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From Garage Bands to Gibson: Mike Lawson's Wild Ride Through the Music Industry In this episode of The Tone Mob Podcast, Blake Wyland sits down with Mike Lawson—musician, publisher, gear designer, and all-around music industry lifer. From his early days jamming in Florida to shaping the future of music education and publishing, Mike's career has spanned decades of innovation, reinvention, and pure love for the craft. They dive deep into the golden era of guitar shops, the digital revolution that transformed music production, and Mike's time working with giants like Quincy Jones, Gibson Guitars, Hal Leonard and a whole lot more! Plus, hear about the creation of his signature guitars with Pearl River, his favorite pedals, and—of course—his go-to pizza toppings. Whether you're a gear nerd, a publishing pro, or just love a good behind-the-scenes music story, this one's packed with insight, nostalgia, and plenty of laughs.
Joining me live at the American Choral Director's Association National Conference in Dallas is Scott Harris, Stacey Nordmeyer, and Luke Talen for a wide ranging discussion about the state of the choral industry and how composers can find their place in it!
"It's all about intention." In this episode of the podcast, Lij Shaw sits down with seasoned artist, songwriter, and producer Ryan Ordway, who shares insights from his two-decade journey through the music industry. They discuss various nuances of music production, covering topics from remote recording challenges to the importance of acoustics and effective studio management. Ryan emphasizes the need for adaptability, personal interaction, and practical tips to ensure high-quality sound and a smooth creative process. Aspiring producers will gain valuable strategies for optimizing their craft and navigating the evolving landscape of music recording. Get access to FREE mixing mini-course: https://MixMasterBundle.com My guest today is Ryan Ordway, a multifaceted artist, songwriter, producer, and audio engineer, proficient in analog and digital recording, mixing, music licensing, session playing, and commercial studio management. With over two decades of experience in the music business, he has recorded and produced nearly 1,000 songs across musical genres. Ordway has designed, built, and operated three commercial recording studios throughout his career. In 2020, he partnered with The Studio Portland in Portland, ME, where he undertook an ambitious remodel completed in 2024. Under Ordway's direction, The Studio became home to 98.9 WCLZ's Studio Z series, through which he has recorded an impressive roster of international recording artists, including: Noah Kahan, Grace Potter, Lake Street Dive, Joy Oladokun, The Heavy Heavy, Gregory Alan Isakov, Josh Ritter, Hiss Golden Messenger, Talk, SMYL, Lucius, Cecilia Castleman, Joseph, and Charlie Crockett, among others. Ordway's songwriting talents earned him an invitation to the renowned Blackbird Studios in Nashville, where he recorded with famed producer Ken Scott (whose client list includes The Beatles, Elton John, and David Bowie). His song "Easy Street," produced by Scott, was featured in Robert Willey's Getting Started with Music Production, published by Hal Leonard in 2015. Recognized for his ability to create transformative experiences for clients throughout New England, Ordway was nominated for Producer of the Year at the New England Music Awards in 2023. His song "Back Again" was nominated for Song of the Year in 2022. Ordway's original music is licensed in over 13 countries and featured on major platforms like Amazon Prime, Netflix, and Hulu. His music has appeared in popular TV shows such as NBC's The Office, ABC's Happy Endings, and FOX's Raising Hope. In 2023, his cover of Rusted Root's “Send Me on My Way” won him a multi-year contract for Nature Valley's Life Happens Out There national TV spot He has worked with other national clients, including Klondike, Polo Ralph Lauren, and John Deere. In addition to his technical expertise and commercial success, Ryan is a passionate educator and mentor. At The Studio Portland, he leads professional audio production training programs and recording camps, sharing his knowledge and inspiring the next generation of audio engineers and producers. Beyond music production, Ryan produces podcasts and provides voiceover (VO) and automated dialogue replacement (ADR) post-production services for elite clients such as Lucas Films, Netflix, HBO Productions, and Penguin Random House Audio Books division. THANKS TO OUR SPONSORS! http://UltimateMixingMasterclass.com https://www.adam-audio.com https://www.native-instruments.com Use code ROCK10 to get 10% off! https://www.izotope.com Use code ROCK10 to get 10% off! https://roswellproaudio.com/ https://www.makebelievestudio.com/mbsi Get your MBSI plugin here! https://RecordingStudioRockstars.com/Academy https://www.thetoyboxstudio.com/ Listen to this guest's discography on Spotify: https://open.spotify.com/playlist/5URoEkxCrLa3ESYMgxyR18?si=f386ffda39b14207 If you love the podcast, then please leave a review: https://RSRockstars.com/Review CLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/492
Neil Berg's latest musical The Sabbath Girl: The Musical, written with book writer/co-lyricist Cary Gitter, just finished an incredible, sold-out run at The Penguin Repertory Theatre (directed by Joe Brancato), before transferring to NYC for a six-week summer run Off-Broadway at 59 East 59th Theaters to rave reviews. The Original Off-Broadway Cast Recording of The Sabbath Girl: The Musical is available on Centerstage Records. Producers are now in the process of moving the show for an open-ended commercial run. Neil is the composer/co-lyricist, along with Pulitzer Prize/TONY-winning playwright Robert Schenkkan, of the award-winning new musical The 12, which just finished a very successful pre-Broadway tryout to critical and audience acclaim at the Goodspeed Opera House, directed by TONY award-winning director John Doyle, produced for Broadway by Cody Lassen & Joe Grano. The 12 previously ran at The Denver Center to unanimous rave reviews and won the 2015 HENRY Award for best new play or musical. Original Cast recording will be available in the winter of '24. Broadway opening anticipated in 2025/2026 season. Neil is currently in development as the composer of the new Broadway-bound musical version of My Cousin Vinny, based on the iconic movie, with book/lyrics by original screenwriter, Dale Launer. Neil has a new commissioned musical, How My Grandparents Fell in Love, opening in July of '25 at The NJ Rep Theater, collaborating again with book writer/co-lyricist Cary Gitter, directed by Artistic Director SuzAnne Baribas. Neil's other new musical, Charlie Hustle, with book/lyrics by Ryan Noggle, is about controversial baseball icon Pete Rose and the story of his gambling addiction that led to his downfall. Charlie Hustle will have its first developmental production in Detroit, Michigan in the fall of '24. Neil is the composer for the popular musical version of Grumpy Old Men: The Musical, based on the Warner Brothers movie classic starring Jack Lemmon and Walter Matthau, which had its official U.S. Premiere at The Ogunquit Playhouse in Maine to rave reviews, and La Mirada Theater in LA, starring Cathy Rigby. Other actors include F. Murray Abraham, TONY Award winner George Hearn, Marilu Henner, and Carole Kane. It is currently produced/licensed at many regional & community theaters across the United States. Licensing rights are with TRW (Theatrical Rights Worldwide). The Original Cast Recording of Grumpy Old Men: The Musical is available on Centerstage Records. Neil Berg is also the composer/lyricist of the hit Off-Broadway musical The Prince and the Pauper, which ran for two years at the Lambs Theater in New York City. The New York Times raved that The Prince and the Pauper "[soars] on wings of theatrical fun." The original cast CD is released internationally on Jay Records, sheet music published by Hal Leonard, and licensing by Samuel French Inc. Songs from this show are also featured with many other classic songs in the official Off-Broadway Songbook, published by Hal Leonard. CARY GITTER is the playwright-in-residence at Penguin Rep Theatre in Stony Point, New York. His plays include THE STEEL MAN (Penguin Rep); GENE & GILDA (George Street Playhouse, Penguin Rep); THE VIRTUOUS LIFE OF JOSEPH ANDREWS (Penguin Rep), adapted from the Henry Fielding novel; and THE SABBATH GIRL (off-Broadway, 59E59 Theaters; Penguin Rep; Invisible Theatre; Theatre Ariel; published by Stage Rights). His musicals include THE SABBATH GIRL (59E59, Penguin Rep) and HOW MY GRANDPARENTS FELL IN LOVE (New Jersey Repertory Company), both written with composer/co-lyricist Neil Berg. His play HOW MY GRANDPARENTS FELL IN LOVE was a New York Times Critic's Pick as part of the Ensemble Studio Theatre's (EST's) 36th Marathon of One-Act Plays. It was later recorded for the acclaimed podcast Playing on Air, as was his one-act THE ARMY DANCE. He has received commissions from the EST/Alfred P. Sloan Foundation Science & Technology Project, Penguin Rep, and West of 10th. He is an alumnus of EST's Obie Award-winning Youngblood playwrights' group. His full-length plays have been developed by the Berkshire Playwrights Lab, the Chameleon Theatre Circle, the Cincinnati Playhouse in the Park, EST, the Jewish Ensemble Theatre, the Jewish Plays Project, the Levine Jewish Community Center, NJ Rep, NYU, Seven Angels Theatre, West of 10th, and Wordsmyth Theater Company. He is a three-time O'Neill semifinalist and a two-time Jewish Playwriting Contest finalist, and he has received NYU's John Golden Playwriting Prize and honorable mentions for the New England Theatre Conference's Aurand Harris Memorial Playwriting Award and the Kennedy Center's Rosa Parks Playwriting Award.
Today's guest schooled me…about NAMM, the North American Music Merchants. Welcome NAMM President and CEO, John Mlynczak. Before we get into the meat of what NAMM is and does, John talks about his musical history. Music and music education have always been an important part of his life. He pursued that path from Virginia all the way to LSU; but I won't hold that against him. He talks about creating the first music technology curricula in the state of Louisiana and how that led him to a job with PreSonus, who make music software, monitors, mixers, and more. That led to a great opportunity with music publishing company, Hal Leonard. John also talks about the very long process of becoming the President and CEO of NAMM. But before that, he gives a little history of NAMM and shares some of his own experiences at NAMM shows, before he started working there. I learned what goes into planning each NAMM show, what to expect if you go, and how NAMM is expanding to include content creators and influencers. NAMM is an industry show, and John talks about how they've evolved over the years. John explains what NAMM offers its members at the show and throughout the year. He also tells me about NAMM Next and the amazing NAMM archives. John also talks about how COVID affected them, how it made them innovate, and how NAMM is bouncing back, better than ever. Go to NAMM.org to get information about what they do and how to attend the 2025 NAMM show. Follow them @thenammshow on social media. Follow us @PerformanceAnx on social media. Merch is available at performanceanx.threadless.com. You can send us money to get to NAMM at ko-fi.com/performanceanxiety. And now please welcome John Mlynczak of NAMM on Performance Anxiety on the Pantheon Podcast Network. Learn more about your ad choices. Visit megaphone.fm/adchoices
If you want to get started playing acoustic fingerstyle guitar, you will benefit from private lessons with a teacher, online video courses, listening to fingerstyle recordings, and of course… books. It is beneficial to mix and match all of these resources. Remember that everyone's brain works differently, so you may gravitate more towards certain styles of learning / methods of presentation. I love learning from books because I can read the text at my own pace and as many times over as I want. Seeing the music written out is extremely helpful for me – I always had more difficulty keeping track of song forms or chord progressions without some sort of written reference. So, for those of you who want to utilize a fingerstyle guitar method book to beef up your chops, I've done my homework and I've distilled my favorites into this “greatest hits” list. I'll try to be objective and describe who each book is best suited to. Best Beginner Fingerstyle Methods: Alfred's Beginning Fingerstyle Guitar (Lou Manzi): Great all-around book to learn solo fingerstyle guitar. Beginner to intermediate. Not specific to any one subgenre of fingerstyle. Nice organization/flow of information with a decent difficulty progression. Good finger exercises to build some dexterity or to use as warmups, decent explanations in the text (but not too wordy), and nice sounding original tunes. There aren't any arrangements of famous tunes, but there are tunes “in the style of ___.” I personally like working through this book with my students. Additionally, many of this book's lessons have sparked creative ideas of my own. First book in a three part series, so you can continue your studies! Audio recordings are available. Travis-Style Guitar from Scratch (Bruce Emery): This book is a gem! This is a method book for learning to play solo fingerstyle guitar using an alternating bass (in the Travis style). This is one of the best books I've found for complete beginner to intermediate players who want to learn this specific style. Even if you want to play other sub-styles of fingerstyle as well, this isn't a bad place to start your journey. The material progresses logically with lots of exercises that build on each other and lead perfectly into performance pieces (old classics like Oh! Susanna, House of the Rising Sun, Jingle Bells, etc.). Each time Emery presents a new concept, he incorporates it into updated arrangements of each tune. Emery's sense of humor is infused into the text of the book, keeping detailed explanations lighthearted and entertaining without losing sight of the important information. Audio recordings are available. Fingerstyle Guitar from Scratch (Bruce Emery): I don't love it as much as Travis-Style Guitar from Scratch, but it is still great general method book. You will not learn to play solo fingerstyle guitar arrangements (other than a very brief introduction to the topic), but you will receive a great foundation if you are just starting out with fingerstyle. Complete beginner to intermediate. Emery's sense of humor is once again infused into the text of the book, keeping detailed explanations lighthearted and entertaining without losing sight of the important information. The book is focused on fingerstyle accompaniment using arpeggiation and Travis Style / alternating bass patterns. This book would make an excellent primer for either Alfred's Beginning Fingerstyle Guitar or any other fingerstyle guitar method. Audio recordings are available. Hal Leonard's Fingerpicking Guitar (Doug Boduch): Short and sweet method to learn to play accompaniment and solo fingerstyle guitar through famous popular tunes. Beginner to intermediate. Guitar teachers may find this book to be a great teaching supplement. The progression of topics is well laid out, the examples and arrangements are playable and sound good, and the text is concise. This book is great if you just want to play arrangements of popular tun...
This episode of The Other Side of the Bell, featuring trumpeter, Scott Belck, is brought to you by Bob Reeves Brass. You can also watch this interview on Youtube. About Scott: Dr. Scott Belck currently serves as the Director of Jazz Studies and Professor of Music at the University of Cincinnati's College-Conservatory of Music (CCM) where he directs the CCM Jazz Orchestra and teaches applied Jazz Trumpet. He is a founding member of critically acclaimed Tromba Mundi contemporary trumpet ensemble and has toured as a member of Grammy Award winning funk legend Bootsy Collins' Funk Unity Band as lead trumpet. He has served as trumpet and cornet soloist with the Air Force Band of Flight in Dayton, Ohio where he also held the post of musical director for the Air Force Night Flight Jazz Ensemble. He is the Founding Artistic Director Emeritus of the Cincinnati Contemporary Jazz Orchestra. His playing credits include recordings lead trumpet/guest soloist with the Cincinnati Pops featuring the Manhattan Transfer and John Pizzarelli, the Glenn Miller Orchestra, the Van Dells, and jazz soloist with the University of North Texas One O'clock Lab Band with whom he recorded four CDs as jazz soloist and section trumpet. He has performed as principal/lead trumpet with the St. Louis Symphony, Indianapolis Symphony, Cincinnati Symphony, the National Symphony Orchestra of the Dominican Republic, the Columbus Symphony Orchestra, the Dayton Philharmonic Orchestra, the Lexington Philharmonic, the Richmond Symphony Orchestra, and as section trumpet with the Duluth-Superior Symphony Orchestra and the Duluth Festival Opera. He has performed as lead trumpet for shows/concerts of Christian McBride, Jimmy Heath, Aretha Franklin, Gerald Wilson, the Detroit Jazz Festival Orchestra, Linda Ronstadt, John Lithgow, Donna Summer, Maureen McGovern, Michael Feinstein, Lalo Rodriguez, Sandy Patti, Tito Puente Jr., Tommy Tune, Manhattan Transfer, Lou Rawls, Patti Austen, The Coasters, Yes, Ben Vereen, Doc Severinsen, the Temptations, Olivia Newton-John, Neil Sedaka, the Blue Wisp Big Band, the Columbus Jazz Orchestra, the Dayton Jazz Orchestra, the Ink Spots, the Four Freshmen, The Frankie Avalon, Fabian, Bobby Riddell, Little Anthony and the Imperials, Frankie Valli, The Maritime Jazz Orchestra of Canada as well as touring Broadway shows and regional and national recording sessions. He has performed as a leader, musical director, or sideman with many top jazz players on the scene today including: Fred Hersch, Rich Perry, Adam Nussbaum, Lew Soloff, Randy Brecker, Slide Hampton, Jim McNeely, Claudio Roditi, John Riley, Rick Margitza, Bob Belden, Jimmy Heath, Bobby Watson, Tom Harrell, Tim Hagans, Regina Carter, Wes Anderson, John Hollenbeck, Steve Turre, Conrad Herwig, Gordon Brisker, Hank Marr, Marvin Stamm, Gerry Mulligan, Kenny Garrett, John Fedchock, Phil Woods, Ed Soph, John LaBarbera and Diane Schuur. He has also served as the Artistic Director of the Dayton Jazz Orchestra, the Jazz Central Big Band, and the Miami Valley Jazz Camp in Ohio. He is the author of the text “Modern Flexibilities for Brass”, published by Meredith Music and distributed by Hal Leonard. In his spare time, he is the CEO and founder of Lip Slur World Headquarters. Belck's new book “Progressive Lip Flexibilities for Brass” is quickly becoming one of the most popular sarcastic lip slur books in the lower South-Central Ohio River valley region. Scott Belck is a Powell Signature Trumpet Artist.
“When people talk about what skills kids are lacking in America these days, two of the skills that come up a lot are the ability to listen to each other and have some empathy for each other. Some people would say it's not just kids that are lacking those skills; it might be what is really missing from our society. I think choir is the best subject to teach those skills.”Hailed by The Oregonian for providing “the finest choral concerts in Portland in recent memory,” Ethan Sperry is the Director of Choral Activities at Portland State University, where he conducts the world-renowned Chamber Choir and leads undergraduate and graduate programs in conducting. He is also the Artistic Director and Conductor of the Oregon Repertory Singers, one of America's most distinguished adult choruses. Choirs under his direction have performed at over a dozen ACDA and NAfME Conferences, won over thirty awards and medals at international choir competitions on four continents, and sung at The Hollywood Bowl, The Kennedy Center, and the United Nations. Under his direction in 2013 The Portland State Chamber Choir became the first American Choir ever to win the Grand Prix at the Seghizzi International Choral Contest in Italy, and in 2017 they became the first American choir to win the Grand Prix at the Bali International Choral Festival, the largest choral gathering in Asia. Sperry has recorded albums for the Naxos and Gothic labels. A prolific arranger of World Music for choirs, Dr. Sperry is the editor of the Global Rhythms series for Earthsongs Music, one of the best-selling choral series in the world, and is also published by Hal Leonard. Sperry is also a frequent collaborator with film composer AR Rahman and has appeared as a guest conductor for him numerous times including at Bollywood Night at the Hollywood Bowl and the 2008 Filmfare Awards, the Indian equivalent of the Oscars. He also serves as a consultant for the KM Music Conservatory in Chennai, the first classical music school in India, which opened in 2009.He has earned a bachelor's degree in Philosophy from Harvard College and Masters and Doctoral degrees in Choral Conducting from the University of Southern California. Prior to moving to Oregon, Sperry served for 10 years on the faculty of Miami University in Ohio where he conducted the Men's Glee Club, Collegiate Chorale, and Global Rhythms Ensemble. He has also served as Artistic Administrator of the Arad Philharmonic Chorus in Romania and Conductor of the Coeur Regional de Guadeloupe, the only Symphonic Chorus in the French West Indies.To get in touch with Ethan, you can email him at ethansperry@gmail.com. You can find the Portland State University Chamber Choir on Facebook (@psuchamberchoir), Instagram (@psuchamberchoir), or Tiktok (@psuchamberchoir), and you can find the Oregon Repertory Singers on Facebook (@OregonRepertorySingers) or Instagram (@orsingers). Email choirfampodcast@gmail.com to contact our hosts.Podcast music from Podcast.coPhoto in episode artwork by Trace Hudson
In this episode of The Music Rewind Podcast, we dive deep into Queen's iconic album, “A Night At The Opera.” Join us as we chat with John Mlynczak, President and CEO of NAMM, about the album's groundbreaking tracks, its impact on rock music, and behind-the-scenes stories. Tune in for an insightful discussion on one of rock's greatest masterpieces! Season 4 — Episode 7 Album: A Night At The Opera Artist: Queen Year: 1975 John Mlynczak, President and CEO of NAMM since February 2023, brings extensive experience in music education and technology. Formerly VP of Music Education & Technology at Hal Leonard, he has also held key roles at Noteflight and PreSonus Audio. John is a passionate advocate for music education, having served as President of TIME and taught at VanderCook College. With degrees from Virginia Commonwealth University and Louisiana State University, he has significantly contributed to music education and advocacy. His leadership at NAMM focuses on strengthening the music products industry and promoting the benefits of making music. https://www.johnmlynczak.com/ The National Association of Music Merchants (NAMM), is a not-for-profit organization that champions the joys and benefits of making music while supporting the $17 billion global music products industry. Known for its massive annual trade shows, particularly the NAMM Show in Anaheim, California, NAMM serves as a central hub for the latest innovations in musical instruments, recording technology, and sound and lighting equipment2. Join us as we explore how NAMM brings together manufacturers, retailers, distributors, and musicians from around the world to celebrate and advance the music industry. Find all the information about The NAMM Show in Anaheim, CA Jan 21-25, 2025 here: https://www.namm.org/ https://www.instagram.com/thenammshow/ AND MUSIC REWIND WILL BE THERE!!! —-------------------------------------------------- Buy Me A Coffee: buymeacoffee.com/musicrewind —-------------------------------------------------- Want to start your own podcast? Music Rewind and Podbean can help. https://www.podbean.com/sidereal —-------------------------------------------------- Useful Links for Music Rewind Music Rewind: All Episodes - https://www.musicrewindpodcast.com/listen Music Rewind Treasure Hunt - https://bit.ly/MixCD_Treasure_Hunt Music Rewind Selects: A playlist of select tracks from albums covered on the show. - https://bit.ly/MusicRewindSelects Music Rewind Patreon Early access to future episodes - https://bit.ly/MusicRewindPatreon Discover our sister podcast, Cinema Decon, deconstructing the movies of the 80's, 90's and 2000's. www.cinemadecon.com —-------------------------------------------------- “No ownership of music material. All credits go to its rightful owner. Copyright Disclaimer Under Section 107 of the Copyright Act in 1976; Allowance is made for “Fair Use” for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair Use is a use permitted by copyright statute that might otherwise be infringing. All rights and credit go directly to its rightful owners, no copyright infringement intended.” #queen #anightattheopera #namm #music #podcast #musicpodcast #johnmlynczak #thenammshow #freddiemercury #brianmay #johndeacon #rogertaylor
“In Indonesia, choral singing has just been really popular recently, maybe around ten years. It has become a lifestyle. Everyone wants to be part of a choir because choir is very interesting - you can go on tour, you can do concerts... What drives the choir most is joining a competition: they will have a goal they want to achieve, an opportunity to go abroad, building connection and building the ecosystem better to support each other.”Hailing from Medan, composer Ken Steven (b. 1993) is known for his fusion of Indonesian colours and elements with modern techniques and harmonies. He received his undergraduate degree in church music from The Asian Institute for Liturgy and Music, Philippines, and completed his Master of Music degree from California Baptist University, USA.Since returning to Indonesia, his creative activity and work have made important contributions to the development of choral music in Indonesia. His music is picking up and starting to make an impact on the international choral music scene. His music is available through several publishers including Pavane, Hal Leonard, Earthsongs, and Walton. Currently, he serves as the Director of Studies at SMK Methodist Charles Wesley Music Vocational School in Medan, North Sumatra, Indonesia. He is also the conductor of Medan Community Male Choir, founded in 2015, and has led the choir to achieve many international awards in choral festivals and competitions. To get in touch with Ken, you can email him at st.25_ken@hotmail.com or find him on Facebook (@ken.steven) or Instagram (@st.25ken).Choir Fam wants to hear from you! Check out the Minisode Intro Part 3 episode from February 16, 2024, to hear how to share your story with us.Email choirfampodcast@gmail.com to contact our hosts.Podcast music from Podcast.coPhoto in episode artwork by Trace Hudson
Text us about this show.Dave Schoepke is one talented guy. He's a drummer who composes songs for drums and creates some interesting and innovative albums comprised of these songs. On top of that he is the other half of Willy Porter's rhythm section (along with bassist Eric Madunic) and he's an accomplished drum teacher who has his methods published by Hal Leonard Publishing. He's drummed behind Jethro Tull guitarist Martin Barre and more recently found himself pounding the skins in US Bank Stadium in Minneapolis as part of Sundown47 opening for Zach Bryan. You'd think this would expand one's ego, but hardly so with Dave. He simply enjoys drumming and sharing what he has to offer through his albums, performances, and teaching.For more about Dave, visit his website at daveschoepke.com."Spiraling Transmuter" written and performed by Dave Schoepke℗ 2024 Dave Schoepke. Used with permission of Dave Schoepke."Hold" written and performed by felsteg℗ 2024 3876691 Records DK. Used with permission of Dave Schoepke.Support the Show.Visit Into The Music at https://in2themusic.com or https://intothemusicpodcast.com!Support the show: https://www.buymeacoffee.com/intothemusic E-mail us at intothemusic@newprojectx.com YouTube Facebook Instagram INTO THE MUSIC is a production of Project X Productions, Appleton, WI.Host/producer: Rob MarnochaVoiceovers: Brad BordiniRecording, engineering, and post production: Rob MarnochaOpening theme: "Aerostar" by Los Straitjackets* (℗2013 Yep Roc Records)Closing theme: "Close to Champaign" by Los Straitjackets* (℗1999 Yep Roc Records)*Used with permission of Eddie Angel of Los StraitjacketsT...
Hal Leonard, the world's largest sheet music and music education publisher, and music innovators Muse Group, launch MuseClass, an assignment, grading, and music content platform set to transform instrumental teaching (grade 6-12) in the U.S. MuseClass allows music educators and band directors to share, collect, and grade assignments on an easy-to-use platform, which also contains a curated library of educational content. Students receive assignments through the MuseClass app (available on iOS, Android & Chromebook), and can submit their progress as video or audio recordings, or upload worksheets. One notable MuseClass feature is AutoGrade, the AI-powered practice tool. This pioneering technology listens to a student's performance and provides immediate feedback on timing and pitch, even for polyphonic instruments like piano or guitar. The tool can inspire students to repeat their practice sessions, or a teacher can set an AutoGrade challenge as an assignment. At launch, MuseClass includes free digital content from Hal Leonard's iconic Essential Elements, the gold-standard curriculum for bands and strings in the U.S. now available in concert with next-generation digital tools for the first time. The content library is set to rapidly expand in the coming school year with pedagogical scores and method books drawn from Hal Leonard's exclusively licensed, premium arrangements — current titles span everything from Taylor Swift and The Beatles to John Williams and Disney soundtracks. Teachers can also compose their own exercises or worksheets with MuseScore Studio, Muse Group's award-winning, intuitive notation software. The platform is completely free for all schools until August 1 2025 and will continue to be developed with close feedback from music educators. In year two, MuseClass remains free for teachers, with a $15.99 annual cost per student and custom offerings for school districts. MuseClass marks the first major release since Hal Leonard joined digital-content and technology leader Muse Group last year, with a shared vision to provide unparalleled access to the best resources to music makers worldwide. The new MuseClass reworks a Muse Group prototype, which is transformed with the addition of Hal Leonard's content catalog and unparalleled 70 years of experience collaborating with U.S. educators. The AutoGrade tool within MuseClass is the next step in the evolution of Muse Group's machine learning listening technology. In September 2023, the iPad app StaffPad launched ‘Piano Capture,' a feature that hears real piano performances and converts them into readable sheet music — technology recently spotlighted in Apple's M4 chiplaunch. In January 2024, the same capability was deployed in Ultimate Guitar's Practice Mode, extending this breakthrough technology to millions of digital music makers. Now in MuseClass' AutoGrade, a whole generation of young learners can enjoy the benefits of practicing and improving instrumental skills with AI-guidance. In the future, the MuseClass feature set and content library is set to expand based on the evolving needs of U.S. teachers — including print offerings for band leaders and Google Classroom integration. MuseClass software for Kindergarten to Grade 6 educators and for regions outside the U.S. is also coming soon. MuseClass is available now, and completely free to get started in 2024.
The past two years have seen enormous growth and development at ArrangeMe, and today on the show Scott Harris is here to break it all down and talk about the future of the program. We hit all the big topics: the acquisition of Hal Leonard by Muse Group, the expanded distribution of ArrangeMe titles through the Pass Program, the redesign of the Sheet Music Plus website, Artificial Intelligence, and much more! Join the world's largest self-publishing community at ArrangeMe.com today. --- Visit sellingsheetmusic.com for episode transcripts and additional resources for publishers and composers. Subscribe to Garrett Breeze on YouTube for video versions of the podcast. --- Support this podcast: https://podcasters.spotify.com/pod/show/garrett-breeze/support
Sarah Jeffery is a wonderful and versatile recorder player based in the Netherlands, known worldwide for her outreach with her YouTube project Team Recorder, which at the time of this podcast release has well over 205,000 very engaged followers. She is the Recorder Professor specializing in Contemporary music at the Royal College in London, and we talked about her work teaching recorder technique, improvisation in different styles, her varied career including experimental theatre and her synesthesia which directly informs her work as a musician. There's lots more to this wide-ranging episode, which features some fantastic recorder performances as well. Transcript and Video link on my website: https://www.leahroseman.com/episodes/sarah-jeffery-of-team-recorder Sarah Jeffery website: https://sarahjeffery.com/ Bach Sarabande: https://www.youtube.com/watch?v=9paJfIegQ3Q Constellations album https://team-recorder.myshopify.com/collections/audio Support this podcast in several ways! Merch store: https://www.leahroseman.com/beautiful-shirts-and-more Buy me a coffee? Monthly or one-time support through Paypal: https://ko-fi.com/leahroseman Thanks! Newsletter sign-up: https://mailchi.mp/ebed4a237788/podcast-newsletter Complete Catalog of Episodes: https://www.leahroseman.com/about Linktree: https://linktr.ee/leahroseman photo: Claudia Hansen Timestamps (00:00) Intro (02:49) Team Recorder (06:37) winning the International Nordhorn Competition (09:13) album Constellations, about Vermont Counterpoint Steve Reich (11:41) excerpt from Vermont Counterpoint by Steve Reich (13:46) trio axoLot (14:54) excerpt from Virgo splendens with trio axoLot (16:14) Austro (17:54) excerpt from Austro by Giorgio Tedde (19:28) recorder family (20:46) synesthesia (23:39) recorder challenges (26:04) Bach Sarabande G major Cello Suite on bass recorder (29:32) parenting and music education (32:11) please support the podcast! (33:01) community of recorder players, importance of music education funding, Team Recorder (37:17) mentors in England, encouragement to pursue music from high school teachers (41:08) moving to the Netherlands, learning Dutch (43:58) teaching improvisation, SoundLAB Amsterdam (47:42) improvisation, band Jerboah (49:35) Walking with Jerboah (55:17) interesting theatre performances, Jetse Batelaan (01:01:19) challenges with lack of arts funding (01:02:23) Royal College recorder department, historical instruments 3D printing (01:05:57) studio work, Bob's Burgers (01:06:58) approach to teaching, the future of Team Recorder, Schott publishing books and Hal Leonard
Scott Harris, program director of Hal Leonard's ArrangeMe is back on the show to introduce ArrangeMe PRO, a new subscription which unlocks new features for users including a higher royalty rate, expanded distribution on the InStore network, publisher profile pages, and more! Join the world's largest self-publishing community at ArrangeMe.com today. --- Visit sellingsheetmusic.com for episode transcripts and additional resources for publishers and composers. Subscribe to Garrett Breeze on YouTube for video versions of the podcast. --- Support this podcast: https://podcasters.spotify.com/pod/show/garrett-breeze/support
Full Rig Info: https://www.premierguitar.com/videos/rig-rundown/helmet-2024Subscribe to PG's Channel: http://bit.ly/SubscribePGYouTube“I could not exist without guitar,” admits Helmet founding lead guitarist and singer Page Hamilton. “I know this to be true because I'm a miserable asshole if I don't play guitar. When I wake up in the morning, the first thing I do is play guitar. It's an incredible instrument and I just love it.”But what does one do with that creative codependency? Page Hamilton's impactful contributions to rock music were cemented when Helmet wrote and recorded a pair of back-to-back blisters with 1992's Meantime and 1994's Betty. Those pillars of '90s alternative metal and guitar granite forever chiseled out his place in hard-rock history. Since 1989, Hamilton and Helmet have dished out a total of nine studio albums (plus a live set) that balance punishing, fastened-down ferocity with mercurial moments of melody that make their sledgehammer fall harder. Beyond that legacy, Page was a part of David Bowie's band for the 1999 Hours tour, playing Saturday Night Live and being included on two live albums from the Starman. Further diversifying his guitar vocabulary, he's contributed to several film scores for Heat, Titus, In Dreams, Catwoman, and Chicago Cab. He's explored the instrument's outer realms with German avant-garde guitarist Caspar Brötzmann on a live improv album (1996's Zulutime), and expanded his vocabulary by diving into jazz guitar, noting in our Rundown he'll release an album next year. Hamilton has even put out a guitar instruction DVD, Sonic Shapes: Expanding Rock Guitar Vocabulary for Hal Leonard. All of this (and more) accomplished because guitar is his lifeblood.And we found out during our Rig Rundown—filmed May 7, 2024 at Nashville's Exit/In—that most of this material was spawned from three key ingredients, all still in his rig: ESP Horizon guitars, Fryette amps, and DiMarzio humbuckers. These partnerships with each company are not gratuitous or grifting. He's been aligned with ESP since 1989. He started working with DiMarzio in the early '90s, and he and Steven Fryette have sharpened his sound since 1996. These three friendships have fostered an integral strand in Page's tonal DNA, and Hamilton covers each at length with us. Plus, he breaks down the simplifying move from a complicated Bradshaw rack-switching system to something more modern and efficient, with five Boss boxes and a duo of H9s.Shop Page Hamilton's Gear:ESP LTD Horizon 87 Solidbody Electric Guitar - https://sweetwater.sjv.io/9gKdg4 DiMarzio Air Norton - https://sweetwater.sjv.io/k0x2O0 D'Addario EXL140 XL Strings - https://sweetwater.sjv.io/anEGON Eventide H9 - https://sweetwater.sjv.io/baQr0x Boss MT-2W Metal Zone Waza Craft - https://sweetwater.sjv.io/AW4MPK Boss DS-2 Turbo Distortion - https://sweetwater.sjv.io/1r4d9D Boss NS-2 Noise Suppressor - https://sweetwater.sjv.io/JzDdK2 Boss ES-5 Effects Switching System - https://sweetwater.sjv.io/ZQgj6K Pedaltrain Nano+ - https://sweetwater.sjv.io/XYJ9mGFull Rig Info: https://www.premierguitar.com/videos/rig-rundown/helmet-2024Subscribe to PG's Channel: http://bit.ly/SubscribePGYouTubeWin Guitar Gear: https://bit.ly/GiveawaysPG Don't Miss a Rundown: http://bit.ly/RIgRundownENLMerch & Magazines: https://shop.premierguitar.comPG's Facebook: https://facebook.com/premierguitarPG's Instagram: https://www.instagram.com/premierguitar/PG's Twitter: https://twitter.com/premierguitarPG's Threads: https://threads.net/@premierguitarPG's TikTok: https://www.tiktok.com/@premierguitar0:00 - D'Addario Strings0:15 - Chris Kies Intro1:43 - Page Hamilton Intro3:09 - ESP LTD PH-6004:23 - ESP LTD...
Is this one of the best or worst method books for acoustic fingerstyle guitar? You can learn to play music by simultaneously using a variety of resources including teachers, online resources, and books. Hal Leonard's Fingerpicking Guitar, written by Doug Boduch, is a method book for learning to play solo fingerstyle (or “fingerpicking”) guitar or fingerstyle guitar accompaniment. The book features lots of popular tunes (the Beatles, Adele, Sam Smith, Imagine Dragons, The Police, Toto, Ed Sheeran, etc.). Overall, It is suitable for beginner through intermediate players with the tunes in the later sections of the book becoming progressively more difficult up to that intermediate skill level. Advanced players may still find some fun repertoire tunes. Guitar teachers may find this book to be a great teaching supplement. The progression of topics is well laid out, the examples and arrangements are playable and sound good, and the text is concise. The book is very short at 38 pages. This is partially due to a lack of detailed explanations, which is part of why this book may work better as a supplement to private lessons or to another more detailed method book. The book is also short because it just doesn't have that many examples. The examples and arrangements are of high quality, but they don't cover the many nuances that could pop up in the world of fingerstyle guitar. If you are looking to play solo fingerstyle guitar arrangements of popular/modern tunes, then this book may be for you. If you are looking for folk, blues, ragtime, Celtic, or classical music, then there are better options. Fingerpicking Guitar starts with examples of playing easy single-line melodies (Happy Birthday, etc.) with your fingers or thumb. The book then presents some arrangements that utilize a single, easy-to-grab bass note underneath the melody in each measure. Later on it focuses on arrangements that feature alternating bass lines (Travis picking). The book provides some basic arpeggiation examples for accompaniment as well as some arrangements that utilize arpeggiation, but it doesn't really provide much detail about how to apply arpeggiation underneath a melody in a solo arrangement. There is no discussion of more complex techniques (natural and artificial harmonics, harmonizing melodies with 3rds, 6ths, etc.), alternate tunings, or more modern percussive techniques. Don't confuse this book with Hal Leonard's Fingerstyle Guitar by Chad Johnson. There is a similar progression of information, but they are different books. The older Fingerstyle Guitar also features popular tunes, but is overall lengthier and more detailed. However, I prefer some of the arrangements in the newer Fingerpicking Guitar, especially for my guitar students. There is virtually ZERO music theory in Fingerstyle Guitar. This may appeal to some readers. However, you won't learn how to apply the concepts/techniques presented into other musical situations (other tunes, etc.). With the help of a teacher or another book you could get a lot more out of Fingerpicking Guitar. The book includes access to online audio or video for every example. The audio can be slowed down which can be very helpful. The guitar playing is clean and the recording quality is high. Example numbers don't line up between Example 30 and 33, but they are all there. All playing examples are provided in standard notation (treble clef) and tablature. You could use either a steel string acoustic or nylon string classical guitar to work through this book. You don't have to fret any bass notes using your thumb over the top (although I like to here and there). Published by Hal Leonard © 2023. My eBook: Arranging for Fingerstyle Guitar: go to http://joemcmurray.com/checkout/ to purchase a pdf of my eBook. Learning to arrange melodies will also help your fingerstyle songwriting and your understanding of the inner workings of fingerstyle guitar.
Michael Sweeney has changed the landscape of music education by his accessible arrangements of master works for Concert Band and Jazz Band. Editor at Hal Leonard since 1982 - Michael Sweeney spends time with us for this first part of a two-part series on all things band - including some highlights of his music. To gain access to all show notes and audio files please Subscribe to the podcast and consider supporting the show on Patreon - using the button at the top of growingband.com Our mission is to share practical advice and explore topics that will help every band director, no matter your experience level, as well as music education students who are working to join us in the coming years. Connect with us with comments or ideas Visit our merchandise store to purchase exclusive swag from The Growing Band Director Podcast Follow the show: Podcast website : Growingband.com On Youtube The Growing Band Director Facebook-The Growing Band Director Podcast Group Instagram @thegrowingbanddirector Tik Tok @thegrowingbanddirector If you like what you hear please: Leave a Five Star Review and Share us with another band director! --- Support this podcast: https://podcasters.spotify.com/pod/show/kyle-smith95/support
Michael Sweeney has changed the landscape of music education by his accessible arrangements of master works for Concert Band and Jazz Band. Editor at Hal Leonard since 1982 - Michael Sweeney spends time with us for this first part of a two-part series on all things band - including some highlights of his music. To gain access to all show notes and audio files please Subscribe to the podcast and consider supporting the show on Patreon - using the button at the top of growingband.com Our mission is to share practical advice and explore topics that will help every band director, no matter your experience level, as well as music education students who are working to join us in the coming years. Connect with us with comments or ideas Visit our merchandise store to purchase exclusive swag from The Growing Band Director Podcast Follow the show: Podcast website : Growingband.com On Youtube The Growing Band Director Facebook-The Growing Band Director Podcast Group Instagram @thegrowingbanddirector Tik Tok @thegrowingbanddirector If you like what you hear please: Leave a Five Star Review and Share us with another band director! --- Support this podcast: https://podcasters.spotify.com/pod/show/kyle-smith95/support
Is this one of the best or worst method books for acoustic fingerstyle guitar? You can learn to play music by simultaneously using a variety of resources including teachers, online resources, and books. David Hamburger's The Acoustic Guitar Fingerstyle Method is a method book for learning to play solo fingerstyle (or “fingerpicking”) guitar in the American roots styles (folk, blues, ragtime, early jazz, marches). The book becomes progressively more difficult – the early sections of the book are appropriate for beginner fingerstyle players who have some experience with open chords and the later sections of the book are more suitable for intermediate players. Advanced players may still find some useful information, inspiration, or fun repertoire tunes. This is a well-thought-out book with a great progression of information and fun arrangements of tunes. The book focuses on alternating bass (Travis picking) arrangements and steady bass arrangements (monotonic bass, walking bass, etc.). There are also brief chapters on Drop D and open D tuning. The material flows in a sensible progression from chapter to chapter as you build skills and knowledge. Each chapter includes text and playing examples that directly prepare you for a 1-2 page tune that showcases the techniques or concepts being taught. The arrangements of the tunes are really nice (they sound good and are playable), although don't usually include any fingering (there is picking hand fingering notated in the examples, but not the full tunes). The tunes are stylistically similar to those found in Stefan Grossman's “Complete Country Blues Guitar Book” and Mel Bay's “Complete Chet Atkins Guitar Method” although with a very different teaching approach. The book covers a lot of ground in only 74 pages – from beginning Travis Picking to steady bass blues to harmonized walking bass lines to alternate tunings, etc. While the examples and tunes are of high quality, there aren't that many examples for each topic, so you won't get that deep of an understanding of how to apply some concepts to different situations. One example of this is playing walking bass lines under your melody- you'll play a few tunes that include this, but you won't really learn how to build your own walking bass lines so that you can apply them to your own arrangements or compositions. However, by the end of the book, you will have a firm grasp of the general approaches of playing using an alternating bass (Travis Picking) or a steady bass. There is not a lot of music theory in the book. This may appeal to some readers. However, it adds to the issue that you may not be able to apply a concept like walking bass lines to other situations. The text is descriptive and helpful. However, I don't like how the publisher places the text as a continuous block at the top of the page with the examples clumped together at the bottom of the page. Harder for my eyes to jump back and forth. The author includes great listening recommendations that are relevant to the tunes and topics at hand. The included audio (2 CDs) provides all examples and tunes played at full speed and slowed down. The guitar playing is clean and the recording quality is high. All playing examples are provided in standard notation (treble clef) and tablature. You could use either a steel string acoustic or nylon string classical guitar to work through this book. You shouldn't need to fret any bass notes using your thumb over the top. Published by String Letter Publishing (publisher of Acoustic Guitar Magazine) © 2007. Distributed by Hal Leonard. My eBook: Arranging for Fingerstyle Guitar: go to http://joemcmurray.com/checkout/ to purchase a pdf of my eBook. My music is available on all streaming platforms: Pins on the Map: my third fingerstyle guitar album was released on January 19, 2024. Watch the first single, "Open Road," on YouTube here: https://youtu.be/uPBh8sZQsT4?
Is this one of the best or worst method books for fingerstyle guitar? You can learn to play music by simultaneously using a variety of resources including teachers, online resources, and books. Dan Thorpe's Fingerstyle 101 is a method book for learning to play fingerstyle (or “fingerpicking”) guitar. The book is appropriate for absolute beginner fingerstyle players who have some experience with open chords. Intermediate and advanced players will fly through this book and may find a few useful ideas but probably won't find any revelatory information or inspiring performance pieces. The author has written this book with older adult students in mind, although any beginning students would certainly benefit from working through it. The book contains lots of practical advice on fingerpicking technique, playing posture, and strategies for practicing and memorization. It has sections including “Pro Tips to Make Your Fingerpicking Journey Easier and More Enjoyable,” “The 7 Most Deadly Fingerpicking Mistakes,” and “The 10 Steps for Getting the Most Out of Your Fingerpicking Playing.” There is one section of the book (less than half the book) with actual playing examples, and these examples are great first fingerpicking patterns to learn along with some practical applications. There is lots of text in the book. Fortunately, this text is informative without being bland. Lots of lists, summaries, pictures, etc. The text has a large font size so it is easy on the eyes. Thorpe provides advice for avoiding guitar-related injuries – i.e. information about how to hold the guitar in the classical style to help older students avoid back pain. There is some psychology about how to learn efficiently/effectively and how to make and set goals. There is a chord reference guide as well as sections on understanding basic rhythms and reading tablature (TAB). The playing section in the middle of the book progresses at a reasonable pace for a beginner fingerstyle student. Thorpe teaches ten fingerpicking patterns, and for each pattern there are three examples. The first example is as basic as possible over a single chord shape. The second example has you play the pattern over a simple chord progression (always C G D). Since you always utilize the same C G D chord progression, you will be able to focus your brain power on your picking hand and the new pattern. This is also very practical because if you want to fingerpick the guitar while singing, it is useful to try out a pattern over simple chord progressions that you might find in folk or pop songs. Finally, the third example introduces a more complex chord progression, stylistic elements such as hammer-ons and pull-offs, and sometimes a (very simple) moving melody or bass line. These third examples are not long enough to be performance pieces, but they may inspire you to add some flair to your accompaniment fingerpicking or to write your own compositions. The book doesn't progress far enough to establish a specific style within the umbrella of fingerstyle guitar. You learn a few classical arpeggiation patterns, a few Travis picking patterns, and a few patterns that have some folk or blues flair. The book doesn't get into the modern percussive techniques used by modern players like Michael Hedges, Don Ross, Andy McKee, Mike Dawes, etc. No thumb slaps, guitar body percussion, or tapping. All playing examples are provided in standard notation (treble clef) and tablature. Audio recordings are available for all playing examples. You could use either a steel string or nylon string classical guitar to work through this book. Published by Rockstar Publishing © 2015, 2020. Distributed by Hal Leonard. My eBook: Arranging for Fingerstyle Guitar: go to http://joemcmurray.com/checkout/ to purchase a pdf of my eBook. My music is available on all streaming platforms: Pins on the Map: my third fingerstyle guitar album will be released on January 19, 2024.
On Dec. 4, Hal Leonard was officially acquired by Muse Group. For an in-depth discussion of the deal and the history of the two companies, read this article from Scoring Notes. --- Support this podcast: https://podcasters.spotify.com/pod/show/garrett-breeze/support
Christmas repertoire books featuring solo fingerstyle guitar arrangements are great for the holiday season! Whether you simply want to get into the Christmas spirit or you need to perform Christmas tunes at your gigs, there are a number of great Christmas repertoire books. In this review I will look at three books that I really enjoy: Hal Leonard's “Fingerpicking Yuletide,” Mark Phillips' “Christmas Carols for Easy Classical Guitar” (Cherry Lane Music Company), and John Hill's “Classical Guitar Christmas Sheet Music” (Hal Leonard). To be clear, all books are suitable for either steel string guitar or nylon string classical guitar. All three books feature a range of tunes suitable for late-beginner through intermediate fingerstyle guitarists. Hal Leonard's “Fingerpicking Yuletide” features mid-twentieth century tunes like Frosty the Snowman, Jingle Bell Rock, and Let It Snow! Let It Snow! Let It Snow! Phillips' “Christmas Carols for Easy Classical Guitar” and Hill's “Classical Guitar Christmas Sheet Music” both feature traditional Christmas carols like O Come, All Ye Faithful, The First Noel, Jingle Bells, and Silent Night. Hal Leonard's “Fingerpicking Yuletide” and Phillips' “Christmas Carols for Easy Classical Guitar” provide both standard notation and tablature, but Hill's “Classical Guitar Christmas Sheet Music” provides only standard notation (no TAB!!!). The arrangements in Phillips' “Christmas Carols for Easy Classical Guitar” flow really well with nice arpeggiation. The arrangements in Hill's “Classical Guitar Christmas Sheet Music” are a mixed bag, but many of them have nice arpeggiation or feature an alternating bass line (Travis picking). Some of the arrangements are a bit clunky in comparison to the Phillips book. The arrangements in Hal Leonard's “Fingerpicking Yuletide” are also a mixed bag, but tend to be a little stripped down/simplified to make them easier. While some are great as they are, some are a little uninspiring until you add some extra inner harmony, arpeggiation, or other pizzazz. The arrangements are great for late-beginner/intermediate players, and they are excellent skeletons/frameworks/starting points from which more advanced players can add extra spice. The arrangements utilize a variety of alternating bass lines and arpeggiation. Hal Leonard's “Fingerpicking Yuletide” has 16 tunes. Phillips' “Christmas Carols for Easy Classical Guitar” has 22 tunes. Hill's “Classical Guitar Christmas Sheet Music” has 30 tunes. Hal Leonard's “Fingerpicking Yuletide” is the only book out of the three that has the lyrics written into the music which is nice when playing with friends/family or for helping you to sing the melody out loud or in your head while you are playing solo. Phillips' “Christmas Carols for Easy Classical Guitar” is the only book out of the three that comes with recordings of the tunes (mine came with a CD). All three books are worth buying – it just depends on what you're looking for. My eBook: Arranging for Fingerstyle Guitar: go to http://joemcmurray.com/checkout/ to purchase a pdf of my eBook. My music is available on all streaming platforms: Pins on the Map: my third fingerstyle guitar album will be released in January 2024. The first single, "Open Road," was released 10/20/23. Watch it on YouTube here: https://youtu.be/uPBh8sZQsT4?si=EM_wAwnHFqU1VC9C. Three other singles have since been released: “Lost and Found,” “The Matador,” and “Pins on the Map.” Riding the Wave and Acoustic Oasis: my first two fingerstyle guitar albums.
Wolf Marshall Talks To JGT About His New Book, "Jazz Guitar Course - Mastering The Jazz Language" - A Hal Leonard BookGo to jazzguitartoday.com and bassmusicianmagazine.com more interviews and lessons.
Is this one of the best or worst method books for fingerstyle guitar? You can learn to play music using a variety of resources including teachers, online resources, and books. Richard S. Saslow's The New Art of Ragtime Guitar is a fun, well-graduated repertoire + analysis book for learning to play the fingerpicking guitar style known as ragtime guitar. It is aimed at intermediate and advanced fingerstyle players, although late beginners can certainly take a stab at the first couple tunes. The book teaches ragtime guitar through studies of 8 tunes of increasing difficulty. Each tune is broken down into sections with around 6 measures of the music (treble clef and tablature) on one page and a detailed analysis on the facing page. Full condensed tunes are in the back of the book. Out of the author's eight original tunes, seven are standard sounding ragtime tunes and one is a blues. Among the ragtime tunes, there is a bit of variation in feel from upbeat and happy to bluesy and minor to jazzy. There are also several key signatures and some unique harmonizations. All of the ragtime tunes utilize an alternating bass line as well as some short segments of walking bass line. The blues tune mainly uses a monotonic bass typical of the Texas blues fingerpicking style. This is not a method book for learning the basics of fingerstyle guitar in a logical progression from your first notes through to mastery (check out Alfred's Beginning Fingerstyle, Hal Leonard's Fingerstyle Guitar, or Mel Bay's Complete Chet Atkins Guitar Method). However, there are about 20 pages of introductory text discussing equipment, notation, the ragtime style, and technique. There is definitely some useful information in this section, especially for novice players. However, I wouldn't get too caught up reading this entire section all at once – I would recommend jumping into the tunes which often refer you back to the technique sections of the introduction. Read the detailed stuff then! Where the book really excels is in its presentation of the music and its corresponding analysis. As I mentioned before, for each ragtime tune you will see ~6 measures of music on one page and the detailed analysis on the facing page. This analysis features detailed directions, techniques, and other tips for the 6 measures at hand. I usually play through the music once, and then go through the analysis carefully, marking fingerings, anchor fingers, guide fingers, etc. into the music as well as into the condensed version of the tune in the back of the book. The analysis really does give you insights into how to properly play these tunes (and future tunes from any source) smoothly and musically. Authentic sounding fingerstyle ragtime tunes. Good difficulty graduation. You will spend much more time playing music than analyzing music theory. Online recordings of each tune are available. The book doesn't get into the modern percussive techniques used by modern players like Michael Hedges, Don Ross, Andy McKee, Mike Dawes, etc. No thumb slaps, guitar body percussion, or tapping. I recommend using an acoustic steel string guitar rather than a classical guitar since there are multiple tunes that utilize the fretting hand thumb over the top. Independently published by the author via Acoustic Truth. © 2011, 2017 (2nd edition) eBook: Arranging for Fingerstyle Guitar: go to http://joemcmurray.com/checkout/ to purchase a pdf of my eBook. Riding the Wave: my second fingerstyle guitar album is available on all streaming platforms. Pins on the Map: my third fingerstyle guitar album will be released in January 2024. The first single, "Open Road," was released 10/20/23. Watch it on YouTube here: https://youtu.be/uPBh8sZQsT4?si=EM_wAwnHFqU1VC9C
To Support the Channel:Patreon https://www.patreon.com/AskZacTip jar: https://paypal.me/AskZacVenmo @AskZac Or check out my store for merch - www.askzac.comThe bane of most Telecaster players is getting both the neck and bridge pickups to sound their best. It seems when you get the neck pickup sounding right, the bridge is too bright, or if reversed, the bridge sounds great, and the neck pickup is just too dark to cut through. The bridge pickup needs the amp to be set darker, and the neck pickup requires a brighter amp tone. After struggling with this for years, I decided to try wiring the tone pot to only the bridge pickup on my Telecaster. This was a total game-changer. Now I could set my amp's tone controls for a clear yet fat tone on the neck pickup, then move to the bridge setting and tone down the treble, to get it sounding twangy yet without any icepick-like highs.Wiring Schematichttps://www.askzac.com/post/no-tone-o...Note on the Bill Carson book. Unfortunately, this is another title that has drifted out-of-print and is hard to find. Perhaps Willie Moseley, Vintage Guitar Magazine, and Hal Leonard will bring it back in some form.#askzac #zacchilds #telecastermodsSupport the show
“It's powerful to see [the Dallas Street Choir] perform. It's powerful to see the invisible become visible. Both the audience reaction to take an invisible, isolated population and see them for the very first time in many ways, but it's also powerful for them to be seen.”Jonathan Palant is Associate Dean of the Arts and Director of Choral Activities at the University of Texas at Dallas and is founder and conductor of the Credo Community Choir, a 140-member adult mixed choir, and the Dallas Street Choir, a musical outlet for those affected by homelessness. In addition, Dr. Palant is Director of Music at Kessler Park United Methodist Church, and is employed by the Dallas Independent School District to mentor middle and high school vocal music teachers.From 2007-2011, he served as Artistic Director of Dallas' Turtle Creek Chorale. Prior to that, Palant held collegiate teaching positions at Western Kentucky University and Madonna University in Livonia, Michigan. He taught secondary choral music at University School, an all-boys independent school in Cleveland, Ohio, and San Pasqual High School in Escondido, California.Dr. Palant currently serves as president of the National Alliance for Music In Vulnerable Communities, Repertoire and Standards Chair for the Southwest American Choral Directors Association (SWACDA), and sits on the board of directors of the Intercollegiate Men's Choruses. He has also served on the state board of the Michigan chapter of the American Choral Directors Association and Youth First Texas where he was founder and conductor of Dallas PUMP!, a choir serving at-risk youth.Dr. Palant holds degrees from Michigan State University, Temple University and the University of Michigan.Both Palant's book, Brothers, Sing On! Conducting the Tenor-Bass Choir and Brothers, Sing On! The Jonathan Palant Choral Series are published by Hal Leonard.To get in touch with Jonathan, you can email him at jonathanpalant@gmail.com or find him on Facebook (@jpalant).Choir Fam wants to hear from you! Check out the Minisode Intro Part 2 episode from May 22, 2023, to hear how to share your story with us. Email choirfampodcast@gmail.com to contact our hosts.Podcast music from Podcast.coPhoto in episode artwork by Trace Hudson
Episode 340 Album Review – The Jimi Hendrix Experience - Are You Experienced? This album is a very special one to me and I cannot believe I haven't covered it already. My music collection would be far from complete without this album alone. Let's dig in to this mega famous album from 1967. Album Links: iTunes: https://music.apple.com/us/album/are-you-experienced-deluxe-version/357225315 Amazon: https://www.amazon.com/Are-Experienced-Jimi-Hendrix-Experience/dp/B00JFVORBI/ref=sr_1_1?keywords=jimi+hendrix+are+you+experienced&qid=1687656778&sprefix=jimi+hendrix+are+you+experien%2Caps%2C140&sr=8-1 Song Book by Hal Leonard: https://www.amazon.com/Jimi-Hendrix-Are-You-Experienced/dp/0793526949/ref=sr_1_3?keywords=jimi+hendrix+are+you+experienced&qid=1687656812&sprefix=jimi+hendrix+are+you+experien%2Caps%2C140&sr=8-3 Band Website: https://www.jimihendrix.com/ Band: Jimi Hendrix – Guitar & Vocals Noel Redding – Bass Guitar & Backing Vocals Mitch Mitchell – Drums & Backing Vocals Engineer: Eddie Kramer, Mike Ross and Dave Siddle Producer: Chas Chandler HaskinCast Podcast links: My Website: https://www.scotthaskin.com/podcast Official Facebook page: https://www.facebook.com/profile.php?id=1210703585754449&ref=br_rs #JimiHendrix #NoelRedding #MitchMitchell #EddieKramer #Psychedelic #PsychedelicRock #LasVegas #Podcast #PodcastLife #HaskincastPodcast
Mike Stevens joins me on episode 89.Mike is a Canadian who made his name playing Bluegrass harmonica, performing with some of the biggest names in Bluegrass and playing at The Grand Old Opry over 300 times. Mike toured with Bluegrass legends, Jim & Jesse McReynolds, and recently played two songs on harmonica at Jesse's funeral. Mike won the Canadian Bluegrass artist of the year for five consecutive years, and released a Bluegrass book with Hal Leonard.But Bluegrass isn't his only genre, also playing Americana, Blues, solo looping, soundscapes and even ballet and West African music.Mike also tells us about synesthesia, a condition which means he sees music in colours and shapes, and how this has impacted his music. On top of all this, Mike has been a leading figure in bringing music to indigenous communities in Canada, distributing some fifty thousands harmonicas to young people. Links:Mike's website:www.mikestevensmusic.comArtscan Circle:www.artscancircle.ca A Walk In My Dream documentary:https://mikestevensmusic.com/walk-in-my-dreamVideos:Playing at the Grand Old Opry with Jim & Jesse:https://www.youtube.com/watch?v=_YIpFQccOUoPlaying at Jesse McReynold's funeral:https://view.oneroomstreaming.com/index.php?data=MTY4NzgyMTYwMjI1ODU0MyZvbmVyb29tLWFkbWluJmNvcHlfbGluaw==Playing with Matt Andersen:https://www.youtube.com/watch?v=k6iCgQoaViMTED talk on Artscan Circle: bringing music to indigenous communities:https://www.youtube.com/watch?v=3-4uQoNq4M4Blue Sky music festival presentation:https://www.youtube.com/watch?v=e7s-x9tMn6QPodcast website:https://www.harmonicahappyhour.comDonations:If you want to make a voluntary donation to help support the running costs of the podcast then please use this link (or visit the podcast website link above):https://paypal.me/harmonicahappyhour?locale.x=en_GBor sign-up to a monthly subscription to the podcast:https://www.buzzsprout.com/995536/supportSpotify Playlist:Also check out the Spotify Playlist, which contains most of the songs discussed in the podcast:https://open.spotify.com/playlist/5QC6RF2VTfs4iPuasJBqwT?si=M-j3IkiISeefhR7ybm9qIQPodcast sponsors:This podcast is sponsored by SEYDEL harmonicas - visit the oldest harmonica factory in the world at www.seydel1847.com or on Facebook or Instagram at SEYDEL HARMONICASSupport the show
On this episode of The Stage, John Mlynczak, the new President and CEO of National Association of Music Merchants (NAMM), joins the show to discuss how music education and creative industry can work together to better the future of music as a whole. John has so much experience not only in the creative industry space, but also in the music education world, as well. He has worked as a music educator, the VP at Hal Leonard, and even in the music technology space. Some topics discussed in today's conversation:How John's background in music education and music technology assisted in getting him to this pointWhat he hopes to accomplish in his presidency with NAMMImportance of the NAMM Show for the creative industryRelationship of music education and creative industry in 2033Future plans for arts advocacyHis favorite hobbySubscribe and leave a rating! Follow us on Twitter, Facebook, Instagram, and LinkedIn! https://www.nfhs.org/ Know someone who would be a great guest? Email: kburke@nfhs.org
You can learn to play music using a variety of resources including teachers, online resources, and books. Hal Leonard's 100 Most Popular Songs for Fingerpicking Guitar is a repertoire book filled with solo fingerstyle guitar arrangements of popular songs from mostly the 1960s through present day. Genres covered include classic and modern rock, pop, folk, jazz, theme songs, Spanish classical, and more. There are songs from the Beatles, Ed Sheeran, Duke Ellington, Metallica, Aerosmith, Imagine Dragons, Bob Marley, Stevie Wonder, etc. Most of the tunes are suitable for intermediate fingerstyle players, although there are some easier tunes for late beginners as well as some tunes that are significantly more difficult. If you are looking to build out your repertoire for local gigs, this book is incredible! Overall, the arrangements are in guitar-friendly keys, they stay below the 5th fret, and they sound good. You can always simplify or add to the arrangements to suit your tastes and skill level. Most tunes are in standard tuning, although there are some tunes that use drop D tuning. Tunes are arranged utilizing a variety of techniques including simple melody and bass, alternating bass, and arpeggiation. The book doesn't get into the modern percussive techniques used by modern players like Michael Hedges, Don Ross, Andy McKee, Mike Dawes, etc. No thumb slaps, guitar body percussion, or tapping. Although this book is a repertoire book and not a method book, there is a single page in the back providing an “Introduction to Fingerstyle,” which is probably worthless to anyone who is attempting to play the tunes in this book. The rest of the book is just filled with song arrangements in alphabetical order, and there is no background information for any of the tunes. The music is presented as a treble clef lead sheet with the main melody and the harmonizing chords written above, and the solo guitar arrangements are presented in treble clef and tablature. Occasional left-hand fingerings are provided. Although this book has great tunes for your gigs, it would be difficult to bring the book to a gig and play from the pages. The book is 430 pages and has a softcover binding, so you need binder clips to hold the pages open. Most tunes require multiple page turns, which is a disaster if you are holding the pages open with binder clips. Your only options would be to photocopy pages or memorize the tunes. For most of the tunes you could use an acoustic steel string or classical nylon string guitar since most arrangements don't require using your fretting hand thumb over the top. Extensive song selection. You are bound to like at least a few of the tunes if you like popular or rock music. Great arrangements that generally feature melody and bass, alternating bass, and/or arpeggiation. Provides treble clef lead sheets (melody with harmonizing chords written above) as well as treble clef and TAB guitar arrangements. Some fretting hand fingering is included, but there isn't any picking hand fingering. Hard to hold pages open, lots of page turns. No audio access. However, arrangements generally sound similar to the original tunes. Published by Hal Leonard. © 2019 eBook: Arranging for Fingerstyle Guitar: go to http://joemcmurray.com/checkout/ to purchase a pdf of my eBook. Riding the Wave: my second fingerstyle guitar album is available on all streaming platforms.
He is not only a musician, but he is the new President & CEO of the National Association of Music Merchants (NAMM). Previously he served as Vice President of Music Education & Technology at Hal Leonard, and he is the immediate Past-President of the Technology Institute of Music Educators. He has taught online graduate courses at VanderCook College and served as Director of Education for PreSonus Audio. As a performer he had been playing first trumpet in the MetWinds in Boston and has enjoyed a long career of performing in symphony orchestras, pit orchestras, and top 40 bands.
L.E.A.P: Listen, Engage, Allow and Process on Your Healing Journey
Welcome to Rock Your Shine: After you've been cracked wide open. On this show, I sit down with people from all over the world to hear their transformational stories on their deep grief and loss journeys. In this episode, we delve into the depths of grief and loss with Jon Hazilla, who has experienced unimaginable pain. Jon shares his heartbreaking journey of losing three siblings and going through a divorce while processing deep grief. Discover the transformative power of 'heart play' and gain insights into understanding your own dark place. Jon opens up about his experience with therapy and his thoughts on medication. We explore practical tools to pull yourself out of a dark place and discuss whether Jon took time to withdraw and shut everything out. Navigating the loss of his siblings and the impact of divorce on handling other losses are explored. We delve into the topic of receiving signs from the other side and how Jon tapped into music and playfulness as sources of healing. Discover how Jon found moments of joy while still in darkness. We also explore what Jon's relationship with his ex-wife looks like post-divorce and gain insights into his journey of self-love. Jon Hazilla has performed and/or recorded with: Jo Anne Brackeen, James Williams, John Hicks, Billy Taylor, Aaron Goldberg, Ray Drummond, Ron Carter, George Garzone, Benny Golson, Billy Pierce, Steve Grossman, Larry Coryell, Kenny Wheeler, Sheila Jordan, Ran Blake, John Clayton, and Max Roach. He continues to perform in countless global festivals from the Azores to Costa Rica, Warsaw, Rome, Nice, Serbia, and Kyoto, to name a few. He is a graduate of New England Conservatory of Music. He received a National Endowment Award in 1987, The Robert Porter Memorial Advancement Award in Education from the American Federation of Teachers in 2002, a Berklee Fellowship Grant in 2006, and the Steelgrass residency in Kauai, Hawaii in 2012. Jon has produced eight CDs as a leader, and recorded over 45 more as a sideman. Berklee Press published his first book Mastering the Art of Brushes in 2002, and its second edition in 2017. His second book Rhythmic Reflections on Creative Teaching was published by Mosaic Eye Publishing in 2013. Hal Leonard released his DVD Brush Control in 2008. He is co-founder of “Jazz on Wheels,” a volunteer group of musicians that performs free concerts at Boston Public libraries for inner-city children. He was a mentor for the City Music Program, volunteered for Habitat for Humanity helping survivors of Hurricane Katrina, was music facilitator for Project COMMON BOND serving young adults from around the world who have experienced trauma, and is artistic coordinator for Peace by Piece, a community trauma outreach program in South Boston. He is a certified hospice volunteer for Aseracare Hospice. He was a Pastoral Associate at First Parish in Brookline (Unitarian Universalist) and taught in the Religious Exploration program. He has run over 40 marathons and one ultra, and has a PR of 2:38. Jon is a professor at Berklee College of Music where he has taught since 1987. Jon's natural gift for teaching keeps him in high demand in and around Boston and worldwide. Join us as we navigate the depths of loss, find healing, and embrace the resilience of the human spirit. **TRIGGER WARNING** This episode covers sensitive subject matter and is not suitable for all listeners. If this topic could be a trigger for you, listen to this episode with a friend, a sibling, a loved one or a parent so you can talk about any emotions that come up for you. The contents of this episode are not intended to replace therapy and should not be taken as such. If you need immediate help, please call the crisis hotline listed below in our resources. Listen in as we talk about: [2:45] The 3 siblings he has lost [5:25] Going through a divorce and processing deep grief and loss at the same time [8:15] The power of ‘heart play' [12:50] Understanding your dark place [13:50] Seeing a therapist and his thoughts on medication [16:00] Tools to pull yourself out of a dark place [20:10] Did he take time to withdraw and shut everything out? [22:55] Navigating the loss of his brother [24:15] Did the loss from divorce help him handle the other losses in his life? [27:35] Receiving signs from the other side [32:45] Tapping into music and playfulness [40:00] Finding joy while still in darkness [47:10] What his relationship with his ex-wife looks like post-divorce [49:15] What self love looks like for Jon today [51:35] Hope is… Resources mentioned in this episode: Book: https://www.amazon.com/Rock-Mining-River-Sibling-Grief/dp/1732888892/ref=sr_1_1?keywords=Rock+On%3A+Mining+for+joy&qid=1570199126&sr=8-1 Coure: L.E.A.P 6 week virtual course: https://rockyourshine.com/l-e-a-p-into-light-and-healing-6-week-virtual-course/ Grief Hotline: https://www.griefresourcenetwork Connect with Susan http://instagram.com/susan.casey/ https://www.facebook.com/Susan-E-Casey-101187148084982 https://www.youtube.com/channel/UCDcl58l8qUwO3dDYk83wOFA https://rockyourshine.com/ https://www.tiktok.com/@leapwithsusan?
You can learn to play music using a variety of resources including teachers, online resources, and books. Hal Leonard's Fingerpicking Beatles is full of accessible arrangements of popular Beatles songs. The tunes are suitable for late beginner/early intermediate through advanced players. The arrangements often have simplified rhythms, they sometimes leave out either bass notes or inner harmony notes where they would be difficult to grab, they stay mostly below the 5th fret, and they are in guitar friendly keys. I think this is a fun book that is well worth the money. The simplicity of many of the arrangements is something that I prefer for a repertoire book like this. Hal Leonard has done the work of putting the tunes into guitar-friendly keys and providing basic arrangements that are entirely recognizable and effective. Aside from the melody, the arrangements often include important bass lines, horn lines, and harmonies. For experienced players, the tunes present many opportunities for embellishment. Some tunes are arranged in more of a melody and bass style, some feature more arpeggiation, and some feature alternating bass lines. The style typically fits the essence of the tune. 1) Excellent repertoire from across the Beatles discography. Variety of upbeat and slower tunes (and everything in-between). 2) Provides treble clef lead sheets (melody with harmonizing chords written above) as well as treble clef and TAB guitar arrangements. 3) Generally simplified arrangements as I detailed above. 4) Some fretting hand fingering is included, but there isn't any picking hand fingering. 5) Longer tunes have lots of page turns at sometimes inconvenient places. 6) No audio access. The book doesn't get into the modern percussive techniques used by modern players like Michael Hedges, Don Ross, Andy McKee, Mike Dawes, etc. No thumb slaps, guitar body percussion, or tapping. For most of the tunes you could use an acoustic steel string or classical nylon string guitar since most arrangements don't require using your fretting hand thumb over the top. Published by Hal Leonard. © 1996 eBook: Arranging for Fingerstyle Guitar: go to http://joemcmurray.com/checkout/ to purchase a pdf of my eBook. Riding the Wave: my second fingerstyle guitar album is available on all streaming platforms.
Steve Guyger joins me on episode 82.Steve is from the Philadelphia area of the US and he absorbed the blues harmonica players when he first got into playing, with John Lee Williamson a big early inspiration. Steve was also great friends with the late Paul Oscher, making three albums with him. Steve also teamed up with the legendary Jimmy Rogers, over the course of fourteen years. Steve has released five albums under his own name, with a great mix of diatonic and chromatic blues.Steve's long-standing band is the Excellos, who are still performing more than forty years after their formation, and Steve is due to play in a Jimmy Rogers tribute in Switzerland with Dennis Gruenling and Nick Moss sometime soon.Links:https://severnrecords.com/artist/steve-guyger/Blues Harmonica DVD on Hal Leonard:https://www.halleonard.com/product/821042/blues-harmonicaDennis Gruenling website:https://badassharmonica.com/Videos:Steve's YouTube Music channel:https://music.youtube.com/channel/UCkeHm0xNz2csT5fc4zP-84APaul Oscher playing bass harmonica on The Things I Used To Do:https://www.youtube.com/watch?v=LIPIrMNiR3MLive concert with Excellos:https://www.youtube.com/watch?v=50DvEI8VUlQ&t=3576sI Can See By Your Eyes song:https://www.youtube.com/watch?v=YgJ9lFhEa00Rock This House (live at Austrian Blues festival):https://www.youtube.com/watch?v=THqRX2PYBdQSammy Lewis playing in 5th position:https://www.youtube.com/watch?v=UyKLRO2x6uESnake Oil live performance (outro song):https://www.youtube.com/watch?v=3IrQkiHJVdcPodcast website:https://www.harmonicahappyhour.comDonations:If you want to make a voluntary donation to help support the running costs of the podcast then please use this link (or visit the podcast website link above):https://paypal.me/harmonicahappyhour?locale.x=en_GBSpotify Playlist: Also check out the Spotify Playlist, which contains most of the songs discussed in the podcast:https://open.spotify.com/playlist/5QC6RF2VTfs4iPuasJBqwT?si=M-j3IkiISeefhR7ybm9qIQPodcast sponsors:This podcast is sponsored by SEYDEL harmonicas - visit the oldest harmonica factory in the world at www.seydel1847.com or on Facebook or Instagram at SEYDEL HARMONICAS
You can learn to play music using a variety of resources including teachers, online resources, and books. Mark Hanson's The Art of Solo Fingerpicking is a serious method book aimed at intermediate and advanced guitar players who want to expand upon their knowledge of playing solo fingerstyle guitar arrangements utilizing alternating bass (or Travis Picking). This might be the book for you if you have some experience playing fingerstyle and you want to learn some more advanced concepts and take things to another level. Do not buy this book if you are just beginning with fingerstyle guitar. 1) The book expands on basic alternate-bass driven solo arrangements with lessons on how to create variations in your picking patterns, how to use chord inversions to modify your bass lines, how to play in alternate time signatures, how to add picking hand rolls to your picking patterns, how to use fretting and picking hand damping, and how to gain speed. 2) Excellent info on picking hand positions and technique. More detail than almost any book I've seen. 3) After presenting a concept there is always a song that utilizes that concept. This immediate application is satisfying and makes the book feel cohesive. 4) Great repertoire. Mostly the author's original songs or arrangements. No famous songs that you've heard on the radio, but the included songs are legitimately catchy, dynamic, and stylistically varied (within the umbrella of the alternating-bass style). 5) High quality audio access is included. The book does not discuss arranging for fingerstyle guitar (taking a tune or melody and creating a solo fingerstyle arrangement/version). It also doesn't get into the modern percussive techniques used by modern players like Michael Hedges, Don Ross, Andy McKee, Mike Dawes, etc. No thumb slaps, guitar body percussion, or tapping. I recommend using an acoustic steel string guitar rather than a classical guitar since there are multiple tunes that utilize the fretting hand thumb over the top. Published by Accent on Music and Mark Hanson. Original © 1988. Distributed by Hal Leonard. eBook: Arranging for Fingerstyle Guitar: go to http://joemcmurray.com/checkout/ to purchase a pdf of my eBook. Riding the Wave: my second fingerstyle guitar album is available on all streaming platforms.
Today I'm speaking with Johan de Meij, a Dutch composer and conductor who has been self-publishing his music ever since the premiere of his symphony number one, based on the Lord of the Rings, which premiered 35 years ago this month and catapulted him to fame within the world of wind orchestra music. We had a fantastic conversation about Tolkien, creative orchestration, marketing compositions through unique titles, the history of wind orchestra music, what to do with success, and a host of other topics. His music is distributed through Hal Leonard, and a new edition of the Symphony Number one will be released next month. Download “Trends and Changes in Today's Wind Orchestra Scene” by Johan de Meij Music referenced in this episode: Symphony No. 1: “The Lord of the Rings” 1. Gandalf https://www.youtube.com/watch?v=9MAf3K0SYfs 2. Lothlórien https://www.youtube.com/watch?v=060j5MQgv4Y 3. Gollum https://www.youtube.com/watch?v=jbptS62Az_c 4. Journey in the Dark https://www.youtube.com/watch?v=gzyV1sJjDis 5. Hobbits https://www.youtube.com/watch?v=W0KLTU5vrxw T-bone Concerto I. Rare https://www.youtube.com/watch?v=EMNzn-o2mtU II. Medium https://www.youtube.com/watch?v=9riaNmm8haQ III. Well Done https://www.youtube.com/watch?v=1f2c-YbC6UU Fellini https://www.youtube.com/watch?v=itG9hSrR_sQ Visit garrettbreeze.com for episode transcripts, arranging resources, and links to Garrett's music. Subscribe to the Garrett Breeze YouTube channel for video versions of the podcast. --- Support the podcast on Patreon. Give your choir the gift of new music this Christmas from holidaychoirmusic.com! --- Support this podcast: https://podcasters.spotify.com/pod/show/garrett-breeze/support
Recorded live at the Hal Leonard Booth at ACDA Cincinnati, I talk with Luke Talen (Creative Director of Choral Publications for Hal Leonard), Liz Groch (Head of Growth for Sheet Music Plus, and Scott Harris (Program Manager for ArrangeMe) in a wide ranging conversation about choral music and what composers can do to make their music stand out. Visit garrettbreeze.com for episode transcripts, arranging resources, and links to Garrett's music. Subscribe to the Garrett Breeze YouTube channel for video versions of the podcast. --- Join the world's largest self-publishing community at ArrangeMe.com today. Support the podcast on Patreon. Give your choir the gift of new music this Christmas from holidaychoirmusic.com! --- Support this podcast: https://anchor.fm/garrett-breeze/support
You can learn to play music using a variety of resources including teachers, online resources, and books. Hal Leonard's "Fingerstyle Guitar" is a solid method book aimed at beginner, intermediate, and advanced guitar players who want to learn to play solo fingerstyle guitar arrangements complete with melody, bass lines, and inner harmony. It also has a chapter focused on accompaniment styles for those players looking to play fingerstyle guitar and sing (or accompany another melody instrument. This book ranges in difficulty from easy to hard, often within each chapter. 1) Good information about choosing an acoustic guitar and other gear. 2) Good fingerstyle arpeggiation and alternating bass patterns followed by musical application of those patterns. Unfortunately, the musical applications are often disconnected from each other (they don't build on each other and there isn't much explanation). 3) Introduces all the elements of playing fingerstyle guitar. Melody, bass, inner harmony, arpeggiation, alternating bass, special techniques, introduction to alternate tunings. 4) Probably the best popular repertoire of any method book on the market. Hal Leonard presents popular tunes from the Beatles, Bob Dylan, James Taylor, etc. You could buy the book just for the repertoire. 5) Wonderful chapter on arranging for fingerstyle guitar. 6) Audio Access included. Personally, I don't like how the book teaches alternate tunings. It basically gives you a bunch of chord charts and a few examples for Open G tuning. They do a slightly better job of discussing Drop D tuning. It would have been nice if they had arranged “Silent Night” (the focus of Chapter 4) in each of these tunings so that you got a sense of why you might want to use them. Obviously, each alternate tuning causes the melody to lay out differently on the fretboard, and each alt tuning gives you different access to bass notes, inner harmony, harmonics, etc. Although the book does introduce percussive string slaps, for the most part it does not get into the modern percussive techniques used by modern players like Michael Hedges, Don Ross, Andy McKee, Mike Dawes, etc. No guitar body percussion or tapping. Hal Leonard's “Fingerstyle Guitar” covers a lot of ground and you could return to it for years. You could buy it just for the great repertoire. However, as a method book, I'd first recommend Alfred's “Beginning Fingerstyle Guitar Method, and if you are into the alternate bass style then maybe Mel Bay's “Chet Atkins Guitar Method.” Acoustic steel string or classical nylon string guitar. Published by Hal Leonard, written by Chad Johnson. © 2009 eBook: Arranging for Fingerstyle Guitar: purchase a pdf of my eBook at http://joemcmurray.com/index.php/checkout/ Riding the Wave: my second fingerstyle guitar album is available on all streaming platforms including Spotify and Apple Music.
"I call it 'choral confession.' They come up to you and tell you their history with choir: 'I don't read sheet music.' 'I'm not a soloist.' These are wonderful capable singers, musically creative individuals that love what they do and contribute so much. My hope is that a book like this can give them the confidence to look at themselves and say 'I'm not just the blending voice that maybe my seventh grade choir teacher told me I am. I'm a contributor."Matthew Bumbach is a sought-after conductor, composer, adjudicator, and clinician who has worked throughout North America, Europe, and Africa. He is the Director of Music Ministries at Shallowford Presbyterian Church in Atlanta, GA. Matthew has performed and recorded with such artists as Gloria Estefan, Time for Three, and Broadway's star Rachel Potter. He has published research in NCCO's The Choral Scholar, Chorus America's Research Memorandum Series, ACDA's The Choral Journal, and several state and regional journals. Matthew's choral arrangements are published by Hal Leonard. In 2022, Dr. Bumbach coauthored A Quick Start Guide To Choral Singing (GIA Publications) with Dr. Dean Luethi. Matthew lives in Atlanta, Georgia, with his wife, Dr. Melissa Bumbach, and their twin daughters, Rachel and Selena. To get in touch with Matt, you can find him on Facebook (@mbbumbach) or email him at mbumbach@shallowford.org.Choir Fam wants to hear from you! Check out the Minisode Intro episode from September 16, 2022, to hear how to share your story with us. Email choirfampodcast@gmail.com to contact our hosts.Podcast music from Podcast.coPhoto in episode artwork by Trace Hudson from Pexels
Most aspiring composers have narrow goals, seeing film (or video game) music or being a concert composer as the way to go, but if you can create music on paper, you actually have many options to contribute original music and add at least some income in the process. One of those ways is composing for publication that is marketed to schools and churches: music for school bands and orchestras, music for church choirs and handbells ensembles, and more. It's a tricky world that requires a flexible but creative composer who can still write very good music that is specifically tailored to various ages and levels. Bruce Tippette is a composer with dozens of published works through Alfred Music, Hal Leonard, C. Alan Publications, Carl Fischer, FJH, and more, many of which have been honored as J.W. Pepper's Editors Choice. Bruce talks with us about the skills needed to become this type of composer, how to navigate the sometimes intimidating grading system of school ensembles, strategies to getting published, and how all of this can lead to building relationships and getting commissioned work. You can explore Bruce's music and contact him through his website at https://www.brucewtippette.com/ If you have a question or feedback after listening to this episode you can leave a voice message at https://www.speakpipe.com/MusicianToolkit or you can send me a written message at https://www.davidlanemusic.com/contact You can find this episode and links to this show on all podcast apps from https://musiciantoolkit.podbean.com/ . If you enjoyed this, please give it a rating and review on the podcast app of your choice. You can follow David Lane AND the Musician Toolkit podcast on Facebook @DavidMLaneMusic, on Instagram and TikTok @DavidLaneMusic, and on YouTube @davidlanemusic1 This episode is sponsored by Fons, an online platform that helps private teachers of all types (music, yoga, martial arts, academic tutoring, coaches, etc) with smooth, automated assistance such as securing timely automatic payments and scheduling. Click here for more information or to begin your free trial.
Today's podcast features the legendary Roger Emerson! With over 30 million copies sold, Roger is the most widely performed composer/arranger of popular choral music in the world. He has more than 900 titles available in print through Hal Leonard, but is also involved in self publishing music through his website rogeremerson.com which makes him the ideal person to talk through both sides of the industry. Visit garrettbreeze.com for episode transcripts, arranging resources, and links to Garrett's music. Subscribe to the Garrett Breeze YouTube channel for video versions of the podcast. --- Join the world's largest self-publishing community at ArrangeMe.com today. Give your choir the gift of new music this Christmas from holidaychoirmusic.com! --- Support this podcast: https://anchor.fm/garrett-breeze/support
"We've found other ways to make music by centering on the creative process and composition – collective composition in particular. Bringing young people together to meet across difference and to put music at the center as a tool for them to engage in dialogue has just been greater than I could have imagined."Alysia Lee receives national recognition for advancing access, equity, and decolonization with leaders, organizations, and communities. Her methods center on youth, anti-racism, creativity, and justice.Alysia is the inaugural President of the Baltimore Children & Youth Fund, the bold hyperlocal grantmaker stewarding public funds to support the success of Baltimore's young people. Lee is the Founder and Artistic Director of Sister Cities Girlchoir (SCG), the El Sistema-inspired, girl empowerment choral academy in Philadelphia, Camden, and Baltimore in its tenth season. SCG is an award-winning and trendsetting choral education program with performance credits from Carnegie Hall, The Kennedy Center, and numerous school and community stages.Lee has an emerging voice as a choral composer. She is the series editor of Hal Leonard's Exigence for Young Voices, the new choral series uplifting Black, Brown, Indigenous, and Asian composers for young choir ensembles. Her piece ‘Say Her Name' is published by Hal Leonard. She has recent composition commissions from Baltimore Choral Arts, Portland Lesbian Choir, and GALA Choruses. Lee is also a Board member of Chorus America and a National Advisor to ArtsEdSEL. Lee is formerly the education program supervisor for Fine Arts Education for the Maryland State Department of Education across five arts disciplines: music, dance, visual art, theatre, and media arts.Recent recognitions include awards from The Kennedy Center, The Knight Foundation, National Association of University Women, Stockton Bartol Foundation, Geraldine R. Dodge Foundation, and BEQ Pride. Recent speaking/facilitation engagements include the U.S. Department of Education, The Kennedy Center, VH-1 Save the Music, Carnegie Hall, Arts Education Partnership, TEDX, many colleges and universities, and national and state professional associations.A Baltimore native, Lee is an alumna of Maryland public schools (Baltimore County Public Schools). She earned her graduate degree from Peabody Conservatory. Alysia also completed Executive Education programs at Harvard University and La Salle University.To get in touch with Alysia, follow her on Instagram: @alysiadlee.Choir Fam wants to hear from you! Check out the Minisode Intro episode to hear how to share your story with us. Email choirfampodcast@gmail.com to contact our hosts.Podcast music from Podcast.coPhoto in episode artwork by Trace Hudson from Pexels
Ten holiday-themed activities to use during your December group classes. ITEMS MENTIONED IN THIS EPISODE (1) Solo Performances (add instruments to make it an ensemble) (2) Jingle Bells arrangement with Rhythm Instruments from Susan Paradis (3) Piano Ensembles Christmas Piano Ensembles from Hal Leonard (equal-level parts) Christmas Piano Ensembles from Piano with Lauren (equal-level parts) Christmas Piano Ensembles from Dorla Aparicio (multi-level parts) (4) Harmonic Audiation Activities to Christmas Tunes Christmas By Ear Chord Charts and Leads Sheets from Amy Chaplin (5) Holiday Rhythm Cups from Wendy Stevens (6) The 12 Days of Christmas Video Project from Joy Morin (7) Hallelujah Chorus Listening Map from MakingMusicFun.net (8) Thank You Cards to Parents for the Gift of Music (9) Christmas Music Videos (10) Expressive Movement Activity for “Trepak” from the Nutcracker VIDEO EXAMPLES FROM AMY'S STUDIO Christmas Piano Ensemble from Hal Leonard's books 12 Days of Christmas video project 2021 Christmas rhythm cups RATE and REVIEW “I love Amy and The Piano Pantry Podcast!” ←- If that sounds like you, please consider rating and reviewing the show! Here's how: Click here to open the podcast page If it doesn't automatically open in iTunes, click on “Listen on Apple Podcasts” Click “Ratings and Reviews,” tap to rate with five stars, and select “Write a Review”. Be sure and let me know what you love most! SUBSCRIBE Click here to subscribe to Piano Pantry's GENERAL email list to keep up-to-date on all things new! CONNECT Facebook @PianoPantry Instagram @amychaplinpiano Website PianoPantry.com/podcast/ TRANSCRIPT: There is no transcript available for this episode. SEND ME A VOICEMAIL --- Send in a voice message: https://anchor.fm/piano-pantry-podcast/message
Today we're talking about one of early PC computing's most iconic songs, "Trip Through the Grand Canyon" also known as "CANYON.MID" with none other than the composer himself, George Stone! We take a trip down memory lane and discuss how the song was written, how it ended up on millions of PCs around the world starting with Windows 3.0, and its status as a song that remains beloved to this day. George Stone is a multi-talented jazz musician who has been active for over 35 years; he's a performer, composer, arranger, and long-time professor at Cuesta College (Music, Recording Arts, Jazz performance/arrangement/composition). In addition to teaching and live performance, George recently did orchestration and arrangement for the 2022 film Amsterdam. After our interview, George was kind enough to send us a number of gifts that bring us joy: a signed PDF copy of CANYON.MID for Bryan and Gene to cherish (yes really), an unreleased MIDI from 1991 which we included in the show, the above charming side-by-side photo of George 30 years apart (1991 to 2021) as well as a screenshot showing some of the original musical cues he worked on way back when! We checked our facts and sorry George, we forgot to credit you specifically in our talk at the Library of Congress, continuing the unfortunate trend (whoops). Hopefully this episode serves as a decent apology and as always, we hope our listeners enjoy the story and the music as much as we do! Special thanks to virt (aka Jake Kaufman), "The Smash Brothers" and the band WASD for their lovely arrangements of the classic CANYON.MID All tracks composed by George Stone unless otherwise stated 00:00 CANYON.MID - full title 'Trip Through the Grand Canyon' 07:40 CANYON.MID arranged by virt (YouTube) 20:31 Untitled cue from 1991 35:33 CANYON.MID (excerpt) performed at MAGFest 7 by the Smash Brothers (YouTube) 48:03 CANYON.MID performed by the band WASD from the album C:WINDOWSMEDIA LINKS George Stone Bio on Hal Leonard website George Stone Big Band - on Discogs Other mentions mentioned Passport Designs - the company that started it all Amsterdam (film) - wiki page Texting and Driving - album by Dave Tull Libretto jazz club website in Paso Robles
Big Fat Five: A Podcast Financially Supported by Big Fat Snare Drum
This week's guest is Dimitri Fantini. I'm actually not sure how I first found out about Dimitri, but he was my online instructor for quite some time and I'm just a huge fan of his drumming. He's garnered quite the collection of followers on Instagram due to his consistent posting of…well super rad awesome videos. They look great, sound great…and are very inspiring. Also check out his growing YouTube. His book “The Total Drummer: a guide to developing your style, feel, touch, groove and more” was published by Hal Leonard in 2022 and continues to receive high accolades. I've also included a link to his free course, 'Technique Fundamentals' HERE. So sit back and enjoy this short, but fruitful chat with my good buddy, Dimitri Fantini. Cheers! For more information on Big Fat Snare Drum, check out www.bigfatsnaredrum.com and follow us on Instagram, Facebook, Twitter, and TikTok.
In this episode, we learn all about the musical journey of Dr. William Powell, a Charles W. Barkley Endowed Professor and Director of Choral Activities at Auburn University. In this role, he teaches choral-related courses, and conducts the Chamber Choir, Men's Chorus, Concert Choir, and co-conducts the Gospel Choir with his wife, Dr. Rosephanye Powell. As we walk through his journey to choir, we explore the power of building culture, setting high expectations, and yet giving grace. Then, at the end, Dr. Powell, who's edit's his own choral series (“The William Powell Choral Series” released by Gentry Publications) and has many choral arrangements published by Fred Bock Music, Hal Leonard, and Oxford University Press, we talk about overcoming fear in programming and defining concert spirituals versus gospel. Learn more about Dr. Powell: https://cla.auburn.edu/music/faculty-staff/william-powell/. Watch this episode on YouTube: https://youtu.be/q65uPoGkrk8. Order your copy of Dr. Burch's book, “The Business of Choir”: https://www.giamusic.com/store/resource/the-business-of-choir-book-g10713. Join us over at Patreon.com/MusicEdMatters for monthly meet-ups, monthly bonus episodes, special content and more!Support the companies that make The Music (ed) Matters Podcast possible: —Kaleidoscope Adventures - find your adventure today, kaleidoscopeadventures.com/. Including the June 2023 Festival and PD Weekend in Myrtle Beach with Alex & Emmy and their choirs!— The Kinnison Choral Company - check out their quality resources - or get your tracks made today - at KinnisonChoralCo.com. **Show music originally written by Mr. Todd Monsell**Show photography provided by Dr. Dan Biggerstaff
Hal Leonard Songbooks and Sheet Music, music from Killdozer, review of Giant Jones Brewing "Double IPA", and a special interview with Frank L. Anderson (musician, author, director, animator).
Synopsis The American composer Jennifer Higdon is used to having her new works premiered by some of this country's major orchestras. The Philadelphia Orchestra, for example, gave the premiere performance of her “Concerto for Orchestra” in 2002. The following year, another Higdon work, a piece for wind band entitled “Rhythm Stand,” premiered in Philadelphia. Now, if Higdon's “Concerto for Orchestra” was composed for the virtuoso members of the Philadelphia Orchestra, “Rhythm Stand” was intended for amateur musicians—middle-school students, to be precise, and its premiere was given by the kids of the Baldi Middle School Band, led by Sandra Dylan. “Rhythm Stand” was commissioned by the American Composers Forum for their “BandQuest” series of new scores, all written by leading composers, but intended for young performers. Higdon explains the title of her new piece as follows: “Composing is merely the job of combining interesting sounds into interesting patterns. And interesting patterns create cool rhythms. So... I'm making a STAND FOR RHYTHM… rhythm is everywhere… ever listened to the tires of a car running across pavement, or a train on railroad tracks? Because music can be any kind of sound arranged into an interesting pattern, I added sounds that you normally wouldn't hear coming from band instruments, sounds created out of ordinary things that might be nearby… like music stands and pencils, for example…. And some performers in this piece get even more basic...they snap their fingers.” Music Played in Today's Program Jennifer Higdon (b. 1962) — Rhythm Stand (University of Minnesota Symphonic Band; Craig Kirchoff, cond.) Hal Leonard (full score, parts and CD) HL-04002285
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