Podcast appearances and mentions of George Stevens

Front Row Classics is thrilled to welcome back George Stevens Jr to the podcast. George was this year's recipient of the Robert Osborne Award at the Turner Classic Movies Film Festival. Brandon and George discuss the award as well as the restoration of "Talk of the Town" and his documentary, "George Stevens: A Filmmaker's Journey". 

George Stevens Jr. Front Row Classics is thrilled to welcome back George Stevens Jr to the podcast. George was this year’s recipient of the Robert Osborne Award at the Turner Classic Movies Film Festival. Brandon and George discuss the award as well as the restoration of “Talk of the Town” and his documentary, “George Stevens: … Continue reading Ep. 311-TCM Film Festival-Conversation with George Stevens Jr. →

SEASON 2 - EPISODE 139 - Camera Movement - with Tom Cross & Ed Lachman In this special episode of the Team Deakins Podcast, editor Tom Cross (Season 1, Episodes 129 & 139) and cinematographer Ed Lachman (Season 1, Episode 77 & Season 2, Episode 132) return to join us in a discussion about camera movement. From Douglas Sirk's sweeping camera moves to Robert Bresson's measured stillness, the four of us bring up examples of when camera movement (or its lack thereof) affects us, and we discuss why we believe choosing when and how to move the camera all comes down to what feels emotionally right for the story. When our conversation inevitably turns to 1917, we reflect on the variety of camera moves within the “single shot” of the film, and we discuss how the contrast of a camera move that diverges from a film's established language can more appropriately express character and a beat within the story. Ed also shares the unique method of filming practiced by studio era director George Stevens, and Tom reveals how he and director Damien Chazelle (Season 2, Episode 23) restitched the roaming camera move of the opening musical number in LA LA LAND. Throughout the episode, we draw on our own experiences as filmmakers and from our observations on a myriad of films across film history, and the conversation evolves to cover the relationship between editing and cinematography. A big thank you to Ed and Tom for coming back to talk with us! - This episode is sponsored by Aputure & Profoto

As Pat says in today's episode, it's not a Good Friday, it's a Great Friday--which is fitting, as the guys review The Greatest Story Ever Told!George Stevens' epic adaptation of the life of Christ turns 60 this year, and it holds up as one of the most sprawling and "cinematic" tellings ever committed to film!In the latest installment of "There's No Stalgia Like Nostalgia", Ian and Pat talk about the film's spotty Biblical accuracy and undeniable visual poetry; the wild cast of characters (including Max von Sydow as Jesus, Telly Savalas as Pontius Pilate, and John Wayne's infamous quarter-million-dollar cameo as a Roman soldier); and Hollywood's "Jesus curse"!You'll also learn about the film's different versions--and which one to seek out for the best possible viewing experience!Subscribe, like, and comment on Kicking the Seat here on YouTube, and check us out at:kickseat.comXLetterboxdBlueSkyInstagramFacebookShow LinksWatch the Greatest Story Ever Told trailer.Keep up with Pat at HollywoodChicago.com.Listen to Pat's movie reviews on the radio at STAR 96.7.

Esta semana nuestros contertulios comentan la versión televisiva de "El gatopardo", recientemente estrenada por Netflix. También recuerdan la figura de George Stevens, director de "Raíces profundas", en el 50 aniversario de su muerte. Como todas las semanas, José María Aresté, Pablo de Santiago y Juan Luis Sánchez, de Decine21, recomiendan un clásico, una película reciente y una serie.

As a cameraman during World War II, George Stevens shot footage of the liberation of Dachau that showed the world the horrors of the Holocaust – and scarred Stevens himself for life. Pre-war, he had been a director of frothy comedies; post-war, he committed himself to making epic films about “moral disasters.” This yielded a number of masterpieces – A Place in the Sun, Giant, Shane – but by the mid-60s, though more in demand than ever as a director, Stevens felt he lost touch with the audience. He only released one film in the 1960s, The Greatest Story Ever Told – an epic about Jesus, and an epic flop – and then, in an attempt to come full circle to his comedy roots, concluded his career with The Only Game in Town (1970), an awkward mashup of old and new featuring the two biggest transitional stars of the day, Warren Beatty and Elizabeth Taylor. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Novelist and playwright Edna Ferber (1885-1968) lived a wondrous life: residing in Manhattan as a member of the famed Algonquin Round Table, writing a Pulitzer Prize-winning novel (So Big), and producing works that Hollywood turned into twentieth-century classics, including the Kern & Hammerstein musical Show Boat and George Stevens's Giant, starring Elizabeth Taylor, Rock Hudson, and James Dean. Along the way, she also served as a caretaker and mentor for her grandniece, who was wowed by her great aunt's style, presence, and celebrity connections. In this episode, Jacke talks to Julie Gilbert, that little girl who grew up to become a writer herself, about her new book Giant Love: Edna Ferber, Her Best-Selling Novel of Texas, and the Making of a Classic American Film. PLUS Jacke talks to Yiddish literature expert Jessica Kirzane about her choice for the last book she will ever read. Additional listening: 567 Your Dream Guest: Jessica Kirzane on Translating Yiddish Literature 316 Willa Cather (with Lauren Marino) 64 Dorothy Parker (with Mike Palindrome) The music in this episode is by Gabriel Ruiz-Bernal. Learn more at gabrielruizbernal.com. Help support the show at patreon.com/literature or historyofliterature.com/donate. The History of Literature Podcast is a member of Lit Hub Radio and the Podglomerate Network. Learn more at thepodglomerate.com/historyofliterature. Learn more about your ad choices. Visit megaphone.fm/adchoices

Send us a textIn today's episode, I interview Isaac Bell, Emiliano Bolado, and Madalyn Horcher, three of the creative forces behind the short film "Over the Board," a story of two long lost brothers who connect over a shared interest in chess. Isaac stars with his twin brother Elijah (who sadly was not available to join the conversation) and the film is qualified for the 97th Academy Awards.Listen to hear about the filmmakers used reflections as well as black and white imagery to show the differences between the two characters, what the film was saying about nature vs. nurture, and what it's like for Isaac and Elijah to work together as brothers on a film project.Books mentioned in this episode include:The Alchemist by Paulo CoelhoThe Sedona Method: Your Key to Lasting Happiness, Success, Peace and Emotional Well-Being by Hale Dwoskin and Jack CanfieldThe Actor the Target by Declan Donnellan Harry Potter by J. K. RowlingDune by Frank HerbertThe Lord of the Rings by J. R. R. TolkeinBerserk by Kentaro MiuraRumble Fish by S. E. HintonThe Outsiders by S. E. HintonShane by Jack SchaeferFilms mentioned in this episode include:"Over the Board" directed by Emiliano BoladoPeter Pan directed by Hamilton Luske, Clyde Geronimi and Wilfred JacksonMalcolm X directed by Spike LeeA Streetcar Named Desire directed by Elia KazanRebel Without a Cause directed by Nicholas RayPrincess Mononoke directed by Hayao MiyazakiFallen Angels directed by Wong Kar-WaiSeven Samurai directed by Akira KurosawaTo Kill a Mockingbird directed by Robert MulliganMy Cousin Vinny directed by Jonathan LynnSpirited Away directed by Hayao MiyazakiThe Lion King directed by Rob Minkoff & Roger AllersThe Breakfast Club directed by John HughesThe Batman directed by Matt ReevesThe Godfather directed by Francis Ford CoppolaThe Matrix directed by the WachowskisThe Good, the Bad, and the Ugly directed by Sergio LeonePulp Fiction directed by Quentin TarantinoReservoir Dogs directed by Quentin TarantinoShane directed by George Stevens"Over the Board" will be part of the Stockholm City Film Festival, and you can reach out to the creators on Instagram for a private screener link to the film. On Instagram Isaac is @isaac_be11, his brother Elijah is @elijah.bell3, Emiliano is @akira_zapata, Madalyn is @madalynhorcher95, and also follow @thebellsentertainment_.

In this epiosde, I spoke with author Julie Gilbert about her book "Giant Love: Edna Ferber, Her Best-selling Novel of Texas, and the Making of a Classic American Film". A book that explores the great American novelist and playwright Edna Ferber, winner of the Pulitzer Prize for Ficton, whose work was made into many Academy Award-winning movies; the writing of her controversial, international best-selling novel about Texas, and the making of George Stevens' Academy Award winning epic film of the same name, Giant.

George Feltenstein joins the podcast to review the five Blu-ray releases in September.  We start with Orson Welles' "Journey into Fear," a film that, despite its tumultuous production, bears the unmistakable mark of his Mercury Theatre influence. We continue with a spotlight on the Technicolor splendor of Esther Williams in "Bathing Beauty." The meticulous restoration reveals the film's vibrant musical scenes that catapulted Williams to stardom. Next, we discuss the noir "Conflict" starring Humphrey Bogart in a darker, anti-hero role.  And then we delve into the heartfelt story of "I Remember Mama," highlighting George Stevens' post-war directorial vision and his son's dedication to preserving his legacy. We end with a Hanna-Barbera double feature with "JONNY'S GOLDEN QUEST (1992)/JONNY QUEST VS. THE CYBER INSECTS (1995)".  Purchase links:CONFLICT BATHING BEAUTYI REMEMBER MAMAJOURNEY INTO FEAR JONNY'S GOLDEN QUEST (1992)/JONNY QUEST VS. THE CYBER INSECTS (1995) The Extras Facebook pageThe Extras Twitter Warner Archive & Warner Bros Catalog GroupOtaku Media produces podcasts, behind-the-scenes extras, and media that connect creatives with their fans and businesses with their consumers. Contact us today to see how we can work together to achieve your goals. www.otakumedia.tv

EPISODE 48 - “STEVE & NAN'S FAVORITE CLASSIC FILMS OF THE 1940s ” - 08/12/2024 ** This episode is sponsored brought to you by BetterHelp. Give online therapy a try at betterhelp.com/BENEATH and get on your way to being your best self.” ** The 1940s was a phenomenal times for movies. Auteurs like ALFRED HITCHCOCK, GEORGE STEVENS, WILIAM WYLER, and BILLY WILDER were coming into their own with important and personal films that changes the landscape of cinemas. Also, stars like BETTE DAVIS, KATHARINE HEPBURN, CARY GRANT, and HENRY FONDA were defining the screen roles that would make them legends. This week, Nan and Steve will discuss and dissent a few of their very favorite films of the most golden of all decades in film.  SHOW NOTES:  Sources: Preston Sturges By Preston Sturges: His Life in His Words (1991), by Preston Sturges and Sandy Sturges; George Cukor: A Double Life (2013), by Patrick McGilligan; Raoul Walsh: The True Adventures of Hollywood's Legendary Director (2013), by Marilyn Ann Moss; Robert Rossen: The Films and Politics of a Blacklisted Idealist (2013), by Alan Casty; Michael Curtiz: A Life In Film (2021), by Alan K. Rode; Possessed: The Life of Joan Crawford (2010), by Donald Spoto; George Stevens: The Films of a Hollywood Giant (2019), by Neil Sinyard; Wild Bill Wellman: Hollywood Rebel (2015), by Wiliam Wellman, Jr; Stanwyck (1994), by Axel Madsen; Fonda: My Life (1981), by Henry Fonda; Ingrid Bergman: My Story (1980), by Ingrid Bergman and Alan Burgess; Cary Grant: A Brilliant Disguise (2020), by Scott Eyman; Ida Lupino: A Biography (1996), by William Donati; TCM.com; IMDBPro.com; Wikipedia.com; Movies Mentioned:  Christmas In July (1940), starring Dick Powell, Ellen Drew, William Demarest, Raymond Walburn, Jimmy Conlin, Rod Cameron, and Franklin Pangborn; Penny Serenade (1941), starring Cary Grant, Irene Dunne, Beulah Bondi, and Edgar Buchanan; The Lady Eve (1941), starring Barbara Stanwyck, Henry Fonda, Charles Coburn, William Demarest, and Eugene Pallette; High Sierra (1941), starring Humphrey Bogart, Ida Lupino, Joan Leslie, Cornel Wilde, Arthur Kennedy, Henry Travers, and Alan Curtis; The Ox-Bow Incident (1943), starring Henry Fonda, Dana Andrews, Harry Morgan, Mary Beth Hughes, Anthony Quinn, Jane Darwell, William Eythe, and Harry Davenport; Gaslight (1944), starring Ingrid Bergman, Charles Boyer, Joseph Cotten, Angela Landbury, and Dame May Witty; Mildred Pierce (1945), starring Joan Crawford, Ann Blyth, Zachary Scott, Jack Carson, eve Arden, and Bruce Bennett; All The Kings Men (1949), starring Broderick Crawford, John Ireland, Joanne Dry, Anne Seymour, and John Derek; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Milwaukee-based film critic and programmer Chris Cassingham joins the show this week to discuss the great director George Stevens and his 1953 masterpiece Shane, starring Alan Ladd and Jack Palance, about a mysterious gunfighter who finds work with a homestead family in the open range of lawless Wyoming and is drawn into the community's conflict against a gang of violent cattleranchers who are trying to take over the territory. George Stevens' life was transformed by his service in World War II as part of the military's Special Motion Picture Coverage Unit, bearing witness to D-Day and the liberation of the Nazi death camps, and he returned to Hollywood to become one of the great American dramatic filmmakers with his unofficial fifties trilogy of A Place in the Sun, Giant, and this immortal western that serves both as a classic example of the genre and as a revisionist “psychological western” that questioned heroism, masculinity, the family unit and most importantly, the horror and the toll of gun violence on American life, a work that pushed cinema in the fifties forward towards the modern age, and is cited by some of today's great directors as a key influence. Plus: on the eve of the release of Deadpool & Wolverine, a discussion of what was once billed as Hugh Jackman's final performance as the character in 2017's Logan, a film that pays explicit (and in our opinion unearned) tribute to Shane. Over 30% of all Junk Filter episodes are only available to patrons of the podcast. To support this show directly and to receive access to the entire back catalogue, consider becoming a patron for only $5.00 a month (U.S.) at ⁠⁠patreon.com/junkfilter Follow Chris Cassingham on Twitter and catch up to Chris' film writing here. Re-release trailer for Shane (George Stevens, 1953)

Folks it's time to say "Symptomatic," because we're watching SHANE! Topics include: why is this movie basically Heaven's Gate, the weird glimpse of Hollywood's narrative future it provides, and just how guilt a violent person needs to feel to experience some degree of redemtpion in the eyes of the audience. Warning: Corbin sounds a little weird  Watch Corbin's reccomendation here. Matt reccomended shirts. Next episode is about "GOOD MORNING," which you can watch here. 

Annie Oakley directed by George Stevens, starring Barbara Stanwyck, Preston Foster and Melvyn Douglas. Episode Roundup: The Cowpunchers watch a 1930s biopic of Annie Oakley that is so loose with the facts that they forgot to put her husband in the film! Amy accidentally gets herself banned from watching any future Tobey Maguire Spiderman movies. Stu reveals himself to be a true feminist. Mel coins the new collective noun for coots, a Porchfull!

Hey! Me and Matt had a little scheduling SNAFU this week so we are releasing and episode we recorded a while back, just in case we got off schedule. It's about "Werckmeister Harmonies," a movie by Bela Tarr, Mr. Turin Horse Himself.  Watch Corbin's reccomendation here, if you dare. Matt's can be listened to here.  Next week's episode has been AUDIBLED. We are doing "SHANE," the western classic by George Stevens. It's on Paramount Plus and Pluto. 

Writer, director, producer, playwright, and author, George Stevens, Jr. talks about riding shotgun with his dad and an Oscar award, and getting a call from the President himself, John F. Kennedy.Hear George's full interview in Episode 46 of Let's Talk Legacy.

Writer, director, producer, playwright, and author, George Stevens, Jr. dives into 5 generations of Stevens in showbiz, going all the way back to the Civil War, talks about riding shotgun with an Oscar award, working for the Kennedy Administration, starting the AFI, tackling social justice issues in his work, the future of movies and the cinema viewing experience, shares stories with Edward Murrow, JFK, and President Obama, and reflects on leaving a legacy.

This week, Corbin and Ellis talk about THE GREATEST STORY EVER TOLD, a lengthy epic about Jesus from right before New Hollywood started. Topics: Max Von Sydow, John Wayne, Political Jesus, and Nikolai Jokic.  Next week (By this I mean in the next few days, on account of this episode's lateness) we are talking about THE GOSPEL ACCORDING TO SAINT MATTHEW, a neorealist take on the story of Jesus, which you can watch here. Also coming up: The Last Temptation of Christ. 

Send us a Text Message.On this episode of Remainders we watch the 1951 classic A Place in the Sun. George Eastman is a poor but ambitious young man who becomes entangled with two women after beginning a job with his rich uncle. Based on the Theodore Dreiser novel An American Tragedy, morality and class mobility take center stage as George exposes his inner demons in order to achieve the status and possibly the love he aspires to.Other topics include Woody Allen's influence by A Place in the Sun, censorship in classic Hollywood, the shift of morality in the movies, the new 4K release of Killer Klowns From Outer Space, The Planet of the Apes franchise, and whether Galaxy Quest is a perfect film.Song Picks of the WeekPlease, Please, Please Let Me Get What I Want by The SmithsMy Name Is Death by John Carpenter, Cody Carpenter, Daniel DaviesRemainders Podcast Jukebox PlaylistWebsiteFacebookInstagramYouTubeTwitter

In this captivating episode of the Filmmaker Mixer, hosts Andrew Lamping and Jeff Stolhand delve into the enchanting world of the Golden Age of Hollywood. Joined by esteemed guest George Stevens Jr., an iconic figure in the industry, listeners are treated to a mesmerizing journey through the glitz, glamour, and profound artistic achievements of this illustrious era. Drawing from his wealth of experience and insights, George Stevens Jr. shares captivating anecdotes, behind-the-scenes stories, and invaluable perspectives on the enduring legacy of classic Hollywood cinema. From legendary stars to timeless masterpieces, this episode offers a rich tapestry of cinematic history, celebrating the magic of an era that continues to inspire filmmakers and audiences alike. Tune in as the Filmmaker Mixer uncovers the timeless allure of the Golden Age, inviting listeners to rediscover the enchantment of Hollywood's most glamorous era. --- Send in a voice message: https://podcasters.spotify.com/pod/show/filmmakermixer/message

Here are Elizabeth Taylor and Montgomery Clift at their hottest, with an adaptation of Theodore Dreiser’s An American Tragedy. Just as in Night of the Hunter, Shelley Winters maybe ought to watch her back. George Stevens directs, and here, he’s beginning his epic period. In the 50s, he’ll direct Giant and Shane, among others. This one is full of melodrama and social aspiration and also has a bunch of Oscars, including Stevens’ first for directing. It’s nice to look at. Shelly Brisbin with Randy Dotinga, Nathan Alderman and Micheline Maynard.

Here are Elizabeth Taylor and Montgomery Clift at their hottest, with an adaptation of Theodore Dreiser’s An American Tragedy. Just as in Night of the Hunter, Shelley Winters maybe ought to watch her back. George Stevens directs, and here, he’s beginning his epic period. In the 50s, he’ll direct Giant and Shane, among others. This one is full of melodrama and social aspiration and also has a bunch of Oscars, including Stevens’ first for directing. It’s nice to look at. Shelly Brisbin with Randy Dotinga, Nathan Alderman and Micheline Maynard.

You're a better podcaster than us, Michael Holland. That's right, the City of Angels' very own boy wonder is back to take Paul and Arlo to film school. The That Was Then classic gracing our screens this time is George Stevens' 1939 adventure film Gunga Din, starring Cary Grant, Victor McLaglen, and Douglas Fairbanks Jr. The gang discusses the film's connection to William Goldman, the subject of the first season of Michael's podcast From Out of the Past; why it represents a milestone in action-adventure cinema; its surprising, or refreshing, lack of plot; and why Paul and Arlo had such a hard time watching this 85-year-old film for the very first time.   NEXT: much like Schwarzenegger, we'll be back.     BREAKDOWN 00:00:42  -  Intro / Guest 00:10:23  -  Gunga Din 01:16:05  -  Outro / Next   LINKS From Out of the Past Podcast Holland_Imaginarium   MUSIC “The Ballad of Gunga Din” by Jim Croce, Facets (1966) “You Ain't Goin' Nowhere” by Bob Dylan and the Band, Bob Dylan's Greatest Hits Vol. II (1971) GOBBLEDYCARES National Suicide Prevention Lifeline: https://suicidepreventionlifeline.org/  Abortion Funds in Every State: https://bit.ly/AbortionFundsTwitter Support AAPI communities and those affected by anti-Asian violence: https://www.gofundme.com/c/act/stop-aapi-hate Support the AAPI Civic Engagement Fund: https://aapifund.org/ Support Black Lives Matter and find anti-racism resources: https://blacklivesmatters.carrd.co/ The Trevor Project provides information and support to LGBTQ youth: thetrevorproject.org Trans Lifeline: https://translifeline.org/  National Center for Transgender Equality: transequality.org Advocate for writers who might be owed money due to discontinuance of royalties: https://www.writersmustbepaid.org/  Help teachers and classrooms in need: https://www.donorschoose.org/ Do your part to remove the burden of medical debt for individuals, families, and veterans: https://ripmedicaldebt.org/ Register to vote: https://vote.gov/  

Around and around we go, where we'll stop–only Arlo knows! For this month's Four-Color Flashback, Gobbledygeek's enfant terrible has chosen Junji Ito's 1998-99 horror manga Uzumaki. Will Paul ever forgive him? On hand to find out is The Deli Counter of Justice co-conspirator Eric Sipple, who will be appearing on FCF episodes for infinity. The gang discusses Ito's beautifully grotesque imagery, the book's at times confounding narrative, their (in)experience with the manga form, and snails. Plus, Arlo has been dabbling in other East Asian art with more Godzilla movies and Edward Yang's Taiwanese masterpiece Yi Yi; and Paul cannot hold back his rage when it comes to X-Men ‘97.   NEXT: where you been, Gunga Din? Hollywood's own Michael Holland joins us to discuss George Stevens' 1939 classic.     BREAKDOWN 00:00:49  -  Intro / Godzilla banter 00:14:23  -  X-Men ‘97 rage! 00:28:33  -  Uzumaki 01:49:54  -  Outro / Next   MUSIC “Spiraling Shape” by They Might Be Giants, Factory Showroom (1996) “Snails Pace” by Bob Brown, Snails Pace (2022)   GOBBLEDYCARES National Suicide Prevention Lifeline: https://suicidepreventionlifeline.org/  Abortion Funds in Every State: https://bit.ly/AbortionFundsTwitter Support AAPI communities and those affected by anti-Asian violence: https://www.gofundme.com/c/act/stop-aapi-hate Support the AAPI Civic Engagement Fund: https://aapifund.org/ Support Black Lives Matter and find anti-racism resources: https://blacklivesmatters.carrd.co/ The Trevor Project provides information and support to LGBTQ youth: thetrevorproject.org Trans Lifeline: https://translifeline.org/  National Center for Transgender Equality: transequality.org Advocate for writers who might be owed money due to discontinuance of royalties: https://www.writersmustbepaid.org/  Help teachers and classrooms in need: https://www.donorschoose.org/ Do your part to remove the burden of medical debt for individuals, families, and veterans: https://ripmedicaldebt.org/ Register to vote: https://vote.gov/  

Dana and Tom discuss The Diary of Anne Frank (1959): directed by George Stevens, written by Frances Goodrich and Albert Hackett, music by Alfred Newman, starring Millie Perkins, Joseph Schildkraut, and Shelley Winters.Plot Summary: "The Diary of Anne Frank" is a poignant film adaptation of the stage play based on the iconic diary written by Anne Frank, a Jewish girl who, along with her family and a few others, hid from the Nazis in an attic in Amsterdam during World War II.The film portrays the daily struggles, fears, and hopes of the occupants as they try to evade discovery by the Nazis while enduring the harsh realities of confinement. Through Anne's eyes, viewers witness her coming of age amidst the turmoil of war, grappling with typical teenage issues while also confronting the atrocities of the Holocaust. The film, directed by Geroge Stevens, captures the resilience of the human spirit in the face of unimaginable adversity, ultimately leaving a profound and lasting impact on audiences as they bear witness to one of the darkest chapters in history.You can now follow us on Instagram, Twitter, or TikTok (@gmoatpodcast) or find our Facebook page at Greatest Movie of All-Time Podcast.For more on the episode, go to: https://www.ronnyduncanstudios.com/post/the-diary-of-anne-frank-1959For the entire rankings list so far, go to:Full Graded List - Greatest Movies of All-Time Ronny Duncan Studios

Want to learn even MORE about the iconic author, producer, director, writer, founder of the American Film Institute, creator of the Kennedy Center Honors and all around really nice guy George Stevens, Jr in a sequel interview? Then this is the podcast episode for you! This week, host Sara Greenfield chats with Hollywood and Washington DC legend (and returning guest) George Stevens, Jr whose book My Place in the Sun is now available in audio book format.  --------------- This episode is sponsored by Magic Mind. Use the code TALKCLASSIC20 to receive 20% off your order. https://www.magicmind.com/talkclassictome. --- Support this podcast: https://podcasters.spotify.com/pod/show/sara-greenfield/support

Welcome to the Year of the Epic! Not only does Tyler talk about the best pic but he also demystifies Texas iconography with Giant and talks about the more realistic films of Texas. Also covered; The origin of the Oscar statue.

Sometimes you need a break from all the work in HQ and spend some time by the water cooler. Though this time around the team is joined by an honorable guest, George Stevens Jr. The founding director of AFI and a recipient of an Honorary Oscar for his lifetime achievement in film. A man who provided us with great insight into his life and the world of Hollywood. *The first portion of the episode is spoiler free* Make sure to check out George Stevens Jr.'s memoir: "My Place in the Sun: Life in the Golden Age of Hollywood and Washington" You can also find more information on his website: Georgestevensjr.com Make sure to follow us: Twitter and Instagram- @opsilverscreen Facebook- Operation: Silver Screen

In 1962, while he was doing pre-production work on The Greatest Story Ever Told, Stevens was recruited by Edward R. Murrow to serve as director of the Motion Picture and Television Service, a division of the United States Information Agency.[10][11] At age 31, Stevens moved from Los Angeles to Washington, D.C., where as director of the service, he produced roughly 300 short documentary films per year.[11][12][7] One of the films Stevens commissioned was Nine from Little Rock, which followed the experiences of nine African-American students attending a previously all-white high school in Little Rock, Arkansas in 1957.In 1965, Stevens was a consultant in the process that established the National Endowment for the Arts.[17] In June 1967, at age 35, Stevens resigned from his position at the USIA to join the American Film Institute.In 1973, Stevens established the AFI Life Achievement Award, to honor and recognize decorated figures in the American film industry such as Orson Welles, James Cagney, Bette Davis, and Lillian Gish.[24][7][25] Stevens produced and wrote for the Life Achievement Award's television broadcast from its inception until 1998.In 1978, along with Nick Vanoff, Stevens co-created the Kennedy Center Honors, a ceremony and television production recognizing people who have made significant contributions to American culture through the performing arts.Stevens  has just released an unforgettable  memoir entitled  My Place in the Sun.

FBI Director J. Edgar Hoover and allies like Ayn Rand were convinced that Hollywood was infested with communists. Now they started scouring the movies themselves for evidence of propaganda. Anti-communist figures in the movie business, including John Wayne and Gary Cooper, create the Motion Picture Alliance for the Preservation of American Ideals to counter groups like the Writers Guild. Even American classics like It's a Wonderful Life came under FBI scrutiny. Studios began to feel the pressure – even changing seemingly innocuous scripts to avoid political heat. Archive: The Locket, directed by John Brahm for RKO Pictures, 1946 Robert F Wagner on National Labour Relations Act, Labor Comes of Age, ABC Television, 1965 Ayn Rand interviewed by Mike Wallace, ABC Television, 1959 Interviews with Dalton Trumbo, UCLA Department of Communication Archive, 1972 Woman of the Year, directed by George Stevens for Metro-Goldwyn-Mayer, 1942 Hedda Hopper's Hollywood Show, 14 January 1951 It's a Wonderful Life, directed by Frank Capra for RKO Pictures, 1946

In this episode, Tyler talks about one of the best films ever to take home the Oscar for Best Picture. As well as the tragic life of Montgomery Clift, the introduction of Widescreen and a movie that he actually liked Audrey Hepburn in. 

The son of Hollywood heavyweight George Stevens, George Stevens Jr. has spent a lifetime in the arts. From his early days on set with his father filming classic movies such as Shane and Giant, to creating the Kennedy Center Honors, and running the American Film Institute, George Stevens Jr. had a front row seat for Hollywood's Golden Age. He served under 7 Presidents and continues to have a voice in the entertainment industry. His book My Place in the Sun: Life in the Golden Age of Hollywood and Washington is full of incredible stories that include Elizabeth Taylor, James Dean, Sidney Poitier, James Cagney, Muhammad Ali, and so many others.

George Stevens Jr. has been a movie producer and director for decades, and has written a memoir about his life in Hollywood. Show notes: George Stevens Jr. (https://www.georgestevensjr.com) My Place in the Sun (https://www.georgestevensjr.com/my-place-in-the-sun-memoir) George Stevens (https://en.wikipedia.org/wiki/George_Stevens) A Place in the Sun (https://en.wikipedia.org/wiki/A_Place_in_the_Sun_(1951_film)) Oppenheimer (https://www.oppenheimermovie.co.uk) Lawrence of Arabia (https://www.imdb.com/title/tt0056172/) Learn more about Scrivener (https://www.literatureandlatte.com/scrivener/overview), and check out the ebook Take Control of Scrivener (https://www.literatureandlatte.com/store). If you like the podcast, please follow it in Apple Podcasts (https://podcasts.apple.com/us/podcast/write-now-with-scrivener/id1568550068) or your favorite podcast app. Leave a rating or review, and tell your friends. And check out past episodes of Write Now with Scrivener (https://podcast.scrivenerapp.com).

In this episode, Christian Taylor interviews Joe Amodei of Virgil Films Entertainment about the changing landscape of film distribution. They discuss the role of distributors in acquiring and selling the rights to films, the rise of streaming platforms, and the challenges faced by filmmakers in finding trustworthy distributors. Joe shares his insights and experiences from his 20 years in the industry and offers advice for filmmakers considering self-distribution. Takeaways The role of distributors is to acquire and sell the rights to films, including digital platforms, TV channels, DVD, theatrical release, and international markets. While there are aggregators and self-distribution options available, working with a reputable distributor can provide valuable expertise, connections, and resources. Filmmakers should carefully vet distributors and consider their track record, reputation, and transparency before entering into distribution agreements. Docu-View Déjà Vu recommendation: Joe: "George Stevens: A Filmmaker's Journey" - 1984, 110 mins, Watch on MAX or rent/buy from Amazon, IMDB Link:  George Stevens: A Filmmaker's Journey (1984) - IMDb This film provides insights into the life and work of filmmaker George Stevens, including his experiences filming during World War II. BOOK: “My Place In The Sun” by George Stevens Jr Timecodes 00:00 Introduction and Company Update 02:14 Joe Amodei's Background and Virgil Films Entertainment 04:26 The Evolution of Film Distribution 09:00 The Changing Landscape of Film Distribution 12:34 Reaching Out to Distributors and Types of Films Distributed 14:24 The Rise of Aggregators and Self-Distribution 23:35 The Challenges of Finding a Trustworthy Distributor 31:02 Documentary Recommendation: "George Stevens: A Filmmaker's Journey" Support us on Patreon

A normally boring college professor (James Stewart) marries a nightclub singer (Ginger Rogers) on a whim after one terrific night together.  But when reality settles in, Stewart doesn't know how to break the news to his stuffy, high-society family.  Co-starring Charles Coburn, Beulah Bondi and James Ellison.  Directed by George Stevens.

We're looking at the start of a classic screen pairing as we dig into Katharine Hepburn and Spencer Tracy in George Stevens's 1942 Best Picture nominee Woman of the Year! Join in as we discuss our favorite newspaper movies, the Hepburn-Tracy relationship, the 1943 Oscars, and George Stevens's postwar career. Plus: Why did producers rework the ending? Why is Tess so chummy with Fulgencio Battista? Why does Sam make it soe hard to agree with him? And, most importantly, how did Tess displace Eleanor Roosevelt as the country's top dame? Make sure to rate, review, and subscribe! Next week: Brokeback Mountain (2005) --- Send in a voice message: https://podcasters.spotify.com/pod/show/we-love-the-love/message

Welcome to It's A Wonderful Podcast!! Holiday Season closes out on the main show this year with a movie encompassing the lives of a couple through immense joy and painful sadness, with key Christmas scenes; as Morgan and Jeannine talk George Stevens' PENNY SERENADE (1941) starring Cary Grant & Irene Dunne! A stunningly emotional, uniquely told, and impeccably acted movie with the two leads at the peak of their chemistry together! Our Youtube Channel for Monday Madness on video, Morgan Hasn't Seen TV, Retro Trailer Reactions & More ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/channel/UCvACMX8jX1qQ5ClrGW53vow⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ The It's A Wonderful Podcast Theme by David B. Music. Donate: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.buymeacoffee.com/ItsAWonderful1⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Join our Patreon: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/ItsAWonderful1⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ IT'S A WONDERFUL PODCAST STORE:  ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://its-a-wonderful-podcast.creator-spring.com/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Sub to the feed and download now on Anchor, Apple Podcasts, Spotify, Stitcher, Google Podcasts, Castbox, Amazon Music & more and be sure to rate, review and SHARE AROUND!! Keep up with us on Twitter: Podcast: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/ItsAWonderful1⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Morgan: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/Th3PurpleDon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Jeannine: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/JeannineDaBean⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Keep being wonderful!! --- Send in a voice message: https://podcasters.spotify.com/pod/show/itsawonderfulpodcast/message Support this podcast: https://podcasters.spotify.com/pod/show/itsawonderfulpodcast/support

James and Al welcome Stanford Law's Pam Karlan, academy member George Stevens, and economic maven Roger Altman to get their takes on the year ahead in their field of expertise. In the financial arena, they cover the importance of the economy to a Democratic victory in 2024, the factors driving inflation, and how we managed to avoid the predicted recession.  Legally, they look ahead to the coming developments facing Trump in his court cases, and what's next in the intensifying battle over reproductive rights.  Looking at entertainment, they analyze the impact of the strikes on Hollywood, and share their Best Picture and Super Bowl predictions. Email your questions to James and Al at politicswarroom@gmail.com or tweet them to @politicon.  Make sure to include your city, we love to hear where you're from! Check James Carville's new videos: #TrumpStinks James Carville Explains… Why Mike Johnson is a P.O.S. James Carville Explains… everything about Mike Johnson James Carville on the trail of Lauren Boebert Get More From This Week's Guests: George Stevens: Oscars.org | IMDB | Website Roger Altman: Evercore | The Hamilton Project  Pam Karlan: Stanford Law | DOJ.gov | Supreme Court Litigation Clinic Please Support Our Sponsors: Co-Pilot: Use our link at mycopilot.com/warroom to get a 14-day FREE trial AND 20% off your first month of personalized fitness if you sign up before February 1st!

In which I am thrilled to interview George Stevens, Jr. in anticipation of the upcoming restoration screening of his father's film "Shane". Tickets to the upcoming screening on December 10th, 2023 at the Academy Museum in Hollywood: https://www.academymuseum.org/en/programs/detail/shane-018b0212-994e-a8bd-4b97-3c6c38cd2291

John Kennedy, Elizabeth Taylor, Sidney Poitier, Edward R. Murrow, James Earl Jones, Steven Spielberg, Laurence Fishburne, Robert Wagner, Jimmy Carter, George H.W. Bush and George Stevens, Sr., just a few of the people we meet in Bill's interview with George Stevens, Jr. In addition to working with his father, the legendary film director George Stevens. Sr., George Stevens, Jr. was a successful producer and director in Hollywood before being lured to Washington as a member of Edward R. Murrow's team at the United States Information Agency during the Kennedy administration. Stevens founded the American Film institute and created the Kennedy Center Honors. He ran those for 37 years, interacting with the greatest artists and performers of our time and presidents from Carter to Obama. He's captured it all in a new book, a memoir, entitled My Place in the Sun: Life in the Golden Age of Hollywood and Washington. You can get your own copy here.Today's Bill Press Pod is supported by the International Brotherhood of Teamsters. America's most diverse union, as they like to say, from A to Z. From airline pilots to zookeepers. More information at teamsters.orgSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

This is The BW/DR Podcast: Frame 25, a series of bite-sized episodes in conversation with, and sponsored by, our friends at ⁠Galerie⁠. Each month, we pick a title from Galerie's curated library and zoom in on a single moment to better see the whole. Privacy, intimacy, and conspiracy are all at play in this month's moment from George Stevens' 1951 tragedy, A Place in the Sun. --- The BW/DR Podcast is co-hosted by ⁠Veronica Fitzpatrick⁠ and ⁠Chad Perman⁠ and produced and edited by ⁠Eli Sands⁠. --- This series is sponsored by Galerie, a new kind of film club. BW/DR readers & listeners can use this special link to get two months of free access!

Front Row Classics is taking a look at one of the great film epics, George Stevens' Giant. This 1956 film still resonates with its themes of family, changing times and race relations. Tristan Tapscott joins Brandon to discuss the legendary production. The two take a look at the fine performances from Elizabeth Taylor, Rock Hudson and James Dean. The film would mark Dean's final screen appearance before his untimely death. Ivan Moffat's screenplay and Dimitri Tiomkin's score are also discussed. 

Money Isn’t Everything. Front Row Classics is taking a look at one of the great film epics, George Stevens’ Giant. This 1956 film still resonates with its themes of family, changing times and race relations. Tristan Tapscott joins Brandon to discuss the legendary production. The two take a look at the fine performances from Elizabeth … Continue reading Ep. 183- Giant →

During his lifetime, Ogden Nash (born August 19, 1902; died May 19, 1971) was the most widely known, appreciated, and imitated American creator of light verse, a reputation that has continued after his death. Few writers of light or serious verse can claim the same extensive dissemination of their poems that Nash's works enjoy, both with and without citation of the author. Certain Nash lines, such as “If called by a panther, / Don't anther” and “Candy / Is dandy, / But liquor / Is quicker” have become bits of popular American folklore. As Nash remarked in a late verse, the turbulent modern world has much need for the relief his whimsy offers: “In chaos sublunary / What remains constant but buffoonery?” Nash's peculiar variety of poetic buffoonery combines wit and imagination with eminently memorable rhymes.Any attempt to place Nash's work in the context of other American humorous writing, or the humor of any other country, for that matter, tends initially to highlight his singularity. George Stevens notes this particularity. “Nash was not the only writer who could make frivolity immortal. But he was unique—not at all like Gilbert or Lear or Lewis Carroll, still less like his immediate predecessors in America: Dorothy Parker, Margaret Fishback, Franklin P. Adams. By the same token, he was and remains inimitable—easy to imitate badly, impossible to imitate well.”-bio via Poetry FoundationCharles-Camille Saint-Saëns (/sæ̃ˈsɒ̃(s)/ 9 October 1835 – 16 December 1921) was a French composer, organist, conductor and piano prodigy of the Romantic era. His best-known works include Introduction and Rondo Capriccioso (1863), the Second Piano Concerto (1868), the First Cello Concerto (1872), Danse macabre (1874), the opera Samson and Delilah (1877), the Third Violin Concerto (1880), the Third ("Organ") Symphony (1886) and The Carnival of the Animals (1886).-bio via Wikipedia Get full access to The Daily Poem Podcast at dailypoempod.substack.com/subscribe

“If you're an Eastman, you're not in the same boat with anyone.”Based on the 1925 novel An American Tragedy by Theodore Dreiser, A Place in the Sun tells the story of working-class George Eastman (Montgomery Clift), who moves in with his wealthy uncle's family and begins a romantic relationship with an affluent young woman named Angela Vickers (Elizabeth Taylor). However, he becomes entangled in a love triangle when his co-worker Alice Tripp (Shelley Winters) reveals she is pregnant with his child. This film adaptation was a critical and commercial success, earning six Academy Awards including Best Director for George Stevens. Join us – Pete Wright and Andy Nelson – as we continue the 1952 Academy Awards Best Cinematography • Black-and-White Nominees series with a conversation about A Place in the Sun.Here's a hint at what we talk about:We dive deep into the performances, especially praising Montgomery Clift for his nuanced and multilayered portrayal of the morally conflicted George Eastman. We also discuss how this story explores themes related to social class, the American dream, and ambition. Though we find the film compelling and expertly crafted overall, we do question some of the legal specifics of the ending.Here are a few other points in our discussion: The cinematography and lighting choices that enhance the film's mood and drama Elizabeth Taylor's breakout dramatic performance at age 17 Similarities to the real-life murder case that inspired the source novel Whether this story could lend itself well to modern remakes A Place in the Sun is a riveting and thought-provoking film with fantastic lead performances. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins!Join the conversation with movie lovers from around the world on The Next Reel's Discord channel!Film SundriesLearn more about supporting The Next Reel Film Podcast through your own membership. Watch this on Apple or Amazon, or find other places at JustWatch Script Options Theatrical trailer Poster artwork Flickchart Letterboxd Read more about the results of the WGA strike here.Learn more about the SAG-AFTRA strike here.Visit our WATCH PAGE to rent or purchase movies we've talked about on the show. By doing so, you get to watch the movie and help us out in the process as a portion comes back our way. All of the movies from our current season are in there, and we're continuing to add more from our back catalog. Enjoy!Want to upgrade your Letterboxd account? Use our promo code to get a discount and help us out in the process!Join the conversation with movie lovers from around the world on The Next Reel's Discord channel!Here's where you can find us around the internet: The Web Letterboxd Facebook Instagram X YouTube Flickchart Check out poster artwork for movies we've discussed on our Pinterest page Pete  Andy We spend hours every week putting this show together for you, our dear listener, and it would sure mean a lot to us if you considered becoming a member. When you do, you get early access to shows, ad-free episodes, and a TON of bonus content. To those who already support the show, thank you. To those who don't yet: what are you waiting for?Become a Member here: $5 monthly or $55 annuallyWhat are some other ways you can support us and show your love? Glad you asked! You can buy TNR apparel, stickers, mugs and more from our MERCH PAGE. Or buy or rent movies we've discussed on the show from our WATCH PAGE. Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT.

George Stevens, Jr. has achieved an extraordinary creative legacy over a career spanning more than 60 years. He is a writer, director, producer, playwright and author. He has enriched the film and television arts as a filmmaker and is widely credited with bringing style and taste to the national television events he has conceived.As a writer, director and producer, Stevens has earned many accolades, including 15 Emmys, two Peabody Awards for Meritorious Service to Broadcasting, the Humanitas Prize and 8 awards from the Writers Guild of America, including the Paul Selvin Award for writing that embodies civil rights and liberties. In 2012 the Board of Governors of the Academy of Motion Picture Arts and Sciences voted to present Stevens with an Honorary Academy Award for “extraordinary distinction in lifetime achievement.”Stevens served for eight years as Co-chairman of the President's Committee on the Arts and Humanities following his appointment by President Obama in 2009.Stevens is Founding Director of the American Film Institute and during his tenure, more than 10,000 irreplaceable American films were preserved and catalogued to be enjoyed by future generations. In addition, he established the AFI's Center for Advanced Film Studies, which gained a reputation as the finest learning opportunity for young filmmakers.Stevens was executive producer of The Thin Red Line, which was nominated for seven Academy Awards, including Best Picture. He co-wrote and produced The Murder of Mary Phagan, starring Jack Lemmon, which received the Emmy for Outstanding Mini-Series. He wrote and directed Separate But Equal starring Sidney Poitier and Burt Lancaster which also won the Emmy for Outstanding Mini-Series. He produced an acclaimed feature length film about his father, George Stevens: A Filmmaker's Journey and in 1994 produced George Stevens: D-Day to Berlin, which depicted the wartime experiences of his father – one of the most highly regarded directors of all time. In collaboration with his son and partner Michael Stevens, he produced the feature length documentary Herblock – The Black & The White on the famed political cartoonist Herbert Block for HBO.Stevens made his debut as a playwright in 2008 with Thurgood, which opened at the historic Booth Theater on Broadway. The play had an extended run starring Laurence Fishburne as Supreme Court Justice Thurgood Marshall. Fishburne received a Tony nomination and returned to the role in the summer of 2010 with runs at the Kennedy Center and the Geffen Playhouse in Los Angeles. Thurgood was filmed while at the Kennedy Center and shown on HBO in 2011.In 2006, Alfred A. Knopf published Stevens' Conversations with the Great Moviemakers of Hollywood's Golden Age – the first book to bring together the interviews of master moviemakers from the American Film Institute's renowned Harold Lloyd Master Seminar Series. Conversations with the Great Moviemakers – The Next Generation was released by Knopf in April, 2012.Please enjoy my conversation with George Stevens Jr.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

George Stevens, Jr. has achieved an extraordinary creative legacy over a career spanning more than 60 years. He is a writer, director, producer, playwright and author. He has enriched the film and television arts as a filmmaker and is widely credited with bringing style and taste to the national television events he has conceived.As a writer, director and producer, Stevens has earned many accolades, including 15 Emmys, two Peabody Awards for Meritorious Service to Broadcasting, the Humanitas Prize and 8 awards from the Writers Guild of America, including the Paul Selvin Award for writing that embodies civil rights and liberties.In 2012 the Board of Governors of the Academy of Motion Picture Arts and Sciences voted to present Stevens with an Honorary Academy Award for “extraordinary distinction in lifetime achievement.”Stevens served for eight years as Co-chairman of the President's Committee on the Arts and Humanities following his appointment by President Obama in 2009.Stevens is Founding Director of the American Film Institute and during his tenure, more than 10,000 irreplaceable American films were preserved and catalogued to be enjoyed by future generations. In addition, he established the AFI's Center for Advanced Film Studies, which gained a reputation as the finest learning opportunity for young filmmakers.Stevens was executive producer of The Thin Red Line, which was nominated for seven Academy Awards, including Best Picture. He co-wrote and produced The Murder of Mary Phagan, starring Jack Lemmon, which received the Emmy for Outstanding Mini-Series.He wrote and directed Separate But Equal starring Sidney Poitier and Burt Lancaster which also won the Emmy for Outstanding Mini-Series. He produced an acclaimed feature length film about his father, George Stevens: A Filmmaker's Journey and in 1994 produced George Stevens: D-Day to Berlin, which depicted the wartime experiences of his father – one of the most highly regarded directors of all time. In collaboration with his son and partner Michael Stevens, he produced the feature length documentary Herblock – The Black & The White on the famed political cartoonist Herbert Block for HBO.Stevens made his debut as a playwright in 2008 with Thurgood, which opened at the historic Booth Theater on Broadway. The play had an extended run starring Laurence Fishburne as Supreme Court Justice Thurgood Marshall. Fishburne received a Tony nomination and returned to the role in the summer of 2010 with runs at the Kennedy Center and the Geffen Playhouse in Los Angeles.Thurgood was filmed while at the Kennedy Center and shown on HBO in 2011.In 2006, Alfred A. Knopf published Stevens' Conversations with the Great Moviemakers of Hollywood's Golden Age – the first book to bring together the interviews of master moviemakers from the American Film Institute's renowned Harold Lloyd Master Seminar Series. Conversations with the Great Moviemakers – The Next Generation was released by Knopf in April, 2012.Please enjoy my conversation with George Stevens Jr.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

We'll do something a little different today. Instead of learning about the history behind a movie, we'll learn about the history of Hollywood itself with a man who lived it: George Stevens, Jr. Learn more about the true story Get George's book: https://links.boatspodcast.com/253book Listen to the audiobook: https://links.boatspodcast.com/253audiobook Did you enjoy this episode? Join the BOATS Discord community: https://links.boatspodcast.com/discord Find the transcript and full show notes: https://links.boatspodcast.com/253 Support our sponsors: https://links.boatspodcast.com/advertisers Remove the ads by supporting the show: https://links.boatspodcast.com/support Learn more about your ad choices. Visit megaphone.fm/adchoices

George Cooper Stevens Jr. is an American writer, playwright, director, and producer. He is the founder of the American Film Institute, creator of the AFI Life Achievement Award, and co-creator of the Kennedy Center Honors. He has also served as Co-Chairman of the President's Committee on the Arts and Humanities. This episode is brought to you by Authors Unite. Authors Unite provides you with all the resources you need to become a successful author. You can learn more about Authors Unite here: https://authorsunite.com/​​​​​​​​ Make sure to subscribe so you don't miss out on my future videos. --- Support this podcast: https://podcasters.spotify.com/pod/show/authorsunite/support

With 2023 almost here, James and Al ring in the new year with friends George Stevens, Jill Abramson, Fred Wertheimer, and Jane Mayer.  Together, they discuss the current state of the media and entertainment, before forecasting the political future of the speakership, the presidency, dark money, and the Ukraine-Russia war– with a solid takedown of lying George Santos.   Email your questions to James and Al at politicswarroom@gmail.com or tweet them to @politicon.  Make sure to include your city, we love to hear where you're from! Get More From This Week's Guests: George Stevens: Oscars.org | IMDB | website Jane Mayer: Twitter | The New Yorker | Author of “Dark Money” & Other Books Jill Abramson: Twitter | NYT | Harvard | Author   Fred Wertheimer: Twitter | Just Security | Wertheimer Lipton | Democracy 21 Please Support This Week's Sponsor: Blinkist: For a 7 day free trial and 25% off a premium membership– plus Blinkist Connect which gives you two premium memberships for the price of one– go to blinkist.com/warroom