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Gabriel Mascaro's filmography embraces narrative perspectives that we rarely see on screen. His 2019 film Divine Love is a neon soaked dance experience that amplifies love and unity against a backdrop of bureaucracy, while his 2015 film Neon Bull invites us into a world of rodeos, horse dancing, and flights of fantasy, and in the process, Gabriel invites us to consider the world anew.That approach to narrative storytelling continues with his latest, and in my view best, film, The Blue Trail.On paper, The Blue Trail sounds oppressive, dystopian, and bleak, as it tells the story of a Brazil which seeks to embrace economic recovery by creating a system where senior citizens over 80 are deported to a 'colony'. We're never shown the colony, nor what occurs to the citizens when they reach there, but we don't need to see it either, given the way that elderly citizens are transported in prison like vehicles - a small van with a cage like apparatus on the back - called wrinkle wagons, forcing the elderly into this colony existence.Yet, what Gabriel Mascaro presents is instead a film that is quite beautiful and tender, reminding audiences that while the elderly may be old, it does not mean that they don't have any more life left to live. Our hero of the story is Tereza, conjured into superb existence with one of the best performances of the year by Denise Weinberg, a 77 year old woman who finds herself scooped up in the unexpected age reduction of the colony residents which now includes her age group. Instead of embracing her fate, Tereza defiantly says that she has a life left to live, and embarks on ticking off some of the things she has never achieved, one such activity being that of flying.So, thwarting authorities and making friends with the underworld, Tereza sets off on the Amazon, heading down river to find a place that will help her achieve her goal of flying, and maybe a little bit more along the way.The Blue Trail is a lovely ode to living a full life in your older years. Gabriel Mascaro's direction is a supportive and nurturing one, easing the viewer out of any form of tension and inviting an embrace of comfort and tenderness instead. That direction is wonderfully supported by the stunning cinematography from Guillermo Garza whose lens captures the nature of the Amazon with care, and brings a life to the almost desolate riverside shacks that Tereza makes her way in and out of. Paired with this is the soaring score from Memo Guerra, a composition that pulses with techno like sensibility paired with an almost orchestral vibe at times. It's unique, yet wholly appropriate to the film itself.The Blue Trail stands apart from similar films which might have embraced the tone of a thriller or increased the tension by putting Tereza into precarious situations that she can't get herself out of. It's then a relief to experience The Blue Trail and see that Tereza is a fully rounded person, she might be older than her counterparts on screen, but she's competent and knows how to handle herself. Gabriel clearly cares for her, and in the process of that, he knows that by showing her support and tenderness, he's also inviting audiences to reconsider our relationships with elderly folks.That's one of the discussion points, amongst many, that Gabriel talks on in the following interview, recorded ahead of The Blue Trail's screenings at Perth Festival. Sign up for the latest interviews, reviews, and more via https://www.thecurb.com.au/subscribe/ Hosted on Acast. See acast.com/privacy for more information.

Gabriel Mascaro's filmography embraces narrative perspectives that we rarely see on screen. His 2019 film Divine Love is a neon soaked dance experience that amplifies love and unity against a backdrop of bureaucracy, while his 2015 film Neon Bull invites us into a world of rodeos, horse dancing, and flights of fantasy, and in the process, Gabriel invites us to consider the world anew.That approach to narrative storytelling continues with his latest, and in my view best, film, The Blue Trail.On paper, The Blue Trail sounds oppressive, dystopian, and bleak, as it tells the story of a Brazil which seeks to embrace economic recovery by creating a system where senior citizens over 80 are deported to a 'colony'. We're never shown the colony, nor what occurs to the citizens when they reach there, but we don't need to see it either, given the way that elderly citizens are transported in prison like vehicles - a small van with a cage like apparatus on the back - called wrinkle wagons, forcing the elderly into this colony existence.Yet, what Gabriel Mascaro presents is instead a film that is quite beautiful and tender, reminding audiences that while the elderly may be old, it does not mean that they don't have any more life left to live. Our hero of the story is Tereza, conjured into superb existence with one of the best performances of the year by Denise Weinberg, a 77 year old woman who finds herself scooped up in the unexpected age reduction of the colony residents which now includes her age group. Instead of embracing her fate, Tereza defiantly says that she has a life left to live, and embarks on ticking off some of the things she has never achieved, one such activity being that of flying.So, thwarting authorities and making friends with the underworld, Tereza sets off on the Amazon, heading down river to find a place that will help her achieve her goal of flying, and maybe a little bit more along the way.The Blue Trail is a lovely ode to living a full life in your older years. Gabriel Mascaro's direction is a supportive and nurturing one, easing the viewer out of any form of tension and inviting an embrace of comfort and tenderness instead. That direction is wonderfully supported by the stunning cinematography from Guillermo Garza whose lens captures the nature of the Amazon with care, and brings a life to the almost desolate riverside shacks that Tereza makes her way in and out of. Paired with this is the soaring score from Memo Guerra, a composition that pulses with techno like sensibility paired with an almost orchestral vibe at times. It's unique, yet wholly appropriate to the film itself.The Blue Trail stands apart from similar films which might have embraced the tone of a thriller or increased the tension by putting Tereza into precarious situations that she can't get herself out of. It's then a relief to experience The Blue Trail and see that Tereza is a fully rounded person, she might be older than her counterparts on screen, but she's competent and knows how to handle herself. Gabriel clearly cares for her, and in the process of that, he knows that by showing her support and tenderness, he's also inviting audiences to reconsider our relationships with elderly folks.That's one of the discussion points, amongst many, that Gabriel talks on in the following interview, recorded ahead of The Blue Trail's screenings at Perth Festival. Sign up for the latest interviews, reviews, and more via https://www.thecurb.com.au/subscribe/ Hosted on Acast. See acast.com/privacy for more information.

This week, I was thrilled to welcome a longtime Twitter mutual who's a huge cinephile with outstanding taste, a veritable encyclopedia of Film Noir, & an author as well. Christa Faust writes crime novels, comics, & tie-ins. She worked in the Times Square peep booths, as a professional dominatrix, & in the adult film industry, both behind & in front of the cameras. Her forthcoming Hard Case Crime novel THE GET OFF, the final book in the Angel Dare trilogy, is set in the world of rodeo & will be out in February of 2025.From the 2 years she spent following rodeos around the United States for her upcoming novel to her love of John Huston's THE MISFITS & movies about the sport in general, in this richly fascinating conversation, Christa gives us an insider's view of what it's like to train, live, & work in rodeo. Filled with interesting asides about topics deeply entrenched within it, including traumatic brain injuries, the vital role of women within the rodeo community, & metaphors involving the death of rugged individualism & working in Hollywood, I learned so much from this conversation & I know you will too. Spending a bulk of our time on THE MISFITS, we also touch on THE LUSTY MEN (which listeners will remember was covered in our S4 Robert Mitchum episode too), plus the contemporary films NEON BULL, BULL, & THE RIDER.Originally Posted on Patreon (8/7/24) here: https://www.patreon.com/posts/109652602Theme Music: Solo Acoustic Guitar by Jason Shaw, Free Music ArchiveShop Watch With Jen logo Merchandise in Logo Designer Kate Gabrielle's Threadless ShopDonate to the Pod via Ko-fi

Filmmaker and Celebrity Spotlight Radio Antonio Saillant has a onversation with Director Carolina Markowicz for the film, CHARCOAL. CHARCOAL (WRITTEN & DIRECTED BY: CAROLINA MARKOWICZ) (TIFF 2022--PLATFORM SECTION--WORLD PREMIERE) For More Information about the film: ➤ https://tiff.net/events/charcoal STARRING: Starring Maeve Jinkings (Aquarius, Neon Bull), and Argentine actor César Bordon (Wild Tales, The Headless Woman), Camila Márdila (The Second Mother). Brazil, 2022. In a remote area in São Paulo's countryside, a rural family who lives beside a charcoal factory accepts a proposal to host a mysterious foreigner. The home soon becomes a hideout as the so-called guest happens to be a highly wanted drug lord. The mother, her husband and child will have to learn how to share the same roof with this stranger, while keeping up appearances of an unchanged peasant routine. Carolina Markowicz is a screenwriter and director based in São Paulo, Brazil. Her short films have won many international awards and have played in more than 200 festivals worldwide including TIFF, SXSW and Cannes' Directors' Fortnight (Queer Palm winner with The Orphan). WORLD PREMIERE Sunday, September 11 at 9:45PM Location: TIFF Bell Lightbox Cinema 2 Tuesday, September 13 at 6:45PM Location: Scotiabank 9 Saturday, September 17 at 6:45PM Location: Scotiabank 9 Subscribe ➤ @Celebrity Spotlight Radio https://www.youtube.com/channel/UCQJWuqwIeQrBpGS2Bx8F7TQ Follow Us ➤ Facebook: https://www.facebook.com/celebrityspotlightradio Twitter: https://twitter.com/CSpotlightRadio Instagram: https://www.instagram.com/celebrityspotlightradio/ TikTok: https://www.tiktok.com/@celebrityspotlightradio Celebrity Spotlight Radio Podcast ➤ https://anchor.fm/celebrity-spotlight-radio Subscribe To Our New YouTube Channel➤ TodayW Radio https://www.youtube.com/channel/UCSgpE-4HxL4YVq_Gw-jUMRA Fair Use Disclaimer: I do not own any pictures/videos contained within this video. "Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use." --- Support this podcast: https://anchor.fm/celebrity-spotlight-radio/support

Mike talks about his patent and how shipping overseas is a scam. Instagram has changed their algorithm! Mariah Carey is being sued. Disney employee ruins a marriage proposal and we discuss why private chefs deserve more money. Consider leaving us a 5 star review on Apple Podcasts or Spotify! Follow us on social! https://www.instagram.com/nonmembersonly/ https://www.tiktok.com/@nonmembersonly https://twitter.com/NonMembersOnly https://www.tiktok.com/@scraptownusa Erin Azar : https://www.tiktok.com/@mrs.space.cadet Intro song: https://soundcloud.com/pdwubs Erin Azar Podcast, mrsspacecadet podcast

Dat we de hele dag thuis zitten, betekent nog niet dat we maandenlang in dezelfde joggingbroek hoeven te wonen. In onze vierde thuisblijf-podcast draait alles om style de malade - zieke stijl. Jesse tipt het Braziliaanse Neon Bull, waarin een stierenverzorger droomt van een leven als bikini-ontwerper. Erik duikt in de waanzin van Deerskin, een komedie over een man die geobsedeerd raakt door zijn jasje, en Fien trakteert haar ogen op de profetische pasteltinten van Her. Uiteraard hebben we het ook over de ziekste outfits waarmee we zelf de blits maken. In onze thuisblijf-edities slepen we je door de quarantaine met kijktips en updates over de filmwereld in lockdown. Je kunt Neon Bull, Deerskin en Her nu kijken op ons spikspliternieuwe streamingplatform Vitamine Cineville.Deze films kwamen langs:Inception (2010) - Christopher Nolan Neon Bull (2015) - Gabriel Mascaro Divino Amor (2019) - Gabriel Mascaro Deerskin (2019) - Quentin Dupieux Rubber (2010) - Quentin Dupieux Portrait de la jeune fille en feu (2019) - Céline Sciamma The Artist (2011) - Michel Hazanavicius No Time To Die (2020) - Cary Joji Fukunaga The French Dispatch (2020) - Wes Anderson F9 (2021) - Justin Lin Ocean’s 8 (2018) - Gary Ross Carol (2015) - Todd Haynes Star Wars: Episode I - The Phantom Menace (1999) - George Lucas Fight Club (1999) - David Fincher Magnolia (1999) - Paul Thomas Anderson The Matrix (1999) - Lana Wachowski, Lilly Wachowski The Virgin Suicides (1999) - Sofia CoppolaIndependence Day (1996) - Roland Emmerich Her (2014) - Spike Jonze Mamma Mia! (2008) - Phyllida Lloyd Mamma Mia! Here We Go Again (2018) - Ol ParkerEn dit kwam ook nog langs:Neutrale Kijkers Podcast Flat Beat - Mr. Oizo Ex On The Beach - MTV American Cinemateque La petite histoire de Gwen la bretonne (2008) - Agnès Varda See acast.com/privacy for privacy and opt-out information.

Je kunt de lockdown aangrijpen om de spagaat te leren, maar je kunt ook gewoon lekker veel films kijken. In de thuisblijf-edities van De Cineville Podcast, vanaf nu elke week, tippen we je de beste films op ons spikspliternieuwe online initiatief Vitamine Cineville en houden we de vinger aan de pols van de filmwereld in lockdown. Deze keer tipt Lauren het wonderlijke filmexperiment Bait, laat Erik zich betoveren door de oude goochelaar van L'Illusionniste en is Maan gegrepen door de verboden liefde van And then We Danced. Ook tippen we wat je buiten Vitamine Cineville nog meer online kunt bekijken en herkennen we ons in New Yorkse hagedissen.Deze films kwamen langs:Neon Bull (2015) - Gabriel Mascaro I Am Not Your Negro (2016) - Raoul Peck Cold Case Hammarskjöld (2019) - Mads Brügger Bait (2019) - Mark Jenkin Ferris Bueller’s Day Off (1986) - John Hughes Climax (2018) - Gaspar Noé Persona (1966) - Ingmar Bergman The Illusionist (2010) - Sylvain Chomet Playtime (1967) - Jacques Tati Mon Oncle (1957) - Jacques Tati Splash (1984) - Ron Howard Burning (2018) - Lee Chang-dong Ascenseur pour l'échafaud (1958) - Louis Malle Bloodsport (1988) - Newt Arnold Atlantique (2019) - Mati Diop The Science of Sleep (2006) - Michel Gondry And Then We Danced (2019) - Levan Akin Der goldene Handschuh (2019) - Fatih Akin About Endlessness (2019) - Roy Andersson Midnight Frontier (2019) - Peter van Langen, Iris-sanne van der Aar En hier hadden we het ook over:Disney’s Splash cover-up Miles Davis - Générique byNWR - Nicolas Winding Refn Uhnnn - Trixe & Katya op WOW! Presents When We Get Home (2019) - Solange Knowles 2 Lizards (2020) - Meriem Bennani, Orian Barki See acast.com/privacy for privacy and opt-out information.

I denne episoden av Filmfrelst presenterer vi en samtale mellom Montages-redaktør Karsten Meinich og den brasilianske regissøren Gabriel Mascaro, som er kinoaktuell i Norge med sin nye film «Guddommelig kjærlighet». Mascaros forrige film, «Neon Bull» (2016), ble også vist på kino her til lands, og regissøren har ved flere anledninger besøkt norske filmfestivaler for å møte publikum og diskutere sitt arbeid.

Eduardo has a Master's Degree in Editing from the National Film School in England. His first feature film, Eles Voltam known as They Will Return for Marcelo Lordello premiered at the Rotterdam Film Festival. For Gabriel Mascaro, Eduardo edited Housemaids and August Winds, and the more recently Neon Bull with Fernando Epstein. He also worked at the documentaries The Perfect Belgian and Elephant's Dream for Kristof Bilsen. Eduardo followed this up with the acclaimed Aquarius for Kleber Mendona Filho, that premiered in Cannes and the acclaimed Portuguese docu-drama Djon Africa with debuted at International Film Festival Rotterdam about a young man's journey to Cape Verde to track down the father he has never met.

Existentialism and Pizza, Dude This week we're covering films that, in one way or another, deliver on what their titles promise.  "A Fistful of Dollars" really was made for about as much money as its name suggests, while "Neon Bull" really does feature a neon bull, and "The Passenger" really is an adaptation of the classic Iggy Pop song. OK, we may have made that last one up, but after Sergio Leone's classic Western our Off the Shelf section goes seriously arthouse. Rob investigates Indicator's blu-ray of Michelangelo Antonioni's enigmatic masterpiece "The Passenger" (starring Jack Nicholson), and Graham saddles up for a rodeo as Second Run release "Neon Bull" for the first time ever in the UK.  We're taking a week's break after this, and when we come back? Get ready, because it's war! If you like our unique brand of film criticism and commentary and want to show your appreciation then please follow us on social media or head over to https://www.patreon.com/thegeekshow and give whatever you can. Alternatively, we have a shop up and running so head over http://thegeekshow.co.uk/thegeekshop and partake in some of our lovely wares.  Thanks and Peace Out. #Western #SpaghettiWestern #SergioLeone #ClintEastwood #Eclectica #Reviews #Movies #MovieReviews #Podcast #CinemaEclectica #SecondRun #Indicator #Italy #Spain #ThePassenger #NeonBull #Brazil #ArtHouse #TheGeekShow #AFistfulOfDollars #MichelangeloAntonioni #JackNicholson #Films

Dave and Alonso spend the first episode of 2017 catching up on the end of 2016. Learn why Reese Witherspoon is a pig (animated) and why Mark Wahlberg/Peter Berg movies are kinda like STONEWALL. Follow us @linoleumcast on Twitter, Instagram and Facebook, subscribe (and review us) on iTunes, panda panda panda. Join our club, won't you? Dave's DVD/streaming picks of the week: THE NEON BULL and FOR THE PLASMA Alonso's DVD pick of the week: VANYA ON 42ND STREET

"Allierte" er et lekkert krigsdrama som mangler ekte følelser. "Gilmore Girls: A Year in the Life" er et hyggelig comeback, men har en del rust i maskineriet. "Neon Bull" er en het, dirrende og stemningsfull film om moderne cowboyer i Brasil. "Bad Santa 2" er en smakløs julegrøt klint sammen av restene fra originalfilmen. I denne podcasten får du også høre den brasilianske regissøren Gabriel Mascaro fortelle hvordan han skapte bånd mellom mennesker og dyr i "Neon Bull", og vi bringer deg nyheter fra film, spill og serieverden!

Eduardo has a Master's Degree in Editing from the National Film School in England. His first feature film, Eles Voltam known as They Will Return for Marcelo Lordello premiered at the Rotterdam Film Festival. For Gabriel Mascaro, Eduardo edited Housemaids and August Winds, and the more recently Neon Bull with Fernando Epstein. He also worked at the documentaries The Perfect Belgian and Elephant's Dream for Kristof Bilsen. Eduardo followed this up with the acclaimed Aquarius for Kleber Mendona Filho, that premiered in Cannes.

Neon Bull, I Daniel Blake and Ruin are discussed. With Thomas Caldwell, Cerise Howard, Alexandra Heller-Nicholas and Emma Westwood.

Mark, Aaron and Eric Ford begin a month of horror with the micro-budget cult classic, Carnival of Souls. We talk about what makes this such an enduring classic that has held up over time, the bizarre story about how it was made, its influences and what it has influenced, and what type of artistic aims the filmmakers tried to reach. About the film: A young woman in a small Kansas town survives a drag race accident, then agrees to take a job as a church organist in Salt Lake City. En route, she is haunted by a bizarre apparition that compels her toward an abandoned lakeside pavilion. Made by industrial filmmakers on a small budget, the eerily effective B-movie classic Carnival of Souls was intended to have “the look of a Bergman and the feel of a Cocteau”—and, with its strikingly used locations and spooky organ score, it succeeds. Herk Harvey's macabre masterpiece gained a cult following on late-night television and continues to inspire filmmakers today. Buy The Films On Amazon: Episode Links & Notes Special Guest: Eric Ford from The Burlington Film Society and the Vermont International Film Festival. 1:10 – Welcome Eric Ford from Burlington Film Society, Vermont International Film Festival. 4:10 – Vermont International Film Festival 11:20 – Short Takes (Angst, The Neon Demon, Son of Saul, The Brood, Neon Bull, Anomalisa) 31:45 – Carnival of Souls VTIFF – A-Z Aaron's Eternal Sunshine of the Spotless Mind review Wrong Reel 181: TIFF Dana Gould as Dr. Zaius/Mark Twain Rifftrax – Carnival of Souls Criterion – Carnival of Souls IMDB – Carnival of Souls Episode Credits Mark Hurne: Twitter | Letterboxd Aaron West: Twitter | Blog | Letterboxd Criterion Close-Up: Facebook | Twitter | Email Music from Ben Model: Website | Facebook | Twitter | Instagram Next time on the podcast: The Vanishing

Episode 7 of One Week Only! This week we're highlighting the film "Louder Than Bombs" starring Jesse Eisenberg, Gabriel Bryne and Isabelle Huppert, and directed by Joachim Trier, who's last film was the stunning "Oslo, August 31st" (2011). This episode features clips from Carlos's interview with Trier, discussing his approach to storytelling and themes and making the jump to English-language films. We also discuss the films "Neon Bull" from Brazil, and "Sweet Bean" from Japan, both distributed by Kino Lorber, and the thriller "The Invitation" from Karyn Kusama (Girlfight), distributed by Drafthouse Films. Carlos is calling in from the Minneapolis/St. Paul International Film Festival in Minnesota, going on April 7th - 23rd! Hosted by Carlos Aguilar & Conor Holt. Music by Kevin MacLeod of www.incompetech.com

This week's episode brings two highlights from this year's New Directors/New Films festival, which is co-presented by the Film Society of Lincoln Center and the Museum of Modern Art. Gabriel Mascaro discusses his stunning new film, NEON BULL, and Chinese director Bi Gan talks about his audacious debut film, KAILI BLUES. This podcast is brought to you by the Film Society of Lincoln Center. Film Lives Here. www.filmlinc.org Photo by Gabriel Honzik.

Wir suchen mit THE LOBSTER unser Lieblingstier und finden es später in unserer Diskussion zu dem Film MUSTANG. Außerdem gibt es in unserer letzten Folge zum Filmfest Hamburg unsere TOP 5 der Filme, die wir dieses Jahr auf dem Filmfest sehen durften. Zusätzlich besprechen wir noch die Filme DER CLAN, THE WOLVES und NEON BULL. Timecodes: 02:21 The Lobster / 23:17 SPOILER: The Lobster / 35:39 Fazit: The Lobster / 40:09 Der Clan / 52:16 The Wolves / 55:32 Neon Bull / 01:07:03 Mustang / 01:25:40 SPOILER: Mustang / 01:28:27 Top 5 Filmfest Hamburg (Ausschnitte aus den Filmen unterliegen dem Copyright des entsprechenden Filmverleihs und werden aus rein journalistischer Intention unkommerziell genutzt.)

Brasil, Cowboys and fashion: Neon Bull, by Gabriel Mascaro. The post Gabriel Mascaro – Neon Bull #Venezia72 appeared first on Fred Film Radio.

Brasil, Cowboys and fashion: Neon Bull, by Gabriel Mascaro. The post Gabriel Mascaro – Neon Bull #Venezia72 appeared first on Fred Film Radio.

Brasil, Cowboys and fashion: Neon Bull, by Gabriel Mascaro. The post Gabriel Mascaro – Neon Bull #Venezia72 appeared first on Fred Film Radio.

Brasil, Cowboys and fashion: Neon Bull, by Gabriel Mascaro. The post Gabriel Mascaro – Neon Bull #Venezia72 appeared first on Fred Film Radio.

Brasil, Cowboys and fashion: Neon Bull, by Gabriel Mascaro. The post Gabriel Mascaro – Neon Bull #Venezia72 appeared first on Fred Film Radio.

Brasil, Cowboys and fashion: Neon Bull, by Gabriel Mascaro. The post Gabriel Mascaro – Neon Bull #Venezia72 appeared first on Fred Film Radio.