Podcast appearances and mentions of Paul Auster

Send us a textA delightful conversation with Paul Karasik about his adaptation of Paul Auster's New York Trilogy (with David Mazzucchelli on City of Glass and Lorenzo Mattotti on Ghosts. The Locked Room Karasik handle himself); his work with Mark Newgarden: How to Read Nancy; a memoir The Ride Together co-written by his sister Judy; and more!Consider becoming a patron!Support the show

Nesta segunda parte do podcast “A Beleza das Pequenas Coisas”, o poeta e dramaturgo André Tecedeiro, fala da relação de amor com a sua companheira Laura Falésia, e de como a diferença de 13 anos nunca foi uma questão para eles. “Por dentro, temos a mesma idade. Somos muito parecidos.” Há ainda tempo para André mergulhar nos escritos de outros autores, como Paul Auster ou José Gomes Ferreira, partilhar as músicas que o acompanham, ler mais poesia e revelar todas as novidades sobre si que aí vêm ao longo do ano. Boas escutas!See omnystudio.com/listener for privacy information.

Last year, Greg Rhyno won my heart forever with his (unlicensed) PI Dame Polara, reluctantly solving crimes in an evocatively rendered Toronto. Even better? Who By Fire was the first in a series, which Rhyno has followed up a year later with the just-as-excellent Who By Water, in which the reader finds Dame now as a besotted single mother toting around a two-year-old, which makes moonlighting as a sleuth even more inconvenient than ever. But Dame has no choice once her ex-husband turns up head and it turns out that Dame herself is being framed for his murder. In our conversation, we talk about how the project of the Dame Polara Mystery series began, what it was like to create a character whose life was so different from his own, his more aspirational (snobby?) influences as a younger writer, and the writers that showed him how to come into a voice that was all his own. We also talk about Rhyno's affection for postmodern literature and how, via Paul Auster, he fell backward into loving dective fiction, which would bring him to create Dame and her literary world. After barely surviving her last case, Dame Polara trades her part-time detective gig for the safer — though no less chaotic — life of a single, working mother, picking up toys instead of picking locks, chasing after her two-year-old instead of chasing crooks.But when her ex-husband inexplicably drowns, and Dame becomes the prime suspect in his murder investigation, she must work alongside the woman who ruined her marriage to unravel the mystery of the man they both loved.Dame's sleuthing takes her to dive bars, industrial ports, and eventually, Toronto Island, where her ex spent his final days with a community of secretive and temperamental artists.As she comes closer to the complicated truth, Dame realizes that in order to clear her name and protect her family, she'll have to re-examine everything she thought she knew about the people she loved and left behind.Greg Rhyno is the author of the Dame Polara mystery series from Cormorant Books, including Who by Fire, which was nominated for a Crime Writers of Canada Award of Excellence. His debut novel, To Me You Seem Giant (NeWest Press), was nominated for a ReLit Award and an Alberta Book Publishing Award. He completed an MFA at the University of Guelph and lives with his family in Guelph, Ontario. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit kerryreads.substack.com/subscribe

Från moln till Mozart, från kustlinjer till livets slut, återfinns fraktaler. Helena Granström funderar över verklighetens och konstens struktur. Lyssna på alla avsnitt i Sveriges Radio Play. ESSÄ: Detta är en text där skribenten reflekterar över ett ämne eller ett verk. Åsikter som uttrycks är skribentens egna.När en matematiker försöker sig på att skämta kan det låta såhär:Vad står bokstaven B för i Benoit B Mandelbrot? Rätt svar: Benoit B Mandelbrot. Huruvida denna vits någonsin åstadkommer några skrattsalvor ska jag låta vara osagt, men den som förstår poängen har i alla fall också förstått vad som kännetecknar fraktalerna, de matematiska objekt som utforskades ingående av just denne Mandelbrot: att de innehåller delen som är helheten som innehåller delen som är helheten, och så vidare.Därav skämtets poäng: Namnet Benoit B Mandelbrot inneslutet i namnet Benoit B Mandelbrot inneslutet i namnet Benoit B Mandelbrot i all oändlighet.Man kan tänka på ett blomkålshuvud, eller ännu hellre på en romanesco: Bryt loss en bukett, och du kommer i denna bukett att få se det stora huvudet i mindre format. Bryt loss en mindre bukett av denna bukett, och så ännu en mindre från denna: Samma sak upprepar sig, med allt mindre kålhuvuden som fortsätter att spira från allt mindre kålhuvuden. En ovanligt hänförande fraktal kallad Mandelbrotmängden upptäcktes av Mandelbrot själv, och karakteriseras av att en förhållandevis enkel formel ger upphov till en närmast outtömlig komplexitet: ett outgrundligt överflödande universum alstrat av en simpel instruktion. Inför denna rikedom är det svårt att hålla fast vid tanken på att matematiken bara skulle vara något som människan har hittat på: ”Mandelbrotmängden är”, som matematikern Roger Penrose påpekat, ”inte något som det mänskliga sinnet har uppfunnit; den upptäcktes.” Precis på samma sätt som Mount Everest, finns den bara där.Men fraktalerna existerar alltså inte enbart i den rena matematikens sfär, utan i högsta grad i verkligheten: Vi kan finna dem i kustlinjer och floddeltan, ormbunkar och åskviggar, blodkärl och neuroner, galaxkluster och bergskedjor och moln. I var och en av dessa strukturer ser man helheten upprepa sig i de mindre delarna: Den som betraktar en del av en bergig kust kan inte utifrån dess form avgöra om det är en liten sträcka som de ser på nära håll, eller en längre på stort avstånd; och varje liten del av ett moln skulle, betraktad för sig själv, lika gärna kunna vara det stora molnet självt. Till och med vår arvsmassa är arrangerad enligt denna struktur, inpassad i den trånga cellkärnan genom identiska vikningar som sker i mindre och mindre skala. Naturen är, med andra ord, i högsta grad fraktal – och år 2016 kom ett antal polska kärnfysiker lite oväntat också fram till slutsatsen att detsamma gäller litteraturen.Det är en häpnadsväckande upptäckt, även om den kanske är lite mindre fruktbar än vad en författare skulle önska – för hur gärna jag än vill skulle jag inte kunna låta varje stycke i denna essä utgöra en miniatyr av helheten – och varje mening en miniatyr av varje stycke – och varje ord en miniatyr av varje mening. Även om det hade varit outsägligt elegant. Den amerikanska författaren Paul Auster har visserligen gjort gällande att den första meningen i hans roman Mr Vertigo innehåller essensen av hela verket – men den fraktala strukturen i kända verk av författare som Virginia Woolf och Robert Bolano låter sig avtäckas först genom ingående statistisk analys. De litteraturintresserade polska fysikerna genomförde till exempel en kartläggning av fördelningen av meningarnas längd i de romaner de studerade: Vad som framträdde var en form av idealt fraktalmönster, särskilt skönjbart i den typ av litteratur som brukar betecknas som medvetandeström. Mest fraktal av alla – till och med multifraktal, det vill säga innehållande fraktaler av fraktaler – lär James Joyces svårgenomträngliga Finnegan's Wake vara. När det gäller lyrik har en ambitiös forskare med en besläktad metod lyckats med konststycket att finna Cantormängden, en annan känd fraktal, i form av förekomsten av ordet know i en dikt av den amerikanske poeten Wallace Stevens. Och även i musiken är det möjligt att finna fraktala strukturer – föga förvånande till exempel hos en kompositör som Johann Sebastian Bach, i vars tredje cellosvit en musicerande matematiker lyckats identifiera ett påfallande exakt exempel på samma Cantormängd.Bevisar det att konstnärerna, tidigare än matematikerna, har förmått att uppfatta tillvarons inre struktur? Att dessa skapande människor på ett omedvetet vis har anat formen hos de kärl som fyller människokroppens lungvävnad, hos de kärl i vilka dess blod flödar och hos det nätverk av nervceller som överhuvudtaget gör aningar – omedvetna eller inte – möjliga. Kanske är det denna djupt liggande intuition som Mandelbrot själv också anspelar på när han konstaterar att barn inte undrar ”över temperaturen hos en gas eller kollisioner mellan atomer, utan över formerna hos träd, moln och blixtar.” Undrar de, för att de i dessa former identifierar något märkvärdigt bekant, något som lånar sin form också åt deras eget inre?Men å andra sidan skulle författarnas benägenhet att skriva fram fraktaler kunna ges en mer prosaisk förklaring än så, för också det mänskliga livets yttre ramar låter oss ju stifta bekantskap med det fraktala: Dygnet kan förstås som en miniatyr av året som i sin tur kan framstå som en miniatyr av det mänskliga livsförloppet. Men inte bara det: Möjligen, skriver matematikern Michael Frame i den märkliga lilla skriften The Geometry of Grief, kan även sorgen sägas uppvisa en självlikhet på olika skalor, eftersom varje sorg i sin tur består av många små delsorger, varje förlust av en mängd olika möjligheter eller tillfällen eller erfarenheter som för alltid gått förlorade. Inuti sorgen över en älskad människas bortgång, oövervinnerlig i sin väldighet, finns sorgen över att aldrig mer få hålla hennes hand, över att aldrig mer få höra hennes röst, över att aldrig mer få vända sig till henne med sina tankar. Och det faktum att de många små sorgerna liknar den stora sorgen i art om än inte i storlek gör det möjligt, fortsätter Frame sitt resonemang, att öva sig: Att lära sig ett sätt att tackla den väldiga, till synes ohanterliga sorgen, genom att prövande och försiktigt ta sig an de mindre sorgerna, en i sänder. Och betraktat med den fraktala geometrins blick framstår på sätt och vis hela livet så, som en repetition i liten skala för de stora skeenden som hela tiden – och samtidigt, bara långsammare – utspelar sig: varje glädje en liten replik av den större glädjen, varje misslyckande och varje närmande och varje känslosvall en replik av sina större motsvarigheter av vilka de också utgör en del. Och förstås – detta är väl den fraktala livsstrukturens dystraste sida – utgör var och en av tillvarons otaliga förluster en sorts miniatyr av den slutliga förlust som väntar oss alla, den av livet självt.Hur man ska gaska upp sig efter en sådan nedslående insikt är inte helt klart – men kanske kan åtminstone matematikerna ibland oss finna lättnad i ännu ett exempel på humor för de få:–Hur gick det för matematikern som blev gammal och sjuk, dog han? –Nejdå. Han förlorade bara några av sina funktioner. Helena Granströmförfattare med bakgrund inom fysik och matematik

Hablo de: The Lat of Us T2 Proyecto OVNI Lioness Amigos y Vecinos Morir de PLacer Black MIrror Pulse Conclave Libro: Baumgartner de Paul Auster

In this month's roundup, Iurgi and Mia discuss the comics, graphic novels and manga they've read recently:Mia: The strange case of Harleen and Harley and Check, Please volume 1.Iurgi: Haikyu, Demon Slayer, Apothecary Diaries, Blade Runner 2039.09:13 Iurgi and Mia discuss some of the news: Awards (CBCA and Aurealis Awards)The final (we hope) decision on Maia Kobabe's Gender Queer by the Australian Classification Review Board.Shakespeare adaptations by Joe Quesada's new imprint Amazing Comics, a Mad Cave imprint.An interview with Raina Telgemeier and Scott McCloud on USA TodayAn article about teaching with comics on the National Education Association websiteAnd a great article reporting on a large study in the UK about the plummeting reading rates on young readers, except for comic book readers28:16 Discussion moves to favourite picks from this month's new releases. Australian titles:Thylacine and the Time Machine by Renee Treml (Allen & Unwin)Godzilla: Skate or Die by Louie Joyce (IDW)One Path by Greg Broadmore, Nick Boshier, Andy Lanning (Mad Cave) [9781545816301] [Australian creator]Mia's Picks:The Cartoonists Club by Raina Telgemeier, Scott McCloud (Scholastic)Outsider Kids by Betty C. Tang (Scholastic)Ginseng Roots by Craig Thompson (Pantheon)Iurgi's picks: A Wizard of Earthsea by Ursula K. Le Guin, Fred Fordham (Harper Collins)The New York Trilogy by Paul Auster, Paul Karasik, Lorenzo Mattotti, David Mazzucchelli (Faber & Faber)Finally, we've also put a call out for new general members and a convenor as we're hoping to expand the committee in 2025. You don't need to be an expert in comics, graphic novels and manga! If you love comics and you're keen to support them in libraries please let us know through the jotform on our Roundup blog post.You can find all these news and new titles, and so much more on our website: https://graphic.alia.org.au/The ALIA Graphic Groove Theme 2025 courtesy of Clint Owen Ellis https://www.clintowenellis.com/ Hosted on Acast. See acast.com/privacy for more information.

En esta entrega de #Cartagrafías, Laura Piñero nos habla del libro de Paul Auster “Creí que mi padre era Dios”, editado en 2002 por Anagrama en España. Un libro que, como el escritor indica en el prólogo, no estaba en sus planes y que surgió gracias a un programa de la radio pública de Estados Unidos. Recoge las historias que miles oyentes le enviaron por carta. 

W Bełkocie literackim nr #27 rozmawiamy o rzeczach ostatecznych, a to za sprawą ostatniej powieści jednego z najsłynniejszych pisarzy amerykańskich przełomu wieków – Paula Austera (1947–2024). „Baumgartner” w anegdotycznym, bardzo austerowskim stylu opowiada historię starszego profesora filozofii, nowojorczyka oczywiście (jak to u Austera), który od dekady próbuje ułożyć sobie życie po tragicznej śmierci ukochanej żony. Zmagania z codziennością i starzejącym się własnym ciałem, wylegeające z wszystkich kątów bolesne wspomnienia, nieśmiałe próby budowania nowych relacji – wszystko to brzmi, przygnębiająco, prawda? Tymczasem z rozmowy, w której udział wzięli Kasia Janusik, Jana Karpienko i Waldek Mazur, wyłania się zupełnie inny odbiór tej powieści – dużo bardziej optymistyczny i zniuansowany.„Baumgartnera” na język polski przełożyła Maria Makuch, opublikowało Wydawnictwo Znak. A odcinek zrealizował Piotr „Piciu” Pflegel.Zapraszamy do słuchania! 

In which the Spiders take on Paul Auster's The Book of Illusions, weaving it into a web of textual filmism with prior picks Flicker and Zeroville, while debating and ultimately settling the question of its internal reality.

La vida, la experiencia vital, las aventuras de cada día, las reales y las imaginadas son el eje de nuestro programa de hoy, con una de las novelas más interesantes de estos primeros meses de 2025 y el diario de Javier Aguirre, docente, y coordinador de la revista Rolde. Benjamín García Rosado firma “El vuelo del hombre”, una novela de historias, a la manera de Paul Auster, un libro de aventuras para adultos, que comienza indagando en el origen del lenguaje y termina llevando al lector de aventura en aventura. Un escritor en crisis de ideas, una primera novela de éxito internacional, la necesidad de seguir escribiendo y una propuesta que le cambia la vida y que engancha a los lectores en esta aventura monumental.Javier Aguirre es profesor de Filosofía en la Universidad del País Vasco, y su trabajo le ha permitido pasar temporadas en Grecia. Ahora, publica con Xordica “Diario ateniense de un lanzador de naranjas”, sus diarios personales escritos durante varias estancias docentes en Atenas, con escapadas a Tesalónica, Estambul o Cerdeña. A través de ellas conocemos calles, anécdotas, personas y personajes en una narración amena que se escurre como pasan los días felices.

durée : 02:57:02 - Les Nuits de France Culture, archives d'exception - par : Catherine Liber - Trois heures avec cette figure majeure de la littérature américaine qui s'est fait connaître avec sa "Trilogie new-yorkaise". Pour cet entretien réalisé entre Brooklyn et Paris, l'écrivain s'est entouré de nombreux amis : Jacques Dupin, Sophie Calle, Don DeLillo, Hubert Nyssen... - réalisation : Virginie Mourthé - invités : Paul Auster Écrivain américain; Sophie Calle Artiste plasticienne française; Hubert Nyssen Fondateur des éditions Actes Sud; Jacques Dupin; Siri Hustvedt Écrivaine et essayiste; Don DeLillo Écrivain; Philippe Petit Funambule

Monica Pareschi"Inverness"Polidoro Editorewww.alessandropolidoroeditore.itC'è, nell'incontro con l'altro, una paura antica, uno spavento continuamente ricercato e fuggito. Incontri sbagliati, mancati. Incontri fatali, o intravisti.Baci velenosi. Bambine dai difetti repellenti. Addii dati in maniera fredda e intollerabile. Amori ricambiati in parte e scambiati per eterne maledizioni scolastiche.Monica Pareschi torna alla narrativa dopo il suo esordio di circa 10 anni fa. Un'opera contundente, corrosiva – ricorda la malizia fantastica di Leonora Carrington e il film Stoker di Park chan-Wook – fondata sui sentimenti più nascosti, sulle piccolezze mostruose, vitree, che tutti noi coviamo mentre amiamo e mentre odiamo.Monica Pareschi è autrice di È di vetro quest'aria, Italic Pequod, 2014. Traduce narrativa per le maggioricase editrici italiane. Ha tradotto e curato, tra gli al-tri, Thomas Hardy, Charlotte e Emily Brontë, Shirley Jackson, Doris Lessing, James Ballard, Bernard Malamud, Paul Auster, Nel 2020, per la sua traduzione di Wuthering Heights, ha vinto il Premio InternazionaleVon Rezzori e il Premio Letteraria e, nel 2023, il Premio Fondazione Capalbio per la traduzione di Piccole cose da nulla di Claire Keegan. Insegna traduzione letteraria all'Università Cattolica.IL POSTO DELLE PAROLEascoltare fa pensarewww.ilpostodelleparole.itDiventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.

En Baumgartner, Auster explora los temas de la vejez, la muerte y el duelo. Un hombre, escritor, recorre sus días diez años después de la muerte de su adorada esposa. Es una novela lenta que genera un ambiente de letanía y de un acompañamiento pausado del protagonista. Algunos cambios de género sorprenden, pues no es solo su voz, también la de su mujer, a través de cartas, las que van armando la historia de amor y las personalidades de la pareja. Como invitado especial nos acompaña Robinson Vega.

Extraits littéraires : – Le temps d'après, Jean Hegland – La musique du Hasard, Paul Auster – La route, Jack Kerouac Invitée : Kalleen Kyle de la librairie-café Peanut Butter Books, à Grenoble. Poésie sonore : Lost, Emily Dickinson

"Baumgartner" to powieść Paula Austera, ukazująca się niemal równy rok po śmierci jej autora. Określana jest jako najpogodniejsza książka amerykańskiego pisarza. Intensywna, poruszająca, przesycona tęsknotą i pełna zachwytu nad codziennością. Jest tu przede wszystkim miejsce na miłość, ale również i na żałobę.

Tres décadas llevan con nosotros Bevilacqua y Chamorro, la pareja de Guardias civiles que sentimos como nuestros, como si fuera de la familia. Desde El lejano país de los estanques hasta Las fuerzas contrarias, Lorenzo Silva ha ido construyendo la historias de estos dos personajes, y también la del propio país. No solo ellos han evolucionado. También España. Y España se vio paralizada, como todo el planeta, por culpa de un bicho, un patógeno que nos tuvo encerrados durante meses. Pero no se dejó de matar.En el Club, nuestro pequeño homenaje al subteniente Rubén Bevilacqua y a la brigada Virgina Chamorro, con su creador, Lorenzo Silva. La nueva entrega está publicada por Destino, como siempre.No es la única pareja de guardias civiles que se pasea por este Club de Lectura. Lo hacen también Daniel y Jesús, que se ven obligados a investigar la muerte de un anciano en un valle minero de Asturias. Leticia Sierra ha puesto en pie una novela criminal titulada Lo que oculta la tierra, y que ha publicado Planeta. En la sección de Audiolibros, la obra final de Paul Auster, Baumargtner. Una reflexión sobre lo que supone amar a alguien. La historia de un profesor universitario que hace nueve años perdió a su mujer. Y los problemas que tuvo Molière para ser enterrado. ¿Por qué nadie quería darle sepultura?

Gliff by Ali Smith is the story of two siblings navigating a dystopian world that feels timely and hopeful amid themes of isolation and identity. Smith joins us to talk about the meaning of the title, the beauty of physical books, creating empathy and understanding through reading and more with cohost Jenna Seery.    This episode of Poured Over was hosted by Jenna Seery and mixed by Harry Liang.                      New episodes land Tuesdays and Thursdays (with occasional Saturdays) here and on your favorite podcast app.   Featured Books (Episode):   Gliff by Ali Smith  How to be both by Ali Smith  Autumn by Ali Smith  The Handmaid's Tale by Margaret Atwood  Brave New World by Aldous Huxley   Metamorphoses by Ovid  Theory and Practice by Michelle de Kretser  Scary Monsters by Michelle de Kretser  The Bee Sting by Paul Murray  Skippy Dies by Paul Murray  Baumgartner by Paul Auster 

This week's episode features Paul Auster and Siri Hustvedt when they interviewed each other for a special event hosted by Literary Arts in 2006.

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Hablamos con el economista Alejandro Inurrieta de  la necesidad de la regulación de los precios del alquiler, uno de los temas que más debate causan ahora mismo en nuestro país en materia de vivienda. Como cada semana, Guillermo nos actualiza la situación de Paiporta, esta vez, a un día de cumplirse un mes del paso de la dana por Valencia. Abrimos la 'Librería del Faro' y Eva Cosculluela nos trae el 'Cuento de Navidad Auggie Wren' de Paul Auster, que cuenta la historia de un estanquero que cada mañana a las siete, con estricta regularidad, salía de su establecimiento para hacerle una foto a la misma esquina de Brooklyn. Una colección de fotografías que se convirtió en la obra de su vida.

University of Windsor (ON) Percussion Professor Nicholas Papador stops by to talk about his recent PASIC Presentation on Klezmer arrangements with the help of Heartland Marimba (04:00), his job at Windsor, the Canadian Percussion Network, the Marassa Duo, his compositional career and living in Canada (16:25), growing up mostly in Portland (OR), and his expanded musical interests in classical music and punk rock (41:15), attending the University of Oregon for 2 undergrad degrees and a discussion of the Oregon-Wake Forest football connection (52:50), his years doing his percussion master's degree at Indiana University (01:05:30), his doctoral years at Northwestern University (IL), his post-doctoral time in Ithaca, NY, and working as a percussionist for modern dance (01:13:15), and finishes with the Random Ass Questions, including segments on Paul Auster's books, places to travel, a bug attack at a symphony performance, and Mark Rothko (01:32:00).Finishing with a Rave on the fans of Pete's Percussion Podcast at PASIC (01:56:25).Nicholas Papador links:Nicholas Papador's websiteNicholas Papador's University of Windsor pageNicholas Papador's PASIC pagePrevious Podcast Guests Mentioned:Matthew Coley on the podcast in 2021Aiyun Huang on the podcast in 2023Joshua D. Smith on the podcast in 2018Kevin Bobo on the podcast in 2017Scott Herring on the podcast in 2022Will James on the podcast in 2017Other Links:

In the spotlight is the late, great novelist Paul Auster and one of his friends and biographers, I.B. Siegumfeldt, who spent three years logging conversations between herself and Paul Auster and compiling those conversations into a book titled A LIFE IN WORDS — a wide-ranging dialogue between Auster and the Danish professor, in what has been called a “remarkably candid and sharply focused investigation” into Auster's art, craft and life. In total, Paul Auster wrote more than 30 books, some translated into more than forty languages, as well as writing the screenplays for a selection of films. We discuss: >> The first sentence of his novels>> His imaginative characters and storytelling>> Work style>> Popularity in Europe>> The Paul Auster Research Library and The Paul Auster Society>> His passion for and involvement in cinema>> Etc. Learn more about Paul Auster here: https://www.faber.co.uk/author/paul-auster Learn more about I.B. “Gita” Siegumfeldt here: https://researchprofiles.ku.dk/en/persons/inge-birgitte-siegumfeldtNovelist Spotlight is produced and hosted by Mike Consol. Check out his novels here: https://snip.ly/yz18no   Write to Mike Consol at novelistspotlight@gmail.com

"Att söka efter sig själv och hitta en främling". Så beskriver Maja resultatet när man som läsare - eller huvudperson - försöker lösa gåtor och reda i de frågor kring identitet och sanning som är så betydelsefulla i Paul Austers författarskap. Så inte minst i New York-trilogin, som är det verk av den amerikanska författaren som Solen pratar mest om denna gång. Paul Auster föddes 1947 och dog i april 2024, och hans författarskap blev stilbildande på 90-talet med sin postmoderna stil där allting flyter - ont och gott, jag och du, sanning och fiktion. Hur är det att läsa honom idag, och varför blev han så betydelsefull? Det funderar Solen kring i detta samtal, inspelat i oktober 2024. Solen är en podcast om litteratur med bibliotekarierna Alice Thorburn, Elias Hillström, Maja Bünger och Patrik Schylström från Stadsbiblioteket i Stockholm. I detta avsnitt deltar också Caroline Karlsson.

Javier Macipe , Pepe Lorente y Cuti Carabajal; director y protagonistas respectivamente de 'La Estrella Azul' (2024), han ido más allá de la ficción para hacer realidad el sueño de Mauricio Aznar (1964-2000) y están sumergidos en una gira para tocar el repertorio folclórico argentino que Aznar siempre quiso llevar (entre otros escenarios) a las fiestas del Pilar de su natal Zaragoza. Disfrutamos de algunas canciones de su repertorio en directo. También charlamos con Inés Martín Rodrigo, con motivo del homenaje que hay programado esta tarde en el Círculo de Bellas Artes de Madrid, dedicado al gran Paul Auster, fallecido el pasado 30 de abril. Además pasamos por la 'Pequeteca' de Leticia Audibert, un repaso por la próxima 'Feria del Libro de Guadalajara' con Susana Santaolalla... y otras noticias, como una muestra sobre los hermanos Machado en Sevilla, nueva jornada de la 'Seminci' en Valladolid, o los galardonados con el 'Premio Nacional a la mejor Traducción' y a la 'Obra de un traductor', entre otras.Escuchar audio

In the third episode of “Notes on a Native Son,” host Razia Iqbal sits down with the celebrated writer of novels and essays, Siri Hustvedt. When Hustvedt was invited to record a conversation for the podcast about her favorite passage from the work of James Baldwin, the timing in so many ways couldn't have been worse — it turned out to be the last few weeks of life for her husband, writer Paul Auster. However, a few weeks after his passing, Hustvedt reached out to say that she was ready.She felt that re-reading and talking about Baldwin would somehow be a balm for her grief. Hustvedt describes how Baldwin's novels “possessed” her as a young reader and discusses his intricate ability to recognize the oppressor within, even as he gave a voice to the oppressed.Notes from America is a 2024 Signal Awards finalist! Community voting is now open for the show to earn a Listener's Choice honor for Best Live Podcast Recording, and we would be honored for you to take a minute to cast a vote our way. Click here to vote through October 17, and thank you for listening and supporting Notes from America! Tell us what you think. We're @noteswithkai on Instagram and X (Twitter). Email us at notes@wnyc.org. Send us a voice message by recording yourself on your phone and emailing us, or record one here.Notes from America airs live on Sundays at 6 p.m. ET. The podcast episodes are lightly edited from our live broadcasts.

The regulars discuss Walz pick and shape of the race. David French joins to talk about Trump v. United States.  highlights / lowlights   Mona: The life of Penny Parker (1927-2024). David: Highlight: The USA's Medal Count Lowlight: China's Gold medal count Linda: What's better than calling Trump weird? (David Broockman and Josh Kalla, Slow Boring) Damon: The Book of Illusions by Paul Auster. Bill: Highlight: He's still on Cape Cod Lowlight: Hamas names Yahya Sinwar, mastermind of the Oct. 7 attacks, as its new leader in show of defiance (AP)

durée : 02:56:59 - Les Nuits de France Culture - Trois heures avec cette figure majeure de la littérature américaine qui s'est fait connaître avec sa "Trilogie new-yorkaise". Pour cet entretien réalisé entre Brooklyn et Paris, l'écrivain s'est entouré de nombreux amis : Jacques Dupin, Sophie Calle, Don DeLillo, Hubert Nyssen... - invités : Paul Auster Écrivain américain; Sophie Calle Artiste plasticienne française; Hubert Nyssen Fondateur des éditions Actes Sud; Jacques Dupin; Siri Hustvedt Écrivaine et essayiste; Don DeLillo Écrivain; Philippe Petit Funambule

On this month's World Book Club, Harriett Gilbert will be talking to bestselling American writer Paul Auster about his acclaimed work The New York Trilogy. In three brilliant variations on the classic detective story, Auster makes the well-traversed terrain of New York City his own. Each interconnected tale exploits the elements of standard detective fiction to achieve an entirely new genre that was ground-breaking when it was published three decades ago. In each story the search for clues leads to remarkable coincidences in the universe as the simple act of trailing a man ultimately becomes a startling investigation of identity and what it means to be human. Hear what readers made of Paul and his novel and what happened when another Paul Auster stood up to introduce himself to the Paul Auster on the stage.

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! Como cada verano vamos a intentar daros alguna idea para sacarle partido a estos días estivales. Y es que ya tenemos por aquí las lecturas recomendadas por nuestro compañero Luis Quiñones Cervantes. Además de leer sus propias obras, por cierto, como Crónica del último invierno, Retrato de Sophie Hoffman o un Hombre detrás de la lluvia y que os recomendamos encarecidamente, nuestro querido escritor nos recomienda tres lecturas veraniegas con garantías: Un clásico del Siglo XIX, El Conde de Montecristo de Alexandre Dumas; otro clásico, pero más cercano como es la Trilogía de Nueva York de Paul Auster y una obra inclasificable donde se une la historia de la ciencia, la literatura y la reflexión: Un verdor terrible del chileno Benjamín Labatut. Vamos con ellas. Episodio para mecenas, gracias por vuestro apoyo: https://www.ivoox.com/support/3737 www.elabrazodeloso.es www.latostadora.com/elabrazodeloso Canal de Telegram para estar informado: https://t.me/+T6RxUKg_xhk0NzE0 Grupo abierto de Telegram para conversar: https://t.me/+tBHrUSWNbZswNThk Twitch: https://www.twitch.tv/elabrazodeloso Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

Voice assistants have become a constant presence in our lives. Maybe you talk to Alexa or Gemini or Siri to ask a question or to perform a task. Maybe you have to do a little back and forth with a voice bot whenever you call your pharmacy, or when you book a service appointment at your car dealership. You may even get frustrated and start pleading with the robot on the other end of the line to connect you with a real human.That's the catch, though: These voice bots are starting to sound a lot more like actual humans, with emotions in their voice, little ticks and giggles in between phrases, and the occasional flirty aside. Today's voice-powered chatbots are blurring the lines between what's real and what's not, which prompts a complicated ethical question: Can you trust a bot that insists it's actually human?This week, Lauren Goode tells us about her recent news story on a bot that was easily tricked into lying and saying it was a human. And WIRED senior writer Paresh Dave tells us how AI watchdogs and government regulators are trying to prevent natural-sounding chatbots from misrepresenting themselves.Show Notes:Read more about the Bland AI chatbot, which lied and said it was human. Read Will Kight's story about researchers' warnings of the manipulative power of emotionally expressive chatbots.Recommendations:Lauren recommends The Bee Sting by Paul Murray. (Again.) Paresh recommends subscribing to your great local journalism newsletter or Substack to stay informed on important local issues. Mike recommends Winter Journal, a memoir by Paul Auster.Paresh Dave can be found on social media @peard33. Lauren Goode is @LaurenGoode. Michael Calore is @snackfight. Bling the main hotline at @GadgetLab. The show is produced by Boone Ashworth (@booneashworth). Our theme music is by Solar Keys.

In this week's episode, host Kristin Hayes talks with Chiara Lo Prete, an associate professor of energy economics at Penn State University, about the design of electricity markets in the United States. Lo Prete discusses the differences among electricity markets in different regions of the country; efforts to ensure that electric utilities can meet demand for electricity under adverse conditions, such as extreme weather events; and new designs of electricity markets that aim to accommodate both growing demand for electricity and the further integration of renewable energy resources into the US electric grid. References and recommendations: “Time for a Market Upgrade? A Review of Wholesale Electricity Market Designs for the Future” by Chiara Lo Prete, Karen Palmer, and Molly Robertson; https://www.rff.org/publications/reports/review-of-wholesale-electricity-market-designs-for-the-future/ “Superpower: One Man's Quest to Transform American Energy” by Russell Gold; https://www.simonandschuster.com/books/Superpower/Russell-Gold/9781501163593 “4 3 2 1” by Paul Auster; https://us.macmillan.com/books/9781250618801/4-3-2-1

Back in March, the US Environmental Protection Agency finalized a long in the works rule requiring automakers here to dramatically increase the number of battery-powered vehicles they're putting on the roads. The government has mandated that by 2032, more than half of new cars sold must be electric. There are some caveats, namely that plug-in hybrid cars will fulfill the federal requirements for what a “battery-powered” vehicle is. This has led to a flood of hybrid cars hitting the market. This week, we talk about what this means for people who are considering buying a new car now, or in the next few years. We explain the differences between plug-in hybrids, full hybrids, and electrics, and we tell you what your options are if you live in an apartment without a convenient place to plug in your car while it's parked. We are joined this week by WIRED staff writer Aarian Marshall, who breaks down the facts, shatters the myths, and turns us all into hybrid car experts.This episode originally aired on April 2, 2024. Read the transcript.Show Notes:Read Aarian's story about the new US emissions rules. Also read her story about automakers struggling to hit their US sales targets for electric cars.Recommendations:Aarian recommends going to one of those baseball games where you also bring your dog. (They let you run the bases!) Mike recommends The New York Trilogy by novelist Paul Auster, who died this week at 77. Lauren recommends The Lights, the newest book of poetry and prose by Ben Lerner.Aarian Marshall can be found on social media @aarianmarshall. Lauren Goode is @LaurenGoode. Michael Calore is @snackfight. Bling the main hotline at @GadgetLab. The show is produced by Boone Ashworth (@booneashworth). Our theme music is by Solar Keys.

Paul Auster spoke with Eleanor Wachtel about his novel Oracle Night, the ways in which reality and fiction blend and how coincidences shape our lives at the Blue Metropolis Literary Festival in Montreal in 2004. The writer of The New York Trilogy, Leviathan and 4 3 2 1, among many other books, was best known for his postmodernist fiction and meta-narratives. He died on April 30, 2024. He was 77. 

Last week, news broke that writer Paul Auster died from complications related to lung cancer. The New York Times called him “the patron saint of literary Brooklyn;” elsewhere he was dubbed "the dean of American postmodernists." He was the author of many novels such as The New York Trilogy, and he wrote screenplays, memoirs, and nonfiction, including Burning Boy: The Life and Work of Stephen Crane.He was also a long-time friend of Brooke and her husband Fred Kaplan — they lived a few blocks away from each other in their Brooklyn neighborhood. In November of 2021, Paul Auster walked over to Brooke's home studio to talk about Stephen Crane.   On the Media is supported by listeners like you. Support OTM by donating today (https://pledge.wnyc.org/support/otm). Follow our show on Instagram, Twitter and Facebook @onthemedia, and share your thoughts with us by emailing onthemedia@wnyc.org.

The New York Times described Paul Auster as the "Patron Saint of Literary Brooklyn." He died Tuesday of complications of lung cancer. He was 77. We'll listen back to some of our interviews with him, including one about his early career when he was desperately trying to make a living as writer, and even tried writing porn.Justin Chang reviews the new film The Fall Guy, starring Ryan Gosling and Emily Blunt.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

We were saddened to learn of Paul Auster's passing on April 30, at the age of 77. In his memory, revisit this interview, which originally ran on November 5, 2021, on the late author's favorite writer: Stephen Crane. Exploding the Canon will return next week. In his decades-long career, the writer Paul Auster has turned his hand to poems, essays, plays, novels, translations, screenplays, memoirs—and now biography. Burning Boy explores the life and work of Stephen Crane, whose short time on earth sputtered out at age 28 from tuberculosis. Like his biographer, Crane, too, spanned genres—poetry, novels, short stories, war reporting, and semi-fictional newspaper “sketches”—striking it big in 1895 with The Red Badge of Courage, which was widely celebrated at the time and is still regarded as his best work. But in Auster's estimation, the rest of Crane's output (and there is a surprising amount of it) is sorely neglected, and the pleasure of Burning Boy lies in reading one of the 19th century's finest writers alongside one of today's. Paul Auster joins the podcast to talk about the task of restoring Stephen Crane to the American canon.Go beyond the episode:Paul Auster's Burning BoyRead Steven G. Kellman's review, “Poet of the Extreme”Eager for a taste of Stephen Crane beyond the novels? We recommend The Black Riders and Other Lines and “The Open Boat”Subscribe: iTunes/Apple • Amazon • Google • Acast • Pandora • RSS FeedHosted by Stephanie Bastek. Theme music by Nathan Prillaman. Have suggestions for projects you'd like us to catch up on, or writers you want to hear from? Send us a note: podcast [at] theamericanscholar [dot] org. And rate us wherever you listen! Hosted on Acast. See acast.com/privacy for more information.

DFW airport raises prices, again… Harvey will be retried… Talc settlement?... Schneider sues for defamation… chewingthefat@theblaze.com Celebrity plastic surgery searches… Who Died Today: Richard Tandy 76 / Paul Auster 77 / Joshua Dean 45… Goldblum says row your own boat… No need to bring the snake… Brian Cox – theater is the one true church… Joke of the Day… Learn more about your ad choices. Visit megaphone.fm/adchoices

Back in March, the US Environmental Protection Agency finalized a long in the works rule requiring automakers here to dramatically increase the number of battery-powered vehicles they're putting on the roads. The government has mandated that by 2032, more than half of new cars sold must be electric. There are some caveats, namely that plug-in hybrid cars will fulfill the federal requirements for what a “battery-powered” vehicle is. This has led to a flood of hybrid cars hitting the market. This week, we talk about what this means for people who are considering buying a new car now, or in the next few years. We explain the differences between plug-in hybrids, full hybrids, and electrics, and we tell you what your options are if you live in an apartment without a convenient place to plug in your car while it's parked. We are joined this week by WIRED staff writer Aarian Marshall, who breaks down the facts, shatters the myths, and turns us all into hybrid car experts.Show Notes:Read Aarian's story about the new US emissions rules. Also read her story about automakers struggling to hit their US sales targets for electric cars.Recommendations:Aarian recommends going to one of those baseball games where you also bring your dog. (They let you run the bases!) Mike recommends The New York Trilogy by novelist Paul Auster, who died this week at 77. Lauren recommends The Lights, the newest book of poetry and prose by Ben Lerner.Aarian Marshall can be found on social media @aarianmarshall. Lauren Goode is @LaurenGoode. Michael Calore is @snackfight. Bling the main hotline at @GadgetLab. The show is produced by Boone Ashworth (@booneashworth). Our theme music is by Solar Keys.

Whoosh, it's been a big week and a half and we're here to make sense of it for you and provide a bit of respite. The exhaustion and anger felt by women in the last couple of weeks can't go unmentioned, and we share our thoughts about this endless, frustrating conversation around women's right to live safely.Cosmopolitan magazine is making a return as an actual glossy, our Nicole has just made history in America, and Myf is vindicated by the public's feelings on the perfect movie length.Jerry Seinfeld has joined the ranks of blokes of a certain age with opinions on political correctness, so we're going to match him by giving our thoughts on Unfrosted. Yep, his Netflix film on Pop Tarts is also your homework for the Sydney Bang On Live show, fam.Apparently there's a bunch of people who don't shower daily, or even weekly, and Zan is fascinated. And socks and sandals (also jandals) are making a big comeback! So are piss stained jeans. It's FARSHUN.We farewell a literary giant in Paul Auster, and we're banging on about a brilliant read from Anna Funder, Wifedom, and a fun watch on Bon Jovi. Bang Medicine.Show notes:Bang On Shit Bali Music:  https://open.spotify.com/playlist/1ghbvs2A0LdhRsjruKtlZh?si=l6AEJURSSqq7Hz-s3Vj9WA&pi=a-FETgalZyS8yAnnabel Crabb: https://www.abc.net.au/news/2024-05-01/albanese-gendered-violence-rally/103785858$925 million response: https://www.abc.net.au/news/2024-05-02/survivors-advocates-experts-respond-to-national-cabinet/103792420Family and domestic violence support services:1800 Respect National Helpline: 1800 737 732DV Connect Women's Line: 1800 811 81113 YARN 13 92 76Kids Helpline: 1800 55 1800Headspace: 1800 650 890Lifeline (24-hour Crisis Line): 13 11 14Cosmo back: https://mumbrella.com.au/cosmopolitan-magazine-latest-glossy-to-return-to-the-australian-market-827423Nicole Kidman honoured: https://www.theguardian.com/film/2024/apr/28/nicole-kidman-given-life-achievement-award-by-american-film-insitutePerfect film time: https://www.theguardian.com/film/2024/apr/29/ideal-movie-running-time-is-92-minutes-poll-claims?CMP=Share_iOSApp_OtherJerry Seinfeld: https://variety.com/2024/film/news/jerry-seinfeld-pc-culture-extreme-left-ruining-tv-comedy-1235985325/New Yorker piece: https://www.newyorker.com/culture/the-new-yorker-interview/the-scholar-of-comedyUnfrosted: https://www.youtube.com/watch?v=2lqRPUhPfhoNot showering daily: https://www.bbc.com/culture/article/20240423-theres-no-need-to-shower-every-day-heres-whySocks are in: https://www.theguardian.com/fashion/2024/apr/25/best-foot-forward-the-humble-sock-is-finally-having-its-momentPee stained jeans: https://www.complex.com/style/a/alex-ocho/pee-stained-designer-jeans-sell-outMet Gala preview: https://www.instyle.com/2024-met-gala-guest-list-8640772Paul Auster: https://www.theguardian.com/books/2024/may/01/paul-auster-dies-aged-77-death-american-author-new-york-trilogyBon Jovi doco: https://www.youtube.com/watch?v=lScnabjU6IsWifedom: https://www.penguin.com.au/books/wifedom-9780143778080Bang Back to us: bangon.podcast@abc.net.auBang On Live: https://www.abc.net.au/abceventsBang On merch: https://sound-merch.com.au/collections/bang-on-liveBang On is an ABC podcast, produced by Double J. It is recorded on the lands of the Wurundjeri, Turrbal and Gadigal peoples. We pay our respects to elders past and present. We acknowledge Aboriginal and Torres Strait Islander peoples as the First Australians and Traditional Custodians of the land where we live, work, and learn.

Hablamos en Bogotá con el ex ministro de Defensa Gabriel Silva Luján; en Madrid con la columnista del diario "Clarín" de Buenos Aires Raquel Garzón, y en Santiago con la periodista chilena Verónica Foxley

UCLA is the latest US university campus to be hit by clashes between pro-Palestinian demonstrators and their opponents. The American Secretary of State Anthony Blinken pushes to get more aid into Gaza, while urging Hamas to accept a ceasefire deal. Why are women footballers more likely to get injured during their periods? And remembering Paul Auster, the American author who's died at the age of 77.

Chaotic scenes on US university campuses after police raid a sit-in protest at Columbia University in New York making more than 100 arrests, and violence breaks out between rival demonstrators at UCLA in Los Angeles.Also in the programme: protestors in the Georgian capital Tbilisi clash with riot police as a proposed new law polarises opinion between pro EU and pro Russian elements; could this have far wider consequences? And we reflect on the life of American novelist Paul Auster who has died.(IMAGE: CHP officers put on their gear amid clashes near an encampment (not pictured) by supporters of Palestinians in Gaza, on the University of California, Los Angeles (UCLA) campus, in Los Angeles, California, U.S., May 1, 2024 / CREDIT: Reuters / David Swanson)

It is said that people never die until the last person says their name. In memory of the writer and director Paul Auster, who passed away this week, we're sharing this conversation we had back in 2017 after the publication of his novel 4 3, 2, 1. Auster reflects on his body of work, life, and creative process.Paul Auster was the bestselling author of Winter Journal, Sunset Park, Invisible, The Book of Illusions, and The New York Trilogy, among many other works. He has been awarded the Prince of Asturias Award for Literature, the Prix Médicis étranger, an Independent Spirit Award, and the Premio Napoli. He is a member of the American Academy of Arts and Letters, the American Academy of Arts and Sciences, and is a Commandeur de l'Ordre des Arts et des Lettres. He has also penned several screenplays for films such as Smoke (1995), as well as Lulu on the Bridge (1998) and The Inner Life of Martin Frost (2007), which he also directed.“But what happens is a space is created. And maybe it's the only space of its kind in the world in which two absolute strangers can meet each other on terms of absolute intimacy. I think this is what is at the heart of the experience and why once you become a reader that you want to repeat that experience, that very deep total communication with that invisible stranger who has written the book that you're holding in your hands. And that's why I think, in spite of everything, novels are not going to stop being written, no matter what the circumstances. We need stories. We're all human beings, and it's stories from the moment we're able to talk.”We apologize for the quality of the recording since it was not originally meant to be aired as a podcast. Portrait of Paul Auster by Mia Funk, inspired by his novel 4,3,2,1.www.penguinrandomhouse.com/authors/1045/paul-austerwww.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

B.C. Decriminalization: Bonnie Henry, Trans Mountain opens, Bee home invasion, Dental care critic, Paul Auster obituary, Zambia soccer scandal, Maple sap test, and more.

Legado de Paul Auster

It is said that people never die until the last person says their name. In memory of the writer and director Paul Auster, who passed away this week, we're sharing this conversation we had back in 2017 after the publication of his novel 4 3, 2, 1. Auster reflects on his body of work, life, and creative process.Paul Auster was the bestselling author of Winter Journal, Sunset Park, Invisible, The Book of Illusions, and The New York Trilogy, among many other works. He has been awarded the Prince of Asturias Award for Literature, the Prix Médicis étranger, an Independent Spirit Award, and the Premio Napoli. He is a member of the American Academy of Arts and Letters, the American Academy of Arts and Sciences, and is a Commandeur de l'Ordre des Arts et des Lettres. He has also penned several screenplays for films such as Smoke (1995), as well as Lulu on the Bridge (1998) and The Inner Life of Martin Frost (2007), which he also directed.“But what happens is a space is created. And maybe it's the only space of its kind in the world in which two absolute strangers can meet each other on terms of absolute intimacy. I think this is what is at the heart of the experience and why once you become a reader that you want to repeat that experience, that very deep total communication with that invisible stranger who has written the book that you're holding in your hands. And that's why I think, in spite of everything, novels are not going to stop being written, no matter what the circumstances. We need stories. We're all human beings, and it's stories from the moment we're able to talk.”We apologize for the quality of the recording since it was not originally meant to be aired as a podcast. Portrait of Paul Auster by Mia Funk, inspired by his novel 4,3,2,1.www.penguinrandomhouse.com/authors/1045/paul-austerwww.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

It is said that people never die until the last person says their name. In memory of the writer and director Paul Auster, who passed away this week, we're sharing this conversation we had back in 2017 after the publication of his novel 4 3, 2, 1. Auster reflects on his body of work, life, and creative process.Paul Auster was the bestselling author of Winter Journal, Sunset Park, Invisible, The Book of Illusions, and The New York Trilogy, among many other works. He has been awarded the Prince of Asturias Award for Literature, the Prix Médicis étranger, an Independent Spirit Award, and the Premio Napoli. He is a member of the American Academy of Arts and Letters, the American Academy of Arts and Sciences, and is a Commandeur de l'Ordre des Arts et des Lettres. He has also penned several screenplays for films such as Smoke (1995), as well as Lulu on the Bridge (1998) and The Inner Life of Martin Frost (2007), which he also directed.“But what happens is a space is created. And maybe it's the only space of its kind in the world in which two absolute strangers can meet each other on terms of absolute intimacy. I think this is what is at the heart of the experience and why once you become a reader that you want to repeat that experience, that very deep total communication with that invisible stranger who has written the book that you're holding in your hands. And that's why I think, in spite of everything, novels are not going to stop being written, no matter what the circumstances. We need stories. We're all human beings, and it's stories from the moment we're able to talk.”We apologize for the quality of the recording since it was not originally meant to be aired as a podcast. Portrait of Paul Auster by Mia Funk, inspired by his novel 4,3,2,1.www.penguinrandomhouse.com/authors/1045/paul-austerwww.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

Le Journal en français facile du mercredi 1er mai 2024, 18h00 à Paris ► EXERCICEComprendre un extrait du journal | Paul Auster, un écrivain musicien des mots | niveau A2 (exercice + PDF)Retrouvez votre épisode avec la transcription synchronisée et des exercices pédagogiques pour progresser en français : https://rfi.my/AZA6.A

Paul Auster was the bestselling author of “Sunset Park,” “Invisible,” “The Brooklyn Follies,” “The Book of Illusions,” and “The New York Trilogy,” among many other works. He died of complications from lung cancer yesterday. He was 77. We spoke with him on The Book Show in 2013. Having recalled his life through the story of his physical self in 2012's “Winter Journal,” Auster remembered the experience of his development from within in “Report from the Interior.”

It is said that people never die until the last person says their name. In memory of the writer and director Paul Auster, who passed away this week, we're sharing this conversation we had back in 2017 after the publication of his novel 4 3 2 1. Auster reflects on his body of work, life, and creative process.