American writer and film director
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5 episodes with Paul Auster
5 episodes with Paul Auster
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8 episodes with Paul Auster
5 episodes with Paul Auster
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5 episodes with Paul Auster
4 episodes with Paul Auster
10 episodes with Paul Auster
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4 episodes with Paul Auster
3 episodes with Paul Auster
3 episodes with Paul Auster
4 episodes with Paul Auster
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2 episodes with Paul Auster
4 episodes with Paul Auster
“Grief happens because you don't stop loving the person who died. The person doesn't exist in your reality anymore. The everyday is not colored and shaped by this other human being, but you don't stop loving the person. So grief is a particular kind of unrequited love. And probably without that dynamic relationship with this person, I would be someone else. And he would've been someone else. I mean, Paul died before me. But we were, I think, hugely important to the drama of becoming in our own lives.”Today, we are honored to welcome a writer whose work has long explored the intimate landscapes of the mind, memory and the heart. Siri Hustvedt's writing moves between the personal and the philosophical, the literary and the deeply human. Her work bridges collections of essays, non-fiction, poetry, and seven novels, including the international bestsellers What I Loved and The Summer Without Men. Recipient of the Princess of Asturias Award for Literature and the Gabarron Prize for Thought, her work has been translated into over thirty languages. Her new memoir, Ghost Stories, is a reflection on forty-three years shared with her late husband, the writer and filmmaker Paul Auster. In its pages, we encounter not only love and loss, but the quiet persistence of presence, memory, and language itself.(0:00) Grief as Unrequited LoveSiri explores the emotional reality of living without Paul Auster, noting that grief occurs because love does not stop when a person dies.(4:00) Facing Death with CourageThe importance of not hiding from mortality and how discussing end-of-life wishes offered a necessary perspective.(12:37) Reading from Ghost StoriesSiri reads the opening passage of her memoir, detailing how the loss of her husband deranged her sense of time and bodily rhythms.(18:41) The Phantom Limb: ” The beloved is taken away and it feels as if you're amputated or gutted.”(21:50) Grandfather, Father and Son: Generational Traumas Behind Paul Auster's Writing(24:11) How Powerful Emotions and a Person's Life Can Play a Role in Illness(30:09) Feeding the Earth "Paul very pointedly told me that he wanted to be buried in the Jewish mode. And the phrase he used was, “I want my body to feed the earth.”(44:23) Physical Love in MarriageOn the importance of physical intimacy in long-term marriages, a reality often left out of grief memoirs.(54:00) The Philosophy of the BetweenHow relational existence is foundational to life.(1:00:16) The Hubris of Controlling Nature(1:12:00) The Dark History of Statistics(1:32:12) The Art of Learning vs. AI and Automated Outcomes“I think we have to ask ourselves, what is education? What do we want from it? How do we want people to learn?Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast
“Grief is a particular kind of unrequited love. It wasn't unrequited in the past. Usually, we think of unrequited love as you never got to do it, you never had it for yourself. But, in fact, there can be requited love, which is then unrequited love in the paroxysms of grief.”Today, we are honored to welcome a writer whose work has long explored the intimate landscapes of the mind, memory and the heart. Siri Hustvedt's writing moves between the personal and the philosophical, the literary and the deeply human. Her work bridges collections of essays, non-fiction, poetry, and seven novels, including the international bestsellers What I Loved and The Summer Without Men. Recipient of the Princess of Asturias Award for Literature and the Gabarron Prize for Thought, her work has been translated into over thirty languages. Her new memoir, Ghost Stories, is a reflection on forty-three years shared with her late husband, the writer and filmmaker Paul Auster. In its pages, we encounter not only love and loss, but the quiet persistence of presence, memory, and language itself.(0:00) “We were hugely important to the drama of becoming in our own lives”(2:04) Grief as Unrequited LoveSiri explores the emotional reality of living without Paul Auster, noting that grief occurs because love does not stop when a person dies.(3:19) The Shared Space of a 43-year Marriage(4:36) Reading from Ghost StoriesSiri reads the opening passage of her memoir, detailing how the loss of her husband deranged her sense of time and bodily rhythms.(7:02) How Loss Changes Our Sense of Time(11:24) How Powerful Emotions and a Person's Life Can Play a Role in Illness(13:04) Believing in a Reality that Transcends the Individual(20:06) Physical Love in MarriageOn the importance of physical intimacy in long-term marriages, a reality often left out of grief memoirs.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast
“Grief happens because you don't stop loving the person who died. The person doesn't exist in your reality anymore. The everyday is not colored and shaped by this other human being, but you don't stop loving the person. So grief is a particular kind of unrequited love. And probably without that dynamic relationship with this person, I would be someone else. And he would've been someone else. I mean, Paul died before me. But we were, I think, hugely important to the drama of becoming in our own lives.”Today, we are honored to welcome a writer whose work has long explored the intimate landscapes of the mind, memory and the heart. Siri Hustvedt's writing moves between the personal and the philosophical, the literary and the deeply human. Her work bridges collections of essays, non-fiction, poetry, and seven novels, including the international bestsellers What I Loved and The Summer Without Men. Recipient of the Princess of Asturias Award for Literature and the Gabarron Prize for Thought, her work has been translated into over thirty languages. Her new memoir, Ghost Stories, is a reflection on forty-three years shared with her late husband, the writer and filmmaker Paul Auster. In its pages, we encounter not only love and loss, but the quiet persistence of presence, memory, and language itself.(0:00) Grief as Unrequited LoveSiri explores the emotional reality of living without Paul Auster, noting that grief occurs because love does not stop when a person dies.(4:00) Facing Death with CourageThe importance of not hiding from mortality and how discussing end-of-life wishes offered a necessary perspective.(12:37) Reading from Ghost StoriesSiri reads the opening passage of her memoir, detailing how the loss of her husband deranged her sense of time and bodily rhythms.(18:41) The Phantom Limb: ” The beloved is taken away and it feels as if you're amputated or gutted.”(21:50) Grandfather, Father and Son: Generational Traumas Behind Paul Auster's Writing(24:11) How Powerful Emotions and a Person's Life Can Play a Role in Illness(30:09) Feeding the Earth "Paul very pointedly told me that he wanted to be buried in the Jewish mode. And the phrase he used was, “I want my body to feed the earth.”(44:23) Physical Love in MarriageOn the importance of physical intimacy in long-term marriages, a reality often left out of grief memoirs.(54:00) The Philosophy of the BetweenHow relational existence is foundational to life.(1:00:16) The Hubris of Controlling Nature(1:12:00) The Dark History of Statistics(1:32:12) The Art of Learning vs. AI and Automated Outcomes“I think we have to ask ourselves, what is education? What do we want from it? How do we want people to learn?Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast
“Grief happens because you don't stop loving the person who died. The person doesn't exist in your reality anymore. The everyday is not colored and shaped by this other human being, but you don't stop loving the person. So grief is a particular kind of unrequited love. And probably without that dynamic relationship with this person, I would be someone else. And he would've been someone else. I mean, Paul died before me. But we were, I think, hugely important to the drama of becoming in our own lives.”Today, we are honored to welcome a writer whose work has long explored the intimate landscapes of the mind, memory and the heart. Siri Hustvedt's writing moves between the personal and the philosophical, the literary and the deeply human. Her work bridges collections of essays, non-fiction, poetry, and seven novels, including the international bestsellers What I Loved and The Summer Without Men. Recipient of the Princess of Asturias Award for Literature and the Gabarron Prize for Thought, her work has been translated into over thirty languages. Her new memoir, Ghost Stories, is a reflection on forty-three years shared with her late husband, the writer and filmmaker Paul Auster. In its pages, we encounter not only love and loss, but the quiet persistence of presence, memory, and language itself.(0:00) Grief as Unrequited LoveSiri explores the emotional reality of living without Paul Auster, noting that grief occurs because love does not stop when a person dies.(4:00) Facing Death with CourageThe importance of not hiding from mortality and how discussing end-of-life wishes offered a necessary perspective.(12:37) Reading from Ghost StoriesSiri reads the opening passage of her memoir, detailing how the loss of her husband deranged her sense of time and bodily rhythms.(18:41) The Phantom Limb: ” The beloved is taken away and it feels as if you're amputated or gutted.”(21:50) Grandfather, Father and Son: Generational Traumas Behind Paul Auster's Writing(24:11) How Powerful Emotions and a Person's Life Can Play a Role in Illness(30:09) Feeding the Earth "Paul very pointedly told me that he wanted to be buried in the Jewish mode. And the phrase he used was, “I want my body to feed the earth.”(44:23) Physical Love in MarriageOn the importance of physical intimacy in long-term marriages, a reality often left out of grief memoirs.(54:00) The Philosophy of the BetweenHow relational existence is foundational to life.(1:00:16) The Hubris of Controlling Nature(1:12:00) The Dark History of Statistics(1:32:12) The Art of Learning vs. AI and Automated Outcomes“I think we have to ask ourselves, what is education? What do we want from it? How do we want people to learn?Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast
“Grief is a particular kind of unrequited love. It wasn't unrequited in the past. Usually, we think of unrequited love as you never got to do it, you never had it for yourself. But, in fact, there can be requited love, which is then unrequited love in the paroxysms of grief.”Today, we are honored to welcome a writer whose work has long explored the intimate landscapes of the mind, memory and the heart. Siri Hustvedt's writing moves between the personal and the philosophical, the literary and the deeply human. Her work bridges collections of essays, non-fiction, poetry, and seven novels, including the international bestsellers What I Loved and The Summer Without Men. Recipient of the Princess of Asturias Award for Literature and the Gabarron Prize for Thought, her work has been translated into over thirty languages. Her new memoir, Ghost Stories, is a reflection on forty-three years shared with her late husband, the writer and filmmaker Paul Auster. In its pages, we encounter not only love and loss, but the quiet persistence of presence, memory, and language itself.(0:00) “We were hugely important to the drama of becoming in our own lives”(2:04) Grief as Unrequited LoveSiri explores the emotional reality of living without Paul Auster, noting that grief occurs because love does not stop when a person dies.(3:19) The Shared Space of a 43-year Marriage(4:36) Reading from Ghost StoriesSiri reads the opening passage of her memoir, detailing how the loss of her husband deranged her sense of time and bodily rhythms.(7:02) How Loss Changes Our Sense of Time(11:24) How Powerful Emotions and a Person's Life Can Play a Role in Illness(13:04) Believing in a Reality that Transcends the Individual(20:06) Physical Love in MarriageOn the importance of physical intimacy in long-term marriages, a reality often left out of grief memoirs.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast
“Grief happens because you don't stop loving the person who died. The person doesn't exist in your reality anymore. The everyday is not colored and shaped by this other human being, but you don't stop loving the person. So grief is a particular kind of unrequited love. And probably without that dynamic relationship with this person, I would be someone else. And he would've been someone else. I mean, Paul died before me. But we were, I think, hugely important to the drama of becoming in our own lives.”Today, we are honored to welcome a writer whose work has long explored the intimate landscapes of the mind, memory and the heart. Siri Hustvedt's writing moves between the personal and the philosophical, the literary and the deeply human. Her work bridges collections of essays, non-fiction, poetry, and seven novels, including the international bestsellers What I Loved and The Summer Without Men. Recipient of the Princess of Asturias Award for Literature and the Gabarron Prize for Thought, her work has been translated into over thirty languages. Her new memoir, Ghost Stories, is a reflection on forty-three years shared with her late husband, the writer and filmmaker Paul Auster. In its pages, we encounter not only love and loss, but the quiet persistence of presence, memory, and language itself.(0:00) Grief as Unrequited LoveSiri explores the emotional reality of living without Paul Auster, noting that grief occurs because love does not stop when a person dies.(4:00) Facing Death with CourageThe importance of not hiding from mortality and how discussing end-of-life wishes offered a necessary perspective.(12:37) Reading from Ghost StoriesSiri reads the opening passage of her memoir, detailing how the loss of her husband deranged her sense of time and bodily rhythms.(18:41) The Phantom Limb: ” The beloved is taken away and it feels as if you're amputated or gutted.”(21:50) Grandfather, Father and Son: Generational Traumas Behind Paul Auster's Writing(24:11) How Powerful Emotions and a Person's Life Can Play a Role in Illness(30:09) Feeding the Earth "Paul very pointedly told me that he wanted to be buried in the Jewish mode. And the phrase he used was, “I want my body to feed the earth.”(44:23) Physical Love in MarriageOn the importance of physical intimacy in long-term marriages, a reality often left out of grief memoirs.(54:00) The Philosophy of the BetweenHow relational existence is foundational to life.(1:00:16) The Hubris of Controlling Nature(1:12:00) The Dark History of Statistics(1:32:12) The Art of Learning vs. AI and Automated Outcomes“I think we have to ask ourselves, what is education? What do we want from it? How do we want people to learn?Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast
“Grief is a particular kind of unrequited love. It wasn't unrequited in the past. Usually, we think of unrequited love as you never got to do it, you never had it for yourself. But, in fact, there can be requited love, which is then unrequited love in the paroxysms of grief.”Today, we are honored to welcome a writer whose work has long explored the intimate landscapes of the mind, memory and the heart. Siri Hustvedt's writing moves between the personal and the philosophical, the literary and the deeply human. Her work bridges collections of essays, non-fiction, poetry, and seven novels, including the international bestsellers What I Loved and The Summer Without Men. Recipient of the Princess of Asturias Award for Literature and the Gabarron Prize for Thought, her work has been translated into over thirty languages. Her new memoir, Ghost Stories, is a reflection on forty-three years shared with her late husband, the writer and filmmaker Paul Auster. In its pages, we encounter not only love and loss, but the quiet persistence of presence, memory, and language itself.(0:00) “We were hugely important to the drama of becoming in our own lives”(2:04) Grief as Unrequited LoveSiri explores the emotional reality of living without Paul Auster, noting that grief occurs because love does not stop when a person dies.(3:19) The Shared Space of a 43-year Marriage(4:36) Reading from Ghost StoriesSiri reads the opening passage of her memoir, detailing how the loss of her husband deranged her sense of time and bodily rhythms.(7:02) How Loss Changes Our Sense of Time(11:24) How Powerful Emotions and a Person's Life Can Play a Role in Illness(13:04) Believing in a Reality that Transcends the Individual(20:06) Physical Love in MarriageOn the importance of physical intimacy in long-term marriages, a reality often left out of grief memoirs.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast
“Grief happens because you don't stop loving the person who died. The person doesn't exist in your reality anymore. The everyday is not colored and shaped by this other human being, but you don't stop loving the person. So grief is a particular kind of unrequited love. And probably without that dynamic relationship with this person, I would be someone else. And he would've been someone else. I mean, Paul died before me. But we were, I think, hugely important to the drama of becoming in our own lives.”Today, we are honored to welcome a writer whose work has long explored the intimate landscapes of the mind, memory and the heart. Siri Hustvedt's writing moves between the personal and the philosophical, the literary and the deeply human. Her work bridges collections of essays, non-fiction, poetry, and seven novels, including the international bestsellers What I Loved and The Summer Without Men. Recipient of the Princess of Asturias Award for Literature and the Gabarron Prize for Thought, her work has been translated into over thirty languages. Her new memoir, Ghost Stories, is a reflection on forty-three years shared with her late husband, the writer and filmmaker Paul Auster. In its pages, we encounter not only love and loss, but the quiet persistence of presence, memory, and language itself.(0:00) Grief as Unrequited LoveSiri explores the emotional reality of living without Paul Auster, noting that grief occurs because love does not stop when a person dies.(4:00) Facing Death with CourageThe importance of not hiding from mortality and how discussing end-of-life wishes offered a necessary perspective.(12:37) Reading from Ghost StoriesSiri reads the opening passage of her memoir, detailing how the loss of her husband deranged her sense of time and bodily rhythms.(18:41) The Phantom Limb: ” The beloved is taken away and it feels as if you're amputated or gutted.”(21:50) Grandfather, Father and Son: Generational Traumas Behind Paul Auster's Writing(24:11) How Powerful Emotions and a Person's Life Can Play a Role in Illness(30:09) Feeding the Earth "Paul very pointedly told me that he wanted to be buried in the Jewish mode. And the phrase he used was, “I want my body to feed the earth.”(44:23) Physical Love in MarriageOn the importance of physical intimacy in long-term marriages, a reality often left out of grief memoirs.(54:00) The Philosophy of the BetweenHow relational existence is foundational to life.(1:00:16) The Hubris of Controlling Nature(1:12:00) The Dark History of Statistics(1:32:12) The Art of Learning vs. AI and Automated Outcomes“I think we have to ask ourselves, what is education? What do we want from it? How do we want people to learn?Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast
“Grief is a particular kind of unrequited love. It wasn't unrequited in the past. Usually, we think of unrequited love as you never got to do it, you never had it for yourself. But, in fact, there can be requited love, which is then unrequited love in the paroxysms of grief.”Today, we are honored to welcome a writer whose work has long explored the intimate landscapes of the mind, memory and the heart. Siri Hustvedt's writing moves between the personal and the philosophical, the literary and the deeply human. Her work bridges collections of essays, non-fiction, poetry, and seven novels, including the international bestsellers What I Loved and The Summer Without Men. Recipient of the Princess of Asturias Award for Literature and the Gabarron Prize for Thought, her work has been translated into over thirty languages. Her new memoir, Ghost Stories, is a reflection on forty-three years shared with her late husband, the writer and filmmaker Paul Auster. In its pages, we encounter not only love and loss, but the quiet persistence of presence, memory, and language itself.(0:00) “We were hugely important to the drama of becoming in our own lives”(2:04) Grief as Unrequited LoveSiri explores the emotional reality of living without Paul Auster, noting that grief occurs because love does not stop when a person dies.(3:19) The Shared Space of a 43-year Marriage(4:36) Reading from Ghost StoriesSiri reads the opening passage of her memoir, detailing how the loss of her husband deranged her sense of time and bodily rhythms.(7:02) How Loss Changes Our Sense of Time(11:24) How Powerful Emotions and a Person's Life Can Play a Role in Illness(13:04) Believing in a Reality that Transcends the Individual(20:06) Physical Love in MarriageOn the importance of physical intimacy in long-term marriages, a reality often left out of grief memoirs.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast
The Creative Process in 10 minutes or less · Arts, Culture & Society
“Grief is a particular kind of unrequited love. It wasn't unrequited in the past. Usually, we think of unrequited love as you never got to do it, you never had it for yourself. But, in fact, there can be requited love, which is then unrequited love in the paroxysms of grief.”Today, we are honored to welcome a writer whose work has long explored the intimate landscapes of the mind, memory and the heart. Siri Hustvedt's writing moves between the personal and the philosophical, the literary and the deeply human. Her work bridges collections of essays, non-fiction, poetry, and seven novels, including the international bestsellers What I Loved and The Summer Without Men. Recipient of the Princess of Asturias Award for Literature and the Gabarron Prize for Thought, her work has been translated into over thirty languages. Her new memoir, Ghost Stories, is a reflection on forty-three years shared with her late husband, the writer and filmmaker Paul Auster. In its pages, we encounter not only love and loss, but the quiet persistence of presence, memory, and language itself.(0:00) “We were hugely important to the drama of becoming in our own lives”(2:04) Grief as Unrequited LoveSiri explores the emotional reality of living without Paul Auster, noting that grief occurs because love does not stop when a person dies.(3:19) The Shared Space of a 43-year Marriage(4:36) Reading from Ghost StoriesSiri reads the opening passage of her memoir, detailing how the loss of her husband deranged her sense of time and bodily rhythms.(7:02) How Loss Changes Our Sense of Time(11:24) How Powerful Emotions and a Person's Life Can Play a Role in Illness(13:04) Believing in a Reality that Transcends the Individual(20:06) Physical Love in MarriageOn the importance of physical intimacy in long-term marriages, a reality often left out of grief memoirs.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast
“Grief happens because you don't stop loving the person who died. The person doesn't exist in your reality anymore. The everyday is not colored and shaped by this other human being, but you don't stop loving the person. So grief is a particular kind of unrequited love. And probably without that dynamic relationship with this person, I would be someone else. And he would've been someone else. I mean, Paul died before me. But we were, I think, hugely important to the drama of becoming in our own lives.”Today, we are honored to welcome a writer whose work has long explored the intimate landscapes of the mind, memory and the heart. Siri Hustvedt's writing moves between the personal and the philosophical, the literary and the deeply human. Her work bridges collections of essays, non-fiction, poetry, and seven novels, including the international bestsellers What I Loved and The Summer Without Men. Recipient of the Princess of Asturias Award for Literature and the Gabarron Prize for Thought, her work has been translated into over thirty languages. Her new memoir, Ghost Stories, is a reflection on forty-three years shared with her late husband, the writer and filmmaker Paul Auster. In its pages, we encounter not only love and loss, but the quiet persistence of presence, memory, and language itself.(0:00) Grief as Unrequited LoveSiri explores the emotional reality of living without Paul Auster, noting that grief occurs because love does not stop when a person dies.(4:00) Facing Death with CourageThe importance of not hiding from mortality and how discussing end-of-life wishes offered a necessary perspective.(12:37) Reading from Ghost StoriesSiri reads the opening passage of her memoir, detailing how the loss of her husband deranged her sense of time and bodily rhythms.(18:41) The Phantom Limb: ” The beloved is taken away and it feels as if you're amputated or gutted.”(21:50) Grandfather, Father and Son: Generational Traumas Behind Paul Auster's Writing(24:11) How Powerful Emotions and a Person's Life Can Play a Role in Illness(30:09) Feeding the Earth "Paul very pointedly told me that he wanted to be buried in the Jewish mode. And the phrase he used was, “I want my body to feed the earth.”(44:23) Physical Love in MarriageOn the importance of physical intimacy in long-term marriages, a reality often left out of grief memoirs.(54:00) The Philosophy of the BetweenHow relational existence is foundational to life.(1:00:16) The Hubris of Controlling Nature(1:12:00) The Dark History of Statistics(1:32:12) The Art of Learning vs. AI and Automated Outcomes“I think we have to ask ourselves, what is education? What do we want from it? How do we want people to learn?Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast
LOVE - What is love? Relationships, Personal Stories, Love Life, Sex, Dating, The Creative Process
“Grief is a particular kind of unrequited love. It wasn't unrequited in the past. Usually, we think of unrequited love as you never got to do it, you never had it for yourself. But, in fact, there can be requited love, which is then unrequited love in the paroxysms of grief.”Today, we are honored to welcome a writer whose work has long explored the intimate landscapes of the mind, memory and the heart. Siri Hustvedt's writing moves between the personal and the philosophical, the literary and the deeply human. Her work bridges collections of essays, non-fiction, poetry, and seven novels, including the international bestsellers What I Loved and The Summer Without Men. Recipient of the Princess of Asturias Award for Literature and the Gabarron Prize for Thought, her work has been translated into over thirty languages. Her new memoir, Ghost Stories, is a reflection on forty-three years shared with her late husband, the writer and filmmaker Paul Auster. In its pages, we encounter not only love and loss, but the quiet persistence of presence, memory, and language itself.(0:00) “We were hugely important to the drama of becoming in our own lives”(2:04) Grief as Unrequited LoveSiri explores the emotional reality of living without Paul Auster, noting that grief occurs because love does not stop when a person dies.(3:19) The Shared Space of a 43-year Marriage(4:36) Reading from Ghost StoriesSiri reads the opening passage of her memoir, detailing how the loss of her husband deranged her sense of time and bodily rhythms.(7:02) How Loss Changes Our Sense of Time(11:24) How Powerful Emotions and a Person's Life Can Play a Role in Illness(13:04) Believing in a Reality that Transcends the Individual(20:06) Physical Love in MarriageOn the importance of physical intimacy in long-term marriages, a reality often left out of grief memoirs.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast
In another packed episode, Iurgi and Mia discuss some of the latest news and new titles, which include two new graphic novels by Australian creators. Campbell Whyte returning with the highly anticipated Luna Express and Georgina Chadderton making her debut with Oh Brother. Also, the first twelve issues of Melbournian C.S. Pacat's Fence have been collected into a new paperback.02:00 Recent ReadsMia: Oh brother by Georgina ChaddertonFrieren: Beyond journey's end, vol 1 by Kanehito Yamada, Tsukasa AbeIurgi:Frieren vols 1 to 3 Paul Auster's The New York Trilogy by David Mazzuchelli, Lorenzo Mattotti, Paul Kurasik. Luna Express by Campbell Whyte10:42 NewsEdutopia highlights 12 middle-grade graphic novels that use visual storytelling to destigmatize mental health issues like anxiety and depression. Comics Bulletin ranks the top 10 standalone Batman graphic novelsThe 2025 Aurealis Awards finalists and the winner for Best Graphic Novel/Illustrated Work. The Comic Arts Awards of Australia were announced at the end of January. These awards were celebrating the best Australian comics published in 2024. Bronze, Silver and Gold, they're all winners and Iurgi couldn't be happier with Chris Gooch's In Utero receiving gold.The American Library Association (ALA) has officially launched its Outstanding Comics Awards, marking a significant milestone in library-backed literary recognition. French publisher Morgen, backed by industry veterans, enters the global market with high-profile deals including writer Ram V.29:31 Our favourite picks of the new titles:Oh Brother by Georgina Chadderton (Penguin Australia) [Australian creator]Luna Express by Campbell Whyte (Top Shelf Productions) [Australian Creator]Damsel in D.I.S.T.R.E.S.S. by Andrew Clemson, Mau Mora, Hassan Otsmane-Elhaou (Maverick)Batman and Robin Year One by Chris Samnee, Mark Waid (DC Comics)Lovely Recipe by Myra Rose Nino (Random House)Frieren Beyond Journey's End, Vol. 14 by Kanehito Yamada, Tsukasa Abe (VIZ media)37:51 ClosingWe have a creator chat with Georgina Chadderton coming up. Mia give us a preview. Thank you to everyone who reached out volunteering to join the judging panel of the ALIA Graphic Notable Australian Graphic Novels of 2025. We've received lots of expressions of interest and we couldn't get everyone in but we've got three great panels, for Junior, YA and Adult and they'll start reading the comics, so we're hoping to announce the notables in May or June. There's lots of reading to do.To stay up to date, for the full roundup of news, resources and new titles and our social media links visit our website: https://graphic.alia.org.au/ The ALIA Graphic Groove Theme 2025 courtesy of Clint Owen Ellis https://www.clintowenellis.com/ Hosted on Acast. See acast.com/privacy for more information.
Un livre, Un lecteur, émission présentée par Florence Berthout. Elle reçoit Karima Ben Cheikh qui présentera le livre « M. Vertigo » de Paul Auster À propos du livre : « M. Vertigo » paru aux éditions Actes sud « Tu ne vaux pas mieux qu'un animal. Si tu restes où tu es, tu seras mort avant la fin de l'hiver. Si tu viens avec moi, je t'apprendrai à voler. » Ainsi le vieux Yehudi s'adresse-t-il à Walt, neuf ans, un gamin misérable des rues de Saint Louis. Il tiendra sa promesse. À l'issue d'un apprentissage impitoyablement cruel, Walt deviendra un phénomène célèbre dans toute l'Amérique. Et c'est elle – cette Amérique violente et misérable, sauvage et naïve des années 1920 et 1930 – que le romancier de Léviathan nous convie à découvrir sur les traces de ses étranges héros. L'Amérique du Ku Klux Klan et du jazz, des gangsters et du cinéma. Revisitée par un écrivain qui, sans cesser d'être lui-même, reprend ici la tradition de Mark Twain et de Steinbeck pour nous raconter une histoire captivante – juste assez étrange pour que nous ne puissions l'oublier... Paul Auster est un écrivain américain, né dans le New Jersey en 1947. Après des études de lettres à la Columbia University, il se lance dans l'écriture de poèmes et de scénarios. Entre 1971 et 1975, il s'installe à Paris où il traduit des auteurs comme Mallarmé et Sartre, et publie son premier recueil de poèmes : Unearth. Sa carrière littéraire s'envole en 1985 avec la parution de sa Trilogie new-yorkaise qui sera suivie de nombreux autres succès comme Moon Palace ou encore Léviathan qui obtient le prix Médicis étranger en 1993. Également passionné par le cinéma, il participe au tournage de Smoke et réalise Lulu on the Bridge. Invisible, son dernier roman, a reçu un accueil critique et public unanime.
Drees, Jan www.deutschlandfunk.de, Büchermarkt
Netz, Dina www.deutschlandfunk.de, Büchermarkt
Egyszerre a létező leghétköznapibb és közben egészen rendkívüli dolgokról szól Mécs Anna első regénye, a Rutin: egy fiatal pár küzdelméről a terhességért, majd pedig a kisgyermekükkel töltött első időszakról. Ez a feszültség, hogy ez valami olyasvalami, amin rengeteg mindenki átesett már, és közben mégis egyedi és megismételhetetlen, végigkíséri a kötetet, melyben a kortárs anyaság tapasztalata van elmesélve időnként felkavaró, sokszor pedig nagyon vicces történeteken keresztül. A Nem rossz könyvekben Mécs Annával beszélgettünk a regényről és még rengeteg mindenről, ami ennek nyomán eszünkbe jutott. A tartalomból: 00:00 Könyvek, amiket olvastunk mostanában: Andrew Ross Sorkin - 1929, Holdosi József - Kányák, Kaffka Margit - Színek és évek, és Edouard Louis - Leszámolás Eddyvel. 07:30 Jön az élő eseményünk: február 3-án Krasznahorkai László életművéről beszélgetünk majd szerkesztőjével, Szegő Jánossal. 08:55 És a mai vendégünk: Mécs Anna, akinek Rutin címmel jelent meg első regénye. Hogyan lehet az írást meg általában a munkát összeegyeztetni a kisgyerekes élettel? „Baba alszik, anya ír” praktikus jelmondata. És az íróműhelyek szerepe. 17:00 A fikció lehetőségei és a tudat, hogy úgyis ráolvassák majd a szerzőre a szöveget. Anyaság és a termékenységi küzdelem kortárs története, mint univerzális történet. „Autófikciós művet írva sokkal szemérmesebb lettem volna.” 20:45 Párhuzamos történetek a könyvben, ciklikusság a regényben és az életben. 30:00 Hogyan lesz irodalmi nyelv a kortárs anyaságot kísérő tapasztalatból? Iszonyú nagy tudatosság kell ahhoz, hogy az ember elnavigáljon ebben a világban. És a generációs különbségek szerepe és az elég jó nagyszülő. 38:00 A meddőségről való beszéd nehézségei 43:00 Könyvterv az édesapjáról, Mécs Imréről, és az említett Tények és tanú kötet Nóvé Béla szerkesztésében. 48:20 Három könyv Mécs Anna ajánlásában: Paul Auster - 4321, Anna Funder - Amivé lettünk és Halász Rita - Betonba hímezve. See omnystudio.com/listener for privacy information.
Eredeti közzététel: 2020.10.29.Mindenkit foglalkoztat a gondolat, hogy máshogy is alakulhatott volna az élete. Paul Auster 4 3 2 1 című regényében ugyanazon élettörténet 4 különböző kimenetelét meséli el, az olvasónak pedig végig az jár a fejében, mennyi a véletlenek szerepe, van-e eleve elrendeltség. És nem csak a regény szereplőinek életében. Mindeközben sodródunk az ötvenes-hatvanas évek Amerikájával. Szerintünk ilyen egy különleges olvasmány.
Gerald Howard is the author of The Insider: Malcolm Cowley and the Triumph of American Literature, available from Penguin Press. Howard retired in 2021 as executive editor and vice president of Doubleday Books. He received the 2009 Maxwell E. Perkins Award for Distinguished Achievement in the Field of Fiction and has worked over the years with authors such as Paul Auster, Don DeLillo, David Foster Wallace, Debby Applegate, Hanya Yanagihara, Pat Barker, Sean Wilentz, and Bill Bryson. Howard's essays and reviews have appeared in Bookforum, The New York Times Book Review, The American Scholar, London Review of Books, n+1, Slate, and other publications. *** Otherppl with Brad Listi is a weekly podcast featuring in-depth interviews with today's leading writers. This episode is sponsored by Ulysses. Go to ulys.app/writeabook to download Ulysses, and use the code OTHERPPL at checkout to get 25% off the first year of your yearly subscription. Available where podcasts are available: Apple Podcasts, Spotify, YouTube, etc. Get How to Write a Novel, the debut audio course from DeepDive. 50+ hours of never-before-heard insight, inspiration, and instruction from dozens of today's most celebrated contemporary authors. Subscribe to Brad's email newsletter. Support the show on Patreon Merch Instagram TikTok Bluesky Email the show: letters [at] otherppl [dot] com The podcast is a proud affiliate partner of Bookshop, working to support local, independent bookstores. Learn more about your ad choices. Visit megaphone.fm/adchoices
Va escriure Paul Auster a "El conte de Nadal de l'Auggie Wren" que mentre hi hagi una persona que se la cregui, no hi ha cap hist
Come ogni anno, per le festività natalizie ci piace farvi i nostri migliori auguri con una selezione speciale, per rendere più cinefile e cinematografiche le vostre giornate: tre film (più un titolo bonus) da guardare con calma, da soli o in compagnia, e un drink pensato per ciascuno, perché il cinema, come il Natale, è soprattutto condivisione.
In Episode 31 DDSWTNP get the chance to talk about DeLillo with his friend, colleague, and editor Gerald Howard, whose distinguished career in publishing at Viking Penguin, Norton, and Doubleday spanned nearly 50 years and was marked by his work not only on Libra but important books by David Foster Wallace, Paul Auster, and so many others. We hear Gerry recount first reading the DeLillo of Americana and “Total Loss Weekend” in the 1970s, seeing a book titled “Panasonic” (eventually, White Noise) arrive at Viking Penguin, and having an 800-page manuscript about the JFK assassination later hit his desk. So many great stories mark this episode, including DeLillo's funny “speech” upon receiving the National Book Award for White Noise, his reasons for seeking a new publisher after The Names, the legal reasoning behind the Author's Note at the end of the hardcover Libra, and what Gerry for personal reasons regards as one of the funniest of DeLillo's many funny passages: an editor's remarks to Bill Gray about the literary marketplace in Mao II. Gerry talks as well about Catholicism, DeLillo's massive influence on younger writers, and who, along with DeLillo, comprised his personal “trinity” of greatest authors. And at the end we wish a happy 89th birthday to Don DeLillo! With this interview episode, we also extend the biographical “Lives of DeLillo” series we began with our November 20 releases the past two years. Huge thanks to Gerry for sharing so many remarkable stories, insights, and readings. Be sure to pick up Gerald Howard's new book, The Insider: Malcolm Cowley and the Triumph of American Literature, available this month from Penguin Random House and discussed at the end of this episode. Finally, a note on production: when other technology failed us, we decided to record this interview as a phone call, with obviously a lower sound quality than our listeners are used to. Gerry was wonderfully patient and flexible through it all, and his voice comes through clearly, in a recording that, in its crackles, we'd like to think, captures some spirit of DeLilloan Ludditism. Image of Mao II woodcut in episode cover art is courtesy of Gerald Howard. List of works mentioned in this episode: A. Scott Berg, Max Perkins: Editor of Genius. New York: Dutton, 1978. Don DeLillo, “Total Loss Weekend,” Sports Illustrated, Nov. 27, 1972. https://web.archive.org/web/20110822080327/http://sportsillustrated.cnn.com/vault/article/magazine/MAG1086811/index.htm Gerald Howard, “Stockholm, Are You Listening? Why Don DeLillo Deserves the Nobel.” Bookforum, April/May 2020. https://www.bookforum.com/print/2701/why-don-delillo-deserves-the-nobel-23926 ---. “The Puck Stopped Here: Revisiting ‘Cleo Birdwell' and her National Hockey League Memoir.” Bookforum, December/January 2008. https://www.bookforum.com/print/1404/revisiting-cleo-birdwell-and-her-national-hockey-league-memoir-1406 ---. “The American Strangeness: An Interview with Don DeLillo.” Hungry Mind Review, 1997. https://web.archive.org/web/19990129081431/www.bookwire.com/hmr/hmrinterviews.article$2563 ---. “I Was Gordon Lish's Editor.” Slate, October 31, 2007. https://slate.com/news-and-politics/2007/10/editing-the-infamous-gordon-lish.html ---. The Insider: Malcolm Cowley and the Triump of American Literature. Penguin Random House, 2025. https://www.penguinrandomhouse.ca/books/561292/the-insider-by-gerald-howard/9780525522058 Listeners interested in Gerald Howard's huge impact on publishing in general might turn to the pages about his achievements in Dan Sinykin's Big Fiction: How Conglomeration Changed the Publishing Industry and American Literature (Columbia UP, 2023) and D.T. Max's Every Love Story is a Ghost Story: A Life of David Foster Wallace (Penguin, 2012). A correction: DeLillo's remark on “around-the-house-and-in-the-yard” fiction is from Robert R. Harris's “A Talk with Don DeLillo,” New York Times Book Review, Oct. 10, 1982.
Neue Bücher von Joy Williams, Thomas Pynchon, Jegana Dschabbarowa, Yavuz Ekinci, einem Paul Auster Comic und ukrainischen Klassikern
A közeljövő (sokszor kényelmetlenül) ismerős Magyarországán játszódik Fábián Tamás pár hete megjelent, Bravúros mutatványok, amiket senki se látott című regénye, ahol az életbe kilépő fiatal felnőttek próbálnak boldogulni, miközben életüket átszövi az írás iránti vágy, az egymáshoz való kapcsolódás nehézsége és a társadalmi rendszer, ami erősen korlátozza, hogy kinek merre vezethet az útja. Fábián Tamást elsősorban a Telex újságírójaként ismerhettük eddig, de most első regényéről kérdeztük a Nem rossz könyvek podcastban, ahol többek között arról beszélt nekünk, hogy milyen hiányérzet és kíváncsiság motiválta őt az írásra, milyen írói élmény volt megalkotni egy propagandista alakját és hogy hogyan ért össze a munka során az elképzelt, fiktív világ a mai Magyarországgal. A tartalomból: 00:00 A könyv, amit a héten ajánlunk, olyan, amit már ajánlottunk korábban is, de most megjelent magyarul is: Helen DeWitt - Az utolsó szamuráj. 04:40 És a vendégünk: Fábián Tamás, akinek pár hete jelent meg első regénye, melynek főszereplői is folyamatosan az írással küzdenek. Ezért adja magát a kérdés, hogy mit is jelent az írás, és hogyan születik hiányérzetből és kíváncsiságból egy kézirat. 08:50 Regényt írni újságíróként, és eleve regényt írni: hány ember lehet, akiben ott cirkulál a gondolat, hogy írni kéne, de aztán megreked valahol. 14:50 Hogyan válnak a személyes történetek az irodalom alapanyagává? 18:50 Bravúros mutatványok a saját életünkben: senki nem látja elsőre, hogy honnan érkeztünk. Város és vidék viszonya a regény egyik vezérfonala. És mintha beletörődtünk volna abba, hogy brutális társadalmi különbségek vannak, de hát ilyen az élet. 24:40 A regény szereplőinek háttere, és Bauer Béla, a sztárpropagandista alakja. 33:00 Fikció és valóság kapcsolata, és az állandó kompromisszumkeresések, a kinn is, benn is helyzetek. 36:40 Az erős női karakterek és az olvasás-írás lényege, hogy másokat elkezdjünk megérteni. 43:00 Optimista vagy pesszimista regény ez? És számít egyáltalán: x év múlva lehet, hogy lényegesen cudarabb körülmények között fogunk élni, de ugyanezek az emberi dinamikák fognak játszódni. 49.00 Három könyv Fábián Tamás ajánlásában: Paul Auster - 4321, Sinkó Ervin - Optimisták, Simone de Beauvoir - Mandarinok. Továbbra is várjuk a könyv- és témaötleteket a facebookos csoportunkban! Addig is további könyves tartalmakért ajánljuk Anna Instagramját és Bence Nemrosszkönyvek Instagramját, ahonnan a podcast nevét is kölcsönöztük. A műsor meghallgatható a 444 Spotify- és Apple Podcast-csatornáján is.See omnystudio.com/listener for privacy information.
Podríamos decir: un compendio de motivos para tomar el lápiz y bajar al papel ideas literarias. O mejor: una colección de escenas que impulsaron la necesidad de contar. De eso se trata este artículo publicado a comienzos de 1996 en New Yorker y traducido y puesto en manos de lectores argentinos por la revista V de Vian en marzo del mismo año. “Sutil ejercicio de estilo”, dijo V de Vian en la presentación del texto. En efecto, mediante cinco historias diversas, Auster ilumina sus comienzos como autor. Cualquier profesional podría someterse a la tarea de entenderse a sí mismo, y es por eso que sumamos Por qué escribir a Audiolibros Por qué leer. ++++++++++++++++++++++++++++++++++ Pre producción y voz: CECILIA BONA Editó este episodio: DANY FERNÁNDEZ @danyrap.f para @activandoproducciones.proyecto ⚙️ Producción: XIMENA GONZALEZ @ximegonzal3z Edición de video: LUZ FERNÁNDEZ @luzma.fz ¡Ayudanos a crecer! Patrociná POR QUÉ LEER: https://porqueleer.com/patrocina Nuestras redes sociales: ⚡https://instagram.com/porqueleerok ⚡https://twitter.com/porqueleerok ⚡https://www.facebook.com/porqueleerok/
En este segundo episodio del especial sobre los años 80, Ricardo y Alejandro se adentran en la década desde su faceta más vibrante: la música, el cine, la literatura y la cultura popular.Fue la era dorada del videoclip, con Michael Jackson marcando un antes y un después, mientras Madonna, Prince y Whitney Houston definían el sonido y la estética pop de la época. En Colombia la hegemonía cultural gringa convivía, y a veces competía, con lo local: el vallenato vivía su propio auge con Diomedes Díaz y el Binomio de Oro.En el cine, E.T., Blade Runner o The Breakfast Club se convirtieron en símbolos, mientras en Colombia títulos como El embajador de la India o las comedias del Gordo Benjumea, como El taxista millonario, conectaban con el público. La literatura tuvo nombres que marcaron época, desde García Márquez y Vallejo hasta Tom Wolfe, Martin Amis, Don DeLillo, Raymond Carver, Richard Ford, Paul Auster y Stephen King.Fue también la década en que los videojuegos llegaron para quedarse, con Space Invaders, Pac-Man y las máquinas de arcade en lugares como Unicentro en Bogotá.Consigue El arte de no enloquecer aquí: https://www.librerianacional.com/el-arte-de-no-enloquecer/p?srsltid=AfmBOoosXMUOGj46ViZSS16nyw97thP2kVFEEHdkmVCjqc1Ml2A3Je75. Toma Ficcionario, el audiotaller de escritura con Ricardo Silva Romero: https://ellocutorio.com/ficcionario
En nuestro episodio octogésimo, en el que todo comienza con escarabajos, nos hemos ganado el derecho (y el deber) de hacer lo que nos da la santa gana. Por eso en este episodio nos hacemos preguntas lectoras según se nos ocurren y cuando respondemos seguro que se nos olvida la mitad. Cuando nos escuches, seguro que tienes tus propias respuestas. En todo caso, abre el podcast al entrar y cierra el libro al salir.Libros que se citan en el episodio (por orden de aparición, como en las pelis):La península de las casa vacías, David Uclés.Luciérnaga, Natalia Litvinova.Un marido de ida y vuelta, Jardiel Poncela.Un espíritu burlón, Noël Coward.La metamorfosis, Franz Kafka.La geometría de los cuentos, Isabel González.Los escarabajos vuelan al atardecer, Maria Gripe.Mi planta de naranja lima, José Mauro de Vasconcelos.Stoner, John Williams.Homer y Langley, E.L. Doctorow.Mi tío Oswald, Roald Dahl.Sin noticias de Gurb, Eduardo Mendoza.Wilt, Tom Sharpe.El bastardo recalcitrante, Tom Sharpe.La Odisea, Homero.Érase de una vez, Ana Vidal Pérez de la Ossa.La piel fría, Albert Sánchez Piñol.Cuentos de Isabel González, Daniel Monedero, Óscar Sipán, Patricia Esteban, Carlos Frontera, Andrés Ortiz Tafur.Tres días de junio, Anne Tyler.La rueda celestial, Ursula K. Le Guin.No voy a ninguna parte, Rumena BuzarovskaCien años de soledad, Gabriel García Márquez.La broma infinita, David Foster Wallace.2666, Roberto Bolaño.Comedias, William Shakespeare.Creía que mi padre era dios, Paul Auster.Casting Lear, Andrea Jiménez.Anhelo de raíces, May Sarton.Manual de teoría y práctica teatral, José Luis Alonso de Santos.Puedes comprar los libros de los que te hablamos donde te apetezca, pero nosotros te sugerimos que lo hagas a través de una pequeña librería y que te dejes aconsejar por los libreros.La sintonía del programa es de Charles Matuschewski y el logo del programa de Ana Nuria Corral. Las cortinillas animadas son de Jara Vicente. La traducción sincronizada de Elvira BarrioCualquier sugerencia o crítica, incluso malintencionada, la podéis enviar a hola@cierraellibroalsalir.com. Búscanos en facebook (sobre todo), o en twitter o en bluesky o en instagram o en youtube, prometemos contestar lo antes posible.Esto es todo por hoy. Dentro de un mes, otro episodio.¡No te olvides! Cierra el libro al salir.#libros #literatura #cuentos
Screenwriter and cartoonist, Alex Gregory joins us on the podcast this week. Alex was a guest on the podcast three years ago and we mostly talked about his career in cartooning on that episode (#66). On this episode, we go over some of our favorite cartoons of his and talk more about his screenwriting. The most recent show he's been a writer on is "The Studio", which was recently nominated for 23 Emmy's (the most for any first season comedy series)!You can check out Alex's IMDp page here:https://www.imdb.com/name/nm0339733/You can find "The Studio" on Apple TV+:https://www.apple.com/lae/apple-tv-plus/And "The White House Plumbers" on HBO Max:https://www.hbomax.comAlex also joins us for the contest discussions and our favorite cartoons from the current issue of the New Yorker. The winning caption for New Yorker contest #948 (The court is in season). Finalists for contest #950 (Sausage vest). Current New Yorker contest #952 (My Dinner With Android). We mentioned Paul Karasik's patreon page in the podcast:https://www.patreon.com/c/paulkarasik/postsAnd you can buy the book that Paul helped to illustrate, "Paul Auster's The New York Trilogy", here:https://www.amazon.com/Paul-Austers-New-York-Trilogy/dp/0553387642You can buy original New Yorker cartoon art at Curated Cartoons:https://www.curatedcartoons.comDig deep into the New Yorker cartoon caption contest data at:https://wordsbelow.app Send us questions or comments to: Cartooncaptioncontestpodcast@gmail.com
This week's episode features Paul Auster and Siri Hustvedt when they interviewed each other for a special event hosted by Literary Arts in 2006.
Thirty-plus years in the making, the graphic adaptation of Paul Auster's THE NEW YORK TRILOGY (Pantheon) is here at last! Paul Karasik rejoins the show from Yaddo Artists Retreat to talk about the process of adapting Auster's postmodern crime novels into comics, how he collaborated with David Mazzucchelli (CITY OF GLASS) and Lorenzo Mattotti (GHOSTS) on the first two and how he wound up drawing the third book, THE LOCKED ROOM, how these novels possessed him for decades, and the moment when he understood what each novel was really about. We get into how he met Auster at a parent-teacher conference shortly after the New York Trilogy came out, the moment of truth when Auster first saw the pages for City of Glass, the freedom (and restriction) Auster offered for the project, and whether Auster got to see the finished pages before his death in 2024. We also discuss Paul's comics upbringing, how his mother supported his habit (and maybe melted her son's brain by getting him a book of R. Crumb comics at 12 or 13), his lack of confidence in his drawing and his supreme confidence in his teaching, how meeting Art Spiegelman changed his life, why he's starting an online graphic novel workshop, the immense inspiration of staying at Yaddo (and how he learned The Two Rules Of Yaddo), and a lot more. Follow Paul on Instagram, support his Patreon, and check out his Graphic Novel Lab • More info at our site • Support The Virtual Memories Show via Stripe, Patreon, or Paypal, and subscribe to our e-newsletter
La figura de Paul Auster no ha sido ajena al cine y con su muerte a los 77 años deja un vacío importante siendo uno de los grandes escritores de Estados Unidos de las últimas décadas. En su haber títulos como “La invención de la soledad” (1982), “La trilogía de Nueva York” (1985-1986), “El país de las últimas cosas” (1987), “Leviatán” (1992), “Tombuctú” (1999), “El libro de las ilusiones” (2002), “La noche del oráculo” (2003), “Brooklyn follies” (2005), “Viajes por el scriptorium” (2006), “Un hombre en la oscuridad” (2008) o “Sunset Park” (2010). Un escritor amante de las libertades y defensor de los derechos civiles que se mostró tajante con políticas absolutistas de países como China o Turquía en contra de la libertad de expresión (a los que se negó a visitar) y que encabezó marchas contra Donald Trump. Este reportaje pertenece al programa "El Cine de LoQueYoTeDiga" nº 436 (15x21) y fue emitido el 18 de mayo de 2024.
Sophie Auster is a singer-songwriter and released her first album at the age of sixteen. It featured her own lyrics and poems set to music by her father, Paul Auster. Sophie is his and Siri Hustvedt's only daughter and for a long time she struggled with the writer couple's fame and the fact that many people projected things on her. Yet with her warm, expressive voice and her melancholic and tender songs, she has long been a household name on the international indie music scene. Her song “Little Bird” won her the top prize at the John Lennon Songwriting Contest, and in Spain she was named “Singer of the Year” by Cosmopolitan Magazine in 2017. She attracted attention as an actress starting as a child, and most recently appearing in “The Zurich Affair”. She is currently on tour in Europe with her latest album “Milk for Ulcers”. For FREIHEIT DELUXE, Sophie and Jagoda met in the studio the day after Sophie's Barcelona concert - their encounter resulted in an unusually intimate conversation. Sophie talks about the memory of her father, the “ultimate defender of the family” and how much it means to be part of the “Blue Team” - in other words, to be one of the people who are where they are needed. Together with Jagoda, she reflects on how she has learned to embrace her family history instead of constantly separating herself from it. However, the great love of her parents and their inspiring relationship could not save her from some of the dangers she had to face alone as an adolescent. And finally, she describes to Jagoda in honest words what has been bothering her since the “Orange Man” returned to power in the United States… Here you can hear, how Sophie Auster finds freedom on stage (4:43) what kind of difficulties she faced during adolescence (12.16) what it feels like to have a baby and losing someone at the same time (29:37) which song she wrote for her dad (38:17) how she feels about being labelled “Indie” (47:44) the way she thinks artists should take a political stand (54:44) how come she picked music as her choice to become an artist (1:07:50) Sophie's revelation about her mysterious album title “Milk for Ulcers” (1:14:55) FREEDOM DELUXE with Jagoda Marinić is a Hessischer Rundfunk production in cooperation with the German Publishers and Booksellers Association. Editorial team: Andrea Geißler, Juliane Orth, and Christoph Scheffer. You can reach us by email: freiheitdeluxe@hr.de. Want to hear and learn more? Here's our tip: https://1.ard.de/D3000_Evelyn_Weigert?cp1
Sophie Auster is a singer-songwriter and released her first album at the age of sixteen. It featured her own lyrics and poems set to music by her father, Paul Auster. Sophie is his and Siri Hustvedt's only daughter and for a long time she struggled with the writer couple's fame and the fact that many people projected things on her. Yet with her warm, expressive voice and her melancholic and tender songs, she has long been a household name on the international indie music scene. Her song “Little Bird” won her the top prize at the John Lennon Songwriting Contest, and in Spain she was named “Singer of the Year” by Cosmopolitan Magazine in 2017. She attracted attention as an actress starting as a child, and most recently appearing in “The Zurich Affair”. She is currently on tour in Europe with her latest album “Milk for Ulcers”. For FREIHEIT DELUXE, Sophie and Jagoda met in the studio the day after Sophie's Barcelona concert - their encounter resulted in an unusually intimate conversation. Sophie talks about the memory of her father, the “ultimate defender of the family” and how much it means to be part of the “Blue Team” - in other words, to be one of the people who are where they are needed. Together with Jagoda, she reflects on how she has learned to embrace her family history instead of constantly separating herself from it. However, the great love of her parents and their inspiring relationship could not save her from some of the dangers she had to face alone as an adolescent. And finally, she describes to Jagoda in honest words what has been bothering her since the “Orange Man” returned to power in the United States… Here you can hear, how Sophie Auster finds freedom on stage (4:43) what kind of difficulties she faced during adolescence (12.16) what it feels like to have a baby and losing someone at the same time (29:37) which song she wrote for her dad (38:17) how she feels about being labelled “Indie” (47:44) the way she thinks artists should take a political stand (54:44) how come she picked music as her choice to become an artist (1:07:50) Sophie's revelation about her mysterious album title “Milk for Ulcers” (1:14:55) FREEDOM DELUXE with Jagoda Marinić is a Hessischer Rundfunk production in cooperation with the German Publishers and Booksellers Association. Editorial team: Andrea Geißler, Juliane Orth, and Christoph Scheffer. You can reach us by email: freiheitdeluxe@hr.de. Want to hear and learn more? Here's our tip: https://1.ard.de/D3000_Evelyn_Weigert?cp1
Send us a textA delightful conversation with Paul Karasik about his adaptation of Paul Auster's New York Trilogy (with David Mazzucchelli on City of Glass and Lorenzo Mattotti on Ghosts. The Locked Room Karasik handle himself); his work with Mark Newgarden: How to Read Nancy; a memoir The Ride Together co-written by his sister Judy; and more!Consider becoming a patron!Support the show
Nesta segunda parte do podcast “A Beleza das Pequenas Coisas”, o poeta e dramaturgo André Tecedeiro, fala da relação de amor com a sua companheira Laura Falésia, e de como a diferença de 13 anos nunca foi uma questão para eles. “Por dentro, temos a mesma idade. Somos muito parecidos.” Há ainda tempo para André mergulhar nos escritos de outros autores, como Paul Auster ou José Gomes Ferreira, partilhar as músicas que o acompanham, ler mais poesia e revelar todas as novidades sobre si que aí vêm ao longo do ano. Boas escutas!See omnystudio.com/listener for privacy information.
Hablo de: The Lat of Us T2 Proyecto OVNI Lioness Amigos y Vecinos Morir de PLacer Black MIrror Pulse Conclave Libro: Baumgartner de Paul Auster
En esta entrega de #Cartagrafías, Laura Piñero nos habla del libro de Paul Auster “Creí que mi padre era Dios”, editado en 2002 por Anagrama en España. Un libro que, como el escritor indica en el prólogo, no estaba en sus planes y que surgió gracias a un programa de la radio pública de Estados Unidos. Recoge las historias que miles oyentes le enviaron por carta.
En esta entrega de #Cartagrafías, Laura Piñero nos habla del libro de Paul Auster “Creí que mi padre era Dios”, editado en 2002 por Anagrama en España. Un libro que, como el escritor indica en el prólogo, no estaba en sus planes y que surgió gracias a un programa de la radio pública de Estados Unidos. Recoge las historias que miles oyentes le enviaron por carta.
En música recibimos a la banda de rock Sexy Zebras que resucita el espíritu rock de épocas pasadas y lo trae al presente con canciones que se salen de lo políticamente correcto. En viajes conocemos los escritores que han estado vinculados a los Paradores. Terminamos con Cartagrafias que hoy Laura Piñero dedica a contar la historia de un libro de cartas enviadas al escritor Paul Auster.
In which the Spiders take on Paul Auster's The Book of Illusions, weaving it into a web of textual filmism with prior picks Flicker and Zeroville, while debating and ultimately settling the question of its internal reality.
durée : 02:57:02 - Les Nuits de France Culture, archives d'exception - par : Catherine Liber - Trois heures avec cette figure majeure de la littérature américaine qui s'est fait connaître avec sa "Trilogie new-yorkaise". Pour cet entretien réalisé entre Brooklyn et Paris, l'écrivain s'est entouré de nombreux amis : Jacques Dupin, Sophie Calle, Don DeLillo, Hubert Nyssen... - réalisation : Virginie Mourthé - invités : Paul Auster Écrivain américain; Sophie Calle Artiste plasticienne française; Hubert Nyssen Fondateur des éditions Actes Sud; Jacques Dupin; Siri Hustvedt Écrivaine et essayiste; Don DeLillo Écrivain; Philippe Petit Funambule
Gliff by Ali Smith is the story of two siblings navigating a dystopian world that feels timely and hopeful amid themes of isolation and identity. Smith joins us to talk about the meaning of the title, the beauty of physical books, creating empathy and understanding through reading and more with cohost Jenna Seery. This episode of Poured Over was hosted by Jenna Seery and mixed by Harry Liang. New episodes land Tuesdays and Thursdays (with occasional Saturdays) here and on your favorite podcast app. Featured Books (Episode): Gliff by Ali Smith How to be both by Ali Smith Autumn by Ali Smith The Handmaid's Tale by Margaret Atwood Brave New World by Aldous Huxley Metamorphoses by Ovid Theory and Practice by Michelle de Kretser Scary Monsters by Michelle de Kretser The Bee Sting by Paul Murray Skippy Dies by Paul Murray Baumgartner by Paul Auster
This week's episode features Paul Auster and Siri Hustvedt when they interviewed each other for a special event hosted by Literary Arts in 2006.
University of Windsor (ON) Percussion Professor Nicholas Papador stops by to talk about his recent PASIC Presentation on Klezmer arrangements with the help of Heartland Marimba (04:00), his job at Windsor, the Canadian Percussion Network, the Marassa Duo, his compositional career and living in Canada (16:25), growing up mostly in Portland (OR), and his expanded musical interests in classical music and punk rock (41:15), attending the University of Oregon for 2 undergrad degrees and a discussion of the Oregon-Wake Forest football connection (52:50), his years doing his percussion master's degree at Indiana University (01:05:30), his doctoral years at Northwestern University (IL), his post-doctoral time in Ithaca, NY, and working as a percussionist for modern dance (01:13:15), and finishes with the Random Ass Questions, including segments on Paul Auster's books, places to travel, a bug attack at a symphony performance, and Mark Rothko (01:32:00).Finishing with a Rave on the fans of Pete's Percussion Podcast at PASIC (01:56:25).Nicholas Papador links:Nicholas Papador's websiteNicholas Papador's University of Windsor pageNicholas Papador's PASIC pagePrevious Podcast Guests Mentioned:Matthew Coley on the podcast in 2021Aiyun Huang on the podcast in 2023Joshua D. Smith on the podcast in 2018Kevin Bobo on the podcast in 2017Scott Herring on the podcast in 2022Will James on the podcast in 2017Other Links:
In the third episode of “Notes on a Native Son,” host Razia Iqbal sits down with the celebrated writer of novels and essays, Siri Hustvedt. When Hustvedt was invited to record a conversation for the podcast about her favorite passage from the work of James Baldwin, the timing in so many ways couldn't have been worse — it turned out to be the last few weeks of life for her husband, writer Paul Auster. However, a few weeks after his passing, Hustvedt reached out to say that she was ready.She felt that re-reading and talking about Baldwin would somehow be a balm for her grief. Hustvedt describes how Baldwin's novels “possessed” her as a young reader and discusses his intricate ability to recognize the oppressor within, even as he gave a voice to the oppressed.Notes from America is a 2024 Signal Awards finalist! Community voting is now open for the show to earn a Listener's Choice honor for Best Live Podcast Recording, and we would be honored for you to take a minute to cast a vote our way. Click here to vote through October 17, and thank you for listening and supporting Notes from America! Tell us what you think. We're @noteswithkai on Instagram and X (Twitter). Email us at notes@wnyc.org. Send us a voice message by recording yourself on your phone and emailing us, or record one here.Notes from America airs live on Sundays at 6 p.m. ET. The podcast episodes are lightly edited from our live broadcasts.
The regulars discuss Walz pick and shape of the race. David French joins to talk about Trump v. United States. highlights / lowlights Mona: The life of Penny Parker (1927-2024). David: Highlight: The USA's Medal Count Lowlight: China's Gold medal count Linda: What's better than calling Trump weird? (David Broockman and Josh Kalla, Slow Boring) Damon: The Book of Illusions by Paul Auster. Bill: Highlight: He's still on Cape Cod Lowlight: Hamas names Yahya Sinwar, mastermind of the Oct. 7 attacks, as its new leader in show of defiance (AP)
Last week, news broke that writer Paul Auster died from complications related to lung cancer. The New York Times called him “the patron saint of literary Brooklyn;” elsewhere he was dubbed "the dean of American postmodernists." He was the author of many novels such as The New York Trilogy, and he wrote screenplays, memoirs, and nonfiction, including Burning Boy: The Life and Work of Stephen Crane.He was also a long-time friend of Brooke and her husband Fred Kaplan — they lived a few blocks away from each other in their Brooklyn neighborhood. In November of 2021, Paul Auster walked over to Brooke's home studio to talk about Stephen Crane. On the Media is supported by listeners like you. Support OTM by donating today (https://pledge.wnyc.org/support/otm). Follow our show on Instagram, Twitter and Facebook @onthemedia, and share your thoughts with us by emailing onthemedia@wnyc.org.
The New York Times described Paul Auster as the "Patron Saint of Literary Brooklyn." He died Tuesday of complications of lung cancer. He was 77. We'll listen back to some of our interviews with him, including one about his early career when he was desperately trying to make a living as writer, and even tried writing porn.Justin Chang reviews the new film The Fall Guy, starring Ryan Gosling and Emily Blunt.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy
DFW airport raises prices, again… Harvey will be retried… Talc settlement?... Schneider sues for defamation… chewingthefat@theblaze.com Celebrity plastic surgery searches… Who Died Today: Richard Tandy 76 / Paul Auster 77 / Joshua Dean 45… Goldblum says row your own boat… No need to bring the snake… Brian Cox – theater is the one true church… Joke of the Day… Learn more about your ad choices. Visit megaphone.fm/adchoices
UCLA is the latest US university campus to be hit by clashes between pro-Palestinian demonstrators and their opponents. The American Secretary of State Anthony Blinken pushes to get more aid into Gaza, while urging Hamas to accept a ceasefire deal. Why are women footballers more likely to get injured during their periods? And remembering Paul Auster, the American author who's died at the age of 77.
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