Podcasts about kirsty sedgman

The Guilty Feminist 389. Being UnreasonablePresented by Deborah Frances-White with Jessica Fostekew and special guest Dr Kirsty SedgmanRecorded 15 January 2024 at Soho Theatre. Released 1 April.The Guilty Feminist theme composed by Mark Hodge. More about Deborah Frances-Whitehttps://deborahfrances-white.comhttps://twitter.com/DeborahFWhttps://www.virago.co.uk/the-guilty-feminist-bookMore about Jessica Fostekewhttps://twitter.com/jessicafostekewhttps://jessicafostekew.comhttps://twitter.com/thehooveringpodMore about Dr Kirsty Sedgmanhttps://kirstysedgman.comhttps://www.faber.co.uk/product/9780571366835-on-being-unreasonableFor more information about this and other episodes…visit https://www.guiltyfeminist.comtweet us https://www.twitter.com/guiltfempodlike our Facebook page https://www.facebook.com/guiltyfeministcheck out our Instagram https://www.instagram.com/theguiltyfeministor join our mailing list http://www.eepurl.com/bRfSPTOur new podcasts are out nowMedia Storm https://podfollow.com/media-stormAbsolute Power https://podfollow.com/john-bercows-absolute-powerCome to a live recording:Kings Place, 10 April 2024: https://www.kingsplace.co.uk/whats-on/comedy/the-guilty-feminist-10-04/Australia and New Zealand tour: https://guiltyfeminist.com/aus-nz-tour2024/Thank you to our amazing Patreon supporters.To support the podcast yourself, go to https://www.patreon.com/guiltyfeminist You can also get an ad-free version of the podcast via Apple Podcasts or Acast+ https://plus.acast.com/s/guiltyfeminist. Hosted on Acast. See acast.com/privacy for more information.

This week on the podcast, live from our Secret Life of Students event in London, we've published new stats and analysis on student loneliness - what can universities (and their SUs) do about this seemingly intractable problem? Plus we have highlights from our session on the campus culture wars, and we ask whether TV coverage of universities is fair and balanced in the wake of Geoff Norcott's Is University Really Worth It documentary.With Rebecca Freeman, Deputy Pro-Vice-Chancellor (Education) at University of Warwick, David Gilani, Head of Student Engagement and Advocacy at Middlesex University, Mark Leach, Editor-in-Chief at Wonkhe, Kirsty Sedgman, author of On Being Unreasonable, Smita Jamdar, Partner and Head of Education at Shakespeare Martineau, Andy Winter, Director of Student Support Services at the University of Sheffield and presented by Jim Dickinson, Associate Editor at Wonkhe. Hosted on Acast. See acast.com/privacy for more information.

We've seen the headlines: misbehaving, rude and disruptive audiences threatening and even assaulting staff and ruining performances for everyone.  What is going on? What happened to the unwritten rules of audience etiquette? From customer-facing industries to public transport and cafes, interpersonal altercations seem to be happening everywhere.  In this episode, we sit down with Dr. Kirsty Sedgman, author, lecturer and award-winning scholar specialising in audience research and cultural value from Bristol University, to discuss how audience behaviour has changed and the challenges faced by the industry in maintaining a welcoming and respectful atmosphere.  Throughout the episode, we explore the intricate dynamics of theatre etiquette and what is acceptable behaviour; from phones and snacks to dress codes and applause protocol. It's clear that there are complex issues at play, including exclusionary expectations that need to be tackled. We delve into the historical roots of silence and reverence in the theatre and discover how social structures and expectations have shaped our perceptions of reasonable behaviour. By clinging to tradition are we inadvertently excluding certain audiences, and perpetuating inequities? Kirsty reminds us of the importance of making accommodations for individuals with different needs as well as for community outreach, and the need to ensure inclusivity and a sense of togetherness.  Thank you to our incredible guest, Kirsty Sedgman, for joining us, and we can't wait to delve further into her book. Don't miss out on this enlightening and thought-provoking episode! —————————————-  THE ARTS AND EVERYTHING IN BETWEEN PODCAST Explore innovative concepts and gain insights from professionals and leaders in the arts, culture, heritage and live entertainment space. Join us every two weeks as we discuss the most pressing issues at the forefront of the arts and culture landscape. You'll hear from industry leaders and specialists sharing their expertise on a wide range of topics, giving you actionable advice and pragmatic tips for your cultural institution, live event or performing arts organisation. —————————————-  GOT A GREAT TOPIC OR STORY TO SHARE? Got a great topic for the podcast? Want to share your story with the arts and culture world? Get in touch! podcast@ticketsolve.com —————————————-  RESOURCES Thank you to our incredible guest, Kirsty Sedgman, Author, Lecturer and Doctor of Audiences. To learn more about Kirsty's work, visit: https://kirstysedgman.com/ You can also find her book, "On Being Unreasonable," in your favourite bookshops. —————————————-  GET MORE INSIGHT AND SHARE THE KNOWLEDGE! Facebook – www.facebook.com/Ticketsolving Twitter – twitter.com/ticketsolvers LinkedIn – www.linkedin.com/company/ticketsolve  Instagram – www.instagram.com/ticketsolve/

In this episode, I welcome Kirsty Sedgman, academic and author of On Being Unreasonable. We talk about Kirsty's fascinating route into her current academic role and what encouraged her to write a book about unreasonableness. We also discuss the tricky subject of what is considered "reasonable" within academia  and how we can push boundaries to create our own meaningful paths. In this episode, Kirsty Sedgman talks about her book On Being Unreasonable: Breaking the rules and making things better. She also briefly discusses her earlier works Locating the Audience and The Reasonable Audience. She mentions several other scholars, including Eleanora Belfiore's work on cultural policy practice, Jess Thom co-director of Touretteshero, Ellie Mackin Roberts and her TikTok work, Salamander Street Press, and Howard Zinn and his work on civil disobedience.You can also find out more about working with me at www.thephdlifecoach.com and find a transcript at www.thephdlifecoach.com/podcast.

Dr. Kirsty Sedgman's new book, On Being Unreasonable: Breaking the Rules and Making Things Better, examines our age of division and how we can be unreasonable for the right reasons. Born of a lifetime of studying theatre as a window into larger social questions, Sedgman argues that audience behavior is the canary in the coal mine of greater societal concerns, and the subject of her first book, The Reasonable Audience: Theatre Etiquette, Behavior Policing, and the Live Performance Experience. Sedgman discusses how despite our wishful thinking, we're not in a post-pandemic landscape; the rise of the relaxed performance movement; the vital importance of carefully navigating sometimes competing truths and wrestling with the complexities of our divided age; and the value of getting into what Congressman John Lewis called "good trouble." (Length 19:03)

In this special episode I discuss historic and recent audience behaviour in the Theatre and how that behaviour reflects changes in society, with some particular reference to recent events in society and at some theatrical performances.Kirsty Sedgman is a theatre academic at the University of Bristol who specialises in studying audiences. She has spent her career studying how we construct and maintain our competing value systems, working out how people can live side by side in the same world yet come to understand it in such totally different ways. The author of On Being Unreasonable: Breaking the Rules and Making Things Better (Faber 2023), she has spoken about her research around the world, and has seen her work featured in outlets like BBC Front Row, the Guardian, and the New York Times.Links to books by Dr Kirsty Sedgman on Amazon (other retailers are available)https://www.amazon.co.uk/Being-Unreasonable-Breaking-Making-Things-ebook/dp/B0B4M249LC/ref=sr_1_1?crid=WYQ904L9PAIX&keywords=kirsty+sedgman&qid=1682521965&sprefix=kirsty+sedgman%2Caps%2C82&sr=8-1https://www.amazon.co.uk/Reasonable-Audience-Etiquette-Performance-Experience-ebook/dp/B07FKHDN77/ref=sr_1_2?crid=WYQ904L9PAIX&keywords=kirsty+sedgman&qid=1682521965&sprefix=kirsty+sedgman%2Caps%2C82&sr=8-2Link to the Manchester Evening News article on audience disruption at a performance of 'The Bodyguard'https://www.manchestereveningnews.co.uk/news/greater-manchester-news/astonishing-moment-audience-member-screams-26658204Link to Wikipedia article about government advisor Dominic Cummins and his breaking of lockdown rules during the Covid-19 pandemichttps://en.wikipedia.org/wiki/Dominic_Cummings_scandalSupport the podcast at:www.thehistoryofeuropeantheatre.comwww.ko-fi.com/thoetpwww.patreon.com/thoetpThis podcast uses the following third-party services for analysis: Chartable - https://chartable.com/privacy

What do we mean when we say that someone is being unreasonable? On the face of it, the person we're describing has either broken a rule or a social norm. But what are we basing that on?My guest Dr Kirsty Sedgman is a Doctor of Audiences at the University of Bristol. That means she researches how audiences — for example, in the theatre — behave and respond to the performance they're watching.Her work investigates how people find value in cultural participation. How do they experience and respond to the things they see? How are these pleasures and disappointments made meaningful in their lives? And what can all this tell us about the role of the arts in society and the relationship between cultural institutions, power, identity, and place?More recently, she's turned that same lens onto other situations — for example, being on public transport, at work or in a cafe - to explore what being reasonable or unreasonable means.Through her research, Kirsty has discovered that the idea of being reasonable is deeply embedded in our moral and legal judgment system and can often be subjective and influenced by personal biases. From theatre etiquette to crossing the road, there are rules in place for our safety and social norms. These can be useful, but they can also have the potential to marginalize and exclude certain groups of people.As Kristy explains, what is reasonable or unreasonable, is actually a matter of perception. That's relevant to how we all behave, how we judge the behaviour of others and is highly relevant for those of us responsible for influencing human behaviour.The story about the performance of the Bodyguard that was disrupted by members of the audience that I refer to is explained here: https://www.manchestereveningnews.co.uk/news/greater-manchester-news/astonishing-moment-audience-member-screams-26658204You can find out more about Kirsty on her website: https://kirstysedgman.com/Her academic profile: https://www.bristol.ac.uk/people/person/Kirsty-Sedgman-35581165-6a8e-4715-9e89-05670807d2e0/For details of her book 'Being Unreasonable':https://www.faber.co.uk/product/9780571366835-on-being-unreasonable/You can find her on social media:Twitter - https://twitter.com/KirstySedgmanLinkedIn - https://www.linkedin.com/in/kirstysedgman/For more details on my new book 'Humanizing Rules: Bringing Behavioural Science to Ethics & Compliance' visit https://www.human-risk.com/humanizing-rules-book

Last Friday, a musical in Manchester had to be cut short because some audience members wouldn't refrain from singing or shouting. Two people were asked to leave after shouting/screaming “I Will Always Love You” at the top of their lungs. The show was paused, they were asked to leave but “mini riots” and “fights” broke out prompting the show to end prematurely. So, is singing acceptable in theatres? What is the etiquette when seeing a show in a theatre? Sean was joined by Kirsty Sedgman, Doctor of Audiences at Bristol University and Author of ‘On Being Unreasonable: Breaking the Rules and Making Things'...

Last Friday, a musical in Manchester had to be cut short because some audience members wouldn't refrain from singing or shouting. Two people were asked to leave after shouting/screaming “I Will Always Love You” at the top of their lungs. The show was paused, they were asked to leave but “mini riots” and “fights” broke out prompting the show to end prematurely. So, is singing acceptable in theatres? What is the etiquette when seeing a show in a theatre? Sean was joined by Kirsty Sedgman, Doctor of Audiences at Bristol University and Author of ‘On Being Unreasonable: Breaking the Rules and Making Things'...

Kirsty Sedgman – On being unreasonable: breaking the rules and making things better...with TRE's Hannah Murray

Are theatre audiences behaving badly? After recent complaints, we discuss expectations of audience etiquette. Tom is joined by: Dr Kirsty Sedgman, Lecturer in Theatre at University of Bristol, researcher of audiences, and author of The Reasonable Audience: Theatre Etiquette, Behaviour Policing, And The Live Performance Experience; Lyn Gardner, theatre critic and Associate Editor of The Stage; and by front of house worker Bethany North. British composer Anna Clyne and Finnish violinist and conductor Pekka Kuusisto discuss their new collaborations, including this week's premiere of Anna's clarinet concerto, Weathered, at the Royal Festival Hall in London, which Pekka will conduct. Plus they talk about their forthcoming partnership at the Helsinki Philharmonic Orchestra in which Anna and Pekka will serve as Composer-in-Residence and Artistic Co-Director respectively. Plus, actor turned playwright Danny Lee Wynter on his new play Black Superhero at the Royal Court Theatre in London – revealing a world where fantasy and reality meet with devastating consequences. Presenter: Tom Sutcliffe Producer: Simon Richardson (Main image credit: Ajamu X)

Most people consider themselves reasonable. But are they? And what rules is that notion defined by? Siân Pattenden is joined by Kirsty Sedgman, author of On Being Unreasonable, to discuss what the response to breastfeeding in public, noisy theatre audiences, neighbourhood watch indiscretions and Edward Coulston show about society today – and whether our collective rules might be wrong.  ““Being ‘reasonable' has usually meant being a man.” “The NextDoor app shows us the dangers of thinking you are reasonable – when really you aren't.” “We need to take acting ‘reasonably' seriously because it involves policing and power.” “Who are the rules of ‘being unreasonable' harming?” www.patreon.com/bunkercast  Written and Presented by Siân Pattenden. Producer: Kasia Tomasiewicz. Music by Kenny Dickinson. Audio production: Robin Leeburn. Lead Producer: Jacob Jarvis. Group Editor: Andrew Harrison. THE BUNKER is a Podmasters Production Instagram | Twitter Learn more about your ad choices. Visit megaphone.fm/adchoices

Iranian women using song to protest and whose voices do we pay attention to ? On International Women's Day, Shahidha Bari hosts a conversation with the authors of books called On Being Unreasonable and Who Gets Believed, an artist and a researcher looking at Iranian women using song. Michelle Assay is an academic specialising in music who was born in Iran and had to leave the country. Dina Nayeri is an Iranian American writer now based in Scotland and Kirsty Sedgman studies the behaviour of audiences. Alberta Whittle represented Scotland in the Venice Biennale and has exhibitions on at Bath's Holburne Museum and in Scotland. Alberta Whittle: Dipping below a waxing moon, the dance claims us for release is at the Holburne Museum until May 8th. Alberta Whittle | create dangerously runs at the Scottish National Gallery of Modern Art from Sat 1 Apr 2023 - Sun 7 Jan 2024 Kirsty Sedgman's On Being Unreasonable: Breaking the Rules and Making Things Better is out now https://kirstysedgman.com/ Dina Nayeri's latest book is called “Who Gets Believed? https://www.dinanayeri.com/ You can hear more from her in a previous episode of Free Thinking called Language and Belonging https://www.bbc.co.uk/programmes/m0006fh9 Free Thinking has a whole collection of programmes Women in the World with conversations ranging from fictional characters including The Wife of Bath and Lady Macbeth to Arabian queens, landladies, women warriors and goddesses ttps://www.bbc.co.uk/programmes/p084ttwp Producer: Jayne Egerton

Kirsty Sedgman is an award-winning cultural studies scholar based at the University of Bristol. She publishes and speaks on art, media, participation, and cultural sociology. She is the author of numerous academic publications, including two monographs and an edited book on theatre fandom, and is Editor of the Routledge book series in Audience Research. Kirsty has also written for The Stage, Exeunt, and the BBC's Expert Series, and her work has been featured in the Times Literary Supplement, the Guardian, and the New York Times. In ON BEING UNREASONABLE, she argues that sometimes we need to act unreasonably to bring about positive change. Looking back through history and around the world, Sedgeman set out to discover how unfairness and discrimination got baked into our social norms, dividing us along lines of gender, class, disability, sexuality, race. 5x15 brings together five outstanding individuals to tell of their lives, passions and inspirations. There are only two rules - no scripts and only 15 minutes each. Learn more about 5x15 events: 5x15stories.com Twitter: www.twitter.com/5x15stories Facebook: www.facebook.com/5x15stories Instagram: www.instagram.com/5x15stories

One woman's “reasonable” is another woman's eating cheesy crisps on the Tube. With our own concept of what it is to be reasonable, and indeed unreasonable, so entrenched in personal experience, Mick was fascinated to chat to cultural studies expert Kirsty Sedgman about her new book, On Being Unreasonable: Breaking the Rules and Making Things Better.Titanic Belfast is about to reopen after a major refurbishment, so Hannah got on the Zoom to Eimar Kearney from the centre to talk about the world's most famous sunken ship, why it remains fascinating, and why the capital of Northern Ireland is well worth a visit.There is no good news in Jenny Off The Blocks, but there are some excellent women hoping to change the sporting landscape for others. Meanwhile, we are all a-flap, as 1963 Hitchcock classic The Birds gets Rated or Dated.Plus, spiralling costs, awkward admissions, and surprising progress in the Bush Telegraph.Support this show http://supporter.acast.com/standardissuespodcast. Hosted on Acast. See acast.com/privacy for more information.

Dame Melinda Simmons, the British Ambassador to Ukraine, joins Hayley Hassall to mark one year on from the Russian invasion. She talks about the impact the war is having on women and girls in the country, as well as the strength and heroism women are showing as they adapt their lives to exist in a constant state of war. Who decides what's reasonable or unreasonable? And how do we agree as a society on what is ‘reasonable' behaviour? Dr Kirsty Sedgman speaks to Nuala McGovern about her new book, ‘On being Unreasonable: Breaking the rules and making things better', which addresses societal divides over what is, or isn't, reasonable. New research from Cancer UK has shown that Black women from Caribbean and African backgrounds are more likely to be diagnosed with cancer at later stages. To talk about why this happens and what needs to be done to help black women get diagnosed earlier, Nuala McGovern speaks to Kruti Shroti from Cancer Research UK and Adobea Obeng, who tried three times to get medical help before being diagnosed with incurable breast cancer. Irish singer-songwriter Eleanor McEvoy joins Nuala McGovern to talk about her newest album, ‘Gimme Some Wine' and her UK tour. She explains how lockdown gave her time to heal and reflect on her life while creating new music, and how a purple AGA helped her to get over a particularly bad break-up! Averil Mansfield qualified as a surgeon in the early 1970s, a time when female medics were outnumbered my men eight to one. When she told her consultant she was getting married, his reply was: ‘what a pity!'. She joins Hayley Hassall to talk about her inspirational career and her thoughts on the current state of the NHS. Presenter: Hayley Hassall Producer: Lottie Garton

Who gets to decide about social norms, about what's reasonable and unreasonable behaviour? Is it OK to breastfeed in public, to let your children play in the garden while others are working from home? Can we come together and talk about these things reasonably? According to Dr Kirsty Sedgman, the author of a new book, On being Unreasonable: Breaking the rules and making things better, we're living in an age of division. If she asks, we reimagined the rules of public togetherness, what would get better? What would change for the worse? And for whom? As MPs return to parliament today, they come back to a new set of proposals by the Standards Committee. It has recently published a report recommending that MPs arrested for serious offences should be banned from the parliamentary estate. We discuss with Esther Webber, Senior UK Correspondent for Politico, and Westminster parliamentary aide and GMB representative Jenny Symmons . Half of state-funded schools in England for children with special educational needs and disabilities are oversubscribed, new BBC research has found. Schools have been forced to convert portable cabins and even cupboards into teaching spaces due to a lack of space. Head teachers say this puts pressure on staff and makes pupils anxious. Parents say their children are missing education while they wait for places. BBC correspondent Elaine Dunkley who has led the investigation and produced an Iplayer documentary, ‘SEND help', explains how this situation has arisen. Nadine Benjamin MBE is a celebrated Soprano. But if it wasn't for the words of an encouraging high school music teacher, she would never have considered a career in Opera. Now, she's played in the UK's most prestigious Opera Houses in shows including La Bohème, Madama Butterfly and the Marriage of Figaro. Last year she performed for the new King. Nadine joins Nuala to talk about her journey into the industry and performs from Songs of Joy which brings together stories told through song and spoken word, celebrating the lived experiences of black and mixed-race composers. Presenter: Nuala McGovern Producer: Lisa Jenkinson Studio Manager: Giles Aspen

In this episode we bring you three stories from Australia and the UK exploring the role of art in helping people deal with the challenges life throws at them. We talk to Cherine Fahd, associate professor at the School of Design at the University of Technology Sydney about Being Together: Parramatta Yearbook, a photography project in a suburb of Sydney bringing people back together again as COVID-19 restrictions lift.Angelina Hurley, PhD candidate at Griffith University in Brisbane tell us how art is used to process the trauma of colonisation for Aboriginal and Torres Strait Islanders in Australia, and about the work of her father, the late artist Ron Hurley. And Kirsty Sedgman, a lecturer in theatre at the University of Bristol in England, explains why the second world war led to the birth of public funding for arts buildings in Britain – and how the Bristol Old Vic theatre became the first recipient.And Gregory Rayko, international editor for The Conversation in Paris, France give us his recommended reading.This episode of the The Conversation Weekly is supported by the UK/Australia Season Patrons Board, the British Council and the Australian Government as part of the UK/Australia Season, which centres on the theme Who Are We Now? The season's programme reflects on the two countries' shared history, explores their current relationship, and imagines their future together.This episode was produced by Mend Mariwany and Gemma Ware, with reporting by Rhianna Patrick and Olivia Rosenman and sound design by Eloise Stevens. You can sign up to The Conversation's free daily email here. Full credits for this episode available here.Further reading‘Art is our voice': why the government needs to support Indigenous arts, not just sport, in the pandemic, by Angelina Hurley, Griffith UniversityYearning for touch — a photo essay, by Cherine Fahd, University of Technology SydneyArts rescue package: by all means protect Britain's ‘jewels' – but don't forget the rest of the crown, by Kirsty Sedgman, University of BristolShould we be alarmed by the sound of boots on the Russia-Ukraine border?, by Christine Dugoin-Clément, IAE Paris – Sorbonne Business School (in French)France-Algeria: the diplomatic impasse, by Luis Martinez, Sciences Po (in French) See acast.com/privacy for privacy and opt-out information.

In this episode I speak with award-winning cultural studies scholar, Dr Kirsty Sedgman. We talk about the audience experience - particularly within a digital context, theatre etiquette campaigns, excluded audiences, the democratising potential of digital, and how we understand the 'value' of cultural experiences.

From online dance, pavement performances of plays, and the part played by audiences in Greek theatres and Shakespeare's Globe - how is performance adapting in the Covid era, and how are we rethinking what an audience is? Shahidha Bari hosts a discussion, with Kwame Kwei-Armah of the Young Vic; Kirsty Sedgman from the University of Bristol, who looks at theatre from Ancient Greece on; Lucy Weir, who teaches dance at the University of Edinburgh and is a BBC/AHRC New Generation Thinker; and Ted Hodgkinson, who programmes literary events at the Southbank Centre in London. This episode is part of the programming for BBC Radio 3's residency at London's Southbank Centre and their Inside Out Season of Music and Literary Events, which include concerts broadcast live on BBC Radio 3 and available to catch up with via BBC Sounds, and a series of author interviews and discussions. The Young Vic is marking its 50th anniversary with a series of events, including Twenty Twenty - 3 plays centred around the themes of Home, Heritage, and History which mark the culmination of a year-long community project with Blackfriars Settlement, Certitude, and Thames Reach, and various online films. You can find discussions about how Covid has affected classical and musical audiences and programming on BBC Radio 3's Music Matters programmes https://www.bbc.co.uk/programmes/b006tnvx Producer: Emma Wallace

Guest playwright TJ Young talks about how he is challenging himself to work in new mediums. And Suzanne discusses the effect of theatres shutting down on audiences with two experts from the UK: critic Mark Fisher and scholar Kirsty Sedgman.

Roger and Hammerstein’s Oklahoma! is Chichester Festival Theatre’s new summer musical, starring Josie Lawrence as Aunt Eller and Hyoie O’Grady and Amara Okereke as the young lovers. Fiona Mountford reviews. Following violence and verbal abuse directed at ushers, some theatres are issuing them with body cameras, hoping this will deter aggressive behaviour by audience members. Theatre critic Fiona Mountford and Kirsty Sedgman, author of ‘The Reasonable Audience’, discuss the ways audience behaviour is changing and what is acceptable. The shortlist for the Mercury Prize was announced today. Music writer Kieran Yates gives her response to the 12 albums selected by the judges, by artists including Foals, Dave and Little Simz. And sculptor Sean Henry's piece Seated Figure, 2016 has had to be moved from its place on the North York Moors to the Yorkshire Sculpture Park because of damage to the land by so many visitors. The artist speaks to Front Row. Presenter: John Wilson Producer: Sarah Johnson

The value of the arts is a constant and vital question in contemporary culture. In Locating the Audience: How People Found Value in National Theatre Wales (Intellect Books, 2016) Kirsty Sedgman, British Academy Research Fellow at the University of Bristol, approaches this question from the point of view of the audience. The book offers an introduction to the question of what an audience is, as well as thinking through the best methods to study the audience, before turning to the story of National Theatre Wales (NTW). The book discusses the tensions between aesthetics and participation, using places and performances from NTW to illustrate the range of responses, and the range of value, that different types of audience can derive from theatre. An engaging and accessible introduction to both the theoretical and practical questions surrounding cultural value, measurement, audiences, and theatre, the book will interest a range of humanities and social science scholars. Learn more about your ad choices. Visit megaphone.fm/adchoices

The value of the arts is a constant and vital question in contemporary culture. In Locating the Audience: How People Found Value in National Theatre Wales (Intellect Books, 2016) Kirsty Sedgman, British Academy Research Fellow at the University of Bristol, approaches this question from the point of view of the audience. The book offers an introduction to the question of what an audience is, as well as thinking through the best methods to study the audience, before turning to the story of National Theatre Wales (NTW). The book discusses the tensions between aesthetics and participation, using places and performances from NTW to illustrate the range of responses, and the range of value, that different types of audience can derive from theatre. An engaging and accessible introduction to both the theoretical and practical questions surrounding cultural value, measurement, audiences, and theatre, the book will interest a range of humanities and social science scholars. Learn more about your ad choices. Visit megaphone.fm/adchoices

The value of the arts is a constant and vital question in contemporary culture. In Locating the Audience: How People Found Value in National Theatre Wales (Intellect Books, 2016) Kirsty Sedgman, British Academy Research Fellow at the University of Bristol, approaches this question from the point of view of the audience. The book offers an introduction to the question of what an audience is, as well as thinking through the best methods to study the audience, before turning to the story of National Theatre Wales (NTW). The book discusses the tensions between aesthetics and participation, using places and performances from NTW to illustrate the range of responses, and the range of value, that different types of audience can derive from theatre. An engaging and accessible introduction to both the theoretical and practical questions surrounding cultural value, measurement, audiences, and theatre, the book will interest a range of humanities and social science scholars. Learn more about your ad choices. Visit megaphone.fm/adchoices

The value of the arts is a constant and vital question in contemporary culture. In Locating the Audience: How People Found Value in National Theatre Wales (Intellect Books, 2016) Kirsty Sedgman, British Academy Research Fellow at the University of Bristol, approaches this question from the point of view of the audience. The book offers an introduction to the question of what an audience is, as well as thinking through the best methods to study the audience, before turning to the story of National Theatre Wales (NTW). The book discusses the tensions between aesthetics and participation, using places and performances from NTW to illustrate the range of responses, and the range of value, that different types of audience can derive from theatre. An engaging and accessible introduction to both the theoretical and practical questions surrounding cultural value, measurement, audiences, and theatre, the book will interest a range of humanities and social science scholars. Learn more about your ad choices. Visit megaphone.fm/adchoices

The value of the arts is a constant and vital question in contemporary culture. In Locating the Audience: How People Found Value in National Theatre Wales (Intellect Books, 2016) Kirsty Sedgman, British Academy Research Fellow at the University of Bristol, approaches this question from the point of view of the audience. The book offers an introduction to the question of what an audience is, as well as thinking through the best methods to study the audience, before turning to the story of National Theatre Wales (NTW). The book discusses the tensions between aesthetics and participation, using places and performances from NTW to illustrate the range of responses, and the range of value, that different types of audience can derive from theatre. An engaging and accessible introduction to both the theoretical and practical questions surrounding cultural value, measurement, audiences, and theatre, the book will interest a range of humanities and social science scholars. Learn more about your ad choices. Visit megaphone.fm/adchoices