Podcasts about juilet

For this week's episode, Joe talks to Juilet and Ryan of Good Luck Alaska about their debut EP. 

There's Sometimes a Buggy says hello to 2023 and goodbye to Acteur Jean Arthur with three movies by three auteurs (Virginia Van Upp, Billy Wilder, and George Stevens): The Impatient Years (1944), A Foreign Affair (1948), and Shane (1953). Elise decides in real time that The Impatient Years, a sour mid-40s comedy of remarriage, is a great comedy because it's not very funny (using another Shakespeare reference to get there). We discuss the geopolitical context of Wilder's remarkable A Foreign Affair, agreeing that Arthur's persona in it has nothing to do with Capra; and George Stevens' leftist de-bunking of certain myths of the Western genre in Shane. And speaking of Shakespeare, in Fear and Moviegoing in Toronto we revisit a Gen X classic that neither of us had seen in about 20 years, Baz Luhrmann's Romeo + Juilet, which prompts Elise to perceive the resemblance between Leonardo DiCaprio and Joan Crawford.  Time Codes: 0h 1m 00s:        THE IMPATIENT YEARS (1944) [dir. Irving Cummings] 0h 26m 45s:      A FOREIGN AFFAIR (1948) [dir. Billy Wilder] 1h 03m 45s:      SHANE (1953) [dir. George Stevens] 1h 20m 56s:      Elise & Dave's Top 10 Jean Arthur films 1h 24m 09s:      Fear and Moviegoing in Toronto: WILLIAM SHAKESPEARE'S ROMEO + JULIET (1996) [dir. Baz Luhrmann]   +++ * Listen to our guest episode on The Criterion Project – a discussion of Late Spring * Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s * Intro Song: “Sunday” by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive) * Read Elise's piece on Gangs of New York – “Making America Strange Again” * Check out Dave's Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist's 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project!  Follow us on Twitter at @therebuggy Write to us at therebuggy@gmail.com We now have a Discord server - just drop us a line if you'd like to join! 

What better way to celebrate the end of the year with the end of the world? We read Warm Bodies by Issac Marion and it is for sure the best zombie adaptation of Romeo and Juilet that we've ever read. Give it a listen and let us know if you would make out with a zombie??

This is my very First interview!! With the ABSOLUTELY AMAZING Cayt Feinics instagram: @therisenfeinics Fb: Cayt Feinics - Actor She is an actor, aspiring model/sex worker, giant nerd and super horror fan! Her pronouns are she/her, polyamorous and pansexual. She has three cats, two rats and a snake and a partner who she absolutely adores!!! Her story is a beautiful tale of how one can grow up trapped in a puritanical household and find yourself grown into an amazing human that has embraced the queerest parts of themselves to become the best and most unapologetic person possible. Find Tromeo and Juilet at https://www.amazon.com/gp/video/detail/amzn1.dv.gti.a4a9f723-ae20-377e-2273-a8487f32edd8/ref=dv_auth_ret?autoplay=1& Want to get better at asking for consent? Need to know which situations to use consent? I got the best thing for you!! A FREE Consent Checklist! Click this link and it is all yours!! https://mailchi.mp/4548554cfeae/consent-checklist Want more of me!! All my links are at Beacons.page/dangerginger or at Dangerousginger.com

ROMERO AND JUILET BY WILLIAM SHAKESPEARE ACT 1

ROMERO AND JUILET BY DIRE STRAITS IN POETRY FORM BY MARK ANTONY RAINES

Ecoutez Les Grosses Têtes avec Laurent Ruquier du 06 juillet 2021

Today, we have a very special guest. Jackie Chavira leads us in a discussion on the 1996 Shakespearian adaptation and the 2000 action-thriller adaptation of the very same play. The Show: @ddffpod Jeremy Schmidt: @ocarinaofcrime Alex Gaskin: @alex_j_gaskin Ravi Kiran: @kiranmesoftly Jackie Chavira

Welcome to Revive Ministries Podcast, we continue the dialogue about FInding Wellness in our relationships. I have returning guest Juilet to share her insight on the subject. Disclaimer: if you are in crisis please seek appropriate professional help immediately, the crisis hotline is the USA is 1-800-273-8255 National Suicide Prevention Lifeline You can find more on Juliet by going to https://julietvanheerden.com/about-me/ TITLE by ARTIST LINK TO ARTIST Promoted by MrSnooze https://youtu.be/kUZTWj2Lxo0License: Creative Commons You can support Revive Ministries by listener support donation at anchor.fm/robert-col363n, thank you for listening --- Support this podcast: https://anchor.fm/robert-col363n/support

ARE MASQUERADE BALLS TO BLAME FOR ROMEO AND JULIET? On this special Valentines Day episode, The Alarmist (Rebecca Delgado Smith) decides who is to blame for the tragic tale of Romeo and Juilet. She is joined by Special Guest Natasha Leggero, Fact Checker Chris Smith and Producer Amanda Lund. Dr. Dr. James Shapiro , Professor of English and Comparative Literature specializing in Shakespeare at Columbia University, stops by to discuss why Shakespeare puts a major spoiler in the prologue. On the board this week: FATE, THE CAPULET/MONTAGUE FEUD, and FRIAR LAURENCEWe have merch!Join our Discord!Tell us who you think is to blame at http://thealarmistpodcast.comEmail us at thealarmistpodcast@gmail.comFollow us on Instagram @thealarmistpodcastFollow us on Twitter @alarmistThe Support this show http://supporter.acast.com/alarmist. See acast.com/privacy for privacy and opt-out information.

Think you have heartbreak problems? How would they compare to Alicia Silverstone, or Jessica Rothe, in this updated MUSICAL version of Valley Girl. The original punk Romeo and Juilet of Valley Girl from 1983 has a cult following. How does this musical version that embraces more of its punk roots fare against the Cage classic? In this episode we’ll talk about which is better of the two, the soundtrack, Logan Paul and much more!If you or someone you know is reading this right now and struggling with suicide, depression, addiction, or self-harm - please reach out. Comment, message, or tweet at us. Go to victimsandvillains.net/hope for more resources. Call the suicide lifeline at 1-800-273-8255. Text "HELP" to 741-741. There is hope & you DO have so much value and worth!This production of Victims and Villains is written by Josh "Captain Nostalgia" Burkey (& produced by) and Micah Kimber.You can now support us on Patreon. Help us get mental health resources into schools and get exclusive content at the same time. Click here (http://bit.ly/vavpatreon) to join today.

Grab your leg warmers and your favorite record becuase we’re going back to the 80s for our first in-universe crossover discussing Valley Girl! Nicolas Cage plays a hopeless romantic whose punk rock roots upset the established order of Deborah Foreman’s valley girl life style. It’s Romeo and Juilet for the punk rock generation. In this episode, we discuss some of the film’s questionable plot decisions, themes of identity and mental health and much more! This episode is sponosred by our Patrons at our $5 tier. For five dollars you can help us cover the entire Nicolas Cage filmography and help us get mental health resources into schools!If you or someone you know is reading this right now and struggling with suicide, depression, addiction, or self-harm - please reach out. Comment, message, or tweet at us. Go to victimsandvillains.net/hope for more resources. Call the suicide lifeline at 1-800-273-8255. Text "HELP" to 741-741. There is hope & you DO have so much value and worth!This production of Victims and Villains is written by Josh "Captain Nostalgia" Burkey (& produced by) and Micah Kimber.You can now support us on Patreon. Help us get mental health resources into schools and get exclusive content at the same time. Click here (http://bit.ly/vavpatreon) to join today.

Good morning good afternoon good evening wherever you maybe and welcome to a very special Extra interview of Final Cut. Today I'm joined by an actress who's also a writer and a director who some people might know as Drusilla from Buffy and Angel So ladies and gentlemen it is my great honour and privilege to give you the woman of many voices Juliet Landau

Sujets traités :  - La préfecture du bas-rhin a placé hier tous les cours d’eau du département, sauf le Rhin, en alerte sécheresse. La nappe se trouve à un niveau plus bas qu’à la même époque l’an dernier et il n’a pas assez plus ces derniers temps. - L’alerte sécheresse a une incidence pour les particuliers comme pour les professionnels. L’arrosage des pelouses est interdit entre 10 et 18h, interdiction de remplir une piscine privée ou de vider et remplir un plan d’eau. Et pour nettoyer sa voiture, il faudra aller dans une station professionnelle. - La commune de Lièvre bientôt sous le feu des projecteurs ! Le conseil municipal a voté pour investir dans des caméras de vidéo surveillance. 26 seront installées d’ici l’année prochaine entre le village et la zone industrielle proche. - On en sait un peu plus concernant le festival de jazz de Colmar. La 25e édition aura lieu du 10 au 28 septembre et propose de nombreux rendez-vous musicaux. Avec des concerts, forcément, à la salle Europe, au théâtre municipal, au parc des expositions ou même encore aux tanzmatten de Sélestat. Autour du festival, vous pourrez profiter d’un cinéma en plein air, d’un accord jazz et whisky, des ateliers, des spectacles jeunesse, des expositions, ou encore une déambulation en centre-ville. Certains concerts sont payants, d’autres gratuits, et les animations autour du festival sont en général en entrée libre. Pour la billetterie et la programmation complète ça se passe sur le www.festival-jazz.colmar.fr - Toujours dans la cité de Bartholdi, du changement à venir pour le stationnement. A partir du premier août, dans l’hyper-centre, il faudra passer par l’horodateur, ou via GSM avec les applications PayByPHone et Easy Park, pour bénéficier des trois heures de stationnement. Le disque européen ne sera donc plus accepté le mois prochain. Il faudra juste taper son numéro d’immatriculation et recevoir un ticket pour les trois prochaines heures. En dehors du centre, le stationnement reste gratuit jusqu’au 30 septembre. - A partir du premier août, les Colmariens pourront profiter de la base nautique ! Ouverte depuis juin, du fait d’être l’un des premiers plans d’eau de la région à reprendre du service, la baignade a pu profiter à bon nombre de personnes. La Ville de Colmar va distribuer, à partir de mercredi prochain, deux entrées par habitant qui seront utilisables le mois prochain. Pour en bénéficier, il faudra se rendre en mairie avec une pièce d’identité, le livret de famille et un justificatif de domicile. - Enfin, toujours à Colmar, et encore à compter du premier aout, la ville a décidé de piétonniser une partie de la grand rue pour faire un test entre la rue de l’Eglise et celle des Augustins. Pour les livraisons, elles devront être effectuées avant onze heures, et le sens de circulation rue des augustins sera inversé. Cette piétonnisation expérimentale sera effective jusqu’au 15 août. - Si vous ne saviez pas quoi faire ce vendredi soir, la fête des grands crus d’Eguisheim a lieu de 16h à 23h ! Le syndicat vigneron de la commune a obtenu une autorisation in-extremis. Pour s’y rendre, la réservation auprès de l’office de tourisme est obligatoire et vous permettra de déguster les vins locaux et des tartes flambées, avec modération, bien entendu !

L'horoscope Nostalgie du 5 juillet 2020

Juliet Burnett grew up in Sydney, while spending considerable time in Indonesia. Dancing was in Juilet’s blood; her grandmother, was the Sultan’s star dancer at his court in Jogjakarta. At the age of five her parents enrolled her in ballet school to see if she took after her grandmother. Later, Juliet studied at The Australian Ballet School, before joining the company in 2003. Juliet has worked in creations by Wayne McGregor, Stanton Welch, Alexei Ratmansky, Krysztof Pastor, Nicolo Fonte, Maina Gielgud, Rudolf Nureyev, Peggy van Praagh, Matjash Mrozewski, Stephen Baynes, Gideon Obarzanek, Graeme Murphy and Stephen Page. In mid-2015, Juliet left The Australian Ballet after her final show as Giselle. She left to become a freelance dancer performing in Australia and Indonesia, working with a range of people including Melanie Lane, a childhood friend. In 2016, Juliet made the move to Europe to join Ballet Vlaanderen, Belgium's premier dance company, under the directorship of renowned choreographer Sidi Larbi Cherkaoui. Since 2016, Juliet has been a First Soloist with Ballet Vlaanderen, where she has had new creations made for her by Édouard Lock in The Heart of August and The Heart of August ... continued and Sidi Larbi Cherkaoui in his Requiem. Other roles include the title role in Akram Khan’s Giselle, in William Forsythe's Approximate Sonata and Workwithinwork, Pina Bausch's Café Müller, in Benjamin Millepied’s Bach Studies, as Marguerite in Jean-Christophe Maillot's Faust, as Queen Fabiola in Jeroen Verbruggen's Ma Mére L'Oye, Trisha Brown’s Twelve Ton Rose, in Alexander Ekman’s Joy, in Sidi Larbi Cherkaoui's Firebird, Memento Mori, Exhibition and Fall, and the Snow Queen in Demis Volpi's Nutcracker. In 2017 she danced as Guest Artist with Dutch National Ballet, in Remi Wortmeyer's new creation, Passing Shadows. Juliet is also a writer, having been a regular contributor for Dance Tabs, MDM Dancewear's website and The Australian Ballet's blog Behind Ballet. She has written for other publications including Vogue Australia, Dance International and Gourmet Traveller magazines.

Juliet Burnett grew up in Sydney, while spending considerable time in Indonesia. Dancing was in Juilet’s blood; her grandmother, was the Sultan’s star dancer at his court in Jogjakarta. At the age of 5 her parents enrolled her in ballet school to see if she took after her grandmother. Later Juliet studied at The Australian Ballet School, before joining the company in 2003. Juliet has worked in creations by Wayne McGregor, Stanton Welch, Alexei Ratmansky, Krysztof Pastor, Nicolo Fonte, Maina Gielgud, Rudolf Nureyev, Peggy van Praagh, Matjash Mrozewski, Stephen Baynes, Gideon Obarzanek, Graeme Murphy and Stephen Page. In mid-2015 Juliet left The Australian Ballet after her final show as Giselle. She left to become a freelance dancer performing in Australia and Indonesia, working with a range of people including Melanie Lane, a childhood friend. In 2016 Juliet made the move to Europe to join Ballet Vlaanderen, Belgium's premier dance company, under the directorship of renowned choreographer Sidi Larbi Cherkaoui. Since 2016 Juliet has been a First Soloist with Ballet Vlaanderen, where she has had new creations made for her by Édouard Lock in The Heart of August and The Heart of August ... continued and Sidi Larbi Cherkaoui in his Requiem. Other roles include the title role in Akram Khan’s Giselle, in William Forsythe's Approximate Sonata and Workwithinwork, Pina Bausch's Café Müller, in Benjamin Millepied’s Bach Studies, as Marguerite in Jean-Christophe Maillot's Faust, as Queen Fabiola in Jeroen Verbruggen's Ma Mére L'Oye, Trisha Brown’s Twelve Ton Rose, in Alexander Ekman’s Joy, in Sidi Larbi Cherkaoui's Firebird, Memento Mori, Exhibition and Fall, and the Snow Queen in Demis Volpi's Nutcracker. In 2017 she danced as Guest Artist with Dutch National Ballet, in Remi Wortmeyer's new creation, Passing Shadows. Juliet is also a writer, having been a regular contributor for Dance Tabs, MDM Dancewear's website and The Australian Ballet's blog Behind Ballet. She has written for other publications including Vogue Australia, Dance International and Gourmet Traveller magazines. With such an extensive career and so many interesting things to talk about this interview is presented in two parts.

O Romeo, Romeo, wherefore art thou Romeo? Right here!! Listen to my new episode on analyzing one of Juliet's soliloquies from Act 4, Scene 3, lines 15 to 58 to follow along.

Harriet Evans' 11 novel could be her biggest yet. Even with the huge success of 'The Wildflowers', 'The Garden of Lost and Found' is everywhere at the moment, and tells the story of Juilet. She's sent the key to a house that holds a forgotten world within. We talk about the first idea for the story, and how it developed from many ideas Harriet had for another story that never quite made it.We also chat about how she knows what her role is as a commercial novelist, how that affects her writing and storytelling, and why for her editing is the most important part of the whole process - and that, in fact, many other authors could learn to tidy up their work a bit more!There's also chat about her brand new novel in process, it's not even got a proper title yet, but we try and uncover what about it is making her tick right now.For audiobooks that help independent booksellers (and not the big conglomerates) head here - www.libro.fm and use the code ROUTINE, for a sweet 3 for 1 offer.For Harriet's book that helps US (but unfortunately use the big conglomerates) head here - https://amzn.to/2NKEsI0AND, please do support the show over at patreon.com/writersroutine@writerspodwritersroutine.com See acast.com/privacy for privacy and opt-out information.

064 - Welcome, welcome! We kick off this episode with a call back to last episode because Lindsay and Dustin couldn't stop themselves from watching more of Jingai-san no Yome! What the fuck is going on with this show? Who knows. We finally deliver on the second part of the third season of Tokyo Ghoul aka part 2 of Tokyo Ghoul: re and so starts the trend of WTF. Lindsay covers the third season of Sword Art Online: Alicization (that's not a real word). Finally, Dustin has committed himself to finishing Conception, if only for someone else's amusement. And lastly Boarding School Juliet, is the rom-com you've been waiting for? Did we need a Romeo and Juilet based anime? Find out on this episode of Super S!And be sure to follow us on Twitter, Tumblr and Instagram for more great updates!

In 1845 two thinkers from the American hemisphere – the Argentinean statesman Domingo Faustino Sarmiento, and the fugitive ex-slave, abolitionist leader, and orator from the United States, Frederick Douglass – both published their first works. Each would become the most famous and enduring texts in what were both prolific careers, and they ensured Sarmiento and Douglass' position as leading figures in the canon of Latin American and U.S. African-American political thought, respectively. But despite the fact that both deal directly with key political and philosophical questions in the Americas, Douglass and Sarmiento, like African-American and Latin American thought more generally, are never read alongside each other. Still, as Theorizing Race in the Americas: Douglass, Sarmiento, Du Bois, and Vasconcelos (Oxford University Press, 2017) contends, looking at the two together allows one to chart a hemispheric intellectual geography of race that challenges political theory's preoccupation with and assumptions about East / West comparisons, and questions the use of comparison as a tool in the production of theory and philosophy. By juxtaposing four prominent nineteenth and twentieth-century thinkers – Frederick Douglass, Domingo F. Sarmiento, W. E. B. Du Bois, and Jose Vasconcelos – Theorizing Race in the Americas will be the first to bring African-American and Latin American political thought into conversation. The book stresses that Latin American and U.S. ideas about race were not developed in isolation, but grew out of transnational intellectual exchanges across the Americas. In so doing, she shows that nineteenth and twentieth-century U.S. and Latin American thinkers each looked to political models in the ‘other' America to advance racial projects in their own countries. Reading these four intellectuals as hemispheric thinkers, the author foregrounds elements of their work that have been dismissed by dominant readings, and provides a crucial platform to bridge the canons of Latin American and African-American political thought. Juliet Hooker is a Professor of Political Science at Brown University. She earned her undergraduate degree from Williams College, and her M.A. and Ph.D. from Cornell University. In addition to Theorizing Race in the Americas: Douglass, Sarmiento, Du Bois, and Vasconcelos she is also the author of Race and the Politics of Solidarity. Hooker's research interests have focused on theories of multiculturalism, Latin American political thought, and Afro-descendant and indigenous politics in Latin America. James P. Stancil II is an educator, multimedia journalist, and writer. He is also the President and CEO of Intellect U Well, Inc. a Houston-area NGO dedicated to increasing the joy of reading and media literacy in young people. He can be reached most easily through his LinkedIn page or at james.stancil@intellectuwell.org.

In 1845 two thinkers from the American hemisphere – the Argentinean statesman Domingo Faustino Sarmiento, and the fugitive ex-slave, abolitionist leader, and orator from the United States, Frederick Douglass – both published their first works. Each would become the most famous and enduring texts in what were both prolific careers, and they ensured Sarmiento and Douglass’ position as leading figures in the canon of Latin American and U.S. African-American political thought, respectively. But despite the fact that both deal directly with key political and philosophical questions in the Americas, Douglass and Sarmiento, like African-American and Latin American thought more generally, are never read alongside each other. Still, as Theorizing Race in the Americas: Douglass, Sarmiento, Du Bois, and Vasconcelos (Oxford University Press, 2017) contends, looking at the two together allows one to chart a hemispheric intellectual geography of race that challenges political theory’s preoccupation with and assumptions about East / West comparisons, and questions the use of comparison as a tool in the production of theory and philosophy. By juxtaposing four prominent nineteenth and twentieth-century thinkers – Frederick Douglass, Domingo F. Sarmiento, W. E. B. Du Bois, and Jose Vasconcelos – Theorizing Race in the Americas will be the first to bring African-American and Latin American political thought into conversation. The book stresses that Latin American and U.S. ideas about race were not developed in isolation, but grew out of transnational intellectual exchanges across the Americas. In so doing, she shows that nineteenth and twentieth-century U.S. and Latin American thinkers each looked to political models in the ‘other’ America to advance racial projects in their own countries. Reading these four intellectuals as hemispheric thinkers, the author foregrounds elements of their work that have been dismissed by dominant readings, and provides a crucial platform to bridge the canons of Latin American and African-American political thought. Juliet Hooker is a Professor of Political Science at Brown University. She earned her undergraduate degree from Williams College, and her M.A. and Ph.D. from Cornell University. In addition to Theorizing Race in the Americas: Douglass, Sarmiento, Du Bois, and Vasconcelos she is also the author of Race and the Politics of Solidarity. Hooker’s research interests have focused on theories of multiculturalism, Latin American political thought, and Afro-descendant and indigenous politics in Latin America. James P. Stancil II is an educator, multimedia journalist, and writer. He is also the President and CEO of Intellect U Well, Inc. a Houston-area NGO dedicated to increasing the joy of reading and media literacy in young people. He can be reached most easily through his LinkedIn page or at james.stancil@intellectuwell.org. Learn more about your ad choices. Visit megaphone.fm/adchoices

In 1845 two thinkers from the American hemisphere – the Argentinean statesman Domingo Faustino Sarmiento, and the fugitive ex-slave, abolitionist leader, and orator from the United States, Frederick Douglass – both published their first works. Each would become the most famous and enduring texts in what were both prolific careers, and they ensured Sarmiento and Douglass’ position as leading figures in the canon of Latin American and U.S. African-American political thought, respectively. But despite the fact that both deal directly with key political and philosophical questions in the Americas, Douglass and Sarmiento, like African-American and Latin American thought more generally, are never read alongside each other. Still, as Theorizing Race in the Americas: Douglass, Sarmiento, Du Bois, and Vasconcelos (Oxford University Press, 2017) contends, looking at the two together allows one to chart a hemispheric intellectual geography of race that challenges political theory’s preoccupation with and assumptions about East / West comparisons, and questions the use of comparison as a tool in the production of theory and philosophy. By juxtaposing four prominent nineteenth and twentieth-century thinkers – Frederick Douglass, Domingo F. Sarmiento, W. E. B. Du Bois, and Jose Vasconcelos – Theorizing Race in the Americas will be the first to bring African-American and Latin American political thought into conversation. The book stresses that Latin American and U.S. ideas about race were not developed in isolation, but grew out of transnational intellectual exchanges across the Americas. In so doing, she shows that nineteenth and twentieth-century U.S. and Latin American thinkers each looked to political models in the ‘other’ America to advance racial projects in their own countries. Reading these four intellectuals as hemispheric thinkers, the author foregrounds elements of their work that have been dismissed by dominant readings, and provides a crucial platform to bridge the canons of Latin American and African-American political thought. Juliet Hooker is a Professor of Political Science at Brown University. She earned her undergraduate degree from Williams College, and her M.A. and Ph.D. from Cornell University. In addition to Theorizing Race in the Americas: Douglass, Sarmiento, Du Bois, and Vasconcelos she is also the author of Race and the Politics of Solidarity. Hooker’s research interests have focused on theories of multiculturalism, Latin American political thought, and Afro-descendant and indigenous politics in Latin America. James P. Stancil II is an educator, multimedia journalist, and writer. He is also the President and CEO of Intellect U Well, Inc. a Houston-area NGO dedicated to increasing the joy of reading and media literacy in young people. He can be reached most easily through his LinkedIn page or at james.stancil@intellectuwell.org. Learn more about your ad choices. Visit megaphone.fm/adchoices

In 1845 two thinkers from the American hemisphere – the Argentinean statesman Domingo Faustino Sarmiento, and the fugitive ex-slave, abolitionist leader, and orator from the United States, Frederick Douglass – both published their first works. Each would become the most famous and enduring texts in what were both prolific careers, and they ensured Sarmiento and Douglass' position as leading figures in the canon of Latin American and U.S. African-American political thought, respectively. But despite the fact that both deal directly with key political and philosophical questions in the Americas, Douglass and Sarmiento, like African-American and Latin American thought more generally, are never read alongside each other. Still, as Theorizing Race in the Americas: Douglass, Sarmiento, Du Bois, and Vasconcelos (Oxford University Press, 2017) contends, looking at the two together allows one to chart a hemispheric intellectual geography of race that challenges political theory's preoccupation with and assumptions about East / West comparisons, and questions the use of comparison as a tool in the production of theory and philosophy. By juxtaposing four prominent nineteenth and twentieth-century thinkers – Frederick Douglass, Domingo F. Sarmiento, W. E. B. Du Bois, and Jose Vasconcelos – Theorizing Race in the Americas will be the first to bring African-American and Latin American political thought into conversation. The book stresses that Latin American and U.S. ideas about race were not developed in isolation, but grew out of transnational intellectual exchanges across the Americas. In so doing, she shows that nineteenth and twentieth-century U.S. and Latin American thinkers each looked to political models in the ‘other' America to advance racial projects in their own countries. Reading these four intellectuals as hemispheric thinkers, the author foregrounds elements of their work that have been dismissed by dominant readings, and provides a crucial platform to bridge the canons of Latin American and African-American political thought. Juliet Hooker is a Professor of Political Science at Brown University. She earned her undergraduate degree from Williams College, and her M.A. and Ph.D. from Cornell University. In addition to Theorizing Race in the Americas: Douglass, Sarmiento, Du Bois, and Vasconcelos she is also the author of Race and the Politics of Solidarity. Hooker's research interests have focused on theories of multiculturalism, Latin American political thought, and Afro-descendant and indigenous politics in Latin America. James P. Stancil II is an educator, multimedia journalist, and writer. He is also the President and CEO of Intellect U Well, Inc. a Houston-area NGO dedicated to increasing the joy of reading and media literacy in young people. He can be reached most easily through his LinkedIn page or at james.stancil@intellectuwell.org. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

In 1845 two thinkers from the American hemisphere – the Argentinean statesman Domingo Faustino Sarmiento, and the fugitive ex-slave, abolitionist leader, and orator from the United States, Frederick Douglass – both published their first works. Each would become the most famous and enduring texts in what were both prolific careers, and they ensured Sarmiento and Douglass’ position as leading figures in the canon of Latin American and U.S. African-American political thought, respectively. But despite the fact that both deal directly with key political and philosophical questions in the Americas, Douglass and Sarmiento, like African-American and Latin American thought more generally, are never read alongside each other. Still, as Theorizing Race in the Americas: Douglass, Sarmiento, Du Bois, and Vasconcelos (Oxford University Press, 2017) contends, looking at the two together allows one to chart a hemispheric intellectual geography of race that challenges political theory’s preoccupation with and assumptions about East / West comparisons, and questions the use of comparison as a tool in the production of theory and philosophy. By juxtaposing four prominent nineteenth and twentieth-century thinkers – Frederick Douglass, Domingo F. Sarmiento, W. E. B. Du Bois, and Jose Vasconcelos – Theorizing Race in the Americas will be the first to bring African-American and Latin American political thought into conversation. The book stresses that Latin American and U.S. ideas about race were not developed in isolation, but grew out of transnational intellectual exchanges across the Americas. In so doing, she shows that nineteenth and twentieth-century U.S. and Latin American thinkers each looked to political models in the ‘other’ America to advance racial projects in their own countries. Reading these four intellectuals as hemispheric thinkers, the author foregrounds elements of their work that have been dismissed by dominant readings, and provides a crucial platform to bridge the canons of Latin American and African-American political thought. Juliet Hooker is a Professor of Political Science at Brown University. She earned her undergraduate degree from Williams College, and her M.A. and Ph.D. from Cornell University. In addition to Theorizing Race in the Americas: Douglass, Sarmiento, Du Bois, and Vasconcelos she is also the author of Race and the Politics of Solidarity. Hooker’s research interests have focused on theories of multiculturalism, Latin American political thought, and Afro-descendant and indigenous politics in Latin America. James P. Stancil II is an educator, multimedia journalist, and writer. He is also the President and CEO of Intellect U Well, Inc. a Houston-area NGO dedicated to increasing the joy of reading and media literacy in young people. He can be reached most easily through his LinkedIn page or at james.stancil@intellectuwell.org. Learn more about your ad choices. Visit megaphone.fm/adchoices

In 1845 two thinkers from the American hemisphere – the Argentinean statesman Domingo Faustino Sarmiento, and the fugitive ex-slave, abolitionist leader, and orator from the United States, Frederick Douglass – both published their first works. Each would become the most famous and enduring texts in what were both prolific careers, and they ensured Sarmiento and Douglass’ position as leading figures in the canon of Latin American and U.S. African-American political thought, respectively. But despite the fact that both deal directly with key political and philosophical questions in the Americas, Douglass and Sarmiento, like African-American and Latin American thought more generally, are never read alongside each other. Still, as Theorizing Race in the Americas: Douglass, Sarmiento, Du Bois, and Vasconcelos (Oxford University Press, 2017) contends, looking at the two together allows one to chart a hemispheric intellectual geography of race that challenges political theory’s preoccupation with and assumptions about East / West comparisons, and questions the use of comparison as a tool in the production of theory and philosophy. By juxtaposing four prominent nineteenth and twentieth-century thinkers – Frederick Douglass, Domingo F. Sarmiento, W. E. B. Du Bois, and Jose Vasconcelos – Theorizing Race in the Americas will be the first to bring African-American and Latin American political thought into conversation. The book stresses that Latin American and U.S. ideas about race were not developed in isolation, but grew out of transnational intellectual exchanges across the Americas. In so doing, she shows that nineteenth and twentieth-century U.S. and Latin American thinkers each looked to political models in the ‘other’ America to advance racial projects in their own countries. Reading these four intellectuals as hemispheric thinkers, the author foregrounds elements of their work that have been dismissed by dominant readings, and provides a crucial platform to bridge the canons of Latin American and African-American political thought. Juliet Hooker is a Professor of Political Science at Brown University. She earned her undergraduate degree from Williams College, and her M.A. and Ph.D. from Cornell University. In addition to Theorizing Race in the Americas: Douglass, Sarmiento, Du Bois, and Vasconcelos she is also the author of Race and the Politics of Solidarity. Hooker’s research interests have focused on theories of multiculturalism, Latin American political thought, and Afro-descendant and indigenous politics in Latin America. James P. Stancil II is an educator, multimedia journalist, and writer. He is also the President and CEO of Intellect U Well, Inc. a Houston-area NGO dedicated to increasing the joy of reading and media literacy in young people. He can be reached most easily through his LinkedIn page or at james.stancil@intellectuwell.org. Learn more about your ad choices. Visit megaphone.fm/adchoices

In 1845 two thinkers from the American hemisphere – the Argentinean statesman Domingo Faustino Sarmiento, and the fugitive ex-slave, abolitionist leader, and orator from the United States, Frederick Douglass – both published their first works. Each would become the most famous and enduring texts in what were both prolific careers, and they ensured Sarmiento and Douglass’ position as leading figures in the canon of Latin American and U.S. African-American political thought, respectively. But despite the fact that both deal directly with key political and philosophical questions in the Americas, Douglass and Sarmiento, like African-American and Latin American thought more generally, are never read alongside each other. Still, as Theorizing Race in the Americas: Douglass, Sarmiento, Du Bois, and Vasconcelos (Oxford University Press, 2017) contends, looking at the two together allows one to chart a hemispheric intellectual geography of race that challenges political theory’s preoccupation with and assumptions about East / West comparisons, and questions the use of comparison as a tool in the production of theory and philosophy. By juxtaposing four prominent nineteenth and twentieth-century thinkers – Frederick Douglass, Domingo F. Sarmiento, W. E. B. Du Bois, and Jose Vasconcelos – Theorizing Race in the Americas will be the first to bring African-American and Latin American political thought into conversation. The book stresses that Latin American and U.S. ideas about race were not developed in isolation, but grew out of transnational intellectual exchanges across the Americas. In so doing, she shows that nineteenth and twentieth-century U.S. and Latin American thinkers each looked to political models in the ‘other’ America to advance racial projects in their own countries. Reading these four intellectuals as hemispheric thinkers, the author foregrounds elements of their work that have been dismissed by dominant readings, and provides a crucial platform to bridge the canons of Latin American and African-American political thought. Juliet Hooker is a Professor of Political Science at Brown University. She earned her undergraduate degree from Williams College, and her M.A. and Ph.D. from Cornell University. In addition to Theorizing Race in the Americas: Douglass, Sarmiento, Du Bois, and Vasconcelos she is also the author of Race and the Politics of Solidarity. Hooker’s research interests have focused on theories of multiculturalism, Latin American political thought, and Afro-descendant and indigenous politics in Latin America. James P. Stancil II is an educator, multimedia journalist, and writer. He is also the President and CEO of Intellect U Well, Inc. a Houston-area NGO dedicated to increasing the joy of reading and media literacy in young people. He can be reached most easily through his LinkedIn page or at james.stancil@intellectuwell.org. Learn more about your ad choices. Visit megaphone.fm/adchoices

  Haidee (https://haideesamuelsart.tumblr.com/) and Jackie adventure in Verona as Juliet in Romeo and/or Juilet by Ryan North.Buy shirts and stickers at: http://www.redbubble.com/people/jessiepodcasts?asc=uArt by  Alan NguyenHis twitter is @rotmouthHis art blog is lonefortress.tumblr.comYou can buy shirts and junk with his designs at http://tee.pub/lic/usvxqxdKK_M andhttp://www.redbubble.com/people/rotmouth/sho 

Will Keenan is an actor, stunman, and the founder of St Babs, a new recovery center, and artist space in honor of the memory of his Mother. We chat everything from his first film role as Tromeo in Troma's Tromero and Juilet (written by James Gunn) to moving to India to star in Bollywood films to becoming an Exec at some of the biggest content studios around to his current project, the Church of St Babs. PRE SHOW NOTES-- This episode brought to you by Slash Cards - The Horror Movie Trivia Card Game-- The Dave Bullis Podcast Facebook Filmmakers Group  SHOW NOTES-- Home from Hollywood, actor honors mom with 'Church of Babs'-- Tromeo and Juliet - Will's 1st Film acting role. The script was written by James Gunn and directed by Lloyd Kaufman. -- Troma -  an American independent film production and distribution company founded by Lloyd Kaufman and Michael Herz in 1974-- Lloyd Kaufman - an American film director, producer, screenwriter and occasional actor-- James Gunn - an American screenwriter, director, producer, novelist, actor, and musician. His latest film Guardians of the Galaxy 2 is due out May 5th, 2017. -- Endermol - Global content creator, producer, and distributor-- Maker Studios - a global digital media brand and the original creator network-- Bollywood - the sobriquet for the Hindi language film industry based in Mumbai, India  ContactWill Keenan-- IMDB-- Twitter-- St Babs on Facebook Dave Bullis-- Official Site-- Youtube-- Twitter-- Instagram-- Facebook  Support the Podcast1. Sign Up for Dave's email list2. Rate the Podcast on iTunes3. Buy on Amazon.com using my affiliate link Subscribe to the Podcast-- Podbean -- iTunes -- Stitcher-- Google Play Podcasts

Episode 30 – Kelly and Juliet Starrett Discuss StandUp Kids dot org Have you ever wondered what a guy like Kelly Starrett Considers the most important thing he will ever do?  Wonder no more because he answers that question and more on this podcast. On Episode 30 of the Doc and Jock Podcast Dr. Danny and Coach Joe discuss kids health with Kelly and Juliet Starrett.  The Starretts are on a mission to drastically change the direction of kids health in the U.S.  Their newly launched non-profit StandUp Kids is dedicated to a simple mission, Fighting for Kids health, One Desk at a Time. If you are unhappy with your kid’s spine being stuck for 8 hours a day in a chair, which the only design consideration was stacking and vacuuming, StandUp Kids is a non-profit you need to support.  Partnering up with Donors Choose, the original crowd funder, StandUp Kids is on mission to make global changes to the U.S. educational system. The conversation begins with simply unplugging and engaging in non-structured play and non-exercise activity.  The Starrett’s discus their recent trip to southern Oregon and the Rogue River.  Hanging out in an area with no cell phone reception and without most modern conveniences they were forced to unplug and go with the flow – literally. Juliet then describes an encounter with a Hippo.  Yes that kind of Hippo.  After competing and winning the World White Water Championships in Africa in 1997, Juliet was attacked by an adult Hippo while taking part in a rafting trip.  Amazingly enough she swam 70 yards to shore in crocodile infested water and escaped with only a small scrape – caused by the tooth of the hippo while breaking through her kayak. We quickly understand that StandUp Kids is about effecting the lifestyle of America’s youth, not simply getting kids to do more sit ups and putting a Band-Aid on a huge problem.  The Starrett’s began to notice interesting orthopedic issues popping up with 1st grade kids.  Anyone with pre K kids can attest to the fact that they kids run on the balls of their feet and squat pretty well.  However, the Starrett’s began to notice poor movement patterns associated with a high degree of sitting.  Kelly describes a light bulb moment realizing he had neglected to apply the Mobility Wod model to kids. Juliet also describes a simple calculation she performed that showed that if she stood at a desk, as opposed to sitting, she had the potential to burn an extra 90,000 calories a year! Danny asks if research from the Bogalusa Long term heart study impacted their own research or played into the discovery of stand up desks as a simple fix to a major problem.  Bottom line is folks are working hard to solve the childhood obesity problem.  Across the board, whether its University research or a subjective experience with 5 classrooms in San Fran, the findings are that a movement rich environment is positive for kids health. Kelly also describes some specifics about the StandUp Kids intervention.  If kids are sitting there simply are not many options for kids to move.  By making the simple and effective switch to a standing desk kids have more movement options to manage the learning situation, non of which include turning their backs into question marks.  One of which, however, is sitting on the floor.  The major point here is that sitting in a chair is not natural.  Kelly challenges anyone sitting to attempt to jump, jerk, swim or deadlift with a similar posture and spinal angle.

Episode 30 – Kelly and Juliet Starrett Discuss StandUp Kids dot org Have you ever wondered what a guy like Kelly Starrett Considers the most important thing he will ever do?  Wonder no more because he answers that question and more on this podcast. On Episode 30 of the Doc and Jock Podcast Dr. Danny and Coach Joe discuss kids health with Kelly and Juliet Starrett.  The Starretts are on a mission to drastically change the direction of kids health in the U.S.  Their newly launched non-profit StandUp Kids is dedicated to a simple mission, Fighting for Kids health, One Desk at a Time. If you are unhappy with your kid’s spine being stuck for 8 hours a day in a chair, which the only design consideration was stacking and vacuuming, StandUp Kids is a non-profit you need to support.  Partnering up with Donors Choose, the original crowd funder, StandUp Kids is on mission to make global changes to the U.S. educational system. The conversation begins with simply unplugging and engaging in non-structured play and non-exercise activity.  The Starrett’s discus their recent trip to southern Oregon and the Rogue River.  Hanging out in an area with no cell phone reception and without most modern conveniences they were forced to unplug and go with the flow – literally. Juliet then describes an encounter with a Hippo.  Yes that kind of Hippo.  After competing and winning the World White Water Championships in Africa in 1997, Juliet was attacked by an adult Hippo while taking part in a rafting trip.  Amazingly enough she swam 70 yards to shore in crocodile infested water and escaped with only a small scrape – caused by the tooth of the hippo while breaking through her kayak. We quickly understand that StandUp Kids is about effecting the lifestyle of America’s youth, not simply getting kids to do more sit ups and putting a Band-Aid on a huge problem.  The Starrett’s began to notice interesting orthopedic issues popping up with 1st grade kids.  Anyone with pre K kids can attest to the fact that they kids run on the balls of their feet and squat pretty well.  However, the Starrett’s began to notice poor movement patterns associated with a high degree of sitting.  Kelly describes a light bulb moment realizing he had neglected to apply the Mobility Wod model to kids. Juliet also describes a simple calculation she performed that showed that if she stood at a desk, as opposed to sitting, she had the potential to burn an extra 90,000 calories a year! Danny asks if research from the Bogalusa Long term heart study impacted their own research or played into the discovery of stand up desks as a simple fix to a major problem.  Bottom line is folks are working hard to solve the childhood obesity problem.  Across the board, whether its University research or a subjective experience with 5 classrooms in San Fran, the findings are that a movement rich environment is positive for kids health. Kelly also describes some specifics about the StandUp Kids intervention.  If kids are sitting there simply are not many options for kids to move.  By making the simple and effective switch to a standing desk kids have more movement options to manage the learning situation, non of which include turning their backs into question marks.  One of which, however, is sitting on the floor.  The major point here is that sitting in a chair is not natural.  Kelly challenges anyone sitting to attempt to jump, jerk, swim or deadlift with a similar posture and spinal angle.

Mais um PopCast, dessa vez recheado de muita música e... revolta! Relembramos toda a segunda temporada do The Voice US, comentamos as decisões, eliminações, a grande final, além de selecionarmos as 5 apresentações favoritas da temporada. Mas para saber os escolhidos, só ouvindo. Participam: @gilmoreguy @klausroger @rehvivan e @suuzii.