Podcast appearances and mentions of Reese Witherspoon

This week on Two Parents & A Podcast, happy Friday!!! Ginny bears is in the office (should this be a new Friday ritual?!). We're kicking things off with a car debate (low-key our bicker of the week every week LOL): do we need a "non-car seat" car?! Alex is dreaming of a 4-door Jeep Wrangler for just the parents, Harrison is pitching a golf cart (Jules's face said everything), and somehow by the end of the convo we are still a one-car family until further notice. Then Harrison drops TWO bombs from his NFL schedule snooping: the 2027 Super Bowl is on Valentine's Day?! (You're welcome for the 6 months notice — Valentine's Day is now Saturday, Super Bowl Sunday!) AND… he signed up for a marathon that same day?! (Commitment level: 50% lol.) Then we get into the main topic of the week: decision fatigue. Did you know the average person makes 1,000+ decisions a day, and parents blow through the majority of those before 9 AM?! We get into the choice-free hacks we swear by (Alex's identical lunches, Jules's 10 identical tank tops, Harrison's default phone call person… we all have our systems). Plus some fun stuff: DoorDash is building its OWN delivery drones, WHAT I'M READING: The Calamity Club (ok I guess “listening to”…), HBO Max is launching shorts (RIP our attention spans), why actors change their names (Reese Witherspoon is LAURA JEAN?!), and the Adam Sandler deep dive: is he the nicest guy in Hollywood?! (The Katie Holmes theory got us..) Then even more “meat & bones” as we call it: “adult" vs. "adult+" (pool permits and fence heights have officially promoted us), is it OK to have completely different interests than your partner (a 21-year marriage take we loved), the power of being a "low maintenance friend" (Alex's text to her best friend this week is the blueprint!!), and a screen-free way for kids to talk to their grandparents that we're obsessed with. Hope everyone has a great weekend :-) LOVE YOU GUYS! Timestamps: 00:00:00 Welcome back to Two Parents & A Podcast! 00:03:11 Do we need a “non-car seat” car?! 00:10:49 The 2027 Super Bowl is on VALENTINE'S DAY?!  00:16:26 Harrison signed up for a MARATHON?!  00:20:07 DoorDash is making its own delivery DRONES?! 00:26:52 WHAT I'M READING: The Calamity Club 00:28:58 DECISION FATIGUE: How we try to better manage all the decisions we need to make as parents  00:37:09 HBO Max is launching… SHORTS?! (RIP our attention spans) 00:40:58 Why actors change their names (Reese Witherspoon is LAURA JEAN?!) 00:45:24 Is Adam Sandler the nicest guy in Hollywood?!  00:50:33 Adult vs. "Adult+" 00:56:50 Is it OK to have completely different interests than your partner?!  01:00:53 The power of being a "low maintenance friend" 01:04:36 A screen-free way for kids to talk to their grandparents!! 01:06:06 Hope everyone has a great weekend :-) 01:07:27 LOVE YOU GUYS! #twoparentsandapod -------------------------------------------------------------- Thank you to our sponsors this week: *IM8: Go to https://www.IM8HEALTH.com/twoparents and use code twoparents for a Free Welcome Kit, five free travel sachets, plus ten percent off your order. *Morgan & Morgan: If you're ever injured in an accident, you can check out Morgan & Morgan. You can start your claim in just a click without having to leave your couch: https://www.forthepeople.com/twoparents -------------------------------------------------------------- Listen to the pod on YouTube/Spotify/Apple: https://www.youtube.com/@twoparentsandapod https://open.spotify.com/show/7BxuZnHmNzOX9MdnzyU4bD?si=5e715ebaf9014fac https://podcasts.apple.com/us/podcast/two-parents-a-podcast/id1737442386 -------------------------------------------------------------- Follow Two Parents & A Podcast: Instagram | https://www.instagram.com/twoparentsandapod TikTok | https://www.tiktok.com/@twoparentsandapod Follow Alex Bennett: Instagram | https://www.instagram.com/justalexbennett TikTok | https://www.tiktok.com/@justalexbennett Follow Harrison Fugman: Instagram | https://www.instagram.com/harrisonfugman TikTok | https://www.tiktok.com/@harrisonfugman -------------------------------------------------------------- Powered by: Just Media House – https://www.justmediahouse.com/ Learn more about your ad choices. Visit megaphone.fm/adchoices

Watch as a full video interview on YouTubeCamilla Bolton is a literary agent at Darley Anderson, having joined the Agency in 2007 and was named as a publishing Rising Star by The Bookseller in 2013 and shortlisted for Literary Agent of the Year in 2022. She has built the fastest growing new commercial brands in the thriller market with five of her authors having sold over a million copies in the UK alone. Her list includes many Sunday Times, New York Times and No.1 ebook global bestsellers. Her authors have been picked for Reese Witherspoon's Hello Sunshine Book Club, BBC 2 Between the Covers Book Club and she's had five Richard & Judy Book Club Picks. Multiple of her books have been adapted for the screen and shown on BBC 1, Channel 5 and Netflix.We loved having the chance to speak with Camilla about her career as an agent, hearing about how she deals with so many queries (over 200 a week), what matters and doesn't matter to her in a query package, and whether authors should write to market when trying to find an agent.Links:Query Camilla nowFollow Camilla on InstagramSupport us on Patreon and get the podcast early and ad-free, along with other great benefits, including a bonus episodes: https://www.patreon.com/ukpageonePage One - The Writer's Podcast is brought to you by Write Gear, creators of Page One - the Writer's Notebook. Learn more and order yours now: https://www.writegear.co.uk/page-oneFollow us on FacebookFollow us on InstagramFollow us on BlueskyFollow us on ThreadsPage One - The Writer's Podcast is part of STET Podcasts - the one stop shop for all your writing and publishing podcast needs! Follow STET Podcasts on Instagram and Bluesky Hosted on Acast. See acast.com/privacy for more information.

What does it take to be a successful entrepreneur in today's uncertain world? How do you balance risk, decision-making, and curiosity? We're sharing an episode from The Founder Mindset with Reza Satchu, the new podcast from Harvard Business School Foundry about what it truly takes to be a founder now. Hosted by Harvard Business School senior lecturer Reza Satchu, the show features intimate conversations with some of the world's most successful entrepreneurs, including Reese Witherspoon, Kevin O'Leary, Galen Weston, and more. Satchu himself has built multiple high-profile companies and mentored thousands of students and founders as they start and scale ventures, and he pushes his guests to break down exactly how they commit, decide, and build for impact. In this episode, Tim Ferriss—entrepreneur, investor, bestselling author of The 4-Hour Workweek, and host of one of the world's most influential podcasts—reflects on experimentation, calibrated risk-taking, decision-making under uncertainty, and why curiosity and learning have shaped nearly every chapter of his career. Listen to more episodes of The Founder Mindset with Reza Satchu, follow the podcast here: https://play.megaphone.fm/zbmkcqmbqhymul1logpega

Elle Woods is back! And this time, we're heading to high school....in Seattle?? Jillian breaks down Season 1 of Prime Video's Legally Blonde prequel series, Elle, following a 16-year-old Elle as an unexpected family move sends her from Los Angeles to Seattle, where she faces new friendships, family drama, and plenty of people who underestimate her.Jillian shares why she was initially skeptical of the series, how Lexi Minetree captures the spirit of Reese Witherspoon's iconic character, and why the show's focus on Elle finding her confidence and staying unapologetically herself makes this prequel work. Plus, she counts down the Top 5 “What, Like It's Hard?” moments including surviving the world's most humiliating “pool party” to exposing corruption at her school and making a life-changing decision in the finale. And, of course, we need to discuss that winter informal kiss, the love triangle cliffhanger, and everything Season 2 needs to answer.00:00 Intro to pod00:15 Prequel to Legally Blonde05:08 Lexi Minetree as Elle Woods06:05 YA show07:44 Mother - Daughter08:53 Season 1 recap12:55 Top 5 "What? Like it's hard?"13:23 Pool party17:15 Funeral20:23 Homecoming25:47 Elle exposes corruption28:17 Internship34:45 Seattle changed Elle36:19 Season 2Thank you to Matt Buechele (@mattbooshell) for creating our new theme song. You can listen to "Sunscreen" on Spotify: https://open.spotify.com/artist/1gFHHF3QyQxjbbKXV3qLu9Buy our merch: ⁠https://www.etsy.com/shop/PreviouslyOnTeenTV⁠Follow Previously On Teen TV on Instagram: ⁠⁠https://www.instagram.com/previouslyon_teentv/Follow Previously On Teen TV on TikTok: ⁠⁠https://www.tiktok.com/@previouslyon_teentv⁠⁠Subscribe to our YouTube: ⁠⁠https://www.youtube.com/channel/UCe2lgvvZGKMrQ8v24FmDdWQ?sub_confirmation=1⁠

Our exit today has us singin' songs about the Southland. This week, we are talking about Sweet Home Alabama, written by C. Jay Cox and directed by Andy Tennant. Along the way, we talk a lot about Southern movies and culture, along with small-town films, the rising star power of Reese Witherspoon, snobby New York mayors, love triangles, Jewel covers, Wet Hot American Summer, and of course, female directors at the Cannes Film Festival.Theme music by Jonworthymusic.Powered by RiversideFM.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠CFF Films⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ with Ross and friends.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Movies We've Covered on the Show⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ on Letterboxd.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Movies Recommended on the Show⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ on Letterboxd.

Nous parlerons et chanterons à vos oreilles… avec des fleurs cette semaine dans notre émission ! Grâce à nos deux invités Emmy Gues et Bertrand Lacy qui nous racontent avec humour et émotion l'amour dans tous ses états… mais avec des fleurs dans le spectacle musical Pivoine Le duo vous convie en effet à une conférence amoureuse pleine de tendresse et de poésie sur la vie intime des végétaux et de la nature, mais pas seulement : accompagnée par son inénarrable Professeur à la guitare, la conférencière Pivoine se raconte en filigrane, comme ils vous le prouveront en live acoustique dans l'émission, histoire que, telle cette jolie fleur éphémère, vous rougissiez de plaisir… Et la nature aura également touta se place dans la Videokitsch de la semaine : une reprise de « Shate it off » de Taylor Swift une cochonne nommée Rosita ! Il s'agit de l'un des personnages du film français d'animation « Tous en scène », d'après la comédie musicale de Stanley Donen, avec une certaine Reese Witherspoon qui prête sa voix au mammifère rose… C'est toute cette semaine dans Kitsch et Net !

A theory about why Meghan, Duchess of Harry, went on Masterchef Australia last night. The well-worn strategy behind Pauline Hanson’s family violence comments. The Out Loud hosts have handpicked their all-time favourite reads and one subscriber is winning the entire 12-book stack. Subscribe to Mamamia to be automatically entered to win. Current subscriber? You're already in the draw. T&Cs apply. Why Nicole Kidman and Reese Witherspoon’s new boyfriends are right on trend. And when Chelsea Handler gave her whole family a very public performance review, did she hand us a faultless guest etiquette guide? Get access to Very Peri, Mamamia's exclusive perimenopause series, for just $59. 25 world-leading experts, over 20 on-demand sessions, available now. We’ve sorted through the noise so you don't have to. Go to veryperi.com.au and join me today. You hot? Same. Buy today and save 40% What To Listen To Next: Listen to our latest episode: The Podcast Seat We’re All Fighting For Listen: Do You Have A Hassler Friend? (You Do.) Listen: Barnaby’s 'Imaginary' Dog & You Can't Get Into This Club Listen: The Cool Girls Are Wearing 'Fecal Matter' Listen: Posh Wasn't At Sporty's Wedding & Non-Parents Need Holidays Too Listen: You’re ‘Too Old’ For A Present & We Got A Cheerleader In Trouble Listen: Mia: "I Was 17, He Was 33." Connect your subscription to Apple Podcasts Check out the Mamamia Out Loud newsletter. Discover more Mamamia Podcasts here including the very latest episode of Parenting Out Loud, the parenting podcast for people who don't listen to... parenting podcasts. SUBSCRIBE here: Support independent women's media You can now watch our show in full length video on the Apple Podcast app - make sure your phone is up to date and we can't wait for you to see Mamamia Out Loud on Apple What to read: The world is convinced Meghan Markle is feuding with an Aussie celebrity and it's exhausting. Meghan Markle has only just arrived in Australia, but the most damning story about her has already been written. 'My mum did exactly what Pauline Hanson suggested. She died trying.' Pauline Hanson just referred to domestic violence as a "two-way street". We need to talk about it. THE END BITS: Check out our merch at MamamiaOutLoud.com GET IN TOUCH: Feedback? We’re listening. Send us an email at outloud@mamamia.com.au Share your story, feedback, or dilemma! Send us a voice message. Join our Facebook group Mamamia Outlouders to talk about the show. Follow us on Instagram @mamamiaoutloud and on Tiktok @mamamiaoutloud Mamamia acknowledges the Traditional Owners of the Land on which we have recorded this podcast.Become a Mamamia subscriber: https://www.mamamia.com.au/subscribeSee omnystudio.com/listener for privacy information.

Diane and Sean discuss the best 90's rom-com...of 2001, Legally Blonde. Episode music is, "Perfect Day", written by Tim James and Antonina Armato, peformed by Hoku, from the OST.-  Our theme song is by Brushy One String-  Artwork by Marlaine LePage-  Why Do We Own This DVD?  Merch available at Teepublic-  Follow the show on social media:-  BlueSky: WhyDoWeOwnThisDVD-  IG: @whydoweownthisdvd- Tumblr: WhyDoWeOwnThisDVD-  Follow Sean's Plants on IG: @lookitmahplants- Watch Sean be bad at video games on TwitchSupport the show

Her book, set on a remote Antarctic Island, was inspired in large part by Charlotte's visit to Macqaurie Island, which has its own story to tell. 

Little House on the Prairie (Netflix, 8 episodes)The series follows the Ingalls family as they establish their “new forever” home outside the small but quickly developing town of Independence. The foursome, along with their dog Jack, faces the often harsh conditions of 1800s prairie life, including fever, wolves, and fire — obstacles that longtime fans will recognise from the original novels or the original TV series.As the Ingalls attempt to make a life on land they were told was “free,” they encounter Osage native Americans who have long called the prairie home.Little House on the Prairie is the Show of the Week for Andrew and James. The Bear (S5 Disney+, 8 episodes)The morning after Carmy tells his restaurant colleagues Sydney, Richie and Natalie about his retirement from the food industry, a major storm hits Chicago. Most of the final series takes place over one day. The Bear staff attempt to prepare for that evening’s customers despite challenges caused by poor cash flow and faulty plumbing.The series wraps with a surprising love affair (there was not a lot of relationship exploration outside the workplace in The Bear), a changing financial situation, an unexpected restaurant rating, a new business opportunity which has been hinted at in the series for some time, and a plot twist for Carmy. Elle (Prime Video, 8 episodes)A prequel to the Legally Blonde movie franchise. The series takes place six years before the events of the film and it explores the high school years of teenage Elle Woods (originally portrayed by Reese Witherspoon), played here by newcomer Lexi Minetree. Prime Video has already renewed the series for a second season. Five Star Weekend (Binge/Foxtel, 8 episodes)A food blogger, Hollis (Jennifer Garner) tries to rebuild her life after the loss of her husband Matthew (Josh Hamilton). Part of her therapy is organising a five-star weekend getaway at her house on Nantucket with four friends from different stages in her life:Her childhood friend, Tatum – who is waiting on the results of a test for cancer (Chloë Sevigny), her college friend, Dru-Ann – who’s just been cancelled after online comments went viral (Regina Hall), her motherhood friend, Brooke – who suffers from low self-esteem, and is trapped in a stifling marriage with a husband who belittles and isolates her (D’Arcy Carden), as well as a new friend, Gigi (Gemma Chan) – a pilot for Delta, who she recently met online.See omnystudio.com/listener for privacy information.

This week on The Who What Wear Podcast, Hillary Kerr chats with celebrity stylist Molly Dickson, whose client roster includes the likes of Lana Del Rey, Sydney Sweeney, Sadie Sink, and, most recently, Lexi Minetree on her Elle press tour. Today, Dickson's giving us the rundown on everything that went into dressing the new Elle Woods—from paying homage to Legally Blonde on the red carpet to pulling inspiration from early 2000s Reese Witherspoon. Plus, she shares the perfect Y2K pieces she pulled from Witherspoon's personal archives.  Listen to Molly's previous episode here! Watch this episode on our new YouTube channel⁠⁠⁠⁠, and be sure to subscribe!

This week on The Who What Wear Podcast, Hillary Kerr chats with celebrity stylist Molly Dickson, whose client roster includes the likes of Lana Del Rey, Sydney Sweeney, Sadie Sink, and, most recently, Lexi Minetree on her Elle press tour. Today, Dickson's giving us the rundown on everything that went into dressing the new Elle Woods—from paying homage to Legally Blonde on the red carpet to pulling inspiration from early 2000s Reese Witherspoon. Plus, she shares the perfect Y2K pieces she pulled from Witherspoon's personal archives.  Listen to Molly's previous episode here! Watch this episode on our new YouTube channel⁠⁠⁠⁠, and be sure to subscribe!

Laura Dave is the #1 New York Times bestselling author of The Last Thing He Told Me, Eight Hundred Grapes and six other novels. Her books have been published in thirty-nine languages and have been chosen by Reese Witherspoon's Book Club, Indie Next, Book of the Month Club, The Richard and Judy Book Club, Best of Amazon, and Best of Apple Books. The Last Thing He Told Me was chosen as the Goodreads Mystery & Thriller of the Year for 2021. Her new novel, The First Time I Saw Him is a sequel to The Last Thing He Told Me, both of which are series on Apple TV. Learn more about your ad choices. Visit megaphone.fm/adchoices

Twenty-five years on, we're taking Elle Woods back to court, and this one holds up better than almost anything else from 2001. First up we get into the real-life story the movie is based on: the real law student who felt like an outcast for loving pink and for the fluffy pen she took to class.Then there's the casting chaos that nearly sank the whole thing. Christina Applegate said no, Britney Spears was in the mix, and the studio thought Reese was too "unlikeable" to lead, so we break down the audacious move she pulled to land the role, and why it only works because of her.And finally, the ending you never got to see. In a rare twist, test audiences wanted more, and the alternate version they nearly went with would've turned the whole film into a cautionary tale. We unpack the courtroom perm logic, and the graduation speech Donald Trump allegedly lifted from Elle Woods.Remember The Spill drops the tea twice a day in this feed so follow us for all the latest entertainment news… OR you can WATCH our show in full length video on the Apple Podcast app - make sure your phone is up to date and enjoy the watch! Link here. THE END BITS Find and follow us on socials: Instagram: https://www.instagram.com/thespillpodcast/ TikTok: https://www.tiktok.com/@thespillpod Facebook: https://www.facebook.com/thespillpodcast/ Read all the latest entertainment news on Mamamia: https://mamamia.com.au/entertainment/ Support Independent Women’s Media. Your subscription helps us continue to tell the stories that matter to women. The Out Loud hosts have handpicked their all-time favourite reads and one subscriber is winning the entire 12-book stack. Subscribe to Mamamia here to be automatically entered to win. Current subscriber? You're already in the draw. T&Cs apply. Want to join the conversation? Have feedback or a topic you want us to discuss? Send us a voice message or email us at thespill@mamamia.com.au and we’ll get back to you ASAP! Executive Producer: Monisha Iswaran Audio & Video Producer: Michael Kean Mamamia acknowledges the traditional owners of the land on which we have recorded this podcast.Become a Mamamia subscriber: https://www.mamamia.com.au/subscribeSee omnystudio.com/listener for privacy information.

First, we are hitting the couch for a hilarious new streaming series featuring two of Hollywood’s most beloved powerhouse actresses. We dive into the unbelievable on-screen chemistry, the fast-paced secret identity plotline, and why it is exactly the type of pure, mindless escapism the world needs right now. Next, we are delivering a crucial public service announcement about a new prestige drama that looks flawless on paper but left us feeling a little bit cold.Plus, we are completely spiralling over a historic new cinematic event The Odyssey that has fans literally booking flights across the hemisphere just to watch it. We break down the gruelling reality of filming on historical cameras, the real-world physical toll on its Hollywood cast, and why you absolutely cannot watch this masterpiece at home. Remember The Spill drops the tea twice a day in this feed so follow us for all the latest entertainment news OR you can WATCH our show in full length video on the Apple Podcast app - make sure your phone is up to date and enjoy the watch! Link here. You can get your daily entertainment headlines in our 5 minute Morning Tea podcast dropping every morning in this feed. Follow the Spill feed wherever you get your podcasts. THE END BITS Find and follow us on socials: Instagram: https://www.instagram.com/thespillpodcast/ TikTok: https://www.tiktok.com/@thespillpod Facebook: https://www.facebook.com/thespillpodcast/ Read all the latest entertainment news on Mamamia: https://mamamia.com.au/entertainment/ Support Independent Women’s Media. Your subscription helps us continue to tell the stories that matter to women. The Out Loud hosts have handpicked their all-time favourite reads and one subscriber is winning the entire 12-book stack. Subscribe to Mamamia here to be automatically entered to win. Current subscriber? You're already in the draw. T&Cs apply. Want to join the conversation? Have feedback or a topic you want us to discuss? Send us a voice message or email us at thespill@mamamia.com.au and we’ll get back to you ASAP! Executive Producer: Monisha Iswaran Audio & Video Producer: Michael Kean Mamamia acknowledges the traditional owners of the land on which we have recorded this podcast.Become a Mamamia subscriber: https://www.mamamia.com.au/subscribeSee omnystudio.com/listener for privacy information.

On todays episode Stan Mankovich delivers the latest news on: - Christopher Nolan's "The Odyssey" hits theaters- FIFA World Cup final - Reese Witherspoon reunites with long lost friend on set of Lucky

Let's break down Elle, the Legally Blonde prequel series following a teenage Elle Woods before she ever stepped foot in Harvard. Megan and Jeni are diving into the newcomer cast, including why Reese Witherspoon picked Lexi Minetree after watching 3,000 audition tapes, sharing their honest thoughts on whether the show lives up to the Legally Blonde legacy, and breaking down all eight episodes of season one.Follow us on social!Instagram: ⁠@whatwerewatchingpod⁠ TikTok: @whatwerewatchingpod

She was a total nerd growing up, reading books about warrior cats and playing her DS. Now she's playing one of the most iconic characters in pop culture history. Lexi Minetree was handpicked by Reese Witherspoon from over 3,000 auditions to play Elle Woods in the new Legally Blonde series, and she has not looked back. In this chat with Josh, Lexi opens up about the acting teacher who told her she wasn't the actor he thought she was, and how it almost broke her. She talks about the voice memos Reese sent her when she was doubting herself, and why she deliberately does things that terrify her. She also tells Josh what it meant to work alongside James Van Der Beek in his final ever on-screen role, and why some of the throwbacks to 2001's Legally Blonde - like using a payphone - stopped her in her tracks.  Plus she joins the group chat to answer your questions, including how long it took to get ready as Elle every day and why her most dreaded small talk topic right now is her own show. Watch Elle on Prime Video now! 

Dana and Tom with returning 5x Club members and guests, Allyson Techmeier and Sarah Duncan, discuss Legally Blonde (2001), celebrating its 25th anniversary: directed by Robert Luketic, written by Karen McCullah Lutz and Kirsten Smith, cinematography by Anthony B. Richmond, music by Rolfe Kent, editing by Anita Brandt-Burgoyne, starring Reese Witherspoon, Luke Wilson, Victor Garber, Jennifer Coolidge, Selma Blair, and Ali Larter.Plot Summary: Set against the polished halls of Harvard Law, this modern fable follows a young woman (Reese Witherspoon) whose sunny confidence and impeccable style mask a sharp mind waiting to be taken seriously. When she enrolls to win back a beau, she instead confronts a world eager to underestimate her—and finds her own voice in the process. A campus comedy becomes a courtroom coming‑of‑age tale, celebrating wit, resilience, and the courage to surprise everyone, including oneself.Guests:Sarah Duncan - Sister of Tom, Daughter of Dana@thenomadicarchaeologist on IGPrevious Episodes: Zodiac, My Fair Lady, The Artist, Inglourious Basterds, The Great Dictator, Forrest Gump, Mr. Smith Goes to Washington, Knives Out, All Quiet on the Western Front (1930), The General, History of the World: Part Allyson Techmeier - Sister of Tom, Daughter of Dana5x Club Member - My Fair Lady (1964), Mary Poppins (1964), 12 Years a Slave (2013), Batman Begins (2005), Casablanca (1943) Re-Revisit, Toy Story (1995)Chapters:00:00 Introduction, Cast, and Background to Legally Blonde03:44 Welcome Back, Allyson and Sarah!04:59 Our Relationship(s) with Legally Blonde09:58 What Did Allyson and Sarah Find Inspiring in Legally Blonde?12:35 Reese Witherspoon's Most Iconic Role?16:20 Plot Summary for Legally Blonde17:01 What is Legally Blonde About?22:57 Did You Know?25:53 First Break26:36 What's Happening with Allyson and Sarah?29:17 Legal Analysis of Legally Blonde36:11 Best Performance(s)40:53 Best Scene(s)54:24 Second Break55:02 Best Lines57:40 The Stanley Rubric - Legacy1:04:42 The Stanley Rubric - Impact/Significance1:12:43 The Stanley Rubric - Novelty1:22:42 The Stanley Rubric - Classicness1:32:04 The Stanley Rubric - Rewatchability1:35:27 The Stanley Rubric - Audience Score and Final Total1:36:52 Remaining Questions for Legally Blonde1:41:53 Thank You to Allyson and Sarah/Final Thoughts1:43:18 CreditsYou can also find this episode in full video on YouTube.You can now follow us on Instagram, Twitter, Bluesky, Threads, YouTube, or TikTok (@gmoatpodcast).For more on the episode, go to: https://www.ronnyduncanstudios.com/post/legally-blonde-2001-ft-sarah-and-allyson-duncanFor the entire rankings list so far, go to: https://www.ronnyduncanstudios.com/post/greatest-movie-of-all-time-listKeywords:Legally Blonde, Reese Witherspoon, legal accuracy, film analysis, inspiring movies, law school, female empowerment, cultural impact, legal education, movie legacy, film critique, legal, legal analysis, Ali Larter, Luke Wilson, Victor Garber, Selma Blair, lawyer, criminal, perm, hair care, podcastRonny Duncan Studios

Muchas celebridades ahora tienen clubs de lectura: Reese Witherspoon, Dua Lipa entre otras de las que platicamos aquí y damos nuestra cero humilde opinión.

This week we watched one of the most disturbing teen movies of the 90s, the Sarah Michelle Gellar vs Ryan Phillippe near-incest classic Cruel Intentions about terrible people being horrible! We watched this on Kanopy using our library card! Tune in next week when July-brary continues with our movie... The Third Man (1949) ----- SATURDAY JULY 11th!!! Come see Matt Lieb do stand up at the Ice House in Pasadena at 8pm. Tickets are here. Jordan will be at San Diego Comic Con Friday and Saturday July 24th and 25th.  Pre-order signed copies of Jordan's new comic book series "The Amazing Venom" here at bit.ly/goofriends Or order signed coplies of Jordan's Predator: Bloodshed series at bit.ly/bigdangfight Emily got some more FlemGems for you at her ETSY Store. Help support this show and unlock bonus content! Become a member at https://maximumfun.org/joinfreewithads

This week on Summers Off, we head to the Deep South to chat about Reese Witherspoon's hair, the Home Depot, and what Gen Z would say about Reese's choice of beau in our episode on Sweet Home Alabama! This is a good one if you love Ty slipping into a Southern dialect that floats all over regionally and into different time periods. Rach debates if she could pull off Reese's iconic style and hairdo. Finally, see what gets Ty so riled up that he delivers an impassioned speech in defense of the South and its people. Emotions are high and tensions are thick; this one is can't miss.

Only 3 out of 10 women in Reese Witherspoon's book club were using AI regularly when she posted about it. That stat is staggering.This week's episode is a little different. I sat down with my friend Stephanie Mitton on her podcast, Women Don't Do That, to talk about the AI adoption gap between women and men, and the conversation went further than I expected. So instead of letting it live on her feed alone, I'm bringing our full chat to you here.What you'll hear:Why the gap in AI adoption between women and men isn't about skill, it's about guilt and identityThe "it's not cheating, it's choosing ease" mindset shift that changed how I think about using these toolsThe real wage premium and job disruption numbers tied to AI skills right now, and what they mean if you sit this one outHow I built a "Family Command Center" with AI to run my household through back to back softball, pool parties and general summer chaosWhy the environmental concerns people raise about AI deserve more nuance than a knee-jerk reaction (a real example from a Canadian data centre)The two actual skills that make you good at AI, and neither one is codingTake the next step: Introductory AI Course for Women: https://www.beaconmentorshipacademy.com/event-list>>MEET STEPHANIE

Nobody asked for a Legally Blonde prequel, but is Elle actually worth watching? TV critics Wenlei Ma and Jason Di Rosso weigh up Prime Video's latest reboot, then head to a cursed New England island for Apple TV+'s horror-comedy Widow's Bay. One unnecessary spin-off, one surprise hit, or something else entirely?

Whether you're building your dream home, planning a renovation or simply trying to make your wardrobe feel less chaotic, this episode is packed with practical advice you'll wish you knew sooner.Lisa Adams is founder of LA Closet Design, the luxury design studio behind some of the world's most beautiful wardrobes. Having designed spaces for everyone from Khloé Kardashian and Kris Jenner to Reese Witherspoon, Christina Aguilera and Tyra Banks, Lisa shares the design principles that make a home feel calmer, more functional and effortlessly luxurious—no matter your budget.From hidden storage solutions to the psychology of clutter, this conversation will completely change the way you think about organising your home.In this episode we discuss:The biggest storage mistakes people make when building or renovatingWhy every home should be designed around function before aestheticsThe psychology of clutter and how it impacts your moodClever storage solutions that maximise every square metreThe luxury home features actually worth investing inOpen wardrobes vs closed wardrobes: which is better?The organisation systems Lisa uses in celebrity homesWhy decluttering shouldn't be a once-a-year taskHow to make your wardrobe feel like a luxury boutiqueSmall upgrades that instantly elevate your homeHidden storage ideas you'll wish you'd thought of soonerThe one design principle that makes every home feel more expensiveFollow Lisa: @laclosetdesignFind more: www.laclosetdesign.comFollow me on Instagram: @tess.shanahan & @tesstalksofficial Follow me on TikTok: @tessshanahanFollow me on YouTube: TessShanahan Hosted on Acast. See acast.com/privacy for more information.

Laura Galdeano trae el mejor resumen de las series que llegan en julio, desde el remake de La Casa de la Pradera al spin-off de The Big Bang Theory.

Chandler Kinney (of Elle, Disney's Zombies franchise, Pretty Little Liars, etc) comes on to share her hot takes! Will she survive this round of rapid fire questions the fans have been wanting the answers to? Subscribe, rate, and leave a written review if you enjoy this conversation! Tune in every week for new episodes of I’ve Never Said This Before Executive Producers: iHeart Media and Elvis Duran Podcast Network Producers: Andrew Pugliese, Stephanie Lane Follow us on socials! Instagram: @neversaidthisbefore YouTube: @NeverSaidThisBeforeSee omnystudio.com/listener for privacy information.

Take The Spill's monthly pop culture quiz here and test your knowledge!Four years of pestering has finally paid off. Em is watching Laura's favourite currently-airing show, and just in time for a finale so intense Laura ended up on the living room floor. We get into why this one demands total commitment and why watching an episode completely out of order somehow still works.Plus, the dragons are back and the rivalries are getting messier. We break down why our favourite Game of Thrones prequel series is delivering some of the best episodes the franchise has seen yet.Finally, the most anticipated prequel of the year has landed and the reviews are split down the middle. We've watched enough episodes to give our honest verdict, including whether it deserves the comparisons to one of the most quotable films ever made.Remember The Spill drops the tea twice a day in this feed so follow us for all the latest entertainment news… OR you can WATCH our show in full length video on the Apple Podcast app - make sure your phone is up to date and enjoy the watch! Link here. THE END BITS Find and follow us on socials: Instagram: https://www.instagram.com/thespillpodcast/ TikTok: https://www.tiktok.com/@thespillpod Facebook: https://www.facebook.com/thespillpodcast/ Read all the latest entertainment news on Mamamia: https://mamamia.com.au/entertainment/ Support Independent Women’s Media. Your subscription helps us continue to tell the stories that matter to women. Want to join the conversation? Have feedback or a topic you want us to discuss? Send us a voice message or email us at thespill@mamamia.com.au and we’ll get back to you ASAP! Executive Producer: Monisha Iswaran Audio & Video Producer: Michael Kean Mamamia acknowledges the traditional owners of the land on which we have recorded this podcast.Become a Mamamia subscriber: https://www.mamamia.com.au/subscribeSee omnystudio.com/listener for privacy information.

This week, Tommy is joined by actress Chandler Kinney to talk about stepping into the iconic world of Legally Blonde on the new show Elle, what it meant to be personally chosen by Reese Witherspoon, and how she approached forming her character, Kimberly while honoring such a beloved franchise. She also reflects on growing up as a Disney star with Zombies, why she's learned to embrace every chapter of her career, paying it forward to the next generation of the franchise, what Dancing with the Stars taught her about herself, and opens up with a heartfelt personal reflection you won't want to miss. Executive Producers: iHeart Media and Elvis Duran Podcast Network Producers: Andrew Pugliese, Stephanie Lane, Josh Kolodny, Celia Romano Follow us on socials! Instagram: @neversaidthisbefore YouTube: @NeverSaidThisBeforeSee omnystudio.com/listener for privacy information.

¿Merece la pena ver Elle, la nueva serie de Prime Video basada en el universo de Legally Blonde? En este Razones para Ver , Juan Francisco Bellón analiza sin spoilers la precuela protagonizada por Lexi Minetree, que nos lleva a la adolescencia de Elle Woods muchos años antes de los acontecimientos de Una rubia muy legal. ¿Consigue ampliar el universo del personaje o vive demasiado pendiente de la película protagonizada por Reese Witherspoon? Hablamos de sus interpretaciones, del tono, de la ambientación noventera, de sus aciertos y de los problemas de una serie que apuesta por la nostalgia antes que por las ideas nuevas. Si estabas pensando en ver Elle en Prime Video, aquí tienes una crítica completa y sin spoilers para decidir si merece la pena. #Elle #PrimeVideo #LegallyBlonde #CriticaSeries #Series #UnaRubiaMuyLegal #ReeseWitherspoon Únete a nuestro canal y apoya a FUERA DE SERIES: https://www.youtube.com/channel/UCFNyyACx7XbgZ4-S4jzNnGQ/join Únete a nuestro chat de telegram en el que miles de personas hablamos cada día de series: - Telegram – Grupo de debate: https://telegram.me/fueradeseries - Telegram – Canal de noticias: https://t.me/noticiasfds Síguenos en nuestras plataformas y podcast sobre series: - Apple Podcast - https://podcasts.apple.com/es/podcast/fuera-de-series/id288039262 - Spotify - https://open.spotify.com/show/3RTDss6AAGjSNozVOhDNzX?si=700febbf305144b7&nd=1 - iVoox - https://www.ivoox.com/podcast-fuera-series_sq_f12063_1.html Redes Sociales - Twitter: https://twitter.com/fueradeseries - Facebook: https://facebook.com/fueradeseries - Instagram: https://www.instagram.com/fueradeseries/ - Youtube: https://youtube.com/fueradeseries Learn more about your ad choices. Visit megaphone.fm/adchoices

Bill Gates' testimony on Jeffrey Epstein released, NY Times unloads on Diana Russini, Jeff Bezos loves pretending to be on the phone, a new Bonerline, and Jim's Picks: Father's Day Songs. JFK's grandson Jack Schlossberg lost his Senate race. Good. He seems like a turd. Drew is finally catching World Cup Fever. He especially loves the Scottish and Norwegian fans. DJ Fat Tony is trying to kiss the Beckham's butts again. Door Dash paid over $1 million to Brooklyn Beckham for his stupid commercial. The NY Times is successfully making Diana Russini's life miserable. She got busted texting while driving with her kids in the car. May Ling wants the biggest butt ever. Hot or gross? Reese Witherspoon should be in trouble for dating an old billionaire. Jeff Bezos is always pretending to be on the phone. Brand new Bonerline. Drew & Roberto are in love with The Victory Tour (The Jacksons). Maternal Instinct on Netflix is one of the wildest documentaries out there. There's now transcripts out there of Taylor Parker in jail crying to her mom. Poor Taylor. Bill Gates' testimony is released. He should have left Melinda sooner. We called Tom Mazawey and he missed the call. It's crazy! Jim's Picks: Top 10 Father's Day Songs Merch, yo. Check it. If you'd like to help support the show… consider subscribing to our YouTube Channel, Facebook, Instagram and Twitter (Drew Lane, Marc Fellhauer, Trudi Daniels, Jim Bentley, BranDon, and Roberto).

A look at the cultural impact of “Legally Blonde” as the prequel series “Elle” hits the small screen. Also, Lexi Minetree, who stars as Elle Woods in the new series, stop by to discuss the career-defining role! Plus, Millie Bobby Brown sits down with Savannah and Willie to talk about the newest installment of “Enola Holmes”. And, in “Shop This List”, we'll take a look at the best Target Circle deals this week. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

My good friend, Black List Senior Vice President Kate Hagen, returns to Watch With Jen for this throwback summer celebration of 1996 films written, directed, and starring women. A diverse cross-section of independent and commercial offerings that we highlight throughout the hour, Kate and I discuss WALKING & TALKING, A VERY BRADY SEQUEL, HARRIET THE SPY, THE TRUTH ABOUT CATS & DOGS, plus one of the summer's biggest headline getters, STRIPTEASE with Demi Moore, who made history that year as the highest paid studio actress of all-time. While the film itself isn't great, Moore's success paved the way for women such as Julia Roberts and Reese Witherspoon to earn paychecks closer to those of their male counterparts. Shouting out other films that year that you need to see (like I SHOT ANDY WARHOL, which releases in two months from Criterion), Kate also walks us through the summers of '76, '86, '06, and '26 to let us know the way opportunities have changed. Note: I never know whether or not to include my pod series MIDNIGHT RUN THROUGH in my official show count, but if you take a look at the total number of pods I've uploaded since the show's beginning in 2020, this marks the 300th offering from Watch With Jen! Thanks for listening.Originally Posted on Patreon (6/25/26) here: https://www.patreon.com/FilmIntuition/posts/162054436

You may have seen her on TV or streaming and now she is coming to the Orpheum for two shows providing all of the laughs - its comedian Leanne Morgan with her ‘Time of Our Lives' Tour and she shares her beginnings to her time as of late in the streaming spotlight with Reese Witherspoon!

Jimmy addresses the latest news, like Trump hiring the company Green Water Solutions to paint the Reflecting Pool blue, before speaking with Reese Witherspoon, Zoey Deutch and Robert Smigel.

It's almost time for Taylor Swift's wedding to Travis Kelce and it's being reported that Taylor and Blake Lively have spoken! Will we see her at the wedding? Plus, Britney Spears announces plans to have another baby, Reese Witherspoon reunites with the cast of Legally Blonde, and let's recap Netflix's new documentary Maternal Instincts. And a Nancy Guthrie update! Invest in supplements that you can trust with Momentous and get up to 35% off your first order at https://www.livemomentous.com/ promo code NOFILTER Finally, you can enjoy your favorite foods without the pain. We're so excited to partner with FODZYME and offer you 30% off your first order when you go to http://icaneatagain.com/nofilter Head to https://www.factormeals.com/nofilter50off and use code nofilter50off to get 50% off and free daily greens per box, with new subscription only, while supplies last until 09/27/2026. (See website for more details). Sign up for your Shopify $1 per-month trial of today at https://www.shopify.com/nofilter Visit https://www.progressive.com/ to see if you could save when you bundle your home and auto policies.Become a Member of No Filter: ALL ACCESS: https://allaccess.supercast.com/ Shop New Merch now: https://merchlabs.com/collections/zack-peter?srsltid=AfmBOoqqnV3kfsOYPubFFxCQdpCuGjVgssGIXZRXHcLPH9t4GjiKoaio Book a personalized message on Cameo: https://v.cameo.com/e/QxWQhpd1TIb Disclaimer: The views expressed in this video, on this YouTube Channel, and on No Filter with Zack Peter are for entertainment purposes only. All content is protected under Fair Use Rights.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

What if the real secret to a lasting writing career isn't talent or luck, but learning to thrive in the mess? Why are in-person events worthwhile even if the maths doesn't add up? How do you protect your creativity when the machines never sleep and the community is at one another's throats? With Mark Leslie Lefebvre In the intro, Has AI Already Killed Non-Fiction [Tim Ferriss]; 9 ways that AI would disrupt authors and the publishing industry over the next decade; Pivoting towards The Transformation Economy; and Who do you serve? This podcast is sponsored by Kobo Writing Life, which helps authors self-publish and reach readers in global markets through the Kobo eco-system. You can also subscribe to the Kobo Writing Life podcast for interviews with successful indie authors. This show is also supported by my Patrons. Join my Community at Patreon.com/thecreativepenn Mark Leslie Lefebvre is the author of horror and paranormal fiction, as well as non-fiction travel and books for authors. He's also an editor, professional speaker, and the Director of Business Development at Draft2Digital. His latest book is Stark Realities: Stacked Up Lessons Every Writer Needs to Know About the Business of Writing and Publishing. You can listen above or on your favorite podcast app or read the notes and links below. Here are the highlights and the full transcript is below. Show Notes Why print and in-person events are making a comeback for indie authors The case for (and against) licensing your voice clone through ElevenLabs Why we keep selling books in person when the numbers rarely add up Measuring success by creative satisfaction rather than money Being honest about author earnings and the fear of being truly seen Managing stress, divisiveness, and the noise around AI You can find Mark at MarkLeslie.ca. Transcript of the interview with Mark Leslie Lefebvre Jo: Mark Leslie Lefebvre is the author of horror and paranormal fiction, as well as non-fiction travel and books for authors. He's also an editor, professional speaker, and the Director of Business Development at Draft2Digital. His latest book is Stark Realities: Stacked Up Lessons Every Writer Needs to Know About the Business of Writing and Publishing. Welcome back to the show, Mark. Mark: Oh, hey, Jo. It's always an awesome time chatting with you. Jo: You've been on the show lots of times over the years, but the last time was in September 2024, when we talked about selling books in person. So give us a bit of an update. What does your writing and publishing business look like at the moment? How do you manage it alongside the day job and everything else you do? Mark: Oh my God. Well, sleep is—no rest for the wicked, maybe. I'll sleep when I'm dead. It's so funny, it was just this last weekend in Waterloo. I was at Waterloo Book Fest, and somebody came up to my table—another author from one of the other tables—and said, “I heard you on the The Creative Penn Podcast. And then when you mentioned something about Waterloo, I said, ‘He can't be from Waterloo.' And then when you mentioned the skeleton, I said, ‘I know where he lives.'” Jo: That's scary. Mark: So I love the fact that there are so many of your listeners all over the world, and that's usually how people know me. No matter what else I've done, it's like, “Oh, you've been on Joanna Penn's podcast.” I'll say, “Yes, I have.” You know what's really funny? The last time I was on the podcast, we were talking about A Book in Hand, which I was supposed to release that year. Jo: Yes. Mark: I just added another 5,000 words to it this morning. Jo: Wait, it's still not published? Mark: No, and it's so funny. I actually have the first 60,000 words of it with an editor right now, and I told her I'd get her the rest of it, which I thought would be another 20,000 words, by the end of June. But I think it's going to hit 100,000. Here's the weird thing that happened with this. This is trying to accumulate my life of book selling, as well as doubling down on doing in-person events in the last several years. I thought I was going to have the book done in 2024. I ran into some issues where I didn't back it up properly. It was an old version, and I accidentally overwrote the only version I had. Jo: So, for everyone listening, Mark—how many decades have you been an author and a publisher? How come you're still missing deadlines and still not backing up your work properly? Mark: Yes, this is a lesson: no matter how long you've been doing something, you can still make boneheaded errors. So if you, dear listener, have made mistakes, just know that this old guy who's been doing this since the mid-'80s still makes mistakes like that. Don't beat yourself up. I probably did something worse. Anyway, that book I thought was going to be maybe 40, 45,000 words, it's going to be bigger than Wide for the Win—close to 100,000 words. Here's a really important lesson I learned in that, Jo. I thought the book would be something. It became something else. Through my own experiences of doing more in-person events, book signings, and library event. Also in talking to awesome folks like Johnny B. Truant, Katie Cross, Todd Fahnestock, and so many other authors I know, and seeing what Ben Wolf is up to, and a whole bunch of different people who are doing in-person events. In creating case studies for how they interact specifically with a bookstore or library, or how they do in-person selling—I really think the book wasn't ready then. It's like the recipe wasn't ready. I still needed to play with some things. I do sincerely have faith, since I got it into the editorial process, that this will be the year the book actually gets released. Jo: As you said, there are some really good lessons there around sometimes the book not being quite ready. I'd bought an early version from the StoryBundle, which is how I got this book as well, actually. Mark: Yes. Jo: That's another tip for people—storybundle.com. You can go and find some great bundles there. I was also thinking, as you were talking, that maybe one of the reasons this book about in-person events has got so big is because that's a real trend in the community. It feels like indies, we've moved… Back in the day, I said, “I'm not doing print. No way.” This was the early days of digital, because print was really hard back then. So I was like, “Oh, and we've got all the advantages doing digital, so I'm just going to focus on that.” It feels like the pendulum has swung, perhaps even more with the ease of mass production of digital with AI. The focus on print and in person is getting stronger and stronger. Do you think that's happening? Mark: Oh, yes, 100%. I did print in 2004. It was really hard back then, so that's gotten easier. I think there are a few reasons. One of the reasons is, yes, digital made it so much easier for indie authors to get out there and break into the community. But the reality is that print books still outsell e-books in general—overall—despite the fact that indie authors can make six and seven figures a year from selling e-books alone on a single platform. So print has never really gone away. It was just never something indie authors attended to. They were in a different business than traditional publishers were in. And second, obviously I've got these gorgeous books that you've created on Kickstarter, because I like the beautiful books. I've never stopped buying print books. I actually buy more print books. I read more because of audiobooks and e-books, but I buy more print books, especially when I can get a nice signed copy. Then the other reason comes back, again, to your advice—something I've been following for the longest time, and you've long been saying. I do repeat this, and I try my best to offer attribution to you every time I use it: to double down on your humanity, particularly in this age of digital generation and the ability for even non-writers to leverage tools to create content. I think it's so much more important for me, as a creative who will never be able to catch up with the machines, to exploit my humanity. I mean, we both have digital voices of ourselves, right? There's a digital Mark Leslie Lefebvre voice that people can use, and I'm making money off it because people are able to license it through ElevenLabs. But when I'm there in person, so far the holograms aren't good enough to fool people. I think I'm not just selling a book to somebody; I want to create an experience where, “Oh, I'm talking to the author, and we're signing a book together, and we're taking a selfie together.” For me, there's that tactile experience that's really enriching. And it may not be something that lines my pockets as easily, because the investment is more significant. For every $10 I make, it costs me six or seven dollars, as opposed to an e-book, where the cost is amortised in the most beautiful way over millions of copies. Jo: There are a few things there. First of all, let's talk about that ElevenLabs voice licensing, because, as you say, I also have a voice clone. Bones of the Deep, the latest book, that's my voice clone. I haven't gone with the licensing, partly because you don't have control over what someone can do with it. So, for example, someone could create Nazi content, or content that I might not agree with, in my voice. So how have you got over that? Because part of me really does want to license my voice, and the other part doesn't. Mark: This is a great question, Jo, and I'm glad you asked it. It's the same reason I don't worry about people stealing my books—adding DRM onto my e-books and things like that. I may as well make some money off it, because let's be honest: you and I, our voices are out there. Thousands of hours of our voices, right? In your podcast, my podcast, in various interviews we've done over the years. The technology exists for someone to make a copy of my voice themselves anyway. The tools exist. They can do it easily, so why not do it myself and at least make money? I'm actually getting money deposited into my account. Not a lot—maybe $30, $18, something like that every week. Again, I've taken a lot of my non-fiction books that I haven't had the time to record myself, as I like to do, and I can at least load those to ElevenLabs and make my voice the default voice. But wouldn't it be great to be able to listen to my book in your voice? It would sound so much better. Because you can do that. When you listen to a book on that platform, you can choose my voice if you'd rather hear it in my voice, or you can choose Burt Reynolds' voice, or some other folks who've licensed theirs. Again, for me, the whole concept of wide publishing has always been important. It's another small revenue stream that's adding to my numerous revenue streams. So I guess that's how I've justified just licensing the voice. If someone's going to do something with my voice that I can't control, they can do it regardless of whether or not I put it out there myself. Jo: I agree with you. That could happen, and neither of us is famous enough that it's likely to happen anyway. I do quite like the idea of people using our voices, say, for other books for authors, because that would make sense—that's where we fit in the niche. I will rethink that, because I think it's interesting. I wanted to come back to print books. You said sometimes there are easier ways to line your pockets, and I think that's funny. So, getting into the book, this leapt out at me quite near the beginning: Why do we keep doing this when the maths almost never adds up? Mark: Oh, I have a perfect example of that from an event I did a couple of weekends ago in Burlington, Ontario. I think it was a $60 table fee. It was a new event. I believe I made $90 or $95 in sales. So even after the costs of printing and all that stuff, I really didn't make money. I made my table back, which is always a good thing. There were a few encounters I had with people who were really excited to find my Canadian Werewolf series of books, and just so thrilled to get started. Among the four of them, they bought one copy, but they were going to pass it amongst each other. You know what? Okay, they bought a single copy, and I was like, “Well, the e-book is permanently free online. You don't even have to buy a copy”—which is anti-selling. I just want them to read the book and enjoy it. But if they read it and pass it along and start talking about it, they could become readers for a long time. It's an eight-book series, with the ninth book coming out later this year. There was another encounter I had that day. A woman and her teenage daughter came in, and they were looking at my traditionally published books that I buy at a reduced price from a local bookstore and resell. They were looking at these true ghost story books I had, and they were pointing: “Do you have that one?” “Yes, I have this one, I have that one.” And the mother's like, “Well, she collects all your books, and she wants to make sure she has them.” We had this conversation, and she was so excited to meet me in person and to get a signed copy of the book. That experience was such a vanity moment for me as an author. We're lonely. I'm a big loser. Nobody's buying my books. We're always down on ourselves. So that investment of time and energy, in order to get that little pat on the back or that feeling of, “Wow, I really connected with someone who likes my stuff”—those moments are really precious. They're difficult to explain if you only look at the world in a financial way. I guess I'm fortunate enough that I do have enough income from numerous streams, including the consulting I do part-time, that it's okay if not every bookish endeavour leads to more money in my pocket at the end of the day. I can still have these authentic connections with people, which I think is one of the reasons I'm a storyteller. Yes, it's the stories I have to tell, but it's also putting the story into somebody else's hands and eyes and heart and mind. Jo: You're very giving like that. You have that sense about you, whereas I'm just a curmudgeon in the corner. Mark: That is not true. Jo: It is, generally. I don't do events like you do for readers. Mark: But that's because it takes a lot out of you. Jo: Yes, but that doesn't matter. Why do I write? I write for me. Mark: Ah, very good. Jo: At the end of the day—just being entirely selfish about this—when people say, “Oh, if you won the lottery, what would you do?” I'm like, “Well, I'd do pretty much what I'm doing now.” Mark: Yes, I'd just do the same. Of course, I'd write more books. Jo: I'd write more books. So this is where I'm trying to get to for people as well: measuring success in a different way. You were talking about measuring success by how that girl loved your books, and how you feel when someone says they love your books. With Bones of the Deep, this thriller I've just done, I feel like I had the benefit of that book before anyone even read it. As soon as it was finished, I made a nice proof copy from BookVault, and I held it in my hand and said, “I made this. I'm proud of the story, I wrote the story, and it's outside my head now.” I feel like I'm creatively satisfied in that moment. Then, of course, the Kickstarter was great, and I love that the books are going out around the world, but— I think the happiest I felt was that moment of finishing—that creative satisfaction of holding the book in my hand. You know what I mean? Mark: 100%, Jo. I cannot agree with you enough. I love so many aspects of writing. Yes, the connection with people is amazing. But I often say this when I'm doing my one-on-one consulting with authors: focus on the projects that mean the most to you, those passion projects. The process of writing, and the painful rewriting and editing and all the things you go through—when you finish that book, like you said, you hold it in your hands and it is a thing of beauty. It's a huge achievement. You've won. Whether or not you sell a single copy, you've won by doing it. Everything else is gravy: the sales, the money in your pocket or not, the reviews, positive or not, the people who say, “Oh my God, Bones of the Deep, thank you for writing this book. I'm so glad you introduced this into the world and into my life.” Anything beyond the creation itself, which is a pure joy—I love it so much. It's just why I get up at 5:30 every morning and write for hours before the rest of my day begins. I try to get stuff done before the rest of the world wakes up. I want to get the writing done first, when I have the most energy to give myself to the page. Then the rest of the day is kind of gravy for me too. Jo: You talk there about giving yourself to the page, but in Stark Realities— You talk about the fear of truly being seen. What do you mean by that, and how do you manage that feeling? Mark: For anyone who has written anything—fiction, non-fiction, memoir in particular, since it's a bit more closely tied to reality—it's exposing yourself to the world. I'll never forget an interview I did with Canadian science fiction author Julie E. Czerneda, who, before being a fiction writer, was writing biology textbooks, but her real passion was science fiction and fiction. When her first novel came out, she said, “It's like standing naked on the front lawn.” When you release a book, even a novel, people look at it and they're going to judge you and rate you. I remember early on, Jo—we knew each other through Twitter, I think, where we initially met, and then interacted with and finally met in person at London Book Fair. I think you and I have a very similar reaction. When people know us as positive and upbeat and out there helping authors in the community, and then they read our fiction, they go, “Well, Jo, you burned a nun alive on page one.” Or, “Mark, what kind of… they're drinking from the skulls of dead people? What the heck is going on with you two?” We are exposing parts of ourselves in our fiction and non-fiction. That's a fear I embrace, but also never get over, if that makes any sense. I write scary stories because I'm a big chicken. So maybe the entire process is just cheap therapy for me. Or not cheap, because it's an expensive pastime, isn't it? Jo: It certainly can be, but I agree. I struggle with fear of judgment still. I think it's also because we do this in public, which comes back to the financial side of things. We do a lot of this in public, and then people judge us on our author businesses too. You could look at Bones of the Deep, which was just on Kickstarter, and compare my Kickstarter to another author's Kickstarter for a fiction book, and judge one or the other person based on numbers. I feel like this is because you and I have done so much in public—for me, almost 20 years, and for you, like 40 years or whatever. Maybe 30 years. You look that old. Mark: Listen there, dearie. Get off my lawn. Jo: Yes, get off my lawn—with those skeletons you have on your lawn. Mark: Yes. They're no longer in my closet. Jo: They're not in your closet. I wonder if that also plays a part of it—the pros and cons of doing this business in public. Mark: Yes, that is a part of it. One thing I try to be very clear about, because there's so much FOMO and so much out there about people thinking that everyone else is making a million dollars from their books and “I'm the only loser who's not”—I try to be clear that I have never made more than a mid-five figures as an author from my author earnings, ever. I haven't yet hit six figures. One of the reasons I try to be transparent in sharing that is I don't want people to think that everyone else is a six- and seven-figure success story, and they're the only one who's only made $100 last year on their books. The reality is, 90 to 99% of the people who are writing and publishing are not going to earn a significant amount of money. I realise I'm also very, very lucky that I've earned this much, and it's taken a long time. I just shared this in a Substack post I posted yesterday: it was 10 years of rejections before I got $5 for my first short story that was published in '92. It wasn't until 2001 that I finally made pro rate, six cents US a word, for a short story that, ironically, Julie Czerneda bought from me back in the day. For me, I've been lucky that it's always been a long, slow slog. It's been a marathon, and I've never instantly sprinted across any dramatic finish line. I've had some really phenomenal moments—doing a book signing in a Costco, walking into Walmart and seeing my books there. Even last night at the Burlington Public Library, going, “Wow, they have eight of my books here—four of my self-published books and four of my traditionally published books, in two different sections.” I was like, “That's kind of cool.” So I've had these amazing moments as a writer, but I've never had the blockbuster—the Brandon Sanderson, or even the Dungeon Crawler Carl, Matt Dinniman, kind of moments. I still think I've had a very fortunate and lucky journey. Even if I wasn't making the money I'm making, I'd still be writing, and I'm sure you would be too. Jo: Oh, yes, for sure. I actually think the thing most of us would probably let go is the marketing. If we won the lottery, we'd carry on with all the creative stuff, the writing, the community stuff, and we'd just literally do no marketing at all. Mark: Well, yes, of course. Or potentially say, “Oh, here, ad agency, here's some money. You just run it, whatever. Let me know if it works or not. I don't care.” Jo: That's a much better idea. Mark: At least I've got the extra disposable income, so I may as well, because I'm helping the world when my books are out there. I know my books will help people. I really honestly think that as storytellers—whether it's fiction or non-fiction, we're still storytellers—what we do in writing and podcasting and all the things we do, the re-sharing on social media, is really helping connect people. I think that is one of the most profound things we can do as writers. And I mean that the writing, in and of itself, is a reward. Jo: Like you said, we met on Twitter when Twitter was what it was back in the day. I do very, very little social media now. But you just mentioned your Substack, and you also have your podcast, Stark Reflections. So how are you balancing what you put on each? I only do this podcast now. I don't even blog. I write books, obviously, and then I do the podcast. So what are you doing differently on Substack to the podcast, and what part do they play in income and marketing? Mark: Great question. I realise most people have never heard of me, or read or listened to the things I put out into the world. And I've been a longtime fan of “reduce, reuse, recycle my IP.” My podcast is not as long-running as yours, but I'm in my ninth year, and I've not missed a single Friday in the full eight years, or eight and a half by now, that I've been doing this. Every week I reflect on what I learned from an interview, or I'll reflect on something you've posted and say, “This episode is not an interview, but Jo said this last week, and I'm going to talk about it.” The podcast itself takes a lot of work. I still do all of it myself, and I know I probably shouldn't, but I like doing it, so it's one of those tasks I enjoy. I also have reflections that aren't going to come out vocally but might come out in writing. Sometimes in the morning I'm not in the mood to write the novel or the non-fiction book I'm writing, but I'm writing some tangent. I just let the creative monster go. I find that re-sharing… I might have reflected on something for a couple of minutes at the end of an interview, but I really want to expand upon it, so I write the Substack article. I try to reuse some of that content. Someone's going to enjoy seeing it on a short video clip I share on YouTube, or whatever the platform is. Someone else is going to listen to it on a podcast, wherever they listen to podcasts, and someone else is going to want to read it. It could be the same information, just shared in a slightly different way, to potentially get it out to other people. So for me, it's part of that wide publishing mentality. I'm trying not to completely duplicate the work, although I am duplicating some of it. I'll give you an example. Hey, Canadian listeners—if you have not registered for Public Lending Right in Canada, please put something in your calendar for February 2027, because the deadline's over. It was May 1st of 2026. Put it in your calendar for next year. I even had somebody at this writers' event I was at this last weekend say, “You mentioned something in a presentation you did for the Canadian Authors Association about Public Lending Right, and thank you, because now I get thousands of dollars a year from this.” So just look up Public Lending Right. I've been saying stuff about Public Lending Right for at least 10 years now. Every time I get my beautiful multi-four-figure cheque from them in February every year, I post on social media and remind authors to check it out. I know it exists in the UK, and it exists in 36 countries in the world—just not the US. Jo: Not the US. Mark: They don't have a programme like this, probably because the big publishers—and probably one of the authors' associations—think that libraries are cannibalising book sales, which is not true. It's been proven time and time again, and that lobbying has prevented it from happening. Whereas here in Canada, the Canada Council for the Arts and the Writers' Union of Canada worked hard to make this happen. Anyway, I talk about something like Public Lending Right and I feel like I must have said this so much that people are sick of it, but every single time I mention it, someone goes, “Oh my God, thanks for saying that. I never heard it.” That's a good reminder, especially for folks like you and me. We know the basics. We know what an ISBN is. We know KDP Select means you can't put the e-book on any other retailer, or even sell it on your own website. We know all these things, but it's hard for us to remember that there are folks coming to this for the very first time who've never heard it, even though we feel like, “Oh my God, I've said this till I'm blue in the face.” I think I got that from retail. When I worked in retail, I recognised that somebody's going to come in and ask for “that blue book that Reese Witherspoon was talking about,” or Oprah was talking about, or whatever. And you do your darn best to help them figure it out rather than mock them. I try to take the same approach when people ask me those questions, because I'm trying to remember what it was like when I honestly did not know the answer, and having someone take the time to help me. I've been very, very lucky that I've had a lot of people take the time to help me. I'll never forget—God rest her soul—Nancy Kilpatrick, a horror writer here from Canada who passed away a few years ago. She gave me a blurb for my very first book in 2004 because she'd acquired one of my short stories for an anthology she'd edited. I was trying to call my short story collection an anthology, and she very kindly took me aside and said, “It's not an anthology if it's a single author. An anthology is a…” Jo: I didn't know that until, like, last year. I got that wrong as well. There are lots of words like that. I want to circle back, because you didn't really answer earlier about the time management. You just mentioned YouTube, on top of Substack and all the things you do. You also have a day job at Draft2Digital—it's part-time, right? You also do part-time at the university, teaching publishing, right? You do all kinds of things. How do you manage your time with all of that? Mark: Well, I mismanage my time more than I manage it, Jo. That's the God's honest truth. Fortunately, most of the things I have that aren't scheduled—like, scheduled to do this lecture at this time, or scheduled to have this meeting at this particular time with Draft2Digital—most of my work is very flexible. I do not work a regular 9:00 to 5:00, Monday to Friday. Well, I never did. I always worked way more. But I have a very flexible schedule. Every single day is a work day, and every single day is a play day for me. So I'm very, very lucky. I do schedule in the very important things, particularly where somebody else is reliant upon me—meetings and connections and stuff like that. Then I make the time first thing in the morning to get the writing done. Everything else is not as important, and it's part of… I guess it's part of playing. You know, like the social media sharing. I don't look at social media as marketing. I just look at it as another way to connect with people, with other creatives, and with readers potentially, all six people who read my stuff. I probably could do a better job of managing my time. I've tried several times over the years to adapt processes to make it better, but I consistently default back to what I do, and so far I guess I've been getting away with it. So I was like, “Do I want to waste more time trying to come up with a process, or do I just want to roll with it?” Because so far I haven't killed myself doing it, and I've been enjoying the journey. So, if it ain't broke… Jo: I think that's the point, if it doesn't feel like it's broken. Having known you for a long time now, and we work together—obviously we co-wrote The Relaxed Author—you do work very, very differently to me. You definitely are a little bit more chaotic. I'm chaotic in some ways too. Mark: Oh, you're very generous. “A little bit chaotic.” Thanks. That was generous, Jo. Jo: You're chaotic in your work practices and scheduling and all that, which I couldn't cope with very well. Even though I feel like a part of my brain is very chaotic—the creative side, I guess, can be quite chaotic—I think I'm actually quite controlling and very scheduled in my work practices. As you say, for someone else on the outside, it might feel to me like you have too many balls in the air. But if you don't feel that, then that's the way of working that works for you. So this is another important thing, isn't it? You can't adapt to what other people say your life should look like. It's what feels good to you. Mark: Oh, for sure. One thing I know about my procrastination tendency is that panic and fear motivate me. So, a deadline—”I have to get this into a publisher by this date, I have to get this manuscript to an editor by that date”—I'm motivated by fear. And I'm afraid of everything, so I guess I'm always motivated. Jo: But I also know that when you hear the word “deadline”—and I know a lot of people who do this—the deadline means you get it in on the deadline, or the day before the deadline. To me, a deadline means I have it ready a month earlier. Mark: I love that. I've done that a few times and shocked myself. I actually had a pre-order up—with the audiobook, the print, and the e-book—a month in advance, and I didn't know what to do with myself. I was like, “Well, what am I going to do now in the next month?” Jo: Work on the next thing. Mark: But I'm so used to working on it up to the last second that I was kind of like, “What do I do?” That actually caught me by surprise, and I honestly felt weird. I was like, “I've never felt this before.” I'm really lucky. I know you have a very supportive and amazing partner, and so do I. My partner, scarily enough, is maybe a bigger procrastinator than me, so she never gives me a hard time. She supports me, and I do the same thing with her own work. I'm up all night with her at the last minute so we can get something turned in. So, fortunately, we really understand one another, and we don't give each other a hard time. We just go, “Well, got away with it again. I guess I'm not going to change my ways.” Jo: We made it. And again, that's the point. You and I could stand up in front of people, both hold up the last book we wrote, and say, “We made this,” and our processes are completely different. Our brains are completely different. We come from different countries. There are lots of things that are different, and yet we both made a book. So hopefully that encourages people. You don't have to do anything that we're telling you, or anyone else tells you. But if you want to be an author, at some point you have to produce a book. Mark: Exactly. As Brian in the classic Monty Python film gets them to say: “Yes, we are all different.” Embrace that difference. I think that's such a powerful reminder that there is no one process for getting anything done. Jo: Given that we co-wrote The Relaxed Author back in 2021—and we did that because we had another show, and we were talking, and we said, “Oh, everyone's stressed and the anxiety levels are really high, and we think there's a better path”—we co-wrote that book, which I think is still a very good book. Definitely people should get it. Interestingly, I think the stress and anxiety might actually be higher now than it was. So what do you think the main stresses are in the community now? You also see a lot with Draft2Digital, I guess, as well. Mark: Oh, for sure. Honestly, Jo, I'm so glad we wrote that book, because I actually pick it up every once in a while to remind myself of the things we tried to help others with. Again, it's therapy for me as well, so I'm so glad we did it. I think we're 10, if not 100, times more stressed. The world events and things going on, the divisiveness—not just in the world in general, in politics and everything else, but the divisiveness in the author community. The witch-hunting that happens, people trying to tear down other authors either because they're successful, or because, “Oh my God, you dared use a new technology.” All of these things are happening, and everyone's at one another's throats. I need to pick that book up and reread it. I'm a lot more stressed than I was. I'm just getting over shingles, which is… Jo: Oh. Which is actually related to stress as well, isn't it? Mark: It is, yes. I was in LA for Writers of the Future—I'm a judge for that science fiction and fantasy conference. I went right from LA, like a week in LA, which was a phenomenal experience getting to mentor the winners. And I mean, come on, it's a free trip to Hollywood, hanging out with Kevin Anderson, having beers and stuff like that. Then I came back to the Toronto Indie Author Conference, run by Tao Wong, here in Toronto. I went right from the airport—didn't even go home—straight to the hotel, because I kicked into another conference. We did a display on how to set up an in-person booth, so I ended up having to hand-bomb boxes, blocks down the street from where I was parked. My chest was really sore when I got home on the Monday, and I thought it was because I hadn't used these muscles, because I'm not in the best shape. Then I took my shirt off and went, “Oh, there's a rash there.” Liz goes, “You have shingles.” Because the pain in my chest, which I thought was the muscle, was actually underneath. I'm one of those lucky people that it's taken the full five weeks, and I'm still in pain even afterwards. So, again, public notice: if you're an older person like me, and there's a vaccine available for shingles, you may want to consider it. Jo: Yep, get it. Mark: Oh my God, it hurts. But, yes, the stress, I think, is higher—even though I didn't know I was feeling it. It was happy stress, right? I was stressed out because I'm there in Hollywood, helping people and doing some good things, and then I'm doing the same thing, interacting with some amazing authors at the Toronto Indie Author Conference. I didn't feel anxious stress. I was happy stress. Is that a thing? Jo: I think possibly… your physical body masks stress, physical stress, because you enjoy all of that stuff. Whereas someone like me, I'll feel it quicker and withdraw. Although I say that, back probably a decade ago, Jonathan would say to me, “You're going too fast, and you're going to hit the wall. And when you hit the wall, it's not going to be fun.” And I did hit the wall. Then, probably in 2021—I mean, that was when I just started going into menopause, and obviously we had the pandemic, and I wrote Pilgrimage, and I was doing all those walks, which I think really helped me. I learned a lot about maybe stopping that before it happened. Becca Syme obviously talks a lot about this too. But I find it interesting with you, because I think you're so positively happy with these events you do that it might mask your physical symptoms in a different way. That's really hard to watch out for. I'll give a tip to you and everyone else listening: schedule the calendar, and look at your calendar and go, “I can't go back-to-back-to-back. I have to put in some rest days.” Mark: Well, thank you. You know, Jo, you and Becca Syme are two of my best unpaid therapists. I appreciate that. Jo: You just don't listen, Mark. Mark: Or sometimes I do. Jo: Just coming back to the community, and the divisiveness there is primarily over AI at the moment, I think that's one of the biggest things. And the arbitrary lines as to what you're allowed to use it for and what you're not allowed to use it for, which is just kind of crazy. Obviously, you know I've opted out of that whole discussion now. How do you think we can move through this [divisiveness over AI], move on? We remember when it was trad versus indie, and then it was wide versus KU. So this will pass—it's just hard, when you're in it, to know when it might pass. Mark: Yes. I think the more generic advice—for whatever may come, whatever has come—is: why are you doing this? Why are you a writer? Heads down, focus on what gives you pleasure, and do that, because everything else is noise. All the marketing tactics and strategies, and all the people yelling at one another. Write your books. Do the things that motivate you. Do the things that give you that intrinsic reward. It's hard to ignore. I get it, it is hard to ignore. I have difficulty ignoring the haters and the yelling and the screaming that happens, but I do my best. Like this morning, when I was in the throes of my manuscript and I looked up and went, “Oh my God, I've got to shower. I'm going to be talking to Jo soon, I should comb my hair”—which I have none of. Because I was so in my book that everything else melted away. That, for me as a storyteller, as a writer, is one of the most beautiful places to be. Jo: I think you're absolutely right. I have a little thing that pops up in my calendar sometimes which says, “If you're feeling all of these things, just go create something.” The moment you refocus on creation—whatever that means to you—things change. It changes the energy. That, or go for a walk. That's my other tip. Mark: Outside. And I have to say, Jo, Pilgrimage is still one of the most profound and powerful books you've written, and you've written a lot of amazing ones. Jo: Oh, you're very sweet. Mark: That one really resonates, not just for me, but with Liz. Because one of the things we often do when we get stressed is go for a walk, ideally in nature. The vitamin N. I think there's something really profound in that, and it really helps me a lot. And again, sometimes going for a walk listening to your podcast, or an audiobook, or sometimes just attending to the environment. A tip I picked up years ago from Brooklyn author Denis Hamill was: go for a walk with your character. Listen to what they see. What do they comment on? How do they approach this environment that you've seen a million times? How do they see it? What do they notice that you don't notice? That's such an incredible experience of creativity—when you're not writing, but writing. That really helps me a lot. Jo: Oh, nice one. Okay, so your latest book is Stark Realities, but you have so many more. Where can people find you and your books and your podcast online? Mark: Jo, you can find everything you want to know about me—and stuff you don't want to know about me—over at MarkLeslie.ca. It links to all the other places from there. Jo: Brilliant. Thanks again for your time, Mark. That was great. Mark: Thanks so much, Jo. Bye-bye. The post Creative Satisfaction, In Person Print Book Sales, And Author Mindset With Mark Leslie Lefebvre first appeared on The Creative Penn.

This week we cover Paul Thomas Anderson's smoky noir, "Inherent Vice." We discuss the long process of adapting Thomas Pynchon's work into a screenplay, and the funding of the film. We then make sense of the murky plot and discuss the scenes we love from this film. Finally, we each pair the film with another for a pair of double bills for your viewing pleasure. Thank you so much for listening!Support us at Patreon at https://www.patreon.com/DoubleBillChillCreated by Spike Alkire & Jake KelleyTheme Song by Breck McGoughFollow us on Instagram: @DoubleBillChillLetterboxd: FartsDomino44

Writing domestic suspense under the pseudonym Cleo Ballard, Nan Fischer also writes young adult novels, such as When Elephants Fly and The Speed of Falling Objects. Additional author credits include Junior Jedi Knights, a middle grade Star Wars trilogy for LucasFilm, and co-authored sport autobiographies for elite athletes including #1 ranked tennis superstar Monica Seles, Triple Crown race winning jockey Julie Krone, Olympic gold medal speed skater Apolo Anton Ohno, legendary gymnastics coach Bela Karolyi, and Olympic gold medal gymnasts Nadia Comaneci and Shannon Miller. A graduate of Cornell University and former Traveling Writer for Ringling Bros. and Barnum & Bailey Circus and Senior Campaign Writer for The University of California, San Francisco, Nan's articles have appeared in Harper's Bazaar, Reese Witherspoon's Hello Sunshine, The Huffington Post, Powell's Book Blog, YA Books Central, Germ Magazine, Hypable, and School Library Journal. She lives in the Pacific Northwest with her husband, Henry, and the spirit of their always lovable Vizsla, Boone. When she's not conjuring a new commercial fiction novel or thrillers or reading, Nan can be found outdoors, biking, kitesurfing, winging, skiing or planning her family's next adventure. Learn more at nanfischerauthor.com Intro reel, Writing Table Podcast 2024 Outro RecordingFollow the Writing Table: @writingtablepodcastEmail questions or tell us who you'd like us to invite to the Writing Table: writingtablepodcast@gmail.com.

Matt and Jordan review HBO’s Sundance acquisition Miss You Love You. And while Jordan finds it to be a handsome, moving, and well-acted "filmed play", Matt finds too modest and predictable. For Rec Seg, Matt revisits the grueling, ice-cold dread of corporate culture with a 2019 workplace thriller, while Jordan counters with a classic 1982 Sidney Lumet thriller packed with more twists, turns -- and smooches! Finally, Jordan takes the reins as Dungeon Master for a game called On a Wing and a Prayer. Chapters / Timecodes (Timecodes/chapters may not be precise with ads.) Intro (00:00:00–00:7:27) Miss You Love You (00:7:28–00:26:54) Rec Seg!: (00:26:55–00:43:49) Personalized Recs (00:43:50–01:04:34) Game: On a Wing and a Prayer (01:04:35–01:23:04) Wrap-Up & Credits (01:23:05–01:35:02) Show Notes Now Streaming on Bazooga - A Filmspotting: SVU Archive https://letterboxd.com/samvanhallgren/list/now-streaming-on-bazooga-a-filmspotting-svu/ Matt's appearances on our sister podcast, The Next Picture Show, discussing Shogun Assassin and The Mandalorian and Grogu. https://www.filmspotting.net/nextpictureshow Pre-Order Matt's book "Funny Business: The Old-School Wedding Crashers and Knocked-Up Virgins Who Changed Comedy Forever" (Coming October 6th): https://www.penguinrandomhouse.com/books/790241/funny-business-by-matt-singer/ Feedback: Email us at feedback@filmspottingSVU.com Follow Matt on Blue Sky: @mattsinger.bsky.social Follow Jordan on Blue Sky: @jhoffman.bsky.social Follow the Show: https://www.instagram.com/superpulse/ https://www.facebook.com/FilmspottingSvuSee omnystudio.com/listener for privacy information.

This week we got completely sucked into DTF St. Louis on Max — and we have thoughts. David Harbour plays the most likable character in a show about suburban kinks, male loneliness and consensual weirdness, and we can't stop thinking about two middle-aged men tenderly dancing in their tighty-whities. Also: a woman yelled "you're my hall pass" at Ben during his Richmond show, and we're noticing a trend.Plus: the AI music backlash is real — Suno just raised $400 million and yet the public has definitively decided they do not want AI-created music. The Spotify CEO thinks bands should just drop a song every month. Reese Witherspoon is doing "let them eat cake" AI ads. And we explain exactly why tech platforms fundamentally do not understand creativity.Also: Seth Rogen's New York Times interview is essential listening, Ione had her first art show (get the painting at Vamped Vintage in Newtown), and we make the case for always having at least one normie friend in your life.

Jennifer Welch (“I've Had It” podcast) guest co-hosts. Reese Witherspoon says failure fueled her success. Khloé Kardashian on disapproving siblings' partners. A new season of relationship drama on “Couples Therapy.” Learn more about your ad choices. Visit podcastchoices.com/adchoices

The Mark Thompson Show Hour 4 (6.11) In the 9 pm hour of The Mark Thompson Show, supermodel and author Susan Holmes McKagan joins Mark and Tim for a fantastic conversation about her new novel “The Velvet Rose.” She opens up about getting discovered at just 16, living the wild supermodel life in early ’90s New York, walking for fashion powerhouses like Chanel, Guess, Dolce & Gabbana and Armani, and somehow avoiding the full-blown party scene. Susan also shares the charming fairytale story of how she met and married Guns N’ Roses bassist Duff McKagan — one of the best rock ‘n’ roll meet-cutes ever — and discusses her exciting second act as a novelist. The hour wraps with voice coach to the stars Roger Love, who has worked with Bradley Cooper, Eminem, Gwen Stefani, Joaquin Phoenix, Reese Witherspoon, Def Leppard, and many more. Roger talks about his most rewarding work helping people overcome stuttering and his powerful new documentary “Finding Your Voice.”See omnystudio.com/listener for privacy information.

The Mark Thompson Show Hour 2 (6.11) We’re back with the endlessly fascinating supermodel and author Susan Holmes McKagan, who walked for Chanel, Guess, Dolce & Gabbana, Armani, and pretty much every major designer on the planet. The big question: How the hell did she not turn into a full-blown party girl in that world? Mark covers the chaotic car meetup bust in the LA Riverbed near Cypress Park — nearly 90 arrests and 72 vehicles towed — right as FIFA World Cup fever kicks off with Mexico vs South Africa. Then voice coach to the stars Roger Love joins the show. He’s worked with Bradley Cooper, Eminem, Gwen Stefani, Joaquin Phoenix, Reese Witherspoon, and Def Leppard, but his proudest achievement might be helping people overcome stuttering, which he dives into with his new documentary “Finding Your Voice.” To close it out, Mark Thompson is losing his mind over a full-blown rat infestation in his attic — the little bastards have turned his place into a rodent hotel and are destroying his gorgeous hardwood floors. Classic KFI chaos. See omnystudio.com/listener for privacy information.

Amy Griffin's bestselling memoir The Tell was celebrated by Oprah and Reese Witherspoon as a powerful story of recovered memories, trauma, and healing, until a lawsuit was filed more recently. In this episode, we discuss The New York Times stories on the topic, and unpack the controversy surrounding Griffin. Griffin's attorney has defended her and called the lawsuit bogus, saying “we look forward to exposing these meritless claims in court, as well as the deeply flawed New York Times reporting that is at the center of it. Click ‘Subscribe' at the top of the Infamous show page on Apple Podcasts or visit GetTheBinge.com to get access wherever you get your podcasts. Find more great podcasts from Sony Music Entertainment at sonymusic.com/podcasts  Read Vanessa's book, Blurred Lines: Sex, Power and Consent on Campus, and check out Natalie on Instagram at @natrobe To connect with Infamous's creative team, join the community at joincampsidemedia.com Learn more about your ad choices. Visit podcastchoices.com/adchoices

The girlboss era promised that if women just worked hard enough, leaned in hard enough, optimized hard enough, equality was within reach. It wasn't. And now, a decade later, the same voices are back with the same urgency and the same "you'll be left behind" framing. The product this time? AI. Bridget sits down with Samantha and Anney from Stuff Mom Never Told You to talk about why Sheryl Sandberg, Reese Witherspoon, Mel Robbins, and the original girlboss herself Sophia Amoruso are all suddenly very invested in getting women onto AI platforms and why the women who aren't rushing to adopt it might actually be the ones paying closest attention. Let us know what you think by emailing hello@tangoti.com or leaving a comment on Spotify. Bridget's forthcoming audiobook with Simon & Schuster, Love At First Prompt, explores AI, sex, and intimate relationships. Pre-order at LoveAtFirstPrompt.ai Follow Bridget: Instagram | TikTok | YouTube | BlueskySee omnystudio.com/listener for privacy information.

Presenting an episode of The Founder Mindset with Reza Satchu, a new show from HBS

Our dear friend Ryan O'Connell returns to How Long Gone. His new book, Inspiration Porn, is out soon. We chat with him about Chris accidentally pouring candle wax all over himself at the Gabriela Hearst x Paul Smith dinner at the Chateau, Reese Witherspoon's umbrella holder, Colbert's final days on TV, Katy, Ariana, and Gaga, whether Will Arnett and Amy Poehler will get back together, Ryan being a closeted Dax Shepard listener, how you'd "better laugh at all his jokes if you want this Delta One ticket," a review of his book launch the night before—where Jason read one of Ryan's sex diary entries, Gwyneth's boyfriend breakfast bowls, Apple Martin and Romy Mars, we disagree on Olivia Dean, whether Jake Shane is today's Truman Capote, Alex Cooper's pregnancy press diversion, and some Ivy Wolk glazery. instagram.com/ryanoconn twitter.com/donetodeath twitter.com/themjeans howlonggone.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome back, WIFs.This week, Lauren and Michelle are diving into the topic that feels impossible to escape right now:AI.From Mel Robbins to Reese Witherspoon, everyone seems to be talking about artificial intelligence. Should we be excited by it? Terrified of it? A little bit of both?In this episode, the sisters explore AI from the perspective of everyday humans trying to navigate a rapidly changing world. No tech jargon. No expert analysis. Just a cozy, honest conversation about what it all means for the way we live, think, work, create, and connect.They discuss the growing fear of losing critical thinking skills, the environmental concerns surrounding AI, and the increasing difficulty of knowing what's actually real online anymore. But they also explore the hopeful side of technology, how it could potentially help solve major health issues, create new opportunities, and reshape everyday life if used mindfully.Most importantly, Lauren and Michelle reflect on the things AI can never replace: storytelling, grief, friendship, intuition, creativity, lived experience, human connection, and the soft skills that make us who we are. They also share how they personally use AI in daily life, where they draw boundaries, and why this conversation matters more than ever right now.Per usual, the sisters share what they're reading, watching, and listening to, along with a dose of weekly simple joys.Press play, get cozy… and let's talk about the future together.Because maybe now more than ever, doubling down on your humanity is the whole point.

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