Podcasts about International Film Festival Rotterdam

In this episode of In Conversation with Tibet TV, we dive into his latest film, Four Rivers Six Ranges, a period film about Tibet's resistance against the invading Chinese military force and the rise of Chushi Gangtruk, an independent military group to fight the occupation. Shenpenn also talks about the importance of dreaming big, walking past challenges and more. The Film recently premiered at the International Film Festival Rotterdam and is set to premiere at the Julien Dubuque International Film Festival in IOWA, United States on April 24th.

Nuestro debut en International Film Festival Rotterdam - IFFR

Ansuya Blom is kunstenaar, ze maakt schilderijen, tekeningen, beeldhouwwerken en films. Haar werk was onder meer te zien in Museum Fodor in Amsterdam, het Centraal Museum in Utrecht, het Haags Gemeentemuseum en het Stedelijk Museum Amsterdam. Haar films werden vertoond in het MOMA in New York en op het International Film Festival Rotterdam. Haar nieuwste expositie zal te zien zijn in landhuis Oud Amelisweerd. Femke van der Laan gaat met Ansuya Blom in gesprek

Welcome to the second episode of a 3-part special on the 2024 International Film Festival of Rotterdam.Host Nadine attended the film festival as a journalist and media maker this year. This series was recorded on site and shares three highlights from the dynamic festival.Tamara Tatishvili is the Head of the Hubert Bals Fund at the International Film Festival Rotterdam. Previously, Tamara worked for several years as Director of the Georgian National Film Center and the Head of Studies at MEDICI: a training and exchange forum for senior decision makers of international public film funds. She is a strategy consultant, leader, producer and programmer. Since 1988, the curatorial fund Hubert Bals Fund has supported groundbreaking film projects in every stage of the production process, working especially with filmmakers from countries where local film funding and infrastructure is lacking or restrictive. For further information on the Hubert Bals Fund and it's programs, please visit: www.iffr.com/en/hubert-bals-fund.In this episode, we talk about these film works: Blackbird Blackbird Blackberry, Praia Formosa, Tenement, and Somnambulance. You can find more on the 2024 HBF films: HERE.In the first episode, you meet filmmaker Madeleine Hunt-Ehrlich & her work "The Ballad of Suzanne Césaire". In the third episode, you'll get to know Julia de Simone, director behind "Praia Formosa" and the winner of the HBF's development program in 2014.Thanks to the IFFR, and its specifically press team, for this opportunity.Nadine Reumer is an actress and producer based in Amsterdam. You can follow the podcast @inherlenspodcast on Instagram. Hosted on Acast. See acast.com/privacy for more information.

Asad Raza (born in Buffalo, USA) creates dialogues and rejects disciplinary boundaries in his work, which conceives of art as a metabolic, active experience. Diversion, first shown at Kunsthalle Portikus in 2022, diverted a river through the gallery. Absorption, in which cultivators create artificial soil, was the 34th Kaldor Public Art Project in Sydney (2019), later shown at the Gropius Bau, Berlin (2020) and Ruhrtriennale (2021). In Untitled (plot for dialogue) (2017), visitors played tennis in a sixteenth-century church in Milan. Root sequence. Mother tongue, at the 2017 Whitney Biennial, combines twenty-six trees, caretakers and objects. Schema for a school was an experimental school at the 2015 Ljubljana Graphic Art Biennial. Raza premiered the feature Minor History at the International Film Festival Rotterdam (2019). Other projects take intimate settings: The Bedroom at the 2018 Lahore Biennale; Home Show (2015) at his apartment in New York, where Raza asked artists to intervene in his life; and Life to come (2019) at Metro Pictures, featuring participatory works and Shaker dance.  With Hans Ulrich Obrist, Raza curates exhibitions inspired by Édouard Glissant, including Mondialité (Villa Empain, Brussels), Trembling Thinking (Americas Society, New York), Where the Oceans Meet (MDC Museum of Art and Design, Miami), and This language which is every stone (IMA, Brisbane). Raza will serve as Artistic Director of the upcoming FRONT 2025: Cleveland Triennial of Contemporary Art. Of Pakistani background, Raza studied literature and filmmaking at Johns Hopkins and NYU. Still from Ge, Asad Raza, 2020. Commissioned for The Shape of a Circle in the Mind of a Fish: The Understory of the Understory, Serpentine Galleries. Ge, Asad Raza, 2020. Commissioned for The Shape of a Circle in the Mind of a Fish: The Understory of the Understory, Serpentine Galleries. Asad Raza, Untitled (plot for dialogue), 2017, CONVERSO, Milan Photo Credit: Andrea Rossetti

The Iron Claw pakte onze nieuwsgierigheid met een geweldige trailer en een veelbelovende cast. De film komt in maart officieel in de bioscopen maar we pakte maar al te graag de kans deze te kunnen bekijken op het International Film Festival Rotterdam! Zoals altijd nemen we het acteerwerk en de technische aspecten van de film onder de loep, we bespreken het verhaal en zoeken naar de eventuele diepere laag. We geven onze mening over wat we gezien hebben en deze hoor je hier, in weer een nieuwe aflevering van onze podcast. Enjoy!132 minuten73 metascoreTrailerIMDbRedactie: Don ZwaaneveldBedankt voor het luisteren!Volg @dononfilm op Instagram & LetterboxdWord Patron en krijg maandelijks exclusieve content!

Liefde in Senegal, een bank overval in Argentinië en een abortus in Brazilië. Dit en veel meer is vanaf vandaag op het grote doek te zien op het International Film Festival Rotterdam.  De komende twaalf dagen wordt de Maasstad omgetoverd tot het decor van het Internationale film Festival Rotterdam. Twaalf dagen lang worden er meer dan 400 films getoond en het is daarmee het grootste film festival van ons land. Wat maakt dit festival zo speciaal? Wie wint de grote prijs? En welke films moet jij echt gezien hebben? Te gast: Omar Larabi, filmjournalist

In this episode, I talk with filmmaker Tijana Petrovic about her new film "A Field Guide to Coastal Fortifications" that premiered earlier this year at the International Film Festival Rotterdam. We also explore Tijana's sources of inspiration, her work as a cinematographer, and her teaching. Tijana's website: www.tijanapetrovic.netThank you for listening. Please subscribe to keep up to date with new episodes. If you enjoy this podcast, please leave a review.“On Documentary” podcast page: www.adamjamessmithfilm.com/on-documentaryAdam James Smith's Instagram: www.instagram.com/ajsfilmContact: ajsfilm@alumni.stanford.edu

Hello, we are back! After a lengthy break, The Other Banana returns with a new season and with a small change in programming for this opening episode. We have two special guests - filmmaker Don Palathara who's made films such as Shavam, Vith, 1956 Central Travancore, Everything is Cinema joined us to talk about Swedish auteur Roy Andersson's A Pigeon Sat on a Branch Reflecting on Existence. Palathara's new film Family premiered at International Film Festival Rotterdam earlier this month. Aditya's writing on Palathara's cinema and review of Family are linked below in the show notes. The second guest participating in this episode is sociologist Sherin Catherine who also dabbles in writing and acting. She's the co-writer of Everything is Cinema and Family. Roy Andersson's films are unique in their narrative style and shot compositions. They are more anti-narrative with us just following a seemingly disconnected set of characters who are framed in painterly compositions with deep focus with most of the film in master shots. His films are existential in nature probing what it means to be human and sometimes dark and, more often than not, funny. A Pigeon Sat on a Branch Reflecting on Existence (2014) is the third in his Living trilogy following Songs from the Second Floor (2000) and You, the Living (2007). It won the Golden Lion at the 71st Venice International Film Festival. Listen on Participants: Aditya Don Palathara Sherin Some writings on Don Palathara's cinema by Aditya: On Palathara's cinema: https://www.cinemaexpress.com/malayalam/features/2021/aug/18/biweekly-binge-inside-don-palatharas-cinema-26130.html Review of Family: https://www.ottplay.com/news/newsletter-the-church-faith-at-all-costs-in-don-palatharas-family/fc3e211676571

Live from the International Film Festival Rotterdam (IFFR), Anna Smith is joined on stage by an international panel of inspiring industry figures. Prolific power-house Christine Vachon chats about how it feels to have produced over 100 films, and the job of using “disruption for opportunity”. She also has valuable advice for would-be producers. Friend of Girls On Film Dutch film critic Dana Linssen co-curated the Critics' Choice selection at IFFR for the ninth year running. She joins Anna to speak about her love for this year's female-directed films in the strand, Charlotte Wells' Aftersun and Nafiss Nia's That Afternoon (or Die middag). In That Afternoon, which received its world premiere this year at the festival, director Nafiss Nia takes us with refugee Roya, played by Hoda Niku, as her life intersects with Nassim, played by Alin Wishka, one afternoon. Nafiss Nia joins Anna and Dana on-stage to give insight into her film, and the importance in her filmmaking of language in her “father tongue” Dutch, as a poet and native Persian speaker. Anna is also joined by Superposition director Karoline Lyngbye and one of the film's stars, Marie Bach Hansen, who plays Stine. Superposition follows writer Stine and her partner, podcaster Teit (Mikkel Boe Følsgaard) as they retreat off-grid for a year with their son Nemo to save their relationship, until … well, that's all we can say without spoilers! Karoline and Marie speak about their experience of working in Denmark in film, television and theatre and the discussions they had about gender while making the film. 2023 International Film Festival Rotterdam is taking place from the 25th January 2023 to the 5th February 2023. For all information go to: https://iffr.com/en Hear Vanja Kaludjercic, director of IFFR, talk more about the festival and programme on episode 137 of Girls On Film: https://pod.fo/e/15b92a Films mentioned in this episode include: The Woman King, Gina Prince-Bythewood, 2022 The Wonder, Sebastián Lelio, 2022 Good Luck to You, Leo Grande, Sophie Hyde, 2022 Aftersun, Charlotte Wells, 2022 That Afternoon (aka Die middag), Nafiss Nia, 2023 Past Lives, Celine Song, 2023 Zola, Janicza Bravo, 2020 Far From Heaven, Todd Haynes, 2022 The Notorious Bettie Page, Mary Harron, 2005 She Came to Me, Rebecca Miller, 2023 (Starring Anne Hathaway, Marisa Tomei, Peter Dinklage, Joanna Kulig, Brian d'Arcy James) The Blair Witch Project, Daniel Myrick and Eduardo Sánchez, 1999 Superposition, Karoline Lyngbye, 2023 The Lighthouse, Robert Eggers, 2019 Television mentioned in this episode include: Dansegarderoben, 2023 Become a patron of Girls On Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjourno Watch Girls On Film on the BFI's YouTube channel: www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7z Girls On Film is an HLA production. Host: Anna Smith. Executive Producer: Hedda Archbold Producer: Lydia Scott Audio Producer: Emma Butt Intern: Eleanor Hardy House band: MX Tyrants Principal Partners: Vanessa Smith and Peter Brewer. This episode is in partnership with International Film Festival Rotterdam Credit: Sony Pictures for Zola clip.

Naomi Ackie, the British star of Whitney Houston: I Wanna Dance with Somebody, talks to Anna Smith about preparing for her portrayal of the musical icon. Ackie has been longlisted for a BAFTA Film Award for Leading Actress for her extraordinary performance. She explains how important it was to her that the audience was being shown a side of Houston that perhaps they hadn't seen before, particularly with her same-sex relationship with her girl friend Robyn Crawford. They also discuss the importance of having a female director, Kasi Lemmons, at the helm with the involvement of Whitney Houston's long-time producer Clive Davis, who is played by Stanley Tucci. Anna is also joined by Vanja Kaludjercic, the director of the International Film Festival Rotterdam, giving insight into the 2023 programme and what it is that makes this film festival special. Vanja and Anna talk diversity, inclusion and internationalism within film and film festivals, and Vanja also picks out a few of this year's highlights. Vanja also talks about why she has invited Girls On Film to return for the third time in January 2023 to record a live podcast episode - check back soon for that episode. Whitney Houston: I Wanna Dance with Somebody was released in theatres nationwide in December 2022. 2023 International Film Festival Rotterdam is taking place from the 25th January 2023 to the 5th February 2023. For all information go to: https://iffr.com/en Other films mentioned in this episode include: The Plains, David Easteal, 2022 Mayday! May day! Mayday!, Yonri Revolt, 2022 Deadly Love Poem, Garin Nugroho, 2022 Sri Asih, Upi Avianto, 2022 Like & Share, Gina S. Noer, 2022 Indivision, Leïla Kilani, 2023 Le spectre de Boko Haram, Cyrielle Raingou, 2023 Mama dan so que sorriso, Cyrielle Raingou, 2023 Gagaland, Teng Yuhan, 2023 Become a patron of Girls On Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjourno Watch Girls On Film on the BFI's YouTube channel: www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7z Girls On Film is an HLA production. Host: Anna Smith. Executive Producer: Hedda Archbold Producer: Lydia Scott Audio Producer: Emma Butt Intern: Eleanor Hardy House band: MX Tyrants Principal Partners: Vanessa Smith and Peter Brewer. Thank you also to our Patreon Supporters.

Fiona Reilly, 2021 INTERVIEW TRANSCRIPTSince 2017, artist and researcher Kelly Lloyd has interviewed people in the arts about their livelihoods, documenting diverse stories of artists as workers. Join her discussion with the artist and writer Morgan Quaintance and critic Zarina Muhammad, part of writing duo The White Pube, on the issues and inequalities surrounding artistic labour.The White Pube is the collaborative identity of Gabrielle de la Puente and Zarina Muhammad under which they publish reviews and essays about art, video games and food. Morgan Quaintance is a London-based artist and writer. His moving image work has been shown and exhibited widely at festivals and institutions including: MOMA, New York; Mcevoy Foundaton for the Arts, San Francisco; Konsthall C, Sweden; David Dale, Glasgow; European Media Art Festival, Germany; Alchemy Film and Arts Festival, Scotland; Images Festival, Toronto; International Film Festival Rotterdam; and Third Horizon Film Festival, Miami.SHOW NOTESzarinamuhammad.co.ukthewhitepube.co.ukroughtradebooks.com/products/ideas-for-a-new-art-world-the-white-pubemorganquaintance.comwhitechapelgallery.org/events/this-thing-we-call-artwhitechapelgallery.org/exhibitions/a-century-of-the-artists-studio-1920-2020

On the latest episode of the Talkhouse Podcast, highly acclaimed actor Harry Melling and writer-director Amanda Kramer chat over Zoom from their respective homes in London and Los Angeles. The two recently collaborated as star and filmmaker on Kramer's latest feature, Please Baby Please, which also stars Andrea Riseborough and Demi Moore and is the opening film at 2022 International Film Festival Rotterdam. In a wide-ranging conversation, Kramer and Melling touched on many subjects, from making Please Baby Please during COVID in Montana, to Harry's love of dancing, why Amanda almost had a breakdown on set, actors' misplaced obsession with playing real people, how Amanda expanded Harry's love and knowledge of English cinema, and much more. For more filmmakers talking film and TV, visit Talkhouse at talkhouse.com/film. Subscribe now to stay in the loop on future episodes of the Talkhouse Podcast. This episode is brought to you by Storyblocks. Check them out at storyblocks.com/Talkhouse.

#SanthoshathinteOnnamRahasyam is a Malayalam film directed by #DonPalathara starring #RimaKallingal and #JithinPunthenchery. The film was premiered at the International Film Festival of Kerala (IFFK) in Thiruvananthapuram on 21 February 2021. This is a first of its kind experimental movie in Malayalam film industry as the entire movie is of a 85 minute single shot.

Charlie Vundla, Entrepreneurial filmmaker and storyteller on his movie Hotele Lerallaneng which has landed a spot as the only SA produced film to premiere at the 50th International Film Festival Rotterdam.  See omnystudio.com/listener for privacy information.

Dit is de AD Nieuws Update van woensdag 2 juni met Roel Maalderink.  Support the show: https://krant.nl See omnystudio.com/listener for privacy information.

Tijdens de eerste editie in 1972 stelt IFFR nog maar weinig voor: de Rotterdamse wethouder van cultuur weigert zelfs de officiële opening te verzorgen vanwege het geringe aantal bezoekers. De 28-jarige Marja Landman is er wel bij, maar valt in slaap tijdens de vertoning van de Iraanse prijswinnaar De koe. Desondanks is ze de film bijna vijftig jaar later nog altijd niet vergeten en droomt ze ervan het eindelijk af te kunnen kijken. In de allereerste aflevering van Tijgers & Cowboys, een vierdelige podcastserie van VPRO Cinema over de roemrijke geschiedenis van International Film Festival Rotterdam, probeert Cesar Majorana haar te helpen. En onderzoekt hij de mysterieuze vertoning van een Armeens meesterwerk: zonder twijfel is de film ooit op het festival vertoond, maar dat is nergens in de archieven terug te vinden. Voor bonusmateriaal bij deze aflevering: vprogids.nl/50jaariffr Following (1999): https://www.vprogids.nl/cinema/films/film~510271~following~.html Rafiki (2018): https://www.vprogids.nl/cinema/films/film~12966637~rafiki~.html

Marta Popivoda (Berlin/Belgrade) is a filmmaker, video artist, and researcher. Her work explores tensions between memory and history, collective and individual bodies, as well as ideology and everyday life, with a focus on antifascist and feminist potentialities of the Yugoslav socialist project. She cherishes collective practice in art-making and research, and for several years has been part of the TkH (Walking Theory) collective. Popivoda’s first feature documentary, Yugoslavia, How Ideology Moved Our Collective Body, premiered at the 63rd Berlinale and was later screened at many international film festivals. The film is part of the permanent collection of MoMA New York, and it’s featured in What Is Contemporary Art? MoMA’s online course about contemporary art from 1980 to the present. Her work has also featured in major art galleries, such as Tate Modern London, MoMA New York, M HKA Antwerp, Museum of Modern Art + MSUM Ljubljana, etc. Popivoda received the prestigious Berlin Art Prize for the visual arts by Akademie der Künste Berlin and Edith-Russ-Haus Award for Emerging Media Artist. Her new feature documentary Landscapes of Resistance premiered in the Tiger Competition of the International Film Festival Rotterdam 2021. It won the Best Picture Prize in the International Competition of the 22nd Jeonju International Film Festival, South Korea, and Library Award at the 43rd Cinéma du réel - Festival international du film documentaire, Paris. Landscapes of Resistance, Marta Popivoda, Film Still Landscapes of Resistance, Marta Popivoda, Film Still  

Future Matter #4 - Riar Rizaldi "Holonomy" Written by Riar Rizaldi Narrated by Nadia Tirensia Sound and Mixing by Riar Rizaldi Holonomy is a science/ethno-fiction in the form of found-audio play. It tells a personal reflection of Indonesian astrobiologist & xenoanthropologist Serambi Fati in her diplomatic mission to visit a superhabitable planet called Bumi 5.0. On her interstellar voyage, she transmits her thought on her speculation of tropical futurism in Bumi. At the same time, she explores her theory of 'commoning process' which is developed based on the evolution of mutual assistance, moral order and cosmological system of the tropical region—especially Indonesian archipelago—and echoes it to her prediction of the Buminites society. Fati contemplates the past as much as she thinks about the future. Riar Rizaldi works as an artist, filmmaker and amateur researcher. Born in Indonesia and currently based in Hong Kong. His main focus is on the relationship between capital and technology, extractivism, and theoretical fiction. His works have been shown at Locarno Film Festival, BFI Southbank London, International Film Festival Rotterdam, NTT InterCommunication Center Tokyo, Centre Pompidou Paris, Times Museum Guangzhou, and National Gallery of Indonesia amongst others. Transcript of the audio find here www.futurematter.institute/

In this edition of the show, Cinetopia founder Amanda Rogers is joined by co-producer Jim Ross (TAKEONECinema.net Managing Editor) and show regular and freelance critic Steph Brown. Between them, they cover four films and gear up for Glasgow Film Festival: Sam Levinson's Netflix lockdown release MALCOLM & MARIE; Guantanamo Bay legal drama THE MAURITANIAN from Kevin Macdonald; Gianfranco Rosi's observational documentary, NOTTURNO, of the war-torn regions recovering from the scars of ISIS; and Bryan Fogel's new documentary about the murder of Jamal Khashoggi, THE DISSIDENT. Jim also speaks to Alex Camilleri, director of LUZZU, which premiered recently at Sundance and won the Special Jury Award for acting, and Betty Stojnic returns to the show to tell us some of her highlights from International Film Festival Rotterdam. ------------------------ 05:45 - Malcolm & Marie (Dir: Sam Levinson) 32:17 - The Mauritanian (Dir: Kevin Macdonald) 46:32 - The Dissident (Dir: Bryan Fogel) 1:10:47 - Notturno (Dir: Gianfranco Rosi) 1:30:05 - Interview with Alex Camilleri, director of Luzzu 1:49:50 - Betty Stojnic at Rotterdam 2021 ------------------------- Short film recommendations will return in our GFF special extra edition on February 23rd!

Tim Leyendekker is filmmaker en fotograaf. Hij maakt videokunst en projecties waarmee hij de grenzen van cinema als verhalend medium onderzoekt. Eerder maakte hij onder meer de korte films Opening Night (2009), The Healers (2010), en Blinder (2015). Op de 50ste editie van het International Film Festival Rotterdam gaat zijn nieuwe film Feast in wereldpremière. Het verhaal is losjes gebaseerd op een bizarre rechtszaak uit 2007, waarin de verdachten werden beschuldigd op Groningse seksfeesten de slachtoffers met hiv-positief bloed te hebben geïnjecteerd. Pieter van der Wielen spreekt met Tim Leyendekker.

Op de 50e editie van International Film Festival Rotterdam gaat de film MITRA in première van regisseur Kaweh Modiri. Hij baseerde de film en het gelijknamige boek op het leven van zijn eigen moeder en probeert hiermee een brug te slaan tussen de islamitische revolutie in Iran en het hedendaagse leven in Nederland. In de rubriek Boekentherapie adviseert onze boekentherapeut Helena Hilgerdenaar deze keer boeken over slapeloosheid: ‘Slaap!’ Van Annelies Verbeke en ‘Het huis van de slaap’ van Jonathan Coe. Presentatie: Jellie Brouwer

In this episode, we feature a conversation with filmmaker Hannah Jayanti about her speculative documentary film, TRUTH OR CONSEQUENCES.Set in the small desert town of Truth or Consequences, New Mexico, the film takes place in the shadow of the world's first commercial Spaceport. Subtly set in a near future when space travel has begun, the film follows five residents in the town. Combining documentary, archival, experimental virtual reality worlds and an improvised score by Bill Frisell, TRUTH OR CONSEQUENCES is a lyrical meditation on progress, history, and how we navigate a sense of loss within ourselves and a changing world.Aylin Gökmen moderates the conversation. Gökmen is a Swiss-Turkish filmmaker whose short documentary films also combine the real with the imagined.

This week, we are joined by the incredibly talented Idil Ibrahim, an award-winning director, producer and changemaker. She talks to us about her journey into filmmaking, her projects and the stories she wants to tell, as well as sharing her advice to anyone interested in getting started in the creative arts. Idil's films have been featured at the International Film Festival Rotterdam, Toronto International Film Festival, Los Angeles Film Festival, Cinéma du Réel in Paris, and Sundance Film Festival, among others. She was also selected as one of OkayAfrica's "100 Women" for 2018. Please note this episode was recorded as the US election results were announced. See links below for more information about where you can find Idil. Links mentioned in this episode: Idil's website: https://www.idilibrahim.com Instagram: @i_am_idil Follow us: Instagram: @frothandbubblepodcast Email us: frothandbubblepodcast@gmail.com Music by Kobefei This podcast is hosted by ZenCast.fm

Kaweh Modiri is een Nederlandse schrijver en filmmaker van Iraanse afkomst. In 2012 maakte hij zijn debuut als romanschrijver met Meneer Sadek en de anderen. In 2016 ging zijn speelfilm Bodkin Ras in première op het International Film Festival Rotterdam. Zijn nieuwe boek Mitra is vernoemd naar zijn zus die in 1981, toen zijn moeder zwanger van hem was, in Iran werd geëxecuteerd. Mitra, waarvan ook een film wordt uitgebracht, vertelt het verhaal van zijn moeder die vat tracht te krijgen op de onrechtvaardigheid van haar lot en wanhopig probeert terug te halen wat verloren is. Liesbeth Staats spreekt met Kaweh Modiri.

Neste episódio a convidada Ana Magalhães traz o ponto de vista da mulher no tambor e seus desafios, e também conta sobre sua trajetória no reencontro com a ancestralidade. Multiartista, uma das percussionistas e produtoras do Dembaia, grupo de dança e percussão africana e em suas diásporas. Djembefola referência no Rio de Janeiro, coordena um grupo de prática em percussão africana junto com o projeto Moussoloudon. Percussionista no projeto Pra Gira Girar - Uma Homenagem à Os Tincoãs. Diretora musical e musicista no espetáculo Olhos D'água ou Das Pedras Nasciam Asas, realizado pelo Grupo Emú e Dembaia. Faz parte da Coletiva Audiovisual Elekô, onde juntas produziram e realizaram o filme ELEKÔ (2015) exibido em festivais importantes como o International Film Festival Rotterdam e ganhador nas categorias de Melhor Filme e Sound Designer no Festival 72h (RJ), além disso participou de trilhas sonoras em longa e curta-metragens importantes da cena atual do cinema negro. Idealizadora da marca de roupas e tecidos Moolaadé. Bacharel em Musicoterapia, pelo Conservatório Brasileiro de Música - RJ, atuou no cuidado e promoção de saúde mental de criança e adolescente no SUS e na relação mãe-bebê através da musicoterapia no sistema penitenciário do Rio de Janeiro. @anamagatra Trilha Sonora: I- Arranjo e Produção musical: Ana Magalhães II- Ritual Mandinga - Dembaia

Vera Brunner-Sung is a filmmaker who uses experimental, documentary, and narrative techniques to explore the relationship between place and identity. Vera's documentary short film, Character, premiered at the 2020 Sundance Film Festival. The child of immigrants from Korea and Switzerland, Vera grew up in Ann Arbor, Michigan. Early on, her intercultural, mixed-race experience created a fluid sense of belonging that informs her work. After undergraduate work in public policy and visual art at Brown University, she moved to California to study film with Thom Andersen, Rebecca Baron, James Benning, and Betzy Bromberg at CalArts. Vera’s films, videos, and photographs have been presented at festivals, museums, and galleries in the U.S. and abroad, including Sundance, the Torino Film Festival, CPH:DOX, Leeum Samsung Museum of Art, MoMA PS1, San Francisco International Film Festival, Ann Arbor Film Festival, and Images Festival. Her first feature, Bella Vista, had its world premiere at the International Film Festival Rotterdam in 2014, and went on to win her the George C. Lin Emerging Filmmaker Award at the 15th San Diego Asian Film Festival. She is a 2015 Fellow with the Center for Asian American Media and a 2020 Sundance FilmTwo Fellow. In addition to making films, Vera is a writer and educator. Her essays, reviews, and reports have appeared in print and online publications including Sight & Sound, Cinema Scope, and Millennium Film Journal. Her chapter on the representation of site-specific art in contemporary documentary film appears in Documenting the Visual Arts (ed. Roger Hallas, Routledge, 2019). She has taught at the University of California, San Diego, and the University of Montana, and is currently an assistant professor at The Ohio State University. This episode was recorded in partnership with the Big Sky Documentary Film Festival. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/americanfilmmaker/support

Director/Producer An Tran’s feature documentary debut Moving Pictures: Filmmakers and the Art of Cinematography premiered at the International Film Festival Rotterdam earlier this year. Including insights from award-winning directors Ang Lee, Francis Ford Coppola, Wim Wenders, Reed Morano and Ellen Kuras, this documentary takes viewers on a rare journey exploring the artists behind the world’s cinematic treasures. Moving Pictures includes intimate conversations with celebrated cinematographers like Roger Deakins ASC BSC, Vittorio Storaro ASC AIC, Rachel Morrison ASC, Christopher Doyle HKSC, Rodrigo Prieto ASC AMC, Matthew Libatique ASC, Mahmoud Kalari and more. These passionate craftspeople reveal their early influences and careers, what moves and motivates them, plus the magic of legendary partnerships with directors such as Jim Jarmusch, Clint Eastwood, Martin Scorsese, Bernardo Bertolucci, David Lynch, Abbas Kirostami, Xia Fang, Stanley Kubrick and more. Produced by ARRI, the documentary was a major undertaking – production spanned multiple continents, crews and languages. Joining the effort were also Director/Executive producer Henning Radlein and Director/Supervising Editor Sophie Kill. Cinematographer Tom Fahrmann, bvk developed the black-and-white visual design and lighting approach for the interviews. For Tran, her goal was to bring out the personality of each interview subject, along with showcasing a diverse array of filmmakers from different backgrounds and generations. “We know these filmmakers and work; being able to share their unique experiences will inspire current film lovers and the storytellers of tomorrow.

In this jam-packed episode, Ant Gates joins Andrew and James to get all lovey-dovey about Takashi Miike's First Love, but as we look forward to the new rerelease of the One Missed Call trilogy, we wonder if this was the slushy feelings we were thinking of? Continuing the J-Horror theme, Niina Doherty gets very excited about Takashi Shimizu's Howling Village, while we reminisce about The Grudge and the good old days of Asian horror. Maja and Kaj report back on the International Film Festival Rotterdam, featured in full on the previous special report podcast. Meanwhile, Third Window Film's Adam Torel tells us How he got into easternFlicks...

In a special standalone episode, Maja Korbecka and Kaj van Zoelen chat through some highlights from the 2020 International Film Festival Rotterdam.

PODCAST | Matt Micucci interviews Sophie Goyette, director of MES NUITS FERONT ÉCHO from the 46th International Film Festival Rotterdam. MES NUITS FERONT ÉCHO (English title: Still Night, Still Light) is the first feature film by Sophie Goyette. The film’s turning points seem to revolve around dreams. Goyette shares with us her [...] The post Sophie Goyette – Mes nuits feront écho #IFFR2017 appeared first on Fred Film Radio.

Otaku Movie Anatomy hosts review Ace Attorney! Ace Attorney (逆転裁判 Gyakuten Saiban, lit. "Turnabout Trial") is a 2012 Japanese courtroom drama and comedy film, directed by Takashi Miike and based on the Capcom video game Phoenix Wright: Ace Attorney. The film stars Hiroki Narimiya, Mirei Kiritani, and Takumi Saito. It made its premiere at the International Film Festival Rotterdam on 1 February 2012 and was released in Japanese cinemas on 11 February 2012. The US premiere was made at the Hawaii International Film Festival in April 2012. Miike has stated there are plans for an international release with both dubbing and subtitles available for each specific region. Learn more about your ad choices. Visit megaphone.fm/adchoices

The new artistic director of the Rotterdam Film Festival is ready to go, with passion and new ideas. The post Bero Beyer – International Film Festival Rotterdam #Venezia72 appeared first on Fred Film Radio.

Rutger Wolfson introduces this year's IFFR, his last as festival director. The post Rutger Wolfson – International Film Festival Rotterdam #IFFR appeared first on Fred Film Radio.

Jon Jost, Director, Producer, DP, Editor, Coming to Terms. Festival Section: Spectrum. Legendary indie American filmmaker Jon Jost talks about the death of cinema and his new film, COMING TO TERMS, which stars another iconic indie filmmaker James Benning and was presented at the 43rd International Film Festival Rotterdam. Meditation [...] The post Jon Jost – Coming to Terms #IRFF appeared first on Fred Film Radio.

Ikeda Akira, Director, Screenwriter and Producer, Anatomy of a Paper Clip. Festival Section: Hivos Tiger Awards Competition. Japanese filmmaker IKEDA AKIRA chats to FRED about his feature ANATOMY OF A PAPER CLIP (Yamamori clip koujo no atari), which was presented at the 43rd International Film Festival Rotterdam. Kogure is a [...] The post Ikeda Akira – Anatomy of a Paper Clip #IRFF appeared first on Fred Film Radio.

Alessandro Rossetto, Director and Co-Screenwriter, Piccola Patria. Festival Section: Spectrum. Filmmaker Alessandro Rossetto talks to FRED about his film PICCOLA PATRIA (Small Homeland), which was presented at the 43rd International Film Festival Rotterdam. Superb fiction debut from an experienced documentary maker shows a small community in northern Italy, where city and countryside [...] The post Alessandro Rossetto – Piccola Patria #IRFF appeared first on Fred Film Radio.

Abolfazl Saffary, Director and Co-Screenwriter, From Tehran to Heaven. Festival Section: Signals: How To Survive… Filmmaker Abofazl Saffary talks to FRED about his film FROM TEHRAN TO HEAVEN (Az Tehran ta beshesht), which was presented at the 43rd International Film Festival Rotterdam. A woman finds a note from her husband [...] The post Abolfazl Saffary – From Tehran to Heaven #IRFF appeared first on Fred Film Radio.

Tatjana Božic, Director, Happily Ever After. Festival Section: Hivos Tiger Awards Competition. Filmmaker Tatjana Božic talks to FRED about her very personal documentary feature HAPPILY EVER AFTER, which was presented at the 43rd International Film Festival Rotterdam. Filmmaker Tatjana Božic grew up in Croatia before the Balkan War. She roamed in different relationships through [...] The post Tatjana Božic – Happily Ever After #IRFF appeared first on Fred Film Radio.

Rick Prelinger, Director, Producer and editor, No More Road Trips? Festival Section: Signals: Regained. Archivist, writer and filmmaker Rick Prelinger talks about his latest work NO MORE ROAD TRIPS?, which was presented at the 43rd International Film Festival Rotterdam, and about the renowned Prelinger Archives. Epic montage film based entirely on American amateur home [...] The post Rick Prelinger – No More Road Trips? #IRFF appeared first on Fred Film Radio.

Shahram Mokri, Director and Screenwriter, Fish and Cat. Festival Section: Signals: How To Survive… Filmmaker Shahram Mokri talks to FRED about his remarkable feature FISH AND CAT (Mahi va gorbeh), winner of the Special Orizzonti Award for Innovative Content and presented at the 43rd International Film Festival Rotterdam. A group [...] The post Shahram Mokri – Fish and Cat #IRFF appeared first on Fred Film Radio.

Lee Chatametikool, Director, Screenwriter, Co-Editor, Concrete Clouds. Festival Section: Hivos Tiger Awards Competition. Filmmaker Lee Chatametikool talks about his new film CONCRETE CLOUDS (Pavang rak), which was presented at the 43rd International Film Festival Rotterdam. Father jumps off roof. Economy caves in. Childhood sweetheart remains out of reach. Nice girl next door [...] The post Lee Chatametikool – Concrete Clouds #IRFF appeared first on Fred Film Radio.

Iva Radivojevic, Director, Evaporating Borders. Festival Section: EU-29. Filmmaker Iva Radivojevic talks to FRED about her thought-provoking documentary EVAPORATING BORDERS, which was presented at the 43rd International Film Festival Rotterdam. Originally from Yugoslavia, Iva Radivojevic investigates the effects of large-scale immigration on the sense of national identity in Cyprus, one [...] The post Iva Radivojevic – Evaporating Borders #IRFF appeared first on Fred Film Radio.

Fellipe Barbosa, Director and Co-Screenwriter, Casa Grande. Festival Section: Hivos Tiger Awards Competition. Filmmaker Fellipe Barbosa talks to FRED about his film CASA GRANDE, which was presented at the 43rd International Film Festival Rotterdam. Jean (17) is growing up in the elite district of Rio, with its private schools, drivers and housekeepers. [...] The post Fellipe Barbosa – Casa Grande #IRFF appeared first on Fred Film Radio.

Ester Martin Bergsmark, Director, Co-Screenwriter and Editor, Something Must Break. Festival Section: Hivos Tiger Awards Competition. Filmmaker Ester Martin Bergsmark talks to FRED about his film SOMETHING MUST BREAK (Nånting måste gå sönder), which was presented at the 43rd International Film Festival Rotterdam. ‘It should smell of strong emotions’, Bergsmark has said [...] The post Ester Martin Bergsmark – Something Must Break #IRFF appeared first on Fred Film Radio.

Natalia Meschaninova, Director and Co-Screenwriter, The Hope Factory. Festival Section: Hivos Tiger Awards Competition. Russian filmmaker Natalia Meschaninova talks about her feature THE HOPE FACTORY (Kombinat Nadezhda), which was presented at the 43rd International Film Festival Rotterdam. Industrial city of Norilsk: factories, cold, chemical air. The only desire of young people living [...] The post Natalia Meschaninova – The Hope Factory #IRFF appeared first on Fred Film Radio.

Anup Singh, Director and Screenwriter, Qissa. Festival Section: Bright Future. Filmmaker Anup Singh talks to FRED about new feature film QISSA, made twelve years after his stunning debut Name of a River. QISSA was also the opening film of the 43rd International Film Festival Rotterdam. A deeply moving drama about a Sikh [...] The post Anup Singh – Qissa #IRFF appeared first on Fred Film Radio.

Paulo Sacramento, Director, Riocorrente. Festival Section: Hivos Tiger Awards Competition. Filmmaker Paulo Sacramento talks about his new feature film RIOCORRENTE (Riverrun), which was presented at the 43rd International Film Festival Rotterdam. A film like a pressure cooker. The São Paulo metropolis seems like it’s about to explode in this energetic and urgent fiction debut. [...] The post Paulo Sacramento – Riocorrente #IRFF appeared first on Fred Film Radio.

Gillian Robespierre, Director, Obvious Child. Festival Section: Bright Future.Filmmaker Gillian Robespierre talks about her feature film debut OBVIOUS CHILD, which was presented at the 43rd International Film Festival Rotterdam. Stand-up comedian Donna is dumped by her cheating boyfriend, loses her job, gets blind drunk and becomes pregnant from a one-night stand. She [...] The post Gillian Robespierre – Obvious Child #IRFF appeared first on Fred Film Radio.

It's all about the 56th San Francisco International Film Festival April 25-May 9, 2013. We speak to director of programming Rachel Rosen and a new director, Jeremy Teicher about his first feature: Tall as the Baobab Tree.  Jeremy Teicher, Director / Co-Producer / Co-writer, is a Student Academy Award-nominated director whose first feature film, Tall as the Baobab Tree (Grand comme le Baobab)   (2012), is garnering acclaim from festivals around the world. Tall as the Baobab Tree won the “Best Feature Narrative” award from the Doha-Giffoni jury at Doha-Tribeca Film Festival and was ranked in the top 20 out of over 170 feature films by audience vote at International Film Festival Rotterdam. Tall as the Baobab Tree is inspired by Jeremy's ground breaking documentary short, This is Us (2011), which was awarded a prestigious Lombard Public Service Fellowship, supported by Kodak, and earned Jeremy a nomination for a Student Academy Award. Rachel Rosen is the director of programming for the San Francisco Film Society. She was director of programming for Film Independent and the Los Angeles Film Festival for eight years. Previously, Rosen was associate director of programming for the San Francisco International Film Festival where she programmed for seven years.  She has worked in various capacities for the New York Film Festival, New York's Film Forum, and Tri-Star Pictures. A graduate of Stanford University's Master of Arts program in Documentary Film, Rosen directed Serious Weather, a short documentary that was shown at the Vancouver and San Francisco International Film Festivals, and the British Short Film Festival. She is an occasional contributor on the subject of documentary film to Film Comment magazine. Music: Meklit Hadero's "Soleil Soliel."