Podcast appearances and mentions of lloyd green

This podcast episode features a fantastic collection of classic country and western swing tunes, heavily showcasing the incredible talent of steel guitar players. You'll hear iconic instrumental tracks like Noel Boggs' "Steel Guitar Rag" and Cecil Campbell's "Twistin The Steel", alongside gems from legendary bands such as The Texas Troubadours with "Cain's Corner" and Leon McAuliff's lively "Water Baby Boogie."The set continues with more instrumental brilliance from The Rowe Brothers' "Texas Roads," The Buckaroos' "Apple Jack," Jimmie Day's "Stetson Rag," Lloyd Green's "Speechless," and the unique "14 Fiddles In Turkey Texas" by Benny Kubiak.The spotlight on steel guitar continues with tracks like Shot Jackson's "Fort Worth Drag," Pete Drake's "Cowtown," and Walter Haynes' "Gear Shiftin'," along with another instrumental from Jimmy Day, "Rancher's Stomp."The episode wraps up with more performances, including The Original Driftin Cowboys' rendition of "Hey Good Lookin'," Paul Lyles' take on "Crazy Arms," Bobby Garrett's "Rose City Chimes," Spade Cooley's "Break Up Down," and Robert Herridge's "8th Of January." Noel Boggs - Steel Guitar Rag ( Shasta )Cecil Campbell - Twistin The Steel ( Starday )The Texas Troubadours - Cain's Corner ( Decca )Leon McAuliff - Water Baby Boogie ( Cimarron )Rowe Brothers - Texas Roads ( Gal A Way )The Country Gentlemen - Not To Be Taken Internally ( Trace )The Buckaroos - Apple Jack ( Capitol )Jimmie Day - Stetson Rag ( Starday )Lloyd Green - Speechless ( King J )Benny Kubiak - 14 Fiddles In Turkey Texas ( Seeds )Shot Jackson - Fort Worth Drag ( Starday )Pete Drake - Cowtown ( Starday )Walter Haynes - Gear Shiftin ( Starday )Jimmy Day - Rancher's Stomp ( Starday )Hank Thompson - Weeping Willow ( Capitol )Original Driftin Cowboys- Hey Good Lookin ( Delta )Paul Lyles - Crazy Arms ( TAD )Bobby Garrett - Rose City Chimes ( Longhorn )Spade Cooley - Break Up Down ( Decca )Robert Herridge - 8th Of January ( JMS )Support this podcast at — https://redcircle.com/thehonkytonkjukebox/exclusive-content

Is Trump Bluffing With Nuclear Threats Against Iran or Does he Want to Nuke Their Underground Nuclear Facilities | Trump and Stephen Miller are Borrowing From the Argentine Junta, Pinochet and the Nazis | A Former Republican Opposition Researcher on Republican Vulnerabilities and How the Democrats Can Up Their Game backgroundbriefing.org/donate twitter.com/ianmastersmedia bsky.app/profile/ianmastersmedia.bsky.social facebook.com/ianmastersmedia

Ricky Skaggs released Highways & Heartaches in September 1982, and the album quickly moved to the number 1 spot on the Country Album chart, and spawned 3 number 1 singles. Besides being a well polished example of Ricky's Bluegrass/Country hybrid style, it also spearheaded the neo-traditionalist movement that brought an end to the more pop oriented "Urban Cowboy" era. The album featured Ricky's crack road band, and a couple of cuts with studio heavy hitters Lloyd Green and Joe Osborn. Besides the incendiary Telecaster playing of Ray Flacke, Skaggs himself burned on the albums closer, "One Way Rider," using a unique instrument built by Joe Glaser, a 5-string, bender equipped, Mandocaster. Today we look at the impact of the album, and we look at the Glaser built Mandocaster.Follow me on Instagramhttps://www.instagram.com/askzac/To Support the Channel:Patreon  https://www.patreon.com/AskZacTip jar:  https://paypal.me/AskZacVenmo @AskZac Or check out my store for merch  - https://my-store-be0243.creator-spring.com/#askzac #rickyskaggs #zacchildsSupport the show

What is the EXIT procedure? Who is it used for and how do we do it? In our institution this procedure only occurs on average every 3-4 years. It is an event where a large diverse group of individuals, who often have never met each other, come together for a brief period of time to work as a highly complex team to achieve a great result for both the mother and baby. Join Lloyd and I as we do a deep discussion on this uncommon but challenging multi-disciplinary procedure. References Maternal anesthesia for EXIT procedure: A systematic review of literature. The management of congenital upper airway anomalies and the ex-utero intrapartum treatment (EXIT) procedure

A Look at the Islamic State's Global Terrorist Franchises While Putin Tries to Shift the Blame Onto Ukraine | Will The US Help Implement the UN Ceasefire Resolution Which For the First Time It Did Not Veto? | Today's Lifeline Thrown to Trump Reducing His Bond Down From $454 Million to $175 Million backgroundbriefing.org/donate twitter.com/ianmastersmedia facebook.com/ianmastersmedia

Trump's Day in Court Lashing Out Against New York Fraud Charges | 43 Million With Student Debt of $1.65 Trillion Now Have to Make Loan Payments | Will the Supreme Court Give Predatory Payday Lenders a Win as They Rule to Deconstruct the Administrative State? backgroundbriefing.org/donate twitter.com/ianmastersmedia facebook.com/ianmastersmedia

How Domestic Turmoil Caused by GOP Radicals Makes the U.S. an Unreliable Partner on the World Stage | What Does Trump Owe Rudy Giuliani and Will he Throw Him Under the Bus? | Regulation of Promising But Potentially Dangerous AI Technology is Necessary But is it Practical or Possible? backgroundbriefing.org/donate twitter.com/ianmastersmedia facebook.com/ianmastersmedia

(Hypothetical case) You are called to the PACU to review a patient, who despite face mask oxygen has saturations of only 88%. She is a woman in her 50s who has just undergone a 3 hour laparoscopic hysterectomy for endometrial cancer. She has a BMI of 48, has been a smoker for 30 years, and had a chest infection 3 weeks ago. When she walked into the hospital earlier this morning she was breathing relatively normally. She had a long period of time when we she was steeply head down, there was a pneumoperitoneum of gas pushing on her lung bases and we were positively ventilating her with the anaesthetist choosing what gas mixture, pressures and ventilation modes they used. What has happened during this operation and anaesthetic that now she has serious respiratory dysfunction here only a few hours later in PACU? Are there any strategies that we could have employed intraoperatively to try and minimise or avoid postoperative respiratory problems like this? Join Lloyd and I as we discuss this thorny issue which is not uncommon in gynaecological patients having laparoscopic and open abdominal surgery. Part 1: We discuss post pulmonary dysfunction and consensus statements on the topic. Part 2: We talk about practical intraoperative & postoperative strategies you might consider to try and protect the lungs and prevent any problems. "Lloyd's Recipe" Check the patient's oxygen sats whilst supine - pre induction (use to plan target sats intra & post) Individualise FiO2 for pre-oxygenation and not necessarily 100% for most (usually 80%) Have the APL valve at around 5cm H20 when preoxygenating Head-up / ramped (to maintain FRC) Recruitment manoeuvre after intubation and before pneumoperitoneum - use a machine technique not hand recruitment. Start with a PEEP 5-8cm H20, individualise during the case - may need higher whilst head down and pneumoperitoneum. Small Tidal Volumes (TV) 5-8ml/kg of ideal body weight - (obese patients don't get bigger TV's) Keep FiO2 < 0.4 I:E ratio 1:1 If disconnection - repeat recruitment maneouvre At emergence / extubation - sitting upright, don't disconnect to suction ETT, recruit again if laparoscopic procedure or obese. Routinely use NM monitoring - ensure TOFR >0.95 Don't use 100% O2, Aim FiO2 < 0.8 If breathing on manual ventilation setting have APL valve at 5-10 to maintain PEEP Squeeze bag as extubating Immediately post extubation place face mask with APL still at 5-10 Be cautious / avoid excessive opioids that will suppress respiratory drive in PACU References A systematic review and consensus definitions for standardised end-points in perioperative medicine: pulmonary complications BJA 2018 May 120(5) Postoperative pulmonary complications BJA: British Journal of Anaesthesia, Volume 118, Issue 3, March 2017, Perioperative interventions for prevention of postoperative pulmonary complications: systematic review and meta-analysis BMJ 2020; 368 Lung-protective ventilation for the surgical patient: international expert panel-based consensus recommendations BJA 2019 Dec;123(6)

In this week's episode we're featuring a delightful compilation on Johnny Dollar (yes that was his real name), put out in 1982: "Down Life's Highway". Despite the vague album artwork and even more general liner notes, don't be fooled: this is a quality ten song collection of solid (mostly long forgotten) honky tonk gold. Every single song on this album was originally recorded for Chart Records between 1968-1971 (in this reviewer's opinion, Dollar's strongest career output) and there are no duds to be found. High-energy honky tonk with plenty of truck driving tunes, there's a lot of Del Reeves to Dollar's material but the latter remains a lot more obscure outside of rockabilly and hardcore country fans. Take a trip "Down Life's Highway" with Johnny Dollar and enjoy some cracking traditional country music laced with clever, catchy writing and Lloyd Green's steel guitar work.

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Lloyd Green knows what makes or breaks elections. Formerly serving as opposition research counsel to the ‘88 George H.W. Bush campaign, the political columnist for The Guardian and The Daily Beast joins the team at The Prediction Trade to talk about the 2022 midterms and their respective prediction markets on PredictIt. Arizona, Nevada, Florida and Georgia take center stage, but Lloyd also shares his analysis for the 2024 Democratic presidential nominee market.

Lloyd Green knows what makes or breaks elections. Formerly serving as opposition research counsel to the ‘88 George H.W. Bush campaign, the political columnist for The Guardian and The Daily Beast joins the team at The Prediction Trade to talk about the 2022 midterms and their respective prediction markets on PredictIt. Arizona, Nevada, Florida and Georgia take center stage, but Lloyd also shares his analysis for the 2024 Democratic presidential nominee market.

Lloyd Green knows what makes or breaks elections. Formerly serving as opposition research counsel to the ‘88 George H.W. Bush campaign, the political columnist for The Guardian and The Daily Beast joins the team at The Prediction Trade to talk about the 2022 midterms and their respective prediction markets on PredictIt. Arizona, Nevada, Florida and Georgia take center stage, but Lloyd also shares his analysis for the 2024 Democratic presidential nominee market. The Prediction Trade is brought to you by Luckbox magazine. Get a FREE digital subscription: getluckbox.com/TPT Sign up for the TPT newsletter, ask questions and follow us: thepredictiontrade.com Open your PredictIt account with our promo code and we'll match the first $20 you invest: predictit.org/promo/TPT20 Follow us… TWITTER: @predictiontrade FACEBOOK: @predictiontrade YOUTUBE: https://bit.ly/3LsdBeF TPT's theme song: Where Do We Go From Here? (Death)

This week we welcome, country music recording legend, Junior Brown! With his unique voice, more unique song writing, and even more unique double necked “Guit-Steel” guitar, there has absolutely never been ANYONE like Junior Brown. He's an American Original. Born in 1952 in Cottonwood, Arizona, Junior Brown showed an affinity for music at an early age when the family moved to a rural area of Indiana near Kirksville. In the following years, Junior began to experience Country music and remembers it as “growing up out of the ground like the crops – it was everywhere; coming out of cars, houses, gas stations and stores like the soundtrack of a story, but Country music programs on TV hadn't really come along much yet; not until the late fifties.” Discovering a guitar in his grandparent's attic, he spent the next several years woodshedding with records and the radio. Junior was also able to tap into music he couldn't hear at home which older, college aged kids were listening to. This was possible due to his father's employment at small campuses throughout the next decade as the family moved twice again. As a young boy he was able to experience the thrill of performing before live audiences, at parties, school functions even singing and playing guitar for five thousand Boy Scouts at an Andrews Air Force Base jamboree; then while still a teenager, getting the chance to sit in with Rock and Roll pioneer, Bo Diddley. Armed with this broad spectrum of influences, he began to develop a storehouse of musical chops. In the early nineties Brown and his band (including wife Tanya Rae) relocated to Texas to the active Austin music scene and landed a weekly gig at the Continental club. Having worked as a sideman for many of the Austin-based acts over the years, Junior was already well familiar with the town. His unique and entertaining combination of singing, songwriting, instrumental and production skills led to a seven record deal with Curb Records that began with “Twelve Shades of Brown” in 1993. He later released two albums on the TelArc label. There were several Grammy nods, a CMA (Country Music Association) award for “My Wife Thinks You're Dead”, movie and repeated TV appearances like Letterman, Conan, Saturday Night Live, Austin City Limits, SpongeBob, X Files, Dukes of Hazzard, Me Myself and Irene, Tresspass, Still Breathing, Blue Collar Comedy Tour 1 and 2, and more recently, Better Call Saul. And there were the Ad Campaigns; The Gap, Lee Jeans and Lipton Tea. As Junior became more well known, he began to collaborate on projects with some of his heroes. These include a duet with Ralph Stanley for which Junior received a Bluegrass Music Association Award (IBMA), a duet and video with Hank Thompson, as well as duets with video and record collaborations with the Beach Boys, George Jones, Leon McAuliffe, Ray Price, Leona Williams, Lynn Morris, Lloyd Green and Doc Watson. He even played guitar for Bob Wills' Texas Playboys in a radio commercial. Junior is currently finishing up recording on his latest album, “Deep In The Heart Of Me”. Release date is slated for Spring 2017. Junior's performance on the promotional song, “Better Call Saul” was recorded and released both as a video on AMC as well as a flexible 33 1/3rd vinyl record included in the show's box set from Season One. Junior, Tanya Rae and the band continue to tear up the highways and no doubt will be appearing in concert near you one of these days. Seeing Junior live is a definite must, so GUIT WITH IT 'cause he's AN AMERICAN ORIGINAL! For more information and tour dates, visit JuniorBrown.com.

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Time is Running Out For Senate Democrats on Election Reform and Build Back Better | The Race Between the Law Catching Up On Trump and Rigging the Vote to Ensure His Comeback | The Virtual Summit Between China's Xi and Russia's Putin backgroundbriefing.org/donate twitter.com/ianmastersmedia facebook.com/ianmastersmedia

Episode 21 Notes- “The Amazing Archers” – The Golden Age Green Arrow and Speedy After reading The Golden Age Green Arrow Omnibus Volume 1 I couldn't resist doing this episode! The Green Arrow and Speedy celebrate their 80thAnniversary this year! In this episode I take a look at the characters in the Golden Age as well as compare them a bit with their more familiar modern counterparts. You can follow the show @ComicsLloyd on Twitter or send an email to ClassicComicsMBL@gmail.com. You can find me on Twitter @MattB_Lloyd and at www.dccomicsnews.com where I write reviews and edit news stories. You can also check out my chapter in “Politics in Gotham: The Batman Universe and Political Thought.” https://www.amazon.com/Politics-Gotham-Universe-Political-Thought/dp/3030057755 Golden Age Green Arrow Links The Golden Age Green Arrow Omnibus Volume 1 at Amazon https://www.amazon.com/Green-Arrow-Golden-Omnibus-Vol/dp/1401277209/ref=sr_1_1?keywords=golden+age+green+arrow&qid=1637542857&qsid=130-9430841-8145801&sr=8-1&sres=1401277209%2C140126574X%2CB071CL1WFV%2C1401264573%2C0385384408%2C1401269036%2CB00NGUWRAM%2CB08L1Q7TT8%2C030793103X%2C1887591125%2C1401258220%2CB085TL9RBM%2C0711266611%2C093028951X%2C1779502931%2C0099556731&srpt=ABIS_BOOK Mort Weisinger https://en.wikipedia.org/wiki/Mort_Weisinger George Papp https://en.wikipedia.org/wiki/George_Papp https://comicarttracker.com/george-papp-original-art-for-sale Cliff Young https://www.lambiek.net/artists/y/young_cliff.htm Maurice Del Bourgo https://www.lambiek.net/artists/d/del-bourgo-maurice.htm --- Send in a voice message: https://anchor.fm/comics-in-motion-podcast/message Support this podcast: https://anchor.fm/comics-in-motion-podcast/support

This week we welcome Junior Brown! With his unique voice, more unique song writing, and even more unique double necked “Guit-Steel” guitar, there has absolutely never been ANYONE like Junior Brown. He's an American Original. Born in 1952 in Cottonwood, Arizona, Junior Brown showed an affinity for music at an early age when the family moved to a rural area of Indiana near Kirksville. In the following years, Junior began to experience Country music and remembers it as “growing up out of the ground like the crops – it was everywhere; coming out of cars, houses, gas stations and stores like the soundtrack of a story, but Country music programs on TV hadn't really come along much yet; not until the late fifties.” Discovering a guitar in his grandparent's attic, he spent the next several years woodshedding with records and the radio. Junior was also able to tap into music he couldn't hear at home which older, college aged kids were listening to. This was possible due to his father's employment at small campuses throughout the next decade as the family moved twice again. As a young boy he was able to experience the thrill of performing before live audiences, at parties, school functions even singing and playing guitar for five thousand Boy Scouts at an Andrews Air Force Base jamboree; then while still a teenager, getting the chance to sit in with Rock and Roll pioneer, Bo Diddley. Armed with this broad spectrum of influences, he began to develop a storehouse of musical chops. In the early nineties Brown and his band (including wife Tanya Rae) relocated to Texas to the active Austin music scene and landed a weekly gig at the Continental club. Having worked as a sideman for many of the Austin-based acts over the years, Junior was already well familiar with the town. His unique and entertaining combination of singing, songwriting, instrumental and production skills led to a seven record deal with Curb Records that began with “Twelve Shades of Brown” in 1993. He later released two albums on the TelArc label. There were several Grammy nods, a CMA (Country Music Association) award for “My Wife Thinks You're Dead”, movie and repeated TV appearances like Letterman, Conan, Saturday Night Live, Austin City Limits, SpongeBob, X Files, Dukes of Hazzard, Me Myself and Irene, Tresspass, Still Breathing, Blue Collar Comedy Tour 1 and 2, and more recently, Better Call Saul. And there were the Ad Campaigns; The Gap, Lee Jeans and Lipton Tea. As Junior became more well known, he began to collaborate on projects with some of his heroes. These include a duet with Ralph Stanley for which Junior received a Bluegrass Music Association Award (IBMA), a duet and video with Hank Thompson, as well as duets with video and record collaborations with the Beach Boys, George Jones, Leon McAuliffe, Ray Price, Leona Williams, Lynn Morris, Lloyd Green and Doc Watson. He even played guitar for Bob Wills' Texas Playboys in a radio commercial. Junior is currently finishing up recording on his latest album, “Deep In The Heart Of Me”. Release date is slated for Spring 2017. Junior's performance on the promotional song, “Better Call Saul” was recorded and released both as a video on AMC as well as a flexible 33 1/3rd vinyl record included in the show's box set from Season One. Junior, Tanya Rae and the band continue to tear up the highways and no doubt will be appearing in concert near you one of these days. Seeing Junior live is a definite must, so GUIT WITH IT 'cause he's AN AMERICAN ORIGINAL! For more information and tour dates, visit JuniorBrown.com.

Unnecessary Cruelty as the Eviction Moratorium Ends | California's Governor Newsom Could be Replaced by a Crackpot with Less Than 20% of the Vote | Congressional Investigations and Mounting Legal Troubles Face Trump backgroundbriefing.org/donate twitter.com/ianmastersmedia facebook.com/ianmastersmedia

Donald Trump and his regime posed a serious threat to the very soul of our nation. Beginning with Hillary Clinton's loss and continuing through Joe Biden's decisive victory, Isaac Dovere provides us with unprecedented behind-the-scenes reporting of the Democratic Party's fight to defeat Trump and restore America by retaking the White House. Edward discusses his new book Battle for the Soul: Inside the Democrats' Campaign to Defeat Trump, and the insights he gained while writing it. Praise for Battle For the Soul: PRAISE “In the tradition of Theodore White's The Making of the President . . . . A riveting account . . . filled with turning point moments. . . . Scenes jump off the page.” —The Washington Post “Essential reading. . . . Dovere's first book is informed and granular, filled with up-close quotes and lacerating observations, a must-read for newsrooms and political junkies. . . . Battle for the Soul provides ample warning and plenty of food for thought.” —Lloyd Green, The Guardian “A wide-ranging history of a tangled campaign.” —Kirkus Reviews “An incisive and deeply reported portrait of the Democratic party in exile during the Trump presidency . . . . Littered with rich characterizations, wry humor, and impressive insider access.” —Publishers Weekly “There's so much in it. It's so dishy. It's so fantastic. You'll learn a lot.” —Julie Mason, SiriusXM “Candy. . . . Even if you think you know the dynamics, you read a great book like this by a great reporter, and you learn these new things.” —John King, CNN “One juicy book.” —Alex Witt, MSNBC “It is outstanding. Strongly recommend. I think it is probably the best read of the 2020 campaign. The success of the book is that it doesn't get bogged down in the horse race, electoral math type thing, but it talks about the personalities, how the personalities drove what happened in an extraordinarily unpredictable campaign.” —Charlie Sykes, The Bulwark “Highly recommend – it is a dynamite book.” —John Fugelsang, SiriusXM “An extraordinary new book.” —Thom Hartmann “The inside campaign details I was craving. . . . Buy the book.” —Dave Weigel, The Washington Post SEE LESS --- Send in a voice message: https://anchor.fm/alyssa-milano-sorry-not-sorry/message

John Amenta and Lloyd Green take on the pre-Civil War South with Rob Stewart from https://swoproductions.com (SWO Productions) as they talk about Tarantino's Action/Western, Django Unchained. Two years before the Civil War, Django, a slave, finds himself accompanying an unorthodox German bounty hunter named Dr. King Schultz on a mission to capture the vicious Brittle brothers. Their mission successful, Schultz frees Django, and together they hunt the South's most-wanted criminals. Their travels take them to the infamous plantation of shady Calvin Candie, where Django's long-lost wife is still a slave. This is https://en.wikipedia.org/wiki/Django_Unchained (Django Unchained). Written & Directed by Quentin Tarantino Starring Jamie Foxx, Leonardo DiCaprio, Christoph Waltz, Kerry Washington, Samuel L. Jackson, Don Johnson and Walton Goggins.

It's the last epsiode of the season and a very special episode as we have host of the show Grant Sputore talking about his feature film debut I Am Mother, along with screenwriter Michael Lloyd Green and special guest interviewer Roseanne Liang.  In the wake of humanity's extinction I AM MOTHER tells the story of a teenage girl who is raised by a robot designed to repopulate the earth. But their unique bond is threatened when an inexplicable stranger arrives with alarming news. The film Stars Hilary Swank, Clara Rugaard and Rose Byrne and premiered at Sundance in 2019.  

John Amenta and Lloyd Green travel back to WWII France and they've brought along Michael Butler from https://www.forgottenentertainment.com/forgotten-cinema (Forgotten Cinema) with them on this new episode of On the QT. It's Inglourious Basterds! Allied officer Lt. Aldo Raine assembles a team of Jewish soldiers to commit violent acts of retribution against the Nazis, including the taking of their scalps. He and his men join forces with Bridget von Hammersmark, a German actress and undercover agent, to bring down the leaders of the Third Reich. Their fates converge with theater owner Shosanna Dreyfus, who seeks to avenge the Nazis' execution of her family. This is https://en.wikipedia.org/wiki/Inglourious_Basterds (Inglourious Basterds). Written & Directed by Quentin Tarantino Starring Brad Pitt, Christoph Waltz, Michael Fassbender, Eli Roth, Diane Kruger, Daniel Brühl & Til Schweiger

John Amenta and Lloyd Green are taking in a Grindhouse show as they break down a stunt-man gone bad with Larry Dwyer from https://www.connecticutcultclassics.com (Connecticut Cult Classics). https://en.wikipedia.org/wiki/Death_Proof (Death Proof) follows stuntman Mike, a professional body double who likes to take unsuspecting women for deadly drives in his free time. He has doctored his car for maximum impact; when Mike purposely causes wrecks, the bodies pile up while he walks away with barely a scratch. The insane Mike may be in over his head, though, when he targets a tough group of female friends, including real-life stuntwoman Zoe Bell, who plays herself. Written & Directed by Quentin Tarantino Starring Kurt Russell, Rosario Dawson, Vanessa Ferlito, Jordan Ladd, Rose McGowan, Sidney Poitier, Tracie Thomas, Mary Elizabeth Winstead and Zoë Bell.

John Amenta and Lloyd Green return to talk about the conclusion of Beatrix Kiddo's tour of vengeance with guest star, Andrew Morgan, host of https://nomcastpod.com/ (The Nomcast: The Netflix Original Movie Podcast). https://en.wikipedia.org/wiki/Kill_Bill%3A_Volume_2 (Kill Bill Vol 2) finds the Bride picking up where she left off in her quest to finish the hit list she has composed of all of the people who have wronged her, including ex-boyfriend Bill, who tried to have her killed four years ago during her wedding to another man. Using skills she has learned during her assassin career, she attempts to finish what she set out to do in the first place. Written & Directed by Quentin Tarantino Starring Uma Thurman, David Carradine, Michael Madsen, Daryl Hannah, Gordon Liu, Lucy Liu, Vivica A. Fox & Michael Parks.

John Amenta and Lloyd Green (from http://pintocomics.com/ (Pint O'Comics)) are joined by Sean Mclaughlin from http://www.horrornewsnetwork.net/ (The Horror News Network) as they discuss the martial-arts filled, revenge seeking movie - Kill Bill Vol. 1 https://en.wikipedia.org/wiki/Kill_Bill%3A_Volume_1 (Kill Bill Vol 1 ) is the 2003 action/crime movie that tells the story of former assassin, known simply as The Bride as she wakes from a coma four years after her jealous ex-lover Bill attempts to murder her on her wedding day. Fueled by an insatiable desire for revenge, she vows to get even with every person who contributed to the loss of her unborn child, her entire wedding party, and four years of her life. After devising a hit list, The Bride sets off on her quest, enduring unspeakable injury and unscrupulous enemies. Written & Directed by Quentin Tarantino Based on characters created by Quentin Tarantino & Uma Thurman Starring Uma Thurman, Lucu Liu, Vivica A. Fox, Darryl Hannah, David Carradine, Michael Madsen and Julie Dreyfus

John Amenta and Lloyd Green (from http://pintocomics.com/ (Pint O'Comics)) with special guest, Melissa Willette from https://www.facebook.com/skullartbymelissaw/ (Custom Skull Art by Melissa) discuss the marvelous return of Pam Grier. It's Jackie Brown! https://en.wikipedia.org/wiki/Jackie_Brown (Jackie Brown) is a 1997 crime-drama that follows flight attendant Jackie Brown as she is busted smuggling money for her arms dealer boss, Ordell Robbie. Agent Ray Nicolette and detective Mark Dargus want her help to bring down Robbie. Facing jail time for her silence or death for her cooperation, Brown decides instead to double-cross both parties and make off with the smuggled money. Meanwhile, she enlists the help of bondsman Max Cherry, a man who loves her. Written & Directed by Quentin Tarantino Based on the novel "Rum Punch" by Elmore Leonard Starring Pam Grier, Samuel L. Jackson, Robert DeNiro, Michael Keaton, Bridget Fonda, Robert Forster, Chris Tucker and Michael Bowen.

The Bookworm is a podcast of the Friends of the Colusa County Library and hosted by Lloyd Green.On this month's episode, Stacy Costello discusses summer activities at the library, and their participation in Colusa Founders Day on Saturday, June 19, and much more. For more information about the Colusa County Library; click here.The Bookworm is located at 440 Market Street, in downtown Colusa. The bookstore is open Wednesday, 11 AM to 3 PM; Thursday, 11 AM to 5 PM; Friday, 11 AM to 3 PM, and open the second Saturday of the month 10 AM to 2 PM. Digital Audio Book ResourcesLibby AppHoopla AppWhat are you reading?Stacey Zwald Costello is reading: "The House Of Broken Angels," By Luis Alberto Urrea; and "The Distance Between Us," by Reyna Grande.Lloyd Green is reading: "The Untethered Soul: The Journey Beyond Yourself," by Michael A. Singer

John Amenta and Lloyd Green (from http://pintocomics.com/ (Pint O'Comics)) and special guest, Shane Beauregard from https://mediamosh.podbean.com/ (The Media Mosh Podcast) discuss the iconic and influential movie - Pulp Fiction. https://en.wikipedia.org/wiki/Pulp_Fiction (Pulp Fiction )is a 1994 crime-drama about Vincent Vega and Jules Winnfield, hitmen with a penchant for philosophical discussions. In this ultra-hip, multi-strand crime movie, their storyline is interwoven with those of their boss, gangster Marsellus Wallace; his actress wife, Mia Wallace; struggling boxer Butch Coolidge; master fixer Winston Wolfe and a nervous pair of armed robbers, "Pumpkin" and "Honey Bunny". Directed by Quentin Tarantino Written by Quentin Tarantino & Roger Avery Starring John Travolta, Samuel L. Jackson, Uma Thurman, Ving Rhames, Bruce Willis, Harvey Keitel, Tim Roth and Amanda Plummer.

John Amenta and Lloyd Green (from http://pintocomics.com/ (Pint O'Comics)) kick off the limited series run of On the QT with special guest, movie-lover and friend of the show, Laura Hyland. They tackle Quentin Tarantino's first film - Reservoir Dogs. https://en.wikipedia.org/wiki/Reservoir_Dogs (Reservoir Dogs) is a 1992 crime-drama that tells the story of six criminals with pseudonyms, and each strangers to one another, are hired to carry out a robbery. The heist is ambushed by police and the gang are forced to shoot their way out. At their warehouse rendezvous, the survivors, realizing that they were set up, try to find the traitor in their midst. Directed by Quentin Tarantino Screenplay by Quentin Tarantino & Roger Avery Starring Harvey Keitel, Tim Roth, Michael Madsen, Chris Penn, Steve Buscemi and Lawrence Tierney

John Amenta and Lloyd Green (from http://pintocomics.com/ (Pint O'Comics)) embark on a ten episode journey to talk about the films of Quentin Tarantino. They'll be joined each week by a different guest to discuss everything they love about QT's movies, from "Reservoir Dogs" all the way through "Once Upon a Time in Hollywood." Listen to the introduction episode and then buckle up! It's going to be a heckuva 10 weeks!

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Scabby the Rat, the iconic supersized symbol of anti-union employers across America, has been under attack by Trumpers in the NLRB. Find out on this week's Heartland Labor Forum whether this defender of workers' rights can escape the trap and continue to shame the union busters. Then, our two minute profile for labor history month […] The post Long Live Scabby the Rat! and Sarah Lloyd Green and the Kansas City General Strike appeared first on KKFI.

John Amenta and Lloyd Green, the guys from the Pint O'Comics podcast, join The Mobile HC to talk about their new venture -- a Tarantino-centric podcast set to launch in May on ForgottenEntertainment.com. We try to get them to explain why they never invite us on their podcasts, despite their repeated appearances on this podcast.

We celebrate the 100th episode of Hard Rain & Slow Trains by "Playing the Hundreds": playing a bunch of quirky #100 milestones from Bob Dylan's career. In "20 Pounds of Headlines" we round up news from the (quiet) world of Bob Dylan. In "Who Did It Better?" we ask you who did the Carl Sigman/Jimmy Van Heusen song "I Could Have Told You" better: Frank Sinatra or Bob Dylan. Miss Lucy disembarks from the slow train to stop in and read "100 Bolts of Satin" by Kay Ryan to commemorate our 100th episode. You will hear Shakespeare's 100th Sonnet read, as well as the 100th Psalm. Finally, we give a shout out to all kinds of fellow travelers along the way.

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The guys welcome musician Brennen Leigh to talk about The Byrds foray into country music with their record “Sweetheart of the Radio” from 1968. Plenty of other discussion including Brennen’s new record “Prairie Love Letter” and John Deere H tractors, Robbie Fulks, Gram Parsons, Louvin Brothers, Dylan (how can you not with a Byrds record), Lloyd Green on the steel, and making the Opry audience upset. Check out Brennen Leigh at: https://www.brennenleigh.net/ Check out Roger McGuinn of the Byrds at: http://www.ibiblio.org/jimmy/mcguinn/index.html Check out other episodes at RecordsRevisitedPodcast.com, Apple Podcasts, Stitcher, Castbox, iHeartMedia, Google Podcasts and Spotify. Additional content is found at: Facebook.com/recordsrevisitedpodcast or twitter @podcastrecords or IG at instagram.com/recordsrevisitedpodcast/

Ah, it's finally October. Welcome to the 10th level of Jumanji - what possibly could be  in store for us as we proceed through the month of horrors?The Backpage crew recaps, debates, the debatest of debates known as the 2020 Presidential Debate. We recap some of our favorite moments, express our concerns and air our opinions on what was classified as the worst presidential debate in American history. Hayley found her way to Wienerschnitzel and found a new treat that wasn't pumpkin spice; and is plans an adventure to Mt. Everest. Lloyd made some edits to the website, and updated the merch store with some new holiday sweaters and custom items. More to come; and Kent is planning a yard sale... For links to the national news articles featured in this episode visit our website

Antes de ayer, jueves, 24 de septiembre, TOMA UNO cumplía exactamente 47 años desde su primer programa. Y esta vez lo celebramos ya comenzada la temporada número 48. Y lo queremos hacer rodeados de amigos. Nos encanta celebrar aniversarios. Estamos muy orgullosos de cumplir años haciendo lo de siempre: radio. Es un privilegio. Además, es una de las mejores maneras de manifestar públicamente el respeto y el agradecimiento hacia quienes estáis a nuestro lado. Tener memoria siempre es bueno. Y pensamos conservarla y compartirla. "Era mucho mayor entonces. Soy más joven ahora". Así podíamos escuchar en “My Back Pages”, una canción grabada en la primavera de 1964 por Bob Dylan para su álbum de aquel mismo año Another Side Of Bob Dylan. Lo hizo con el título provisional de “Ancient Memories” y acompañándose exclusivamente de su guitarra con una melodía original muy parecida a "The Lonesome Death of Hattie Carroll" de su disco anterior. Para abrir nuestro programa de hoy hemos querido recordarla en directo durante 1992 en la conmemoración de los primeros 30 años de la carrera del bardo. Una versión en la que intervenían por orden de aparición: Roger McGuinn, Tom Petty, Neil Young, Eric Clapton, el propio Dylan y George Harrison. Pura Americana. Lloyd Green y Jay Dee Maness, dos de los más grandes instrumentistas de steel guitar, intervinieron en distintas canciones de un álbum de los Byrds titulado Sweetheart of the Rodeo, convertido en la quinta esencia del country rock en 1968. Cuando se cumplió el medio siglo de su publicación, los dos resucitaron conjuntamente aquel disco seminal bajo el nombre de Journey to the Beginning: A Steel Guitar Tribute to the Byrds, una recreación instrumental canción a canción de las 11 que formaron Sweetheart of the Rodeo… pero con un añadido; y es que su tema de cierre fue esta versión del que fuera tema de apertura "You Ain’t Goin 'Nowhere", la legendaria composición de Bob Dylan. Para la ocasión contaron con las voces de Jim Lauderdale, Jeff Hanna de la Nitty Gritty Dirt Band, Richie Furay de Buffalo Springfield y Poco, y Herb Pedersen de la Desert Rose Band, además de la mandolina de Sam Bush. El día en que se cumplió el primer aniversario de la muerte de “el Beatle tranquilo” tenía lugar en el Royal Albert Hall de Londres un concierto homenaje a su figura y su música dirigido por uno de sus grandes amigos, Eric Clapton. Al año siguiente veía la luz Concert for George: A Celebration of the Life and Music of George Harrison donde Tom Petty, viejo compañero de George Harrison en los Travelling Wilburys, recordaba “I Need You”, un corte de Help!, el quinto álbum en la discografía de los Beatles. En la versión original de "I Need You" Harrison se desperezaba como compositor y aparecía incluso como cantante solista, además de demostrar sus habilidades como guitarrista. En 1994, dentro del proyecto Red Hot + Country para luchar contra el SIDA, Suzy Bogguss, Alison Krauss y Kathy Mattea unieron sus voces con las de Crosby, Stills & Nash para realizar esta versión antológica de un clásico tan significativo como “Teach Your Children”, que había sido grabado a finales de Octubre de 1969 por aquel supergrupo nacido en las colinas de Laurel Canyon, con la incorporación de Neil Young, para que formara parte del álbum Déjà Vu. Una canción pacifista creada por Graham Nash a la que Stephen Stills incorporó un medio tiempo de country con el añadido del steel guitar de Jerry Garcia, líder de Grateful Dead. Con la introducción original de voz y guitarra de su creador, Kris Kristofferson, y el impecable arrope instrumental de Byron House, Sam Bush, Jon Randall y Randy Scruggs, Emmylou Harris cantaba “The Pilgrim (Chapter 33)” del veterano e influyente cantante y compositor, además de actor. Formó parte de The Silver Tongued Devil And I, el segundo álbum del tejano publicado en 1971. Garth Brooks tuvo una especial significación en la década de los 90, rompiendo casi todas las barreras que la country music había tenido hasta entonces. Criticado hasta la extenuación por los defensores de la supuesta pureza, se retiró de la primera línea durante demasiados años, aunque nunca abandonó del todo. Su regreso oficial no le ha devuelto la popularidad de entonces, pero sigue dejando momentos muy brillantes. Hace siete años lanzó la caja de ocho discos Blame it All on My Roots: Five Decades of Influences. Además de dos CDS recopilando sus éxitos, un DVD con 33 de sus vídeos y otro con su show de Las Vegas que llamó The Ultimate Hits, incluía cuatro CDs con sus canciones favoritas entre las que encontramos “Amie”, un clásico imperdible de la Pure Prairie League, que formó parte de Bustin' Out, un año antes de que comenzara TOMA UNO, y se editó en single en 1975 a instancias de Lenny Kaye, guitarrista de Patti Smith. En 1970, la Nitty Gritty Dirt Band lanzó el álbum Uncle Charlie & His Dog Teddy, una mezcla serena y reposada de country con el folk de California, donde aparecía una luminosa versión del clásico de Jerry Jeff Walker "Mr. Bojangles". Cuando se cumplieron 38 años de aquella grabación, el grupo resucitó el tema con la incorporación de dos artistas compañeros de sello discográfico: Keith Urban y Dierks Bentley. Seguimos con canciones que son fundamentales en la historia de la música. Siempre, con la ayuda de los amigos… Por eso hemos recordado que han pasado 50 años desde que James Taylor publicara su segundo álbum en solitario Sweet Baby James, el que definitivamente impulsó su carrera y determinó un futuro como contador de historias que le ha convertido en un puntal de la Americana. La brillantez de James Taylor se pone de manifiesto en cada uno de sus trabajos, aunque casi todos vienen a coincidir en que Sweet Baby James es el que mejor describe sus formas estilísticas, una vez se hubo afincado en California. Pero no olvidemos que su debut en solitario llegó en 1969 con un álbum homónimo grabado para Apple Records con el apoyo de los propios Beatles. El, por ejemplo, los recordó en directo en este curiosa versión de “With A Little Help From My Friends”, que llevó a su propio terreno desde aquel Sgt. Pepper seminal de 1967. La pandemia ha provocado el aislamiento de muchos, pero han sido muchos artistas de Americana los que han procurado mantener el contacto con su gente gracias a las redes sociales. La familia Nelson ha sido de las más activas. Lukas, por ejemplo, ha instaurado sus Quarantunes Evening Session. La semana pasada, colgaba en su canal de YouTube una versión entrañable de “September Song” con The Promise Of The Real, donde milita su hermano Micah, y contando con su padre, Willie, tocando su inseparable Trigger. “September Song” es un estándar de los años 30 debido a la inspiración de Kurt Weill y Maxwell Anderson convertido en uno de los favoritos de Willie Nelson y que este incluyó en su álbum Stardust. En 1959 los Four Flickers dieron a conocer “Long Tall Texan”, una canción de Henry Strzelecki, uno de los miembros de este grupo de Birmingham, en Alabama, que se inició en el country y pasó al doo-woop de. Por eso no resulta extraño que los Beach Boys la incorporarán a su álbum Beach Boys Concert en el 64. Lo que resultó más sorprendente es que la eligieran 32 años más tarde para interpretarla en Stars and Stripes, Vol. 1, un disco que grabaron con artistas cercanos a Nashville. Así lo hicieron junto a Doug Supernaw, un tejano de Houston que se trasladó a la Music City a finales de los 80, debutando en 1993 con el álbum Red And Rio Grande, un disco equilibrado entre canciones propias y algunas otras de los compositores básicos de aquellos años. Arkie Shibley and His Mountain Dew Boys grabaron en 1950 “Hot Rod Race”, un tema que cinco años después se convertiría en “Hot Rod Lincoln”, cuando Charley Ryan & The Livingston Bros la editaron en Souvenir Records. Commander Cody & His Lost Planet Airmen, una formación favorita desde los comienzos de TOMA UNO, la grabó en el 71 para su álbum Lost In The Ozone y Asleep At The Wheel la enmarcaron en Western Standard Time, otro de esos discos imprescindibles para viajar por carretera. Pero hoy hemos recurrido a 1993 cuando el actor Jim Varney, un nativo de Lexington, en Kentucky, y Ricky Skaggs la actualizaron para la banda sonora de la película The Beverly Hillbilies, que llevó al cine la serie televisiva. Varney, que murió en 2000, hizo el papel de Jed Clampett. Tras la ruptura de los Eagles, se había comentado que Don Henley y Glenn Frey habían vuelto a trabajar juntos para rescatar algunas canciones inéditas de la formación de cara a un enésimo disco de éxitos y que, incluso, se podría hablar de un regreso del grupo. Esos rumores no pasaron de ahí. En pleno 1993, 20 años después de comenzar TOMA UNO, Don Henley e Irving Azoff, presidente de Giant Records, se pusieron a trabajar en un antiguo proyecto del batería. Consistía en que algunos de los artistas de country más populares por entonces se reunieran en un álbum interpretando versiones de los éxitos de los Eagles. El 40% de los royalties estarían destinados al proyecto Walden Woods, que Henley estableció en 1990 para proteger la tierra alrededor de Concord, en Massachusetts, donde Henry David Thoreau escribió el clásico Walden. El resultado fue Common Thread: The Songs Of The Eagles, un disco imprescindible que fue premiado por la CMA como álbum del año. En diciembre se estrenaba un video protagonizado por Travis Tritt en el que se reunía con la banda al completo para una nueva versión de "Take It Easy". Así se inició oficialmente su reunión. Así cerramos esta vez nuestra celebración de un aniversario más. Pensamos seguir contando. Escuchar audio

Trump's Appropriation of Nixon's 1968 "Silent Majority" Playbook Will Not Work in 2020 | Barr as a Right-Wing Culture Warrior Propping Up a Weak Strongman | Defunding the Police and Eradicating the Culture of Impunity backgroundbriefing.org/donate twitter.com/ianmastersmedia facebook.com/ianmastersmedia

In this week's episode it's all Little Darlin' Records. Every single song you'll hear was recorded for Aubrey Mayhew's independent Little Darlin' label, mostly between 1966-1970. At a time when smaller labels were prolific in Nashville, Little Darlin' stood out - and it still does. The lynchpin of the Little Darlin' sound was Lloyd Green's innovative and inventive steel guitar, and Green's picking from that era still has fellow steelers scratching their heads in awe. Little Darlin's brand of country music was hard-edged, twangy and perfectly engineered to jump out of the radio and grab your attention. Oftentimes Little Darlin' specialised in the darker side of country and their roster boasted many big names over it's stuttering existence, including LD's centerpiece in Johnny Paycheck. This week it's all magnificent, hardcore country music from the deep Little Darlin' vaults and our feature is a 1967 album from a talented LD trio in The Homesteaders: "A New Frontier".

Amy Wright sits down with legendary pedal steel player Lloyd Green. Lloyd has a one-of-a-kind background as a pedal steel guitar player, who's most-notably known for his session work, having played on records with artists such as The Byrds, Johnny Cash, Paul McCartney, and many, many more. See omnystudio.com/listener for privacy information.

In this week's episode it's all Little Darlin' Records. Every single song you'll hear was recorded for Aubrey Mayhew's independent Little Darlin' label, mostly between 1966-1970. At a time when smaller labels were prolific in Nashville, Little Darlin' stood out - and it still does. The lynchpin of the Little Darlin' sound was Lloyd Green's innovative and inventive steel guitar, and Green's picking from that era still has fellow steelers scratching their heads in awe. Little Darlin's brand of country music was hard-edged, twangy and perfectly engineered to jump out of the radio and grab your attention. Oftentimes Little Darlin' specialised in the darker side of country and their roster boasted many big names over it's stuttering existence, including LD's centerpiece in Johnny Paycheck. This week it's all magnificent, hardcore country music from the deep Little Darlin' vaults and our feature is a 1967 album from a talented LD trio in The Homesteaders: "A New Frontier".

TRE:49 - Today I spoke with Lloyd Green about why happiness is such a strong compass, how to shift perspective when things are tough and why it's so important to focus on quality over quantity. Connect with Lloyd Green - Search "Magik Wingz" on social media

In this week's episode, we're featuring what remains Ricky Skaggs' only US platinum album, "Highways & Heartaches" (1982). A magnificent sophomore effort on Epic Records, Skaggs was once again given free rein to produce it himself - certainly an uncommon stipulation for a 28-year-old would-be star with next to no country music clout at the time. After hitting town a few years earlier armed with but a few rough mixes, Ricky Skaggs scored a meeting with Epic's Rick Blackburn, and aside from walking away with a recording contract more or less that day - Blackburn also agreed to let Skaggs produce his own stuff, pending sales. Hindsight proved that to be a wise decision, because from the get-go Skaggs - from a traditional bluegrass background - combined the acoustic and no-fuss aspects of bluegrass and old-time country music with an uncanny knack of finding timeless material which appealed to mainstream country audiences. The Kentucky high tenor had himself three number ones from 1982's "Highways & Heartaches", and cemented himself at the forefront of a rising traditional country revolt - later to be known as the new-traditionalist movement. Highlights include Guy Clark's "Heartbroke" (with one minor change); a cover of Bill Monroe's "Can't You Hear Me Callin'"; some glorious steel guitar from Lloyd Green on "You've Got A Lover" and the whirlwind picking on fellow member of Emmylou Harris' Hot Band Rodney Crowell's "One Way Rider" is simply mesmerising.

In this week's episode, we're featuring what remains Ricky Skaggs' only US platinum album, "Highways & Heartaches" (1982). A magnificent sophomore effort on Epic Records, Skaggs was once again given free rein to produce it himself - certainly an uncommon stipulation for a 28-year-old would-be star with next to no country music clout at the time. After hitting town a few years earlier armed with but a few rough mixes, Ricky Skaggs scored a meeting with Epic's Rick Blackburn, and aside from walking away with a recording contract more or less that day - Blackburn also agreed to let Skaggs produce his own stuff, pending sales. Hindsight proved that to be a wise decision, because from the get-go Skaggs - from a traditional bluegrass background - combined the acoustic and no-fuss aspects of bluegrass and old-time country music with an uncanny knack of finding timeless material which appealed to mainstream country audiences. The Kentucky high tenor had himself three number ones from 1982's "Highways & Heartaches", and cemented himself at the forefront of a rising traditional country revolt - later to be known as the new-traditionalist movement. Highlights include Guy Clark's "Heartbroke" (with one minor change); a cover of Bill Monroe's "Can't You Hear Me Callin'"; some glorious steel guitar from Lloyd Green on "You've Got A Lover" and the whirlwind picking on fellow member of Emmylou Harris' Hot Band Rodney Crowell's "One Way Rider" is simply mesmerising.

Alone at the mic, what could go wrong?: The scheduled special guest leaves Lloyd, Kent, and Hayley, alone at the mic and the trio recaps the weekly headlines, discusses upcoming events and move. You will even hear some crazy stories: a Taco Bell Wedd'n? and Lloyd choking on chicken bones and being drowned at the town pool - yea, that happened. It's episode five of The Back Page.

Lloyd Green joins Bill Cody on Coffee, Country & Cody on October 27, 2017 at RCA Studio B. Lloyd shared stories from his life as a professional steel guitar player! Coffee, Country & Cody podcast powered by NashvilleGuitarStore.com!

A continued conversation with master steeler Lloyd Green can only get better from here.  From the previous episode we discovered some of Lloyd's history with Chet Atkins, Johnny Paycheck, Faron Young, George Jones, and Tammy Wynette.  We even had a chat how Lloyd first broke into the business.  So in this part we tackle some good stuff.  Everybody knows Lloyd's most famous work but do you know his favorite projects, or even how he approaches recording in a session.  Is Lloyd hopeful for the future of the pedal steel or even country music?  

In the first part of a two part conversation, I chat with an innovator of an instrument and a genre—Lloyd Green. Over the years, Lloyd Green has become one of the most popular and respected pedal steel guitarist of all time, and arguably the best player of the E9th tuning on the pedal steel guitar. Lloyd’s session career had him booking 400-600 sessions a month on average in the prime of the instrument and the genre of country music. Lloyd is inducted into the Steel Guitar Hall of Fame, has played on over 115 number one hits and over 100 top ten hits, and has joined many artists like The Byrds, Johnny Cash, Alan Jackson, The Monkees, Paul McCartney, Charley Pride, Bob Dylan, Johnny Paycheck, and Chet Atkins' recording band The A-Team. I took a field trip to his home to have a conversation about Lloyd’s most pivotal moments in his career. From recording with George Jones, joining Faron Young’s road band, getting the call to record Tammy Wynette’s biggest hit. We also went down memory lane on how he survived working in the industry, playing clubs at a young age, and living in the legendary boarding house in Nashville. More importantly we discover what made Lloyd who he is from family, sessions, habits, and music. You can always listen to his solo recordings and of course dive in to his catalog with various artists on iTunes and Spotify.

My guest this week is pedal steel legend Lloyd Green. Lloyd is most notable for his session work, having played on records with artists such as The Byrds, Johnny Cash, Alan Jackson, The Monkees, Paul McCartney, Charley Pride, Bob Dylan, Johnny Paycheck, and many others. Green landed in Nashville after college and soon found steady work as a road musician supporting artists like Ferlin Husky and Faron Young. He stayed with Young's band for 18 months and then left town to be with his new wife. During those months, he appeared on the George Jones track, "Too Much Water Runs Under the Bridge" and then for some reason had a hard time finding more work. At that point, Green basically quit playing and became a shoe salesman in Nashville. A few years and a couple of fortunate turns later, Lloyd became one of the top call steel guitarists in Nashville in the 60's and 70's, and definitely one of the most recorded of all time. His memorable, bluesy licks grace so many classic country recordings, not to mention kicking off the classic "Sweetheart of the Rodeo" album by the Byrds. Lloyd dropped by The Henhouse Studio here in Nashville to talk about his life and career and give us all a glimpse into what life was like as a session ace, playing on hundreds of records every year. Enjoy my conversation with Lloyd Green, and please subscribe to the podcast for free on iTunes!

FTB podcast #87  features the new CD by ERIC BRACE & PETER COOPER called Master Sessions.  The album features two masters in steel guitarist LLOYD GREEN and Dobro player MIKE AULDRIDGE.  You'll also find new music from BOBBY BARE, JR. and HEY MAVIS. The full playlist is posted below.  Check the artist's websites and order their CD's or downloads and tell 'em you heard the songs on the FTB podcast.  Please email me with any questions or suggestions for the podcasts. Here's the iTunes link to subscribe to the FTB podcasts.  Here's the direct link to listen now! Please help the Freight Train Boogie podcasts by filling out this short survey... Thanks very much! Show #87 ERIC BRACE & PETER COOPER-Big Steve - Master Sessions HEY MAVIS - Red Light - Red Wine THE MAYFLIES - Mississippi Soul - A Thousand Small Things BOBBY BARE, JR. - Sad Smile - A Storm, A Tree, My Mother's Head (mic break) JEFF TURMES - God Came Down From Heaven - five horses, four riders SUSAN COWSILL -The Way That It Goes - Lighthouse JOHN STATZ - Disclaimer - Ghost Towns ERIC BRACE & PETER COOPER - It Won't Be Me - Master Sessions (mic break) THE BLACKBERRY BUSHES - Salt Creek - Little Bit of Grace CADILLAC SKY - Part of My Heart - Letters in the Deep TIM CARROLL - Poor Man's Way - All Kinds Of Pain MIKE + RUTHY - End of Time - Million To One (mic break) ERIC BRACE & PETER COOPER - Suffer A Fool - Master Sessions Bill Frater Freight Train Boogie