Podcasts about Ned Sherrin

Daniel SeidmanComposer & Co-LyricistDr. Daniel Seidman is a licensed clinical psychologist practicing in New York City. Dan started playing in a band at the age of 12 at the Cafe Wha in Greenwich Village. At the age of 15, he toured the U.S. and Canada playing Hammond organ for Chubby Checker. He completed a year as a composition major at the Berklee College of Music in Boston in 1972-1973, and a B.A. in History from SUNY Binghamton. He received a Ph.D. from Columbia University in 1988, and subsequently joined the faculty at Columbia University Medical Center (CUMC) where he taught, practiced psychology, and did research for 30 years. He retired from Columbia in June of 2018. Fifth Avenue the musical originally grew out of Dan's combined interest in jazz and history. Discussions with a history professor Albert Fried about the immigrant experiences of the Irish, Jews, Italians and in more contemporary times, Blacks, Hispanics and the Chinese provided insight into the “dark side” of the American dream and its “underworld culture”. This is the story Fried tells in his book “The Rise and Fall of the Jewish Gangster in America” (Columbia University Press). After college, Dan began composing the music for "Fifth Avenue" while employed by the Shubert Organization in New York City. He met Susan Crawford, who wrote the book and co-wrote the lyrics for Fifth Avenue, in 1979. They were married in 1984 and are now the proud parents of two grown sons. Susan CrawfordBook Writer and Co-LyricistMy theater life began at 13 in my hometown's Shakespeare Festival. It evolved into much acting from then into my 30's. It soon overlapped with an interest in playwriting, and I finished my first play at 24. Eventually writing overcame acting for me. For that I studied with Arthur Kopit and John Guare; lyric writing at the ASCAP workshop, and with Sheila Davis, and Dorothy Fields. Around that time I co-developed the continuity for Ned Sherrin for “Only In America” songs by Leiber and Stoller. It ran at the Roundhouse in London, and was a distant antecedent to what became “Smoky Joe's Cafe.” “Dollars to Doughnuts, a Comedy for the 99%” was my master's thesis in the CCNY Graduate Writing Program where I studied with Arthur Kopit. It was a finalist in the O'Neill Playwriting Conference the year it was finished (under the title "Lotto"). For the summer 2022 season, it was selected by Theatre for the New City's “Dream Up” Festival where it was workshopped and is now being submitted for production. My one-act "Place Settings" was selected for the Chain Theatre's 2023 Winter One-Act Festival, and is also available for production.R.K. GreeneProducer and Executive Director of The StoryLine Project, LLC, a theatrical production company developing new shows. Shows include: * "Beau The Musical" by Lyons & Pakchar now an award-winning feature-length motion picture; * "Fifth Avenue" in development by Susan Crawford & Daniel Seidman* "Harmony" by Barry Manilow and Bruce Sussman on Broadway; * "Farinelli and the King" with Mark Rylance on Broadway;* "Terms of Endearment" with Molly Ringwald Off-Broadway and licensing thru Playscripts;* "A Time to Kill" with Patrick Page, Tonya Pinkins, Tom Skerritt, Fred Thompson and John Douglas Thompson on Broadway; * "Peter and the Starcatcher" winner of five Tony awards and now an Australian Tour in 2024-25; * "Cougar The Musical" Off-Broadway and licensing thru Concord Theatricals;* "Love Child" with Daniel Jenkins and Robert Stanton Off-Broadway and licensing thru Playscripts;* "Room Service" Off-Broadway. See https://www.storylineproject.com/Fifth AvenueWhat happens when your American Dream keeps getting caught up in other peoples' schemes?  Max and Willy borrow money to go legit and open a nightclub during prohibition offering ‘Fifth Avenue' class in NYC's Hell's Kitchen.  Meanwhile the younger generation chase their own versions of the ‘American Dream.'

Episode six of Britcom Goes to the Movies marks the halfway point of the series and this week we're going all the back to 1970. Having said that the themes and satire from The Rise and Rise of Michael Rimmer are all too prescient in 2023. Guy and Rob are joined to talk all things Peter Cook, David Frost and of course The Rise & Rise of Michael Rimmer by writer, producer and host of the Best Pick Podcast Tom Salinsky. Tom's insights and political context for this episode were invaluable and he also wrote and hosted our quiz. Among other things, we talk about That Was The Week That Was, Goodbye Again, Frost/Nixon, and a sprinkling of Monty Python. We wouldn't always urge listeners to watch the film we're talking about (Lesbian Vampire Killers we're looking at you) but The Rise & Rise of Michael Rimmer is worth everyone's time, if not for anything other than Arthur Lowe. Could this biting satire challenge the top of our table, tune in and find out. Ned Sherrin introduces TW3 https://www.youtube.com/watch?v=4e4R2038tfU Goodbye again – full episodehttps://www.youtube.com/watch?v=wfnrTdecoVc David Frost on his Nixon Interviews https://www.youtube.com/watch?v=8fpYu36q_tQ Arthur Lowe narrating the Mr Men https://www.youtube.com/watch?v=M2D1fDiSP_Y The Rise & Rise of Michael Rimmer – Full Movie https://www.youtube.com/watch?v=WT_prfYb6DE The Cadbury's Flake advert on which the Scorpio Humbugs commercial is based https://youtu.be/DqTPVvam1uY?si=cd9-uUyhmxPgpUN_ Harold Wilson and pipe exhibition https://www.youtube.com/watch?v=c0Ssw_WQ-y4 Monty Python – The Silly Party hold Leicester https://www.youtube.com/watch?v=dVI5ZOT5QEM

The full and extraordinary story of “the Zelig-like” Cutler – poet, performer, broadcaster, playwright, surrealist, humorist – is mapped out in Bruce Lindsay's exceptional new book, ‘Ivor Cutler: A Life Outside the Living Room'. Most of us discovered him through the patronage of fans like John Peel – or first saw him as part of the Magical Mystery Tour cast – but this fascinating conversation covers the early years too, his time as a progressive schoolteacher, the formative influence of Kafka and the Goons, his big break into TV via Ned Sherrin and his immediate adoption by the counter-culture. Has there ever been anyone remotely like him before or since? At one point Bruce reads a section of Life In A Scotch Sitting Room - with its echoes of Under Milk Wood and Sir Henry At Rawlinson End - and there are tales of gruts for tea, his fear of noise, the time he left an overheated hotel room to sleep on a station platform and a Denmark Street agent weeing in a sink. Order Bruce's book here …https://www.amazon.co.uk/Ivor-Cutler-Outside-Sitting-Popular/dp/180050294X/ref=sr_1_6?qid=1671698453&refinements=p_27%3ABruce+Lindsay&s=books&sr=1-6 @bruce956Subscribe to Word In Your Ear on Patreon for a whole world of extra and exclusive content, benefits and rewards!: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

The full and extraordinary story of “the Zelig-like” Cutler – poet, performer, broadcaster, playwright, surrealist, humorist – is mapped out in Bruce Lindsay's exceptional new book, ‘Ivor Cutler: A Life Outside the Living Room'. Most of us discovered him through the patronage of fans like John Peel – or first saw him as part of the Magical Mystery Tour cast – but this fascinating conversation covers the early years too, his time as a progressive schoolteacher, the formative influence of Kafka and the Goons, his big break into TV via Ned Sherrin and his immediate adoption by the counter-culture. Has there ever been anyone remotely like him before or since? At one point Bruce reads a section of Life In A Scotch Sitting Room - with its echoes of Under Milk Wood and Sir Henry At Rawlinson End - and there are tales of gruts for tea, his fear of noise, the time he left an overheated hotel room to sleep on a station platform and a Denmark Street agent weeing in a sink. Order Bruce's book here …https://www.amazon.co.uk/Ivor-Cutler-Outside-Sitting-Popular/dp/180050294X/ref=sr_1_6?qid=1671698453&refinements=p_27%3ABruce+Lindsay&s=books&sr=1-6 @bruce956Subscribe to Word In Your Ear on Patreon for a whole world of extra and exclusive content, benefits and rewards!: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

The full and extraordinary story of “the Zelig-like” Cutler – poet, performer, broadcaster, playwright, surrealist, humorist – is mapped out in Bruce Lindsay's exceptional new book, ‘Ivor Cutler: A Life Outside the Living Room'. Most of us discovered him through the patronage of fans like John Peel – or first saw him as part of the Magical Mystery Tour cast – but this fascinating conversation covers the early years too, his time as a progressive schoolteacher, the formative influence of Kafka and the Goons, his big break into TV via Ned Sherrin and his immediate adoption by the counter-culture. Has there ever been anyone remotely like him before or since? At one point Bruce reads a section of Life In A Scotch Sitting Room - with its echoes of Under Milk Wood and Sir Henry At Rawlinson End - and there are tales of gruts for tea, his fear of noise, the time he left an overheated hotel room to sleep on a station platform and a Denmark Street agent weeing in a sink. Order Bruce's book here …https://www.amazon.co.uk/Ivor-Cutler-Outside-Sitting-Popular/dp/180050294X/ref=sr_1_6?qid=1671698453&refinements=p_27%3ABruce+Lindsay&s=books&sr=1-6 @bruce956Subscribe to Word In Your Ear on Patreon for a whole world of extra and exclusive content, benefits and rewards!: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

About 25 years ago, I was giving a speech at my father's 65th birthday party. There were seventy or eighty people at the dinner and, as Dad was a playwright, most of them were theatricals.I'm a comedian, it was a fun occasion, so I wanted the speech to be funny. There were a few entertainment VIPs in the room, so there were professional as well as personal reasons to make sure my speech was as good as possible. But it was also a very personal occasion - a landmark in my dad's life - so there was no way I was going to crowbar in bits from my act. I wanted the speech to be special: I love my Dad very much and I wanted to say so publicly. But I also didn't want the speech to descend into an embarrassing, gushing, sentimental affair. It was by no means the hardest speech I've ever had to give, but there was still a balance that I had to get right, and I felt a bit of pressure because there were so many professional performers in the room who were way more experienced than me.As I was speaking, and I guess I was feeling a little nervous, I noticed someone looking at me. Of course, the whole room was looking at me, but this was the only person I noticed. He had friendly blue eyes, narrowed in a frown of intense concentration, and he seemed deeply interested in what I had to say, and very sympathetic to the difficulties I was having making such a speech. I don't know if I was projecting my own imagination, but there was a wise, kindly look to him. I'd never noticed anybody listen like that before.It was a few moments before I realised it was the actor, Timothy West. Thinking about it later, it made sense to me why Timothy West had been such a popular actor with his peers. He listened so well. In a room of eighty people all doing the same thing– his was the listening I noticed.(Any aspiring actors reading this: work on your listening. It's a crucial, yet underrated skill and one that is rarely taught. Teaching is concentrated around the bits when you are doing the talking. Watch what wonderful listeners many great actors are.)Fast forward a couple of years and I was doing a set on the Radio 4 show, Loose Ends. This was around 1999 and, in those days, the show was recorded live, but the only audience you would have were the four or five other guests on the show who would be sitting in the studio with you, along with the host, Ned Sherrin. You got some real VIPs on that show - I used to do it quite a bit. Off the top of my head, I remember appearing with Jackie Collins, Danni Minogue, Divine Comedy, Mariella Frostrup, Sir Humphrey Burton, The Proclaimers, and many more besides. But most of them would be thinking about their own bits, so doing comedy in that little studio to four or five people who weren't that interested could be a bit like doing comedy into the void. Comedy is hard without an audience - even if by the time it made it out of the radio, it seemed to work. I think it was the first time I had done the show, so I was nervous. There I was, doing my Ludwig The Bavarian act, all dressed up in my lederhosen costume, with all sorts of nerves rushing through my head as I did my act to no audience, when there it was again. The look. The kindly, listening, I-know-what-you're-going-through-and-I'm-on-your-side look. This time it was Michael Parkinson, one of the guests on the show. While all the other guests, and, to an extent, Ned, were wrapped up in their own stuff, Parkinson took time out to listen to me. Straight away I understood why he had been such a successful chat show host.Thank you for reading The Flying Frisby. This post is public so feel free to share it.The Today ProgrammeWe move on over ten years to 2012 and my first book, Life After the State, which, as the title suggests, makes the case for a lot less government in our lives. On the day it was published I was invited onto Radio 4's Today programme to talk about the role of the state. My publisher, Dan Kieran of Unbound, told me 'getting on the Today programme is the Holy Grail for an author. You're very lucky. You're on at the best time, peak listening time, just before 9. Everybody will be listening. The prime minister will be listening.”To say I was nervous is an understatement. 'This is the Today programme,' I told myself. 'For really clever people. It's not for comedians who've decided they want to write about economics. It's the BBC, the Ministry of Media. The last thing they'll suffer is some non-economist comedian calling for a smaller state. You are so going to be found out.'In the Green Room beforehand, I could barely speak. 'Would you like a cup of coffee?' 'Oh, no thanks. Actually, yes please. Er no, no. Actually, yes. Erm, not sure.' ‘I'm sorry?'I was to be interviewed by James Naughtie and there was a nice chap by the name of Neal Lawson from left-wing think tank, Compass, who would take the opposing side of the debate. There were various other people in the studio, all deep in notes and preparation for their next slot. None of them looked up as we came in. If I had my life again I'd answer one key question about collectivism differently - and I still get cross with myself about it - but overall I guess I did ok. However, mid-interview, while I was talking, I could feel somebody looking at me. I looked to my left, away from the people I was talking to, Naughtie and Lawson, and there, staring at me intently, was John Humphrys. He'd looked up from me his notes and, with his eyes narrowed slightly, now seemed to be deeply interested in what I was saying, even though he was nothing to do with this segment. His listening carried that same mixture of interest, intense focus, kindness and understanding that Timothy West's did all those years ago.Just as with West, I felt I gained some understanding as to why John Humphrys has been so successful in his extremely competitive profession.Afterwards I went and gave him a copy of the book.“Have a read and see what you think,” I said. “But I doubt you'll be on board with all this anti-state stuff.”“You'd be surprised,” he replied.Keynote FarageJust a few months later I was speaking about gold at an investor's show. Tom Winnifrith, the organizer, had managed to get Nigel Farage as his keynote speaker. This was years before the Brexit vote, but, thanks to the internet, his speeches at the EU Parliament were already starting to go viral.Afterwards, he and I sat down and started talking. All sorts of people were bombarding him for photos and signatures, and he was very gracious to everybody who pestered him, but at the same time he managed to convey the impression that he was really interested in talking to me. And, as I talked, there was that same look again – eyes narrowed slightly, kind, wise, interested, focused on you and you alone.If you say the names John Humphrys or Nigel Farage, kindness is not the first word that springs to mind with either. But that was what I saw. Nor is Farage known as great listener, but my experience was that he is. I'm sure it's his listening to people as he travelled up and down the country that made him so popular at grass roots level and helped him build such a following.Farage in person, as his GB News show, especially Talking Pints, is proving, is a far cry from the monster many of his opponents, especially the Centrist Trots who write for the Guardian, have made him out to be. My dinner with Jordan PetersonA few days ago I was lucky enough to be invited to dinner with Jordan Peterson. It's funny. Peterson is one of the biggest stars on the internet. He is adored by so many yet there are still quite a few people who have no idea who he is. My manager thought I was going to dinner with Jordan Henderson.Andrews Doyle and Shaw, the organisers of Comedy Unleashed, comedian Simon Evans and author Jeremy Hildreth were there as well as Peterson's minder (who took the photo below).It was amazing how quickly we got through the niceties and moved on to the interesting stuff. Within a few minutes of sitting down, we were talking about lucid dreams - these are dreams that you know are dreams while you dream them.I had a lucid dream last year, in which I met my father (who died in 2020) at a house party and, in the kitchen, started updating him on the progress I had made with Kisses on a Postcard, the new songs I'd written, the edits and so on. After a while I said, “This is a dream, isn't it?” Dad smiled and nodded.So I mentioned at the table that I had had this lucid dream last year in which I had had this conversation with my dead father. Peterson's head flashed round and he looked at me as I spoke. And there was that look again. That same Timothy West, Michael Parkinson, John Humphrys, Nigel Farage, slightly squinting, focused look of kindness, sympathy, empathy and genuine interest.Never mind how articulate he is, I'll bet one reason Peterson is so popular is because he listens. In fact, one reason he is so articulate is because he listens. He replies to what people actually say, rather than what he thinks they've said, and that centres him in the moment and thus in the truth.So there we are: people who have the look. What's the moral of all this? Listen, I guess. Don't talk. Listen.ADDENDUMI saw just how popular and loved Jordan Peterson was only an hour or two later. Over dinner somebody suggested that he do a set at Comedy Unleashed later that evening, and he agreed to read a comic poem he'd written. I was MCing, and I introduced him as the open spot, saying something like “we like to bring on new talent at Comedy Unleashed, so we give people short spots and if they're any good, they can progress to a full spot, please welcome Jordan Peterson”. The audience at first couldn't believe what they had heard. Then, as he came to the stage, they rose to their feet and gave him a standing ovation.I might have ended up compering what may be Jordan Peterson's only ever comedy spot. Thank you for reading The Flying Frisby. This post is public so feel free to share it.If you are in London on September 28 or 29, my lecture with funny bits, How Heavy?, about the history of weights and measures is coming to the Museum of Comedy. It's a 7-8pm show so you can come along and go out for dinner after. The lecture will give your evening a strong intellectual foundation. You can buy tickets here. This is a very interesting subject - effectively how you perceive the world. Hope to see you there.The Flying Frisby is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.theflyingfrisby.com/subscribe

About 25 years ago, I was giving a speech at my father's 65th birthday party. There were seventy or eighty people at the dinner and, as Dad was a playwright, most of them were theatricals.I'm a comedian, it was a fun occasion, so I wanted the speech to be funny. There were a few entertainment VIPs in the room, so there were professional as well as personal reasons to make sure my speech was as good as possible. But it was also a very personal occasion - a landmark in my dad's life - so there was no way I was going to crowbar in bits from my act. I wanted the speech to be special: I love my Dad very much and I wanted to say so publicly. But I also didn't want the speech to descend into an embarrassing, gushing, sentimental affair. It was by no means the hardest speech I've ever had to give, but there was still a balance that I had to get right, and I felt a bit of pressure because there were so many professional performers in the room who were way more experienced than me.As I was speaking, and I guess I was feeling a little nervous, I noticed someone looking at me. Of course, the whole room was looking at me, but this was the only person I noticed. He had friendly blue eyes, narrowed in a frown of intense concentration, and he seemed deeply interested in what I had to say, and very sympathetic to the difficulties I was having making such a speech. I don't know if I was projecting my own imagination, but there was a wise, kindly look to him. I'd never noticed anybody listen like that before.It was a few moments before I realised it was the actor, Timothy West. Thinking about it later, it made sense to me why Timothy West had been such a popular actor with his peers. He listened so well. In a room of eighty people all doing the same thing– his was the listening I noticed.(Any aspiring actors reading this: work on your listening. It's a crucial, yet underrated skill and one that is rarely taught. Teaching is concentrated around the bits when you are doing the talking. Watch what wonderful listeners many great actors are.)Fast forward a couple of years and I was doing a set on the Radio 4 show, Loose Ends. This was around 1999 and, in those days, the show was recorded live, but the only audience you would have were the four or five other guests on the show who would be sitting in the studio with you, along with the host, Ned Sherrin. You got some real VIPs on that show - I used to do it quite a bit. Off the top of my head, I remember appearing with Jackie Collins, Danni Minogue, Divine Comedy, Mariella Frostrup, Sir Humphrey Burton, The Proclaimers, and many more besides. But most of them would be thinking about their own bits, so doing comedy in that little studio to four or five people who weren't that interested could be a bit like doing comedy into the void. Comedy is hard without an audience - even if by the time it made it out of the radio, it seemed to work. I think it was the first time I had done the show, so I was nervous. There I was, doing my Ludwig The Bavarian act, all dressed up in my lederhosen costume, with all sorts of nerves rushing through my head as I did my act to no audience, when there it was again. The look. The kindly, listening, I-know-what-you're-going-through-and-I'm-on-your-side look. This time it was Michael Parkinson, one of the guests on the show. While all the other guests, and, to an extent, Ned, were wrapped up in their own stuff, Parkinson took time out to listen to me. Straight away I understood why he had been such a successful chat show host.Thank you for reading The Flying Frisby. This post is public so feel free to share it.The Today ProgrammeWe move on over ten years to 2012 and my first book, Life After the State, which, as the title suggests, makes the case for a lot less government in our lives. On the day it was published I was invited onto Radio 4's Today programme to talk about the role of the state. My publisher, Dan Kieran of Unbound, told me 'getting on the Today programme is the Holy Grail for an author. You're very lucky. You're on at the best time, peak listening time, just before 9. Everybody will be listening. The prime minister will be listening.”To say I was nervous is an understatement. 'This is the Today programme,' I told myself. 'For really clever people. It's not for comedians who've decided they want to write about economics. It's the BBC, the Ministry of Media. The last thing they'll suffer is some non-economist comedian calling for a smaller state. You are so going to be found out.'In the Green Room beforehand, I could barely speak. 'Would you like a cup of coffee?' 'Oh, no thanks. Actually, yes please. Er no, no. Actually, yes. Erm, not sure.' ‘I'm sorry?'I was to be interviewed by James Naughtie and there was a nice chap by the name of Neal Lawson from left-wing think tank, Compass, who would take the opposing side of the debate. There were various other people in the studio, all deep in notes and preparation for their next slot. None of them looked up as we came in. If I had my life again I'd answer one key question about collectivism differently - and I still get cross with myself about it - but overall I guess I did ok. However, mid-interview, while I was talking, I could feel somebody looking at me. I looked to my left, away from the people I was talking to, Naughtie and Lawson, and there, staring at me intently, was John Humphrys. He'd looked up from me his notes and, with his eyes narrowed slightly, now seemed to be deeply interested in what I was saying, even though he was nothing to do with this segment. His listening carried that same mixture of interest, intense focus, kindness and understanding that Timothy West's did all those years ago.Just as with West, I felt I gained some understanding as to why John Humphrys has been so successful in his extremely competitive profession.Afterwards I went and gave him a copy of the book.“Have a read and see what you think,” I said. “But I doubt you'll be on board with all this anti-state stuff.”“You'd be surprised,” he replied.Keynote FarageJust a few months later I was speaking about gold at an investor's show. Tom Winnifrith, the organizer, had managed to get Nigel Farage as his keynote speaker. This was years before the Brexit vote, but, thanks to the internet, his speeches at the EU Parliament were already starting to go viral.Afterwards, he and I sat down and started talking. All sorts of people were bombarding him for photos and signatures, and he was very gracious to everybody who pestered him, but at the same time he managed to convey the impression that he was really interested in talking to me. And, as I talked, there was that same look again – eyes narrowed slightly, kind, wise, interested, focused on you and you alone.If you say the names John Humphrys or Nigel Farage, kindness is not the first word that springs to mind with either. But that was what I saw. Nor is Farage known as great listener, but my experience was that he is. I'm sure it's his listening to people as he travelled up and down the country that made him so popular at grass roots level and helped him build such a following.Farage in person, as his GB News show, especially Talking Pints, is proving, is a far cry from the monster many of his opponents, especially the Centrist Trots who write for the Guardian, have made him out to be. My dinner with Jordan PetersonA few days ago I was lucky enough to be invited to dinner with Jordan Peterson. It's funny. Peterson is one of the biggest stars on the internet. He is adored by so many yet there are still quite a few people who have no idea who he is. My manager thought I was going to dinner with Jordan Henderson.Andrews Doyle and Shaw, the organisers of Comedy Unleashed, comedian Simon Evans and author Jeremy Hildreth were there as well as Peterson's minder (who took the photo below).It was amazing how quickly we got through the niceties and moved on to the interesting stuff. Within a few minutes of sitting down, we were talking about lucid dreams - these are dreams that you know are dreams while you dream them.I had a lucid dream last year, in which I met my father (who died in 2020) at a house party and, in the kitchen, started updating him on the progress I had made with Kisses on a Postcard, the new songs I'd written, the edits and so on. After a while I said, “This is a dream, isn't it?” Dad smiled and nodded.So I mentioned at the table that I had had this lucid dream last year in which I had had this conversation with my dead father. Peterson's head flashed round and he looked at me as I spoke. And there was that look again. That same Timothy West, Michael Parkinson, John Humphrys, Nigel Farage, slightly squinting, focused look of kindness, sympathy, empathy and genuine interest.Never mind how articulate he is, I'll bet one reason Peterson is so popular is because he listens. In fact, one reason he is so articulate is because he listens. He replies to what people actually say, rather than what he thinks they've said, and that centres him in the moment and thus in the truth.So there we are: people who have the look. What's the moral of all this? Listen, I guess. Don't talk. Listen.ADDENDUMI saw just how popular and loved Jordan Peterson was only an hour or two later. Over dinner somebody suggested that he do a set at Comedy Unleashed later that evening, and he agreed to read a comic poem he'd written. I was MCing, and I introduced him as the open spot, saying something like “we like to bring on new talent at Comedy Unleashed, so we give people short spots and if they're any good, they can progress to a full spot, please welcome Jordan Peterson”. The audience at first couldn't believe what they had heard. Then, as he came to the stage, they rose to their feet and gave him a standing ovation.I might have ended up compering what may be Jordan Peterson's only ever comedy spot. Thank you for reading The Flying Frisby. This post is public so feel free to share it.If you are in London on September 28 or 29, my lecture with funny bits, How Heavy?, about the history of weights and measures is coming to the Museum of Comedy. It's a 7-8pm show so you can come along and go out for dinner after. The lecture will give your evening a strong intellectual foundation. You can buy tickets here. This is a very interesting subject - effectively how you perceive the world. Hope to see you there.The Flying Frisby is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit frisby.substack.com/subscribe

Today's provocative conversation weaves a thread between current events from the philanthropy of European football star Satio Monet, back to the year 1965's musical influences and political turbulence, including a journey to David's childhood summers in a bungalow colony in New York's Catskill Mountains, and Steph's teen aged crush on The Beatles and The Monkees. And we finish with a discussion of a recent Supreme Court decision, and  the definition of "right to life". ----more---- [00:01:27] And here's what he says about the millions and millions of them dollars that he's making every year. This touched me so much. Why would I want 10 Ferrari's, 20 diamond watches or two planes? What will these objects do for me and for the world? I was hungry and I had to work in the fields. I survived hard times, played football, barefooted. [00:01:50] I did not have an education and many other things, but today with what I earn with football, I can help my people. So he has [00:02:00] built schools. He's built.  he provides clothes, [00:02:03] shoes, food to people from Senegal who are in extreme poverty. And he's just my hero this week. Manet, that's his last name and what.   [00:06:02] You go ahead and set the stage. Cause you were the older one in 1965. I was only 13. [00:06:08] David: [00:06:08] I get it. Did you have to tell everybody? [00:06:11] Stephanie: [00:06:11] I wanted everybody to know. [00:06:14] David: [00:06:14] All right. Okay. So that part's out. okay. So little things. so new house, 13,500. 1965. It went up because if you remember, when we did an earlier year, it was something like 1800 or 2000 or something. a new car, 2,600 and rent $118. And, they should bring that back. Okay. So significant events. [00:06:42]I'm seeing that the Watts riots happened, that was LA right. [00:06:47] Stephanie: [00:06:47] That was [00:06:48] David: [00:06:48] were you living there at the time? In [00:06:50]Stephanie: [00:06:50] no, I wasn't in Los Angeles until 1969. [00:06:54] David: [00:06:54] Okay. All right. the next one is interesting. It was the Northeast blackout, [00:07:00] . And interesting enough, we had triple sessions in our high school and we were seniors when we were seniors. Juniors. I couldn't even remember what I wasn't 65 15. What are you at 15? [00:07:14]Stephanie: [00:07:14] be a sophomore [00:07:14] David: [00:07:14] sophomore. Well, our school was a regular school building and I think I was on the fifth floor and out the windows back then you could see the empire state building. and I remember sitting in class and you didn't realize it. The light started dimming and dimming. And Dimming. And then the empire state building started dimming and yes, it was such a slow,  processed before it just went black. [00:07:40] it was, you didn't know really what was happening, but once it went black, everybody left school, we were in the streets directing traffic, and it was one of those extraordinary nights of the blackout. And of course all the conspiracy theories and. Alright, do you know happen? You know, if it happened today, it would be [00:08:00] even worse. [00:08:00] Okay. So we had the blackout. Let's see what else I found, st. Louis, Missouri built the gateway arch. Pretty famous. Now, let me look, let me look. Let me look. Oh, now the cultural part, of course, I'm always attracted to that. Doctor. Zhivago was the big movie. And let's see, I'm just curious, who was topping the chart? [00:08:22] Oh yeah. [00:08:24] Stephanie: [00:08:24] I loved the clothes in it. I want it to be like, you know, Natasha and the big fur hat and the fur trimmed stuff. And, Oh, I don't know if her name was Natasha or not, but I remember loving the costumes in that film. [00:08:37] David: [00:08:37] okay. Popular musicians. Number one would be an easy one. I think. The Beatles, of course, the rolling stones, number two, of course, Freddie and the dreamers, the animals love the animals, you know, the kinks. We're popular then I think the kinks of the most underrated [00:09:00] group, their lyrics are spectacular. [00:09:02] They were spectacular musicians. In fact, when I was living in London, my mentor Ned Sherrin had written a script for the kinks that we were going to direct, but never came together anyway. So I think that's a, that's the year event. your recollections. [00:09:21] Stephanie: [00:09:21] Well in 1965, I was 13 years old. I was very curious about making out and I was in love with the Beatles. And I [00:09:32] David: [00:09:32] Paul if I remember. [00:09:34] Stephanie: [00:09:34] well, Paul definitely, but I really, I would have taken any of them if they had shown interest. [00:09:40] David: [00:09:40] Not discriminate. It's okay.

"Barry from Watford" and paranormalist "Clinton Baptiste" are just 2 of Alex's alter egos that you've likely met. But did you know he's written material for just about every comedy performer in the UK? Hear his story, and the worst impressions of Barack Obama and Tom Cruise ever.  Clips performed by: Chris Pavlo, Christopher Kent, Emma Clarke, Lizzie Roper and Beth Chalmers. Alex first worked as an actor as a teenager when he co-starred with Kenneth Branagh in the West End theatre production of Another Country. Since then he has worked continuously in all genres, but is perhaps most well-known as the man behind comedy character Barry From Watford, a regular on Steve Wright's Radio 2 Show, Iain Lee's various radio shows, the Channel 4 TV series Cheap Cheap Cheap with Noel Edmonds, and numerous sell-out live shows and podcasts, the latest of which pairs him with fellow "character" Angelos Epithemiou. He also performs live round the country as the spoof paranormalist from Peter Kay's Phoenix Nights: Clinton Baptiste. As a writer he's written for impressionists Alistair McGowan and Ronni Ancona, for Miranda Hart, Peter Serafinowicz, Watson & Oliver, Ned Sherrin and countless other sketch and comedy shows, as well as creating several pilots for TV and radio shows both as vehicles for himself and for other performers.  Episode show notes and more details:  offcutsdrawer.com/alex-lowe Listen to us on whichever podcast app you prefer:  https://offcutsdrawer.com/insta-links/ or if you don't usually listen to podcasts you can hear all the episodes here: offcutsdrawer.com/episodes/

Karl Minns in conversation - talking about comedy, writing, performing & much much more with David Eastaugh The Nimmo Twins are a sketch comedy duo from Norfolk, UK comprising Owen Evans and Karl Minns. Formed in 1996 in Norwich, they first came to national attention after their show Posh Spice Nude was a sell-out success at the 1997 Edinburgh Festival. Appearances on BBC One's Stand Up Show followed and they became regulars on Radio 4's Loose Ends programme with Ned Sherrin. They returned to Edinburgh in 1998 and 1999, selling out in critically acclaimed shows both years. They toured Britain, played Paris, New York and two sell-out years at the Singapore Comedy Festival.  

Martine McCutcheon, real life east ender, became famous as a TV Eastender in the 90s playing Tiffany, on off love interest for hi-maintenance Grant Mitchell, until she was squished by Frank Butcher outside the Queen Vic on Christmas Eve. She reinvented herself as a pop star - having a Perfect Moment in 1999 with the chart topping song of that name - and then another perfect moment co-starring with Hugh Grant in the Richard Curtis romcom, Love Actually. Off screen life, however, was complicated and after an award winning but stormy run in My Fair Lady in the West End, things went Pete Tong. Illness, bankruptcy, time to regroup - but now, fighting fit, she's back with a new album. When Benjamin Mee's dad died, he persuaded his mum to buy a zoo so that the whole family could live together. Of course it wasn't as easy as that - there were plenty of challenges along the way. But his story was made into a film starring Matt Damon in 2013. With the thank you slot, when we offer you the opportunity to thank someone for a good deed done by left unthanked, we're especially delighted on the rare occasion when a thanker is reunited with a thankee. But, people of Britain, today we reunite two of them live in the studio. Rabia Dignam and Sir Harold Walker, who met in a crowded and extremely tense Baghdad airport during the Iraqi Invasion of 1990. There's not much Gabe Cook doesn't know about cider. He's made cider for big name companies and small breweries. He's done the PR for the UK cider industry. And now he is his own man - a ciderologist and Britain's first 'pommelier'. The adorable and thoroughly cherished Roy Hudd was on Saturday Live a while ago with tales of his six decades in showbiz. He started as a redcoat, has appeared in everything from panto to Broadchurch, presented the News Huddlines here on Radio Four for a quarter of a century, and is today a custodian of anecdotes to the platinum standard of Ned Sherrin. Heritage on legs, people, and we thought we'd be unforgivably remiss if we didn't get him to surrender his Inheritance Tracks. Cally Beaton has done alright. She worked her way up to senior Vice President at the media company Viacom International. Then inexplicably at the age of 45 she decided to get into stand-up comedy. Her show Super Cally Fragile Lipstick will be in Edinburgh from August 5th And as you know we always want to hear from you - the listener. This week's Call Out is asking 'what unusual job do you do and how did you get into it'? In fact do you have such an unusual job most people wouldn't even know it exists? We have heard of people who are professional mourners. One person even told us they had a job as a professional 'cuddler'. We want to hear from you. Get in touch and don't forget to leave a number in case JP Devlin wants to call you back EMAIL: saturdaylive@bbc.co.uk TEXT: 84844 TWEET: #bbcsaturdaylive Presenters: Aasmah Mir & the Rev. Richard Coles Producer: Maire Devine.

In 2013 Toby Hadoke was set a challenge to present a free download and podcast featuring someone involved with every Doctor Who story of the show's first 50 years. Three years later, Toby continues talking to many of the heroes who've made Doctor Who what it is, and here's another today...

Hermione Gingold talks about understudying the role of the narrator (normally played by a male actor, Ned Sherrin) in "Side By Side By Sondheim" on Broadway, and using her married name Fernanada Maschwitz.

Hermione Gingold talks about understudying the role of the narrator (normally played by a male actor, Ned Sherrin) in "Side By Side By Sondheim" on Broadway, and using her married name Fernanada Maschwitz.

NICK REVIEWS the world premiere of Disney's latest - Enchanted while Thos and Tim pay tribute to the late Deborah Kerr and Ned Sherrin, recent losses from the musical theatre world.

Sue Lawley's guest this week is the veteran broadcaster Sir David Frost - the only British television presenter to have interviewed seven American presidents and six British Prime Ministers who has, over the past five decades, become a broadcasting institution. The presenter once known as a scourge of the Establishment has become something of an establishment figure himself, noted for his formidable contacts book, his star-studded parties, and for his gentle but revealing interviewing style. Born in 1939, the youngest son of a Methodist minister and his wife, David was football and cricket-mad from an early age but with a burning ambition to go to Cambridge University. He arrived there in 1958, and threw himself into it, joining Footlights and editing Varsity and Granta. After Cambridge, Ned Sherrin saw him performing a comedy act in a Mayfair bar and hired him up to present the iconic satirical programme That Was The Week That Was. Other successful programmes followed including Frost Over Britain and The Frost Report. Breakfast with Frost ran for twelve years until early 2005. David is not retiring though and is due to present a new interview programme for Al-Jazeera International which will begin next Spring, and will also conduct occasional interviews for the BBC.[Taken from the original programme material for this archive edition of Desert Island Discs]Favourite track: The Dam Busters by Eric Coates Book: London A-Z Luxury: Sunday papers

Sue Lawley's guest this week is the veteran broadcaster Sir David Frost - the only British television presenter to have interviewed seven American presidents and six British Prime Ministers who has, over the past five decades, become a broadcasting institution. The presenter once known as a scourge of the Establishment has become something of an establishment figure himself, noted for his formidable contacts book, his star-studded parties, and for his gentle but revealing interviewing style. Born in 1939, the youngest son of a Methodist minister and his wife, David was football and cricket-mad from an early age but with a burning ambition to go to Cambridge University. He arrived there in 1958, and threw himself into it, joining Footlights and editing Varsity and Granta. After Cambridge, Ned Sherrin saw him performing a comedy act in a Mayfair bar and hired him up to present the iconic satirical programme That Was The Week That Was. Other successful programmes followed including Frost Over Britain and The Frost Report. Breakfast with Frost ran for twelve years until early 2005. David is not retiring though and is due to present a new interview programme for Al-Jazeera International which will begin next Spring, and will also conduct occasional interviews for the BBC. [Taken from the original programme material for this archive edition of Desert Island Discs] Favourite track: The Dam Busters by Eric Coates Book: London A-Z Luxury: Sunday papers

This week's Desert Island Discs castaway is something of a show business all-rounder - the moving spirit behind BBC TV's That Was the Week That Was, director of the musical Side by Side by Sondheim and currently presenter of Radio 4's Loose Ends. He is, of course, Ned Sherrin, and he'll be talking to Sue Lawley about his idyllic childhood as a Somerset farmer's son, and the many different turns his life has subsequently taken.[Taken from the original programme material for this archive edition of Desert Island Discs] Favourite track: As Time Goes By by Elisabeth Welch Book: No Bed For Bacon by Caryl Brahms Luxury: Seed potatoes

This week's Desert Island Discs castaway is something of a show business all-rounder - the moving spirit behind BBC TV's That Was the Week That Was, director of the musical Side by Side by Sondheim and currently presenter of Radio 4's Loose Ends. He is, of course, Ned Sherrin, and he'll be talking to Sue Lawley about his idyllic childhood as a Somerset farmer's son, and the many different turns his life has subsequently taken. [Taken from the original programme material for this archive edition of Desert Island Discs] Favourite track: As Time Goes By by Elisabeth Welch Book: No Bed For Bacon by Caryl Brahms Luxury: Seed potatoes