Podcasts about Tehching Hsieh

In this episode of High Theory, Faye Raquel Gleisser tells us about Risk. A calculable danger in economics, athletics, sociology, or healthcare, risk has become a socially constructed danger that changes who we are and how we move through the world. Faye asks us to think about how risk management and risk literacy shaped the conceptual and performance work of American artists in the late twentieth century. Who is at risk? Who is safe? And how do we know? Faye's book, Risk Work: Making Art and Guerrilla Tactics in Punitive America, 1967–1987 (U Chicago Press, 2023) studies how artists in the US starting in the 1960s came to use guerrilla tactics in performance and conceptual art, maneuvering policing, racism, and surveillance. As US news covered anticolonialist resistance abroad and urban rebellions at home, and as politicians mobilized the perceived threat of “guerrilla warfare” to justify increased police presence nationwide, artists across the country began adopting guerrilla tactics in performance and conceptual art. Risk Work tells the story of how artists' experimentation with physical and psychological interference from the late 1960s through the late 1980s reveals the complex and enduring relationship between contemporary art, state power, and policing. Drawing on art history and sociology as well as performance, prison, and Black studies, Gleisser argues that artists' anticipation of state-sanctioned violence invokes the concept of “punitive literacy,” a collectively formed understanding of how to protect oneself and others in a carceral society. Faye Raquel Gleisser is an associate professor of art history at Indiana University and curator, whose work focuses on three main subject areas: art and tactical intervention; the racial logics of archives; and curatorial ethics and canon formation. By bridging curation, art history, and performance studies, she investigates histories of art that challenge intertwined anti-Black societal structures and patriarchal, white-centering notions of value that have long limited the canon of “American art.” She approaches art as a material manifestation of sociopolitical conditions and artists as theorists of power and social encounter. In the episode Faye names several artists including Asco, Chris Burden, the Guerrilla Girls, Tehching Hsieh, and Adrian Piper. This image for this episode is a photograph by Harry Gambota Jr. titled First Supper (After a Major Riot), 1974 that documents a performance by the Chicano art group Asco in Los Angeles. See the Artsy page about the photograph for more about the art and the artist. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

In this episode of High Theory, Faye Raquel Gleisser tells us about Risk. A calculable danger in economics, athletics, sociology, or healthcare, risk has become a socially constructed danger that changes who we are and how we move through the world. Faye asks us to think about how risk management and risk literacy shaped the conceptual and performance work of American artists in the late twentieth century. Who is at risk? Who is safe? And how do we know? Faye's book, Risk Work: Making Art and Guerrilla Tactics in Punitive America, 1967–1987 (U Chicago Press, 2023) studies how artists in the US starting in the 1960s came to use guerrilla tactics in performance and conceptual art, maneuvering policing, racism, and surveillance. As US news covered anticolonialist resistance abroad and urban rebellions at home, and as politicians mobilized the perceived threat of “guerrilla warfare” to justify increased police presence nationwide, artists across the country began adopting guerrilla tactics in performance and conceptual art. Risk Work tells the story of how artists' experimentation with physical and psychological interference from the late 1960s through the late 1980s reveals the complex and enduring relationship between contemporary art, state power, and policing. Drawing on art history and sociology as well as performance, prison, and Black studies, Gleisser argues that artists' anticipation of state-sanctioned violence invokes the concept of “punitive literacy,” a collectively formed understanding of how to protect oneself and others in a carceral society. Faye Raquel Gleisser is an associate professor of art history at Indiana University and curator, whose work focuses on three main subject areas: art and tactical intervention; the racial logics of archives; and curatorial ethics and canon formation. By bridging curation, art history, and performance studies, she investigates histories of art that challenge intertwined anti-Black societal structures and patriarchal, white-centering notions of value that have long limited the canon of “American art.” She approaches art as a material manifestation of sociopolitical conditions and artists as theorists of power and social encounter. In the episode Faye names several artists including Asco, Chris Burden, the Guerrilla Girls, Tehching Hsieh, and Adrian Piper. This image for this episode is a photograph by Harry Gambota Jr. titled First Supper (After a Major Riot), 1974 that documents a performance by the Chicano art group Asco in Los Angeles. See the Artsy page about the photograph for more about the art and the artist. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

In this episode of High Theory, Faye Raquel Gleisser tells us about Risk. A calculable danger in economics, athletics, sociology, or healthcare, risk has become a socially constructed danger that changes who we are and how we move through the world. Faye asks us to think about how risk management and risk literacy shaped the conceptual and performance work of American artists in the late twentieth century. Who is at risk? Who is safe? And how do we know? Faye's book, Risk Work: Making Art and Guerrilla Tactics in Punitive America, 1967–1987 (U Chicago Press, 2023) studies how artists in the US starting in the 1960s came to use guerrilla tactics in performance and conceptual art, maneuvering policing, racism, and surveillance. As US news covered anticolonialist resistance abroad and urban rebellions at home, and as politicians mobilized the perceived threat of “guerrilla warfare” to justify increased police presence nationwide, artists across the country began adopting guerrilla tactics in performance and conceptual art. Risk Work tells the story of how artists' experimentation with physical and psychological interference from the late 1960s through the late 1980s reveals the complex and enduring relationship between contemporary art, state power, and policing. Drawing on art history and sociology as well as performance, prison, and Black studies, Gleisser argues that artists' anticipation of state-sanctioned violence invokes the concept of “punitive literacy,” a collectively formed understanding of how to protect oneself and others in a carceral society. Faye Raquel Gleisser is an associate professor of art history at Indiana University and curator, whose work focuses on three main subject areas: art and tactical intervention; the racial logics of archives; and curatorial ethics and canon formation. By bridging curation, art history, and performance studies, she investigates histories of art that challenge intertwined anti-Black societal structures and patriarchal, white-centering notions of value that have long limited the canon of “American art.” She approaches art as a material manifestation of sociopolitical conditions and artists as theorists of power and social encounter. In the episode Faye names several artists including Asco, Chris Burden, the Guerrilla Girls, Tehching Hsieh, and Adrian Piper. This image for this episode is a photograph by Harry Gambota Jr. titled First Supper (After a Major Riot), 1974 that documents a performance by the Chicano art group Asco in Los Angeles. See the Artsy page about the photograph for more about the art and the artist. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

In this episode of High Theory, Faye Raquel Gleisser tells us about Risk. A calculable danger in economics, athletics, sociology, or healthcare, risk has become a socially constructed danger that changes who we are and how we move through the world. Faye asks us to think about how risk management and risk literacy shaped the conceptual and performance work of American artists in the late twentieth century. Who is at risk? Who is safe? And how do we know? Faye's book, Risk Work: Making Art and Guerrilla Tactics in Punitive America, 1967–1987 (U Chicago Press, 2023) studies how artists in the US starting in the 1960s came to use guerrilla tactics in performance and conceptual art, maneuvering policing, racism, and surveillance. As US news covered anticolonialist resistance abroad and urban rebellions at home, and as politicians mobilized the perceived threat of “guerrilla warfare” to justify increased police presence nationwide, artists across the country began adopting guerrilla tactics in performance and conceptual art. Risk Work tells the story of how artists' experimentation with physical and psychological interference from the late 1960s through the late 1980s reveals the complex and enduring relationship between contemporary art, state power, and policing. Drawing on art history and sociology as well as performance, prison, and Black studies, Gleisser argues that artists' anticipation of state-sanctioned violence invokes the concept of “punitive literacy,” a collectively formed understanding of how to protect oneself and others in a carceral society. Faye Raquel Gleisser is an associate professor of art history at Indiana University and curator, whose work focuses on three main subject areas: art and tactical intervention; the racial logics of archives; and curatorial ethics and canon formation. By bridging curation, art history, and performance studies, she investigates histories of art that challenge intertwined anti-Black societal structures and patriarchal, white-centering notions of value that have long limited the canon of “American art.” She approaches art as a material manifestation of sociopolitical conditions and artists as theorists of power and social encounter. In the episode Faye names several artists including Asco, Chris Burden, the Guerrilla Girls, Tehching Hsieh, and Adrian Piper. This image for this episode is a photograph by Harry Gambota Jr. titled First Supper (After a Major Riot), 1974 that documents a performance by the Chicano art group Asco in Los Angeles. See the Artsy page about the photograph for more about the art and the artist. Learn more about your ad choices. Visit megaphone.fm/adchoices

a text about slow art, and also My Year of Rest and Relaxation, and Tehching Hsieh, and sickness, but mostly slowness -- u can find the text version here & u can find book pre-order link here

Hello from a D.C. hotel! This week, our guest is Ken Chen, writer, professor, and former director of the Asian American Writers' Workshop (AAWW). We discuss [6:45] Ken's recent piece for n+1, about photojournalist and activist Corky Lee and the deep histories of class, race, and violence woven into his work, centered in Manhattan's Chinatown. [1:03:20] We also chat about writing, publishing, and Asian American literature as a social-realist project. In this episode, we ask: When does a photo achieve representation?What if we thought of Corky not as a photojournalist, but as a durational artist? Can an identity be created through accumulation and aspiration, even through economic shifts?Why are there so many books by Asian Americans coming out now, compared to a few decades ago? For more, see: * Ken on Theresa Hak Kyung Cha's Dictée* Repeat guest Hua Hsu on Maxine Hong Kingston, author of the classic novel, The Woman Warrior* Ryan Lee Wong on Corky Lee's photos of protests against police brutality And revisit these TTSG episodes: * Our book club with Lisa Hsiao Chen, wherein we discuss the work of performance artist Tehching Hsieh * Working-class unity, with organizer JoAnn Lum, the director of NMASS (the National Mobilization Against Sweatshops)* "I want you to care when people are still alive," with Yves Tong Nguyen of Red Canary SongOur first-ever TTSG Movie Club is happening THIS FRIDAY, March 10th, at 8pm ET / 5pm PST! We'll be watching "Better Luck Tomorrow," and you can join our TTSG Discord to attend the viewing by subscribing on Patreon or Substack. Thanks for listening! As always, follow us on Instagram, TikTok, and Twitter, and get in touch via email at timetosaygoodbyepod@gmail.com.  This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit goodbye.substack.com/subscribe

Artists and friends Ethan Chan, Helena Westra, and Zachary Dobbins discuss some of the most influential performance artists from Chris Burden to Tehching Hsieh. Throughout this episode, the group goes through a list of performance artworks involving works of extreme pain or works of light-hearted joy, all created without the understanding that they would be talked about by 3 young artists nowhere near as extreme (or joyful).

Artists and friends Ethan Chan, Helena Westra, and Zachary Dobbins discuss some of the most influential performance artists from Chris Burden to Tehching Hsieh. Throughout this episode, the group goes through a list of performance artworks involving works of extreme pain or works of light-hearted joy, all created without the understanding that they would be talked about by 3 young artists nowhere near as extreme (or joyful).

In this episode, Noah and Vivian discuss privacy in the world of NFTs and web3, a space that is inherently transparent. Is it uncomfortable to be publicly yourself online all the time? What if you could escape yourself? How do artists create work that speaks to privacy or invert the transparency of the blockchain? Noah and Vivian receive a voicemail from Jesse, who leads design at Context, to share information about a new product from Context called Mint.fun. Mint.fun aggregates trending projects that are currently minting, as well as trending projects that are free to mint. Noah and Vivian peruse Mint.fun and mint a project called My Fucking Egg, because Noah loves chickens and by proxy he loves eggs. Anyway, don't forget to call the JPEG2000 Hotline at 845-377-3484. CALL NOW!A feature of web3 and crypto is that your actions are visible and documented on chain. If you buy something that doesn't fit your aesthetic and vibe, are you embarrassed that it's publicly visible to everybody? In essence, you can always spy on people's wallets. Do we already live in a world where privacy is low-key dead? Content creators on Youtube, Tiktok, and Instagram share content of mundane elements of their lives ranging from their skincare routines, what they eat in a week, and "haul videos" showcasing things they bought during shopping sprees. Vivian recalls a piece by conceptual artist Barbara Kruger, which has text that says I Shop Therefore I Am. During Collection Time™️ Noah and Vivian collect "Point-And-Shoot Camera" from artist Stardrop's project called Everything I Own. Stardrop photographs all 1026 items that they own (including love letters, vaccination card, tax returns, drivers license), and the project is intended as an "exploration of ownership, consumerism, privacy, and identity in the world of crypto." Stardrop is an anonymous person who uses a pseudonym online, but simultaneously shares everything they own, including things that would be considered sensitive and private. Through seeing all of a person's belongings, can we paint a picture of who they are? You can view a feed of the project activity on Context on the project's collection page, and see all of the items that Stardrop owns.This leads to a conversation about the flattening of identity on social media, and how audiences think of new art made by artists is often influenced by their previous artworks and personal histories. Is being anonymous online a solution and a way to break away from that cycle? Next, Noah and Vivian collect a piece titled 2022-06-20 from Mars Maiers, a year-long daily art project created by Allan Yu and Jacob Bijani. In the first iteration of Mars Maiers, artist Allan Yu donned the pseudonym Mars Maiers to maintain his privacy (and protect his ego) and started doing an art piece a day, inspired by Taiwanese artist Tehching Hsieh (an artist that both Noah and episode 4 guest Robert Gallardo are inspired by). In the current iteration of Mars Maiers, daily artworks created by Allan are sold as NFTs in a blind auction format, introducing privacy and secrecy to the NFT space, inverting the inherent openness and transparency of the ethereum blockchain. Do you want to know how Allan and Jacob do this? Sorry, you will have to listen to the episode to get that info

Time may pass but The Legendary actions of artist Tehching Hsieh remain. The Trashcats take a trip to Snap City, and review the absurd and tragic performances of a strange man who changed the art world forever. “I think he just did an Art!" "Life is a life sentence; life is passing time; life is freethinking.” - Tehching Hsieh Follow us on insta @trashcatstrashcast for art from the show and links to the artists! Find us on facebook for updates and memes. New episodes every Wednesday on Itunes, Spotify, or wherever else you get your podcast fix!

Guest Jenn Kotler Panelists Richard Littauer | Memo Esparza | Eriol Fox | Django Skorupa Show Notes Hello and welcome to Sustain Open Source Design! The podcast where we talk about sustaining open source with design. Learn how we, as designers, interface with open source in a sustainable way, how we integrate into different communities, and how we as coders, work with other designers. Today, we have the wonderful Jenn Kotler joining us! Jenn is a User Experience Designer at the Mikulski Archive for Space Telescopes (MAST), where she designs data search and analysis tools for telescope missions including Webb, Hubble, TESS, and Kepler, all available for free use. Jenn fills us on what she does at MAST, the different types of data they look at, and how she uses this data in her job to make it accessible so everyone can do amazing science. We learn more about sonification, Jenn's thoughts of her ideal scenario of bringing the design community into the open source space, and something that's difficult about being a designer in a space where there's not a lot of other designers. Go ahead and download this episode now! [00:02:28] Jenn fills us on what she does at MAST. [00:04:19] We learn how many people work in the archive with Jenn and how many people work at the Institute that have access to use the archive. [00:05:36] Jenn explains about the different types of data they look at and how she facilitates that as a User Experience Designer. [00:08:27] Find out how Jenn ended up working at MAST and in the science field, and how she focuses on the data after it's gone through a pipeline and a lot of adjustments have already been done to it. [00:12:45] We hear a great explanation of what sonification is and then Jenn talks about her experience with it, and there's an actual audio of a sonification she plays. [00:17:16] If they are using sound and light in terms of images, Richard wonders if Jen could combine them and have people play a video game where they walk through a world of seeing different visualizations. [00:18:44] Jenn breaks down accessibility and how they want this data to be accessible and approachable to everyone, since it's free. [00:23:44] Django wonders how Jenn balances accessibility in the effort of producing a clean user experience for the max number of people. She explains the methods they've been using. [00:27:41] Eriol asks Jenn to talk about her ideal scenario of bringing the design community into the open source space where she works, and whether design science fiction comes into that space. [00:31:18] We find out what's difficult for Jenn right now and what she wishes she could change for the better. [00:37:25] Find out where you can follow Jenn on the web. Quotes [00:10:49] “If there's a topic or subject you're interested in it's really great to explore and find the place that needs a designer but doesn't even know it.” [00:22:10] “If you're able to use a computer there isn't a great reason you shouldn't be able to do astronomy if you have an interest in it.” [00:29:30] “That was the thing that excited me about sonification initially, this idea of there's so much value here and just an art, forget science, there's a lot of cool things that could be made with this.” [00:36:28] “In the past I struggled with feeling like I used up all this creative energy on something that is so boring and then I had nothing left for myself.” Spotlight [00:38:05] Eriol's spotlight is a Coordinate Tool for No Man's Sky called NMSCoordinates. [00:38:44] Memo's spotlight is a book that changed his life called, Nightfall. [00:39:14] Richard's spotlight is Tehching Hsieh, who's a Performance Artist. [00:39:37] Django's spotlights are an open source project called Open Foundry and Compositions 1960. [00:41:02] Jenn's spotlight is a book she read called, Sitting Pretty and her favorite font, Atkinson Hyperlegible. Links Open Source Design Twitter (https://twitter.com/opensrcdesign) Open Source Design (https://opensourcedesign.net/) Sustain Design & UX working group (https://discourse.sustainoss.org/t/design-ux-working-group/348) SustainOSS Discourse (https://discourse.sustainoss.org/) Sustain Open Source Twitter (https://twitter.com/sustainoss?lang=en) Richard Littauer Twitter (https://twitter.com/richlitt?ref_src=twsrc%5Egoogle%7Ctwcamp%5Eserp%7Ctwgr%5Eauthor) Eriol Fox Twitter (https://twitter.com/EriolDoesDesign?ref_src=twsrc%5Egoogle%7Ctwcamp%5Eserp%7Ctwgr%5Eauthor) Memo Esparza Twitter (https://twitter.com/memo_es_) Django Skorupa Twitter (https://twitter.com/djangoskorupa) Astronify: Open Source Python Sonification Library (https://astronify.readthedocs.io/en/latest/) Jennifer Kotler Website (https://jennk.com/) Mikulski Archive for Space Telescopes (MAST) (https://archive.stsci.edu/) Space Telescope Science Institute Twitter (https://twitter.com/SpaceTelescope) MAST Twitter (https://twitter.com/MAST_News) Space Telescope Science Institute (https://www.stsci.edu/) Space Telescope Science Institute-Public Outreach (https://www.stsci.edu/communications-and-outreach/public-outreach) NMSCoordinates (https://github.com/Kevin0M16/NMSCoordinates) Nightfall by Isaac Asimov and Robert Silverberg (https://www.goodreads.com/book/show/99245.Nightfall) Tehching Hsieh (https://en.wikipedia.org/wiki/Tehching_Hsieh) Open Foundry (https://open-foundry.com/fonts) Compositions 1960 (https://en.wikipedia.org/wiki/Compositions_1960) Sitting Pretty by Rebekah Taussig (https://www.goodreads.com/book/show/52167161-sitting-pretty) Atkinson Hyperlegible Font (https://brailleinstitute.org/freefont) Sonification explanations-Flaring Stars (https://stsci.app.box.com/s/39y5185udfvcxof89a242p7g0qowfww8/folder/123281631289) Sonification explanations (https://stsci.app.box.com/s/39y5185udfvcxof89a242p7g0qowfww8/folder/119703347145) Create With Light-Student Sonification art (https://astronify.readthedocs.io/en/latest/CreateWithLight.html) Credits Produced by Richard Littauer (https://www.burntfen.com/) Edited by Paul M. Bahr at Peachtree Sound (https://www.peachtreesound.com/) Show notes by DeAnn Bahr Peachtree Sound (https://www.peachtreesound.com/) Special Guest: Jenn Kotler.

As an exhibition opens at the Whitechapel Gallery in London focusing on artists' studios over the last century, we take an in-depth look at the subject. The artist, critic and activist William Powhida discusses the Artist Studio Affordability Project in New York and how developers and gentrification have forced artists' communities to breaking point. We take a tour of the Whitechapel exhibition with the gallery's director Iwona Blazwick, and explore works by Kerry James Marshall, Paul McCarthy, Laboratoire Agit'Art, Alina Szapocznikow, Tehching Hsieh and Egon Schiele, among others. And in this episode's Work of the Week, the photographer Eamonn McCabe, who has made a series of photographs of artists in their studios, talks about his visit to Paula Rego's space in Camden Town, London, in 2004. See acast.com/privacy for privacy and opt-out information.

Earlier this year, some of the Ear Hustle team spent a month living under a specific set of constraints informed by the daily routines of our inside colleagues, changing the way we ate, got dressed, and exercised. The goal wasn't to replicate prison life, but to see how constraint shapes the way we experience the world. We report back on what was hard, what was surprising, and what we discovered along the way. You can learn more about the Ear Hustle Challenge here and about Tehching Hsieh's performance art that inspired it here. As always, big thanks to Lt. Sam Robinson and Warden Ron Broomfield for their support of the show. Ear Hustle is a proud member of Radiotopia, from PRX. Find a full list of episode credits at earhustlesq.com.

In a bonus episode Horatio goes back to the traditional solo episodes to discuss one of his favourite Boys Gone Wild of all time the Taiwanese performance artist Tehching Hsieh. Tehching is famed for his year long endurance pieces that involved locking himself in a cage for a year, staying outdoors for a year and most extraordinarily taking a photo of himself on the hour every hour for a year.

This week we chat with Andre Benavidez about being a sneakerhead, starting with: "wait so HOW MANY shoes do you have?" If you have the "shoe that got away" feel free to hit him up at @ambenavi on Instagram. Tune into our It's Pronounced YouTube Channel to see some of his favorite pairs! Later in the show, we talk about some of our current favorite things: Sangay is loving her candles from @alainas_candles and Alicia is mesmerized by performance artist Tehching Hsieh. Connect with us on: Instagram: @aliciaolivas and @sangaynicole Twitter: @pronouncedpod Our Website: itspronouncedpod.com Email: itspronounced.pod@gmail.com Youtube: It's Pronounced YouTube Channel Don't forget to subscribe, share the podcast with a friend, and leave us a voice message with your thoughts! --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/its-pronounced-pod/message

In dieser Folge sprechen @it'sstefa und ich über den Künstler Tehching Hsieh und seine Performances. Wir stellen uns den grundlegenden Fragen der Kunst: Ist ein Bodybuilder auch ein Künstler? Lasst @it'sstefa mindestens einen Like da und seht euch unbedingt ihre Arbeit an: https://bit.ly/35OyKxU (Hier auch der Link zu dem " Wasser ist Leben" Fine Art Print, über den wir ebenfalls im Podcast sprechen. Dies könnte man dann wohl als WERBUNG bezeichnen...---> https://etsy.me/3kwiRAj ) Und hier gibt es alle Infos zum Künstler selbst: https://www.tehchinghsieh.com/

Conversa deliciosa com Lara: artista visual, professora de alma inquieta e revolucionária, amiga de sotaque delicioso, nascida em Natal, no Rio Grande do Norte. Falamos sobre sua trajetória no caminho das artes, "causos" durante sua especialização no México, o Mestrado em Belas Artes pela UFRJ, as dificuldades do setor público de ensino e os embates em torno da criação. Dentre as referências citadas: os artistas Francis Alys, Tehching Hsieh, On Kawara, Sophie Calle; os filmes Fitzcarraldo de Werner Herzog e Stalker de Andrei Tarkovski; as leituras de Só Garotos de Patti Smith e de Vida de Paulo Leminski. Quem quiser conhecer o trabalho da Lara, pode acessar http://www.laraovidio.com/ e seu perfil no Instagram @somosjovenesyhaysol Trilha sonora: 1 - Madness is everywhere by Lobo Loco / 2 - Spencer Blues by Lobo Loco --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/interludica/message

Joan Kee is the rare combination of art historian and lawyer, and she's shared her skills in her new book, Models of Integrity: Art and Law in Post-Sixties America, which examines the legal issues major contemporary artists (from Tehching Hsieh to Felix Gonzales-Torres) have confronted in the past 60 years.Kee's research shows that since the 1960s, as artist projects have become more expansive and expensive, the world of lawyers and laws is becoming a bigger part of the equation. From discussions of Christo and Jeanne-Claude's "Running Fence" land art project (they actually had offers to place the project elsewhere, which would've been a lot easier) to Gordon Matta-Clark's Fake Estates micro-real estate project (there is no evidence the artist did or did not want to present this as an artwork), Kee's research demonstrates that the history of art has increasingly been intertwined with its legal realities.A special thanks to Brooklyn-based musician SunSon for providing the music to this episode, and you can check out his website sunson.band. You can also follow him on Facebook or Instagram.This and more in the current episode of our weekly Art Movements podcast.Subscribe to Hyperallergic’s Art Movements on iTunes, and anywhere else you listen to podcasts.

Your Favorite Artist's Favorite Artists: Marina Abramovic Join our conversation as we discuss individuals that inspire Marina Abramovic including Chris Burden, Tehching Hsieh, Aleister Crowley, and Francisco Goya. --- Support this podcast: https://anchor.fm/your-favorite-artists-favorite-artists/support

In chapter four of Ways of Looking, Ossian Ward says that some contemporary artists make art out of human performances, including eccentric performances like punching a time clock every hour for a year. Are these really works of art? Can they be good art? We discuss these questions while examining Tehching Hsieh’s One Year Performance 1980-1981 […]

Benjamin stellt anlässlich der vergangenen Biennale mit Anne Imhof und (ab 0:30:21) Tehching Hsieh zwei beeindruckende Konzepte der Aktionskunst vor. Markus spürt (ab 0:52:53) der Faszination von Bob Ross nach, dem berühmtesten Fernsehmaler aller Zeiten. Ab 1:19:11 gibt es einen Nachklapp. Folge 049 – jetzt abspielen Performancekunst, Marina Abramovic (E&U 003), Richard Serra, Santiago Sierra … Folge 049 – Anne Imhof: „Faust“/Tehching Hsieh & Bob Ross weiterlesen

Grabamos un episodio especial para repasar las memorias de Stephen Edwin King, partiendo desde sus orígenes a finales de los años cuarenta, hasta el accidente casi fatal que sufrió en 1999. Para eso, recurrimos a On Writing, autobiografía que retrata al simple mortal detrás del amo del terror. Durante la charla, conectamos las curiosas anécdotas de su vida con la génesis de sus ideas, su estilo narrativo, y su filosofía con respecto al oficio. 

Our weekly look at all things photographic with Sarah Jacobs and PhotoShelter co-founder Allen Murabayashi.   Get the podcast: http://bit.ly/ilovephoto Watch the broadcast: http://bit.ly/ilovephotoyt   1:00 Breed's Melissa Rodwell talks fashion photography 1:46 Hacked Celebrity Nudes of Jennifer Lawrence and Kate Upton 7:19 Tehching Hsieh’s hourly self portraits for one year straight 10:30 Rose Callahan photographs modern day dandies 13:16 Horace Poolaw’s Images of Kiowa Indians 15:51 Taryn Simon’s 007 photos in Birds of the West Indies 18:58 Sam Polcer’s New York Bike Style 20:34 75% of Ikea’s catalog is computer generated 24:00 Spy satellites used to drop film in buckets caught in mid-air by airplanes 26:38 Jeff Gates took photos of his Asian daughters and was stopped by Homeland Security 30:12 Upload your images directly from your PhotoShelter website builder

We take a shot at discussing the merits of art and its emergence in technology and social media. Sidney goes HAM on Humans of New York's regression into empty platitudes and then we discuss Marina Abramović's body of work. To finish this whole twisted affair, we go past the far side and introduce revolutionary artist Orlan into the mix.The Problem with Humans of New York (Gawker)Marina Abramović's The Artist is PresentTehching HsiehOrlan Download MP3 (32.8 MB, 00:54:14)

February 28, 2013 Using his body as his medium, performance artist Hsieh transcends traditional sculpture. In conversation with Smithsonian National Portrait Gallery Associate Curator Anne Goodyear. In collaboration with the George Washington University with support from the Phillips International Forum.

Ramping up the mileage, unholy odor, Tehching Hsieh

Ramping up the mileage, unholy odor, Tehching Hsieh

Ramping up the mileage, unholy odor, Tehching Hsieh