The Archive Project

This episode, we bring you Marjane Satrapi. She gave this talk on April 7, 2008, just about one year after the film adaptation of her comic Persepolis had been featured at the Cannes Film Festival and was nominated for an Academy Award for best animated feature. Sastrapi's death was announced on June 4, 2026. President Emmanual Macron of France said in the announcement, “Her passing marks the loss of a leading figure in French culture and a freedom-loving artist whose work carried a universal message and earned her immense international acclaim.” Satrapi was an Iranian born French author and film director and is considered one of the greatest contemporary graphic novelists.  Her work includes critically acclaimed and canonical books Persepolis and Persepolis 2, graphic narratives which both feature a protagonist, Marji, whose life parallels Satrapi's. The books follow Marji from a childhood in Iran to spanning some of the most intense years of contemporary Iranian history during the Iranian revolution and the Iran-Iraq War, with Marji leaving the country as a teenager to study in Europe, returning to Tehran for a period before eventually setting in Paris. Satrapi was an Iranian women, working in France, and became one the bestselling writers & artists in the United States. The specifics of her story are of course, unique to her, but like great storytellers she connected with millions of readers because of the universal nature of her work. In addition to Persepolis and Persepolis 2, she wrote several children’s books and other graphic novels, and she directed several feature films, including 2019's “Radioactive,” about the life of Marie Curie, adapted from the graphic novel by Lauren Redniss and starring Rosamund Pike. Though she continued living in Paris, she remained an activist against Iran's Islamic regime, in particular protesting the restrictions on women. She said, “We artists must be humble but doing nothing is worse, being indifferent is worse. In this talk, Satrapi is wry, ironic and occasionally sarcastic.  She references the influence of Persian miniatures and Art Speigelman's Pulitzer Prize winning graphic narrative Maus – the first comic ever to win the Pulitzer Prize.  I use the work “comic” here instead of graphic novel intentionally since Satrapi rejects the term “graphic novel” as pretentious.  To the end, she is grounded and funny, whether she is talking about American culture in Tehran in the 1970s or the personal challenges she faced as an artist working for the first time on film and being forced to collaborate with a huge group of people – a process she at first disliked, then came to appreciate. “Any intellectual and any artistic work, by definition, is an anti-fanatic work. Fanaticism presses on the button of emotion…When you make an intellectual and artistic work— when you don't pretend that you have the answers, but you only have questions to ask—when you make this work, for the person who listens to or reads you, not only do you ask them to be smart, but to work—to try to find the answers themselves.” Marjane Satrapi is an Iranian-born French graphic novelist, illustrator, film director, and children's book author. She was born in Iran in 1969 and grew up in Tehran in a middle-class Iranian family, attending the Lycee Francais until she left for Vienna and, later, Strasbourg to study Decorative Arts. She eventually moved to France, where she now lives with her husband, Mattias Ripa. Satrapi has worked on many graphic novels and animated films, but she attracted worldwide attention for her autobiographical comic series Persepolis. The work chronicles her childhood in Iran and her adolescence in Europe. In 2007, Persepolis was adapted into a critically acclaimed animated film of the same name that received over 25 major international award nominations and over 15 major international awards.

We're taking it back to the 2025 Portland Book Festival this weekend, with poets m. mick powell and Taylor Byas, and moderater Jae Nichelle.   Taylor Byas's second collection, Resting Bitch Face, uses watching and surveillance to explore Black female subjectivity. Byas engages with multiple art forms — painting, film, sculpture, and photographs – to explore the perspectives of artist and muse, of watcher and watched.   Taylor is in conversation with m. mick powell, whose debut poetry collection Dead Girl Cameo: A Love Stroy in Poems features of chorus of pop stars – Aaliyah, Whitney Houston, Lisa “Left Eye” Lopes, and more – in an exploration of grief, sexuality, and celebrity. Powell refers to the collection as a documentary, and it includes imagery, speculative verse, and more.   Poet Jae Nichelle leads a conversation that starts from the prompt “pop culture poetry.” Engaging with pop culture, as these collections do, is an act of engaging with the cultural moment. Done well, it doesn't “date” the work, but creates a time capsule – a documentary. Both collections are deeply researched, and Taylor and mick discuss their relationships to art, scholarship, and commerce, and the interplay between those different aspects of publishing this particular collections.    In the conversation, first we'll hear m. mick powell read the title poem of their debut collection, Dead Girl Cameo, followed by a reading by Taylor Byas of the title poem of Resting Bitch Face and then a conversation between mick, Taylor, and the moderator, Jae.   A heads up – there's some mature language that may not be appropriate for all listeners, and you'll hear some bleeps in the opening poem.  Taylor Byas is an award-winning poet and a Black Chicago native currently living in Cincinnati, Ohio. Her poetry collection I Done Clicked My Heels Three Times won the Maya Angelou Book Award, the Ohioana Book Award, the CHIRBy Award, and the BCALA Best Poetry Honor. m mick powell is a queer Black Cabo Verdean femme, poet, artist, Aries, and the author of DEAD GIRL CAMEO (One World Books, 2025) and threesome in the last Toyota Celica & other circus tricks, winner of the 2023 Host Publications Chapbook Prize. An assistant professor of Gender and Sexuality Studies at the University of Connecticut, mick enjoys chasing waterfalls and being in love.  Louisiana-born Jae Nichelle (she/her) is the author of God Themselves (Andrews McMeel, 2023) and the chapbook The Porch (As Sanctuary) (YesYes Books, 2019). She was a finalist for a 2023 Ruth Lilly and Dorothy Sargent Rosenberg Fellowship and won the inaugural John Lewis Writing Award in poetry from the Georgia Writers Association. Her poetry has appeared in Best New Poets 2020 (University of Virginia Press, 2020), the Washington Square Review, The Offing, Muzzle Magazine, and elsewhere. She believes in all of our collective ability to contribute to radical change. 

In this episode we feature one of the giants of story telling and of long form journalism, Tracy Kidder. Kidder passed away at the age of 80 in March 2026, and so we are sharing this recording from 2011 as a way for us to celebrate his life and work, and all that he has given to readers. Spanning over 50 years, Kidder's career began at the Iowa Writers Workshop where he enrolled in 1974 after military service in the Vietnam war. He began with aspirations to be a novelist but soon found that he had talent for seeing the through line of the lives of the people all around him. And so for his entire storied career, Kidder wrote compellingly about ordinary people from all walks of life, including carpenters, home builders, computer programmers, Haitian doctors, schoolchildren, and nursing home residents  – just to name a few. Along the way he earned a Pulitzer, a National Book Award, and the Robert F. Kennedy Book Award, for his ground breaking books like The Soul of a New Machine and Mountain Beyond Mountains. His body of work included dozens and dozens of articles, and twelve books, which came to redefine an entire genre of nonfiction. He joined us in 2011 after the publication of a book called Strength In What Remains, and he tells the story of learning to write in Iowa, and then his apprenticeship turned life-long professional relationship with Richard Todd who was one of the Atlantic Magazine's famed editors. It's an extraordinary story in which Kidder reveals his mistakes, uncertainties, and vulnerabilities as much as his successes. And he does so with self effacing humor and quiet wisdom. This is a must-listen for every aspiring writer, and for every reader who wants deeper insight into the creative process and to understand how many of the stories that have come to define modern journalism were made. Tracy Kidder graduated from Harvard and the University of Iowa. He won the Pulitzer Prize, the National Book Award, the Robert F. Kennedy Award, and many other literary prizes. He is the author of Rough Sleepers, A Truck Full of Money, Good Prose (with Richard Todd), Strength in What Remains, My Detachment, Mountains Beyond Mountains, Home Town, Old Friends, Among Schoolchildren, House, and The Soul of a New Machine. Kidder passed away in 2026.

The City of Portland is engaged in a national dialogue about public art, history, monuments, and memorials. With support from the Mellon Foundation, the Portland Monuments Project is a multi-year project with the goal of deciding on the future of seven monuments that were damaged, toppled, or removed following demonstrations in Portland in 2020-2021. Portland Monuments Project aims to foster public dialogue to reimagine and transform the purpose of monuments and memorials in Portland. This episode is part three, the final installment of a three-part series as part of the Portland Monuments Project. This week we explore the city's potential futures; episode one looked to the past, and episode two explored the present. Literary Arts is involved in this project because storytelling is at the heart of our mission, and monuments tell a story about who we were, who we are, what we value, and who we aspire to be. They tell stories about different communities and the stories they tell are dynamic, in so much as our community is changing, time is passing, and the context for these fixed objects and changes around them. In this episode, we'll think about the monuments we need. We'll hear from Literary Arts executive director Andrew Proctor, whose voice you might recognize as the other co-host of this show. We have a conversation with Portland writers Mitchell S. Jackson and Renée Watson about who they think should be honored with a monument in Portland. And we'll hear from the people of Portland about the monuments they want to see and the stories they want to be told about this city, where we've been, and where it's going. Our guide for today's episode is Archive Project editor and producer, Matthew Workman.

The City of Portland is engaged in a national dialogue about public art, history, monuments, and memorials. With support from the Mellon Foundation, the Portland Monuments Project is a multi-year project with the goal of deciding on the future of seven monuments that were damaged, toppled, or removed following demonstrations in Portland in 2020-2021 by fostering public dialogue  to reimagine and transform the purpose of monuments and memorials in Portland. This episode is part two of a three-part series as part of the Portland Monument Project. The first episode revisited the city's past, part two will look at the present, and the culminating episode explores what may come to fruition in the future. Literary Arts is involved in this project because storytelling is at the heart of our mission, and monuments tell a story about who we were, who we are, what we value, and who we aspire to be.  They tell stories about different communities and the stories they tell are dynamic, in so much as our community is changing, time is passing and the context for these fixed objects changes around them. In this episode, we’re tracing the path of a monument that went from a guerilla artwork, to a museum piece, and will soon be a monument again. Join us as we travel from the top of Mount Tabor to the mouth of the Columbia River to learn more about this particular monument and its subject – York the Explorer – from art curators, historians, and some nice people enjoying an afternoon in the park.  Our guide for today's episode is Archive Project editor and producer, Matthew Workman. 

In the words of the Los Angeles Times, “A new book by (Patrick Radden) Keefe means drop everything and close the blinds; you'll be turning pages for hours.” Keefe is an award-winning investigative journalist, a staff writer at the New Yorker, the creator of a popular podcast, and the author of six books, including the bestsellers Rogues, Empire of Pain, and Say Nothing. “When I go out looking for a good story,” says Keefe, “I almost never find one. Instead, the really good ones tend to fall in my lap.” Say Nothing was prompted by reading an obituary. A wild-seeming rumor about the 90's heavy metal band The Scorpions led to the podcast Wind of Change, a sweeping tale of government secrets, Soviet spies, propaganda, and 90's power ballads. To call his research “meticulous” is an understatement. Keefe's book, Snakehead, required over 300 interviews to complete. Say Nothing found him speaking to thousands of sources. While writing about the opioid epidemic in EMPIRE OF PAIN, Keefe was blocked from speaking to the Sackler family, so instead, he amassed thousands of correspondences from personal emails to Bar Mitzvah announcements. Though Keefe's doggedness recalls the detective stories that inspired him early on, he is perhaps more hopeful than hardboiled. By approaching those forces that appear too vast to unravel, he proves that even institutions and systems that seem unassailable can, in fact, be broken down and examined—one interview, one receipt, one wedding invitation at a time. Like all the great whodunnits, his books contain breathtaking plot twists. Though he has, on at least one occasion, solved a murder mystery, Keefe is less interested in pointing to a perpetrator and more interested in holding up a mirror. The question at the heart of his work is one that pertains to everyone: What does it mean to be human? His newest book, London Falling, is an investigation into the mysterious death of 19-year-old Zach Brettler and its connection to both London's criminal underworld and its elite circles. The author Katherine Rundell says, “Nobody writes like Patrick Radden Keefe; nobody makes achieving something so powerfully complex and difficult look so easy. It's a form of intellectual generosity and, I think, a form of genius.” Patrick Radden Keefe is a staff writer at The New Yorker and the author of the New York Times bestsellers Rogues, Empire of Pain, and Say Nothing, which received the National Book Critics Circle Award for Nonfiction, was selected as one of the ten best books of 2019 by The New York Times Book Review, The Washington Post, Chicago Tribune and The Wall Street Journal, and was named one of the top ten nonfiction books of the decade by Entertainment Weekly. His previous books are The Snakehead and Chatter. His work has been recognized with a Guggenheim Fellowship, the National Magazine Award for Feature Writing and the Orwell Prize for Political Writing. He is also the creator and host of the eight-part podcast Wind of Change.

The City of Portland is engaged in a national dialogue about public art, history, monuments, and memorials. With support from the Mellon Foundation, the Portland Monuments Project is a multi-year project with the goal of deciding on the future of seven monuments that were damaged, toppled, or removed following demonstrations in Portland in 2020-2021 by fostering public dialogue  to reimagine and transform the purpose of monuments and memorials in Portland. This episode is part one of a three-part series as part of the Portland Monument Project. This episode explores the city's past, and part two will look at the present and the future. Literary Arts is involved in this project because storytelling is at the heart of our mission, and monuments tell a story about who we were, who we are, what we value, and who we aspire to be.  They tell stories about different communities and the stories they tell are dynamic, in so much as our community is changing, time is passing and the context for these fixed objects changes around them. In this episode we'll talk to the staff at the City's Office of Arts and Culture who are leading this initiative, hear from experts, from historians, from passersby, and from other stakeholders who are questioning our past practices, and hope create change in how we, as a community choose our monuments – who gets to decide which ones are put up and where they go. Our guide for today's episode is Archive Project editor and and producer, Matthew Workman. For a hands-on experience, join local nonfiction comic artist Shay Mirk for a free creative zine-making workshop on the monuments we need on May 9th and May 10th. Click here to learn more and register.

Jill Lepore is a Harvard professor and contributing writer to the New Yorker. Her books include The Secret History of Wonder Woman, New York Burning, These Truths: A History of the United States, and her latest, We the People: A History of the U.S. Constitution – and instant New York Times bestseller.   This year is the semi-quincentennial of the United States of America and, as Lepore points out, also the anniversary of constitutionalism.  There's no better guide through American history than Jill Lepore, and it is a delight to spend an hour in civics class led by someone who readily references Mel Brooks and AI in a discussion about the Constitution. Lepore is interviewed by OPB's Geoff Norcross, host of All Things Considered. They discuss Lepore's Amendments Project, which catalogues all the amendments that have been proposed throughout history, and explore why it is so difficult to amend the Constitution and the story of how some of the amendments we do have (there are 27, including the 10 in the Bill of Rights) came to be. They talk about originalism and the pessimism of the framers, who believed that any man would be a tyrant if given power, and set up the checks and balances in our Constitution to give the legislature, the court, and the people – with the vote – the power to oust a tyrant.    A few notes to listeners just for clarity:   It's mentioned “what is Congress doing right now,” this was during the November 2025 government shut down.  Jill is not in the room with the audience; Jill was unable to join us in Portland due to a last-minute travel issue (related to the shut down, frankly), but very gamely came in on video while Geoff Norcross and the audience were in the theater.   Jill Lepore is the David Woods Kemper '41 Professor of American History at Harvard University and Professor of Law at Harvard Law School. She is also a staff writer at The New Yorker. As a wide-ranging and prolific essayist, and winner of the PEN prize for the Art of the Essay, Lepore writes about American history, law, literature, and politics. She is the author of many award-winning books, including the international bestseller, These Truths: A History of the United States (2018). Her newest book is We the People: A History of the U.S. Constitution, which was published this September.  As one of the local hosts of OPB's “All Things Considered,” Geoff Norcross shares local and regional stories to audiences of NPR's flagship newsmagazine. Previously, Geoff was the host of OPB's “Morning Edition” for 15 years. He was part of the team that built the program into one of the most listened-to presentations of “Morning Edition” in the country. 

Each year, Portland youth spend months writing and competing in poetry slam competitions on high school campuses across the city. Each April, about 20 finalists compete for the title of city-wide Portland slam champ at Verselandia!, in front of an audience of nearly 1,000. The 2026 Verselandia! competition returns to the Arlene Schnitzer Concert Hall on Thursday, April 30 at 7 pm. For more information and tickets visit our website literary-arts.org. On this episode, we go backstage at Verselandia! 2025 to talk to student poets as they wait to take the stage at the Schnitz, and then hear them perform.  We’ll also hear some poems from people competing in this year’s Verselandia!, and talk to them about their work. A quick note to listeners: Portions of this episode contain mature themes that may not be suitable for all audiences.

April is National Poetry Month, and to kick things off, this year we have a conversation from the 2025 Portland Book Festival between two of our most accomplished contemporary poets: Pádraig Ó Tuama and Patricia Smith. Their conversation is moderated by Portland poet, musician, and Torah teacher, Alicia Jo Rabins. An Oregon Book Award finalist for her collection Fruit Geode, Alicia published her spiritual memoir earlier in 2026 with the wonderful title When We're Born We Forget Everything. Alicia leads the conversation with Patricia Smith and Padraig O Tuama. Patricia Smith's latest book is her new and selected, The Intentions of Thunder; and in fact, shortly after this event took place, in November 2025, the book was awarded the National Book Award for Poetry. Pádraig Ó Tuama is an Irish poet and theologian, and the host of On Being's Poetry Unbound podcast. The event was titled “Testament,” and much of the conversation explores the poet as witness and bearing witness; both of one's own life but also beyond that, including the form of the persona poem. Patricia talks about how coming up in the poetry slam community shaped her poetic voice and confidence, while Pádraig shares how a childhood in Ireland, where his poetic education was mostly focused on memorization, influenced his own trajectory. Patricia Smith is an inductee of the American Academy of Arts & Sciences and the recipient of the Ruth Lilly Poetry Prize for Lifetime Achievement. She is the author of nine acclaimed books of poetry, including Unshuttered and Shoulda Been Jimi Savannah. A Guggenheim Fellow, a National Endowment for the Arts grant recipient, and a four-time individual champion of the National Poetry Slam, Smith is a creative writing professor in the Lewis Center for the Arts at Princeton University and a former distinguished professor at the City University of New York. Pádraig Ó Tuama is an Irish poet who hosts On Being's Poetry Unbound, and has written the accompanying (and forthcoming) volume to that podcast. With publications in the Kenyon Review, the New England Review, Poetry Ireland, Harvard Review and others, he's also a seasoned broadcaster, having appeared on national radio stations in Ireland, the UK, the US, Australia and New Zealand. His latest poetry collections are titled Kitchen Hymns and 44 Poems on Being with Each Other: A Poetry Unbound Collection. Alicia Jo Rabins is a writer, musician, composer, performer and Torah teacher. She combines words, music, ritual and performance to create works of experimental beauty exploring the intersection of ancient wisdom texts, feminism, and everyday life. Rabins tours internationally as a musician and performer; she has performed and presented at Lincoln Center, Joe's Pub, and in countries including Sweden, Guatemala and Estonia.

In this episode of The Archive Project, we feature poet and essayist Cathy Park Hong from Portland Arts & Lectures in January 2022. Hong became nationally famous in the spring of 2020 for her essay collection Minor Feelings: An Asian American Reckoning, a book so searing and powerful it landed her on the cover of Time magazine's 2021 issue featuring the 100 most influential people in the world. Minor Feelings is a collection of seven essays is both a deeply personal account of Hong becoming—and being—an artist, and is also an account of her and her family's experience as Korean Americans in this country. But she has emphasized that this is a book about America, not necessarily about being Asian. It is also a book infused with her sensibility as a poet, as someone who is fascinated with the endless mutability and power of language. Hong has published three acclaimed collections of poetry, and many listeners who know and have read Minor Feelings might be surprised to learn she primarily identifies as a poet not as an essayist. The theme of her talk is “community and belonging” and she threads a narrative through pop culture, religion, autobiography, and 20th century history, in order to try to understand the rise in hate crimes against Asian Americans during the pandemic, and the broader discrimination so many Americans experience in their daily lives. That she does this with anger, humor, and tenderness speaks to her remarkable powers as a writer and speaker. Cathy Park Hong is the author of three poetry collections and Minor Feelings, a New York Times bestselling book of creative nonfiction which won the National Book Critics Circle Award for autobiography and was longlisted for the Andrew Carnegie Medal for Excellence. Hong is a recipient of the Windham-Campbell Literature Prize, a Guggenheim Fellowship, and a National Endowment for the Arts Fellowship. Her poems have been published in Poetry, The New York Times, The Paris Review, McSweeney's, and other journals. She is the poetry editor of The New Republic and full professor at Rutgers University–Newark.

This week features a conversation on humor in fiction featuring two masters of the genre: Kristen Arnett, author of Mostly Dead Thingas and, most recently, Stop Me If You've Heard This One, the story of a lesbian clown navigating life, love, and art in Florida; and Jess Walter, author of Beautiful Ruins and, most recently, So Far Gone, about a journalist living off the grid who is forced back into society to help his grandchildren. The conversation is moderated by OPB's Jess Hazel, host of Morning Edition. As they discuss, Jess and Krisetn are both writers of place, and are often writing about people who might be thought of as outsiders or marginal. Kristen is a Florida writer, by her own description everything she writes is about Florida, specifically Orlando and Central Florida. And Jess ranges in his work but often, including in So Far Gone, returns to the American Northwest, here to the Eastern Northwest; he also delivers a defense of Spokane, his birthplace and long-time hometown. The episode starts with the author's favorite knock-knock jokes, both of which are very personal choices and give some insight into what these funny writers find funny. What comes through as a primary connection between Jess and Kristen's work is their fascination with people. Writing is a way to try to better understand people, including people drastically different from the writer, which is a deeply empathetic project. Humor is a way to understanding other people and to connecting with people across some of the things that might seem to divide us. Kristen Arnett is the author of the novel With Teeth, which was a finalist for the Lambda Literary Award in fiction, and the New York Times bestselling novel Mostly Dead Things, which was shortlisted for the VCU Cabell First Novelist Award. Her work has appeared in The New York Times, TIME, The Cut, Oprah Magazine, and elsewhere. She lives in Orlando, Florida. Jess Walter is the author of eleven books, most recently the novels So Far Gone, The Cold Millions and Beautiful Ruins; The Zero, a finalist for the National Book Award and Citizen Vince, winner of the Edgar Award for best novel. His work has been published in 34 languages and his short fiction has won O. Henry and Pushcart prizes, appeared three times in Best American Short Stories, and is collected in the books The Angel of Rome and We Live in Water. Walter lives in Spokane, Washington. Jess Hazel has hosted Morning Edition for OPB since 2024. They graduated with a BA in Journalism at the University of Montana and have previously hosted Morning Edition in Montana and Southern Colorado. Hazel has a voracious appetite for stories and treasures books that make them laugh, cry or cringe.

Portland Book Festival has been a proud partner of the National Book Foundation Presents program for many years now, and at the 2025 festival we featured a program called “The Cost of Hope,” moderated by National Book Foundation executive director Ruth Dickey, and featuring 2024 National Book Award in Nonfiction winner Jason De Leon, author of Soldiers and Kings: Survival and Hope in the World of Human Smuggling, and 2025 National Book Award finalist in Fiction Megha Majumdar, author of A Guardian and a Thief. The intersections between Jason's book, in which he embeds with a group of smugglers moving migrants across Mexico over the course of seven years, and Megha's novel, about two families in a climate-ravaged near-future Kolkata, are abundant. In fact, the two authors share a background in anthropology, and talk about how that education has shaped the way they interpret the world. Their wide-ranging conversation starts with a discussion of how hope can be “snarling and aggressive,” and idea of hope as a refusal to back down. They also talk about the ways both of their stories connect climate change and migration, and how inescapable that connection is. In different ways; for Jason, through reporting, and for Megha, through fiction, both books are able to interrogate huge systems through the individual lives, making these incomprehensible forces in the world legible by finding the storytelling. This is a conversation between two artists thinking deeply about some of the most pressing issues of the day, and approaching them from places of care and, indeed, ultimately, from places of hope. Jason De León is professor of Anthropology and Chicana/o Studies and Director of the Cotsen Institute of Archaeology at the University of California, Los Angeles. He is also Executive Director of the Undocumented Migration Project, a 501(c)(3) research, arts, and education collective that seeks to raise awareness about migration issues globally while also assisting families of missing migrants reunite with their loved ones. He is a 2017 MacArthur Fellow and author of the award–winning books The Land of Open Graves: Living and Dying on the Migrant Trail and Soldiers and Kings: Survival and Hope in the World of Human Smuggling, Winner of the 2024 National Book Award for Nonfiction. Megha Majumdar is the author of the New York Times bestselling novel A Burning, which was Longlisted for the National Book Award, nominated for the National Book Critics Circle’s John Leonard Prize, and a finalist for the American Library Association’s Andrew Carnegie Medal for Excellence. It was named one of the best books of the year by media including The Washington Post, the New York Times, NPR, The Atlantic, Vogue, and TIME Magazine. A 2022 Whiting Award winner, she was born and raised in Kolkata, India, and holds degrees in Anthropology from Harvard and Johns Hopkins. She is the former Editor-in-Chief of Catapult Books, and lives in New York. A Guardian and A Thief is her second novel. Ruth Dickey has spent 30 years working at the intersection of community building, writing, and art, and is the Executive Director of the National Book Foundation. The recipient of a Mayor's Arts Award from Washington DC, and a grant from the DC Commission and Arts and Humanities, Ruth is the author of Our Hollowness Sings (Unicorn Press, 2024), and Mud Blooms (Harbor Mountain Press, 2019), and an ardent fan of dogs and coffee.   CW: The podcast version of this episode is uncensored and contains strong language. Listener discretion is advised!

Every year, the Multnomah County Library chooses one book they hope the whole city will read. Between January and April, the Library, and their partner organizations, host events based around the themes of the book, and they distribute thousands of free copies—thanks to the Library Foundation—to readers of all ages from across the county. At Literary Arts, our role is to bring the author to town for a talk in the Arlene Schnitzer Concert Hall. The 2025 Everybody Reads book was the memoir Solito by Javier Zamora. Written from the perspective of his nine-year-old self, Solito is a gripping and beautiful account of Zamora's three-thousand-mile journey from a small village in El Salvador to his new home in United States. Epic in scope and intimate in detail, it's a book about the family one comes from, the family one longs for, and the family one makes. Zamora conjures all the wonder, fear and imaginative capacity of his young self; clear-eyed in his depictions of cruelty and danger, insistent on recognizing kindness. He also renders his journey with vivid detail with breathtaking lyricism, paying close attention to the power of language – this comes as no surprise, given that Zamora is also an award-winning poet. The writer Sandra Cisneros said, “I have waited decades for a memoir like Solito.” But, Solito isn't simply a story of a migrant's harrowing journey, it's the story of a writer becoming a writer. It is also one of the most important American stories of our time. “Poetry and history were the first tools I had to begin to explain my life so far away from the land that watched me be born and grow up for the first nine years of my life.” Javier Zamora was born in La Herradura, El Salvador in 1990. When he was a year old, his father fled El Salvador due to the US-funded Salvadoran Civil War (1980-1992). His mother followed her husband's footsteps in 1995 when Javier was about to turn five. Zamora was left at the care of his grandparents who helped raise him until he migrated to the US when he was nine. His first poetry collection, Unaccompanied, explores some of these themes. In his debut New York Times bestselling memoir, SOLITO, Javier retells his nine-week odyssey across Guatemala, Mexico, and eventually through the Sonoran Desert. He travelled unaccompanied by boat, bus, and foot. After a coyote abandoned his group in Oaxaca, Javier managed to make it to Arizona with the aid of other migrants. Zamora is the winner of a 2024 Whiting Fellowship and the 2022 LA Times-Christopher Isherwood Prize. He holds fellowships from CantoMundo, Colgate University (Olive B. O’Connor), MacDowell, Macondo, the National Endowment for the Arts, Poetry Foundation (Ruth Lilly), Stanford University (Stegner), and Yaddo. He is the recipient of a 2018-2019 Radcliffe Fellowship at Harvard University, a 2017 Lannan Literary Fellowship, the 2017 Narrative Prize, the 2016 Barnes & Noble Writer for Writers Award for his work in the Undocupoets Campaign.

Colm Tóibín is the author of eleven novels, three short story collections and several works of nonfiction. He has written countless articles, plays, an opera libretto and a collection of poetry, and been a finalist for the Booker Prize multiple times He is perhaps best known for his novel Brooklyn, which was made into a movie that was nominated for three Oscars. Set in the middle of the 20th century, Brooklyn is about Eilis Lacey who leaves her small town in Ireland for New York. After building a life there, she is drawn back home and has to choose where she wants to forge her future. Tóibín opens his lecture with the moment of his father's wake in his childhood home in which he hears, as a child, the real life story that would later inspire his character of Elis Lacey. From there, Tóibín's talk is a captivating story of all of his stories, and a kind of master class for writing a novel. He is a writer known for rendering the quiet intimacies between characters, revealing powerful emotional undercurrents and their deep longings.  He is a writer who makes you care about the tiny details of a life – the buttons on a coat or the emotional reverberations of a silence. In this talk, he illuminates his craft, and pulls the curtain back on how his own life shaped his most famous novels. Colm Tóibín is the author of eleven novels, including Long Island, an Oprah's Book Club Pick; The Magician, winner of the Rathbones Folio Prize; The Master, winner of the Los Angeles Times Book Prize; Brooklyn, winner of the Costa Book Award; and Nora Webster; as well as two story collections and several books of criticism. He is the Irene and Sidney B. Silverman Professor of the Humanities at Columbia University and was named the 2022–2024 Laureate for Irish Fiction by the Arts Council of Ireland. He was shortlisted three times for the Booker Prize. He was also awarded the Bodley Medal, the Würth Prize for European Literature, and the Prix Femina spécial for his body of work.

If you like Heated Rivalry – if you don't, you're the only one, but anyway – if you like Heated Rivalry and want more queer romance but wish it had more wine, we've got the books for you. This week's conversation is features queer romance at the 2025 Portland Book Festival, with authors Jasmine Guillory, Adib Khorram, and moderator Anita Kelly. Jasmine Guillory is the New York Times bestselling author of  Drunk on Love, The Wedding Date, and The Proposal. A frequent contributor to The Today Show, she was at the festival for her first queer romance, Flirting Lessons. Adib Khorram is the author of I'll Have What He's Having and YA novel Darius The Great Is Not Okay. He serves on the board of directors for Authors Against Book Bans. He was at the festival for his adult romance book is It Had To Be Him. The event is moderated by Portland author Anita Kelly, author of How You Get The Girl and Donut Summer. Both books, Flirting Lessons and It Had To Be Him, involve escape – to Napa and to Milan, respectively – and the authors talk about the arduous research process of drinking a lot of wine. Jasmine speaks about writing a book as a way to learn about something she's curious about – in her case the wine business and living in what is thought of as a tourist town, like Napa. And Adib describes a rosé-fueled semi-spontaneous trip to Italy for eight weeks, and how the pursuit of joy inspired his process. Romance is hot right now, and the conversation is very fun, but a heads up that it is a spicy conversation! There are a few bleeps, and portions might not for all ages or all ears. The episode includes content that might not be suitable for all audiences – and it’s unbleeped! Listener discretion is advised. Jasmine Guillory is a New York Times bestselling author. Her novels include Drunk on Love, The Wedding Date, the Reese’s Book Club selection The Proposal. Her work has appeared in The Wall Street Journal, Cosmopolitan, Bon Appetit, and Time. Jasmine is a frequent book contributor on the Today show. She lives in Oakland, California. Adib Khorram is the queer Iranian author of I'll Have What He's Having, which was an instant USA Today bestseller. He is also the author of the young adult novel Darius the Great Is Not Okay, which earned the William C. Morris Debut Award, the Asian/Pacific American Award for Young Adult Literature, and a Boston Globe–Horn Book Honor, and was named one of Time magazine's 100 Best YA Novels of All Time; his other young adult novels Darius the Great Deserves Better, Kiss & Tell, and The Breakup Lists as well as the picture books Seven Special Somethings: A Nowruz Story and Bijan Always Wins, have garnered critical acclaim, starred reviews, and bestsellers. He grew up in Kansas City—the Milan of the Midwest—but he'd rather be in the real thing, sitting on a patio, enjoying an aperitivo. Originally from a small town in the Pocono Mountains of Pennsylvania, Anita Kelly now lives in the Pacific Northwest with their family. An educator by day, they write romance that celebrates queer love in all its infinite possibilities. They hope you get to pet a dog today

In 2016 Tara Roberts was living in Washington DC feeling, in a new way, the deep fractures in America, including the way we understand our history.  She felt called to be part of trying to heal these divisions.   It was a chance encounter with a photograph at the National Museum of African American History and Culture that changed the trajectory of her life.  It was of a group of Black women on a boat in diving gear who she quickly discovered  were from an organization called Diving with a Purpose, an underwater archeology group with a mission to discover and document the wreckage of slave ships scattered on the ocean floor around the world, and by doing so recover a crucial part of history. Roberts soon quit her job and joined the group to document their work, learning to scuba dive in order to do so. She turned that journey into an award-winning National Geographic-produced podcast called “Into the Depths” and became the first Black female explorer ever to be featured on the cover of National Geographic Magazine.  This work also resulted in a memoir Written in the Waters which both invites us into the fascinating and groundbreaking work below the surface of the Ocean around the globe, and her own personal transformation. Roberts has travelled the world as a diver, backpacker, and adventurer,  bringing to this conversation a global view of history and culture, and a devotion to tell the stories that can bring us together.  She is currently Explorer-in-Residence at the National Geographic Society. Here's Tara Roberts in conversation with Shayna Schlosberg from the 2025 Portland Book Festival, on Literary Arts, the Archive Project. Tara Roberts spent the last six years following, diving with, and telling stories about Black scuba divers as they searched for and helped document slave shipwrecks around the world. Her journey was turned into an award-winning National Geographic-produced podcast called “Into the Depths” and featured in the March issue of National Geographic magazine. Tara became the first Black female explorer ever to be featured on the cover of Nat Geo. In 2022, Tara was named the Rolex National Geographic Explorer of the Year. Currently, she is an Explorer-in-Residence at the National Geographic Society. And her book Written in the Waters: A Memoir of History, Home and Belonging hits stands in January 2025. Tara also worked as an editor for magazines like CosmoGirl, Essence, EBONY and Heart & Soul and edited several books for girls. She was a Fellow at the MIT Open Documentary Lab. She founded her own magazine for women who are ‘too bold for boundaries..’ And Tara spent an amazing year backpacking around the world to find and tell stories about young women change agents. The journey led to the creation of a nonprofit that supported and funded their big ideas. Shayna Schlosberg is the Vice President of Community Connections at OPB and KMHD, where she leads initiatives to ensure that both organizations authentically reflect and serve the diverse communities of the Pacific Northwest. In this role, she shapes and drives the strategy, vision, and implementation of community representation and inclusion across all aspects of OPB and KMHD's work. Shayna joined OPB and KMHD in 2022. Prior to that, she was the Director of Operations and Strategy at Women of Color in the Arts, a national service organization committed to advancing racial and cultural equity in the performing arts. From 2017 to 2021, she served as Managing Director of The Catastrophic Theatre, an acclaimed experimental theater company in Houston, Texas. Before that, she was Associate General Manager at the Alley Theatre, where she played a key role in expanding the theater's international programming, particularly through partnerships with Latin American artists and companies. Shayna's expertise has been recognized nationally—she has served on grant panels for the National Endowment for the Arts. She is a graduate of several leadership programs, including the National Association of Latino Arts and Culture's Advocacy Leadership Institute, Women of Color in the Arts' Leadership Through Mentorship program, and the 2020 New Leaders Council Fellowship. She was also a founding advisory committee member of the Houston BIPOC Arts Network Fund, a groundbreaking effort born out of the Ford Foundation's America's Cultural Treasures initiative. Shayna served in the Peace Corps in Armenia from 2010 to 2012.

Baldwin was key figure in the American civil rights movement of the last 1960s, and he is one of our most important American writers. Author of the novels If Beale Street Could Talk, Go Tell It on the Mountain, and Giovanni's Room, he was also an essayist, poet, and playwright. Baldwin's influence continues to grow, but even if you've never read a word James Baldwin has written – first, you should – you will find something to treasure in this conversation. Boggs's biography centers on the artistic and intimate relationships that informed Baldwin's life and work. Douglas Brinkley, author of Rosa Parks: A Life, said “Nicholas Boggs's meticulously researched and passionately written Baldwin is the crown jewel of the ongoing James Baldwin revival. … this epic biography captures Baldwin in full.” Our interviewer is Mitchell S. Jackson, author of The Residue Years, Survival Math, and a Pulitzer Prize winning journalist. Jackson is one of the best interviewers — I genuinely think he should have his own talk show — and he brings so much care and curiosity to the conversation. We start with a passage from the audiobook, which is published by Macmillan Audio and read by Ron Butler. Nicholas Boggs is a writer and independent scholar, born and raised in Washington, DC, now living in Brooklyn, New York. He rediscovered and coedited a new edition of James Baldwin's out-of-print collaboration with the French artist Yoran Cazac, Little Man, Little Man: A Story of Childhood (2018), and his writing has been anthologized in The Cambridge Companion to James Baldwin. He received his BA in English from Yale, his MFA in creative writing from American University, and his PhD in English from Columbia. Baldwin: A Love Story is Nicholas Boggs’ debut novel. Mitchell S. Jackson is the winner of the 2021 Pulitzer Prize in Feature Writing and the 2021 National Magazine Award in Feature Writing. Jackson is the critically acclaimed author of The Residue Years, Survival Math: Notes on an All-American Family, Fly: The Big Book of Basketball Fashion, and John of Watts (to be published soon). His writing has been featured on the cover of the New York Times Book Review, Time, Esquire, and Marie Claire, as well as in The New Yorker, Harpers, The New York Times, and elsewhere. Jackson's nonfiction book Survival Math was published in 2019 and named a best book of the year by fifteen publications, including NPR, Time, The Paris Review, The Root, Kirkus Reviews, and Buzzfeed. Jackson is a contributing writer for the New York Times Magazine, covers race and culture as the first Black columnist in the history of Esquire, and serves as the John O. Whiteman Dean's Distinguished Professor in the English Department of Arizona State University.

We're back at the 2025 Portland Book Festival this week, with poets m. mick powell and Taylor Byas, and moderater Jae Nichelle.   Taylor Byas's second collection, Resting Bitch Face, uses watching and surveillance to explore Black female subjectivity. Byas engages with multiple art forms — painting, film, sculpture, and photographs – to explore the perspectives of artist and muse, of watcher and watched.   Taylor is in conversation with m. mick powell, whose debut poetry collection Dead Girl Cameo: A Love Stroy in Poems features of chorus of pop stars – Aaliyah, Whitney Houston, Lisa “Left Eye” Lopes, and more – in an exploration of grief, sexuality, and celebrity. Powell refers to the collection as a documentary, and it includes imagery, speculative verse, and more.   Poet Jae Nichelle leads a conversation that starts from the prompt “pop culture poetry.” Engaging with pop culture, as these collections do, is an act of engaging with the cultural moment. Done well, it doesn't “date” the work, but creates a time capsule – a documentary. Both collections are deeply researched, and Taylor and mick discuss their relationships to art, scholarship, and commerce, and the interplay between those different aspects of publishing this particular collections.    In the conversation, first we'll hear m. mick powell read the title poem of their debut collection, Dead Girl Cameo, followed by a reading by Taylor Byas of the title poem of Resting Bitch Face and then a conversation between mick, Taylor, and the moderator, Jae.   A heads up – there's some mature language that may not be appropriate for all listeners, and you'll hear some bleeps in the opening poem.    Taylor Byas is an award-winning poet and a Black Chicago native currently living in Cincinnati, Ohio. Her poetry collection I Done Clicked My Heels Three Times won the Maya Angelou Book Award, the Ohioana Book Award, the CHIRBy Award, and the BCALA Best Poetry Honor. m mick powell is a queer Black Cabo Verdean femme, poet, artist, Aries, and the author of DEAD GIRL CAMEO (One World Books, 2025) and threesome in the last Toyota Celica & other circus tricks, winner of the 2023 Host Publications Chapbook Prize. An assistant professor of Gender and Sexuality Studies at the University of Connecticut, mick enjoys chasing waterfalls and being in love.  Louisiana-born Jae Nichelle (she/her) is the author of God Themselves (Andrews McMeel, 2023) and the chapbook The Porch (As Sanctuary) (YesYes Books, 2019). She was a finalist for a 2023 Ruth Lilly and Dorothy Sargent Rosenberg Fellowship and won the inaugural John Lewis Writing Award in poetry from the Georgia Writers Association. Her poetry has appeared in Best New Poets 2020 (University of Virginia Press, 2020), the Washington Square Review, The Offing, Muzzle Magazine, and elsewhere. She believes in all of our collective ability to contribute to radical change. 

In this episode, we feature the beloved Irish novelist Emma Donoghue, in conversation with OPB's Crystal Ligori, from the 2025 Portland Book Festival.  

Join us for a conversation from Portland Book Festival with authors Omar El Akkad and Karen Russell, moderated by Willamette Week's arts and culture editor Rachel Saslow.

Barbara Kingsolver discusses her Pulitzer Prize-winning novel, Demon Copperhead, with Jess Walter at this live event in Portland, Oregon.

Authors Michelle Ruiz Keil and Juhea Kim discuss Ursula K. Le Guin's legacy through exploration of pacifism and environmentalism in her works.

Update your TBR list: 2025 Portland Book Festival authors recommend some of their favorite writers and titles featured at the event.

Tommy Orange shares his non-linear journey to becoming a writer and the inspiration behind his award-winning debut novel, There There.

In this episode of The Archive Project, author Salman Rushdie reads from and discusses his 1999 novel, The Ground Beneath Her Feet.

Tune into this conversation from the 2025 Portland Book Festival featuring author Angela Flournoy in conversation with author Renée Watson.

In this episode, we feature Timothy Snyder as part of a Literary Arts Special Event at the Arlene Schnitzer Concert Hall.

This episode features M. Gessen, the final speaker of the 2024/25 Portland Arts & Lectures series at the Arlene Schnitzer Concert Hall.

This episode features Ta-Nehisi Coates in conversation with Omar El Akkad from the Arlene Schnitzer Concert Hall in October 2024.

In this episode, we feature Emily Wilson speaking as part of Portland Arts & Lectures at the Arlene Schnitzer Concert Hall in April 2025.

In this episode, we bring you a talk from Gabrielle Zevin. It was the culminating event of the 2024 Everybody Reads program.

This episode features Ijeoma Oluo, author of Be a Revolution, in conversation with author Hanif Fazal at the 2024 Portland Book Festival.

In this episode, we bring you a talk from Javier Zamora. It was the culminating event of the 2025 Everybody Read's program.

In this episode, we feature Timothy Egan speaking as part of Portland Arts & Lectures at the Arlene Schnitzer Concert Hall in January 2025.

Revisiting the 2024 Portland Book Festival with the "Deceit and Dark Humor" panel, featuring student readings from Writers in the Schools.

In this episode of The Archive Project, author Salman Rushdie reads from and discusses his 1999 novel, The Ground Beneath Her Feet.

This week's episode features Paul Auster and Siri Hustvedt when they interviewed each other for a special event hosted by Literary Arts in 2006.

In this episode, we feature a conversation with Connie Chung from her September 2024 event with Literary Arts.

This episode features acclaimed writer Renée Watson speaking at the World Stage Theater as part of the “I See My Light Shining” event in June 2024

This episode features Malcolm Gladwell in conversation about his newest book, Revenge of The Tipping Point. He spoke with Literary Arts executive director Andrew Proctor in front of a live audience in downtown Portland in October 2024.

National Book Foundation Presents: Awards & Activism at the 2024 Portland Book Festival with Robert Samuels and m.s. RedCherries.

This episode features M. Gessen, the final speaker of the 2024/25 Portland Arts & Lectures series at the Arlene Schnitzer Concert Hall.

Tune into this conversation about the infusion of cultural heritage and lineage into recipes which showcase first-generation American food.

In this episode, we feature Emily Wilson speaking as part of Portland Arts & Lectures at the Arlene Schnitzer Concert Hall in April 2025.

Celebrate Earth Day with fresh insights from authors and environmentalists Ferris Jabr and Amy Stewart at the 2024 Portland Book Festival.

Journey through Verselandia! 2024 with performances from the event and interviews with this year's hopefuls.

In this episode, we bring you a talk from Javier Zamora. It was the culminating event of the 2025 Everybody Read's program.

This episode features Ijeoma Oluo, author of Be a Revolution, in conversation with author Hanif Fazal at the 2024 Portland Book Festival.

Celebrated novelist and screenwriter, Alice Hoffman in conversation with the Director of the Multnomah County Library Vailey Oehlke at Wordstock: Portland's Book Festival.

Michael Ondaatje shares multiple sequences from his critically acclaimed fourth novel, Anil's Ghost.