Podcast appearances and mentions of Siri Hustvedt

“Grief happens because you don't stop loving the person who died. The person doesn't exist in your reality anymore. The everyday is not colored and shaped by this other human being, but you don't stop loving the person. So grief is a particular kind of unrequited love. And probably without that dynamic relationship with this person, I would be someone else. And he would've been someone else. I mean, Paul died before me. But we were, I think, hugely important to the drama of becoming in our own lives.”Today, we are honored to welcome a writer whose work has long explored the intimate landscapes of the mind, memory and the heart. Siri Hustvedt's writing moves between the personal and the philosophical, the literary and the deeply human. Her work bridges collections of essays, non-fiction, poetry, and seven novels, including the international bestsellers What I Loved and The Summer Without Men. Recipient of the Princess of Asturias Award for Literature and the Gabarron Prize for Thought, her work has been translated into over thirty languages. Her new memoir, Ghost Stories, is a reflection on forty-three years shared with her late husband, the writer and filmmaker Paul Auster. In its pages, we encounter not only love and loss, but the quiet persistence of presence, memory, and language itself.(0:00) Grief as Unrequited LoveSiri explores the emotional reality of living without Paul Auster, noting that grief occurs because love does not stop when a person dies.(4:00) Facing Death with CourageThe importance of not hiding from mortality and how discussing end-of-life wishes offered a necessary perspective.(12:37) Reading from Ghost StoriesSiri reads the opening passage of her memoir, detailing how the loss of her husband deranged her sense of time and bodily rhythms.(18:41) The Phantom Limb: ” The beloved is taken away and it feels as if you're amputated or gutted.”(21:50)  Grandfather, Father and Son: Generational Traumas Behind Paul Auster's Writing(24:11)  How Powerful Emotions and a Person's Life Can Play a Role in Illness(30:09) Feeding the Earth "Paul very pointedly told me that he wanted to be buried in the Jewish mode. And the phrase he used was, “I want my body to feed the earth.”(44:23) Physical Love in MarriageOn the importance of physical intimacy in long-term marriages, a reality often left out of grief memoirs.(54:00) The Philosophy of the BetweenHow relational existence is foundational to life.(1:00:16) The Hubris of Controlling Nature(1:12:00) The Dark History of Statistics(1:32:12) The Art of Learning vs. AI and Automated Outcomes“I think we have to ask ourselves, what is education? What do we want from it? How do we want people to learn?Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“Grief is a particular kind of unrequited love. It wasn't unrequited in the past. Usually, we think of unrequited love as you never got to do it, you never had it for yourself. But, in fact, there can be requited love, which is then unrequited love in the paroxysms of grief.”Today, we are honored to welcome a writer whose work has long explored the intimate landscapes of the mind, memory and the heart. Siri Hustvedt's writing moves between the personal and the philosophical, the literary and the deeply human. Her work bridges collections of essays, non-fiction, poetry, and seven novels, including the international bestsellers What I Loved and The Summer Without Men. Recipient of the Princess of Asturias Award for Literature and the Gabarron Prize for Thought, her work has been translated into over thirty languages. Her new memoir, Ghost Stories, is a reflection on forty-three years shared with her late husband, the writer and filmmaker Paul Auster. In its pages, we encounter not only love and loss, but the quiet persistence of presence, memory, and language itself.(0:00) “We were hugely important to the drama of becoming in our own lives”(2:04) Grief as Unrequited LoveSiri explores the emotional reality of living without Paul Auster, noting that grief occurs because love does not stop when a person dies.(3:19) The Shared Space of a 43-year Marriage(4:36) Reading from Ghost StoriesSiri reads the opening passage of her memoir, detailing how the loss of her husband deranged her sense of time and bodily rhythms.(7:02) How Loss Changes Our Sense of Time(11:24)  How Powerful Emotions and a Person's Life Can Play a Role in Illness(13:04) Believing in a Reality that Transcends the Individual(20:06) Physical Love in MarriageOn the importance of physical intimacy in long-term marriages, a reality often left out of grief memoirs.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“Grief happens because you don't stop loving the person who died. The person doesn't exist in your reality anymore. The everyday is not colored and shaped by this other human being, but you don't stop loving the person. So grief is a particular kind of unrequited love. And probably without that dynamic relationship with this person, I would be someone else. And he would've been someone else. I mean, Paul died before me. But we were, I think, hugely important to the drama of becoming in our own lives.”Today, we are honored to welcome a writer whose work has long explored the intimate landscapes of the mind, memory and the heart. Siri Hustvedt's writing moves between the personal and the philosophical, the literary and the deeply human. Her work bridges collections of essays, non-fiction, poetry, and seven novels, including the international bestsellers What I Loved and The Summer Without Men. Recipient of the Princess of Asturias Award for Literature and the Gabarron Prize for Thought, her work has been translated into over thirty languages. Her new memoir, Ghost Stories, is a reflection on forty-three years shared with her late husband, the writer and filmmaker Paul Auster. In its pages, we encounter not only love and loss, but the quiet persistence of presence, memory, and language itself.(0:00) Grief as Unrequited LoveSiri explores the emotional reality of living without Paul Auster, noting that grief occurs because love does not stop when a person dies.(4:00) Facing Death with CourageThe importance of not hiding from mortality and how discussing end-of-life wishes offered a necessary perspective.(12:37) Reading from Ghost StoriesSiri reads the opening passage of her memoir, detailing how the loss of her husband deranged her sense of time and bodily rhythms.(18:41) The Phantom Limb: ” The beloved is taken away and it feels as if you're amputated or gutted.”(21:50)  Grandfather, Father and Son: Generational Traumas Behind Paul Auster's Writing(24:11)  How Powerful Emotions and a Person's Life Can Play a Role in Illness(30:09) Feeding the Earth "Paul very pointedly told me that he wanted to be buried in the Jewish mode. And the phrase he used was, “I want my body to feed the earth.”(44:23) Physical Love in MarriageOn the importance of physical intimacy in long-term marriages, a reality often left out of grief memoirs.(54:00) The Philosophy of the BetweenHow relational existence is foundational to life.(1:00:16) The Hubris of Controlling Nature(1:12:00) The Dark History of Statistics(1:32:12) The Art of Learning vs. AI and Automated Outcomes“I think we have to ask ourselves, what is education? What do we want from it? How do we want people to learn?Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“Grief happens because you don't stop loving the person who died. The person doesn't exist in your reality anymore. The everyday is not colored and shaped by this other human being, but you don't stop loving the person. So grief is a particular kind of unrequited love. And probably without that dynamic relationship with this person, I would be someone else. And he would've been someone else. I mean, Paul died before me. But we were, I think, hugely important to the drama of becoming in our own lives.”Today, we are honored to welcome a writer whose work has long explored the intimate landscapes of the mind, memory and the heart. Siri Hustvedt's writing moves between the personal and the philosophical, the literary and the deeply human. Her work bridges collections of essays, non-fiction, poetry, and seven novels, including the international bestsellers What I Loved and The Summer Without Men. Recipient of the Princess of Asturias Award for Literature and the Gabarron Prize for Thought, her work has been translated into over thirty languages. Her new memoir, Ghost Stories, is a reflection on forty-three years shared with her late husband, the writer and filmmaker Paul Auster. In its pages, we encounter not only love and loss, but the quiet persistence of presence, memory, and language itself.(0:00) Grief as Unrequited LoveSiri explores the emotional reality of living without Paul Auster, noting that grief occurs because love does not stop when a person dies.(4:00) Facing Death with CourageThe importance of not hiding from mortality and how discussing end-of-life wishes offered a necessary perspective.(12:37) Reading from Ghost StoriesSiri reads the opening passage of her memoir, detailing how the loss of her husband deranged her sense of time and bodily rhythms.(18:41) The Phantom Limb: ” The beloved is taken away and it feels as if you're amputated or gutted.”(21:50)  Grandfather, Father and Son: Generational Traumas Behind Paul Auster's Writing(24:11)  How Powerful Emotions and a Person's Life Can Play a Role in Illness(30:09) Feeding the Earth "Paul very pointedly told me that he wanted to be buried in the Jewish mode. And the phrase he used was, “I want my body to feed the earth.”(44:23) Physical Love in MarriageOn the importance of physical intimacy in long-term marriages, a reality often left out of grief memoirs.(54:00) The Philosophy of the BetweenHow relational existence is foundational to life.(1:00:16) The Hubris of Controlling Nature(1:12:00) The Dark History of Statistics(1:32:12) The Art of Learning vs. AI and Automated Outcomes“I think we have to ask ourselves, what is education? What do we want from it? How do we want people to learn?Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“Grief is a particular kind of unrequited love. It wasn't unrequited in the past. Usually, we think of unrequited love as you never got to do it, you never had it for yourself. But, in fact, there can be requited love, which is then unrequited love in the paroxysms of grief.”Today, we are honored to welcome a writer whose work has long explored the intimate landscapes of the mind, memory and the heart. Siri Hustvedt's writing moves between the personal and the philosophical, the literary and the deeply human. Her work bridges collections of essays, non-fiction, poetry, and seven novels, including the international bestsellers What I Loved and The Summer Without Men. Recipient of the Princess of Asturias Award for Literature and the Gabarron Prize for Thought, her work has been translated into over thirty languages. Her new memoir, Ghost Stories, is a reflection on forty-three years shared with her late husband, the writer and filmmaker Paul Auster. In its pages, we encounter not only love and loss, but the quiet persistence of presence, memory, and language itself.(0:00) “We were hugely important to the drama of becoming in our own lives”(2:04) Grief as Unrequited LoveSiri explores the emotional reality of living without Paul Auster, noting that grief occurs because love does not stop when a person dies.(3:19) The Shared Space of a 43-year Marriage(4:36) Reading from Ghost StoriesSiri reads the opening passage of her memoir, detailing how the loss of her husband deranged her sense of time and bodily rhythms.(7:02) How Loss Changes Our Sense of Time(11:24)  How Powerful Emotions and a Person's Life Can Play a Role in Illness(13:04) Believing in a Reality that Transcends the Individual(20:06) Physical Love in MarriageOn the importance of physical intimacy in long-term marriages, a reality often left out of grief memoirs.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“Grief happens because you don't stop loving the person who died. The person doesn't exist in your reality anymore. The everyday is not colored and shaped by this other human being, but you don't stop loving the person. So grief is a particular kind of unrequited love. And probably without that dynamic relationship with this person, I would be someone else. And he would've been someone else. I mean, Paul died before me. But we were, I think, hugely important to the drama of becoming in our own lives.”Today, we are honored to welcome a writer whose work has long explored the intimate landscapes of the mind, memory and the heart. Siri Hustvedt's writing moves between the personal and the philosophical, the literary and the deeply human. Her work bridges collections of essays, non-fiction, poetry, and seven novels, including the international bestsellers What I Loved and The Summer Without Men. Recipient of the Princess of Asturias Award for Literature and the Gabarron Prize for Thought, her work has been translated into over thirty languages. Her new memoir, Ghost Stories, is a reflection on forty-three years shared with her late husband, the writer and filmmaker Paul Auster. In its pages, we encounter not only love and loss, but the quiet persistence of presence, memory, and language itself.(0:00) Grief as Unrequited LoveSiri explores the emotional reality of living without Paul Auster, noting that grief occurs because love does not stop when a person dies.(4:00) Facing Death with CourageThe importance of not hiding from mortality and how discussing end-of-life wishes offered a necessary perspective.(12:37) Reading from Ghost StoriesSiri reads the opening passage of her memoir, detailing how the loss of her husband deranged her sense of time and bodily rhythms.(18:41) The Phantom Limb: ” The beloved is taken away and it feels as if you're amputated or gutted.”(21:50)  Grandfather, Father and Son: Generational Traumas Behind Paul Auster's Writing(24:11)  How Powerful Emotions and a Person's Life Can Play a Role in Illness(30:09) Feeding the Earth "Paul very pointedly told me that he wanted to be buried in the Jewish mode. And the phrase he used was, “I want my body to feed the earth.”(44:23) Physical Love in MarriageOn the importance of physical intimacy in long-term marriages, a reality often left out of grief memoirs.(54:00) The Philosophy of the BetweenHow relational existence is foundational to life.(1:00:16) The Hubris of Controlling Nature(1:12:00) The Dark History of Statistics(1:32:12) The Art of Learning vs. AI and Automated Outcomes“I think we have to ask ourselves, what is education? What do we want from it? How do we want people to learn?Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“Grief is a particular kind of unrequited love. It wasn't unrequited in the past. Usually, we think of unrequited love as you never got to do it, you never had it for yourself. But, in fact, there can be requited love, which is then unrequited love in the paroxysms of grief.”Today, we are honored to welcome a writer whose work has long explored the intimate landscapes of the mind, memory and the heart. Siri Hustvedt's writing moves between the personal and the philosophical, the literary and the deeply human. Her work bridges collections of essays, non-fiction, poetry, and seven novels, including the international bestsellers What I Loved and The Summer Without Men. Recipient of the Princess of Asturias Award for Literature and the Gabarron Prize for Thought, her work has been translated into over thirty languages. Her new memoir, Ghost Stories, is a reflection on forty-three years shared with her late husband, the writer and filmmaker Paul Auster. In its pages, we encounter not only love and loss, but the quiet persistence of presence, memory, and language itself.(0:00) “We were hugely important to the drama of becoming in our own lives”(2:04) Grief as Unrequited LoveSiri explores the emotional reality of living without Paul Auster, noting that grief occurs because love does not stop when a person dies.(3:19) The Shared Space of a 43-year Marriage(4:36) Reading from Ghost StoriesSiri reads the opening passage of her memoir, detailing how the loss of her husband deranged her sense of time and bodily rhythms.(7:02) How Loss Changes Our Sense of Time(11:24)  How Powerful Emotions and a Person's Life Can Play a Role in Illness(13:04) Believing in a Reality that Transcends the Individual(20:06) Physical Love in MarriageOn the importance of physical intimacy in long-term marriages, a reality often left out of grief memoirs.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“Grief happens because you don't stop loving the person who died. The person doesn't exist in your reality anymore. The everyday is not colored and shaped by this other human being, but you don't stop loving the person. So grief is a particular kind of unrequited love. And probably without that dynamic relationship with this person, I would be someone else. And he would've been someone else. I mean, Paul died before me. But we were, I think, hugely important to the drama of becoming in our own lives.”Today, we are honored to welcome a writer whose work has long explored the intimate landscapes of the mind, memory and the heart. Siri Hustvedt's writing moves between the personal and the philosophical, the literary and the deeply human. Her work bridges collections of essays, non-fiction, poetry, and seven novels, including the international bestsellers What I Loved and The Summer Without Men. Recipient of the Princess of Asturias Award for Literature and the Gabarron Prize for Thought, her work has been translated into over thirty languages. Her new memoir, Ghost Stories, is a reflection on forty-three years shared with her late husband, the writer and filmmaker Paul Auster. In its pages, we encounter not only love and loss, but the quiet persistence of presence, memory, and language itself.(0:00) Grief as Unrequited LoveSiri explores the emotional reality of living without Paul Auster, noting that grief occurs because love does not stop when a person dies.(4:00) Facing Death with CourageThe importance of not hiding from mortality and how discussing end-of-life wishes offered a necessary perspective.(12:37) Reading from Ghost StoriesSiri reads the opening passage of her memoir, detailing how the loss of her husband deranged her sense of time and bodily rhythms.(18:41) The Phantom Limb: ” The beloved is taken away and it feels as if you're amputated or gutted.”(21:50)  Grandfather, Father and Son: Generational Traumas Behind Paul Auster's Writing(24:11)  How Powerful Emotions and a Person's Life Can Play a Role in Illness(30:09) Feeding the Earth "Paul very pointedly told me that he wanted to be buried in the Jewish mode. And the phrase he used was, “I want my body to feed the earth.”(44:23) Physical Love in MarriageOn the importance of physical intimacy in long-term marriages, a reality often left out of grief memoirs.(54:00) The Philosophy of the BetweenHow relational existence is foundational to life.(1:00:16) The Hubris of Controlling Nature(1:12:00) The Dark History of Statistics(1:32:12) The Art of Learning vs. AI and Automated Outcomes“I think we have to ask ourselves, what is education? What do we want from it? How do we want people to learn?Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“Grief is a particular kind of unrequited love. It wasn't unrequited in the past. Usually, we think of unrequited love as you never got to do it, you never had it for yourself. But, in fact, there can be requited love, which is then unrequited love in the paroxysms of grief.”Today, we are honored to welcome a writer whose work has long explored the intimate landscapes of the mind, memory and the heart. Siri Hustvedt's writing moves between the personal and the philosophical, the literary and the deeply human. Her work bridges collections of essays, non-fiction, poetry, and seven novels, including the international bestsellers What I Loved and The Summer Without Men. Recipient of the Princess of Asturias Award for Literature and the Gabarron Prize for Thought, her work has been translated into over thirty languages. Her new memoir, Ghost Stories, is a reflection on forty-three years shared with her late husband, the writer and filmmaker Paul Auster. In its pages, we encounter not only love and loss, but the quiet persistence of presence, memory, and language itself.(0:00) “We were hugely important to the drama of becoming in our own lives”(2:04) Grief as Unrequited LoveSiri explores the emotional reality of living without Paul Auster, noting that grief occurs because love does not stop when a person dies.(3:19) The Shared Space of a 43-year Marriage(4:36) Reading from Ghost StoriesSiri reads the opening passage of her memoir, detailing how the loss of her husband deranged her sense of time and bodily rhythms.(7:02) How Loss Changes Our Sense of Time(11:24)  How Powerful Emotions and a Person's Life Can Play a Role in Illness(13:04) Believing in a Reality that Transcends the Individual(20:06) Physical Love in MarriageOn the importance of physical intimacy in long-term marriages, a reality often left out of grief memoirs.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“Grief is a particular kind of unrequited love. It wasn't unrequited in the past. Usually, we think of unrequited love as you never got to do it, you never had it for yourself. But, in fact, there can be requited love, which is then unrequited love in the paroxysms of grief.”Today, we are honored to welcome a writer whose work has long explored the intimate landscapes of the mind, memory and the heart. Siri Hustvedt's writing moves between the personal and the philosophical, the literary and the deeply human. Her work bridges collections of essays, non-fiction, poetry, and seven novels, including the international bestsellers What I Loved and The Summer Without Men. Recipient of the Princess of Asturias Award for Literature and the Gabarron Prize for Thought, her work has been translated into over thirty languages. Her new memoir, Ghost Stories, is a reflection on forty-three years shared with her late husband, the writer and filmmaker Paul Auster. In its pages, we encounter not only love and loss, but the quiet persistence of presence, memory, and language itself.(0:00) “We were hugely important to the drama of becoming in our own lives”(2:04) Grief as Unrequited LoveSiri explores the emotional reality of living without Paul Auster, noting that grief occurs because love does not stop when a person dies.(3:19) The Shared Space of a 43-year Marriage(4:36) Reading from Ghost StoriesSiri reads the opening passage of her memoir, detailing how the loss of her husband deranged her sense of time and bodily rhythms.(7:02) How Loss Changes Our Sense of Time(11:24)  How Powerful Emotions and a Person's Life Can Play a Role in Illness(13:04) Believing in a Reality that Transcends the Individual(20:06) Physical Love in MarriageOn the importance of physical intimacy in long-term marriages, a reality often left out of grief memoirs.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“Grief happens because you don't stop loving the person who died. The person doesn't exist in your reality anymore. The everyday is not colored and shaped by this other human being, but you don't stop loving the person. So grief is a particular kind of unrequited love. And probably without that dynamic relationship with this person, I would be someone else. And he would've been someone else. I mean, Paul died before me. But we were, I think, hugely important to the drama of becoming in our own lives.”Today, we are honored to welcome a writer whose work has long explored the intimate landscapes of the mind, memory and the heart. Siri Hustvedt's writing moves between the personal and the philosophical, the literary and the deeply human. Her work bridges collections of essays, non-fiction, poetry, and seven novels, including the international bestsellers What I Loved and The Summer Without Men. Recipient of the Princess of Asturias Award for Literature and the Gabarron Prize for Thought, her work has been translated into over thirty languages. Her new memoir, Ghost Stories, is a reflection on forty-three years shared with her late husband, the writer and filmmaker Paul Auster. In its pages, we encounter not only love and loss, but the quiet persistence of presence, memory, and language itself.(0:00) Grief as Unrequited LoveSiri explores the emotional reality of living without Paul Auster, noting that grief occurs because love does not stop when a person dies.(4:00) Facing Death with CourageThe importance of not hiding from mortality and how discussing end-of-life wishes offered a necessary perspective.(12:37) Reading from Ghost StoriesSiri reads the opening passage of her memoir, detailing how the loss of her husband deranged her sense of time and bodily rhythms.(18:41) The Phantom Limb: ” The beloved is taken away and it feels as if you're amputated or gutted.”(21:50)  Grandfather, Father and Son: Generational Traumas Behind Paul Auster's Writing(24:11)  How Powerful Emotions and a Person's Life Can Play a Role in Illness(30:09) Feeding the Earth "Paul very pointedly told me that he wanted to be buried in the Jewish mode. And the phrase he used was, “I want my body to feed the earth.”(44:23) Physical Love in MarriageOn the importance of physical intimacy in long-term marriages, a reality often left out of grief memoirs.(54:00) The Philosophy of the BetweenHow relational existence is foundational to life.(1:00:16) The Hubris of Controlling Nature(1:12:00) The Dark History of Statistics(1:32:12) The Art of Learning vs. AI and Automated Outcomes“I think we have to ask ourselves, what is education? What do we want from it? How do we want people to learn?Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“Grief is a particular kind of unrequited love. It wasn't unrequited in the past. Usually, we think of unrequited love as you never got to do it, you never had it for yourself. But, in fact, there can be requited love, which is then unrequited love in the paroxysms of grief.”Today, we are honored to welcome a writer whose work has long explored the intimate landscapes of the mind, memory and the heart. Siri Hustvedt's writing moves between the personal and the philosophical, the literary and the deeply human. Her work bridges collections of essays, non-fiction, poetry, and seven novels, including the international bestsellers What I Loved and The Summer Without Men. Recipient of the Princess of Asturias Award for Literature and the Gabarron Prize for Thought, her work has been translated into over thirty languages. Her new memoir, Ghost Stories, is a reflection on forty-three years shared with her late husband, the writer and filmmaker Paul Auster. In its pages, we encounter not only love and loss, but the quiet persistence of presence, memory, and language itself.(0:00) “We were hugely important to the drama of becoming in our own lives”(2:04) Grief as Unrequited LoveSiri explores the emotional reality of living without Paul Auster, noting that grief occurs because love does not stop when a person dies.(3:19) The Shared Space of a 43-year Marriage(4:36) Reading from Ghost StoriesSiri reads the opening passage of her memoir, detailing how the loss of her husband deranged her sense of time and bodily rhythms.(7:02) How Loss Changes Our Sense of Time(11:24)  How Powerful Emotions and a Person's Life Can Play a Role in Illness(13:04) Believing in a Reality that Transcends the Individual(20:06) Physical Love in MarriageOn the importance of physical intimacy in long-term marriages, a reality often left out of grief memoirs.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

Lidl, Sabine www.deutschlandfunkkultur.de, Lesart

Lidl, Sabine www.deutschlandfunkkultur.de, Lesart

Lidl, Sabine www.deutschlandfunkkultur.de, Lesart

Fürstenberg, Paula www.deutschlandfunkkultur.de, Lesart

Fürstenberg, Paula www.deutschlandfunkkultur.de, Lesart

Fürstenberg, Paula www.deutschlandfunkkultur.de, Lesart

Idag presenterar Svenska Filminstitutet vårens filmer. Vi frågar vd Anna Croneman var hoppet för svensk film finns. Lyssna på alla avsnitt i Sveriges Radios app. I veckan har Kulturnytt rapporterat om att biopubliken ratar svensk film. Antalet besökare störtdök under 2025. Vad skulle kunna vända trenden, vilka filmer har vi att se fram emot? Idag presenterar Svenska Filminstitutet vårens premiärer. Kulturredaktionens filmkritiker Nina Asarnoj och Björn Jansson berättar om stämningen på filminstitutet under förmiddagens presentation - och om vad som kan bli vårens höjdpunkter på bioduken.Vad är problemet för svensk film och vilken är lösningen? Svenska Filminstitutets vd Anna Croneman intervjuas om läget för svensk film. Vad har hon för plan för att vända den nedslående trenden?INGRID ELAM SYNAR BIOGRAFINS HISTORIA I ”LÄSA LIV”Länge var hon skeptisk till biografier. Nu har litteraturvetaren och kritikern Ingrid Elam läst ett hundratal för att ta reda på varför vi så gärna vill läsa och skriva om andra människors liv. Vad fick hon syn på? Kulturredaktionens Nina Asarnoj intervjuar Ingrid Elam om nyutkomna boken ”Läsa liv”.BÖCKERNA ATT SE FRAM EMOT I VÅRLitteraturvåren har redan dragit igång med en animerad debatt om Amanda Romares nya roman ”Judas”. Vilka andra böcker kan vi se fram emot att läsa i vår? Litteraturredaktör Lina Kalmteg guidar genom vårens utgivning. Titlarna hon nämner är: ”Livsboken” av Margaret Atwood, ”Ultravåld” av Tone Schunnesson, ”Under sjöarna” av Ingela Strandberg, ”Dikter” av Sonja Åkesson, ”Det goda onda” av Samanta Schweblin och ”En bok om spöken” av Siri Hustvedt.OBS ESSÄ: DAN JÖNSSON OM POETEN OCH DÅRARNAI varje samhälle och inom varje själ pågår en kamp mellan kaos och ordning. Men sedan flera hundra år är balansen mellan dessa poler ojämn. Det menar Dan Jönsson som i tredje delen av serien ”Dikten och vansinnet” tar oss tillbaka till medeltiden.Programledare: Lisa BergströmProducent: Anna Tullberg

Neue Bücher von Judith Hermann, Norbert Gstrein und Siri Hustvedt. Diese Buchneuheiten im Frühjahr 2026 können wir kaum erwarten.

Nos encanta que nos cuenten historias. Y Jesús Álvarez lleva toda la vida haciéndolo, transmitiendo emociones y momentos que nos llenaron de felicidad, o nos estremecieron. Toda la vida apareciendo en pantalla, en Televisión Española, a donde llegó siendo un pipiolo de la mano de un murciano, una de las leyendas de aquella tele en blanco y negro que ofrecía programas extraordinarios: Joaquín Soler Serrano. Cerca de las estrellas es el título de este libro publicado por Contraluz.Los ladrones de obras artísticas siempre han ejercido una rara fascinación, sean de ficción o de carne y hueso. ¿O acaso no hemos disfrutado con las aventuras de Arsène Lupin, el clásico de Maurice Leblanc? Pero en este Club no seguimos las andanzas de personajes novelescos, sino reales. Ana Trigo ha publicado el ensayo Ladrones de arte, lleno de curiosidades.En la sección de Audiolibros, Matar a un riuseñor, la novela de Harper Lee que nos presentó a un hombre inmortal, bueno, y que siempre tendrá las facciones de Gregory Peck: Atticus Finch.Y en rarezas de escritores, las manías de Hans Christian Andersen. Y sobre todo, una que lo perseguía: el miedo a ser enterrado vivo.Y además, El hechizo de Lily Dahl, de Siri Hustvedt o La viuda, de John Grisham.

IN DER DREIUNDZWANSTIGSTEN EPISODE UNSERES PODCAST`-EMILY GRUNERT –im Juni 2024 übernahm sie die Leitung desLiteraturbüro`s NRW in Düsseldorf vom langjährigen Leiter MichaelSerrer. Sie kennt die verschiedensten Seiten des Literaturbetriebs. Nachihrem Studium in Hildesheim (Kreatives Schreiben/ Kulturjournalismus)ging sie für den Master an die FU Berlin (AngewandteLiteraturwissenschaft). Das Goethe-Institut in New York, die Buchbox-Buchhandlungen in Berlin und Veranstaltungsorganisation beim Ullstein-Verlag waren weitere Stationen. Wir unterhalten uns über Themen wie:- Ost- und westdeutsche Perspektiven - Die Leidenschaft des Reisens - Wann gelingt Creativität und was bedeutet sie - die Hingabe oder Liebe für das Experiment - Warum Emily so gerne lacht - New York, Siri Hustvedt, Daniel Kehlmann und andere Dinge Herzlichen Dank, dass Sie diesen Podcast gehört haben! Haben Sie Vorschläge, Fragen oder gerne auch positives Feedback, schicken Sie uns eine Email an: podcast.destille@vodafonemail.de Wir freuen uns sehr darauf! Wenn Ihnen diese Folge gefallen hat, besuchen Sie uns auf unserer Website https://destille-duesseldorf.podcaster.de/ für regelmäßige Updates. Folge direkt herunterladen

0:00 Presentación. 4:50 Noticias: un montón de noticias ciertas sobre mentiras y una lista (¡otra!) sobre los libros que con más facilidad abandonamos. 15:35 Cuéntame un libro: Ana nos cuenta El verano sin hombres, de Siri Hustvedt . 25:10 Ana lee un fragmento de El verano sin hombres. 30:50 Libro de reclamaciones, con Sara Mesa. Los libros de Sara reclaman más información a su autora y, después, Sara pregunta a su última novela, Cara de pan. 46:3 Cuéntame un libro: Fernando nos cuenta La balada del café triste, de Carson McCullers 57:10 Fernando lee un fragmento de La balada del café triste. 1:00:10 Entrevista a destiempo. Hoy hablamos con Gloria Fuertes. 1:10:50 Reseña Borgiana. Ana nos trae a una autora de apellido impronunciable: Diarios, de Inga Melgaard 1:22:40 Oído por ahí: literatura que nace en la calle. Hoy Paco Ramos nos cuenta su segunda muerte. 1:33:30 Despedida y cierre. Hoy, los enlaces de los libros apuntan a la Librería Alberti. Si conoces una pequeña librería a la que quieras que enlacemos, por favor, dínoslo. Todas las músicas que han sonado durante el programa son de Charles Matuschewski, excepto Multitono #1, de Borja Cortés Soria (fragmento de La balada del café triste), Ne me quite las, de Jacques Brel (fragmento de El verano sin hombres), Something wonderful, de Alan Spiljak (entrevista a destiempo con Gloria Fuertes) Cualquier sugerencia o crítica, incluso malintencionada, nos la podéis enviar a hola@cierraellibroalsalir.com Esto es todo por esta vez. Dentro de un mes, otro episodio. ¡Ah!, no olvidéis cerrar el libro al salir.

En este episodio de Cierra el libro al salir, correspondiente al mes de marzo de 2019, te ofrecemos los siguientes contenidos: 0:00 Presentación. 4:50 Noticias: un montón de noticias ciertas sobre mentiras y una lista (¡otra!) sobre los libros que con más facilidad abandonamos. 15:35 Cuéntame un libro: Ana nos cuenta El verano sin hombres, de Siri Hustvedt . 25:10 Ana lee un fragmento de El verano sin hombres. 30:50 Libro de reclamaciones, con Sara Mesa. Los libros de Sara reclaman más información a su autora y, después, Sara pregunta a su última novela, Cara de pan. 46:3 Cuéntame un libro: Fernando nos cuenta La balada del café triste, de Carson McCullers 57:10 Fernando lee un fragmento de La balada del café triste. 1:00:10 Entrevista a destiempo. Hoy hablamos con Gloria Fuertes. 1:10:50 Reseña Borgiana. Ana nos trae a una autora de apellido impronunciable: Diarios, de Inga Melgaard 1:22:40 Oído por ahí: literatura que nace en la calle. Hoy Paco Ramos nos cuenta su segunda muerte. 1:33:30 Despedida y cierre. Hoy, los enlaces de los libros apuntan a la Librería Alberti. Si conoces una pequeña librería a la que quieras que enlacemos, por favor, dínoslo. Todas las músicas que han sonado durante el programa son de Charles Matuschewski, excepto Multitono #1, de Borja Cortés Soria (fragmento de La balada del café triste), Ne me quite las, de Jacques Brel (fragmento de El verano sin hombres), Something wonderful, de Alan Spiljak (entrevista a destiempo con Gloria Fuertes) Cualquier sugerencia o crítica, incluso malintencionada, nos la podéis enviar a hola@cierraellibroalsalir.com Esto es todo por esta vez. Dentro de un mes, otro episodio. ¡Ah!, no olvidéis cerrar el libro al salir.

Send us a textOn this episode we meet Clare Carlisle to discuss Transcendence for Beginners, (Fitzcarraldo Editions). A book written through love and mourning, it is, as the title suggests, explorative, unbound and deeply moving.Ranging widely, from Soren Kierkegaard to George Eliot, The Himalayas to The Isle of Skye, it is a book that offers us devotion and loss as expressions of love. A timely and generative reminder of our own porous and momentary selves and quite simply, a very beautiful book.‘A work of thrilling lucidity and substance,' Clare Harman, author of All Sorts of Lives ‘This is the book of a lifetime's and a book about lifetimes.'Francesca Wade, author of Gertrude Stein: An Afterlife'In an era marked by rampant cruelty and selfishness, Transcendence for Beginners offers its readers various modes of the radiant life.' Siri Hustvedt, author of Mothers, Fathers and OthersOrder your copy here:https://fitzcarraldoeditions.com/books/transcendence-for-beginners/@fieldzine www.fieldzine.comwww.patreon.com/fieldzine

For the sixteenth edition of the Rendez-vous littéraires rue Cambon [Literary Rendezvous at Rue Cambon] held at the 7L library in Paris, CHANEL and Charlotte Casiraghi, ambassador and spokesperson for the House, invited novelist Katie Kitamura.Moderated by journalist Caroline Issa, this encounter dedicated to the work of Katie Kitamura explores the changing nature of identity—a theme at the heart of her latest novel Audition—and the essential role of reading in her writing process: “The most intimate and optimistic thing I do every single day is to read. Because when I read, I open myself up to the mind of another person. And I hope to write the kind of fiction that allows a reader to do the same thing.” Together, they also talk about the contemporary questions that the author's fictional heroines encounter.00 : 10 : Opening by Charlotte Casiraghi02 : 20 : Introduction by Caroline Issa03 : 50 : Katie Kitamura and her unnamed women characters06 : 17 : Reading of an extract of “Audition” by India Ennenga11 : 37 : The role of self-performance in the construction of one's identity16 : 15 : Charlotte Casiraghi on female protagonists in contemporary literature 20 : 50 : On the relationships shaping Katie Kitamura's characters 24 : 35 : Siri Hustvedt's message to Katie Kitamura26 : 40 : Reading of an extract of “A Separation” by Charlotte Casiraghi32 : 40 : On literature as a collaboration between reader and writer33 : 40 : On taking risks in the creative process 38 : 14 : On literature as a way to approach the complexity of truth39 : 40 : On feelings after reading Katie Kitamura's books42 : 32 : Katie Kitamura's takes on how to start writing44 : 05 : Questions from the audience

For the sixteenth edition of the Rendez-vous littéraires rue Cambon [Literary Rendezvous at Rue Cambon] held at the 7L library in Paris, CHANEL and Charlotte Casiraghi, ambassador and spokesperson for the House, invited novelist Katie Kitamura.Moderated by journalist Caroline Issa, this encounter dedicated to the work of Katie Kitamura explores the changing nature of identity—a theme at the heart of her latest novel Audition—and the essential role of reading in her writing process: “The most intimate and optimistic thing I do every single day is to read. Because when I read, I open myself up to the mind of another person. And I hope to write the kind of fiction that allows a reader to do the same thing.” Together, they also talk about the contemporary questions that the author's fictional heroines encounter.00 : 10 : Opening by Charlotte Casiraghi02 : 20 : Introduction by Caroline Issa03 : 50 : Katie Kitamura and her unnamed women characters06 : 17 : Reading of an extract of “Audition” by India Ennenga11 : 37 : The role of self-performance in the construction of one's identity16 : 15 : Charlotte Casiraghi on female protagonists in contemporary literature 20 : 50 : On the relationships shaping Katie Kitamura's characters 24 : 35 : Siri Hustvedt's message to Katie Kitamura26 : 40 : Reading of an extract of “A Separation” by Charlotte Casiraghi32 : 40 : On literature as a collaboration between reader and writer33 : 40 : On taking risks in the creative process 38 : 14 : On literature as a way to approach the complexity of truth39 : 40 : On feelings after reading Katie Kitamura's books42 : 32 : Katie Kitamura's takes on how to start writing44 : 05 : Questions from the audience

Fürstenberg, Paula www.deutschlandfunkkultur.de, Lesart

Fürstenberg, Paula www.deutschlandfunkkultur.de, Lesart

Fürstenberg, Paula www.deutschlandfunkkultur.de, Lesart

Cuando coja vacaciones, leeré. No me deis mas el coñazo, y leeré. En la casa de la playa, Ocupando tu toalla, Saramago, Némirovsky, leeré. En la hora de la siesta, leeré. Madrugando con la fresca, leeré. ‘Verbolario', recomiendo. Y un best seller de aeropuerto, Freddie Forsyth y Vallejo, leeré. Leeré, leeré, porque soy un cultureta. Leeré, leeré, algo breve de Skármeta. UUHHHH UHHHHHH, Luis Landero, Siri Hustvedt, leeré. Ha sacado un libro nuevo, HouellebecqYo me bebo un poemita Bertol Brecht VargasLLos, Clarín, Marías, Martin Gaite, Manuel Vilas. Qué bien Kafka y sus manías, leeré. Leeré, leeré, Seré guay y estimulante.Leeré, leeré, GafaChoflas Influencer.UUUUHHHH UUUUHHHHH, Anhelado tiempo libre, leeré. Me entra un mail desde el trabajo, pasaré.Es urgente, y un carajo, mire usted. Estoy con Camilla Läckberg,que Fjällbacka está que arde. No me hables, qué pesados, leeré. Leeré, leeré, Ishiguro, Salman Rushdie. Leeré, leeré,Henry Miller, Patri Highsmith Cuando llegue el tiempo libre, leeré. 

Cuando coja vacaciones, leeré. No me deis mas el coñazo, y leeré. En la casa de la playa, Ocupando tu toalla, Saramago, Némirovsky, leeré. En la hora de la siesta, leeré. Madrugando con la fresca, leeré. ‘Verbolario', recomiendo. Y un best seller de aeropuerto, Freddie Forsyth y Vallejo, leeré. Leeré, leeré, porque soy un cultureta. Leeré, leeré, algo breve de Skármeta. UUHHHH UHHHHHH, Luis Landero, Siri Hustvedt, leeré. Ha sacado un libro nuevo, HouellebecqYo me bebo un poemita Bertol Brecht VargasLLos, Clarín, Marías, Martin Gaite, Manuel Vilas. Qué bien Kafka y sus manías, leeré. Leeré, leeré, Seré guay y estimulante.Leeré, leeré, GafaChoflas Influencer.UUUUHHHH UUUUHHHHH, Anhelado tiempo libre, leeré. Me entra un mail desde el trabajo, pasaré.Es urgente, y un carajo, mire usted. Estoy con Camilla Läckberg,que Fjällbacka está que arde. No me hables, qué pesados, leeré. Leeré, leeré, Ishiguro, Salman Rushdie. Leeré, leeré,Henry Miller, Patri Highsmith Cuando llegue el tiempo libre, leeré. 

Cuando coja vacaciones, leeré. No me deis mas el coñazo, y leeré. En la casa de la playa, Ocupando tu toalla, Saramago, Némirovsky, leeré. En la hora de la siesta, leeré. Madrugando con la fresca, leeré. ‘Verbolario', recomiendo. Y un best seller de aeropuerto, Freddie Forsyth y Vallejo, leeré. Leeré, leeré, porque soy un cultureta. Leeré, leeré, algo breve de Skármeta. UUHHHH UHHHHHH, Luis Landero, Siri Hustvedt, leeré. Ha sacado un libro nuevo, HouellebecqYo me bebo un poemita Bertol Brecht VargasLLos, Clarín, Marías, Martin Gaite, Manuel Vilas. Qué bien Kafka y sus manías, leeré. Leeré, leeré, Seré guay y estimulante.Leeré, leeré, GafaChoflas Influencer.UUUUHHHH UUUUHHHHH, Anhelado tiempo libre, leeré. Me entra un mail desde el trabajo, pasaré.Es urgente, y un carajo, mire usted. Estoy con Camilla Läckberg,que Fjällbacka está que arde. No me hables, qué pesados, leeré. Leeré, leeré, Ishiguro, Salman Rushdie. Leeré, leeré,Henry Miller, Patri Highsmith Cuando llegue el tiempo libre, leeré. 

This week's episode features Paul Auster and Siri Hustvedt when they interviewed each other for a special event hosted by Literary Arts in 2006.

Sophie Auster is a singer-songwriter and released her first album at the age of sixteen. It featured her own lyrics and poems set to music by her father, Paul Auster. Sophie is his and Siri Hustvedt's only daughter and for a long time she struggled with the writer couple's fame and the fact that many people projected things on her. Yet with her warm, expressive voice and her melancholic and tender songs, she has long been a household name on the international indie music scene. Her song “Little Bird” won her the top prize at the John Lennon Songwriting Contest, and in Spain she was named “Singer of the Year” by Cosmopolitan Magazine in 2017. She attracted attention as an actress starting as a child, and most recently appearing in “The Zurich Affair”. She is currently on tour in Europe with her latest album “Milk for Ulcers”. For FREIHEIT DELUXE, Sophie and Jagoda met in the studio the day after Sophie's Barcelona concert - their encounter resulted in an unusually intimate conversation. Sophie talks about the memory of her father, the “ultimate defender of the family” and how much it means to be part of the “Blue Team” - in other words, to be one of the people who are where they are needed. Together with Jagoda, she reflects on how she has learned to embrace her family history instead of constantly separating herself from it. However, the great love of her parents and their inspiring relationship could not save her from some of the dangers she had to face alone as an adolescent. And finally, she describes to Jagoda in honest words what has been bothering her since the “Orange Man” returned to power in the United States… Here you can hear, how Sophie Auster finds freedom on stage (4:43) what kind of difficulties she faced during adolescence (12.16) what it feels like to have a baby and losing someone at the same time (29:37) which song she wrote for her dad (38:17) how she feels about being labelled “Indie” (47:44) the way she thinks artists should take a political stand (54:44) how come she picked music as her choice to become an artist (1:07:50) Sophie's revelation about her mysterious album title “Milk for Ulcers” (1:14:55) FREEDOM DELUXE with Jagoda Marinić is a Hessischer Rundfunk production in cooperation with the German Publishers and Booksellers Association. Editorial team: Andrea Geißler, Juliane Orth, and Christoph Scheffer. You can reach us by email: freiheitdeluxe@hr.de. Want to hear and learn more? Here's our tip: https://1.ard.de/D3000_Evelyn_Weigert?cp1

Sophie Auster is a singer-songwriter and released her first album at the age of sixteen. It featured her own lyrics and poems set to music by her father, Paul Auster. Sophie is his and Siri Hustvedt's only daughter and for a long time she struggled with the writer couple's fame and the fact that many people projected things on her. Yet with her warm, expressive voice and her melancholic and tender songs, she has long been a household name on the international indie music scene. Her song “Little Bird” won her the top prize at the John Lennon Songwriting Contest, and in Spain she was named “Singer of the Year” by Cosmopolitan Magazine in 2017. She attracted attention as an actress starting as a child, and most recently appearing in “The Zurich Affair”. She is currently on tour in Europe with her latest album “Milk for Ulcers”. For FREIHEIT DELUXE, Sophie and Jagoda met in the studio the day after Sophie's Barcelona concert - their encounter resulted in an unusually intimate conversation. Sophie talks about the memory of her father, the “ultimate defender of the family” and how much it means to be part of the “Blue Team” - in other words, to be one of the people who are where they are needed. Together with Jagoda, she reflects on how she has learned to embrace her family history instead of constantly separating herself from it. However, the great love of her parents and their inspiring relationship could not save her from some of the dangers she had to face alone as an adolescent. And finally, she describes to Jagoda in honest words what has been bothering her since the “Orange Man” returned to power in the United States… Here you can hear, how Sophie Auster finds freedom on stage (4:43) what kind of difficulties she faced during adolescence (12.16) what it feels like to have a baby and losing someone at the same time (29:37) which song she wrote for her dad (38:17) how she feels about being labelled “Indie” (47:44) the way she thinks artists should take a political stand (54:44) how come she picked music as her choice to become an artist (1:07:50) Sophie's revelation about her mysterious album title “Milk for Ulcers” (1:14:55) FREEDOM DELUXE with Jagoda Marinić is a Hessischer Rundfunk production in cooperation with the German Publishers and Booksellers Association. Editorial team: Andrea Geißler, Juliane Orth, and Christoph Scheffer. You can reach us by email: freiheitdeluxe@hr.de. Want to hear and learn more? Here's our tip: https://1.ard.de/D3000_Evelyn_Weigert?cp1

durée : 02:57:02 - Les Nuits de France Culture, archives d'exception - par : Catherine Liber - Trois heures avec cette figure majeure de la littérature américaine qui s'est fait connaître avec sa "Trilogie new-yorkaise". Pour cet entretien réalisé entre Brooklyn et Paris, l'écrivain s'est entouré de nombreux amis : Jacques Dupin, Sophie Calle, Don DeLillo, Hubert Nyssen... - réalisation : Virginie Mourthé - invités : Paul Auster Écrivain américain; Sophie Calle Artiste plasticienne française; Hubert Nyssen Fondateur des éditions Actes Sud; Jacques Dupin; Siri Hustvedt Écrivaine et essayiste; Don DeLillo Écrivain; Philippe Petit Funambule

In this podcast episode, I tackle the theme of functional neurological disorders, and I explore their almost endless types and diverse presentations. I particularly highlight functional seizures, noting their risk factors, their characteristic, even if diverse, presentations, the ways by which they may be distinguished from organic seizures. I also review functional movement disorders with a special emphasis on functional tremors. I also highlight the negative attitudes by which people with FND are treated by medical staff, who are themselves often poorly trained in the condition, and the tendency for FND to be misdiagnosed. I highlight the principles of communicating the diagnosis of FND and the often negative emotions the diagnosis elicits in many patients and their families on account of the stigma associated with it. I also review the challenges that doctors face with making a diagnosis of FND, and the management approach to the disorder. I illustrate functional neurological disorders with the books The Shaking Woman or A History of My Nerves by Siri Hustvedt, FiNDing Hope, by Jocelyn Bystrom, and FND Stories by Greg Rawlings and colleagues. The podcast also discussed the evolving scientific understanding of functional neurological disorders, and for this I cited the book by neurologist Suzanne O'Sullivan titled It's All in Your Head. I also explore the fascinating history of the study of functional neurological disorders with reference to the role played by Jean-Martin Charcot, the acknowledged father of clinical neurology. In this context, I cited the book Medical Muses, written be Asti Hustvedt, which vividly captured the nature of hysteria, and the personalities of the famous hysterics that Charcot studied in Paris. This especially reviewed Blanche Wittman, Charcot's most famous patient, and factors of her life that predisposed her to developing hysteria. I also used this text to highlight the less well-known positive contributions that Charcot made to the subject.

durée : 01:49:02 - Les Grandes Traversées - par : Amaury Chardeau - "Très rapidement, il est tombé dans l'oubli, jusqu'à ce qu'on le réveille, comme Blanche-Neige, par un baiser. Cinquante ans plus tard, le monde reconnait enfin le grand penseur qu'il fut" David Lagercrantz - réalisation : Yvon Croizier - invités : Laurent Lemire Journaliste; Andrew Hodges Mathématicien et auteur, en 1983, de la première biographie d'Alan Turing; Anastasia Christophilopoulou Conservatrice au Fitzwilliam Museum de Cambridge; Dermot Turing Juriste et expert en histoire du décodage, neveu d'Alan Turing; Arnaud Delalande Écrivain et scénariste; Jonathan Swinton Chercheur en histoire des mathématiques et des théories biologiques à Manchester; David Lagercrantz Écrivain; Nadine (le prénom a été modifié) Historienne à la DGSE; Pierre Mounier-Kuhn Historien, chercheur au CNRS et à l'Université Paris-Sorbonne; James Sumner Historien des technologies à l'université de Manchester; Bill Burgwinkle Professeur de littérature française au King's College de Cambridge; Jean Lassègue Philosophe et épistémologue, chargé de recherche CNRS et membre statutaire du LIAS (LInguistique Anthropologique et Sociolinguistique).; Jean-Gabriel Ganascia Professeur d'informatique à la faculté des sciences de Sorbonne Université et membre senior de l'Institut Universitaire de France; Cédric Villani Mathématicien français et ancien député, médaillé Fields en 2010; Olivier Bousquet Directeur de recherches en Intelligence Artificielle chez Google; Gérard Berry Informaticien, Professeur au Collège de France, membre de l'Académie des sciences; Siri Hustvedt Écrivaine et essayiste; Jean-François Peyret Metteur en scène; Eva Navarro-Lopez Chercheuse en informatique à Manchester; Rodolphe Burger Compositeur, guitariste et chanteur français

This week's episode features Paul Auster and Siri Hustvedt when they interviewed each other for a special event hosted by Literary Arts in 2006.

durée : 01:21:10 - Le 18/20 · Un jour dans le monde - par : Fabienne Sintes - Émission spéciale - Élection américaine : à moins d'une semaine de l'élection présidentielle américaine, rendez-vous dans l'un de ces états clés qui vont faire pencher le sort des Américains - et peut-être du monde - pour les quatre années à venir. - invités : Julien Suaudeau, Siri HUSTVEDT, Franck MATHEVON, Sophie Degat, Claire Finkelstein - Julien Suaudeau : Romancier, Siri Hustvedt : Écrivaine et essayiste, Franck Mathevon : Directeur de la Rédaction internationale de Radio France, Sophie Degat : Professeure de français à l'Université de Pennsylvanie, Claire Finkelstein : Professeure de droit et de philosophie à la faculté de droit de l'Université de Pennsylvanie - réalisé par : Thomas Lenglain

durée : 01:21:10 - Le 18/20 · Un jour dans le monde - par : Fabienne Sintes - Émission spéciale - Élection américaine : à moins d'une semaine de l'élection présidentielle américaine, rendez-vous dans l'un de ces états clés qui vont faire pencher le sort des Américains - et peut-être du monde - pour les quatre années à venir. - invités : Julien Suaudeau, Siri HUSTVEDT, Franck MATHEVON, Sophie Degat, Claire Finkelstein - Julien Suaudeau : Romancier, Siri Hustvedt : Écrivaine et essayiste, Franck Mathevon : Directeur de la Rédaction internationale de Radio France, Sophie Degat : Professeure de français à l'Université de Pennsylvanie, Claire Finkelstein : Professeure de droit et de philosophie à la faculté de droit de l'Université de Pennsylvanie - réalisé par : Thomas Lenglain

In the third episode of “Notes on a Native Son,” host Razia Iqbal sits down with the celebrated writer of novels and essays, Siri Hustvedt. When Hustvedt was invited to record a conversation for the podcast about her favorite passage from the work of James Baldwin, the timing in so many ways couldn't have been worse — it turned out to be the last few weeks of life for her husband, writer Paul Auster. However, a few weeks after his passing, Hustvedt reached out to say that she was ready.She felt that re-reading and talking about Baldwin would somehow be a balm for her grief. Hustvedt describes how Baldwin's novels “possessed” her as a young reader and discusses his intricate ability to recognize the oppressor within, even as he gave a voice to the oppressed.Notes from America is a 2024 Signal Awards finalist! Community voting is now open for the show to earn a Listener's Choice honor for Best Live Podcast Recording, and we would be honored for you to take a minute to cast a vote our way. Click here to vote through October 17, and thank you for listening and supporting Notes from America! Tell us what you think. We're @noteswithkai on Instagram and X (Twitter). Email us at notes@wnyc.org. Send us a voice message by recording yourself on your phone and emailing us, or record one here.Notes from America airs live on Sundays at 6 p.m. ET. The podcast episodes are lightly edited from our live broadcasts.

“Notes on a Native Son” is a new, limited audio series about how and why the writer James Baldwin continues to matter. We hear from people who turn to his words again and again for ideas and inspiration, including Ta-Nehisi Coates, Nikki Giovanni, Bryan Stevenson and many more.Hosted by journalist Razia Iqbal, each episode explores a Baldwin passage chosen and beloved by her guests. Their conversations underline Baldwin's lasting power and remind us of his prescience and acuity on issues such as race, class, sexuality, power, belonging and love.New episodes are available on-demand every Saturday in the Notes from America podcast feed. This project was made possible through partnership between Princeton University's School of Public and International Affairs, Sea Salt & Mango Productions and WNYC Studios. Tell us what you think. We're @noteswithkai on Instagram and X (Twitter). Email us at notes@wnyc.org. Send us a voice message by recording yourself on your phone and emailing us, or record one here.Notes from America airs live on Sundays at 6 p.m. ET. The podcast episodes are lightly edited from our live broadcasts.

Human creativity — whether it's solving a tough problem or writing a novel — is one of our defining traits. It's also deeply mysterious. Where does that creative spark come from?Original Air Date: February 09, 2019Interviews In This Hour: A Neuroscientist and a Novelist Put Creativity Under a Microscope — Is This The Price of Genius? — Alma Mahler: 'Malevolent Muse' or Early Feminist Composer? — Was The Art Worth All The Pain?Guests: Heather Berlin, Siri Hustvedt, Jim Holt, Mary Sharrat, Nathaniel Mary QuinnNever want to miss an episode? Subscribe to the podcast.Want to hear more from us, including extended interviews and favorites from the archive? Subscribe to our newsletter.

durée : 02:56:59 - Les Nuits de France Culture - Trois heures avec cette figure majeure de la littérature américaine qui s'est fait connaître avec sa "Trilogie new-yorkaise". Pour cet entretien réalisé entre Brooklyn et Paris, l'écrivain s'est entouré de nombreux amis : Jacques Dupin, Sophie Calle, Don DeLillo, Hubert Nyssen... - invités : Paul Auster Écrivain américain; Sophie Calle Artiste plasticienne française; Hubert Nyssen Fondateur des éditions Actes Sud; Jacques Dupin; Siri Hustvedt Écrivaine et essayiste; Don DeLillo Écrivain; Philippe Petit Funambule

Fürstenberg, Paula www.deutschlandfunkkultur.de, Lesart

Gaza engasjerer VGs lesere mest, og minst. Siri Hustvedt, enken etter forfatteren Paul Auster, mener mediene fratok familien verdigheten da ektemannen døde. Er VG på kant med loven når vi publiserer annonser for «Borgerlig valgseier»? Dagens gjest er utenriksreporter i VG, Nora Thorp Bjørnstad. Med Anders Giæver og Gard Steiro. Produsent Magne Antonsen. Ansvarlig redaktør Gard Steiro. Kontakt redaksjonen på giaeveroggjengen@vg.no. Daglig oppdatering om det du trenger å vite om norsk og internasjonal politikk, samfunn og kultur. Hør ny episode hver ukedag og lørdag i Podme eller med VG+. Hør fredag og lørdag i Spotify, iTunes og der du hører podkast.

Su enfermedad la anunció hace un año su mujer, la también escritora Siri Hustvedt, con un texto muy hermoso en el que decía que se habían trasladado a vivir a Cancerland, «un lugar donde en realidad nadie vive, solo espera». Por desgracia, y aunque todos sus lectores deseábamos profundamente que saliera de ese «país del cáncer» cuanto antes, no ha podido ser y ha fallecido en su casa de Brooklyn, el barrio de Nueva York que tanto amaba y que tanto retrató en sus novelas

THIS WEEK on the GWA Podcast, we interview the acclaimed novelist, essayist and author of 18 books, SIRI HUSTVEDT! From memoir to poetry, non-fiction to fiction, Hustvedt's writing has touched on the topics of psychoanalysis, philosophy, neuroscience, literature, and art. Long-listed for the Booker Prize and winner of the Los Angeles Times Book Prize for Fiction, Hustvedt's The Blazing World is a provocative novel about an artist, Harriet Burden, who after years of being ignored attempts to reveal the misogyny in art by asking three male friends to exhibit her work under their name. It is of course a triumph, and other bestsellers include What I Loved and The Summer Without Men. Born in Northfield, Minnesota to a Norwegian mother and an American father, and based in NYC since 1978, it wasn't until 1995 that Hustvedt began writing about art. Since then, her art writing oeuvre has expanded enormously with numerous books and essays published to acclaim – which often focus on the fate of female artists in history, the biases of history making, and discuss the likes of Louise Bourgeois, Alice Neel, Adrian Piper, Lee Krasner, Betye Saar, Joan Mitchell, Dora Maar, among others – which I can't wait to get into later on in this episode… Hustvedt's writing is both eye-opening and groundbreaking. She has questioned how we measure greatness, if art has a gender, the effect of art and literature existing in our memory and the future of fiction. She has looked at the masculine traits of the mind and the female traits of emotion, the domestic vs the intellectual, and analysed how historians have not just told the narrative of art, but the narrative of the world. She has asked why absence is so prevalent and explored how women have reconfigured the body after years of what she calls ‘fictive' spaces… I love her writing and it's allowed me to unlock elements (and see things differently) in books, art, and more that exist in my memory. Favourite books include A Woman Looking at Men Looking At Women: Essays on Art, Sex and the Mind and, more recently, Mothers, Fathers and Others – which is part memoir, part psychological study. So I couldn't be more delighted to have her on the podcast today. Follow us: Katy Hessel: @thegreatwomenartists / @katy.hessel Sound editing by Mikaela Carmichael Artwork by @thisisaliceskinner Music by Ben Wetherfield https://www.thegreatwomenartists.com/ THIS EPISODE IS GENEROUSLY SUPPORTED BY OCULA: https://ocula.com/