Podcasts about kepler

"In The Blink Of An Eye" is an American science fiction drama film directed by Andrew Stanton and written by Colby Day, starring Kate McKinnon, Rashida Jones, and Daveed Diggs. The film depicts three interconnected stories exploring the history of the world. The first story is set in prehistoric times (about 45,000 years ago), the second story is set in the present day with a research scientist, and the third story takes place in the future aboard a spaceship heading toward the Kepler system. It premiered at the 2026 Sundance Film Festival, where it won the Alfred P. Sloan Prize. Stanton was kind enough to spend some time speaking with us about his work and experience making the film, which you can listen to down below. Please be sure to check out the film, which is now available to stream on Hulu from Searchlight Pictures. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

Father Matthew Tomeny, MIC, opens his homily by declaring that the true test of love which distinguishes Christians is the love of the enemy. He reminds us that Christ commands this love, and that it is the hallmark that sets the Church apart from both believers and non‑believers. By examining the lives of the saints, we see that genuine love is measured not by affection but by the willingness to wish the good of the other, especially their salvation, even when that person has caused us great pain.He cites G.K. Chesterton's insight that love becomes a virtue only when it embraces the unlovable. Father Matthew stresses that loving those who love us yields no spiritual reward; the real treasure lies in loving those who have nothing good to give us. Drawing on Aquinas, Father Tomeny explains that love is the willing of the other's good, not a feeling of fondness. He challenges listeners to ask themselves whether they truly love their enemies or merely love the good that can be obtained through them.To illustrate sacrificial love, he recounts the story of Monsignor Flannery, an Irish priest who, during the Nazi occupation of Rome, built a network of safe houses that saved countless Jews. After the war, the very Gestapo officer whose life he had saved—Colonel Kepler—sought Flannery's help for his own family. Flannery's unconditional love led him to aid the former enemy, ultimately guiding Kepler to baptism fifteen years later. This transformation demonstrates how love of the enemy can soften hardened hearts and draw even the most sinful toward God.Father  Matthew warns against the temptation to seek vengeance, noting that true heroism is not the triumph over evil but the willingness to lay down one's own safety for the good of the other, receiving nothing in return. He reminds us that God's love is given freely, without expectation, and that we are called to mirror this divine generosity. While setting healthy boundaries is permissible, the ultimate goal is to love in a way that reveals God's mercy to the enemy, breaking cycles of hatred and inviting conversion.He concludes with a prayerful invitation: may the Blessed Virgin intercede for us so that, like Christ and the saints, we may love our enemies out of love for God, allowing His mercy to flow through us to a world desperate for healing. May we each ask for the grace to love without condition, trusting that such love reflects the very heart of the Father. ★ Support this podcast ★

Stars aren’t always nice to their offspring – especially at the end. As a star dies, it expands. It can get big enough to engulf some of its planets. The Sun, for example, is likely to swallow Mercury and Venus, and might get Earth as well. A star in Cygnus might have engulfed one of its planets fairly recently. Two others might be doomed as well. Kepler-56 isa red giant – a dying star that’s much bigger than the Sun. It has three known giant planets. Two of them are quite close in, so they may not survive the star’s final act. Kepler-56 is rotating much faster than most red giants. And vibrations at the surface reveal that its core and its outer layers are spinning at different rates and angles. There are several possible reasons for this odd behavior. One is the gravitational influence of the close-in planets. Another is that the star might have swallowed a planet early on. A recent study suggested something else: The star might have swallowed a planet fairly recently. The planet would have been about as massive as Jupiter, the giant of our own solar system. As it plunged in, its orbital momentum spun the star up. So Kepler-56 isn’t being kind to its offspring as its own life comes to an end. Kepler-56 is in the east-northeast at dawn. It’s half way between Deneb, Cygnus’s brightest star, and even brighter Vega. But Kepler-56 is too faint to see without a telescope. Script by Damond Benningfield

Wir feiern mitten im Fasching unsere 50. Folge und stellen fest, dass Astronomie ein bisschen verrückt ist. Alles ist verkehrt herum oder anders gemeint, als es gesagt wird! Aber davor gibt's passende Space News: Wir Astronom:innen können Radio nicht nur hören, sondern auch sehen! Radioastronomie kann uns zeigen, wie Gaswolken in unserer Milchstraße verteilt sind, die Umgebung schwarzer Löcher abbilden und uns die gewaltigsten Strukturen zeigen, die einzelne Galaxien erzeugen können, nämlich die „Radiokeulen“ von GRGs, den gigantischen Radiogalaxien (giant radio galaxies), die von schwarzen Löchern in den Zentren dieser Galaxien erzeugt werden und viele Millionen Lichtjahre aus den Radiogalaxien herausragen können. Gewaltige Radioteleskopprojekte wie das Event Horizon Teleskop oder das Square Kilometre Array erweitern immer mehr unsere Fähigkeiten, Radio zu „sehen“. Wir hatten im Jänner Besuch am Kepler von 6 Teilnehmerinnen der VifZack-Akademie Klosterneuburg – und sie haben uns vom Space Bootcamp erzählt, das sie dort absolviert haben – wir bringen das Interview und sprechen darüber, was für eine Teilnahme am ISTA so gemacht werden muss. In unserem Hauptthema „Sustronomy“ geht es dann um all die schrägen Sachen in der Astronomie, die praktisch verkehrt herum sind: Rot ist kalt, blau ist heiß, je heller ein Stern ist, desto kleiner ist seine „Magnitude“, das Hertzsprung-Russel-Diagramm der Sterne zeigt in die falsche Richtung, das astronomische Alphabet beginnt mit OBAFGKM, junge Sterne haben oft „spätere“ Spektren als ältere, die Sternpopulationen sind umgekehrt wie ihr Alter nummeriert, wir nennen (fast) alle Elemente „Metalle“, Sterne sind schwarze Körper und sterbende Sterne nennen wir „Neu“.

Neste episódio do GrowthCast, recebo João Kepler, um dos principais investidores do Brasil, para uma conversa direta sobre o que realmente faz uma empresa atrativa para investimento — e por que a maioria dos founders falha nesse processo.Ao longo do episódio, falamos sobre:• O que investidores analisam antes de aportar capital• Os erros mais comuns de empreendedores ao buscar investimento• A diferença entre crescer rápido e crescer de forma sustentável• Quando faz sentido captar dinheiro — e quando não faz• Como estruturar uma empresa pensando em valuation e escalaSe você é empreendedor, fundador ou líder que quer escalar com inteligência, este episódio conecta com outros conteúdos do canal sobre growth, vendas, liderança, captação e construção de empresas de alta performance.

Neste episódio do GrowthCast, recebo João Kepler, um dos principais investidores do Brasil, para uma conversa direta sobre o que realmente faz uma empresa atrativa para investimento — e por que a maioria dos founders falha nesse processo.Ao longo do episódio, falamos sobre:• O que investidores analisam antes de aportar capital• Os erros mais comuns de empreendedores ao buscar investimento• A diferença entre crescer rápido e crescer de forma sustentável• Quando faz sentido captar dinheiro — e quando não faz• Como estruturar uma empresa pensando em valuation e escalaSe você é empreendedor, fundador ou líder que quer escalar com inteligência, este episódio conecta com outros conteúdos do canal sobre growth, vendas, liderança, captação e construção de empresas de alta performance.

Today we take a trip to the land of 2 suns. Is this earth? Is this Kepler-47c? How did you get here? How will you get back? Will you get back? Episode Credits:Host: AvaExecutive Producer: AvaMusic Curation & Countdown: AvaCreative Direction: AvaSound Design & Editing: AvaSpecial Thanks: To all the amazing artists featured and our listeners for tuning in each week!

This is Episode 72 of the Consortium Podcast, an academic audio blog of Kepler Education. In this episode, Marlin Detweiler discusses how he discovered Classical Christian Education by reading Doug Wilson's Recovering the Lost Tools of Learning, starting a Classical Christian School with R. C. Sproul, and founding Veritas Press and Veritas Scholar's Academy. Kepler's Consortiums provide resources and regional connections for Christian families, teachers, and educational organizations to expand the reach of classical education and foster human flourishing for generations to come. Marlin Detweiler has been a forerunner in classical Christian education for more than 30 years, serving the movement through leadership, curriculum development, and school formation. With his wife, Laurie, he helped found three classical schools and has been deeply involved in writing, editing, and publishing curriculum used worldwide. He is the president and founder of Veritas Press, which provides classical educational resources for homeschools and Christian schools and operates Veritas Scholars Academy, an online school serving more than 10,000 students. Marlin has spoken in dozens of cities on classical education and served for 22 years as a founding board member of the Association of Classical and Christian Schools, including two years as its initial chairman. He and Laurie have raised four Christian sons—Jameson, Brandon, Travis, and Parker—and are blessed with four daughters-in-law and five grandchildren.

Eind januari van dit jaar, 2026, lazen we in het nieuws over de vondst van een ietwat koude exoplaneet, die grote gelijkenis vertoont met onze planeet aarde. Luisteraar Bert attendeerde mij erop. De grote vraag is dus... moeten we onze koffers gaan pakken? En nog belangrijker: moeten de ski-spullen mee. Laten we in deze aflevering de feiten eens langslopen.Kepler ruimtetelescoop:https://en.wikipedia.org/wiki/Kepler_space_telescopeFrosty Candidate Planet 150 Light-Years Away Might Be Remarkably Similar To Earth:https://www.iflscience.com/frosty-candidate-planet-150-light-years-away-might-be-remarkably-similar-to-earth-82392Discovery Alert: An Ice-Cold Earth?https://science.nasa.gov/universe/exoplanets/discovery-alert-an-ice-cold-earth/A Cool Earth-sized Planet Candidate Transiting a Tenth Magnitude K-dwarf From K2:https://arxiv.org/pdf/2601.19870PLATO - Terrestrial planet hunter:https://www.esa.int/Science_Exploration/Space_Science/PlatoPlanet Hunters TESS (Zooniverse):https://www.zooniverse.org/projects/nora-dot-eisner/planet-hunters-tessAfbeelding: NASA/JPL-Caltech/Keith Miller (Caltech/IPAC).De Zimmerman en Space podcast is gelicenseerd onder een Creative Commons CC0 1.0 licentie.http://creativecommons.org/publicdomain/zero/1.0

In Ausgabe 123 des Science Busters Podcasts, dem 5. und letzten Teil der Science Busters Sternstunden sprechen Kabarettist Martin Puntigam und Astronom Florian Freistetter darüber, was die Sonne am Roten-Riesen-Ast zu suchen hat, was blaue Nachzügler sind, wann das Spätstadium der Sternenentwicklung beginnt, warum es die ganz großen Sterne nur ganz kurz gibt, ab wann es zum Schalenbrennen kommt, wo der rote Riesenast wächst, wieso Merkur und Venus irgendwann Pech haben werden, weshalb doppelte Fusion für mehr Stabilität sorgen kann, wann eine Sonne in eine Horizontalastphase kommt, wieso der asymptotische nicht paralleler Riesenast heißt, warum AGB auch in der Astronomie wichtig sind, wieso Planetarische Nebel auch Etikettenschwindler sind, wie das Standardende für eine Sonne aussieht, ob Sterne bei Zwiebelschalen weinen müssen, ob sterbende Sterne Schokobrunnen mögen, warum der Elektronenentartungsdruck den Kollaps nicht verhindert, wieso nicht alle Elektronen im Erdgeschoß wohnen können, ab wann neutronisiert wird, was eine Supernova den Neutrinos zu verdanken hat, wie lange eine Supernova gleißt, mit welcher Bundeshauptstadt ein Neutronenstern vergleichbar ist, warum Kepler zur Supernova-Beobachtung kein Teleskop genommen hat, wieso das Universum manchmal beim Timing patzt, dass dauernd irgendwo ein Stern explodiert, weshalb Beteigeuze so viel staubt & wie man ins Land der Unterriesen kommt.

This week: percussion that hits, grooves that pull you in, and a closing track that leaves you floating. We open with the kind of afro house energy that makes you move before you realize it - Contribe's batucada rhythms into Malifoo and GORDO's Mexe Mexe. A few Adam Ten moments keep things familiar before diving deeper with Jackie's sexy indie dance and Grant Nelson's classic house sensibility. Jay de Lys brings control, then Simon Kidzoo and Marian push into tech house territory. ANOTR lifts it back up before Burnski and Kepler take us underwater to close. 14 tracks, one flow. House music doing what it does best. ⚡️Like the Show? Click the [Repost] ↻ button so more people can hear it!

Hosted by our Director, Avivah Yamani. Earth swings closest to the Sun at perihelion and farthest at aphelion, words that apply to every planet orbiting the Sun. Learn how Kepler's laws reveal an elliptical orbit, why Earth moves faster at perihelion, and why seasons come from Earth's tilt, not distance.   We've added a new way to donate to 365 Days of Astronomy to support editing, hosting, and production costs.  Just visit: https://www.patreon.com/365DaysOfAstronomy and donate as much as you can! Share the podcast with your friends and send the Patreon link to them too!  Every bit helps! Thank you! ------------------------------------ Do go visit http://www.redbubble.com/people/CosmoQuestX/shop for cool Astronomy Cast and CosmoQuest t-shirts, coffee mugs and other awesomeness! http://cosmoquest.org/Donate This show is made possible through your donations.  Thank you! (Haven't donated? It's not too late! Just click!) ------------------------------------ The 365 Days of Astronomy Podcast is produced by the Planetary Science Institute. http://www.psi.edu Visit us on the web at 365DaysOfAstronomy.org or email us at info@365DaysOfAstronomy.org.

Inner Moonlight is the monthly poetry reading series at the Wild Detectives in Dallas. Curated by Dallas poet Logen Cure, the in-person show is the second Wednesday of every month in the Wild Detectives backyard. We love our podcast fans, so we release recordings of the live performances every month for y'all! On 1/14/26, we featured Inner Moonlight favorite Kepler Goodwin!Kepler Goodwin is a queer North Texas poet who enjoys spending time with friends, their dog, and deep introspective pauses that occasionally lead to poems. They have one published poem with Eber and Wein, and are so excited to feature for Inner Moonlight.⁠www.innermoonlightpoetry.com

Sorry y'all - publishing error this week meant this never came through to you! Well, here's two at once... Next date: Feb 27 - Balearic London 2nd Birthday w/ Stella Zekri @ Distilley N17, London Follow me on Instagram Turned On is supported by my Patreon followers. If you want to show your love for my podcast and what I do, you can subscribe to my Patreon for £2 a month to show your love - all of which goes to a different charity every month - and in return you can enjoy perks like guestlist benefits for my gigs, free downloads of my edits before anyone else, full tracklists for live recordings and exclusive previews of my tracks. Or turn a friend on to Turned On by giving this podcast a 5-star review, reposting it on Mixcloud or SoundCloud or sending it to a friend. Follow me on Songkick to receive alerts when I'm playing near you  Bookings: info@bengomori.com Discover more new music + exclusive premieres on our SoundCloud  Follow the Turned On Spotify playlist, with 1000s of tracks played on this show and in my sets. Turned On is powered by Inflyte – the world's fastest growing music promo platform. Tracklist: Ricky Cardelli - Electric Shock [Incognito Trax] Jeanie & The White Boys & GIDEÖN - The Stitch Up [Homo-Centric Records]  Mim Suleiman - Mingi [Running Back] Whodamanny - Mi Amor [Periodica] Whodamanny - Muevete Ya (Bailando) [Periodica]  Jolta Jazz - Acid Romance [Flexi]  Stefan Braatz featuring Virgo Four - Planet 2 Planet [Nu Groove Records]  Lee Marrow - Da Da Da [ZYX] Black Loops aka PAFFETTI - B.Y.M. [Tartelet Records]  Kepler vs The Trip - House Nation [Bandcamp] Butch - Formula E [Life And Death] Future Classic: Souldynamic - Toco [Excedo Records] 

In 1610 reports reached Prague that Galileo had discovered new planets, and Kepler felt compelled to find out for himself what had actually been seen. Reading Starry Messenger and later observing through a borrowed telescope, he became one of Galileo's earliest and most important defenders. Kepler not only confirmed the existence of Jupiter's moons but also argued publicly for the reliability of telescopic observations, and went further by explaining, for the first time, how the telescope worked in theory through his optical treatise Dioptrice.Alongside this defence of new instruments, the episode follows Kepler's search for harmony in the structure of the cosmos, culminating in the discovery of his third law of planetary motion. It then traces his long and difficult effort to complete the Rudolphine Tables, based on Tycho Brahe's observations. Published in 1627, the tables proved vastly more accurate than anything before them and made possible the successful prediction of planetary transits. Though Kepler did not live to see their full impact, the tables ensured that his astronomy could no longer be ignored.Support the showSupport the show: buymeacoffee.com/completehistoryofscience Contact: thecompletehistoryofscience@gmail.comBlueSky: https://bsky.app/profile/gethinrichards.bsky.socialMusic Credit: Folk Round Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 License

De Darwin a Santa: física sin cuentos (dos soles, origen de la vida y 727 km/s)Capítulos (YouTube)00:00 – Intro: ¿hay algo después de la muerte? Ciencia vs fe10:48 – Darwin: viaje, fósiles, Galápagos y selección natural16:39 – Copérnico y Galileo: del geocentrismo al Sol (lunas de Júpiter)20:14 – Kepler, elipses y la ciencia bajo la Inquisición + miedo a lo desconocido29:20 – ¿Cómo pudo surgir la vida? Experimento Miller-Urey y el rol del RNA35:21 – ¿Santa es físicamente posible? La cuenta: ~727 km/s y velocidad de escape42:34 – Dos soles como Tatooine: estrellas binarias, noches “infinitas” y multiversos mal entendidos50:22 – Cierre y dónde seguir a Daniel (Notas Astronómicas)DescripciónVolvió Daniel Isaac (Notas Astronómicas) para aterrizar temas que suelen asustar… con física. Hablamos de la idea de “nada” después de la muerte, por qué la ciencia no compite con la espiritualidad (pero sí exige evidencias), y nos vamos de tour histórico con Darwin, Copérnico, Galileo y Kepler: cómo pasamos del “todo gira a la Tierra” a entender órbitas elípticas y la evolución por selección natural.Luego bajamos a lo práctico:Origen de la vida: qué demostró realmente Miller-Urey y por qué el RNA importa.Santa Claus con física: si tuviera que repartir en ~36 h a ~100M de casas, ¡necesitaría ~727 km/s! (sí, más allá de la velocidad de escape

In this episode of Tank Talks, host Matt Cohen and recurring guest John Ruffolo kick off the new year with a true “only in 2026” combo: a front-row seat to a SpaceX Falcon 9 launch carrying Kepler Communications' satellites, followed by a hard reality check on Canada's venture capital slowdown. John breaks down what it felt like watching the rocket, the first-stage landing, and why Kepler's mission is bigger than a cool space flex: it's the early shape of space-based data centers and laser-linked networks.From there, Matt and John unpack an RBCx report arguing 2025 was Canada's worst VC fundraising year since 2016, and why “capital is fungible” is a comforting myth at the seed stage. They dig into how de-globalization and national self-interest are reshaping capital flows, why Canada is getting squeezed by the barbell effect in venture, and what policy levers (like a QSBS-style incentive) could actually restart domestic risk capital. The episode closes with two tension points that rhyme: Nvidia's $20B Groq (with a Q) deal showing how returns can flow outside Canada, and the escalating political drama of Trump's DOJ targeting Fed Chair Jerome Powell and what that uncertainty does to markets.If Canada can help put “data centers in the sky,” can it also build the domestic capital base to keep its best companies anchored at home?“A Data Center in the Sky” + Laser-Linked Networks (00:03:07)Kepler's satellites are positioned as more than comms hardware: think orbital compute + storage + real-time processing, with laser links connecting satellites like a network in space.The RBCx VC Report: 2025 Fundraising Hits a Low (00:05:51)Matt summarizes the report's headline numbers and why the pain concentrates on emerging managers and the long tail, not the handful of breakout founders who can raise anywhere.“Venture Investing Is Local” in a De-Globalizing World (00:08:39)John challenges the idea that foreign capital will fill gaps at the earliest stages. In this cycle, countries increasingly keep capital for their own ecosystems, making Canada's domestic shortage more dangerous.The Barbell Effect: Giants and Niche Funds Win, the Middle Gets Crushed (00:10:17)They outline how venture is polarizing into mega-platform funds and specialized micro-funds, while mid-sized generalists get squeezed, and why that dynamic is amplified in Canada.Nvidia's $20B Groq Deal and Canada's Return Profile (00:12:36)They break down the Groq (Q) story, Canadian ties among investors and operators, and the bigger question: if LPs can make outsized returns elsewhere, what keeps capital committed to Canada?Trump vs Powell: DOJ Pressure, Fed Independence, and Market Fallout (00:17:38)They react to the reported DOJ move against Jerome Powell, how even Republicans are uneasy about weaponization, and why political pressure campaigns tend to increase uncertainty, not lower it.Why Uncertainty Pushes Rates Up, Not Down (00:19:30)John's punchline: the intended outcome (lower costs, lower rates) can backfire as markets price in instability, and the Powell timeline may extend into a longer institutional fight.Connect with John Ruffolo on LinkedIn: https://ca.linkedin.com/in/joruffoloConnect with Matt Cohen on LinkedIn: https://ca.linkedin.com/in/matt-cohen1Visit the Ripple Ventures website: https://www.rippleventures.com/ This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit tanktalks.substack.com

This week on Own It we're talking to Remy Stiles from Kepler. After serving as the North American president for the previous three years She is now Kepler's global CEO. She's been with the firm for over 13 years and came up through the account side of the industry. Remy has been instrumental in building the culture, innovation, and vision that defines who Kepler is, which is a critical piece of the leadership puzzle. We talked about her journey through the business to leadership, her perspective on the industry and certainly her thoughts on closing the gender gap in agency ownership. I so love talking to fellow owners and leaders in this industry. Remy is yet another that inspires me and I'm sure will inspire you.  You can find links to Remy Stiles' LinkedIn profile and Kepler's agency website in our show notes at untilyouownit.com.  If you're enjoying Own It, please find it on your favorite podcast app and drop us a rating and review. Those help more people discover the show and join our community.  Also, if you're a female or non-binary agency owner, or you want to own an agency someday, join our growing community at that same address … untilyouownit.com.

Consider taking a moment today to check in on any venture capitalists in your life, because (in Canada, at least) there's a good chance they just went through a rough year. It may sound like the log line for a low-budget sci-fi movie, but a Canadian company just launched a bunch of high-tech lasers into space.

In this episode, we embark on an exciting journey through the latest astronomical discoveries and cosmic phenomena that are captivating enthusiasts around the globe. We begin with a groundbreaking revelation about Betelgeuse, the iconic red supergiant star. Astronomers have uncovered the cause behind its perplexing brightness fluctuations and the dramatic dimming event of 2020, attributing it to a hidden companion star, affectionately named Siwarha, which disrupts Betelgeuse's atmosphere and light.Next, we present a stunning decades-long time-lapse video of Kepler's supernova remnant, showcasing the evolution of this cosmic explosion as observed by the Chandra X-ray Observatory. This visual journey through time reveals the dynamic expansion of the remnant and its implications for the elements that contribute to new star formation.Shifting our focus closer to home, we discuss a comprehensive all-sky census of K dwarfs, revealing promising candidates for potential life-bearing planets. These cooler, longer-lived stars present a stable environment for life to evolve, providing a treasure trove of data for future exoplanet exploration.For sky watchers, we highlight a series of spectacular lunar events in 2026, including a total lunar eclipse, a blue moon, and a Christmas Eve supermoon, all offering breathtaking views for observers.We also explore a thought-provoking study on the potential risks posed by passing stars to our solar system, suggesting that galactic flybys could destabilise Earth's orbit, although the probability remains exceedingly low.Finally, we delve into the feasibility of asteroid mining, examining recent research on meteorites that sheds light on the challenges and potential of extracting resources from asteroids.Join us as we unpack these captivating stories and more in this episode of Astronomy Daily!00:00 – **Welcome to Astronomy Daily, the podcast where we discuss the coolest space news00:44 – **Astronomers have finally cracked Betelgeuse's biggest mystery02:34 – **NASA releases stunning video of supernova remnant from Chandra Xway Observatory05:40 – **Could a passing star fling Earth into deep space faster than thought07:45 – **Thanks for listening to Astronomy Daily! We appreciate every listen### Sources & Further Reading1. NASA2. Hubble Space Telescope3. Chandra X-ray Observatory4. European Space Agency### Follow & ContactX/Twitter: @AstroDailyPodInstagram: @astrodailypodEmail: hello@astronomydaily.ioWebsite: astronomydaily.ioBecome a supporter of this podcast: https://www.spreaker.com/podcast/astronomy-daily-space-news-updates--5648921/support.Sponsor Details:Ensure your online privacy by using NordVPN. To get our special listener deal and save a lot of money, visit www.bitesz.com/nordvpn. You'll be glad you did!Become a supporter of Astronomy Daily by joining our Supporters Club. Commercial free episodes daily are only a click way... Click HereThis episode includes AI-generated content.

Bookwaves/Artwaves is produced and hosted by Richard Wolinsky. Links to assorted local theater & book venues   John Varley (1947-2025): Hugo & Nebula Award Winning Science Fiction Author John Varley (1947-2025), Hugo and Nebula Award winning science fiction novelist, who died on December 10, 2025 at the age of 78, in conversation with Richard Wolinsky, recorded in the KPFA studios July 17, 1992 while on tour for the novel “Steel Beach.” John Varley hit the ground running with his first short story, “Picnic on Nearside,” published in 1974 in the Magazine of Fantasy and Science Fiction. He was already considered the logical heir to Robert Heinlein by the time his novel, The Ophiuchi Hotline was published in 1977 and his short story collection, The Persistence of Vision a year later. He followed those books with a trilogy that included Titan, Wizard and Demon, then went to Hollywood for seven years. This Probabilities interview was recorded on July 17, 1992 when he returned to the field with his novel, Steel Dreams, first of two novels set in the Eight Worlds universe of his earlier work; the sequel, The Golden Globe, was published in 1998.. By the time of this interview, John Varley's history with Hollywood would be over. You can find a PBS version of Overdrawn at the Memory Bank on Pluto TV, and two episodes from the TV show Paradox on You Tube. The film Millennium is not streaming. After The Golden Globe, John Varley wrote seven novels, most in a new series titled Thunder and Lightning. He returned to the Eight Worlds for his final novel, Irontown Blues, published in 2018. There would also be The John Varley Reader in 2004 and another collection in 2013. This interview has not aired in over thirty years.   Alan Furst: Best-selling Spy Novelist, 2002 Alan Furst, historical spy novelist, in conversation with Richard Wolinsky, recorded in the KPFA studios during the book tour for “Blood of Victory, September 26, 2002. This interview has not aired in over two decades. In this interview, he discusses his early career, resistance during World War II, and creating the unique atmosphere and characters in his books.His latest novel, Under Occupation, was published in 2019. Alan Furst's career took off with his novel Kingdom of Shadows in 2000, the sixth book in his series of stand-alone novels about heros and villains in Europe in the years leading up to, and including World War II.  Suffused with atmosphere, his books feel as if you're living with the characters in those haunted times. Of course, there is added resonance as we live through what might be similar times today. This is the second of five Bookwaves interviews with Alan Furst.   James Lapine discusses his collaborations with Stephen Sondheim.     Book Interview/Events and Theatre Links Note: Shows may unexpectedly close early or be postponed due to actors' positive COVID tests. Check the venue for closures, ticket refunds, and mask requirements before arrival. Dates are in-theater performances unless otherwise noted. Some venues operate Tuesday – Sunday; others for shorter periods each week. All times Pacific Time. Closing dates are sometimes extended. Book Stores Bay Area Book Festival  See website for highlights from the 110th Annual Bay Area Book Festival, May 31 – June 1, 2025. Book Passage.  Monthly Calendar. Mix of on-line and in-store events. Books Inc.  Mix of on-line and in-store events. The Booksmith.  Monthly Event Calendar. BookShop West Portal. Monthly Event Calendar. Center for Literary Arts, San Jose. See website for Book Club guests in upcoming months. Green Apple Books. Events calendar. Kepler's Books  On-line Refresh the Page program listings. Live Theater Companies Actors Ensemble of Berkeley.  See website for readings and events. Actor's Reading Collective (ARC).  See website for upcoming productions. African American Art & Culture Complex. See website for calendar. American Conservatory Theatre  Paranormal Activity, Feb. 19 – March 15, Toni Rembe. Awesome Theatre Company. See website for information. Berkeley Playhouse. Once, February 20 – March 22.  Berkeley Rep. How Shakespeare Saved My Life written and performed by Jacob Ming-Trent .January 23 – March 1, Peets Theatre. All My Sons by Arthur Miller, Feb. 20 – March 29, Roda Theatre. Berkeley Shakespeare Company See website for upcoming productions. Brava Theatre Center: See calendar for events listings. BroadwaySF: The Notebook, February 10 – March 1, Orpheum. See website for complete listings for the Orpheum, Golden Gate and Curran Theaters. note: BroadwaySF is now ATG Tickets. Broadway San Jose:  The Book of Mormon, March 6-8. Beetlejuice, March 31 – April 5. Les Miserables, April 29 – May 3. Back to the Future, June 2 – 7. The Sound of Music, July 21-26, Center REP: Lost in Yonkers by Neil Simon, March 29 – April 19. Central Stage. See website for upcoming productions, 5221 Central Avenue, Richmond Central Works After Happy by Patricia Milton, Feb. 28 – March 29. Cinnabar Theatre. My Fair Lady, January 23 – February 8, 2026. The Christians by Lucas Hnath, April 10-26, The Secret Garden, June 12 – 28. Club Fugazi. Dear San Francisco, ongoing. Closed Monday and Tuesday. Contra Costa Civic Theatre A Chorus Line, June 6 – 21, 2026. See website for other events and concerts. Golden Thread  See website for upcoming events and productions. Hillbarn Theatre: What the Constitution Means to Me by Heidi Schreck, January 22 – February 8. Songs for a New World, music and lyrics by Jason Robert Brown, March 5 -22. Lorraine Hansberry Theatre. Sistah Friend by by Phaedra Tillery-Boughton, directed by Margo Hall. February 7, 2 pm, Museum of the African Diaspora. Los Altos Stage Company. Yoga Play by Dipika Guha. January 22 – February 15.. Lower Bottom Playaz  See website for upcoming productions. Magic Theatre. Macbeth, a new version by Migdalia Cruz. March 18 – April 5. Marin Shakespeare Company: Let The Wind Sweep Through: A Conference of Birds, Feb. 6-15. See website for schedule. Marin Theatre: The Cherry Orchard by Anton Chekhov Jan . 29 – Feb. 22, 2026. Masquers Playhouse, Point Richmond. Improbable Fiction by Alan Aykbourn, Feb. 6 – March 1. Mission Cultural Center for Latino Arts Closed. SF Chronicle gift article. New Conservatory Theatre Center (NCTC)  Pride Cabaret, Feb. 5-7. Gods and Monsters based on the novel by Christopher Bram, written and adapted by Tom Mullen, March 6 – April 5. New Performance Traditions.  See website for upcoming schedule Oakland Theater Project. The Mountaintop by Katori Hall, Thurs-Sun, Feb. 5 – 15. Odd Salon: Upcoming events in San Francisco & New York, and streaming. Palace of Fine Arts Theater.  See website for event listings. Pear Theater. My Fair Lady, Feb 20 – March 8. See website for staged readings and other events. Playful People Productions. The One-Act Play That Goes Wrong, March 6 – 22. Presidio Theatre. See website for complete schedule of events and performances. The Children's Theatre Association of San Francisco (CTA) presents Once Upon a Mattress, January 24 – February 28. Ray of Light: Mean Girls. May 2026. Ross Valley Players: See website for New Works Sunday night readings and other events. San Francisco Playhouse. M. Butterfly by David Henry Hwang. February 6 – March 14.. SFBATCO.  See website for upcoming streaming and in- theater shows. San Jose Stage Company: See website for events and upcoming season Shotgun Players.  Sunday in the Park with George, extended to February 15, 2026. South Bay Musical Theatre:  Little Women, The Broadway Musical, January 24 – February 14, 2026. SPARC: See website for upcoming events. Stagebridge: See website for events and productions. Storytime every 4th Saturday. The Breath Project. Streaming archive. The Marsh: Calendar listings for Berkeley, San Francisco and Marshstream. Theatre Lunatico  See website for upcoming productions.. Theatre Rhino  Left Field, written and directed by John Fisher, February 19 – March 15. Streaming: Essential Services Project, conceived and performed by John Fisher, all weekly performances now available on demand. TheatreWorks Silicon Valley Hershey Felder: The Piano and Me, January 17 – February 8, Mountain View Center for the Performing Arts. Primary Trust by Eboni Booth, March 4 – 29, Lucie Stern Theatre, Palo Alto. Word for Word.  See website for upcoming productions. Misc. Listings: BAMPFA: On View calendar for Berkeley Art Museum and Pacific Film Archive. Berkeley Symphony: See website for listings. Chamber Music San Francisco: Calendar, 2025 Season. Dance Mission Theatre. On stage events calendar. Fort Mason Center. Events calendar. Oregon Shakespeare Festival: Calendar listings and upcoming shows. San Francisco Gay Men's Chorus. See schedule for upcoming SFGMC performances. San Francisco Opera. Calendar listings. San Francisco Symphony. Calendar listings. Filmed Live Musicals: Searchable database of all filmed live musicals, podcast, blog. If you'd like to add your bookstore or theater venue to this list, please write Richard@kpfa.org   . The post Bookwaves/Artwaves – January 8, 2026: John Varley – Alan Furst appeared first on KPFA.

Lo último de Escohotado acaba de ver la luz. Si, ya sé que el maestro murió hace más de tres años, pero algo dejó escrito para que ahora su hijo Jorge lo haya adaptado para su publicación póstuma. Ese algo es la “Filosofía para no filósofos” publicado por la editorial Espasa y que supone la última de las lecciones escohotadianas. No es un libro enteramente nuevo, se trata de una adaptación de textos anteriores como “Filosofía y metodología de las ciencias sociales” publicado hace más de cuarenta años y “Génesis y evolución del análisis científico”, que vio la luz a principios de siglo. En ambos casos se encuentran descatalogados, luego tenemos la oportunidad de acceder a un material de primera calidad que nació en las clases que Escohotado impartía en la UNED. “Filosofía para no filósofos” hace honor al título. Es un texto accesible para un público amplio y cumple con creces la promesa de ofrecer un recorrido por la historia del pensamiento occidental desde los orígenes míticos hasta el siglo XX. En tanto que no deja de ser un manual de filosofía se puede abordar en cualquiera de los 24 capítulos que tiene. Arranca con el pensamiento arcaico y precientífico para luego adentrarse en la filosofía griega desde los presocráticos como Tales, Heráclito o Parménides hasta los grandes sistemas filosóficos de Platón y Aristóteles, a los que Escohotado critica por su excesivo idealismo. Hace hincapié en figuras como Epicuro y Lucrecio como precursores del racionalismo científico, y dedica espacio a la ciencia helenística personificada en Euclides y Arquímedes. Pasa de puntillas por la edad media ya que, a juicio del autor, es una época no especialmente innovadora en materia de pensamiento. El renacimiento y la modernidad, auténticas especialidades de Escohotado, los trata con gran detalle. A lo largo de varios capítulos desfilan los principales pensadores europeos de los siglos XV, XVI, XVII y XVIII: Copérnico, Kepler, Galileo, Bacon, Descartes, Newton, Spinoza (al que admira especialmente), Leibniz, empiristas ingleses como Locke, Berkeley y Hume, la Ilustración francesa e Immanuel Kant, al que dedica un capítulo entero Es un libro claro y totalmente accesible al lector lego en filosofía. Escohotado escribe con su característica elegancia, pero con un lenguaje directo, en ocasiones irónico y salpicado de anécdotas cotidianas. Su mérito principal es el de evitar a propósito la abstrusa jerga de los filósofos que hacen inabordables sus obras. Consigue hacer más o menos comprensibles conceptos realmente complejos como los sistemas filosóficos de Kant o Hegel. A todo le añade su perspectiva personal, determinada, caro está, por sus propias convicciones. Escohotado en vida defendía la libertad individual y el uso de la razón y, al mismo tiempo, criticaba de forma inmisericorde el irracionalismo y el colectivismo. No es, por lo tanto, un manual neutro, un resumen de historia de la filosofía. Cada una de sus páginas está impregnada por el espíritu y la erudición del autor. Una obra, en definitiva, muy valiosa e instructiva. Sirve como manual para aprender filosofía sí, pero también como punto de partida a muchas y muy buenas reflexiones sobre el mundo y la naturaleza humana. Hoy vamos a hablar de “Filosofía para no filósofos” en La ContraPortada. No estará el autor con nosotros (ya me gustaría), pero si su hijo Jorge, que es, como decía antes, quien se ha encargado de revisar esta edición y darle su forma final. - "Filosofía para no filósofos" de Antonio Escohotado - https://amzn.to/3Yih3B5 · Canal de Telegram: https://t.me/lacontracronica · “Contra el pesimismo”… https://amzn.to/4m1RX2R · “Hispanos. Breve historia de los pueblos de habla hispana”… https://amzn.to/428js1G · “La ContraHistoria del comunismo”… https://amzn.to/39QP2KE · “La ContraHistoria de España. Auge, caída y vuelta a empezar de un país en 28 episodios”… https://amzn.to/3kXcZ6i · “Contra la Revolución Francesa”… https://amzn.to/4aF0LpZ · “Lutero, Calvino y Trento, la Reforma que no fue”… https://amzn.to/3shKOlK Apoya La Contra en: · Patreon... https://www.patreon.com/diazvillanueva · iVoox... https://www.ivoox.com/podcast-contracronica_sq_f1267769_1.html · Paypal... https://www.paypal.me/diazvillanueva Sígueme en: · Web... https://diazvillanueva.com · Twitter... https://twitter.com/diazvillanueva · Facebook... https://www.facebook.com/fernandodiazvillanueva1/ · Instagram... https://www.instagram.com/diazvillanueva · Linkedin… https://www.linkedin.com/in/fernando-d%C3%ADaz-villanueva-7303865/ · Flickr... https://www.flickr.com/photos/147276463@N05/?/ · Pinterest... https://www.pinterest.com/fernandodiazvillanueva Encuentra mis libros en: · Amazon... https://www.amazon.es/Fernando-Diaz-Villanueva/e/B00J2ASBXM #FernandoDiazVillanueva #escohotado #filosofia Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

Bookwaves/Artwaves is produced and hosted by Richard Wolinsky. Links to assorted local theater & book venues   Jack Arnold (1916-1992). Film Director (“Creature from the Black Lagoon” et al), 1980 Jack Arnold, who died at the age of 75 in 1992, was the 1950s master of the science fiction film. Among the films he directed were It Came From Outer Space, The Creature from the Black Lagoon, Revenge of the Creature, Tarantula, and The Incredible Shrinking Man. The Probabilities crew – Richard A. Lupoff, Lawrence Davidson and Richard Wolinsky – received a small stipend from a science fiction convention and flew to Los Angeles to interview Jack Arnold in his office at Universal Studios. The interview is undated but was recorded in around 1980, give or take a year. It Came from Outer Space, along with two film noirs, were released  in 1953, Creature from the Black Lagoon in 1954 and Revenge of the Creature in 1955. The first western, The Man from Bitter Ridge along with Tarantula and his work on This Island Earth also came from 1955. The rest of the westerns, along with The Incredible Shrinking Man and the Peter Sellers classic The Mouse That Roared, came between 1956 and 1959. After that, he directed a couple more A pictures, as he called them, but his primary work moved to television, and from then until his retirement in 1984, he was constantly working on projects for the small screen, interspersed with the occasional film. Remastered and re-edited by Richard Wolinsky in July 2021. Complete Interview     Book Interview/Events and Theatre Links Note: Shows may unexpectedly close early or be postponed due to actors' positive COVID tests. Check the venue for closures, ticket refunds, and mask requirements before arrival. Dates are in-theater performances unless otherwise noted. Some venues operate Tuesday – Sunday; others for shorter periods each week. All times Pacific Time. Closing dates are sometimes extended. Book Stores Bay Area Book Festival  See website for highlights from the 110th Annual Bay Area Book Festival, May 31 – June 1, 2025. Book Passage.  Monthly Calendar. Mix of on-line and in-store events. Books Inc.  Mix of on-line and in-store events. The Booksmith.  Monthly Event Calendar. BookShop West Portal. Monthly Event Calendar. Center for Literary Arts, San Jose. See website for Book Club guests in upcoming months. Green Apple Books. Events calendar. Kepler's Books  On-line Refresh the Page program listings. Live Theater Companies Actors Ensemble of Berkeley.  See website for readings and events. Actor's Reading Collective (ARC).  See website for upcoming productions. African American Art & Culture Complex. See website for calendar. American Conservatory Theatre A Streetcar Named Desire by Tennessee Williams, Jan. 21 – Feb. 1, 2026, Toni Rembe (Geary). Paranormal Activity, Feb. 19 – March 15, Toni Rembe. Awesome Theatre Company. See website for information. Berkeley Playhouse. Once, February 20 – March 22.  Berkeley Rep. An Evening with David Sedaris, .Jan. 3 – 11, Roda Theatre. Berkeley Shakespeare Company See website for upcoming productions. Brava Theatre Center: See calendar for events listings. BroadwaySF: The Book of Mormon, Jan. 13 – Feb. 1. See website for complete listings for the Orpheum, Golden Gate and Curran Theaters. Broadway San Jose:  A Beautiful Noise, December 30 – January 4. See website for other events. Center REP: Lost in Yonkers by Neil Simon, March 29 – April 19. Central Stage. See website for upcoming productions, 5221 Central Avenue, Richmond Central Works After Happy by Patricia Milton, Feb. 28 – March 29. Cinnabar Theatre. My Fair Lady, January 23 – February 8, 2026. Club Fugazi. Dear San Francisco ongoing. Check website for Music Mondays listings. Contra Costa Civic Theatre A Chorus Line, June 6 – 21 See website for other events and concerts. Golden Thread  See website for upcoming productions. Hillbarn Theatre: What the Constitution Means to Me by Heidi Schreck, January 22 – February 8. Lorraine Hansberry Theatre. See website for upcoming productions. Los Altos Stage Company. Yoga Play by Dipika Guha. January 22 – February 15.. Lower Bottom Playaz  See website for upcoming productions. Magic Theatre. Macbeth, a new version by Migdalia Cruz. March 18 – April 5. Marin Shakespeare Company: Let The Wind Sweep Through: A Conference of Birds, Feb. 6-15. See website for schedule. Marin Theatre: The Cherry Orchard by Anton Chekhov Jan . 29 – Feb. 22, 2026. Mission Cultural Center for Latino Arts Upcoming Events Page. New Conservatory Theatre Center (NCTC)  Ruthless,  Dec. 5 – January 11, 2026. New Performance Traditions.  See website for upcoming schedule Oakland Theater Project. See website for upcoming 2026 season. Odd Salon: Upcoming events in San Francisco & New York, and streaming. Palace of Fine Arts Theater.  See website for event listings. Pear Theater. My Fair Lady, Feb 20 – March 8. See website for staged readings and other events. Playful People Productions. Next production: The Play That Goes Wrong. Presidio Theatre. See website for complete schedule of events and performances. The Children's Theatre Association of San Francisco (CTA) presents Once Upon a Mattress, January 24 – February 28, Ray of Light: Mean Girls. May 2026. Ross Valley Players: See website for New Works Sunday night readings and other events. San Francisco Playhouse. Into the Woods. November 30 – January 17, 2026. SFBATCO.  See website for upcoming streaming and in- theater shows. San Jose Stage Company: See website for events and upcoming season Shotgun Players.  Sunday in the Park with George, November 15 – January 31. South Bay Musical Theatre:  Little Women, The Broadway Musical, January 24 – February 14, 2026. SPARC: See website for upcoming events. Stagebridge: See website for events and productions. Storytime every 4th Saturday. The Breath Project. Streaming archive. The Marsh: Calendar listings for Berkeley, San Francisco and Marshstream. Theatre Lunatico  See website for upcoming productions.. Theatre Rhino  Left Field, written and directed by John Fisher, February 19 – March 15. Streaming: Essential Services Project, conceived and performed by John Fisher, all weekly performances now available on demand. TheatreWorks Silicon Valley Hershey Felder: The Piano and Me, January 17 – February 8, Mountain View Center for the Performing Arts. Primary Trust by Eboni Booth, March 4 – 29, Lucie Stern Theatre, Palo Alto. Word for Word.  See website for upcoming productions. Misc. Listings: BAMPFA: On View calendar for Berkeley Art Museum and Pacific Film Archive. Berkeley Symphony: See website for listings. Chamber Music San Francisco: Calendar, 2025 Season. Dance Mission Theatre. On stage events calendar. Fort Mason Center. Events calendar. Oregon Shakespeare Festival: Calendar listings and upcoming shows. San Francisco Gay Men's Chorus. See schedule for upcoming SFGMC performances. San Francisco Opera. Calendar listings. San Francisco Symphony. Calendar listings. Filmed Live Musicals: Searchable database of all filmed live musicals, podcast, blog. If you'd like to add your bookstore or theater venue to this list, please write Richard@kpfa.org   . The post Bookwaves/Artwaves – January 1, 2026: The Probabilities Archive. Jack Arnold (1916-1992), Science Fiction Film Director appeared first on KPFA.

Bookwaves/Artwaves is produced and hosted by Richard Wolinsky. Links to assorted local theater & book venues   Joe Lansdale:Author of the “Hap & Leonard” series of novels, and other genre works Post Views: 24 Joe R. Lansdale, in conversation with Richard Wolinsky f, recorded November 12, 2025, discussing his latest Hap & Leonard book, “Hatchet Girls,” his recent collections, and his life as a writer. Joe R. Lansdale writes a broad spectrum of fiction, from his successful Hap and Leonard series of noir mysteries, to fantasy and horror short fiction, to western novels and short stories, as well as a variety of genre mash-ups. His latest Hap and Leonard mystery, Hatchet Girls, according to Wikipedia, is the 27th in that series. There are forty books in the series, plus over forty short story collections, including the most recent to date, In the Mad Mountains, stories inspired by H.P. Lovecraft. There are five books in his Drive-In series, three in his Ned the Seal series, plus various chapbooks. He's also written for television and film, including episodes of Love, Death and Robots, and a Hap and Leonard TV three-season series, which ran originally on AMC+ and later on Netflix, starting in 2016. Complete Interview     Book Interview/Events and Theatre Links Note: Shows may unexpectedly close early or be postponed due to actors' positive COVID tests. Check the venue for closures, ticket refunds, and mask requirements before arrival. Dates are in-theater performances unless otherwise noted. Some venues operate Tuesday – Sunday; others for shorter periods each week. All times Pacific Time. Closing dates are sometimes extended. Book Stores Bay Area Book Festival  See website for highlights from the 110th Annual Bay Area Book Festival, May 31 – June 1, 2025. Book Passage.  Monthly Calendar. Mix of on-line and in-store events. Books Inc.  Mix of on-line and in-store events. The Booksmith.  Monthly Event Calendar. BookShop West Portal. Monthly Event Calendar. Center for Literary Arts, San Jose. See website for Book Club guests in upcoming months. Green Apple Books. Events calendar. Kepler's Books  On-line Refresh the Page program listings. Live Theater Companies Actors Ensemble of Berkeley.  See website for readings and events. Actor's Reading Collective (ARC).  See website for upcoming productions. African American Art & Culture Complex. See website for calendar. American Conservatory Theatre A Streetcar Named Desire by Tennessee Williams, Jan. 21 – Feb. 1, 2026, Toni Rembe (Geary). Paranormal Activity, Feb. 19 – March 15, Toni Rembe. Awesome Theatre Company. See website for information. Berkeley Playhouse. Once, February 20 – March 22.  Berkeley Rep. An Evening with David Sedaris, .Jan. 3 – 11, Roda Theatre. Berkeley Shakespeare Company See website for upcoming productions. Brava Theatre Center: See calendar for events listings. BroadwaySF: Moulin Rouge! The Musical, December 16-28, Orpheum. See website for complete listings for the Orpheum, Golden Gate and Curran Theaters. Broadway San Jose:  A Beautiful Noise, December 30 – January 4. See website for other events. Center REP: Lost in Yonkers by Neil Simon, March 29 – April 19. Central Stage. See website for upcoming productions, 5221 Central Avenue, Richmond Central Works After Happy by Patricia Milton, Feb. 28 – March 29. Cinnabar Theatre. My Fair Lady, January 23 – February 8, 2026. Club Fugazi. Dear San Francisco ongoing. Check website for Music Mondays listings. Contra Costa Civic Theatre A Chorus Line, June 6 – 21 See website for other events and concerts. Golden Thread  See website for upcoming productions. Hillbarn Theatre: Rogers & Hammerstein's Cinderella, December 4 – 28. What the Constitution Means to Me by Heidi Schreck, January 22 – February 8. Lorraine Hansberry Theatre. Soulful Christmas, December 27-28, Magic Theatre. Los Altos Stage Company. A Christmas Carol, November  28 – December 21.. Lower Bottom Playaz  See website for upcoming productions. Magic Theatre. Lorraine Hansberry Theatre presents Soulful Christmas, December 27-28. Marin Shakespeare Company: See website for events and productions. Marin Theatre: The Cherry Orchard by Anton Chekhov Jan . 29 – Feb. 22, 2026. Mission Cultural Center for Latino Arts Upcoming Events Page. New Conservatory Theatre Center (NCTC)  Ruthless,  Dec. 5 – January 11, 2026. New Performance Traditions.  See website for upcoming schedule Oakland Theater Project. See website for upcoming 2026 season. Odd Salon: Upcoming events in San Francisco & New York, and streaming. Palace of Fine Arts Theater.  See website for event listings. Pear Theater. My Fair Lady, Feb 20 – March 8. See website for staged readings and other events. Playful People Productions. Next production: The Play That Goes Wrong. Presidio Theatre. Peter Pan Panto, Nov. 29 – Dec. 28. See website for complete schedule of events and performances. Ray of Light: Mean Girls. May 2026. Ross Valley Players: See website for New Works Sunday night readings and other events. San Francisco Playhouse. Into the Woods. November 30 – January 17, 2026. SFBATCO.  See website for upcoming streaming and in- theater shows. San Jose Stage Company: See website for events and upcoming season Shotgun Players.  Sunday in the Park with George, November 15 – December 30. South Bay Musical Theatre:  Little Women, The Broadway Musical, January 24 – February 14, 2026. SPARC: See website for upcoming events. Stagebridge: See website for events and productions. Storytime every 4th Saturday. The Breath Project. Streaming archive. The Marsh: Calendar listings for Berkeley, San Francisco and Marshstream. Theatre Lunatico  See website for upcoming productions.. Theatre Rhino  Streaming: Essential Services Project, conceived and performed by John Fisher, all weekly performances now available on demand. TheatreWorks Silicon Valley Georgiana & Kitty, Christmas at Pemberley by Lauren Gunderson and Margot Melcon, Dec. 3 – 28, Lucie Stern Theatre, Palo Alto. Word for Word.  See website for upcoming productions. Misc. Listings: BAMPFA: On View calendar for Berkeley Art Museum and Pacific Film Archive. Berkeley Symphony: See website for listings. Chamber Music San Francisco: Calendar, 2025 Season. Dance Mission Theatre. On stage events calendar. Fort Mason Center. Events calendar. Oregon Shakespeare Festival: Calendar listings and upcoming shows. San Francisco Gay Men's Chorus. See schedule for upcoming SFGMC performances. San Francisco Opera. Calendar listings. San Francisco Symphony. Calendar listings. Filmed Live Musicals: Searchable database of all filmed live musicals, podcast, blog. If you'd like to add your bookstore or theater venue to this list, please write Richard@kpfa.org   . The post Bookwaves/Artwaves – December 25, 2025: Joe Lansdale, Prolific Genre Writer, 2025 appeared first on KPFA.

The end of the world isn't loud — it's chosen. In Pluribus Episode 9 (“La Chica o El Mundo”), Carol faces the ultimate choice: save humanity or save the woman she loves. After nine episodes of grief, paranoia, denial, and moral uncertainty, Vince Gilligan delivers a quietly explosive ending — capped off by the show's biggest twist yet.Brandon & Chanel unpack the finale's deepest truths and toughest questions:Carol finally meets Manousos — and their alliance is immediately testedZosia and the Others double down on charm… and slowly disappear into Carol's lifeThe rebuilt diner, the kiss, and the emotional manipulation: does Zosia truly love Carol? Or is it strategy?The stem cell reveal: Carol's eggs are the key to her assimilationKusimayu's cultural erasure pushes Carol back into fight mode — too late?Manousos's signal test ends in horror, but might also be humanity's last hopeCarol makes her choice… and shows up at Manousos's door with an atom bombFinal line: “You win. We save the world.” Cut to credits, cue ConquistadoraThis finale cements Pluribus as a genre-defying meditation on grief, agency, and what it means to belong. Is Carol a savior? A narcissist? A tragic romantic? All of the above? Brandon & Chanel are here to break it all down — one missed voicemail and mind-virus metaphor at a time.

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This week, Adam hiked the Kepler Track: one of New Zealand's 11 Great Walks. The 60km loop, located in the South Island's Fiordland National Park, is a stunning track, including forests, lakes, ridge walks, and destructive native birdlife! Tune in to find out why the endangered Kea is New Zealand's most dangerous bird.Tales of a Trip returns with a backpacking horror story involving more native wildlife. Perhaps camping in Australia's outback isn't the best time to watch a horror movie after all.Submit your travel stories here: https://www.tripologypodcast.com/talesofatripHelp support the show and access bonus content. In this week's Lost & Found section, Alun shares a story involving hitchhiking, a rainforest night walk, and a rare tarsier sighting!Patreon: https://www.patreon.com/tripologypodcastNeed travel insurance? We recommend SafetyWing! Click here to get started: ⁠⁠⁠https://safetywing.com/?referenceID=26035801&utm_source=26035801&utm_medium=AmbassadorRequire an onward flight? Please use this fantastic flight rental service: ⁠⁠⁠https://onwardticket.com/tripologypodcast⁠⁠⁠Discord: https://discord.gg/JB9wcRbqInstagram: https://www.instagram.com/tripologypodcast/Website: https://www.tripologypodcast.comYouTube: https://www.youtube.com/@tripologypodcastX: https://x.com/tripologypod

In this episode of Pluribus by Story Archives, hosts Mario Busto and Zachary Newton break down episodes 7 and 8 of the latest season. They discuss the decision to combine these episodes due to the lack of substantial content in episode 7, and express their disappointment about the season finale approaching sooner than expected. Key topics include character developments, storyline twists, and intriguing new information about Kepler 22 B. The hosts also speculate on the potential conflicts and darker turns the series might take in its concluding episodes.00:00 Welcome Back to Pluribus00:44 Episode 7 and 8 Recap01:21 The Penultimate Episode Discussion02:09 Character Analysis: Manu and Carol03:31 Kepler 22 and Galactic Conquest06:11 Human Connection and Alien Isolation06:52 Symbolism and Dialogue Breakdown13:06 Moral Complexity of the Aliens18:12 Speculations and Predictions24:58 Fast and Furious Tangent26:53 Dark Realizations for Carol27:57 Reflecting on Helen's Character28:26 Alien Theories and Speculations30:06 Camera Angles and Hobbit Comparisons31:12 Movie Review: Roof Man32:28 Nostalgia and Social Media Evolution35:31 Apple's Innovation and Criticisms39:38 Christmas Preparations and Decorations42:39 Stranger Things Volume One Critique44:43 TV Show Recommendations and Discussions48:52 Game of Thrones Prequel Speculations50:54 Outro and Holiday WishesKeep up with all things Story Archives Official Website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠soapbox.house⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Email: ⁠⁠⁠contact@soapbox.house⁠⁠⁠Support this show: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Spotify⁠⁠⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠PayPal⁠⁠⁠Follow the hosts on Instagram:⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠@mariobusto @zacharyrnewtonMario's Production Company: 1992films.comZachary's Design Company: zacharyrnewton.com

Em abril deste ano foi anunciada a detecção de possíveis sinais de vida extraterrestre num planeta fora do sistema solar com o telescópio espacial James Webb, mas a descoberta não foi confirmada. Afinal, tem ou não tem vida nesse outro planeta? Que planeta é esse? Como é possível saber alguma coisa sobre um planeta distante? Este episódio do Oxigênio vai encarar essas questões com a ajuda de dois astrônomos especialistas no assunto: o Luan Ghezzi, da UFRJ, e a Aline Novais, da Universidade de Lund, na Suécia. Vamos saber um pouco mais sobre como é feita a busca por sinais de vida nas atmosferas de exoplanetas.  __________________________________________________________________________________________________ ROTEIRO Danilo: Você se lembra de quando uma possível detecção de sinais de vida extraterrestre virou notícia de destaque em abril deste ano, 2025? Se não, deixa eu refrescar a sua memória: usando o telescópio espacial James Webb, pesquisadores teriam captado sinais da atmosfera de um exoplaneta que indicariam a presença de um composto químico que aqui na Terra é produzido pela vida, algo que no jargão científico é chamado de bioassinatura.  A notícia bombou no mundo todo. Aqui no Brasil, o caso teve tanta repercussão que a Folha de São Paulo dedicou um editorial só para isso – os jornais costumam comentar política e economia nos editoriais, e raramente dão espaço para assuntos científicos. Nos dois meses seguintes, outros times de pesquisadores publicaram pelo menos quatro estudos analisando os mesmos dados coletados pelo James Webb e concluíram que as possíveis bioassinaturas desaparecem quando outros modelos são usados para interpretar os dados. Sem o mesmo entusiasmo, os jornais noticiaram essas refutações e logo o assunto sumiu da mídia. Afinal, o que aconteceu de fato? Tem ou não tem vida nesse outro planeta? Aliás, que planeta é esse? Como é possível saber alguma coisa sobre um planeta distante? Eu sou Danilo Albergaria, jornalista, historiador, e atualmente pesquiso justamente a comunicação da astrobiologia, essa área que estuda a origem, a evolução e a possível distribuição da vida no universo. Nesse episódio, com a ajuda de dois astrofísicos, o Luan Ghezzi e a Aline Novais, vou explicar como os astrofísicos fazem as suas descobertas e entender porque a busca por sinais de vida fora da Terra é tão complicada e cheia de incertezas. Esse é o primeiro episódio de uma série que vai tratar de temas relacionados à astrobiologia. [Vinheta] Danilo: Eu lembro que li a notícia quentinha, assim que ela saiu no New York Times, perto das dez da noite daquela quarta-feira, dia 16 de abril de 2025. No dia seguinte, acordei e fui checar meu Whatsapp, já imaginando a repercussão. Os grupos de amigos estavam pegando fogo com mensagens entusiasmadas, perguntas, piadas e memes. Os grupos de colegas pesquisadores, astrônomos e comunicadores de ciência, jornalistas de ciência, também tinham um monte de mensagens, mas o tom era diferente. Em vez de entusiasmo, o clima era de preocupação e um certo mau-humor: “de novo DMS no K2-18b fazendo muito barulho”, disse uma cientista. Outra desabafou: “eu tenho coisa melhor pra fazer do que ter que baixar a fervura disso com a imprensa”. Por que o mal-estar geral entre os cientistas? Já chego lá. Os cientistas eram colegas que eu tinha conhecido na Holanda, no tempo em que trabalhei como pesquisador na Universidade de Leiden. Lá eu pesquisei a comunicação da astrobiologia. Bem no comecinho do projeto – logo que eu cheguei lá, em setembro de 2023 – saiu a notícia de que um possível sinal de vida, um composto chamado sulfeto de dimetila, mais conhecido pela sigla DMS, havia sido detectado num planeta a 124 anos-luz de distância da Terra, o exoplaneta K2-18b. Eu vi a repercussão se desenrolando em tempo real: as primeiras notícias, os primeiros comentários críticos de outros cientistas, a discussão nas redes sociais e blogs. Como eu estava no departamento de astronomia de Leiden, vi também como isso aconteceu por dentro da comunidade científica: os astrônomos com quem conversei na época estavam perplexos com a forma espalhafatosa com que o resultado foi comunicado. O principal era: eles não estavam nem um pouco animados, otimistas mesmo de que se tratava, de verdade, da primeira detecção de vida extraterrestre. Por que isso estava acontecendo? Vamos começar a entender o porquê sabendo um pouco mais sobre o exoplaneta K2-18b, em que os possíveis sinais de vida teriam sido detectados. Primeiro: um exoplaneta é um planeta que não orbita o Sol, ou seja, é um planeta que está fora do sistema solar (por isso também são chamados de extrassolares). Existem planetas órfãos, que estão vagando sozinhos pelo espaço interestelar, e planetas girando em torno de objetos exóticos, como os pulsares, que são estrelas de nêutrons girando muito rápido, mas quando os astrônomos falam em exoplaneta, quase sempre estão falando sobre um planeta que gira em torno de outra estrela que não Sol. O Sol é uma estrela, obviamente, mas o contrário da frase geralmente a gente não ouve, mas que é verdade… as estrelas são como se fossem sóis, elas são sóis. As estrelas podem ser maiores, mais quentes e mais brilhantes do que o Sol – muitas das estrelas que vemos no céu noturno são assim. Mas as estrelas também podem ser menores, mais frias e menos brilhantes do que o Sol – as menores são chamadas de anãs vermelhas. Elas brilham tão pouco que não dá para vê-las no céu noturno a olho nu. O K2-18b é um planeta que gira em torno de uma dessas anãs vermelhas, a K2-18, uma estrela que tem menos da metade do tamanho do Sol. Só que o planeta é relativamente grande. Luan Ghezzi: Ele é um planeta que tem algo entre 8 e 9 vezes a massa da Terra, ou seja, é um planeta bem maior do que a Terra. E ele tem um raio ali aproximado de 2.6 vezes o raio da Terra. Então, com essa massa e com esse raio há uma dúvida se ele seria uma super-Terra, ou se ele seria o que a gente chama de Mini-Netuno, ou seja, super-Terra, são planetas terrestres, mas, porém, maiores do que a Terra. Mini-Netunos são planetas parecidos com o Netuno. Só que menores. Mas com essa junção de massa e raio, a gente consegue calcular a densidade. E aí essa densidade indicaria um valor entre a densidade da Terra e de Netuno. Então tudo indica que esse K2-18b estaria aí nesse regime dos mini-Netunos, que é uma classe de planetas que a gente não tem no sistema solar. Danilo: Netuno é um gigante gelado e ele tem uma estrutura muito diferente da Terra, uma estrutura que (junto com o fato de estar muito distante do Sol) o torna inabitável, inabitável à vida como a gente a conhece. Mini-Netunos e Super-Terras, de tamanho e massa intermediários entre a Terra e Netuno, não existem no sistema solar, mas são a maioria entre os mais de 6 mil exoplanetas descobertos até agora.  A estrela-mãe do K2-18b é bem mais fria, ou menos quente do que o Sol: enquanto o Sol tem uma temperatura média de 5500 graus Celsius, a temperatura da K2-18 não chega a 3200 graus. Então, se a gente imaginasse que o Sol fosse “frio” assim (frio entre aspas), a temperatura aqui na superfície da Terra seria muito, mas muito abaixo de zero, o que provavelmente tornaria nosso planeta inabitável. Só que o K2-18b gira muito mais perto de sua estrela-mãe. A distância média da Terra para o Sol é de aproximadamente 150 milhões de quilômetros, enquanto a distância média que separa o K2-18b e sua estrela é de 24 milhões de quilômetros. Outra medida ajuda a entender melhor como a órbita desse planeta é menor do que a da Terra: a cada 33 dias, ele completa uma volta ao redor da estrela. E comparado com a estrela, o planeta é tão pequeno, tão obscuro, que não pode ser observado diretamente. Nenhum telescópio atual é capaz de fazer imagens desse exoplaneta, assim como acontece com quase todos os exoplanetas descobertos até agora. São muito pequenos e facilmente ofuscados pelas estrelas que orbitam. Como, então, os astrônomos sabem que eles existem? O Luan Ghezzi explica. Luan Ghezzi: a detecção de exoplanetas é um processo que não é simples, porque os planetas são ofuscados pelas estrelas deles. Então é muito difícil a gente conseguir observar planetas diretamente,  você ver o planeta com uma imagem… cerca de um por cento dos mais de seis mil planetas que a gente conhece hoje foram detectados através do método de imageamento direto, que é realmente você apontar o telescópio, e você obtém uma imagem da estrela e do planeta ali, pertinho dela. Todos os outros planetas, ou seja, noventa e nove porcento dos que a gente conhece hoje foram detectados através de métodos indiretos, ou seja, a gente detecta o planeta a partir de alguma influência na estrela ou em alguma propriedade da estrela. Então, por exemplo, falando sobre o método de trânsito, que é com que mais se descobriu planetas até hoje, mais de setenta e cinco dos planetas que a gente conhece. Ele é um método em que o planeta passa na frente da estrela. E aí, quando esse planeta passa na frente da estrela, ele tampa uma parte dela. Então isso faz com que o brilho dela diminua um pouquinho e a gente consegue medir essa variação no brilho da estrela. A gente vai monitorando o brilho dela. E aí, de repente, a gente percebe uma queda e a gente fala. Bom, de repente passou alguma coisa ali na frente. Vamos continuar monitorando essa estrela. E aí, daqui a pouco, depois de um tempo, tem uma nova queda. A diminuição do brilho e a gente vai monitorando. E a gente percebe que isso é um fenômeno periódico. Ou seja, a cada x dias, dez dias, vinte dias ou alguma coisa do tipo, a gente tem aquela mesma diminuição do brilho ali na estrela. Então a gente infere a presença de um planeta ali ao redor dela. E aí, como são o planeta e a estrela um, o planeta passando na frente da estrela, tem uma relação entre os tamanhos. Quanto maior o planeta for, ele vai bloquear mais luz da estrela. Então, a partir disso, a gente consegue medir o raio do planeta. Então esse método do trânsito não só permite que a gente descubra os exoplanetas, como a gente também pode ter uma informação a respeito dos raios deles. Esse é o método que está sendo bastante usado e que produziu mais descobertas até hoje. Danilo: e foi por esse método que o K2-18b foi descoberto em 2015 com o telescópio espacial Kepler. Esse telescópio foi lançado em 2009 e revolucionou a área – com o Kepler, mais de 2700 exoplanetas foram detectados. Com ele, os astrônomos puderam estimar que existem mais planetas do que estrelas na nossa galáxia.  A órbita do K2-18b é menor do que a do planeta Mercúrio, que completa uma volta ao redor do Sol a cada 88 dias terrestres. Mas como sua estrela-mãe é mais fria do que o Sol, isso coloca o K2-18b dentro do que os astrônomos chamam de zona habitável: nem tão longe da estrela para que a superfície esfrie a ponto de congelar a água, nem tão perto para que o calor a evapore; é a distância ideal para que a água permaneça em estado líquido na superfície de um planeta parecido com a Terra. Só que o estado da água depende de outros parâmetros, como a pressão atmosférica, por exemplo. E é por isso que a tal da zona habitável é um conceito muito limitado, que pode se tornar até mesmo enganoso: um planeta estar na zona habitável não significa que ele seja de fato habitável. Claro, estar na zona habitável é uma das condições necessárias para que a superfície de um planeta tenha água líquida, o que é fundamental para que essa superfície seja habitável. Ter uma atmosfera é outra condição necessária. Além de estar na zona habitável, o K2-18b tem atmosfera e o Luan também explica como os astrônomos fazem para saber se um exoplaneta como o K2-18b tem uma atmosfera. Luan: a gente estava falando sobre o método de trânsito. E a gente falou que o planeta passa na frente da estrela e bloqueia uma parte da luz dela. Beleza, isso aí a gente já deixou estabelecido. Mas se esse planeta tem uma atmosfera, a luz da estrela que vai atingir essa parte da atmosfera não vai ser completamente bloqueada. A luz da estrela vai atravessar a atmosfera e vai ser transmitida através dela. A gente tem essa parte bloqueada da luz que a gente não recebe, a gente percebe a diminuição de brilho da estrela, com o método de trânsito, mas tem essa luz que atravessa a atmosfera e chega até a gente depois de interagir com os componentes da atmosfera daquele planeta. Então a gente pode analisar essa luz, que é transmitida através da atmosfera do planeta para obter informações sobre a composição dela. Danilo: e como é possível saber a composição química dessa atmosfera? A Aline Novais é uma astrofísica brasileira fazendo pós-doutorado na Universidade de Lund, na Suécia. A tese de doutorado dela, orientada pelo Luan, foi exatamente sobre esse tema: a coleta e a análise dos dados de espectroscopia de atmosferas de exoplanetas. Aline: No início, a gente não está olhando uma foto, uma imagem dos planetas e das estrelas. A gente está vendo eles através de uma coisa que a gente chama de espectro, que é a luz da estrela ou do planeta em diferentes comprimentos de onda. O que é o comprimento de onda? É literalmente o tamanho da onda. Você pode ver também como se fossem cores diferentes. Então a gente vai estar vendo vários detalhes em diferentes comprimentos de onda. O que acontece? A gente já sabe, não da astronomia, mas da química de estudos bem antigos que determinados compostos, vou usar aqui, por exemplo, a água, ela vai ter linhas muito específicas em determinados comprimentos de onda que a gente já conhece, que a gente já sabe. Então já é estabelecido que no cumprimento de onda X, Y, Z, vai ter linha de água. Então, quando a gente está observando novamente o brilho da estrela que passou ali pela atmosfera do planeta. Interagiu com o que tem lá, que a gente não sabe. Quando a gente vê o espectro dessa estrela que passou pela atmosfera, a gente vai poder comparar com o que a gente já sabe. Então, por exemplo, o que a gente já sabe da água, a gente vai ver que vai bater. É como se fosse um código de barras. Bate certinho o que tem na estrela, no planeta e o que tem aqui na Terra. E aí, a partir disso, a gente consegue dizer: “Ah, provavelmente tem água naquele planeta.” Claro que não é tão simples, tão preto no branco, porque tem muitas moléculas, muitos átomos, a quantidade de moléculas que tem ali também interferem nessas linhas. Mas, de forma mais geral, é isso. A gente compara um com o outro. E a gente fala: essa assinatura aqui tem que ser de água. Danilo: Em setembro de 2023, o time de pesquisadores liderado pelo Nikku Madhusudhan, da Universidade de Cambridge, na Inglaterra, anunciou a caracterização atmosférica do K2-18b feita com o telescópio espacial James Webb. Alguns anos antes, a atmosfera do exoplaneta tinha sido observada com o telescópio espacial Hubble, que havia indicado a presença de vapor de água. Com o James Webb, esses cientistas concluíram que a atmosfera não tinha vapor de água, mas fortes indícios de metano e dióxido de carbono, o gás carbônico. Não só isso: no mesmo estudo, eles também alegaram ter detectado, com menor grau de confiança, o sulfeto de dimetila, também chamado de DMS, uma molécula orgânica que aqui na Terra é produzida pela vida marinha, principalmente pelos fitoplânctons e microalgas. O DMS pode ser produzido em laboratório mas não existe um processo natural em que o nosso planeta, sozinho, consiga fazer essa molécula sem envolver a vida. Ou seja, o DMS seria uma possível bioassinatura, um sinal indireto da existência de vida. Por isso, esses cientistas alegaram ter encontrado uma possível evidência de vida na atmosfera do K2-18b. O fato é que a suposta evidência de vida, a detecção de DMS lá de 2023, tinha um grau de confiança estatística muito baixo para contar seriamente como evidência de vida. O time liderado pelo Madhusudhan continuou observando o K2-18b e voltou a publicar resultados apontando a presença de DMS usando outros instrumentos do James Webb. Foram esses resultados que fizeram tanto barulho em abril de 2025. E por que tanto barulho? Porque esse novo estudo apresenta um grau de confiança estatística mais alto para a detecção de DMS. Ele também alega ter detectado outra possível bioassinatura, uma molécula aparentada ao DMS, o DMDS, ou dissulfeto de dimetila. O resultado pareceu reforçar muito a hipótese da presença dessas possíveis bioassinaturas no K2-18b e, por isso, os grandes meios de comunicação deram ainda mais atenção ao resultado do que há dois anos atrás. O problema é que é muito complicado analisar os resultados do James Webb sobre essas atmosferas, e ainda mais difícil cravar a presença desse ou daquele composto químico ali. Aline Novais: Acho que a primeira etapa mais difícil de todas é como você tinha falado, Danilo, é separar o que é a luz do planeta e o que é a luz da estrela. Quer dizer, da atmosfera do planeta e o que é luz da estrela. E isso a gente faz como quando a gente está observando o trânsito. A gente não só observa o planeta passando na frente da estrela. Mas a gente também observa a estrela sem o planeta, e a gente compara esses dois. É literalmente subtrair um do outro. Então, assim, supondo que a gente já tem aqui o espectro pronto na nossa frente. O que a gente vai fazer para entender o que está naquele espectro? Aquilo ali é uma observação. Só que a gente tem da teoria da física, a gente sabe mais ou menos quais são as equações que vão reger a atmosfera de um planeta. Então a gente sabe o que acontece de formas gerais, que é parecida com o que acontece aqui na Terra e com o planeta do sistema solar. Então a gente sabe mais ou menos como deve ser a pressão, a temperatura. A gente sabe mais ou menos quais compostos químicos vão ter em cada camada da atmosfera, que depende de várias coisas. A gente sabe que se um planeta está muito próximo da estrela, ele vai ter determinados compostos químicos que ele não teria se ele estivesse muito mais longe da estrela dele. Então tudo isso interfere. E aí, o que a gente faz? A gente tem os dados, a gente tem o que a gente observou no telescópio. E a gente vai comparar com a teoria, com modelos que a gente faz no computador, programando, parará, parará, que vão reger aquela atmosfera. E aí, a partir disso, a gente vai comparar e ver o que faz sentido, o que não faz, o que bate e o que não bate. Danilo: Notaram que a Aline ressalta o papel dos modelos teóricos na interpretação dos dados? Os astrônomos comparam os dados coletados pelo telescópio com o que esperam observar, orientados pelas teorias e modelos considerados promissores para representar o que de fato está lá na atmosfera do planeta. E é nessa comparação que entra a estatística, a probabilidade de que as observações correspondem a este ou aquele modelo teórico. Aline Novais: Na estatística, a gente sempre vai estar quando a gente tiver probabilidade de alguma coisa, a gente sempre vai estar comparando uma coisa X com uma coisa Y. A gente nunca vai ter uma estatística falando que sim ou que não, vai ser sempre uma comparação de uma coisa ou de outra. Então, quando a gente, por exemplo, a gente tem o espectro lá de um planeta, a gente tem assinaturas que provavelmente podem ser de água, mas vamos supor que essa assinatura também é muito parecida com algum outro elemento. Com algum outro composto químico. O que a gente vai fazer? A gente vai comparar os dois e a resposta não vai ser nem que sim nem que não. A resposta vai ser: “Ah, o modelo que tem água é mais favorável.” Ou então, ele ajusta melhor os dados, do que o modelo com aquele outro composto químico.  Danilo: O time do Nikku Madhusudhan, que fala em possível detecção de DMS, tem um modelo predileto que eles mesmos desenvolveram para explicar planetas como o K2-18b: os mundos hiceanos, planetas inteiramente cobertos por um oceano de água líquida debaixo de uma espessa atmosfera de hidrogênio molecular – por isso o nome, que é uma junção do “hi” de hidrogênio e “ceano” de oceano. É esse modelo que orienta a interpretação de que os dados do K2-18b podem conter as bioassinaturas.  Aline: Todo o resultado final, que é: possivelmente detectamos assinaturas, não dependem dos dados em si, mas dependem de como eles analisaram os dados e que modelos foram utilizados para analisar esses dados. […] Os resultados vão sempre depender de como a gente analisou esses dados. […] Então a questão da detecção, ou possível detecção de bioassinatura depende principalmente de como foram colocados os modelos, do que foi inserido nos modelos e como esses modelos foram comparados. Nesse caso, os modelos utilizados foram modelos que estavam supondo que o planeta era hiceano. Que o planeta tinha um oceano e tinha uma atmosfera de hidrogênio, majoritariamente de hidrogênio. Porém, outros estudos levantaram também a possibilidade de esse planeta não ser desse tipo, ser um planeta, por exemplo, coberto de lava e não de oceano, ou com uma atmosfera, com compostos diferentes, onde a maioria não seria hidrogênio, por exemplo. E esses modelos não foram utilizados para testar essas bioassinaturas. Então o que acontece: no modelo deles, com o oceano, com a atmosfera X, Y e Z, é compatível com a existência de bioassinaturas. Porém, é completamente dependente do modelo.  Danilo: Então, a escolha de modelos teóricos diferentes afetam a interpretação dos resultados e das conclusões sobre a composição química da atmosfera de exoplanetas.  Aline: Esse grupo acredita que o planeta tenha majoritariamente hidrogênio na sua composição. O que eles vão fazer no modelo deles? Eles vão colocar sei lá quantos por cento de hidrogênio na composição, no modelo deles. Então eles estão construindo um modelo que seja semelhante ao que eles acreditam que o planeta tem. Eu não vou colocar nitrogênio se eu acho que não tem nitrogênio. Então, aí que entra a controvérsia, que é justamente o modelo ser feito para encontrar o que eles tentam encontrar. Então, assim, se você pegasse um modelo completamente diferente, se você pegasse um modelo, por exemplo, de um planeta feito de lava, que tem metano, que tem isso, que tem aquilo, será que você encontraria a mesma coisa? Danilo: Saber qual modelo teórico de atmosferas de exoplanetas corresponde melhor à realidade é algo muito difícil. O que dá pra fazer é comparar os modelos entre si: qual deles representa melhor a atmosfera do exoplaneta em comparação com outro modelo. Aline: A gente nunca vai estar falando que o modelo é perfeito. A gente nunca vai estar falando que a atmosfera é assim. A gente sempre vai estar falando que esse modelo representa melhor a atmosfera do que um outro modelo. E se você pegar uma coisa muito ruim que não tem nada a ver e comparar com uma coisa que funciona, vai ser muito fácil você falar que aquele modelo funciona melhor, certo? Então, por exemplo, no caso do K2-18b: eles fizeram um modelo que tinha lá as moléculas, o DMS, o DMDS e tal, e compararam aquilo com um modelo que não tem DMS e DMDS. O modelo que tem falou “pô, esse modelo aqui se ajusta melhor aos dados do telescópio do que esse outro que não tem”. Mas isso não significa que tenha aquelas moléculas. Isso significa que aquele modelo, naquelas circunstâncias, foi melhor estatisticamente do que um modelo que não tinha aquelas moléculas.  Danilo: O Luan tem uma analogia interessante pra explicar isso que a Aline falou. Luan: É como se você, por exemplo, vai em uma loja e vai experimentar uma roupa. Aí você pega lá uma mesma blusa igualzinha, P, M ou G. Você experimenta as três e você vê qual que você acha que se ajusta melhor ao seu corpo, né? Qual ficou com um caimento melhor? Enfim, então você vai fazendo essas comparações, não é que a blusa talvez M não tenha ficado boa, mas talvez a P ou a G tenha ficado melhor. Então os modelos são agitados dessa forma, mas também como a Aline falou depois que você descobriu o tamanho, por exemplo, você chegou à conclusão que o tamanho da blusa é M, você pode pegar e escolher diferentes variações de cores. Você pode pegar essa mesma blusa M, azul, verde, amarela, vermelha, né? E aí elas podem fornecer igualmente o mesmo bom ajuste no seu corpo. Só que a questão é que tem cores diferentes. […] A gente obviamente usa os modelos mais completos que a gente tem hoje em dia, mas não necessariamente, eles são hoje mais completos, mas não necessariamente eles são cem por cento completos. De repente está faltando alguma coisa ali que a gente não sabe.  [Música] Danilo: Eu conversei pessoalmente com o líder do time de cientistas que alegou ter descoberto as possíveis bioassinaturas no K2-18b, o Nikku Madhusudhan, quando ele estava na Holanda para participar de uma conferência em junho de 2024. Ele pareceu entusiasmado com a possibilidade de vir a confirmar possíveis bioassinaturas em exoplanetas e ao mesmo tempo cuidadoso, aparentemente consciente do risco de se comunicar a descoberta de vida extraterrestre prematuramente. A questão é que ele já cometeu alguns deslizes na comunicação com o público: por exemplo, em abril de 2024, num programa de rádio na Inglaterra, ele disse que a chance de ter descoberto vida no K2-18b era de 50% – o próprio apresentador do programa ficou surpreso com a estimativa. Naquela mesma conferência da Holanda, o Madhusudhan também pareceu muito confiante ao falar do assunto com o público de especialistas em exoplanetas – ele sabia que enfrentava muitos céticos na plateia. Ele disse que os planetas hiceanos eram “a melhor aposta” que temos com a tecnologia atual para descobrir vida extraterrestre.   Na palestra em que apresentou os novos resultados esse ano, o Madhusudhan contou que essa hipótese de mundos hiceanos foi desenvolvida com a ajuda de alunos de pós-graduação dele quando ele os desafiou a criar um modelo teórico de Mini-Netuno que oferecesse condições habitáveis, amenas para a vida. Mas a questão é que a gente não sabe se os mundos hiceanos sequer existem. É uma alternativa, uma hipótese para explicar o pouco que sabemos sobre esses exoplanetas. Há outras hipóteses, tão promissoras quanto essa, e muito menos amigáveis à existência da vida como a conhecemos. Enfim, a gente ainda sabe muito pouco sobre esses exoplanetas. Ainda não dá para decidir qual hipótese é a que melhor descreve a estrutura deles. Mas o que vai acontecer se algum dia os cientistas conseguirem resultados que apontem para uma detecção de possível bioassinatura que seja num alto grau de confiança, a tal ponto que seria insensato duvidar de sua existência? Estaríamos diante de uma incontroversa descoberta de vida extraterrestre? Digamos que os cientistas publiquem, daqui a algum tempo, novos resultados que apontam, com um grau de confiança altíssimo, para a presença de DMS no K2-18b. Mesmo que a gente tivesse certeza de que tem DMS naquela atmosfera, não seria possível cravar que a presença de DMS é causada pela vida. Como a gente tem ainda muito pouca informação sobre os ambientes que os Mini-Netunos podem apresentar, e como o nosso conhecimento sobre a própria vida ainda é muito limitado, vai ser muito difícil – para não dizer praticamente impossível – ter certeza de que a presença de uma possível bioassinatura é de fato uma bioassinatura.  Luan: A gente sabe que aqui na Terra, o DMS e o DMDS estão associados a processos biológicos. Mas a gente está falando de um planeta que é um Mini-Netuno, talvez um planeta hiceano. Será que esse planeta não tem processos químicos diferentes que podem gerar essas moléculas sem a presença da vida?  Danilo: Como disse o Luan, pode ser que processos naturais desconhecidos, sem o envolvimento da vida, sejam os responsáveis pela presença de DMS no K2-18b. A gente sabe que o DMS pode ser gerado fora da Terra por processos naturais, sem relação com a presença de vida. Para que seja gerado assim, são necessárias condições muito diferentes das que temos aqui na Terra. O interior de planetas gigantes como Júpiter, por exemplo, dá essas condições. DMS também foi detectado recentemente na superfície de um cometa, em condições muito hostis para a vida como a gente a conhece. Mais hostis ainda são as condições do meio interestelar, o espaço abissal e incrivelmente frio que existe entre as estrelas. Mesmo assim, DMS já foi detectado no meio interestelar.  É por isso que detectar uma possível bioassinatura num exoplaneta não necessariamente responde à pergunta sobre vida fora da Terra. É mais útil pensar nesses dados como peças de um quebra-cabeças: uma possível bioassinatura em um exoplaneta é uma peça que pode vir a ajudar a montar o quebra-cabeças em que a grande questão é se existe ou não existe vida fora da Terra, mas dificilmente será, sozinha, a resposta definitiva. Luan: Será que as bioassinaturas efetivamente foram produzidas por vida? Então, primeiro, estudos para entender diversos processos químicos ou físicos que poderiam gerar essas moléculas, que a gente considera como bioassinaturas, pra tentar entender em outros contextos, se elas seriam produzidas sem a presença de vida. Mas fora isso, nós astrônomos, nós também tentamos procurar conjuntos de bioassinaturas. Porque se você acha só o DMS ou o DMDS é uma coisa. Agora, se você acha isso e mais o oxigênio ou mais outra coisa, aí as evidências começam a ficar mais fortes. Um par muito comum que o pessoal comenta é você achar metano e oxigênio numa atmosfera de exoplaneta. Por quê? Porque esses dois compostos, se você deixar eles lá na atmosfera do planeta sem nenhum tipo de processo biológico, eles vão reagir. Vão formar água e gás carbônico. Então, se você detecta quantidades apreciáveis de metano e oxigênio numa atmosfera, isso indica que você tem algum processo biológico ali, repondo constantemente esses componentes na atmosfera. Então, a gente vai tentando buscar por pares ou conjuntos de bioassinaturas, porque isso vai construindo um cenário mais forte. Você olha, esse planeta está na zona habitável. Ele tem uma massa parecida com a da Terra. Ele tem uma temperatura parecida com a da Terra. Ele tem conjuntos de bioassinaturas que poderiam indicar a presença de vida. Então você vai construindo um quebra-cabeça ali, tentando chegar num conjunto de evidências.  Danilo: Talvez só vamos conseguir ter certeza quando tivermos condições de viajar os 124 anos-luz que nos separam do K2-18b, por exemplo, para examinar o planeta “in situ”, ou seja, lá no local – só que isso ainda é assunto para a ficção científica, não para a ciência atual. Não quer dizer que, dada a dificuldade, a gente deva desistir de fazer ciência nesse sentido, de detectar bioassinaturas nos exoplanetas. Luan: É claro que é super interessante aplicar esses modelos e sugerir a possível existência dessas moléculas. Isso ajuda a avançar o conhecimento, porque isso gera um interesse, gera um debate, um monte de gente vai testar, e outras pessoas já testaram e mostraram que, ou não tem a molécula nos modelos deles, ou eles não detectam ou detectam uma quantidade muito baixa. Enfim, então isso gera um debate que vai avançar o conhecimento. Então isso, no meio científico, é muito interessante esse debate, que gera outras pesquisas, e todo mundo tentando olhar por diferentes ângulos, para a gente tentar entender de uma maneira mais completa. Mas o cuidado… E aí, o grande serviço que o seu podcast está fazendo é como a gente faz chegar essa informação no público, que é o que você falou, uma coisa é: utilizamos um modelo super específico, e esse modelo indica a possível presença dessas moléculas que, na Terra, são associadas à vida. Outra coisa é dizer, na imprensa, achamos os sinais mais fortes de vida até agora. É uma distância muito grande entre essas duas coisas. Aline: Se eu analisei o meu dado e eu vi que tem aquela molécula de bioassinatura, uma coisa é eu falar: “Tem!” Outra coisa é falar: “Ó, eu analisei com esse modelo aqui e esse modelo aqui faz sentido. Ele representa melhor os meus dados do que o outro modelo”. São maneiras diferentes de falar. Mas qual que é a que vende mais? Danilo: Foi no final do nosso papo que o Luan e a Aline tocaram nessa questão que tem se tornado central nos últimos anos: como comunicar os resultados da astrobiologia da forma mais responsável? É possível que com o James Webb vamos continuar vendo potenciais detecções de bioassinaturas num futuro próximo. Por isso, a comunidade científica está preocupada com a forma como comunicamos os resultados da busca por vida fora da Terra e está se movimentando para contornar os problemas que provavelmente teremos no futuro. Eu venho participando desses esforços, pesquisando como a astrobiologia está sendo comunicada, e até ajudei a organizar um evento no ano passado para discutir isso com cientistas e jornalistas de ciência, mas conto essa história em outra hora. No próximo episódio, vamos falar sobre uma possível detecção de bioassinatura sem o James Webb e muito mais próxima da gente. A notícia veio em setembro de 2025. O planeta em que a bioassinatura pode ter sido encontrada? O vizinho cósmico que mais alimentou a imaginação humana sobre extraterrestres: Marte. Roteiro, produção, pesquisa e narração: Danilo Albergaria Revisão: Mayra Trinca, Livia Mendes e Simone Pallone Entrevistados: Luan Ghezzi e Aline Novais Edição: Carolaine Cabral Músicas: Blue Dot Sessions – Creative Commons Podcast produzido com apoio da Fapesp, por meio da bolsa Mídiaciência, com o projeto Pontes interdisciplinares para a compreensão da vida no Universo: o Núcleo de Apoio à Pesquisa e Inovação em Astrobiologia e o Laboratório de Astrobiologia da USP [VINHETA DE ENCERRAMENTO]

Oggi a Cult, il quotidiano culturale di Radio Popolare: Maurizio Schmidt presenta "Sketches and Short PLays" di Harold Pinter al Teatro Out Off e lo spazio di formazione BAS alla Barona; al Teatro alla Scala torna "La bella addormentata" con la storica coreografia di Nuereyev; "A Place of Safety" della compagnia Kepler -452 ha vinto il Premio UBU 2025 come Miglior Spettacolo; la rubrica EXtraCult a cura di Chawki Senouci...

Kia ora e te whānau. In this week's second episode, join Andrew McDowall for the 2025 Dirt Church Radio Kepler live show. Andrew took up the baton from Matt and Eugene, journeyed down to Te Anau to host a vibrant live show, and then tackled the 60km Kepler Challenge the following day—which, in typical AMCD style, he knocked out of the park. Settle into your long run this weekend, and enjoy Andrew's conversation with Men's and Women's 60km champions Dan Jones and Frances Redmond, Kepler Challenge chair Steve Norris, Nikki Everton, and DCR returning champion Daniele Danesin. Excellent Stuff. Dirt Church Radio – Best Enjoyed Running.​--- --- --- Episode Links Kepler ChallengeDan Jones InstagramFrances Redmond InstagramNikki Everton InstagramDaniele Danesin DCR 231Sign up for the DCR AidStation newsletter.The Squadrun 4-Week Training Trial for DCR Listeners!Dirt Church Radio on InstagramDirt Church Radio on FacebookFurther Faster New ZealandEnjoy!Music by Andrew McDowall, Digicake

Dr. Carlos Eire and Dr. Kirsten Macfarlane on October 29, 2025 at the University of Chicago's Swift Hall. Levitation. Bilocation. Witchcraft. Demonic Possession. Europe in the early modern era was simultaneously the site of Kepler, Newton, Copernicus–and of eyewitness accounts of levitating saints and nocturnal witches' sabbats. In his history of the impossible, award-winning historian Carlos Eire mines the firsthand accounts and archival evidence of the miraculous and demonic. How did an increasingly skeptical and scientific culture account for events deemed impossible by its leading intellectuals? What does this say about the supposed boundaries between the natural and supernatural that marked the transition to modernity? In this lecture, Carlos Eire explores the major themes of "They Flew" and asks: what makes something impossible? And is there more to reality than meets the eye? University of Chicago Divinity School professor Kirsten Macfarlane offers a response and engages Eire in a conversation. --- This project was made possible through the support of In Lumine Tuo: Expanding and Sustaining the Catholic Intellectual Tradition Nationwide (grant #63614) from the John Templeton Foundation and the generous support of the University of Chicago Divinity School and the Workshop on the Early Modern World. The opinions expressed in this publication ​are those of the author(s) and do not necessarily reflect the views of the John Templeton Foundation.

Welcome to the DMF! I'm Justin Younts, and today I have the pleasure of introducing Kris Keppeler, an incredible audiobook narrator, voice actress, and writer. Kris shares her fascinating journey from the snowy winters of Michigan to the sunny deserts of Washington, and how each move shaped her love for the arts.She talks about her early experiences with singing, the challenges she faced, and how she overcame discouragement to find her true voice. Kris's story isn't just about acting—it's about resilience, reinvention, and the joy of discovering one's passion.If you've ever felt afraid to pursue your dreams or doubted your abilities, Kris's journey will inspire you to take that leap of faith. Join us as we dive into her experiences in theater, film, and voiceover work, and learn how she transformed her life through the arts.Don't miss this engaging conversation that just might motivate you to follow your own creative path!00:00:00 - Introduction and Guest Welcome00:00:20 - Guest's Early Life and Moving Experiences00:03:45 - Interest in Arts and Initial Singing Experience00:05:28 - Transition to Acting00:07:24 - Acting Training and Techniques00:09:59 - Challenges and Experiences in Improv00:12:57 - Education and Career in Allied Health00:14:21 - Return to Acting and Overcoming Fear of Public Speaking00:16:21 - Transition to Film Acting00:17:02 - Challenges in Transitioning from Stage to Film00:18:34 - The Art of Film Acting00:19:20 - Exploring Voiceover Work00:20:11 - The Importance of PracticeHere is her website:https://www.kriskeppeler.com/?fbclid=PAZXh0bgNhZW0CMTEAAaf34F6oBy2VEGbLYXHlot2sPgvaGIaIf8qAKbqbVtqHzK1-eIMwAwDRng0KEw_aem_ITCHIEhwWKr_memIv26Zbwhttps://www.instagram.com/kriskeppelerCheck out her YouTube Channel: https://www.youtube.com/channel/UCBpQqs-cpq3z7FLcVTrf0Tw

 Kia ora e te whānau. It turns out, the Wai2k is hard mahi. I mean, we always thought that, but to have our suspicions confirmed by AMCD as he valiantly sent it in the weekend's 100km was oddly satisfying. Gareth Thomas builds hard races, as those who have had the pleasure of attempting the WUU2K will attest. To hear that compared the the WAI, the WUU is “a kid's run” apparently. AMCD's pain is indeed our gain. This week, the gang debriefs Andrew's most epic weekend, we've got a sweet little interview that Andrew did with Gareth himself, and we run down our upcoming travels (to Kosci, Kepler, and Nelson), all the trail tea, and how awesome Tamaki is for heavy music. All this and more on this week's episode of the AidStation Podcast. Excellent stuff.Dirt Church Radio – Best Enjoyed Running.--- --- --- Episode Links Sign up for the DCR AidStation newsletterThe Squadrun 4-Week Training Trial for DCR Listeners!Dirt Church Radio on InstagramDirt Church Radio on FacebookFurther Faster New ZealandEnjoy!Music by Andrew McDowall, Digicake

From his home in Winchester, Massachusetts, Odense-born Danish astrophysicist, former soccer player, and artist SØREN MEIBOM came to the US in 1999 for his PhD at the University of Wisconsin-Madison after a career in professional soccer, and recalls his work on NASA's Kepler mission at the Harvard & Smithsonian Center for Astrophysics. He talks about his role with the Global Curiosity Institute, and shares his vision for his third chapter fusing visual art with the language of science.Søren selects a work by Jens Søndergaard from the SMK collection.https://open.smk.dk/en/artwork/image/KMS4895(Photographer: Priscilla Fitzgerald)----------We invite you to subscribe to Danish Originals for weekly episodes. You can also find us at:website: https://danishoriginals.com/email: info@danishoriginals.com----------And we invite you to donate to the American Friends of Statens Museum for Kunst and become a patron: https://donorbox.org/american-friends-of-statens-museum-for-kunst

“Science disproves God.”You've heard it. Your kids hear it at school. Atheists repeat it like it's settled fact.But here's the truth: science only exists because early scientists believed in an intelligent Creator.Newton, Galileo, Kepler, Bacon — the fathers of modern science — all believed the universe was rational, ordered, and discoverable because a rational God created it.In this episode, we break down:✅ Why science actually depends on a Creator✅ Why the Big Bang points to God, not away from Him✅ Why something must be eternal — and it can't be the universe✅ Micro vs macro evolution (and why Christians should know the difference)✅ Why the Bible never states the age of the earth✅ Multiple Christian interpretations of Genesis — without panic✅ Why “everything came from nothing” is a bigger miracle than the Resurrection✅ How to explain this confidently as an ambassador for ChristIf you're a Christian dad, you MUST be able to answer these questions for your kids: • “Does evolution disprove the Bible?” • “Did Jesus and science ever conflict?” • “If there was a Big Bang, who caused it?” • “Does Christianity contradict astronomy or physics?” • “Where did everything come from?”This video equips you with clear, simple, powerful answers rooted in logic, Scripture, and science.Stop being intimidated by the science vs religion debate.There is no conflict — only clarity.Follow Men's AllianceInstagram - https://www.instagram.com/mensalliancetribe/Facebook - https://www.facebook.com/mensalliancetribeTiktok - https://www.tiktok.com/@mensalliancetribeWebsite - https://www.mensalliancetribe.com/Explore Battlefield Coaching today and find yourself a Coach with experience overcoming a battle you are currently facing - https://battlefieldcoaching.comOrder the Book - Answer With Truth: The Ambassador's Field Manual for Leading Your Family Spiritually - https://amzn.to/3BmnuKV

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! Queridos Fans de la nave, hoy os traigo la obra visionaria de Johannes Kepler que se adelantó a su tiempo para convertirse en la primera novela de ciencia ficción de la historia. Kepler fue una figura clave de la Revolución Científica que sucedió entre los siglos XVI y XVII. Es recordado principalmente por haber descubierto las leyes que rigen el movimiento de los planetas de nuestro Sistema Solar. A través de un viaje astronómico sin precedentes, Kepler entrelaza conocimiento científico y fantasía, llevando al lector en una aventura hacia la Luna que desafía la percepción del universo en el siglo XVII. Esta narrativa fascinante no solo revela el ingenio y la imaginación de Kepler, sino que también sirve como un puente entre la ciencia y la literatura, invitando a explorar los límites del espacio y del conocimiento humano. Somnium es una lectura obligatoria para los amantes de la ciencia ficción y la astronomía. Hace más de cuatro siglos, un hombre escribió una historia en latín, y la escondió en los pliegues del tiempo. Su nombre era Johannes Kepler y su relato se llamó Somnium. Un sueño que viajó hasta la Luna, cuando aún era imposible tocarla. Allí, entre sombras y astros, Kepler imaginó criaturas, atmósferas y misterios… mucho antes de que existiera la palabra “ciencia ficción”. Según Carl Sagan e Isaac Asimov, 'Somnium', la novela corta del gran astrónomo Johannes Kepler es la primera novela de Ciencia Ficción de la historia. Aplicando sus conocimientos científicos, Kepler relata un fascinante viaje a la luna, con descripción de sus habitantes y, en especial, de la astronomía lunar. 🎙️ Un clásico anticipado al futuro, esta noche en Historias para ser leídas. Cierra los ojos. Estamos a punto de viajar. TÍTULO ORIGINAL: Somnium sive Astronomia lunaris Johannes Kepler, 1634 ILUSTRACIÓN: Román García Mora 🚀 Voz y sonido Olga Paraíso, música Epidemic Sound con licencia premium para este podcast. BIO Olga Paraíso: https://instabio.cc/Hleidas Gracias Tabernero Galáctico 🌚por sostener el timón de este pequeño universo, y por seguir compartiendo cada historia que nos lleva un poco más allá de las estrellas. Hasta la próxima, cuando volvamos a abrir las puertas de lo imposible y nos dejemos perder en otro sueño.🚀✨ Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

Want to listen to this episode ad-free? Visit our Patreon! Welcome true believers to X-Men Horoscopes where each week our host Lodro Rinzler is in conversation with a special guest to discuss the X-Men issue that aligns with a significant month and year from their life and what that issue reveals about their future. With us this week is current X-artist Phillip Sevy and their partner, comic writer and journalist Christie Porter! We dive into their anniversary issue where Polaris. Is. Pissed. Also in this episode: Skinwalker Ranch Phillip's penis comic Wolverine chooses to be a short king Polaris is bipolar, finished her PhD, and loves coffee - get on board If you're FWB with a cosmic force you assume you know best Iceman isn't a top "To me, my fillings" Jean was right All this and we go deep on the very human thing we all fall into: self doubt. What does any of this mean for their future as a couple? Tune in to find out! Phillip Sevy is an artist who has spent the last few years drawing for Marvel on titles like X-Men (Astonishing, Unlimited, and From the Ashes), Avengers, Venom, Deadpool, and others. They broke into the comics industry through the Top Cow Talent Hunt, where they drew The Tithe and The Freeze, before moving over to Dark Horse for a lengthy run on Tomb Raider. They wrote The House (with artist Drew Zucker), and wrote and drew Triage, Paradox, and Kepler (with David Duchovny). When they're not feverishly working on comics, you can find them (literally) running around their neighborhood, hiking in the hills, or DMing endless sessions of DnD. Check out their website here. Christie Porter is a writer, journalist, editor, and producer based in Salt Lake City, where they live with their found-family. They also write short comics, appearing in “When I Was Young…” An LGBTQIA+ Charity Comic Anthology, “Bi Visibility: A Bisexual Anthology,” A Wave Blue World's “Color of Always,” and Dark Horse's “Headless Horseman” Halloween anthology. Occasionally, they cosplay superheroes, but their only superpower is identifying dog breeds. Check out their website here. More of Lodro Rinzler's work can be found here and here and you can follow the podcast on Instagram at xmenpanelsdaily where we post X-Men comic panels...daily. Have a question or comment for a future episode? Reach out at xmenhoroscopes.com   Want to listen to these episodes early/ad-free and get your own X-Men Horoscope read/an awesome t-shirt? Check out our brand-new patreon! Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Jack and David return with today's feature where we have "Entropy: An Original Sci-Fi Audio Drama". In the year 2309, Humanity is at an all out civil war between Earth and her colonies, as the Kepler Government seeks to rule the entire Colonial Sector with an iron grip. Using Authoritarian tactics, Kepler relentlessly slaughters it's own people in an attempt to make the Central Colonial Council (CCC)budge. With the discovery of a potential new planet suitable for colonization, the CCC and the Earth Military create a mission: To bring a team of extraordinary people to establish a base on the planet, and become beacons of hope for the dying denizens of Kepler. The first four episodes begin now... Learn more about your ad choices. Visit megaphone.fm/adchoices

Questions, suggestions, or feedback? Send us a message!Our guest this week is Natalie Batalha. Natalie is professor of Astronomy and Astrophysics at UC Santa Cruz where received her PhD. Previously, she was a research astronomer in the Space Sciences Division of NASA Ames Research Center. She held the position of Science Team Lead on the Kepler Mission, the first mission capable of finding Earth-size planets around other stars. This mission revolutionised our understanding of planetary systems.The Kepler Mission discovered thousands of exoplanets revealing that planets are common in the galaxy, not rare and many even lie in the habitable zone.Natalie is a member of the American Academy of Arts and Sciences, and was listed as one of Time Magazine's 100 Most Influential People in the World in 2017.We talk about:Where is everyone AKA the Fermi ParadoxWhat is an exoplanetThe Drake equation in simple termsThe revelation that planets like ours are more common than ever imaginedWhat was the Kepler mission and what did it achieve?Who owns space?Will our alien friends be receptive?Can we be trusted to become multi-planetary?Unfortunately, we had a couple of technical issues on this recording but have done our very best to iron them out.Let's look through the telescope!Web: www.whereshallwemeet.xyzTwitter: @whrshallwemeetInstagram: @whrshallwemeet

 In 1600, Johannes Kepler arrived at Tycho Brahe's castle hoping to escape religious persecution and gain access to the most precise astronomical data in Europe. Their relationship was strained by clashing temperaments — Tycho's secrecy and pride meeting Kepler's impatience and ambition — yet their collaboration began to bear fruit as Kepler tackled problems of planetary motion and optical theory. Despite constant uncertainty, Kepler's time at Benátky marked the beginning of a partnership that would reshape astronomy and set him on the path toward his greatest discoveries. Support the showSupport the show: buymeacoffee.com/completehistoryofscience Contact: thecompletehistoryofscience@gmail.comBlueSky: https://bsky.app/profile/gethinrichards.bsky.socialMusic Credit: Folk Round Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 License

A place of safety è uno spettacolo teatrale della compagnia bolognese Kepler-452 sui salvataggi dei migranti nel Mediterraneo. Il quarto stato, il famoso quadro di Giuseppe Pellizza da Volpedo, ha trovato una nuova casa alla Gam di Milano e per l'occasione è stata allestita una mostra sul maestro del divisionismo italiano. A Roma è cominciato Novembre nordico, un festival dedicato alla cultura scandinava. Sono una strega è un libro dello storico Germano Maifreda che studia i casi di confessioni spontanee di stregoneria nell'Italia del nord tra quattro e cinquecento. CONAnnalisa Camilli, giornalista di InternazionaleRoberto Dulio, docente di storia dell'architettura al Politecnico di Milano Marie Kraft, direttrice del Circolo scandinavoGermano Maifreda, docente di storia economica all'Università degli Studi di Milano A place of safety: https://kepler452.it/Pellizza da Volpedo: https://www.gam-milano.com/mostre/200/pellizza-da-volpedo-i-capolavoriNovembre nordico: https://www.youtube.com/watch?v=lEAm6-qqwcwSono una strega: https://www.einaudi.it/catalogo-libri/storia/sono-una-strega-germano-maifreda-9788806263140/Ci piacerebbe sapere cosa pensi di questo episodio. Scrivici a podcast@internazionale.it Se ascolti questo podcast e ti piace, abbonati a Internazionale. È un modo concreto per sostenerci e per aiutarci a garantire ogni giorno un'informazione di qualità. Vai su internazionale.it/abbonatiConsulenza editoriale di Chiara NielsenProduzione di Claudio Balboni e Vincenzo De SimoneMusiche di Tommaso Colliva e Raffaele ScognaDirezione creativa di Jonathan Zenti

Send us a textEpisode 197 -  Raising Confident Kids Without Hovering, with Kepler Knott “How do I help my child grow into a confident adult without controlling their every step?”If you've ever asked yourself that question, you're not alone.Parenting today's generation is a whole different ball game. With the rise of social media, constant comparison, digital overload, and the fear of letting our kids fail, it's no wonder so many parents feel stuck between wanting to protect their children and wanting them to grow strong and resilient.In this episode of the Coaching Your Family Relationships Podcast, I talk with Kepler Knott, author of Raising Tomorrow—a powerful new book that began as heartfelt letters to his daughters and grew into a guide for modern parenting. Together, we explore how to raise emotionally healthy kids in a world full of noise, pressure, and expectations.You'll hear us unpack:How to advise your kids without trying to control the outcomeThe emotional cost of constant comparison for both kids and parentsWhy technology can quietly erode confidence—and how to counter itThe surprising way that service and giving build resilient, grounded kidsWhy modeling a growth mindset matters more than everThis episode isn't about perfect parenting. It's about parenting with intention, humility, and heart.Whether your child is pulling away emotionally, you feel like you're walking on eggshells, or you simply want to build a more connected relationship, this conversation will give you fresh insight and practical tools to start showing up differently.Learn more at https://www.raisingtomorrow.org/ Download the Free Guide: “The 3-Step Solution to Keeping Your Cool Around Family Holiday Drama” Holidays can stir up old patterns and emotions—this guide will help you stay grounded and respond with grace.Grab your copy here: DOWNLOAD THE GUIDE Ready to learn how to manage your emotional reactions? Calm Core is your guide:Being able to manage your emotional reactions to others is a vital step in repairing family relationshipsCLICK HERE TO SEE CALM CORE Tina Gosney is the Family Conflict Coach. She works with parents who have families in conflict to help them become the grounded, confident leaders their family needs. ------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------- Connect with us: Instagram:https://www.instagram.com/tinagosneycoaching/ Facebook: https://www.facebook.com/tinagosneycoaching ---------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------- Tina is certified in family relationships and a trauma informed coach. Visit tinagosney.com for more information on coaching services.

What if music isn't just entertainment—but the very architecture of reality?In this paradigm-shifting episode we explore the radical proposition that vibration is not merely a metaphor. From ancient philosophy to modern neuroscience, near-death experiences to channeled symphonies, we trace a breathtaking arc across time and consciousness to uncover a unified theory: that sound, frequency, and resonance are the keys to understanding who we are, where we come from, and what reality truly is.We begin with the ancients. Pythagoras' “music of the spheres” and Kepler's celestial harmonics weren't poetic musings—they were mathematical assertions that the cosmos itself is structured like a divine instrument. From there, we zoom into the microcosm: the human being as vibrational receiver. Drawing on metaphysical sources like Andrew Jackson Davis, we explore the idea that every atom is a string in a divine orchestra, and that alignment—feeling “centered,” “in tune,” or “in one accord”—is not just metaphorical, but literal. Discord, then, becomes vibrational misalignment, a friction against the grain of existence.This sets the stage for one of the most compelling bodies of evidence: near-death experiences (NDEs). Across cultures and contexts, experiencers report hearing indescribably beautiful music—not as entertainment, but as truth made audible. Dr. Michael Newton's regression research reveals souls recognized by their unique vibrational signatures, suggesting that each consciousness is a distinct note in a cosmic symphony. Hospice workers echo this, documenting patients perceiving ethereal choral music moments before death. These accounts challenge materialist assumptions: if the brain is offline, what is doing the hearing?Next, we explore the human conduit: savants, creatives, and channelers who seem to access music not through learning, but reception. Cases like Leslie Lemke and Gloria with Williams syndrome suggest that profound musical ability may be latent in all of us, unlocked by unusual brain wiring or trauma. Dr. Alan Snyder's research proposes that inhibiting certain brain regions can temporarily reveal savant-like perception, implying that genius may be a matter of tuning in rather than building up.Then come the channeled currents. Rosemary Brown claimed to transcribe music dictated by deceased composers, while Stuart Sharp spent decades trying to capture the “Angeli Symphony” he heard after personal tragedy. Jacqueline Ott went further, channeling music from non-human intelligences—cosmic languages, liquid light, divine blueprints—suggesting a source beyond individual spirits, perhaps a universal vibrational database.This leads us to the primacy of consciousness. Drawing on quantum physics, Vedanta philosophy, and contact modality research, we explore the idea that consciousness is not produced by the brain, but fundamental to reality itself. Nobel laureates like Sir James Jeans and Erwin Schrödinger leaned toward this view, echoing ancient insights that the observer and the observed are one.If consciousness is primary, then phenomena like UFOs, NDEs, OBEs, and channeling may be different expressions of the same underlying truth: consciousness interacting with other layers of reality. Researchers like Dr. Kenneth Ring and the FREE group found that experiencers across modalities report similar transformations—less fear, more compassion, a shift toward love and service.And that's the final chord. Across all sources, the message is consistent: the purpose of consciousness is evolution. Not technological or biological, but vibrational. We are here to raise our frequency, reduce entropy, and harmonize with the larger consciousness system. The method? Unconditional love and selfless service.This episode invites you to reconsider everything—from the music you hear to the thoughts you think—as part of a cosmic composition. You are not just a listener. You are a note. A radiant tone in the divine chord.Are you in tune?

Send us a textStart with a world that looks arranged and ask the most honest question: who arranged it? We walk up the Areopagus with Paul, listen to his bold claim that God made “the world and all things in it,” and then follow that claim into modern labs, star fields, and the quiet intricacy of a single living cell. From the intuitive logic of Mount Rushmore to the stubborn math behind monkeys at typewriters, we weigh whether time and chance can truly write coherent sentences—much less encode the deep, layered information of DNA.Together we unpack why Paul began with origins when speaking to curious, skeptical minds. The term he chose—cosmos—means order and arrangement, and that word shapes how we read everything from gravitational harmony to biochemical choreography. Along the way, we hear how thinkers like Copernicus, Kepler, Newton, and even a late-life Anthony Flew saw purpose in the fabric of reality. We revisit Darwin's own cautions and explore why the discovery of information-rich systems in the cell complicates a purely unguided story of life. Far from shutting down science, this vision of creation energizes it—inviting us to seek laws because we trust the Lawgiver and to ask better questions because we expect real answers.All of this lands close to home. If a God wise enough to order galaxies also numbers our days, then trust is not blind; it's fitting. We talk frankly about the cultural costs of denying design—how meaning, morality, and hope begin to slip—and we point to a better foundation: Christ the Creator, the one who holds all things together and can steady our steps. If He keeps the planet spinning and the Milky Way in motion, He can guide a week, a decision, a life. Listen, share with a friend who loves science and good questions, and if this conversation moved you, subscribe, leave a review, and tell us: where do you see design most clearly?Support the showStephen's latest book, The Disciples Prayer, is available now. https://www.wisdomonline.org/store/view/the-disciples-prayer-hardback

Send us a textStart with a world that looks arranged and ask the most honest question: who arranged it? We walk up the Areopagus with Paul, listen to his bold claim that God made “the world and all things in it,” and then follow that claim into modern labs, star fields, and the quiet intricacy of a single living cell. From the intuitive logic of Mount Rushmore to the stubborn math behind monkeys at typewriters, we weigh whether time and chance can truly write coherent sentences—much less encode the deep, layered information of DNA.Together we unpack why Paul began with origins when speaking to curious, skeptical minds. The term he chose—cosmos—means order and arrangement, and that word shapes how we read everything from gravitational harmony to biochemical choreography. Along the way, we hear how thinkers like Copernicus, Kepler, Newton, and even a late-life Anthony Flew saw purpose in the fabric of reality. We revisit Darwin's own cautions and explore why the discovery of information-rich systems in the cell complicates a purely unguided story of life. Far from shutting down science, this vision of creation energizes it—inviting us to seek laws because we trust the Lawgiver and to ask better questions because we expect real answers.All of this lands close to home. If a God wise enough to order galaxies also numbers our days, then trust is not blind; it's fitting. We talk frankly about the cultural costs of denying design—how meaning, morality, and hope begin to slip—and we point to a better foundation: Christ the Creator, the one who holds all things together and can steady our steps. If He keeps the planet spinning and the Milky Way in motion, He can guide a week, a decision, a life. Listen, share with a friend who loves science and good questions, and if this conversation moved you, subscribe, leave a review, and tell us: where do you see design most clearly?Support the showStephen's latest book, The Disciples Prayer, is available now. https://www.wisdomonline.org/store/view/the-disciples-prayer-hardback

On this episode of ID The Future out of our archive, plant geneticist Richard Buggs speaks to the hosts of the Table Talk podcast about the long-standing claim that science and religion are at odds. The myth that science and religion are incompatible, also known as the warfare myth, was conjured by materialists bent on propagating a Darwinian view of life. But in reality, many of the giants of the scientific revolution, including Newton, Kepler, Boyle, and others, were inspired to do great science because of their faith, not in spite of it. The faith Dr. Buggs examples turns out to be a science starter, not a science stopper. Source

Brodes hosted Saturday afternoon on WIP asking if Aaron Nola should start a Game 3 for the Phillies over Jesus Luzardo?

In a relatively short period of time, exoplanets (planets around stars other than our Sun) have gone from an intriguing conjecture to an active field of scientific study, with over 5,000 confirmed discoveries. The task now is to move beyond merely accumulating new examples, and embarking on systematic studies of their properties. What fraction of stars have planets, how are they distributed in size and distance, what kinds of atmospheres do they have, are any promising homes for life? I talk with Natalie Batalha about what we've learned so far, and prospects for future discoveries.Blog post with transcript: https://www.preposterousuniverse.com/podcast/2025/08/25/326-natalie-batalha-on-what-we-know-and-will-learn-about-exoplanets/Support Mindscape on Patreon.Natalie Batalha received a Ph.D. in astrophysics from the University of California, Santa Cruz. She is currently a professor of astronomy and astrophysics at UCSC. She has served as Science Team Leader, Mission Scientist, and Project Scientist for NASA's Kepler satellite observatory. She is a member of the American Academy of Arts and Sciences, and was listed as one of Time Magazine's 100 Most Influential People in the World in 2017.Web pageGoogle Scholar publicationsWikipediaSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.