Podcast appearances and mentions of Joachim Trier

Living in a post-Venice/Telluride/Toronto world means it's time get serious about our Oscar predictions and that's just what we're doing this week. On episode 307 of the AwardsWatch podcast, AW Editor-In-Chief Erik Anderson is joined by Executive Editor Ryan McQuade and Associate Editor Sophia Ciminello to look at what shined at the fests, what lost its luster and the introduction of a new bombshell in the villa. In our conversation, we begin with the top winners at Venice and with Alexander Payne's contentious jury, including how Jim Jarmusch's Father Mother Sister Brother could factor in and if Benny Safdie's Silver Lion Best Director win for The Smashing Machine was what that film needed. Next we move to Telluride, where Hamnet was the most-liked film (while we still await the results of Michael's Telluride Blog polls of critics and non-critics) and how the Cannes winners held their ground. Moving to Toronto and Hamnet's People's Choice Award win keeps it at as a top tier contender and we talk about some films, like 1st runner-up Frankenstein, fared better at TIFF than it did at Venice and Telluride. Then we dive into Paul Thomas Anderson's One Battle After Another, which began screening last week. While Ryan and Sophia had the film at the top of their predictions list last month, I was the idiot who rashly dropped it out of my top 10. That mistake is corrected here and we talk about the narratives at play for PTA, Chloé Zhao for Hamnet, Ryan Coogler for Sinners and Joachim Trier for Sentimental Value. You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music, YouTube and more. This podcast runs 1h37m. We will be back next week with a preview of the 2025 New York Film Festival. Till then, let's get into it. Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

Joachim Trier's new film, Sentimental Value, is already a buzzy hit. Alex Heeney has been thinking and writing about Trier's films for more than a decade, and this one sharpened her sense of what she values in his work. In this episode out of TIFF, she look at the film's portrait of a complicated family, the way it reframes familiar Trier themes, and how it speaks to his other films. ✨ This fall I'm hosting an exclusive live event where we'll unpack Trier's work together — the kind of deep-dive conversation you can't get from the podcast.

Daniel, Shahbaz, and Anthony review Joachim Trier's SENTIMENTAL VALUE at TIFF 50 starring Renate Reinsve, Stellan Skarsgård, Inga Ibsdotter Lilleaas, and Elle Fanning. In the film, sisters Nora and Agnes reunite with their estranged father, the charismatic Gustav, a once-renowned director who offers stage actress Nora a role in what he hopes will be his comeback film. When Nora turns it down, she soon discovers he has given her part to an eager young Hollywood star. Suddenly, the two sisters must navigate their complicated relationship with their father — and deal with an American star dropped right into the middle of their complex family dynamics. Watch and listen to The Movie Podcast now on all podcast platforms, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TheMoviePodcast.ca⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Contact: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠hello@themoviepodcast.ca⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠FOLLOW US⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Daniel on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠X⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Letterboxd⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Shahbaz on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠X⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Letterboxd⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Anthony on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠X⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Letterboxd⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ The Movie Podcast on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠X⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Discord⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Rotten Tomatoes Learn more about your ad choices. Visit megaphone.fm/adchoices

Hva gjør techno med hjernen din, og hvilken religion passer best til techno? Hva er norsk filmhistories absolutte høydepunkt? og hvor mange trampstamps har Karen, Maria og Stian tatt på fylla? Så mange spørsmål, og heldigvis er dagens episode av Skumma Kultur full av svar!

durée : 00:10:27 - Le Masque et la Plume - Dans son nouveau film, Jachim Trier interroge la place et la capacité du cinéma à réparer les relations brisées. Entre bonheur apaisé, absence d'émotion et manque d'originalité, le lauréat du Grand Prix à Cannes récolte un avis contrasté de la part de nos critiques. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Par Rafael Wolf et Thomas Gerber Pris au piège – Caught Stealing de Darren Aronofsky, avec Austin Butler, Zoë Kravitz, Regina King. Valeur sentimentale de Joachim Trier, avec Renate Reinsve, Stellan Skarsgard, Elle Fanning. Alpha de Julia Ducournau, avec Tahar Rahim, Golshifteh Farahani, Mélissa Boros. Les conseils : La guerre des Rose (1990) de Danny De Vito, avec Kathleen Turner, Michael Douglas, Danny De Vito, (en DVD et Blu-ray et sur certaines plateformes.) Sils Maria dʹOlivier Assayas, avec Juliette Binoche, Kristen Stewart, (en DVD et Blu-ray, et sur certaines plateformes.)

Zu Cannes gouf en am Mee mam Grand Prix, deem zweetwichtegste Präis vum prestigiéise Festival, ausgezeechent, elo leeft en och bei eis an de Kinoen: "Sentimental Value" vum Joachim Trier ass een immens villschichtegt Familljendrama iwwer dysfunktional Famillen, Depressioun an Kraaft vun der Fiktioun, déi heelt. D'Valerija Berdi an de Jeff Schinker haten de Film am Grousse Kino vu leschte Samschdeg beschwat - a mir lauschteren hei nach eemol d'Rezensioun vun engem Film, deen elo scho vun der Grousse-Kino-Ekipp als ee vun de Filmer vum Joer bezeechent gouf.

Eng Koppel, déi esou laang openee pecht, bis se wuertwiertlech net méi vunenee lasskënnt, een alkoholesche Realisateur a säi kéngste Projet - an eng Fra, déi lues a lues muss realiséieren, datt si dement ass an de Rescht vun hirem Liewen an engem Heem wäert verbréngen: d'Valerija Berdi an de Jeff Schinker beschwätzen dem Joachim Trier säin zu Cannes mam Grand Prix ausgezeechente "Sentimental Value", dem Michael Shank säin australeschen Horrorthriller "Together" an der Sarah Friedland hire "Familiar Touch".

Après notre plongée dans le cinéma indien, on revient avec un épisode autour de Sentimental Value, le dernier film de Joachim Trier qui a enthousiasmé la Croisette en mai dernier et raflé le Grand Prix du Jury !

We're a mere 11 days before the 52nd Telluride Film Festival kicks off on Labor Day weekend and we have a packed show. On episode 303 AwardsWatch Editor-In-chief Erik Anderson is joined by Executive Editor Ryan McQuade, Associate Editor Sophia Ciminello, contributors Mark Johnson and Jorge Tenreiro and Christina Birro of Pop Culture Confidential to break down what we think will be at Telluride this season, who might be getting Silver Medallions and much more. On this episode the crew looks at how Toronto and New York film festival designations give us the clues we need to see what will, or might, be showing up at Telluride including coveted world premieres, Chloé Zhao's Hamnet starring Jessie Buckley and Paul Mescal, and Edward Berger's Ballad of a Small Player with Colin Farrell and Tilda Swinton among them. Telluride is also full of Cannes winner carryovers and we expect to see Jafar Panahi's Palme d'Or winner It Was Just an Accident, Joachim Trier's Sentimental Value (Grand Prize winner) and Kleber Mendonça Filho's double winner The Secret Agent (Best Director, Best Actor Wagner Moura) -- all NEON films -- in the lineup. There's also a certain amount of sleuthing involved in the guessing game and is there a chance that A24 debuts Mother Mary here? We'll have to wait and see... You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music, YouTube and more. This podcast runs 1h4m. We will be back in next week to talk about Spike Lee's newest film Highest 2 Lowest and talk about our Top 5 Spike Lee joints. Till then, let's get into it.

durée : 00:42:28 - Les Midis de Culture - par : Élise Lépine - Aujourd'hui, on parle cinéma dans les midis de Culture, en présence du réalisateur norvégien Joachim Trier pour la sortie de son dernier film "Valeur sentimentale" en salles le 20 août prochain. Un entretien autour du dialogue intra-familial qui fait écho avec la vie de notre invité. - réalisation : Delphine Keravec - invités : Joachim Trier Réalisateur

durée : 00:13:45 - Les Midis de Culture - par : Élise Lépine - Aujourd'hui, on parle cinéma dans les midis de Culture, en présence du réalisateur norvégien Joachim Trier pour la sortie de son dernier film "Valeur sentimentale" en salles le 20 août prochain. Un entretien autour du dialogue intra-familial qui fait écho avec la vie de notre invité. - réalisation : Delphine Keravec - invités : Joachim Trier Réalisateur

durée : 00:11:48 - L'invité de 7h50 - par : Alexis Morel - Le réalisateur Joachim Trier est l'invité du 7h50, mercredi 13 août, pour son film "Valeur sentimentale" qui a reçu le grand prix du Festival de Cannes. Il sort en salles le 20 août, en partenariat avec France Inter. - invités : Joachim Trier - Joachim Trier : Réalisateur Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:11:48 - L'invité de 7h50 - par : Alexis Morel - Le réalisateur Joachim Trier est l'invité du 7h50, mercredi 13 août, pour son film "Valeur sentimentale" qui a reçu le grand prix du Festival de Cannes. Il sort en salles le 20 août, en partenariat avec France Inter. - invités : Joachim Trier - Joachim Trier : Réalisateur Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 02:59:06 - Le 6/9 - Les invités du Grand entretien du mercredi 13 août sont : Joachim Trier / Laetitia Niaudeau, Christophe Nguyen, et Marguerite Kocher. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Abschweifen? Geht auch mit CSB: Heute geht's um unterschätzte oder überbewerte Regisseure. Aber vorher müssen Alper, Marius, Jonas und Schröck über ALIEN: EARTH reden. Oder über YPS-Hefte. ALIEN darf dabei natürlich auch nicht fehlen, bevor sie bei GOD'S ARMY - DIE LETZTE SCHLACHT, den MEMOIREN EINER SCHNECKE, dem neuen DEATHSTALKER oder dem alten TANZ DER TEUFEL landen. Und über die eine oder Abschweifung geht's dann endlich um Quentin Tarantino oder Quentin Dupieux, um INGLORIOUS BASTERS oder DEATH PROOF, um EINE FLIEGE KOMMT SELTEN ALLEIN oder SMOKING CAUSES COUGHING, um Ron Howard und EDEN, um REBEL RIDGE und Jeremy Saulnier, um die Schwierigkeit einen wirklich schlechten Film zu machen oder um unser Studio. Sobald sich alle wieder gefangen haben, sind dann auch noch BO BURNHAM und EIGHTH GRADE oder Oz Perkins und LONGLEGS ein Thema, bevor es noch mit Menschen wie Kiah Roach Turner, Joachim Trier (oder war es doch Thomas Vinterberg?), Walter Hill, Craig S. Zahler oder Paul Schrader weitergeht und schließlich bei Filmen wie WYRMWOOD, DRAGGED ACROSS CONCRETE, BONE TOMAHAWK, DER GROSSE GATSBY, LIMBO oder GOLDENEYE, THE FOREIGNER und DIE MASKE DES ZORRO endet. Kurz gesagt: es war einfach ein herrlicher Plausch über eins der schönsten Themen der Welt. Bei diesem wünschen wir Euch nun viel Spaß wie ein mindestens genauso schönes Wochenende. Bleibt gesund und gut drauf, schaut gerne bei den Jungs von CINEMA STRIKES BACK vorbei und genießt die restlichen freien Tage. Bis bald. Rocket Beans wird unterstützt von fritz-kola. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode, the team was bowled over by Dreams, part of a new arthouse trilogy by Norwegian writer-director Dag Johan Haugerud called The Oslo Stories Trilogy (not to be confused with Joachim Trier's similarly named Oslo Trilogy). The other two instalments - Love and Sex - are released later in August. Dreams got us talking about our favourite trilogies in general, from the first three Toy Story movies to Richard Linklater's Before... films via Edgar Wright's Cornetto trilogy. We also squeeze in a review of stop-motion film Savages, the long-awaited new work from Belgian director Claude Barras, best known for his bruising coming-of-age animation My Life as a Courgette.  TIMESTAMPS: What We've Been Watching: Female Perversion, Legally Blonde the Musical, Safe and Lena Dunham's new series Too Much (02:44) Savages review (15:23) Dreams review (27:52) Movie Trilogies: What are they, and which ones do we love? (46:25) Recorded on location in the Codebase meeting room with the lovely chairs. Get us on Twitter, Bluesky, Instagram and Letterboxd  @thecineskinny, email us at cineskinny@theskinny.co.uk Intro and interstitial music: Too Cool by Kevin MacLeod (https://incompetech.filmmusic.io/song/4534-too-cool) License: https://filmmusic.io/standard-license

In front of an audience at the Karlovy Vary International Film Festival, the veteran Swedish actor reflects working with everyone from Ingmar Bergman to David Fincher, moving between art house projects (e.g. his five collaborations with Lars von Trier) and studio fare ('Dune,' 'Mamma Mia!,' 'Pirates of the Caribbean' and five MCU installments), and why he's particularly proud of his latest film, Joachim Trier's Cannes' Grand Prize winner in which he plays an aging filmmaker who has a complicated relationship with his two daughters. Learn more about your ad choices. Visit megaphone.fm/adchoices

Retake, assurément le podcast le moins régulier de tous les internet. Mais c'est l'été, on s'est remotivé à sortir les micros et on est allé voir ce que le cinéma avait de plus spectaculaire à nous proposer pour la saison estivale. Cet épisode est donc celui des blockbusters de l'été 2025 pour lequel on a fait le choix arbitraire de ne choisir que quatre films : Dans l'univers de John Wick : Ballerina de Len Wiseman (sorti le 4 juin 2025)28 ans plus tard de Danny Boyle (sorti le 18 juin 2025) F1® Le Film de Joseph Kosinski (sorti le 25 juin 2025)Jurassic World : Renaissance de Gareth Edwards (sorti le 4 juillet 2025)Quatre films à grand spectacle capables de fédérer des publics nombreux et dont on va essayer de discuter l'aspect qualitatif ici. Pas sûr que Nathan et Kev soient d'accord sur tout. Promis ON NE SPOILE PAS ! Vous pouvez y aller sans crainte. En fin d'épisode, on parle de Valeur Sentimentale de Joachim Trier et de l'arrivée sur Disney + de la saison 4 de The Bear, la toujours excellente dramédie culinaire portée par Jeremy Allen White.Bonne écoute ! CRÉDITS :Retake est un podcast animé par Kevet Nathan.Montage effectué par Kev.Logo crée par Barthélémy Fourtet.Générique : © Le Cinéma - Claude Nougaro / © Caravan - Duke Ellington et Juan Tizol Extraits bande-annonce : - BALLERINA - Bande-annonce VOST © Metropolitan Films- 28 Ans Plus Tard - Bande-annonce VOSTFR © SonyPicturesFr- F1 | Bande-annonce officielle (VOST) | Brad Pitt, Javier Bardem, Joseph Kosinski, Kerry Condon © Warner Bros. France- Jurassic World : Renaissance - Bande Annonce Officielle - VOST - Au cinéma le 4 Juillet 2025 © Universal Pictures France Extrait musical de clôture :  - Let's go surfing - The Drums ℗ 2009 Downtown Records, Under exclusive licence to Universal Island Records Ltd. A Universal Music Company Date d'enregistrement : 10/07/2025Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

We go behind the scenes with director Joachim Trier as he makes the follow-up to his international hit The Worst Person In The World. Producer Stephen Hughes gets exclusive access to the set of Sentimental Value, following the film from pre to post production. In a series of candid interviews, the writer-director reveals the anxiety he feels every time he has to make a movie, and how he is helped by his loyal team: screenwriter Eskil Vogt and producers Andrea Berentsen Ottmar, Maria Ekerhovd and Lars Thomas Skare. And it is a story with a happy ending, as Sentimental Value wins the prestigious Grand Prix at this year's Cannes Film Festival.

It's a wrap!In the final episode of this year's Cannes Film Festival, Eliana and Patrick are once again joined by Öykü Sofuoğlu. Together, they discuss: Jafar Panahi's Palme d'Or-winning It Was Just an Accident | یک تصادف سادهJoachim Trier's Grand Jury Prize-winner Sentimental Value | AffeksjonsverdiNadav Lapid's Yes or Yes! | כןKelly Reichardt's The Mastermind (which, alas, did not win any award)Kristen Stewart's The Chronology of WaterSimón Mesa Soto's A Poet | Un PoetaDiego Céspedes | Mysterious Gaze of the Flamingo | La Misteriosa Mirada del Flamencoand in passing : Alice Douard's Love Letters | Les preuves d'amours, Anna Cazenave Cambet's Love me Tender, Harris Dickinson's Urchin + Scarlett Johansson's Eleanor the GreatFor more of Öykü's work, check out her reviews on Sentimental Value, Christian Petzold's Mirrors No. 3, or Hafsia Herzi's The Little Sister for InReview Online.For those interested in more thoughts on one of our festival favorites, Pauline Loquès', Nino, read Patrick's review or listen to one of our previous episodes.----------------------------------------------------------------------------------------------Credits:Image: It Was Just an Acccident Film PosterFrame by Kumiko Shimuzu - Free to use under the Unsplash LicenseSound:Intro: EFF Open Audio License for Le Carnaval des Animaux (Saint-Saëns, Camille - Aquarium) by Neal O'Doan (Piano) Nancy O'Doan (Piano), and Seattle Youth Orchestra Pandora Records/Al Goldstein Archive.Extro: La Bouche - Be My Lover

Ayisha, Chris & Ofili are here to give their review of the Cannes film festival and talk us through the most anticipated films from the festival. We talk about WHY we love the Cannes film festival and the general workings of the festival (08:55), discuss Jafar Panahi and his Palme d'Or winning movie 'It Was Just an Accident' (16:13), Joachim Trier's newest film - 'Sentimental Value' (26:35), and predictions on how the festival & the general state of the world could affect awards voting (01:01:02).You can support us here.Please subscribe to our Newsletter.Hosts: AyishaGuests: Chris & OfiliProduction by: Ebuka

Ep. 326: Manohla Dargis on Cannes 2025: Sentimental Value, Eddington, The Mastermind, Resurrection, Homebound, The Secret Agent, Sirat, The Plague, Jafar Panahi, Scarlett Johansson Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. It's become a wonderful tradition at The Last Thing I Saw to conclude the Cannes Film Festival with a very special guest: Manohla Dargis, chief film critic of The New York Times. For the 2025 edition, we discuss a whole slew of films: Sentimental Value (directed by Joachim Trier), Eddington (Ari Aster), The Mastermind (Kelly Reichardt), Resurrection (Bi Gan), Homebound (Neeraj Ghaywan), The Secret Agent (Kleber Mendonca Filho), Sirat (Oliver Laxe), The Plague (Charlie Polinger). Dargis also considers the state of the industry and speaks about Jafar Panahi and Scarlett Johansson, both of whom she interviewed. Please support the production of this podcast by signing up at: rapold.substack.com Photo by Steve Snodgrass

Joining Christina is film critic and writer Ryan McQuade of AwardsWatch as they wrap up the 2025 Cannes Film Festival. From what it was like covering this year's festival, to the Palme d'Or winners, major Neon and MUBI acquisitions, standout titles from Joachim Trier and Spike Lee, The Secret Agent, The History of Sound, and more—this episode dives into all the unforgettable moments that made this edition one for the books. Learn more about your ad choices. Visit megaphone.fm/adchoices

Reporting from the Croisette, host Hugo Emmerzael is joined by fellow film critic Savina Petkova who together reflect on two unforgettable selections from the 2025 Cannes Film Festival—films that stood apart amid a blur of screenings and industry spectacle.Joachim Trier's Sentimental Value, led by a luminous Renate Reinsve, is a quietly devastating meditation on memory, loss, and emotional inheritance. Meanwhile, Óliver Laxe's Sirat propels us into a dystopian rave-scape, where pulsing techno and stark imagery evoke a world on the brink of collapse.Together, Hugo and Savina unravel the layers of these two very different films, offering a glimpse into the bold cinema we can look forward to on screen at LAB111.

Végső állomás – Vérvonalak: A vérvonal, melyet nyomon követ a halál Háború, béke és sajtos makaróni: 150 év után előkerült Lev Tolsztoj családi receptje Lackfi János nyitja meg idén az Ünnepi Könyvhetet Mire számíthatsz a The Last of Us 3. évadában? Bejelentették, ki játssza Harry Pottert, Hermione Grangert és Ron Weasley-t a készülő sorozatban Vidéken is beköszön az újonnan alakult Erkel Színház Éljen a kérdőjel, vesszen a pont! – Új évadot hirdetett az Örkény Színház Eddie ismét életre kelt – Elstartolt az Iron Maiden jubileumi turnéja Budapesten Babát vár Pesák Ádám gyönyörű felesége: "Most félidőben járok" Pert indít az egykori királyi család, kérik vissza az ékszereket és a palotákat Érzelmi érték – ősszel érkezik a mozikba Joachim Trier cannes-i nagydíjas filmje A további adásainkat keresd a podcast.hirstart.hu oldalunkon.

Végső állomás – Vérvonalak: A vérvonal, melyet nyomon követ a halál Háború, béke és sajtos makaróni: 150 év után előkerült Lev Tolsztoj családi receptje Lackfi János nyitja meg idén az Ünnepi Könyvhetet Mire számíthatsz a The Last of Us 3. évadában? Bejelentették, ki játssza Harry Pottert, Hermione Grangert és Ron Weasley-t a készülő sorozatban Vidéken is beköszön az újonnan alakult Erkel Színház Éljen a kérdőjel, vesszen a pont! – Új évadot hirdetett az Örkény Színház Eddie ismét életre kelt – Elstartolt az Iron Maiden jubileumi turnéja Budapesten Babát vár Pesák Ádám gyönyörű felesége: "Most félidőben járok" Pert indít az egykori királyi család, kérik vissza az ékszereket és a palotákat Érzelmi érték – ősszel érkezik a mozikba Joachim Trier cannes-i nagydíjas filmje A további adásainkat keresd a podcast.hirstart.hu oldalunkon.

Par Rafael Wolf et Thomas Gerber The Phoenician Scheme de Wes Anderson, avec Benicio Del Toro, Tom Hanks, Scarlett Johansson. The Landscape and the Fury de Nicole Vögele. Les conseils : My own private Idaho (1991) de Gus Van Sant, avec River Phoenix, Keanu Reeves, (en DVD, BluRay et à la Cinémathèque Suisse) Oslo, 31 août (2011) de Joachim Trier, avec Anders Danielsen Lie.(disponible en DVD, BluRay, et sur certaines plateformes.)

Elise og Aksel har vært på Filmfestivalen i Cannes og snakker om filmene som vil prege året som kommer. De forteller om sine favoritter og filmene du godt kan hoppe over. Joachim Triers bejublede Affeksjonsverdi er selvsagt også en av filmene som diskuteres.Elises rapport fra premieren på Affeksjonsverdi:https://www.morgenbladet.no/kultur/joachim-trier-pa-bergmansk-grunn-i-cannes/9632788 Hosted on Acast. See acast.com/privacy for more information.

No Plano Geral desta semana, Flavia Guerra e Vitor Búrigo recebem a jornalista e crítica de cinema Mariane Morisawa em um programa especial sobre os vencedores da 78ª edição do Festival de Cannes. Destaque para o brasileiro "O Agente Secreto", do cineasta pernambucano Kleber Mendonça Filho, que levou os prêmios de melhor direção e melhor ator para Wagner Moura. E mais: a Palma de Ouro para "Un simple accident", do iraniano Jafar Panahi; e os prêmios para os filmes de Joachim Trier, Mascha Schilinski, Jean-Pierre e Luc Dardenne, Bi Gan, entre outros. Estamos no ar!

Esta edición de Cannes será recordada, entre otras cosas, por una renovación en el cine de autor y por la presencia de Carla Simón y Oliver Laxe. Las películas de los directores españoles han tenido una excelente acogida y apuntan a un palmarés donde suenan otros nombres como el iraní Jafar Panahi, el noruego Joachim Trier y la alemana Mascha Schilinski. Recopilamos lo mejor del festival, repasamos los estrenos y os recomendamos 'Los tortuga', la nueva película de Belén Funes. En 30 minutos os ponemos al día de todo.

Esta edición de Cannes será recordada, entre otras cosas, por una renovación en el cine de autor y por la presencia de Carla Simón y Oliver Laxe. Las películas de los directores españoles han tenido una excelente acogida y apuntan a un palmarés donde suenan otros nombres como el iraní Jafar Panahi, el noruego Joachim Trier y la alemana Mascha Schilinski. Recopilamos lo mejor del festival, repasamos los estrenos y os recomendamos 'Los tortuga', la nueva película de Belén Funes. En 30 minutos os ponemos al día de todo.

Cannes 2025 has arrived—and you can count on our on-the-Croisette crew of Film Comment contributors to cut through the noise with thoughtful dispatches, interviews, and Podcasts. This year's festival is packed with exciting premieres, including new films from Richard Linklater, Lynne Ramsay, Spike Lee, Bi Gan, Julia Ducournau, Wes Anderson, and many more. For our fifth episode from the French Riviera, Film Comment Editor Devika Girish is joined by critics Abby Sun, Beatrice Loayza, and Giovanni Marchini Camia to discuss some late-festival premieres, including Joachim Trier's Sentimental Value, Carla Simón's Romería, Oliver Hermanus's The History of Sound and Nadav Lapid's Yes. Subscribe today to The Film Comment Letter for a steady stream of Cannes coverage, providing everything you need to know about the 2025 edition.

Das Kino reflektiert sich selbst in der Familiengeschichte „Sentimental Value“ von Joachim Trier. Die Dardenne-Brüder bekamen für "Junge Mütter" bereits den "Positiven Filmpreis" und sind wie viele Konkurrenten noch im Rennen um die Goldene Palme. Nicodemus, Katja www.deutschlandfunk.de, Kultur heute

La 78ᵉ édition du Festival de Cannes s'achève ce soir. Le jury présidé par l'actrice Juliette Binoche va se retirer dans une villa pour discuter des prix qui seront remis en fin de journée. Cette année, aucun film n'est franchement donné favori, même si certains titres reviennent souvent dans les conversations. Certains ont déjà été récompensés par des prix en marge du festival. Certains prix gravitent en périphérie du festival de Cannes, mais font parler d'eux. Depuis quinze ans, la Queer Palm, qui récompense un film abordant des thématiques LGBTQIA+, comme des personnages trans, des questionnements de genre ou des relations homosexuelles. En attendant, peut-être, une place au palmarès ce soir, La petite dernière d'Hafsia Herzi, le récit d'initiation d'une jeune femme lesbienne ET musulmane, remporte la Queer Palm.Autre prix déjà décerné, l'Œil d'or du meilleur documentaire attribué à Imago, premier film tchétchène projeté à la Semaine de la critique. Le réalisateur Déni Oumar Pitsaev livre un film très personnel, en retournant voir sa famille réfugiée en Géorgie. Mais, lui qui a connu la guerre enfant, a une pensée pour tous ceux qui souffrent dans des conflits : « Il y a des gens en ce moment, que ce soit en Ukraine, au Soudan, à Gaza, qui n'ont pas cette chance. J'ai fait ce film pour l'enfant que j'étais, j'avais huit ans, je n'avais pas d'adulte à côté de moi pour me soutenir. Il y a d'autres enfants qui grandissent en ce moment et qui n'auront pas de chance de grandir, comme moi. Toutes les douleurs sont également importantes, et toutes les vies valent, qu'elles soient palestiniennes, tchétchènes ou israéliennes. »À Cannes, les animaux sont aussi à la fêteLe Grand Prix de la Palm dog 2025 récompense, à titre posthume, Pipa, du film Sirat projeté en compétition, à qui sa partenaire, humaine, Jade Oukid, rend hommage.Sirat, de l'Espagnol Oliver Laxe, figure parmi les films les plus cités par les critiques comme devant figurer au palmarès. Au moins autant qu'Un simple accident de Jafar Panahi ou Sentimental value de Joachim Trier.Le jury présidé par Juliette Binoche va délibérer toute la journée de samedi. Le Congolais Dieudo Hamadi a aimé cette expérience inédite : « Je viens parfois sans savoir ce que je vais regarder, sans connaître le nom du réalisateur ou de l'équipe et même parfois les titres. Ce qui me passionne, c'est d'arriver sans a priori et d'être embarqué dans une histoire que je n'attendais pas. Traverser, comprendre, ressentir, ça fait partie des privilèges des jurés. »Verdict ce soir et un palmarès à suivre sur RFI à 18 h temps universelÀ lire aussiFestival de Cannes 2025: les films en compétition

Richard reveals if his sky-high expectations for Joachim Trier's 'Sentimental Value' were met (or exceeded!), and David and Richard also let Rebecca know how 'The History of Sound,' starring Paul Mescal and Josh O'Connor, played at Cannes. Plus, they answer a few mailbag questions including why exactly Cannes press conferences can be so awkward.To join Little Gold Men's Book Club, please vote on our summer reading list here. Learn about your ad choices: dovetail.prx.org/ad-choices

Film critic Emma Jones gives us a clearer idea of potential prize contenders. She tells us all about “Sentimental Value” by Joachim Trier, a lovely story set around a family – and an exploration of grief and art. 

durée : 00:27:45 - Les Midis de Culture - par : Lucile Commeaux - Au programme de ce débat critique consacré au cinéma, en direct du 78ᵉ festival de Cannes, trois films : "Sirât" d'Óliver Laxe, "L'Agent secret" de Kleber Mendonça Filho et "Valeur sentimentale" de Joachim Trier. - réalisation : Laurence Malonda, Anne-Laure Chanel - invités : Olivier Lamm Journaliste et critique à Libération; Charlotte Garson Rédactrice en chef adjointe des Cahiers du cinéma

durée : 00:08:06 - Les Midis de Culture - par : Lucile Commeaux - Nos critiques discutent de "Valeur sentimentale" de Joachim Trier, un film à la fois tchekhovien et bergmanien sur la relation douloureuse d'un père cinéaste et de ses deux filles. - réalisation : Laurence Malonda, Anne-Laure Chanel - invités : Charlotte Garson Rédactrice en chef adjointe des Cahiers du cinéma; Olivier Lamm Journaliste et critique à Libération

Richard reveals if his sky-high expectations for Joachim Trier's 'Sentimental Value' were met (or exceeded!), and David and Richard also let Rebecca know how 'The History of Sound,' starring Paul Mescal and Josh O'Connor, played at Cannes. Plus, they answer a few mailbag questions including why exactly Cannes press conferences can be so awkward.To join Little Gold Men's Book Club, please vote on our summer reading list here. Learn about your ad choices: dovetail.prx.org/ad-choices

In this special dispatch from the Croisette, Christina is joined by the brilliant and effortlessly cool Stellan Skarsgård, starring in Joachim Trier's Sentimental Value—a strong Palme d'Or contender at this year's festival. Skarsgård plays Gustav, a once-renowned director who tries to reconnect with his estranged daughter by casting her in his comeback film. They discuss Sentimental Value, the state of cinema and the world, why Skarsgård often chooses Norwegian films over Swedish ones, the importance of good catering—and much more. Learn more about your ad choices. Visit megaphone.fm/adchoices

À l'occasion du Festival de Cannes, je vous propose une série spéciale dédiée au cinéma.Des entretiens inédits avec des acteurs, actrices, réalisateurs et réalisatrices, venus du monde entier.Mais aussi des rediffusions de conversations marquantes avec des personnalités emblématiques du 7e art, pour découvrir leurs parcours, leur vision et leurs anecdotes exclusives.Aujourd'hui, un épisode avec Elle Fanning qui joue dans le film de Joachim Trier présenté cette année au festival : Sentimental Value. Nous avions échangé l'année dernière dans le cadre du podcast Lights on Women's Worth autour de la sororité, la confiance en soi et l'ambition.Bonne écoute ! Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

The 2025 Cannes Film Festival kicks off today...and the question on everyone's mind is: what will be the great movies? Mostly, people look to the Cannes Competition (the films that compete for the Palme d'Or) to find the best films. But it's a lesser-known fact that many amazing films screen in the festival's sidebars. And many of the best films in cinema history have screened in the festival's sidebars. In fact, Chantal Akerman's Jeanne Dielman, which was named the greatest film of all time in the 2022 Sight & Sound poll did not screen in competition! It screened in the Directors' Fortnight. So on today's episode, Alex peels back the curtain on how all the different parts of the Cannes Film Festival work together. And she talks about the amazing films you've heard of (and some you probably haven't) that have screened outside the festival's competition. And she talks about some of the films she's excited for this year. Finally, Alex talks about some of the films she's excited for in this year's competition, and how they were already making fantastic films years ago that were hiding out in the festival's sidebars. *** Become a Seventh Row Insider to stay updated on the best films at Cannes this year and in past years that you might not otherwise stumble upon *** Interested in picking up Seventh Row's ebooks on Lynne Ramsay, Joachim Trier, Joanna Hogg, Debra Granik, or Céline Sciamma? They're available exclusively on Seventh Row. Peruse the collection here: http://seventh-row.com/ebooks Listen to the Women at Cannes Podcast Season Listen to the Women at Cannes episode on Kelly Reichardt For detailed show notes, visit https://seventh-row.com/2025/05/13/ep-171-navigating-cannes-beyond-the-competition/

In this episode of Queer Cinema Catchup, Joe and Allison reunite with Sydney, Chelsea, and Monica of Spooky Tuesday to delve into the perplexing universe of multiple Thelma films, primarily focusing on the 2017 supernatural thriller directed by Joachim Trier. The hosts analyze pivotal scenes of the film, exploring the movie's religious themes and reflecting on the broader implications of Thelma's journey from suppression to empowerment. Whether you're a queer cinema enthusiast or a horror movie aficionado, this episode offers a compelling exploration of desire, control, and self-discovery through a queer lens.00:16 The Confusion of Thelma Movies06:09 Introduction to Thelma (2017)07:33 Comparing Thelma to Other Horror Films10:02 Thelma's Powers and Their Implications17:59 Religious Upbringing and Repression24:46 Thelma's Queer Identity 28:04 Anja's Role and Thelma's Desires32:40 The Party Scene and Its Consequences36:38 Unraveling Anja's Disappearance38:13 The Baby Brother Incident40:02 Thelma's Struggle 42:40 The Parents' Dilemma45:43 The Final Confrontation48:03 Thelma's Transformation and Conclusion Hosted on Acast. See acast.com/privacy for more information.

Christina Jeurling Birro of the outstanding podcast, Pop Culture Confidential joins us to discuss the Cannes Film Festival and the films announced in the lineup for its 78th edition. Plus, we happily begin with some talk about the new Oscars Category… Stunts! Finally, we are getting a Stunts Design Academy Award - 2:09 CANNES FILM FESTIVAL COVERAGE Christina's history attending & covering the Cannes Film Festival - 4:13 Eating on the run & the tight festival schedule - 6:51 What's the deal with all the clapping? - 10:03 The Recent Oscar Streak & Last Year's Incredible Cannes Slate - 13:51 IN COMPETITION LINEUP HIGHLIGHTS FOR CANNES 2025: Julia Ducournau's Alpha, a 1980's Aids Crisis Drama from Neon - 17:44 Ari Aster's Eddington w/ Joaquin vs Pedro + Austin Butler & Emma Stone - 19:55 The History of Sound from Oliver Hermanus, Josh O'Connor & Paul Mescal - 21:23 Kelly Reichardt's The Mastermind, a Vietnam War art heist story - 22:44 Richard Linklater's New Wave on the making of Godard's Breathless - 24:30 Wes Anderson's The Phoenician Scheme featuring Kate Winslet's daughter - 25:58 Sentimental Value from Neon, Joachim Trier & Renate Reinsve - 29:01 Other Targets & Potential Discoveries In Competition for Christina - 30:44 Palme D'or Statistics and Our Way Too Early Palme Predictions - 33:19 Female Filmmaker Stats Improve, But Still Need More Improvement - 35:13 Un Certain Regard Recent Oscars Crossover History, Debuts from Scarlett Johansson & Harris Dickinson + Pillion & Other Films we are targeting in this year's section - 36:16 OUT OF COMPETITION LINEUP HIGHLIGHTS: Spike Lee's Highest 2 Lowest is the most recent big name to enter Out of Competition following Marty & Baz films in recent years - 39:16 Jodie Foster in a Murder Mystery & Other Special Screenings of interest - 41:26 Tom Cruise returns with Mission: Impossible - The Final Reckoning - 43:28 Our Reactions to the Star Studded Cannes Premieres Section - 44:20 What films are NOT here that we thought would be? What films could be added later? And which films might be opting for a Fall Festival launch instead? - 46:02 What Christina is most looking forward to showing first time Cannes festival goer, Ryan McQuade at this year's festival - 50:07 OUTRO: 51:48 - Our words of Wisdom today are to follow Christina Juerling Birro on her socials and to enjoy her work on the internet, (see the links below). Plus, we talk about her upcoming coverage of Cannes and what's coming next for both our podcasts, Pop Culture Confidential and Mike, Mike and Oscar. So do please support our shows with positive ratings & reviews, and we thank you for doing so. Pop Culture Confidential: Pop culture conversations with today's innovators, entertainers and newsmakers - podcast hosted by Christina Jeurling Birro https://www.popcultureconfidential.com/ Where To Follow Christina Jeurling Birro on Social Media: Instagram https://www.instagram.com/christinabirro/ Facebook https://www.facebook.com/christina.jeurling Threads https://www.threads.net/@christinabirro Twitter https://x.com/ChristinaBirro MMO https://linktr.ee/mikemikeandoscar

From A24 through Warner Bros, we go studio by film studio and discuss their known film slates and focus on the undated films that could vie for Film Festival love. A24: Eddington, Highest 2 Lowest, The Entertainment System Is Down, etc - 2:21 Amazon/MGM: After the Hunt, Madden, Hedda - 16:12 Apple Original Films: The Lost Bus, F1 - 18:11 Bleecker Street & Briarcliff: The Wedding Banquet, Sneaks, etc - 20:26 Disney: Deliver Me From Nowhere, The Roses, Is This Thing On? Etc - 21:38 Greenwich Entertainment & Janus: Diane Warren: Relentless, Peter Hujar's Day, etc - 32:18 IFC, Lionsgate, Magnolia: The Luckiest Man In America, Good Fortune, 40 Acres - 33:45 MUBI: Father Mother Sister Brother from Jim Jarmusch - 36:28 Neon: Sentimental Value from Joachim Trier, Alpha from Julia Ducournau, etc - 38:25 Netflix: Wake Up Dead Man, GDT's Frankenstein, Baumbach's Jay Kelly, Edward Berger's The Ballad of a Small Player, Train Dreams, etc - 41:02 Paramount: What's their top priority? Plus, some recent history - 53:34 Sony: Blue Moon, Eleanor the Great, East of Wall, etc - 56:07 Universal: The Phoenician Scheme details, Hamnet, Anemone, etc - 1:02:09 WB: The Bride! + Sinners first reax and Superman Cinemacon reactions - 1:08:17 NO DISTRIBUTION YET: Sundance Hits like Kiss of the Spider Woman, SXSW hits like The Rivals of Amziah King, Rosemead w/ Lucy Liu, At The Sea w/ Amy Adams, Sydney Sweeny as Christie Martin, The History of Sound + Greta Lee, Willem Dafoe, & Brendan Fraser vehicles - 1:11:34 OUTRO: We'll end our Year In Preview Series with the Cannes Lineup reactions and then our 100% Accurate Predictions coming up next! https://linktr.ee/mikemikeandoscar

"Oh my God! You're the absolute worst for that!"Yeah. Have you ever heard that before? Maybe a bit too much? Well, this film will test your moral compass (somewhat) into whether you think any of these people deserve that title. We don't believe so, by today's messy standards, when there is some true evil out there in the world presently but Joachim Trier's highly successful THE WORST PERSON IN THE WORLD that trail-blazed to the Oscars is upon us, and in your lug-holes.So, sit back, feel therapeutic, and accept the inevitable. We're going deep, man.

Gratitude is the operative word with filmmaker Adam Kinyon, founder of Best Dressed Films and producing two independent features in 2024. How do you get your short made? What's the state of play for producers in independent film? If you're an indie director looking for a producer or a producer looking for a director, this episode is for you.In this episode, we talk about:how Adam got started and the importance of mentorship;the importance of "relentless positivity". how he takes that attitude into his work, and it keeps him working constantly;what he's working on now, producing films with a lot of moving parts without having a lot of money;how he sees the disconnect between money and creators;crowdfunding's place in indie filmmaking;what kind of films, genres, and directors he's looking for.And he's "Delta till he dies." So are we, Adam. (Check out on the indie films on your next Delta flight.)Adam's Indie Film Highlights: THE WORST PERSON IN THE WORLD (2021) dir. by Joachim Trier; PAST LIVES (2023) dir. by Celine SongLinks:Best Dressed FilmsFollow Adam KinyonSupport this podcast at — https://redcircle.com/first-time-go/exclusive-content

We're winding down our European Vacation and we make a stop in Norway but there's something that goes beyond the borders in Joachim Trier's 2021 romance/comedy/drama/coming-of-age film “THE WORST PERSON IN THE WORLD”. Renate Reinsve plays “Julie” whose fickle and drifting life might seem a little too familiar especially if you're in a certain age range. She meets Aksel, played by Anders Danielson Lie, a cartoonist about 10 years her senior and falls in love. The love and the eventual disconnect feel very real. She aslo meets and falls for Eivind, as played by Herbert Nordrum, a casual and sweet guy closer to her age. Relationships end and begin. Lives abruptly come to a close. Expectations fall through. It all seems so drifting and aimless so what can we possibly do about it? Force it? At best we can only hope for peace with however it goes. Trier's third in his “Oslo” trilogy sets an illuminating spotlight on the romance of a certain generation and it's as unsettling as it is sweet. It sure hit a little too close to home for our hosts. This feels like it could have taken place anywhere in the western world. Oh, look! We found a link but click it while it's there. It might not be soon: https://www.dailymotion.com/video/x92wuh2 Subscribe to us on YOUTUBE: https://www.youtube.com/channel/UCuJf3lkRI-BLUTsLI_ehOsg Contact us here: MOVIEHUMPERS@gmail.com Check our past & current film ratings here: https://moviehumpers.wordpress.com Hear us on podcast: https://open.spotify.com/show/6o6PSNJFGXJeENgqtPY4h7 Our OG podcast “Documenteers”: https://podcasts.apple.com/us/podcast/documenteers-the-documentary-podcast/id1321652249 Soundcloud feed: https://soundcloud.com/documenteers Twitch: https://www.twitch.tv/culturewrought

Sarah Elizabeth Mintz received her BFA from New York University's Tisch School of the Arts, where she completed her thesis film Transit, starring Dakota Johnson. After graduating she mentored with filmmakers Cary Fukunaga on True Detective, Joachim Trier on Louder Than Bombs, and worked with Alejandro Inarritu on The Revenant.Sarah was a Sundance Fellow in the 2017 Writer's Intensive and 2018 Sundance Strategic Financing Intensive with her project Good Girl Jane. She completed a short film of the same name starring Rachelle Vinberg (Skate Kitchen, HBO's Betty) and Travis Tope (American Vandal), with cinematography by Jake Saner (Ghosts of Sugar Land).The short premiered at the Raindance Film Festival in London. Good Girl Jane recently wrapped principal photography in Los Angeles starring Rain Spencer, Patrick Gibson and Andie MacDowell. Good Girl Jane is inspired by events in Sarah's own life.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.