Podcast appearances and mentions of marina abramovi

It's officially one month to go until the publication of How to Live an Artful Life, my new book that features a quote by an artist or writer for everyday of the year: https://www.waterstones.com/book/how-to-live-an-artful-life/katy-hessel/9781529155204 To celebrate, I wanted to share a teaser of the audiobook with an extract from the month of October, featuring its introduction and the first six days, so you can get a feel for the book. Each month is based around a theme. For example, January is about seeking out ideas, February is about love, and September focuses on time. October's is transformation and features thoughts, reflections, creative exercises and daily routines from the likes of Virginia Woolf, Barbara Hepworth, Rose Wylie, Joan Mitchell, Marina Abramović, Zanele Muholi, Cindy Sherman, to name a few…

In this explosive episode, we pull back the curtain on the spiritual war raging in our world. From Bad Bunny's performance on the largest stage, during a time of Christian revival to the dark influence of Marina Abramović's “spirit cooking” and the shocking Michigan church attack, the signs are clear: evil is not hiding anymore. We'll break down what the Bible actually says about Satan, how his tactics infiltrate entertainment and institutions, and why believers must wake up, armor up, and stand firm in the truth. Join Me On Telegram https://t.me/theambermayshow Podcast Like A PRO https://podcast-like-a-pro.trainercentralsite.com Promocode Amber Discord https://discord.gg/kUsDba4zRj The Amber May Show Theme Song https://suno.com/song/87e27080-4ddb-47f7-8722-b00b251e6c84 Get AMAZING Amber May Merchandise https://www.ambermayshow.com/amazing-products Follow Me on Pickax https://pickax.com/?referralCode=gb4e11n&refSource=copy Get all your My Pillow Products at a DISCOUNT www.mypillow.com/amber Use Promo Code AMBER and save up to 66% off Promo code-AMBER 800-957-2123 Get Ivermectin and hydroxychloroquine and SAVE Dr Stella Immanuel https://shop.drstellamd.com/?linkId=lp_080983&sourceId=amber-may&tenantId=rehoboth-medical-cli Use Promo Code AmberMay and save Become An Affiliate with Dr Stella https://rehoboth-medical-cli.trackdesk.com/sign-up?referralAccountId=1f8c94aa-933e-4aa8-ac5b-5a8d9a0d4508 Save Money When Using A Patient Advocate In The Medical System https://www.graithcare.com/?ref=Amber Take Control of Your Health & Healing! Get the full celebration of solutions that happened at Healing For The A.G.E.S. Over 20 hours of ground-breaking, life-changing, information you've never heard before, and can't get anywhere else! https://healingfortheages.com/ use promocode Amber Patriot Mobile- Free Activation When you become a Patriot Mobile member, your dollars are helping to fund our God-given right to freedom. A portion of every dollar we earn is given back to the causes that support organizations that fight for First Amendment Religious Freedom, Freedom of Speech, Second Amendment Right to Bear Arms, Sanctity of Life, and the needs of our Veterans and First Responders. https://www.patriotmobile.com/amber/ Use Promocode AMBER The Flynn Movie https://www.flynnmovie.com/ref/azladyz/ War On Truth Movie You've been told that J6 was a violent insurrection against the United States by a group of angry, fringe, MAGA supporters… What if it wasn't? What if there really was a War on Truth? https://hisglory.tv/?ref=448 Promocode MAY Patrick Byrne, the founder/CEO of Overstock.com, rose to the height of financial success and was once heralded as a Wall Street prophet. However, in 2019, Byrne seemingly slipped into madness — stepping down from his multi-billion dollar company, claiming to be a covert government asset trapped in a deadly game of political espionage https://enemywithindocuseries.com/ref/amber Promocode AMBER Is it possible with Turbo Cancers on the rise and Big Pharma's reputation at zero, that Americans are finally ready to hear the truth about Cancer? Are you ready? In the 70's a Doctor working for a National Cancer Institute discovered that Apricot seeds, which contain B-17, actually slowed the growth of tumors. https://rncstore.com/ambermay Ensure the health of the indoor air quality in your home investing in good air purifiers to eliminate pollutants and allergens. Find adjunctive therapies to cancer and better health with red light and methylene blue found in the link below! https://airwaterhealing.com/#May Promocode May Supermassive Black Coffee Use Promocode AMBER https://www.supermassiveblackcoffee.com/ Freedom First Coffee www.FreedomFirstCoffee.com Use Promocode AMBER Freedom First Beef www.FreedomFirstBeef.com Use Promocode AMBER Delicious Cheesecakes https://belovedcheesecakes.com/ PromoCode AMBER The Commander's Artist Save 10% Promo Code Amber https://thecommandersartist.com/shop/ Hero's Soap Save 10% with Promo Code AmberMay We Are on These Platforms Rumble https://rumble.com/c/TheAmberMayShow Faith N Freedom Network https://faithnfreedom.tv/ Odysee https://odysee.com/@azladyz:c Locals https://theambermayshow.locals.com https://yournews.com/author/amber-may/ Bitchute https://www.bitchute.com/search/?query=azladyz&kind=video Podbean: http://theambermayshow.podbean.com Catch Amber May On UG Media Fridays 10PM (UK Time) 3pm MST/5pm EST https://theug.media/wp-content/ugplayer/xlplayer.html Catch Amber May on Express Radio Station Thursday at 6pm MST/8pm EST https://live365.com/station/Express-Radio-a643 The Vera Radio Network today at 7pm ET www.mikevara.com Mastiff.Media www.Patriot-Radio.com

Ils ont aimé envers et contre tout. Malgré la maladie, malgré la destruction. Dans ces récits bouleversants, l'amour flirte avec la folie : quand on aime trop, ou qu'on aime quelqu'un qui sombre. Jusqu'où peut-on aller par amour ? Marina Abramović et Ulay ont imaginé ensemble des performances radicales. Pendant 12 ans, ils se sont entièrement dévoués à leur art. Pour eux, aimer c'est créer. Questionner, mettre en scène ensemble l'amour, la vie, la mort. Un podcast Bababam Originals Ecriture et voix : Alice Deroide Première diffusion : mars 2019 Learn more about your ad choices. Visit megaphone.fm/adchoices

This week we are discussing performance art and one of the most controversial pieces that was performed by the grandmother of performance art Marina Abramovic. Marina brought 72 items to the show and allowed the audience to do whatever they wanted with the items and her body. What took place was both shocking and disturbing.  Join Patreon here to binge bonus content! Crime Curious is creating a kick-ass exclusive listener experience | Patreon https://www.buymeacoffee.com/crimecurious Music By: Michael Drzewiecki Cover Art By: Charnell "I was ready to die": Marina Abramović on 'Rhythm 0' Rhythm 0 - Wikipedia "Rhythm 0" - Analysis of Marina Abramović's Performance Art Marina Abramović - Wikipedia  

In this episode of Crazy Wisdom, Stewart Alsop speaks with Samuel, host of The Remnant Podcast, about the intersections of biblical prophecy, Gnostic traditions, transhumanism, and the spiritual battle unfolding in our age. The conversation moves from Dr. David Hawkins' teachings and personal encounters with the Holy Spirit to questions of Lucifer, Archons, and the distortions of occult traditions, while also confronting timelines of 2025, 2030, and 2045 in light of technological agendas from Palantir, Neuralink, and the United Nations. Together they explore the tension between organic human life and the merging with machines, weaving in figures like Blavatsky, Steiner, and Barbara Marx Hubbard, and tying it back to cycles of history, prophecy, and the remnant who remain faithful. You can find Samuel's work on The Remnant Podcast YouTube channel and follow future updates through his Instagram once it's launched.Check out this GPT we trained on the conversationTimestamps00:00 Stewart Alsop welcomes Samuel of The Remnant Podcast, connecting through Dr. David Hawkins' work and reflecting on COVID's effect on consciousness.05:00 Samuel shares his discovery of Hawkins, a powerful encounter with Jesus, and shifting views on Lucifer, Gnosticism, Archons, and Rudolf Steiner's Ahriman.10:00 They trace Gnosticism's suppression in church history, Frances Yates on occult revival, the Nicene Creed, Neoplatonism, and the church's battle with magic.15:00 Discussion of Acts 4, possessions, Holy Spirit, and Gnostic inversion of God and Lucifer; Blavatsky, Crowley, occult distortions, and forbidden knowledge in Enoch.20:00 Hawkins' framework, naivety at higher states, Jesus as North Star, synchronicities, and the law of attraction as both biblical truth and sorcery.25:00 Transhumanism, homo spiritus, Singularity University, Barbara Marx Hubbard, hijacked timelines, Neuralink, and Butlerian Jihad.30:00 Attractor patterns, algorithms mimicking consciousness, Starlink's omnipresence, singularity timelines—2025, 2030, 2045—and UN, WEF agendas.35:00 Organic health versus pod apartments and smart cities, Greg Braden's critiques, bio-digital convergence, and the biblical remnant who remain faithful.40:00 Trump, MAGA as magician, Marina Abramović, Osiris rituals in inaugurations, Antichrist archetypes, and elite esoteric influences.50:00 Edward Bernays, Rockefeller, UN history, Enlightenment elites, Nephilim bloodlines, Dead Sea Scrolls on sons of light and darkness, Facebook's control systems.55:00 Quantum dots using human energy, D-Wave quantum computers, Gordy Rose's tsunami warning, Samuel's book As It Was in the Days of Noah: The Rising Tsunami.Key InsightsThe episode begins with Stewart Alsop and Samuel connecting through their shared study of Dr. David Hawkins, whose work profoundly influenced both men. Samuel describes his path from Hawkins' teachings into a life-altering encounter with Jesus, which reshaped his spiritual compass and allowed him to question parts of Hawkins' framework that once seemed untouchable. This shift also opened his eyes to the living presence of Christ as a North Star in discerning truth.A central thread is the nature of Lucifer and the entities described in Gnostic, biblical, and esoteric traditions. Samuel wrestles with the reality of Lucifer not just as ego, but as a non-human force tied to Archons, Yaldabaoth, and Ahriman. This leads to the recognition that many leaders openly revere such figures, pointing to a deeper spiritual battle beyond mere metaphor.The discussion examines the suppression and resurgence of Gnosticism. Stewart references Frances Yates' historical research on the rediscovery of Neoplatonism during the Renaissance, which fused with Christianity and influenced the scientific method. Yet, both men note the distortions and dangers within occult systems, where truth often hides alongside demonic inversions.Samuel emphasizes the importance of discernment, contrasting authentic spiritual awakening with the false light of occultism and New Age thought. He draws on the Book of Enoch's account of fallen angels imparting forbidden knowledge, showing how truth can be weaponized when separated from God. The law of attraction, he argues, exemplifies this duality: biblical when rooted in faith, sorcery when used to “become one's own god.”Transhumanism emerges as a major concern, framed as a counterfeit path to evolution. They compare Hawkins' idea of homo spiritus with Barbara Marx Hubbard's transhumanist vision and Elon Musk's Neuralink. Samuel warns of “hijacked timelines” where natural spiritual gifts like telepathy are replaced with machine-based imitations, echoing the warnings of Dune's Butlerian Jihad.Technology is interpreted through a spiritual lens, with algorithms mimicking attractor patterns, social media shaping reality, and Starlink rendering the internet omnipresent. Samuel identifies this as Lucifer's attempt to counterfeit God's attributes, creating a synthetic omniscience that pulls humanity away from organic life and into controlled systems.Finally, the conversation grounds in hope through the biblical concept of the remnant. Samuel explains that while elites pursue timelines toward 2025, 2030, and 2045 with occult enlightenment and digital convergence, those who remain faithful to God, connected to nature, and rooted in Christ form the remnant. This small, organic community represents survival in a time when most will unknowingly merge with the machine, fulfilling the ancient struggle between the sons of light and the sons of darkness.

Künstlerin und gleichzeitig Mutter sein – das geht auf keinen Fall. So lautete lang ein Credo in der Kunstwelt, vertreten von Ikonen wie Marina Abramović oder Tracey Emin. Wie sieht es heute aus? Und warum ist es für Väter offenbar leichter Kunst zu machen? Von Teresa Schomburg www.deutschlandfunkkultur.de, Feature

Künstlerin und gleichzeitig Mutter sein – das geht auf keinen Fall. So lautete lang ein Credo in der Kunstwelt, vertreten von Ikonen wie Marina Abramović oder Tracey Emin. Wie sieht es heute aus? Und warum ist es für Väter offenbar leichter Kunst zu machen? Von Teresa Schomburg www.deutschlandfunkkultur.de, Feature

Künstlerin und gleichzeitig Mutter sein – das geht auf keinen Fall. So lautete lang ein Credo in der Kunstwelt, vertreten von Ikonen wie Marina Abramović oder Tracey Emin. Wie sieht es heute aus? Und warum ist es für Väter offenbar leichter Kunst zu machen? Von Teresa Schomburg www.deutschlandfunkkultur.de, Feature

What is the political potential of live, embodied interactions? Celebrated artist Tino Sehgal believes they matter deeply. In our highly polarized, mediatized, and capitalized society, Sehgal has the courage to create artworks that are immaterial and leave no trace at all.For over two decades, Sehgal's work has disrupted the art world's system—a system that values objects over labor and the individual over the collective. In the first episode of the art series In Our Time, curator Azu Nwagbogu and Tino Sehgal explore the art and politics of presence. What role can social interactions in public space play in a time when political leaders around the world are openly attacking museums and the art world?During the conversation the audience experienced and participated in the work of conceptual and performance artist Lisette Ros.About the speakersTino Sehgal (London), is an artist working and living in Berlin. Originally studying political economy and dance, he crossed over to the visual arts in 2000. He achieved international renown for his groundbreaking ‘constructed situations': live encounters between visitors and those enacting the work. He presented his work at the Venice Biennale, Documenta in Kassel, in the Guggenheim Museum in New York, Tate Modern in London and Stedelijk Museum in Amsterdam.Azu Nwagbogu (Nigeria) is internationally acclaimed curator. He is the founder and director of African Artists' Foundation, and serves as Founder and Director of LagosPhoto Festival. He is the creator of Art Base Africa, a virtual space to discover and learn about contemporary African Art. In 2024 he curated the first-ever Benin Pavilion at the 60th Venice Biennale, titled Everything Precious is Fragile.Lisette Ros (1991), a Dutch conceptual and performance artist, who identifies as queer, woman and fluid, with roots in Indonesia, explores the interplay betweensociety, identity, and the human experience through her work. Using her body as a medium, she challenges societal norms and exposes the consequences of sociocultural practices. Ros' work has been showcased globally, including performances at prestigious events like the Venice Architecture Biennale (2016) and South By Southwest (SXSW) in Austin (2018). Ros completed a residency with Marina Abramović in 2021 and has received grants for her ongoing ‘My Self' series researching the self and the identification process.This programme is a part of the Forum on European Culture 2025 en took place on June 29 2025.Programme editor: Merlijn GeurtsModerator: Yoeri AlbrechtZie het privacybeleid op https://art19.com/privacy en de privacyverklaring van Californië op https://art19.com/privacy#do-not-sell-my-info.

What does it mean to make art? Can a robot do it? How did a sentient AI piece of art take over one of London's biggest galleries? Can art change the world? So many big questions, and, fortunately, an expert is here to talk us through it. Farah Nayeri is a world-renowned authority on art. She's the host of the podcast CultureBlast where she interviews creative stars like Emma Thompson, Ai WeiWei and Marina Abramović. She's the author of Takedown: Art and Power in the Digital Age. She's a frequent contributor to the New York Times, Frieze and the Art Newspaper. Follow Farah on Instagram for frankly incredible updates on the art world.

WeTransfer x TalkArt special episode recorded live at Whitechapel Gallery. Recorded in front of a sold out live audience at @WhitechapelGallery we speak with @DominicJohnson and Jamal Butt to explore the current HAMAD BUTT exhibition: his life, art and legacy. ❤️ Thank you to @WePresent for organising this exciting event!Apprehensions is the first major survey of #HamadButt (b. 1962, Lahore, Pakistan; d. 1994, London, UK). One of the most innovative artists of his generation, Hamad Butt was a pioneer of intermedia art, bringing art into conversation with science, whilst also referencing his Queer and diasporic experiences. He offered a nuanced artistic response to the AIDS crisis in the UK, taking a conceptual rather than activist approach.Butt's conceptually and technically ambitious works seamlessly interweave popular culture, science, alchemy, science fiction, and social and cultural concerns, as forms that are simultaneously poetic and provocative. They imagine sex and desire in a time of ‘plague' as seductive yet frightening, intimate yet isolating, compelling yet dangerous – literally, in some cases, threatening to kill or injure.Born in Lahore, Pakistan, and raised in East London, Butt was British South Asian, Muslim by upbringing, and Queer. A contemporary of the Young British Artists, and their peer at Goldsmiths' College, London, Butt was described by art critics as epitomising the new ‘hazardism' in art of the 1990s, as his works often imply physical risk or endangerment.Follow: @WhitechapelGallery and @WePresent and check out WePresent today to see a series of never-before-seen artworks by Hamad, generously shared by Jamal.This episode is brought to you by our friends at WePresent, the Academy Award winningarts platform of WeTransfer. Collaborating with emerging young talent to renowned artistssuch as Marina Abramović, Riz Ahmed and Talk Art's own Russell Tovey, WePresentshowcases the best in art, photography, film, music, literature and more, championingdiversity in everything it does. Hosted on Acast. See acast.com/privacy for more information.

In this thought-provoking episode, Gabriel, Sofia, and Silvia dive deep into the question: Can aperson be art? From Ben Vautier's radical 1964 street performance to Marina Abramović'sintense exploration of vulnerability in Rhythm 0, the conversation explores how presence,perception, and participation challenge our traditional views of art.Is art defined by the object—or the audience? What happens when the body becomes thecanvas? And in a world shaped by performance and social media, where do we draw the linebetween everyday life and artistic expression?Join us as we explore performance art, the power of context, and the evolving boundariesbetween artist, observer, and meaning. This episode doesn't give easy answers—it asks betterquestions.

(00:00:52) Politische Themen und präzise Wortwahl gehören zur deutschen Autorin. (00:06:23) Marina Abramović ist eine der Preisträgerinnen des diesjährigen Premio Imperiale. (00:07:21) Neuer Superman-Film in Indien ohne Kussszenen. (00:08:33) Sommerserie Höhenfieber: Projekt «Musica Transalpina» erforscht, wie die Alpen Einlass fanden in Musik des 16. und 17. Jahrhunderts. (00:13:39) Felix Mendelssohn erlebte 1831 einen verregneten Sommer in den Alpen – wegen eines Vulkanausbruchs. (00:18:48) Transvestiten und Aristokratinnen – der schottische Fotograf Albert Watson zeigt in der Ausstellung «A Rome Codex» ganz unterschiedliche Facetten von Rom.

Ursula Krechel setze "allen Verheerungen der Deutschen Geschichte und Verhärtungen der Gegenwart die Kraft ihrer Literatur entgegen". So begründete die Jury die Vergabe des Georg-Büchner-Preises, dem wichtigsten Literaturpreis im deutschsprachigen Raum an die 77-jährige Schriftstellerin. Knut Cordsen hat Ursula Krechel für uns porträtiert / "Wer eine Jogginghose trägt, hat die Kontrolle über sein Leben verloren", oder: "Ich bin sehr auf dem Boden geblieben. Nur nicht auf dieser Welt.": Berühmte Sprüche von Karl Lagerfeld, nachzulesen in einem neuen Comic über den Modeschöpfer, der jetzt erschienen ist. Andrea Mühlberger im Gespräch mit dem Mode-Redakteur der FAZ, Alfons Kaiser / Der "Praemium Imperiale" ist eine jährlich für herausragende Leistungen auf dem Gebiet der Kunst oder der Kultur vergebene japanische Auszeichnung. Vergeben wird der Preis in den Kategorien Malerei, Skulptur, Architektur, Musik und Theater/Film. In diesem Jahr ausgezeichnet: der Schotte Peter Doig (Malerei), die serbische Künstlerin Marina Abramović (Skulptur), der Portugiese Eduardo Souto de Moura (Architektur), der ungarische Pianist András Schiff (Musik) und die belgische Choreografin Anne Teresa De Keersmaeker (Theater/Film). Julie Metzdorf mit einem Porträt der Performance-Künstlerin Marina Abramović.

Wie kann Performancekunst das Archiv zum Leben erwecken? In dieser Folge beleuchten wir die Ausstellung „Marina Abramović und MAI im Dialog mit Joseph Beuys“ im Museum Schloss Moyland. Dr. Antje-Britt Mählmann (Direktorin), Serge le Borgne (künstlerischer Leiter MAI), sowie die Künstlerinnen Maria Stamenkovic Herranz und Cristiana Cott Negoescu geben Einblick in die Entstehung der Residency, die Verbindung von Archiv und Gegenwart und ihre performativen Recherchen.

1/ LA REINA MORA X MOLLY X WENDELSOUND. G's. 2/ COSTA. Talibán. 3/ KASTA MAD & ALES FABIANI. Trailer park boys.4/ La Ice & Ales Fabiani. MARINA ABRAMOVIĆ.5/ NARSIL. Una razón.6/ PUTO YANU. Funky Monkeys. feat. HERMANO L.7/ MARTYN. Sky is the limit. feat DJTheArk & Farko.8/ CUZITOO & DICOTOMÍA. Nubes negras.9/ ALL CARLITO. Paciencia. feat Othervn.10/ TITO SATIVO & ZENIT. Alza las palabras. 11/ JUANINACKA & CICLO. Valor. feat SHOLO TRUTH.12/ ERGO PRO. Legal Drug Chito.13/ PIEZAS & JAYDER. Anhedonia 20.14/ G. PARSI. Mundo al revés.15/ ZAMORANO BEATZ. Eterno/wilfred. feat CHICO NIÑO.16/ C. POLO & J. CURTO. Cangreburguer. 17/ EZVIT 810. Buscando el sol.Escuchar audio

1/ RAPSODA, D’ CASTRO. Rap por vida. Feat. Ghostface Killah.2/ CUZITOO & DICOTOMÍA. Póstumo.3/ T.F. & KHRYSIS. What it is. feat SIR.4/ SLICK RICK. Stress. feat Giggs. 5/ TITO SATIVO & ZENIT. Alza las palabras.6/ La Ice & Ales Fabiani. MARINA ABRAMOVIĆ.7/ LA RETAHÍLA. Lo mejor que te dejo.8/ ALL CARLITO. Paciencia. feat Othervn.9/ KENDRICK LAMAR. King kunta.10/ GUILTY SIMPSON. Blue collar.11/ DMX. That’s my Dog. feat THE LOX, SWIZZ BEATZ.12/ APATHY. We don’t fuck around.13/ TALIB KWELI. What’s Real. con RES. 14/ THE 1978ERS (YU AND SLIMKAT). One nine 7 t 8. 16/MONALY. Death Row 3 ft. D. PHILLIPS x SD KONG x RAPP GOTTI (Prod. ONTHERVN).Escuchar audio

1/ La Ice & Ales Fabiani. MARINA ABRAMOVIĆ. 2/ TITO SATIVO & ZENIT. Alza las palabras. 3/ EL CHOJIN. Una canción de amor a mi. feat Charles Ans y La Mari. 4/ JUANINACKA & CICLO. Valor. feat SHOLO TRUTH. 5/ YSERN. Tiempo y ceniza. feat Jaloner y con Alana Sinkëy. 6/ C. POLO & J. CURTO. Papers. feat. Nero.7/ DJ SWET & HOSS. Tortilla camarone.8/ ZAMORANO BEATZ. Eterno/wilfred. feat CHICO NIÑO. 9/ PIEZAS & JAYDER. Una bala.10/ ERGO PRO. Madrid Sur. feat. Israel B y Elio Toffana.11/ DARMO. Triple vida. feat COSTA y CARMONA.prod. PREEMZ.12/ SHAOLIN MONKEY & EL SICARIO - GENÉTICA DE ASFALTO.13/ Las Ninyas del Corro. Pobres Ricos ft. Faenna (Prod. Esse Delgado).14/ LUIS FALL OUT & MUDDY SALSA. Ciudad podría.15/ G. PARSI. Mundo al revés.16/ MALVARES. Vigo state of mind.Escuchar audio

Was haben Bonnie Blue und Marina Abramović gemeinsam? Manche von euch kennen vielleicht Bonnie Blue. Eine Pornodarstellerin und erfolgreiche Influencerin auf OF, die sich in den letzten Wochen einen Ruf für extreme Stunts gemacht hat. Marina Abramović ist eine bekannte Performance Künstlerin, die ebenfalls mit extremen Stunts aufwächst. Beide stellen ihre Körper einer Menge von Menschen zur Verfügung. Zu was ist der Mensch fähig, wenn er jede Freiheit hat? Ist der Mensch grundsätzlich böse und ist heute alles schlimmer als früher? Wir sprechen darüber, ob es wirklich mit unserer Gesellschaft bergab geht oder ob es uns eigentlich gar nicht so schlecht geht. Rutger Bregman hat in seinem Buch Humankind: A Hopeful History einen wesentlich optimistischeren Blick auf die Menscheit.   (00:00:00) - Intro (00:03:26) - Only Fans war mal unschuldig (00:07:31) - Bonnie Blues neuer Stunt (00:24:10) - Ist die Welt wirklich schlechter geworden? (00:35:28) - Die Geschichte zweier Wölfe (00:44:01) - Menschen und Schimpansen (00:48:43) - Bücher > Hörbücher (00:56:00) - Natürlich hat sich das Klima verändert...

The guys kick things off debating if they're still "shoe guys" and what having a "dad vibe" really means. They talk about impulse buying, comfort spending on things like first class flights and airport parking, and how their tastes have changed over the years. There's plenty of nostalgia as they break down their favorite rap eras, argue over Jay-Z albums, and discuss why some music just doesn't age well. They also get into wild performance art, like Marina Abramović's famous table piece and Lady Gaga's meat dress, and share what advice they'd give their younger selves. All that, plus classic jokes, music deep-dives, and much more. Get the full episode plus two extra episodes every month at https://patreon.com/thegoldenhourpodcastSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Gillian Anderson's breakthrough television role in the sci-fi series The X Files made her a global star in 1993, and she played cool-headed Agent Dana Scully for nearly a decade. She also starred in period dramas, including an acclaimed film adaptation of Edith Wharton's novel The House Of Mirth and, on television, in Bleak House, Great Expectations and War and Peace. Her theatre credits include A Doll's House, A Streetcar Named Desire and All About Eve, all of which saw her nominated for Olivier Awards. Gillian Anderson has won Golden Globe and Emmy Awards for the X Files, and also for The Crown in which she played Prime Minister Margaret Thatcher. More recently, she found a new generation of fans for role as a sex therapist in the series Sex Education. Her latest film is The Salt Path, adapted from the bestselling memoir by Raynor Wynn.Gillian Anderson tells John Wilson how, after being born in Chicago, she moved with her parents to Crouch End, London, when she was five, and then to Michigan at the age of 11. After what she describes as ‘rebellious' teenage years, she studied at Chicago's DePaul University with drama teacher Ric Murphy, whom she cites as a major influence on her early acting ambitions. After a series of minor stage roles in New York, she auditioned for The X Files and the role of Agent Scully changed her life. She also chooses the actor Meryl Streep as a major inspiration after seeing her with Robert Redford in the 1985 romantic drama film Out Of Africa. Gillian also reveals how the work of the Serbian-born conceptual performance artist Marina Abramović has also been an influential cultural figure for her.Producer: Edwina Pitman

Marina Abramović war überzeugt, dass Kunst und Kinder unvereinbar sind. Immer noch machen Künstlerinnen oft Kompromisse, um Karriere und Familie unter einen Hut zu kriegen. Auch Tänzerin Eugenie Rebetez musste erst herausfinden, wie das geht. Denn Carearbeit ist immer noch hauptsächlich Frauensache. Inzwischen trauen sich Frauen aber endlich, dies auch in ihrer künstlerischen Arbeit, zu thematisieren. Wie die Künstlerin Ana Vujic, deren übergrosse, schwarz-weiss Zeichnungen auf die Erschöpfung, Überforderung und das schlechte Gewissen von Müttern hinweisen. Sie selbst wurde spät Mutter und hätte ohne die familiäre Unterstützung durch ihre Mutter keine Chance Zeit für ihre Kunst zu haben. Kunst und Kind sind nicht vereinbar, zumindest nicht für Frauen Die Musikerin Lena Catharina Schneider, seit 2019 künstlerische Leiterin des Zürcher Kammerorchesters und seit 2021 Mutter eines Sohnes, gibt ihre Leitungsposition genau darum auf, weil sie in der Schweiz kein familiäres Supportsystem hat. «Ich kann es sehr gut nachvollziehen, wenn sich vor allem Künstlerinnen gegen eine Mutterschaft entscheiden», sagt sie. Auch sie setzt jetzt, wie viele Frauen, ihre Prioritäten neu und entscheidet sich für die Familie. Denn die Betreuungssysteme wie Kita und Hort sind für Kunstschaffende, die am Abend Auftritte haben mehr als unzureichend in der Schweiz. Und trifft damit immer noch vor allem die Frauen, die sich darum kümmern. Ist es also vermessen, wenn Frauen beides möchten? Eine zufriedenstellende Arbeit und eine Familie mit Kindern? Wäre es nicht gerechter, in einer Gesellschaft, in der Arbeit oft keine Wahl, sondern ein Muss ist, wenn gewährleistet wäre, dass Mütter genauso wie für die Väter arbeiten können und die Kinder trotzdem gut versorgt sind? Ohne dass Frauen, Mütter automatisch zurücktreten und ihre Karrieren opfern? Besonders prekär ist die Situation in der freien Kunst Denn nur 7 Prozent der ausgeschriebenen Atelierstipendien sind wirklich familienfreundlich, sagt eine Studie des Berufsverbandes für Bildende Kunst, Visarte. Regina Helbling, Geschäftsführerin bei Visarte, sagt im Gespräch mit Eva Wannenmacher, dass die Situation in der freien Kunst für Mütter besonders bitter ist. Denn freie Kunstschaffende benötigen oft einen Brotjob, um ihre Existenz zu sichern. Kommt dann noch die Familienarbeit hinzu, bedeutet das für sie oft eine Dreifachbelastung. Zwar kommen die Männer immer mehr an Bord und unterstützen die Frauen. Doch noch ist echte Gleichstellung eine Utopie. Das «Comeback» von Eugenie Rebetez Auch die Tänzerin und Komikerin Eugenie Rebetez, musste sich nach 8jähriger Familienpause neu ordnen. Nun feiert sie mit ihrem Bühnenprogramm «Comeback» gerade grosse Erfolge. Doch auch stellte sich Fragen wie: Wer bin ich auf der Bühne und wer bin ich zu Hause? Wie sie ihren Weg gefunden hat und wie sich die Situation von Müttern zwischen Kunst und Kind oft anfühlt, das thematisiert sie aktuell auf der Bühne. Ein «Kulturplatz» zu den drei grossen «Ks»: Kunst, Kinder und Karriere.

Erica Schreiner is an experimental video and performance artist based in New York City. She shoots on VHS while performing before the camera. Erica creates allegorical, ethereal video art that combines feminine and anarchistic themes, ritual, and sensuality. Manipulating existing objects or building sets to perform in and film, Erica creates surreal, intimate worlds on VHS video, employing her clearly defined style.Erica received a Bachelor degree in Graphic Design from The Art Institute of Portland. Once in New York, she attended the School of Visual Arts Lens and Screen Art's Residency Program with a full scholarship, and went on to study performance art under the direction of Marina Abramović at MoMA PS1.Erica Schreiner has completed more than 100 performative video art pieces, including two feature films and several music videos. In 2021, Erica received a New York City Artist Corps Grant for her second feature film, The Special People.Erica's work has been exhibited internationally in galleries and film festivals, including The Museum of Modern Art, MoMA PS1, The Bill Hodges Gallery in NYC, Nick Knight's SHOWstudio, Hugh Lane Gallery in Dublin, The Portland Gay and Lesbian Film Festival, and Performance Space New York.Erica is a member of the New York Film-makers' Cooperative (est. 1961) and is on the curatorial committee at Millennium Film Workshop (est. 1967).The Skye Project documentary: https://donate.uniondocs.org/campaigns/skye-4ever/The MoMA curation I've been working on with MM Serra: https://www.moma.org/calendar/film/5807

In this episode of Exploring Art Podcast we talk about a weird performance by artist Ben Vautier. We consider his street performance from 1964 where he sat in the middle of a street with a sign that said, “Look at me. That's all it takes. I'm art.” We talk about what he meant by that and whether a person can really be considered “art”.We explore the meaning of performance art, how the art world reacted to Vautier's actions, and whether the attention of an audience is all it takes to turn someone into art. We also compare his work to other famous performance artists like Marina Abramović and Yoko Ono.

The Akademy Circle is a private members' club based in London, Dubai, and Miami. Akademy brings together discerning individuals dedicated to personal growth and making a positive impact through the power of learning. The club offers its members an exciting programme of events hosted by world-class academics, creatives and business leaders at distinguished locations. Akademy's insightful talks and inspiring experiences cover a wide range of subject areas, including arts and humanities, science, tech, business, fashion, wellness, and more. Akademy's London programme featured a remarkable roster of prominent figures, including the art world icon and performance art pioneer Marina Abramović, former head of Britain's Security Service MI5 Dame Stella Rimington, the first British Astronaut Helen Sharman, Director of Cultural Heritage Protection and Security at Victoria & Albert Museum Vernon Rapley, Director Emeritus of the Churchill War Rooms Phil Reed, Keeper of the Wellington Collection Dr. Olivia Fryman, opera stars Aida Garifullina, Topi Lehtipuu and Chen Reiss, Royal Ballet principal dancers Fumi Kaneko and Vadim Muntagirov, among many others. https://akademyclub.com https://www.instagram.com/akademy_london To order Dr Tony Nader's book Consciousness Is All There Is: https://www.drnaderbooks.com or use your favorite bookseller. Website: https://www.drtonynader.com MIU Website https://www.miu.edu/meet-president-tony-nader-md-phd Instagram https://www.instagram.com/drtonynader President Instagram https://www.instagram.com/miupresidentnader Facebook https://www.facebook.com/DrTonyNader YouTube https://www.youtube.com/@DrTonyNader X (Twitter) https://twitter.com/DrTonyNader TikTok https://www.tiktok.com/@drtonynader Linked In https://www.linkedin.com/in/drtonynader

In this episode, Gem reflects on a powerful moment from a difficult season in her life when she found hope in a simple yet profound image: a long, dark tunnel with a pinhole of light in the distance. This light became a symbol of God's presence, reminding her that even in the darkest moments, His light is enough to guide us forward. She explores the invitation from Psalm 27:4 to dwell, gaze, and seek God, unpacking each of these spiritual practices and how they bring us closer to Him. Through reflection and personal insights, this episode encourages you to embrace God's presence in the everyday moments—dwelling in His love, gazing upon His beauty, and seeking His guidance with a childlike heart. Tune in and discover how these simple practices can deepen your connection with God and His sacred presence in your life. In this episode, you'll reflect on: How can we find hope and God's presence even in dark or uncertain seasons of life? What are some practical ways to engage with the spiritual practices of dwelling, gazing, and seeking God? How can cultivating a childlike wonder and expectancy transform our spiritual journey? Resources and Links: Psalm 27:4 Psalm 139:7-10 Marina Abramović’s The Artist is Present ______________________________________________________ Connect with Gem on Instagram and learn more on the Unhurried Living website and her new book, Hold That Thought: Sorting Through the Voices in Our Heads Learn about PACE: Certificate in Leadership and Soul Care Discover more Christian podcasts at lifeaudio.com and inquire about advertising opportunities at lifeaudio.com/contact-us.

Hide your children! Today we're discussing the “bozo the bush” episode, a.k.a. “One”. In this monumental episode, Carrie meets Aleksandr Petrovsky, Robert surprises Miranda with a giant cookie, Charlotte has a miscarriage, and Samantha has a pubic hair-related breakdown. It also has many diva moments including a fake Marina Abramović, an Elizabeth Taylor-inspired makeover, and several references to Studio 54. What more could we ask for?

Podcasts, reviews, interviews, essays, and more at the Ancillary Review of Books.Please consider supporting ARB's Patreon!Credits:Guest: Hilary StrangTitle: Aurora by Kim Stanley RobinsonHost: Jake Casella BrookinsMusic by Giselle Gabrielle GarciaArtwork by Rob PattersonOpening poem by Bhartṛhari, translated by John BroughReferences:Marooned on Mars, a podcast about the works of KSRUrsula Le Guin's The DispossessedMargaret Killjoy's A Country of GhostsKSR's Mars trilogyFredric Jameson's Archaeologies of the FutureJohn Dos Passos's U.S.A. trilogyWiscon“The Hard Problem” audio project adaptation of a section of Aurora, created with Marina Abramović's workshop, mixed/composed by Adam Tinkle, with the Arthur C. Clarke Centre for Human Imagination at the University of California San Diego.Much of the web-available multimedia about this project is lost to time and linkrot, unfortunately, but there's a very nice write-up at this fan-run KSR site.You can still find a YouTube version of the audio here.As mentioned in the show credits, the “Into the Impossible” podcast later developed into something very different, platforming far-right whackjobs, climate deniers, TESCREALists, that kind of thing, along with lots of presumably credible scientists, so: be warned. I'm not clear on how the early “Into the Impossible” podcasts with the Clarke Centre transitioned to the later, longer-running show with Brian Keating; just don't want to accidentally contribute to any of you going down a brain-worm-inducing YouTube/podcast-algo spiral.Leyna Krow's Sinkhole, and Other Inexplicable VoidsTom Godwin's “The Cold Equations”“Wherever you go, there you are.”KSR's 2312 and New York 2140Sofia Samatar's The Practice, the Horizon, and the ChainTheodore McComb's UraniansGene Wolfe's Book of the Long SunStephen H. Dole's Habitable Planets for ManTracked it down: the "drop unconscious humans off on a grid to check habitability" thing is from Charlie Stross's excellent blog.C.J. Cherryh's Heavy Time"Enough is as good as a feast."Le Guin's “Mrs. Brown Test” is from “Science Fiction and Mrs. Brown” in The Languages of the NightKSR's Science in the Capital Trilogy, re-released as Green Earth"Science Fiction is the Realism of Our Times""True Voyage Is Return"The Alien filmsMary Shelley's Frankenstein

BEST OF: The CIA's Operation Midnight Climax involved drugs and sex as part of a blackmail sting Operation in the 1950s. More than fifty years later we witnessed the downfall of Jefferey Epstein and his blackmail operation, which was sponsored by the same intelligence agencies at home and abroad. Now we are learning about a drug smuggling, sex trafficking, blackmail operation that was run by Sean ‘Diddy' Combs, which also involved rape and possibly even more sinister things involving young artists. Combs reportedly promised his associates connections not just to the ‘good life', but to royal family members like Prince Harry. This reminds us of Prince Andrew's relationship with Epstein and the entire ‘royal' family's relationship, especially King Charles, with the rapist-pervert Jimmy Savile. That Epstein pipeline also ran from Buckingham to Hollywood, too, with Harvey Weinstein, and exposed possible connections with Oprah and other major celebrities involved in trafficking women for abuse. The NXIVM cult, for example, was first thought to involve only Keith Raniere, until it was discovered how the actress Allison Mack was recruiting woman and branding them with her initials at the expensive of liquor heiress Clare Bronfman. Turns out that Ghislaine Maxwell, Allison Mack, and Sheela of the Rajneesh cult were all instrumental in the corruption and abuse, and not simple victims. The Combs story goes beyond pink cocaine, paying women for sex, and hiring college athletes to be drug mules. People like Jay Z have a close relationship with the same crowd and known satanists like Marina Abramović. His wife Beyoncé has been accused by her former drummer, Kimberly Thompson, of practicing “dark magic” and using magic for “sexual molestation.” Thompson accused the singer of killing animals and practicing “extreme witchcraft.” Then there is Mariah Carey's sister Allison, who filed charges against their mother for making “her witness people engaged in sexual acts with adults and children.” Allison alleges their mother took them to “ceremonies or rituals...between 2am and 4am” on “certain dates” of the year. She said the participants would usually wear “long robes with black hoods,” which is exactly what some of Savile's victims claimed. Then there is President Joe Biden and his forgotten daughter Ashley, who's diary documented how she was “hyper-sexualized @ a young age” and how she would do things “to my vagina due to overhearing parents having sex.” Ashley said that Joe Biden, her father, would take showers with her that were inappropriate, and that she has memories of “having sex with friends @ a young age,” something similar to Allison's mothers' ‘friends' who were allowed to have sex with her at 10 years old.  Can you solve this riddle?-FREE ARCHIVE (w. ads)SUBSCRIPTION ARCHIVEX / TWITTER FACEBOOKWEBSITEPAYPALCashApp: $rdgable EMAIL: rdgable@yahoo.com / TSTRadio@protonmail.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/tst-radio--5328407/support.

Marina Abramović ist mit Sicherheit eine der bedeutendsten Künstlerinnen unserer Zeit. Mit ihren legendären Performances schrieb sie Kunstgeschichte. Grenzen scheinen für das Ausnahmetalent dazu da, sie zu brechen – egal, ob es den eigenen Körper betrifft oder traditionelle Vorstellungen von Kunst. Sie berührt Menschen auf der ganzen Welt mit ihren Performances und wird von ihrem Millionenpublikum gefeiert wie ein Popstar: die Künstlerin Marina Abramović. 1946 in Belgrad geboren, entwickelte sie sich ab den 1960er-Jahren zu einer der radikalsten Performance-Künstlerinnen der Welt. Ihr Werk ist derzeit in einer umfassenden Retrospektive im Kunsthaus Zürich zu entdecken. 2016 erschien ihre Autobiografie «Durch Mauern gehen». Der Titel ist Programm: Seit ihren Zwanzigern setzt sie sich immer wieder Extremsituationen aus und lädt das Publikum ein, Teil von diesen Grenzüberschreitungen zu werden: ihr Gewalt anzutun oder sie tagelang zu beobachten, wie sie schläft, duscht oder an der Wand steht, oder sich ihr schweigend gegenüberzusetzen. Das Publikum soll auf diese Weise in eigene innere Abgründe blicken und schliesslich transformiert werden. Ihre Erfahrungen gibt Abramović heute auch in Kursen und Büchern weiter, in denen sie dazu auffordert, Reiskörner zu zählen, rückwärts durch den Wald zu gehen oder zu schweigen. Wird Kunst damit zur spirituellen Praxis? Barbara Bleisch trifft Marina Abramović zum Gespräch. Wiederholung vom 3. November 2024

Marina Abramović ist mit Sicherheit eine der bedeutendsten Künstlerinnen unserer Zeit. Mit ihren legendären Performances schrieb sie Kunstgeschichte. Grenzen scheinen für das Ausnahmetalent dazu da, sie zu brechen – egal, ob es den eigenen Körper betrifft oder traditionelle Vorstellungen von Kunst. Sie berührt Menschen auf der ganzen Welt mit ihren Performances und wird von ihrem Millionenpublikum gefeiert wie ein Popstar: die Künstlerin Marina Abramović. 1946 in Belgrad geboren, entwickelte sie sich ab den 1960er-Jahren zu einer der radikalsten Performance-Künstlerinnen der Welt. Ihr Werk ist derzeit in einer umfassenden Retrospektive im Kunsthaus Zürich zu entdecken. 2016 erschien ihre Autobiografie «Durch Mauern gehen». Der Titel ist Programm: Seit ihren Zwanzigern setzt sie sich immer wieder Extremsituationen aus und lädt das Publikum ein, Teil von diesen Grenzüberschreitungen zu werden: ihr Gewalt anzutun oder sie tagelang zu beobachten, wie sie schläft, duscht oder an der Wand steht, oder sich ihr schweigend gegenüberzusetzen. Das Publikum soll auf diese Weise in eigene innere Abgründe blicken und schliesslich transformiert werden. Ihre Erfahrungen gibt Abramović heute auch in Kursen und Büchern weiter, in denen sie dazu auffordert, Reiskörner zu zählen, rückwärts durch den Wald zu gehen oder zu schweigen. Wird Kunst damit zur spirituellen Praxis? Barbara Bleisch trifft Marina Abramović zum Gespräch. Wiederholung vom 3. November 2024

TAKEAWAYSJohn Calvin said that the human heart is an idol factoryIf we do not protect our eyes and ears, we could easily be molded into Satan's image by our poisonous cultureJust because you choose NOT to worship God doesn't mean that you're not worshiping somethingTaylor Swift's two biggest influences are Clara Bow (sex symbol) and Stevie Nicks (professing witch)

WeTransfer x TalkArt special episode! We meet photographer Robin de Puy. This episode is brought to you by our friends at WePresent, the Academy Award winningarts platform of WeTransfer. Collaborating with emerging young talent to renowned artistssuch as Marina Abramović, Riz Ahmed and Talk Art's own Russell Tovey, WePresentshowcases the best in art, photography, film, music, literature and more, championingdiversity in everything it does.In this episode we'll be speaking to acclaimed photographer Robin de Puy about her newproject AMERICAN, a collaboration with WePresent, which is an unflinching portrait of adivided nation. AMERICAN shares Robin's unique perspective on the often-overlookedfaces that represent the country's incredible diversity and complexity, and poses thequestion: What does it mean to be American?Visit: https://robin-de-puy-american.wetransfer.com/Follow: @Robin_De_Puy and @WePresentRobin de Puy's (b.1986, the Netherlands) photographs start with a desire to tell her own story through the faces of others. Whether it's the freckled adolescent she noticed whilst refuelling in Wyoming, the Dutch author, poet and columnist Remco Campert, or the boy Randy she met in Nevada whilst on her American road trip, de Puy sees the camera as an aid to understand the deeply personal traits and histories of each person, and how they also reveal something about herself. Many of her encounters are fleeting; a heartfelt glance into the life of someone else before time resumes its frantic pace. In others, as with Randy, those same transient experiences blossom into profound and enduring relationships. Regardless of which ending they have, de Puy's photographs are always imbued with a sensitivity and timelessness that encourages a slow gaze on the human condition. Her images are chances for genuine human connection, and through sharing with them with the world, allow us to take part in such moments.Robin de Puy studied at the Fotoacademie Rotterdam and has been exhibited internationally at institutions and galleries including; Bonnefantenmuseum, Maastricht (2018); Museum Hilversum, Hilversum (2017); The Hague Museum of Photography, The Hague (2016); Stedelijk Museum, Breda (2016) and Photoville, New York (2016). Amongst numerous other awards, De Puy was the winner of the National Portrait Prize in both 2013 and 2019. Her work is held in major public and private collections including Bonnefantenmuseum, Maastricht; De Nederlandse Bank, Amsterdam; Museum Voorlinden, Wassenaar; Centraal Museum Utrecht, Utrecht; Fotomuseum Den Haag, The Hague; Huis Marseille, Amsterdam and Ministry of Foreign Affairs, The Hague. View more: https://robindepuy.nl/ Hosted on Acast. See acast.com/privacy for more information.

Mit ihren Performances lotet die Künstlerin Marina Abramović eigene körperliche und psychische Grenzen aus. Welche Rolle spielt dabei Wut? Und wie kann Abramović mit ihrer Kunst die Zeit anhalten? Hier entlang geht’s zu den Links unserer Werbepartner: https://detektor.fm/werbepartner/kunst-und-leben >> Artikel zum Nachlesen: https://detektor.fm/kultur/monopol-podcast-marina-abramovic

Mit ihren Performances lotet die Künstlerin Marina Abramović eigene körperliche und psychische Grenzen aus. Welche Rolle spielt dabei Wut? Und wie kann Abramović mit ihrer Kunst die Zeit anhalten? Hier entlang geht’s zu den Links unserer Werbepartner: https://detektor.fm/werbepartner/kunst-und-leben >> Artikel zum Nachlesen: https://detektor.fm/kultur/monopol-podcast-marina-abramovic

Get ready for a ghoulishly good time! Cheryl dishes all the behind-the-scenes gossip from the Wicked London premiere—green carpet glam, star-studded moments, and why this might just be the best movie ever made.

Kakšne lumparije bo prihodnja štiri leta počel stari oziroma novoizvoljeni ameriški predsednik Donald Trump, verjetno ve le on. Čeprav je bilo že večkrat dokazano, da je težko verjeti njegovim besedam, je vseeno treba njegove govore včasih jemati z vso resnostjo, čeprav niso povsem resni. Med kampanjo je poudarjal, da bo vladal z enostavnim načelom: če sem nekaj obljubil, bom to izpolnil. Eden izmed Trumpovih uspehov je tudi to, da je ljudi prepričal, da se bori proti sistemu, ki zatira navadne, neopazne ljudi z zdravo kmečko pametjo. To so zdaj vrednote, ki štejejo. Demokracija in pravice žensk pa sta že preveč abstraktna pojma. Preveč woke oziroma prebujeno, bi kdo rekel. Slovita umetnica Marina Abramović je v intervjuju pri Marcelu poudarila, da bi bil svet boljši brez Trumpa. Morda res potrebujemo več Gandijev, Mandel, Milanov in Quincijev. Nove junake. Ampak takšni so časi in morale. Toda kljub temu bodo pesmi tudi v takšnih časih. Pesmi o takšnih časih, če parafriziramo Brechta. Trumpova zlata doba bi lahko prinesla tudi svetobolje, ki bo dalo nove junake. Tonska mojstrica: Nina Kač Novinar: Gašper Andrinek, gasper.andrinek@rtvslo.si

Alenka Gregorič je letos, skupaj s sokuratorko razstave, prof. Felicitas Thun-Hohenstein z dunajske Akademije likovnih umetnosti, že dvakrat obiskala rezidenco in atelje Marine Abramovič v ZDA, kjer so nastajali prvi obrisi razstave, ki naj bi predstavila skupno delo in življenje priznanega umetniškega tandema med letoma 1976 in 1988, kanoničnih dvanajst let skupnega življenja in ustvarjanja Ulaya in Marine Abramović, ključnih akterjev performativne umetnosti.

Marina Abramović ist mit Sicherheit eine der bedeutendsten Künstlerinnen unserer Zeit. Mit ihren legendären Performances schrieb sie Kunstgeschichte. Grenzen scheinen für das Ausnahmetalent dazu da, sie zu brechen – egal, ob es den eigenen Körper betrifft oder traditionelle Vorstellungen von Kunst. Sie berührt Menschen auf der ganzen Welt mit ihren Performances und wird von ihrem Millionenpublikum gefeiert wie ein Popstar: die Künstlerin Marina Abramović. 1946 in Belgrad geboren, entwickelte sie sich ab den 1960er-Jahren zu einer der radikalsten Performance-Künstlerinnen der Welt. Ihr Werk ist derzeit in einer umfassenden Retrospektive im Kunsthaus Zürich zu entdecken. 2016 erschien ihre Autobiografie «Durch Mauern gehen». Der Titel ist Programm: Seit ihren Zwanzigern setzt sie sich immer wieder Extremsituationen aus und lädt das Publikum ein, Teil von diesen Grenzüberschreitungen zu werden: ihr Gewalt anzutun oder sie tagelang zu beobachten, wie sie schläft, duscht oder an der Wand steht, oder sich ihr schweigend gegenüberzusetzen. Das Publikum soll auf diese Weise in eigene innere Abgründe blicken und schliesslich transformiert werden. Ihre Erfahrungen gibt Abramović heute auch in Kursen und Büchern weiter, in denen sie dazu auffordert, Reiskörner zu zählen, rückwärts durch den Wald zu gehen oder zu schweigen. Wird Kunst damit zur spirituellen Praxis? Barbara Bleisch trifft Marina Abramović zum Gespräch.

Marina Abramović ist mit Sicherheit eine der bedeutendsten Künstlerinnen unserer Zeit. Mit ihren legendären Performances schrieb sie Kunstgeschichte. Grenzen scheinen für das Ausnahmetalent dazu da, sie zu brechen – egal, ob es den eigenen Körper betrifft oder traditionelle Vorstellungen von Kunst. Sie berührt Menschen auf der ganzen Welt mit ihren Performances und wird von ihrem Millionenpublikum gefeiert wie ein Popstar: die Künstlerin Marina Abramović. 1946 in Belgrad geboren, entwickelte sie sich ab den 1960er-Jahren zu einer der radikalsten Performance-Künstlerinnen der Welt. Ihr Werk ist derzeit in einer umfassenden Retrospektive im Kunsthaus Zürich zu entdecken. 2016 erschien ihre Autobiografie «Durch Mauern gehen». Der Titel ist Programm: Seit ihren Zwanzigern setzt sie sich immer wieder Extremsituationen aus und lädt das Publikum ein, Teil von diesen Grenzüberschreitungen zu werden: ihr Gewalt anzutun oder sie tagelang zu beobachten, wie sie schläft, duscht oder an der Wand steht, oder sich ihr schweigend gegenüberzusetzen. Das Publikum soll auf diese Weise in eigene innere Abgründe blicken und schliesslich transformiert werden. Ihre Erfahrungen gibt Abramović heute auch in Kursen und Büchern weiter, in denen sie dazu auffordert, Reiskörner zu zählen, rückwärts durch den Wald zu gehen oder zu schweigen. Wird Kunst damit zur spirituellen Praxis? Barbara Bleisch trifft Marina Abramović zum Gespräch.

For over more than five decades the Serbian conceptual and performance artist Marina Abramović has used her own body as her artistic medium, exploring the human condition in works that are often feats of endurance, exhaustion and pain. From her earliest works such as Rhythm 0, in which Abramović invited audiences to freely interact with her however they chose, to her long-durational work The Artist is Present, she has put herself in danger at the mercy of audiences all in the name of art. Abramović talks to John Wilson about her unhappy childhood in the former Yugoslavia with strict parents who had both been war heroes. She recalls how at age 14, a dangerous game of Russian roulette led her to Dostoevsky's novel The Idiot and how the book and its author's life sparked her creative imagination. She also reveals how two films, Alain Resnais' enigmatic 1961 French New Wave classic Last Year at Marienbad, and Pier Paolo Pasolini's 1968 movie Teorema, starring Terence Stamp, have inspired aspects of her work. Producer: Edwina Pitman

The latest from the US as the FBI investigates a second attempt on Donald Trump's life. Then: a missile fired by Houthi rebels lands in Israel, and Armenia and Azerbaijan's fragile peace deal ahead of the Nagorno-Karabakh conflict's one-year anniversary. Plus: we have an exclusive interview with Marina Abramovic ahead of the opening of her ‘Healing Frequency' exhibition, recap the 2024 Emmy Awards and pop by the Pure experiential-travel show.See omnystudio.com/listener for privacy information.

In this episode, filmed on location in Boudhanath, Kathmandu, I am joined by Naljorma Tsül'dzin, an internationally acclaimed performance artist and ordained apprentice in the Aro gTer sect of Tibetan Buddhism. Tsül'dzin recalls her childhood in rural Ireland, early cultural and occult explorations, substance abuse and recovery, and her international career as a performance artist under the name “Kira O'Reilly”. Tsül'dzin traces her history with the Aro gTer sect of Tibetan Buddhism, from first encounter to full ordination, reveals her religious robes and the reactions they provoke, and explains her ongoing fascination with the Great Stupa in Kathmandu. Tsül'dzin also considers the intersection of art and religious expression, the tension between practice and performance, ritual and spectacle, and reflects on her long-standing work with Serbian conceptual and performance artist Marina Abramović. … Video version: https://www.guruviking.com/podcast/ep264-vajrayana-performance-art-naljorma-tsldzin Also available on Youtube, iTunes, & Spotify – search ‘Guru Viking Podcast'. … Topics include: 00:00 - Intro 01:04 - Inspiring example of Jomo Samphel Dechen Rinpoche 06:30 - Working with body and physicality as a practitioner 09:34 - Childhood in Catholic rural Ireland 11:55 - The 80s goth scene 12:43 - Linda Montano's insight on Tsül'dzin and subcultures 14:07 - Occult explorations 15:09 - Substance abuse and entering recovery 16:29 - Studying fine art at university 17:36 - Encountering the Aro gTer Buddhist sect 20:22 - Group practice format in the Aro gTer 22:44 - Attraction to the Aro gTer 23:37 - Internationally acclaimed performance art career 29:08 - Deepening Buddhist practice 30:47 - Ordination and Kathmandu 31:28 - Performance art and religious ritual 32:50 - Meeting Marina Abramović 35:25 - The Golden Bough and ritual as performance art 36:16 - Working with Marina Abramović 37:50 - Performing at Marina Abramović' recent London retrospective at the Royal Academy of Art 39:16 - West/East influence 41:34 - Marina Abramović as a teacher 43:45 - Wearing religious robes 44:48 - Conversations arising from wearing robes in public 47:08 - Explaining the colour scheme 49:56 - Robes and participation 53:00 - Fasting and preparing for the 12-day Royal Academy performance 57:41 - Street Dog Care 58:43 - Reflecting on spiritual experiences 01:00:20 - Time and space 01:02:27 - Why spend so much time in Boudha? 01:06:22 - Practice vs spectacle 01:07:15 - Prostrations 01:08:08 - Art and the Aro gTer 01:09:44 - Secular vs religious art 01:12:04 - Disappointment with Western Buddhist art 01:14:08 - Recommendations for when visiting Boudha 01:14:36 - How to have impromptu conversations … Boudhanath Interviews playlist: - https://youtube.com/playlist?list=PLlkzlKFgdknwvU82dU487LhF_mF4AkGek&si=gFGJpi-fnLtxeyZ5 
… To find our more about Naljorma Tsül'dzin, visit: - https://www.instagram.com/naljormatsuldzin/ - https://www.kiraoreilly.com/ … For more interviews, videos, and more visit: - https://www.guruviking.com Music ‘Deva Dasi' by Steve James

Explore the transformative power of performance art as we reflect on the groundbreaking work of Marina Abramović. Through her daring and provocative performances, Abramović challenges conventional notions of art, time, and the self, inviting us to contemplate the profound connections between body, mind, and spirit. This sermon is part of our Artists Who Inspire series – a journey into the world of artistic brilliance and spiritual resonance. We are delving into the lives, works, and philosophies of five remarkable artists who have left an indelible mark on the canvas of human expression. First Unitarian Church of Dallas is devoted to genuine inclusion, depth and joy, reason and spirit. We have been a voice of progressive religion in Dallas since 1899, working toward a more just and compassionate world in all of what we do.   We hope that when you come here your life is made more whole through experiences of love and service, spiritual growth, and an open exploration of the divine. Learn more at https://dallasuu.org/   New sermon every week. Subscribe here: https://tinyurl.com/1stchurchyoutubesubscribe Follow us on Instagram: https://www.instagram.com/1stuchurch/ Follow us on Facebook: https://www.facebook.com/1stUChurch Watch the livestream on Sundays at 9:30am, 11am, & 7pm CST: https://dallasuu.org/live/ Œ

Talk Art Live, recorded at Apple Covent Garden. We meet Rebecca Lucy Taylor aka Self Esteem to celebrate her first new music in 3 years, the new single Big Man featuring Moonchild Sanelly.Recorded in front of a live audience of 400 art lovers, we explore her rise to fame over the past few years, what it was like playing the Sally Bowles lead in Cabaret on London's West End and her love of art and how artists continue to inspire her creative process while recording her third album. We discuss her admiration for artists including Lindsey Mendick, Marina Abramović, Tracey Emin, Cindy Sherman, Corbin Shaw and Jenny Holzer. Her passion for visiting museums like Yorkshire Sculpture Park, Hayward Gallery and artist degree shows, responding to Tony Soprano and masculine archetypes in her new imagery and what it feels like to be permanently hanging on the walls in the National Portrait Gallery collection in a portrait by photographer Karina Lax.Rebecca Lucy Taylor, known professionally by her stage name Self Esteem, is an award winning English singer-songwriter. Nominated for the Mercury Music Prize for her last hit album, Prioritise Pleasure, Self Esteem had sell-out tours at ever-growing venues across the UK and played the largest gigs of her career including Glastonbury – in recognising herself and others, Rebecca Taylor has made countless people feel esteemed.We love Self Esteem SO much! You can stream her new single, which is without doubt THE song of the summer BIG MAN, and also listen to her award-winning album PRIORITISE PLEASURE now at Spotify, Apple or wherever you listen to your music!!! View her new video for BIG MAN here: https://www.youtube.com/watch?v=mteCEloA1bsFollow @SelfEsteemSelfEsteem on Instagram and @SelfEsteem___ on Twitter. Hosted on Acast. See acast.com/privacy for more information.

The Canadian artist Miles Greenberg says flesh is his medium. He's no stranger to pushing his body to the extreme for his art. Some of the things Miles has done include standing on a plinth dripping in fake blood, embracing a stranger while naked and blind, and walking on a conveyor belt all day. For his latest work, “Respawn,” he wrestles and stabs versions of himself in front of a live audience for nine hours straight — and if you're asking why, Miles has a very good answer. He sits down with Tom to shed light on the piece and his journey in art.

TAKEAWAYSJohn Calvin said that the human heart is an idol factoryIf we do not protect our eyes and ears, we could easily be molded into Satan's image by our poisonous cultureJust because you choose NOT to worship God doesn't mean that you're not worshiping somethingTaylor Swift's two biggest influences are Clara Bow (sex symbol) and Stevie Nicks (professing witch)

Across a fair chunk of Europe, we've grown used to seeing little traffic light symbols on our food packets that supposedly rate the healthiness of our food. But why might Dominic's chamomile tea get a Nutri-Score rating of C, when a diet cola gets an A? And does Giorgia Meloni have a point in claiming that the ratings are biased against Italians? This week we ring up Alie de Boer, an expert on all things food labelling, to demystify the Nutri-Score system once and for all. We're also talking about why Georgia's at a crossroads between Russia and the EU, and why it's such a scary moment in German politics.  Alie is an assistant professor of nutrition and food law at Maastricht University's Venlo campus. You can watch her excellent video about Nutri-Score here. This week's Inspiration Station offerings: Marina Abramović's new exhibition and Desert Island Discs interview; Gugelhupf.  Thanks for listening! If you enjoy our podcast, we'd love it if you'd consider chipping in a few bucks a month at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠patreon.com/europeanspodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ (many currencies are available). You can also help new listeners find the show by ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠leaving us a review⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ or giving us five stars on Spotify.  Other resources for this episode:  'Is Georgian Dream Digging Its Own Grave?' - Transitions, May 2024 https://tol.org/client/article/is-georgian-dream-digging-its-own-grave.html 'Are right-wing populists more likely to justify political violence?' - European Consortium for Political Research, March 2024 https://ejpr.onlinelibrary.wiley.com/doi/10.1111/1475-6765.12668?af=R 'How Italian "food nationalism" has blocked Nutri-Score nutrition labelling system in Europe' - Mediapart, January 2024 https://www.mediapart.fr/en/journal/international/060124/how-italian-food-nationalism-has-blocked-nutri-score-nutrition-labelling-system-europe  00:23 A delicious, digestible bowl of European news 02:52 Good week: Georgia's brave protesters 09:43 Bad week: German democracy 21:10 Interview: Alie de Boer on how those Nutri-Score labels on your food actually work 37:51 The Inspiration Station: Marina Abramović and gugelhupf 42:52 Happy Ending: The European Seagull Screeching Championship Producers: Morgan Childs and Katy Lee Mixing and mastering: Wojciech Oleksiak Music: Jim Barne and Mariska Martina ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ |⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Threads⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ |⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠⁠⁠⁠Mastodon⁠⁠⁠⁠⁠⁠⁠⁠⁠ | ⁠Bluesky⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠hello@europeanspodcast.com⁠

Marina Abramović is an artist renowned for performances and feats of endurance, in which her body is pushed to its limits. She has moved, scandalised and delighted audiences for half a century, and is now celebrated by world-leading galleries and institutions. Marina was born in Belgrade in 1946. Her parents were honoured as war heroes for their work for the Partisan resistance movement, and both took up senior roles in the post-war Yugoslav government. Marina became interested in painting during her childhood, and went on to study art. She first made her name as a performance artist in her 20s, creating events which often shocked viewers – and were equally traumatic for her. In 1974 she placed 72 objects, including sharp tools, a whip and a loaded pistol, on a table and invited gallery goers to use them on her, however they wished. She was attacked and left scarred, and part of her hair went white. For many years she led a nomadic existence, creating works with her partner, the German artist Ulay. In 1997, in response to the war in Bosnia, she created a prize-winning work for the Venice Biennale, in which for four days she attempted to scrub the blood from a vast pile of cow bones. In 2010 her exhibition at the Museum of Modern Art in New York attracted almost a million people, many queuing for hours for a chance to sit opposite her in silence as part of her marathon performance The Artist is Present. More recently her work has been celebrated in a major retrospective exhibition at the Royal Academy in London, along with performances at English National Opera, marking the centenary of Maria Callas. DISC ONE: Aria from The Goldberg Variations. Composed by Johann Sebastian Bach German composer and musician, performed by Igor Levit DISC TWO: Norma, Act 1: "Casta diva". Composed by Vincenzo Bellini, performed by Maria Callas (soprano) and Coro del Teatro alla Scala di Milano DISC THREE: 4 Degrees - Anohni DISC FOUR: Paloma Negra - Chavela Vargas DISC FIVE: Private Dancer - Tina Turner DISC SIX: Sherab Nyingpo Mantra (The Heart Sutra) - Tashi Lhumpo Monks DISC SEVEN: Piano Concerto No. 21 in C Major, K. 467 - 2. Andante. Composed by Mozart and performed by Mitsuko Uchida (piano), with the English Chamber Orchestra, conducted by Jeffrey Tate DISC EIGHT: Rum And Coca-Cola - The Andrews Sisters BOOK CHOICE: In Search of the Miraculous by Peter D Ouspensky LUXURY ITEM: A cashmere blanket CASTAWAY'S FAVOURITE: Sherab Nyingpo Mantra (The Heart Sutra) - Tashi Lhunpo MonksPresenter Lauren Laverne Producer Sarah Taylor

With this definitive style, Savage examines the origins of the scapegoat to paint a picture of modern America. Learn why we have become the scapegoats in Biden's America. In a quintessential Savage broadcast, he weaves between the political, philosophical, and spiritual. How Savage became an ethnobotanist; Is God omnipotent or omnipresent? Why only God can save the West; America is being assassinated; Savage details the plan to destroy America in his new book A Savage Republic: Inside the Plot to Destroy America; The Bob Menendez bribery scandal only scratches the surface of corruption; Why the truth shall set us free! The Desantis campaign is just now focusing on his military background, but is it too late? Trudeau has destroyed Canada; Zelensky asks Spirit-Cooking artist Marina Abramović to be an ambassador; How phony charities work in the U.S.; How the welfare state has warped our immigration system. Learn more about your ad choices. Visit podcastchoices.com/adchoices