a group visiting an unknown world, a fictional language made for the other world's people, the main protagonist having apparent knowledge of the people's culture, falling in love with one of the female locals and electing to stay behind when the others return home.[111] Accolades Award Category Name Result 29th Annie Awards[112] Individual Achievement in Directing Gary Trousdale and Kirk Wise Nominated Individual Achievement in Storyboarding Chris Ure Nominated Individual Achievement in Production Design David Goetz Nominated Individual Achievement in Effects Animation Marlon West Nominated Individual Achievement in Voice Acting – Female Florence Stanley Nominated Individual Achievement in Voice Acting – Male Leonard Nimoy Nominated Individual Achievement for Music Score James Newton Howard Nominated 2002 DVD Exclusive Awards[113] Original Retrospective Documentary Michael Pellerin Nominated 2002 Golden Reel Award[114] Best Sound Editing – Animated Feature Film Gary Rydstrom, Michael Silvers, Mary Helen Leasman, John K. Carr, Shannon Mills, Ken Fischer, David C. Hughes, and Susan Sanford Won Online Film Critics Society Awards 2001[115] Best Animated Feature Nominated 2002 Political Film Society[116] Democracy Nominated Human Rights Nominated Peace Nominated World Soundtrack Awards[117] Best Original Song for Film Diane Warren and James Newton Howard Nominated Young Artist Awards[118] Best Feature Family Film – Drama Walt Disney Feature Animation Nominated Related works Main article: Atlantis (franchise) Atlantis: The Lost Empire was meant to inspire an animated television series entitled Team Atlantis, which would have presented the further adventures of its characters. The series would have been akin to an animated steampunk version of The X-Files and feature a crossover with Gargoyles. However, because of the film's underperformance at the box office, the series was not produced.[119] On May 20, 2003, Disney released a direct-to-video sequel titled Atlantis: Milo's Return, consisting of three episodes planned for the aborted series.[120] Disneyland planned to revive its Submarine Voyage ride with an Atlantis: The Lost Empire theme with elements from the movie. These plans were canceled and the attraction was re-opened in 2007 as the Finding Nemo Submarine Voyage, its theme based on the 2003 Pixar film Finding Nemo, which was far more successful commercially and critically.[121] In addition, after the Submarine Voyage's Magic Kingdom counterpart, 20,000 Leagues Under the Sea: Submarine Voyage, closed down in 1994, four years before Disneyland's, there were proposals of a new attraction that would take its place, with one of them a volcano attraction inspired by that film's Vulcania location, being approved for the Magic Kingdom's Adventureland area. Around 1999, during development of Atlantis: The Lost Empire, it was decided that it would be themed to the movie, with it taking place in 1916, two years after the film's events. The ride would have focused on Preston Whitmore, a character from the film, seeking to make Atlantis existence public and offer expeditions to visitors in newly developed vehicles. However, due to mishaps, the vehicles would be forced to make a detour through the lava-filled caverns of the volcano. The attraction would have used a unique hybrid ride system, in which it would start as a standard coaster before the trains hook up to a suspended track midway through to fly through the caverns. The attraction would have been accessed by a new canyon path in between Pirates of the Caribbean and a re-routed Jungle Cruise that would have led to a Whitmore Enterprises base camp at the edge of the Walt Disney World Railroad path, with the mountain itself being built outside the berm. However, like the previous Submarine Voyage retheme, the ride was cancelled due to the film's disappointment in the box office.[122]

ON TODAYS PROGRAM… WITH GIANPIERO LAMBIASES LEAVING RED BULL THE MAX ERA IN F1 COMING TO AN END… WHEN FERRARI PLAY CATCH UP…WELL WE'VE SEEN THAT COMEDY OF ERRORS BEFORE MERCEDES WILL NEVER SHOW ALL THEIR CARDS AND… FERNANDO KNOWS THE FAT LADY IS ABOUT TO SING! THIS WEEK'S NASIR HAMEED CORNER WE HAVE: ZACK BROWN before he joined McLaren and BOB BONDURANT… AND YES….OUR BONUS IS HIRO MATSUSHITA OF FORMULA 1 AND CHAMP CAR FAME! Bob Bondurant was one of America's most influential racing figures — a driver who succeeded on the world's greatest circuits, competed for legendary teams including Shelby American, Ferrari, and Eagle, and ultimately shaped generations of racers through education. Rising from the fiercely competitive Southern California road racing scene of the 1950s, Bondurant achieved significant success on both sides of the Atlantic and became a pivotal ambassador for American road racing. His enduring legacy lives on through the Bob Bondurant School of High Performance Driving, which trained hundreds of thousands of drivers — from future professionals to Hollywood royalty. Career, Bondurant was born in Evanston, Illinois, but his competitive instincts emerged early and loudly. As a teenager, he raced Indian motorcycles on dirt ovals, learning car control the hard way. By 1956, he shifted his focus to sports cars, initially racing a Morgan, and soon made his mark by winning the West Coast “B” Production Championship in a Chevrolet Corvette, claiming an extraordinary 18 victories in 20 races. His growing reputation caught the attention of Santa Barbara Chevrolet dealer Shelly Washburn, who hired Bondurant in 1961 to drive his #614 1959 Corvette. Over the next several seasons, Bondurant became a dominant force on the West Coast. His on-track rivalry with David McDonald produced some of the era's most memorable Corvette battles. At the 1962 L.A. Times Grand Prix, Bondurant debuted Washburn's new 1963 Corvette Z06 Stingray, and between 1961 and 1963, he won an astonishing 30 of 32 races in Washburn's Corvettes. Shelby, Europe, and international success In 1963, Bondurant joined Carroll Shelby's Ford Cobra team, immediately delivering results. He won his first race for Shelby at Continental Divide Raceway in Colorado, followed by an overall GT victory at the L.A. Times Grand Prix at Riverside later that year. The following season propelled him onto the global stage. After finishing second in GT at Sebring, Bondurant spent 1964 racing in Europe, campaigning Shelby's new 289 FIA Cobras at iconic events including the Targa Florio, Spa-Francorchamps, and the Nürburgring. His most celebrated triumph came at the 1964 24 Hours of Le Mans, where he and Dan Gurney won the GT class in the revolutionary Cobra Daytona Coupé. Bondurant reached the peak of his international racing career in 1965, when he played a key role in Shelby American and Ford winning the FIA Manufacturers' World Championship. He won seven of ten races, defeating the class-dominant Ferrari 250 GTOs across Europe. That same year, Bondurant expanded his résumé further, driving a works Ferrari Formula One car at the United States Grand Prix at Watkins Glen, followed by a start in a Lotus 33 for Reg Parnell at the Mexican Grand Prix. Formula One, film, and defining moments In 1966, Bondurant's expertise took him beyond the racetrack. He served as technical consultant for John Frankenheimer's film Grand Prix and personally trained lead actor James Garner to drive Formula cars for the movie's racing scenes. That same year, Bondurant was involved in one of the most consequential moments in motorsport safety history. Alongside Graham Hill, he helped extract Jackie Stewart from his fuel-soaked wreck during the 1966 Belgian Grand Prix — an incident that directly inspired Stewart's later campaign for improved safety standards. Bondurant also competed in five Formula One Grands Prix with Team Chamaco Collect, driving BRMs and achieving an impressive fourth-place finish at Monaco. He rounded out his Formula One involvement in North America with two races driving an Eagle for Dan Gurney's Anglo American Racers. The crash that changed everything In 1967, Bondurant competed in the Can-Am series and returned to Le Mans in a Corvette L88 Coupé, leading the GT class until a wrist pin failure ended his race in the early morning hours. Later that year, disaster struck at Watkins Glen. While driving a McLaren, a steering arm failed at approximately 150 mph approaching the Loop-Chute section (today's Turn 5). The car flipped eight times, leaving Bondurant with severe injuries to his ribs, legs, feet, and most critically, his back. Doctors warned he might never walk again. Bondurant refused to accept that verdict. Through determination and relentless rehabilitation, he recovered — and in the process, envisioned a new chapter. LAMBIASE TO LEAVE ORACLE RED BULL RACING IN 2028   Oracle Red Bull Racing confirms that GianPiero Lambiase will leave the Team in 2028, when his current contract expires. “GP” is a valued member of the Team, which he joined in 2015.  Until his planned departure, “GP" continues in his roles as Head of Racing and as Race Engineer to Max Verstappen.  The Team and he are fully committed to add more success to our strong track record together.   Miami and Montreal to host FIA Formula 2 Championship Rounds in 2026 FIA Formula 2 announce that Miami and Montreal will host Rounds 2 and 3 of the 2026 calendar, alongside Formula 1 – the first time the Championship will race in North America. The opportunity for Miami and Montreal to join the F2 calendar has come about following the news that the Sakhir and Jeddah Rounds will not take place in April. The FIA Formula 2 championship will go to Miami, USA, on May 1-3 for what will be the second Round of the 2026 season, followed by Montreal, Canada on May 22-24, as Round 3, before returning to Europe, starting with Monte-Carlo, Monaco, on June 04-07. Stefano Domenicali, President & CEO of Formula 1, said: “While it has not been possible to go ahead with the two races in Bahrain and Saudi Arabia this month, and we look forward to being back with our passionate fans there as soon as possible, it is great news for our fans, the drivers and the teams that Formula 2 will be racing in Miami and Montreal. Bruno and the whole F2 family have done a great job, working closely with us, the FIA, and the Miami and Montreal promoters, to ensure we limit the gap in racing for the championship this season and I want to thank them for making this possible. It is going to be fantastic to restart the racing in a few weeks' time and to have F2 alongside Formula 1 as we return to the US for the first time this season.” Mohammed Ben Sulayem, FIA President, said: “Following the necessary changes to the calendar at the start of the season, the addition of these new rounds ensures the FIA Formula 2 Championship remains strong and balanced, and able to deliver for our teams, drivers and fans. Bringing the championship to North America via Miami and Montreal for the first time marks an important step in its continued global growth, strengthening the pathway alongside Formula One and connecting with new audiences. I thank all those who worked tirelessly to make these rounds possible. “Our thoughts remain with all those affected by the ongoing events in the Middle East and we continue to hope for a swift return to stability. We look forward to racing in Bahrain and Saudi Arabia very soon.” Bruno Michel, FIA Formula 2 CEO, said: “We always love to race in Sakhir and Jeddah, and we wish them well and look forward to returning to both as soon as circumstances allow. We are now going to Miami and Montreal for the second and third rounds of the 2026 season, respectively. I would like to thank Stefano Domenicali and Formula 1 for their support in making this possible, and also the FIA, the promoters of the Miami and Canadian Grands Prix, and of course my team, who have worked hard to put in place two new Rounds in such a short amount of time. It was not an easy thing to do, but bringing F2 to North America for the first time is really fantastic. It's something we have been wanting to do for a long time, and it enables us to ensure we're back racing as quickly as possible. It will be a great new challenge for our teams and our drivers, who have all welcomed the news with enthusiasm. I am certain that the quality of racing will bring a lot of excitement to the fans and to everyone attending both Grands Prix.” Revised 2026 FIA Formula 2 Championship Calendar Date                       Venue 06-08 March                  Melbourne, Australia 01-03 May  Miami, USA* 22-24 May     Montreal, Canada* 04-07 June   Monte-Carlo, Monaco 12-14 June  Barcelona, Spain 26-28 June  Spielberg, Austria 03-05 July  Silverstone, Great Britain 17-19 July  Spa-Francorchamps, Belgium 24-26 July  Budapest, Hungary 04-06 September   Monza, Italy 11-13 September  Madrid, Spain** 24-26 September  Baku, Azerbaijan 27-29 November  Lusail, Qatar 04-06 December  Yas Island, UAE ASTON MARTIN ARAMCO FORMULA ONE™ TEAM EXPANDS DRIVER ACADEMY LINE-UP, WELCOMING AVA LAWRENCE & ROLAND NAGY AMRTC, UK, 9 April 2026: The Aston Martin Aramco Formula One™ Team is pleased to announce the expansion of its Driver Academy, welcoming DPK Racing karters Ava Lawrence and Roland Nagy to the programme. The team's latest signings reflect its ongoing commitment to identifying, supporting, and developing the next generation of motorsport talent. The team's Driver Academy offers a clear pathway to the highest levels of racing, supporting drivers both on and off the track. It helps them develop, learn and grow, while providing the opportunities needed to succeed. The programme focuses on building long-term partnerships and actively scouting the brightest young talent across all levels of motorsport. At just 11 years old, Australian born Ava Lawrence has established herself as a rising force in international karting. Competing across Rotax, IAME and FIA-aligned categories, she has claimed multiple podium finishes and broken new ground as the first female MENA Cup Champion, the first female winner of a Mini race in ROK Cup Italy, and the first female driver to reach the podium in the Mini class of the Champions of the Future Academy. Ava, who races under an Emirati licence, was recently selected to represent F1 ACADEMY DISCOVER YOUR DRIVE in this year's British Champions of the Future Academy (COTFA) Programme having also been chosen to represent the initiative over the previous two seasons in the international series. 13-year-old Roland Nagy has emerged as a standout competitor in the premier OK-Junior category, making his mark on the international karting scene. Roland, from Hungary, is a regular contender in the sport's most prestigious series, including the FIA Karting European Championship and the WSK Super Master Series. He has demonstrated his exceptional race craft and speed, notably securing heat victory at the opening round of the Champions of the Future Euro Series at La Conca.   Roland frequently qualifies for highly competitive finals, marking him as one of the most promising young Hungarian talents as he continues his progression toward the higher echelons of professional motorsport. The Aston Martin Aramco Driver Academy's strategic partnership with DPK Racing, the official team of FA Alonso Kart chassis, provides access to a combined wealth of karting expertise and a global network, including that of Fernando Alonso. This collaboration strengthens the Academy's ability to identify and nurture promising young talent from the earliest stages of their motorsport careers, and reflects the trust placed in the team's karting expertise to help identify and develop these young drivers as they progress through the ranks. Nuno Pinto, Racing Director, Aston Martin Aramco Formula One™ Team Driver Academy: “Bringing in talent at a junior level is an important part of our strategy, and Ava and Roland are excellent examples of the calibre of young driver that we want to bring in the programme. Both drivers have already shown impressive potential on the international stage, with strong performances in highly competitive categories. Having the opportunity to contribute to a driver's development from such an early stage is incredibly important, allowing us to help shape their progression both on and off the track as they continue to grow in the sport.” Ava Lawrence, Aston Martin Aramco Formula One™ Team Driver Academy: "I'm really excited to join the Aston Martin Aramco Driver Academy. It's going to be such a huge step to help me improve my driving and become even better on track. I'm looking forward to meeting everyone on the team and learning from them. “Getting to visit the AMR Technology Campus (AMRTC) for my announcement was so cool. My favourite part of the day was seeing the different materials they use on the Formula One cars and actually getting to touch parts of the car. It was so interesting to see how it's all made!” Roland Nagy, Aston Martin Aramco Formula One™ Team Driver Academy: “I'm really pleased to be a part of the Aston Martin Aramco Driver Academy. The team will be giving me a lot of support, which will be really important for my career, and I'm excited to learn as much as I can from everyone I meet inside the team. “It was really cool to visit the AMRTC. I really liked how it looks, both outside and inside – it's very futuristic. My favourite part was seeing how the cars are made. It's amazing seeing Formula One cars up close and what they look like on the inside.”   Ava and Roland join current Aston Martin Aramco Driver Academy members Mari Boya, competing in FIA Formula 2, and Mathilda Paatz, F1 ACADEMY driver.

Mike of the Unholy Trinity Everton Podcast joins the other Mike ahead of Everton's trip to the Gtech on Saturday. It's seventh in the Premier League table against eighth, both teams come into the game on 46 points, only separated by goal difference, and it's ahead of Everton's first Merseyside Derby at the Hill Dickinson Stadium next weekend… this game is MASSIVE for both sides. Mike talks us through Everton's season under David Moyes, the fantastic 3-0 win over Chelsea last time out, and the impressive form of James Garner, Kiernan Dewsbury-Hall, and Iliman Ndiaye. Follow us on X: https://x.com/TheEalingRoad Follow us on Insta: https://www.instagram.com/ealingroadpod/ Subscribe to Mike's channel: https://www.youtube.com/channel/UCDpHRfEbmB0m9W5jOP4ReTQ Learn more about your ad choices. Visit podcastchoices.com/adchoices

Nick brings back The Consumerman Herb Weisbaum for a “For The People” installment, taking listener questions and digging through a few emails. Herb also breaks down some current scams targeting gig workers, shares timely tax tips, offers advice on avoiding fraud, and helps make sense of buying a new car or truck. Later, Car Guy Tom Appel joins Nick to talk about recent recalls from Hyundai and Kia, the over-the-top features in the 2026 Lincoln Aviator Black Label, the largely forgotten Coda EV, and a look back at the 1958 Jeep Maverick. There's also another round of #StarSpotter and #MysteryShow, along with the usual drift into some James Garner appreciation. [Ep 444]

So much of what is happening these days seems utterly nonsensical, from Trump’s war crime and profanity-laced Easter rant, to the whipsaw on Iran. So, is it simply Occam’s razor, or is there more going on here than we’re led to believe? Since I entered politics, I have chiefly had men’s views confided to me privately. Some of the biggest men in the United States, in the field of commerce and manufacture, are afraid of somebody, are afraid of something. They know that there is a power somewhere so organized, so subtle, so watchful, so interlocked, so complete, so pervasive, that they had better not speak above their breath when they speak in condemnation of it. — President Woodrow Wilson, The New Freedom: A Call for the Emancipation of the Generous Energies of a People (1913) The real truth of the matter is, as you and I know, that a financial element in the larger centers has owned the Government ever since the days of Andrew Jackson — and I am not wholly excepting the Administration of W. W. The country is going through a repetition of Jackson’s fight with the Bank of the United States — only on a far bigger and broader basis. — President Franklin D. Roosevelt, letter to Col. Edward Mandell House (21 November 1933); as quoted in F.D.R.: His Personal Letters, 1928-1945, edited by Elliott Roosevelt (New York: Duell, Sloan and Pearce, 1950), pg. 373 I would suggest nothing we’re seeing, including (especially) the seemingly nonsensical, is ‘accidental’ or coincidental. It is PSYOP/PSWAR, a potent toxic mixture of POSIWID and chaos theory designed and intended to rapidly produce maximum chaos resulting in a ‘Clash of Civilizations‘ and The End of History and the Last Man, to ultimately bring about a ‘Novus Ordo Seclorum’1234 a la Genesis 11 → Genesis 6 → culminating in Psalm 2 → Revelation 19. Links Videos / Clips [x] = Played Trump says Americans against war with Iran are ‘foolish’ [x] 2:00–5:15 [x] 8:33–9:12 ‘Apparently I'm an idiot': Three-time Trump voter in Pennsylvania sounds off on Iran war [x] 3:15–3:45 Lucifer Has a NASA Moon Mission named Artemis. Here’s What They’re Hiding. Headlines [x] = Mentioned / Discussed Trump: “A Whole Civilization with Die Tonight” If President Trump carries out his threat to kill the entire civilization of Iran, he will join the ranks of Cato the Elder, Genghis Khan, Cortez, and other villains in history who chose the policy of destroying an entire civilization. Needless to say, this is not what Washington, Madison, Adams, Jefferson, and Franklin had in mind when they founded the US Constitutional Republic. Members of the US government—as well as We the People—should think about the reflections of multiple Roman authors who regarded the total annihilation of Carthage as an outrage and repudiation of Rome's republican values and virtues. In the Aeneid, Virgil frames the Punic Wars as a fateful conflict initiated by the Punic Queen Dido’s curse on Aeneas’s descendants. I interpret this as Virgil's way of condemning the “unspeakable” destruction of Carthage. The American people should be aware of the fact that if our US government does indeed annihilate the Iranian nation forever, it will certainly have a vast array of terrible consequences for us and for all of mankind. Among other disasters, it is likely that millions of Iranians will be forced to flee to other lands, including those of Europe. Many young men who see their mothers, fathers, brothers, sisters suffer will be animated with a burning desire for revenge. I anticipate great horrors ahead for all of us. Trump's F-Bomb on Iran Joins America's Rollicking History of Presidential Profanity White House Easter egg roll Monday: How to watch live White House Easter Egg Roll honors America’s egg farmers, says President Trump | Fox News [x] Pentagon's new plans in Iran give Trump a way out of war crime accusations – POLITICO [x] Trump threatens to jail journalist who reported on crew's rescue in Iran if they don't reveal source – POLITICO [x] Iran Says US Airman Rescue May Have Been Cover to ‘Steal Enriched Uranium' Artemis ‘Launch’ April Fool’s Day / Easter – Amazing ‘Coincidence’ [x] [Published April Fool's Day! Same as Artemis II 'launch'] Did Van Allen Belts Stop the Moon Landings? Myth vs Fact – FreeAstroScience [x] Artemis II live updates: Nasa astronauts returning to Earth after seeing parts of Moon ‘no human has ever seen' | The Independent Artemis – Wikipedia “Isis, Astarte, Diana, Hecate, Demeter, Kali, Innana…” & Asteroids | Fixed Stars Are the goddesses Ashteroth, Remphan, Isis, Ishtar, Belit, Anahita, Artemis, and Diana the same goddess with different names? – Quora Pan: The Complete Guide to the Greek God of Nature (2023) The Rest [x] = Mentioned / Discussed [x] Deutsche Bank – Wikipedia [x] Deutsche Bank [00:27, 17 May 2024 revision] – Wikipedia [x] Trump family faces high-stakes testimony in Manhattan fraud trial [x] At Trump Org fraud trial, ex-banker recalls ‘hunting' for Trump's business | Courthouse News Service [x] Finra Suspends Trump's Former Personal Banker – AdvisorHub [x] Rosemary Vrablic – Wikipedia [x] Jared Kushner – Wikipedia The thinly sourced theories about Trump's loans and Justice Kennedy's son (Jul 12, 2018) by Salvador Rizzo | The Washington Post [x] Why Trump Is Mentally Unfit to Be President: Pathology of Narcissism (Apr 5, 2017) by Alex Morris | Rolling Stone [x] Taibbi on the Madness of Donald Trump (Sep 19, 2017) by Matt Taibbi | Rolling Stone [x] Donald Trump Is About to Be a Loser, His Lawyers Say (Mar 22, 2023) by Asawin Suebsaeng and Adam Rawnsley | Rolling Stone [x] Donald Trump, Trickster God (Mar 4, 2016) by Corey Pein | The Baffler [x] Kushner and Witkoff – by esc [x] IMEC: Trump's War With Iran Is About Global Trade. Period. [x] What The Iran Attack Is Really All About – Road Warrior Radio [x] Road Warrior Radio with Chris Hinkley, March 10, 2026 Hour 1 – Republic Broadcasting Network [x] Road Warrior Radio with Chris Hinkley, March 10, 2026 Hour 2 – Republic Broadcasting Network On This Day Events April 2026 Calendar of Public Holidays | Office Holidays Holidays and Observances in the United States in 2026 What day is it today? Important events every day ad-free | United States OTD On This Day – What Happened on April 7 Today in History: April 7, Rwandan genocide begins | AP News What Happened on April 7 – On This Day What Happened on April 7 | HISTORY April 7 – Wikipedia What Happened On April 7 In History? 07 | April | 2020 | Executed Today Holidays National Beer Day (United States) Historical Events 2022 – The Senate confirmed Ketanji Brown Jackson – “Pizzagate” judge who was unable to define ‘woman' – to the Supreme Court, securing her place as the court's first Black female justice. 2021 – COVID-19 shenanigans: The Centers for Disease Control and Prevention announces that the SARS-CoV-2 Alpha variant has become the dominant strain of COVID-19 in the United States. 2020 – COVID-19 shenanigans: China ends its lockdown in Wuhan. 2020 – COVID-19 shenanigans: Acting Secretary of the Navy Thomas Modly resigns for his handling of the COVID-19 ‘pandemic’ on USS Theodore Roosevelt and the dismissal of Brett Crozier. 1994 – A day after the presidents of Rwanda and Burundi died in a missile attack on their aircraft, the moderate Hutu prime minister of Rwanda, Agathe Uwilingiyimana, and her husband were killed by Rwandan soldiers; in the 100 days that followed, Hutu extremists slaughtered hundreds of thousands of minority Tutsi and Hutu moderates. 1990 – John Poindexter is convicted for his role in the Iran–Contra affair. In 1991 the convictions are reversed on appeal. 1984 – The Census Bureau reported that Los Angeles had overtaken Chicago as the nation's “second city” in terms of population. 1980 – During the Iran hostage crisis, the United States severs relations with Iran. 1970 – John Wayne wins Best Actor Oscar: The legendary actor John Wayne wins his first—and only—acting Academy Award, for his star turn in the director Henry Hathaway's Western True Grit. Known for his tough, rugged, uniquely American screen persona, Wayne appeared in some 150 movies over the course of his long and storied career. 1969 – The internet is born: With the publication of RFC 1, The Advanced Research Projects Agency (ARPA) awarded a contract to build a precursor of today’s world wide web to BBN Technologies. The date is widely considered as the internet’s symbolic birthday. 1968 – Riots continue in over 100 US cities following the Apr 4 assassination of Martin Luther King Jr. 1966 – The U.S. Navy recovered a hydrogen bomb that the U.S. Air Force had lost in the Mediterranean Sea off Spain following a B-52 crash. 1964 – IBM announces the System/360. 1963 – Tito is made president of Yugoslavia for life: A new Yugoslav constitution proclaims Tito the president for life of the newly named Socialist Federal Republic of Yugoslavia. Formerly known as Josip Broz, Tito was born to a large peasant family in Croatia in 1892. 1961 – JFK lobbies Congress to help save historic sites in Egypt: President John F. Kennedy sends a letter to Congress in which he recommends the U.S. participate in an international campaign to preserve ancient temples and historic monuments in the Nile Valley of Egypt. The campaign, initiated by UNESCO, was designed to save sites threatened by the construction of the Aswan High Dam. 1954 – Domino Theory: President Dwight D. Eisenhower coined one of the most famous Cold War phrases, held a news conference in which he outlined the concept of the “domino theory” as he spoke of the importance of containing the spread of communism in Indochina, saying, “You have a row of dominoes set up, you knock over the first one, and what will happen to the last one is the certainty that it will go over very quickly.” 1953 – Sweden's Dag Hammarskjöld elected U.N. head: By a vote of 57 to 1, Dag Hammarskjöld is elected secretary-general of the United Nations. The son of Hjalmar Hammarskjöld, a former prime minister of Sweden, Dag joined Sweden's foreign ministry in 1947, and in 1951 formally entered the cabinet as deputy foreign minister. 1950 – President Truman receives NSC-68 report, calling for “containing” Soviet expansion: President Harry S. Truman receives National Security Council Paper Number 68 (NSC-68). The report was a group effort, created with input from the Defense Department, the State Department, the CIA, and other interested agencies; NSC-68 formed the basis for America's Cold War policy for the next two decades. 1949 – Tony-winning musical South Pacific opens on Broadway: The Rodgers and Hammerstein musical South Pacific opens at the Majestic Theatre on Broadway in New York City. The romantic musical about World War II, which touches on controversial racial themes, goes on to run for almost five years, becoming one of the most popular musicals of the 1950s. 1948 – World Health Organization established: The WHO, a privately funded United Nations agency front organization, ostensibly concerned with fighting disease and epidemics worldwide, building up national health services, and improving health education in its 194 member states. 1945 – World War II: The Imperial Japanese Navy battleship Yamato, one of the two largest ever constructed, is sunk by United States Navy aircraft during Operation Ten-Go, in Japan's first major counteroffensive in the struggle for Okinawa. Weighing 72,800 tons and outfitted with nine 18.1-inch guns, the battleship Yamato was Japan's only hope of destroying the Allied fleet off the coast of Okinawa. 1943 – The National Football League makes helmets mandatory. 1943 – Holocaust in Ukraine: In Terebovlia, Germans order 1,100 Jews to undress and march through the city to the nearby village of Plebanivka, where they are shot and buried in ditches. 1940 – Tuskegee Institute founder Booker T. Washington becomes the first Black American to be honored with a postage stamp. It will take nearly four decades for a Black woman to receive a similar honor: Harriet Tubman in 1978. 1939 – Benito Mussolini invades Albania, declares an Italian protectorate over Albania and forces King Zog I into exile. 1933 – National Beer Day: Prohibition in the United States is repealed for beer of no more than 3.2% alcohol by weight, eight months before the ratification of the Twenty-first Amendment to the United States Constitution. (Now celebrated as National Beer Day in the United States.) 1927 – First long-distance television transmission: an image of Secretary of Commerce Herbert Hoover is sent from Washington, D.C. to NYC by AT&T 1922 – Teapot Dome Scandal: Interior Secretary Albert B. Fall signed a secret deal to lease U.S. Navy petroleum reserves in Wyoming and California to his friends, oilmen Harry F. Sinclair and Edward L. Doheny, in exchange for cash gifts; Fall would eventually be sentenced to prison on bribery and conspiracy charges in what became known as the Teapot Dome Scandal. 1868 – Thomas D’Arcy McGee, one of the Canadian Fathers of Confederation is assassinated by the Irish, in one of the few Canadian political assassinations, and the only one of a federal politician. 1862 – American Civil War: Battle of Shiloh concludes: Two days of heavy fighting conclude near Pittsburgh Landing in western Tennessee. Union forces led by Gen. Ulysses S. Grant and Maj. Gen. Don Carlos Buell are victorious after the Confederate attack stalled on April 6, and fresh Yankee troops drove the Confederates from the field on April 7. 1832 – The Man Who Sold His Wife: Most modern readers believe Thomas Hardy was plunging into deep fiction when he wrote about a man selling his wife. He wasn’t. Nagging wives needed to be careful in 19th Century England, for, as Hardy recounted in The Mayor of Casterbridge, her husband might put her up for sale. That's just what happened on this day to Mary Thompson, according to a local newspaper report. 1829 – Joseph Smith, Jr., founder of the Latter Day Saint cult, commences translation of the Book of Mormon, with Oliver Cowdery as his scribe. 1827 – First friction match sold: English chemist John Walker produced and sold the first operable matches. They were soon banned in France and Germany because burning fragments would sometimes fall to the floor and start fires. 1805 – German composer Ludwig van Beethoven premieres his Third Symphony, at the Theater an der Wien in Vienna 1805 – Lewis and Clark depart Fort Mandan: After a long winter, the Lewis and Clark expedition departs its camp among the Mandan tribe and resumes its journey West. The Corps of Discovery had begun its voyage the previous spring, and it arrived at the large Mandan and Minnetaree villages along the upper Missouri River (north of present-day Bismarck, North Dakota) in late October. 1798 – The Mississippi Territory is organized from disputed territory claimed by both the United States and the Spanish Empire. It is expanded in 1804 and again in 1812. 1788 – American Pioneers to the Northwest Territory arrive at the confluence of the Ohio and Muskingum rivers, establishing Marietta, Ohio, as the first permanent American settlement of the new United States in the Northwest Territory, and opening the westward expansion of the new country. 1776 – Captain John Barry and the USS Lexington captures the Edward. 1739 – Dick Turpin is executed in England for horse stealing 1724 – Johann Sebastian Bach’s St. John Passion premiered: St. John’s Passion premieres on Good Friday at St. Nicholas Church in Leipzig, Electorate of Saxony (now Germany). The sacred oratorio is the oldest extant Passion by the German composer. The highly popular work is a dramatization of the final days of Jesus Christ, according to the Gospel of John. 1521 – Ferdinand Magellan arrives at Cebu. 529 – First draft of Corpus Juris Civilis or the Justinian Code (a fundamental work in jurisprudence) is issued by Eastern Roman Emperor Justinian I 451 – Attila the Hun captures Metz in France, killing most of its inhabitants and burning the town. 30 – Scholars estimate for the crucifixion of Jesus by Roman troops at the behest of Jewish leadership (Caiaphas the high priest, chief priests, scribes, elders) on Golgotha outside Jerusalem [or April 3] Births 1964 – Russell Crowe, New Zealand/Australian actor, singer, producer 1954 – Jackie Chan, Hong Kong-born actor and director noted for acrobatic stunt work in hits like “The Young Master” and the “Rush Hour” series. 1939 – Francis Ford Coppola, American director, producer, screenwriter 1938 – Jerry Brown, American lawyer and politician, 34th and 39th Governor of California 1931 – Daniel Ellsberg, American activist and author (died 2023) 1928 – James Garner, American actor, singer, and producer (died 2014) 1920 – Ravi Shankar, Indian/American sitar player, composer (died 2012) 1915 – Billie Holiday, American Jazz singer-songwriter, actress whose soulful intensity earned her the nickname “Lady Day.” Signature hits like “Strange Fruit” and “God Bless the Child.” (died 1959) 1897 – Walter Winchell, American journalist and radio host (died 1972) 1893 – Allen Dulles, American lawyer and diplomat, 5th Director of Central Intelligence (died 1969) 1890 – Marjory Stoneman Douglas, journalist, conservationist, activist best known for her advocacy for the preservation of Florida’s Everglades region. (died 1998) 1860 – Will Keith Kellogg, American businessman, ardent eugenicist, Seventh-day Adventist cult member, founded the Kellogg Company (died 1951) 1772 – Charles Fourier, French philosopher, communist (died 1837) 1770 – William Wordsworth, English poet (died 1850) Deaths 1947 – Henry Ford, American businessman, founded the Ford Motor Company (born 1863) 1928 – Alexander Bogdanov, Russian physician, philosopher, and author (born 1873) 1891 – P. T. Barnum, American businessman, co-founded Ringling Bros., Barnum & Bailey Circus (born 1810) 1804 – Toussaint Louverture, Haitian general (born 1743) 1733 – Samuel Partridge, very stupid and unconcern'd From the New England Weekly Journal, July 23, 1733 — a three-month-old news item (part of a roundup of dated minor dispatches) that had to cross the Atlantic from the mother country. Ipswich, April 7. Last Saturday Samuel Partridge was executed here, for robbing Mr. Barwell of Brockley in this City, of 31l, 10s., a Horse, and other Things, in Company with another Person not yet taken. He said he was born at Debden in Suffolk, that he was about 22 years of Age, and was brought up in Husbandry; he appeared to be very illiterate, for he could neither read nor write, and was entirely ignorant of the first Principles of Christianity. He denied the Fact for which he suffered, and said he was perswaded to own the Robbery by a Soldier that was in Halsted Bridewell with him, he telling him, that if he confessed the Fact he would come off very well; and that he advised him to say, that he had made use of a Bolt instead of a Pistol, and that he had hid it in a certain Place, where it was found according to his Direction. At the Place of Execution he seemed very stupid and unconcern'd; only, as directed, he called on God for Mercy when he was turned off. Elon Musk Tweets ‘Novus Ordo Seclorum' After Donald Trump Wins Reelection. MAGA Is The Pied Piper – winepressnews.com ↩ Novus Ordo Seclorum – History of Motto on Great Seal’s Unfinished Pyramid ↩ Novus ordo seclorum – Wikipedia ↩ Annuit cœptis – Wikipedia ↩

National Beer day. Entertainment from 1985. Matches were invented, woman took a shot at Mussolini, you could sell booze in Oklahoma after 51 years. Todays birthdays - Billie Holiday, James Garner, Wayne Rogers, Francis Ford Coppola, John Oates, Jackie Chan, Russell Crowe. Henry Ford Died.Intro - God did good - Dianna Corcoran https://www.diannacorcoran.com/I like beer - Tom T. HallOne more night - Phil CollinsHonor bound - Earl Thomas ConleyBirthdays - In da club - 50 Cent    https://www.50cent.com/Crazy he calls me - Billie HolidayRich girl - Hall and OatesExit - Let it out - Darcy Kate     https://www.darcykate.com/History & Factoids about today Playlist on SpotifyHistory & Factoids about today webpagecooolmedia.comcountryundergroundradio.com

Paul McPartlan joins Warren on the Weekly to discuss Everton's current financial position with the release of this year's club accounts. Also, they reflect on James Garner's England debut, Italy's failed World Cup qualification and look ahead to the Brentford game. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Dan is here with the latest Liverpool news after a weekend of fun with the Reds' Legends. Hosted on Acast. See acast.com/privacy for more information.

“BETTE vs MIRIAM: WHEN STARS COLLIDED” - 3/30/2026 (133) What would Hollywood be without a good, old fashioned rivalry. It's well documented that BETTE DAVIS and JOAN CRAWFORD were not exactly besties. But did you know that Davis had another rivalry that was even uglier and more intense? That's right, the rivalry between Davis and her co-star in The Old Maid (1939) and Old Acquaintance (1943) was one for the ages. Completely different in upbringing, temperament, and acting styles, these two grand dames of the silver screen kept the gossip columnists' tongues wagging with their petty, mean-spirited one-upmanship. And while Davis ended up the victor in the long run, as she had a longer and more successful career, Hopkins could give as good as she could take. This week, we explore the long-standing feud between these two great divas.  SHOW NOTES:  Sources: Miriam Hopkins: Life and Films of a Hollywood Rebel (2018), by Allan R. Ellenberger; The Lonely Life, An Autobiography (1962), by Bette Davis; This'n That, An Autobiography (1987), by Bette Davis with Michael Herskowitz; “Whatever I Did, I Did: The Obstinate Life of Bette Davis,” November 6, 2020, by Hadley Hall Meares, Vanity Fair; Wikipedia.com; TCM.com; IBDB.com; IMDBPro.com; Oscars.org; Movies Mentioned: The Old Maid (1939), starring Bette Davis, Miriam Hopkins, George Brent, & Jane Bryan; Jezebel (1938), starring Bette Davis, Henry Fonda,. George Brent, & fay Bainter; Dark Victory (1939), starring Bette Davis, George Brent, Geraldine Fitzgerald, Ronald Reagan, & Humphrey Bogart; All This, and Heaven Too (1940), starring Bette Davis, Charles Boyer, Barbara O'Neil, Jeffrey Lynn, & Virginia Weidler; The Private Life of Elizabeth and Essex (1939), starring Bette Davis, Errol Flynn, Olivia de Havilland, Alan Hale, & Vincent Price; We Are Not Alone (1939), starring Paul Muni & Jane Bryan; Virginia City (1940), starring Errol Flynn & Miriam Hopkins; The Little Foxes (1941), starring Bette Davis, Teresa Wright, Herbert Marshall, Patricia Collinge, & Dan Duryea; The Old Acquaintance (1943), starring Bette Davis & Miriam Hopkins; The Heiress (1949), starring Olivia de Havilland, Montgomery Clift, Ralph Richardson, & Miriam Hopkins; The Children's Hour (1961), starring Shirley MacLaine, Audrey Hepburn, James Garner, Miriam Hopkins, Fay Bainter, Karin Balkin, & Veronica Cartwright; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

Live from Wembley Stadium, former England captain Stuart Pearce, Adrian Durham and Jim Proudfoot bring you all of the fallout following a difficult 1-1 draw with Uruguay.England fans booing Ben White... Is that right and does he deserve it? Stu gives his thoughts while Jim discusses the Phil Foden dilemma, and why we never ever get to see the best of him in an England shirt.England manager Thomas Tuchel, midfielder James Garner and goalkeeper James Trafford also speak to our Faye Carruthers PLUS the boys react to Sir David Beckham phoning into Drivetime with Andy Goldstein and Darren Bent earlier on... Yes you read that right... He gave his views on Harry Kane as an England captain!With one game to go until Thomas Tuchel announces his World Cup squad for the summer, it's full steam ahead here on the talkSPORT Daily!YouTube: @talkSPORTX: @talkSPORT & @talkSPORT2Instagram: @talkSPORTProduced by: Daniel KaneEdited by: Daniel KanePhoto Credit: Getty Images Hosted on Acast. See acast.com/privacy for more information.

Aaron Paul is joined by former England goalkeeper Paul Robinson, senior football reporter Ian Dennis and senior football correspondent Sami Mokbel as an uninspiring England drew 1-1 with Uruguay. After a sluggish night at Wembley and 11 changes to the starting team, the panel debrief on what Tuchel can take away from this game ahead of the World Cup. Hear the thoughts on Ben White's return for England after ruling himself out of international selection for the last two years. Plus, debutants James Trafford and James Garner join the pod as well as the England manager, Thomas Tuchel. TIMECODES: 10'31 Ben White return 17'34 James Trafford 20'51 James Garner 24'16 Ugarte awarded two yellows? 26'43 Tuchel's take aways from the game 30'11 Thomas Tuchel

Kelly Cates is joined by Stephen Warnock, Ian Dennis and John Gibbons to react to the news that Mohammed Salah will be leaving Liverpool at the end of the season after nine years at the club.They reflect on his time at Anfield, his impact on the Premier League, and his incredible goalscoring record. We're in the England camp to hear from Adam Wharton and James Garner with Ian and John Murray at St George's Park, and in the Wales camp as Chris Wathan speaks to Ethan Ampadu and Karl Darlow ahead of their World Cup playoff against Bosnia Herzegovina. Plus, we focus on the task ahead of Northern Ireland in their playoff away in Italy. TIMECODES: 00:13 – Reaction to Salah's Liverpool exit 18:37 – St George's Park with John Murray and Ian Dennis 21:29 – Adam Wharton Interview 31:04 – James Garner Interview 33:09 – Lee Carsley Interview 38:42 – Ethan Ampadu Interview 42:44 – Karl Darlow Interview 47:50 – Italy v Northern Ireland Preview

Mike is back with this week's episode of News For The Blues, as he discusses all the latest news out of the club before this weekend's visit of Chelsea to Hill Dickinson Stadium. James Garner's England call up, squad availability, Chelsea's weak Premier League punishment and Everton in The Community celebrations are all on the agenda. To help support the show, please use our affiliate links for both CFS and Fanatics when buying your Everton merchandise ⬇️

On Clash of the Correspondents it's a battle of The Blues as Everton fan Sean Norton and Chelsea fan Gary Mantle join James to discuss the latest at their clubs and preview Saturday's Gameweek 31 meeting. For both away results have been better than at home. For Everton a move to their new stadium can give some explanation but for Chelsea there is a concern and already fan sentiment for Liam Rosenior is causing a split. Plus, end of season targets and all the key FPL assets covered including James Tarkowski, Kienan Dewesbury-Hall, James Garner, Trevor Chalobah, Enzo Fernandez, Cole Palmer and Joao Pedro. Tomorrow on Planet FPL: Clash of the Correspondents, Tottenham Hotspur v Nottingham Forest with Ricky Saunders & Mark Sutherns Today on Patreon: UCL Fantasy Preview (IT+) & Nico's Corner (AT) The full Planet FPL schedule for this week can be found via this post: https://www.patreon.com/posts/153160352 Want to become a member of our FPL community and support the Podcast?  Join us on Patreon: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/planetfpl⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Follow James on Twitter/x: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/PlanetFPLPod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Follow Suj on Twitter/x: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/sujanshah⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Follow Clayton on Twitter/x: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/claytsAFC⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Follow David on Twitter/x: https://x.com/PlanetFPLHunter Follow Nico on Twitter/x: https://twitter.com/nico_semedo Subscribe to our YouTube channel: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/@PlanetFPL⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Like us on Facebook: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.facebook.com/planetfpl⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Follow us on Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/planetfpl⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ #Everton #Chelsea #FPL Learn more about your ad choices. Visit podcastchoices.com/adchoices

In this week’s episode of Geeksters! before the boys catch up with their week Shawn shares a rumor about Punxsutawney Phil that they discover the truth. Ed talks about seeing the movie “Predator: Badlands” plus his physical and digital movie purchase. Shawn talks about seeing the movies “Abigail” and “Batman vs. The Yakuza League” plus his recent physical and digital movie purchases. Then we bring you the Releases of the Week in Movies, TV and Video Games and then it is time for the news. We start off talking about a Smallville cast member who would like to go back to acting and we also discussed a movie tradition that has not been broken in 48 years. We also discussed a reboot not happening that Shawn is bummed about and we also discussed David Boreanaz rebooting a James Garner series plus so much more. This podcast was recorded on Sunday March 15th, 2026.The post Geeksters – Episode 558 first appeared on Words with Geeks.

Welcome to The B-Side, from The Film Stage. Here we usually talk about movie stars and not the movies that made them famous or kept them famous, but the ones they made in between. Today, however, we talk about Oscar movies (!), or better yet, movies that remind us of Oscar movies! Conor and I welcome back the great Chris Feil, co-host of This Had Oscar Buzz! Today, we dive into defunct Academy Awards categories!  The movies include In Old Chicago (which won the Oscar for Best Assistant Director, a category that was discontinued after this 1938 ceremony), The Americanization of Emily (which was nominated for Best Cinematography (Black-and-White) in its final year of competition), the much-maligned film adaptation of A Little Night Music (which won for, deep breath, Best Music, Original Song Score, and Its Adaptation or Best Adaptation Score), and finally Sleepers (which was nominated for Best Original Dramatic Score, back during the time when there were two categories for music, Original Dramatic Score and Original Musical or Comedy Score). We talk about the upcoming (or just-aired, depending on when you listen) 2026 Academy Awards, the recent Oscar season and its surprises, changes that could be made to the format to make it more interesting, and personal favorites from the 2025 movie year. Additionally, we talk about Elizabeth Taylor singing in A Little Night Music, the endurance of the animated film Shrek (which won the first Oscar for Best Animated Feature back in 2002), and that time James Garner and Steve McQueen had a falling out because Garner starred in Grand Prix. Be sure to give us a follow on Bluesky at @tfsbside.bsky.social. Enjoy!

On Episode 147 of The Film ‘89 Podcast, Skye and returning guest-host Stephen Simpson are celebrating the 60th anniversary of and also taking an in-depth look at the making of director John Frankenheimer's epic, nearly 3-hour-long motor racing drama, Grand Prix. Starring James Garner, Yves Montand, Eva Marie Saint, Toshiro Mifune and a huge international supporting cast, Frankenheimer's movie is a marvel of technical filmmaking that captures the thrills and danger of Formula 1 as few other films have. Filmed alongside the 1966/67 F1 season with unprecedented cooperation from the drivers and teams of the era, Grand Prix is arguably the finest big-screen representation of motor racing ever made, and a time capsule of a period when the sport was on the cusp of changes that would alter it forever.

Royal Blue: Everton vs Manchester United Preview EXCLUSIVE NordVPN Deal ➼ https://nordvpn.com/efc Try it risk-free now with a 30-day money-back guarantee Join Ian Croll, Chris Beesley and Gavin Buckland for the latest Royal Blue Podcast as they look ahead to a massive Monday night under the lights at the Hill Dickinson Stadium. Everton prepare to welcome Manchester United, but David Moyes has a significant defensive puzzle to solve. With Jake O'Brien serving a suspension following his red card against Bournemouth, the panel discusses how the Blues will reshuffle the backline. In this episode, we discuss the right-back conundrum: Who steps in for O'Brien? Is it time for Nathan Patterson to shine, or will James Garner be asked to fill the gap? Stadium Atmosphere: How the new home surroundings can tip the scale in a crucial Premier League clash. Tactical Battles: How Moyes will look to outmaneuver United's setup. Scoreline Predictions: The lads give their definitive verdicts and "gut feelings" ahead of kick-off. Chris Beesley's Book: Spirit of the Blues: https://tinyurl.com/35yrkvdb *Emotional farewell to Goodison Park | 16-page Everton souvenir picture special:*  https://shop.regionalnewspapers.co.uk/liverpool-echo-monday-19th-may-2025-4583-p.asp *Goodbye to Goodison special souvenir edition:*  https://tinyurl.com/GoodbyeGoodisonSouvenir *Gavin Buckland's Book 'The End' | Order your copy here:* https://tinyurl.com/GavinBucklandTheEnd Everton FC podcasts from the Liverpool ECHO's Royal Blue YouTube channel. Get exclusive Everton FC content - including podcasts, live shows and videos - everyday.  Subscribe to the Royal Blue Everton FC YouTube Channel and watch daily live shows HERE: https://bit.ly/3aNfYav Listen and subscribe to the Royal Blue Podcast for all your latest Everton FC content via Apple and Spotify: APPLE: https://bit.ly/3HbiY1E SPOTIFY: https://bit.ly/47xwdnY Visit the Liverpool ECHO website: https://www.liverpoolecho.co.uk/all-about/everton-fc Follow us on Twitter: https://twitter.com/LivEchoEFC Follow us on TikTok: https://www.tiktok.com/@royal.blue.evertoFollow us on Facebook: https://www.facebook.com/LiverpoolEchoEFC Learn more about your ad choices. Visit podcastchoices.com/adchoices

With the Analytics Dead Zone fully underway in league football, we step back, take a question from the mailbag, and play "Squad Player or Star Player?" with James Garner, Joao Pedro and Gabriel Martinelli. Support the show

TVC 723.6: From July 2020: Actor, author and acting teacher Basil Hoffman (Acting and How to Be Good at It, Cold Reading and How to Be Good at It) talks to Ed about how Jim Hutton and James Garner were two of the many actors he worked with who happened to be tall; how Richard Benjamin and Alan J. Pakula are examples of "actor first" directors (and how Steven Spielberg and the Coen Brothers exemplify "camera first" directors); and how Basil also happened with a number of actors who were father and son, including Jim Hutton and Timothy Hutton and Carl Reiner and Rob Reiner. Basil Hoffman passed away on Sept. 17, 2021.

“What would happen if every NBA team had its own insane, over‑the‑top victory celebration?”That's the thought‑provoking question that launches this segment of The Ben & Skin Show. The segment kicks off with the proposed Mavs celebration, involving Nico Harrison's old portable stairs decorated with Dirk, Nick Van Exel, and Luka, all while a James Garner vs. Clint Eastwood fistfight plays on the Jumbotron.

This week, Alex and Randy begin with a frank look at the Deville Debacle of the weekend before last and have a discussion about how we handle major issues and mistakes as a company. On a lighter note, they move on to a recap of the fun had in Arizona for Auction Week and a followup in Vegas, debate the value proposition of a $40 corndog at the veritable circus of a live tentpole auction, and give shout-outs to several of the BaT valued Local Partners who were in Scottsdale with us.Next up, our excitement for the upcoming BaT Meet-Up in Palm Springs; James Garner's black/gold Hertz GT350; auction fees on high-dollar cars; the  Eisenhower step; blowing minds in an R34 Skyline while driving through the desert with bros; an ode to early Hondas; the perfect '32 Ford spec; the Super Bowl vs GNRS, an easy choice if ever there was one; and finally, nerding out on Pajeros, Ladas, and 1970s ski racks.Mentioned in this episode:18:45  BaT Meet-Up, February 21 at Desert Dunes in Palm Springs, California22:19  1: Life on the Limit (2013)23:34  2k-Mile 2015 Porsche 918 Spyder Weissach Package and  1,900-Mile 2017 Ferrari F12tdf and 2020 McLaren Senna GTR23:49 1969 Lamborghini Miura P400 S24:38  1951 Cessna L-19/O1 Bird Dog27:28  1987 Lamborghini Countach 5000 QV30:26  1995 Honda NSX-R30:59  2002 Nissan Skyline GT-R M-Spec Nür36:17  1967 Honda S800 Coupe39:53  HOT ROD Mavericks: The Builders, Racers, and Rebels42:28  2026 Grand National Roadster Show43:25  Bruce Meyer on Collecting, Cobras, and Lowriders – Remastered44:27  20-Years-Owned 2004 Acura NSX-T 6-Speed44:44  29k-Mile 1999 Chevrolet Corvette Fixed Roof Coupe 6-Speed45:08  Ex–Swede Savage 1969 AAR-Chrysler Eagle Mk 545:30  1955 Chrysler C-30045:39  Ford GT Concept Static Display Vehicle45:55  1:1 Ford GT Wooden Display Model46:42 Coyote-Powered 1992 Ford Mustang Hatchback LX 6-Speed47:12  401-Powered '32 Ford Highboy Roadster47:24  1997 Mitsubishi Pajero Evolution and 1998 Subaru Impreza 22B STi47:39 22-Years-Owned 1974 Lamborghini Espada Series III 5-Speed and 1971 Lamborghini Espada Series II47:50  1993 Ford Escort RS Cosworth Lux48:10  32k-Mile 1982 Audi Coupe 5-Speed48:18 1985 Lada Niva 3-Door Hatchback 4×448:23  Ex–Doris Day 1976 Mercedes-Benz 450SELGot suggestions for our next guest from the BaT community, One Year Garage episode, or (B)aT the Movies subject? Let us know in the comments below!

EXCLUSIVE NordVPN Deal ➼ https://nordvpn.com/efc Try it risk-free now with a 30-day money-back guarantee The Royal Blue podcast returns as Ian Croll is joined by Joe Thomas and Chris Beesley to dissect the latest Everton headlines. The panel look ahead to Monday night's clash with Leeds United, with David Moyes' side without Jack Grealish after the winger sustained a foot injury that could keep him out for up to three months. They reveal team selection thoughts and score predictions, weigh up James Garner's advanced contract talks, and react to the Deloitte Football Money League 2026, which places Everton 23rd globally. Subscribe, comment with your XI and prediction, and join the debate. Chris Beesley's Book: Spirit of the Blues: https://tinyurl.com/35yrkvdb *Emotional farewell to Goodison Park | 16-page Everton souvenir picture special:*  https://shop.regionalnewspapers.co.uk/liverpool-echo-monday-19th-may-2025-4583-p.asp *Goodbye to Goodison special souvenir edition:*  https://tinyurl.com/GoodbyeGoodisonSouvenir *Gavin Buckland's Book 'The End' | Order your copy here:* https://tinyurl.com/GavinBucklandTheEnd Everton FC podcasts from the Liverpool ECHO's Royal Blue YouTube channel. Get exclusive Everton FC content - including podcasts, live shows and videos - everyday.  Subscribe to the Royal Blue Everton FC YouTube Channel and watch daily live shows HERE: https://bit.ly/3aNfYav Listen and subscribe to the Royal Blue Podcast for all your latest Everton FC content via Apple and Spotify: APPLE: https://bit.ly/3HbiY1E SPOTIFY: https://bit.ly/47xwdnY Visit the Liverpool ECHO website: https://www.liverpoolecho.co.uk/all-about/everton-fc Follow us on Twitter: https://twitter.com/LivEchoEFC Follow us on TikTok: https://www.tiktok.com/@royal.blue.everto Follow us on Facebook: https://www.facebook.com/LiverpoolEchoEFC Learn more about your ad choices. Visit podcastchoices.com/adchoices

Mike is back with this week's episode of News For The Blues, as he discusses all the latest from David Moyes' pre-match press conference before the visit of Leeds United to Hill Dickinson Stadium. Jack Grealish's injury, the return of Gana and Ndiaye from AFCON, Branthwaite, Dewsbury-Hall, Alcaraz and James Garner's contract are all on the agenda. To help support the show, please use our affiliate links for both CFS and Fanatics when buying your Everton merchandise ⬇️

Standing Together #RTTBROS #Nightlight"Two are better than one; because they have a good reward for their labour. For if they fall, the one will lift up his fellow: but woe to him that is alone when he falleth; for he hath not another to help him up." — Ecclesiastes 4:9-10You know, I watched an old movie the other night called "Support Your Local Sheriff." James Garner plays this stranger who rides into a lawless mining town where chaos rules and everybody's looking out for themselves. He becomes the sheriff and slowly brings order to the place.But here's what caught my attention: when the final confrontation with the bad guys comes, it's not just the sheriff standing alone. The whole town has to come together, stand shoulder to shoulder, or they're going to lose everything.That made me think of something Henry Ford once said: "Coming together is a beginning; staying together is progress; working together is success." And friends, I'm too soon old and too late smart on this one.See, God's work was never meant to be done by lone rangers. When Nehemiah rebuilt the walls of Jerusalem, every family worked on the section in front of their own house. Moses had Aaron and Hur holding up his arms. Jesus sent the disciples out two by two, never alone.Here's what I've noticed over the years: the enemy loves isolation. He wants you thinking you're the only one fighting, the only one struggling. But that's a lie. Scripture says, "And let us consider one another to provoke unto love and to good works: Not forsaking the assembling of ourselves together, as the manner of some is" (Hebrews 10:24-25).Every church needs the people of the church, not just the pastor or a few staff workers, but everyone, active and involved for the ministry to have the impact it should. When we come together, stay together, and work together, that's when we see God do amazing things.When one person is weak, another is strong. When one is discouraged, another brings hope. When the battle gets intense, we lock shields and stand together.So let me ask you: are you trying to fight your battles alone? You weren't meant to do this alone. The lawless town needed everybody standing together. And in our spiritual battles, we need each other too.Let's pray: Father, help us remember we're not alone in this fight. Draw us together as Your people. Help us stand shoulder to shoulder and labor together for Your glory. In Jesus' name, Amen.#Faith #Unity #ChurchFamily #SpiritualWarfare #TogetherInChrist #BiblicalWisdom #StrongerTogether #RTTBROS #NightlightBe sure to Like, Share, Follow and subscribe it helps get the word out.https://linktr.ee/rttbros

Andy is back and he joins Lyndon and Paul to lament the loss to injury of Jack Grealish before reviewing the 1-0 win over Aston Villa and another terrific team performance. They discuss the impressive showings from three of the youngest players in the side, Jake O'Brien's form at centre-back and the continuing rise of James Garner. Later, they're joined by historian and author Rob Sawyer to talk about the decade-long career of Tommy Wright who passed away this week. Finally, "Chat EFC" takes the fellas back to the depths of the Mike Walker era Hosted on Acast. See acast.com/privacy for more information.

TVC 721.5: Lindsay Wagner talks to Ed about working with Academy Award-winning actor John Houseman on both The Paper Chase and The Bionic Woman, working with Academy Award-winning director Robert Wise on Two People, and how she got her first television set with an assist from James Garner. Lindsay is making available special, limited-edition Bionic Woman memorabilia to celebrate the show's fiftieth anniversary, including newly released signed photos of Lindsay as Jaime; a select number of autographed, printed copies of the script for the final episode of The Bionic Woman; and a chance to have a one-on-one video chat with Lindsay herself. All items are available for pre-order right now at Bionic50.com. Physical items will be mailed out later in January. If you'd like to book a video chat with Lindsay, the video chat will be held in February. The deadline for all orders is Feb. 28, 2026. For details and more information, go to Bionic50.com.

EXCLUSIVE NordVPN Deal ➼ https://nordvpn.com/efc Try it risk-free now with a 30-day money-back guarantee Ian Croll is joined by Chris Beesley and Joe Thomas on the Royal Blue podcast to dissect Everton's magnificent away win at third‑placed Aston Villa. The Blues flew out of the blocks, hitting the post after just 11 seconds, and overcame a contentious offside call and VAR drama to take all three points—another famous result on the road. Standout displays from Jordan Pickford, James Garner, Merlin Rohl and Thierno Barry—who sealed it with a lovely dink over the keeper—take centre stage. With the victory lifting Everton to 10th, just three points off a European spot, the panel assesses what it means for the weeks ahead. Chris Beesley's Book: Spirit of the Blues: https://tinyurl.com/35yrkvdb *Emotional farewell to Goodison Park | 16-page Everton souvenir picture special:*  https://shop.regionalnewspapers.co.uk/liverpool-echo-monday-19th-may-2025-4583-p.asp *Goodbye to Goodison special souvenir edition:*  https://tinyurl.com/GoodbyeGoodisonSouvenir *Gavin Buckland's Book 'The End' | Order your copy here:* https://tinyurl.com/GavinBucklandTheEnd Everton FC podcasts from the Liverpool ECHO's Royal Blue YouTube channel. Get exclusive Everton FC content - including podcasts, live shows and videos - everyday.  Subscribe to the Royal Blue Everton FC YouTube Channel and watch daily live shows HERE: https://bit.ly/3aNfYav Listen and subscribe to the Royal Blue Podcast for all your latest Everton FC content via Apple and Spotify: APPLE: https://bit.ly/3HbiY1E SPOTIFY: https://bit.ly/47xwdnY Visit the Liverpool ECHO website: https://www.liverpoolecho.co.uk/all-about/everton-fc Follow us on Twitter: https://twitter.com/LivEchoEFC Follow us on TikTok: https://www.tiktok.com/@royal.blue.everto Follow us on Facebook: https://www.facebook.com/LiverpoolEchoEFC Learn more about your ad choices. Visit podcastchoices.com/adchoices

Reasons for celebration aplenty on this week's Byline. Paddy is back. It's his birthday. It's Harrison Armstrong's birthday. And Everton conquered Aston Villa at Villa Park. Thierno Barry bagged the winner to cap off a superb performance from the Blues. We take a closer look at the midfield options after James Garner's latest dominant display.  Then we focus on January transfers. Does this performance change anything? And do they keep Harrison Armstrong around?

Mike and Pete are joined by Sport Witness journalist Sean Lunt to look back on the incredible away win at Aston Villa; They discuss the great performance and finish from Theirno Barry, as well as the continued excellence of James Garner, in front of the watching England manager; The show rounds off with a look ahead to next weekend's home fixture against Leeds United. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Mike is back with this week's episode of News For The Blues, as he discusses all the latest from David Moyes' pre-match press conference ahead of Sunday's visit of Brentford. Harrison Armstrong's return from his loan spell at Preston, latest injury news, James Garner form and the January transfer window are all on the agenda. To help support the show, please use our affiliate links for both CFS and Fanatics when buying your Everton merchandise ⬇️

EXCLUSIVE NordVPN Deal ➼ https://nordvpn.com/efc Try it risk-free now with a 30-day money-back guarantee Everton rounded off 2025 with a ninth away win of the year and on their way back from covering the 2-0 victory over Nottingham Forest - who have been beaten by the Blues for two of those successes - Joe Thomas and Chris Beesley recorded another ‘on the road' special podcast. The ECHO's Everton reporting duo reflect on a December double over Sean Dyche's side as David Moyes' men, down to the bare bones, produced an impressive display as James Garner ran the show and opened the scoring before Thierno Barry sealed the three points by doubling his account against the East Midlanders. Chris Beesley's Book: Spirit of the Blues: https://tinyurl.com/35yrkvdb *Emotional farewell to Goodison Park | 16-page Everton souvenir picture special:*  https://shop.regionalnewspapers.co.uk/liverpool-echo-monday-19th-may-2025-4583-p.asp *Goodbye to Goodison special souvenir edition:*  https://tinyurl.com/GoodbyeGoodisonSouvenir *Gavin Buckland's Book 'The End' | Order your copy here:* https://tinyurl.com/GavinBucklandTheEnd Everton FC podcasts from the Liverpool ECHO's Royal Blue YouTube channel. Get exclusive Everton FC content - including podcasts, live shows and videos - everyday.  Subscribe to the Royal Blue Everton FC YouTube Channel and watch daily live shows HERE: https://bit.ly/3aNfYav Listen and subscribe to the Royal Blue Podcast for all your latest Everton FC content via Apple and Spotify: APPLE: https://bit.ly/3HbiY1E SPOTIFY: https://bit.ly/47xwdnY Visit the Liverpool ECHO website: https://www.liverpoolecho.co.uk/all-about/everton-fc Follow us on Twitter: https://twitter.com/LivEchoEFC Follow us on TikTok: https://www.tiktok.com/@royal.blue.everto Follow us on Facebook: https://www.facebook.com/LiverpoolEchoEFC Learn more about your ad choices. Visit podcastchoices.com/adchoices

TVC 718.5: Stefanie Powers talks to Ed about why her experience as a contract player at Columbia Pictures at the start of her career was like "a finishing school for actors"; working with Ava Gardner on Maggie (CBS, 1986), a pilot for a series that marked Gardner's final screen appearance (the pilot, however, never aired); and why James Garner ranks alongside Robert Wagner as among Stefanie's favorite co-stars. (Stefanie starred opposite Garner in "The Red Easy Red Dog," a second-season episode of The Rockford Files.) Stefanie Powers will reunite with McLintock! co-star Patrick Wayne for the first time in sixty years for a one-performance-only benefit production of A.R. Gurney's Love Letters that will take place on Sunday, Jan. 11 on the Debbie Reynolds Main Stage at the historic El Portal Theatre in North Hollywood, CA beginning at 1pm. Proceeds will support the efforts of the William Holden Wildlife Foundation. For tickets and more information, call (818) 508-4200 or go to ElPortalTheatre.com. Stefanie Powers is also featured in Vision for the Future: Capturing Inspiring Stories from Leaders and Changemakers, a recently released anthology eBook that profiles twenty-five visionaries who not only are making a significant impact in their respective fields, but are dedicated to making the world a better place through hope, action, and lasting change. Vision for the Future recognizes Stefanie for her work with The William Holden Wildlife Foundation. Vision for the Future is available for free at visionforthefuture.ai.

Ending three hexes in three weeks wasn't doable for Everton. Stamford Bridge remains the least happiest of all their Premier League hunting grounds. Matt and Paddy assess some of the collateral damage from that defeat. Kiernan Dewsbury-Hall and Jack Grealish have picked up injuries at the worst possible time for the Toffees, with Iliman Ndiaye and Idrissa Gueye now off to Africa Cup of the Nations. We take a closer look at Tyler Dibling's peculiar situation ahead of what will be a big month for him and look at James Garner's contract situation after he and Moyes played down rumours an agreement was imminent. Good Times quiz: https://x.com/goodtimesefcpod/status/1999172322750566906?s=20

EPISODE 116 -  “CLASSIC STAR OF THE MONTH: DICK VAN DYKE” - 12/01/25  Join us as we celebrate the life and career of someone who seemingly personifies joy — on-screen and off.  And maybe that's the secret to his longevity, because he is about to celebrate his 100th birthday on December 13.  Of course, we're talking about the one and only, DICK VAN DYKE, our December Star of the Month. His career spans The Dick Van Dyke Show, Mary Poppins, Chitty Chitty Bang Bang, and beyond. He's danced across rooftops, flipped over ottomans, and shared his personal struggles with alcoholism in order to shine a light on a horrible disease -- at a time when that sort of thing wasn't discussed. From his early years trying to make it in show business, to that breakout moment on Broadway, to becoming one of the most beloved stars on television and film - today, we celebrate the legendary Dick Van Dyke!  SHOW NOTES:  Sources: My Lucky Life in and Out of Show Business (2011), Dick Van Dyke; Columbia Pictures Press Release, (1968), by John C. Flinn; Rogers & Cowan, Inc. Public Relations Biographical Notes on Dick Van Dyke, 1964 “A New Van Dyke Family Blooms in the Desert,” September 17, 1971,  Life Magazine; “Dick Van Dyke Does It All, But In His Own Way,” March/April 1973, by Joseph N. Bell, The Saturday Evening Post; “Dick Van Dyke Tells of Alcohol Problem”, December 7, 1973, by Marilyn Beck, Marilyn Beck's Hollywood, Special Features; “The Serious Side of Dick Van Dyke,” Jan/Feb 1982, by Sally Saunders, The Saturday Evening Post: “Vintage Van Dyke,” October 1990, by Stuart Matranga, TV Time; “Biography Dick Van Dyke,”Dec 14, 1998, by Michael A. Lipton & Champ Clark, People Magazine; “Man With A Mission: Helping the Homeless Makes Dick Van Dyke's Holidays,”Nov 13, 2007, by Debra Beyer, Los Angeles Times; “Mary Tyler Moore & Dick Van Dyke Are Together Again on TV — But They're Not Rob & Laura Anymore,”April 2003, by Sheldon Lessen, Southern California Senior Life; Wikipedia.com; TCM.com; IBDB.com; IMDBPro.com; Movies Mentioned: Bye, Bye Birdie (1963), starring Dick Van Dyke, Janet Leigh, Ann-Margret, Paul Lynde, & Maureen Stapleton; What a Way to Go (1964), starring Shirley MacLaine, Dean Martin, Robert, Mitchum, Dick Van Dyke, Gene Kelly, & Paul Newman; Mary Poppins (1964), starring Julie Andrews & Dick Van Dyke; The Art of Love (1965), starring James Garner, Dick Van Dyke, & Angie Dickinson; Lt. Robin Crusoe, U.S.N.  (1966), starring Dick Van Dyke & Nancy Kwan; Divorce American Style (1967), starring Dick Van Dyke, Debbie Reynolds, Jason Robards & Jean Simmons; Never a Dull Moment (1968), starring Dick Van Dyke, Edward G, Robinson & Dorothy Provine; Chitty Chitty Bang Bang (1968), starring Dick Van Dyke & Sally Ann Howes; Some Kind of Nut (1969), starring Dick Van Dyke, Angie Dickinson, Rosemary Forsyth, & Zohra Lambert; The Comic (1969), starring Dick Van Dyke, Michelle Lee & Mickey Rooney; Cold Turkey (1971), starring Dick Van Dyke, Pippa Scott, & Bob Newhart; The Morning After (1974), starring Dick Van Dyke & Lynn Carlin; The Runner Stumbles (1979), starring Dick Van Dyke & Kathleen Quinlan; Dick Tracy (1990), starring Warren Beatty & Madonna; The Gin Game (2003), starring Dick Van Dyke & Mary Tyler Moore; Night at the Museum (2006), starring Ben Stiller & Carla Cugino; Mary Poppins Returns (2018), starring Emily Blunt & Lin Manuel Miranda; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

TVC 714.6: Actor and musician Les Lannom shares a few memories about working with Peter Falk in Columbo Goes to College (ABC, 1990), with James Garner in the miniseries Space (CBS, 1985), with Henry Fonda in the acclaimed made-for-TV movie Gideon's Trumpet (CBS, 1980), and with Dennis Weaver in the epic miniseries Centennial (NBC, 1978-1979).

We're back! We watch the 1969 movie Marlowe, starring James Garner, Rockford Files alums-to-be Rita Moreno and William Daniels as well as Carroll O'Connor and Bruce Lee. An adaptation of the Raymond Chandler story "Little Sister," contemporary reviewers seemed to find it lacking as compared to the classic Humphrey Bogart interpretation of Phillip Marlowe, but we really enjoyed it! Of course we are coming to it with Rockford on our minds, and it's fun to see the precursors to character traits and attitudes that end fully developed over 6 seasons of television. If you like The Rockford Files, you'll probably dig it! Want more Rockford Files trivia, notes and ephemera? Check out the Two Hundred a Day Rockford Files Files (http://tinyurl.com/200files)! We appreciate all of our listeners, but offer a special thanks to our patrons (https://www.patreon.com/twohundredaday). Thank you Detectives, Gumshoes and everyone else who supports the show! We will continue posting our occasional episodes over there, which include the screenshots discussed in this episode. Thanks to: * Fireside.fm (https://fireside.fm) for hosting us * Audio Hijack (https://rogueamoeba.com/audiohijack/) for helping us record and capture clips from the show

TVC 714.3: Ed welcomes Les Lannom, the actor known around the world as Lester Hodges on Harry O (ABC, 1974-1976), and a man who has worked with such movie and TV legends as Lee Marvin, Gene Hackman, Henry Fonda, Robert Mitchum, Joe Don Baker, Sissy Spacek, Dennis Weaver, Pat Hingle, James Garner, David Carradine, and David Janssen in the course of his career. Topics this segment include the appeal of the smell of a good pipe, the merits of pipe smoking versus cigar smoking, and the bad experience that Les had while smoking a cigarette in 1971 during production of Prime Cut, his first film credit as an actor.

RMR 0339: Special Guests, Robert Ripple and Rebecca Davis, joins your host, Russell Guest for the Retro Movie Roundtable as they revisit The Great Escape (1963) [PG] Genre: War, Military, History, Adventure, Thriller   Starring: Steve McQueen, James Garner, Richard Attenborough, James Donald, Charles Bronson, Donald Pleasence,  James Coburn, Hannes Messemer, David McCallum, Gordon Jackson, John Leyton, Angus Lennie, Nigel Stock, Robert Graf,  Jud Taylor, Hans Reiser, Harry Riebauer, William Russell, Robert Freitag, Ulrich Beiger, George Mikell, Lawrence Montaigne, Robert Desmond, Til Kiwe, Heinz Weiss, Tom Adams, Karl-Otto Alberty   Directed by: John Sturges Recorded on 2025-10-07

This week we're talking about Elton John, an artist we both enjoy and admire. That's why we need to discuss the 1972 borderline novelty song, Crocodile Rock. Also in this prepisode music news of the weird, listener emails and we announce next week's album. In this episode we discuss code words in songs, the last swing dancing craze of the 90s, motocross, Count Chocula, James Garner and Maverick the film, the Internet's opinion that Drake is sort of a creep, the White Stripes induction into the Rock Hall of Fame, and so much more!  Hatepod.com | TW: @AlbumHatePod | IG: @hatePod | hatePodMail@gmail.com Episode Outline: Quick update on the goings on at the world headquarters Discuss our history with the song/band Song discussion - lyrics and music Music Video How the song did worldwide Amazon reviews Listener email (just 2) Music news of the weird Announce next week's album