Podcast appearances and mentions of Joachim Trier

Ep. 326: Manohla Dargis on Cannes 2025: Sentimental Value, Eddington, The Mastermind, Resurrection, Homebound, The Secret Agent, Sirat, The Plague, Jafar Panahi, Scarlett Johansson Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. It's become a wonderful tradition at The Last Thing I Saw to conclude the Cannes Film Festival with a very special guest: Manohla Dargis, chief film critic of The New York Times. For the 2025 edition, we discuss a whole slew of films: Sentimental Value (directed by Joachim Trier), Eddington (Ari Aster), The Mastermind (Kelly Reichardt), Resurrection (Bi Gan), Homebound (Neeraj Ghaywan), The Secret Agent (Kleber Mendonca Filho), Sirat (Oliver Laxe), The Plague (Charlie Polinger). Dargis also considers the state of the industry and speaks about Jafar Panahi and Scarlett Johansson, both of whom she interviewed. Please support the production of this podcast by signing up at: rapold.substack.com Photo by Steve Snodgrass

Par Rafael Wolf et Thomas Gerber The Phoenician Scheme de Wes Anderson, avec Benicio Del Toro, Tom Hanks, Scarlett Johansson. The Landscape and the Fury de Nicole Vögele. Les conseils : My own private Idaho (1991) de Gus Van Sant, avec River Phoenix, Keanu Reeves, (en DVD, BluRay et à la Cinémathèque Suisse) Oslo, 31 août (2011) de Joachim Trier, avec Anders Danielsen Lie.(disponible en DVD, BluRay, et sur certaines plateformes.)

Végső állomás – Vérvonalak: A vérvonal, melyet nyomon követ a halál Háború, béke és sajtos makaróni: 150 év után előkerült Lev Tolsztoj családi receptje Lackfi János nyitja meg idén az Ünnepi Könyvhetet Mire számíthatsz a The Last of Us 3. évadában? Bejelentették, ki játssza Harry Pottert, Hermione Grangert és Ron Weasley-t a készülő sorozatban Vidéken is beköszön az újonnan alakult Erkel Színház Éljen a kérdőjel, vesszen a pont! – Új évadot hirdetett az Örkény Színház Eddie ismét életre kelt – Elstartolt az Iron Maiden jubileumi turnéja Budapesten Babát vár Pesák Ádám gyönyörű felesége: "Most félidőben járok" Pert indít az egykori királyi család, kérik vissza az ékszereket és a palotákat Érzelmi érték – ősszel érkezik a mozikba Joachim Trier cannes-i nagydíjas filmje A további adásainkat keresd a podcast.hirstart.hu oldalunkon.

Végső állomás – Vérvonalak: A vérvonal, melyet nyomon követ a halál Háború, béke és sajtos makaróni: 150 év után előkerült Lev Tolsztoj családi receptje Lackfi János nyitja meg idén az Ünnepi Könyvhetet Mire számíthatsz a The Last of Us 3. évadában? Bejelentették, ki játssza Harry Pottert, Hermione Grangert és Ron Weasley-t a készülő sorozatban Vidéken is beköszön az újonnan alakult Erkel Színház Éljen a kérdőjel, vesszen a pont! – Új évadot hirdetett az Örkény Színház Eddie ismét életre kelt – Elstartolt az Iron Maiden jubileumi turnéja Budapesten Babát vár Pesák Ádám gyönyörű felesége: "Most félidőben járok" Pert indít az egykori királyi család, kérik vissza az ékszereket és a palotákat Érzelmi érték – ősszel érkezik a mozikba Joachim Trier cannes-i nagydíjas filmje A további adásainkat keresd a podcast.hirstart.hu oldalunkon.

Elise og Aksel har vært på Filmfestivalen i Cannes og snakker om filmene som vil prege året som kommer. De forteller om sine favoritter og filmene du godt kan hoppe over. Joachim Triers bejublede Affeksjonsverdi er selvsagt også en av filmene som diskuteres.Elises rapport fra premieren på Affeksjonsverdi:https://www.morgenbladet.no/kultur/joachim-trier-pa-bergmansk-grunn-i-cannes/9632788 Hosted on Acast. See acast.com/privacy for more information.

Cannes 2025 has arrived—and you can count on our on-the-Croisette crew of Film Comment contributors to cut through the noise with thoughtful dispatches, interviews, and Podcasts. This year's festival is packed with exciting premieres, including new films from Richard Linklater, Lynne Ramsay, Spike Lee, Bi Gan, Julia Ducournau, Wes Anderson, and many more. For our fifth episode from the French Riviera, Film Comment Editor Devika Girish is joined by critics Abby Sun, Beatrice Loayza, and Giovanni Marchini Camia to discuss some late-festival premieres, including Joachim Trier's Sentimental Value, Carla Simón's Romería, Oliver Hermanus's The History of Sound and Nadav Lapid's Yes. Subscribe today to The Film Comment Letter for a steady stream of Cannes coverage, providing everything you need to know about the 2025 edition.

Das Kino reflektiert sich selbst in der Familiengeschichte „Sentimental Value“ von Joachim Trier. Die Dardenne-Brüder bekamen für "Junge Mütter" bereits den "Positiven Filmpreis" und sind wie viele Konkurrenten noch im Rennen um die Goldene Palme. Nicodemus, Katja www.deutschlandfunk.de, Kultur heute

La 78ᵉ édition du Festival de Cannes s'achève ce soir. Le jury présidé par l'actrice Juliette Binoche va se retirer dans une villa pour discuter des prix qui seront remis en fin de journée. Cette année, aucun film n'est franchement donné favori, même si certains titres reviennent souvent dans les conversations. Certains ont déjà été récompensés par des prix en marge du festival. Certains prix gravitent en périphérie du festival de Cannes, mais font parler d'eux. Depuis quinze ans, la Queer Palm, qui récompense un film abordant des thématiques LGBTQIA+, comme des personnages trans, des questionnements de genre ou des relations homosexuelles. En attendant, peut-être, une place au palmarès ce soir, La petite dernière d'Hafsia Herzi, le récit d'initiation d'une jeune femme lesbienne ET musulmane, remporte la Queer Palm.Autre prix déjà décerné, l'Œil d'or du meilleur documentaire attribué à Imago, premier film tchétchène projeté à la Semaine de la critique. Le réalisateur Déni Oumar Pitsaev livre un film très personnel, en retournant voir sa famille réfugiée en Géorgie. Mais, lui qui a connu la guerre enfant, a une pensée pour tous ceux qui souffrent dans des conflits : « Il y a des gens en ce moment, que ce soit en Ukraine, au Soudan, à Gaza, qui n'ont pas cette chance. J'ai fait ce film pour l'enfant que j'étais, j'avais huit ans, je n'avais pas d'adulte à côté de moi pour me soutenir. Il y a d'autres enfants qui grandissent en ce moment et qui n'auront pas de chance de grandir, comme moi. Toutes les douleurs sont également importantes, et toutes les vies valent, qu'elles soient palestiniennes, tchétchènes ou israéliennes. »À Cannes, les animaux sont aussi à la fêteLe Grand Prix de la Palm dog 2025 récompense, à titre posthume, Pipa, du film Sirat projeté en compétition, à qui sa partenaire, humaine, Jade Oukid, rend hommage.Sirat, de l'Espagnol Oliver Laxe, figure parmi les films les plus cités par les critiques comme devant figurer au palmarès. Au moins autant qu'Un simple accident de Jafar Panahi ou Sentimental value de Joachim Trier.Le jury présidé par Juliette Binoche va délibérer toute la journée de samedi. Le Congolais Dieudo Hamadi a aimé cette expérience inédite : « Je viens parfois sans savoir ce que je vais regarder, sans connaître le nom du réalisateur ou de l'équipe et même parfois les titres. Ce qui me passionne, c'est d'arriver sans a priori et d'être embarqué dans une histoire que je n'attendais pas. Traverser, comprendre, ressentir, ça fait partie des privilèges des jurés. »Verdict ce soir et un palmarès à suivre sur RFI à 18 h temps universelÀ lire aussiFestival de Cannes 2025: les films en compétition

Richard reveals if his sky-high expectations for Joachim Trier's 'Sentimental Value' were met (or exceeded!), and David and Richard also let Rebecca know how 'The History of Sound,' starring Paul Mescal and Josh O'Connor, played at Cannes. Plus, they answer a few mailbag questions including why exactly Cannes press conferences can be so awkward.To join Little Gold Men's Book Club, please vote on our summer reading list here. Learn about your ad choices: dovetail.prx.org/ad-choices

Film critic Emma Jones gives us a clearer idea of potential prize contenders. She tells us all about “Sentimental Value” by Joachim Trier, a lovely story set around a family – and an exploration of grief and art. 

durée : 00:27:45 - Les Midis de Culture - par : Lucile Commeaux - Au programme de ce débat critique consacré au cinéma, en direct du 78ᵉ festival de Cannes, trois films : "Sirât" d'Óliver Laxe, "L'Agent secret" de Kleber Mendonça Filho et "Valeur sentimentale" de Joachim Trier. - réalisation : Laurence Malonda, Anne-Laure Chanel - invités : Olivier Lamm Journaliste et critique à Libération; Charlotte Garson Rédactrice en chef adjointe des Cahiers du cinéma

durée : 00:08:06 - Les Midis de Culture - par : Lucile Commeaux - Nos critiques discutent de "Valeur sentimentale" de Joachim Trier, un film à la fois tchekhovien et bergmanien sur la relation douloureuse d'un père cinéaste et de ses deux filles. - réalisation : Laurence Malonda, Anne-Laure Chanel - invités : Charlotte Garson Rédactrice en chef adjointe des Cahiers du cinéma; Olivier Lamm Journaliste et critique à Libération

In this special dispatch from the Croisette, Christina is joined by the brilliant and effortlessly cool Stellan Skarsgård, starring in Joachim Trier's Sentimental Value—a strong Palme d'Or contender at this year's festival. Skarsgård plays Gustav, a once-renowned director who tries to reconnect with his estranged daughter by casting her in his comeback film. They discuss Sentimental Value, the state of cinema and the world, why Skarsgård often chooses Norwegian films over Swedish ones, the importance of good catering—and much more. Learn more about your ad choices. Visit megaphone.fm/adchoices

À l'occasion du Festival de Cannes, je vous propose une série spéciale dédiée au cinéma.Des entretiens inédits avec des acteurs, actrices, réalisateurs et réalisatrices, venus du monde entier.Mais aussi des rediffusions de conversations marquantes avec des personnalités emblématiques du 7e art, pour découvrir leurs parcours, leur vision et leurs anecdotes exclusives.Aujourd'hui, un épisode avec Elle Fanning qui joue dans le film de Joachim Trier présenté cette année au festival : Sentimental Value. Nous avions échangé l'année dernière dans le cadre du podcast Lights on Women's Worth autour de la sororité, la confiance en soi et l'ambition.Bonne écoute ! Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

The 2025 Cannes Film Festival kicks off today...and the question on everyone's mind is: what will be the great movies? Mostly, people look to the Cannes Competition (the films that compete for the Palme d'Or) to find the best films. But it's a lesser-known fact that many amazing films screen in the festival's sidebars. And many of the best films in cinema history have screened in the festival's sidebars. In fact, Chantal Akerman's Jeanne Dielman, which was named the greatest film of all time in the 2022 Sight & Sound poll did not screen in competition! It screened in the Directors' Fortnight. So on today's episode, Alex peels back the curtain on how all the different parts of the Cannes Film Festival work together. And she talks about the amazing films you've heard of (and some you probably haven't) that have screened outside the festival's competition. And she talks about some of the films she's excited for this year. Finally, Alex talks about some of the films she's excited for in this year's competition, and how they were already making fantastic films years ago that were hiding out in the festival's sidebars. *** Become a Seventh Row Insider to stay updated on the best films at Cannes this year and in past years that you might not otherwise stumble upon *** Interested in picking up Seventh Row's ebooks on Lynne Ramsay, Joachim Trier, Joanna Hogg, Debra Granik, or Céline Sciamma? They're available exclusively on Seventh Row. Peruse the collection here: http://seventh-row.com/ebooks Listen to the Women at Cannes Podcast Season Listen to the Women at Cannes episode on Kelly Reichardt For detailed show notes, visit https://seventh-row.com/2025/05/13/ep-171-navigating-cannes-beyond-the-competition/

In this episode of Queer Cinema Catchup, Joe and Allison reunite with Sydney, Chelsea, and Monica of Spooky Tuesday to delve into the perplexing universe of multiple Thelma films, primarily focusing on the 2017 supernatural thriller directed by Joachim Trier. The hosts analyze pivotal scenes of the film, exploring the movie's religious themes and reflecting on the broader implications of Thelma's journey from suppression to empowerment. Whether you're a queer cinema enthusiast or a horror movie aficionado, this episode offers a compelling exploration of desire, control, and self-discovery through a queer lens.00:16 The Confusion of Thelma Movies06:09 Introduction to Thelma (2017)07:33 Comparing Thelma to Other Horror Films10:02 Thelma's Powers and Their Implications17:59 Religious Upbringing and Repression24:46 Thelma's Queer Identity 28:04 Anja's Role and Thelma's Desires32:40 The Party Scene and Its Consequences36:38 Unraveling Anja's Disappearance38:13 The Baby Brother Incident40:02 Thelma's Struggle 42:40 The Parents' Dilemma45:43 The Final Confrontation48:03 Thelma's Transformation and Conclusion Hosted on Acast. See acast.com/privacy for more information.

I dagens episode rantet vi om Perrys romferd "in the name of feminism", SNL sin usmakelige humor og den nye russen som topper "i kveld er det lov å være hore".  Vi kuraterte også en startetpack for hvordan man kan ha tidenes Joachim Trier sommer og snakket litt om å vise sine ekte sider. Håper dere koser dere med å høre like mye som vi gjorde med å yappe. Ha en riktig god torsdag videre

Christina Jeurling Birro of the outstanding podcast, Pop Culture Confidential joins us to discuss the Cannes Film Festival and the films announced in the lineup for its 78th edition. Plus, we happily begin with some talk about the new Oscars Category… Stunts! Finally, we are getting a Stunts Design Academy Award - 2:09 CANNES FILM FESTIVAL COVERAGE Christina's history attending & covering the Cannes Film Festival - 4:13 Eating on the run & the tight festival schedule - 6:51 What's the deal with all the clapping? - 10:03 The Recent Oscar Streak & Last Year's Incredible Cannes Slate - 13:51 IN COMPETITION LINEUP HIGHLIGHTS FOR CANNES 2025: Julia Ducournau's Alpha, a 1980's Aids Crisis Drama from Neon - 17:44 Ari Aster's Eddington w/ Joaquin vs Pedro + Austin Butler & Emma Stone - 19:55 The History of Sound from Oliver Hermanus, Josh O'Connor & Paul Mescal - 21:23 Kelly Reichardt's The Mastermind, a Vietnam War art heist story - 22:44 Richard Linklater's New Wave on the making of Godard's Breathless - 24:30 Wes Anderson's The Phoenician Scheme featuring Kate Winslet's daughter - 25:58 Sentimental Value from Neon, Joachim Trier & Renate Reinsve - 29:01 Other Targets & Potential Discoveries In Competition for Christina - 30:44 Palme D'or Statistics and Our Way Too Early Palme Predictions - 33:19 Female Filmmaker Stats Improve, But Still Need More Improvement - 35:13 Un Certain Regard Recent Oscars Crossover History, Debuts from Scarlett Johansson & Harris Dickinson + Pillion & Other Films we are targeting in this year's section - 36:16 OUT OF COMPETITION LINEUP HIGHLIGHTS: Spike Lee's Highest 2 Lowest is the most recent big name to enter Out of Competition following Marty & Baz films in recent years - 39:16 Jodie Foster in a Murder Mystery & Other Special Screenings of interest - 41:26 Tom Cruise returns with Mission: Impossible - The Final Reckoning - 43:28 Our Reactions to the Star Studded Cannes Premieres Section - 44:20 What films are NOT here that we thought would be? What films could be added later? And which films might be opting for a Fall Festival launch instead? - 46:02 What Christina is most looking forward to showing first time Cannes festival goer, Ryan McQuade at this year's festival - 50:07 OUTRO: 51:48 - Our words of Wisdom today are to follow Christina Juerling Birro on her socials and to enjoy her work on the internet, (see the links below). Plus, we talk about her upcoming coverage of Cannes and what's coming next for both our podcasts, Pop Culture Confidential and Mike, Mike and Oscar. So do please support our shows with positive ratings & reviews, and we thank you for doing so. Pop Culture Confidential: Pop culture conversations with today's innovators, entertainers and newsmakers - podcast hosted by Christina Jeurling Birro https://www.popcultureconfidential.com/ Where To Follow Christina Jeurling Birro on Social Media: Instagram https://www.instagram.com/christinabirro/ Facebook https://www.facebook.com/christina.jeurling Threads https://www.threads.net/@christinabirro Twitter https://x.com/ChristinaBirro MMO https://linktr.ee/mikemikeandoscar

From A24 through Warner Bros, we go studio by film studio and discuss their known film slates and focus on the undated films that could vie for Film Festival love. A24: Eddington, Highest 2 Lowest, The Entertainment System Is Down, etc - 2:21 Amazon/MGM: After the Hunt, Madden, Hedda - 16:12 Apple Original Films: The Lost Bus, F1 - 18:11 Bleecker Street & Briarcliff: The Wedding Banquet, Sneaks, etc - 20:26 Disney: Deliver Me From Nowhere, The Roses, Is This Thing On? Etc - 21:38 Greenwich Entertainment & Janus: Diane Warren: Relentless, Peter Hujar's Day, etc - 32:18 IFC, Lionsgate, Magnolia: The Luckiest Man In America, Good Fortune, 40 Acres - 33:45 MUBI: Father Mother Sister Brother from Jim Jarmusch - 36:28 Neon: Sentimental Value from Joachim Trier, Alpha from Julia Ducournau, etc - 38:25 Netflix: Wake Up Dead Man, GDT's Frankenstein, Baumbach's Jay Kelly, Edward Berger's The Ballad of a Small Player, Train Dreams, etc - 41:02 Paramount: What's their top priority? Plus, some recent history - 53:34 Sony: Blue Moon, Eleanor the Great, East of Wall, etc - 56:07 Universal: The Phoenician Scheme details, Hamnet, Anemone, etc - 1:02:09 WB: The Bride! + Sinners first reax and Superman Cinemacon reactions - 1:08:17 NO DISTRIBUTION YET: Sundance Hits like Kiss of the Spider Woman, SXSW hits like The Rivals of Amziah King, Rosemead w/ Lucy Liu, At The Sea w/ Amy Adams, Sydney Sweeny as Christie Martin, The History of Sound + Greta Lee, Willem Dafoe, & Brendan Fraser vehicles - 1:11:34 OUTRO: We'll end our Year In Preview Series with the Cannes Lineup reactions and then our 100% Accurate Predictions coming up next! https://linktr.ee/mikemikeandoscar

Om det er en ting Joachim Trier får til, så er det øvre middelklasse-dialog, konstaterer Emil. Erik Poppe hadde en drøm om å lage et Oslo-portrett i Hawai Oslo. Han mislyktes! Men nesten 10 år seinere skulle en mann med langt større talent realisere Poppes drøm. Joachim Triers Oslo (vest) 31. august (2011) høstet jubel blant samtlige norske filmanmeldere. Ikke bare er det en skildring av Oslo sett fra de eviggrønne plenene på Frogner, men også en generasjonsfilm om unge menn med flere bøker enn pyntegjenstander i bokhylla. Hør to andre pretensiøse kulturmenn plukke fra hverandre Norges hipsterfilm nr. 2!

Mijn lijf brokkelt af, en dat is prima. Maar mijn geheugen?Ik ben Tomson Darko, en als je het goed vindt, praat ik je vanavond in slaap.Entropie.Mijn lichaam slijt, daar kan ik mee leven.Maar een geheugen dat me in de steek laat? Dat is ondraaglijk.Ik noem de Noorse film The Worst Person in the World van Joachim Trier.We zijn wat we ons herinneren.Maar hoe zorg je ervoor dat je werkgeheugen niet verkruimelt?Dr. Restak heeft antwoorden.Lees fictie.Zet die verdomde navigatie eens uit.Onthoud je boodschappen zonder lijstje.En nog meer grandioze tips.Als je mijn werk waardeert en mij wat vaker in je oor wilt horen, overweeg dan om me te steunen. Voor slechts 4 euro per maand via petjeaf.com/tomsondarko maak je mijn werk mogelijk. Je krijgt niet alleen toegang tot mijn luisterarchief, maar ook twee exclusieve afleveringen per week. Handjes boven de dekens.Slaap lekker.Support the show1) Ontvang elke woensdagavond een mail van me over gevoelens waar niemand over praat. 2) Mijn shop vol boeken boeken, posters en tasjes3) Steun me via petjeaf.com/tomsondarko en luister exclusieve afleveringen.

"Oh my God! You're the absolute worst for that!"Yeah. Have you ever heard that before? Maybe a bit too much? Well, this film will test your moral compass (somewhat) into whether you think any of these people deserve that title. We don't believe so, by today's messy standards, when there is some true evil out there in the world presently but Joachim Trier's highly successful THE WORST PERSON IN THE WORLD that trail-blazed to the Oscars is upon us, and in your lug-holes.So, sit back, feel therapeutic, and accept the inevitable. We're going deep, man.

Fri, 17 Jan 2025 08:00:00 +0000 https://efm-industry-insights.podigee.io/65-tailored-solutions-film-funding-in-europes-diverse-markets 7f0690c9253d4bcbeca3a386481d7bff Industry Insights – The EFM Podcast is presented by the European Film Market of the Berlinale. Hosted by media analyst, broadcaster and experience designer Johanna Koljonen, it delves deep into the rapidly evolving film industry. Film i Väst Analysis' upcoming report, "The Answers: Future Audiovisual Policies – Revolution, Reforms or Just Let it Be," looks at the diverse markets across Europe and gives the answers (or rather: values) to the burning questions that everyone is asking in regards to the current collision between public film funding and challenging cultural and economic policies. Answers are not given easily, as each market operates differently. Different funding systems call for different actions, and the right balance between economic and cultural arguments must be found locally – it doesn't have to be a battle between economy and art. In this episode, Tomas Eskilsson, founder of Film i Väst and Head of Film i Väst Analysis, along with producer and mentor Joanna Szymańska, explore the current state of public film funding and the creative sectors in Europe, drawing from the findings of the report. The rise of right-wing policies is increasingly affecting film funding strategies, ultimately challenging the freedom of cultural expression. However, the future is not set in stone, but rather shaped by the actions that are taken today. Tomas Eskilsson founded Film i Väst in 1992, and was the CEO until 2016. He now works as the Head of Strategy in Film i Väst and Head of Film i Väst Analysis. He is the author of the reports ‘Public Film Funding at a Crossroads' (March 2022) and ‘Public Film Funding at a Crossroads II' (to be published August 2023). He is right now working with the third a final report in the series: The Answers: Future Audiovisual Policies – Revolution, Reforms or Just Let it Be. Joanna Szymańska is a film producer with over 15 years of experience in independent and international co-productions. She co-produced the award-winning film “Red Path” (dir. Lotfi Achour) which premiered at the Locarno Film Festival. Joanna is a mentor for emerging filmmakers and serves as the Head of Studies for the Erich Pommer Institut's workshop on European co-production. She is currently pursuing a PhD at the Łódź Film School. The host Johanna Koljonen is a media analyst, broadcaster, and experience designer. She is the author of the Göteborg Film Festival's annual Nostradamus Report on the near future of the screen industries, which is in its 11th year. She lectures internationally on changes in the media sector, and on participation and narrative design. Her background is in public service broadcasting; in 2011, she received the Swedish Grand Journalism Award in the Innovator category. Film i Väst is Scandinavia's major regional film fund and one of the bigger regional film funds in Europe. Film i Väst has made co-production with all parts of the world. Film i Väst is mostly known for its long-time collaboration with some of the most interesting directors in Northern Europe and elsewhere: Ruben Östlund, Tarek Saleh, Susanne Bier, Thomas Vinterberg, Lars von Trier, Joachim Trier, Lone Scherfig, Nuri Bilge Ceylan, Kaother Ben Hania are many more. During the last 30 years Film i Väst has co-financed and co-produced over 1000 feature films and a vast number of drama series. The report will be released February 16, 2025. More info about the release can be found here. The Berlinale's European Film Market is the first international film market of the year, where the film industry starts its business. Industry Insights - The EFM Podcast puts a spotlight on highly topical and trendsetting industry issues, thereby creating a compass for the forthcoming film year. The year-round podcast is produced in cooperation with Goethe-Institut and co-funded by Creative Europe MEDIA. This podcast episode has been developed in partnership with Film i Väst. full no Film Business,European Film Market,Film i Väst,Entertainment Industry,Film Industry,Media Industry,Berlinale,Future Trends,Film Funding European Film Market 2378

Gratitude is the operative word with filmmaker Adam Kinyon, founder of Best Dressed Films and producing two independent features in 2024. How do you get your short made? What's the state of play for producers in independent film? If you're an indie director looking for a producer or a producer looking for a director, this episode is for you.In this episode, we talk about:how Adam got started and the importance of mentorship;the importance of "relentless positivity". how he takes that attitude into his work, and it keeps him working constantly;what he's working on now, producing films with a lot of moving parts without having a lot of money;how he sees the disconnect between money and creators;crowdfunding's place in indie filmmaking;what kind of films, genres, and directors he's looking for.And he's "Delta till he dies." So are we, Adam. (Check out on the indie films on your next Delta flight.)Adam's Indie Film Highlights: THE WORST PERSON IN THE WORLD (2021) dir. by Joachim Trier; PAST LIVES (2023) dir. by Celine SongLinks:Best Dressed FilmsFollow Adam KinyonSupport this podcast at — https://redcircle.com/first-time-go/exclusive-content

I denne Fysisk format-episoden av Filmfrelst presenterer professor i filmvitenskap Anne Gjelsvik sin nye bok om regissør Joachim Trier. Under etiketten Fysisk format setter vi fokus på utgivelser av film på DVD og Blu-ray eller om film i bokform, og diskuterer kulturen rundt de mange håndfaste objektene som så lenge har vært et av filmformidlingens viktigste redskap. I tidligere episoder har vi bl.a. besøkt filmbutikker i Los Angeles og Tokyo, diskutert Nasjonalbibliotekets arbeid og tatt av plasten på Agnès Varda-boksen fra Criterion. Anne Gjelsvik har nå skrevet den første boken om Joachim Trier, ReFocus: The Films of Joachim Trier. Her undersøker hun sentrale temaer i Triers filmer, som minne, sted, identitet, og vennskap, og hans oppfinnsomme stil gjennom nærstudier av tid, struktur og bruk av fortellerstemmer. (Les mer om boken hos Edinburgh University Press.) Gjelsvik er professor i filmvitenskap ved Institutt for kunst og medievitenskap, NTNU, hvor hun underviser i samtidsfilm og filmanalyse. Hun har skrevet en rekke bøker og artikler (både på engelsk og norsk) om temaer som filmkritikk, terrorisme, vold i film, adaptasjon og økokritikk. Gjelsvik er en aktiv fagformidler, blant annet som fast bidragsyter til Montages, og har mottatt priser for sin formidling fra Norsk medieforskerlag og Norsk filmkritikerlag. I denne live-podkasten møter vi Gjelsvik for å snakke om arbeidet med boken, i tillegg til å diskutere Triers posisjon i norsk filmoffentlighet og hennes personlige favoritter fra hans filmografi. Har det på noe tidspunkt eksistert en norsk filmskaper med samme grad av internasjonal anerkjennelse? Nei, mener Gjelsvik. Påstanden understøttes av at det denne uken, 14. og 15. november, arrangeres en konferanse i Paris om Triers kunstnerskap, «Urban Memories», på Université Gustave Eiffel. Her skal bl.a. Gjelsvik forelese, i tillegg til å intervjue Triers faste samarbeidspartner Eskil Vogt. (Her er hele programmet.) Opptaket ble gjort i forbindelse med Oslo Pix-festivalen, på Vega Scene, tidligere i høst. Ved mikrofonene sitter redaktørene Karsten Meinich og Lars Ole Kristiansen, i tillegg til forfatter Anne Gjelsvik. God lytting!

We're winding down our European Vacation and we make a stop in Norway but there's something that goes beyond the borders in Joachim Trier's 2021 romance/comedy/drama/coming-of-age film “THE WORST PERSON IN THE WORLD”. Renate Reinsve plays “Julie” whose fickle and drifting life might seem a little too familiar especially if you're in a certain age range. She meets Aksel, played by Anders Danielson Lie, a cartoonist about 10 years her senior and falls in love. The love and the eventual disconnect feel very real. She aslo meets and falls for Eivind, as played by Herbert Nordrum, a casual and sweet guy closer to her age. Relationships end and begin. Lives abruptly come to a close. Expectations fall through. It all seems so drifting and aimless so what can we possibly do about it? Force it? At best we can only hope for peace with however it goes. Trier's third in his “Oslo” trilogy sets an illuminating spotlight on the romance of a certain generation and it's as unsettling as it is sweet. It sure hit a little too close to home for our hosts. This feels like it could have taken place anywhere in the western world. Oh, look! We found a link but click it while it's there. It might not be soon: https://www.dailymotion.com/video/x92wuh2 Subscribe to us on YOUTUBE: https://www.youtube.com/channel/UCuJf3lkRI-BLUTsLI_ehOsg Contact us here: MOVIEHUMPERS@gmail.com Check our past & current film ratings here: https://moviehumpers.wordpress.com Hear us on podcast: https://open.spotify.com/show/6o6PSNJFGXJeENgqtPY4h7 Our OG podcast “Documenteers”: https://podcasts.apple.com/us/podcast/documenteers-the-documentary-podcast/id1321652249 Soundcloud feed: https://soundcloud.com/documenteers Twitch: https://www.twitch.tv/culturewrought

Sarah Elizabeth Mintz received her BFA from New York University's Tisch School of the Arts, where she completed her thesis film Transit, starring Dakota Johnson. After graduating she mentored with filmmakers Cary Fukunaga on True Detective, Joachim Trier on Louder Than Bombs, and worked with Alejandro Inarritu on The Revenant.Sarah was a Sundance Fellow in the 2017 Writer's Intensive and 2018 Sundance Strategic Financing Intensive with her project Good Girl Jane. She completed a short film of the same name starring Rachelle Vinberg (Skate Kitchen, HBO's Betty) and Travis Tope (American Vandal), with cinematography by Jake Saner (Ghosts of Sugar Land).The short premiered at the Raindance Film Festival in London. Good Girl Jane recently wrapped principal photography in Los Angeles starring Rain Spencer, Patrick Gibson and Andie MacDowell. Good Girl Jane is inspired by events in Sarah's own life.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

Happy Pride month everyone! We're covering 2017's THELMA, written and directed by Joachim Trier and co-written by Eskil Vogt. Plus, what exactly are non-epileptic seizures, finally a good gay film, and what we've been watching since our last episode. You can follow the podcast on Twitter at @HorrorTimePod and the hosts at @dykemadden and @ellemdesigns! If you like what we do, you can rate, review, and subscribe to us on Spotify, Apple Podcast, Stitcher, or wherever you listen to your favorites. Contact us at stophorrortime@gmail.com for any comments, questions, or movies you would like for us to cover!

Wolfgang Wee Uncut #474: Anders Danielsen Lie er lege, skuespiller og artist. 0:00 Spontanitet og strømlinjeforming 2:02 Ingen spontanitet på direkten 8:54 Gode samtaler 10:00 Legeyrket 14:48 Burde ikke vært der 16:31 Klassisk dannelse 18:00 Medisinstudenter 21:26 La nerdene være! 22:20 Empati 22:57 Misforståelsen om empati 27:07 Subjektiviteten er sannheten? 28:00 Kommunikasjon 32:40 Wolfgang er en dårlig lytter 35:00 Småprating 44:00 Forfengelighet 44:41 Mangler manerer 50:10 Kjønnsforskjeller 55:26 Mindreverdighetskomplekser 1:06:00 Skuespill 1:18:00 Musikk og hukommelse 1:28:03 Tid 1:32:44 Kritisk, negativ og grådig 1:34:00 Hvem man er 1:38:13 Ikke forvent at alle andre skal like deg 1:43:00 Roger Fedrer og imposter-syndromet 1:51:00 Mentalitet 2:00:00 Norsk film 2:08:00 Spising 2:15:00 Robert McKee 2:22:00 Samarbeid med Trier og Vogt 2:29:00 22. Juli 2:30:27 Et annet syn på 22. Juli 2:47:00 NOKAS-ranet 2:55:00 Angst og depresjon 2:59:45 Patologisering i kulturen 3:04:20 ME-debatten 3:18:05 ME-diagnosen i et historisk perspektiv 3:23:00 Forebygging 3:29:22 Psykedelika 3:31:00 Selvmord blant leger 3:37:00 Pandemien i retrospekt 3:41:18 Tilbakeblikk på pandemien 3:53:00 Kreative prosesser

"Costume design is the perfect mix between cultural studies, textiles, fashion and visuals" Ellen Ystehede is a Norwegian costume designer. She works for theater and for wonderful movies such as Joachim Trier's Oslo, August 31st, Thelma and The Worst Person in the World.In this episode, she reflects on how she became a costume designer (0:42) and then met director Joachim Trier (3:45). She explains how she built Julie's wardrobe in The Worst Person in the World (8:10) and how it was to design costumes for Anders Danielson Lie in Bergman's Island (19:29). She then compares designing costumes for theater and movies (22:37) before discussing her favourite costumes, the ones that inspire her (27:38) and the ones she designed herself (30:47). She concludes sharing what she likes most about her job as a costume designer (33:10) and her dream projects (35:46), which include Joachim Trier's new project, that will start soon. Click here to see the costumes discussed on Instagram A podcast created by Céleste Durante 

Free Masterclass About Maribeth Fox: Maribeth Fox has worked with Laura Rosenthal Casting for fifteen years and has had the privilege of working alongside major talents like Todd Haynes, Paolo Sorrentino, Oren Moverman, Joachim Trier, Ed Burns, Mindy Kaling, Anton Corbijn, and Lisa Cholodenko as well as up and coming feature directors, Guy Nattiv, Olivia Newman, & Paul Downs Colaizzo. Favorite credits include Olive Kitteridge and Mildred Pierce both for HBO, Jay-Z's music video for Smile, Wonderstruck with Todd Haynes, A Quiet Place, Modern Love for Amazon and Liz Garbus' narrative feature debut, Lost Girls. Two of her three films at the 2018 Sundance Film Festival broke sales records, Late Night and Brittany Runs A Marathon. Most recent credits include Sharper for Apple TV, directed by Benjamin Caron, Bottoms, produced by Elizabeth Banks, Murder Mystery 2 with Happy Madison, and the upcoming A Different Man from Killer Films and A24. How did you become a casting director? I learned how to work with actors, what they need you to tell them, and what they don't need you to tell them about ego. And I just decided to spend five to seven minutes with actors instead of a career with them. So I switched to casting, and I worked for CBS primetime casting for two and a half years, which was a really good learning experience, but corporate wasn't for me. I wanted to do more film, and I wanted to be freelance so my eight-week job with Laura turned into 16 years. How does a casting director get a film job? So oftentimes, we are one of the first people hired and production companies hire us, producers that know us, that know what The material is that we're drawn to. Sometimes we're hired by our directors who you hope to get repeat business if you've worked with them before. The first thing we'll do is read a script to make sure we're creatively aligned and feel like we strategically know how to cast the job. And then we're offered one of two situations. The first situation is. Attach names to this to green-light the rest of the financing. So we do that side, and then sometimes people come attached to a film, which is wonderful news. And they're like, “We just want you to cast this movie if you like it. And this is who's doing it.” So we're normally found by producers and directors, and we're one of the first hires. So, just a question I have: if you are asked to attach a name talent, and let's say it's one part, let's make this real simple, Sure. How long does it generally take to cast a film, would you say, to attach that kind of name talent if it's a good script? It's a long time. It's a long time, so much so that Laura has received producorial credit on quite a few of her features because of the time, attention, and effort it takes to get those attachments in place. You think about somebody, let's say you're offering something to somebody like Julianne Moore. It could take a month for her to read it. Not because she doesn't read quickly but she's got a lot going on. And somebody of that ilk, their whole team, has to read it. She has to read it. Everybody has to have an opinion. They have to have a discussion about it. And so we try our best to set respectful boundaries with agents and managers to say, “We really need this to be read by this time.” But if a creative team is invested in a certain person, oftentimes, that deadline will stretch. So you could be with one actor for a month or more. We try to get them sometimes to line up like their top three for each part if we're doing more than one part so that if there is a pass, it's not an utterly crushing situation. The producers knew that a writer strike was imminent, and I was a little shocked to hear what you said, that you stopped getting calls about six months before. Can you talk about that and what that was like? It's helpful to know just in terms of our similarity to what actors go through that a lot of our business is independent film and that really continued. That was not a problem. We were still getting calls. We were still getting pings for that, but in terms of the book of business that would streamers and network, which is a lot of people's businesses, they anticipated the strike. And normally, we have no shortage of things to read, think about, sign on to, or not sign on to. And I think all casting directors experienced a similar shut-off. That was very different than the strike in 2008 where we were out of work for a little while, but no big deal. But yes, like the work has been. It's been different this time around. How has it been different, do you feel? So I think a lot of people feel, there's a lot of feelings this time around. Where, as there should be, right? I obviously heartily support the actors and what they're going through, and it's, it's time, right? It's time to do this and ensure everybody gets what they're owed fairly. And also, I think there is, within the SAG interim agreement, there's some stuff where I think we all need to work together in community to understand what everybody does and what everybody is going through and maybe have a little bit of empathy and open conversation and understanding because right now, it has felt a little bit of an angrier time and I understand it. Also, It's hard to think about what life will be like after the strike ends, and I don't know. I think a backlog of projects stopped right before the strike or started to shoot, not believing the strike would fully happen. And those are the things that are going to start to go first. And those things are already crewed up. So, from my perspective, could it be an influx of new work? Maybe. I sure hope so. But also, we have to think about all the stuff that got interim agreements is stuff that mostly was already staffed. And so I wonder how much the huge influx, or if it's just going to be figuring out what's actually going to shoot now and what's going to be put to the side. The great news is that I think you're right about the flood. And actors will feel it. And start to work and self-tape again. And hopefully, it'll get back to business as usual. And I think what's very important for actors to understand is it's not only you who is on strike, it's everybody. I'm so proud to stand with the actors that I love and support in my day to day. And absolutely, we are with you a thousand percent. And also, it's real, right? Many people have turned to survival jobs that they haven't had since they were 22. Everybody's done. Employment is out. And you live in an industry town, so every business is thoroughly affected by the lack of availability of income for people. The actors are the ones who are fighting and are going to get the benefits but do remember when you get on the set, there were a bunch of other people who were fighting right along with you, who are not going to get necessarily, the benefits that you were fighting for. They were supporting you, but the hairdressers aren't going to get any more pay, or hair stylists, the grips aren't going to get anything. I think that AI is an existential crisis for actors, and I don't think that is something I cannot give up my voice and my likeness and have you pay me once and that be okay, so I do think it's a worthy fight and as you said, it's a definite fight. I also think it's in the forefront of what humanity will be dealing with. Bartenders will be dealing with it, taxi drivers will be dealing with it, it just has come. Not here first, but here. We don't do any background casting, and I don't know what that life is. But I do think about that entire loss of an industry. That will go first, right? And it already has started to go. They take your picture; they can pump you in if they need an arena full of people. I've had many family and friends during this time try to like talk in a fun way about chat GPT and those types of services. And they're like, have you played around with it? I'm like, no, I don't want to help it get smarter. And I think it will have real ramifications, and it already is having ramifications for our industry. No, I'm not going to hang out on that service, but thank you so much for asking. What do you want actors to know [00:18:00] about self-tapes? So many things. The first thing is it's a grocery store sample. If you're at Costco, yep, that's exactly right. If you're at Costco and the old woman is serving you pizza, you're not going to steal the whole pizza. You're going to take your sample of a square. We do not expect a fully baked moment for a self-tape. I think artists are artists, and folks are getting bored. And so there's a lot of Heavy wardrobe, heavy movement choice the ability and the time to make almost like a short film. It's not the job. A self-tape should look different than how you would behave if you're on a set with a DP. I think the other thing that I've noticed that I've started to see as self-taping goes on and on, as a public service announcement for actors, is... You're getting too good at them, and I'm going to explain more. I think actors are really great at self-taping now, and it can almost feel robotic at times. Because they've gotten so good at knowing and thinking about, their mentality has shifted from what I want to put forward as an artist that's unique to how can I get this job by thinking about what they might want. And so then they know what pace to do. They know what tone it is. They've done their research and all of those brave, bold choices start to get ironed out and it's safe acting work. It's still beautiful work, but it's safe because they're so good at it. They know exactly what they might want instead of infusing their own artistic uniqueness in the mix. And I think casting directors hear the plight of actors, and I think something great that's going to come out of the strike is, I think there's going to be more options offered. So some actors love the self-tape process and bless, please, if that's how you feel comfortable, wonderful. I will still take time to adjust you via Zoom. If you need an adjustment, if I get your self-tape and there's something close to there, I will still take time for you on Zoom and say, hey, and we'll workshop it together. But then there's, we really do hear actors that they want more of us again. I do think that in-person chem reads and callbacks will start to come back. In the meantime, I think casting directors are far more open to reopening Zoom rooms, to make sure that we're available in some tech-helpful live way so that we can make better connections with actors. I still get lovely, vibrant self-tapes on everything that I do. But generally, I think, there's a mindset that I've been thinking a lot about that actors carry that is, I think trained into a lot of people that it's just a scarcity mindset. And so you come out of school and you're told that your job is so hard. There are so many people competing. You're in constant competition. There's not a ton to go around. SAG releases their statistics that only 3 percent of actors are working. And it creates this mindset that can be helpfully hungry and eager. And it can also really destroy the artistic spirit of what an artist has to offer. I think within that scarcity mindset, the goal of this is how I feed my family. This is how I gain health insurance, pension, and welfare. And I can't make that brave, bold choice because we don't have a casting director anymore. You don't have us in the room to be like, “Okay, let's just do that a little bit faster here. I know the director wants this. Let's just clip it up.” Or give you a simple redirect that could really change your performance. Now, a lot of us are doing that. We are adjusting people who give great self-tapes. Actors feel like I've got one shot at this. I'm sending it off into the void. It better be exactly what I think they want. The one thing that I have always stood by is that it's one audition in a lifetime of auditions. I am going to get the opportunity to audition again, and there is enough work for everyone. What's important for me is what's going on in the work. People ask me, “what do you look for in an actor?” And I'm like I'm looking for the actor who shows up a bit early, not too early. Knows they are, knows themselves. They are good at their job and I'm also looking for someone who when the work starts, they're focused on the work and not what I think of their work. Actors do have it tough in the sense that, it's the only art form where you have nothing to stand behind. You're not painting a picture to show me. You're not singing a song, which is separate from your acting. You're not doing a dance, which is your body and your emotions. But it's just you; it's just your subjective raw emotion. And I think what a lot of actors specifically, I love my New York actors in our market, they've all been to school. They're all crafty, great actors. And I think that a lot of actors think, “Gosh, I must be doing something wrong.” And so much of film and television is just subjective look-based. If you're in an audition with me, you're probably a well-trained, good actor. And so it's not about someone being such a better actor than you are. It's about the dinner party atmosphere we're trying to create. And somebody was a better fit. So we invited that person to the dinner party and not you this time. And that's hard. You can be the most talented actor in the world. You get the opportunity, but ultimately it does come down to who doesn't blink at the end. And I also feel that it's the person who knows they are good at their job. And what I want to give actors the perspective of is, you know what? Maybe you're doing everything right. Maybe you're doing everything right. And you just need to keep doing that. Because a lot of times, it's about what's being written. Are there roles for you right now that really fit your marketing package and your type? Do you fit the world? With our eyeballs. And so that has nothing to do with your craft a lot of the time. You do have to think about this as a business. And so you think about putting somebody on set, and when we get to cast somebody and it's their first job on a set like that's a great day. There is like buoyancy and adaptability that we're looking for in people to be able in that callback setting to turn something on their head if needed, to be able to take direction quickly. And if they're not understanding what we mean or what the director means, ask a question. Nobody's going to think you're stupid. Nobody's going to think you can't hear it well, or like that you don't agree. It's okay. We all have days when we're not that great at our jobs. If I give an actor a direction that's not clear, I don't want them to yes to me and nod their head. I want them to ask me a question and follow it up. If you're not understanding, then the two takes are going to look exactly the same. Read the directions out loud. I think it's really important that when you get a breakdown and, they say, submit it this way and, specifically, do your slate at the end. One of the things that I encourage the actors I work with is to really, read the directions out loud, then you know you've heard it, and highlight anything that's specific. Speaking of breakdowns, I think. A lot of times, people's focus on the breakdown will be the small adjective-filled description that we write instead of knowing that if you've got the audition, the breakdown has already done its job, that part of your job has already been done, your agent or manager or you submitted yourself based on the breakdown. I saw your headshot. I selected you. Now it's done. So you briefly look at the breakdown and ensure you're in the realm, but actors often get old breakdowns. And it's not because we're lazy. It's because we don't want to resubmit a breakdown with a subtle change to hundreds of agents and managers. So if an actor gets a breakdown and they're 55, the breakdown says 30 to 40, they freak out or they think their manager or agent isn't doing a good job. It's you just got an old breakdown; you don't have to worry about that anymore. Focus on the work.

Andrew Mellor is a journalist and critic. He has written about music, architecture, design, and cultural politics for publications around the world and is a critic for Gramophone and the Financial Times.  He and Emma chat about his new book The Northern Silence, why it might be too late for meaningful access to classical music in Britain--especially in education and why Helsinki airport is so quiet?!Andrew's blogBuy The Northern SilenceThe 3 Questions:What piece of art changed everything for you?Glynbourne Opera's  Theodora by HandelWhat piece of art do you respect rather than like?English SongGive us a recommendation...The films of Joachim Trier 

With a background in both music and sound, Gisle has worked with notable directors such as: Hans Petter Moland, Ruben Ostlund, Joachim Trier, and Eskil Vogt. Gisle's film credits include: A Somewhat Gentle Man, Oslo August 31st, Force Majeure, In Order Of Disappearance, Blind, Out Stealing Horses, Beware Of Children (or Barn), The Innocents, The Worst Person In The World, and more recently the acclaimed animated feature, Titina.

Welcome to Season 4 of What's My Frame!! We have an extra special conversation to kick off the season; today I'm joined by New York Casting Director, Maribeth Fox.  Maribeth has been a part of the Laura Rosenthal Casting office for over fifteen years; working alongside major talents like Todd Haynes, Paolo Sorrentino, Oren Moverman, Joachim Trier, Ed Burns, Mindy Kaling, Anton Corbijn, and Lisa Cholodenko as well as up and coming feature directors, Guy Nattiv, Olivia Newman, & Paul Downs Colaizzo.   Some of Maribeth's favorite credits include Olive Kitteridge and Mildred Pierce both for HBO, Jay-Z's music video for Smile, Wonderstruck with Todd Haynes, A Quiet Place, Modern Love for Amazon and Liz Garbus' narrative feature debut, Lost Girls. Two of her three films at the 2018 Sundance Film Festival broke sales records, Late Night and Brittany Runs A Marathon. Most recent credits include Sharper for Apple TV, directed by Benjamin Caron, Bottoms, produced by Elizabeth Banks, Murder Mystery 2 with Happy Madison, and the upcoming A Different Man from Killer Films and A24. When I say today's conversation fed my soul as an actor, I'm not exaggerating! It was pure joy to listen to Maribeth's stories, experiences casting and compassionate understanding of actor's work... Now let's get to the conversation!! Additional links: Millicent Simmonds, Wonderstruck's interview Millicent Simmonds shares the role that changed her life Bottom's Trailer // premiering August '23 -- Hosted by Laura Linda Bradley Join the WMF creative community now! Instagram: ⁠⁠⁠⁠@whatsmyframe⁠⁠⁠⁠ TikTok: ⁠⁠⁠⁠@whatsmyframe⁠⁠⁠⁠ ⁠⁠⁠⁠IMDb⁠⁠⁠⁠ ⁠⁠⁠⁠What's My Frame? official site ⁠⁠⁠⁠ ⁠⁠⁠⁠Join our monthly newsletter!⁠⁠⁠⁠ What's My Frame? merch; Coming soon!! --- Support this podcast: https://podcasters.spotify.com/pod/show/whats-my-frame/support

In the fifth and final episode of our Creative Nonfiction Film podcast season, Alex Heeney talks to Penny Lane about her experimentations with documentary form in Confessions of a Good Samaritan. The film is a trip inside Penny's brain as she goes through the stressful process of anonymously donating her kidney and investigates why kidney donations are necessary. Lane weaves almost all of the techniques from her previous films (and a few more!) into Confessions of a Good Samaritan, offering a thoughtful, educational, and funny look at the complicated feelings that come with doing good in the world at some personal expense. Click here to read the episode show notes. You will also find an AI-generated transcript in the show notes. Useful links Visit the Creative Nonfiction Podcast homepage Discover all of our resources on the films of Joachim Trier Pre-order Existential detours: Joachim Trier's cinema of indecisions and revisions More on creative nonfiction Download a FREE excerpt from Subjective Realities here. Get your copy of the ebook Subjective Realities: The art of creative nonfiction film here. Get your copy of the ebook In their own words: Documentary Masters vol. 1 Listen to the podcast on the ebook Subjective realities: The art of creative nonfiction film Become a Member Members receive early access to all new episodes of our season. Members can also access the entire podcast archive of 150+ episodes. Our recent episodes from our seasons and regular episodes from the last six months are free to all for a limited time. To get full access to the podcast, including episodes from past Sundance Film Festivals and past Sundance films, become a member. As a member, you will also be supporting what we do, and helping us cover the (expensive) costs of hosting, running a website, podcast equipment, and more. This helps to ensure we can continue producing the podcast. Related Episodes Members Only Episodes Ep. 12: Penny Lane on Hail Satan? (Members' Exclusive): Penny Lane discusses her 2019 film Hail Satan Ep. 40: Dead Mothers (Members' Exclusive): We discuss Joachim Trier's Louder Than Bombs, a film that expertly gets inside the head of its thoughtful characters. We also compare it to Mouthpiece and Stories We Tell. Ep. 122: Joachim Trier's The Worst Person in the World (Free): Joachim Trier's breakout hit is also a film that is very good at getting us inside the protagonist's mind amidst an existential crisis. Free Episodes Ep. 105: Subjective Realities: The art of creative nonfiction film: We discuss the making of the ebook Subjective Realities and what you can expect from the book Ep. 99: Creative Nonfiction with Penny Lane and Carol Nguyen Ep. 123: Sundance 2022: Creative Nonfiction Credits Host Alex Heeney is the Editor-in-Chief of Seventh Row. Find her on Twitter @bwestcineaste. Email us at contact seventh row com. This episode was edited, produced, and recorded by Alex Heeney.

CW: Light sensitivity warning in the movie!! Religious trauma, abusive/controlling parents, attempted suicide, attempted homicide of a child, infant death, drugging, repression. We watched Thelma (2017), a Norwegian thriller by Joachim Trier. This film, which is about a young woman who develops a seizure disorder then discovers her psychic powers as she falls in love with her classmate, really manifested our interest. We had a lot to say about power, manipulation, queer repression, and finding your place! Watch first, then join us as we talk through it!

Guest month continues with our second episode with our pal Squit.  We are talking about the Joachim Trier film OSLO, AUGUST 31ST.  Please send any and all feedback to anotherlookpod@gmail.com.  Please follow us on Instagram @anotherlookpod, and check us out on Facebook.  Rate/review/subscribe where ever you get your podcasts.

Woody Allen's and Diane Keaton's Oscar-winning masterpiece Annie Hall was a major hit in 1977, and laid out the blueprint that rom-coms and relationship comedies have been following ever since, as its self-aware, realistic dialogue, hilarious cast of supporting characters, and postmodern structure have become a sort of international standard. So for tonight's double feature, we decided to pair it with one of the most recent and best examples: Joachim Trier's The Worst Person in the World!

Another year has wrapped production, and the production assistants are here to clean up! Just in time for the 2023 Oscars, Ben, Wilson, and Eli mop up the mess left by superheroes and conductors, stop motion shells and Na'vi, interdimensional travelers and cannibals, mourners and partiers. By breaking down the year's big trends–– directors fictionalizing their autobiographies, Marvel sinking slowly, rich filmmakers attempting to pillory wealth inequality–– the Deep Cut trio gets a handle on what made 2022 so weird. The boys get personal, too, talking about the movies and moments from last year that shaped who they are as moviegoers and friends. Finally, each co-host's coveted top 3 films of the year are revealed… Dunk on the Oscars with us in our Discord server. Keep up with Deep Cut on Instagram, Facebook, and Letterboxd. Movies discussed on this episode: Aftersun (dir. Charlotte Wells) Ambulance (dir. Michael Bay) Armageddon Time (dir. James Gray) Autobiography (dir. Makbul Mubarak) Avatar the Way of Water (dir. James Cameron) Babylon (dir. Damien Chazelle) Banshees of Inisherin (dir. Martin McDonagh) Bardo, False Chronicles of a Handful of Truths (dir. Alejandro González Iñárritu) The Batman (dir. Matt Reeves) Benediction (dir. Terrence Davies) Black Panther: Wakanda Forever (dir. Ryan Coogler) Bones and All (dir. Luca Guadagnino) Broker (dir. Kore-eda Hirokazu) - Listen to our Kore-eda episode here. The Cathedral (dir. Ricky D'Ambrose) A Couple (dir. Frederick Wiseman) - Find our episode on this here, and our interview with Wiseman here! Crimes of the Future (dir. David Cronenberg) Decision to Leave (dir. Park Chan-wook) Deep Water (dir. Adrian Lyne) Everything Everywhere All At Once (dir. Daniel Kwan & Daniel Scheinert, a.k.a. The Daniels) The Fabelmans (dir. Steven Spielberg) Fire Island (dir. Andrew Ahn) - Find our episode on this here. Girl Picture (dir. Alli Haapasalo) Glass Onion: A Knives Out Mystery (dir. Rian Johnson) Hit the Road (dir. Panah Panahi) Il Buco (dir. Michelangelo Frammartino) Joyland (dir. Saim Sadiq) Leila's Brothers (dir. Saeed Roustayi) Low Tide: A Newly Restored Work by Thomas Wright (dir. George Matthews) Marcel the Shell with Shoes On (dir. Dean Fleischer Camp) Memoria (dir. Apichatpong Weerasethakul) The Menu (dir. Mark Mylod) No Bears (dir. Jafar Panahi) Nope (dir. Jordan Peele) The Northman (dir. Robert Eggers) The Novelist's Film (dir. Hong Sang-soo) Guillermo del Toro's Pinocchio (dir. Guillermo del Toro & Mark Gustafson) Ponniyan Selvan Part 1 (dir. Mani Ratnam) - Find our episode on this here. Return to Sender (dir. Russell Goldman) - Watch Russell's short here! Return to Seoul (dir. Davy Chau) RRR (dir. S. S. Rajamouli) - Our extended coverage on this forthcoming! Small, Slow But Steady (dir. Sho Miyake) Tár (dir. Todd Field) Teenage Emotions (dir. Frédérick Da) The Territory (dir. Alex Pritz) To My Nineteen-Year-Old Self (dir. Mabel Cheung & William Kwok Wai-Lun) Top Gun Maverick (dir. Joseph Kosinski) Trenque Lauquen (dir. Laura Citarella) Triangle of Sadness (dir. Ruben Östland) Under the Fig Trees (dir. Erige Sehiri) The Whale (dir. Darren Aronofsky) When the Waves Are Gone (dir. Lav Diaz) White Noise (dir. Noah Baumbach) The Worst Person in the World (dir. Joachim Trier) 2022 TV Mentions: Better Call Saul (created by Vince Gilligan & Peter Gould) Irma Vep (created by Olivier Assayas) The Rehearsal (created by Nathan Fielder)

The Worst Person in the World: Movie Review from the Ray Taylor ShowShow topic: In this episode Ray reviews the movie ""The Worst Person in the World”. “The Worst Person in the World" is a 2021 romantic comedy-drama film directed by Joachim Trier. The movie follows Julie, a medical student turned photographer, who finds herself in a love triangle between her older comic artist boyfriend Aksel and a barista named Eivind. As Julie navigates her relationships, she confronts issues of family, feminism, and parenthood. The film offers a fresh and honest take on modern love and relationships, with exceptional performances from its lead actors.JOIN Inspired Disorder +PLUS Today! InspiredDisorder.com/plus Membership Includes:Ray Taylor Show - Full Week Ad Free (Audio+Video)Live Painting ArchiveEarly Access to The Many FacesMember Only Discounts and DealsPodcast Back Catalogue (14 Shows - 618 Episodes)Ray Taylor's Personal BlogCreative WritingAsk Me AnythingDaily Podcast: Ray Taylor Show - InspiredDisorder.com/rts Daily Painting: The Many Faces - InspiredDisorder.com/tmf ALL links: InspiredDisorder.com/links Genres: Drama - Romance - Comedy

Kelsi and Trey are joined by Beyond the Screenplay's Tricia Aurand and Brian Bitner to explore Joachim Trier's 'The Worst Person in the World'.Listen to BTS on Spotify hereTricia and Brian are co-hosts of BTS with Michael Tucker and Alex Calleros -- you can find their information hereSend requests, questions, and thoughts to our email: extracreditspod@gmail.comPlease rate and review us on your podcast platform!Apple PodcastsSpotifyFollow our Tik Tok: The Extra CreditsFollow our Instagram: @extracreditspodFollow our Letterboxd: The Extra CreditsFollow our Twitter: @theextracredits

In the sixth episode (and third dispatch) of the Sundance 2023 podcast season, we discuss highlights like Ira Sachs's film Passages, Nicole Holofcener's film You Hurt My Feelings, Sebastián Silva's Rotting in the Sun, and Angus MacLachlan's A Little Prayer, as well as other buzzed-about films at the festival. 00:00 Introduction 01:10 Brief thoughts on Fremont, Infinity Pool, Bad Behaviour, Rye Lane, Drift, A Thousand and One 39:20 You Hurt My Feelings by Nicole Holofcener 52:04 Rotting in the Sun by Sebastián Silva 1:04:22 Passages by Ira Sachs 1:21:55 A Little Prayer by Angus MacLachlan 1:33:30 Fair Play, Cat Person, and the legacy of Promising Young Woman 1:54:49 Sundance bingo Click here to read the episode show notes. You will also find an AI-generated transcript in the show notes. In this episode, we discuss four of our favourite films of Sundance 2023, each in the Premieres section: Nicole Holofcener's dreamed, You Hurt My Feelings, Sebastián Silva's black comedy Rotting in the Sun, Ira Sachs' relationship drama Passages, and Angus MacLachlan's quietly insightful family drama. We also talk briefly about the disappointing films that have forged themselves in the image of Promising Young Woman: Fair Play and Cat Person. Orla discusses one of her most hated films of the festival, Infinity Pool, and Alex defends Alice Englert's troubled feature debut Bad Behaviour. Alex also adds her thoughts on Fremont, which Orla first discussed in episode 3 (Alex agrees it's excellent). Finally, we both discuss some minor highlights of the festival. We were underwhelmed by British rom-com Rye Lane, though think it's a good depiction of the city. Alex liked Anthony Chen's (Ilo Ilo and Wet Season) English-language debut Drift, starring Cynthia Erivo and Alia Shawkat, despite its problematic script, because the direction and performances were so good (Honor Swinton-Byrne also shows up!). Orla also weighs in on the US Grand Jury Prize Winner One Thousand Nights. Become a Member All of our episodes that are over 6 months old are available to members only. We also regularly record members only episodes. To get full access to the podcast, including episodes from past Sundance Film Festivals and past Sundance films, become a member. How to follow our Sundance 2023 coverage Subscribe to our newsletter for updates on the 2023 Sundance podcast season and coverage on the website. Follow Seventh Row on Twitter and Instagram @SeventhRow; Alex Heeney @bwestcineaste on Twitter and Instagram; and Orla Smith @orlamango on Twitter and @orla_p_smith on Instagram. Show Notes Read Indiewire's article on the making of Rotting in the Sun, which we quote from in this episode. Read our interview with Sebastián Silva on his film Magic Magic Treat yourself by following Franz Rogowski on Instagram. Read our profile of Geraldine Viswanathan, who was wasted by Cat Person. Read Kristen Roupenian's original Cat Person short story, published by The New Yorker. Listen to episode three of our Sundance 2023 podcast season, in which we discuss Slow, which features a far better example of asexual representation than Cat Person. Read our interview with Ana Katz, the director of The Dog Who Wouldn't Be Quiet, which was our favourite film of Sundance 2021. Download the Sundance 2023 bingo card to follow along at home. Listen to our last podcast season, which tackles the history of women at the Cannes film festival, and read our comprehensive list of all the women filmmakers who have been programmed by Cannes. Related episodes All of our podcasts that are more than six months old are only available to members. We also regularly release members only bonus episodes. Many of the episodes listed here are now only available to members (Members Only). Click here to become a member, and access our entire podcast archive, as well as new Members Only episodes. Episodes related to the Franz Rogowski in the film Passages Ep. 5: Christian Petzold's Transit (MEMBERS ONLY): Franz Rogowski, who stars in the film Passages, is one of the best actors working today. Head back to one of our earliest episodes where we discuss his amazing (best of the decade) performance in one of the best films of the decade. Ep. 119: Mike Leigh's Naked (FREE — soon becoming MEMBERS ONLY): There are very few good cinematic depictions of narcissists. Ira Sachs's Passages is the latest entry into the canon, and the narcissist at its centre, played by Franz Rogowski, reminded us of Johnny (David Thewlis) from Mike Leigh's Naked, if much less sympathetic (and yet less abusive). Episodes about Ben Whishaw, co-star of Passages Ep. 69: Paddington and Paddington 2 (MEMBERS ONLY): Ben Whishaw was at Sundance this year with two new movies: Alice Englert's film Bad Behaviour (as a cult leader) and Ira Sachs's film Passages (as a man married to Franz Rogowski who cheats on him with a woman). We celebrated Whishaw's work in both Paddington films, and his prowess as an actor more generally, in this discussion that concludes Paddington is the ultimate symbol of British colonialism. Bonus ep. 25: This is Going to Hurt (MEMBERS ONLY): Ben Whishaw is one of the very best working actors today. With two films at Sundance coming out later this year (hopefully!), now is a great time to visit his tour de force career best work as the lead of This is Going To Hurt, a show about physician mental health in the NHS. His performance is both comic and dramatic and absolutely heartbreaking. It's also so incredibly detailed. Nobody else could do it like him. Related episodes to the films A Little Prayer, Rotting in the Sun, and You Hurt My Feelings. Ep. 40: Remembering dead mothers in Stories We Tell, Louder Than Bombs, and Mouthpiece (MEMBERS ONLY): A Little Prayer is a film very much about the family as an ecosystem and a unit of people trying their best under difficult circumstances and often screwing. That's also what Joachim Trier's Louder Than Bombs (2015) is about, and we discuss it in depth in this episode. Louder Than Bombs is also about what happens to a family when a major secret has been kept and comes out, wreaking some havoc, just as in the film You Hurt My Feelings. Ep. 94: HBO's Looking (MEMBERS ONLY): It's not often that we get media that is unabashedly gay, depicting gay spaces and the gay community in a way that might make heterosexuals uncomfortable. HBO's Looking was pioneer for this on TV, including the way it depicted gay sex and intimacy. Sebastián Silva's Rotting in the Sunalso pushes the envelope, though in a much more confronting (and depressing) way. Related episodes to Cat Person and Fair Play Ep. 73: Explorations of rape culture in Promising Young Woman and The Assistant (MEMBERS ONLY): Fair Play and Cat Person at Sundance this year feel like poor attempts to ride the Promising Young Woman hype. Revisit our original bashing of Promising Young Woman for context about why we think its approach to addressing sexual assault is really problematic. We compare it to The Assistant which was way better and also screened at Sundance that year, a much subtler and smarter approach to the topic. Bonus ep. 16: Watching Lena Dunham's Girls in 2021 (MEMBERS ONLY): Lena Dunham was a pioneer of uncomfortable sex scenes involving women in the their 20s, and films like Promising Young Woman, Cat Person, and Fair Play have picked up the baton (if not reached Dunham's heights). In this episode, we discussed what it was like to watch Girls in 2021 (for the first time for Orla).

In the second episode of the Sundance 2023 podcast season, we discuss Sundance's Spotlight Program, its only feature film program dedicated to films that premiered at other festivals. We discuss the program's history of picking great films and giving them the spotlight they needed (but didn't get at other festivals).  We discuss four of the five films programmed in the Spotlight section: Other People's Children, Joyland, L'Immensità, and The Eight Mountains. Since we already talked about Other People's Children in depth on a previous episode, we only discuss it briefly here. Additionally, we go deep on The Eight Mountains, which Alex loved, and briefly discuss the other two films in the program that we've seen which we weren't too keen on. We've actually written books featuring several of the films that screened in Spotlight, including You Were Never Really Here, Girlhood, and The Worst Person in the World. And several of the films previously programmed in the last decade have made our list of the best films of the 2010s. Click here to read the episode show notes. You will also find an AI-generated transcript in the show notes.  About the Sundance 2023 season This is the second episode of our new podcast season on the 2023 Sundance Film Festival. Subscribe to our newsletter for updates on the 2023 Sundance podcast season and coverage on the website. Sundance 2023 runs from January 19-28, and we'll be covering this year's festival in a new podcast season about the films this year and how the programming fits into the festival's history. This is Seventh Row's second podcast season (the first was on Women at Cannes in 2022). Sundance 2023 Bingo Because the festival loves to program films by slot and quota, we are also introducing our annual Sundance Bingo Card, which you can download here. Play along during the festival (or look at past festival editions and the films you've caught which screened there). You can find this year's bingo card in the show notes on our website. In each expisode we'll track our progress on the Bingo card, individuall and as a Seventh Row team. Become a Member All of our episodes that are over 6 months old are available to members only. We also regularly record members only episodes. To get full access to the podcast, including episodes from past Sundance Film Festivals and past Sundance films, become a member. How to follow our Sundance 2023 coverage Subscribe to our newsletter for updates on the 2023 Sundance podcast season and coverage on the website. Follow Seventh Row on Twitter and Instagram @SeventhRow; Alex Heeney @bwestcineaste Twitter and Instagram; and Orla Smith @orlamango on Twitter and @orla_p_smith on Instagram. Show Notes Links to articles/books on films that previously screened in Spotlight Read our list of Seventh Row's 50 Favourite Films of the 2010s, which also includes many films that screened in Sundance's Spotlight Program, including Oslo, August 31st (#1), Their Finest, Raw, and You Were Never Really Here. Get our ebook on Lynne Ramsay's most recent Spotlight film: You Were Never Really Here: A Special Issue Get our ebook on the Céline Sciamma, Portraits of resistance: The cinema of Céline Sciamma, which includes an interview with Sciamma on Girlhood conducted in Park City at Sundance in 2015 when the film screened in Spotlight. Read Orla Smith's interview with writer-director Haifaa Al-Mansour on The Perfect Candidate, which previously screened in Spotlight in 2020. Read Alex Heeney's interview with writer-director Rebecca Miller on Maggie's Plan, which previously screened in Spotlight in 2016. Read Alex Heeney's interview with director Lone Scherfig on Their Finest, which previously screened in Spotlight in 2017. Download the Sundance 2023 bingo card to follow along at home. Related episodes to E2: Sundance 2023 Spotlight program Discover all of our past podcast episodes on films that screened at Sundance. To listen to all of these related episodes, become a member. Ep. 116: Virtual film festivals: Taking stock of their past, present, and future (Members Only). Sundance is one of the only festivals in 2023 still offering a virtual component. On this episode, we talked about the advent of virtual film festivals and what we'd like to see in the future. Ep. 129: Highlights of 2022 Fall Film Festivals (Members Only). We discuss the best films that screened on the festival circuit in fall 2022. This includes a free in-depth discussion of Other People's Children. Episodes on Films featured in the Spotlight section Ep. 112: Joachim Trier's The Worst Person in the World (Free). As the world experts on the films of Joachim Trier (our book on his work will be out later this year), we published an episode on his twice Oscar-nominated film The Worst Person in the World (2021), which screened in Spotlight in 2022. Ep. 73: Explorations of rape culture in Promising Young Woman and The Assistant (Members Only). Although The Assistant premiered at Telluride in 2020, it only really started generating buzz after its 2021 screening in the Spotlight Program at Sundance. In this episode, we discuss its depiction of rape culture alongside a bigger Sundance hit (which was also much less nuanced), Promising Young Woman. Ep. 107: Another Round and Oslo, August 31st: Are men OK? Masculinity, mental health, & addiction(Members Only). Joachim Trier first came to Sundance in 2012 with Oslo, August 31st (which premiered at Cannes in 2011), our #1 film of the 2010s. We talk about how the film addresses masculinity, mental health, & addiction and how this compares with the more recent film, a decade later, Another Round. Episodes on genre films featured in the Sundance Spotlight program Ep. 17: The Nightingale (Members Only): Having launched her career in the World Dramatic Competition at Sundance, Jennifer Kent once again returned to the festival with her second feature, The Nightingale, which premiered at Venice to an underwhelming response. We thought the film was rich and excellent in many ways (if flawed), and went deep on it on the podcast. Ep. 112: Raw and Thelma and modern female monsters (Members Only): After receiving rave reviews (and press about vomiting walkouts) at Cannes and TIFF, Julia Ducournau (who later won the Palme d'Or for Titane) screened her first feature, Raw at Sundance in the Spotlight program. We talk about the film in comparison with Joachim Trier's Thelma. Ep. 38 Australian Westerns: The True History of the Kelly Gang, Sweet Country, and The Dressmaker (Members Only): Warwick Thornton's fantastic feature Sweet Country previously screened in the Sundance Spotlight program after premiering (and winning an award) at Venice and TIFF. In this episode, we discuss how Thornton decolonizes the Australian Western, as well as how this compares to Australian Westerns about settler characters (made by settlers).

This is an excerpt of a members only episode. To listen to the full episode, become a member at http://seventh-row.com/join Editor-in-Chief Alex Heeney and Executive Editor Orla Smith discuss the highlights of the fall film festival circuit, the new and troubling dominance of Netflix (and other streamers') films, and exciting (or not-so-exciting) first features. We discuss favourites like The Eternal Daughter, Saint Omer, Other People's Children — many of which will get a full-length episode of their own in the coming months. We also discuss some of the biggest disappointments. Orla shares her experience at the London Film Festival. Alex shares her experience attending the Toronto International Film Festival. Follow Seventh Row on Twitter and Instagram @SeventhRow. Follow Alex Heeney @bwestcineaste and Orla Smith @orlamango on Twitter.  On this episode excerpt: 00:00-5:24 - Intro to the episode and the festivals we've covered 5:24-18:55 Rebecca Zlotowski's Other People's Children and a new film grammar for women as multitaskers in Other People's Children, Mia Hansen-Løve's One Fine Morning, and Joanna Hogg's The Eternal Daughter  FREE EXCERPT ENDS HERE Become a member to listen to the rest o the discussion, which includes: 18:55-20:55 How many films we saw, and some of the downsides 20:55-25:45 Orla's favourites including Laura Poitras's All the Beauty and the Bloodshed, Lucien Castaing-Taylor and  Verena Paravel's De Humani Corporis Fabrica, Jamie Dack's Palm Trees and Power Lines 25:45-31:14 Alex favourites including Alice Winocour's Paris Memories and Darlene Naponse's Stellar 31:14-50:34 The dominance of Netflix and streamers, Matthew Warchus's Matilda, Causeway 50:34-56:50 The festival circuit: great festival films from earlier this year that disappeared (My Small Land, Lullaby, 32 Sounds), screened only at local festivals (Nelly and Nadine, Framing Agnes) and films that keep coming back. We also discuss the London Film Festival's problematic approach to programming and why we love the Berlinale's programming. 56:50-1:00:24 The lack of live cinema experiences at festivals (like 32 Sounds) in a year when we are being forced to return to cinemas for festivals. 1:00:24-1:05:50 Directors' first features, Charlotte Wells's Aftersun, the rise of Paul Mescal, Georgia Oakley's Blue Jean 1:05:50-1:16:15 Depressing trends in British cinema and the British film industry and how that relates to the country's funding practices. We also draw comparisons to the Canadian film industry. Why is it so hard to get a second feature made? And why do first features have to conform so much to industry standards? We discuss Francis Lee's films, Hope Dickson Leach's film, and several Canadian filmmakers. 1:16:15-1:25:29 Thinking about National Cinema at film festivals, especially Canadian cinema and British cinema 1:25:29-1:31:36 Plan 75, Palm Trees and Power Lines, and other great under-seen first features that keep screening everywhere 1:31:36 Sign offs and related episodes Related episodes Women at Cannes Season: Listen to our five-episode 2022 season on the history of Women directors at the Cannes Film Festival. We highlight some of the best films by women and women filmmakers to screen at the festival. We also discuss the festival's ongoing poor track record of programming films directed by women. Ep. 125: Berlinale 2022: On this omnibus episode, we discuss the highlights of the Berlin Film Festival screening in the festival's under-discussed and under-appreciated (but excellently programmed) sidebars. Ep. 109: TIFF 2021 Part 1: In last year's counterpart to this episode, we discussed the highlights of the 2021 Toronto International Film Festival (TIFF), including Terence Davies's Benediction and Joachim Trier's The Worst Person in the World Ep. 111: TIFF 2021 Part 2: Continuing our discussion on the fall film festivals in 2021, with a focus on TIFF, we discussed Power of the Dog, Ali & Ava, and more highlights from TIFF. Ep. 49: Split screen storytelling in Lungs and Conversations with Other Women: Listen to our episode on Matilda director Matthew Warchus's fantastic live-recorded theatre production of Lungs, (Members only) Ep 60: Old Vic In Camera Productions: Three Kings and Faith Healer: Listen to our podcast on Matthew Warchus's two follow-up live-broadcasted productions of Three Kings and Faith Healer (Members only) Show Notes Read all of our TIFF 2022 coverage Read all of our film festival coverage from this fall here Read Alex Heeney's review of Matilda: The Musical on stage Read Alex Heeney's review of Stellar Read Alex Heeney's review of Eo Read our review of Matilda director Matthew Warchus's Pride Read Alex Heeney's review of Palm Trees and Power Lines Read Alex Heeney's interview with Sam Green on his live documentary 32 Sounds Read Alex Heeney on Canadian immigration stories at TIFF 2022.

If Isabelle Huppert is not your favorite actor, she's the favorite actor of someone you know. Guaranteed. There's something about her that is unlike any other actor that has ever been on film. But it's really hard to talk about what that “something” is. In each performance, in every film she's made, she has such a command of the character, the text, the frame, that we place her in equal authorship with the directors she's worked with, who happen to be some of most interesting and important in the last half-century—Jean Luc-Godard, Michael Haneke, Claude Chabrol, Michael Cimino, Claire Denis, Joachim Trier, Mia Hansen-Løve, Hong Sang-soo, to name a few. She always found a way to play complex, multi-dimensional, often morally questionable characters, even in a time when the female variety were in short supply. In this woefully short episode, she talks about some of the important, yet somewhat mysterious, aspects of her approach to the craft—curiosity, collaborating with the director, the present moment, listening to the language of the camera, and much more.  A retrospective of 29 of Isabelle Huppert's best films begins Friday October 7th at Film Forum in New York City.  Follow Back To One on Instagram Back To One is the in-depth, no-nonsense, actors-on-acting podcast from Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft. No small talk, no celebrity stories, no inane banter—just the work.

It's Casual Friday! Sam hosts Ben Dixon of The Benjamin Dixon Show to round up the week in news. Then he is joined by Matthew Film Guy! First, Sam runs through updates on the DOJ's appeal on Trump's Special Master ruling, more investigations into the Save America PAC and Steve Bannon's fraud charges, the DNC's love for Dark Money, Gorsuch's statement on a public report surrounding the Dobbs leak, and the beautiful reactions to the Queen's death, ranging from indifferent to ecstatic. Ben Dixon then joins as he and Sam walk through a recent viral clip of his juxtaposition of viral Black pastors and hardcore Christian nationalists, exploring how the Christian right has colonized Christ and gentrified Jesus on the stage of national discourse. Next, they take on the state of the strain of White Supremacist Christianity that has overtaken the US after a few decades in hiding, pitching dominionist theology with crackdowns on queer folks and an uplifting of White idols, from Trump to MTG, and ingraining themselves in all factions of the GOP. Dixon then explores why these White Supremacists don't get more pushback from their religious communities, diving into the organizing Ben has done in the south, from allowing congregations to dictate the politics of their pastors to the preoccupation of Black pastors with a full-on conservative assault on their communities. After a brief conversation on how this fundamentalist sect slipped under the radar from the mid-2000s up until the emergence of Donald Trump, they dive deeper into the state of the GOP's agenda as an appeal to this Christian dominionism, touching on the Oathkeepers leak, January 6th, and the Right's full-scale attack on government. And in the Fun Half: Matthew Film Guy joins Sam as he discusses the Brittany Snow movie that has become his recent passion project, his appearance on little-known podcast WTF, and his Sam-backed recommendations of Joachim Trier's “The Worst Person in the World” and Bo Burham's “Eighth Grade.” Sam also dives into Ron Johnson's frantic escape from a vote on the upcoming Marriage Equality Bill, Greg Gutfeld talks about his need for attractive male specimens in a political base, and Alabama's imprisonment of pregnant folks. Dave Rubin pulls his support for Sam Harris on account of his falling into Trump Derangement Syndrome, plus, your IMs! Check out Ben's show here: https://www.youtube.com/c/thebenjamindixonshow Check out Matthew's Letterboxd here: https://letterboxd.com/langdonboom/ Check out Matthew's film discussion group here: https://www.commonpointqueens.org/program/cultural-arts-and-jewish-heritage-classes/ Check out Matthew's eBay auction here! https://www.ebay.com/itm/115464749223 Become a member at JoinTheMajorityReport.com: https://fans.fm/majority/join Check out ESVN's YouTube channel here! https://www.youtube.com/c/ESVNShow Subscribe to the AMQuickie newsletter here: https://am-quickie.ghost.io/ Join the Majority Report Discord! http://majoritydiscord.com/ Get all your MR merch at our store: https://shop.majorityreportradio.com/ Get the free Majority Report App!: http://majority.fm/app Check out today's sponsors: Sunset Lake CBD: Sunset Lake CBD is excited to announce the release of Good Vibe Gummies, a full-spectrum gummy crafted with a blend of CBD and hemp-derived THC! Starting Wednesday September 7th all CBD gummies will be 30% OFF with Coupon Code GOODVIBE. Visit https://sunsetlakecbd.com/ to try these amazing new products and take advantage of this sale while it lasts. Sale ends September 12th. Follow the Majority Report crew on Twitter: @SamSeder @EmmaVigeland @MattBinder @MattLech @BF1nn @BradKAlsop Check out Matt's show, Left Reckoning, on Youtube, and subscribe on Patreon! https://www.patreon.com/leftreckoning Subscribe to Discourse Blog, a newsletter and website for progressive essays and related fun partly run by AM Quickie writer Jack Crosbie. https://discourseblog.com/ Check out Ava Raiza's music here! https://avaraiza.bandcamp.com/ The Majority Report with Sam Seder - https://majorityreportradio.com/

It's Casual Friday! Sam hosts Ben Dixon of The Benjamin Dixon Show to round up the week in news. Then he is joined by Matthew Film Guy! First, Sam runs through updates on the DOJ's appeal on Trump's Special Master ruling, more investigations into the Save America PAC and Steve Bannon's fraud charges, the DNC's love for Dark Money, Gorsuch's statement on a public report surrounding the Dobbs leak, and the beautiful reactions to the Queen's death, ranging from indifferent to ecstatic. Ben Dixon then joins as he and Sam walk through a recent viral clip of his juxtaposition of viral Black pastors and hardcore Christian nationalists, exploring how the Christian right has colonized Christ and gentrified Jesus on the stage of national discourse. Next, they take on the state of the strain of White Supremacist Christianity that has overtaken the US after a few decades in hiding, pitching dominionist theology with crackdowns on queer folks and an uplifting of White idols, from Trump to MTG, and ingraining themselves in all factions of the GOP. Dixon then explores why these White Supremacists don't get more pushback from their religious communities, diving into the organizing Ben has done in the south, from allowing congregations to dictate the politics of their pastors to the preoccupation of Black pastors with a full-on conservative assault on their communities. After a brief conversation on how this fundamentalist sect slipped under the radar from the mid-2000s up until the emergence of Donald Trump, they dive deeper into the state of the GOP's agenda as an appeal to this Christian dominionism, touching on the Oathkeepers leak, January 6th, and the Right's full-scale attack on government. And in the Fun Half: Matthew Film Guy joins Sam as he discusses the Brittany Snow movie that has become his recent passion project, his appearance on little-known podcast WTF, and his Sam-backed recommendations of Joachim Trier's “The Worst Person in the World” and Bo Burham's “Eighth Grade.” Sam also dives into Ron Johnson's frantic escape from a vote on the upcoming Marriage Equality Bill, Greg Gutfeld talks about his need for attractive male specimens in a political base, and Alabama's imprisonment of pregnant folks. Dave Rubin pulls his support for Sam Harris on account of his falling into Trump Derangement Syndrome, plus, your IMs! Check out Ben's show here: https://www.youtube.com/c/thebenjamindixonshow Check out Matthew's Letterboxd here: https://letterboxd.com/langdonboom/ Check out Matthew's film discussion group here: https://www.commonpointqueens.org/program/cultural-arts-and-jewish-heritage-classes/ Check out Matthew's eBay auction here! https://www.ebay.com/itm/115464749223 Become a member at JoinTheMajorityReport.com: https://fans.fm/majority/join Check out ESVN's YouTube channel here! https://www.youtube.com/c/ESVNShow Subscribe to the AMQuickie newsletter here: https://am-quickie.ghost.io/ Join the Majority Report Discord! http://majoritydiscord.com/ Get all your MR merch at our store: https://shop.majorityreportradio.com/ Get the free Majority Report App!: http://majority.fm/app Check out today's sponsors: Sunset Lake CBD: Sunset Lake CBD is excited to announce the release of Good Vibe Gummies, a full-spectrum gummy crafted with a blend of CBD and hemp-derived THC! Starting Wednesday September 7th all CBD gummies will be 30% OFF with Coupon Code GOODVIBE. Visit https://sunsetlakecbd.com/ to try these amazing new products and take advantage of this sale while it lasts. Sale ends September 12th. Follow the Majority Report crew on Twitter: @SamSeder @EmmaVigeland @MattBinder @MattLech @BF1nn @BradKAlsop Check out Matt's show, Left Reckoning, on Youtube, and subscribe on Patreon! https://www.patreon.com/leftreckoning Subscribe to Discourse Blog, a newsletter and website for progressive essays and related fun partly run by AM Quickie writer Jack Crosbie. https://discourseblog.com/ Check out Ava Raiza's music here! https://avaraiza.bandcamp.com/ The Majority Report with Sam Seder - https://majorityreportradio.com/

Sarah Elizabeth Mintz received her BFA from New York University's Tisch School of the Arts, where she completed her thesis film Transit, starring Dakota Johnson. After graduating she mentored with filmmakers Cary Fukunaga on True Detective, Joachim Trier on Louder Than Bombs, and worked with Alejandro Inarritu on The Revenant. Sarah was a Sundance Fellow in the 2017 Writer's Intensive and 2018 Sundance Strategic Financing Intensive with her project Good Girl Jane. She completed a short film of the same name starring Rachelle Vinberg (Skate Kitchen, HBO's Betty) and Travis Tope (American Vandal), with cinematography by Jake Saner (Ghosts of Sugar Land). The short premiered at the Raindance Film Festival in London. Good Girl Jane recently wrapped principal photography in Los Angeles starring Rain Spencer, Patrick Gibson and Andie MacDowell. Good Girl Jane is inspired by events in Sarah's own life.

Joachim Trier has been hailed as one of the most interesting and dynamic new voices in European cinema. His film The Worst Person in the World is the latest in his loosely described “Oslo trilogy”–compelling character studies set in the changing landscape of his hometown. Trier has described the movie as “a coming-of-age film for grown-ups who feel like they still haven't grown up.” It's been nominated for numerous prizes including the Oscar for Best International Feature Film and Best Original Screenplay.

Visit the episode page at Trailers From Hell for the full list of movies, references and more.And don't forget to follow us on Letterboxd.